International Newspaper of Texas. Bi-weekly
Friday, March 27, 2015
Cî ñâåòëûì ïðàçäíèêîì Âåñåëîãî è êîøåðíîãî Ïåñàõà âñåì âàì! Âîñêðåñåíèÿ Õðèñòîâà! Ñòîë íàêðûëè ñêàòåðòüþ êðàõìàëüíîþ,  öåíòðå ïàñõà, ÿéöà è êóëè÷. Çâåçäû ñâåòÿò â íåáåñàõ õðóñòàëüíûå. Íå ïûòàéòåñü òàèíñòâî ïîñòè÷ü!
«Âåëèêäåíü» Òàòüÿíû Çåëåí÷åíêî
Ïðîñòî âû âîçðàäóéòåñü ÷óäåñíîìó Âîñêðåøåíèþ Ãîñïîäà Õðèñòà! È áëàãîñëîâåíèå íåáåñíîå Ñíèçîéäåò, è ñáóäåòñÿ ìå÷òà!
Ïåñàõ — Õàã à-Õåðóò, Òàê ñâåòåë ïðàçäíèê ñâîáîäû! Âåñíîé è äóøè öâåòóò È ïðàçäíóþò áóéíûå âîäû.
Ïåñàõ — Õàã à Ìàöîò, Òû ïàìÿòü óõîäà îò ðàáñòâà! È âîëÿ êðè÷èò è çîâåò Óéòè èç æåñòîêîãî öàðñòâà.
Òàê ðàäóéñÿ, âîëüíûé íàðîä, Òàê ïîéòå, ïîçíàâøèå ïðàâäó, Âêóñèâøèå èñòèíû ïëîä, Ïðèìèòå áëàãóþ íàãðàäó.
Îëüãà Ñåðäàðèäè
«Ïàñõàëüíûé ñåäåð» Åëåíû Ôëåðîâîé
Åñëè âû èëè âàø áèçíåñ õîòèòå ïîçäðàâèòü âàøèõ êëèåíòîâ, ïàðòíåðîâ è äðóçåé ñ ïðàçäíèêîì, ãîäîâùèíîé, þáèëååì, ïîæàëóéñòà, ñâÿæèòåñü ñ íàìè ïî òåëåôîíó: (469) 2000-660.
2À
CULTURE
Friday, March 27, 2015
www.DallasTelegraph.com
Tchaikovsky’s “gem” Iolanta in Dallas The Dallas Opera 2014-2015 “Heights of Passion” Season closes with a charming and poignant — but rarely performed work — by Russia’s greatest composer: Pyotr Ilyich Tchaikovsky’s 1892 “gem,” IOLANTA (Yo-LAWNtah), a fairy tale romance with deeply serious undertones set in Medieval France. By The Dallas Opera. Photo by The Dallas Opera and Damir Yusupov Opening night will take place on Friday, April 10, 2015 at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. Additional performances are Sunday, April 12 at 2:00 p.m., Wednesday, April 15 at 7:30 p.m., and Saturday, April 18 at 7:30 p.m. The Winspear Opera House is located at 2403 Flora Street, Dallas, Texas, 75201. IOLANTA is a lyric opera in one act, where love and duty, deception and faith collide. Iolanta is a kind-hearted princess — blind since infancy — who has been sheltered from the world and, literally, “kept in the dark” about her condition by her over-protective father. When a young man enters her private garden, a love story begins, new insights and perspectives develop and lives are changed forever. In an example of impeccable casting, IOLANTA stars Russian soprano Ekaterina Scherbachenko in the title role. Critic Santiago Martin Bermudez of ConcertoNet described her portrayal: “Ekaterina Scherbachenko interprets a princess full of tormented sweetness and delivers intense lyricism thanks to elegant phrasing, natural high notes and remarkable vibrato. All in all, her Iolanta is an absolute success.”
Iolanta’s love interest, Count Vaudemont, will be performed by Sergey Skorokhodov, a highly regarded Russian tenor who has toured Europe performing this role in concert with the internationally renowned Anna Netrebko.
Soprano, Joanna Mongiardo makes her TDO debut as Brigitta; mezzo-soprano, Lauren McNeese as Laura; and mezzo-soprano, Tamara Mumford in another company debut, stars as Marta.
las Opera General Director and CEO Keith Cerny. “We know that this exquisite opera will delight patrons with the lush music of Tchaikovsky, and the fairy tale love story set in southern France. We are excited to be featuring the magnificent talent of several outstanding performers, including the brilliant Ekaterina Scherbachenko – a Bolshoi Theatre sensation – in the title role, and Sergey
The Dallas Opera Chorus Master Alexander Rom
Ekaterina Scherbachenko as Iolanta
Sergey Skorokhodov as Count Vaudemont
Making two American debuts in this production are Ukrainian baritone Andrei Bondarenko as Robert, the Duke of Burgundy, and baritone Vladislav Sulimsky from Belarus who will portray the role of the Moorish physician. This production also marks the returns of bass Mikhail Kolelishvili (Boris Godunov) as Iolanta’s father — King Rene, tenor Andrew Bidlack (Everest, Die tote Stadt and The Lighthouse), and bass Jordan Bisch (Lucia di Lammermoor), a “Maria Callas Award” nominee.
IOLANTA will be staged by German director Christian Rath (Fidelio, Tristan & Isolde) and conducted by Dallas Opera Music Director Emmanuel Villaume (Carmen, The Marriage of Figaro). "While IOLANTA is rarely performed in the U.S., it has a significant following in Europe and has been a particular favorite of TDO's Music Director, Emmanuel Villaume, who recently conducted a critically acclaimed recording of the work with Anna Netrebko for Deutsche Grammophon,” explains Dal-
Skorokhodov, as her adoring love interest. IOLANTA is the last opera composed by the revered Russian genius, with a libretto written by his brother, Modest. Based on the Danish play King Rene’s Daughter by Henrik Hertz, the work premiered on December 18, 1892 at the Mariinsky Theatre in Saint Petersburg, Russia on a double bill with Tchaikovsky’s new ballet, The Nutcracker. It is a romanticized account of the life of Yolanda de Bar, a fifteenth-century Duchess of Lorraine. The work was performed
Russian-Ukranian-English Publication of Texas. Bi-weekly.
Published by Genesis Press Serge Taran, President and Publisher Ludmila Kachkar-Taran, Editor-in-Chief Alexey Levitin, Designer Zoryana Popovich, Proofreader
Mail: P.O. Box 764973, Dallas, TX 75376 Òåë.: (469) 682-2268 www.DallasTelegraph.com www.Facebook.com/DallasTelegraph DallasTelegraph.com@gmail.com U.S. ISSN Library of Congress Number 2327-3860
outside Russia for the first time less than a month later, when conductor Gustav Mahler brought Iolanta to Hamburg. Mahler later conducted the work in Vienna as well. This opera was performed for the very first time at New York’s Metropolitan Opera earlier this season. “Tchaikovsky’s final opera deserves to be known and performed more widely than it is,” says Dallas Opera Music Direc-
Mikhail Kolelishvili as Iolanta’s father
ourselves seeking the light of truth at the heart of this tale.” A free pre-performance lecture (“The Joy and Ronald Mankoff Pre-Opera Talks”) will be conducted one hour prior to curtain at most performances. The Dallas Opera Guild also hosts “Opera Insights,” a lively panel discussion featuring artists, directors and designers, on the Saturday afternoon prior to opening.
Vladislav Sulimsky as Moorish physician
tor Emmanuel Villaume, “and not merely because it represents his final work in this much-loved art form. In it, the composer reveals the depth and breadth of his musicality as well as his tremendous compassion for the wounded, the broken-hearted, and the lost souls walking among us. “The most intriguing aspect of IOLANTA is the way in which the music and drama in this opera reveal the complexity of human relationships, the danger of lies, and the enlightening power of love. Like the title character herself,” Maestro Villaume adds, “we find
IOLANTA will be performed in the original Russian with English translations (supertitles) projected above the stage. Tickets start at just $19 and may be purchased conveniently online, 24/7, at www.dallasopera.org or by contacting the friendly professionals in The Dallas Opera Ticket Services Office at (214) 443-1000. www.DallasTelegraph.com/58191 Russian www.DallasTelegraph.com/en/58191 English
Advertisements Tel.: (469) 2000-660. Classifieds recorder: (469) 2000-660 Marketing only: ads.DallasTelegraph.com@gmail.com Russian Yellow Pages Dallas – www.Russian-Dallas.com Official satellite TV provider: Official Distributor Ukrainian TV, Russian TV, Armenian TV – www.Kalinka-TV.com The opinions expressed in articles and advertisements don't necessarily reflect those of the The Dallas Telegraph and its affiliated. Submitted articles are edited for clarity and length.
3À
ÊÓËÜÒÓÐÀ
Friday, March 27, 2015
www.DallasTelegraph.com
Ðóññêàÿ Ìóçà(ûêà) íà àìåðèêàíñêîé
Êîíâåíöèè àêêîðäåîíèñòîâ Ïîëòîðà ãîäà Åëåíà Ôàéíøòåéí ðóêîâîäèò íåáîëüøèì îðêåñòðîì àêêîðäåîíèñòîâ, ñîñòîÿùèì èç âîñüìè ìóçûêàíòîâ. Äåáþò êîëëåêòèâà ñîñòîÿëñÿ â ïðîøëîì ãîäó íà Íàöèîíàëüíîé Êîíâåíöèè àêêîðäåîíèñòîâ â Äàëëàñå. Îöåíèâ äèðèæåðñêèå âîçìîæíîñòè Åëåíû, ðóêîâîäñòâî Êîíâåíöèè â ýòîì ãîäó ïîïðîñèëî òàëàíòëèâîãî ìóçûêàíòà äèðèæèðîâàòü îðêåñòðîì, âêëþ÷àþùèì óæå 40 àêêîðäåîíèñòîâ, ñúåõàâøèõñÿ â ìàðòå â Ñåâåðíûé Òåõàñ ñî ìíîãèõ àìåðèêàíñêèõ øòàòîâ. Ïîñëå òðåõ ðåïåòèöèé ñîñòîÿëñÿ ãðàíäèîçíûé äèðèæåðñêèé äåáþò íàøåé ñîîòå÷åñòâåííèöû. Òåêñò Ëþäìèëû Òàðàí. Ôîòî èç àðõèâà ñåìüè Ôàéíøòåéí
Òîëüêî ïðåäñòàâüòå ñåáå: íåñêîëüêî äåñÿòêîâ àêêîðäåîíîâ ðàçëèâàþòñÿ â
ïåñíå America, the Beautiful. Èõ ñìåíÿþò ìåëîäèÿ Old Friends, ñåðåíàäà Ìîöàðòà, «Ìàðø Ðàäåöêîãî» Èîãàííà Øòðàóñà, äæàçîâàÿ ïüåñà The Girl From Ipanema è çàêàí÷èâàåòñÿ
âñå ýòî òîðæåñòâî ìóçûêè àìåðèêàíñêîé ïàòðèîòè÷åñêîé ïåñíåé «ßíêè-äóäë».  ïðîøëûé ðàç òàêèì áîëüøèì îðêåñòðîì àêêîðäåîíèñòîâ íà Íàöèîíàëüíîé Êîíâåíöèè àêêîðäåîíèñòîâ
Åëåíà Ôàéíøòåéí óïðàâëÿåò îðêåñòðîì àêêîðäåîíèñòîâ
óïðàâëÿëà ëåãåíäà àìåðèêàíñêèõ àêêîðäåîíèñòîâ Äæîàí Ñîììåðñ. È áûëî ýòî ïî÷òè 9 ëåò íàçàä. Êîíâåíöèÿ â Äàëëàñå2015 ñòàëà äëÿ Åëåíû î÷åíü íàñûùåííîé. Êðîìå äèðèæèðîâàíèÿ îðêåñòðîì, îíà ïðîâåëà âìåñòå ñ ìóæåì Ãðèãîðèåì ïðàêòè-
...Äóýò àêêîðäåîíèñòîâ Åëåíû è Ãðèãîðèÿ Ôàéíøòåéí ïîñòîÿííî âûñòóïàåò, íåäàâíî ïàðà âåðíóëàñü ñ êîíöåðòîâ â Õüþñòîíå è â Ñàí-Àíòîíèî. Ñêîðî ìóçûêà ñíîâà ïîçîâåò íàøèõ ñîîòå÷åñòâåííèêîâ â äîðîãó — íà Êîíâåíöèþ àêêîðäåîíèñòîâ â ×èêàãî, ãäå
Ãðèãîðèÿ è Åëåíó óæå æäåò èõ êîëëåãà è äðóã – êîìïîçèòîð Ñòàñ Âåíãëåâñêèé, ÷üþ ìóçûêó Ôàéíøòåéíû èñïîëíÿþò ïðîñòî ãåíèàëüíî. www.DallasTelegraph.com/58209 Russian www.DallasTelegraph.com/en/58209 English
Þíûå ó÷åíèêè Åëåíû Ôàéíøòåéí èç ôîðòåïèàííîé ñòóäèè Musical Expressions
Äóýò Ôàéíøòåéíîâ — Ãðèãîðèé è Åëåíà è èõ êîëëåãà è äðóã èç ×èêàãî Ñòàñ Âåíãëåâñêèé
÷åñêèé ñåìèíàð íà òåìó «Êàê èãðàòü äóýòîì?». Äóýò Ôàéíøòåéíîâ ñûãðàë ñ äàâíèì äðóãîì èç ×èêàãî Ñòàñîì Âåíãëåâñêèì è àêêîðäåîíèñòîì-äæàçèñòîì Äæîíîì Ñèìêóñîì. À åùå íà ñöåíå òàêîãî áîëüøîãî ìåðîïðèÿòèÿ âûñòóïàëè þíûå ó÷åíèêè Åëåíû èç åå ôîðòåïèàííîé ñòóäèè Musical Expressions. Âîîáùå Íàöèîíàëüíàÿ Êîíâåíöèÿ àêêîðäåîíèñòîâ â Äàëëàñå ïðîøëà ïîä çíàêîì àìåðèêàíñêîé äæàçîâîé ìóçûêè è ðóññêîé êëàññè÷åñêîé. Òàêàÿ ìóçûêàëüíàÿ äðóæáà è ñîåäèíåíèå êóëüòóð ñäåëàëè ìåðîïðèÿòèå óäèâèòåëüíî êðàñèâûì.
ÏÓÍÊÒÛ ÐÀÑÏÐÎÑÒÐÀÍÅÍÈß THE DALLAS TELEGRAPH
ALLEN Kids R Kids of East Allen, 611 E. Bethany Drive, Allen, TX 75002. Phone: (817) 991-0137. ARLINGTON Taste of Europe, 1901 W. Pioneer Prkwy, Arlington, Texas 76013. Phone: (817) 275-5530. CARROLLTON Russian Banya, 2515 E. Rosemeade Parkway # 401, Carrollton, TX 75007. Phone: (214) 483-5050. DALLAS Midpark Towers Apartment, 8550 Midpark Rd., Dallas, TX 75240. Phone: (972) 231-7834. St Seraphim Orthodox Church, 4112 Throckmorton St., Dallas, TX 75219. Phone: (214) 528-3741. Capelli Salon, 19177 Preston Rd., Suite 155, Dallas, TX 75252. Pnone: (972) 250-4565. Russian School of Dallas, 6039 Churchill Way, Dallas, TX 75230. Phone: (214) 354-7674. DENTON Denton Ballet Academy, 637 Londonderry Ln., Denton, TX 76205. Phone: (940) 891-0830. GARLAND Dallas Omni Care, 2222 Deer Meadow Dr., Garland, 75044. Phone: (972) 495-6000. PLANO CCCP Market, 2304 Coit Rd., Suite #660, Plano, TX 75075. Phone: (972) 758-1200. Sunshine International Learning Center, 5940 Alma Dr., Plano, TX 75023. Phone: (469) 467-992. Euro Deli Too, 6832, Coit Rd., # 300, Plano, TX 75023. Phone: (972) 312-0244. River of Life – Dallas Church, 4001 Custer Rd., 4001 Custer Rd, 75023. Phone: (817) 773-1097.
