DESIGN MATRIX • SEPTEMBER-OCTOBER
X I R T M A
2011 September - October • VOL. 1 • ISSUE 6 `80
N • INTERIORS G I S E D • E L Y T S E F PEOPLE • LI
Reboni Saha „Sometimes a casual discussion could lead to brilliant designs‰
Dean DÊcruz „At Design Valley, we aim to create an alliance of creative minds for functional solutions‰
A Paprika Media presentation
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FIC Jalaram
2 DESIGN MATRIX • JULY-AUGUST 2011
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N G I S E D M A T R I X
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t House India njhunwala. Printed at Prin lished by Karan M. Jhu Published at and ia ,Ind 078 400 ai Owned, Printed and Pub d, Bhandup (W ), Mumb Roa r Vile Parle(E), t, ndi rke Ma ta Ma l Dat rwa 6 ., Aga Pvt. Ltd am Kamal ‘C’ Building, Shy 201 ., Ltd . Pvt n ns hna MRJ Creatio Editor: Babita Kris Mumbai 400 057, India.
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S ’ R O T EDI N O T E
I
had been following Dean D’Cruz’s work for some time before I met and was totally charmed by him some years ago. During one of our meetings, he had expressed in passing, the desire to be able to connect with different design professionals.
Later, I got an email from him informing me about his partnering with Reboni Saha, a product designer, for a new venture – mozaic design combine. Architect – product designer, an interesting partnership, I had thought then. Still, I didn’t realize how exciting the possibility really was, until I visited Goa a few months ago for a holiday and met with Reboni. The soft-spoken designer I had interacted with over the phone turned out to pack quite a punch! To say that I had an enriching interaction is an understatement. The need to understand how their synergies work together and share all of that and more with all of you led to the Cover Story. The bonus was the information about Design Valley, their dream, of alliances across design streams. Alliances mean opening yourself to newer perspectives and ideas. It is, in my opinion, a sure way of enriching knowledge and erasing blind spots. Design also needs to be socially and environmentally relevant and things/events (both positive and negative) happening in the world around you tend to spark creativity. It was this discovery that conceived the idea of Design Matrix and in the past one year, we have shared the experience with you through all our issues. As we prepare for our anniversary, it’s your encouragement that keeps us going. Do keep those communication portals open…
Babita Krishnan
Now follow us on www.facebook.com/DesignMatrixMagazine Partners: Location: Le Sutra; Jewellery: Anmol Jewellers; Make-up & Hair: Rudra Spa
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CON TEN TS Design Matrix_Sept-Oct11.indb 8
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60 0\ VSDFH 60 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 61
3KRWR IHDWXUH
105 76 76 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
27 14
• Cover featuring: Reboni Saha & Dean D’Cruz • Photograph by: Tushar Rao • Location: mozaic Design Valley, Goa
CONVERSATIONS GREEN DESIGN
COVER STORY Reboni Saha & Dean D’Cruz hope to create an alliance of like-minded design professionals at the mozaic Design Valley – for functional solutions Pg 14
AR. AAMCHER A Sirsi farmer prototypes an economic solution to back-breaking paddy transplantation Pg 27
MARINE DESIGN
The concrete industry ventures into green technology and reflects the simplicity of its application via the iCrete corporate office Pg 40
CREATIVE IDEAS The Tree House Resort underlines the fact that creativity is unbounded, with nature as the unstinting partner; trendy trimmings, unique themes and the ultimate finish characterize the design of wedding invitations Pg 50
Anju Kumar from Delhi talks about her influences and inspirations as a prolific sculptor Pg 72
PHOTO-FEATURE 9th century sculptures of the Solanki period reflect current fashionist fundas –swinging from the heavily adorned to the unfussy to the sacrosanct bare look.. Pg 76
RETAIL DESIGN Rupal Bhat creates a studio feel for the sprawling Durian showroom – a contemporary backdrop to showcase the furniture Pg 82
YOUTH FORUM
solus4 Architecture, Maine, addresses a tsunami research centre with a new typology for stationary in-water based marine projects Pg 28
MY SPACE
HOSPITALITY DESIGN
LANDSCAPE DESIGN
The new Deli at the Taj, Kochi, employs a blend of rustic local flavours as its key design element Pg 32
Indoor landscaping can begin small via a salad garden in the confines of your home Pg 64
PRODUCT LAUNCH
DESIGN ASPECT
ARTY-TECHTURE
ETCETERA
We map Eyewear trends and take a look at where they are going Pg 36
Designing sound speakers is an art that blends lifestyle with functionality Pg 66
Happenings; art conservation; book & product review; and events Pg 113
German designer Nils Ferber talks about design as a tool to debate, and chisel a meaningful future Pg 60
Erik de Laurens of the Royal College of Arts, London, endeavours to create new materials from everyday objects. Pg 90
MUSINGS We look at the art of Art Curation Pg 94
All the news from the market Pg 105
SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 9
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Each issue, you have the chance to win a special gift courtesy
We would love to have your views, comments and/or suggestions on what you would like to see or read in our pages. Please email to: babitakrishnan@designmatrix.co or write to Design Matrix, MRJ Creations Pvt. Ltd., C-201 Shyam Kamal Agarwal Market, Vile Parle (E), Mumbai-400 057 or Call on 022-26187132.
10 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
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INBOX
I saw your the latest Design Matrix, and was
and commitment to the Earth and its resourc-
speechless. Kamal and Arjun are freinds, but
es was a different experience altogether.
reading about them was an expereince. I think
Thank you for sharing that part of her with us
its the first time, you made architects look like
because as students, there were many things
people! Wonderful presentation, where we
that we could not muster up courage to ask
get to read more about desingers’ views and
her.
opinions. Most design magazines focus on
Jyoti Singh,
projects and there is an element of mystery,
Jamia Milia Islamia, New Delhi
when one would like to know more about the person behind the projects or objects. Con-
The cover story made for a really nice read.
gratulations, on your new role and hope you
After working with her, I can honestly say that
succeed in this new avatar.
she is a person with great ethics and very fine
Ramprasad Akkisetti Managing Director,
architectural works. I am her all-time admirer! Great work Design Matrix, congratulations!
