Collective Magazine Issue 5 The Defiance Issue by The Collective Mag

DEFIANCE // Issue 5 // august 2010

Phototography:

Rus Anson Anthony Elgort Gary Fitzpatrick Nick Onken Tyler William Parker Film:

Eric Amadio

Music:

munk ÂŠ Collective Magazine 2010

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masthead

Editorial & Fashion Director

ÂŠ Collective Magazine 2010

Eryka Clayton

eryka@thecollectivemagazine.com

Creative Direction

Beauty & A Beast www.beautyandabeast.com

Art Director

Rich Clayton

rich@thecollectivemagazine.com

Editor at Large

Susan Michals

collectivemag.susan@gmail.com

Stage & Screen Editor

Jaime Sullivan

collectivemag.jaime@gmail.com

Contributing Writers

Joseph Sweeney todd gilchrist Laura Prudom

Contributors

Tyler William Parker, Beth Hoppe, Anthony Elgort, Meghan McClain, Alexis Swain, Gary Fitzpatrick, Cory Savage, Randi Peterson, Burke Daniel, Daymion Mardel, Ise White, Dale Johnson, Nick Onken, Melinda Tarbell, Alejandra, Nina Day Chaudhuri, Rus Anson, Chelsea Millunchick

Editorial Submissions

submissions@thecollectivemagazine.com

General Information

info@thecollectivemagazine.com

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in this issue

contents

Click any image or heading to jump directly to the article

regulars MUSIC:

DJ MUNK

we get under the skin of the musical tour-de-force

PROFILES:

ERIC AMADIO

with the wind Style: First Class from Anthony Elgort

against the wall The revolution never looked so good

one blow of the horn We exlore the sensual side of the prohibition era

HOW STICKING to your guns can get you ahead... even in hollywood

DETAILS

STOCKISTS

GET YOUR HANDS ON EVERYTHING FROM THE ISSUE

FROM THE JUDGE

FINAL WORD

WORDS OF WISDOM UNTIL NEXT TIME

rock and roll

soft

Unleashed on the streets of New York We take a day off to play

Rus Anson takes us on an immersive visual journey

ÂŠ Collective Magazine 2010

TIP: Use the contents button to jump back to this page at any time

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editor’s letter

Hi Friends, In pulling together this issue I realized that I know the rules of society but most of the time I break them for the sake of my own personal code. All it takes is a look, a look at the expression on someone’s face, a look at something miraculous, something destructive, sad, or breathtakingly beautiful. It doesn’t take much to make me forfeit any benefit of following the rules that have set society norms because I’m not sure they have much value. So in this issue only our rules apply. We follow the path of defiance with integrity to reveal what is there. Voices are used, paths are abandoned and liberation allows for the explosion of new art with no signs of destruction in the aftermath. The talent in this issue has leaped over potential obstruction and taken a picture from the top. So enjoy what you see and feel what you feel. I look forward to your reactions!

xo Eryka

letter

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contributors

Ise White

Gary Fitzpatrick nick onken

After shooting for clients like Nike, State Farm Insurance, Cosmopolitan, Marie Claire, and Lamborghini, Nick is quickly spreading his philosophy of photography. A big believer in living in the moment, his photos follow suit. With a designer’s eye, he’s constantly searching for that perfect moment to tell the whole story. And the pursuit of these moments has taken him around the world. His love of travel has recently collided with his career and he’s published his first book, Photo Trekking. It’s also moved him from Los Angeles to New York City this year, abandoning the beautiful weather and tropical views in favor of subway lunatics and urban skylarking. The latter of which obviously lead to more interesting moments. You’ll never catch a palm tree doing back flips on a crowded train.

Having grown up with a darkroom in his basement and a Pentax 67 on his arm, Canadian-born fashion and portrait photographer Gary Fitzpatrick began learning the art and science of picture taking at a young age. Today, having worked everywhere from Milan to Mauritania, he feels most at home wherever a shoot takes him; his style embodying a rebellious yet sophisticated spirit. On top of his fashion and portrait work, he is currently working on two photo art projects, a suite of prints based on historical bank robberies, and a series of nudes. His second book will be published in the fall. He lives in Los Angeles with his wife and dog, Fender.

