International Newspaper of Texas. Bi-weekly
Friday, September 19, 2014
Happy Rosh Hashanah from The Dallas Telegraph and our business partners, who made this edition of the newspaper possible: Marina Li povetsky and Sunshine Intentional Leaning Center; Gerard Kardonsky and Robinson, Kardonsky & Stone, P.C. Law Firm; Fr. Ghevond Ajamian and ArmenFest of St. Sarkis Armenian Church; Aleksandra Morel and Smiles by Morel; Mikael Mikaelyan, Irina Hayrapetyan and Valley View Dental; Vahe, Robert Davtyan and CCCP Market; Raphael, Elina Afrid and Allen Limo; Michailo Stachshin and Roxolana International shipping company; Ella Bordnyansky and Our Hearts Rehabilitation Center, Mila Mandel and Skazka Day Care pre-school, Natalia Ksendzova and Russian School of Dallas; Zoric, Michael Adamovsky and Deli News Restaurant; Elena, Gregory Fainshtein and Musical Expressions School; Boris Dinaburg and Advantage Remodeling & Roofing. Happy New Year! May the joyful sound of the shofar welcome in a New Year of health, happiness, laughter and love.
Åñëè âû èëè âàø áèçíåñ õîòèòå ïîçäðàâèòü âàøèõ êëèåíòîâ, ïàðòíåðîâ è äðóçåé ñ ïðàçäíèêîì, ãîäîâùèíîé, þáèëååì, ïîæàëóéñòà, ñâÿæèòåñü ñ íàìè ïî òåëåôîíó: (469) 2000-660.
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ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÎÑÒÜ
Friday, September 19, 2014
www.DallasTelegraph.com
Êàê “Allies in Your Development”
äåëàåò ìèð äåòåé-ñèðîò ÿðêèì “Color Their World” («Ðàñêðàñüòå èõ ìèð») — áëàãîòâîðèòåëüíûé îáåä ñ òàêèì íàçâàíèåì ïðîøåë â ñåðåäèíå ñåíòÿáðÿ â áàïòèñòñêîé öåðêâè Walnut Ridge. Èìåííî ïîýòîìó îäåæäà ìíîãèõ ó÷àñòíèêîâ ìåðîïðèÿòèÿ áóêâàëüíî ïåðåëèâàëàñü ðàçíûìè öâåòàìè ðàäóãè. Èíèöèàòîðàìè ìåðîïðèÿòèÿ ñòàëà íåêîììåð÷åñêàÿ îðãàíèçàöèÿ “Allies in Your Development”, êîòîðàÿ íà ïðîòÿæåíèè íåñêîëüêèõ ëåò ïîìîãàåò äåòÿì-ñèðîòàì â Ðîññèè è â Ìîëäîâå. Êñòàòè, ñîãëàñíî ñòàòèñòèêå, â Ðîññèè áîëüøå ñèðîò, ÷åì ãäå-ëèáî â ìèðå.
Òåêñò è ôîòî Ñåðãåÿ Òàðàí  2011 ãîäó ó÷àñòíèêè ïðîãðàììû «îáó÷åíèå çà ðóáåæîì» (â îñíîâíîì, ñòóäåíòû UTA) âî âðåìÿ ïóòåøåñòâèÿ â Ðîññèþ ïðîíèêëèñü ïðîáëåìîé ñèðîòñòâà. Äèðåêòîð îðãàíèçàöèè “Allies in Your Development” Êðèñ Áóðãèí (Chris Burgin) íà÷àë ïåðåãîâîðû ñ ïðîôåññîðîì Òàòüÿíîé Áàåâîé èç UTA (ñåãîäíÿ Òàòüÿíà îòâå÷àåò â îðãàíèçàöèè çà ðàáîòó ñ Ðîññèåé) è ïðîôåññîðîì Åëåíîé Êîíñîâîé (ïðîôåññîð Êîíñîâà îòâå÷àåò â “Allies in Your Development”
ïîïûòêó ñàìîóáèéñòâà. Åùå 40 ïðîöåíòîâ âîâëåêàþòñÿ â êðèìèíàëüíûå äåëà. È ñòîëüêî æå íà÷èíàþò óïîòðåáëÿòü íàðêîòèêè. À 33 ïðîöåíòà íå ìîãóò íàéòè ðàáîòó. 40 ïðîöåíòîâ ñèðîò – áåçäîìíûå è 20 ïðîöåíòîâ, ñêîðåå âñåãî, îêàæóòñÿ â ìåñòàõ ëèøåíèÿ ñâîáîäû. Áëàãîòâîðèòåëüíûé îáåä “Allies in Your Development” ïðåäïîëàãàë íå òîëüêî ïèùó ôèçè÷åñêóþ, íî è äóøåâíóþ: âûñòóïëåíèÿ âîëîíòåðîâ è ïàðòíåðîâ îðãàíèçàöèè, òåëåìîñò ñ Îìñêîì, àóêöèîí ïî ñáîðó ñðåäñòâ äëÿ äåòåé-ñèðîò è ìíîãîå äðóãîå. Òàê, ñðåäè ïðåäìåòîâ, âûñòàâëåííûõ íà àóêöèîíå, áûëè íàñòîÿùèå øåäåâðû — ðàñïèñíûå ìàòðåøêè ñ áèáëåéñêèìè ñþæåòàìè, äåðåâÿííûå îðíàìåíòû, èçîáðàæàþùèå ñöåíêè
äàâíî çàíèìàåòñÿ ïîìîùüþ ñèðîòàì, òàê è íîâè÷êè
òàêæå çàïîìíèëà èñêðåííèå ïîðûâû ãîñòåé ìåðîïðèÿòèÿ ïîìî÷ü ñèðîòàì. Åëåíà Àíäðååâà âñòðåòèëà íà áëàãîòâîðèòåëüíîì îáåäå ìíîãèõ ñâîèõ äðóçåé, êîòîðûå, êàê è îíà, ðåãóëÿðíî ïîìîãàþò äåòÿì-ñèðîòàì ñòðàí ïîñòñîâåòñêîãî ïðîñòðàíñòâà. Òàòüÿíà Áëàäâîðñ îòìåòèëà, ÷òî «ó íàñ, âûõîäöåâ
äëÿ òîãî, ÷òîáû ïîìî÷ü äåòÿì, íî òàêæå, ÷òîáû ïîîáùàòüñÿ ñ ñîîòå÷åñòâåííèêàìè è ïîçíàêîìèòüñÿ ñ íîâûìè ëþäüìè. Àíòîíà Èíøàêîâà ïðèÿòíî âïå÷àòëèë îáúåì ðàáîòû “Allies in Your Development”. Êñòàòè, îäèí èç ëèäåðîâ îðãàíèçàöèè Òàòüÿíà Áàåâà ðàññêàçàëà, ÷òî Âîðîíåæñêîå îòäåëåíèå “Allies in Your
Áëàãîäàðÿ òàêèì îðãàíèçàöèÿì, êàê “Allies in Your Development”, ñòèðàþòñÿ ãðàíèöû, ïðåîäîëåâàþòñÿ ïîëèòè÷åñêèå è ìåæíàöèîíàëüíûå êîíôëèêòû, à ëþäè ñòàíîâÿòñÿ äîáðåå è æåðòâåííåå, çàáîòÿñü î äðóãèõ, äåëàÿ ñ÷àñòëèâûì, ÿðêèì è êðàñî÷íûì ìèð äåòåé-ñèðîò Ðîññèè è Ìîëäîâû.
Ïðåäñòàâèòåëè ðóññêîÿçû÷íîé äèàñïîðû íà áëàãîòâîðèòåëüíîì îáåäå â ïîëüçó äåòåé-ñèðîò
Ãëàâà “Allies in Your Development” Êðèñ Áóðãèí ðàññêàçûâàåò î ìàñøòàáå ðàáîòû îðãàíèçàöèè çà ðàáîòó â Âîðîíåæñêîì ðåãèîíå). Ó âñåõ òðîèõ áûëî áîëüøîå æåëàíèå èçìåíèòü ñèòóàöèþ.  ðàìêàõ ýòîé ïðîãðàììû “Allies in Your Development” íà÷àëà ñòðîèòü ìîñòû äðóæáû è ïàðòíåðñòâà ñî ñòóäåíòàìè ÂÓÇîâ Ðîññèè è Ìîëäîâû, âäîõíîâëÿÿ ñòóäåíòîâ ïîìîãàòü ñèðîòàì, îáó÷àòü èõ æèçíåííûì íàâûêàì, êîòîðûå â áóäóùåì ïîìîãóò äåòÿì ñòàòü íà íîãè, à íå ñêàòèòüñÿ â ïðîïàñòü áåäíîñòè è áåçíàäåãè. Ê 2016 ãîäó îðãàíèçàöèÿ ïëàíèðóåò ïîäãîòîâèòü 200 ñòóäåíòîâ äëÿ âîëîíòåðñêîé ðàáîòû ñ 1500 ñèðîòàìè. Ëó÷øå âñåãî íà âîïðîñ, «Ïî÷åìó “Allies in Your Development” âêëàäûâàåò ñâîè ðåñóðñû è âðåìÿ â æèçíü ñèðîò?», îòâå÷àåò ñòàòèñòèêà. Ïðèìåðíî 15 òûñÿ÷ ñèðîò åæåãîäíî âûïóñêàþòñÿ èç ãîñóäàðñòâåííûõ ñèðîòñêèõ äîìîâ. Îêîëî 10 ïðîöåíòîâ èç íèõ ïðåäïðèíèìàþò
èç æèçíè æèòåëåé Ðóñè, ðåçíûå øàõìàòû. À õóäîæíèê èç Òåõàñà Þðèé Òðóøèí ïåðåäàë äëÿ àóêöèîíà ñâîþ êàðòèíó «Ñîëîâêè. Ðóññêèé ñåâåð». Ãîñòè ïðàçäíèêà — ïðèìåðíî 400 ÷åëîâåê — òàêæå ïðèíîñèëè ñ ñîáîé èãðóøêè è âåùè, êîòîðûå îðãàíèçàöèÿ âñêîðå ïåðåïðàâèò äåòÿì-ñèðîòàì. Íàñòîÿùèì ñþðïðèçîì áëàãîòâîðèòåëüíîãî îáåäà ñòàë òåëåìîñò (ñêàéï-ìîñò) ñ âîëîíòåðàìè îðãàíèçàöèè â Îìñêå, êîòîðûå òàêæå ïðèãëàñèëè ê ìèêðîôîíó Àøõàäà — ñèðîòó èç Äîìà äåòñòâà â Ñèáèðè, êîòîðîìó îíè ïîìîãàþò. Ýòî ïðÿìîå âêëþ÷åíèå èç Ñèáèðè ïðèäàëî ìåðîïðèÿòèþ èíòåðàêòèâíîñòè, à ìíîãî÷èñëåííûì ãîñòÿì ïîêàçàëî ðåçóëüòàò ðàáîòû “Allies in Your Development”. Êñòàòè, ñðåäè ãîñòåé áëàãîòâîðèòåëüíîãî ìåðîïðèÿòèÿ áûëè êàê òå, êòî
Russian-Ukranian-English Publication of Texas. Bi-weekly.
â ýòîì áëàãîðîäíîì ñëóæåíèè. Ðîáåðò Áðàóí ïðîæèë â Ðîññèè ïî÷òè 12 ëåò. Îí âåðíóëñÿ â ÑØÀ, íî âñå òàêæå äóøîé ïåðåæèâàåò î Ðîññèè. 25 ëåò Ðîáåðò íå ïðîñòî ëþáèò Ðîññèþ, íî çàáîòèòñÿ î åå äåòÿõ-ñèðîòàõ. Îäèí èç ðóêîâîäèòåëåé ïðîåêòà ïîìîùè ðîññèéñêèì ñèðîòàì — Òàòüÿíà Áàåâà — îòìåòèëà, ÷òî âå÷åð áëàãîòâîðèòåëüíîñòè îáúåäèíèë ïðåäñòàâèòåëåé ñàìûõ ðàçíûõ êóëüòóð — è àìåðèêàíöåâ, è ñëàâÿí. Àëüáèíà Ðîøå ðîäîì èç Îìñêà. Òåì áîëåå òðåïåòíî äëÿ íåå áûëî ïðÿìîå âêëþ÷åíèå âîëîíòåðîâ îðãàíèçàöèè èç ýòîãî ñèáèðñêîãî ãîðîäà. Îíà òàêæå õîòåëà áû ïîäêëþ÷èòüñÿ ê áëàãîòâîðèòåëüíîé äåÿòåëüíîñòè “Allies in Your Development” è «ïîìîãàòü äåòêàì â Ðîññèè». Ìèõàèë Ôåéñ — ñòóäåíò ïî ïðîãðàììå «Èñòîðèÿ» è «Ðóññêèé ÿçûê».  áóäóùåì îí õî÷åò ñòàòü ïðåïîäàâàòåëåì ðóññêîé èñòîðèè è âñå áëàãîäàðÿ ñâîåìó áåëîðóññêîìó äåäóøêå. Ñåðãåé è Âèêòîðèÿ Êîòëÿðîâû ñîâñåì íåäàâíî ïåðååõàëè â Àìåðèêó. È áëàãîòâîðèòåëüíîå ìåðîïðèÿòèå â ïîëüçó äåòåé-ñèðîò îñòàâèëî ó íèõ äîáðóþ ïàìÿòü. Àíòîíèíà Øâåö è Àííà Áîéêî ñ óäîâîëüñòâèåì îòìåòèëè òîò ôàêò, ÷òî íà âå÷åðå îíè âîî÷èþ óâèäåëè, êàê ìíîãèå ëþäè ïîìîãàþò äðóãèì ñòðàíàì è äåòÿì, êîòîðûõ îíè íå çíàþò. Èðèíà Ìþððåé
Published by Genesis Press Serge Taran, President and Publisher Ludmila Kachkar-Taran, Editor-in-Chief Alexey Levitin, Designer Zoryana Popovich, Proofreader
èç Ðîññèè, åñòü âîçìîæíîñòü ïîìîãàòü äåòÿì-ñèðîòàì è èì íóæíî ïîìîãàòü». Èðèíà Êóëèêîâà ïðèøëà íà âñòðå÷ó íå òîëüêî
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Development” òåïåðü òàêæå ïîìîãàåò è 60 äåòÿì-áåæåíöàì èç Óêðàèíû, êîòîðûå íàõîäÿòñÿ â îäíîì èç Âîðîíåæñêèõ ðåàáöåíòðîâ.
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ÀÊÖÈß
Friday, September 19, 2014
www.DallasTelegraph.com
Ó «÷åëîâåêà áåç ïàñïîðòà» ïîÿâèëàñü âîçìîæíîñòü ëåãàëèçîâàòüñÿ â ÑØÀ The Dallas Telegraph óæå íåîäíîêðàòíî ðàññêàçûâàëà èñòîðèþ íàøåãî ñîîòå÷åñòâåííèêà Àëåêñàíäðà Äìèòðÿêîâà — ÷åëîâåêà áåç ïàñïîðòà. Òåêñò è ôîòî The Dallas Telegraph Íàïîìíèì òåì íàøèì ÷èòàòåëÿì, êòî âïåðâûå ÷èòàåò î åãî ñóäüáå, ÷òî ïðèìåðíî 9 ìåñÿöåâ íàçàä â ðåäàêöèþ ãàçåòû ïîçâîíèë ñîâëàäåëåö ìàãàçèíà "Euro Deli" Ëåâ Ãîëüäáåðã è ïîïðîñèë îáùèíó ïîìî÷ü 69-ëåòíåìó Àëåêñàíäðó Äìèòðÿêîâó. Àëåêñàíäð ïî÷òè ÷åòâåðòü âåêà íàçàä ïðèåõàë â ÑØÀ. È ïî íåëåïîìó ñòå÷åíèþ îáñòîÿòåëüñòâ ó íåãî íà ñåãîäíÿøíèé äåíü íåò íè àìåðèêàíñêèõ äîêóìåíòîâ, íè ðàáîòû, íè êðûøè íàä ãîëîâîé, íè ïåíñèè, êîòîðóþ îí çàðàáîòàë â ÑØÀ. "Euro Deli" ïðåäîñòàâèëî Àëåêñàíäðó Äìèòðÿêîâó æèëüå ïðÿìî â ìàãàçèíå è ñòàðàåòñÿ èçî âñåõ ñèë ñïîñîáñòâîâàòü åãî ëåãàëèçàöèè. Ðóññêîÿçû÷íàÿ îáùèíà Äàëëàñà ñðàçó æå ñåðäå÷íî îòêëèêíóëàñü íà ïðîñüáó î ïîìîùè äëÿ Àëåêñàíäðà, îïóáëèêîâàííóþ íà ñòðàíè-
öàõ The Dallas Telegraph. Ìíîãèå íàøè ñîîòå÷åñòâåííèêè äî ñèõ ïîð ïåðåäàþò äåíüãè, åäó, ÷òî ïîìîãàåò Àëåêñàíäðó Äìèòðÿêîâó åæåäíåâíî âûæèâàòü, ïîêà îí îæèäàåò èçìåíåíèÿ ñâîåãî ëåãàëüíîãî ñòàòóñà â Àìåðèêå. Íå ìåíåå öåííîé ñòàëà è ïîìîùü ðóññêîÿçû÷íîãî àäâîêàòà, ïàðòíåðà The Dallas Telegraph, êîòîðûé áåçâîçìåçäíî âåäåò ýòî äåëî (ñâîå èìÿ àäâîêàò ñîãëàñèëñÿ îçâó÷èòü, êîãäà äåëî áóäåò ñäåëàíî). È âîò õîðîøàÿ íîâîñòü — ó Àëåêñàíäðà, ÷åëîâåêà áåç àìåðèêàíñêîãî ïàñïîðòà, ïîÿâèëàñü ðåàëüíàÿ âîçìîæíîñòü ïîëó÷èòü ñíà÷àëà «ãðèí-êàðòó», à, çíà÷èò, è çàðàáîòàííóþ ïåíñèþ, à ïîòîì è ýòîò ñàìûé çàâåòíûé ïàñïîðò. Äëÿ òîãî, ÷òîáû ïîäàòü âñå àïïëèêàöèè è çàïëàòèòü ãîñóäàðñòâåííóþ ïîøëèíó è ñòîèìîñòü ìåäîñìîòðà Àëåêñàíäðó òðåáóåòñÿ 3 òûñÿ÷è äîëëàðîâ.
Ðàññêàçûâàþò âëàäåëüöû "Euro Deli" Ëåâ Ãîëüäáåðã è Ìèõàèë Àâøàëóìîâ: «Ñíà÷àëà ìû áû õîòåëè ñêàçàòü îãðîìíîå ñïàñèáî ðóññêîÿçû÷íîìó Äàëëàñó, êîòîðûé òàê ùåäðî îòêëèêíóëñÿ íà íóæäó íàøåãî çåìëÿêà Àëåêñàíäðà Äìèòðÿêîâà. Åìó ñîáðàëè äîñòàòî÷íî äåíåã íà åæåäíåâíûå íóæäû, ïîìîãëè îäåæäîé. Îñîáåííî ìû áëàãîäàðíû äîêòîðó Âëàäèìèðó Ãðåáåííèêîâó çà ïîñòîÿííîå áåñïëàòíîå ìåäèöèíñêîå îáñëóæèâàíèå Àëåêñàíäðà. Íàøà Ðóññêàÿ àïòåêà òàêæå åæåäíåâíî ïðîÿâëÿåò î íåì çàáîòó. Ìíîãèå æèòåëè Äàëëàñà ïîääåðæèâàþò Àëåêñàíäðà ôèíàíñîâî, à íåêîòîðûå — êîíêðåòíîé ïîìîùüþ. Íàïðèìåð, Òàòüÿíà Ãèåðìàí ìíîãî âðåìåíè ïîñâÿòèëà òîìó, ÷òîáû Àëåêñàíäðà Äìèòðÿêîâà âîçèòü ê àäâîêàòó, Ëàíà Õàññàíîâà ñïîñîáñòâîâàëà ñáîðó äîêóìåíòîâ ïî åãî äåëó, Âèêòîð Íåðñåñîâ ïåðåâîäèë ýòè äîêóìåíòû, à Ëåíÿ Ôåëüäìàí îðãàíèçîâûâàë ïðîöåññ îôîðìëåíèÿ ýòèõ äîêóìåíòîâ. Îòäåëüíàÿ áëàãîäàðíîñòü âëàäåëèöå ïàíñèîíàòà «Øàëîì»
×èòàòåëü, âû ìîæåòå ïîìî÷ü Àëåêñàíäðó Äìèòðÿêîâó ïîëó÷èòü àìåðèêàíñêèé ïàñïîðò âçàìåí ñîâåòñêîãî Ýëëå Áîðîäÿíñêîé, êîòîðàÿ ÷åðåç âîäèòåëÿ ïàíñèîíàòà Âèêòîðà Ïåòóõ åæåäíåâíî ïîñûëàåò Äìèòðÿêîâó ãîðÿ÷èå îáåäû. Ñåé÷àñ âîçíèêëà ñèòóàöèÿ, êîãäà çàïîëíèâ íåñêîëüêî äîêóìåíòîâ, óïëà-
òèâ ãîñóäàðñòâåííûå ïîøëèíû è ïðîéäÿ ìåäêîìèññèþ, Àëåêñàíäð ìîæåò ïîëó÷èòü ëåãàëüíûé ñòàòóñ â ÑØÀ. Äëÿ ýòîãî íóæíî 3 òûñÿ÷è äîëëàðîâ. Ïðè÷åì, ýòè äåíüãè ïîéäóò òîëüêî ãîñóäàðñòâó. Ðàáîòà àäâîêàòîâ, ïå-
ðåâîä÷èêîâ è ò.ä. — ýòî íàøå ñ âàìè äîáðîå äåëî. Ñåãîäíÿ ìû ÷èòàåì â ãàçåòàõ ìíîæåñòâî ïðèçûâîâ ïîìîãàòü êàêèì-òî äâèæåíèÿì èëè îðãàíèçàöèÿì. È ó ðóññêîÿçû÷íîãî Äàëëàñà åñòü âîçìîæíîñòü ïîìî÷ü êîíêðåòíîìó ÷åëîâåêó, êîòîðîãî ìû ñ âàìè õîðîøî çíàåì. Ñåé÷àñ ÿ îáðàùàþñü ê êàæäîìó èç ÷èòàòåëåé The Dallas Telegraph, ê êàæäîìó èç ïðåäñòàâèòåëåé íàøåé óâàæàåìîé äèàñïîðû ïîæåðòâîâàòü õîòÿ áû ïî 5 äîëëàðîâ íà ëåãàëèçàöèþ Àëåêñàíäðà Äìèòðÿêîâà. È ýòî, ïîâåðüòå, êàðäèíàëüíî èçìåíèò åãî ñóäüáó». Âàøè 5 èëè áîëüøå äîëëàðîâ äëÿ óïëàòû îôèöèàëüíûõ ãîñóäàðñòâåííûõ ñáîðîâ äëÿ ëåãàëèçàöèè â ÑØÀ Àëåêñàíäðà Äìèòðÿêîâà ìîæíî îñòàâèòü â ìàãàçèíå "Euro Deli" â Ðè÷àðñîíå (òåë.: 972234-8052) èëè, ñâÿçàâøèñü ñ Àëåêñàíäðîì ïî òåëåôîíó: (469) 450-0309. www.DallasTelegraph.com/57281 Russian www.DallasTelegraph.com/en/57281 English
HOLIDAY
Rosh Hashanah-2014 In this coming Rosh Hashanah, September 25, 2014, it will be 5775 years since the creation of the first man. Since the day-to-day demands of life can distract people from their spiritual obligations, observant Jews reserve a period of each year exclusively for renewing their commitment to God and to one another. This deeply solemn season lasts forty days. The last ten days of this period are known in Hebrew as Yamim Nora’im, the Days of Awe, and include the two days of Rosh Hashanah, the Jewish New Year, and the “Sabbath of Sabbaths,” Yom Kippur. By Cantor Vadim Tunitsky, our contributor from Houston, TX. Photo by Yaakov Naumi
honey to express the wish that the coming year be sweet. On the day of Rosh Hashanah synagogue services are conducted in the morning, in the afternoon and in the evening, all with a special character of holiness and piety, and prayers are offered at this time that are recited at no other time of the year.