Christopher Charles Benninger
Abhs Jain,
Architects Private Limited, Pune
New Delhi
Congratulations for a very graphic and strong
I have been creating “weird stuff ”, as my mom
cover (and cover story). It is a true example of
calls it, for the past two years for my friends as
a wonderful collaborative effort. We expect
notebooks, bags, etc. as gifts. Reading about
nothing less from the team. Keep it up.
Kirtana Krishnan in your last issue gave me the
WINNER
Ninad Tipnis,
courage to try my hand at marketing some of
JTPCL Designs, Mumbai
it. Though I have started small, I already have a few people who have places orders for my
Congratulations for another outstanding pub-
handmade gifts. Thanks for the inspiration
lication. Its truly amazing. Since Design Matrix is
and encouragement
very popular among students and young pro-
Natasha Mehta,
fessionals who worship the field of work space
Surat
interiors, would like to suggest something. Eager to see some exceptional work space
I loved the cover of the last issue. From what-
designs which inspire them.
ever little I know of Revathi’s work and pas-
Deepang Nandu,
sion, that image brings forth all that and more.
Ex- Student,
I was very proud that my photographs were a
(Rachana Sansad- School of Interior Design)
part of the issue as photo feature. As a photog-
rapher, I really love your presentations where Being a student of architecture, I have done
images are an equally important part of the
a case study on Kachchi Kothi, the residence
content. Way to go Team Design Matrix!
of Revathi Kamath. Seeing it on the cover and
Cleo,
learning in her own words about her passion
Bangalore
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Cover story
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TWO TO TANGO Their professional ideologies fit together perfectly like the pieces of a jigsaw. Dean D’Cruz and Reboni Saha of mozaic design combine reveal to Babita Krishnan, their dreams of creating a Design Valley in Goa – an alliance of creative minds from varied fields to give functional solutions.
Words: Babita Krishnan; Images: Tushar Rao & (projects) SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 15 courtesy mozaic design combine
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DDC: JJ was great with its beautiful campus right in the middle of the city. I remember my dad coming to college one day after about a year. I was with friends in the canteen and someone recognized the car and told me. So I bumped into him in front of the Principal’s office as he went in for a meeting that lasted precisely ten minutes. He was informed that his son will be in the canteen and probably learning more there than he would in the class. He couldn’t believe it! We were very chilled out towards academics but there was an eagerness to learn, which sadly seems to be missing now. BK: Dean had his roots in Goa, but Reboni, what prompted you to move here? Babita Krishnan: How did you gravitate towards your chosen professions?
RS: I generally don’t like to follow the crowd. So after NID when everyone started moving to bigger cities, I zeroed in on Goa
Reboni Saha: I was fascinated with machines and aero model-
because I could set my own pace and agenda here. People were
ing and greatly influenced by my travelling. Also, I have a thing for
not demanding. Though I could have moved abroad given my
3D; so the closest I could get to converting my dreams to reality
background and training at Bosch-Seimens Hausgerate, Germany, I
without becoming an engineer, was product design.
decided to stay back as it was the fantastic possibility to bring some
Dean D’Cruz: The intention was to do engineering since my dad was an engineer. I applied for IIT but couldn’t get in. So sought
conclusions to the chaos that is India that attracted me. Satisfaction comes from making a change and I knew, I could do that.
out whatever had free forms available (laughs), and as I was always good at drawing, sailed through the entrance exam. I dabbled at all
BK: So are the perceptions about product design changing?
sorts of subjects – from science to commerce and hoped to join my
RS: Yes, they slowly are. Product design is like an orphaned
dad’s shipping business. Architecture being very unconventional as
baby. While other design faculties have the support of the industry,
a course of study, was an eye opener for me.
media, public, etc. – be it fashion, IT, interior design, nobody quite knows where to fit product design, even though it has the most
BK: Both of you have done your professional courses at land-
advanced curricula of teaching.
mark institutes. How was the experience? RS: NID was one of the only two design institutes in India till the
BK: It must have been really difficult initially.
90s. Its focus was on real-life experiences and the most prized take
RS: Yes, simply because it was the bastion of engineers and
away was the design process – a method of creative discipline and
there was a general feeling that we were trying to venture into their
problem solving.
territory. We would face hostility and disinterest in anything new. In
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fact, initially I had to overstep my boundaries. Unlike abroad, where
learning experience because it is very difficult to predict how future
you just design and then pass the baton onto the engineer, here I
development will take place. You just put in those checks that allow
had to do the detailing and the engineer’s job as well, just to prove
discerning future development and hope for the best. (Laughs)
that it can be done. You need a bit of pigheadedness and that got me through (smiles), though many times the products morphed into something I hardly recognized. But the work I’m doing now is more socially relevant and closer to my heart – gives me satisfaction as a designer. Though they might not be beautiful in the printing sense (laughs).
BK: This being your adopted home, are you also part of this movement? DDC: Oh, she is the face of the Goa bachao andolan… RS: I actually got dragged into it by just looking at the tip of the iceberg. We were able to pinpoint what was going wrong but realized that people across the country did not comprehend the
BK: Dean you have become synonymous with the beautiful
magnitude of the problem – Goa was just a tiny spot on the map!
Goan architecture and its conservation. How is it different from Por-
So in desperation, I thought let us hit where people will understand
tuguese Architecture?
it most – we took images of places that were close to everyone’s
DDC: Goan Architecture has been around from before the Por-
hearts; what tourists knew, and work on them. For example, Baga
tuguese came. It has developed climatically like Kerala Architecture
Hill across Panjim, where one is used to seeing the green spread; we
– small dark spaces, closer to the land, very agrarian in its approach;
took it away and photo-shopped it with buildings. The impact was
Portuguese Architecture, on the other hand is more lively, showy,
tremendous and I couldn’t believe that something done in such a
with high plinths, etc. But due to the local craftsmen working for
hurry could work that well. It galvanized this whole movement. I
the Portuguese, what came out was a very beautiful combination.
came to know a lot of interesting people who cared and had con-
For example, the cherubs have very Indian faces; in my own house,
nections and as a spin-off, each one has gone back to their own
the columns have cobras, which is very Indian. It is more like a Goan
area of expertise to contribute. They are looking at garbage, women
interpretation/adaptation of the Portuguese idea.
issues; somebody has a foot in the Govt.; so that helps in getting sanctions when required.