Ise’s fashion career began when she started designing sets and costumes for performance art projects. She started her own costume company after graduating with a BFA in painting and art history. She exhibited at major museums and galleries before moving to New York to get a masters in figurative painting and drawing. After moving to New York, Ise fell into styling through friends in the fashion industry and soon thereafter was featured in major magazines like L’Officiel, Vogue España, and L’Uomo Vogue. Retail Ad & Design featured Ise as an “upcoming talent to watch for.” Before long, she was styling major ad campaigns for Olympus, Fashion Week, Pantene, Coors Light, Coca Cola, and others. Ise spent her childhood living a nomadic lifestyle traveling throughout Europe and Asia, which influences her eclectic tastes. She continues to travel frequently for styling, and draws inspiration from her environments, music, diverse cultures, and art.

Anthony Elgort A world traveller and visionary creator of images, Anthony Elgort has been a resident of Los angeles for only a year, but he has already made his mark. Elgort’s ground breaking work ranges from travel to the snowy mountains of Bulgaria in the cold winter, to finding a sculptural nude beneath the waters of Cape Cod. In his dynamic portraits, he connects with and brings out the personality beneath, seeking the miraculous, the strong, and the visually arresting. In his remarkable fashion pictures he strips back the layers to find something elusive and sophisticated, sexy in the truest sense-- soulful, alive, edgy and beautiful.

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Foreplay

MUSIC

MINISTRY

F O Y R T S I N I M OF SOUND

Producing prodigy [and/or musical maestro] Mathias Modica

spins a web of creativity and community – just don’t call him

fashionable: The man behind Munk, Gomma, and a hive of creativity has a world of his own – can you see what he sees?

Written by Laura Prudom

Photography by Jan Schenke

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DJ MUNK

As the progenitor of German record

label Gomma and the man behind

the alias of DJ Munk, Modica is no stranger to standing out from the crowd. Indeed, the very genesis of Gomma producing partner Jonas Imbery were met by roadblock after roadblock in their attempts to share their music with the masses. “We started to make music but nobody wanted to release it, so we were forced to do it ourselves,” Modica laughs. “We want to do stuff unlike what anyone else does; we try to keep changing, even

“

I’ll tell you this, most music people are boring

“

was forged by defiance, since Modica and his

if it’s a risk.” The Italio-German producer wears many hats – in addition to DJing, he tours with his four man band, also known as Munk. “I’m interested in connecting music in different forms, from classical to acoustic rock to electronic,” he explains. “Pure DJing is too limiting – I need to play with a band and create energy with an audience too.”

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DJ MUNK

Along with Imbery, Modica has inadvertently found himself serving as de facto leader for an eclectic band of musicians, artists and fashion designers, all lovingly gathered under their Gomma label. This commune of creativity travels across the world, from London to Tokyo to Sydney, performing at fashion shows, creating art exhibits (dubbed MondoGomma Picture Shows) and producing t-shirt designs, all in an attempt to showcase the unique way they view the world. “I’ll tell you this, most music people are boring,” the DJ admits without a hint of hesitance, “Especially in the electronic or club music scene. I get bored easily, I need people who do different stuff and give me a different input, people who see things from another point of view. On my label, I’m connected to all these interesting people; there’s a lot of flow and inspiration around me.” That inspiration is apparently contagious, since art collectors and fashionistas across the globe seem eager to latch on to Gomma’s unique who feature Modica’s tracks in their shows and promotional videos, to Parisian retail store Colette, which painted its walls with artwork from one of Munk’s albums. In Berlin and Barcelona, fans snap up copies of Amore, the poster magazine that Gomma publishes, filled with the work of graphic designers and illustrators that the musical iconoclast counts among his friends.

“

I get bored easily, I need people who do different stuff and give me a different input, people who see things from another point of view.

“

world-view, from the renowned fashion houses of Chanel and Louis Vuitton

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DJ MUNK

Ironically, Modica shies away from the word “fashion” in its broadest sense,

He blames this reticence on his upbringing, which he describes as “arty.” His

and is similarly disdainful of the sweeping scope of “art,” preferring to

father is a musician (a “German Avant Garde music composer,” to be specific),

Gomma’s creative output simply as “an expression of our state of mind at a

and as far back as Modica can remember, they were travelling together – Modica

certain moment,” if forced to give it a label.

playing drums and piano and saxophone among numerous other instruments. He notes that his parents hated popular music, so his auditory education consisted

“I’m not a fashion kid, or whatever you want to call it,” he insists, his lilting

of listening to classical 20th century composers and eschewing the tunes that

accent a melting-pot of European dialects that invariably draws you in and grips

topped the charts in his childhood. It was in his teenage years, Modica reveals,

you tight. “I’m really into personal styles or people who have their own way of

that he began developing a taste for techno and hip-hop “as a rebellion; because

living and dressing. If I see something fashionable, I run away immediately!”

my parents were against that music, I got double interested in it.”