ing of the table, the mood grows somber. Yizkor candles are lit in memory of the deceased and the holiday candles are kindled. Because Yom Kippur is decreed a day of self-denial, Jews are expected to refrain from activities ordinarily considered frivolous or luxurious, and to fast from sundown to sundown; though exceptions are permit-
Rosh Hashanah, the Jewish New Year and the anniversary of the world’s creation, is observed as the day when all our destinies are determined, when the righteous are rewarded with life, the wicked are sentenced to death and the sincerely repentant are allowed ten days to redeem themselves by performing acts of charity and by humbly turning their hearts to God’s will. For these reasons, Rosh Hashanah is also known as Yom Ha’zikaron, Hebrew for the Day of Remembrance, when we remember our duty to God and to neighbors. The holiday begins as all other Jewish holidays do, at sunset of the preceding day, according to the sequence of creation described in Genesis 1:5, “And it was evening and it was morning: One day.” After the evening Rosh Hashanah service at the Rosh Hashanah celebration at the town of Uman, Ukraine synagogue, the family As the day of Yom Kippur ted for the very young, the old, comes home to a festive meal, approaches, therefore, all Jews the weak and the ill. beginning with a holiday Kidare expected to resolve their Each Jewish denomination dush, a ceremony of sanctifidebts, to seek forgiveness from conducts its Yom Kippur servcation, conducted over wine any persons they may have ices somewhat differently, and and over two loaves of the holwronged and offer forgiveness practices also vary among comiday bread known as hallah. freely and unconditionally in munities, but there are some Hallah loaves for Rosh return, and to submit any lincommon traditions in services Hashanah are often formed in gering disputes to proper triand prayers in all congrigathe shape of ladders, or braidbunals so that upon Yom Kiptions. ed like rising tendrils of pur they can turn themselves …I am standing at the Wailsmoke, symbolizing the hope wholly to prayer, repentance ing Wall in Jerusalem, it’s the that our prayers will ascend, and to acts of charity. summer of 2014 …I am thinkor formed into rounded, domePrior to sundown on the eve ing… Where does this unstopshaped crowns to evoke the of Yom Kippur a festive meal pable love for Judaism come majesty of Creator. Traditionis served. But with the clearfrom? Thousands of years the ally, the bread is dipped in
ÏÓÍÊÒÛ ÐÀÑÏÐÎÑÒÐÀÍÅÍÈß THE DALLAS TELEGRAPH
great leaders of Jewish people. Two years together with my son I went to visit and pay respect to Reb Nachman’s grave. I learned there that nowadays at the time of Rosh Hashanah and Yom Kippur 36000 Chassidic Jews from all over the world ascend to Uman to spend their Days of Awe there. I come from Ukraine, I know too well how much Jewish blood was shed there…And we are back: I, my son, and 36000 of Chassidic Jews …I have my questions, I have my answers. You need to have YOUR questions and have YOUR answers. The sound of shofar resonates in our hearts and souls in a unique way, different for all of us, but unifying all of us too. If you are going to ascend to your Synagogues and Temple this year with you sins asking for God forgiveness, hoping that your name will be written in the Book of life, think about the following: your sins can be forgiven by your loved ones… even by God… but will YOU forgive yourselves for some of them? There are a few things we can do, which will prevent us from making unforgettable sins. Let’s be kind to each oth-
Jews all over the world continue to ascend to their Temples and Synagogues. They come with their sins, regrets, pains, fears, hopes and to look for God’s compassion, support and forgiveness. Do you think it’s because we want to continue being “The Light to the Nations”? Do you believe the Jews have a special mission to be God’s partners in doing Tikkun Olam, repair the world to make it a better place? Did you know that the Jews go back to Ukraine, to the place called city of Uman? It’s a place of burial or Rebb Nachman of Breslau, a great leader of Chassidism, who left after himself spectacular teaching about the beauty of the world, about a man who finds in nature the nearness of God? Reb Nachman lived a short life, only 38 years and died in 1810. He asked to bury him in Uman, the place in Ukraine where tens of thousands Jews were murdered… By the way, my great grandfather famous Rabbi Yitzchok Abraham Gaisinsky was born in Stavishti, in the year 1858 only 48 years after Reb Nachman died. Stavishi and Uman were separated by only 50 km. I feel strongly connected with these
er, let’s try to heal people around us if we can, let’s ease their pains. Let’s start “practicing” now, Rosh Hashanah is around the corner, and we’ll have greater “chances” on Yom Kippur, because on Rosh Hashanah it is written, on Yom Kippur it is sealed… Let’s add apples and honey to our words, let’s do it NOW, and let’s never stop, we’ll make the world better, promise! We can always make our return to God, any day of the year, Rosh Hashanah is a great time! We can always make a new beginning. And then we can continue ascending to new heights, as they say “the sky is the limit.” And one more thing: let’s try to understand other people. Try! You will know what happiness is! May be even someone will try to understand you? Somehow I strongly feel with kindness and understanding we can make each new year a better one, good and sweet. In addition to wishing that, we should make an effort to make it happen. Let’s continue listening to the sound of shofar. Like our ancestors did 3000 years ago, and we do today and will continue doing that 3000 years from today and longer. www.DallasTelegraph.com/57283 Russian www.DallasTelegraph.com/en/57283 English
Ïîäïèñêà íà ãàçåòó The Dallas Telegraph (Ïîæàëóéñòà, çàïîëíÿéòå íà àíãëèéñêîì ÿçûêå) Ôàìèëèÿ Èìÿ Àäðåñ Òåëåôîí E-mail (äëÿ æåëàþùèõ ïîëó÷àòü íîâîñòè ðóññêîãî Äàëëàñà èëè The Dallas Telegraph iPad) Çàïîëíåííûé êóïîí âìåñòå ñ ÷åêîì, âûïèñàííûì íà ñóììó ïîäïèñêè, íà èìÿ ó÷ðåäèòåëÿ ãàçåòû Genesis Press âûøëèòå â àäðåñ ãàçåòû The Dallas Telegraph: P.O.Box 764973, Dallas, TX 75375
ALLEN Russian School at Allen Montessori, 612 Pebblebrook Dr., Allen, TX 75002, Phone: (469) 667-0058. Kids R Kids of East Allen, 611 E. Bethany Drive, Allen, TX 75002. Phone: (817) 991-0137. ARLINGTON Taste of Europe, 1901 W. Pioneer Prkwy, Arlington, Texas 76013. Phone: (817) 275-5530. Russian School in Arlington at Kids Lodge Academy, 2331 Webb Lynn Rd., Arlington, TX 76002. Phone: (972) 489-7449. CARROLLTON Russian Banya, 2515 E. Rosemeade Parkway # 401, Carrollton, TX 75007. Phone: (214) 483-5050. DALLAS Midpark Towers Apartment, 8550 Midpark Rd., Dallas, TX 75240. Phone: (972) 231-7834. St Seraphim Orthodox Church, 4112 Throckmorton St., Dallas, TX 75219. Phone: (214) 528-3741. Capelli Salon, 19177 Preston Rd., Suite 155, Dallas, TX 75252. Pnone: (972) 250-4565. Russian School of Dallas, 6039 Churchill Way, Dallas, TX 75230. Phone: (214) 354-7674. DENTON Denton Ballet Academy, 637 Londonderry Ln., Denton, TX 76205. Phone: (940) 891-0830. GARLAND Dallas Omni Care, 2222 Deer Meadow Dr., Garland, 75044. Phone: (972) 495-6000. PLANO Sunshine International Learning Center, 5940 Alma Dr., Plano, TX 75023. Phone: (469) 467-992. Euro Deli Too, 6832, Coit Rd., # 300, Plano, TX 75023. Phone: (972) 312-0244.
ÑÒÎÈÌÎÑÒÜ ÏÎÄÏÈÑÊÈ: ÍÀ 6 ÌÅÑßÖÅÂ (12 âûïóñêîâ)
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River of Life – Dallas Church, 4001 Custer Rd., 4001 Custer Rd, 75023. Phone: (817) 773-1097. Natalie Bakery & Pastry, 2001 Coit Rd., Suite 142, Plano, TX 75075. Phone: (972) 964-4044. The Villas of Mission Bend, 1201 Medical Av., Plano, TX 75075. Phone: (972) 867-2700. Plano Community Homes West Campus, 3905-3925 American Dr., Plano, TX 75075. Phone: (972) 867-1905. Central Market, 320 Coit Rd. Plano, TX 75075. Phone: 469-241-8300. Smiles By Morel, 5501 Independence Pkwy., Suite # 205, Plano, TX 75023. Texas Rhythmic Academy, 2621 Summit Ave#300, Plano, TX 75074. Phone: (469) 583-2894. RICHARDSON Family Discount Pharmacy, 970 N.Coit Rd., #2403, Richardson, TX 75080. Phone: (972) 235-0444. Euro Deli, 670 N. Coit # 2360, Richardson, TX 75080. Phone: (972) 234-8052. A-Care Medical, 870 N. Coit Rd., #2660, Richardson, TX 75080. Òåë.: (972) 235-2459. A-Care Chiropractic & Acupuncture Center, 870 N. Coit Rd., Ste. # 2651, Richardson, TX 75080. Òåë.: (972) 664-9089. SOUTHLAKE Central Market, 1425 E Southlake Blvd., Southlake, TX 76092. Phone: (817) 310-5600. THE COLONY St. Sophia Ukrainian Greek-Catholic Church, 5600 North Colony Boulevard, The Colony, TX 75056. Phone: (972) 370-4700
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Friday, September 19, 2014
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«Ìèññ Àìåðèêà-2015» Êèðà Êàçàíöåâ ëþáèò «Åâãåíèÿ Îíåãèíà» è Áðóêëèí Òðåòèé ãîä ïîäðÿä ïðåäñòàâèòåëüíèöû øòàòà Íüþ-Éîðê ñòàíîâÿòñÿ ñàìûìè êðàñèâûìè íà íàöèîíàëüíîì êîíêóðñå êðàñîòû.  ïåðâûé ðàç ðóññêîÿçû÷íàÿ äèàñïîðà ÑØÀ ìîæåò ïðàçäíîâàòü ïîáåäó ïî ïîâîäó òîãî, ÷òî äî÷ü ðóññêèõ ýìèãðàíòîâ èç Ìîñêâû Êèðà Êàçàíöåâ ñòàëà íå òîëüêî «Ìèññ Íüþ-Éîðê», íî è «Ìèññ Àìåðèêà-2015». Òåêñò The Dallas Telegraph. Ôîòî èç àðõèâà ðåäàêöèè è àðõèâà Òàòüÿíû Çèìàêîâîé Ê ó÷àñòèþ â ñàìîì êðàñèâîì àìåðèêàíñêîì êîíêóðñå äîïóñêàþòñÿ äåâóøêè îò 17 äî 24 ëåò. Ñðåäè ñîïåðíèö 23-ëåòíåé Êèðû áûëè 52 òàëàíòëèâûå, êðàñèâûå è îáðàçîâàííûå àìåðèêàíêè. Ñîãëàñíî óñëîâèÿì êîíêóðñà, ó÷àñòíèöû äîëæíû ñåáÿ ïðîÿâèòü â ÷åòûðåõ ñîðåâíîâàíèÿõ: èíòåðâüþ, êîíêóðñå òàëàíòîâ, âûñòóïëåíèè â êóïàëüíûõ êîñòþìàõ è äåìîíñòðàöèÿ âå÷åðíèõ íàðÿäîâ. Íî Êèðà Êàçàíöåâ ñòàëà ëó÷øåé èç ëó÷øèõ.
ñòâèòåëüíî îñêîðáèòåëüíûå îòíîøåíèÿ. ß ìîãëà áû çàöèêëèòüñÿ íà íèõ, óéòè â ñåáÿ, íî ÿ âûáðàëàñü – è ðåøèëà èñïîëüçîâàòü ýòîò îïûò âî áëàãî äðóãèõ æåíùèí, ïåðåæèâøèõ íàñèëèå, ðåøèëà ïîêàçàòü èì, ÷òî, åñëè õî÷åøü, åñëè òâåðäî íàìåðåí îñâîáîäèòüñÿ îò ïåðåæèòîé òðàâìû, òû ñìîæåøü ýòî ñäåëàòü è ñòàíåøü ñèëüíåå, ìóäðåå, ñòàíåøü ñ÷àñòëèâîé». Íà êîíêóðñå «Ìèññ Àìåðèêà» Êèðà çàÿâèëà, ÷òî õîòåëà áû, ÷òîáû àìåðèêàíñêèå ñåíàòîðû-æåíùèíû íàäàâèëè íà ñâîèõ êîëëåã-ìóæ÷èí â âîïðîñå áîðüáû ñ ñåêñóàëüíûì íàñèëèåì â àðìèè.
ãî ãîäà. Îíà ìå÷òàåò ñòàòü þðèñòîì ïî ìåæäóíàðîäíîìó ïðàâó. Èìåííî íà ïîëó÷åíèå þðèäè÷åñêîãî îáðàçîâàíèÿ «Ìèññ Àìåðèêà2015» ïîòðàòèò 50 òûñÿ÷ ïðèçîâûõ äåíåã, äîñòàâøèõñÿ åé çà ïîáåäó. Êèðà ðîäèëàñü â êàëèôîðíèéñêîì Ñàí-Ôðàíöèñêî, íî â ïîñëåäíèå ãîäû æèâåò â Íüþ-Éîðêå, íà Ìàíõýòòåíå, è ïðè ýòîì ëþáèò áûâàòü â ðóññêîì Áðóêëèíå è ïðîâîäèòü âðåìÿ â ðóññêîÿçû÷íîé îáùèíå. Åå ðîäèòåëè ýìèãðèðîâàëè â ÑØÀ èç Ìîñêâû â 1990-ì ãîäó: îòåö – õèðóðã, ñïåöèàëèñò ïî ëå÷åíèþ ðàêà ïîäæåëóäî÷íîé æåëåçû, ìàòü –
Ïåðâàÿ êðàñàâèöà Àìåðèêè ïðîèñõîäèò èç ñåìüè ýìèãðàíòîâ èç ÑÑÑÐ Ñóäüè îöåíèëè íå òîëüêî âíåøíèå äàííûå äåâóøêè, íî è åå ïðàâîçàùèòíóþ äåÿòåëüíîñòü è âåëèêîëåïíîå èñïîëíåíèå ïåñíè Ôàððåëëà Óèëüÿìñà "Happy". Ïðàâäà, ñïîñîá èñïîëíåíèÿ Êèðà èçáðàëà ñâîåîáðàçíûé — îíè ñèäåëà íà ñöåíå ïî-òóðåöêè è áàðàáàíèëà â ïëàñòèêîâóþ êðàñíóþ ÷àøêó. Åùå âî âðåìÿ êîíêóðñà «Ìèññ Íüþ-Éîðê» Êàçàíöåâ èçáðàëà òåìó ïðàâîâîé
Òåïåðü, êîãäà Êèðà Êàçàíöåâ ñòàëà ïîáåäèòåëüíèöåé, îíà ïîîáåùàëà â òå÷åíèå áëèæàéøåãî ãîäà, íîñÿ òèòóë ñàìîé êðàñèâîé äåâóøêè Àìåðèêè, â ñâîèõ âûñòóïëåíèÿõ ïîäíèìàòü òåìó äîìàøíåãî íàñèëèÿ. Òèòóë «Ìèññ Àìåðèêà» ïðåäïîëàãàåò î÷åíü íàñûùåííûé ãðàôèê âûñòóïëåíèé âî âðåìÿ òóðà ïî ÑØÀ, ïîáåäèòåëüíèöà äîëæíà ïðåîäîëåâàòü äî 20 òûñÿ÷ ìèëü â ìåñÿö.
Êèðà Êàçàíöåâ íà 9-îì ôåñòèâàëå «Ðóññêàÿ çèìà» â Äàëëàñå â 2005 ãîäó â ãîñòÿõ ó Òàòüÿíû Çèìàêîâîé çàùèòû æåíùèí îò äîìàøíåãî íàñèëèÿ. Åå ïðîãðàììà ïîëó÷èëà íàçâàíèå "Love Shouldn’t Hurt" («Ëþáîâü íå äîëæíà ïðè÷èíÿòü áîëü»). «Âñÿ ìîÿ îáùåñòâåííàÿ äåÿòåëüíîñòü ñâÿçàíà ñ æåíùèíàìè – ñ ñèëîé, âëàñòüþ è âëèÿíèåì, êîòîðûìè îíè îáëàäàþò, — ðàññêàçàëà Êèðà â èíòåðâüþ Íàîìè Çèëüáåð (ForumDaily) â ìàðòå ýòîãî ãîäà. — ß õî÷ó, ÷òîáû êàæäàÿ æåíùèíà ïîíèìàëà: ÷òî áû íè ñëó÷èëîñü â æèçíè, íåëüçÿ îò÷àèâàòüñÿ. Òû ìîæåøü äîñòè÷ü âñåãî, ÷åãî çàõî÷åøü, ó òåáÿ åñòü äëÿ ýòîãî âñå âîçìîæíîñòè. Äëÿ ìåíÿ ýòî î÷åíü âàæíî. Ýòî íå ïðîñòî ïëàòôîðìà, êîòîðóþ ÿ âûáðàëà òîëüêî ïîòîìó, ÷òî ìèññ Íüþ-Éîðêà äîëæíà èìåòü êàêóþ-òî ïëàòôîðìó. ß ñàìà èñïûòàëà áîëü. È ìíå î÷åíü âàæíî ãîâîðèòü îá ýòîì... ß ïîïàëà â î÷åíü òÿæåëóþ èñòîðèþ, êîãäà ó÷èëàñü â êîëëåäæå. Ýòî áûëè äåé-
Êèðà Êàçàíöåâ — ïðîôåññèîíàëüíàÿ ó÷àñòíèöà âñåâîçìîæíûõ êîíêóðñîâ êðàñîòû ñ 11 ëåò — «Ìèññ Êàëèôîðíèÿ» ñðåäè òèíýéäæåðîâ, à â ïîñëåäíèå ãîäû — «Ìèññ øòàò Íüþ-Éîðê», «Ìèññ Íüþ-Éîðê». Îíà îêîí÷èëà óíèâåðñèòåò Õîôñòðà ïî ñïåöèàëüíîñòÿì ïîëèòîëîãèÿ, îáðàçîâàíèå è ãåîãðàôèÿ è ïðîõîäèëà ëåòíþþ ïðàêòèêó â Ñåíàòå ÑØÀ, ó÷àñòâóÿ â èçáèðàòåëüíîé êàìïàíèè Êðèñòåí Ãèëëèáðýíä. Òàêæå òðè ìåñÿöà Êèðà ïðàêòèêîâàëàñü â îðãàíèçàöèè "Planned Parenthood", êîòîðàÿ ôàêòè÷åñêè ÿâëÿåòñÿ áîëüøèì àáîðòàðèåì Àìåðèêè. Ðàáîòàÿ â ýòîé îðãàíèçàöèè, Êèðà ïîääåðæèâàëà ïðîãðàììû, êîòîðûå áàçèðóþòñÿ íà ñåêñóàëüíîì îáðàçîâàíèè â øêîëàõ è â êîììüþíèòè. Êèðà óæå çà÷èñëåíà â Þðèäè÷åñêóþ øêîëó Ôîðäõýì, ãäå îíà ïëàíèðóåò íà÷àòü îáó÷åíèå ñî ñëåäóþùå-
àãåíò ïî ðàáîòå ñ íåäâèæèìîñòüþ. Ó Êèðû åñòü 14-ëåòíèé áðàò Áîðèñ. Êèðà Êàçàíöåâ ñâîáîäíî ãîâîðèò íà ðóññêîì, èñïàíñêîì è àíãëèéñêîì ÿçûêàõ. Ñâîå âåëèêîëåïíîå çíàíèå ðóññêîãî ÿçûêà äåâóøêà îáúÿñíÿåò òåì, ÷òî åå ìàìà áûëà ñòðîãà â ýòîì âîïðîñå: «Âñå ìîè ïîïûòêè çàãîâîðèòü ñ íåé ïî-àíãëèéñêè çàêàí÷èâàëèñü çàìå÷àíèåì: «ß íå ïîíèìàþ, ÷òî òû ãîâîðèøü. Íå ïîíèìàþ!» Áëàãîäàðÿ òîìó, ÷òî ÿ ñâîáîäíî ãîâîðþ ïî-ðóññêè, ÿ òåñíî ñâÿçàíà ñ ðóññêîé êóëüòóðîé. ß ó÷èëàñü â ðóññêîé øêîëå, ÿ åçäèëà â ðóññêèé ëåòíèé ëàãåðü, ÿ âñåãäà áûëà ñâÿçàíà ñ ðóññêîÿçû÷íîé îáùèíîé â ÑØÀ. È ÿ ãîðæóñü òåì, ÷òî ïðèíèìàþ ó÷àñòèå â ðàáîòå ôîíäà "Be Proud Foundation"».
"Be Proud Foundation" áîðåòñÿ ñî âñåìè ïðîÿâëåíèÿìè íåòåðïèìîñòè â ðàçëè÷íûõ îáùèíàõ, âîñïèòûâàåò â äåòÿõ ÷óâñòâî ñîáñòâåííîãî äîñòîèíñòâà è ïîìîãàåò ïîäðîñòêàì èç
òðóäíûõ ñåìåé ïðîäîëæàòü ó÷åáó â øêîëå è â êîëëåäæå. Êèðà òàêæå ðàññêàçàëà, ÷òî åå áàáóøêè è äåäóøêè æèâóò â Ðîññèè, è îíà ÷àñòî òàì áûâàåò. È îäíî èç åå
ëþáèìûõ ëèòåðàòóðíûõ ïðîèçâåäåíèé – «Åâãåíèé Îíåãèí» Àëåêñàíäðà Ïóøêèíà. www.DallasTelegraph.com/57294 Russian www.DallasTelegraph.com/en/57294 English
5À
HOLIDAY
Friday, September 19, 2014
www.DallasTelegraph.com
Raffi Gostanian: “Come and Join Us!” Raffi Gostanian, Chairman of ArmenFest Committee of St. Sarkis Armenian Church speaks to The Dallas Telegraph about 2014 Armenian Culture and Food Festival in Dallas.
Text and photo by Serge Taran – How many Armenians we have here in the metroplex? – There are approximately 450 Armenian families in our St. Sarkis Armenian Church alone. Many are very active in our church. Others live relatively far, and they come time to time. Because of the distance they can not come every single Sunday. – Another words, ethnic Armenians number in DFW is much larger. I remember hearing dome estimations of 10-20 thousand Armenians in North Texas. – Yes. We try to get more of them to come to the church even if it is not on a daily basis because many of them live too far away. Armenian Fest is one of this activity that we put on to try to encourage these families to come, at least occasionally to the church. We specifically reach-out to these families through mailings that we send, phone-calls, emails. Currently there are about thousand mailers we are going to send out specifically to Armenian families that are not active participants at the church, but they live in the area. We are hopping that the number of them will come to the Festival, and they can understand where the church is, meet the Priest, and all the other community members.
– ArmenFest it is not a religious event. It is more cultural event, and your simply celebrate the culture and the history of your great Nation. – You are absolutely right. It is a cultural event for entire weekend. It is 19th year that we are going to put on this Fest.
well. Some of those songs will also have different types of dances associated with them. – Armenian culture is known for its spectacular and fired-up dances. – And you will see a lot of that. The members of the community are very busy
– Would you please tell us, if there will be a difference between the festival that people came to see last year, and this coming festival. – Defiantly, there going to be differences. It is not only the songs and singing programs, dances and dancing program. The costumes and outfeat will be different. – Last year The Dallas Telegraph was privileged to
dies, or men – they do it better (joking: DT) want to learn how to prepare authentic Armenian food, they will be able to learn it at the Fest. There will be a lot of sweets, desserts too. – For people who come to your event may be some of the cultural aspects will not be clear to understand, to grab, and to appreciate. Would you be having some kind of introduction to the
the meaning of that particular dances. – Tell us about the exhibition in the hall of the church. – There are different types of information is going to be presented in the hall. We are going to have a specific person who will be leading the groups and can explain what a lot of the people visiting the hall are looking at. There are going to be information printed up place next to the exhibits. We will also have one or two volunteers who will lead different groups on a tour through the exhibits and be able to not only talk about what is being presented, but also certainly be able to answer to any questions that people might have as they are going around and viewing the displays. So people can read as they walking around, it will be easy to understand what they are looking at, and to appreciate the cultural significance. – How many people are you expecting at the festival this year? – We are expecting from 2,500 to 3,000 participants. It is a three day Festival. As long as the weather remains nice, we expect a large turnout.
