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SEA & STYLE

CAMILLE LACOURT, JENNIFER LAWRENCE PETER LINDBERGH, GIGI HADID FLORENT MANAUDOU, ERIC FRECHON www.blush-mag.com

WINTER 2016 BLUSH DREAM

SOMETHING À LA MODE

WINTER 2015 BLUSH DREAM

www.blush-mag.com

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The red carpet

issue

“FOLLOW ME”

BAPTISTE GIABICONI, NICOLE KIDMAN REEM KHERICI, ALAIN DELON, TAYLOR HILL

SUMMER 2017

SUMMER EDITION

BLUSH DREAM

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A Horizon of endless possibilities

MEDIA KIT 2017 - 2018

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S U S P E N D E D

T I M E

PHOTOGRAPHER : THIBAULT BRETON@ WWW.DKLER.COM PHOTOGRAPHER ASSISTANTS : SYLVIE NEVES - A DELINE GAUVIN - AURÉLIE L AURENT POST-PRODUCTION : JOCELYN GUILLON PRODUCER : GRÉGORY AYOUN

PHILIPPE PATEK - Nautilus for Men

Paule Ka Bustier Dress & boléro - Van Cleef & Arpels Necklace Clélia in white gold, rounds diamonds 33.15 cts - Jacob & Co watch - Brilliant Ladies Collection 32 mm Quartz movement Fully paved timepiece: 678 diamonds – 5.56 cts (top Wesselton) - Gebrüder Schaffrath. Vendetta Collection - « The Princess » Ring platinum 950 Diamonds: 1 - 4,05 ct. (princess cut)+ 30 - 6,80 ct. (baguette cut) shopping

Shopping Day

Vhernier - Fuseau earring white gold and diamonds (3.14cts) - Vhernier Fuseau ring mother of pearl, rock crystal, white gold and black diamonds (6.18cts)

shopping

fashionistar Photographer: Sandra Fourqui assisted by Jean Baptiste Peirera Baptiste Giabiconi c/o Marilyn Men Art Direction: Laure Delvigo assisted by Clémence Phelip Stylist: Aurore Donguy c/o B agency assisted by Juliette Lecuyer Hair Stylist: Hugo Raiah c/o Atelier 68 Make-up: Dunja Schultze c/o B agency Model: Kristina c/o Karin Models

Photographer: Claude BADEE Stylist: Marine SION Digital Retouch: Jean-Baptiste PEREIRA “Marianna” Black Bag in silver studs & “Studio” white pump in silver studs « Christian LOUBOUTIN », Black Clutch « Catalina » in water snake « BOSS BLACK» Long Wallet « Martha » in black varnished and python « Karine ARABIAN », « Cinéma » Clutch- Bracelet with chain in silver « Jean-Paul GAULTIER » Black oversleeve white cabochons & White oversleeve black cabochons « Paule KA », Bibi in black strass « Sonia RYKIEL”

Special thanks to the Hôtel du Collectionneur Paris

Bag handle Set in red mouth and transparent in red peas « Sonia RYKIEL », Flat Sandal in red satin “VALENTINO”, « Vivienne » red satinVive pump “Barbara BUI” collection elle

by Bucherer, Compensated Sandals in red plexi “PAULE KA”, Necklace red of several ranks of pearls & Necklace of several red ranks with pompom necklace“LANVIN” in 18k white gold with « DIOR CHRISTAL » 38mm Chronograph quartz movement, steel case and rubber strap, bezel set with diamonds, red sapphirebrilliant crystal inserts, red lacquered dial. cut diamonds (total 11.37 ct) and 10 oval cut diamonds.

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daum - Feathers decanter. 1950 €.55

Éditions Blush made its entry into the luxury magazine market in 2008. With a skilled newsroom and a targeted readership, our magazines display a new approach to luxury, combining technical innovations, paradise destinations, celebrities, society news and other original gems.

design

"five for silver, six for gold " PhotograPhy and art direction

By ThiBaulT BreTon - www.dkler.com Styled By laure delvigo aSSiStantS : Sylvie neveS - aurélie laurenT PoSt-Production : Jocelyn guillon hand Model : romy Making off : aurélie laurenT BirdS : BouTique deyrolle www.deyrolle.fr SPecial thankS to : Jocelyn adèle PhelouzaT-lomBardo Julie Sudreau

Kitsch

and Chic

SCHREINER HautE JoaIllERIE : Handmade unique Diamond Pendant Necklace Mod. "Diva", Manufactured in White Gold 750 / 38,40 Grams with 127 round F colour vvs clarity Diamonds with a weight of 4,35 Carats and 1 Solitaire Diamond F vvs clarity with a weight of 0,18 Carats, 1 Solitaire Diamond F colour vvs clarity with a weight of 0,23 Carats, 1 IGI certified Diamond G colour vvs1 clarity with a weight of 0,51 Carats with Rep.Nr. 22553 and 1 IGI certified Solitaire Diamond G colour vvs2 clarity with a weight of 0,52 Carats with Rep. Nr. 22550 and 50 pearshape Diamonds F colour vvs clarity with a total weight of 14,31 Carats.

After an excess of minimalism, we are now seeing the birth of a new style in eccentric decoration, the comeback of the baroque, and the dandy, with great emphasis on the fantastical, the off-beat and the charming. The rules of the game are to make décor more theatrical, to opt for joyful and elegant maximalism, to play the Beautifully Bizarre card. This is a game with rules, periods, styles and genres. The die is cast and it’s your turn.