Defiant to the last // www.gomma.de © Collective Magazine 2010

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Foreplay

FILM

EricDIRECTOR Amadio By: Todd Gilchrist Photography: Tyler Parker

ÂŠ Collective Magazine 2010

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Eric Amadio

or a guy who walked off the set of his debut feature as a writer-director, there’s a surprising lack of irony in Eric

Amadio’s observations about himself. “This has been kind of a recurring theme throughout my career, but I’ve always been doing things original to a fault, probably.” Amadio, whose first film After Sex was recut by its distributor and released in theaters without his approval, is the resilient, unwavering type, a muss of brown hair

and boyish charm that disguises one of the most fiercely independent - and still strangely responsible - rebels Hollywood has these days. In his words, the discovery of his artistic ambitions came at an early age. “I grew up in Downey, California,” he explains on a recent, overcast Los Angeles afternoon. “I was an only child, and that kind of naturally led to me becoming a writer.” For Amadio, it wasn’t merely the self-expression that appealed to him, but the eventual connection his work would make with an audience. “I was writing my whole childhood, and I got published when I was ten. It sounds way more impressive than it is, but from there I got some poetry published, like small things that the teacher would submit you for, and that was the first time I got a taste of reactions (my work could have).” © Collective Magazine 2010

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Eric Amadio

“When we start to allow other people’s perceptions to define us, I think the art starts to become affected.” Although movies were a big part of his life, Amadio says becoming a filmmaker didn’t

After indulging in his share of

Hollywood cliques, and he was a big

seem like a viable option as a teenager. In order to exorcise those artistic yearnings,

twenty-something excess at the heart of

fan of mine as a writer, and he was like,

the young storyteller turned to an alternate medium in order to express himself. “I had

San Francisco’s electronic music scene,

‘man, you should be making movies’.

all of this poetry, all of this writing, and I’ve always been a storyteller, so I picked up

Amadio revisited his writing career, but

So at a certain point people around me

a guitar and learned how to play. “I set my sights on San Francisco, and I ended up

this time with the intent of combining

were kind of bitching enough to where it

there five years. I moved up there at a really interesting time, around 1995, and the

his words with equally striking images.

awakened that sleeping giant that always

electronic music scene was really starting to define itself in American music culture. I

“I moved back to LA and said ‘fuck it’,

wanted to make movies.”

started DJ’ing and producing electronic music; throwing raves, and doing what you’re

I’m going to make movies,” he recalls

supposed to do in your early 20s – get it out of my system.”

with remarkable casualness. “I didn’t

Amadio’s route was anything but

know what I was doing, but I had a

Hollywood traditional. He taught

Amadio says that a big part of his increasingly prolific output was motivated by the

little bit of savings and I put everything

himself how to write screenplays

suggestion that he couldn’t -- or shouldn’t -- follow his dreams. “We’re basically

into this short [film] I wrote. I knew at

– and went on to write 9 in a very

toddlers– if you tell us no, we find a way to do it. So at a certain point I was like, I’m

a certain point I [realized I] didn’t want

short period of time, instead of just one.

going to be making movies; I grew up loving to get lost inside movies, but it never

to be just a writer. A friend of mine was

“I didn’t study to be a writer, I never

seemed like a realistic career path. That probably led me to dream more.”

linked to one of the more exclusive

studied music, and I never went to film

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Eric Amadio

school; I’m just a weird artist that loves making stuff. I don’t

Meanwhile, Amadio credits the preservation of his artistic integrity as the reason he

have the patience to wait around to have somebody tell me how

parted ways with his fledgling project. “Most people know me in this town for walking

to do something I can figure out on my own, and I think that’s

away from my first movie, [but] it was more of a principle and ethical thing where we

kind of the secret to original art – original processes.”