– Would you, please, describe what people will experience at the Fest, when they come in October. – It is going to be very dynamic! Two different types of entertainment activity will be occurring during all three days the event. One is going to be singing. A lot of the traditional Armenian folk songs, temple songs as
practicing them, making costumes. We very fortunate to have instructor from California who comes almost every third weekend using her own time to come and teach different dances to the young people who will be performing. What nice is that just not a repetition of last year and year before performers. There are a lot of new dances.
taste outstanding Armenian Food. Are you doing it this year too? – This year we will not only sample and sell the best of Armenian food, but we will have cooking demonstrations. So the audience will not only will be able to understand from a cultural perspective, but they also be able to understand some of the cooking techniques. If our Dallas la-
numbers, some explanation what is a value of it? – Yes, they will be prior to each of the events and an explanation what the audience is about to see, the meaning behind the songs and dances and also in between each of the different songs it will be even for description for different dances. So the audience can understand what is song or dance is going to be about and what is
– What would be you message to our broad audience of North Texas? – Come out! Have fun! It is very much a family event. There will be a lot of children activities outside and inside and, of course, delicious Armenian food and lovely entertainment. www.DallasTelegraph.com/57302 Russian www.DallasTelegraph.com/en/57302 English
Welcome to the 19th Annual ArmeniaFest By St. Sarkis Armenian Church We are delighted to have you as our guests for this outstanding weekend of fun, food and family. The parishioners of the St. Sarkis Armenian Church of Dallas-Fort Worth organize an annual cultural and food festival in Carrollton on the second weekend of October, and put together a program of folk dances and songs, delicious offerings of food, children's crafts and games, raffle and silent auction, church tours and special exhibits, cooking and dancing demonstrations and other activities to celebrate our heritage and provide an environment for a great family outing. THE UNIQUE HISTORY OF THE ARMENIANS Armenians, an ancient people still living on a small part of their ancestral land, call Armenia "Hayastan," and themselves "Hai." Oral history explains the lineage of the Armenian people as being the direct descendants of Noah's son Japheth. Indigenous to the land of Ararat, Armenians have marked their national identity with the rise of powerful Armenian kingdoms, the adoption
of Christianity as Armenia's state religion, and the creation of the Armenian alphabet, which spurred the development of literature, philosophy, and science. The Armenian nation was a contemporary of historical nations that existed millennia before Christ, and which no longer exist in modern times. Present day research has established that Armenians are descendants of the Urartians, and were occupying the plain of Ararat since at least the second millennium B.C. The Urartians had attained a high level of civilization with cuneiform writing, agriculture, horticulture and the use of highly developed techniques of irrigation and construction of fortified cities. While the Armenian state withstood foreign invasions and domination over the centuries, the population continued to inhabit the highlands in Asia Minor, centered around Mount Ararat, the national symbol of Armenia and the resting place of Noah's Ark. This continual presence came to an abrupt halt with the first genocide of the twentieth century perpetrated against the Armenian citizenry beginning in 1915. As a result, survivors
took refuge in other countries, including the United States. ARMENIA IS THE FIRST COUNTRY TO ADOPT CHRISTIANITY Armenians hold the distinction of being the first nation to declare Christianity as their state religion in 301 A.D., when King Trdat III and St. Gregory the Illuminator, the first bishop of Armenia, converted the Armenians to Christianity. This followed the apostles Thaddeus and Bartholomew reaching Armenia in the middle of the first century and preaching Christianity secretly. FIRST CATHEDRAL IS BUILT As soon as the country was converted to Christianity, the first Cathedral in Etchmiadzin was erected by Trdat and Gregory in the year 303 A.D. The Cathedral became the seat of the Catholicate near Yerevan, the present capital of Armenia, where the head of the Armenian Church, His Holiness the Catholicos has resided ever since. DEVELOPMENT OF THE ALPHABET IN 404 A.D . The Armenian language is an independent branch of the
ArmeniaFest: Song and Dance Extravaganza “The best way to make other people know you is to show and share your culture” (Aram Khachaturian). By St. Sarkis Armenian Church For centuries, our culture has been preserved as each generation proudly passes on our longstanding traditions while contributing a fresh and new perspective of their own. A big part of ArmeniaFest is the entertainment program of the Groung Dance and Hayasdan Song and Dance Ensemble. The members of both groups are from the St. Sarkis community, and through dance and song performances, you will see the pride and enthusiasm with which the performers represent the Armenian people and share their culture with all. GROUNG DANCE ENSEMBLE Upheld as one of the old-
est components of our culture, Armenian dance is the embodiment of our peoples’ grace and strength. The Groung Dance Ensemble is eager to present to you a set of dances that represent the traditions of our ancestors and celebrate the vibrancy of our generation. HAYASDAN SONG AND DANCE ENSEMBLE The Hayasdan song and dance ensemble was organized in 2013 with only 3 singers. In one year, membership has grown to 14: 7 singers and 7 dancers. The repertoire of the Hayasdan group includes Armenian folk songs, and classical composers’ songs in Armenian and European languages.
CIRCLE DANCE INSTRUCTION ArmeniaFest also offers several opportunities for Circle Dance Instruction for all who would like to learn the basic steps of traditional and folk Armenian dances. CHURCH AND CULTURAL EXHIBITS TOUR Our guests are treated to an exceptional tour of the St. Sarkis sanctuary, with the history of the Armenian Church personally relayed by the pastor. In addition, the tour incorporates the historical significance of the cultural exhibits in the Kechejian Hall. Come and enjoy learning about the pride of the Armenians. www.DallasTelegraph.com/57306 Russian www.DallasTelegraph.com/en/57306 English
Indo-European family. The alphabet was invented by Mesrob Mashtots in 404 A.D., to facilitate the creation of Christian literature, but primarily to translate the Bible into Armenian. It now contains 38 letters and is widely used in Armenian communities since 100% literacy is a must among Armenians THE ARMENIANS OF ST. SARKIS CHURCH, DFW Armenians continue to uphold strong cultural, religious, and historical customs and traditions. The St. Sarkis Armenian Church and its parish are an example of such an active Armenian community. In the late 70s and early 80s, a wave of immigrant families had begun settling in the
Dallas area. They wanted a place to gather, socialize, worship and preserve their heritage. With generous donations and the support of already established families, notably the godfather of the church Dr. Sarkis Kechejian, the community finally had a sanctuary which was consecrated by the Primate in 1991 as the St. Sarkis Armenian Church. An energized community planned their future by creating a place for their children to learn their ancestral heritage and practice the Armenian Christian faith. St. Sarkis is now the gathering center for Armenian families of North Texas and parts of Oklahoma. A dynamic young priest and his family, an active Youth Group, an energetic Women's Guild, a combined
school to serve the Armenian Language and Sunday School, a Church Choir, a Seniors Group, and a successful annual ArmeniaFest complete the picture of a vibrant community. THE FUTURE OF ST. SARKIS PARISHIONERS The St. Sarkis community has been blessed with the generous donation of a 4.5 acre land by the Elie and Ela Akilian family, which has renewed our enthusiasm to build an Armenian church with a community center as a sustainable model for our next generations. Plans are underway to realize this goal. www.DallasTelegraph.com/57304 Russian www.DallasTelegraph.com/en/57304 English
6À
ÑÎÂÅÒÛ ÞÐÈÑÒÀ
Friday, September 19, 2014
www.DallasTelegraph.com
ÄÒÏ — ýòî íå êîíåö ×òî äåëàòü, à ÷åãî íå äåëàòü ïîñëå àâòîìîáèëüíîé àâàðèè? Àìåðèêà — ñòðàíà àâòîìîáèëåé. Àâòîìîáèëü, íàâåðíîå, åñòü ó êàæäîãî èç íàñ. Ïðè ýòîì íèêòî íå çàñòðàõîâàí îò äîðîæíî-òðàíñïîðòíûõ ïðîèñøåñòâèé. Åñëè äàæå âû åçäèòå àêêóðàòíî è óâåðåíû, ÷òî íèêîãäà è íèêîãî íå «ñòóêíåòå», òî íåò íèêàêîé ãàðàíòèè, ÷òî â âàø àâòîìîáèëü êòî-òî íå «âúåäåò».  ñîñòîÿíèè àôôåêòà ïîñëå àâàðèè ìîæíî ñîâåðøèòü ìàññó îøèáîê, êîòîðûå ìîãóò ñêàçàòüñÿ êàê íà ñóììå êîìïåíñàöèè ïîñëå àâàðèè, òàê è íà âàøåì çäîðîâüå è âàøåé ðåïóòàöèè ïåðåä çàêîíîì.
ùàéòå ïî÷èíèòü ïîâðåæäåííûé àâòîìîáèëü äðóãîé ñòîðîíû. Âàì ìîæåò ïîêàçàòüñÿ, ÷òî ïîâðåæäåíèÿ íåçíà÷èòåëüíûå, è âû ëåãêî ñìîæåòå âîçìåñòèòü ðàñõîäû ïî åãî ðåìîíòó, íî íà äåëå âñå îêàæåòñÿ ñîâñåì íå òàê.
ìàöèÿ ïîìîæåò â âàøåé çàùèòå. Ñî âðåìåíåì äåòàëè ïðîèñøåñòâèÿ ìîãóò ñòåðåòüñÿ èç ïàìÿòè èëè âû ìîæåòå íå îáðàòèòü íà íèõ âíèìàíèÿ. Åñëè âàøó ìàøèíó óâîçèò ëèêâèäàòîð (towing company), âû ìîæåòå çàáûòü î òîì ïîâðåæäåííîì èìóùåñòâå, êîòîðîå íàõîäèëîñü â àâòîìîáèëå, à äîñòóïà ê íåìó ìîæåò áîëüøå è íå ïîÿâèòüñÿ. Ñäåëàéòå òàêæå ôîòî àâòîìîáèëÿ äðóãîé
— À ÷òî ñëó÷èòñÿ, åñëè, íàïðèìåð, âû êîãî-òî óäàðèëè è, âîçìîæíî, èñïóãàâøèñü èëè íå îöåíèâ äîëæíûì îáðàçîì ñèòóàöèþ, óåõàëè ñ ìåñòà ïðîèñøåñòâèÿ? — Íà þðèäè÷åñêîì ÿçûêå ýòî íàçûâàåòñÿ "Hitand-Run" — íàíåñ ïîâðåæäåíèÿ è ñêðûëñÿ ñ ìåñòà ïðåñòóïëåíèÿ.  ïðèíöèïå, ýòî óãîëîâíîå ïðåñòóïëåíèå. Åùå îäíî óãîëîâíîå ïðåñòóïëåíèå, êîòîðîå âû ìîæåòå ñîâåðøèòü, ñêðûâàÿñü ñ ìåñòà ïðåñòóïëåíèÿ — "Fail to Stop and Render Aid". Äàæå åñëè âû îñòàíîâèëèñü è ïîãîâîðèëè ñ âîäèòåëåì ïîâðåæäåííîé ìàøèíû, íî íå ïåðåäàëè åìó ñâîþ ïîëíóþ èíôîðìàöèþ è ïî âçàèìíîìó ñîãëàñèþ óåõàëè, òî ýòî òîæå ïîäïàäàåò ïîä êàòåãîðèþ "Hitand-Run". Äðóãèìè ñëîâàìè, åñëè âû êîãî-òî óäàðèëè, à ïîñòðàäàâøàÿ ñòîðîíà ãîâîðèò ìîë, íè÷åãî ñòðàøíîãî — óåçæàéòå, íå âåðüòå ýòîìó, äðóãàÿ ñòîðîíà ìîæåò âàñ ïîòîì îáâèíèòü â òîì, ÷òî âû íå ïðåäîñòàâèëè åìó/åé ñâîåé èíôîðìàöèè. Çàïèøèòå ðàçãîâîð ñ âîäèòåëåì íà äèêòîôîí (ñåãîäíÿ äèêòîôîíû âñòðîåíû â ëþáîé ñìàðòôîí: ðåä.) èëè åùå ëó÷øå — ïîçâîíèòå â ïîëèöèþ. Òàêèì îáðàçîì âû ïîêàæåòå, ÷òî
Òåêñò Ñåðãåé Òàðàí. Ôîòî èç àðõèâà ðåäàêöèè Íå òàê äàâíî è ìû ñàìè ïîïàëè â àâàðèþ. Íàø àâòîìîáèëü ðàçáèëà æåíùèíà, êîòîðàÿ âî âðåìÿ äâèæåíèÿ ðàçãîâàðèâàëà ïî òåëåôîíó. Ïî÷òè çà 25 ëåò æèçíè â Àìåðèêå âïåðâûå
— Êòî äîëæåí çàòðåáîâàòü ýòó èíôîðìàöèþ? Âû, îäíà èç ñòîðîí ïðîèñøåñòâèÿ èëè ïîëèöåéñêèé? Íàïðèìåð, â íàøåì ñëó÷àå ïîëèöåéñêèå îäíîçíà÷íî óêàçàëè íàì íå âñòóïàòü â êîíòàêò ñ äðóãîé ñòîðîíîé è ñàìè ñîáðàëè âñþ íåîáõîäèìóþ äëÿ ðàïîðòà èíôîðìàöèþ. — Äåéñòâèòåëüíî, åñëè ïîëèöåéñêèå ïðèåçæàþò,
Ýòî âàøå ïðàâî — íàñòîÿòü íà òîì, ÷òîáû íà ìåñòî ïðîèñøåñòâèÿ ïðèáûëà ïîëèöèÿ è ïîëèöåéñêèé ñîñòàâèë ðàïîðò ñòîëêíóâøèñü ñ ïîäîáíîé ñèòóàöèåé, ÿ ïîíÿë, ÷òî ìíîãîãî íå çíàþ — ÷òî äåëàòü, à ÷òî íå äåëàòü, ÷òî ãîâîðèòü, à î ÷åì ìîë÷àòü ïîñëå àâòîìîáèëüíîé êàòàñòðîôû. Ïðàâèëüíûå îòâåòû, åñòåñòâåííî, çíàþò àäâîêàòû, êîòîðûå ñïåöèàëèçèðóþòñÿ íà ÄÒÏ. Þðèäè÷åñêàÿ êîìïàíèÿ Æåðàðäà Êàðäîíñêîãî — Robinson, Kardonsky & Stone P.C. (ïàðòíåðà The Dallas Telegraph) — êàê ðàç îäíà èç òàêèõ êîìïàíèé. Îíè óæå ïîìîãëè ìíîãèì íàøèì ÷èòàòåëÿì ðàçîáðàòüñÿ â êàçóèñòèêå àìåðèêàíñêîé þðèñïðóäåíöèè, è â ýòîò ðàç Òèì Ðîáèíñîí è Æåðàðä Êàðäîíñêèé ñîãëàñèëèñü â ïîïóëÿðíîé ôîðìå îáúÿñíèòü, ÷òî äåëàòü, à ÷åãî íå äåëàòü â ïåðâûå ÷àñû ïîñëå äîðîæíî-òðàíñïîðòíîãî ïðîèñøåñòâèÿ. Ïî ìåðå òîãî, êàê â ñëó÷àå ñ ðàçáèòûì àâòîìîáèëåì The Dallas Telegraph áóäóò îòêðûâàòüñÿ î÷åðåäíûå íþàíñû äåëà, íàøà áåñåäà ñ àäâîêàòàìè êîìïàíèè Robinson, Kardonsky & Stone P.C. áóäåò ïðîäîëæàòüñÿ. Òàê ÷òî ÷èòàéòå íîâûå êîíñóëüòàöèé íà òåìó ÄÒÏ, ïðàâèëüíîãî îáùåíèÿ ñî ñòðàõîâîé êîìïàíèåé è äðóãèå îñîáåííîñòè — â ñëåäóþùèõ íîìåðàõ ãàçåòû è îáðàùàéòåñü çà êîíñóëüòàöèåé â ôèðìó Robinson, Kardonsky & Stone P.C. ïî òåë.: (817) 4811999 (ñì. èíôîðìàöèîííûé áëîê î êîìïàíèè íà ýòîé æå ñòðàíèöå). — ×òî íóæíî, à ÷åãî íå ñòîèò äåëàòü, êîãäà âû ïîïàëè â àâòîìîáèëüíóþ àâàðèþ? — Ïåðâûì äåëîì âàì íóæíî, êîíå÷íî æå, ïîçâîíèòü â ïîëèöèþ. Ïîëèöåéñêèå íå áóäóò ñîñòàâëÿòü ðàïîðò î äîðîæíî-òðàíñïîðòíîì ïðîèñøåñòâèè, åñëè îíî íåçíà÷èòåëüíîå è íèêòî íå ïîñòðàäàë, à íàíåñåííûé àâòîìîáèëþ óùåðá — ìèíèìàëüíûé. Íî ýòî âàøå ïðàâî íàñòîÿòü íà òîì, ÷òîáû íà ìåñòî ïðîèñøåñòâèÿ ïðèáûëà ïîëèöèÿ è ïîëèöåéñêèé ñîñòàâèë ðàïîðò. Ñëåäóþùèé âàæíûé øàã — óáåäèòåñü, ÷òî íèêîìó èç ó÷àñòíèêîâ ÄÒÏ íå òðåáóåòñÿ ñðî÷íàÿ ìåäèöèíñêàÿ ïîìîùü. Ïîëó÷èòå èíôîðìàöèþ î âîäèòåëå àâòîìîáèëÿ, ñ êîòîðûì ïðîèçîøëî ñòîëêíîâåíèå.
òî îíè ïðåäïî÷èòàþò ïîëíîñòüþ êîíòðîëèðîâàòü ñèòóàöèþ.  îñíîâíîì, îíè ðàçâîäÿò ó÷àñòíèêîâ ïðîèñøåñòâèÿ ïî ðàçíûå ñòîðîíû, ÷òîáû íå âîçíèêëî êîíôëèêòà. Íî åñëè ïîëèöèÿ íå ïðèåõàëà, òî ýòî âàøà îòâåòñòâåííîñòü — ñîáðàòü âñþ èíôîðìàöèþ î äðóãîì ó÷àñòíèêå ÄÒÏ (åãî ïîëíîå èìÿ, åãî àäðåñ è òåëåôîí, íàçâàíèå åãî ñòðàõîâîé êîìïàíèè è íîìåð ñòðàõîâêè). Ïðåäîñòàâüòå âîäèòåëþ äðóãîãî àâòîìîáèëÿ òàêæå è ñâîþ èíôîðìàöèþ. Êðîìå òîãî, ïîñòàðàéòåñü ñîáðàòü èíôîðìàöèþ ó ñâèäåòåëåé — ýòî ìîãóò áûòü ëþäè, êîòîðûå îñòàíîâèëèñü èëè ïîìî÷ü âàì, èëè ïðîñòî ïîëþáîïûòñòâîâàòü. Çàïèøèòå èõ èìåíà è òåëåôîííûå íîìåðà, åñòåñòâåííî, ñïðîñèâ ðàçðåøåíèÿ íà òî, åñëè êòî-òî èì ïîçâîíèò ïî ïîâîäó ýòîé àâòîìîáèëüíîé àâàðèè. — Èñïîëüçóÿ ñîâðåìåííûå òåõíîëîãèè, â ÷àñòíîñòè ñìàðòôîíû, äîâîëüíî ïðîñòî ñôîòîãðàôèðîâàòü âîäèòåëüñêîå óäîñòîâåðåíèå è ñòðàõîâêó äðóãîé ñòîðîíû, ÷òîáû èçáåæàòü îøèáîê ïðè çàïèñûâàíèè äëèííûõ öèôð. — Ýòî, äåéñòâèòåëüíî, î÷åíü õîðîøàÿ èäåÿ, êîòîðàÿ èñêëþ÷èò îøèáêè. Íî íå çàáóäüòå ñïðîñèòü íà ýòî ðàçðåøåíèÿ äðóãîãî âîäèòåëÿ. Íàâåðíÿêà, íè ó êîãî íå âîçíèêíåò ïðîáëåì ñ ðàçðåøåíèåì ñôîòîãðàôèðîâàòü âîäèòåëüñêîå óäîñòîâåðåíèå, à òàêæå êðóïíûì ïëàíîì íîìåð ñòðàõîâîãî ïîëèñà. — Íàâåðíîå, òàêæå áóäåò õîðîøåé ïîäñêàçêîé äëÿ íàøèõ ÷èòàòåëåé ñäåëàòü êàê ìîæíî áîëüøå ôîòîãðàôèé ñ ìåñòà ïðîèñøåñòâèÿ — ïîâðåæäåíèÿ, íàíåñåííûå àâòîìîáèëþ; åñëè åñòü (íå äàé Áîã, êîíå÷íî) — öàðàïèíû, ñèíÿêè, óâå÷üÿ íà âàøåì òåëå èëè òåëå ïàññàæèðîâ âàøåãî àâòîìîáèëÿ. Êàê ìû òåïåðü çíàåì èç ñâîåãî îïûòà — íóæíî òàêæå ñäåëàòü ôîòîãðàôèè ïîâðåæäåííîãî ëè÷íîãî èìóùåñòâà è îáðàòèòü âíèìàíèå íà òî, íåò ëè ÷åðíûõ ñëåäîâ òîðìîæåíèÿ íà ïîâåðõíîñòè äîðîãè. — Ýòî òàêæå õîðîøàÿ èäåÿ. Âñÿ ñîáðàííàÿ èíôîð-
ñòîðîíû, íåñìîòðÿ íà òî, åñòü ëè ó íåãî èëè íåò âèäèìûõ ïîâðåæäåíèé (îòñóòñòâèå ïîâðåæäåíèé — ýòî òîæå ôàêò). Ïðè ýòîì ïîìíèòå, ÿ åùå ðàç õî÷ó âàñ ïðåäóïðåäèòü, ÷òî âàøà ëè÷íàÿ áåçîïàñíîñòü — ïðåâûøå âñåãî. Äåëàéòå êàê ìîæíî áîëüøå ôîòîãðàôèé, íî ïðè ýòîì íå ðèñêóéòå ñâîåé æèçíüþ. Íå çàáûâàéòå, ÷òî âû íàõîäèòåñü íà ïðîåçæåé ÷àñòè, ìèìî âàñ ïðîíîñÿòñÿ àâòîìîáèëè è êòî-òî ìîæåò çàñìîòðåòüñÿ íà àâàðèþ è âàñ ïðîñòî íå çàìåòèòü. Åñëè âàøà ìàøèíà ïîñëå ñëó÷èâøåãîñÿ íàõîäèòñÿ â ðàáî÷åì ñîñòîÿíèè, è âû ìîæåòå ñäâèíóòü åå íà îáî÷èíó — ñäåëàéòå ýòî. — Íî, ñ äðóãîé ñòîðîíû, ÿ ïîìíþ ñîâåòû ïîëèöèè íå òðîãàòü íè÷åãî íà ìåñòå ïðîèñøåñòâèÿ, ïîñêîëüêó ýòî çàòðóäíèò âîçìîæíîñòü äëÿ ïîëèöåéñêèõ ñäåëàòü ïðàâèëüíûå âûâîäû. — Òåîðåòè÷åñêè ýòî âîçìîæíî. Íî ó ïîëèöèè äîñòàòî÷íî îïûòà, ÷òîáû îöåíèòü ñèòóàöèþ è ñîñòàâèòü ïðàâèëüíóþ êàðòèíó ïðîèñøåñòâèÿ ïî ïîêàçàíèÿì î÷åâèäöåâ è ñâèäåòåëåé. Åùå ðàç, áåçîïàñíîñòü — ïðåâûøå âñåãî. Ïîêèíóâ ìåñòî ïðîèñøåñòâèÿ, ÿ áû íàñòîÿòåëüíî ðåêîìåíäîâàë âàì ïåðâûì äåëîì îáðàòèòüñÿ ê äîêòîðó — â ãîñïèòàëü, ê âàøåìó ëå÷àùåìó âðà÷ó èëè â îäèí èç ïðèåìíûõ ïóíêòîâ ñêîðîé ìåäèöèíñêîé ïîìîùè òèïà Care Now.  ñîñòîÿíèè àôôåêòà âû ìîæåòå íå îáðàòèòü âíèìàíèÿ íà áîëü èëè íà êàêèå-òî íåî÷åâèäíûå ïîâðåæäåíèÿ. Íî òðàâìà ìîæåò äàòü î ñåáå çíàòü ÷åðåç êàêîå-òî âðåìÿ. Îáðàùåíèå ê äîêòîðó áóäåò ïîëåçíî íå òîëüêî äëÿ âàøåãî çäîðîâüÿ, íî òàêæå ïîìîæåò àäâîêàòó â âàøåé çàùèòå, êàê ïîñòðàäàâøåãî. — Åñòü ëè ðàçíèöà â îôîðìëåíèè äåëà, åñëè âû êîãî-òî óäàðèëè èëè âàñ êòî-òî óäàðèë âî âðåìÿ ÄÒÏ? — Î÷åíü ÷àñòü ñ ïåðâîãî âçãëÿäà íå îïðåäåëèòü, êòî êîãî óäàðèë. Íî ñàìîå ãëàâíîå — íèêîãäà íå ïðèçíàâàéòå ñâîþ âèíó èç äîáðûõ ïîáóæäåíèé è íå îáå-
âû çàêîíîïîñëóøíûé ãðàæäàíèí è ñäåëàëè âñå, ÷òî îò âàñ òðåáîâàëîñü. — À ÷òî, åñëè âàøà ìàøèíà ïîëíîñòüþ ðàçáèòà è íà íåé íåëüçÿ áîëüøå ïåðåäâèãàòüñÿ? Êóäà âàø àâòîìîáèëü äîëæíû îòïðàâèòü è, êòî äîëæåí çà ýòî ïëàòèòü? — Êîãäà âû çâîíèòå â ïîëèöèþ, òî ïîëèöèÿ âûçûâàåò êîìïàíèþ-ëèêâèäàòîðà, ñ êîòîðîé ó íèõ çàêëþ÷åí êîíòðàêò. È ëèêâèäàòîð óâîçèò âàøó ìàøèíó íà ïðåäíàçíà÷åííóþ äëÿ òàêèõ öåëåé ñòîÿíêó. Âàì, êîíå÷íî æå, ðàçðåøàò çàáðàòü èç ïîâðåæäåííîãî àâòîìîáèëÿ âñå âàøè ëè÷íûå âåùè, à âàø àâòîìåõàíèê ñìîæåò ñ ýòîé ñòîÿíêè çàáðàòü âàø àâòîìîáèëü, íî âàì òîãäà ïðèäåòñÿ îïëàòèòü ñòîèìîñòü ñòîÿíêè è ëèêâèäàöèè ñ ìåñòà àâàðèè. Ó âàñ åñòü âîçìîæíîñòü ðåøèòü, êóäà âû õîòèòå äîñòàâèòü àâòîìîáèëü — òî ëè ê ñåáå äîìîé, òî ëè â àâòîìàñòåðñêóþ, ñ êîòîðîé ó âàñ õîðîøèé êîíòàêò è ò.ä. Íî âñåãäà ñïðàøèâàéòå îôèöåðà — åñòü ó âàñ ïðàâî îòáóêñèðîâàòü ìàøèíó íà ñâîþ ñòîÿíêó. Òàêæå ïîìíèòå, ÷òî çàäà÷à ïîëèöèè — êàê ìîæíî áûñòðåå ðàñ÷èñòèòü ìåñòî àâàðèè è âîññòàíîâèòü äâèæåíèå. — Äàâàéòå ÿ ñêàæó, ÷òî ñëó÷èëîñü ñ íàìè ïîñëå àâàðèè — íàì íà÷àë çâîíèòü ïðåäñòàâèòåëü êîìïàíèè-ëèêâèäàòîðà è â óãðîæàþùèõ òîíàõ òðåáîâàòü àäðåñ ìåñòà, êóäà îòâîçèòü íàøó ðàçáèòóþ ìàøèíó.
