DALLIANCE Magazine: September 2013 by DALLIANCE

DALLIANCE SEPT 2013

O U R

F I R S T

september issue

FEATURING ELLE & TASH FROM THEYALLHATEUS, MEG GALLIGAN AND MOVIE MOMENTS AS WE CELEBRATE OUR FIRST SEPTEMBER ISSUE & FASHION AND FILM

contents. EDITORS LETTER PG 5 DALLIANCE SOCIAL PG 6 MEET THE TEAM PG 7 MOVIE MOMENTS PG 9 DEVIL WEARS PRADA PG 17 GREAT GATSBY PG 21 CRAZY ABOUT SLIPS PG 22 EDITORIALS: HOLLYWOOD GLAMOUR PG 23 ELIN KLING PG 37 DALLIANCE STREET STYLE PG 40 TAVI GEVINSON PG 41 HAIDER ACKERMANN PG 43 STYLED BY BREANNA PG 45 EDITORIALS: SPORTS LUXE PG 49 INTERVIEW: ELLE & TASH - THEYALLHATEUS PG 69 EYE SPY PG 77

PAGE 69

WHAT IS INSIDE?

PAGE 79

DAY IN THE LIFE: MEG GALLIGAN PG 79 SO YOU WANT TO BE: ANNIE HALL PG 83 SO YOU WANT TO BE: JOHN BENDER PG 84 EDITORIALS: WESTERN SWING PG 85 EDITORIALS: FIRST NATION PG 91 FASHION 2.0 PG 97 10 ICONIC MOMENTS IN FASHION & FILM PG 99 FASHION NEWS PG 103

CARRIE BRADSHAW PG 106 WHO’S THAT GIRL: MAGDALENA FRACKOWIAK PG 109 SYDNEY SHOPPING GUIDE PG 111 LAURA WOODS: MY FAVOURITE JEWELLERY LINES PG 113

PAGE 109

contents continued ...

NEW DECADE PG 117 MK & A PG 129 AUDREY HEPBURN PG 131 PYJAMA DRESSING PG 133 BEFORE WE SAY GOODBYE PG 135

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r e t t e l s ’ r o t edi J

I am a big movies person and to most people they find it quite odd that I am a huge lover of action movies. I happily watch about three movies a week; usually at nighttime as I’m winding down after a hot Epsom salt & lavender bath. My favourite movies include ‘Gladiator’, the ‘Da Vinci Code’ & ‘Angels & Demons’ and of course Disney movies. Yes, I know I’m 18, but I can’t help but watch and get overly excited at Disney classics. Movies I look forward to in the future are The Hobbit Part 2 & 3, Thor and Captain America. But aside from movies, I would just to thank all of our readers, our contributors and our supporters as we release our first ever September issue. When Laura & I began this journey we never thought we would have so many people interested in what we have to over. In addition to have been given opportunities to go to events, send our journalists to events and work with people who we admire. So massive thank you, and fingers-crossed by next Septmeber our magazine will be bigger and better!

Watching a movie would, without doubt, be one of my favourite ways to spend my free time (alongside working on DALLIANCE Magazine of course!) I’ve probably steered away from romantic films; as I feel they all end the same and I am becoming more interested in films with powerful messages or those based on true stories. Some of my favourite films at the moment include ‘Stand By Me’, ‘I Am Sam’, the ‘Virgin Suicides’, ‘The Blue Lagoon’ (the original of course!) and the ‘Devil Wears Prada’. Next on my list is ‘My Own Private Idaho’ and ‘Girl Interrupted’. Definitely let me know what you think of those movies; and what your favourite films are at laura@dalliancemagazine.com

dalliance social OUR TWEETS: “If you got your a-level results today I hope you got what you wanted. I got mine today and now I have everything for fashion uni! Jasmine xo” “Loved Alexander Wang S/S 2014! So proud. Can’t wait to see what he does for Balenciaga. #NYFW” “September Issue out in less then a week featuring an interview with elle_ferguson & @theyallhateus… http://instagram.com/p/ d5IKo6lvF3/ “ IN OUR MENTIONS: “Thank you for this amazing feature @dalliancemag !! #truelife #businessowner #the2bandits. Make sure to check out... http:// fb.me/He2uxML0” - @The2Bandits “@DallianceMag They were both so amazing! A down to earth, sweet and funny pair!!” - @vko______ talking about Elle & Tash who are featured in this issue!

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DALLIANCE FOUNDER & EDITOR

JASMINE GILL CO-FOUNDER, FASHION FEATURES EDITOR & FEATURES DIRECTOR

LAURA WOODS

BUSINESS & MARKETING DION FANTHOM DALLIANCE STYLIST BREANNA MULES

GRAPHIC DESIGNERS

KATRINA CALINGO JAMES MILLS NATALIE KILLINGSWORTH TORI WRIGHT ROBERT TENORIO GRACE HOUGHTON CHANTELLE GALAZ CHRISTINA MARESCA CAITLIN HEARTFIELD

JOURNALISTS

LEONARDO LARA MENNA ELZAIRY NATHALIE KRECZKO KENDALL SHIEH REBECCA AIEZZA EMMA O’NEILL YAMINA BOUKLEKA TASHA KRISHA DARCY COLWILL

STREET STYLE PHOTOGRAPHER YAMINA BOUKLEKA

by Rebecca Aiezza

Designers of any medium can source inspiration from anywhere: from music to the natural environment to their own life experiences. One source of inspiration for fashion designers is film. Iconic characters make their way from the screen into the hearts of the audience. The talented designers that are amongst this audience are then able to take the images, colours, and style of these characters and allow them to transcend the screen through fashion. Over the past century the world has seen many iconic characters and movie moments that have helped define the path of international fashion. These are 10 iconic movie moments that have evolved from the scene of a movie to an everlasting style.

Marlene Dietrich in Desire (1936) Costume designer, Travis Banton, was responsible for creating the ‘Dietrich’ style: an exotic collection of glamour, excessive fur and lots of leg - reflecting the title of the film itself. Banton’s famous fur lined gown is mirrored along the Paris catwalk with a Louis Vuitton twist in the Ready To Wear Fall collection of 2013.

Bette Davis in Now, Voyager (1942) Charlotte Vale’s transformation in Now, Voyager captured the attention of notorious luxury shoe label, Manolo Blahnik. So taken aback by the transformation scene, he created a whole collection inspired by the ‘spectator shoes’ worn by Davis. Even Hillary Swank’s character in ‘P.S. I Love You’ was inspired by the image of Davis’ shoes; launching herself as a shoe designer.

Jane Russell in The Outlaw (1943) Jane Russell’s character Rio McDonald made a profound effect on the fashion industry not by her clothing, but what was underneath. Director, Howard Hughes, created a breakthrough in the science of the brassiere to produce the perfect female chest. This is how the seamless under-wire bra was introduced to the breasts of women around the world.

Elizabeth Taylor in Cleopatra (1963) The most eye-catching elements of Cleopatra’s costume were the decadent jewels that hugged Elizabeth Taylor, designed exclusively by the Italian jewellery maker Bulgari. Cleopatra’s gold adornments still influence Bulgari, as well as other major jewellery designers, today; most notably in their Serpenti collection. The exquisite set of gold and bejewelled serpents that wrap around arms, neck and wrists is, to date, their bestselling collection. Such designs have reached the arms of Jessica Alba, Drew Barrymore and Scarlet Johansson.

Diane Keaton in Annie Hall (1977) Costume designer Ruth Morely worked alongside Ralph Lauren to create a cheeky, chic, men’s inspired wardrobe for Keaton. Her outfit, complete with hat, men’s tie, waistcoat and wide leg pants gave her character an effortless look of sophistication. This immediately affected 70s fashion trends, with women steering away from traditional feminine attire. This menswear trend for women has lasted decades after Annie Hall hit the big screen. Kenzo’s fall collection of 2010 is very Annie Hall.