Natalie Bakery & Pastry, 2001 Coit Rd., Suite 142, Plano, TX 75075. Phone: (972) 964-4044. The Villas of Mission Bend, 1201 Medical Av., Plano, TX 75075. Phone: (972) 867-2700. Plano Community Homes West Campus, 3905-3925 American Dr., Plano, TX 75075. Phone: (972) 867-1905. Central Market, 320 Coit Rd. Plano, TX 75075. Phone: 469-241-8300. Smiles By Morel, 5501 Independence Pkwy., Suite # 205, Plano, TX 75023. Texas Rhythmic Academy, 2621 Summit Ave#300, Plano, TX 75074. Phone: (469) 583-2894. RICHARDSON Family Discount Pharmacy, 970 N.Coit Rd., #2403, Richardson, TX 75080. Phone: (972) 235-0444. Euro Deli, 670 N. Coit # 2360, Richardson, TX 75080. Phone: (972) 234-8052. A-Care Medical, 870 N. Coit Rd., #2660, Richardson, TX 75080. Òåë.: (972) 235-2459. A-Care Chiropractic & Acupuncture Center, 870 N. Coit Rd., Ste. # 2651, Richardson, TX 75080. Òåë.: (972) 664-9089. SOUTHLAKE Central Market, 1425 E Southlake Blvd., Southlake, TX 76092. Phone: (817) 310-5600. THE COLONY St. Sophia Ukrainian Greek-Catholic Church, 5600 North Colony Boulevard, The Colony, TX 75056. Phone: (972) 370-4700
4À
ÔÎÒÎÐÅ ÏÎÐÒÀÆ
Friday, March 27, 2015
www.DallasTelegraph.com
×àéíàÿ öåðåìîíèÿ êàê ñèìâîë âçàèìîïîíèìàíèÿ ìåæäó ìàìàìè è äî÷åðüìè  êàíóí ïðàçäíîâàíèÿ 8 ìàðòà öåðêîâü «Ðåêà æèçíè — Äàëëàñ» ïðèãëàñèëà íà ÷àåïèòèå ìàì è èõ äî÷åðåé îò 4 ëåò è ñòàðøå. Îäíàêî ýòî áûëî íå îáû÷íîå ÷àåïèòèå, à íàñòîÿùàÿ ÷àéíàÿ öåðåìîíèÿ, êîãäà ìàìû îáùàëèñü ñî ñâîèìè ïðèíöåññàìè, ó÷èëè èõ ïðàâèëàì ïîâåäåíèÿ â îáùåñòâå è ýòèêåòó çà ñòîëîì. Òåêñò è ôîòî Ëþäìèëû Òàðàí Íàñòîÿùèé àíãëèéñêèé ÷àé ðàçëèâàëè ïî ôàðôîðîâûì êðóæå÷êàì òàêæå àíãëèéñêîãî ïðîèçâîäñòâà. Ãîâîðÿò, ÷òî, êîãäà ÷àé ïüåøü èç òàêîé ñåðâèçíîé ïîñóäû, òî îí íà âêóñ ãîðàçäî àðîìàòíåå è íàñûùåííåå. Óïîòðåáëåíèå ÷àÿ èç òàêèõ àðèñòîêðàòè÷åñêèõ ÷àøåê
äèêòóåò è îñîáîå ïîâåäåíèå çà ñòîëîì: ïîäòàëêèâàåò äåðæàòü ñïèíêó, ñèäåòü íà êðàåøêå ñòóëà, ïîäæàâ íîãè ïîä ñåáÿ, îòïèâàòü ïî ïîëãëîòêà è âåñòè ñâåòñêèå áåñåäû — âñå êàê â ëó÷øèõ àðèñòîêðàòè÷åñêèõ ñåìüÿõ Åâðîïû. Íå âåðèòå — ïðîâåðüòå! ×àéíàÿ öåðåìîíèÿ â «Ðåêå æèçíè» èçîáèëîâàëà ìíîãîîáðàçèåì ñëàäîñòåé, ïðèãîòîâ-
ëåííûõ íåêîòîðûìè èç ãîñòåé íàêàíóíå. Íåëüçÿ íå óïîìÿíóòü èçÿùíûé òîðò, óêðàøåííûé ñàõàðíûì çàâàðíèêîì, îò Íàäåæäû Áóòêåâè÷. Âî âðåìÿ ìàñòåð-êëàññà Íàäåæäà ó÷èëà þíûõ ïðèíöåññ èñêóññòâó èçãîòîâëåíèÿ ïîäîáíûõ øåäåâðîâ. Ðàçëè÷íûå êîíêóðñû, óñòðîåííûå îðãàíèçàòîðàìè âî âðåìÿ ÷àéíîé öåðåìîíèè,
ïîìîãàëè íå òîëüêî ðàñêðûòüñÿ äåòñêèì òàëàíòàì, íî è ñìîãëè ïðîòåñòèðîâàòü, íàñêîëüêî ìàìû ñ äî÷êàìè ãîâîðÿò íà «îäíîì ÿçûêå» è íàñêîëüêî íàëàæåí ïðîöåññ âçàèìîïîíèìàíèÿ ìåæäó íèìè. Îáùåíèå — ýòî íå îäíîêðàòíîå äåéñòâèå, à ïîñòîÿííûé ïðîöåññ. È, îêàçàëîñü, ÷òî òå ìàìû, êîòîðûå åæåäíåâíî âêëàäûâàþòñÿ â ïîñòðîåíèå ìîñòà âçàèìîïîíèìàíèÿ ìåæäó íèìè è äåòüìè, ñ ïîëóñëîâà ìîãóò äîíåñòè äî äî÷åðåé âàæíóþ èíôîðìàöèþ: èì íå íóæíî îäåðãèâàòü äåòåé çà ãèïåðàêòèâíîå ïîâåäåíèå, èõ
Íàäåæäà Áóòêåâè÷ ñî ñâîèì ÷àéíûì òîðòîì
Þíûå ïðèíöåññû
Êàòåðèíà Ìîíàõèíà è åå äî÷êà ïîíèìàþò äðóã äðóãà ñ ïîëóñëîâà äåòè ïîíèìàþò âñå ñ ïåðâîãî ñëîâà. Î ïîñâÿùåíèè ñåáÿ ñåìüå è îñîáåííî äåòÿì ãîâîðèëà ñïèêåð ìåðîïðèÿòèÿ, ëèäåð ñëóæåíèÿ äåòÿì äîøêîëüíîãî âîçðàñòà öåðêâè Hunters Glen Baptist Church Áýñ Ñèíãëòîí (Beth Singleton). Ó Äæåôôà è Áåñ òðîå âçðîñëûõ äî÷åðåé. Áåñ ðàññêàçûâàëà î ñâîåì îïûòå âîñïèòàíèÿ äåâî÷åê, î òîì, êàê îíà ñ ðàííåãî äåòñòâà íàñòàâëÿëà èõ â âåðå. «Âàøèì äî÷åðÿì íåîáõîäèìî çíàòü òðè âàæíûõ ïðàâèëà:
Ëåíà Ðåãåòà — îðãàíèçàòîð è âåäóùàÿ ×àéíîé öåðåìîíèè
Çàë öåðåìîíèè áûë óêðàøåí ñî âêóñîì
Áýñ Ñèíãëòîí ïîäåëèëàñü îïûòîì âîñïèòàíèÿ òðîèõ äî÷åðåé
÷òî Áîã èõ ñîòâîðèë, ÷òî Îí ëþáèò èõ è õî÷åò áûòü èõ âå÷íûì äðóãîì», – ïîäåëèëàñü Áýñ. Ñïèêåð îáðàùàëàñü íå òîëüêî ê ìàòåðÿì, íî è ê äî÷åðÿì: «Áîã âûáðàë äëÿ âàñ ìàìó. Âîçìîæíî, âàøà ìàìà áóäåò îøèáàòüñÿ, íî íåò íè÷åãî, ÷òî ìîæåò îòëó÷èòü âàñ îò ìàòåðèíñêîé ëþáâè». Îíà òàêæå ïîñîâåòîâàëà ìàòåðÿì è äî÷åðÿì öåíèòü âðåìÿ, ïðîâåäåííîå âìåñòå. www.DallasTelegraph.com/58219 Russian www.DallasTelegraph.com/en/58219 English
5À
ÔÎÒÎÐÅÏÎÐÒÀÆ
Friday, March 27, 2015
www.DallasTelegraph.com
19-é Ðóññêèé ôåñòèâàëü ñòàë ïðàçäíèêîì êóëüòóðíîãî ðàçíîîáðàçèÿ 19-é Ðóññêèé Ôåñòèâàëü íàäîëãî çàïîìíèòñÿ çðèòåëÿì! Âåäü îí ñîáðàë íà îäíîé ñöåíå òàêèõ ðàçíîïëàíîâûõ è îäàðåííûõ àðòèñòîâ, êàê äóýò àêêîðäåîíèñòîâ Åëåíû è Ãðèãîðèÿ Ôàéíøòåéíîâ, õîð ðóññêîé ïåñíè «Ñëàâÿíêà», «Óêðàèíñêóþ Ìàäîííó» Ëþäìèëó Êàñüÿíåíêî, ãðóïïó Flying Balalaika Brothers è ëåãåíäàðíîãî ðóññêîãî ïîýòà Åâãåíèÿ Åâòóøåíêî ñ ïðîãðàììîé «Æèçíü, êàê ïðèêëþ÷åíèå».
Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí
Àëåêñàíäðîâè÷ Åâòóøåíêî æèâåò â ñîñåäíåì ñ Òåõàñîì øòàòå — â Îêëàõîìå — óæå ìíîãèå ãîäû. Íî â Ñåâåðíûé Òåõàñ 82-ëåòíèé ïîýò ïðèåõàë â ïåðâûé ðàç. Åâãåíèé
ïðèøëè, ÷òîáû ïðèêîñíóòüñÿ ê ëåãåíäå, êóïèòü êíèæêó Åâãåíèÿ Åâòóøåíêî, ïîëó÷èòü åãî àâòîãðàô è çàâåòíóþ ôîòîãðàôèþ ñ íèì. Âðÿä ëè ýòîìó ìîæíî óäèâëÿòüñÿ,
ßçûê ìîé ðóññêèé, ñíåæíî õðóñòêèé, â òåáå êîëîêîëà, ñâåð÷êè è ïîñêðèï êâàøåíîé êàïóñòêè, ãäå àëûõ êëþêîâîê çðà÷êè. Åâãåíèé Åâòóøåíêî, «ßçûê ìîé ðóññêèé», 2007 ãîä
Êàæäûé èç ãîñòåé íàøåë íà êîíöåðòå ÷òî-òî ñâîå — êòî-òî ðóññêèå íàðîäíûå íàïåâû, êòî-òî ðóññêóþ ïîïìóçûêó, êòî-òî àêêîðäåîííóþ êëàññèêó, êòî-òî ðîêôîëê, à êòî-òî ñòèõè ðóññêîãî ïîýòà «øåñòèäåñÿòíèêà» Åâòóøåíêî, ÷üå òâîð÷åñòâî èçâåñòíî äàëåêî çà ïðåäåëàìè Ðîññèè. È âñå ýòî áëàãîäàðÿ îðãàíèçàòîðàì âå÷åðà ðóññêîé êóëüòóðû — Ðóññêî-Àìåðèêàíñêîìó
Îðãàíèçàòîðû 19-ãî Ðóññêîãî ôåñòèâàëÿ Åâãåíèé Åâòóøåíêî, íàâåðíîå, ÷óâñòâóÿ íàñòðîåíèÿ äàëëàññêîé àóäèòîðèè, íå ìîã íå êîñíóòüñÿ ðîññèéñêîóêðàèíñêèõ îòíîøåíèé.
Àëåêñàíäðîâè÷ íåäàâíî ïåðåæèë òÿæåëóþ îïåðàöèþ, êîòîðàÿ íå ñàìûì ëó÷øèì
îñîáåííî âñïîìèíàÿ ñëîâà ðóññêîãî ïîýòà Åâãåíèÿ Ðåéíà: «Ðîññèÿ – îñîáàÿ ñòðàíà ðåøèòåëüíî âî âñåõ îòíîøåíèÿõ, äàæå ïîä óãëîì åå ïîýòè÷åñêîãî îáëèêà. Âîò óæå äâåñòè ëåò âî âñå âðåìåíà ðóññêóþ ïîýçèþ ïðåäñòàâëÿåò îäèí âåëèêèé ïîýò. Òàê áûëî â âîñåìíàäöàòîì âåêå, â äåâÿòíàäöàòîì è â íàøåì äâàäöàòîì. Òîëüêî ó ýòîãî ïîýòà ðàçíûå èìåíà. È ýòî íåðàçðûâíàÿ öåïü. Âäóìàåìñÿ â ïîñëåäîâàòåëüíîñòü: Äåðæàâèí – Ïóøêèí – Ëåðìîíòîâ – Íåêðàñîâ – Áëîê – Ìàÿêîâñêèé – Àõìàòîâà – Åâòóøåíêî. Ýòî – îäèíåäèíñòâåííûé Âåëèêèé ïîýò ñ ðàçíûìè ëèöàìè.
Êàæäûé èç ãîñòåé êîíöåðòà íàøåë ÷òî-òî ñâîå ãàçåòå The Dallas Telegraph (èçäàòåëü Ñåðãåé Òàðàí), Ðóññêîìó êëóáó, ôàêóëüòåòó ðóññêîãî ÿçûêà ÞæíîÌåòîäèñòêîãî óíèâåðñèòåòà (SMU Russian Studies), University of Dallas (ïðîôåññîð Èðèíà Ðîäðèãåñ). Ìàëî êòî çíàåò èç íàøèõ ÷èòàòåëåé, ÷òî Åâãåíèé
Åâòóøåíêî ÿâëÿåòñÿ îäíèì èç äîñòîéíåéøèõ êàíäèäàòîâ äëÿ ïîëó÷åíèÿ ýòîé íàãðàäû ñ 20-ëåòíåé èñòîðèåé.
çà êàðòèíó Áðþëëîâà». Ïðîäîëæàÿ òåìó «âñåìèðíîé îòçûâ÷èâîñòè», Åâòóøåíêî ïðî÷èòàë ñòèõîòâîðåíèå «Äâå äåâî÷êè ñòîÿò ó êðàÿ êðûøè». Ïîýò âñïîìèíàë ñâîå ïðîøëîå, êàê âî âðåìÿ äåïóòàòñòâà, åùå ïðè Ìèõàèëå Ãîðáà÷åâå, îí áîðîëñÿ ñ âûåçäíûìè êîìèññèÿìè, êîòîðûå â Ñîâåòñêîå âðåìÿ ïðîâåðÿëè âñåõ âûåçæàþùèõ çà ðóáåæ ñîâåòñêèõ ãðàæäàí íà ëîÿëüíîñòü. È çàêîí÷èë Åâãåíèé Àëåêñàíäðîâè÷ ñâîå âûñòóïëåíèå ïðîñòûì, íî òàêèì íàñóùíûì ïðèçûâîì «íå ëèøàòü ëþäåé âåðû â æèçíü è â ñàìèõ ñåáÿ». Çðèòåëÿì ñòàëî î÷åâèäíî, Åâãåíèé Åâòóøåíêî — íå òîëüêî Ïîýò è ïåâåö ðóññêîé êóëüòóðû è ÿçûêà, íî è ïðèìèðèòåëü íàðîäîâ. Òàê ÷òî âðó÷åíèå òðàäèöèîííîé íàãðàäû «Ðóññêîãî ôåñòèâàëÿ» «Ìåæäóíàðîäíûé ïîñîë ïî êóëüòóðíûì îáìåíàì è äðóæáå» (International Ambassador for Cultural Exchange) èç ðóê ïðîôåññîðà SMU è îðãàíèçàòîðà ôåñòèâàëÿ Òàòüÿíû Çèìàêîâîé áûëî î÷åíü êñòàòè. Òàòüÿíà ïîä÷åðêíóëà, ÷òî Åâãåíèé
Òàêæå â ýòîò âå÷åð íàãðàäû ïîëó÷èëè äâå ñòóäåíòêè óíèâåðñèòåòà — Õàííà Âóä (Hannah Wood) è Ýâà Ïîëëëèò (Eva Pollitt) çà ïðèëåæíîå èçó÷åíèå ðóññêîãî ÿçûêà. Íó, à çðèòåëÿì íàãðàäîé ñòàë ñàì êîíöåðò. Ëàðèñà Êîðîëåâà íàïèñàëà: «Ïðåêðàñíûé áûë âå÷åð! Ñïàñèáî âñåì, êòî âëîæèë ñâîå ñåðäöå, âðåìÿ è ýíåðãèþ». Òàêîãî æå ìíåíèÿ ïðèäåðæèâàþòñÿ è Ëèëèò Ìàòåâîñÿí: «Êàêîé ïðåêðàñíûé âå÷åð ñ Åâãåíèåì Àëåêñàíäðîâè÷åì! Ìû óíåñëè ñ ñîáîé íà ïàìÿòü ìóäðîñòü è ìîðå ëþáâè, êîòîðûìè òàê ùåäðî ïîäåëèëñÿ ñ íàìè Åâãåíèé Åâòóøåíêî – Ïîýò è ×åëîâåê!», è Ðîçàíà Øåêìàí: «Âå÷åð áûë ïðîñòî ïîòðÿñàþùèì! Íåçàáûâàåìûì! Ñïàñèáî îðãàíèçàòîðàì, ÷òî ñîáðàëè íà îäíîé ñöåíå ñòîëüêî òàëàíòëèâûõ ëþäåé, ïðîôåññèîíàëîâ ñ áîëüøîé áóêâû!»
Ñåðãåé Âàùåíêî èç Flying Balalaika Brothers
«Óêðàèíñêàÿ Ìàäîííà» Ëþäìèëà Êàñüÿíåíêî öåíòðó (The Russian American Center) âî ãëàâå ñ ïðîôåññîðîì Òàòüÿíîé Çèìàêîâîé,
«ñòðàíà Ïóøêèíà íå ìîæåò âîåâàòü ñî ñòðàíîé Øåâ÷åíêî, ïîòîìó ÷òî Øåâ÷åíêî áûë âûêóïëåí èç êðåïîñòíè÷åñòâà äðóçüÿìè Ïóøêèíà
îáðàçîì ñêàçàëàñü íà åãî çäîðîâüå. Ïðàâäà, îí ïðîäîëæàåò ìíîãî åçäèòü è ïî Àìåðèêå, è ðåãóëÿðíî áûâàåò â Ðîññèè — è çäåñü, è òàì åãî ëþáÿò — è àìåðèêàíöû, è ðóññêèå. Ìíîãèå íàøè ñîîòå÷åñòâåííèêè íà Äàëëàññêèé êîíöåðò «Ðóññêîé çèìû-2015»
Òàêîâà ïîýòè÷åñêàÿ ñóäüáà Ðîññèè». Ìíîãîëèêîñòü ñâîåãî òâîð÷åñòâà Åâòóøåíêî ïðîäåìîíñòðèðîâàë, ïðî÷èòàâ ñâîè èçâåñòíûå ñòèõîòâîðåíèÿ ðàçíûõ ëåò: «Äåòñòâî ýòî ñåëî Êðàñíîùåêîâî», «ß ëþáëþ òåáÿ áîëüøå ïðèðîäû». Êñòàòè, âòîðîå ñòèõîòâîðåíèå ÷èòàëîñü íà ðóññêîì è àíãëèéñêîì ÿçûêàõ è ñ òàêîé ñòðàñòüþ, ÷òî Åâòóøåíêî äàæå ïîøóòèë: «ìîæíî ëè åùå â 82 ãîäà ÷èòàòü ñòèõè ïðî ëþáîâü?» Ýòî ñòèõîòâîðåíèå òàêæå ïðèãëÿíóëîñü â ñâîå âðåìÿ êîìïîçèòîðó Ðàéìîíëó Ïàóëñó, è òîò íàïèñàë äëÿ ýòèõ ñòðîê êðàñèâóþ ìóçûêó. Ïåñíþ ïîçæå èñïîëíèëà ðîññèéñêîå ìîëîäîå äàðîâàíèå Èðèíà Äóáöîâà.