Äåëî â òîì, ÷òî äèëëåðñòâî, êóäà ïîëèöåéñêèé íàïðàâèë ìàøèíó, îòêàçàëîñü ïðèíèìàòü ìàøèíó ïîñëå àâàðèè. Íàêàíóíå çâîíêà ëèêâèäàòîðà ïðåäñòàâèòåëü öåíòðà çâîíèë íàì è ñïðàøèâàë, áóäåì ëè ìû ó íèõ ïîêóïàòü íîâóþ ìàøèíó. Ìû, åñòåñòâåííî, îòêàçàëèñü. — Òî, êóäà âåçòè ðàçáèòóþ ìàøèíó, ìîæåò çàâèñåòü îò âàøåé ñòðàõîâîé êîìïàíèè. Ñêîðåå âñåãî, åñëè âû õîòèòå äîñòàâèòü àâòîìîáèëü íà ìåñòî, ãäå âû ïîëíîñòüþ êîíòðîëèðóåòå ñèòóàöèþ, òî âàì èç ñîáñòâåííîãî êàðìàíà ïðèäåòñÿ çàïëàòèòü çà âûâîç ìàøèíû ñ ìåñòà ïðîèñøåñòâèÿ. Ïîçæå ýòè ðàñõîäû ìîãóò áûòü èëè ïîêðûòû, èëè íå ïîêðûòû ñòðàõîâîé êîìïàíèåé. — Êàê îáùàòüñÿ ñî ñòðàõîâîé êîìïàíèåé, åñëè îíè òåáå çâîíÿò è òðåáóþò ïîäðîáíîñòåé àâòîêàòàñòðîôû? Èìååò ëè ïðàâî ïðåäñòàâèòåëü ñòðàõîâîé êîìïàíèè äàâèòü íà òåáÿ, òðåáóÿ îòâåòîâ íà âîïðîñû? — Âû íå îáÿçàíû äàâàòü êàêèå-ëèáî ïîêàçàíèÿ êîìó-ëèáî, åñëè òîëüêî ýòî íå ïîñòàíîâëåíèå ñóäà îá îôèöèàëüíûõ ñâèäåòåëüñêèõ ïîêàçàíèÿõ äëÿ ñóäåáíîãî ïðîèçâîäñòâà (deposition).  äîãîâîðå íà ñòðàõîâêó ñ âàøåé êîìïàíèåé íàâåðíÿêà ñêàçàíî, ÷òî âàì íåîáõîäèìî ñîòðóäíè÷àòü ñ âàøåé ñòðàõîâîé êîìïàíèåé â ðàññëåäîâàíèè ýòîãî äîðîæíî-òðàíñïîðòíîãî ïðîèñøåñòâèÿ. Åñëè îò âàñ ÷åãî-òî ïûòàåòñÿ äîáèòüñÿ ñòðàõîâàÿ êîìïàíèÿ äðóãîé ñòîðîíû, ïðîñòî íå âñòóïàéòå ñ íåé â êîíòàêò. www.DallasTelegraph.com/57277 Russian www.DallasTelegraph.com/en/57277 English
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ÁËÎÃÈ ÁÎËÜØÎÃÎ ÄÀËËÀÑÀ
Friday, September 19, 2014
www.DallasTelegraph.com
ÑÀËÎÍ ÊÐÀÑÎÒÛ ÎÒ ÀÍÍÛ ÔÅÐÌÀÍÎÂÎÉ
ßïîíñêîå âûïðÿìëåíèå âîëîñ ßïîíñêîå âûïðÿìëåíèå âîëîñ (òàêæå åùå èçâåñòíîå, êàê êåðàòèíîâîå) — ýòî õèìè÷åñêèé ñïîñîá èçìåíåíèÿ ñòðóêòóðû âîëîñ ñ ïîìîùüþ îïðåäåëåííûõ âåùåñòâ, äåëàþùèõ ëîêîíû ïðÿìûìè, áëåñòÿùèìè è ãëàäêèìè. Ïðè ïîìîùè äàííîãî ìåòîäà òàêæå ïðîèñõîäèò âîññòàíîâëåíèå ïîâðåæäåííûõ è ñóõèõ âîëîñ. Äàííûé ñïîñîá áûë ðàçðàáîòàí â Ñòðàíå âîñõîäÿùåãî ñîëíöà â 2000-õ ãîäàõ, è ïî íàñòîÿùåå âðåìÿ ÿâëÿåòñÿ íàèáîëåå äåéñòâåííûì äëÿ äëèòåëüíîãî âûïðÿìëåíèÿ âîëíèñòûõ, íåïîñëóøíûõ èëè êóäðÿâûõ ëîêîíîâ. Òåêñò Àííû Ôåðìàíîâîé, êðåàòèâíîãî äèðåêòîðà Capelli Salon. Ôîòî èç àðõèâà ðåäàêöèè
Îñîáûé ñîñòàâ-âûïðÿìèòåëü ãëóáîêî ïðîíèêàåò â ìîëåêóëÿðíóþ ñòðóêòóðó âîëîñ. Îí äåëàåò âîëîñû ýëàñòè÷íûìè è èçìåíÿåò ñâÿçè, êîòîðûå îáúåäèíÿþò ìîëåêóëû êåðàòèíîâ, èìåþùèõ ìíîãî ñåðû. Âíåøíå ýòè ìîëåêóëû íàïîìèíàþò íåáîëüøèå ïðóæèíêè. Åñëè âîëîñ çäîðîâ, òî îí ñâåðíóò. Íî åñëè åãî ðàñòÿíóòü, òî êåðàòèíîâûå ìîëåêóëû áóäóò âûïðÿìëÿòüñÿ.  èòîãå, ïðè ïðîâåäåíèè ýòîé ïðîöåäóðû, äàæå ñèëüíî âüþùèåñÿ âîëîñû ñòàíóò ïîëíîñòüþ ïðÿìûìè. ßïîíñêàÿ ìåòîäèêà âûïðÿìëåíèÿ âîëîñ îáëàäàåò äâóìÿ äîñòîèíñòâàìè: ïîëíî-
ñòüþ ïðÿìûå âîëîñû íà ïðîäîëæèòåëüíîå âðåìÿ, à, êðîìå ýòîãî, ñóùåñòâåííîå óëó÷øåíèå êà÷åñòâà è âíåøíåãî âèäà âîëîñ. Äëÿ òîãî, ÷òîáû ëó÷øå îöåíèòü äîñòîèíñòâà ÿïîíñêîãî ìåòîäà âûïðÿìëåíèÿ, äàâàéòå êðàòêî ðàññìîòðèì îñíîâíûå îñîáåííîñòè åãî àíàëîãà — õèìè÷åñêîãî âûïðÿìëåíèÿ. Âûïðÿìëåíèå âîëîñ õèìè÷åñêèìè âåùåñòâàìè äàåò äëèòåëüíûé ýôôåêò — îò äâóõ äî ÷åòûðåõ ìåñÿöåâ, â çàâèñèìîñòè îò èíäèâèäóàëüíîãî ðîñòà. Ñàì ïî ñåáå ñïîñîá ìîæíî ñðàâíèòü ñ õèìè÷åñêîé çàâèâêîé — íà âîëîñÿíîé ïîêðîâ íàíîñÿòñÿ ñïåöèàëüíûå âåùåñòâà, çàòåì âåùåñòâà ôèêñèðóþòñÿ è îáðàáàòûâàþòñÿ êîíäèöèîíåðîì. Äëÿ äàííîãî ñïîñîáà âûïðÿìëåíèÿ èñïîëüçóþòñÿ äâà õèìè÷åñêèõ âåùå-
ñòâà: ãèäðîîêèñü íàòðèÿ è òèîãëèêîëàò àììîíèÿ. Ïåðâîå – äîâîëüíî àãðåññèâíîå ùåëî÷íîå âåùåñòâî, ãëóáîêî ïðîíèêàþùåå â ñòðóêòóðó âîëîñ, ðàçìÿã÷àåò è ÷óòü óâåëè÷èâàåò â îáúåìå âîëîñÿíîé ïîêðîâ. Êàê ñëåäñòâèå, âîëîñû âûãëÿäÿò áîëåå øåëêîâèñòûìè è ïûøíûìè, è ïðè ýòîì îíè ñòàíîâÿòñÿ àáñîëþòíî ïðÿìûìè. Åñòü è ïîáî÷íûé ýôôåêò îò äàííîãî ìåòîäà: ÷åì áîëåå êîíöåíòðèðîâàííîå âåùåñòâî, òåì ñèëüíåå ïîâðåæäàþòñÿ ñàìè âîëîñû. Ïðè èñïîëüçîâàíèè òèîãëèêîëàòà àììîíèÿ îòðèöàòåëüíûé ýôôåêò äëÿ âîëîñ áîëåå ùàäÿùèé, íî è ýôôåêò ïðÿìûõ ëîêîíîâ ìåíåå äåéñòâåííûé. Õîòÿ ÿïîíñêèé ìåòîä âûïðÿìëåíèÿ âîëîñ òàêæå îñóùåñòâëÿåòñÿ ñ èñïîëüçîâàíèåì õèìè÷åñêèõ ñîåäèíå-
íèé, íî â îòëè÷èå îò äðóãèõ ïðîöåäóð îí ñïîñîáñòâóåò âîññòàíîâëåíèþ ïîâðåæäåííûõ âîëîñ. Âîññòàíîâëåíèå ïðîèñõîäÿò áëàãîäàðÿ ñïåöèàëüíîìó êîìïîíåíòó öèàñòèìèíó, êîòîðûé âõîäèò â ðàñòâîð, íàíîñèìûé íà âîëîñû.
÷åáíûé ýôôåêò. ßïîíñêîå âûïðÿìëåíèå âîëîñ òàêæå íå çàïðåùàåòñÿ äåëàòü ïðè ñóõèõ è ïîâðåæäåííûõ âîëîñàõ. ßâíûì ïðåèìóùåñòâîì ÿïîíñêîãî ìåòîäà âûïðÿìëåíèÿ âîëîñ ÿâëÿåòñÿ òî, ÷òî
ßïîíñêèé ìåòîä âûïðÿìëåíèÿ âîëîñ ãàðàíòèðóåò âå÷íûé ðåçóëüòàò Öèàñòèìèí — ýòî âåùåñòâî, îáîãàùåííîå ïðîòåèíàìè, êîòîðûå, êàê èçâåñòíî, áëàãîïðèÿòíî âëèÿþò íà âîëîñÿíîé ïîêðîâ, îêàçûâàÿ ëå-
âîëîñû âûïðÿìëÿþòñÿ íà äëèòåëüíîå âðåìÿ, óëó÷øàåòñÿ åãî âíåøíåå ñîñòîÿíèå, çàìåòíîå äàæå íåâîîðóæåííûì âçãëÿäîì.
Ñåãîäíÿ â êîñìåòè÷åñêèõ ñàëîíàõ ïðåäëàãàþò âûïîëíèòü ïðîöåäóðó äëÿ òðåõ âèäîâ è ñîñòîÿíèé âîëîñ: âûïðÿìëåíèå åñòåñòâåííûõ è íå ïîäâåðãàâøèõñÿ îêðàøèâàíèþ âîëîñ, âûïðÿìëåíèå îêðàøåííûõ è âûïðÿìëåíèå ïîâðåæäåííûõ âîëîñ. Ïðîöåññ ÿïîíñêîãî âûïðÿìëåíèÿ âîëîñ ñëîæíûé è äîñòàòî÷íî ïðîäîëæèòåëüíûé — îò 3,5 ÷àñîâ äî 5,5 — â çàâèñèìîñòè îò äëèíû è ãóñòîòû âîëîñ. Íà âîëîñû íàíîñÿò ñïåöèàëüíûå âåùåñòâà, êîòîðûå ïîçæå ñìûâàþòñÿ. Ïîñëå ÷åãî ñïåöèàëèñò ïåðåõîäèò ê ïðîöåññó ïî âûòÿãèâàíèþ âîëîñ — êàæäàÿ îòäåëüíàÿ ïðÿäü ïîäâåðãàåòñÿ âûòÿãèâàíèþ, çà ñ÷åò ÷åãî ïðîèñõîäèò âûïðÿìëåíèÿ âîëîñà äî àáñîëþòíî ïðÿìîãî ñîñòîÿíèÿ. Ñîáñòâåííî, îò ýòîé òðóäîåìêîé ïðîöåäóðû è çàâèñèò óñïåõ è áóäóùèé ýôôåêò ïðÿìûõ ëîêîíîâ. Ïîâòîðíîå âûïðÿìëåíèå ïðîâîäèòñÿ òîëüêî íà îòðîñøèõ îò êîðíåé âîëîñàõ (7-10 ñì), îñòàëüíûå æå âîëîñû îñòàþòñÿ ïðÿìûìè íàâñåãäà. www.DallasTelegraph.com/57272 Russian www.DallasTelegraph.com/en/57272 English
ÏÑÈÕÎËÎÃÈß ÆÈÇÍÈ
Îáÿçàííîñòè è ïðàâî íà ñîáñòâåííóþ æèçíü Áîëüøèíñòâî èç íàñ âî âðåìÿ êðèòè÷åñêèõ èëè íåóäîáíûõ ñèòóàöèé áðîñàåòñÿ â áåãñòâî èëè çàùèùàåòñÿ íàïàäåíèåì, ïðîÿâëÿÿ àãðåññèþ.  ïðèíöèïå, ýòî èíñòèíêòèâíîå ïîâåäåíèå. Íî âîïðîñ ñîñòîèò â òîì - ïðîÿâëÿåò ëè ÷åëîâåê èñòèííóþ óâåðåííîñòü è ðåøèòåëüíîñòü, èçáåãàÿ èñòèíû, ïðîåöèðóåò ëè îí ÷óâñòâî âíóòðåííåãî äîñòîèíñòâà ñâîåé àãðåññèâíîñòüþ? Ìîæíî ëè çäåñü ãîâîðèòü î íàñòîÿùåì ñàìîóâàæåíèè, ê êîòîðîìó ìû âñå òàê ñòðåìèìñÿ? Òåêñò Àëåíû Ñòèâåíñ, ïñèõîëîãà. Ôîòî èç àðõèâà ðåäàêöèè Âñïîìíèì õîðîøî âñåì èçâåñòíóþ ñèòóàöèþ, êîãäà çíàêîìûé èëè äðóã âûíóæäàåò âàñ ñäåëàòü îäîëæåíèå, êóäà-òî ïîåõàòü âìåñòå, ÷òîòî ñäåëàòü è ò.ä, íî âû íå ìîæåòå èëè ïðîñòî íå õîòèòå. Êàêèìè áóäóò âàøè äåéñòâèÿ? Êàê ïðàâèëî, ìàëî êòî ìîæåò ÷åñòíî îòêàçàòü, ïîýòîìó íà÷èíàåòñÿ ïðèäóìûâàíèå íåâåðîÿòíî «ïðàâäèâûõ» èñòîðèé èëè îòãîâîðîê (â îáùåì, «îòìàçîê»), êîòîðûå õîòü êàê-òî ìîãóò ñïàñòè ñîáñòâåííóþ ðåïóòàöèþ â ãëàçàõ äðóãîãî. Óãðûçåíèÿ ñîâåñòè íå äàþò ïîêîÿ – «÷òî áû òàêîãî ñêàçàòü?» – äî òåõ ïîð, ïîêà «íåò» íàêîíåö-òî íå îêàæåòñÿ ñêàçàííûì. Åùå áåñïîìîùíåå ÷åëîâåê îùóùàåò ñåáÿ, êîãäà âäðóã èçìåíÿþòñÿ åãî ïëàíû èëè óáåæäåíèÿ; íà ãîðèçîíòå ïîÿâëÿþòñÿ íîâûå öåëè, âîçìîæíîñòè è èíòåðåñû; êîãäà ïðèõîäèòñÿ ñòóïàòü ïî íîâûì äîðîãàì æèçíè, â êîòîðîé, âîçìîæíî, áûëûõ ïàðòíåðîâ, çíàêîìûõ èëè äðóçåé ìîæåò âîâñå íå îêàçàòüñÿ. Çà÷àñòóþ, ïðèõîäèòñÿ ñòàíîâèòüñÿ èíèöèàòîðîì íåîæèäàííûõ äëÿ îêðóæåíèÿ ðåøåíèé.Òîãäà íà÷èíàþòñÿ áåññîííûå íî÷è, ìó÷èòåëüíûå äíè, äàâÿùåå ÷óâñòâî íåïîëíîöåííîñòè, íåñîâåðøåíñòâà è îòÿãîùàþùåå ÷óâñòâî âèíû çà íåâîçìîæíîñòü ñîîòâåòñòâîâàòü çàêîíàì ÷üåé-òî ìîðàëè. Ñòûä çà òî, ÷òî òû ýëåìåíòàðíî íå îïðàâäàë ÷üèõ-òî íàäåæä ïðèíóæäàåò îùóùàòü íåçàáûâàåìûé âêóñ ãîðå÷è âìåñòî ïîëíîöåííîãî ÷óâñòâà ñ÷àñòüÿ èëè, ïî êðàéíåé ìåðå, ýëåìåíòàðíîé ðàäîñòè çà òî, ÷òî æèçíü â öåëîì ìåíÿåòñÿ ê ëó÷øåìó (òû ïðèáëèæàåøüñÿ ê öåëè, ê ìå÷òå, ê íîâûì ïîáåäàì, ê íîâûì îùóùåíèÿì, ê íîâîìó îïûòó). Íàïîìèíàåò ëè òàêàÿ êàðòèíà êîìó-òî èç âàñ ÷óâñòâî âèíû ïåðåä ðîäèòåëåì? Êàê æå òîãäà õîòåëîñü ñäåëàòü âñå âîçìîæíîå, ÷òîáû èçáåæàòü âçðîñëîé êðèòèêè è ýëåìåí-
òàðíî ïî÷óâñòâîâàòü ñåáÿ õîðîøèì ìàëü÷èêîì/äåâî÷êîé. È íà êàêèe òîëüêî óëîâêè è ïîäâèãè ìû íå øëè, ÷òîáû ãäå-òî âûêðóòèòüñÿ, óòàèòü ÷òî-òî, ñîâðàòü — òîëüêî áû ïðåäñòàòü â ëó÷øåì ñâåòå, íå ïðàâäà ëè? Òàê è ïî ñåé äåíü, êàê ïî íàêàòàííîé. À âíóøàòü ñòðàõ, áåñïîêîéñòâî è çàñòàâëÿòü ðåáåíêà ÷óâñòâîâàòü ñåáÿ íåïîëîöåííûì —
òå, êàêèå áû ýòî áûëè ïóíêòû? Âåðèòå ëè âû â òî, ÷òî ó âàñ åñòü ïðàâî óïðàâëÿòü ñâîèìè ýìîöèÿìè? Èëè âû îáû÷íî ïåðåäàåòå ýòî ïðàâî îêðóæàþùèì? Åñòü ëè ó âàñ ïðàâî íà òî, ÷òîáû óñîìíèòüñÿ â íåêîòîðûõ ïðèíöèïàõ è èäåÿõ, êîòîðûì âû áûëè îáó÷åíû åùå â äåòñòâå è, ñëåäóÿ êîòîðûì, âû (âîëüíî èëè íåâîëüíî) ïîçâîëÿåòå äðóãèì
Ìàëî êòî ìîæåò ÷åñòíî ñêàçàòü «íåò», êîãäà íàñ î ÷åì-òî ïðîñÿò ýòî, çà÷àñòóþ, áûâàåò åäèíñòâåííî âîçìîæíûì è äîñòàòî÷íî ýôôåêòèâíûì âîñïèòàòåëüíûì îðóæèåì ó ðîäèòåëÿ. Ìû âñå (äåòè â ïðîøëîì è íàñòîÿùåì) áåñïðåêîñëîâíî îáÿçàíû áûëè âûïîëíÿòü ëþáûå ðàñïîðÿæåíèÿ âçðîñëûõ. Ïëîõî ýòî èëè õîðîøî — íå èìååò çíà÷åíèÿ â äàííûé ìîìåíò. Ëþáîé ðîäèòåëü æåëàåò âèäåòü ñâîåãî ðåáåíêà õîðîøèì ÷åëîâåêîì è ïûòàåòñÿ ñäåëàòü äëÿ ýòîãî âñå, ÷òî â åãî ñèëàõ, à òàêæå èñïîëüçóåò ìåòîäû, êîòîðûì áûë è ñàì íàó÷åí â äåòñòâå. Äàâàéòå áóäåì áëàãîäàðíûìè çà òî, ÷òî íàñ âîñïèòàëè íîðìàëüíûìè è îáðàçîâàííûìè ëþäüìè. Ìû âñå çíàåì ñâîè îáÿçàííîñòè. À êàê íàñ÷åò ïðàâ? Çíàåò ëè êòî-òî èç âàñ ñâîè ïðàâà? Åñëè áû ÿ ïîïðîñèëà ñåé÷àñ íàïèñàòü ñïèñîê âñåõ âàøèõ ïðàâ, êàê âû äóìàå-
ìàíèïóëèðîâàòü âàøèìè ïîñòóïêàìè? Äà èëè íåò? Îòâåòüòå ïðåæäå, ÷åì ïðîäîëæèòå ÷èòàòü. Ïî çàêîíó áûòèÿ, êàæäîìó ÷åëîâåêó äàíû íåîòúåìëåìûå ïðàâà ëè÷íîñòè. Ðàññìîòðèì îñíîâíûå èç íèõ. Âî-ïåðâûõ, âû èìååòå ïðàâî áûòü ñàìîìó ñåáå ñóäüåé, êîòîðûé âûíîñèò îêîí÷àòåëüíûé âåðäèêò ñîáñòâåííûì ïîñòóïêàì! Ñ óâåðåííîñòüþ ìîãó ñêàçàòü, ÷òî åñëè âû îòêàçûâàåòå ñåáå â ýòîì ïðàâå, òî è äðóãèõ ýòèì ïðàâîì íå íàäåëÿåòå. Âû ñòàíîâèòåñü çàâèñèìû îò ìíåíèÿ è æåëàíèé îêðóæàþùèõ è íå ìîæåòå èçëîæèòü ÷åòêîãî ïðåäñòàâëåíèÿ î ñâîèõ ïîñòóïêàõ, ïîñòîÿííî íàõîäÿñü â òåðçàþùèõ äóøó ñîìíåíèÿõ. Òàêèì îáðàçîì, áîëüøóþ ÷àñòü æèçíè âû ìîòèâèðóåòå ñåáÿ ê äâèæåíèþ òîëüêî â ñëó÷àå, åñëè «äðóãîé» ýòî îöåíèò ïî-
ëîæèòåëüíî. Íàñêîëüêî ÷àñòî, áîÿñü îñóæäåíèÿ ñî ñòîðîíû, ïîëàãàÿñü íà ïðàâèëà äðóãèõ è æåëàÿ óëó÷øèòü ÷åëîâå÷åñêèå âçàèìîîòíîøåíèÿ, âû ïîçâîëÿåòå ñîáîé ìàíèïóëèðîâàòü? ×àñòî ëè â òàêîì ñëó÷àå âîçíèêàåò îùóùåíèå ñîáñòâåííîé áåçâîëüíîñòè, ñëàáîõàðàêòåðíîñòè è óÿçâëåííîñòè? Ñóùåñòâóåò íåîïðîâåðæèìûé ôàêò òîãî, ÷òî äëÿ äîñòèæåíèÿ îäíèõ è òåõ æå ðåçóëüòàòîâ â ìèðå ñóùåñòâóåò ìíîæåñòâî ðàçëè÷íûõ ñïîñîáîâ, à çíà÷èò êàæäûé âïðàâå âûáèðàòü èìåííî òîò, êîòîðûé áîëåå âñåãî ðåçîíèðóåò ñ åãî âíóòðåííèì ìèðîì, îñíîâûâàÿ ñâîé âûáîð íà âíóòðåííåé îöåíêå îáñòîÿòåëüñòâ. Îáëàäàòü òàêèì ïðàâîì íàìíîãî ïî÷åòíåå, ÷åì ðàñòðàòèòü ñåáÿ è ñòàòü òàêèì, êàê âñå.  îáùåñòâå ïðèíÿòî ñ÷èòàòü, ÷òî äðóãîé «äîëæåí áûòü òàêîé æå, êàê ÿ; âñå äåëàòü êàê ÿ, è òàê æå âåñòè ñåáÿ â òåõ èëè èíûõ ñèòóàöèÿõ». ß ñòàëêèâàþñü ñ òàêèì ïîäõîäîì ê æèçíè äîâîëüíî ÷àñòî è, â îñíîâíîì, ïîäîáíîãî ðîäà âíóòðåííèå âåðîâàíèÿ óêîðåíÿåòñÿ íåâåðîÿòíî ñèëüíî! Ýòî ýëåìåíòàðíûé ìåòîä êîíòðîëÿ è ìàíèïóëÿöèè îêðóæåíèåì —
«òû äîëæåí, ÿ äîëæåí, îíè äîëæíû», êàæäûé êîìó-òî ÷åãî-òî äîëæåí! Àõ, êàêàÿ íåçàäà÷à ïîëó÷àåòñÿ, åñëè âû ïîñ÷èòàëè, ÷òî âàì áûëè äîëæíû, íî âäðóã íå äàëè! Ñòàíîâèòñÿ äàæå êàê-òî áîëüíî. Íî, ïðîñòèòå, ïðè÷èííàÿ âçàèìîñâÿçü òàêèõ âåùåé, êàê îáñòîÿòåëüñòâî — äåéñòâèå, ñòðàõ — èìïóëüñ, ñàìîçàùèòà — ðåøåíèå, æåëàíèÿ – ëîãèêà, ñàìîäîñòàòî÷íîñòü — ïðåäïî÷òåíèÿ, ïðàâèëüíîñòü — íåïðàâèëüíîñòü, óðîâåíü ïîðÿäî÷íîñòè — ìàíåðà ïîâåäåíèÿ è ìíîãîå äðóãîå — îñíîâà äåòñêèõ âïå÷àòëåíèé è ïðèîáðåòåííûé áåñöåííûé îïûò âûæèâàíèÿ â îáùåñòâå. Çàäóìàéòåñü íà ìèíóòó î òîì, êàê ìîæåò áûòü ÷òî-òî íåïðàâèëüíûì â âàøåì ñîáñòâåííîì ìèðå, åñëè ïîäîáíîãî ðîäà ñîçíàòåëüíîå èëè áåññîçíàòåëüíîå ïîâåäåíèå äî ñèõ ïîð ïîìîãàëî âàì âûæèâàòü â êðèòè÷åñêèõ è íå î÷åíü ñèòóàöèÿõ? Äðóãîå äåëî, åñëè âû (ïîä÷åðêèâàþ, èìåííî âû) ïðèíÿëè ðåøåíèå, ÷òî ïðèâû÷íûå äî ýòîãî ìåòîäû âàøåãî ñàìîâûæèâàíèÿ íå ÿâëÿþòñÿ áîëüøå äîñòàòî÷íî ýôôåêòèâíûìè, òîãäà âû ðàçâèâàåòåñü äàëüøå. À àáñîëþòíî ïðàâèëü-
íûõ è íåïðàâèëüíûõ ïîñòóïêîâ ñ òî÷êè çðåíèÿ ìîðàëè íå áûâàåò, òàê æå, êàê è àáñîëþòíî ïðàâèëüíîãî ïîâåäåíèÿ è àáñîëþòíûõ óáåæäåíèé. Åñòü ñïîñîá ïîâåäåíèÿ è íàø ñîáñòâåííûé âûáîð, êîòîðûé èëè îñêâåðíÿåò íàø ïóòü èëè íàïîëíÿåò åãî ñâåòîì. Èòàê, ïîçâîëèâ ñåáå áûòü ïîñëåäíåé èíñòàíöèåé, êîòîðàÿ ñóäèò â ñîîòâåòñòâèè ñ ìîðàëüíûìè ïðèíöèïàìè, âû ïîñòåïåííî ìîæåòå íàó÷èòüñÿ íàõîäèòü äðóãèå è, ÷òî íåìàëîâàæíî, ñîáñòâåííûå ñïîñîáû íåçàâèñèìî îöåíèâàòü ñåáÿ è ñâîè ïîñòóïêè. Çäåñü î÷åíü âàæíî ïîìåíÿòü ñèñòåìó îöåíîê «ïðàâèëüíî íåïðàâèëüíî», «ïëîõî-õîðîøî», «äîëæåí-íå äîëæåí» íà «ýòî äëÿ ìåíÿ ðàáîòàåò èëè íå ðàáîòàåò», «ìíå ýòî íðàâèòñÿ èëè íå íðàâèòñÿ», «ÿ ýòî ëþáëþ èëè íå ëþáëþ». Î÷åíü ìíîãèõ òàêîå ïðàâî ïóãàåò — ýòî êîãäà íåò ñîáñòâåííîé ñèñòåìû ñóæäåíèÿ è åùå íå âûðàáîòàíû ñîáñòâåííûå ïðàâèëà æèçíè. Íî ðàçâå íå âîçíèêàåò æåëàíèÿ âçÿòü îòâåòñòâåííîñòü çà ñâîþ æèçíü, âñïîìèíàÿ, êàê èíîãäà òîøíî áûâàåò â òå ìîìåíòû, êîãäà íàøèìè ÷óâñòâàìè ïûòàþòñÿ ìàíèïóëèðîâàòü?  ëþáîì ñëó÷àå, íàì íå ñíÿòü ñ ñåáÿ îòâåòñòâåííîñòè çà ñîáñòâåííûé îáðàç æèçíè íèêàêèìè èçâèíåíèÿìè è áåñêîíå÷íûìè îïðàâäàíèÿìè ïåðåä êåì-ëèáî, ñîãëàñíû? www.DallasTelegraph.com/57274 Russian www.DallasTelegraph.com/en/57274 English
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ÍÎÂÎÑÒÈ. ÑÅÂÅÐÍÛÉ ÒÅÕÀÑ
Friday, September 19, 2014
www.DallasTelegraph.com
Òåõàñöû îêàçàëèñü ùåäðû íà äîáðî The Dallas Telegraph ñîîáùàëà ðàííåå, ÷òî 18 ñåíòÿáðÿ â Ñåâåðíîì Òåõàñå ïðîéäåò ðÿä áëàãîòâîðèòåëüíûõ ìåðîïðèÿòèé â ðàìêàõ øåñòîãî åæåãîäíîãî Äíÿ ïîæåðòâîâàíèé. Òåêñò The Dallas Telegraph Ñóììà ïîæåðòâîâàíèé íà íóæäû íåêîììåð÷åñêèõ îðãàíèçàöèé â ðàìêàõ ýòîãî äíÿ â ýòîì ãîäó ñîñòàâèëà 26,3 ìèëëèîíà äîëëàðîâ, ÷òî íà 1,1 ìèëëèîí áîëüøå, ÷åì â ïðîøëîì ãîäó. Òîëüêî çà îäèí äåíü áûëî ñäåëàíî 98 òûñÿ÷ ïîæåðòâîâàíèé, ÷òî íà 23 òûñÿ÷è áîëüøå, ÷åì â 2013 ãîäó. Ïðè÷åì, 26 ïðîöåíòîâ æåðòâîâàòåëåé âïåðâûå ïîääåðæàëè 1 580
îðãàíèçàöèé. Ñòàòèñòèêà òàêæå ãîâîðèò î òîì, ÷òî çà âðåìÿ 18-÷àñîâîãî ìàðàôîíà êàæäóþ ñåêóíäó äåëàëîñü ïî 18 ïîæåðòâîâàíèé. Ïðè÷åì, ïîæåðòâîâàíèÿ ïðèøëè èç 50 àìåðèêàíñêèõ øòàòîâ è 22 ñòðàí ìèðà. Áîëüøèíñòâî ïåðåâîäîâ áûëî ñäåëàíî äëÿ íóæä òàêèõ îðãàíèçàöèé, êàê "North Texas Food Bank", "Salvation Army", "Vickery Meadow Youth Development" è "Ursuline Academy".