BK: Is Goa also facing the loss of heritage buildings to builders due to commercial/economic pressures like Bangalore?
BK: So what drives you?
DDC: In towns, yes; but not so much in villages. Goa has already
RS: As product designers, we need to look into the minute
lost its cultural identity owing to apathy of the authorities and
details as well. We can’t just design and leave it to a fabricator, we
people, and what we have today is just marketing gimmicks. That
need to look for material that is functional and looks good so that
whole lifestyle is now lost. There are a few groups working towards
people like using it as well. It is not a fashion statement. Like this
maintaining what is left, I’m also part of them. We are trying to do
composting machine that we have developed as an experimental
our bit towards getting landmark judgments against mining, intro-
project, is shaped like a mushroom. I saw the way people treat gar-
ducing composting, taking care of the environment, etc. I’m now
bage. That is a huge problem not only for the authorities who are
working with the government on town planning and it is another
not interested, but also for people because otherwise how do you
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encourage them to separate garbage? I realized that people feel
of, you can concentrate on creating what you really believe in. It
a little eeked-out with this whole business of separating wet and
should become a vocation like Gaudi or in the times of kings, who
dry garbage and the fact that it starts to smell after a while. Being a
were patrons. Most of us are so caught up in other mundane issues
product designer, I decided to make something that was not eekey
that there is little time for creativity. And that is where collaborations
and a fun element; so we made it like a mushroom where the top
come in. Any project is never the work or vision of any one person.
lid can be spun to air the garbage and this takes care of the smell. All
Not that the clients don’t have a vision; but they have a very narrow
you do is spin it every now and then. At the end of the day, you just
spectrum, so we are trying to create a setting where everyone is
open a little thing underneath and scoop it out. It is at the testing
able to collaborate at what we call the Design Valley, because archi-
stage right now.
tecture is no longer intuitive.
Another area that interests me is the idea of compost toilets. Based on the premise that we are using water to clean something that we consider dirty and the same water is then purified as drink-
BK: How do the synergies work when both of you work together?
ing water, is precious. The initial concept and mechanism is ready
DDC: There was this project that we did for The Taj where we
and I’m going to install it in my new house for testing so that it
developed the brief together with the client, who was very demand-
is accepted by the middle class without being patronizing, rather
ing but educated about where each aspect of design came from.
adopting it as way of life. If I can slip it through the mind block of
We all got together, discussed and realized that the end result was
people towards something new, then I have won as a product
much better, much more polished and refined. Design is not one
designer. I don’t believe in creating something touristy but more
dimensional; there are so many aspects and it is better to involve
relevant to the environment around me. I put design in two boxes
everyone to ensure a richer product. Having a team like this ensures
now – design as an end in itself, and design as a means to an end.
that I will not miss out on anything because of my own blindness.
DDC: Right now there is this green agenda that we are working
RS: The ideal situation would be to get a client who under-
towards and I feel it is something that needs to come from within.
stands the importance of both, otherwise one tends to get over-
All these ratings etc. are all still very new – every building should be
shadowed. We have to take cues about what needs to go where
green. One might think it is a new concept, but traditional Indian
in a building; that needs research, which is part of my training and
architecture was always green. I wish there was a process where
thought process. That is my value addition to a project. Then of
architects went through something like priesthood so that they
course comes detailing – the spaces and the kind of feel we want to
don’t get into the business mode. If your daily needs are taken care
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Exchanging ideas could lead to innovative product designs like this switch board.
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The top lid can be spun to air the garbage and this takes care of the smell.
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give, textures, etc. So giving shape to these requirements is where
the same old square or rectangular box, and that got me thinking
the architect plays a role. Also in interiors, there are many require-
that we should try and design a switch box that becomes a part of
ments where practical solutions are needed from a product design
the aesthetics. We have just finished prototyping this new design
perspective. Dean can probably make a sketch of what he needs
and it is very exciting. The most important thing is communication.
but the actual feasibility is what I have to design. On the other hand, there is a great synergy in terms of ideation.
BK: Is that how the idea of mozaic came about?