Blush’s card: BonBons by Luca Nichetto for Verreum

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mIAmI | art

art | mIAmI

Art BAsel

MiAMi BeAch Le SaLon d’art contemporain de premier pLan en amérique The premier arT fair in The americas Par / By Laure Delvigo - Photos © Art Basel

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rt Basel organise à Bâle, à Miami Beach et Hong Kong les plus importantes manifestations d’Art pour les œuvres modernes et contemporaines. Défini par sa ville et sa région d’accueil, chaque évènement est unique, de part les galeries participantes, comme les œuvres d’art présentées et le contenu de la programmation parallèle, réalisée en collaboration avec les institutions locales de chaque édition. Outre d’ambitieux stands, représentant les plus grandes galeries du monde entier, les domaines d’exposition de chaque manifestation mettent en lumière les derniers développements dans le domaine des arts visuels, offrant ainsi aux visiteurs de nouvelles inspirations, comme de nouvelles relations avec le monde de l’art.

La 14ème édition d’Art Basel à Miami Beach a fermé ses portes sur un bilan exceptionnel : De fortes ventes, un accueil enthousiaste des collectionneurs, institutions, galeristes et critiques venus de tout le continent américain et du monde entier. Combinant des installations d’art moderne et contemporain particulièrement pointues, ainsi qu’une programmation élitiste, l’édition 2015 d’Art Basel a été marquée par

des nombreuses ventes, à tous les niveaux du marché. Présentant 267 galeries venues de 32 pays, la foire a attiré plus de 77000 personnes en 5 jours, dont d’importants collectionneurs privés, ainsi que les directeurs, conservateurs, curateurs et donateurs issus de 200 muséees et autres institutions. L’édition était supervisée par Noah Horowitz, nouvellement nommé Directeur Amériques d’Art Basel.

Art Basel, dont UBS est le partenaire principal, a une nouvelle fois confirmé sa position de leader dans les manifestations d’art aux Etats-Unis avec plus de la moitié des exposants disposant de galeries dans la région.

Outre une solide liste de galeries déjà présentes aux éditions précédentes – 98% des participants reviennent une année sur l’autre. Par ailleurs, une trentaine de nouveaux exposants participaient pour la première fois à la foire de Miami Beach, dont de jeunes galeries européennes, telles que Kraupa-Tuskany Zeidler (Berlin) et la galerie Gregor Staiger (Zurich).

Trois galeries asiatiques étaient également présentes pour la première fois à Miami Beach : La galerie Beijing Art Now, Tokyo gallery-BTAP et le White Space Beijing. Les nouvelles venues américaines furent la galerie George

A

rt Basel stages the world’s premier art shows for Modern and contemporary works, sited in Basel, Miami Beach and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition.

In addition to ambitious stands featuring leading galleries from around the world, each show’s exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world.

The 14th edition of Art Basel in Miami Beach closed amid reports of strong sales and an enthusiastic reception from collectors, institutions, gallerists and critics from across the Americas and the world.Pairing curated installations of modern and contemporary work with stimulating programming, Art Basel’s 2015 edition featured strong sales across all levels of the market. Presenting 267 leading international galleries from 32 countries, the show attracted an attendance of 77,000 over five days, including major private collectors as well as directors, curators, trustees

and patrons from some 200 museum and institution groups. The show was spearheaded by Noah Horowitz, Art Basel’s newly appointed Director Americas.

Art Basel, whose Lead Partner is UBS, once again confirmed its position as the premier art fair in the Americas, with over half of all exhibitors having gallery spaces in the region. Along with a robust roster of returning galleries – reflecting a 98 percent reapplication rate – 29 exhibitors participated in Miami Beach for the first time, including several young European galleries such as the Kraupa-Tuskany Zeidler (Berlin) and Galerie Gregor Staiger (Zurich). Three galleries from Asia came to Miami Beach for the first time: the Beijing Art Now Gallery, the Tokyo Gallery, BTAP (and White Space Beijing (Beijing). New galleries from the United States included the George Adams Gallery (New York), the Castelli Gallery (New York), Essex Street (New York), François Ghebaly Gallery (Los Angeles) and Jenkins Johnson Gallery (San Francisco, New York).

Attendees included curators, directors and patrons from important institutions from around the world, including

Adams (New York), la galerie Castelli (New York), Essex Street (New York), la galerie François Ghebaly (Los Angeles) et la galerie Jenkins Johnson (San Francisco, New York).

Les visiteurs étaient aussi bien des conservateurs, des directeurs et des donateurs venants d’importantes institutions du monde entier, comme l’Art Institute de Chicago, l’Aspen Art Museum, la Burger Collection de Hong Kong, le Brooklyn Museum (New York); le Centre Pompidou (Paris); l’Institute of Contemporary Arts (Londres); La Maison Rouge Fondation Antoine de Galbert (Paris); le Los Angeles County Museum of Art (Los Angeles); le Solomon R. Guggenheim Museum (New York); le Tate (Londres) et beaucoup d’autres.