Ðàçäà÷à àâòîãðàôîâ È õîòÿ îí ñêàçàë î ñåáå, «ÿ íå ïîëèòèøí, à ïîýòèøí», Åâòóøåíêî ïðî÷èòàë îäíî èç ÷åòûðåõ ñâîèõ ñòèõîòâîðåíèé, ïîñâÿùåííûõ ýòîé òåìå – «Ìåäñåñòðà èç Ìàêååâêè». Îí ãîâîðèë î òîì, ÷òî
Äóýò àêêîðäåîíèñòîâ Åëåíû è Ãðåãîðè Ôàéíøòåéíîâ
www.DallasTelegraph.com/58217 Russian www.DallasTelegraph.com/en/58217 English
6À
ÎÁÐÀÇÎÂÀÍÈÅ
Friday, March 27, 2015
www.DallasTelegraph.com
 Ðóññêîé øêîëå Äàëëàñà çâó÷àëà «Æèâàÿ êëàññèêà» Âòîðîé ãîä ïîäðÿä Ðóññêàÿ øêîëà Äàëëàñà ïðîâîäèò ëèòåðàòóðíûå ÷òåíèÿ «Æèâàÿ êëàññèêà». Ïî èòîãàì ÷òåíèé ïîáåäèòåëü îòïðàâëÿåòñÿ â Õüþñòîí íà ðåãèîíàëüíûé óðîâåíü, à ïîáåäèòåëü îáùåíàöèîíàëüíûõ ÷òåíèé ïðèãëàøàåòñÿ â Ðîññèþ íà ôèíàëüíûé ýòàï êîíêóðñà «Æèâàÿ êëàññèêà». Òåêñò è ôîòî Ëþäìèëû Òàðàí  ïðîøëîì ãîäó ïîáåäèòåëåì êîíêóðñà íà ëó÷øåå ÷òåíèå ðóññêèõ ïðîèçâåäåíèé â Ðóññêîé øêîëå Äàëëàñà ñòàëà Íèêà Âàéñ è Àíòîí Êñåíäçîâ. Ðåáÿòà åçäèëè ïîêîðÿòü øòàòíûå âåðøèíû, íàáèðàëèñü îïûòà è ñîðåâíîâàëèñü ñ äðóãèìè íå ìåíåå òàëàíòëèâûìè äåòüìè, êîòîðûå â ÑØÀ èçó÷àþò ðóññêèé ÿçûê. Êòîòî èçó÷àåò ðóññêèé ÿçûê, êàê
ïîäêëþ÷àòü ê ÷òåíèÿì è çàèíòåðåñîâûâàòü â ðóññêîì ÿçûêå äåòåé ìëàäøåé ãðóïïû — ñ 6 ëåò. È, ñòîèò çàìåòèòü, ÷òî ñòðàòåãèÿ øêîëîé áûëà
äåòîê ðóññêèé — ýòî ðîäíîé ÿçûê, – ïîÿñíèëà Íàòàøà Êñåíäçîâà, äèðåêòîð Ðóññêîé øêîëû Äàëëàñà. – Òàêàÿ æå ñèòóàöèÿ, êîãäà ðîäèòåëè ïðèâåçëè ðåáåíêà â Àìåðèêó, è ðåáåíîê ðàíüøå èçó÷àë â øêîëå ðóññêèé ÿçûê. Ðóññêèé, êàê èíîñòðàííûé ìû ïðåïîäàåì òåì äåòÿì, ó êîãî â ñåìüÿõ çâó÷èò è ðóññêàÿ, è àíãëèéñêàÿ ðå÷ü, è, êîòîðûå ïðîâîäÿò áîëüøèíñòâî âðåìåíè â àíãëîÿçû÷íîé ñðåäå. À òàêæå òåì, êòî
«Ðîäñòâåííûå äóøè» Î. Ãåíðè â èñïîëíåíèè Àíòîíà Êñåíäçîâà
Ìëàäøàÿ ãðóïïà ÷èòàëà ñêàçêó «Ïî ùó÷üåìó âåëåíèþ»
Äàøà Ïðèíãåí ñ çàñëóæåííîé íàãðàäîé ðîäíîé, êòî-òî êàê âòîðîé ÿçûê, à êòî-òî — êàê èíîñòðàííûé.  ðóññêîé øêîëå Äàëëàñà òàêæå ñóùåñòâóåò òðè ïîäõîäà â èçó÷åíèè ðóññêîãî ÿçûêà. – Îòëè÷àþòñÿ ýòè ïîäõîäû äðóã îò äðóãà òåì, ÷òî ó êîãî-òî èç äåòåé â ñåìüå ãîâîðÿò íà ðóññêîì è äëÿ ýòèõ
íà÷àë ó÷èòü ðóññêèé ÿçûê ïîñëå àíãëèéñêîãî. Íàêîíåö, ïðîãðàììà ïðåïîäàâàíèÿ ðóññêîãî, êàê èíîñòðàííîãî îðèåíòèðîâàíà íà òåõ äåòåé, êîòîðûå íå ñëûøàò â ñâîåì îêðóæåíèè ðóññêóþ ðå÷ü, è ñòàëêèâàþòñÿ ñ ðóññêèì ÿçûêîì òîëüêî â íàøåé øêîëå.  çàâèñèìîñòè îò ïðîãðàììû, ïðåïîäàâàíèå âåäåò-
ñÿ ïî-ðàçíîìó. È âû ñëûøàëè ñåãîäíÿ âî âðåìÿ ëèòåðàòóðíûõ ÷òåíèé, íàñêîëüêî îòëè÷àåòñÿ óðîâåíü âëàäåíèÿ ðóññêèì ÿçûêîì äåòüìè — êòî-òî ÷èòàë áåãëî è áåç àêöåíòà, êòî-òî ÷èòàë ïî ñëîãàì.  êîíêóðñå «Æèâàÿ êëàññèêà» ñóùåñòâóåò âîçðàñòíîé öåíç — 11-14 ëåò, íî â Ðóññêîé øêîëå ïðèíÿëè ðåøåíèå
Íàãðàæäåíèå ó÷àñòíèêîâ êîíêóðñà «Æèâàÿ êëàññèêà» âûáðàíà ïðàâèëüíàÿ — íåêîòîðûå ìëàäøåêëàññíèêè ÷èòàþò íà óðîâíå âçðîñëûõ, à íåêîòîðûå äàæå äåêëàìèðîâàëè ïðîèçâåäåíèÿ áåç òîãî, ÷òîáû çàãëÿäûâàòü â òåêñò. Øåñòèëåòíèå Ñàøà Ïîïîõ è Àìåëèÿ Ëàíãëè íå ïðîñòî äåêëàìèðîâàëè ñâîè ïðîèçâåäåíèÿ — ðàññêàç î Ãåðàêëå è «Çàêîëäîâàííóþ áóêâó» Âèêòîðà Äðàãóíñêîãî — îíè âæèëèñü â îáðàç è ÿðêî è êðàñî÷íî ðàññêàçûâàëè èñòîðèè, êàçàëîñü, ïðîèçîøåäøèå ñ íèìè ñàìèìè. Êñòàòè, íåêîòîðûå äåòè ñàìè âûáèðàëè ïðîèçâåäåíèÿ äëÿ ÷òåíèÿ, äðóãèì ïîìîãàëè ðîäèòåëè. Âûáîð áûë ðàçíîîáðàçíûì — è ñëîæíûé ×åõîâ, è óâëåêàòåëüíûå Óñïåíñêèé è Íîñîâ, è ñåðüåçíûé
6-ëåòíÿÿ Àìåëèÿ Ëàíãëè ÷èòàëà «Çàêîëäîâàííóþ áóêâó» Âèêòîðà Äðàãóíñêîãî
Î. Ãåíðè, è ïðîèçâåäåíèå «Ìàíþíÿ» ðîññèéñêîé ïèñàòåëüíèöû àðìÿíñêîãî ïðîèñõîæäåíèÿ Íàðèíý Àáãàðÿí. Áûëî î÷åâèäíî, ÷òî äåòÿì íðàâèòñÿ âûáîð, ïîòîìó ÷òî ìíîãèå íå ïðîñòî äåêëàìèðîâàëè, îíè ïðîèãðûâàëè ïðîèçâåäåíèÿ, êàê ñàìûå íàñòîÿùèå àðòèñòû ðàçãîâîðíîãî æàíðà. «Æèâàÿ êëàññèêà» – î÷åíü èíòåðåñíûé è ðàçíîïëàíîâûé êîíêóðñ, êîòîðûé îòêðûâàåò íå òîëüêî äëÿ äåòåé, íî è äëÿ âçðîñëûõ íîâûå ïðîèçâåäåíèÿ è íîâûõ àâòîðîâ, îáîãàùàÿ èõ ëèòåðàòóðíûå ïîçíàíèÿ. www.DallasTelegraph.com/58213 Russian www.DallasTelegraph.com/en/58213 English
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Êàê «Âåñåëêà», «Ñëàâÿíêà» è «Óëûáêà»
ïîäàðèëè âåòåðàíàì ïðàçäíèê Ðóññêîÿçû÷íàÿ îáùèíà Äàëëàñà ëþáèò îòìå÷àòü ïðàçäíèê Æåíñêîãî Äíÿ 8 ìàðòà — êòî-òî îòïðàâëÿåòñÿ â ãîñòè ê äðóçüÿì, êòî-òî èäåò íà âå÷åðèíêè â Ðóññêóþ Áàíþ èëè â äðóãèå ðåñòîðàíû, à êòî-òî óñòðàèâàåò ïðàçäíèê äëÿ äðóãèõ. Òåêñò Ëþäìèëû Òàðàí. Ôîòî Îêñàíû Ðèä  ýòîì ãîäó âåòåðàíàì èç àïàðòàìåíòîâ äëÿ ïîæèëûõ ëþäåé Tuscany, ÷òî â Ðè÷àðäñîíå, íàñòîÿùåå òîðæåñòâî óñòðîèëè êîëëåêòèâû ðóññêîé ïåñíè «Ñëàâÿíêà», óêðàèíñêîé ïåñíè «Âåñåëêà» è äåòñêèé õîð «Óëûáêà». Ñïåöèàëüíî ê ýòîìó äíþ àðòèñòàìè áûëà ïîäãîòîâëåíà îñîáàÿ ïðîãðàììà — äåòè è âçðîñëûå ïåëè î âåñíå, î ëþáâè, î ìàìå íà ðàçíûõ ÿçûêàõ, ÷òîáû âñåì áûëî ïîíÿòíî — è àìåðèêàíöàì, è ðóññêèì, è óêðàèíöàì. Çðèòåëè êîíöåðòà íà 8 Ìàðòà — ïîæèëûå ëþäè, èõ äåòè è âíóêè ñ óäîâîëü-
ñòâèåì ñëóøàëè êîíöåðòíûå íîìåðà, à íåêîòîðûå äàæå âñïîìèíàëè ñâîþ ìîëîäîñòü. Êàê îòìåòèëà Îêñàíà Òîïîðèíà, ðóêîâîäèòåëü «Âåñåëêè» è «Óëûáêè», çðèòåëüñêàÿ àóäèòîðèÿ ñ áëàãîäàðíîñòüþ îòêëèêàëàñü íà êàæäóþ ïåñíþ. Ó íåêîòîðûõ èç âåòåðàíîâ áëèçêèõ èëè íåò, èëè îíè íàõîäÿòñÿ äàëåêî, òàê ÷òî ïîäàðåííûé êîíöåðò áûë åäèíñòâåííîé âîçìîæíîñòüþ äëÿ íèõ îòìåòèòü ñ þíîñòè ëþáèìûé ïðàçäíèê. Çðèòåëüíèöû ïî÷óâñòâîâàëè ñåáÿ íàñòîÿùèìè äàìàìè, êîãäà àðòèñòû âðó÷èëè êàæäîé èç íèõ ïî âåñåííåìó öâåòêó, ñêàçàëè äîáðûå ñëîâà ïîçäðàâëåíèé, ðàññïðîñèëè î æèçíè è çäîðî-
âüå. Âíèìàíèÿ âñåì íàì íå õâàòàåò â æèçíè, à îñîáåííî ëþäÿì â âîçðàñòå. Îêñàíà Òîïîðèíà îòìåòèëà, ÷òî äëÿ åå êîëëåêòèâîâ è äëÿ «Ñëàâÿíêè» áûëî áîëüøèì óäîâîëüñòâèåì ïîäàðèòü ïðàçäíèê âåòåðàíàì. Êñòàòè, ìóçûêàëüíîé ñåìüå Òîïîðèíûõ — Îêñàíå è åå ìàìå Âàëåíòèíå — òîæå äîñòàëñÿ ïîäàðîê — íîòû îò îäíîãî èç çðèòåëåé — ßêîâà Ùåðáàêîâà — ñ ñî÷èíåííûì èì ïðîèçâåäåíèåì «Äàëëàññêèì âàëüñîì». Âàëåíòèíà Òîïîðèíà ïðî÷èòàëà ñëîâà è íàèãðàëà ìåëîäèþ è îáåùàëà èñïîëíèòü ýòî ïðîèçâåäåíèå íà îäíîì èç áîëüøèõ îáùåñòâåííûõ ìåðîïðèÿòèé, îáÿçàòåëüíî ïîçíàêîìèâ íàøó îáùèíó ñ
Äåòñêèé õîð «Óëûáêà» è êîëëåêòèâû «Ñëàâÿíêà» è «Âåñåëêà» âûñòóïàþò ïåðåä âåòåðàíàìè àâòîðîì âàëüñà. Íó, à The Dallas Telegraph ñâÿæåòñÿ ñ ßêîâîì Ùåðáàêîâûì — àâ-
òîðîì ìóçûêè è ñëîâ è ðàññïðîñèò åãî, êàê ðîäèëîñü ýòî ïðîèçâåäåíèå.
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7À
ÏÑÈÕÎËÎÃÈß ÆÈÇÍÈ
Friday, March 27, 2015
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Çâîíîê çâîíèò... Ìàäàì, ïðîñíèòåñü! Ôèçè÷åñêîå íàñèëèå îñòàâëÿåò ðàíû è øðàìû íà òåëå, êîòîðûå çàìåòíû è âàì, è îêðóæàþùèì. Òàêèå ðàíû îñÿçàåìûå – èõ ìîæíî ïîòðîãàòü, îöåíèòü íàíåñåííûé óùåðá ïî ðàçìåðó ðàíû è åå ãëóáèíå, ìîæíî òàêæå ïðåäñòàâèòü ñèëó èñïûòûâàåìîé ÷åëîâåêîì áîëè, óëè÷èòü äðóãîãî â ñîäåÿííîì, ïðåäúÿâèòü ñâîè ïðàâà, èñêàòü çàùèòó. À âîò ïîïðîáóé, ïîêàæè êîìó-òî ñâîþ êðîâîòî÷àùóþ äóøåâíóþ ðàíó! Òåêñò Àëåíû Ñòèâåíñ, ïñèõîëîãà. Ôîòî èç àðõèâà ðåäàêöèè Ýìîöèîíàëüíîå äàâëåíèå – ýòî íàñèëèå, êîòîðîå íîñèò ñêðûòûå íåïðèñòóïíûå îäåæäû, êàëå÷èò äóøó è ìåäëåííî, íî âåðíî óíè÷òîæàåò ëè÷íîñòü ÷åëîâåêà è åãî âîëþ. ×åì áîëåå äëèòåëüíûé ïåðèîä æåíùèíà ñîãëàøàåòñÿ ñ ïðîÿâëåíèÿìè íàñèëèÿ, ïðèíèìàÿ åãî çà ëþáîâü, òåì áîëåå áåñõðåáåòíîé îíà ñòàíîâèòñÿ è òåì ñëîæíåå åé î÷åð÷èâàòü ñîáñòâåííûå ëè÷íîñòíûå ïðàâà è ãðàíèöû æèçíè. ×àùå âñåãî, æåðòâàìè ýìîöèîíàëüíîãî íàñèëèÿ ñòàíîâÿòñÿ òå æåíùèíû, êîòîðûì ïðèøëîñü ïåðåæèòü íåñ÷àñòëèâîå äåòñòâî. Òå èç íàñ, êîìó ïðèõîäèëîñü ñ ñàìîãî äåòñòâà ñòàâèòü èíòåðåñû áëèçêèõ âî ãëàâó êàæäîãî äíÿ, êòî æèë â àòìîñôåðå ïîñòîÿííûõ íàêàçàíèé, ðóãàíè, íàñèëèÿ, êðèòèêè, æåñòîêîñòè è ò.ä, ïðîñòî-íàïðîñòî íå èìåþò ïîíÿòèÿ î òîì, ÷òî òàêîå ËÞÁßÙÈÅ îòíîøåíèÿ è ïðèíèìàþò ëþáûå ýìîöèîíàëüíûå âñïûøêè çà ëþáîâü. Ê ñîæàëåíèþ, è ñîáñòâåííàÿ æåðòâåííîñòü òàê æå îøèáî÷íî ïðèíèìàåòñÿ çà ñâÿòûå è íåîïðîâåðæèìûå äîêàçàòåëüñòâà èñêðåííèõ ÷óâñòâ ê ïàðòíåðó. Êðóã çàìûêàåòñÿ – æåíùèíà äîêàçûâàåò ñâîþ ëþáîâü, à ýìîöèîíàëüíûé íàñèëüíèê î÷åíü èñêóñíî ñàìîóòâåðæäàåòñÿ çà åå ñ÷åò, îêàçûâàÿ äàâ-
ëåíèå íà åå ýìîöèè, ÷óâñòâà, ïîâåäåíèå è ìûøëåíèå... Íà ìîé âçãëÿä, êîãäà æåíùèíà æèâåò ïîäîáíîé æèçíüþ, îíà íàõîäèòñÿ â ñîñòîÿíèè ñíîâèäåíèÿ. Îäíàæäû, îíà íåçàìåòíî çàêðûëà ñâîè ãëàçà, íî çàáûëà èõ îòêðûòü. Âñïîìíèòå ëþáîé êîøìàðíûé ñîí: êàæåòñÿ, ÷òî òû íàõîäèøüñÿ â ñàìîé ðåàëüíîñòè, òû ïåðåæèâàåøü ñèëüíåéøèå ýìîöèè è ÷óâñòâà, ðåàëüíóþ áîëü è íåèñòîâûé ñòðàõ êàæäîé êëåòî÷êîé ñâîåãî îðãàíèçìà. Òû èñïûòûâàåøü íàñòîÿùóþ óãðîçó æèçíè è â òîò ñàìûé ìîìåíò, êîãäà òåáå íóæíî ãîâîðèòü èëè êðè÷àòü, òû îòêðûâàåøü ðîò, íî íå âûðûâàåòñÿ íè åäèíîãî çâóêà. Òåáå íóæíî óáåãàòü, íî òâîè äâèæåíèÿ ñòàíîâÿòñÿ ïîõîæè íà êèíîôèëüì íà çàìåäëåííîé ïëåíêå. Òåáå íåîáõîäèìî ñïàñàòüñÿ, òû èçî âñåõ ñèë ïûòàåøüñÿ ñäåëàòü øàã, íî îùóùàåøü, ÷òî ïî êàêîéòî íåâåäîìîé ïðè÷èíå, òû íå ìîæåøü äâèãàòüñÿ, êàê áû ñèëüíî òû íå ñòàðàëàñü. Òû íå ìîæåøü íè÷åãî êîíòðîëèðîâàòü, íå ìîæåøü íè÷åãî ñäåëàòü è íè÷åãî íå ìîæåøü èçìåíèòü. È, êîãäà ñèòóàöèÿ äîñòèãàåò ñâîåãî ïèêà, – òû â óæàñå ïðîñûïàåøüñÿ. Òû ïðîñûïàåøüñÿ è îñîçíàåøü íàñòîÿùóþ ðåàëüíîñòü, ïîíèìàÿ, ÷òî ýòî áûë òîëüêî ïëîõîé ñîí è òû, ñëàâà Áîãó, â ñèëàõ äåëàòü âñå òî, ÷åãî ñîâåðøåííî íå ìîãëà äåëàòü âî ñíå. Ìíå áû î÷åíü õîòåëîñü, ÷òîáû âû íå ïðåáûâàëè â ñîñòîÿíèè ñíîâèäåíèÿ, ìîè äîðîãèå äåâóøêè è æåíùèíû, à æèëè â ñîñòîÿíèè áîäðñòâî-