Ìýð Àðëèíãòîíà Ðîáåðò Êëàê ïåðåäàë 10 òûñÿ÷ äîëëàðîâ èç ñðåäñòâ ôîíäà "Arlington Tomorrow" äëÿ ïîääåðæêè ôîíäà "River Legacy". Ìýð ÔîðòÓýðòà Áåòñè Ïðàéñ ïåðåäàëà 10 òûñÿ÷ äîëëàðîâ äëÿ òðåõ íåêîììåð÷åñêèõ îðãàíèçàöèé ãðàôñòâà Òàððàí. Êëóá ñàäîâîäîâ Òåõàñà ïîëó÷èë 5 òûñÿ÷ äîëëàðîâ, à òàêèå îðãàíèçàöèè, êàê "Arts Fifth Avenue" è "North East Emergency Distribution" ïî 2 500 äîëëàðîâ êàæäàÿ. www.DallasTelegraph.com/57311 Russian www.DallasTelegraph.com/en/57311 English
CLASSIFIEDS Îêàçûâàþ óñëóãè ïî óáîðêå äîìîâ. Ìîæíî â êîìàíäå. Òàêæå ïîìîãó â çàáîòå î äåòÿõ è ïîæèëûõ ëþäÿõ. Òåë.: (904) 8596410, Îëüãà – call/text.
áèçíåñà èëè êàêèì-ëèáî ïðàçäíèêîì, ïîçâîíèòå â ãàçåòó The Dallas Telegraph: (469) 2000-660. Ìû îôîðìèì âàøå ïîçäðàâëåíèå êðàñèâî, ýëåãàíòíî è ñ óâàæåíèåì!
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*** Ãàçåòà The Dallas Telegraph ïðåäëàãàåò âàì ðàçìåñ òèòü ñâîå áåñïëàòíîå îáúÿâëåíèå â ðóáðèêå (Classifieds). Âîñïîëüçóéòåñü êóïîíîì èëè îñòàâüòå òåêñò âàøåãî îáúÿâëåíèÿ íà àâòîîòâåò÷èêå ðåäàêöèè (469) 2000-660, è ìû îïåðàòèâíî îïóáëèêóåì åãî â áëèæàéøåì íîìåðå ãàçåòû.
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Friday, September 19, 2014
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Êàëåíäàðü êóëüòóðíûõ ñîáûòèé Áîëüøîãî Äàëëàñà c 29 ñåíòÿáðÿ ïî 13 îêòÿáðÿ ÄÀËËÀÑÑÊÀß ÎÏÅÐÀ ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÊÎÃÄÀ ÐÅËÈÃÈß È ÈÑÊÓÑÑÒÂÎ ÑÒÀËÊÈÂÀÞÒÑß» (DALLAS OPERA PERSPECTIVES: WHEN ART AND RELIGION COLLIDE) Äèñêóññèÿ î ñòîëêíîâåíèè ðåëèãèè è èñêóññòâà ïðîéäåò 29 ñåíòÿáðÿ â 6.30 ÷àñîâ âå÷åðà â Ïåðâîé îáúåäèíåííîé Ìåòîäèñòñêîé öåðêâè Äàëëàñà. Ìîäåðàòîðîì âå÷åðà âûñòóïèò äîöåíò äóõîâíîé ìóçûêè â Øêîëå áîãîñëîâèÿ Ïåðêèíñà SMU, äîêòîð Êðèñòîôåð Àíäåðñîí.  äèñêóññèè ïðèìóò ó÷àñòèå äèðåêòîð Ìóçåÿ ñîâðåìåííîãî èñêóññòâà Äàëëàñà Ìàêñâåëë Àíäåðñîí (Maxwell Anderson), õóäðóê Òåàòðàëüíîãî öåíòðà Äàëëàñà Êåâèí Ìîðèàðòè (Kevin Moriarty) è èñïîëíèòåëüíûé äèðåêòîð Äàëëàññêîé îïåðû Êåéñ Êåðíè (Keith Cerny). Äèñêóññèÿ ïðåäïîëàãàåò îòêðûòûé ìèêðîôîí ñ ãîñòÿìè âå÷åðà. Ýòà ïðîãðàììà íàâåÿíà òåì, ÷òî îäíîé èç îïåð, êîòîðîé îòêðûâàåòñÿ ñåçîí 20142015 ãîäà â Äàëëàññêîé îïåðå, áóäåò ïðîèçâåäåíèå Ðèõàðäà Øòðàóñà «Ñàëîìåÿ», â îñíîâó êîòîðîãî ïîëîæåíû åâàíãåëüñêèå ìîòèâû î ïðàâèòåëå Ãàëèëåè è Ïåðåè Èðîäå Àíòèïå è åãî þíîé ïàäöåðèöå Ñàëîìåå. Âõîä — ñâîáîäíûé, ñ ïðåäâàðèòåëüíîé çàïèñüþ íà ñàéòå dallasopera.org. Àäðåñ: First United Methodist Church of Dallas, 1928 Ross Ave., Dallas, TX 75201. ÎÁÅÒÎÂÀÍÍÀß ÇÅÌËß ÐÈÊÀ ÑÒÈÂÅÑÀ (RICK STEVES' THE HOLY LAND) Òåëåêàíàë KERA, AT&T Performing Arts Center è The World Affairs Council 1 îêòÿáðÿ â 7.30 ÷àñîâ âå÷åðà ïðåäñòàâëÿþò âñòðå÷ó ñ Ðèêîì Ñòèâåñîì. Ðèê — ýêñïåðò â îáëàñòè èíäóñòðèè ïóòåøåñòâèé, òåëåçâåçäà êàíàëà KERA.  Äàëëàñå Ñòèâåñ ïðåäñòàâèò ñâîé ìåñÿ÷íûé îïûò ïóòåøåñòâèé ïî Èçðàèëþ. Ïðîãðàììà íàçûâàåòñÿ «Ñâÿòàÿ Çåìëÿ: èçðàèëüòÿíå è ïàëåñòèíöû ñåãîäíÿ». Âìåñòå ñ òåëåâåäóùèì âû ïîñåòèòå ñòóäåíòîâ â ïàëåñòèíñêèõ óíèâåðñèòåòàõ, èçðàèëüñêèõ ïîñåëåíöåâ íà áèáëåéñêèõ çåìëÿõ, ïîïëàâàåòå ïî âîäàì Ìåðòâîãî ìîðÿ, ïîïüåòå êîôå ñ áåäóèíàìè â ïóñòûíå è ïîçíàêîìèòåñü ñ ðàçíûìè óäèâèòåëüíûìè ëþäüìè, äëÿ êîòîðûõ Èçðàèëü — ýòî ðîäíîé äîì. Ñòèâåñ ïðåäñòàâèò óäèâèòåëüíûå ôàêòû î çåìëå, êîòîðóþ òðåòü ÷åëîâå÷åñòâà íàçûâàåò Ñâÿòîé. Ñòîèìîñòü áèëåòà — îò 25 äî 40 äîëëàðîâ. Àäðåñ: Margot and Bill Winspear Opera House, 2403 Flora St., Dallas, TX 75201. Òåë.: (214) 954-9925. ÌÞÇÈÊË «ÁÎÍÍÈ È ÊËÀÉÄ» (WATERTOWER THEATRE PRESENTS BONNIE & CLYDE) Áåññòðàøèå, áåññòûäñòâî, çàìàí÷èâîñòü — âñå ýòî è ìíîãîå äðóãîå â íîâîì ìþçèêëå íà ìóçûêó êîìïîçèòîðà Ôðýíêà
Óèëäõîðíà (Frank Wildhorn) «Áîííè è Êëàéä». Èñòîðèÿ Áîííè Ïàðêåð è Êëàéäà Áýððîó — ýòî èñòîðèÿ ëþáâè è ïðåñòóïëåíèé äâóõ ñàìûõ èçâåñòíûõ òåõàññêèõ ïðåñòóïíèêîâ, äåéñòâîâàâøèõ âî âðåìåíà Âåëèêîé Äåïðåññèè. Îíè íàøëè äðóã äðóãà íà êðèìèíàëüíîé ïî÷âå, à èõ ïðèêëþ÷åíèÿ ïðèâëåêëè âíèìàíèå âñåé ñòðàíû. Ìþçèêë áóäåò ïîêàçàí ñ 10 ïî 13 îêòÿáðÿ, ñ 15 ïî 19 îêòÿáðÿ, ñ 22 ïî 26 îêòÿáðÿ, 2931 îêòÿáðÿ è 1-2 íîÿáðÿ — â 2 ÷àñà äíÿ, â 7.30 èëè 8 ÷àñîâ âå÷åðà (â çàâèñèìîñòè îò äíÿ íåäåëè). Ñòîèìîñòü áèëåòà — îò 20 äî 40 äîëëàðîâ. Àäðåñ: Addison Conference Centre, 15650 Addison Rd., Addison, TX 75001. Òåë.: (972) 450-6241. ÊÎÍÖÅÐÒ ÊÝÒÈ ÏÅÐÐÈ (KATY PERRY IN CONCERT) 15-ëåòíþþ Êýòè Ïåððè, ïîþùóþ â öåðêîâíîì õîðå, â ñâîå âðåìÿ çàìåòèëè ñîâðåìåííûå ðîê-èñïîëíèòåëè èç Íýøâèëëà, è ïðåäëîæèëè åé ðàçâèòü íàâûêè àâòîðñòâà ïåñåí.  äåêàáðå 1999 ãîäà Ïåððè ïîëó÷èëà ïîëíîå ñðåäíåå îáðàçîâàíèå ïîñëå ïåðâîãî ñåìåñòðà â "Dos Pueblos High School", ðåøèâ îñòàâèòü øêîëó â ïîãîíå çà ìóçûêàëüíîé êàðüåðîé. Ïåððè èçó÷àëà êðàòêèé êóðñ èòàëüÿíñêîé îïåðû â "Music Academy of the West".  Íýøâèëëå Êýòè íà÷àëà çàïèñûâàòü äåìî è áðàòü óðîêè ó âåòåðàíîâ êàíòðè-ìóçûêè, ðàçâèâàÿñü â ïëàíå àâòîðñòâà ïåñåí è èãðû íà ãèòàðå.  àïðåëå 2007 ãîäà Ïåððè ïîäïèñàëà êîíòðàêò ñî çâóêîçàïèñûâàþùåé êîìïàíèåé "Capitol Records". Îíà ñòàëà øèðîêî èçâåñòíà âî âñåì ìèðå ïîñëå âûõîäà ñèíãëà "I Kissed a Girl" è àëüáîìà "One of the Boys" â 2008 ãîäó. Ïåððè ÿâëÿåòñÿ îáëàäàòåëüíèöåé ìíîãî÷èñëåííûõ íàãðàä, â òîì ÷èñëå îíà áûëà 11 ðàç íîìèíèðîâàíà íà ïðåìèþ «Ãðýììè».  2012 ãîäó ìóçûêàëüíîå èçäàíèå "Billboard" íàçâàëî åå æåíùèíîé ãîäà. Îíà ïðîäîëæàåò îñòàâàòüñÿ åäèíñòâåííûì àðòèñòîì, êîìó óäàâàëîñü ïðîâåñòè 69 ïîñëåäîâàòåëüíûõ íåäåëü â ëó÷øåé äåñÿòêå ÷àðòà "Billboard Hot 100".  Äàëëàñå Êýòè Ïåððè âïåðâûå çà 5 ëåò äàñò äâà êîíöåðòà — 2 è 3 îêòÿáðÿ â 7 ÷àñîâ âå÷åðà — â ðàìêàõ ñâîåãî ìèðîâîãî òóðà, ïðåäñòàâëÿþùåãî íîâûé àëüáîì. Ñòîèìîñòü áèëåòà — îò 30 äî 155 äîëëàðîâ. Àäðåñ: American Airlines Center, 2500 Victory Ave., Dallas, TX 75201. Òåë.: (214) 222-3687. ÊÎÍÖÅÐÒÍÛÉ ÒÓÐ 11ÃÎ ÑÅÇÎÍÀ ÒÅËÅØÎÓ "YOU THINK YOU CAN DANCE" ("SO YOU THINK YOU CAN DANCE" SEASON 11 TOUR) Îäíî èç ñàìûõ ïîïóëÿðíûõ òåëåøîó êàíàëà FOX ïðèåçæàåò â Äàëëàñ 3 îêòÿáðÿ, ÷òîáû ïîêàçàòü âûñòóïëåíèÿ ëó÷øåé äåñÿòêè 11-ãî ñåçîíà. Âðåìÿ êîíöåðòà — 8 ÷àñîâ âå÷åðà. Ñòîèìîñòü áèëåòà — îò 40 äî 65 äîëëàðîâ. Àäðåñ:
Verizon Theatre at Grand Prairie, 1001 Performance Place, Grand Prairie, TX 75050, Òåë.: (972) 854-5050. ÍÎÂÛÉ ÑÅÇÎÍ ÑÈÌÔÎÍÈ×ÅÑÊÎÃÎ ÎÐÊÅÑÒÐÀ ÐÈ×ÀÐÄÑÎÍÀ (RICHARDSON SYMPHONY
òûìè àâòîðàìè áåñòñåëëåðîâ. Ñðåäè àâòîðîâ — àâòîð "Glitter and Glue" Êåëëè Êîððèãàí (Kelly Corrigan), àâòîð êíèãè "Front Row Seat: A Photographic Portrait of the Presidency of President George W. Bush", ôîòîãðàô è ïèñàòåëü Ýðèê Äðàïåð (Eric Draper),
Íàêàíóíå îïåðû Øòðàóñà «Ñàëîìåÿ» â Äàëëàññêîé îïåðå ïðîéäåò äèñêóññèÿ íà òåìó «Êîãäà ðåëèãèÿ è èñêóññòâî ñòàëêèâàþòñÿ» ORCHESTRA PRESENTS 2014-2015 OPENING CONCERT) 4 îêòÿáðÿ â 8 ÷àñîâ âå÷åðà — â äåíü îòêðûòèÿ íîâîãî êîíöåðòíîãî ñåçîíà Ñèìôîíè÷åñêîãî îðêåñòðà Ðè÷àðäñîíà — áóäóò çâó÷àòü ïðîèçâåäåíèÿ ðîññèéñêîãî êîìïîçèòîðà Àëåêñàíäðà Ãëàçóíîâà, áåëüãèéöà Ôðàíöà ôîí Çóïïå è ïðîèçâåäåíèå «Êàðòèíêè ñ âûñòàâêè» Ìîäåñòà Ìóñîðãñêîãî — Ìîðèñà Ðàâåëÿ. Ñòîèìîñòü áèëåòà — îò 10 äî 87 äîëëàðîâ. Àäðåñ: Eisemann Center for the Performing Arts, 2351 Performance Dr., Richardson, TX 75082. Òåë.: (972) 7444650. ÔÎÍÄ ÑÅÌÅÉÍÎÃÎ ×ÒÅÍÈß ÁÀÐÁÀÐÛ ÁÓØ ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ «ÏÐÀÇÄÍÈÊ ×ÒÅÍÈß-2014» (BARBARA BUSH FOUNDATION FOR FAMILY LITERACY PRESENTS 2014 CELEBRATION OF READING) «Ïðàçäíèê ÷òåíèÿ-2014» 6 îêòÿáðÿ â 7 ÷àñîâ âå÷åðà äîëæåí ïîëó÷èòüñÿ òåïëûì è èíòåðåñíûì. Îðãàíèçàòîðû îáåùàþò âñòðå÷ó ñ ÷ëåíàìè ñåìüè Áóø è ñ íåêîòîðûìè çíàìåíè-
àâòîð "The One and Only" Ýìèëè Ãðèôôèí (Emily Giffin), è ìíîãèå äðóãèå. Ñòîèìîñòü áèëåòà — îò 150 äîëëàðîâ. Àäðåñ: Morton H. Meyerson Symphony Center, 2301 Flora St., Dallas, TX 75201. Òåë.: (214) 670-3600. ÌÓÇÅÉ ÁÈÁËÅÉÑÊÎÃÎ ÈÑÊÓÑÑÒÂÀ ÏÐÅÄÑÒÀÂËßÅÒ ÂÛÑÒÀÂÊÓ ÁÀÐÁÀÐÛ ÕÀÉÍÑ (MUSEUM OF BIBLICAL ART PRESENTS THE ART OF BARBARA HINES) 7 îêòÿáðÿ â 10 ÷àñîâ óòðà â ìóçåå Áèáëåéñêîãî èñêóññòâà ïðîéäåò îòêðûòèå âûñòàâêè ñîâðåìåííîé æèâîïèñè, êîòîðàÿ ïðåäñòàâèò âèäåíèå ÷óäåñ Ñâÿòîé Çåìëè, ðåëèãèîçíûé ìèñòèöèçì, âåðîâàíèÿ è êðàñîòó Èçðàèëÿ. Òðåòü ìóçåéíîãî ïðîñòðàíñòâà âûäåëåíî äëÿ ïåéçàæåé è àáñòðàêòíûõ èíòåðïðåòàöèé, èñïîëüçóþùèõ çîëîòî, äðàãîöåííûå ìåòàëëû è ïî÷âó èç Èçðàèëÿ. Âûñòàâêà áóäåò äëèòüñÿ äî 30 àâãóñòà 2015 ãîäà. Âõîä — ñâîáîäíûé. Àäðåñ: Museum of Biblical Art, 7500 Park Ln., Dallas, TX 75225. Òåë.: (214) 368-4622. ßÏÎÍÑÊÈÉ ÔÅÑÒÈÂÀËÜ (15TH ANNUAL OTSUKIMI
MOON VIEWING CELEBRATION) ßïîíî-àìåðèêàíñêîå ñîîáùåñòâî Äàëëàñà — Ôîðò-Óýðòà è ìóçåé Crow Collection of Asian Art ïðåäñòàâëÿþò ßïîíñêèé ôåñòèâàëü "Otsukimi celebration" â Êëàéä Óîððåí Ïàðêå 8 îêòÿáðÿ â 6.30 ÷àñîâ âå÷åðà. Ñêðèïà÷ Äàëëàññêîãî Ñèìôîíè÷åñêîãî îðêåñòðà Êàîðè Éîøèäà (Kaori Yoshida) è ãëàâíàÿ àðôèñòêà Dallas Wind Symphony Íàîêî Íàêàìóðà (Naoko Nakamura) ïðåäñòàâÿò íàðîäíûå ÿïîíñêèå ìåëîäèè ñ îñåííèì àêöåíòîì. Íà ïðàçäíèêå áóäóò èãðàòü íà áàìáóêîâîé ôëåéòå, ñïîåò æåíñêèé ÿïîíñêèé õîð, áóäóò ðàññêàçàíû ÿïîíñêèå ñêàçêè, ïðåäñòàâëåíà èêåáàíà è ìíîãîå äðóãîå.  âå÷åðíåå âðåìÿ ÷åðåç ãèãàíòñêèå òåëåñêîïû ìîæíî áóäåò ïîñìîòðåòü íà Ëóíó. Îðãàíèçàòîðû ðåêîìåíäóþò ãîñòÿì çàõâàòèòü âñå íåîáõîäèìîå äëÿ ïèêíèêà è âå÷åðîì âìåñòå ëèöåçðåòü ñïóòíèê çåìëè. Ïðàçäíèê ïðîéäåò 8 îêòÿáðÿ â 6.30 âå÷åðà. Âõîä — ñâîáîäíûé. Àäðåñ: Klyde Warren Park, 1909 Woodall Rodgers Fwy., Dallas, TX 75201. ÊÎÍÖÅÐÒ ÃÐÓÏÏÛ "ASIA" (ASIA IN CONCERT) "Asia" — áðèòàíñêàÿ ïðîãðîê ãðóïïà. Îñíîâàíà â 1981 ãîäó êàê ñóïåðãðóïïà èç áûâøèõ ó÷àñòíèêîâ "Yes", "Wishbone Ash", "Emerson", "Lake and Palmer" è "The Buggles". Áðèòàíñêèé áàñ-ãèòàðèñò è âîêàëèñò Äæîí Óýòòîí (John Wetton) óñïåë ïîáûâàòü â èçâåñòíûõ ñîñòàâàõ ("King Crimson", "Roxy Music", "Uriah Heep", "UK" è "Wishbone Ash"), à òàêæå çàïèñàë â 1980 ãîäó ñâîé ñîëüíûé àëüáîì "Caught In The Crossfire". Íî Äæîí ÷óâñòâîâàë, ÷òî åìó íóæíî ÷òî-òî áîëåå ñîëèäíîå è ïîñòîÿííîå, à íå ïåðåõîäû èç îäíîé ãðóïïû â äðóãóþ.  ýòî âðåìÿ îí ïîçíàêîìèëñÿ ñ Äæîíîì Äýâèäîì Êàëîäíåðîì, îäíèì èç ìåíåäæåðîâ ëîêàëüíîãî ïðåäñòàâèòåëüñòâà ôèðìû ãðàìçàïèñè "Atlantic Records", êîòîðûé ïîñîâåòîâàë ìóçûêàíòó ñîáðàòü ñîáñòâåííóþ ãðóïïó.  ñâîþ ãðóïïó Óýòîí ïðèãëàñèë êëàâèøíèêà Äæåôôà Äàóíñà (Geoff Downes), ýêñ-ãèòàðèñòà "Yes" Ñòèâà Õàó, áàðàáàíùèêà Êàðëà Ïàëìåðà (Carl Palmer). Äåáþòíûé àëüáîì ãðóïïû "Asia", âûïóùåííûé â 1982 ãîäó, ìãíîâåííî âçëåòåë íà âåðøèíû ÷àðòîâ, ñòàë ìóëüòèïëàòèíîâûì â ÑØÀ, áûë ïðîäàí â ìèðå òèðàæîì ñâûøå 10 ìèëëèîíîâ ýêçåìïëÿðîâ è äåðæàëñÿ íà ïåðâîì ìåñòå â àìåðèêàíñêîì Billboard áîëåå òð¸õ ìåñÿöåâ. Õèòîì âñåõ âðåì¸í ñòàëà ëåãåíäàðíàÿ "Heat Of The Moment", è ïî ñåé äåíü ÿâëÿþùàÿñÿ âèçèòíîé êàðòî÷êîé ãðóïïû (ýïîõàëüíóþ ïåñíþ äàæå âëîæèëè â óñòà ãåðîåâ êóëüòîâîãî ìóëüòèïëèêàöèîííîãî ñåðèàëà «Þæíûé Ïàðê», èñïîëíèâøèõ à êàïåëëà êîìïîçèöèþ â îäíîé èç ñåðèé).  ïîääåðæêó àëüáîìà ãðóïïà îòïðàâèëàñü â ìèðîâîå òóðíå, êî-
òîðîå ïðîèçâåëî íàñòîÿùèé ôóðîð.  Äàëëàñ ãðóïïà ïðèåçæàåò â îðèãèíàëüíîì ñîñòàâå — Óýòîí, Äàóíñ, Ïàëìåð è ñ íîâûì ãèòàðèñòîì Ñýìîì Êîëñîíîì (Sam Coulson) â ðàìêàõ ñâîåãî òóðíå ñ íîâûì àëüáîìîì "Gravitas". Êîíöåðò ñîñòîèòñÿ 11 îêòÿáðÿ â 8.30 âå÷åðà. Ñòîèìîñòü áèëåòà — îò 40 äî 90 äîëëàðîâ. Àäðåñ: Granada Theater, 3524 Greenville Ave., Dallas, TX 75206. Òåë.: (214) 824-9933. ÊÎÍÖÅÐÒ ÏÎËÀ ÌÀÊÊÀÐÒÍÈ (PAUL MCCARTNEY IN CONCERT)  ïåðâûé ðàç ñ 2009 ãîäà Ïîë ÌàêÊàðòíè âîçâðàùàåòñÿ â Äàëëàñ.  ðàìêàõ òóðà "Out There" áóäóò ïðåäñòàâëåíû ïåñíè ÌàêÊàðòíè â ñîñòàâå ãðóïïû "The Beatles", â ðàìêàõ åãî ñîëüíîé êàðüåðû è èç ïîñëåäíåãî àëüáîìà "New". Ïîë ÌàêÊàðòíè — øåñòíàäöàòèêðàòíûé îáëàäàòåëü ïðåìèè Ãðýììè, êàâàëåð îðäåíà Áðèòàíñêîé èìïåðèè (MBE) (1965).  2011 ãîäó ïðèçíàí îäíèì èç ëó÷øèõ áàñ-ãèòàðèñòîâ âñåõ âðåìåí ñîãëàñíî îïðîñó, ïðîâåäåííîìó æóðíàëîì "Rolling Stone".  Äàëëàñå êîíöåðò ÌàêÊàðòíè ïðîéäåò 13 îêòÿáðÿ â 8 ÷àñîâ âå÷åðà. Ñòîèìîñòü áèëåòà — îò 60 äî 254 äîëëàðîâ. Àäðåñ: American Airlines Center, 2500 Victory Ave., Dallas, TX 75201. Òåë.: (214) 222-3687. ÎÁÙÅÑÒÂÎ ÊÀÌÅÐÍÎÉ ÌÓÇÛÊÈ ÔÎÐÒ-ÓÝÐÒÀ ÏÐÅÄÑÒÀÂËßÅÒ ÏÐÎÃÐÀÌÌÓ "FRENCH ROMANTICS PLUS" (CHAMBER MUSIC SOCIETY OF FORT WORTH PRESENTS FRENCH ROMANTICS PLUS) 18 îêòÿáðÿ â 2 ÷àñà äíÿ òàëàíòëèâûìè ìóçûêàíòàìè — ïèàíèñòîì Èîñèôîì Êàëè÷øòåéíîì, ñêðèïà÷îì Ãàðè Ëåâèíñîíîì, àëüòèñòîì Ðè÷àðäîì ßíãîì è âèîëîí÷åëèñòîì Ðîíàëäîì Ëåîíàðäîì — áóäåò ïðåäñòàâëåíà ìóçûêà Ìîöàðòà è Áåòõîâåíà. Íà÷àëî ïðåäêîíöåðòíîé äèñêóññèè — â 1.15 äíÿ. Ñòîèìîñòü áèëåòà — îò 7 äî 35 äîëëàðîâ. Àäðåñ: Modern Art Museum of Fort Worth, 3200 Darnell St., Fort Worth, TX 76107. Òåë.: (817) 738-9215.