Les galeries participantes ont décrit leur expérience avec enthousiasme comme l’exprime ici Daniela Gareh, associée, du White Cube (Londres et Hong Kong) : «L’Art Basel Miami Beach a été une grande réussite pour

nous cette année. En commençant par la vente de la grande sculpture de Damien Hirst «The Incomplete Truth» dans les deux premières heures de la première journée, nous avons ensuite effectué de nombreuses ventes durant toute la durée de la foire. Dans l’ensemble, ce fut une semaine fantastique. » Les artistes présentés reflètent l’approche internationale de l’exposition - l’Artiste émirati Hassan Sharif chez Alexander Gray Associates (New York), l’artiste chinois Zhang Ding à la galerie Krinzinger (Vienne), l’artiste cubain Carlos Garaicoa à la Galleria Continua (San Gimignano, Pékin, Les Moulins, La Havane), les Artistes brésiliens José Bento, Fabiano Gonper, Laura Lima et Maria Nepomuceno chez A Gentil Carioca (Rio de Janeiro). Chaque année, en décembre et pendant cinq jours, cette foire demeure le grand rendez-vous du marché de l’Art international.

the Art Institute of Chicago, the Aspen Art Museum, the Burger Collection Hong Kong, the Brooklyn Museum (New York); the Centre Pompidou (Paris); the Institute of Contemporary Arts (London); La Maison Rouge – Fondation Antoine de Galbert (Paris); Los Angeles County Museum of Art (Los Angeles); the Solomon R. Guggenheim Museum (New York); the Tate (London) and many more major art institutions worldwide.

Participating galleries described their experiences with enthusiasm such as Daniela Gareh, Partner, White Cube, London and Hong Kong : ‘Art Basel in Miami Beach has been very successful for us this year. Starting off with the sale of Damien Hirst’s major sculpture “The Incomplete Truth” in the first couple of hours of the opening

day, we experienced a strong suite of sales across the board. All in all, a fantastic week.’

The artists presented reflected the show’s international focus – from Emirati artist Hassan Sharif at Alexander Gray Associates (New York) and Chinese artist Zhang Ding at Galerie Krinzinger (Vienna), to Cuban artist Carlos Garaicoa at Galleria Continua (San Gimignano, Beijing, Les Moulins, Havana), and Brazilian artists José Bento, Fabiano Gonper, Laura Lima and Maria Nepomuceno at A Gentil Carioca (Rio de Janiero).

Every year, for five days in December each year, this show is the place to be for those involved in the international art market.

Les prochaines éditions Art Basel se tiendront à Hong Kong, du 24 au 26 Mars 2016 ; à Bâle, du 16 au Juin 2016 et à Miami Beach, du 1 au 4 Décembre 2016 Upcoming Art Basel shows Hong Kong, March 24-26, 2016 Basel, June 16-19, 2016 Miami Beach, December 1-4, 2016

72 | HÔTEL DE PARIS SAINT-TROPEZ BY BLUSH

HÔTEL DE PARIS SAINT-TROPEZ BY BLUSH | 73

Leather shirt: JITROIS - Leather trouser: JITROIS Bracelet: EDOUARD NAHUM - Necklace: SHAMBALLA JEWELS

Wandering through an art exhibition in Miami.

Sleeping in an igloo in Lapland or a Royal suite in Paris.

Marvelling at the precious timekeepers and fairytale jewels in Basel.

Enjoying a drink with an Olympic champion in Saint Tropez or an actress in L.A.

Thanks to its broad-based offer, there are a thousand and one ways to experience luxury with Éditions Blush.

Star-Appeal Estelle Lefébure

backstage

Supermodel Estelle Lefébure certainly turns heads not just those of Richard Avedon or Patrick Demarchelier. With her appearance in George Michael’s “Too funky” video alongside Linda, Cindy, Christy and Tyra, Estelle Lefébure is the only French woman to have made it into the supermodel Top Five. The catwalk icon stopped off at the Georges V to pose for Blush in a Sandra Fourqui photo shoot.

Backstage

Estelle Lefébure

Valbray 3.pdf 1 02/12/2010 14:05:50

It was under the Saint-Tropez sun that Camille Lacourt and Florent Manaudou posed in front of Olivier Rieu’s lens for Blush. A blend of Greek gods and Jet-Set insouciance – nothing is too goo for our champions!

people

Lila Bournac (Hairstylist) Fred Bouffet (Make-up Artist) and Camille Lacourt

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parade of stars for the 67th Venice Film Festival with Griffitz.

Patrycja Matysiak (Blush), Camille Lacourt and Florent Manaudou

The official drink of the World Music Award, Griffitz’ chic and shock bubbles added a little extra sparkle too to the Venice Film Festival with a parade of stars!

As well as director Sofia Coppola who earned a Golden Lion for «Somewhere» and Vincent GalloFlorent who was awarded best actor (Blush) for «Essential Manaudou, Laure Delvigoo andspotted Camille Lacourt Killing» we also head of jury, Quentin Tarantino, Catherine Deneuve and Ben Affleck.

A cavalcade of glamour icons on the red carpet!