Olivia Newton John in Grease (1978) An unforgettable moment for fashion (and for the hearts of men everywhere) was when Olivia Newton John emerged in a tight, nylon, black body suit. Nylon leggings has now become a symbol of ultra sex appeal and features in the collections of internationally acclaimed street fashion label American Apparel, to luxury Italian brand Emilio Pucci. The accessibility of these leggings allows this trend to go beyond the red carpet onto the suburban streets.

Jennifer Beals in Flashdance (1983) Who could forget those iconic sweatshirts and leg warmers that Beals pranced around in, in Flashdance. This iconic film spurred the workout craze of the eighties. Oversized sweatshirts and leg warmers were no longer workout gear. This extreme influence on fashion was unintentional. Legwarmers became a fashion statement instead of serving the sole purpose of warming the muscles of dancers.

Madonna in Desperately Seeking Susan (1985) Madonna answered the question “why can’t you wear a bra in public when you can wear bikinis” with her wardrobe in Desperately Seeking Susan. The movie started the ‘Madonna-Wannabes’. They can be identified by sporting men’s pants with laced bralette’s, rhinestone boots and men’s boxers; with crosses, beads and stacked bracelets hanging of each arm. The everlasting trend of bralette’s has continued on in the decades after the movie’s premiere. From couture designers such as Dolce & Gabbana to mainstream Australian fashion brand Bardot, the laced bra soldiers on as a perfect transeasonal piece.

Milla Jovovich – The Fifth Element (1997) As Milla Jovovich came on the screen screeching an alien language in her artfully entangled bandages, the bondage trend was born. John Paul Gautier’s famous body harness in this nineties film is echoed in Alexander Wang’s shoes of spring 2013 to Zana Bayne’s large collection of body harnesses and bondage suits, bondage has gone from screen to runway with no sign of stopping.

Alicia Silverstone in Clueless (1995) How could we not list our favourite popular high school teen Cher? Her plaid skirt suits and knee high socks made the preppy, schoolgirl look go from totally drab to absolutely fab! From the movie’s release, various designers and brands have produced Cher inspired collections; still continuing today. Wildfox Couture even released a Clueless inspired lookbook for spring of this year.

Words by Menna Elzairy

“...many believing the film would infuriate Wintour”

If you love fashion, then you’ve probably heard of, or watched Golden Globes Nominated movie The Devil Wears Prada starring Meryl Streep, Anne Hathaway, and Emily Blunt. The movie is based on the best-selling novel written by Lauren Weisberger. Andrea “Andy” Sachs, is a hard-working and ambitious graduate who moves to New York City, hoping to find a job in the magazine/publishing industry to further her dream of working for The New Yorker. She ends

up being hired as the junior assistant of Miranda Priestly, the editor-at-large at “Runway” fashion magazine, a job that requires an extraordinary level of time and effort. She struggles to put up with Miranda’s crazy demands and the constant disapproval from her colleagues in regard to her lack of fashion sense and knowledge. The movie features some famous faces from fashion such as Gisele Bundchen playing Serena and cameos by Valentino and Heidi Klum.While the

movie was highly praised by many, it faced some criticism from critics and insider saying that it reflects what the outsider thinks of the fashion industry rather than what it is actually like; and gives it a worse Miranda Priestly supposedly resembles American Vogue’s Editor-in-chief Anna Wintour, considering the author, Lauren Weisberger worked as an assistant to her; and reportedly was based on her experiences.

With many believing the film would infuriate Wintour; her attitude towards the film was light and pleasant; even showing up the New York premiere wearing Prada! In an interview with Barbara Walters, Anna thought the movie was really entertaining and believed that “anything that makes fashion entertaining and glamorous and interesting is wonderful for our industry. So I’m 100 percent behind it.”

LEFT: Wintour with Karl Lagerfeld and Daphne Guinness. BELLOW: Meryl Streep plays Miranda Priestly.

The Great Gatsby Revival: Rebirth of Trends

atching the Great Gatsby was nothing short of a visual feast, filled with decadent images and extravagant settings. Despite my lack of knowledge regarding the book, I was still eagerly anticipating Luhrmannâ&#x20AC;&#x2122;s big budget adaption of the F. Scott Fitzgerald novel; as well as Catherine Martins take on New York 1920s fashion. While the movie lacked substance at times, the impeccable costume and design embodied the feel of the flapper time era, earning Martin welldeserved praise. Flapper dresses were reminiscent of an era where women sported slimmer frames and shortened tulle hemlines. The grungy, metallic and the slightly androgynous trends of todayâ&#x20AC;&#x2122;s fashion were replaced with feminine pieces in shades of champagne and cream. Whilst flapper dresses and sequinned shorts are not yet on the fashion trend radar, Gatsbyinspired accessories are all the rage. Pieces such as beaded necklaces, pearl earrings, jeweled headbands and feather hair pieces have become hugely popular ever since the film was announced. Whilst itâ&#x20AC;&#x2122;s fair to say that Daisy looked particularly demure in her bejewelled outfit, with sensible heels and a neat pixie hair-cut, the look still managed to gain a mass following among fashion enthusiasts. The film has truly marked the rebirth of flapper inspired fashion in a generation obsessed with t-shirts and skinny jeans.

By Tasha Krishna

CRAZY ABOUT SLIPS Introducing slip dressing-the most elegant way to show some skin.

Dalliance

GOES

HOLLYWOOD

GLAMOUR

Photographer & Art Direction: THOMAS ALFARO Stylist: JAVIER CAÑAS Make-up & Hair: ÁFRICA GARRIDO Photography Assistant: JOSE VENTOSO Model: ARINA LOM Location: PALACIO VEEDOR, CÁDIZ

Dress: KAREN Shoes: CAROLINA BOIX Earrings: BOLICHE Ring: KAREN Gloves: QUESENOTE COLLECTIONS

Black Dress: KAREN Belt: QUESENOTE COLLECTIONS Gloves: TOPSHOP Hat: ANTONIO GARCIA Earrings: BOLICHE

Skirt: S&N VINTAGE Shirt: MAURA REVUELTA Shoes: CAROLINA BOIX Earrings: BOLICHE Ring: KAREN Collar: QUESENOTE COLLECTIONS

Trousers: KAREN Camisole: EL TACÓN DE LUIS XV Shoes: CAROLINA BOIX Earrings: H&M Bracelet: BOLICHE Ring: KAREN Belt: QUESENOTE COLLECTIONS Bag: QUESENOTE COLLECTIONS

Dress: KAREN Shoes: CAROLINA BOIX Earrings: BOLICHE Ring: KAREN Gloves: QUESENOTE COLLECTIONS

Black Dress: KAREN Belt: QUESENOTE COLLECTIONS Gloves: TOPSHOP Hat: ANTONIO GARCIA Earrings: BOLICHE

Dress: KAREN Shoes: CAROLINA BOIX Earrings: BOLICHE Bracelet: BOLICHE Gloves: QUESENOTE COLLECTIONS

Jumpsuit: PAULA GARCIA JUNCO Belt: QUESENOTE COLLECTIONS Earrings: BOLICHE Shawl: KAREN Shoes: CAROLINA BOIX

ELIN

KLING

D A L L I A N C E

STREET STYLE SHOT

YAMINA

BOUKLEKA LUDOVIC

AUDREY MOLLY

N I A Hat : Stetson Scarf : Maje Jumper : Comptoir des Cotonniers jean : H&M Bag & Shoes : Local store in Brazil

O P H I E Top, Shoes & Necklace : Zara Skirt : Urban Outfitters

HANIA

D R E Y Shirt : Vibrage Top : H&M Skirt : Vintage Shoes & Bag : Local store in Spain

L L Shirt : Acne Leggings : BCBG Shoes : Isabel Marant Jewellery : Vintage Bag : Louis Vuitton

Y SOPHIE

D O V I C T-shirt : Asos Shorts : Virginblak (Korean website) Shoes : All Saints

Tavi Gevinson

Words by Laura Woods. Last month, to my excitement, Tavi Gevinson came to Australia to speak in the Opera House about her thoughts on feminism, fan-girling and her online magazine, Rookie. For those who are unfamiliar with Tavi, she is the media mogul born in Chicago, who appeared on the Forbes Under 30 Media List twice ... all before the age of seventeen! She started a style blog in 2008 at the age of eleven; which featured her eccentric outfits and thoughts on fashion trends and designers. The blog quickly drew in 30,000 readers every day, and grasped the attention of the fashion industry. Shortly after, she began attending Paris and New York Fashion Week as well as collaborating with various designers and magazines.