ÎÒ ÐÅÄÀÊÖÈÈ: ×òîáû ïîäïèñàòüñÿ íà ðàññûëêó êóëüòóðíûõ ñîáûòèé Ñåâåðíîãî Òåõàñà èëè âêëþ÷èòü âàøå ñîáûòèå â îáçîð, ïðèñûëàéòå çàÿâêè ïî àäðåñó: dallastelegraph.com@gmail.com www.DallasTelegraph.com/57270 Russian www.DallasTelegraph.com/en/57270 English
ÊÐÎÑÑÂÎÐÄ 11. Óìåíèå, ñîçäàííîå ïðèâû÷êàìè, óïðàæíåíèÿìè. 12. Ïðîäîëüíûé ðàçìåð. 13. Ñïîñîáíîñòü îêàçûâàòü îïðåäåëÿþùåå âîçäåéñòâèå íà äåÿòåëüíîñòü ëþäåé. 16. Õóäîæåñòâåííîå ïðîèçâåäåíèå, îñòðî è áåñïîùàäíî îáëè÷àþùåå îòðèöàòåëüíûå ÿâëåíèÿ äåéñòâèòåëüíîñòè. 20. Ùåëü, âûåìêà, íåîáõîäèìàÿ äëÿ ñêðåïëåíèÿ äâóõ ïðåäìåòîâ. 22. Çàñòåæêà, âäåâàåìàÿ â ïåòëè ìàíæåò íà ðóáàøêå. 23. ×åëîâåê, çàíèìàþùèéñÿ ñîìíèòåëüíûìè ñäåëêàìè. 24. Ó÷ðåæäåíèå, êîëëåêöèîíèðóþùåå, ðàçâîäÿùåå è èçó-
÷àþùåå ðàñòåíèÿ, æèâîòíûõ. 26. ×åëîâåê, ñîâåðøàþùèé ïóòåøåñòâèÿ. 30. Äâèæóùàÿ ñèëà ïðîöåññà, ÿâëåíèÿ. 33. Ðàáîòà íà êîðàáëå, âûïîëíÿåìàÿ îäíîâðåìåííî âñåì ëè÷íûì ñîñòàâîì. 34. Âüþùàÿñÿ ïðÿäü. 35. Ïëîä þæíîãî äåðåâà. 36. Ëèöî, âîçãëàâëÿþùåå ôàêóëüòåò â ÂÓÇå. 37. Ñîðò ìåëêèõ òâåðäûõ êîíôåò. 38. Ñëèøêîì ïîäâèæíûé ÷åëîâåê. 39. Åäèíèöà èñ÷èñëåíèÿ âðåìåíè. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Ìîðñêàÿ ïðîìûñëîâàÿ ðûáà. 2. ×àñòü áðþê. 3. Òðî-
ïè÷åñêîå ðàñòåíèå ñ êðóïíûì ïëîäîì, îâàëüíîé ôîðìû. 4. Ðåçêîå êðàòêîâðåìåííîå óñèëåíèå âåòðà. 5. Ñìåùåíèå áëîêîâ ãîðíûõ ïîðîä äðóã îòíîñèòåëüíî äðóãà ïî âåðòèêàëüíîé èëè íàêëîííîé ïîâåðõíîñòè òåêòîíè÷åñêîãî ðàçðûâà. 7. ×àñòü òåëà. 8. Äåòàëü äëÿ ñêðåïëåíèÿ ÷àñòåé ñîîðóæåíèé è ìàøèí. 13. Îôèöèàëüíîå ïîñåùåíèå. 14. Åäèíèöà ñèëû ýëåêòðè÷åñêîãî òîêà. 15. Ñòåïåíü æèçíåäåÿòåëüíîñòè, æèçíåííîé àêòèâíîñòè. 17. Áîëüøàÿ êðóãëàÿ ïëîùàäêà ïîñðåäèíå öèðêà. 18. Ãëóïûé ÷åëîâåê,
òóïèöà, äóðàê. 19. Àðòèñò — èñïîëíèòåëü ðîëåé â òåàòðàëüíûõ ïðåäñòàâëåíèÿõ, â êèíî, íà òåëåâèäåíèè. 20.  êàðòî÷íûõ èãðàõ: îòêàç îò ó÷àñòèÿ â äàííîì ðîçûãðûøå. 21. Àíòîíèì ñëîâà ïåðåä. 25. Þæíîå ôðóêòîâîå äåðåâî. 27. Óñòàíîâèâøèéñÿ ïîðÿäîê, ñëîæèâøååñÿ óñòðîéñòâî. 28. Ìåëêàÿ ñâåòëàÿ êðàïèíêà. 29. Âåëîñèïåä ñ äâóìÿ ñèäåíèÿìè. 30. Ñîåäèíèòåëüíàÿ ÷àñòü òðóá. 31. Îãðàæäàþùåå ïîêðûòèå íàä êîëåñîì ýêèïàæà, àâòîìîáèëÿ. 32. Îêðóæåíèå âîéñêàìè óêðåïëåííîãî ìåñòà ñ öåëüþ åãî çàõâàòà.
ÎÒÂÅÒÛ ÍÀ ÊÐÎÑÑÂÎÐÄ Â ÍÎÌÅÐÅ ÎÒ 5 ÑÅÍÒßÁÐß 2014 ÃÎÄÀ
ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 1. Òîíêàÿ ñóõàÿ áàðàíêà. 4. Äîðîãà ñ òâåðäûì ïîêðûòèåì. 6. Íåäîñòàòîê â íåîá-
õîäèìûõ ñðåäñòâàõ. 9. Öåïêàÿ, âüþùàÿñÿ ÷àñòü ðàñòåíèÿ. 10. Ñóäîðåìîíòíûé èëè ñóäîñòðîèòåëüíûé çàâîä.
ÏÎ ÃÎÐÈÇÎÍÒÀËÈ:
ÏÎ ÂÅÐÒÈÊÀËÈ:
1. Ñóøà. 8. Óáîé. 11. Ïîäîñèíîâèê. 13. Ìàíãàë. 14. Ïóäèíã. 15. Êîðîëåê. 17. Êî÷åãàð. 18. Òà÷àíêà. 20. Ñàí. 21. Àêò. 22. Ñòâîð. 24. Êîíêà. 26. ×àñòü. 27. Äåëüôèí. 28. Èíæèð. 29. Ôèëóìåíèÿ. 30. Íàñòóðöèÿ. 32. Ïàðîì. 34. Áîðîâèê. 36. Ñêëàä. 37. Êåôèð. 38. Ðîáîò. 39. Íîæ. 41. Ìèð. 42. Ðåñèâåð. 44. Ìóòàöèÿ. 46. Ðåéñìóñ. 48. Îâ÷èíà. 50. Îêîðîê. 51. Àðõèòåêòóðà. 52. Äóãà. 53. Îáåò.
1. Ñåìÿ. 2. Øàíñîí. 3. Òîë. 4. Ñîáîð. 5. Êèíîôèëüì. 6. Ïîìåò. 7. Òèï. 9. Áðè÷êà. 10. Éîãà. 11. Ïàïåðòü. 12. Êóñà÷êè. 15. Êàòîä. 16. Êàíîí. 17. Êàòàëèçàòîð. 19. Àêòèâèçàöèÿ. 22. Ñòðó÷îê. 23. Ðåâèçîð. 24. Êèðàñèð. 25. Àíòðàêò. 31. Êîìïîñòåð. 33. Ìåäèàíà. 34. Áèñåð. 35. Êîíóñ. 36. Ñîáà÷êà. 40. Æåì÷óã. 41. Ìèêðîá. 43. Ðåäèñ. 44. Ìóôòà. 45. Ëîðä. 47. Ñêîò. 49. Àðà. 50. Îðò.
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Î Á Ç Î Ð Ï Ð Å Ñ Ñ Û . È Ç Ð À È Ë Ü . ÓÊÐÀÈÍÀ
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Èçðàèëü ìîæåò îòêàçàòüñÿ îò «Åâðîâèäåíèÿ».
Óêðàèíà óæå îòêàçàëàñü Èçðàèëü ìîæåò îòêàçàòüñÿ îò ó÷àñòèÿ â ìåæäóíàðîäíîì êîíêóðñå ïåñíè «Åâðîâèäåíèå-2015». Ïðè÷èíîé òàêîãî ðåøåíèÿ ñòàëî îòñóòñòâèå ñðåäñòâ íà ïîäãîòîâêó äåëåãàöèè. Èçðàèëüñêîå Óïðàâëåíèå òåëåâèäåíèÿ è ðàäèîâåùàíèÿ, îòâå÷àþùåå, â òîì ÷èñëå, çà ïðåäñòàâëåíèå ñòðàíû íà «Åâðîâèäåíèè», â íàñòîÿùåå âðåìÿ ïðîõîäèò ïðîöåäóðó ïîëíîé ðåîðãàíèçàöèè. Ïðåäïîëàãàåòñÿ, ÷òî â òàêèõ óñëîâèÿõ îðãàíèçàöèÿ íå ñìîæåò âûäåëèòü íåîáõîäèìûå ðåñóðñû. Ïî ìàòåðèàëàì îòêðûòûõ èñòî÷íèêîâ Êàê ñîîáùèëè â Óïðàâëåíèè òåëåâèäåíèÿ è ðàäèîâåùàíèÿ Èçðàèëÿ, îêîí÷àòåëüíîå ðåøåíèå îá ó÷àñòèè ñòðàíû â ñëåäóþùåì «Åâðîâèäåíèè» ïîêà íå ïðèíÿòî. Ïî ïðàâèëàì ìóçûêàëüíîãî êîíêóðñà, ñðîê ïîäà÷è çàÿâîê îò ó÷àñòíèêîâ èñòåêàåò 10 îêòÿáðÿ. Èçðàèëü ó÷àñòâóåò â «Åâðîâèäåíèè» ñ íà÷àëà èñòîðèè êîíêóðñà. Ïðåäñòàâèòåëè ñòðàíû òðèæäû çàíèìàëè ïåðâûå ìåñòà: â 1978, 1979 è 1998 ãîäó.  2014 ãîäó èçðàèëüòÿíêà Ìåé Ôàéíãîëüä íå ïðîøëà â ôèíàë êîíêóðñà. À âîò Íàöèîíàëüíàÿ òåëåêîìïàíèÿ Óêðàèíû, â äâóñòîðîííåé äîãîâîðåííîñòè ñ Åâðîïåéñêèì âåùàòåëüíûì ñîþçîì (ÅÂÑ), óæå ïðèíÿëà îêîí÷àòåëüíîå ðåøå-
íèå îòêàçàòüñÿ îò ó÷àñòèÿ â ïåñåííîì êîíêóðñå «Åâðîâèäåíèå-2015». Êàê ñîîáùàåò ïðåññ-ñëóæáà Ïåðâîãî óêðàèíñêîãî íàöèîíàëüíîãî êàíàëà, ýòî áûëî ñäåëàíî â ñâÿçè ñî ñëîæíîé ñèòóàöèåé â ñòðàíå, íåîáõîäèìîñòüþ ýêîíîìèòü è ïåðåõîäîì íà îáùåñòâåííîå âåùàíèå.  òåëåêîìïàíèè íàäåþòñÿ, ÷òî Óêðàèíà íå áóäåò ïðèíèìàòü ó÷àñòèå â êîíêóðñå òîëüêî â òå÷åíèå îäíîãî ãîäà, è óæå â 2016 ãîäó ñíîâà îòïðàâèò ñâîåãî ïðåäñòàâèòåëÿ íà Åâðîâèäåíèå. Ñåé÷àñ âåäóòñÿ ïåðåãîâîðû ñ ÅÂÑ îòíîñèòåëüíî òðàíñëÿöèè ïîëóôèíàëîâ è ôèíàëà áóäóùåãî êîíêóðñà. «Ìû ïîíèìàåì, ÷òî «Åâðîâèäåíèå» – èìèäæåâûé ïðîåêò, ïðåñòèæ. Íî ìû íå èìååì ïðàâà äåëàòü ÷òî-òî ïëîõî. À íà «õîðîøî» ó íàñ áàíàëüíî íåò äå-
Èçðàèëüñêàÿ ïåâèöà Ãàëè Àòàðè ïîáåäèëà íà «Åâðîâèäåíèå» 1979 ãîäà ñ ïåñíåé «Àëëèëóéÿ» íåã. Åñëè ó êîãî-òî åñòü æåëàíèå íàì ïîìî÷ü – ìû áóäåì òîëüêî ðàäû, íî ñàìîñòîÿòåëüíî òàêîé ïðî-
Ðóññêèé åâðåé àðìÿíñêîãî ðàçëèâà  íà÷àëå ñåíòÿáðÿ ïèñàòåëþ è ïóáëèöèñòó Ñåðãåþ Äîíàòîâè÷ó Äîâëàòîâó èñïîëíèëîñü áû 73 ãîäà. Çàìåòíîå ìåñòî â åãî òâîð÷åñòâå çàíèìàåò åâðåéñêàÿ òåìà. Ïðåäëàãàåì ÷èòàòåëÿì öèòàòû èç èíòåðâüþ è ïðîèçâåäåíèé ïèñàòåëÿ, ïîñâÿùåííûå íàöèîíàëüíîìó âîïðîñó, åâðåéñêîé èäåíòè÷íîñòè, àíòèñåìèòèçìó è Èçðàèëþ. Òåêñò Ãëîáàëüíîãî åâðåéñêîãî îíëàéí-öåíòðà. Ôîòî èç îòêðûòûõ èñòî÷íèêîâ  èíòåðâüþ æóðíàëó «Îãîíåê» â 1990 ãîäó Äîâëàòîâ ïðèçíàëñÿ, ÷òî â åâðåÿ åãî «ïðåâðàòèëà» ýìèãðàöèÿ â ÑØÀ â çðåëîì 37-ëåòíåì âîçðàñòå: «Âîîáùå-òî ìàòü ó ìåíÿ àðìÿíêà, îòåö — åâðåé. Êîãäà ÿ ðîäèëñÿ, îíè ðåøèëè, ÷òî æèçíü ìîÿ áóäåò áîëåå áåçîáëà÷íîé, åñëè ÿ ñòàíó àðìÿíèíîì, è ÿ áûë çàïèñàí â ìåòðèêå êàê àðìÿíèí. À çàòåì, êîãäà ïðèøëî âðåìÿ óåçæàòü, âûÿñíèëîñü, ÷òî äëÿ ýòîãî íåîáõîäèìî áûòü åâðååì. Ñòàâ åâðååì â àâãóñòå 1978 ãîäà, ÿ ïîëó÷èë ôîðìàëüíóþ âîçìîæíîñòü óåõàòü». *** «Â ñóùíîñòè, åâðåé — ýòî ôàìèëèÿ, ïðîôåññèÿ è îáëèê. Áûòóåò äåëèêàòíûé òèï åâðåÿ ñ íåéòðàëüíîé ôàìèëèåé, îðäèíàðíîé ïðîôåññèåé è êîñìîïîëèòè÷åñêîé âíåøíîñòüþ. Îäíàêî íå òàêîâ áûë Ìàðóñèí èçáðàííèê. Çâàëè åãî ïîëíîñòüþ Ëàçàðü Ðóâèìîâè÷ Öåõíîâèöåð. Îí áûë õóäîé, äëèííîíîñûé, êóð÷àâûé, à òàêæå ó÷èëñÿ èãðàòü íà ñêðèïêå. Ìàëî òîãî, êàê âñÿêèé åâðåé, Öåõíîâèöåð áûë àíòèñîâåò÷èêîì. Ìàðóñÿ ïîëþáèëà åãî çà òàëàíò, õóäîáó, ýðóäèöèþ è ñàðêàñòè÷åñêèé þìîð». *** «×åðíîêîæèõ ó íàñ [íà Áðàéòîí-áè÷] ñðàâíèòåëüíî ìàëî... Äëÿ íàñ ýòî çàãàäî÷íûå ëþäè ñ òðàíçèñòîðàìè. Ìû èõ íå çíàåì. Îäíàêî íà âñÿêèé ñëó÷àé ïðåçèðàåì è áîèìñÿ. Êîñàÿ Ôðèäà âûðàæàåò íåäîâîëüñòâî: — Åõàëè áû â ñâîþ ïàðøèâóþ Àôðèêó!.. Ñàìà Ôðèäà ðîäîì èç ãîðîäà Øêëîâà. Æèòü ïðåäïî÷èòàåò â Íüþ-Éîðêå...» *** «Îâ÷àðêó çâàëè Ãîëäà.  ýòîì ñêàçûâàëèñü äÿäèíî îñòðîóìèå è åäâà çàìåòíûé ïðèâêóñ àíòèñåìèòèçìà. Ìíîãèå àðìÿíå (îñîáåííî ãðóçèíñêèå àðìÿíå) íåäîëþáëèâàþò åâðååâ. Õîòÿ êóäà ëîãè÷íåå áû èì íåäîëþáëèâàòü ðóññêèõ, ãðóçèí èëè òóðîê. Åâðåè òîæå íå ïèòàþò ê àðìÿíàì îñîáûõ ÷óâñòâ. Âèäèìî, èçãîè íå ñêëîííû ëþáèòü äðóãèõ îòâåðæåííûõ. Èì áîëüøå íðàâèòñÿ ëþáèòü õîçÿåâ. Èëè íà õóäîé êîíåö — ñåáÿ».
*** «— ×òî òû äóìàåøü íàñ÷åò åâðååâ? — À ÷òî, åâðåè òîæå ëþäè. Ê íàì â ÌÒÑ ïðèñëàëè îäíîãî. Âñå äóìàëè — åâðåé, à îêàçàëñÿ ïüþùèì ÷åëîâåêîì».
Ëüâîì Àáðàìîâè÷åì. È òîò âäðóã ñìåðòåëüíî îáèäåëñÿ. À ÿ âñå äóìàë, ÷òî æå ìîãëî ïîêàçàòüñÿ åìó ñòîëü óæ îñêîðáèòåëüíûì? Íàêîíåö ÿ ïîíÿë õîä åãî ìûñëåé: “Ñâîëî÷ü! Ìîåãî îò÷åñòâà òû íå çàïîìíèë. À çàïîìíèë òîëüêî, ãàä, ÷òî ÿ — åâðåé!”» *** «— Òû àðìÿíèí? — ñïðîñèë êàê-òî ÿ ó õóäîæíèêà Âàãðè÷à Áàõ÷àíÿíà. — Àðìÿíèí! — Íà âñå 100%?