âàíèÿ. Íî, åñëè òàê ñëó÷èëîñü, ÷òî âû íå÷àÿííî «çàñíóëè», òî ïîðà ïðîñûïàòüñÿ! Åñòü íåêèå «çâîíî÷êè», êîòîðûå ãðîìêî çâîíÿò î òîì, ÷òî âû æåðòâà ýìîöèîíàëüíîãî íàñèëèÿ, åñëè: • íàõîäÿñü ðÿäîì ñî ñâîèì ïàðòíåðîì, âû îùóùàåòå ñåáÿ íåïîëíîöåííîé, íèê÷åìíîé, ãëóïîé, ïóñòîé è íåäîñòîéíîé, ïîòîìó ÷òî ïîäâåðãàåòåñü ïîñòîÿííîé êðèòèêå ïî ìåëî÷àì. • åñëè ïàðòíåð ïîñòîÿííî ïîä÷åðêèâàåò ñâîå ñîâåðøåíñòâî, áåçóïðå÷íîñòü è èäåàëüíîñòü, óêàçûâàÿ íà âàøè îøèáêè, íåäîñòàòêè, óïóùåíèÿ è íåäî÷åòû. • åñëè ïðèëþäíî ïðèíèæàåò âàøå äîñòîèíñòâî. • åñëè ïàðòíåðà ñîâåðøåííî íå çàáîòÿò âàøè ÷óâñòâà è ýìîöèè, è âû íèêîãäà íå ïîëó÷àåòå îò íåãî íåîáõîäèìóþ ýìîöèîíàëüíóþ è ôèçè÷åñêóþ ïîääåðæêó. • èãðà â «ìîë÷àíêó» – ýòî òîæå ïðîÿâëåíèÿ ìàíèïóëèðîâàíèÿ âàøèì ñîçíàíèåì, åñëè âû, äåéñòâèòåëüíî, ðåàãèðóåòå íà ýòî. • åñëè ðàíüøå âàøà ñîöèàëüíàÿ æèçíü áûëà ïîëíîöåííîé, à òåïåðü âàñ èçîëèðóþò îò îáùåñòâà, äðóçåé, çíàêîìûõ, êîëëåã è ðîäñòâåííèêîâ, âíóøàÿ, ÷òî âñå îíè äàëåêî íå ëó÷øåå ïðîÿâëåíèå ÷åëîâå÷åñòâà, ÷òî íàìåðåíèÿ èõ ïî îòíîøåíèþ ê âàì äàëåêî íå áëàãèå, è îíè âñå äîñòîéíû ïîðèöàíèÿ. • åñëè ïàðòíåð âñÿ÷åñêè ïðåïÿòñòâóåò âàøåìó âûõîäó íà ðàáîòó è îãðàíè÷èâàåò ïîïûòêè ñàìîâûðàæåíèÿ ïîä
ëþáûì ïðàâäîïîäîáíûì ïðåäëîãîì, à òàêæå ëèøàåò âàñ ëè÷íîãî ïðîñòðàíñòâà. • åñëè îãðàíè÷èâàþò âàøå îáùåíèå â ñîöèàëüíûõ ñåòÿõ, êîíòðîëèðóþò ïåðåïèñêó, äèêòóþò, ñ êåì îáùàòüñÿ, âûñïðàøèâàþò âñåâîçìîæíûå ìåëî÷è è äåòàëè
íîñòè è öåíòðîì ïîñòîÿííûõ ñêàíäàëîâ íà ýòó òåìó. • åñëè âû îòäàåòå ñâîè ñèëû äðóãîìó, âñÿ÷åñêè ñòàðàÿñü èçáåæàòü êîíôëèêòîâ, íî ïîñòîÿííî ÷óâñòâóåòå ñåáÿ âèíîâàòîé ïåðåä ïàðòíåðîì, õîòÿ è íå ñîâñåì ïîíèìàåòå â ÷åì ñîáñòâåííî ñîñòîèò
Ýìîöèîíàëüíîå íàñèëèå â ñåìüå êàëå÷èò äóøó è ìåäëåííî óíè÷òîæàåò ëè÷íîñòü ñóïðóãà è åãî âîëþ èëè çàñòàâëÿþò ïîëíîñòüþ óäàëèòü ïðîôèëü. • âàøèì ñîçíàíèåì ìàíèïóëèðóþò, åñëè íå îêàçûâàþò äîëæíîãî äîâåðèÿ è íåîæèäàííî ïîÿâëÿþòñÿ â òåõ ìåñòàõ, ãäå íàõîäèòåñü âû, óñòðàèâàÿ ïðîâåðêó. • åñëè ñóùåñòâóþò óñòàíîâëåííûå èìåííî äëÿ âàñ ïðàâèëà – êàêèå ìåñòà âàì ìîæíî ïîñåùàòü, êàêóþ îäåæäó íîñèòü, ÷åì çàíèìàòüñÿ, íà ÷òî òðàòèòü äåíüãè è òàê äàëåå. • åñëè âû ÿâëÿåòåñü îáúåêòîì áåñïðè÷èííîé ðåâ-
âàøà âèíà, òàê êàê âñå âèðòóîçíî îáðàùàåòñÿ ïðîòèâ âàñ. • åñëè âû íå èìååòå âîçìîæíîñòè âûñêàçûâàòü ñîáñòâåííîå ìíåíèå, è âàøè ïîòðåáíîñòè èãíîðèðóþòñÿ. • åñëè èñïûòûâàåòå òÿæåëîå íàïðÿæåíèå â îæèäàíèè ïàðòíåðà. • åñëè ó âàñ ñòàíîâèòñÿ âñå ìåíüøå âðåìåíè íà ñîáñòâåííóþ æèçíü, äåëà, èíòåðåñû, ìå÷òû è öåëè ïîòîìó, ÷òî âàñ âûíóæäàþò óäîâëåòâîðÿòü ïîòðåáíîñòè ïàðòíåðà è ñëåäîâàòü åãî èíòåðåñàì.
• åñëè âû ïîñòîÿííî îïðàâäûâàåòåñü, áîèòåñü ðàçãíåâàòü ïàðòíåðà, ïîòîìó ÷òî åãî íàñòðîåíèå ðåçêî ìåíÿåòñÿ îò ñîñòîÿíèÿ íåèñòîâîãî ãíåâà è ÿðîñòè äî ïîðûâîâ òåëÿ÷üåé íåæíîñòè, â çàâèñèìîñòè îò âàøèõ ïîñòóïêîâ. • åñëè âàì ïîñòîÿííî âíóøàþò, ÷òî äàþò ñàìîå ëó÷øåå, êàê áû ïîä÷åðêèâàÿ, ÷òî çà òàêóþ äîáðîòó è âñå, ÷òî ïðåïîäíîñèòñÿ ê âàøèì íîãàì, âû áóäåòå îáÿçàíû ïî ãðîá æèçíè è äîëæíû ïðîÿâëÿòü èñêðåííþþ áëàãîäàðíîñòü â ðàçëè÷íîé ôîðìå. • åñëè ó âàñ âîçíèêàþò îùóùåíèÿ, ÷òî ïàðòíåð ïîñòîÿííî òîëêàåò âàñ â ïðîïàñòü è ñàì æå çàòåì ñïàñàåò. • åñëè îí ïðè÷èíÿåò âàì çëî, íî óòâåðæäàåò ÷òî äåëàåò âñå òîëüêî ðàäè âàøåãî æå áëàãà. • åñëè âàì òûñÿ÷ó ðàç äåëàþò áîëüíî, íåñìîòðÿ íà îáåùàíèÿ âå÷íîé ëþáâè, à âû âñå ïðîùàåòå è ïðîùàåòå. • åñëè âû çàíèìàåòåñü ñåêñîì ïðîòèâ ñâîåé âîëè, íî ïðåäïî÷èòàåòå îá ýòîì ïðîìîë÷àòü, ïðåäàâàÿ ñåáÿ âíîâü è âíîâü, ëèøü áû ñîõðàíèòü ìèð. • åñëè ðÿäîì ñ ïàðòíåðîì âû ïåðåñòàëè ðàçëè÷àòü ñâîè ñîáñòâåííûå ïîòðåáíîñòè è æåëàíèÿ, òåðÿåòå âåðó â ñåáÿ, ñâîþ êîìïåòåíòíîñòü è âîçìîæíîñòè. • åñëè âû îùóùàåòå ñåáÿ ñîâåðøåííî èçìîòàííîé îòíîøåíèÿìè, ó âàñ íåò îùóùåíèÿ ñ÷àñòüÿ, âû ïåðåñòàëè ðàäîâàòüñÿ è ñìåÿòüñÿ, è ó âàñ ïðàêòè÷åñêè íåò ñèë íà âûïîëíåíèå òîãî, ÷òî ðàíüøå âàì ñ ëåãêîñòüþ óäàâàëîñü. ×òî äåëàòü? ×èòàéòå â ñëåäóþùåé ñòàòüå. www.DallasTelegraph.com/58203 Russian www.DallasTelegraph.com/en/58203 English
ÍÎÂÎÑÒÈ ÄÀËËÀÑÀ
Òîâàðû îò Àìàçîíà — äîñòàâêà  Òåõàñå çàïðåòèëè çà ÷àñ! À ñêîðî... è ïî âîçäóõó! îòïðàâëÿòü ñìñ-ñîîáùåíèÿ Íîâîå òåëåôîííîå ïðèëîæåíèå îò Àìàçîíà Prime Now ïîçâîëÿåò îôîðìèòü äîñòàâêó â òå÷åíèå ÷àñàäâóõ íà êóïëåííûå íà ñàéòå êîìïàíèè òîâàðû. Òåêñò The Dallas Telegraph. Ôîòî èç àðõèâà ðåäàêöèè Óñëóãà ïðåäëàãàåòñÿ äëÿ ÷ëåíîâ êëóáà Àìàçîíà Prime (ñ ãîäîâûì âçíîñîì â 99 äîëëàðîâ), ïðîæèâàþùèõ â 11 ãîðîäàõ, ðàñïîëîæåííûõ ïî 11 èíäåêñàì Ñåâåðíîãî Òåõàñà — ýòî Äàëëàñ, Èðâèíã, Êîïïåëë, Ïëýéíî, Ôëàóýð
äîëëàðîâûå ÷àåâûå âîäèòåëþ ïëþñ ñòîèìîñòü äîñòàâêè – ïðèìåðíî 8 äîëëàðîâ. Ïðè÷åì, åñëè âû ñîãëàñèòåñü æäàòü äîñòàâêó äâà ÷àñà è äîëüøå, Àìàçîí îáåùàåò, ÷òî îíà áóäåò äëÿ âàñ áåñïëàòíîé. Óñëóãà äîñòóïíà åæåäíåâíî — ñ 8 óòðà äî 10 âå÷åðà, è ñòàëà âîçìîæíîé áëàãîäàðÿ
Íåäàëåêî òî âðåìÿ, êîãäà äîñòàâêà òîâàðîâ ñ Àìàçîíà áóäåò îñóùåñòâëÿòüñÿ ïî âîçäóõó... äðîíàìè Ìàóíä, Ôðèñêî, Ãðýéïâàéí, Êîëîíè è Ëüþèñâèë. Ñðåäè 11 íîâûõ èíäåêñîâ – 75019, 75024, 75025, 75028, 75034, 75035, 75056, 75057, 75067, 75093 è 76051. Òàêèì îáðàçîì, Àìàçîí äàåò ãàðàíòèþ, ÷òî íà ñåãîäíÿøíèé äåíü æèòåëè ãîðîäîâ, ðàñïîëîæåííûõ ïî 35 èíäåêñàì íàøåãî ðåãèîíà, ìîãóò ðàññ÷èòûâàòü íà ÷àñîâóþ — ìàêñèìóì äâóõ÷àñîâóþ äîñòàâêó êóïëåííûõ íà Àìàçîíå òîâàðîâ. Ïî÷åìó áûëè âûáðàíû èìåííî ýòè èíäåêñû? Îòâåò â âûñîêîé ïîêóïàòåëüñêîé ñïîñîáíîñòè ëþäåé, ïðîæèâàþùèõ ïî ýòèì àäðåñàì, à òàêæå â âûñîêîé ïëîòíîñòè íàñåëåíèÿ è áèçíåñîâ. Àìàçîí, êñòàòè, íàíèìàåò òðåòüè òðàíñïîðòíûå êîìïàíèè, êîòîðûå è îñóùåñòâëÿþò áûñòðóþ äîñòàâêó òîâàðîâ, ðåêîìåíäóÿ ïîêóïàòåëÿì äàòü 5-
òîìó, ÷òî Àìàçîí îòêðûë â 2013 ãîäó äâà öåíòðà ñ òîâàðàìè — â Êîïïåëëå è â Õàñëåòå. Íå âñå òîâàðû ìîæíî äîñòàâèòü çà ÷àñ, è êîìïàíèÿ ïðåäóïðåæäàåò îá ýòîì ñâîèõ ïîêóïàòåëåé. Íà ñàéòå Èíòåðíåò-ìàãàçèíà âûëîæåí ñïèñîê òîâàðîâ èç äåñÿòêîâ òûñÿ÷ íàèìåíîâàíèé, êîòîðûå ìîãóò îêàçàòüñÿ â âàøåì äîìå ÷åðåç ÷àñ ïîñëå ïîêóïêè. Êñòàòè, íåäàëåêî òî âðåìÿ, êîãäà äîñòàâêà òîâàðîâ ñ Àìàçîíà áóäåò îñóùåñòâëÿòüñÿ ïî âîçäóõó... äðîíàìè. Ôåäåðàëüíûå ðåãóëÿòîðû äàëè êîìïàíèè «çåëåíûé ñâåò» äëÿ íà÷àëà òåñò-ïîëåòîâ áåñïèëîòíûõ ëåòàòåëüíûõ àïïàðàòîâ, êîòîðûå ïî çàìûñëó êîìïàíèè î÷åíü ñêîðî íà÷íóò îñóùåñòâëÿòü äîñòàâêó òîâàðîâ ïî âîçäóõó.
Ôåäåðàëüíîå óïðàâëåíèå ãðàæäàíñêîé àâèàöèè ðàçðåøèëî Àìàçîíó îñóùåñòâëÿòü ïðîáíûå ïîëåòû äðîíîâ íà âûñîòå íå íèæå 400 ôóòîâ è òîëüêî â äíåâíîå âðåìÿ. Àìàçîí óæå äàë íàçâàíèå íîâîé ïðîãðàììå äîñòàâêè Amazon Prime Air, ñîãëàñíî êîòîðîé ñ äèñòðèáüþòîðñêèõ öåíòðîâ êîìïàíèè áóäóò ðàçëåòàòüñÿ áåñïèëîòíûå âåðòîëåòû-äðîíû, êîòîðûå äîñòàâÿò òîâàð â êîðîòêèå ñðîêè â ëþáîé óãîëîê Àìåðèêè. Íåäàëåêî òî âðåìÿ, êîãäà íå òîëüêî Àìàçîí ïîëó÷èò ðàçðåøåíèå èñïîëüçîâàòü äðîíû äëÿ ñâîåé äåÿòåëüíîñòè — â ýòèõ ëåòàòåëüíûõ àïïàðàòàõ çàèíòåðåñîâàíû âñå — îò ôåðìåðîâ äî êèíåìàòîãðàôèñòîâ. Åäèíñòâåííîé ïðîáëåìîé îñòàåòñÿ áåçîïàñíîå óïðàâëåíèå äðîíàìè. Ðàçðåøåíèå èñïûòûâàòü áåñïèëîòíèêè íà îòêðûòîì âîçäóõå ñ ó÷àñòèåì ïðîôåññèîíàëüíîãî ïèëîòà óæå ðàñöåíèâàåòñÿ Àìàçîíîì, êàê áîëüøîé ïðîãðåññ. Äî ýòîãî êîìïàíèÿ èñïûòûâàëà áåñïèëîòíèêè â êðûòîì àíãàðå â ÑØÀ è íà îòêðûòîì âîçäóõå â äðóãèõ ñòðàíàõ. Àìàçîí íàäååòñÿ, ÷òî â áëèæàéøèå ìåñÿöû êîìïàíèÿ ïîëó÷èò ðàçðåøåíèå íå òîëüêî äëÿ òåñòîâûõ, íî è äëÿ ïîñòîÿííûõ ïîëåòîâ. Êîìïàíèÿ ïðåäóïðåäèëà ôåäåðàëüíûå ðåãóëÿòîðû, åñëè íå ïîëó÷èò ðàçðåøåíèÿ íà èñïîëüçîâàíèå äðîíîâ â ÑØÀ, òî îíà èíâåñòèðóåò â ïîäîáíóþ ïðîãðàììó è â ñîçäàíèå íîâûõ ðàáî÷èõ ìåñò çà ðóáåæîì. Àìàçîíó íà ýòîì ýòàïå ðàçðåøåíî îñóùåñòâëÿòü òåñòîâûå ïîëåòû äðîíîâ â íåáå íàä ÷àñòíîé íåäâèæèìîñòüþ øòàòà Âàøèíãòîí. www.DallasTelegraph.com/58205 Russian www.DallasTelegraph.com/en/58205 English
âî âðåìÿ âîæäåíèÿ Òåõàññêèé Ñåíàò ïðèíÿë çàêîí, çàïðåùàþùèé îòïðàâëÿòü ñìñ-ñîîáùåíèÿ âî âðåìÿ âîæäåíèÿ àâòîìîáèëåì. Ïîñëå íåäîëãèõ äåáàòîâ, çàêîíîäàòåëè ïðèíÿëè çàêîí – 102 ê 40. Íåêîòîðûå ñåíàòîðû âûñêàçàëè ìíåíèå, ÷òî çàêîí ìîæåò ïðèâåñòè ê áåçîñíîâàòåëüíûì îñòàíîâêàì ïîëèöèåé íåâèíîâíûõ âîäèòåëåé, äà è óñèëèò íàãðóçêó íà ñàìèõ ïîëèöåéñêèõ. Òåêñò The Dallas Telegraph Ôîòî èç àðõèâà ðåäàêöèè Çàêîí ïðåäïîëàãàåò øòðàôû âîäèòåëåé, êîòîðûå âî âðåìÿ âîæäåíèÿ ïåðåïèñûâàþòñÿ ÷åðåç ñìñ-ñîîáùåíèÿ. Ïðàâäà, ïîïðàâêà ê çàêîíó ïîçâîëÿåò âîäèòåëÿì îòïðàâëÿòü ñîîáùåíèÿ, îæèäàÿ ïðîåçäà íà ñâåòîôîðå èëè âî âðåìÿ êðàòêîâðåìåííîé îñòàíîâêè ó çíàêà Stop. Ïðèíÿâ çàêîí, Òåõàñ ñòàë 45-ì øòàòîì ÑØÀ, êîòîðûé çàïðåùàåò îòïðàâêó òåêñòîâûõ ñîîáùåíèé íà äîðîãå.