Tavi then went on and founded Rookie Magazine; a lifestyle publication for teenage girls which focuses on music, film, body issues rather than just primarily fashion. I personally admire Tavi Gevinson for her work ethic and her ability to juggle a successful website whilst still in her final year of school. Her intelligence and judgments on life are beyond remarkable for her age; and her talk at the Opera House just made me admire her even more. She shared her personal experiences, such as her battle with depression and her high school experiences, which went towards her relatable persona whilst the depth of her thoughts and analytical nature proved that she is, without a doubt, somewhat extraordinary.

Laura Woods

Haider Ackermann is a Columbian fashion designer who is high up on my list of favourite fashion designers. A French couple adopted him as he grew up in Africa and Europe, later moving to Belgium in 1994 to study at the Royal Academy of Antwerp. After KLV H[SXOVLRQ IURP WKH SUHVWLJLRXV ÀQH DUWV academy (his perfectionism affected his DELOLW\ WR ÀQLVK DVVLJQPHQWV KH ZRUNHG DV DQ intern for British designer, John Galliano. Ackermann’s namesake label debuted in 2002 and is known for its avant-garde aesthetic, which refers to the works of experimentation and innovation with art, culture and politics being Haider’s source of LQVSLUDWLRQ $FNHUPDQQ XVHV WKH LQÁXHQFH RI poetry to create his collections; which could SRVVLEO\ H[SODLQ KLV IUHTXHQW XVH RI ÁRZLQJ drapers, which he is particularly skilled at. Personally, I am a huge fan of his moody, colourless aesthetic that takes forms in delicate loose fabrics and oversized outerwear, which to some people’s astonishment always looks elegant and chic rather than bulky and cluttered. His designs are asymmetrical and complex with different materials and techniques used to make one piece of clothing. The clothes are somewhat a contradiction, as they look gothic, yet they are soft and feminine at the same time, which is why Haider Ackermann never fails to surprise me.

CHERRY CHERRY Heather Cut-Out Top. BEGINNING BOUTIQUE Bright Nights Skort. BARDOT Russh Point Heels. FLEET ILYA Clutch.

VANESSA BRUNO Blazer. HELMUT LANG Stretch Leather Leggings. 3.1 PHILLIP LIM Scoop Neck Vest Top. CELINE Phantom Bag. BALENCIAGA Blade Low Boots.

All from NIKE.

TOPSHOP Long Line Zip Waistcoat. ZARA Mini Skort. RICK OWENS Black Zip Sandal Heels

E X U E L X S U T L R S O T P R S PO S

& E ED L L .. L I Y V ST ES E B L ..Y U I M M IE . . Z D A R EZ S O B J ZE O N A C A A R JA N Y E B N H A S E H R G T NA I B O E SH ABA BY I L R SH R P TE U Y B KE : MA DEL MO

Crop Top (Stylists Own) Skirt by Eska Alikai Bomber Jacket by Watson X Watson (Whistles Boutique) Adidas clutch (stylists own)

Bomber from Ellery (Whistles Boutique) Bralette by Kirrily Johnston (Whistles Boutique) Shorts by Whistles (Whistles Boutique) Nike Shoes (Stylists Own)

Crop Top (Stylists Own) Skirt by Eska Alikai Bomber Jacket by Watson X Watson (Whistles Boutique) Adidas clutch (stylists own)

Zara top (Stylists own) Whistles Leather shorts (Whistles boutique) Nike Shoes (Stylists own) Necklace by Lovisa (Stylists own)

Helmut Lang top (Whistles Boutique) Adidas shorts (Stylists Own) Quilted leather bomber jacket by Elliott Label Nike Shoes (Stylists Own) Jewellery (Whistles Boutique)

Elliott Label Leather Harness

Crop Top (Stylists Own) Skirt by Eska Alikai Bomber Jacket by Watson X Watson (Whistles Boutique) Adidas clutch (stylists own)

Elliott Label Leather Harness

Eska Alikai Crop Top Holystone pants Holystone leather cap Nike Shoes (Stylists own) Adidas clutch (stylists own)

Helmut Lang top (Whistles Boutique) Adidas shorts (Stylists Own) Quilted leather bomber jacket by Elliott Label Nike Shoes (Stylists Own) Jewellery (Whistles Boutique)

Bomber from Ellery (Whistles Boutique) Bralette by Kirrily Johnston (Whistles Boutique) Shorts by Whistles (Whistles Boutique) Nike Shoes (Stylists Own)

Leather Bustier by Elliott Label Leather pants by Holystone Nike Shoes (Stylists own/Asos)

Helmut Lang top (Whistles Boutique) Adidas shorts (Stylists Own) Quilted leather bomber jacket by Elliott Label Nike Shoes (Stylists Own) Jewellery (Whistles Boutique)

ELLE Ferguson TASH Sefton are the founders of the popular fashion blog www.theyallhateus.com and major fashion icons to thousands.

HOW WOULD YOU DESCRIBE YOUR PERSONAL STYLE IN THREE WORDS?

TASH :

accessories.

Denim,

amazing

and

great

ELLE : Denim, Basics and Wow!

YOU HAVE BOTH BECOME AUSSIE STYLE ICONS WITH A LARGE FOLLOWING. ARE THERE ANY STYLE RULES YOU ABIDE BY?

TASH : Just staying true to ourselves, and not

getting into crazy fashion trends (like wearing five different colours at one time); wearing denim and basics most of the time; investing in great pieces rather than lots of stuff and always having beautiful handbags and shoes.

ELLE : As Tash said above, it’s about staying

true to who WE are ... I love denim shorts so normally every outfit I wear consists of a short of some sort. It’s also about knowing what works for you ... And, you can’t go wrong with amazing shoes and handbags.

WHAT IS ONE THING YOU WOULD NEVER BE CAUGHT WEARING?

TASH : Leggings as pants (there needs to be a

law about this)!

ELLE : Leggings as pants!!! It’s always been

the same for us.

“I’m continually inspired by Aussie fashion.” -ELLE

WHAT ARE YOUR INTERESTS OUTSIDE OF FASHION?

TASH : Having two small children (both boys),

I find myself loving random things because of them. I now have an appreciation for building crazy robots called ‘Nigargos’ and I can also build a mean paper airplane. I also love the series of books called “Captain Underpants”. But aside from that I love cooking and interior decorating.

ELLE : My family ... I absolutely adore doing

anything and everything with them. Also, the beach ... I grew up at the beach and I am now living next to Bondi beach - I always need water in my life.

DESCRIBE YOUR PERFECT DAY?

TASH : At my mum and dad’s house, lying on

the lounge with my sisters; with a huge pile of magazines, watching Sex and the City re-runs and eating my mum’s amazing cooking whilst my kids play around us OR sitting at Jackies Cafe with Elle just talking for hours on end.

ELLE : I swear Tash and I were separated at

birth, but hanging at my mum’s house by the beach with my mum and sister, or being at Jackies cafe with Tash!

WHAT ARE YOUR FAVOURITE BLOGS AND MAGAZINES?

TASH : I love Vogue Paris! The photo shoots

are incredible. They’re so sexy, so fashion, so bloody cool. Plus Vanity Fair is my all-time favourite thing to read.