Gregory Ayoun (Blush) Estelle Lefébure

Roland Belilty(consultant)

Laure Delvigo (Blush) Camille Lacourt And Patrycja Matysiak (Blush)

Olivier Rieu (Photographer)

Laure Delvigo (Blush) Estelle Lefébure

Christian Schaffrath Vincent Cassel, actress Natalie Portman and director Darren Aronofski

Silvia Venturini Fendi (L) and Luca Guadagnino

Tamy Brand Director Quentin Tarantino

backstage

Lea Seydoux 152

Olivier Rieu and Camille Lacourt Gregory Ayoun (Blush) and Camille Lacourt

Blush Backstage

Photos: ©:Pascal Le Segretain - Elisabetta Villa - Franco Origlia

Camille Lacourt and Florent Manaudou Gregory Ayoun (Blush) And Olivier Rieu (Photographer)

Journalist Rula Jebreal, director Julian Schnabel and wife Stella Schnabe

Actresses Carina Lau (L) and Li Bingbing

Blush’s date at the Hôtel du Collectionneur in Paris was with supermodel Baptiste Giabiconi no less. Chanel, Gucci and Zanotti the kind of production Blush loves!

Clemence Poesy

Sofia Coppola

Blush.indd 1

C

M

J

Jean Baptiste Pereira

CM

MJ

Elisa Sednaoui

Ilana, Hugo Raiah, Christian Ayoun (Blush)

CJ

Paz Vega

Actor Tygh Runyan (L) and actress Shannyn Sossamon

Director Ben Affleck

Actress Tilda Swinton

CMJ

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The Art of Pleasing backstages.

Baptiste Giabiconi

Baptiste Giabiconi, Laure Delvigo (Blush)

Sandra Fourqui

In a modern day version of Catherine the Great and her court, the beautiful Martyna Sobolewska strikes a pose at the Plaza Athénée for Olivier Rieu surrounded by and a court of seductive suitors: Grigori, Stanislas and of course Alexandre...Imperial!

Clémence Phelip (Blush) Kristina

Baptiste Giabiconi, Laure Delvigo (Blush)

Mike Desir (HairStylist)

Nicolas Chicanot (Fashion editor)

Baptiste Giabiconi, Aurore Donguy

Collection Christopher Michaut

Olivier Rieu (Photographer) and Laure Delvigo (Blush’s Editor in Chief)

Garde temps à double afficha qui intègre un système d’obturation mécaniq actionnable manuellement par rotation de la lunet Hugo Raiah

Alexander Johansson

Nicolas Chicanot (Fashion editor) and Gregory Ayoun (Blush’sPublishing Director)

Juliette Lecuyer

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31 bd des Moulins - 98000 MONACO - info@temps-passions.com - Tel.+377 9777 1625 160

BLUSH MAGAZINE A window onto the world of luxury, since it was founded Blush has built up a reputation as an authority on the matter. With a clear editorial line, illustrating premium brands as well as little-known gems, it is published entirely in English and speaks to a high-income, enthusiastic, international

clientèle that purchases premium products. Through its editorial team, present in Paris, Geneva, NYC and L.A, our magazine publishes exclusive fashion shoots with actors, singers and Olympic champions as well as interviews with world-renowned celebrities.

perfumes

perfumes travel

Francis Kurkdjian

Take the test

As with any other centre at this level, any cure begins with an assessment by the Sha Wellness Clinic specialist team. A doctor, nutritionist and coach will ask you questions about your lifestyle and find out what your goals are, to draw up a p er sona l i sed pro gramme. A nurse weighs and measures you, takes your blood pressure and asks you questions about your health. A doctor may also prescribe a blood test if he considers it necessary.

Mario Lopez Pomares, the nutritionist I met, was absolutely lovely and explained the macrobiotic diet simply and accurately to me. He also explained how to make the most of my daily lifestyle and offered a choice of t wo menus: Kushi (extremely low calorie, hard core ...) and the Bio Light (there is not much to eat, but it’s easier to

Or the sense of scent

Behind the huge success of the perfumes of Jean-Paul Gaultier or Narciso Rodriguez, lies a name little known to the public. Francis Kurkdjian is as talented as he is discrete.

Above all, this great nose of our time bears is as sure as it is eclectic, revealing itself through the creation of scents that are in demand the world over or in the recreation of the perfumes of Marie-Antoinette. In September last year he launched his own boutique, Maison Francis Kurkdjian, a rare gem in the heart of Paris. We were privileged to meet this aesthete of fragrances.

By Nicolas Berger

Francis, unlike other noses, your family history is not linked to perfumes. Where does your vocation come from?

At 15 I dreamt of working in the world of haute couture. I would have liked to have studied in that field but as I didn’t know how to draw I was discouraged from continuing. People told me it wouldn’t be possible. I was down but not out...Some time later, while flicking through a magazine, I discovered that the perfumes of Monsieur Saint Laurent were not created by Monsieur Saint Laurent himself but by a perfumer. So here was a trade which matched my abilities and could bring me in touch with couture.

It was a revelation. I had found my path – now I just had to find training because it is a very closed trade.

After lengthy research, I discovered the ISIPCA, the School of Perfumery of Versailles where I studied after taking a general sciences degree.

You have created fragrances for the most prestigious luxury brands. What motivated you to open your own House of perfume?

I get a huge amount of pleasure from creating perfumes and working for designers who, through their vision and sensibility provide me with the opportunity of expressing emotions other than my own. But I also love all that goes with the birth of a perfume: its name, its bottle, its packaging, its universe. I came to perfume via Haute Couture and the whole show that goes with it. I remember the Haute Couture week used to last two; it was an amazing thing. In my work, you compose a fragrance for a Fashion House or a luxury brand but everything else is out of your hands. You are a little isolated in a way and I found that a bit frustrating.