Ïîäîáíûé çàêîíîïðîåêò óæå îäíàæäû ÷óòü íå ñòàë çàêîíîì â Òåõàñå, íî òîãäà íà íåãî íàëîæèë âåòî ãóáåðíàòîð øòàòà Ðèê Ïåððè, ïðîêîììåíòèðîâàâ, ÷òî «øòàò íå ìîæåò òàêèì îáðàçîì ñëåäèòü çà ïîâåäåíèåì âçðîñëûõ ëþäåé». Íîâûé ãóáåðíàòîð Òåõàñà Ãðåã Ýááîò íå ñòàë íàëàãàòü ñâîå âåòî íà çàêîí. Íîâûé çàêîí óæå ïîääåðæàëè ïîëèöåéñêèå ñëóæáû øòàòà, ìåäèêè, òàêèå êðóïíûå êîìïàíèè, êàê AT&T è ñòðàõîâàÿ êîìïàíèÿ USAA. Ìíîãèå ñòðàõîâûå
êîìïàíèè ïðåäïîëîæèëè, ÷òî çàêîí ìîæåò óìåíüøèòü ÷èñëî àâàðèé è ñìåðòåé íà òåõàññêèõ àâòîñòðàäàõ. Èññëåäîâàíèÿ, êñòàòè, ïîäòâåðæäàþò ýòè ïðåäïîëîæåíèÿ. Ñîãëàñíî äàííûì ó÷åíûõ èç Òåõàññêîãî Íàó÷íîãî öåíòðà çäîðîâüÿ A&M, â ïåðèîä ñ 2000 ïî 2014 ãîäû êîëè÷åñòâî ïðîèñøåñòâèé íà äîðîãàõ óìåíüøèëîñü â ñðåäíåì íà 3 ïðîöåíòà â òåõ øòàòàõ, ãäå áûëî çàïðåùåíî îòïðàâëÿòü ñîîáùåíèÿ âî âðåìÿ âîæäåíèÿ. Òàêèì îáðàçîì, ó÷åíûå ïðåäïîëàãàþò, ÷òî áëàãîäàðÿ íîâîìó çàêîíó ïðèìåðíî 90 ÷åëîâå÷åñêèõ æèçíåé åæåãîäíî áóäóò ñïàñåíû îò ñìåðòè íà òåõàññêèõ äîðîãàõ. www.DallasTelegraph.com/58207 Russian www.DallasTelegraph.com/en/58207 English
8À
HISTORY
Friday, March 27, 2015
www.DallasTelegraph.com
"Black Russians – The Red Experience"
thers came to Russia from Africa. "Afro-Russians want to feel Russian, but the society doesn't want to recognize them as Russian," she said. "Sometimes [people] will say, 'Go back to Africa.' " Khanga, a vivacious and charismatic woman who was raised on the gospel songs of Mahalia Jackson and Aretha Franklin, said any
Growing up in the Soviet Union, Emilia Tynes-Mensah did the same things other children did. She read the classics of literary master Alexander Pushkin, listened to the symphonies of Peter Tchaikovsky and heard the propaganda that life here was better than anywhere else. But in her home, there was American jazz, Thanksgiving celebrations and stories of the struggles facing blacks in the United States. An improvised version of soul food sometimes replaced borscht. By Ann M. Simmons, LA Times That's because her father, George Tynes, was an African American agronomist from Virginia who moved to Russia in the 1930s. Tynes was among hundreds of blacks who traveled
They have become footnotes to African American and Russian history, said Yelena Demikovsky, a New Yorkbased Russian film director and researcher who is making a movie, "Black Russians — The Red Experience," about the immigrants to the Soviet Union and their descendants.
Tynes was among 11 African American agricultural specialists led by Oliver Golden, an agronomist and Communist from Mississippi, who boarded the German ship Deutschland bound for the Soviet Union in 1931. Oliver Golden's granddaughter, Yelena Khanga,
Emilia Tynes-Mensah, left, with her father, George Tynes, an American who moved to the Soviet Union in the 1930s, her Russian-Ukranian mother, Maria, and two brothers, Slava, foreground, and Ruben. The photo was taken in the 1950s. (Photo by Tynes-Mensah family)
Agronomist George Tynes, flanked by Soviet army cadets, was among several hundred African Americans who traveled to the Soviet Union to work in the 1930s. Some settled there and became citizens to the Soviet Union in the two decades after the 1917 Russian Revolution. Some were hard-core Communists. Others were curious adventurers. "My father didn't know anything about this country. He didn't know what to expect," said Tynes-Mensah, 73, her mind flying back through the decades as she sat in her Moscow apartment, where black-and-white photos of her parents and children shared space on an antique sideboard with color shots of her grandchildren. "Everybody who would come to the Soviet Union from America, my father would tell them, 'Please don't forget to bring me some records," Tynes-Mensah said. "He loved Ella Fitzgerald, Duke Ellington, Paul Robeson. But he also loved classical music and opera and ballet." Most of the African Americans who came to Russia were seeking a better life, desperate to flee the social inequality and Depression-era hardships that racked America at the time, said Allison Blakely, professor emeritus
Officials actively recruited skilled foreign laborers and professionals, Blakely said. About 18,000 Americans answered the call to work in the 1930s, he said. Among them were several hundred African Americans who traveled to the Soviet Union, including dozens who lived there for "the good part of a decade," Blakely said. Their ranks included graduates of historically black colleges such as Tuskegee University in Alabama and Virginia's Hampton Agricultural and Industrial School, later called the Hampton Institute. They were engineers, educators, entertainers, journalists, lawyers. The actoractivist Paul Robeson and poet Langston Hughes were among those travelers captivated by communism. The Soviets gave the African Americans red-carpet treatment, including fat paychecks, subsidized housing and free vacations. "My father felt the U.S.S.R. treated him better than America," said TynesMensah, a former university chemistry instructor who was
52, a Moscow-based talk show host, recalled how American Communist leaders and black dignitaries visiting Russia would make the Golden household their first stop. The conversation usually centered on the plight of African Americans, the poor and the working class. Khanga — a world traveler with fans from her high-profile TV job, a swank flat near Red Square and a driver — said she considered such talk "so strange." "I would think, 'Why are we discussing the situation of working-class people in Chicago when we'll never be in Chicago?" she said. The experience of African Americans who traveled to or settled in Russia was overwhelmingly positive, descendants said. In turn, they made valuable contributions to Soviet society, said Blakely, the professor. Agricultural specialists helped devise different uses for materials, such as rope made from hemp. They also helped develop plant species that were cheaper to cultivate. Their
"My father felt the U.S.S.R. treated him better than America," Emilia Tynes-Mensah, 73, said of George Tynes, who settled in Soviet Union in the 1930s. Tynes-Mensah, shown at her Moscow home in August 2014, now lives mainly in the United States of history at Boston University who has written a book on the African American immigrants. "They were looking for a society where they could escape color prejudice and racism," Blakely said. Today, fewer than 50 descendants of these African Americans are believed to still live in Russia. In all, their numbers in the former Soviet republics could be between 100 and 200, according to researchers.
born in the Russian town of Krasnodar and now lives mainly in the United States, spending summers in Russia. "He was happy here." A graduate of Wilberforce University in Ohio and a former college football star, Tynes could only find work washing dishes in a restaurant back in America, his daughter recalled. So he jumped at the opportunity to go to Russia, although he never joined the Communist Party, his daughter said.
contributions provided a boost to the Soviet economy. Tynes, who was sent to various Soviet republics to teach people how to raise ducks and other waterfowl, became a nationally recognized expert on poultry. Golden helped develop a cotton industry in Uzbekistan. And the African Americans introduced Russians to blues and jazz. "They had an impact disproportionate to their numbers because they were there
precisely because the Soviet leadership was trying to use them as a symbol of what they were trying to build in terms of a truly democratic society," Blakely said. "They were very much in the public eye." Within years, however, such attention was unwelcome. During the era of Josef Stalin's purges, foreigners were viewed with suspicion and non-Soviet citizens were ordered to leave the country, said Demikovsky, the filmmaker. Khanga said her grandfather escaped being nabbed by the secret police by a fluke. He was away from home the
were foreigners, not because they were black, their descendants said. But attitudes toward blacks changed in the 1960s with the influx of thousands of students from Africa. Tynes-Mensah, whose mother was Russian-Ukrainian, said she was keenly aware when she was growing up that she was different. "I was afraid to go out in public," said the septuagenarian, who has cafe-au-lait skin and a short Afro. "People used to stare. But it was curiosity. They were not angry or aggressive like they are now."
obstacles she faced growing up in Russia during the Cold War years were because of her American heritage, not her race. "I feel comfortable as a black person in Russia," said Khanga, who is married to a white Russian and has a 12year-old daughter. Still, in the 1990s she felt compelled to find her roots. She traveled to Africa and the United States, connected with relatives in New York and Mississippi and wrote a book detailing her family's story. "When I'm in America, I feel that I'm African American because I love going to black churches, I love soul food, I love black music,
Black Russians TV host Yelena Khanga day they came for him. When Golden dutifully turned himself in, he was informed that the quota of arrests for his area had been fulfilled, Khanga said. The African Americans were shunned during the Cold War, but it was because they
Today, the acceptance of blacks in Russia is far lower compared with what the African American pioneers experienced, said Tynes-Mensah, who runs a nonprofit called Metis that offers support to mixed-race children, the majority of whose fa-
I love lots of things that unite people of color," Khanga said. "But when I'm in Russia, I feel Russian." www.DallasTelegraph.com/58193 Russian www.DallasTelegraph.com/en/58193 English
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Friday, March 27, 2015
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Êàëåíäàðü êóëüòóðíûõ ñîáûòèé Áîëüøîãî Äàëëàñà c 4 ïî 18 àïðåëÿ ÏÀÑÕÀËÜÍÛÉ ÎPEN AIR - 2015  ÄÀËËÀÑÅ (EASTER OPEN AIR 2015 IN DALLAS) Öåðêîâü «Ðåêà Æèçíè» - Äàëëàñ ïÿòûé ãîä ïîäðÿä äàðèò ïðàçäíèê Äåòñêîé Ïàñõè Áîëüøîìó Äàëëàñó.  ïðîãðàììå ïðàçäíèêà – ñîáèðàíèå ïàñõàëüíûõ ÿèö, ÷óäåñà ñ øàðàìè, ôåéñ-ïåéíòèíã, ïàñõàëüíûå ôîòîãðàôèè. Îðãàíèçàòîðû ðåêîìåíäóþò çàõâàòèòü ãîñòÿì áóòåðáðîäû, ïîñêîëüêó â ïðîãðàììå ïðàçäíèêà íàìå÷åí ïèêíèê. Âõîä – ñâîáîäíûé. Ïàñõàëüíûé Îpen Air - 2015 ïðîéäåò 4 àïðåëÿ â ïàðêå Bob Woodruff, ñåâåðíàÿ ñòîðîíà, íà÷èíàÿ ñ 11 ÷àñîâ óòðà, ïî àäðåñó: 2601 San Gabriel Drive, Plano, TX. Òåë.: 817-773-1097. ÍÀÃÐÀÆÄÅÍÈÅ ÂÅÒÅÐÀÍΠÌÅÄÀËßÌÈ 70-ËÅÒÈß ÏÎÁÅÄÛ 4 àïðåëÿ â 1 ÷àñ äíÿ â àêòîâîì çàëå Ðóññêîé øêîëû Äàëëàñà ñîñòîèòñÿ öåðåìîíèÿ íàãðàæäåíèÿ ó÷àñòíèêîâ Âåëèêîé Îòå÷åñòâåííîé âîéíû, áëîêàäíèêîâ Ëåíèíãðàäà, óçíèêîâ ãåòòî, ó÷àñòíèêîâ ïàðòèçàíñêîãî äâèæåíèÿ. Ïðåäñòàâèòåëè Ðîññèéñêîãî êîíñóëüñòâà â Õüþñòîíå âðó÷àò âèíîâíèêàì òîðæåñòâà ìåäàëè ê 70ëåòèþ Ïîáåäû. Àäðåñ: 6039 Churchill Way, Dallas, TX 75230. Òåë.: (214) 354-7674. ÃÀËÅÐÅß ALAN SIMMONS ART + DESIGN ÏÐÅÄÑÒÀÂËßÅÒ ÂÛÑÒÀÂÊÓ ÅËÈÇÀÂÅÒÛ ÍÅÐÑÅÑÎÂÎÉ (ALAN SIMMONS ART + DESIGN GALLERY PRESENTS YELIZAVETA NERSESOVA: WHOLE BODY EXPOSED)  òðåòèé ðàç Åëèçàâåòà Íåðñåñîâà âûñòàâëÿåò ñâîè ðàáîòû â ãàëåðåå Alan Simmons Art + Design. Íà ýòîò ðàç âûñòàâêà îòêðîåòñÿ 3 àïðåëÿ â 6 ÷àñîâ âå÷åðà ñî âñòðå÷è ñ õóäîæíèöåé. Ðàáîòû õóäîæíèöû – ýòî ñèíåðãèÿ ïñèõîëîãè÷åñêîãî îïûòà è ôèçè÷åñêîãî êîíòàêòà, ïåðåâåäåííàÿ â äâèæóùååñÿ èçîáðàæåíèå è äâóõìåðíûå ôîðìû. Îñíîâîé äëÿ êàðòèí ñòàëè ñîáûòèÿ, çàïèñàííûå íà âèäåî è çàïå÷àòëåííûå íà ôîòî. Öèôðîâàÿ çàïèñü è âîñïîìèíàíèÿ çàòåì áûëè èñïîëüçîâàëè äëÿ ñîçäàíèÿ äâóõìåðíûõ èçîáðàæåíèé. Çðèòåëþ ïðåäëàãàåòñÿ çàäóìàòüñÿ íàä âçàèìîñâÿçüþ ìåæäó äâèæóùèìñÿ èçîáðàæåíèåì íà âèäåî è ðåôëåêòîðíûì èçîáðàæåíèåì íà êàðòèíàõ, íàáëþäàÿ çà òåì, êàê ñîá-
ñòâåííûå ìûñëè ñòàíîâÿòñÿ îñîçíàííûìè. Íîâàÿ âûñòàâêà õóäîæíèöû ÿâëÿåòñÿ ÷àñòüþ áîëüøîãî ïðîåêòà, êîòîðûé Íåðñåñîâà ïðåäñòàâèò â Áóýíîñ-Àéðåñå â 20152016 ãîäàõ. Âõîä – ñâîáîäíûé. Àäðåñ: Alan Simmons Art & Design, 1415 Slocum St., Dallas, TX 75202. Òåë.: (214) 454-7847.