ELLE : I have to buy all the weekly magazines

... I have an addiction! But the overseas Vogue and ELLE magazines are just pieces of paradise!

WHAT ARE YOUR ASPIRATIONS FOR YOUR BLOG THEYALLHATEUS. COM?

TASH : Just to remain ourselves and to have

happy and inspired readers.

ELLE : Staying true to our brand and creating

a brand that will be around for years to come ... and of course still working with my best friend!

DID YOU WANT TO WORK IN THE FASHION INDUSTRY WHEN YOU WERE YOUNGER?

TASH : Yes, I think so. My mum is so stylish

and has always surrounded me with beautiful clothes and accessories. I remember watching her “dress up” to pick up milk from the corner shop. It’s in me ... I have always loved it.

ELLE : In year six we had to do an assignment

on a topic that started with the first letter of your last name. Mine was ‘F’ and I chose Fashion ... My mum and I worked on the assignment solid for a week. It was amazing and I knew that I had to be part of this amazing world!

IF YOU COULD ONLY WEAR ONE LABEL, WHAT WOULD IT BE?

TASH : For practical reasons - Scanlan and

Theodore; and for an aspiration definitely Chanel, as it’s my all-time dream to sit front row at a parade decked out in Chanel couture ... It will happen!

ELLE : Ooooh that’s too hard ... I’m going to

break the rules and say One Teaspoon, Bassike and Balmain!

“Just staying true to ourselves, and not getting into crazy fashion trends..” -TASH

IN YOUR OPINION, WHAT COUNTRY HAS THE BEST STYLE?

TASH : I have just been in France for a month

and those women definitely know how to dress ... in fact even the men’s style is incredible! The women are so chic, groomed and simple without being over the top and showy. Plus, Sweden - the people in Stockholm are so damn cool ... young, hip and hot. When walking around the streets of Stockholm I found myself gobsmacked at just how handsome everyone is.

ELLE : I’m just about to go to Europe and I

can’t wait, but I have to say Oz. We all take the trends on board and make them our own. I’m continually inspired by Aussie fashion.

EYE

SPY

Rain or shine, whatever the weather, a pair of sunglasses can change your entire look, says Emma O’Neill.

On my bedside table lies my array of eyewear dating back from when I was about 16 years old. Ray Ban Aviators and Wayfarers, the Audrey’s from Celine, Ellery Cat-eyes, Sass and Bide Konya’s and my most recent purchase -the iconic oversized pair of sunglasses from The Row’s Collaboration with Linda Farrow. I see eyewear now as a part of my ‘look’ and I won’t leave the house without a pair. Each pair has a different use; my Wayfarers for when I am feeling a little masculine whilst my trusty Sass and Bide’s are perfect for adding a tribal influence to my outfit. Recently, whilst making my way to Fiji, I purchased the Karen Walker Number One’s (whilst convincing myself that they are an investment!).

Thanks to Alexa Chung, who was first spotted wearing these sunglasses, which are designed by the talented New Zealand designer; they have now clocked up a waiting list of 50 people a day on UK website, Liberty. “From the start, we wanted to create a line in which every piece was a standout design. Nothing boring! Even the simple pairs are a little flatter, a little chunkier, a little squarer or a little brighter than one might at first expect,” Says Walker. Bloggers from around the world sport the oversized tortoiseshell frame with a slight cats-eye detail and they have been seen on high-profile celebrities such as Rihanna, Gwen Stefani and Katy Perry. Next on my list of sunglasses are the Prada Daisy Chain sunglasses. A crazy, and outrageous pair, they are sure to make a statement wherever I go.

Day in the life of Meg Galligan

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WESTERN SWING WESTERN SWING WESTERN SWING WESTERN SWING

photographer: Martyna Gumuła www.mg-style.pl assistant photographer: Monika Stegienko stylist: Aleksandra Urbanowska assistant stylist: Róża Stawierej & Justyna Siekierko model: Aleksandra at D’vision hair: Anna Nerko make-up artist: Michał Sadowski production: RebelliusTeam www.rebelliusteam.com location: Studio Sensi

skirt: Dan Hen / Showroom KHAKI bracelets: Orska shirt: Dancing Team Riders vest: Charme handbag: Dancing Team Riders hat: Dancing Team Riders

hat: Dancing Team Riders vest: Charme pants: Orsay / Showroom KHAKI necklace: Orska bracelets: Orska belt: River Island glasses: Mango shoes: Simple

hat: Dancing Team Riders shorts: Wrangler belt: River Island shirt: Dancing Team Riders necklace: Dancing Team Rid-

pants: Yulia Babich necklace: Orska jacket: Team Dancing Riders belt: River Island bracelet: Orska handbag: Simple shoes: Simple hat: Dancing Team Riders

shirt: Simple skirt: Dan Hen / Showroom KHAKI bracelets: Orska handbag: Simple denim Jacket: Wrangler

FIRST

NATION photographer: Martyna Gumuła. assistant photographer: Monika Stegienko. stylist: Aleksandra Urbanowska. assist stylist: Róża Stawierej & Justyna Siekierko. model: Natalia at D’vision. hair: Anna Nerko. make-up artist: Michał Sadowski. production: RebelliusTeam. location: Studio Sensi

skirt: Dress Code/showroom Pakamera.pl shirt: Charme accessories: Orska hat: Team Dancing Riders jacket: Team Dancing Riders

pants: Yulia Babich necklace: Orska jacket: Team Dancing Riders kidney: Huba hat: Team Dancing Riders accessories: Orska

jacket: charme necklace: Orska hat: Team Dancing Riders dress: Dress Code / showroom Pakamera.pl

necklace: Orska

skirt: Springfield / showroom KHAKI scarf: INVUU / showroom KHAKI hat: Team Dancing Riders blouse: River Islend vest: Charme kidney: Huba necklace: Orska

Fashion 2.0

By Yamina Boukleka

At a time when the digital age is more than present, it has managed to create a new and accessible way of embellishing fashion. Fashion filmmaking has greatly increased, with Karl Largerfeld screening ‘Once Upon A Time’, a short film for Chanel Resort and Hedi Slimane releasing his first film for Saint Laurent we cannot question how big the fashion film industry may get.

Nick Knight is the master of this genre, after being a successful photographer for prestigious customers like Alexander McQueen, Calvin Klein, Lancôme, Jil Sander and more, he made the decision in 2000 to launch ‘SHOWstudio.com’. SHOWstudio is a website dedicated to the images of fashion, which afterwards would become a platform for fashion films. “The Internet is where most people now get their fashion information”, “The shows are broadcast live, people see editorials and read interviews online.” If there are new pictures in Italian Vogue, the first time you will see them will be on the Internet not in the magazine. But the most appropriate way of working with fashion on the Internet is in movement. A moving film is much closer to the designers’ vision,” says Nick Knight. Since the launching orchestrated by Nick Knight these film UFOs are only growing, since they are adapted to a generation that surfs online constantly, to people whose lives are stuck to their laptop, tablet or smartphones. Besides being of truly artistic works, fashion film represents an economic stake for important brands. It is an effective tool for communication and marketing that allows brands to showcase different aspects of their identity.

Designer Henry Holland agrees that the Internet is now an instrument for marketing and selling a label. “The Internet is no longer just a place to buy discount clothes. Now everything has gone online, you need to have great content for that platform. And fashion films are one of the best.”

Fashion movies allows brands of modest sizes to market their brand into something huge as for the first time advertising films are broadcast on the Internet and on social networks, meaning that brands don’t have to pay thousands to get broadcast on the TV. Lisa Filippini, cofounder of Berlin Fashion Film Festival says, “Designers are waking up to the possibilities of what these films can do,” - “With the web it’s so easy to market your label and spread it. You can work with a small budget and, if it’s a good idea, have almost the same chance of reaching the same number of people as a big label with a huge budget. Some of the best content is not coming from the big labels.”