Ñåðãåé Äîâëàòîâ: «Ó ìåíÿ íèêîãäà íå áûëî îùóùåíèÿ, ÷òî ÿ ïðèíàäëåæó ê êàêîé-òî íàöèîíàëüíîñòè...» *** «Â Ñîþçå Ëåìêóñ áûë ïðîôåññèîíàëüíûì çàòåéíèêîì. Îðãàíèçîâûâàë ìàññîâûå ãóëÿíèÿ, íàïèñàë êàíòàòó, ïîñâÿùåííóþ 60-ëåòèþ âîîðóæåííûõ ñèë. Èñïîëíÿëàñü êàíòàòà â Äîìå îôèöåðîâ. Òåêñò âåäóùåãî ÷èòàë ñàì Ëåìêóñ: È, ñîí íàø ìèðíûé çàùèùàÿ, Âû ñòàëè òâåðæå, ÷åì ãðàíèò. Çà ýòî ïàðòèÿ ðîäíàÿ Äîñòîéíûõ ùåäðî íàãðàäèò!.. Ïðèáûâ â Àìåðèêó, Ëåìêóñ ìåñÿöà ÷åòûðå ðàáîòàë ïî ñïåöèàëüíîñòè. Îðãàíèçîâûâàë ìàññîâûå ïîåçäêè ýìèãðàíòîâ ê Íèàãàðñêîìó âîäîïàäó. Âûñòóïàë òàìàäîé íà áàð-ìèöâàõ. Ïèñàë ðèôìîâàííûå îáúÿâëåíèÿ, çäðàâèöû, êàíòàòû. Ìíå, íàïðèìåð, çàïîìíèëèñü òàêèå åãî ñòðî÷êè: Îò ÊÃÁ âñþ æèçíü ñòðàäàÿ, Ìû ïîìíèì ãîðå÷ü âñåõ îáèä! Ïóñêàé Àìåðèêà ðîäíàÿ Íàñ îò âðàãîâ ïðåäîõðàíèò!» *** «Îäíàæäû ÿ òåõðåäà Ëüâà Çàõàðîâè÷à íàçâàë ñëó÷àéíî
åêò, áîþñü, ìû íå âûòÿíåì. Ïîýòîìó áûëî ïðèíÿòî òàêîå ðåøåíèå», – ïðîêîììåíòèðîâàë ñèòóàöèþ ãåíåðàëüíûé äèðåêòîð ÍÒÊÓ Çóðàá Àëàñàíèÿ.
— Äàæå íà 150! — Êàê ýòî? — Ïðîñòî, ó ìåíÿ äàæå ìà÷åõà áûëà àðìÿíêîé. — À êòî ÿ? — Òû åâðåé àðìÿíñêîãî ðàçëèâà». *** «Ðàôàýëü âîñêëèêíóë: “ß óâàæàþ ðóññêèõ. Ýòî çàìå÷àòåëüíûå ëþäè. Îíè âðîäå ïîëÿêîâ, òîëüêî ãîâîðÿò íà èäèø. ß óâàæàþ èõ çà òî, ÷òî ðóññêèå äîáèëèñü ñïðàâåäëèâîñòè. Ýêñïðîïðèèðîâàëè äåíüãè ó ìèëëèîíåðîâ è ðàçäàëè áåäíûì. Òåïåðü ìèëëèîíåðû öåëûé äåíü ðàáîòàþò, à áåäíÿêè êîìàíäóþò è âûïèâàþò. Ýòî ñïðàâåäëèâî. Îêòÿáðüñêóþ ðåâîëþöèþ âîçãëàâèë çíàìåíèòûé ïàðòèçàí — Òîëñòîé. Âïîñëåäñòâèè îí íàïèñàë “Àðõèïåëàã ÃÓËÀÔ». *** «Ìàðóñÿ ãîâîðèëà: — Êàê òû áóäåøü æèòü â Èçðàèëå? Âåäü òàì îäíè åâðåè! — Íè÷åãî, — îòâå÷àë Öåõíîâèöåð, — ïðèâûêíó...» www.DallasTelegraph.com/57236 Russian www.DallasTelegraph.com/en/57236 English
ñòû. Îáñóæäàÿ ó÷àñòèå â êîíêóðñå, áîëüøèíñòâî èçâåñòíûõ ìóçûêàíòîâ çàâåðèëè, ÷òî ñåé÷àñ îòêàçàëèñü áû îò ýòîé âîçìîæíîñòè. «Ìû ñîâåòîâàëèñü ñî ìíîãèìè
Óêðàèíñêàÿ ïåâèöà Ðóñëàíà ñòàëà ëó÷øåé íà «Åâðîâèäåíèè» 2004 ãîäà ñ ïåñíåé "Wild Dances"
Òî, ÷òî ïðîâîäèòü íàöîòáîð «Åâðîâèäåíèÿ-2015» â Óêðàèíå ñåé÷àñ íåóìåñòíî, ïîäòâåðæäàþò è ñàìè àðòè-
àðòèñòàìè, è îíè ñêàçàëè, ÷òî íå ïðèíèìàëè áû ó÷àñòèÿ â êîíêóðñå, âåäü ñåé÷àñ ðàçâëåêàòåëüíûå ïðîåêòû
íå ñîâñåì àêòóàëüíû. È ñðåäñòâà, êîòîðûå áûëè áû ïîòðà÷åíû íà ïðîâåäåíèå óêðàèíñêîãî íàöîòáîðà «Åâðîâèäåíèå-2015», öåëåñîîáðàçíåå íàïðàâèòü íà áîëåå âàæíûå íóæäû», – îòìåòèë ïðîäþñåð òâîð÷åñêîãî îáúåäèíåíèÿ ìóçûêàëüíûõ ïðîãðàìì ÍÒÊÓ Âëàä Áàãèíñêèé. Óêðàèíà ó÷àñòâóåò â Êîíêóðñå ïåñíè «Åâðîâèäåíèå», íà÷èíàÿ ñ 2003 ãîäà. Âî âòîðîé ãîä ñâîåãî ó÷àñòèÿ Óêðàèíà âûèãðàëà êîíêóðñ ñ ïåñíåé Ðóñëàíû "Wild Dances". Âòîðûå ìåñòà Óêðàèíå ïðèíåñëè â 2007 è 2008 ãîäàõ Âåðêà Ñåðäþ÷êà ñ ïåñíåé "Dancing Ëàøà Òóìáàé" è Àíè Ëîðàê ñ ïåñíåé "Shady Lady" ñîîòâåòñòâåííî.  2011 ãîäó ê òðîéêå ëèäåðîâ ïðèáëèçèëàñü ïåâèöà Ìèêà Íüþòîí, çàíÿâ 4 ìåñòî.  2013 ãîäó ñòðàíó ïðåäñòàâèëà ïåâèöà Çëàòà Îãíåâè÷. Îíà çàíÿëà 3 ìåñòî, óñòóïèâ Àçåðáàéäæàíó è Äàíèè. Óêðàèíà ÿâëÿåòñÿ îäíîé èç ñòðàí-ðåêîðäñìåíîê Åâðîâèäåíèÿ, òàê êàê ïîêàçûâàåò î÷åíü õîðîøèå ðåçóëüòàòû. www.DallasTelegraph.com/57266 Russian www.DallasTelegraph.com/en/57266 English
«Êàê íàì íå õâàòàåò «òðåóãîëüíè÷êîâ ëþáâè!» Îò ðåäàêöèè: Åëåíà Ñòåïíàÿ æèâåò íà ãðàíèöå Óêðàèíû ñ Ðîññèåé — ñêîðåå âñåãî, â îäíîì èç òåõ ïîñåëêîâ, êîòîðûå ñåé÷àñ ÿâëÿþòñÿ ÷àñòüþ îäíîé èç ñàìîïðîâîçãëàøåííûõ «íàðîäíûõ» ðåñïóáëèê — òî ëè Äîíåöêîé, òî ëè Ëóãàíñêîé. Èç ñîîáðàæåíèé áåçîïàñíîñòè åå íàñòîÿùåå èìÿ ïðàêòè÷åñêè íèêòî íå çíàåò, íî åå èñòîðèè öèòèðóþò ìíîãèå, ïîòîìó ÷òî ýòî èñòîðèè, íàïèñàííûå ãëàçàìè î÷åâèäöà. Òåêñò Åëåíû Ñòåïíîé ß êàê-òî ïèñàëà, ÷òî î÷åíü âàæíûì íà âîéíå, íà òîé, Âåëèêîé Îòå÷åñòâåííîé, áûëè ïèñüìà. Òðåóãîëüíè÷êè ëþáâè. È âîò ñåé÷àñ, òûñÿ÷è ëþäåé ìíå ïèøóò, ÷òî íàøè áåñåäû, ïåðåïèñêà â èíòåðíåòå, ÿâëÿåòñÿ îáúåäèíÿþùèì çâåíîì, óçåëêàìè, ÷òî ñâÿçûâàþò äóøè óêðàèíöåâ è äàæå ðîññèÿí ïî âñåìó ìèðó. Ìû ïîääåðæèâàåì äðóã äðóãà, ñìååìñÿ, ïåðåæèâàåì, ðàçúÿñíÿåì, êðèòèêóåì, ñïîðèì, íî ëþáèì, ïëà÷åì äóøîþ äðóã î äðóãå. Ìû äåðæèì íèòü. Ìû ñïëåòàåìñÿ â íèòü. Ìû ñâÿçûâàåì äóøè è ïðîñòðàíñòâî óçåëêàìè ëþáâè. ×àñòî ïèøóò ðåáÿòà ñ ôðîíòà, ðàññêàçûâàþò, êàê ðàäóþòñÿ, êîãäà óäàåòñÿ ïîëó÷èòü ïèñüìà îò ðîäíûõ, ðèñóíêè äåòåé, ïèñüìà îò äåâóøåê, èì äàæå âîëîíòåðû ïðèíîñÿò ìîè ðàñïå÷àòàííûå èç èíòåðíåòà ðàññêàçû. Ýòî òîæå íèòü. Ìû íàó÷èëèñü áûòü åäèíûì öåëûì. Äåðæàòü äðóã äðóãà. È, ÷òî óäèâèòåëüíî, êàê áóäòî ïðîáèëè áðåøü â èíôîðìàöèîííîì âàêóóìå. Ñëîâíî Óêðàèíó íàêðûëî ïîêðûâàëî, ñâÿçàííîå èç óçåëêîâ íàøèõ äóø. Çäåñü è ñåé÷àñ ñ ïèñüìàìè, çâîíêàìè, èíôîðìàöèåé íà÷èíàþò ïðîèñõîäèòü óäèâèòåëüíûå âåùè. Ñþäà ê íàì òÿæåëî äîçâîíèòñÿ, íåò ñâÿçè, èíòåðíåò ðàáîòàåò íå âåçäå, íî... âñå ÷àùå è ÷àùå ÿ ñëûøó îò ëþäåé èñòîðèè, êîãäà èì çâîíÿò äàâíî ïîòåðÿâøèåñÿ ðîäñòâåííèêè, ñîñëóæèâöû, êîëëåãè, çíàêîìûå ñ êîòîðûìè îáîðâàëàñü ñâÿçü ïî ðÿäó îáñòîÿòåëüñòâ. Çâîíÿò îòòóäà, èç Óêðàèíû, ñþäà â Óêðàèíó. Äà, èìåííî òàê. Êàê ýòî ãëóïî è ñòðàøíî çâó÷èò, íî ïîêà òàê: èç Óêðàèíû â Óêðàèíó, îòäåëåííóþ, îòîðâàííóþ áëîêàäîé, ôðîíòîì, íî íå îò ñåðäöà. Íàñ ÷òî-òî ðàçäåëÿëî äî âîéíû, íî ìû íå ïðèäàëè ýòîìó çíà÷åíèþ. Ñåé÷àñ íàñ ðàçäåëèë ôðîíò, íî ìû îáúåäèíèñü. Æàëü, ÷òî ïðè÷èíîé îáúåäèíåíèÿ, îòêðûòèÿ äðóã äðóãà ñòàëà âîéíà. Ñîñåäêà ðàññêàçûâàåò: – Çâîíèëè ñ Òåðíîïîëÿ, ñåñòðû, äåñÿòü ëåò íå îáùàëèñü, ïëà÷óò, çîâóò, ñïðàøèâàþò ÷åì ïîìî÷ü, à ÿ äóìàëà, ÷òî îíè íàñ áóäóò óáèâàòü, à îíè ìíå, òû ÷òî ñ óìà ñîøëà, ìû âàñ ëþáèì. Äðóãà ÷åðåç ñîöñåòè íàøëè òðîþðîäíûå ðîäñòâåííèêè èç Âèííèöû. Îí ðàññêàçûâàë îá ýòîì, ñäåðæèâàÿ ñëåçû. Ìóæèê, øàõòåð, à ãîëîñ ñðûâàë-
ñÿ. Ãîâîðèò, êàê æå òàê, îíè òàì çà íàñ ïåðåæèâàþò, à íàì òóò ðàññêàçûâàëè, ÷òî îíè íàñ íåíàâèäÿò. Êóì àæ ñâåòèòñÿ, ðîäíÿ çâîíèëà èç Çàêàðïàòüÿ, êàê ïîññîðèëèñü â Îðàíæåâóþ ðåâîëþöèþ – íå îáùàëèñü. À ñåé÷àñ, êàæäûé äåíü òî ñìñêè, òî ñîîáùåíèÿ â «îäíîêëàññíèêàõ», òî çâîíîê. «Ñïðàøèâàåò, – ãîâîðèò, – ìåíÿ ðîäíÿ, çà ÷òî âîþåì?» À ÿ èì: «À íà ìîåé óëèöå íèêòî íå ïîøåë âîåâàòü è ñ áðèãàäû òîæå». «Íàøè âñå äîìà». Îíè, ãîâîðèò, îáðàäîâàëèñü: «Âîò ìû ÷óâñòâîâàëè, òû êðîâü íàøèõ ïàöàíîâ íà ðóêè íå âîçüìåøü. À ÿ èì, ãîâîðþ: «Ïîäóðåëè, ÷òî ëè, ñâîè ñâîèõ íå ìîãóò óáèâàòü». Ðàçãîâîðèëèñü, à îíè ìíå ãîâîðÿò: «Ìû äóìàëè, âû òàì âñå ïðîòèâ Óêðàèíû, à ñåé÷àñ ÷èòàåì î Äîíáàññå, êàê âàñ ãðàáèë Åôðåìîâ, áàíäà ßíóêîâè÷à, ÷òî ó âàñ ÑÌÈ ïèñàëè, ÷òî Ðîññèÿ òâîðèò, Ãîñïîäè, äà êàê âû òàì æèëè?  ýòîì Àäó, êàê æèâåòå?» Ãîâîðÿò, ìû âñå ðîäíûå, íàäî âìåñòå ñ áåäîé ñïðàâëÿòüñÿ. Ïîäðóãå ñëó÷àéíûé çâîíîê èç Ëüâîâà – îøèáëèñü íîìåðîì. Ïîçíàêîìèëèñü, ðàçãîâîðèëèñü, ïîäðóæèëèñü. Òåïåðü æäåò çâîíêà, îêàçàëîñü, ìíîãî îáùåãî – èíòåðåñîâ, èíòåðåñíûå ñîáåñåäíèêè, ïðèãëàøàþò íà ðàáîòó, à îíà åå òóò ïî ñïåöèàëüíîñòè íå ìîãëà íàéòè. È òàê êàæäûé äåíü, êòîòî êîãî-òî íàøåë, ðàäóþòñÿ, óçíàþò íîâîñòè, ñïðàøèâàþò î òîì, ÷åì ïóãàëè — î ÿçûêå, î «Ñâîáîäå», î «Ïðàâîì ñåêòîðå», î êîëþ÷åé ïðîâîëêå, î ëàãåðÿõ, à ïîòîì ñìåþòñÿ íàä ñâîèìè ñòðàõàìè. Ñâåòëåþò ëèöàìè. Ðîä, êîðíè. Çâó÷èò çåìëÿ. Áóäåò ïàìÿòü. Âîò íàïèñàëà î íàøåì ïîñåëêîâîì ïîäâîäíèêå äÿäå Ñëàâå, Âÿ÷åñëàâå Àíäðååâè÷å Êî÷åòîâå, è ñòîëüêî ïèñåì ïðèøëî. Îò íåçíàêîìûõ ëþäåé, ïðîñòî â ïîääåðæêó, ïðîñòî ñ ïîæåëàíèÿìè äîëãîé æèçíè, áëàãîäàðíîñòè çà ïîäâèã. Íàøëèñü ñîñëóæèâöû, – ñòîëüêî èñòîðèé ïðèñëàëè. Ïðèñëàëè ñòàòüþ èç ãàçåòû. ß åå ðàñïå÷àòàëà, ïðèíîøó, îòäàþ äÿäå Ñëàâå. Îí óâèäåë, ðóêè òðÿñóòñÿ, åùå è íå ÷èòàë, óçíàë ïî ôîòî. «Ýòî æ, – ãîâîðèò, – íàøè, ìîè». Ãëàäèò ñòðàíèöû ñ ðàñïå÷àòàííîé ñòàòüåé, ðóêè äðîæàò. Ìíå äàæå ñòàëî íå ïî ñåáå. Äóìàëà ïîðàäîâàòü ñîñåäà, à ó íåãî ñëåçû. Íîãè ïîäêîñèëèñü, ñåëè íà áðåâíûøêî âîçëå äâîðà. ß åìó ÷èòàþ ïèñüìà, ÷òî ïðèøëè íà
ïî÷òó îò òåõ, ñ êåì ñëóæèë. Îí ïëà÷åò, óëûáàåòñÿ, è ïîâòîðÿåò: «Æèâû, à âåäü æèâåì!» Ýõ, åñëè áû çäåñü ðàáîòàëà ïî÷òà. Ìíîãî çäåñü ëæè, ìíîãî îäóðìàíåííîñòè. Ðàñêà÷èâàëè ýòó ëîäêó íå ëþäè, à ïîëèòèêè, à ãîðå ïðèøëî èìåííî ê íèì, ïðîñòûì è äîâåð÷èâûì. Ñòîëüêî ãîðÿ íàì ïðèíåñëè èãðû ïîëèòèêîâ ïî ðàçäåëåíèþ ñòðàíû, ñòîëüêî ãîðÿ ïðèíåñëè æóðíàëèñòû, ïèøóùèå íà çàêàç. ß çíàþ ìíîãèõ â ãîðîäå, êîòîðûå õâàñòàëèñü çàêàçíîé ðàáîòîé îò íàðäåïîâ, òåïåðü îíè ïðÿ÷óò ãëàçà, âñå áåç ðàáîòû îñòàëèñü. Íå êîðþ. Áîã ïðîñòèò. Íî ñòîëüêî îáìàíóòûõ, ðàíåííûõ äóø, ñòîëüêî ðàçáèòûõ ñåðäåö è ñåìåé. Çíàåòå, ÿ äóìàþ, ÷òî ëå÷èòü Äîíáàññ íàäî îáû÷íûì îáùåíèåì. Ïèñüìàìè. Äàæå íåçíàêîìûì ëþäÿì. Êàê áûëî áû õîðîøî, åñëè áû ïðîñòî âîò ïèñàëè ïèñüìà ñ Çàïàäà íà Âîñòîê, ñ Âîñòîêà íà Çàïàä, íà Þã, íà Ñåâåð, äà ïðîñòî, êóäà ñìîãëè. ×òîáû ðàíû íà äóøå è ïåëåíó ñ ãëàç ñíèìàëè òåïëûå «òðåóãîëüíè÷êè ëþáâè». ×òîáû ÷èòàòü, ÷óâñòâîâàòü øåðøàâîñòü áóìàãè, âèäåòü ÷åé-òî ðîâíûé èëè íåðÿøëèâûé ïî÷åðê è óãàäûâàòü çà íèì ÷åëîâåêà, åãî ãëàçà, äóøó, âãëÿäûâàòüñÿ â ñòðîêè... «Çäðàâñòâóé íå çíàêîìûé ìíå, íî áëèçêèé ÷åëîâåê. Ìû íèêîãäà íå âèäåëèñü ñ òîáîé, íî ó íàñ åñòü îäíî îáùåå, íàøà ñòðàíà. Ìû æèâåì â Óêðàèíå. ß â Âèííèöå, à òû â ×åðâîíîïàðòèçàíñêå. Íî ìû ñ òîáîé îäíîé êðîâè, ïî îäíîé çåìëå ðîäíèìñÿ. ß èäó ïî ïîëþ è ãëàæó íàëèâøóþñÿ ïøåíèöó, à òû èäåøü â øàõòó, äîáûâàåøü óãîëü. ß õëåáîðîá, ÿ íå çíàþ, ÷òî òàêîå øàõòà. È, äóìàþ, ýòî òàê æå âàæíî – äîáûâàòü óãîëü – êàê è ñåÿòü ïøåíèöó. Ìû ñ òîáîé – òðóäÿãè. Ó ìåíÿ óæå åñòü âíóê, à ó òåáÿ? ß æèâó â ñåëå, à òû, íàâåðíîå, â ãîðîäå. ß çíàþ, íà Äîíáàññå áîëüøå ïðîìûøëåííûõ ãîðîäîâ. À ìîæåò è òû âûõîäèøü â ïîëå, ÷òîáû âäîõíóòü ñâåæèé âîçäóõ, íàñòîÿííûé íà òðàâàõ è ïðîõëàäó ðåêè. Òû ëþáèøü ðûáàëêó?! È ÿ ðûáîëîâ. Ó íàñ òóò òàêàÿ ðûáà êëþåò! À äàâàé êî ìíå â ãîñòè. Ñ ñåìüåé, ñ äåòüìè. Âûéäåì íà çîðüêå, íàëîâèì, à ïîòîì óøèöû íà êîñòåðêå, à? ×òî íàì äåëèòü?! Çåìëþ?! Äà êîãäà ïðèäåò ÷àñ, îäèíàêîâî âûäåëÿò íàì ñ òîáîé. Êòî-òî òåáå ñêàçàë, ÷òî ÿ òåáÿ íå ïîéìó, ïîòîìó ÷òî òû ãîâîðèøü íà ðóññêîì, à ÿ íà óêðàèíñêîì. ×óøü! Ïîëñòðàíû ðàçãîâàðèâàåò è ïîíèìàþò. Ñåðäöåì ãîâîðèòü áóäåì!» Ìîæåò áûòü òàê, ïðèáëèçèòåëüíî òàê. Íå çíàþ. Ïðîñòî, íàâåðíîå, ýòîãî òàê íå õâàòàåò… www.DallasTelegraph.com/57268 Russian www.DallasTelegraph.com/en/57268 English
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ÎÁÐÀÇÎÂÀÍÈÅ
Friday, September 19, 2014
www.DallasTelegraph.com
Ðóññêàÿ øêîëà Äàëëàñà íà÷àëà ñâîé ñåäüìîé ó÷åáíûé ãîä  ñåäüìîé ðàç â Ðóññêîé øêîëå Äàëëàñà â ýòîì ãîäó çâó÷àë ïåðâûé çâîíîê. Çà ýòè ãîäû, ïî ñëîâàì âëàäåëèöû øêîëû Íàòàøè Êñåíäçîâîé, ïðèìåðíî 600-700 äåòåé âûó÷èëè ðóññêèé ÿçûê áëàãîäàðÿ øêîëå. Øêîëà ïðèÿòíî óäèâëÿåò ñâîèì ïîñòîÿíñòâîì è âåðíîñòüþ òðàäèöèÿì â èçó÷åíèè ðóññêîãî ÿçûêà. Èìåííî ïîýòîìó åå öåíÿò è åé äîâåðÿþò ìíîãèå ñåìüè â Äàëëàñå.  íîâîì 2014-2015 ó÷åáíîì ãîäó ðóññêèé ÿçûê â Russian School of Dallas, ïî ñëîâàì äèðåêòîðà øêîëû, áóäóò èçó÷àòü 80 ÷åëîâåê, 58 èç íèõ — â ñóááîòíåé øêîëå. Òåêñò Ñåðãåÿ Òàðàí Ôîòî Ñåðãåÿ Òàðàí è èç àðõèâà Ðóññêîé øêîëû Äàëëàñà
Íà ïåðâûé çâîíîê ñîáðàëèñü ïî÷òè âñå ó÷èòåëÿ è ó÷åíèêè ó÷åáíîãî çàâåäåíèÿ.  ýòîì ãîäó â øêîëå íåñêîëüêî íîâûõ ïåäàãîãîâ — Àëåêñàíäðà Âàðãî,
òåòà èì. À.Ñ. Ïóøêèíà ïî ñïåöèàëüíîñòè «Íà÷àëüíîå îáðàçîâàíèå. Èíîñòðàííûé ÿçûê (àíãëèéñêèé)», Àëåêñàíäðà Âàðãî – íîâûé ó÷èòåëü â øêîëå. Íî íåñìîòðÿ íà ýòî, ó Àëåêñàíäðû äîñòàòî÷íûé îïûò ïðåïîäàâàíèÿ äåòÿì. Ôåðóçà Äîñòè ðàññêàçàëà î ñâîåì áîëüøîì áàãàæå
çíàíèé è óìåíèé â îáëàñòè âçðîñëîé ïåäàãîãèêè, à ñ ýòîãî ãîäà â Ðóññêîé øêîëå Äàëëàñà Ôåðóçà áóäåò îñâàèâàòü äåòñêóþ ïåäàãîãèêó. Ñûí Âåðû Ñòåìïñ — ó÷åíèê Ðóññêîé øêîëû Äàëëàñà. Åùå â÷åðà Âåðà ïðèâîäèëà ñûíà ó÷èòüñÿ ðóññêîìó ÿçûêó, à ñåãîäíÿ ñàìà ïðèøëà ïðåïîäàâàòü â øêîëå.