íîâîñòåé ïîëüçîâàëèñü òàêîé ïîïóëÿðíîñòüþ, ÷òî îíà ðåøèëà íàïèñàòü ïî íèì ïüåñó. Îðèãèíàëüíàÿ áðîäâåéñêàÿ ïîñòàíîâêà 1975 ãîäà áûëà íîìèíèðîâàíà íà íåñêîëüêî ïðåìèé «Òîíè», â òîì ÷èñëå è çà ëó÷øèé ìþçèêë,
20 äîëëàðîâ èëè 20 áàíîê êîíñåðâîâ.  ïðîøëîì ãîäó áûëî ñîáðàíî ïðîäóêòîâ ïèòàíèÿ íà ñóììó â 8.500 äîëëàðîâ è ïåðåäàíî â ôîíä The Network Food Pantry of Richardson. Âî âðåìÿ âûñòàâêè áóäåò çâó÷àòü æèâàÿ ìóçûêà
ÖÂÅÒÓÙÈÅ ÑÀÄÛ Â ÁÎÒÀÍÈ×ÅÑÊÎÌ ÑÀÄÓ ÄÀËËÀÑÀ (DALLAS ARBORETUM PRESENTS DALLAS BLOOMS) Öâåòóùèé Áîòàíè÷åñêèé ñàä Äàëëàñà ñèìâîëèçèðóåò ïðèõîä â ãîðîä âåñíû. Ýòî êðóïíåéøèé è ñòàðåéøèé
DALLAS SUMMER MUSICALS ÏÐÅÄÑÒÀÂËßÅÒ ÏÎÑÒÀÍÎÂÊÓ «ÊÎÐÎËÜ È ß» (DALLAS SUMMER MUSICALS PRESENTS THE KING AND I) Âîñòîê-çàïàä – ýòî ïðîòèâîïîñòàâëåíèå äåëàåò ïîñòàíîâêó ïðîèçâåäåíèÿ äðàìàòè÷åñêîé è îäíîâðåìåííî óâëåêàòåëüíîé. Ñþæåò èñòîðèè óíîñèò íàñ â 1862 ãîä â êîðîëåâñêèé äâîðåö â Áàíãêîêå, êóäà ïðèáûëà àíãëèéñêàÿ âäîâà ñî ñâîèì ñûíîì, ÷òîáû ñòàòü íàñòàâíèêîì è ó÷èòåëåì äëÿ ìíîãî÷èñëåííûõ æåí è äåòåé êîðîëÿ. Çàïàäíûå ïðàâèòåëè ñ÷èòàëè Áàíãêîêñêîãî êî- Öåðêîâü «Ðåêà Æèçíè» - Äàëëàñ ïÿòûé ãîä ïîäðÿä äàðèò ïðàçäíèê Äåòñêîé Ïàñõè Áîëüøîìó Äàëëàñó ðîëÿ âàðâàðîì, è åìó ïîíàäîáèëàñü ïîìîùü íî íå ïîëó÷èëà íè îäíîé.  â Òåõàñå öâåòî÷íûé ôåñòèâ èñïîëíåíèè ðîê-áýíäà, à àíãëèéñêîé âäîâû Àííû â 1996 ãîäó ðàáîòà áûëà âîçâàëü – åìó óæå 31 ãîä. Áîòàêæå áóäåò â ïðîäàæå âêóñèçìåíåíèè ñâîåãî èìèäæà. ðîæäåíà íà Áðîäâåå ñ îáíîâëåå ïîëóìèëëèîíà öâåòîâ íàÿ åäà. Àâòîìîáèëèñòû-ïîÆåñòêî îáåðåãàÿ ñâîè êóëüëåííîé õîðåîãðàôèåé, è â ýòîò çàöâåëî ýòî âåñíîé íà 66 áåäèòåëè ïîëó÷àò ïðèçû îò òóðíûå òðàäèöèè è öåííîñðàç áûëà îòìå÷åíà «Òîíè» çà àêðàõ ñàäà. Ïîñåòèòåëè îöåñïîíñîðîâ ìåðîïðèÿòèÿ»; òè, êîðîëü è Àííà, â êîíöå ëó÷øèé âîçîáíîâëåííûé ìþíÿò öâåòóùèå êóñòû, ïîñòÂõîä äëÿ çðèòåëåé – ñâîêîíöîâ, íà÷èíàþò óâàæàòü çèêë, ëó÷øóþ ðåæèññóðó, ðèæåííûå â ôîðìå ðàçëè÷áîäíûé.  ýòîì ãîäó âûñòàâäðóã äðóãà è äàæå âëþáëÿëó÷øóþ õîðåîãðàôèþ è åùå íûõ ôèãóð. êà àâòîìîáèëåé ïðîéäåò 11 þòñÿ îäèí â äðóãîãî. â íåñêîëüêèõ íîìèíàöèÿõ. Íó, à â àïðåëå íà÷íåòñÿ àïðåëÿ, íà÷àëî – â 11 ÷àñîâ Äàòû ïðåäñòàâëåíèé ïîÏî ìþçèêëó áûë ñíÿò áóéñòâî 3 òûñÿ÷ êóñòîâ àçàóòðà. Àäðåñ: The Heights ñòàíîâêè â Äàëëàñå: 1,2,3,4,5 ôèëüì «×èêàãî». Êàðòèíà ëèé. Öâåòåíèå â Áîòàíè÷åñBaptist Church, 201 W. àïðåëÿ â 7.30 è 2,4 àïðåëÿ â âûøëà íà ýêðàíû â 2002 êîì ñàäó Äàëëàñà ïðîèñõîRenner Rd., Richardson, TX 1.30 äíÿ. Ñòîèìîñòü áèëåòà ãîäó è áûëà îòìå÷åíà «Îñäèò íà ôîíå êîíöåðòíûõ 75080. Òåë.: (972) 238-7243. — îò 25 äî 98 äîëëàðîâ. Àäêàðàìè» çà ëó÷øèé ôèëüì ïðîãðàìì, ôîòîñïîòîâ â âåðåñ: Music Hall at Fair Park, è â ïÿòè äðóãèõ êàòåãîðèÿõ. ñòåðí-ñòèëå, ñïåöèàëüíîì ÃÀËÅÐÅß ÄÀËËÀÑÀ 909 First Ave., Dallas, TX  Ôîðò-Óýðòå ìþçèêë ìåíþ â êàôå Áîòàíè÷åñêîãî ÏÐÅÄÑÒÀÂËßÅÒ 75210. Òåë.: (214) 565-111. áóäåò ïîêàçàí 3 è 4 àïðåëÿ ñàäà. ÏÐÎÃÐÀÌÌÓ «ÆÈÂÀß â 7.30 âå÷åðà è 4 àïðåëÿ â Ïî ñóááîòàì ñ ïîëóäíÿ äî ÊÐÀÑÎÒÀ-2015» ÊÎÌÏÀÍÈß 1.30 äíÿ. Ñòîèìîñòü áèëåòà 4 âå÷åðà þíûå ïîñåòèòåëè (GALLERIA DALLAS PERFORMING ARTS — îò 50 äî 121 äîëëàðà. ìîãóò ïîîáùàòüñÿ ñ ïîíè. PRESENTS BEAUTY LIVE ÏÐÅÄÑÒÀÂËßÅÒ Â Àäðåñ: Bass Performance Öâåòåíèå áóäåò ïðîäîëæàòü2015) ÔÎÐÒ-ÓÝÐÒÅ ÌÞÇÈÊË Hall, 525 Commerce St., Fort ñÿ äî 12 àïðåëÿ. Áîòàíè÷åñ11 àïðåëÿ â 11 ÷àñîâ óòðà «×ÈÊÀÃλ Worth, TX 76102. Òåë.: (817) êèé ñàä îòêðûò åæåäíåâíî, è 12 àïðåëÿ â 2 ÷àñà äíÿ Ãà(PERFORMING ARTS 212-4325. íà÷èíàÿ ñ 9 ÷àñîâ óòðà. Ñòîëåðåÿ Äàëëàñà ñòàíåò ýïèFORT WORTH PRESENTS èìîñòü áèëåòà – îò 10 äî 15 öåíòðîì èíäóñòðèè êðàñîòû. CHICAGO THE MUSICAL) ÂÛÑÒÀÂÊÀ äîëëàðîâ. Àäðåñ: Dallas  ïðîãðàììå «Æèâàÿ êðàñîÌþçèêë «×èêàãî» ïîÀÂÒÎÌÎÁÈËÅÉ (2015 Arboretum, 8525 Garland òà-2015» îðãàíèçàòîðû îáåñòàâëåí Äæîíîì Êàíäåðîì HEIGHTS CAR SHOW) Rd., Dallas, TX 75218. ùàþò âñòðå÷ó ñî çíàìåíèòîíà ëèáðåòòî Ôðåäà Ýááà è Âîñüìîé ãîä ïîäðÿä â ñòÿìè, ñòèëèñòàìè, âèçàæèÁîáà Ôîññà. Îí áûë íàïèñàí Ðè÷àðäñîíå ïðîõîäèò âûñÌÈÒÈÍÃ Ó ÒÅÕÀÑÑÊÎÃÎ ñòàìè, à òàêæå ïîäàðêè. Íà ïî ìîòèâàì îäíîèìåííîé òåòàâêà àâòîìîáèëåé ïðè ïîäÊÀÏÈÒÎËÈß. ïåðâîì ýòàæå Ãàëåðåè çðèàòðàëüíîé ïüåñû 1926 ãîäà äåðæêå àâòîäèëëåðñòâà ÏÎÑÂßÙÀÅÒÑß 100òåëè ñìîãóò ïîçíàêîìèòüñÿ æóðíàëèñòêè Ìîðèí Äàëëàñ Crest Cadillac & Infiniti of ËÅÒÈÞ ÀÐÌßÍÑÊÎÃÎ ñ ýêñïåðòàìè â îáëàñòè êðàÓîòêèíñ, â îñíîâó êîòîðîé Plano.  ïðîøëîì ãîäó áûëî ÃÅÍÎÖÈÄÀ (100th ñîòû, èñïðîáîâàòü êîñìåòèëåãëè äâà ðåàëüíûõ, íå ñâÿâûñòàâëåíî áîëåå 350 àâòîCOMMEMORATION ÷åñêèå ñðåäñòâà íà ñåáå. çàííûõ ìåæäó ñîáîé ñóäåáìîáèëåé. «Äëÿ òåõ, êòî õîOF THE ARMENIAN Âõîä – ñâîáîäíûé. Àäíûõ ïðîöåññà. Óîòêèíñ îáî÷åò ïîêàçàòü ñâîé óíèêàëüGENOCIDE) ðåñ: Galleria Dallas, 13350 çðåâàëà èõ äëÿ ãàçåòû «×èíûé àâòîìîáèëü èëè áàéê, 18 àïðåëÿ â ÷àñ äíÿ ó Dallas Pkwy., Dallas, TX êàãî Òðèáüþí» â 1924 ãîäó, ñòîèìîñòü ó÷àñòèÿ ñîñòàâèò Òåõàññêîãî Êàïèòîëèÿ â Îñ75240. Òåë.: (972) 702-7100. è åå êîëîíêè ñêàíäàëüíûõ /
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òèíå ïðîéäåò ìàðø â ïàìÿòü 100-ëåòèÿ ãîäîâùèíû Àðìÿíñêîãî Ãåíîöèäà, â ðåçóëüòàòå êîòîðîãî ïîãèáëî 1,5 ìèëëèîíà ÷åëîâåê. Îðãàíèçàòîðû ìàðøà – íàöèîíàëüíûé è òåõàññêèé êîìèòåòû ïàìÿòè æåðòâ Àðìÿíñêîãî Ãåíîöèäà, àðìÿíñêèå öåðêâè è îáùèíû Òåõàñà. Áîëåå ïîäðîáíóþ èíôîðìàöèþ ìîæíî íàéòè íà ñàéòå – www.april241915.org. ÄÀËËÀÑÑÊÈÉ ÑÈÌÔÎÍÈ×ÅÑÊÈÉ ÎÐÊÅÑÒÐ ÏÐÅÄÑÒÀÂËßÅÒ «ÐÅÊÂÈÅÌ» ÌÎÖÀÐÒÀ (DALLAS SYMPHONY ORCHESTRA PRESENTS MOZART'S REQUIEM) Äàëëàññêèé Ñèìôîíè÷åñêèé îðêåñòð è òðèî Äæèí Ïîë ïðåäñòàâëÿþò àìåðèêàíñêóþ ïðåìüåðó òðîéíîãî êîíöåðòà íåìåöêîãî êîìïîçèòîðà Âîëüôãàíãà Ðèìà (Wolfgang Rihm).  ïðîãðàììå òàêæå ïðîçâó÷èò «Ðåêâèåì» Âîëüôãàíãà Àìàäåÿ Ìîöàðòà, íàä êîòîðûì êîìïîçèòîð ðàáîòàë âïëîòü äî ñâîåé ñìåðòè. Ýòà òðàóðíàÿ çàóïîêîéíàÿ ìåññà, íàïèñàííàÿ íà êàíîíè÷åñêèé ëàòèíñêèé òåêñò, òàê è íå áûëà çàâåðøåíà âåëèêèì êîìïîçèòîðîì. Ñî÷èíåíèå çàâåðøèëè ó÷åíèêè Ìîöàðòà, ãëàâíûì îáðàçîì Ôðàíö Êñàâåð Çþñìàéåð. Òåì íå ìåíåå, «Ðåêâèåì» ÿâëÿåòñÿ îäíèì èç íàèáîëåå èçâåñòíûõ ïðîèçâåäåíèé Ìîöàðòà è ðàññìàòðèâàåòñÿ êàê îäíî èç âàæíåéøèõ åãî òâîðåíèé. Äàòû êîíöåðòîâ – 16, 17 è 18 àïðåëÿ â 7.30 âå÷åðà è 19 àïðåëÿ â 2.30 äíÿ. Àäðåñ: Morton H. Meyerson Symphony Center, 2301 Flora St., Dallas, TX 75201. Òåë.: (214) 670-3600.
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ÊÐÎÑÑÂÎÐÄ ùåå î÷åðòàíèå ïðåäìåòà. 31. Îòâåðñòèå â ñòåíå äëÿ ñâåòà è âîçäóõà. 32. Ïîëíîå äîâîëüñòâî. 33. Ôëàã, çíàìÿ. 34.  Äðåâíåé Ðóñè: ÷åëîâåê, íàõîäÿùèéñÿ â çàâèñèìîñòè, áëèçêîé ê ðàáñòâó. 35. Äîïîëíèòåëüíàÿ ñêèäêà, ïðåäîñòàâëÿåìàÿ ïðîäàâöîì. 36. Âîçäóøíûé øàð ñî ñïåöèàëüíûì ïðèáîðîì äëÿ ìåòåîðîëîãè÷åñêèõ íàáëþäåíèé. 38. Þæíîå âå÷íîçåëåíîå äðåâåñíîå ðàñòåíèå ñ áåëûìè ïóøèñòûìè öâåòêàìè è òåìíî-çåëåíûìè ëèñòüÿìè. 40. Ñåëüñêîõîçÿéñòâåííûå ìëåêîïèòàþùèå æèâîòíûå. 41. Êîëè÷åñòâî ýêçåìïëÿðîâ. 42. Òîò èëè èíîé èñòî÷íèê îñâåùåíèÿ. 43. Îáùàÿ ñóììà. 45. Ïëîùàäêà äëÿ èãðû â òåííèñ. 47. Ñåâåðíûé âåòåð. 48. Óñòðîéñòâî äëÿ óïðàâëåíèÿ òîðìîçíîé ñèñòåìîé ïîäâèæíîãî æåëåçíîäîðîæíîãî ñîñòàâà. 50. Òîëïà, ñêîïëåíèå, áàíäà. 53. Äîìàøíåå æèâîòíîå. 55. Ïðèáîð, ïðèåìíèê êîòîðîãî ðåãèñòðèðóåò îäíîâðåìåííî âåñü îïòè÷åñêèé ñïåêòð. 59. Óñòðîéñòâà, ñîîðóæåíèÿ, îáðàçóþùèå ïóòü ñëåäîâàíèÿ ÷åãî-íèáóäü. 60. ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 1. Îòñóòñòâèå äàðà ðå÷è. 7. Ãëàäêîøåðñòíàÿ ñòîðîæåâàÿ ñîáàêà. 11. Âî ôëîòå – ñïîñîá çðèòåëüíîé ñèãíàëèçàöèè. 12. ×àñòü óäàðíîãî ìåõàíèçìà â îãíåñòðåëüíîì îðóæèè. 13. Îáúÿâëåíèå î ïðåäñòîÿùèõ ãàñòðîëÿõ, ñïåêòàêëÿõ, êîíöåðòàõ. 14. Èãðà íà äåíüãè íà êîíñêèõ ñîñòÿçàíè-
ÿõ. 17. Îêðóãà, ãðóïïà âîëîñòåé, òÿãîòåâøèõ ê ãîðîäó. 19. Íåñóùàÿ ÷àñòü ìàøèíû. 20. Ïðîòèâíèê. 22. Ïîðàæåíèå êîæè îò âîçäåéñòâèÿ î÷åíü âûñîêîé òåìïåðàòóðû. 25. Íèçêèé æåíñêèé èëè äåòñêèé ãîëîñ. 26. Òþðåìíîå çàêëþ÷åíèå îïðåäåëåííîé ïðîäîëæèòåëüíîñòè ïî ïðèãîâîðó ñóäà. 28. Çâàíèå, ÷èí. 29. Îá-
Ñîîáùåíèå î ïðîäåëàííîé ðàáîòå. 61. Ñóùåñòâåííûé ïðèçíàê, íåîòúåìëåìàÿ ïðèíàäëåæíîñòü ÷åãî-ëèáî. 62. Ïåðåäà÷à ñîáñòâåííîñòè âî âðåìåííîå ïîëüçîâàíèå íà äîãîâîðíûõ óñëîâèÿõ. 63. Æåñòêîå çàïóãèâàíèå, íàñèëèå. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Ñèëüíûé óäàð â áîêñå, ïîñëå êîòîðîãî ïðîòèâíèê íå ìîæåò âñòàòü. 2. Ñèëüíûé õîëîä. 3. Ðàâíîìåðíî ñëåäóþùèå îäèí çà äðóãèì äâèæåíèÿ. 4. Ïåðåäíÿÿ áîêîâàÿ ÷àñòü ìîðäû, ãîëîâû æèâîòíîãî. 5. Ñòàâêà èëè îïëàòà çà ïîëüçîâàíèå ÷åì-íèáóäü. 6. Ñîâîêóïíîñòü ïðèâû÷åê è âêóñîâ, ãîñïîäñòâóþùèõ â îïðåäåëåííîå âðåìÿ. 8. Êðóïíîå ìîðñêîå ðàêîîáðàçíîå æèâîòíîå. 9. Ñîñòîÿíèå âçàèìíîé âðàæäû. 10. Ïðåêðàùåíèå ñóùåñòâîâàíèÿ ðàçäåëåíèåì íà îòäåëüíûå ÷àñòè. 15. Êîíäèòåðñêîå èçäåëèå. 16. Ñòàëüíîé ãèáêèé êàíàò. 18. Íàóêà î ìåòîäàõ ðàñïîçíàâàíèÿ áîëåçíåé. 19. Èíñòðóêöèÿ. 20. Ëîâêèé, ïðîíûðëèâûé ÷åëîâåê.
21. Ãðèáîê íà ñòâîëàõ äåðåâüåâ. 22. Êîíòîðà, êàíöåëÿðèÿ. 23. Ãîðÿ÷èé íàïèòîê èç ðîìà èëè êîíüÿêà. 24. Õóäîæåñòâåííûé ñòèëü 16-18 âåêîâ. 27. Ïîðîäà ñîáàê. 29. ×åëîâåê, êîòîðûé äåéñòâóåò â ÷üèõ-íèáóäü èíòåðåñàõ. 30. Íåáîëüøàÿ ïòèöà, ñõîäíàÿ ñ ëàñòî÷êîé. 36. Çâóê, ïðîèçâîäèìûé óäàðàìè, êîëåáàíèÿìè ÷åãîíèáóäü ìåòàëëè÷åñêîãî, ñòåêëÿííîãî. 37. Äâóõýëåêòðîäíûé ïðèáîð. 38. Áàøíÿ ñ ñèãíàëüíûìè îãíÿìè íà áåðåãó ìîðÿ. 39. Ñèìâîë ìîíàðõè÷åñêîé âëàñòè. 44. Áåäà. 45. Îòäåëüíîå èçîáðàæåíèå, íà òåëå- èëè êèíîýêðàíå. 46. Òðèáóíà íà ôîðóìå äðåâíåãî Ðèìà. 49. Äâèæóùàÿ ñèëà ïðîöåññà, ÿâëåíèÿ. 51. Ñîðò ìåëêèõ òâåðäûõ êîíôåò. 52.  äîðåâîëþöèîííîé Ðîññèè: îáû÷íûå ñóõîïóòíûå âîéñêà â îòëè÷èå îò ãâàðäèè. 54. Âðåìÿ ñóòîê. 55. ×óâñòâî ñèëüíîãî ñìóùåíèÿ èç-çà ñâîåãî ïîñòóïêà. 56. Ïðîìûñëîâàÿ ðûáà èç ñåìåéñòâà ëîñîñåâûõ. 57. Ïàðíîêîïûòíîå æèâîòíîå ñåìåéñòâà ïîëîðîãèõ. 58. Ïîìåùåíèå â òåàòðå.