Confirmed filmmakers raise to the challenge as Sofia Coppola, an award winning director and producer created a short film during the collaboration for H&M x Marni and Luca Guadagnino, director of ‘Skin to Skin’ who worked with Sergio Rossi. The fashion photographers aren’t outdone, as photographer such as Ellen von Unwert, Ines Van Lamsweerde and Vinoodh Matadin are now integrating This new media tool has no reason to disappear, the this new rope into their bow. artistic and commercial reasons being too importance. Ruth Hogen, a former assistant to Nick Knight has now used her creative and dynamic talent by being the author of movies for Barneys, Rick Owens, Céline and Louis Vuitton, but also by creating movies with hypnotic and sulphurous atmospheres such as the movie that was showcased during Gareth Pugh fashion show. Fashion films are big business these days and designers are beginning to realize the power and effect that they can have to a brand. Interest in them are booming and forever increasing; the London College of Fashion now even offers a MA in Fashion & Film.

A new machine with a dream, in an industry with style that attracts a global audience “In a way it’s the most exciting thing that’s happening in fashion because it’s a huge shift” - “In the same way that fashion photography took over from fashion illustration at the beginning of the last decade, now photography is no longer the zeitgeist medium. Fashion film is.” Says Nick Knight.

The Ten Most Iconic Outfits in Film of All Time By Darcy Colwill

10. Pretty in Pink: The Prom Dress. OMD was blaring, swoony Blaine was staring, and cute Duckie was as awkward as ever. This eighties classic’s most memorable outfit, granted, wasn’t the best cut. But what it symbolised for teenage girls everywhere was that, whatever cliché ideas people have of you, you can prove everyone wrong. Even though many deem it hideous, the gowns influence is still present today, and therefore it is extremely iconic. 9. Atonement: The Green Halter Dress. Classically changing shade as Keira Knightley’s scenes and emotions develop, the beautiful 1930s style Jacqueline Durran gown is relevant, suave and one of the most talked about wanted costumes of all time. Its influence is still present, with emeralds and varying hues still on trend this season. 8. Pulp Fiction: White Shirt and Black Pants. Uma Therman’s iconic outfit was simple yet classic. Designed by Betsy Faith Heimann, the costume used within her dance scene with John Travolta was quoted by onscreenfashion.com, made to be “the female counterpart of a reservoir dog”. Today the girl meets boy look shows

influences of Heimann’s work and will still be wanted, without doubt, for a long time to come. 7. Batman Returns: Cat woman’s Suit. Michelle Pfeiffer’s performance within Tim Burton’s Batman Returns, was upstaged by her costume. Made from latex from a body cast of Pfeiffer, this outfit has to be one of the most complex ever seen in cinema. Influences are still seen today with the reintroduction of body suits to high-street chains and high brands alike. 6. Star Wars: Slave Outfit. It is debatable whether this iconic moment of fashion in film made more of an impact on females or males, however, what can be spoken for is the amazing use of metallic by Aggie Guerard Rodgers. Many celebrities have tried to copy the look since then, but all have failed. Today this iconic moment of fashion on film has made metallic as influential in clothing as ever. 5. Cleopatra: Gold Cape. With a budget of $1,440,000 US dollars in today’s terms, it was assumed from the very onset the outfits within this movie would be as beautiful as Elizabeth Taylor herself, but the

golden robe for many has to be the stand out. Designed to give the look of the wings of an eagle, the cape was beautiful and still gives influence to many in fashion. 4. Wizard of Oz: Gingham Pinafore. Who can forget the gingham pinafore that danced all the way down the yellow brick road and the ruby slippers? Designed by Adrian Adolph Greenberg, the outfit was not complex, but perfectly suited for the character and her country background. Dubbed by many the greatest on-screen musical, the country and cuteness is ever present in fashion today. 3. Grease: Those Leather Pants. Who can forget the iconic moment in cinema when she was no longer Sandra Dee. Out with the hoop skirts and in with the leather, the outfit created waves around the world. Surely this has to be the world’s favourite dress-up to this day? The costume designed by Albert Wolsky, continues to influence the world of fashion with ‘wet-look’ and leather pants statement pieces still in trend. 2. Seven Year Itch: Marilyn Monroe’s White Dress. This beautiful white gown by costume designer William Travilla, made famous for blowing up Monroe’s legs in the subway scene of Seven Year Itch is still iconic to this day. The sheer classic design of this outfit is unforgettable, and its beauty was sold for $5.6 million US dollars recently. The outfit still continues to influence designers today. 1. Breakfast at Tiffany’s: Holly Golightly’s LBD. Designed by Givenchy, the little black dress became known through that iconic opening scene in Breakfast at Tiffany’s. Arguably one of the best chick flicks of all time and the defining moment of fashion in film, Givenchy’s LBD has paved the way for all LBD’s since to become a staple outfit of every woman’s wardrobe. Classy, chic and stylish, fifty-two years later and counting, Givenchy’s LBD has changed the face of fashion forever and will continue to in years to come.

FASHION NEWS

BY KENDALL SHEIH

THE DILEMMA WITH THE NEW GENERATION OF AUSTRALIAâ&#x20AC;&#x2122;S RISING STARS

ustralia is slowly, but undoubtedly becoming a force to be reckoned with in regard to the fashion scene. This country is far from devoid of fashion talent, but rather devoid of support for the Aussie fashion industry. The crux of the problem? Lack of vital support and funds. Designer labels in Australia are being confronted with obstacles such as lack of infrastructure and assets. The Australian government is simply not investing as much money in the fashion industry, compared to the United Kingdom and the United States. In addition, this problem has been disabling up-and-coming stars from being able to make the leap onto the international fashion stage. The Australian Fashion Council is not focused enough on the developmental phase of going global. However, there are resolutions in the works to fire up Australiaâ&#x20AC;&#x2122;s fashion industry. Sydney native and innovative fashion designer Dion Lee is one phenomenon that has surpassed this barrier with flying colors. Lee has showed his incredibly contemporary and sharp collections at Australian Fashion Week, attracted international buyers via Net-A-Porter.com, and affixed his name into the minds of the fashion-savvy with his ready-to-wear resort 2013 collection.

n contrast, the Australian modeling talent has had no problem whatsoever. Big names such as Jessica Hart, Bambi Northwood-Blyth, Gemma Ward, and Abbey Lee Kershaw have succeeded in winning hearts and recognition worldwide. In conclusion, Australia undeniably has high prospects for the world of fashion. Now it is just a matter of logistics and changing the Australian perspective on investing in a more prominent fashion industry

IS COACH FALLING OFF?

U.S. luxury designer brand Coach reported a 12% drop in fourth-quarter profit. It seems as if Coach’s attempt to transition into becoming a lifestyle brand ultimately hurt its sales, seeing as North American sales in newer Coach stores dropped 1.7% where analysts forecasted a 0.6% increase. A New York-based source reported that Coach’s net income fell from $251.4 million USD to $221.3 million USD.

APPLE TAPS FORMER SAINT LAURENT CEO:

Apple, the leader in all things innovative, joins creative forces with Paul Deneve, the former Saint Laurent CEO. I nteresting enough, Deneve is not new to the Apple family. He was the sales and marketing manager for Apple Europe from 1990-1997. Now, Deneve will be working as vice-president on special projects–make that extremely special projects. Apple will be expanding its capability past technology and into the world of luxury fashion. Very recently, there has been word of a rumored iWatch from Apple. This is consistent with the rise in popularity of a new fashion statement called wearables. The wearables market is projected to reach $30-$50 billion USD over the next three to five years. In light of this, an Apple x Saint Laurent collaboration seems destined for success.

C A R R I E

arrie Bradshaw’s best (and worst!) fashion moments.

She’s self confessed fashion addict, who claims she has an obsession with shoes (I mean have you seen that closet!), we take a look at the star of Sex and the City’s hits and misses throughout the years.

the hits

Looking timeless in a Ever so sweet in a baby white sundress and para- pink babydoll dress. sol.