Setting up my own House was a bit of a dream come true. To be able to think about the world of luxury and its codes, to offer a vision of perfumery that is personal but rich with my 15 years of professional

experience. To reconcile what I hold dear, my idea of beauty, a certain sobriety and a range of products that surpass the classic alcohol-based perfumes. To create fragrances and products which have a sense and common sense. To add a little wonderment to daily life. All this is the raison d’être of my universe, of my range and of the 24 hour-a-day perfumed life which support my idea.

Be it for the Château of Versailles or for a Sophie Calle exhibition, you have collaborated on a variety of artistic projects. Is it important to you to link perfume to other sensations, other forms of expression?

It isn’t linking perfume to other forms of expression that interests me; it is using the sense of smell as an emotional vector in the same way that hearing and seeing enable you to generate emotions.

Through my experiences and meetings with people, I have come to realise that perfume needs to leave the shelves of the perfumery, that there is a place for forms of expression where odour – in the fullest sense of the term – could be the source of emotions.

Indeed, in creating the smell of money for Sophie Calle I came to realise that this approach was quite legitimate. But the giant leap was at Versailles after my Marie-Antoinette episode. In this prestigious setting, in the basin at the Orangery, I held my first olfactory installation and then I was lucky enough to create olfactory, visual and even sound installations during the Nocturnal Water Shows in 2007 and 2008. More recently, I worked with the sculptor Sarkis on his installation “Litanies” during the Nuit Blanche in October 2009 at the Grand Mosque of Paris. I find these events very enriching because they enable me to meet artists and open up an olfactory universe to new territories.

Tell us about your work on reconstructing a perfume of Marie-Antoinette.

It was a question of reinterpreting a perfume of Marie-Antoinette. I worked with the historian Elisabeth de Feydea, on the formulas of the time which she had uncovered while researching a book she was writing on Jean Louis Fargeon, one of Marie Antoinette’s perfumers. Thanks to her, I was able to access to the Queen’s tastes. I recomposed a tailormade perfume for her with a bit of a time lapse.

When you compose a fragrance, do you start with an idea, with a brief or with a source ingredient?

Can you reveal a little of this mysterious process of creation to us?

I start with an emotion because, as I see it, it is more universal than the simple understanding of source ingredients. They are changeable and remain a complete mystery, even to me. Ingredients are tools at the service of creation. A bit like the do re mi fa sol are to a composer of music or a palette of colours for a painter.

For the last few years, the so-called “niche” perfumery has been keen to talk about the importance of source ingredients, some even going 100% natural. What is your opinion?

A slight correction regarding me: I didn’t open a Maison so that I would be classed as “niche” (laughs). Seriously though, I really don’t identify with this kind of talk, doubtless because I am, as I often say, the baker and the maker. By that I mean I am not only the source of inspiration for my perfumes but I compose them myself. So I need the best source ingredients I can get. It’s a theory and my creations do not need this kind of an argument to become well known. Besides, it has become a purely marketing argument because it’s not because you cook with the finest ingredients that what you

cooking tastes good! It’s all a question of know-how!

That is why at the Maison you will find items from perfumed soap bubbles to incense paper, not forgetting perfume of course. I like the idea of reaching out to as many people as possible - to be popular in the noblest sense of a word too often bandied around, just like the words luxury and exclusive by the way.

For me, emotions cry out for one or more or often several source ingredients. The process works in that direction. It’s a little like colours for a painter; it’s in the assembling of them that beauty is created. The most beautiful blue in the world remains plain blue if there is nothing next to it to make it vibrate. You will have gathered that I’m not an unconditional fan of 100% natural. It all depends on the emotion that you are trying to turn into a scent. There are no rules, just one-of-a-kinds.

In 2006, you created a new scent for Papier d’Arménie; one of your perfumes, Cologne pour le Soir, emphasizes benzoin. Are these references to your Armenian origins significant in the creation of your olfactory universe?

No, not directly because I had a very French – very typically French – education (laughs). But I imagine there are some traces that remain and I am delighted

about that. The Papier d’Arménie isn’t really a direct link to my origins because I only discovered the booklets [of sheets of room freshener] very late.

Neither my mother nor my grandmother used them but instead burned drops of incense directly on glowing coals in a censer. During Armenia Year in France in 2006/2007, I asked myself how I could pay homage to my origins. I got the idea of contacting Mme Schvartz, the owner of Papier d’Arménie and suggesting a limited edition product. My career path and my origins appealed to her and she gave me the freedom to allow my imagination free rein and to compose a paper that is still going strong today. From this encounter was born a collaboration because I have created other products for Papier d’Arménie and this year we launched a rose range in homage to the roses of the Middle East. As far as the Cologne pour le Soir is concerned, it had to be benzoin because I was looking for a soft, warm, voluptuous note that was neither clingy nor powdery.

That was why I decided to use benzoin. The Middle East is a region of the world that I am particularly fond of, these countries where the people are full of kindness, the cuisine is full of flavour and subtlety, there is a special climate, a magnificent light, orange blossom, spices, the sea, forests, mountains, deserts

stick to). Your girlfriend or your husband would probably prefer the Sha menu, slightly more substantial, often prescribed to models, or sportsmen, wanting a break between competitions.