ÎÒÂÅÒÛ ÍÀ ÊÐÎÑÑÂÎÐÄ Â ÍÎÌÅÐÅ ÎÒ 27 ÔÅÂÐÀËß 2015 ÃÎÄÀ ÏÎ ÃÎÐÈÇÎÍÒÀËÈ: 3. Âåñ. 7. Ïðîòåæå. 8. Èçóìðóä. 9. Ùèò. 10. Ìåäü. 12. Îñîò. 15. Äåïî. 17. Ðèñê. 18. Ïëàòôîðìà. 19. Ôàðñ. 21. Êðóã. 24. Ïðèðîäà. 25. ßõòà. 28. Îïàë. 30. Íàìåñòíèê. 31.
Òðèî. 32. Íåáî. 33. Äðàï. 36. Ïåðî. 38. Îñà. 39. Àâòîáàí. 40. Ïîçèöèÿ. 41. Èâà. ÏÎ ÂÅÐÒÈÊÀËÈ: 1. Ïðîñåêà. 2. Âå÷å. 3. Âåùü. 4. Ñèòî. 5. Ñóìî. 6. Ïóòàññó. 10.
Ìîïñ. 11. Äèàãðàììà. 13. Ñòðàäàíèå. 14. Òðàê. 16. Àôåðèñò. 19. Ôåÿ. 20. Ðîò. 22. Ðýï. 23. Ãîë. 26. Õîðóãâü. 27. Àíîä. 28. Îêíî. 29. Àìáèöèÿ. 34. Ðîáà. 35. Ïîíè. 36. Ïàïà. 37. Ðèçà.
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Friday, March 27, 2015
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Ñâå÷è ïàìÿòè î æåðòâàõ Ãåíîöèäà Àðìÿí çàæãóò ó ìýðèè Äàëëàñà  ïÿòíèöó, 24 àïðåëÿ 2015 ãîäà, ó ìýðèè Äàëëàñà ñîáåðóòñÿ ïðåäñòàâèòåëè ðàçíûõ íàðîäîâ, ïåðåæèâøèõ ãåíîöèä. Îíè ñúåäóòñÿ èç ðàçíûõ ãîðîäîâ Ñåâåðíîãî Òåõàñà (è íå òîëüêî), ÷òîáû çàæå÷ü ñâå÷è è ïî÷òèòü ïàìÿòü æåðòâ Ãåíîöèäà Àðìÿí, ñëó÷èâøåãîñÿ ñòîëåòèå íàçàä è òàêæå èçâåñòíîãî, êàê ïåðâûé ãåíîöèä 20 âåêà.
Àðìÿí – ýòî ðàñïðîñòðàíåíèå èíôîðìàöèè î ÷óäîâèùíîñòè ëþáîãî ãåíîöèäà â îáùåì è Ãåíîöèäà àðìÿí â ÷àñòíîñòè. Íåëüçÿ ïåðåîöåíèòü ìàñøòàáû ïåðâîãî â èñòîðèè 20-ãî ñòîëåòèÿ Ãåíîöèäà. Ê ñîæàëåíèþ, îí ïðîøåë íåçàìå÷åííûì ìèðîâûìè ëèäå-
ùèõ ãåíîöèäîâ â èñòîðèè ÷åëîâå÷åñòâà ïðîøëîãî âåêà. «Áîëüøèíñòâî òåõàññêèõ àðìÿí – ýòî ïîòîìêè âûæèâøèõ âî âðåìÿ Ãåíîöèäà, – ðàññêàçûâàåò Õàìëåò Ñîðîêàíÿí, ïðåäñåäàòåëü äàëëàññêîãî Êîìèòåòà ïàìÿòè
ðàìè è, òåì ñàìûì, ñòàë ïðîîáðàçîì äëÿ ïîñëåäóþ-
Ãåíîöèäà Àðìÿí. – Ñâîåé çàäà÷åé ìû âèäèì îáúåäèíåíèå ðàçëè÷íûõ îáùèí ãîðîäà ïðîòèâ òàêîãî ÷óäîâèùíîãî ïðåñòóïëåíèÿ, êàê ãåíîöèä íàðîäîâ. Êàê òîëüêî ÷åëîâå÷åñòâî çàáóäåò Ãåíîöèä Àðìÿí, èñòðåáëåíèå íàðîäîâ ñòàíåò ãëîáàëüíûì ÿâëåíèåì, íî óêðåïëÿÿ âçàèìîïîíèìàíèå ìåæäó ëþäüìè ðàçíûõ íàöèîíàëüíîñòåé, ìû èñêðåííå íàäååìñÿ, ÷òî èñòîðèÿ íå ïîâòîðèòñÿ». Äàëëàññêèé Êîìèòåò ïàìÿòè Ãåíîöèäà Àðìÿí áûë ñîçäàí íà áàçå Àðìÿíñêîé Ïðàâîñëàâíîé öåðêâè äëÿ èíèöèèðîâàíèÿ êîíñòðóêòèâíîãî è óâàæèòåëüíîãî äèàëîãà ïî âîïðîñó Ãåíîöèäà Àðìÿí è ðàñïðîñòðàíåíèÿ èíôîðìàöèè ïî ýòîé òåìå ïî âñåìó Ñåâåðíîìó Òåõàñó. Àðìÿíñêàÿ Ïðàâîñëàâíàÿ öåðêîâü Ñâÿòîãî Ñàðêèñà áûëà îñíîâàíà 30 ëåò íàçàä â Êàððîëëòîíå – â öåíòðå ïðîöâåòàþùåé àðìÿíñêîé îáùèíû Äàëëàñà – Ôîðò-Óýðòà. Ïàñòîð öåðêâè – îòåö Ãåâîíä Àäæàìÿí. Äîïîëíèòåëüíóþ èíôîðìàöèþ ìîæíî íàéòè íà ñàéòå öåðêâè – www.stsarkis.org.
Òåêñò Ëþñèíå Ìèêñ, Êîìèòåò ïàìÿòè Ãåíîöèäà Àðìÿí â Áîëüøîì Äàëëàñå Ïðåäñòàâèòåëè àðìÿíñêîãî íàðîäà, ïðîæèâàþùèå â ðàçíûõ óãîëêàõ çåìíîãî øàðà, ñ÷èòàþò 24 àïðåëÿ 1915 ãîäà äíåì íà÷àëà Ãåíîöèäà Àðìÿí.  ýòîò äåíü íåñêîëüêî ñîòåí ïðåäñòàâèòåëåé àðìÿíñêîé èíòåëëèãåíöèè áûëè àðåñòîâàíû è êàçíåíû. Èñòðåáëåíèå àðìÿíñêîãî íàðîäà ïðîäîëæàëîñü âïëîòü äî 1917 ãîäà è óíåñëî æèçíè 1,5 ìèëëèîíîâ ÷åëîâåê. Öåðåìîíèÿ çàææåíèÿ ñâå÷åé â ïàìÿòü î æåðòâàõ Ãåíîöèäà Àðìÿí ó ìýðèè Äàëëàñà áóäåò ñîñòîÿòü íå òîëüêî èç ìèíóòû ìîë÷àíèÿ, íî òàêæå èç âûñòóïëåíèÿ ïðèãëàøåííûõ ñïèêåðîâ, ïðåäñòàâèòåëåé àäìèíèñòðàöèè ãîðîäà, íàó÷íîé è ðåëèãèîçíîé ýëèòû. Îðãàíèçàòîðû ïðèãëàñèëè ïðèñîåäèíèòüñÿ ê öåðåìîíèè ëèäåðîâ îáùèí Ðóàíäû, Êàìáîäæè, Óêðàèíû, Ãðåöèè, Ñóäàíà, Àññèðèè è äðóãèõ êîìüþíèòè. Ñëîâà ñêîðáè è ïîääåðæêè èç óñò âûñòóïàþùèõ çàâåðøèò Öåðåìîíèÿ çàææåíèÿ ñâå÷åé è ìèíóòà ìîë÷àíèÿ â ïàìÿòü î 1,5 ìèëëèîíîâ íåâèííî óáèåííûõ 100 ëåò íàçàä.
«Çàäà÷à äàëëàññêîãî Êîìèòåòà ïàìÿòè Ãåíîöèäà
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«Íèêîãäà áîëüøå!» Âòîðàÿ Ìèðîâàÿ âîéíà ïðèâåëà ê òîìó, ÷òî â ëåêñèêîí âîøëî íîâîå ñëîâî «ãåíîöèä». Ìíîãî äåñÿòèëåòèé ñïóñòÿ Ìåæäóíàðîäíûé Òðèáóíàë ïî Ðóàíäå íàçâàë ãåíîöèä «ïðåñòóïëåíèåì ïðåñòóïëåíèé», à Íàó÷íàÿ Àññîöèàöèÿ Èññëåäîâàòåëåé Ãåíîöèäà/Association of Genocide Scholars íàçâàëà 20 âåê «âåêîì ãåíîöèäà». Íà Óêðàèíå ýòî ñëîâî èçâåñòíî â ñâÿçè ñ Áîëüøèì ãîëîäîì (Ãîëîäîìîðîì) 1932-33 ãîäîâ. Òåêñò èç îòêðûòûõ èñòî÷íèêîâ
 1933 ãîäó íà êîíôåðåíöèè â Ìàäðèäå ïî óíèôèêàöèè ìåæäóíàðîäíîãî óãîëîâíîãî çàêîíîäàòåëüñòâà ïîëüñêèé þðèñò åâðåéñêîãî ïðîèñõîæäåíèÿ Ðàôàýëü Ëåìêèí (Raphael Lemkin) âïåðâûå èñïîëüçîâàë ñëîâî «ãåíîöèä», êîòîðîå áûëî îáðàçîâàíî ïóòåì ñòûêîâêè ãðå÷åñêîãî genos – «ðîä, ïëåìÿ» è ëàòèíñêîãî caedo – «óáèâàþ». Ëåìêèí ïðèçâàë Ëèãó Íàöèé (ïðåäòå÷à ÎÎÍ) ñîçäàòü ìåæäóíàðîäíóþ êîíâåíöèþ äëÿ ïðåäóïðåæäåíèÿ âîåííûõ ïðåñòóïëåíèé è âàðâàðñòâà.  1944 ãîäó Ëåìêèí, â 1941 ãîäó áåæàâøèé â ÑØÀ, îïóáëèêîâàë äîêóìåíòàëüíóþ êíèãó «Ïðàâëåíèå Ãîñóäàðñòâ "Îñè" â Îêêóïèðîâàííîé Åâðîïå» (Axis Rule in Occupied Europe: Laws of Occupation, Analysis of Government, Proposals for Redress), â êîòîðîé ïðè îïèñàíèè ìàññîâûõ óáèéñòâ åâðååâ âïåðâûå èñïîëüçîâàí òåðìèí «ãåíîöèä».  1945 ãîäó ýòîò òåðìèí áûë èñïîëüçîâàí â þðèäè÷åñêîé ïðàêòèêå – íà Íþðíáåðãñêîì ïðîöåññå íàä íàöèñòñêèìè âîåííûìè ïðåñòóïíèêàìè.  1946 ãîäó áûë çàôèêñèðîâàí ïåðâûé ñëó÷àé ïðèìåíåíèÿ òåðìèíà «ãåíîöèä» â þðèäè÷åñêîé ïðàêòèêå îòäåëüíûõ ãîñóäàðñòâ – â Ïîëüøå áûë îñóæäåí áûâøèé îôèöåð âåðìàõòà, âèíîâíûé â ìàññîâûõ óáèéñòâàõ ìèðíûõ ãðàæäàí.  1946 ãîäó Ëåìêèí íà÷àë ðàáîòàòü â òîëüêî ÷òî ñîçäàííîé Îðãàíèçàöèè Îáúåäèíåííûõ Íàöèé, ãäå íà ïðîòÿæåíèè äâóõ ëåò «îòøëèôîâûâàë» îïðåäåëåíèå ãåíîöèäà. 9 äåêàáðÿ 1948 ãîäà Ãåíåðàëüíàÿ Àññàìáëåÿ ÎÎÍ ïðèíÿëà «Êîíâåíöèþ î ïðåäóïðåæäåíèè ïðåñòóïëåíèÿ ãåíîöèäà è íàêàçàíèÿ çà íåãî». Êîíâåíöèÿ äåêëàðèðîâàëà, ÷òî ãåíîöèä, íåçàâèñèìî îò òîãî, ñîâåðøàåòñÿ ëè îí â ìèðíîå èëè âîåííîå âðåìÿ, ÿâëÿåòñÿ ïðåñòóïëåíèåì, êîòîðîå íàðóøàåò íîðìû ìåæäóíàðîäíîãî ïðàâà. Ïîä ãåíîöèäîì ïîíèìàþòñÿ äåéñòâèÿ, ñîâåðøàåìûå ñ íàìåðåíèåì óíè÷òîæèòü ïîëíîñòüþ èëè ÷àñòè÷íî êàêóþëèáî íàöèîíàëüíóþ, ýòíè÷åñêóþ, ðàñîâóþ èëè ðåëèãèîçíóþ ãðóïïó êàê òàêîâóþ.  õîä ìîãóò ïóñêàòüñÿ óáèéñòâî ÷ëåíîâ òàêîé ãðóïïû; ïðè÷èíåíèå ñåðüåçíûõ òåëåñíûõ ïîâðåæäåíèé èëè óìñòâåííîãî ðàññòðîéñòâà ÷ëåíàì òàêîé ãðóïïû; ïðåäóìûøëåííîå ñîçäàíèå äëÿ êàêîé-ëèáî ãðóïïû òàêèõ æèçíåííûõ óñëîâèé, êîòîðûå ðàññ÷èòàíû íà ïîëíîå èëè ÷àñòè÷íîå ôèçè÷åñêîå óíè÷òîæåíèå; ìåðû, ðàññ÷èòàííûå íà ïðåäîòâðàùåíèå äåòîðîæäåíèÿ â ñðåäå òàêîé ãðóïïû; íàñèëüñòâåííàÿ ïåðåäà÷à äåòåé èç îäíîé ÷åëîâå÷åñêîé ãðóïïû â äðóãóþ.
Êîíâåíöèÿ òàêæå óñòàíîâèëà, ÷òî íàêàçóåì íå òîëüêî ãåíîöèä è ñîó÷àñòèå â íåì, íî è çàãîâîð ñ öåëüþ ñîâåðøåíèÿ ãåíîöèäà, à òàêæå ïðÿìîå è ïóáëè÷íîå ïîäñòðåêàòåëüñòâî ê ñîâåðøåíèþ ãåíîöèäà. Êîíâåíöèÿ äîëæíà áûëà âñòóïèòü â ñèëó ëèøü ïîñëå òîãî, êàê åå ðàòèôèöèðóþò ïàðëàìåíòû 20 ñòðàí ìèðà. Äàííîå óñëîâèå áûëî âûïîëíåíî ê ÿíâàðþ 1951 ãîäà. Ïîñëå òîãî, êàê ñòàëè ÿñíû ìàñøòàáû çëîäåÿíèé, ñîâåðøåííûõ íàöèñòàìè âî âðåìÿ Âòîðîé Ìèðîâîé âîéíû, â ìèðå ïîÿâèëñÿ ëîçóíã: «Íèêîãäà áîëüøå!». Îäíàêî èñòîðèÿ âòîðîé ïîëîâèíû 20 âåêà çàôèêñèðîâàëà äîñòàòî÷íî ìíîãî ïðèìåðîâ ñîâåðøåíèÿ ãåíîöèäà. Èñòîðèÿ ÷åëîâå÷åñòâà – ýòî èñòîðèÿ ãåíîöèäîâ. Ñèòóàöèè, êîòîðûå ïîïàäàþò ïîä ñîâðåìåííîå îïðåäåëåíèå ãåíîöèäà, çàôèêñèðîâàíû åùå â Áèáëèè (íàïðèìåð, èñòðåáëåíèå åâðåéñêèõ äåòåé åãèïòÿíàìè èëè óíè÷òîæåíèå æèòåëåé Õàíààíà èçðàèëüñêèìè ïëåìåíàìè ïîä ïðåäâîäèòåëüñòâîì Èèñóñà Íàâèíà). Àíàëîãè÷íûå ïðåñòóïëåíèÿ òâîðèëèñü ïðàêòè÷åñêè ïîâñåìåñòíî â ìèðå, ïðèîáðåòÿ îñîáî êðóïíûå ìàñøòàáû â äðåâíåì è ñðåäíåâåêîâîì Êèòàå è íà Áëèæíåì Âîñòîêå. Êàæäûé ãåíîöèä ïðîèñõîäèë íå âíåçàïíî: ãîñóäàðñòâàì è îáùåñòâàì òðåáóåòñÿ îïðåäåëåííîå âðåìÿ äëÿ òîãî, ÷òîáû ïîäãîòîâèòüñÿ ê ñîâåðøåíèþ ýòîãî ïðåñòóïëåíèÿ. Íà ëþáîì ýòàïå ðàçâèòèÿ ñîáûòèé ãåíîöèä âîçìîæíî îñòàíîâèòü. Ãåíîöèä âñåãäà îðãàíèçîâàí: â áîëüøèíñòâå ñëó÷àåâ ïðåäñòàâèòåëÿìè ãîñóäàðñòâà, ðåæå – íåôîðìàëüíûìè ïóòÿìè, íàïðèìåð, ñ ïîìîùüþ âîåíèçèðîâàííûõ èëè ðåëèãèîçíûõ îðãàíèçàöèé. ×àñòè, áàíäû, òîëïû ëþäåé, îñóùåñòâëÿþùèõ ãåíîöèä, êàê ïðàâèëî, çàðàíåå âîîðóæåíû è/èëè îáó÷åíû. Ñòîðîíà-îðãàíèçàòîð ãåíîöèäà âñåãäà îòðèöàåò ôàêò ãåíîöèäà. Îíà îáúÿâëÿåò íåäîñòîâåðíûìè ñâèäåòåëüñòâà æåðòâ ãåíîöèäà, ïûòàåòñÿ óíè÷òîæèòü áðàòñêèå ìîãèëû æåðòâ è íà÷èíàåò êîíòðïðîïàãàíäó, îáâèíÿÿ â ñòðàøíûõ ïðåñòóïëåíèÿõ ñàìèõ æåðòâ ãåíîöèäà. Îðãàíèçàòîðû ãåíîöèäà àêòèâíî áëîêèðóþò ðàññëåäîâàíèÿ ýòèõ ïðåñòóïëåíèé.  ðÿäå ñëó÷àåâ ïðåñòóïíûå ïðàâèòåëè ñòðàí, îðãàíèçîâàâøèå ãåíîöèä, ñóìåëè óéòè îò óãîëîâíîé îòâåòñòâåííîñòè è ñêîí÷àëèñü â ìèðå. Íåóæåëè èñòîðèÿ ãåíîöèäîâ ÷åëîâå÷åñòâî íè÷åìó íå ó÷èò? www.DallasTelegraph.com/58200 Russian www.DallasTelegraph.com/en/58200 English
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Friday, March 27, 2015
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Òàëàíòàìè ïðîñëàâèëàñü «Ïëàíåòà Òàëàíòîâ-2015» Ýòî óæå ñòàëî òðàäèöèåé, ÷òî â ðóññêîÿçû÷íîì Äàëëàñå â êîíöå ìàðòà ïðîõîäèò êîíêóðñ þíûõ òàëàíòîâ «Ïëàíåòà Òàëàíòîâ». Ýòîò äåòñêèé ïðàçäíèê òðåòèé ãîä ïîäðÿä óñòðàèâàåò íàøåé îáùèíå Ðóññêàÿ øêîëà Äàëëàñà âî ãëàâå ñî ñâîèì äèðåêòîðîì Íàòàøåé Êñåíäçîâîé â áèáëèîòåêå Manske ãîðîäà Ôàðìåðñ Áðàí÷. Òåêñò Ëþäìèëû Òàðàí. Ôîòî Ñåðãåÿ Òàðàí «Ïëàíåòà Òàëàíòîâ» êàæäûé ãîä èçóìëÿåò ñâîèìè êîíöåðòíûìè íîìåðàìè.  ýòîì ãîäó îñîáåííî õîòåëîñü
è, êîíå÷íî, äåòñêîãî õîðà «Óëûáêà», ñîñòîÿùåãî èç 20 þíûõ èñïîëíèòåëåé. Îòâå÷àÿ íà âîïðîñ «Äîâîëüíû ëè îðãàíèçàòîðû èòîãàìè òðåòüåãî êîíêóðñà òàëàíòîâ?», Íàòàøà Êñåíäçîâà
áîëüøîå ðàçíîîáðàçèå êîíöåðòíûõ íîìåðîâ è æàíðîâ». Íàòàøà ïîä÷åðêíóëà, ÷òî îðãàíèçàòîðû åæåãîäíî äåëàþò âûâîäû èç ïðåäûäóùèõ íåäî÷åòîâ, èñïðàâëÿÿ èõ ñ êàæäûì íîâûì êîíêóðñîì, à òàêæå ñòàðàþòñÿ ñäåëàòü ïðîãðàììó áîëåå íàñûùåííîé. Íàòàøà çàìåòèëà, ÷òî «âñå íàøè äåòè — òàëàíòëèâû», è öåëü êîíêóðñà â ýòîé ñâÿçè – «ñîáðàòü íà îäíîé ñöåíå òåõ èç íèõ, êòî èìååò îòíîøåíèå ê ðóññêîé êóëüòóðå è ê ðóññêîìó ÿçûêó è èçó÷àåò ðóññêèé ÿçûê». Äèðåêòîð Ðóññêîé øêîëû Äàëëàñà íàïîìíèëà, ÷òî 2015 ãîä îáúÿâëåí â Ðîññèè ãîäîì ëèòåðàòóðû è ãîäîì êíèãè. Ïî åå ñëîâàì, â ýòîé ñâÿçè î÷åíü «âàæíî, ÷òîáû äåòè ÷óâñòâîâàëè ñâÿçü ñ ðóññêîé êóëüòóðîé, öåíèëè ðóññêóþ ìóçûêó, ïåñíè è ãîðäèëèñü ñâîèìè êîðíÿìè».