The white dress even brighter against her bronzed complexion.

Carrie does flapper style!

the misses

Itâ&#x20AC;&#x2122;s almost like she A belt acting as a ribcage Looking more frumpy unintentially forgot to necklace. Hmm... than fur is supposed to wear pants. make you look.

Taking â&#x20AC;&#x2DC;menswearâ&#x20AC;&#x2122; inspired dressing a little too literally.

What are your favourite Sex and the City outfits? Tweet us @dalliancemag; message us at dalliancemag.tumblr.com; or email us at dalliancemagazine@gmail.com We love hearing from all our readers! It makes our day!

Whoâ&#x20AC;&#x2122;s

MAGDALENA FRACKOWIAK

Girl that

Polish model, Magdalena is one of the lucky models who has the supermodel quality where they can work both commercially and on editorials. Her strong features were first acknowledged when Magdalena was 16, in which her mother entered her daughter in a modelling contest in Warsaw, undoubtedly Magdalena won and was then offered a contract and countless jobs. Since then Magdalena has been ranked 30th on the top 50 model and has worked for prestigious brands such as Chanel, Miu Miu, Verscae & Balmain, in addition to becoming a Victoria Secret angel.

whether you live in australia, visting shortly, or even have a dream of shopping in one of the most stylish places in the world you have to know where the best places are to shop. so close your eyes and let us transport you to the best shops in sydney.

SYDNEY SHOPPING GUIDE BY EMMA Oâ&#x20AC;&#x2122;NEILL

Sydney has some of the best shopping grounds in the world. I may be biased because I live and breathe this amazing city, but this gives me even more reason to share with you my favourite shopping destinations From high end to high street, vintage to the latest pieces; Sydney is definitely any fashion lovers ideal city. I have listed my top shopping hotspots Sydney has to offer.

THE INTERSECTION

This is where you will find me first thing on Saturday morning, at the corner of Glenmore Road and Oxford Street in Paddington, better known as The Intersection. The Intersection is anyone’s go-to for a quick Australian fashion fix. This is the spot for homegrown fashion including Ksubi, Bassike, Sass and Bide, Scanlan & Theodore to name a few. Also, Swedish darling’s Acne Studios resides here, which is my favourite label of all time. Not only perfect for a shopping fix; you can also have a brunch and a coffee at the world famous Jackie’s Café while you are there!

PARLOUR X

Parlour X reminds me of my trip to Paris when I was a teenager. Owner, Eva Galambos has hit the nail on the head with her slice of Parisian paradise situated at Five Ways, Paddington. You can find your favourite labels here including Isabel Marant, Balenciaga and Rick Owens.

LAND’S END Just a couple of shops up from Parlour X, is the fabulous Land’s End Store. Owner Jane Jasper, who used to work for Vogue, has filled the missing gap of exclusive fashion in Sydney. Here you can find high-end, luxury labels such as Proenza Schouler and Balmain.

THE CORNER SHOP This cute little corner store on Williams Street in Paddington stocks some of my favourites including Isabel Marant and Kenzo just to name a few. It is the ideal shopping destination for the young fashionable crowd of Sydney. Even better, they also have a store in the stunning Strand Arcade in the Sydney CBD.

TUCHUZY

Tuchuzy is a great place for some retail therapy after a day down at Bondi Beach. Just a couple of minutes walk from the sand it’s a favourite for all those who want to achieve the perfect model off duty look. With go-to for labels such as Alexander Wang, Rag & Bone and Helmut Lang, it now has an online store, for easier accessibility.

LAURA

WOODS.

FAVOURITE

JEWELLERY

J E W E L L E R LINES

LOVE

J E W E L L E R Y

PAMELA

NYC

Pamela Love is a New York jewellery designer, who owns her own namesake label. Her jewellery is the perfect balance of grunge, bohemian and western pieces; all produced locally. The gemstones used are also ethically sourced; with the metal being recycled.

SARAH

SEBASTIAN

Sarah Gittoes and Robert Sebastion Grynkofki founded this Australian hand-made jewellery label in 2011, which produces sentimental and quality items. I especially love the dainty gold rings; their simplicity and elegance making them very much a must-have item. My favourite pieces include ‘Light Liberty Ring’, ‘Sarah & Sebastian X The Hatmaker Headpiece’ & ‘Free Pearl Gold Necklace’

Founded in 2005 by Otis College of Art and Design graduate, Amanda Thomas. This line is popular amongst style icons such as Whitney Port and Nicole Richie. Known for its layered chains and spikes, and the rustic edginess of the pieces; this label is doubt one of America’s best jewellery lines.

J E W E L L E R

Saying I have an obsession with Aussie jewellery label, The Mania Mania would be an understatement. It was founded by Melanie Kamsler and Tamila Purvis in 2009, both whom have worked in the fashion industry prior to creating their line. I first became familiar with their jewellery, rather recently after seeing the mythical inspired campaign with the beautiful Ruby Jean Wilson. With pieces revolved around beautiful stones, they are officially the best accompaniment to any outfit. My favourite pieces include ‘Theda Choker’, ‘Sahara Necklace’ & ‘Sahara Earrings’.

P E T I T E G R A N D E

The master of delicate, fine jewellery, Tanya Kovacevic started her line in November 2010 after working in the fashion industry for 15 years. With these pieces, you can achieve that layered thin chain trend that is so timeless and classic.

J E W E L L E R Y

The factor of time and film has influenced many designers this A/W, with the vision and push to innovate, create and inspired based on previous decades and the hit films of that era. The new beginnings of promiscuous elegance have suddenly been thrust into the fashion sphere, perhaps influenced by the feature film â&#x20AC;&#x2DC;The Great Gatsbyâ&#x20AC;&#x2122; released earlier this year.

20s Louis Marc Jacobs, creative director of Louis Vuitton re-created the Vuitton 20s time period this season, creating an entire staged show

that takes you back in time where glamour oozed from every aspect of the 20s life for the wealthy. The Louis Vuitton A/W show included models walking down the halls of a mysterious luxury hotel with each model entering the catwalk from her own closed room. Models were adorned in satin dresses with delicate lace inserts, long gradient effect coats, peek-a-boo lingerie and subtle sheer cut-outs. As well as being accessorised with crocodile duffle bags, ankle strap platforms and black cropped wigs; Marc Jacobs did not fail to impress.

40s The darkness associated with the Great Depression was becoming a great power in A/W 2013 design for houses such as Gucci, Marc Jacobs, Miu Miu and Dolce & Gabbana. >

NEW

Decades written by Leonardo Lara

DOLCE & Dolce & Gabbana’s collection had strong GABBANA baroque ties with a chic take on old 40s noir

movies, which revived the beauty of old Italy and the magnificence of natural iconic actresses such as Clara Calamai. The whole collection closely resembled an art exhibition, ranging from lacy red frocks to ensembles similar to a crafted golden mosaic. The duo behind the label, Domenico Dolce and Stefano Gabbana drew inspiration from the mosaics from the Cathedral of Monreale located in Sicily. For a house recognised for its unique accessories, this show was no exception with a religious stimulus behind the adornments. Opulent golden crowns, crucifix earrings and necklaces; alongside heels made from suede, rhinestones and metal cages made this show one extravagant production.

GUCCI Gucci’s fall collection was a portrait of gloom

with a dose of exuberant sexuality represented by fitted skirts and dark colours complemented with electric blue and plum. As the intended femme fatales walked the runway, a somewhat vampire aura was present, perhaps influenced by the movement of vampire culture, in recent years. As far as accessories went leather gloves were worn over quarter sleeve jackets, boxy lady bags, knee high heel boots in leather, lace up booties, diamond chokers and delicate strappy sandals were styled with the decadent evening gowns.

recurrence of Mary Poppins existed in Miuccia MIUAPrada’s MIU A/W 2013 show for Miu Miu. The

collection started with double-breasted black coats, completed with jaunty polka dot scarves tied at the neck, a similar ensemble to what the iconic au pair wore in the hit musical. As the collection moved forward rich prints, in vibrant colours, such as polka dots and stripes leant for a playful and innocent demeanour with knee-length skirts, and modest coats.