all agreed to do something, and somewhere along the line, it was decided they were going to take it in a different direction. For better or for worse, I got to a place where I

Eventually, Amadio found other people who believed in his

felt like I couldn’t stand by what was being done with it, and what came into play was

work, but his inexperience – personally, but more important,

the integrity of the film and the trust I had built with my actors.”

professionally - eventually outweighed his enthusiasm and drive. “At one of the meetings I was supposed to take, they had

Even having gone through the professional equivalent of a “bad breakup,” Amadio

asked for another [writing] sample, and After Sex was sitting on

reflects on the experience with surprising clarity, if also some hopeful immodesty.

top of the pile, and they called back and said, we want to meet

“I love those people, and even though it ended in a way that I think all of us would

you. I went in for the meeting, and they couldn’t have loved

have preferred it didn’t, I learned so much because they gave me the best opportunity

it more.” The first-timer secured financing and assembled a

in the world and ultimately gave me a career,” he says candidly. “It’s the first-time-

remarkable cast that included Zoe Saldana, Mila Kunis, and

director horror story that everyone has. Hopefully at some point I can become a great

Taryn Manning. But despite measured negotiations, Amadio

director, and I’m working hard on it.”

eventually found himself on the losing end of a battle over the film’s final cut.

That said, Amadio doesn’t recuse himself from pointing out some of the perils of the moviemaking business. “There’s this overwhelming vampiric energy that hovers over

“They said, look, we want to do this, and I said, I need to think

the entire entertainment business,” he suggested. “It’s an industry where you’ve got

about it. I’ve never been afraid to ask for what I think I deserve,

90 percent of the people making money off of the 10 percent with talent. This isn’t a

and I went and told them ‘this is what I want.’ They gave me

culture where people are trying to help people; everyone’s so worried about losing

everything I wanted except for final cut, and that ended up

their spot that they’re terrified to bring anyone else up, which I always thought was

being the thing that bit me in the ass.”

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Eric Amadio

At the same time, he recognizes that an important if not

that made them who they were, and I think a lot of it has to do with hunger,” he argued. “I like cooking and I like cleaning up. I’ll eat last, and that was

essential part of that equation is, in fact, business. “That’s

the example that was set for me in the household I grew up in – make sure everyone’s taken care of first, and I take pride in cooking, the metaphor for

not to discredit what those people do, and I’m the first

making my art, and cleaning up, which is finding a way to distribute it and get it out to people.”

person to say that they’re fucking great at what they do, because there’s a reason that the studios are so big. And

Practically speaking, Amadio is trying to translate his own hard-won lessons into successful business strategies. “Basically, what we’re talking about

I’m not one of these indie, one-hand-on-the-balls-middle-

doing is talking about making films responsibly,” he said of his production company, the pointedly named Final Cut Collective. “Through our

finger-in-the-air, fuck you to the world [people], because

relationships, we’re able to get people to work on things because they want to work with good people and they want to do things that they’re proud of,

that’s bad business.”

which, believe it or not is a niche market. What we’re aspiring to be and what we’re becoming is a home for an artist to bring their passion projects.”

Philosophically, Amadio ultimately takes a decidedly more

He however insists that creative empowerment need not happen at the expense of audience enjoyment. “Being financially responsible and

spiritual approach to his no less eclectic slate of future

commercially appealing are not mutually exclusive,” he insisted. “I used to look at commercial as a bad word, the indie kid in me did, [but] I think we

work, which includes another anthology-based feature,

have to be commercial if we’re going to survive, and that doesn’t mean you can’t make dark, independent films. It just means being conscious of your

a documentary about trailblazing horror producer Scott

audience. And that’s probably one of the bigger things I’ve learned. I was writing for a small audience because that was my instinct, and after you

Spiegel, and of all things, an opera. “There’s one real simple

make a couple of movies that no one sees, you go, shit, I wonder if I could do something that people could see.”

rule of the universe – the energy you give out is what you’re going to get back.”