Dean is really great at concepts and ideas; so whenever I get stuck,
RS: Mosaic is a design that is created by the coming together of
I call him in and he just throws the problem open. Similarly, I can
different tiles – each independently beautiful but part of the whole
give a product thrust to his buildings. Many times architects get
pattern. Some years back, Dean had to shift out of his office and
so involved in the materials and other practical stuff that smaller
we saw a couple of soul-less places. So we decided to start from
details get lost. So I just step in, give a whacky perspective and that
scratch – land was cheap enough, and we just bought into it. Also,
adds to the overall effect. Sometimes ideas just crop up out of ordi-
as designers grow older you realize that richness of ideas comes
nary chats. A few months back over lunch, Dean mentioned how
from interaction, and sharing administration is an added bonus
disappointed he was with the designs of switches in the market –
(laughs). So there is architecture, interior design, product design and
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‘‘We decided to make a design centre; other likeminded people bought into the idea and it just started rolling on its own. We all have a common value system, a common sense of where design should be.’’ SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 23
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now with the mozaic Design Valley, we aim to bring different design genres under one roof to give complete solutions. DDC: In fact, by understanding the client and his requirements, we aim to give him the brief as well, rather than it being the other way around. The aim is to involve all aspects/parties concerned, right from day one, so that there is minimum confrontation at various stages of the project and the delivery time is reduced. BK: Design Valley sounds a very exciting concept. Do share more with us. RS: We don’t even know when it happened. There was this blank space where we decided to make a design centre; other like-minded people bought into the idea and it just started rolling on its own. There is no concrete plan but somewhere down the line we all have a common value system, a common sense of where design should be and the fact that we can pool our resources, draw from our experiences, and can hence, offer a much superior service. DDC: Architects are actually just assemblers of material manufacturers, so we need someone to look at the finer details. It is always better when people from different design fields collaborate: like products, planning, graphics, a business point of view, etc., create informal environment for people to come together and work. We are building a design centre that will hold workshops, training programmes, etc. and document each event there. We’ve been collaborating with universities abroad for exchange programmes. It is also like a retirement plan (laughs), something to do in old age. But on a serious note, all this comes from having worked for so long and realizing the ego has been beaten down and the service aspect needs to come to the fore. BK: Is design also being looked at as a commodity at Design Valley? DDC: Yes, why not. We have a concept that is viable and functional; that can be sold to the industry. For example, we are working on this idea of pre-fabricated homes, which will give you tremendous economic and ecological benefits. The drivers of this project will be the people from design fields, and others like finance, etc. will be the support group. There is a need to reconnect art with the industry. You see it happening abroad, it’s high time it happened here as well. BK: Looking back, what would you rate as one of your most cherished projects. DDC: Each one has been a learning in itself. Sometimes there were lovely projects, but lousy clients or lovely clients who lacked vision, at others everything just fell into place. It has been more about relationships than anything else. I’m still servicing clients and projects 25 years later – maintenance issues, little touches here and there. It is wonderful. RS: Every project that moves you out of your comfort circle is a challenge. But the greatest high was when I saw a train streak past me in Punjab with a ‘mozaic’ designed front end
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ICF DOOR
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“We all have a common value system, a common sense of where design should be and the fact that we can pool our resources, draw from our experiences, and can hence, offer a much superior service.” “Architects are actually just assemblers of material manufacturers, so we need someone to look at the ſner details. It is always better when people from different design ſelds collaborate”
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HOME-GROWN
INGENUITY
S
irsi farmer and mechanical engineer, Raghavendra Hegde is the new hero in the small farmers’ circles. 12 months of
Ar. Aamcher gives a big ‘thumbs up’ to the new manually-operated paddy transplanter developed by Raghavendra Hegde…
labouring over revamping the mechanically operated paddy
transplanter into a manually driven, low-cost mechanism has borne fruit, and he is now ready with the working prototype of a simple (in construction and operation) transplanting mechanism, which he calls ‘Surya Sarala Naati Yantra’. The paddy transplanter is a well-known farming tool that facilitates the labour-intensive task of paddy farming. Generally available in sizes that cater to transplanting 4, 6 and 8 rows, the mechanism is often diesel-driven and comes at a whopping cost of `1.5 to 2 lakhs. While the transplanter benefits the farmer with its adjustable bill spacing (planting distance) and reducing water consumption up to 20%, also increasing yield by about 10% due to even planting density and reduction in uprooting of seedlings, it can only be afforded by those with sprawling estates. Besides, it is impractical to transport it to remote areas. Designed and developed in the interest of small and marginal farmers (those with half to two and a half acres of cultivable land), Hedge has worked on the same invention and improvised it with certain modifications that make it conducive to manual operation. Hedge’s version of the transplanter weighs a mere 28 kg for the larger (six row) and 20 kg for the smaller (4 row) operator. This makes for convenient handling by male and female members alike. It drastically reduces the farmer’s dependency on employing day labour; and thus cuts costs. Estimated cost: `15, 000 and `10, 000 respectively Estimated launch of transplanter: Late 2011 To share more such designs or experiences, positive or negative, contact Ar. Aamcher at aamcher@designmatrix.c
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Marine design Words: Savitha Hira; Images: courtesy solus4 Architecture
Natural habitat informs the design of a new research vessel with under and over the surface facilities representing a new typology for stationary in-water based marine projects.
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MORPHING
CATACLYSM
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ABOUT THE FIRM: solus4 is an architectural studio specializing in architecture, planning and interior design, headquartered in Kittery, Maine. The firm, while newly formed, has an extensive background in commercial, residential, institutional and hospitality design and planning through the experience of its partners. solus4 operates as a collaborative on a global platform, adding intensively focused experience to each commission through key team members who specialize in sustainability strategies, macro planning, community building, project logistics and team management.
The design is both aesthetically imposing and seamlessly integrated into its natural aquatic environment. In keeping with the nature of the universal ocean, the project is intended to be wholly energy efſcient.
recent international design compe-
A
and private. The spaces vary from research
tition for a marine research centre
labs, scientist bedrooms, library and aquatic
in Bali, Indonesia, gave architec-
garden to sea-water pool, swimming pool,
tural firm solus4 an opportunity to study
terrace, bar and an auditorium. The spaces
and architecturally interpret the structure of
are distributed above and under water and
tsunami waves. The competition, co-spon-
allow the visitors and scientists alike to take
sored by Arquitectum and Universitas Pelita
full advantage of the amazing landscape
Harapan in Indonesia, sought to address the
that surrounds the project.
need for tsunami research and preparation,
In keeping with the nature of the uni-
in response to the devastation caused by the
versal ocean, the project is intended to be
2004 Indian Ocean earthquake and tsunami.
wholly energy efficient. Photo-voltaic cells
Three major events are generally known
embedded in large glass-based panels –
to generate tsunamis: meteors, landslides,
both transparent and opaque – constitute
and large earthquakes. Underwater earth-
the skin of the vessel. The close in-to-shore
quakes — the most common type in Indo-
location allows for tidal/current generators
nesia — with epicentres close to coast lines,
to serve power requirements, while rain-
form the conceptual basis of the architectur-
water collection and seawater conversion
al proposal. The solus4 design team sought
systems take care of the domestic water
to understand wave dynamics and the
requirements. Deeper source seawater is
resulting wave force patterns that are gener-
circulated through the skin for radiant cool-
ated as tsunami waves are created and radi-
ing and temperature control of the overall
ate out from an epicentre. The wave forces,
anthropomorphic shape. Incidentally, the
when translated into linear patterns, inform
unique shape and programmatic require-
the shapes that are integrated into the build-
ments are proposed to serve as an icon for
ing form and result in patterns that seem
scientific study and tourism in this location.