For the Prada’s fall collection Miuccia Prada PRADA

connected with her inner filmmaker to create an atmosphere worthy of a short film. As the collection started a back projection of a flock of birds and cats went live; a film noir mood was

beginning. Complete with a spinning ceiling fan and shadows she went a step beyond the norm and created an emotion and a visual feast, rather than merely just a collection of clothes. A collection filled with a variety of fabrics such as tweed, fur and leathers; the hemlines also differed with some being asymmetric, narrow, flared of bell-shaped. Plus, bedraggled hair and heavy makeup leant to a contrast with the somewhat polished, lady-like dresses; leaning to a mysterious feel about chic portrayal of film characters that Miuccia was trying to portray.

50s Raf Simons changed the parameters of modernism DIOR

with a touch from the fifties this season for Christian Dior, as he used new techniques and materials to contrast timeless classic with his contemporary edge. All this was presented in a surreal scenario as he pushed the limits of the French fashion house with multiple gigantic balloons and blue clouds that adorned the entire stage, in which the models walked with modern makeup and hair. The collection started with below the knee narrow skirts and dresses with Andy Warhol inspired pop art patterns printed onto the clothes. The colour palette was consistent with black, grey, white and shades of pastel pink. A variety of necklaces and shapes emerged from this collection with well-constructed midi hemlines a significant Raf Simon’s aesthetic.

60s Audrey Hepburn was an icon in the 60s, her classic wardrobe revolving around neutral colours firmly set her as a fashion icon for decades to come, which is why its no surprise to see her style inspire designers into the mode of simplicity. The Balenciaga show was a minimalistic approach to the two-tone combination, and clean BALENCIAGA lines leant to classic, timeless pieces. The clothes had a crisp sculptural factor; with cocoon

coats, cigarette trousers, petal skirts and peplums. With the repeated marbled print texture, in black and white, and the polished makeup and hair. Alexander Wang will no doubt continue the prestigious legacy of Balenciaga. >

Alber Elbaz’s F/W 2013 collection for Lanvin was not short of the laNvin

‘x-factor’, he is usually expected to deliver with detailed pieces, but still managing to ooze simplicity. He achieved the perfect balance of minimal as he designed classic shaped dresses to the maximal with hard-core chain jewellery, bug and flower prints and bold colour choices. The models walked the catwalk wearing a strong burgundy lip, their hair messily done that acted as nice contrast for the tasteful and luxe clothes that Alber presented. Starting with black skirts and dresses, each ensemble had different details such as XL necklaces, flower brooches, necklaces with the words ‘love’, ‘cool’, ‘happy’’ on them, which gave the looks a whole new fun perspective. The rest of the collection followed with gold belts, fur stoles, crisp white shirts and varying prints of flowers, bugs and butterflies.

chanel Karl

Lagerfeld’s revolutionary ideas transcend boundaries of presenting just clothing larger-than-life displays leading to a whole theatrical production. This season the stage was a giant globe under the dome of the Grand Palais with flags over it where Chanel was sold. The collection consisted of Karl’s beloved tweed, but this time in a more youthful and sophisticated point, with a moody palette of stormy greys and petrol bright blues, sparkly blacks that were dashed with sunset pinks and subtle dustings of glitter. The classic Chanel suit turned into a mini skater skirt, paired over with a collared bomber and a double-breasted jacket or thick sweaters that were paired with shiny leather thigh high boots with heavy metal hardware. The clothes were accessorized with coloured mink hats, metal hardware necklaces and the famous Chanel quilted bags with hardware inserts for an original touch.

The fashion of the late 60s inspired Kate and Laura Mulleavy’s rodarte collection for Rodarte with many visual illusions such as tie-dye

dresses and heavy prints. As several neutral looks in black and beige were sent down the runway, the duo emphasised comfort dressing with voluminous layers, floppy scarves and chiffon ruffle dresses. As more colour was injected into the collection, the slouchy, asymmetric style continued being pair with printed rights and necklaces that suggested metal wires. >

70s The seventies showed sophistication and refined fashion, the silhouettes of this era allowed designers to create class and elegance whilst incorporating the bohemian disco influence. This inspiring era was seen at Balmain, Dries Van Noten and Emilio Pucci. Oliver Rousteing, the creative mind Balmain behind Balmain, went back to the golden

era as he gave the models a disco glam look. We’re not just talking about the big statement earrings, but also the thick belts that were worn over jumpsuits, skirts and jackets, which gave models a beautiful hourglass figure. Plus, the thigh high-heeled boots that could be mistaken for pants looked amazing as the models strutted down the runway; the whole collection was a tribute to the ever-so-inspiring 70s era.

Dries VanNoten channelled the 70s Dries Van with menswear. “Men’s clothes and Noten men’s fabrics invaded by female

embellishment” allowed there to be a mix between both genders. This equal balance between the two genders created a great contrast, which is why this Paris based collection looked so great. The show began with an oversized androgynous navy wool coat, which was paired with burgundy and silver embroidery, wide grey trousers and flat

oxfords. This look gave way to multiple alterations, which may not be considered feminine, but with the contrasting diamond necklaces and metallic fabrics Dries Van Noten gave the right balance for tomboy chic. After the male facet, femininity is revived as ensembles with longs skirts that had feather inserts came to the stage. These filled skirts gave the collection new volumes whilst still having a sense of masculinity as they were paired with collared shirts and blazers.

Emilio For the fall 2013 collection of Emilio Pucci, Peter Dundas proved that Pucci the glamour of the 70s can come in

short measures, as most pieces in the collection were all above knee length; everything stayed up high. The collection had the free spirit of a Pucci girl as Peter continued to use the labels’ iconic patterns whilst designing dress and skirts that were combined with sparkling tops. The outerwear for this collection was styled over the dresses, whilst large fur coats, black caped and doublebreasted coats were seen paired with short shorts. As far as accessories go, we were transported into a safari as animal print was seen on belts and purses. Plus, we cannot forget the thigh high boots that were seen in black, brown, blue and red! These boots looked amazing paired with the pieces of Peter’s collection.

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Givenchy Givenchy Givenchy Givenchy

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“ Stella McCartney

reinvented

the concept of tailoring...”

dark. This season we found Riccardo following the route of a dark gypsy that had elements of punk and the eighties era combined. Riccardo opened the show with long printed cartoon sweatshirts, one being Bambi from the hit Disney movie; these were accentuated at the waist with thin black hooks and were styled with a tight dark mesh pencil skirt. This collection was full of basic elements that were then transformed into something more edgy, including ruffled pencil skirt, black leather, moody prints, transparent mesh, plaid and abstract photo prints. Stella McCartney reinvented the concept of tailoring as she brings a more relaxed and oversized silhouette into the picture, kind of reminding me of the supermarket scene in The Big Lebowski. Her pyjama-like fall collection began with a tuxedo ensemble that played with various volumes and shapes. These looks were paired with below the knee skirts, whilst long tuxedo coats were paired with narrow pin stripe trousers. This collection had the British touch that McCartney is well known for, but this season she deposited it in long coats in different prints, such as plaid and stripes. Most of Stellaâ&#x20AC;&#x2122;s collection was presented with a moody colour palette with blacks and purples being seen on most garments.