Get organised

Every day of the cure (from one to two weeks), there is an agenda set out hour by hour on an iPad and perfectly coordinated by a counsellor who is at your disposal.

This daily timetable stops at the doors of the clinic.

Back home, the pro gramme is adapted. The idea is that you set aside at least 15 minutes for yourself in the morning and the evening to disconnect thoughts. How do you achieve this? By getting up a little earlier and going to bed earlier, making a carefully thought- out shopping list and avoiding temptations and dietary slips on a daily basis.

… I have a very special relationship with Lebanon because my associate opened the doors of his homeland to me but I also love Paris, Tokyo, New York.

I don’t feel like I belong to a town or a country. My job allows me to touch the hearts of people … And once more it is these emotions that guide me in creating.

“Never mind the bottle as long as one gets drunk”.

With you, the packaging is as refined as the fragrance. Would you say the one is as primordial as the other?

I don’t know but they are inseparable. You have to admit that there is a certain snobbery sometimes but as the saying goes, don’t judge a book by its cover!

(Laughs) And finally, what does perfume mean to you?

I will answer that with my motto: to make of my great pleasures small pleasures for others. I feel that at 40 I have finally found one of my raisons d’être.

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Maison Francis Kurkdjian 5, rue d’Alger – 75001 PARIS Tel.: +33 (0)1 42 60 07 07 www.franciskurkdjian.com 134

41

saga

saga

jewellery

Mouawad a sparkling dream

The Magic of Pearls

F

ounded in 1890, the prestigious fine jewellery label Mouawad has constantly delighted fans with truly exceptional stones. Specialists in unusual diamonds and a regular record-setter, this firm has found a winning formula that has conquered the world from the Middle East to Hollywood!

True diamonds of the sea, surrounded by myths and legends that make one dream, the pearl continues to fascinate us. Let’s dive into the palaces of the sea nymph and take a closer look at their milky treasures.

By Nicolas Berger

By Nicolas Berger.

This fairytale began at the end of the 19th century when David Mouawad left his native lebanon and set out first for the United states and then Mexico. it was there that he spent several years studying hard to master the art of watch-making and then jewellery. in 1890 he decided it was time to return to the land of cedar trees. he opened a boutique in Beirut and the Mouawad saga was born!

A precious love story

This extraordinary piece, well-deserving of its name, has at its centre the biggest yellow, internally flawless diamond in the world, coming in at 407.48 carats. This truly exceptional piece stole the show at the recent Doha Jewellery and Watch exhibition in Qatar where it was first displayed. The diamond was cut from an incredible stone weighing 890 carats, found by a little girl in 1980 in a pile of kimberlite rubble in the Democratic Republic of Congo!

In keeping with the Mouawad spirit, this taste for the remarkable reaches beyond a specialist, inner circle and shines out around the world.

Currently run by a fourth generation - Fred, Pascal and Alain Mouawad – and based on more than a century of excellence in the field, Mouawad remains a family business founded on artistic excellence, skilled craftsmanship and trust. Mouawad designs, manufactures and sells its own exclusive jewellery and timepiece collections ranging from boutique items to objects of art and magnificent haute joaillerie masterpieces.

The Mouawad brand has penetrated continents around the world, while retaining its eminent position as jewellers to royalty and high society.

But what makes the Mouawad group particularly unusual is that it manufacturers its own rough diamonds (Diamond Trading Company). What Marilyn Monroe described as “a girl’s best friend” is in fact a real passion for the Mouawads.

Over the years the family has bought some of the largest and rarest diamonds in the world. For example there is there is the sublime 135.92 carat Queen of Holland diamond (once the largest cut diamond in the world), the 68.09 carat Taylor Burton (once the most expensive diamond ever sold at auction) and the Jubilee (245.35 carats), the most important piece in the Mouawad collection. But it was in March this year that the jewellers entered the Guinness Book of Records for the fourth time. The Mouawad Incomparable diamond necklace is a full 637 carats!

Hollywood sparkle Since the beginning of the new millennium, Pascal Mouawad has been forging strong ties with the celebrity world initially through a tie-up with Victoria's Secret, during which models graced the catwalk adorned in precious stones.

His decision to move the firm’s offices from New York to Los Angeles helped strengthen his connection with the stars. Since then, no red carpet has been complete without the presence of Mouawad jewels, decorating the most famous necks and wrists in Hollywood: Angelina Jolie, Nicole Kidman, Eva Longoria and Heidi Klum among them. Even women of such legendary aura cannot resist the sparkle of such eternal gems! On January 24, the beautiful and talented Amy Adams, nominee as Best Supporting Actress for The Master shone under the lights of the 85th Oscars in a Mouawad earring, bracelet and ring set.

The deep affinity between these famous jewels and women of style has fostered innovation, leading to creative joint collaborations. A new department of fashion jewellery design is now a haven for artists and celebrities looking to launch their own collections. Names such as Nicole Richie and Jessica Simpson have turned their gratitude for trends and beauty into timeless collections which talk to jewellery lovers the world over.

While the House of Mouawad has skilfully connected with the precious stars of the Walk of Fame, the company has not forgotten its eastward expansion, doubtless one of the keys to its success.

As Robert Mouawad puts it: “Each diamond is unique and has personality traits, some more appealing than others. The whiteness or fancy colour, the size, the clarity, the cut, the immortal character, are all factors that contribute to the overall beauty of a stone.