to be born of the sea. The concept, thus,
The centre will serve not only as an
uses the initial elliptical pattern and cross-
architectural icon for Bali, but also as an
sectional diagram of the tsunami wave, one
international model for modern sustainable
of the main focuses of the centre’s research
design with its use of on-site renewable
and prevention efforts, as the morphology
energy resources through its integration of
generator and guide of programmatic orga-
such technologies as tidal wave energy gen-
nization for both, on-board scientists and
eration, natural ventilation, rainwater collec-
the interested visitor.
tion, passive solar energy, low E glass, and
The design is both aesthetically impos-
high reflectance fibre glass materials.
ing and seamlessly integrated into its natu-
This project represents a new typol-
ral aquatic environment. It is an imposing
ogy for stationary in-water based projects
fluid structure with an immediate and direct
reached by boat, which in the past have
visual connect to the exterior. Located just
been mostly relegated as merely work,
100 meters away, parallel to the shore of
non-destination platforms, both floating
Kuta Beach, Bali, the 2,500 sq. m. marine
and rigid, which do not take into account
research centre programme is composed of
the design possibilities presented by in-
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ts existence is probably as old as the his-
I
“The Queen of the Arabian Sea, Kochi,
tory of the recognized hospitality indus-
is well on its way to becoming a mega
try in India; yet the Taj Group of Hotels is
city. The two cities are represented in the
known to reinvent itself and remain in sync
abstract.” The Deli at Gateway sign, on a red
with the trends and moods of the day. So
background stands out of the map of Kochi,
when The Gateway Taj, Kochi, wanted a cof-
showing the harbour and main roads. The
fee shop that reflects “today” and appeal
area around the Gateway hotel has been
to the trendy young crowd, Fahed Majeed
mapped and extruded as metal compo-
of the Cochin-based 10X10 Design Consul-
nents of varying heights to compose the
tants knew just where to begin from.
name of the café. Similarly, New York has
With a casual seating and giving a
been mapped and extruded to morph
lounge feel to the 800 sq. ft. space, Fahed
into a bread stand. New York has a grid
managed to create a lively yet relaxing area
iron layout, which results in a more orderly
evoking the flavours of Kochi that would
arrangement of buildings; approximately
appeal not just to the hotel guests but the
5,000 MS chrome-plated components have
local populace as well.
been used to achieve this.
“The idea of a café being primarily a
One finds many such subtle touches
transit space was the basic premise around
that go beyond the brief and reflect the
which the design evolved,” Fahed explains
sensitivity of the designer towards the
the design that reflects local references in
many things usually considered mundane.
a site that is located opposite the Kochi
For example, the light installation that
port. Though the primary colour scheme
reflects nostalgia: “Today CFL and LED lights
has been restricted to shades of brown,
are phasing out the yellow bulb that all of
red being the corporate colour, was incor-
us grew up with. The humble incandescent
porated in the primary board and furniture.
light brings memories of home and ways
“The broad range of materials put to use in
of living that are being outmoded. This
the design have been specifically chosen
installation adds a touch of nostalgia, while
for their evocative qualities. The key design
acknowledging the changing preferences,”
elements holding the space together are
Fahed smiles. Keeping energy costs in mind,
the metropolis installation, saucer lights,
361 lights glow with a bare minimum inten-
the rusty wall, incandescent lighting and
sity so that only the filament glows. Then
the Kochi-New York installation,” he reveals.
you have the “saucer light” – the mundane,
Why New York? You ask; “It is the estab-
utilitarian vat used to mix cement and
lished melting pot of the world!” he quips,
aggregates at construction sites usually
With a casual seating and giving a lounge feel to the 800 sq. ft. space, Fahed managed to create a lively yet relaxing area evoking the ƀavours of Kochi that would appeal not just to the hotel guests but the local populace as well.
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Hospitality becomes an experience of local flavours at the Deli at Gateway in Kochi, under the creative flare of Ar. Fahed Majeed.
BILLET-DOUX FROM KOCHI Babita Krishnan; Images: courtesy 10X10 Design Consultants
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One ſnds many such subtle touches that go beyond the brief and reƀect the sensitivity of the designer towards the many things usually considered mundane. departs with the workers. “As a tribute to all those who labour to build the edifices of our cities, they were given a permanent place and put to innovative use here,” says the designer. A coat of the same paint as the walls and viola! The ordinary little vessel is turned into a chic light fixture. While it serves as mood lighting, it also dresses up the otherwise unexciting ceiling. An outdoor sitting area of about 200 sq. ft. in front of the café is ensconced in a glass wall that equips the passersby with an easy view of the café. It is also a good way to enjoy the famous Kerala monsoon. The seating is casual and very flexible with bean bags and movable swivel chairs that can be rearranged according to preference. The eye-catching red bar stools are provided for those waiting for their takeaway orders. There is nothing more satisfying than the appreciation of guests and we sign off with this interesting comment on the Metropolis wall by Meghan Young, a Deli customer: When I look upon the Deli at Gateway glowing wall, I can’t help but imagine that there is a society of fairies living behind it, lending a magical glow not only to their happy home, but also to Gateway visitors. Of course, that is not the case, but it still puts a smile on my face
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EYE TO EYE Words: Sheena D’Lima
We map Eyewear trends and take a look at where they are going.
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I
n the March of 2011, Tokyo city buzzed with tangible excitement as gaggles of giggly twenty-somethings made a bee-line for Japan’s biggest Fashion event of the year – The Tokyo Girls Collection Spring/Summer 2011. Fashion photographers weaving through
Design aspect
crowds of the pretty young things noticed that a particular trend was abound – lens-less glasses. The world watched in amusement as Fashion bloggers termed this new statement “a cross between Hipster Woody Allen and kindergarten play props.” While it may be a bit of a stretch to compare the edgy, eye-popping fashion traditions of Japan’s Harajuku girls to the rest of the world’s trends, one cannot deny that the humble pair of spectacles has travelled a long way. From being the (forced) staple style statement of the book worm, it has come to stand as an expression of your personality. Your eyewear, apart from making you see better (but myopia is hardly a prerequisite anymore), will instantly complete your look – whether its hipster, flower child, vintage, retro, diva or ubër-modern. New trends in eyewear are a fashion phenomenon that has hung upon certain icons in popular culture sporting a look that promptly took off as a worldwide fad. We take a look at some of eyewear’s biggest trends.