It remains to be seen whether his efforts will find greater commercial footing. But regardless of their success, Amadio seems confident he’s found a way to satisfy the folks who are fueling his filmmaking vision without short-changing his creativity. “The realities of the business are if you want

“I’m not going to say any names, but formerly great artists

people to see things, you’ve got to be making things that people want to see. That doesn’t mean you have to water them down.”

for one reason or another aren’t coming with the same fire

S. © Collective Magazine 2010

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Photographer: Gary Fitzpatrick, www.garyfitzpatrick.com Stylist: Cory Savage, Timothy Priano Agency

Sex

FASHION

Hair: Randi Petersen, Timothy Priano Agency Make-Up: Burke Daniel, Timothy Priano Agency Model: Jena, Vision

against the wall Let’s make it known. The power of no rewinds = great reward for the risk.

Swimsuit, Beach Bunny Swimwear Jewellery, Tempt Helmet, Stylists own

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gary fitzpatrick

Swimsuit, Beach Bunny Wing Hat, Arturo Rios Rhodium Necklace, Tempt Chain with three Ball Drops, Tempt

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gary fitzpatrick

Necklace, Mitchell

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gary fitzpatrick

Swimsuit, Cali Dreaming Necklace, Lou Zeldis Bracelet, Lou Zeldis Chain, Lou Zeldis Bracelet, Lou Zeldis Belt, Maya Baroque Cuff, Miles Mcneel Rings, Tempt

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gary fitzpatrick

Cross on Black Leather, Lowluv

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gary fitzpatrick

Swimsuit, Beach Bunny Gloves, Sermoneta Necklace, Tempt

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gary fitzpatrick

Swimsuit, La Perla Necklace, Prismera Design Bangles and Rings, Jennifer Fisher Jewelry Bracelet, Tempt Earrings, Michelle Monroe Eyewear, Victory Suntimer Shoes, Two Lips

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gary fitzpatrick

Swimsuit, Beach Bunny Black Fringe Chest Plate, Skingraft Sterling Eagle Chain W/ Crain Bell, Lone Ones Hip Pouch, Daniel Cheli Rutilated Quartz & Leather Cuff, Joseph Brooks Hinged Snake Cuff, Lowluv Ring, Tempt Boots, Velvet Angels

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gary fitzpatrick

Bikini, Beach Bunny Jewelry, Tempt

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gary fitzpatrick

Swimsuit, Beach Bunny Chain Collar, Wyler Cuffs, Zasha by Jude Frances Jewelry Ring, Zasha by Jude Frances Jewelry Shoes, Velvet Angels

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gary fitzpatrick

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Sex

FASHION

SOFT

Perfect pace, patterns stable, thru lips, into air, across skin, rustling eyelashes

Photography: Rus Anson www.rusanson.com Hair and Make-up: Chelsea Millunchick Models: Erin Leeper, Passport Model Management, SF

Eyes: Kryolan Aqua Color

Nicole Winge, City Model Management, SF

Lips: Kryolan Aqua Color

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RUS ANSON

Eyes: Kryolan Aqua Color Lips: Loreal Penelope Red

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Eyes: Kryolan Aqua Color Lips: Kryolan Aqua Color

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Eyes: Kryolan Aqua Color Lips: Kryolan Aqua Color

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Eyes: Nars- Rated R Lips: Sephora in Rouge

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Eyes: Nars- Rated R Brows: Loreal lipstick Penelope Red Lips & Lashes: Kryolan Aqua Color

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Sex

FASHION

WITH THE WIND Responding to todayâ&#x20AC;&#x2122;s events will make for significant social change. Photographer: Anthony Elgort elgort.com Stylist: Eryka Clayotn erykaclayton.com Hair: Meghan McClain at Next Management Make-Up: Alexis Swain at Next Management

Jumpsuit, Catherine Malandrino

Model: Olivia Fox at Photogenics and Sara Joffe at LA Models ÂŠ Collective Magazine 2010

Necklace, Falling Whistles

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ANTHONY ELGORT

Dress, Georges Hobeika Shoes, Jimmy Choo

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Dress, Diva Courture Purse, Michelle Monroe

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Jacket, Grai Blouse, Ella Zahlan Shorts, Espaco Fashion

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LEFT Jumpsuit, Ronald Necklace, Falling Whistles Head-cap, Cydney Griggs RIGHT Blouse, Rachael Cassar Trousers, Catherine Malandrino

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Dress, Gabriela Cadena Purse, Judith Leiber

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LEFT On Sarah: Dress, Pamella Roland Necklace, Falling Whistles Shoes, Jimmy Choo On Olivia: Dress, Deneish Boots, Jimmy Choo Rings, Veronica Moore RIGHT Cape, Grai Blouse, Sherri Bodell Pants, Catherine Malandrino Shoes, Velvet Angels