Ðàçáîéíèêè èç òåàòðàëüíîé ñòóäèè Ðóññêîé øêîëû Äàëëàñà ñïîðòèâíàÿ ãèìíàñòêà Èñà Êîõ ñî ñëîæíûì àêðîáàòè÷åñêèì íîìåðîì». Äèðåêòîð Ðóññêîé øêîëû Äàëëàñà íàçâàëà ñòàðîæèëîâ è íîâè÷êîâ êîíêóðñà, êîòîðûå ïîëó÷èëè â ýòîì ãîäó çðèòåëüñêèå ñèìïàòèè. Èìè ñòàëè Ïîëèíà Àííàêîâà, Ààðîí Çàðåöêèé, Íèêîëàé Àðìñòðîíã, Àìåëèÿ Ëàíãëè, Ìèõàèë Òèìèíñêèé, Àëåêñ Êàðàìûøåâ, Àííà Ìàëàìèñ, Àëåêñàíäðà Ðåíäîí, Âèêòîðèÿ Íåôô. Íàòàøà Êñåíäçîâà ñ÷èòàåò, ÷òî âñå âûñòóïàþùèå áûëè äîñòîéíû âûñîêîé íàãðàäû, è îíà ïðåêðàñíî ïîíèìàåò, êàê æþðè áûëî íåïðîñòî âûáèðàòü ëó÷øèõ èç ëó÷øèõ.  ïðîøëîì ãîäó ïîáåäèòåëè «Ïëàíåòû Òàëàíòîâ» ïîëó÷èëè êíèãè íà ðóññêîì ÿçûêå, à â ýòîì ãîäó ãëàâíîé íàãðàäîé ñòàëà ñòàòóýòêà Íèêè. Íàòàøà Êñåíäçîâà íàäååòñÿ, ÷òî â ñëåäóþùåì ãîäó áëàãîäàðÿ ñïîíñîðñêîé ïîääåðæêå è ó÷àñòèþ Ðóññêîãî êóëüòóðíîãî öåíòðà â Âàøèíãòîíå è Ðîññèéñêîãî êîíñóëüñòâà ó÷àñòíèêè êîíêóðñà ñíîâà ïîëó÷àò êíèãè, à òàêæå ñòàòóýòêó Íèêè. «Ìû èñêàëè, ÷òîáû íàãðàäà îòðàæàëà ñèì-
Äèðåêòîð Ðóññêîé øêîëû Äàëëàñà Íàòàøà Êñåíäçîâà âðó÷àåò íàãðàäó ãèòàðèñòó Ìèõàèëó Òèìèíñêîìó îòìåòèòü âûñòóïëåíèå ãèìíàñòîê èç Texas Rhythmic Academy Òàòüÿíû è Íàñòè Êàðöåâîé. Íåñìîòðÿ íà î÷åíü þíûé âîçðàñò, äåâî÷êè ïîêàçàëè èçóìèòåëüíûå íîìåðà ñ ìÿ÷îì è ñî ñêàêàëêîé. Óäèâèòåëüíî-êðàñèâûì áûë êèòàéñêèé íîìåð Àìåëèè Ëàíãëè, ïîñòàâëåííûé åå ìàìîé Îëüãîé Ëàíãëè. Òåàòðàëüíàÿ ïîñòàíîâêà «Ñíåæíàÿ êîðîëåâà» â èñïîëíåíèè äåòåé èç Ðóññêîé øêîëû Äàëëàñà î÷åíü îðãàíè÷íî âïèñàëàñü â ïðîãðàììó. Ïîðàæàëà âèðòóîçíîñòü èãðû íà ôîðòåïèàíî Àëåêñàíäðû Ðåíäîí, Ààðîíà Çàðåöêîãî, Êîðèíå Ñåéäëåð, Íèêîëàÿ Àðìñòðîíãà, Àëåêñà Êàðàìûøåâà, Àííû Ìàëàìèñ. Ãèòàðíûå ìåëîäèè Ìèõàèëà Òèìèíñêîãî íèêîãî íå îñòàâèëè ðàâíîäóøíûì â çàëå. È, êîíå÷íî, õîòåëîñü âûäåëèòü âûñòóïëåíèÿ âîêàëèñòîâ Ïàóëèíû Õàíò ñ ïåñíåé «Ãäå-òî íà áåëîì ñâåòå», Âèêòîðèè Íåôô ñ ïåñíåé «Çîëîòàÿ ñâàäüáà», Ïîëèíû Àííàêîâîé ñ ïåñíåé «Êóäà óåõàë öèðê», Íèêè Âåéñ ñ ïåñíåé «Ïðåêðàñíîå äàëåêî»
Âîò îíî, ñ÷àñòüå ïîáåäû! çàìåòèëà: «Áóäó÷è ÷åëîâåêîì, êîòîðûé ïîñòîÿííî ñòðåìèòñÿ ê ñîâåðøåíñòâó, ìíå ñëîæíî áûòü àáñîëþòíî äîâîëüíîé. Îäíàêî, â öåëîì, ïîñòàâëåííàÿ öåëü áûëà íàìè äîñòèãíóòà.  ýòîì ãîäó áûëî ïðåäñòàâëåíî
Ïîëèíà Àííàêîâà çíàåò, êóäà óåõàë öèðê
Ñðåäè ñòàðîæèëîâ «Ïëàíåòû Òàëàíòîâ» Íàòàøà Êñåíäçîâà íàçâàëà «âåëèêîëåïíûé äåòñêèé õîð «Óëûáêà» ïîä óïðàâëåíèåì Îêñàíû è Âàëåíòèíû Òîïîðèíûõ – îíè ïîþò è íà ðóññêîì, è íà óêðàèíñêîì, è íà àíãëèéñêîì ÿçûêàõ, ýòî òàêæå äåòñêèé òåàòð Ðóññêîé øêîëû Äàëëàñà. «Î÷åíü áû ìíå õîòåëîñü – ïîäåëèëàñü äèðåêòîð øêîëû – îòìåòèòü Íèêó Âàéñ — â ýòîì ãîäó îíà ïåëà ïåñíþ «Ïðåêðàñíîå äàëåêî». Íèêà íàñòîëüêî òàëàíòëèâà, ÷òî â ýòîì ãîäó åå äàæå ïðîñëóøàëè â Äàëëàññêîé îïåðå. Âòîðîé ãîä íà «Ïëàíåòå Òàëàíòîâ» âûñòóïàåò
Ãèìíàñòè÷åñêèé íîìåð Àëåêñàíäðû Ðåíäîí
Êîíêóðñàíòû «Ïëàíåòû Òàëàíòîâ — 2015»
âîë ïîáåäû, – ïîäåëèëàñü ñ The Dallas Telegraph Íàòàøà Êñåíäçîâà. – Ìû ðàäû, ÷òî íàøëè íå èçáèòûé âàðèàíò — íå òîëüêî «Ìàñêè», à èìåííî Íèêó – ñèìâîë ïîëåòà äóøè, ôàíòàçèè, òâîð÷åñòâà».  2015 ãîäó èñïîëíèëîñü òðè ãîäà «Ïëàíåòå Òàëàíòîâ». Íàòàøà Êñåíäçîâà ïîäåëèëàñü ñâîèì âèäåíèåì íà ÷åòâåðòûé êîíêóðñ — ñäåëàòü åãî îáùåòåõàññêèì, ïðèãëàñèâ ó÷àñòíèêîâ èç Îñòèíà, Ñàí-Àíòîíèî, Õüþñòîíà. È, ïî åå ñëîâàì, óæå ñåãîäíÿ åñòü ðîäèòåëè, êîòîðûå ãîòîâû âåçòè ñâîèõ äåòåé çà 4-5 ÷àñîâ â Äàëëàñ, ÷òîáû ïîêàçàòü þíûå òàëàíòû ïóáëèêå. «Íî òîãäà óæå ìû áóäåì ðàçäåëÿòü êîíêóðñ íà íîìèíàöèè, äåëàòü ïðåäâàðèòåëüíîå ïðîñëóøèâàíèå, âûáèðàòü ëó÷øèõ è ïðèãëàøàòü èõ íà âûñòóïëåíèÿ»... «Ïëàíåòà Òàëàíòîâ» ñòàíîâèòñÿ âçðîñëåå, à çíà÷èò, ó êîíêóðñà â ñëåäóþùèå ãîäû îòêðîþòñÿ íîâûå òàëàíòû è âîçìîæíîñòè. www.DallasTelegraph.com/58195 Russian www.DallasTelegraph.com/en/58195 English
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Friday, March 27, 2015
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Íà÷àëîñü íàñòóïëåíèå ñóïåðìàðêåòîâ H-E-B íà Ñåâåðíûé Òåõàñ Òåõàññêàÿ ñåòü ñóïåðìàðêåòîâ H-E-B ñêóïàåò çåìëè â Ñåâåðíîì Òåõàñå, îñîáî ýòîãî íå àôèøèðóÿ. Ïðè ýòîì ïðîäîëæàåòñÿ ñòðîèòåëüñòâî íîâûõ ìàãàçèíîâ áðåíäà H-E-B â Õüþñòîíå, à òàêæå â Ñàí-Àíòîíèî, ãäå ó êîìïàíèè íàõîäèòñÿ ãîëîâíîé îôèñ. H-E-B óæå êóïèëî, êàê ìèíèìóì ñ äåñÿòîê ó÷àñòêîâ çåìëè â òàêèõ ñåâåðî-òåõàññêèõ ãîðîäàõ, êàê Àëëåí, Êàððîëëòîí, Êîðèíô, Äàëëàñ, Äåñîòî, Ôîðò-Óýðò, Ôðèñêî, Ãðàíä Ïðåðèÿ, Ìàêêèíè, Ìåðôè è Ïëýéíî. Òåêñò The Dallas Telegraph. Ôîòî èç àðõèâà ðåäàêöèè
 2009 ãîäó H-E-B îòêðûë êðóïíûé äèñòðèáüþòîðñêèé öåíòð â ãîðîäå
íà ðûíîê Õüþñòîíà, òàê ÷òî íå çà ãîðàìè äîìèíèðîâàíèå ñóïåðìàðêåòîâ H-E-B è â íåôòÿíîé ñòîëèöå Àìåðèêè. Íà ñåãîäíÿøíèé äåíü ðûíîê ñóïåðìàðêåòîâ Õüþñòîíà ïîäåëåí ìåæäó ìàãàçèíàìè Kroger, Wal-Mart è H-E-B. Îäíàêî óæå ñåãîäíÿ ìàãàçèí H-E-B íà 10-é àâòîñòðàäå â Ñïðèíã Áðýí÷ – ýòî ìàãàçèí ñ ñàìûìè áîëüøèìè ïðîäàæàìè ïî Òåõàñó.
Ïîëíîìàñøòàáíîå íàñòóïëåíèå þæíî-òåõàññêîãî áðåíäà íà ñåâåð âûãëÿäèò âïîëíå îïðàâäàííûì, ó÷èòûâàÿ, ÷òî áðåíäó H-E-B — 110 ëåò è ó íåãî áîëåå 370 ìàãàçèíîâ ïî âñåìó Òåõàñó è â Ñåâåðíîé Ìåêñèêå. H-E-B – ýòî áèçíåñ îäíîãî èç ñàìûõ áîãàòûõ ñåìåéñòâ Òåõàñà è ÑØÀ Áàòò (Butt), êîòîðûì òàêæå ïðèíàäëåæèò ñåòü ìàãàçèíîâ Central Market. Ïî ñëîâàì âèöå-ïðåçèäåíòà äàëëàññêîé êîìïàíèè CBRE/UCR, çàíèìàþùåéñÿ êîììåð÷åñêîé íåäâèæèìîñòüþ, Êàðëû Ñìèò, «Íàø ðûíîê ãîòîâ ê ïðèõîäó HE-B. Ìû îæèäàåì, ÷òî â íàøåì ðåãèîíå óæå â 2016 ãîäó îòêðîåòñÿ íå- Wal-Mart íàçûâàåò H-E-B ñâîèì ñàìûì óìíûì êîíêóðåíòîì ñêîëüêî ñóïåðìàðêåòîâ áðåíäà». Òýìïë, ÷òîáû îáñëóæèâàòü Ñîãëàñíî Supermarket Ïðàâäà, ðóêîâîäñòâî ñàñâîè øåñòü ìàãàçèíîâ, ðàñNews, H-E-B âõîäèò â äåñÿòìîé êîìïàíèè ñóïåðìàðêåïîëîæåííûõ âîêðóã Âýéêî – êó ñàìûõ êðóïíûõ íàöèîòîâ îòðèöàåò, ÷òî îíè ñîáèâ ãîðîäàõ Áóðëåñîí, Ãðýíäíàëüíûõ ñóïåðìàðêåòîâ. ðàþòñÿ îòêðûâàòü â áëèáåðè è Âàêñàõà÷è.  2012 Êîìïàíèÿ óïðàâëÿåòñÿ æàéøåå âðåìÿ íîâûå ãîäó êîìïàíèÿ ðàññòðîèëà ×àðëüçîì Áàòòîì, âíóêîì ìàãàçèíû, çà èñêëþ÷åíèåì ñóùåñòâóþùèé äèñòðèáüþîñíîâàòåëÿ áðåíäà, ñ 1970 Central Market. Ïî ñëîâàì òîðñêèé öåíòð, è â ðåçóëüãîäà. Ðóêîâîäñòâî Wal-Mart, âèöå-ïðåçèäåíòà êîìïàíèè òàòå ïîïîëçëè ñëóõè, ÷òî Hó êîòîðîãî â Ñåâåðíîì ÒåõàÓèííåëëà Õåððîíà (Winell E-B ïëàíèðóåò ïðèéòè íà ñå 130 ìàãàçèíîâ, íàçûâàåò Herron) íå âñå çåìåëüíûå ðûíîê Áîëüøîãî Äàëëàñà. H-E-B ñâîèì ñàìûì ãðàìîòó÷àñòêè, êîòîðûå ïðèîáðåë Íà ñåãîäíÿøíèé äåíü íûì êîíêóðåíòîì è ãäå-òî â ïîñëåäíåå âðåìÿ áðåíä, ñîñóïåðìàðêåòû H-E-B äîìèäàæå îïàñàåòñÿ íàñòóïëåíèÿ îòâåòñòâóþò ñòðàòåãèè H-Eíèðóþò â Îñòèíå, â Ñàí-Àíþæíî-òåõàññêîãî áðåíäà íà B – «óäîáíîå ìåñòîðàñïîëîòîíèî, è ñêîðî òàêàÿ æå ñèÑåâåðíûé Òåõàñ. æåíèå – íèçêèå öåíû». Íà òóàöèÿ îæèäàåò è Õüþñòîí. www.DallasTelegraph.com/58189 ñåãîäíÿøíèé äåíü êîìïàÏî ñëîâàì ñïåöèàëèñòîâ, Russian íèÿ îïåðèðóåò â ðåãèîíå êîìïàíèÿ âåäåò î÷åíü îñòîwww.DallasTelegraph.com/en/58189 Äàëëàñ – Ôîðò-Óýðò ïÿòüþ ðîæíîå, ïðîäóìàííîå è ñèEnglish ìàãàçèíàìè Central Market. ñòåìàòè÷åñêîå íàñòóïëåíèå