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1990’S80’S BUG EYES
Two words – Bug Eyes. These were a style
of frame started out as tortoiseshell but
1970’S60’S LENNON AND JACKIE OÊS
soon plastic and other materials began to
Beatle John Lennon’s’ tea-shade glasses – round and wire-framed with tinted lenses –
be used. Celebrities who wore this style
took off as part of a 1960s counterculture in certain states of America as well as sections
and came to stand as its ambassadors were
of Europe, and still have their own little throne on retail shelves today. On the other hand,
Nicole Richie in the nineties, Cheryl Tweedy
Jackie O’s made famous by first lady Jackie Onassis Kennedy’s oversized frames that went
and the Olsen twins.
down past her cheekbones began to sell themselves silly, and remain a celebrity favoured
of spectacle frames that made an appearance after the Cat Eyes fad but really picked up after the 60s were over and done with. These glasses, with almost opaque lenses were large and tended to protrude slightly away from the face when worn. The choice
choice even today.
1950’S CAT EYES
The late fifties were marked by a kind of understated elegance. This was the era of pearls, low heels and elbow length gloves on one hand and debut of the bikini on the other. “Cat Eyes”— the famously tip-tilted glasses that imitate a feline-eye shape and used tortoiseshell frames – were first worn famously by singer Buddy Holly. However, the real game changer came in 1961 when Audrey Hepburn wore her Cat Eye shades in the film Breakfast at Tiffanys. After that, Cat Eyes went down in fashion history with icons like Marilyn Monroe and Grace Kelly sporting pairs. This era also saw the rise in the famous “Ray ban wayfarers” style in eyewear worn often by US Senator Robert Kennedy. 38 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
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INDIA AND EYE Indians and glasses are about as much of a happy couple as India and say numbers, or India and Bollywood. In the 90s, the Western world especially Hollywood and British Television comedy jumped onto the stereotype of the bespectacled, earnest Indian, always in the background and interested only in academics. We too rested easy with the stereotype. Glasses were for the nerds and that was that. Now however, you don’t have to be a expert to figure out that this mindset is fast disappearing. Even if you don’t know your brands too well, a quick stroll down any city’s flea markets will show you spectacle frames in rainbow hues, iunconventional shapes and with detailing and design that would make our conservative ancestors of the erudite Gandhi glasses turn in their graves. “While initially, utility defined most of the mass market choices, nowadays Indians are more exposed to luxury brands and global styles and are a little more experimental,” says Ronak Sheth, Director of Eternity Lifestyles, who has been in the eyewear industry for fifteen years. Bollywood has had a huge impact on the eyewear fashion in India. Everyone still remembers the Preity Zinta frames fad (thick black rectangular frames), named after the glasses that the actor wore in the 2003 film Kal Ho Na Ho. Slightly before that, the blue-tinted glasses that Bobby Deol wore in Barsaat (1995) sparked a nationwide trend. “But its not just Bollywood, really,” confirms Sheth, “Rajiv Gandhi became known for wearing his high-end Cartier Glasses and will always remain associated with the brand.” As far as future trends go, Indians stand in a gray area. They’re experimental and edgy but aren’t really ready to go the double-take way. “It takes two or three years for a trend to catch on and while Retro styles like a Clark Kent (the glasses Christopher Reeves playing Clark Kent wore in Superman in 1978) can make a comeback, Vintage styles still don’t hold too much appeal,” says Sheth. Still, the writer of this piece can only look at a pair of Fushia and black striped frames displayed at a flea market in downtown Mumbai, and wonder whether the day when Indians wear lens-less glasses is just around the corner!
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Green design
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CONCRETE
IDEAS
Words: Babita Krishnan; Images: courtesy FKA
Felderman Keatinge + Associates give iCrete’s LA office a space that reflects its corporate philosophy.
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T
he concrete industry is one of the
employees. To this purpose, the LA-based
most important in the world as
Felderman Keatinge + Associates have
this material can be made relatively
created a non-traditional space that both
inexpensively from local materials and just-
expresses the raw and sustainable nature of
in-time, making it probably the most popu-
iCrete’s new product, as well as the innova-
lar building material. Founded by industry
tive nature of their own approach.
professionals and experienced entrepre-
Celebrated for looking to the future for
neurs, iCrete’s mission is to help bring con-
design inspiration, FKA was challenged to
crete production into the 21st century
combine showroom space with a working
by helping producers turn their data into
office. Designed not only to promote inter-
actionable information.
action amongst employees, the space also
The company understands that the
invites the visitor into the heart, or “hub”,
industry has historically had difficulties in
of the open-space. In place of a reception
introducing new technology and therefore
desk and waiting area, a long work surface
been unable to achieve many potential
provides layout space for the company’s
gains in productivity, quality, performance
products, while also doubling up as a con-
and sustainability. In many industries,
ference table. “Our focus is on creating
companies have taken advantage of data-
inspiring spaces that authenticate who our
driven decision making and integration
clients are. We co-create the environment
software to great effect and iCrete believes
together,” says Nancy Keatinge.
that the concrete industry needs and will
Particularly for this project, the mini-
have these solutions too and is working in
malist workstations were created to seem-
partnership with producers to accomplish
ingly float just above the gray carpet.
these objectives.
“There’s a sense of movement, a rhythm,”
When launching innovative and green
Stanley Felderman explains, “That’s almost
technology, iCrete wanted its new corpo-
musical.” By juxtaposing the sculptural
rate office in Los Angeles designed to reflect
white gypsum and refined architectural
its strong work philosophy. Desiring an
elements with exposed industrial and
open and minimalist space, they wanted an
mechanical systems, Felderman Keatinge
environment that would foster innovative
cleverly succeeds in creating a careful bal-
thinking and encourage interaction among
ance of yin and yang.