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RIGHT Dress, Catherine Malandrino Cape, Grai Shoes, Jimmy Choo

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On Olivia: Dress, Catherine Malandrino Purse, Judith Leiber On Sarah: Dress, Gabriela Cadena Purse, Judith Leiber

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ANTHONY ELGORT

Wrap Dress, Grai Ring, Gypsy

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One blow of thehorn

Sex

FASHION

“Just friends But not like before To think of what we’ve been And not to kiss again Seems like pretending It isn’t ending” - Klenner

Photographer: Daymion Mardel Stylist: Ise White Catering: D’orazio Grooming, Hair and Make-up: Dale Johnson at Artists by Timothy Priano Models: Catrinel with IMG Models NY, Richard Lima with Nous Models LA

Sharkskin Blue pants, New Era Fedora, Kangol Vest, Robert Talbott, Shirt, Ermenegildo Zegna

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Daymion Mardel

Brown pin stripe 3 pc Suit, Zoot French Cuff Button Down white Shirt, Ermenegildo Zegna Tie, Calvin Klein Wingtips, Cole Haan

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Daymion Mardel

One Shoulder Gown, Magalis Garcia Necklaces, Nicole Miller Bracelets and flower pin, Alexis Bittar

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Daymion Mardel

CATRINEL Necklaces and Dress, Nicole Miller Long pearls with Rings/Gold flowers & Bracelets, Alexis Bittar Pearls & Rhinestones, Joomi Lim Headbands, D. Caruso RICHARD Suit, Zoot Pocket Square & Button-down Shirt, Zegna Tie, Bespoke

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Daymion Mardel

CATRINEL Dress, Candela Stockings, Wolford

CATRINEL

Necklaces, Nicole Miller

Dress, David Ho

Long pearls with Rings/Gold flowers & Bracelets, Alexis Bittar

Headband, D. Caruso

Pearls & Rhinestones, Joomi Lim

Necklace, Joomi

Headbands, D. Caruso

Rhinestone, Nicole Miller Bracelets, Alexis Bittar

RICHARD Tie, Calvin Klein

RICHARD

Vest, Robert Talbot

Tie, Calvin Klein

Hat, New Era

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CATRINEL Visor: American Apparell Dress, David Ho Headband, D. Caruso Necklace, Joomi Rhinestone, Nicole Miller Bracelets, Alexis Bittar RICHARD Tie, Calvin Klein Velvet Collar Zoot Suit, New Era

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Shirt, Zegna Tie, Calvin Klein Vests, Pants, Bowler Hat , New Era

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Lace shirt & sequin skirt, Numina Pendant bracelets & rings, Alexis Bittar Headband, D. Caruso Pearls, Joomi Lim

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Daymion Mardel

CATRINEL Dress, Elena Antoniades Pearls, Joomi Lim Animal print square bag, BodhiStockings, Wolford Shoes, Nicole Miller Bangles, Alexis Bittar RICHARD Suit, Zegna Hat, Kangol Raincoat, Allegra

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Sex

FASHION

All is state of mind. Kindness is here. Freedom is here. No sleep. All is new. Photographer: Nick Onken www.nickonken.com Stylist: Melinda Tarbell www.melindatarbell.com Hair: Alejandra, Artists by Timothy Priano Make-Up: Alejandra, Artists by Timothy Priano Casting: Nina Day Chaudhuri Models: Ediely Scapinello @ Muse & Aiden Andrews @ Ford

L L L L O O R d R n a K C O R a K C O R ÂŠ Collective Magazine 2010

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Nick Onken

Tube skirt, Thatcher T-shirt and gloves, Faith Connexion Gold Digger Sunglasses, Haus That Jane Built, Fishnet hosiery, Trash & Vaudeville Vintage boots, What Goes Around Comes Around Necklace, VSA Necklaces, M. Cohen

Visor: American Apparell

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Nick Onken

Him: T-shirt, skinny jeans, chain bracelets, Trash & Vaudeville Wrap bracelets, M. Cohen Vintage Harley Davidson belt and Converse, whatgoesaroundcomesaroundnyc.com