90s This era came here to stay! If it wasnâ&#x20AC;&#x2122;t enough that the Met Ball Gala had a theme celebrating nineties punk, but also this era has inspired multiple editorials, magazine covers and fashion houses such as Saint Laurent, Versace and Valentino. Saint Laurentâ&#x20AC;&#x2122;s second collection by Hedi Slimane was simple in what it wanted to represent (nineties rock grunge), with wardrobe staples like jean shorts, floral dresses and plaid

flannel touch, Saint Laurent gave classic grunge a touch of Saint Laurent luxury. Hedi Slimane released his grunge vibes down the catwalk with the first look offering a V-neck mini dress in a metallic print, belted at the waist and paired with an oversized plaid cardigan, dotted tights and buckled ankle leather boots. This vibe did not stop as mini dresses paired with coast was on going throughout the whole collection. Leather would obviously be a major player in this collection as Hedi created leather mini skirts with zipper details, the classic leather pants, black motorcycle leather jackets, strapless dresses and surprisingly a classy long black coat. Fur also found its way within the collection and big fur jackets were paired over hot pants with bow-tied shirts and mini dresses. Maria Grazia Chirui and Pierpaolo Piccioli Valentino explored the 90s in a more classic and refined

way; almost in an old-school girl kind of way that had innocent touches with long side braids and hair bands to close the look. This collection had a big series of collared dresses, which represented this era very much so. Such designs were in sober black with lace details on the collar and at the sleeves, some dresses even had a peplum in the same effect. Also, some dresses had a deep floral print, somewhat similar to the garments seen in North by Northwest, which looked stunning coming down the runway as the detail behind the print was exquisite. As the collection moved forward the dresses started to venture towards a couture feel through the use of embroidery that the fashion house has made a staple in every collection. After this, the collection took a texture spin using leather and velvet as the new faces for mini dresses and maxi skirts, which were in bright red and blue hues. The mini dresses turned into a cut-out perfection keeping the soft lines with circular cuts on the shoulders, waist and sleeve. > The final looks was a series of sober evening

â&#x20AC;&#x153;...sexiness that only Versace can provide.â&#x20AC;?

dresses in bust blue and white prints, innocent lace and brocade, which gave the concept of delicacy to a whole new angelic perspective. The styling was also stunning and effortless; Mary Jane strappy low heeled shoes, delicate flats and detailed clutches decorated with studs and fur. Donatella Versace gave a sexy punk feel to the era Versace

by giving a whole new look to the Versace Fall 2013 show. It opened with a sex-appeal appearance of Daria Strokous and Kasia Struss who were wearing a complete monochrome look that consisted in a one-piece bathing suit paired with a tailored long coat. The coat has detailing on the collar that matched the high-heeled ankle boots, which gave the look that sexiness that only Versace can provide.

After the epic presentation of models the second-skin PVC pieces started to overflow the runway with tight pencil skirts and skinny black plants, which had an edgy motifs as plaid and studs were added. The dresses within this collection had an elegant silhouette and had a colour palette consisting of white, blacks, yellows and reds. Plus, mink was in several looks as several animal prints were displayed in various garments. The accessories were pretty punk too! Tough embellished bags, high stilettos, studded boots, high heeled sandals with mink details, tough chokers and an ear cuff that looked like it could have belonged to a member of the Sex Pistols, but all in all the collection resembled more Barbarella rather than John Lydon.

MARY-KATE & ASHLEY OLSEN

There is no questioning that Mary-Kate and Ashley Olsen are one of the biggest child stars in the world! They landed their first acting job when they were six months old and continued to create on-screen hits together until 2004, including their own Tv series like ‘The Adventures of Mary-Kate & Ashley’ and ‘Mary-Kate & Ashley in Action’. Mary-Kate continued work as an actress after Ashley decided that her success as an actress was enough and MK did her last acting role in 2011 playing Kendra in Beastly. Not only is this duo known for the young success in the film industry, but also the impact that they have on the fashion industry being listed as one of the most inspirational stars for their style. Their style slightly differs from one-another, which is different from their childhood fashion where they would be identical. Mary-Kate is more rocker grunge whilst Ashley leans towards the more bohemian style. Plus, this duo has two have had many experiences within the fashion industry. The Olsen twins have a clothing line for young girls in American store, Walmart as well as having a beauty line called ‘Mary-Kate and Ashley: Real fashion for real girls’ and in 2004 they made big news by signing a pledge to allow full maternity leave to all workers that sew their line of clothing in Bangladesh. And lets not forget their major labels ‘The Row’ & ‘Elizabeth & James’, which allows us to explore through the couture and the classics whilst each collection is still inspired by their own style within the fashion industry.

MK&A

THE ICON: AUDREY HEPBURN THE ICON: AUDREY HEPBURN

AUDREY HEPBURN AUDREY HEPBURN

Pure elegance, a lifetime beauty and a smile like a sky full of stars: Audrey Hepburn was an icon who influenced more than just one generation of young women and a famous actress during the golden age of Hollywood. She is one of the best examples of how fashion and film are going along. Audrey was born May 4th 1929 in Belgium as the daughter of an English banker and a Dutch baroness. Through her childhood she attended ballet classes and private schools. After her parents divorced, she moved to London with her mother. So who was this incredible woman? Before acting she worked as a model, which was actually the step in the right direction since she was discovered at a job by a film producer. There she was! Suddenly an actress! We could not be more happy about it since she played amazing roles like Holly Golithly in Breakfast at Tiffany’s, which is one of her most successful roles.. Audrey’s style was never guided by anyone but her ... Elegance, a little Paris chic and an unforgettable coolness that oozed in each ensemble. My favourite outfit of her is definitely the one she is wearing in Breakfast at Tiffany’s: a long black dress designed by Givenchy, pearls, long elegant gloves, hair up and a natural make-up. Her style was never over the top, but more of a classic, straight look, added up with beautiful accessories and of course her eyebrows, which have become an icon in their own right. The thing about fashion and film is that both always require the right person to play or wear. A trend can be as fabulous as possible, but if it does not fit to the person wearing it, it is worth nothing. It’s the same with a role for a film, which is why Audrey exceeded in both as she could play multiple roles and always stun through fashion and film

G E T O U T O F

THOSE SKINNIES

AND P U T YOUR PYJAMA’S O N ! BY LAURA WOODS

I have to admit, I am one of those people who wear pyjama’s 24/7 around my house, and get somewhat irritable with the thought of getting out of them to go out. Of course, I love fashion, but there is no doubt about it, skinny jeans and leather skirts have nothing on silky pyjamas when it comes to the comfort factor, which is why I am elated to inform you of this new trend for f/w 2013-2014. Enter silk slips, loose trousers and smooth button up shirts for the upcoming season; pyjama dressing is definitely a trend you want to try if you are just so over sacrificing your comfort in order to look like you are stepped out of the pages of Vogue (or Dalliance ha!). If your winter’s call for thick jackets and wool scarves never fear! Make like Louis Vuitton F/W 2013 and pair thick coats over your delicate slips; or Marc Jacobs F/W 2013 (No I am not suggesting you go out ‘pantless’ in zero degrees) and pair fur coats over silk button ups which will immediately give you some major luxury points ... or transform you into the leading lady in an Alfred Hitchcock film. For a street style ready outfit, pair printed silk loose trousers, with an open black blazer for a structured look; or if you are ready to delve fully into this trend try a matching pyjama suit like Anna Dello Russo in Celine. With tousled hair, and minimum makeup you will really have that effortless ‘just rolled out of bed’ look. To finish off the outfit, ditch the stilettos and opt for some loafer style shoes or Birkenstocks (a la Celine S/S 2013 style!) Extra comfort if the soles are furry-thanks Phoebe for actually listening to hundreds of people’s complaints about the pain of wearing high heels! And, with that; get ready for a whole lot of comfort dressing to come!

BEFORE WHAT WE’RE WE SAY GOODBYE

LOVING

f first edition o e th g n ti a r b Cele catching up t s il h w e u g o Miss V w ts like Intervie on other grea k ate Moss Boo K e th d n a g a m . of our month t r a p n e e b e v ha er fantasizing ov n e e b o ls a e r We’v resses and ou d p li s in le K Calvin e Louise van k li ls ir g ie s s best au de Vorst!