Desiring an open and minimalist space, they wanted an environment that would foster innovative thinking and encourage interaction among employees.
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ABOUT THE FIRM: Felderman Keatinge + Associates (FKA) have always been future-forward: constantly in search of fresh perspectives and new frontiers, each new project stands as further proof of its commitment to oneof-a-kind solutions tailored to each and every client. Designing everything from architecture to furniture, FKA’s focus is to create a sense of community, and consistency and equality of design throughout a space. FKA takes a humanistic approach and views architecture as a living organism, which is an extension of people – effecting how they live and work. The firm’s goal is to elevate the quality of one’s experience of the built environment. FKA has designed for manufacturers like Herman Miller, Global, Hon, and Haworth. SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 45
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Le decor
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GREEN MAGIC
Words: Natasha Bohra; Images: courtesy Tree House Resort
The Tree House Resort is a fitting narrative to help convert a barren land into an ecologically balanced haven, where dwellings grow on trees, quite literally!
Creative ideas SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 51
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L
ittle that any modern hotel provides
or engineering. His simple knowledge of
explanation based on common sense and
can match up to the experience
the forest and the skills of locals led to the
an acute vision. What started off as a brown
of waking up in a bedroom that
creation of this rustic resort.
and shrubby landscape in the land of desert
literally falls in nature’s lap, or in this case,
The Tree House Resort is a replica of the
sands has today turned into a green forest.
her bosom. With a petite number of about
tropical rain forests – lush vegetation, brave
The consistency in plantations, water har-
22 rooms resting on real trees, in the
creepers and beautiful trees surround the
vesting and rural employment has made
outskirts of Jaipur, is the Tree House Resort.
entire site. “It may be hard to believe but
the Tree House Resort much more than a
Indeed, one can feel the magic of nature at
the fact is that there were absolutely no
hospitality project; it is an experience.
every sight.
designs or engineering drawings involved
To comprehend any vision, the pre-
Inspired by the famous hunter turned
in building this resort,” narrates the proud
requisite is an involvement of resources,
conservationist Jim Corbett, who built the
owner. What the entire workforce now calls
planning and management. However, it
Aberdere National Park in Kenya, Sunil Meh-
‘The Magic Wand’ is nothing but an iron
definitely is easier said than done. The chal-
ta visualized this resort, after his first tree
rod that Mehta carried to draw designs and
lenges faced in building a project of this size
house was built at his own farm house. A
pathways on the soft soil of Mother Earth.
and nature, were multifarious and unique
keen nature lover, Mehta managed to bring
Every little design from the structure to
pertaining to the area in conversation. The
together this unique concept despite no
the landscaping, was either drawn on the
first and biggest challenge was to create a
formal learning in the field of architecture
ground in the form of a map or was a verbal
fertile stretch out of a barren infertile land.
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Devoid of standard brick and concrete walls, it instils a feeling of being in the midst of nature whilst continuing to enjoy the comfort of luxury. SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 55
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It was through the basic understanding of
villagers who had once got used to seeing
Spanning across 40,000 square yards,
the landscape and soil that planned experi-
one or no crop during the monsoon flood-
the maintenance of a project such as this
ments were possible with a variety of plant
ing were now growing multiple crops due
involves periodic gardening and a consis-
species. Constant manure provisions and
to the water harvesting and dam construc-
tent scrutiny of the tree houses. Restored
rainwater harvesting helped enrich the
tion,” Mehta explains.
and standing tall is the 400-year old Pea-
soil and replenish the underground water
Encapsulated with wood and bamboo,
cock car that surely cannot be missed.
table. What started off as 95% mortality rate
rooms at the Tree House Resort provide
Another attraction of the resort is the fact
amongst plants has now fallen down to ‘nil’!
unimpeded spectacular views of the for-
that it is on the World Birding Map owing
Next on the list was educating neigh-
est. Devoid of standard brick and concrete
to more than 50 species of birds that can be
bouring villagers on the importance of
walls, it instils a feeling of being in the midst
spotted here.
afforestation and the benefits of rural
of nature whilst continuing to enjoy the
The Tree House Resort is an exquisite
employment and increased skill sets. “We
comfort of luxury. Sometimes a branch or
experience of nature infused with the spoils
adopted the school in the village and also
may be a tree trunk or the tree itself, accen-
of luxury for those who want to experience
held a number of training camps. The same
tuates the modern interiors.
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Creative ideas
HAPPY WEDDING!
Words: Savitha Hira; Images: courtesy the designers
Elegance, style and exquisiteness mark the design of a wedding card, and the market and trends veer towards the unexplored and avant-garde …
H
ow does it feel to receive a wedding invitation that opens out to reveal a box with seven
katoris containing mishri, iliachi, kesar, etc., and each of the saat vachans printed under each katori? A delicate drawer slips open under this paraphernalia and gives you the requisite information on the wedding and its associated celebrations. Another beautiful design spells out a customized box with four different kinds of flavoured honey complemented by honey spoons and accompanied with a silver-leafed invitation. Well, you tend to store them away for keepsakes as they are too ‘wow’ to be discarded!
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“A wedding card reƀects the status of the parties concerned and is indicative of the kind of wedding you are being invited to – extravagant, rich, simple...”
The wedding invite is no longer the
and to ideate and seek his approval. Then
demure calligraphic artistry that once was,
comes the productionization part,” says
but mastery of integrated solutions that
Surbhi, designer at the Ravish Kapoor studio
spell chic and are symbolic of social stature
of Innovative Invitations in Mumbai. Each
and progressive outlook. “A wedding card
request is handled exclusively and each
reflects the status of the parties concerned
invitation designed to perfection, integrat-
and is indicative of the kind of wedding
ing the mandatory ‘gift’ with the invitation
you are being invited to – extravagant, rich,
card. Themes are developed and discussed;
simple, you name it,” informs Nilesh Parekh,
colours and material are personalized to the
Partner, Parekh Cards, leading manufactur-
needs and wants of the client and voilà, a
And it is this emotional response that
ers of Indian wedding invitations based in
new tailor-made concept in sync with the
makes today’s weddings a grandiose affair.