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Nick Onken

T-shirt, Trash & Luxury Diamond mesh bra-let, American Apparel Leather shorts, Sheri Bodell Gloves, Carolina Amato Boots, La Rare Hat, Trash & Vaudeville Necklace, M. Cohen

Visor: American Apparell

ÂŠ Collective Magazine 2010

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Nick Onken

Long-sleeved t-shirt, John Varvatos Leather pants, Trash & Vaudeville Miansai necklace and Alkemie Eliz coin necklace, What Goes Around Comes Around Shoes, Converse by John Varvatos Visor: American Apparell

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Nick Onken

Textured black skirt, Pleasure Doing Business Vintage bustier, stylist’s own T-shirt and leather jacket, Obesity & Speed Booties, Rock & Republic Bracelets, M. Cohen Bracelets, necklaces, ring, VSA

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Nick Onken

Her: Textured black skirt,

Pleasure Doing Business Vintage bustier, stylistâ&#x20AC;&#x2122;s own T-shirt and leather jacket,

Obesity & Speed Booties, Rock & Republic Bracelets, M. Cohen Bracelets, necklaces, ring, VSA Him: Vintage vest, John Haah, Tank, Obesity & Speed Skinny jeans, Tripp Laceless boot, John Varvatos

Visor: American Apparell

Bracelets, M. Cohen Chain bracelets,

Trash & Vaudeville ÂŠ Collective Magazine 2010

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Nick Onken Her: Black/grey Evolve Intarsia dress, Thatcher Tulle skirt and leggings, American Apparel Tulle skirt, Seven ‘til Midnight Gold necklace and cuff bracelet, VSA Ring, Lady Grey Vintage shoes, stylist’s own Him: T-shirt, skinny jeans, chain bracelet, Trash & Vaudeville Vintage Harley Davidson belt and Converse,

What Goes Around Comes Around Bracelets, M. Cohen

Visor: American Apparell

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Nick Onken

Silver pantsuit, David Alexander Fingerless crochet gloves, Carolina Amato Bracelets, prism necklace, & bone necklace, Lady Grey Milagrosa cuff, VSA Necklace, LAS Jewelry Necklace, M. Cohen

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Her:

Him

Hat, Brixton

Vintage t-shirt, stylist’s own,

Bra-let and black slip, Malia Mills

Leather pants, Trash & Vaudeville

Nick Onken

Cobra trousers and flying horse belt, Temperley Vest, Line & Dot Booties, Rock & Republic Silver bullet cuffs, Mianasi

What Goes Around Comes Around Ring, Lady Grey Him: Blazer, John Varvatos Shirt, Cash Crop Tank, American Apparel Jeans, Tripp Denim Vintage skinny tie and shoes,

What Goes Around Comes Around Bracelets, M. Cohen Chain bracelet, Trash & Vaudeville

Visor: American Apparell

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Nick Onken

Lace up pants, Tripp Vintage Harley belt, What Goes Around Comes Around T-shirt, Sosume Brown leather fringe vest, Sheri Bodell Gloves, Faith Connexion Visor: American Apparell

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ÂŠ Collective Magazine 2010

Necklace, LAS Vintage heels, Reed

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Nick Onken

Visor: American Apparell

ÂŠ Collective Magazine 2010

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Nick Onken

Her: Tank, Joe’s Jeans Diamond mesh bra-let, American Apparel Pants, Rock & Republic Mesh Gloves, Trash & Vaudeville Bracelet and chain, M. Cohen Necklace, VSA Him Jeans, Tripp T-shirt, Bauhaus Vintage leather jacket and boots,

What Goes Around Comes Around

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Nick Onken

Her Top, MK2K Luella skirt, Affliction Vintage belt and boots, What Goes Around Comes Around Cuff, Lady Grey Bracelets, M. Cohen Ring, VSA Him T-shirt and top hat, Trash & Vaudeville Driving gloves, Carolina Amato Bracelets, M. Cohen Visor: American Apparell

ÂŠ Collective Magazine 2010

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Nick Onken

LEFT Headpiece: Cydney Jeanne Griggs Shirt: Rachael Cassar Tank Top: Rachael Cassar

RIGHT Swim: La Perla Vest: G-Star Pants: Ronald

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ÂŠ Collective Magazine 2010

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details// STOCKISTS ÂŠ Collective Magazine 2010

where to buy

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