But it is the human touch that unveils its beauty.”

incomparable Diamond necklace

The history of pearls and the fascination they arouse dates back to time immemorial. In fact, as long ago as 2300 BC, Chinese inscriptions indicate that pearls were gems of value and considered as a gift from nature. Ancient Hindu texts also make repeated references to pearls, claiming the first one was discovered by the god Krishna in a secret place.

Pearls were greatly admired in Ancient Rome where they were a symbol of wealth and prestige to such an extent that only those of sufficient rank were permitted to wear them. There is a legend of a banquet organised by Cleopatra for her lover, Mark Anthony. The fabulous occasion was described by Pliny the Elder in his book Naturalis Historia. The great Roman historian describes how Cleopatra intended to give the most expensive feast ever dreamt of. Mark Anthony wondered how she could win her bet. The proud Queen of Egypt took out one of her pearl earrings which, according to Pliny, was worth 10 million sestertii, and dropped it into a goblet of vinegar. Once the pearl had dissolved, she drank the contents and so won her bet.

Arabs also revered pearls as there were many oyster beds throughout the Persian Gulf. They considered pearls to have great value because they are described in the Koran as one of the greatest treasures of paradise.

Much later, the French and Spanish found fresh water pearls among their colonies and began to trade them. These pearls came from lakes and rivers.

Then, aside from the freshwater pearls, they discovered sea pearls in the Caribbean. However, due to over-harvesting, this source of pearls dried up, and that was even before the development and pollution that started at the beginning of the 19th century.

Aside from the pearls themselves, mother-of-pearl was greatly prized and used to make buttons for clothes. They were exported in large quantities, the figure rising to several billion traded world wide.

snow White Princess

This business continued until the 1950s when the plastic trade took over the button trade.

The history of the pearl took an important turn towards the end of the 19th century. This was when Japanese researchers independently discovered a technique that could be used to create cultured pearls. History retains the name of Kokichi Mikimoto who, thanks to his business acumen, found a way of marketing cultured pearls. On July 11, 1893, he became the first person in the world to cultivate a pearl. After several years of dedicated studies, he discovered that an oyster will cover any foreign body introduced into its shell with nacre, slowly enveloping it in the substance of which a pearl is made. Kokichi Mikimoto had just relaunched the global pearl trade, by making it accessible to buyers without detracting from its aura of mystery and its powers of seduction!

CARL F. BUCHERER Manero PowerReserve 42.5 mm gent’s wristwatch, steel automatic Power-reserve with date and day 3 atm dial: blue index, calf strap with folding clasp, (Limited Edition 188 pcs)

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Juggling many balls, this hybrid of an artist and an entrepreneur, this maestro of resin is short of neither ideas nor projects. It was at the Grand Hôtel La Cloche in Dijon that we caught up with this man of many talents.

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he Parisian woman is a mythical and delicate creature who casually produces a packet of cigarettes from her Chanel handbag. Meanwhile on the other side of the planet, the Californian girl drinks a kale smoothie, her blond hair flying in the wind, her well-toned figure encased in a Versace dress. Two different takes on life, two different takes on elegance.

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Photographer: Jean-Luc Scotto Production: Laure Delvigo assisted by Maud Marjolet Digital retouch: Svetlana Ivanova for Jean-Luc Scotto Studio

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goyard: Single fold Chypre in black canvas and gold leather, €2,050 - goyard: Ambassade briefcase in black canvas and gold leather, €2,100 Smalto: Grey fedora with camel leather €495 - Smalto: Black silk bow tie €120 - hublot: Classic Fusion Mechanical titanium, 42 mm, titanium case, titanium bezel, polished rhodium, plated appliques and hands, manual, winding skeleton movement with small second at 7.00 – 90 hours of power reserve, black rubber and alligator straps, stainless steel deployant buckle clasp, €12,700.

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Zuhair Murad

RUN TO THE SUN While the entertainment capital of the world undeniably keeps its promise, you can escape from the relentless activity at the Delano Las Vegas. More contemporary than its neighbours, you will love its Beach Club and the Alain Ducasse restaurant as well as its Sky Lounge designed by Patrick Jouin and Sanjit Manku. All the ingredients for an enchanting break in an unbelievable location.

DISTRIBUTION Distribution is run by K.D Presse. Some 30,000 copies are distributed in various luxury hotels in Paris and Geneva as well as through various private jet companies.

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Star couturier of the stars

By Laure Delvigo

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SAFE HAVENS

By Marie Signoret

Kylie Minogue

He has a talent for blending cultures and genres, for matching opposites and mixing inspirations from East and West. A Grand Master in his kingdom, the Lebanese designer Zuhair Murad seduces the whole world with a style that is very much his own and instantly recognisable. Indeed, this graduate from the Paris fashion school the École de la Chambre Syndicale de la Couture enhances royal courts and red carpets with a stroke of his pencil. Jennifer Lopez, Shakira and Dita Von Teese swear by his dresses, real Haute Couture gems.

From the Oscars to the Cannes Film Festiva l, his lace gowns with their extraordinary embroidery turn heads – each collection is pure femininity with a fairy-like touch. Introducing Hollywood’s favourite designer.