Ïðåäñòàâëåíèå ó÷èòåëåé
äðóãà. Êðîìå òîãî, íàøè äåòè ñòàíîâÿòñÿ ó÷åíèêàìè Ôðàíöóçñêîé øêîëû, à èõ ó÷åíèêè íà÷èíàþò èçó÷àòü ðóññêèé ÿçûê è ìàòåìàòèêó ó íàñ». Ðóññêàÿ øêîëà Äàëëàñà íà òî è ðóññêàÿ, ÷òîáû íà ïðàçäíèêå íîâîãî ó÷åáíîãî ãîäà çâó÷àë ðóññêèé ôîëüêëîð. Ðóññêèé õîð
Ìàëî êòî èç ðîäèòåëåé è äåòåé Ðóññêîé øêîëû Äàëëàñà çíàë î òàêîì ôàêòå, ÷òî äèðåêòîð øêîëû Íàòàøà Êñåíäçîâà ñàìà êîãäà-òî áûëà òîé ñàìîé óìíîé äåâî÷êîé â øêîëå, êîòîðàÿ äàâàëà ïåðâûé çâîíîê. Ñåãîäíÿ äèðåêòîð øêîëû îáúÿâèëà ñâîé «-íàäöàòûé»
Ðîäèòåëè è äåòè íà ïðàçäíèêå Ïåðâîãî Çâîíêà â Ðóññêîé øêîëå Äàëëàñà
Íèíà Ïîãîðåëîâà, Ëèëèÿ Ìóëèê, Ôåðà Äîñòè. Ïðåäñòàâëÿÿ ó÷èòåëåé, Íàòàøà Êñåíäçîâà îáðàòèëàñü ê çàëó: «Ìíîãèõ èç âàñ ÿ õîðîøî çíàþ è âèæó, êàê äåòè âûðîñëè çà ëåòî, à íåêîòîðûõ âèæó â ïåðâûé ðàç. Äîáðî ïîæàëîâàòü! Ëþáàÿ øêîëà íåâîçìîæíà íå òîëüêî áåç õîðîøèõ ó÷åíèêîâ, íî è òàëàíòëèâûõ ó÷èòåëåé. ß õîòåëà áû äàòü âîçìîæíîñòü ïðåäñòàâèòüñÿ íàøåìó ïåäàãîãè÷åñêîìó êîëëåêòèâó». Òàòüÿíà Êëåâöîâà â Ðóññêîé øêîëå Äàëëàñà ïðåïîäàåò óæå 2 ãîäà. Åå ñûí ó÷èòñÿ â 12-ì êëàññå øêîëû. Âûïóñêíèöà Áðåñòñêîãî ãîñóäàðñòâåííîãî óíèâåðñè-
ìîãóò ñäàâàòü ýêçàìåí ïî ðóññêîìó ÿçûêó AP, êîòîðûé äàåò èì äî 12 êðåäèòíûõ ÷àñîâ ïðè ïîñòóïëåíèè â àìåðèêàíñêèå ÂÓÇû». Èçâåñòíî, ÷òî Ðóññêàÿ øêîëà Äàëëàñà ðàñïîëàãàåòñÿ â çäàíèè ò.í. Ôðàíöóçñêîé øêîëû Äàëëàñà (Dallas International School), è ýòî îáñòîÿòåëüñòâî äàåò ó÷åíèêàì îáîèõ øêîë ñâîè áåíåôèòû. «Ìû âìåñòå ïðèíèìàåì ó÷àñòèå â ìåæäóíàðîäíîé ìàòåìàòè÷åñêîé Îëèìïèàäå «Êåíãóðó», —
Äèðåêòîð øêîëû Íàòàøà Êñåíäçîâà ïðèíèìàåò ðîäèòåëüñêèå ïîçäðàâëåíèÿ
Äàëëàñà «Ñëàâÿíêà» â ïåñåííîé ôîðìå ïîçäðàâèë øêîëó ñî ñòàðòîì ó÷åáíîãî ïðîöåññà, ïîäàðèâ ïðåêðàñíîå èñïîëíåíèå ðóññêèõ íàðîäíûõ ïåñåí «Îé, ñî âå÷îðà ñ ïîëóíî÷è»,
çâîíîê. Êàê âñåãäà, ñòàðøåêëàññíèê íåñ ìëàäøåêëàññíèöó íà ðóêàõ, à ó÷åíèöà çâîíèëà â êîëîêîëü÷èê, ïðèçûâàÿ ó÷åíèêîâ Ðóññêîé øêîëû Äàëëàñà â êëàññû...
Íàãðàäû òåàòðàëüíîé ñòóäèè øêîëû — ó÷àñòíèöû ìíîãèõ ôåñòèâàëåé
«Êàæäûé ó÷åáíûé ãîä ó íàñ ÷åì-òî ïîõîæ íà ïðåäûäóùèå, è â òî æå âðåìÿ åñòü ÷òî-òî íîâîå, — ðàññêàçàëà äèðåêòîð Russian School of Dallas. —  ýòîì ãîäó ìû íà÷èíàåì ñåðèþ ëîãîïåäè÷åñêèõ çàíÿòèé â êëóáå «Íåïîñåäà» ñ ïðîôåññèîíàëüíûì ëîãîïåäîì». Ãîâîðÿ îá îòëè÷èÿõ Ðóññêîé øêîëû Äàëëàñà îò äðóãèõ ðóññêèõ øêîë ðåãèîíà, Íàòàøà Êñåíäçîâà îòìåòèëà: «Êàæäàÿ øêîëà — óíèêàëüíà. Ãëàâíîå æå îòëè÷èå íàøåãî ó÷åáíîãî çàâåäåíèÿ îò äðóãèõ ñîñòîèò â òîì, ÷òî íàøè ó÷åíèêè
«Çäðàâñòâóé, íîâûé ó÷åáíûé ãîä!»
îçâó÷èëà ýòè áåíåôèòû Íàòàøà Êñåíäçîâà, — ìû ó÷àñòâóåì â ïðàçäíèêàõ äðóã
Ïîåò ðóññêèé íàðîäíûé õîð «Ñëàâÿíêà»
«Êðàñíà äåâèöà», «Âüþí íàä âîäîé», «Óòóøêà ëóãîâàÿ».
www.DallasTelegraph.com/57285 Russian www.DallasTelegraph.com/en/57285 English
12À
ÎÁÐÀÇÎÂÀÍÈÅ
Friday, September 19, 2014
www.DallasTelegraph.com
Ïèðàòû Êàðèáñêîãî ìîðÿ ñòàëè ó÷åíèêàìè Ðóññêîé øêîëû â Àëëåíå Íîâûé ó÷åáíûé ãîä íà÷àëñÿ íå òîëüêî â àìåðèêàíñêèõ øêîëàõ, íî è â ñóááîòíèõ ðóññêèõ. Ïðàâäà, Russian School of Allen ñ ýòîãî ãîäà, ñêîðåå, èíòåðíàöèîíàëüíàÿ øêîëà, ÷åì ðóññêàÿ. Ïðîãðàììà èçó÷åíèÿ ðóññêîãî, êàê èíîñòðàííîãî â øêîëå ïî-ïðåæíåìó ÿâëÿåòñÿ îñíîâíîé, íî ñ 2014-2015 ó÷åáíîãî ãîäà çäåñü äîáàâèëîñü åùå è èçó÷åíèå óêðàèíñêîãî, àðìÿíñêîãî, èñïàíñêîãî è ôðàíöóçñêîãî ÿçûêîâ. Ñîâðåìåííûå ðîäèòåëè õîòÿò, ÷òîáû èõ äåòè áûëè ìóëüòèÿçû÷íûìè. Êàê ãîâîðèòñÿ, ñïðîñ ðîæäàåò ïðåäëîæåíèå.
Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí Èìåííî ïîýòîìó Ïðàçäíèê Çíàíèé (ïåðâûé çâîíîê) â øêîëå â ýòîò ðàç ïîëó÷èëñÿ ìíîãîíàöèîíàëüíûì, ìíîãîÿçû÷íûì è ìíîãîãîëîñûì.  ðàìêàõ
òîëüêî ñâîþ ñìåêàëêó è òàëàíòû, íî è ÿçûêîâûå çíàíèÿ, â òîì ÷èñëå ïîëó÷åííûå â íàøåé øêîëå. Áëàãîäàðÿ ýòèì çíàíèÿì ïèðàòû íå ïðîñòî íàøëè ñâîè ñîêðîâèùà, íî è ðàçäàëè èõ âñåì ãîñòÿì â âèäå ïîäàðêîâ à, ñàìîå ãëàâíîå, çàïðîñèëèñü â íàøó øêîëó îñâàèâàòü íîâûå ÿçûêè. Ìû-òî ñ âàìè çíàåì, ÷òî â 21 âåêå áåç çíàíèÿ íåñêîëüêèõ ÿçûêîâ äàæå ïèðàòàì íå âûæèòü.
ñ íà÷àëîì íîâîãî ó÷åáíîãî ãîäà, à òàêæå ïðî÷èòàëà ñòèõîòâîðåíèå î øêîëå íà ÿçûêå Õàÿñòàíà. Êàïèòàí ïðàçäíèêà è åãî âåäóùàÿ Îêñàíà Á¸ðð èñïîëíèëà ïåñíþ íà ôðàíöóçñêîì ÿçûêå. Ó íåå ýòî íàñòîëüêî çäîðîâî ïîëó÷èëîñü, ÷òî âåñü çàë ïîäïåâàë. — ß çíàþ, ÷òî ñ ñàìîãî ïåðâîãî äíÿ øêîëû âû ñîòðóäíè÷àåòå Äîáðî ïîæàëîâàòü â íàøó èíòåðíàöèîíàëüíóþ øêîëó íèêîãî íå îñòàâèë ðàâíîäóøíûì â çàëå. Òåíåâîé òåàòð, ïðîäåêëàìèðîâàâøèé îòðûâîê èç ïîâåñòèïðèò÷è «×àéêà ïî èìåíè Äæîíàòàí Ëèâèíãñòîí», íàñòîëüêî ðàñòðîãàë ïèðàòîâ, ÷òî îíè ñîãëàñèëèñü ïåðåäàòü øêîëå âñå ñâîè ñîêðîâèùà. Âîñïèòàííèêè òåàòðàëüíîé ñòóäèè «Òèíà» ïîêàçûâàëè ôîêóñû, äåêëàìèðîâàëè ñòèõè, ïðåäñòàâëÿëè íîìåðà ñ êóêëàìè.
Ðóññêàÿ øêîëà â Àëëåíå è Òåàòðàëüíàÿ ñòóäèÿ «Òèíà» «äðóæàò äîìàìè» ïðîãðàììû «Îñòðîâ çíàíèé, èëè Çàòåðÿííûå ñîêðîâèùà ïèðàòîâ» íà ïðàçäíèê ê äåòÿì ïîæàëîâàëè è âçðîñëûå ïèðàòû, ÷åé ïèðàòñêèé ÿçûê, â îòëè÷èå îò ïÿòè âûøåóïîìÿíóòûõ ÿçûêîâ, îêàçàëñÿ íàñòîëüêî ñêóäíûì è îãðàíè÷åííûì, ÷òî ïèðàòû áåç ïîìîùè ó÷åíèêîâ øêîëû âðÿä ëè áû íàøëè ñâîè æå çàïðÿòàííûå ñîêðîâèùà. Ãëàâíûé ïîñûë ïðàçäíèêà çíàíèé â Ðóññêîé øêîëå Àëëåíà â ýòîì ãîäó áûë — ó÷èòå, äåòè, ìíîãèå ÿçûêè è ïåðåä âàìè îòêðîþòñÿ ìíîãèå äâåðè â æèçíè. Î ñåãîäíÿøíèõ âîçìîæíîñòÿõ øêîëû ðàññêàçûâàåò åå âëàäåëèöà Àííà Âëàäèìèðîâà. — Àííà, à ïî÷åìó â ýòîò ðàç âû èçáðàëè ãëàâíûìè äåéñòâóþùèìè ëèöàìè Ïðàçäíèêà Çíàíèé èìåííî ïèðàòîâ? — Âåñü ñöåíàðèé ïðàçäíèêà áûë ïîñòðîåí íà êîíòðàñòå — íàøè îáðàçîâàííûå ó÷åíèêè ïîìîãàëè áåçãðàìîòíûì ïèðàòàì ðàñøèôðîâûâàòü êàðòó, êîòîðàÿ óêàçûâàëà ïóòü ê ñîêðîâèùàì. Êàðòà áûëà íàðèñîâàíà íà íåñêîëüêèõ ÿçûêàõ, êîòîðûõ êàðèáñêèå ðàçáîéíèêè, êîíå÷íî æå, íå çíàëè. Ñâîè ñîêðîâèùà ïèðàòû ñîáèðàëè íå îäèí ãîä. Ñðåäè ýòèõ äðàãîöåííîñòåé áûë è íàø êîëîêîëü÷èê, êîòîðûé äîëæåí áûë äàòü ñòàðò íà÷àëó ó÷åáíîãî ãîäà. Êàê âû ïîíèìàåòå, åãî ïèðàòû òîæå óêðàëè.  îáùåì, ñþæåò áûë îñíîâàòåëüíî çàêðó÷åí è ïðåäïîëàãàë, ÷òî â ïðàçäíèêå áóäóò ó÷àñòâîâàòü âñå ñîáðàâøèåñÿ, ïîêàçûâàÿ íå
— À îáðàçû ïèðàòîâ áûëè ïîçàèìñòâîâàíû, íàâåðíîå, èç ôèëüìà «Ïèðàòû Êàðèáñêîãî ìîðÿ»? — Íå ñêàæó, ÷òî ïîçàèìñòâîâàíû, íî ÷åì-òî íàâåÿíû. Ãëàâàðü ïèðàòîâ (ýòó ðîëü ïðåêðàñíî ñûãðàëà Äàðüÿ Òàðàñîâà) ñîáðàë êîìàíäó. Ó íåãî áûëà «ëþáèìàÿ æåíùèíà» (â èñïîëíåíèè Ëèàíû Ðàìàçàíîâîé), êîòîðàÿ íà ïðàâàõ «ïåðâîé ëåäè» ïèðàòñêîãî êîðàáëÿ ïåðèîäè÷åñêè âñåõ «ñòðîèëà». Àëåêñ Êóïåðìàí ñûãðàë óìíîãî è îäíîâðåìåííî çëîãî è çàìêíóòîãî ðàçáîéíèêà. Íàäåæäà Òà÷ õîðîøî ïåðåäàëà õàðàêòåð âå÷íî íåäîâîëüíîãî ïðåäñòàâèòåëÿ ïèðàòñêîé ñåìüè, èíòåðåñóþùåãîñÿ íîâûìè çíàíèÿìè. Ó÷åíèê íàøåé øêîëû Àëåêñàíäð Ìåðçëþê ñûãðàë ñàìîãî ìàëåíüêîãî ïèðàòà. Èçíà÷àëüíî åãî ðîëè íå áûëî â ñöåíàðèè, íî ïîáûâàâ íà ðåïåòèöèè Ïðàçäíèêà, ìàëü÷èê çàãîðåëñÿ è çàõîòåë ñòàòü ÷àñòüþ ýòîé èñòîðèè. Òàê ÷òî ìû äîáàâèëè â ñþæåò «ñûíà ïèðàòñêîãî ïîëêà». È ýòî ïðèäàëî èñòîðèè îñîáûé êîëîðèò — îñîáåííî âî âðåìÿ ãëàâíîãî ïèðàòñêîãî òàíöà ïîä ïåñíþ ãðóïïû «Íîãó ñâåëî» «Ðàìàìáà Õà! Ðàìàìáà Ðó!» — ×òî åùå íà ïðàçäíèêå óêàçûâàëî íà åãî ìíîãîíàöèîíàëüíîñòü è ìóëüòèÿçû÷íîñòü? — Âî-ïåðâûõ, âûñòóïàë õîð óêðàèíñêîé ïåñíè «Âåñåëêà» — âçðîñëûé è äåòñêèé ñîñòàâû. Ñåìüÿ Ýëáàêÿí-Ðóáåíÿí íà àðìÿíñêîì ÿçûêå ïîçäðàâèëà âñåõ
 ïðàçäíèêå ó÷àñòâîâàëè è çðèòåëè, è àðòèñòû
ñ òåàòðàëüíîé ñòóäèåé «Òèíà», êîòîðàÿ îáó÷àåò äåòåé åùå îäíîìó ÿçûêó — ÿçûêó òåàòðà. — ßçûêè ìóçûêè, òàíöà, òåàòðà ÿâëÿþòñÿ òàêèìè æå âûðàçèòåëüíûìè, êàê è,
— Àííà, äàâàéòå îò ïðàçäíèêà òåïåðü ïåðåéäåì ê áóäíÿì. Âû íàáðàëè ãðóïïû â ðóññêóþ øêîëó, âñå åùå ïðîäîëæàåòñÿ íàáîð â óêðàèíñêèé è â àðìÿíñêèé êëàññû... — Ïðè íàøåé øêîëå ìû äàåì ÷àñòíûå óðîêè ôðàíöóçñêîãî è èñïàíñêîãî ÿçûêîâ. Ïðè÷åì, áîëüøèíñòâî äåòåé íà÷àëè áðàòü ýòè óðîêè â âîçðàñòå îò 4-õ ëåò è ñòàðøå.
ÿçûê äëÿ ìíîãèõ èç íèõ — ÿçûê èíîñòðàííûé. Ìû ìíîãî ðàáîòàåì íàä òåì, ÷òîáû ñëîâàðíûé çàïàñ íàøèõ äåòîê ïîñòîÿííî ïîïîëíÿëñÿ. Òàêèì îáðàçîì, óæå ê ñòàðøèì êëàññàì îíè ìîãóò äåëàòü íå äîñëîâíûé, à ñìûñëîâîé ïåðåâîä ñ àíãëèéñêîãî íà ðóññêèé ÿçûê. Íàïðèìåð, âìåñòî «ß èìåë ñåãîäíÿ çàâòðàê», îíè ãîâîðÿò «ß ñåãîäíÿ çàâòðàêàë». Äëÿ íàñ ýòî òàêæå ïîêàçàòåëü, ÷òî ïðîãðàììà ðàáîòàåò è ðàáîòàåò õîðîøî. —  ïðîøëîì ãîäó âàøè äåòè ïîêàçàëè õîðîøèå ðåçóëüòàòû â îëèìïèàäå ïî ìàòåìàòèêå «Êåíãóðó». Îçíà÷àåò ëè ýòî, ÷òî ñôåðà âàøèõ èíòåðåñîâ òåïåðü íå òîëüêî ÿçûêè, íî è äðóãèå øêîëüíûå ïðåäìåòû? — Äåéñòâèòåëüíî, â ïðîøëîì ãîäó íàøà øêîëà âïåðâûå ó÷àñòâîâàëà
Ïèðàòû Êàðèáñêîãî ìîðÿ ïûòàëèñü ñîðâàòü çàíÿòèÿ â Ðóññêîé øêîëå Àëëåíà ñêàæåì, ðóññêèé èëè óêðàèíñêèé ÿçûêè. È êàæäûé ðàç âûñòóïàÿ íà íàøèõ ïðàçäíèêàõ èëè óñòðàèâàÿ ñâîè, òåàòðàëüíàÿ ñòóäèÿ «Òèíà» ýòî ÿðêî äåìîíñòðèðóåò. Ðóêîâîäèòåëü ñòóäèè Âåðà Ãðîìîâà âîâëåêëà â ïðîãðàììó ïðàçäíèêà âñåõ çðèòåëåé — è âçðîñëûõ, è äåòåé. Òàíåö «Ëàäîøêè»
 ïðîãðàììå «Ðóññêèé, êàê èíîñòðàííûé» îñîáûõ èçìåíåíèé íåò. Ýòó ïðîãðàììó, êñòàòè, ðîäèòåëè íàøèõ äåòåé âûáèðàþò ÷àùå, ÷åì ïðîãðàììó «Ðóññêèé, êàê ðîäíîé». Îíî è ïîíÿòíî — ïî÷òè âñå ó÷åíèêè ïðèõîäÿò â øêîëó ñ õîðîøèì çíàíèåì àíãëèéñêîãî ÿçûêà, è ðóññêèé
â ìåæäóíàðîäíîé îëèìïèàäå ïî ìàòåìàòèêå. 42 ñòðàíû ïî âñåìó ìèðó ïîñëàëè ñâîèõ ïðåäñòàâèòåëåé íà îëèìïèàäó â ÑØÀ — 7 øòàòîâ. Íàøà øêîëà çàíÿëà âòîðîå ìåñòî â îëèìïèàäå ïî ÑØÀ. Ìû ïëàíèðóåì è â íîâîì ó÷åáíîì ãîäó ãîòîâèòü íàøèõ ó÷åíèêîâ äëÿ ýòîãî ìà ò å ì à ò è ÷ å ñ ê î ã î
ñîñòÿçàíèÿ. Áîëåå òîãî, ñ ýòîãî ãîäà ïðè øêîëå òàêæå ðàáîòàþò è êëàññû ìàòåìàòèêè, ïðåïîäàåò â êîòîðûõ Íàòàëüÿ Áóëàíîâà. Íàòàëüÿ òàêæå ó÷èòåëü â ðóññêîé øêîëå äåòñêîãî ñàäèêà «Ñîëíûøêî». Îáìåíèâàÿñü ïðåïîäàâàòåëÿìè, òàêèì îáðàçîì ìû ðàñøèðÿåì ñîòðóäíè÷åñòâî ìåæäó Sunshine International Learning Center è Russian School of Allen. — À ÷òî òàì ñ âàøåé øêîëîé â Àðëèíãòîíå? — Íà ñåãîäíÿøíèé äåíü ó íàñ åñòü íåñêîëüêî ïîìåùåíèé — íà âûáîð, ñ âëàäåëüöàìè êîòîðûõ ìû âåäåì ïåðåãîâîðû î âîçîáíîâëåíèè ðàáîòû Ðóññêîé øêîëû â Àðëèíãòîíå. Ìû õîòèì ó÷åñòü íåñêîëüêî ôàêòîâ ïðè ïðèíÿòèè îêîí÷àòåëüíîãî ðåøåíèÿ î ïîìåùåíèè — âî-ïåðâûõ, óäîáíûé ïîäúåçä äëÿ âñåõ ðîäèòåëåé, æåëàþùèõ îòäàòü ñâîèõ äåòåé â íàøó øêîëó. Âàæíî òàêæå, ÷òîáû â øêîëå áûëè ïîäõîäÿùèå äëÿ çàíÿòèé êëàññû. Ìû òàêæå ñìîòðèì è íà âåëè÷èíó àðåíäíîé ïëàòû. Íàäåþñü, â áëèæàéøåå âðåìÿ âîçîáíîâèòñÿ ïðåïîäàâàíèå ðóññêîãî ÿçûêà äëÿ ñåìåé, ïðîæèâàþùèõ íà þãå, çàïàäå è þãî-çàïàäå Äàëëàñà. — Âàø Ïðàçäíèê Çíàíèé ïîëó÷èëñÿ áëàãîäàðÿ âîëîíòåðñêîé ðàáîòå ìíîãèõ ëþäåé? Êòî îíè? — Ïðåæäå âñåãî ýòî íàøè ïàðòíåðû èç äåòñêîãî ñàäèêà «Ñîëíûøêî» — Ìàðèíà Ëèïîâåöêàÿ, Íàòàëüÿ Áóëàíîâà è Ëþäìèëà Íîâèêîâà è òåàòðàëüíîé ñòóäèè «Òèíà» ïîä ðóêîâîäñòâîì Âåðû Ãðîìîâîé. Ýòî âîêàëüíàÿ ãðóïïà óêðàèíñêîé ïåñíè «Âåñåëêà» ïîä óïðàâëåíèåì Îêñàíû Òîïîðèíîé. Ýòî âàøà ãàçåòà — The Dallas Telegraph, êîòîðàÿ âñåãäà îñâåùàåò íàøè ìåðîïðèÿòèÿ. Ýòî íàøè àêòåðû — Àíäðåé Ïðèäæåí, Îêñàíà Á¸ðð, Äàðüÿ Òàðàñîâà, Ëèàíà Ðàìàçàíîâà, Àëåêñ Êóïåðìàí, Íàäåæäà è Àíæåëà Òà÷. Ýòî íàøè ó÷èòåëÿ Ëèàíà Ðóáåíÿí, Àíæåëà Ýëáàêÿí, Ëþáîâü Áàëèíñêà. Ýòî íàøè òåõíè÷åñêèå ãåíèè — Ðóáåí Êàçóìîâ, Áèëë Áðåæíîé, Èãîðü Áèáåðìàí è Àííà Ìåðçëþê. È, êîíå÷íî æå, ýòî ðîäèòåëèâîëîíòåðû — Ñâåòëàíà Äîìáåê, Èðèíà Ëÿïìàí, Åëåíà Ñîáåð, Äìèòðèé Áóðèíñêèé, Ìàðãàðèòà Âîëîäèíà, Àíòîí Øâàðö è Ìèõàèë Øíàéäåðìàí. Êàê âèäèòå, êîìàíäà ó íàñ ïîäîáðàëàñü òâîð÷åñêàÿ è ðàáîòîñïîñîáíàÿ. Ñ òàêîé êîìàíäîé ëþáûå ãîðû ìîæíî ñäâèíóòü, â òîì ÷èñëå è â èçó÷åíèè íîâûõ ÿçûêîâ. ß ïîçäðàâëÿþ âñþ íàøó êîìàíäó — ó÷åíèêîâ è ó÷èòåëåé, ðîäèòåëåé è íàøèõ âîëîíòåðîâ ñ íîâûì ó÷åáíûì ãîäîì è æåëàþ âñåì íàì íîâûõ ïîëåçíûõ çíàíèé, à òàêæå êàæäîìó èç íàñ åæåäíåâíî ïî æèçíè ïîëó÷àòü òîëüêî ñàìûå âûñîêèå îöåíêè. www.DallasTelegraph.com/57279 Russian www.DallasTelegraph.com/en/57279 English