By Laure Delvigo

Zuhair Murad: I was born in Bekaa, in Lebanon, and when we moved to Beirut when I was 9, I became interested in fashion when I discovered internationally-renowned magazines which inspired me at that early age. you opened your first atelier in 1997; what changes have you noticed in the fashion industry and the new millennium?

Zuhair Murad: The rhythm has speeded up a lot but I notice that women are still looking for femininity, glamour and refinement and that’s what I try to do. what was your inspiration for your last haute Couture collection?

Zuhair Murad: I was inspired by an enchanted garden where flora and fauna blended in a dream of pastel shades. you are part of that very tight circle of favourite designer to stars such as Jennifer Lopez, Dita von Teese, January Jones and Shakira; who do you dream of dressing?

Zuhair Murad: I have had the great honour of dressing major stars in Hollywood, Paris and even China. I am delighted that Jennifer Lopez has worn my creations for many years. She is a wonderful ambassador; elegant, sensual and glamorous.

Pop Princess

What would stars be without their look?

If there is one star who has known how to reinvent herself more than most others it is Kylie Minogue with her distinctive style and flashy mixes. Originally from Melbourne, Australia, Kylie Minogue released her first single in 1987. Locomotion became a global hit, the first of a long series. After a career spanning 27 years, her 12th studio album entitled Kiss Me Once is a real backto-the-dance-floor moment. A profile of a diminutive dazzler.

blush: how did your passion for fashion start?

what has been your best experience?

Zuhair Murad: My first fashion show and, to be exact, the end of it when I came out onto the runway. I will never forget the reaction and the way people looked at me.

Besides beautiful Americans, you have enjoyed huge success among the great gulf families. what are they looking for?

Zuhair Mura d : My de sig n s a re a m i x of Western and Middle-Eastern culture. The details, the embroidery and the combination of colours reflect my Lebanese culture while Western women stimulate my creativity. My clients appreciate my super-feminine creations nourished by these two cultures.

On a broader front, what are women looking for in Zuhair Murad?

Zuhair Murad: They are looking to embellish their bodies and enhance their figures with glamour and refinement. you travel a lot; where do you like to go when your are in Paris, nyC and Beirut?

Zuhair Murad: In Paris I often go to the 7L gallery, I look for clothes at Dior Hommes and Rick Owens and I unwind in the wonderful Le Meurice Hotel. In New York, I really love the American Museum of National History and the Metropolitan Museum, I often walk up Madison Avenue for hours and I often stroll around the Apple Store which I think is superb. In the evening I like dining at “Chef ’s table at Brooklyn Fare’’, “Daniel’’ and “Jean-Georges’’. In Beirut, I love staying at home and working at my Atelier. I also enjoy the beaches at Beirut even if I don’t have much time to go there, and the outline of the mountains when it snows. what projects are you currently working on?

Zuhair Murad: We are looking to enlarge and strengthen the label through a marketing and financial strategy and then we will work on new projects with partners.

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By Maud Marjolet.

© Photos: Warner

Kiss me Once Elegant and sexy Kylie teamed up with the talented Pharrell Williams who wrote the track I Was Gonna Cancel, and other producers including Sia on Kiss Me Once and Greg Kurstin for the bonus track, Sleeping with the enemy. With more than 60 million records sold, the princess of pop can proudly declare herself right up there with the likes of Madonna or the highly controversial Lady Gaga and Miley Cyrus. Indeed, Kylie knows just what cards to play to make sure she is always a winner!

A self-confessed fashion-lover, Kylie has a modern and sexy look. She shuns frills and furbelows – her signature style is more skinny jeans, shirts, tailored jackets and heels that could give you vertigo.

For an evening out, Kylie loves figure-hugging dresses, miniskirts and those micro-shorts she brought back into fashion in the video for her mega-hit Spinning Around! And yet on stage, in videos and normal life, she is an avid collector of everything that couture does best from Chanel to Alexander McQueen via Dolce & Gabbana.

Kylie, the secret to her figure

Blonde Fever

At 45, Kylie still ha s a f ig ure to die for.

Men fantasise over her and women are jealous of her so how does she do it? While she protests her body has changed, we would all love to have such a perfect figure past the age of 40! Her exercises, as seen in the raunchy Sexercize video, doubtless play a part! The Australian beauty also heads for the gym whenever she can, drinks very little alcohol and eats a balanced diet to maintain her toned shape.

Kylie also knows how to mix things up when it comes to her hair and has tried it all: short, long, curly, bobbed, platinum and strawberry blond, auburn… But it’s back to basics this year with mid-length blond locks with their magnificent, natural curls. It is a glamorous and chic look that suits her style.

After such a highly successful album, we can’t wait to see Kylie back on stage with her #Kissmeoncetour.

Dates include September 29 and 30 and October 1 in London, October 14 in Barcelona and November 15 in Paris. “I should be so lucky!”

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Carl F.Bucherer - Pathos Diva rose gold With the Pathos Diva rose gold model, Carl F. Bucherer has created a timepiece that uniquely captures the charisma of femininity in all its elegant radiance. The perfection of the Pathos Diva can also be seen in the overall composition. The 18K rose gold case is echoed in the design of the bracelet. Even the crown – reprising the design of the aureole – displays a delicate grid structure. A timepiece whose beauty is fascinatingly unique, like a divine spark, the Pathos Diva flawlessly underscores the perfection of the wearer.

CHF 26,900 Tortue Vase Midnight blue Crystal: Lalique

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