Mumbai. “This important element, which
client’s sensibilities is readied for posterity.
Budgets are often not a constraint as people
once formed only a miniscule part of the
Gone are also the days when nothing
are willing to traverse the extra mile for the
entire grand brigade, is today an iterant
less than a kilo of mithai or a box of rich dry-
extra edge. They demand exclusivity and
indication of one’s social status and spend-
fruit spelt the social stratum. “Nowadays,
style. While there are the unique personal-
ing prowess,” he continues, “And the bud-
people understand that the gift with the
ized and custom options as Ravish Kapoor
gets are no mean feat either.”
wedding card is a solemn shagun; the quan-
studio, there are also the Parekh Cards kind
The entire concept of the wedding
tity no longer matters, the quality of the
of retailers who are absolutely in sync with
invite has seen a sea change over the last
gift does. With mithai, dry-fruit and home-
market trends and tend to introduce close
decade. Certain western motifs and use
made chocolates passé, gifting options are
to a hundred new designs every year to
of more refined materials have silently
taking on novel dimensions – flavoured
reach out to a wider spectrum of society,
entered the wedding card market as a
honey, khajoor, home-grown fragrances, sil-
who want inimitability within the reach of
‘fusion’ of ideas and mindsets, where tradi-
ver leafed and gold plated murtis, silver bars,
their pockets.
tional ways have mingled, and co-exist with
not to mention a ground-breaking initiative
So, whether it is a card made of silver
open-minded perspectives. Calligraphic
that marked a hi-profile wedding with a
tissue-finish paper, or a stunning rich colour
art, which was once the ultimate diktat of
pre-programmed cell phone as the beauti-
shimmer-finish card with kundans and gold
a wedding card design has made way for
fully packaged wedding card cum gift!
laser-cut patterns, out-of-the-box invita-
more elaborate printing techniques, and
“It is a convenience that we offer when
tions have given the wedding card, and
paper is not the only substrate in use. Acryl-
we integrate the whole package,” elabo-
thus the couple, a special place, etched in
ic, cardboard, glossy foil, satin-brocade fin-
rates Surbhi. “Often, people want more
memory for posterity
ishes, etc. are some among a host of base-
than a single type of wedding gift, to be
material options. The overall look and feel
given at different occasions to different
is one that demands exclusivity and there
sets of people. Here, we create coordinat-
is nothing to delimit the creativity quotient.
ed settings according to tastes and sensi-
Where the quality of paper and print-
bilities. The wedding cards and gifts can
ing is an absolutely ‘no-compromise’ issue,
also be personalized with the names of the
and aesthetics are high in avatars that spell
individual guests. “These are little things
chic and sophistication, religious crypto-
that inadvertently underline the emotions
grams and designs have made way for
attached to the occasion and the people
neutral thematics, welcoming fresh colour
involved; it is a method of reaching
palettes and trimmings. Of course, this does
out to near and dear ones in a
not negate the conventional set-ups. Those
way that says ‘I’m glad you
are still very much a ritual, but are open to
are there for me’. It com-
being fine-tuned with innovative elements.
bines umpteen senti-
Innovation is where the name Ravish
ments that get min-
Kapoor makes a grand entry. In the field of
gled in an all-inclusive
‘innovative invitations’ for almost a decade,
package of gratitude
the brand brings you customized solutions
for favours granted,
and is best approached at least two months
presents received, sup-
before the grand day. “It takes a few meet-
port systems ensured,
ings to understand client requirements
and the like. SEPTEMBER-OCTOBER SSE SEP EPTTEM EP TEEM EMBE BER B ER-O ER -O OC C TO TTOB OB O BEER R 2011 20 201 2 01 0 1 11 1• D DESIGN DE DES ES ESIG IG IGN GN N MATRIX MATR MA TTRI RIIX 5 R 59 9
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RELEVANCE IS THE KEY Words & Images: Nils Ferber
Nils Ferber enunciates his belief in design as a medium of communication, to initiate discussion and provoke new thought.
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My space SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 61
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When there is no increased radiation measureable all OLED rings remain off.
S
One glowing ring tells you that there is slightly increased radiation coming from your
ometimes I wish I could still believe
Being aware of these problems and
why things are just as they are. Even when
in the idea that the designer‘s role
feeling the urgent need to rethink our
a new design concept is not realized and
is to provide material wealth to the
lifestyle also makes me furious to see how
has no direct effects, it still opens up room
masses. Finding ways to produce appeal-
design is often used to sell the same need-
for discussions and thoughts that stretch
ing and affordable products in high quan-
less stuff again and again.
from status quo to the concept’s fiction.
tities in order to make them available to
Nonetheless, I love working as a
Therefore, I understand design as a tool
everyone, actually sounds like a respect-
designer. And that is not because I want to
to debate and create our future instead of
able task; the only drawback is that accom-
fuel the thriftless consumption even more;
just letting it happen.
plishing this is not easy.
but because I believe in design‘s potential
To give you an example of what I am
In our industrialized society, the con-
to alter reality. When I am working on proj-
talking about: The project “EX” is a three-
sumption of products has exceeded our
ects, I don‘t think about having them mass
wheeled, screwdriver-powered vehicle
actual needs by far; and has become a
produced later. I don‘t see my objects as
that can accelerate its driver up to 30 km/
serious problem for the earth‘s ecosystems
prototypes for the industry. I rather con-
hr. If you look at the vehicle from an indus-
and an equitable distribution of available
sider my works as tools to initiate discus-
trial or commercial perspective, it prob-
resources. We are currently living at the
sions and provoke new thoughts. In this
ably appears to you as completely point-
expense of the third world and are taking
way design can act as a communication
less. It is too slow to compete with real
a huge loan from our future generations.
medium to visualize abstract thoughts
motor vehicles; the batteries won‘t last
Therefore, it is an enormous but inevitable
and ideas to make them understandable.
long and there is pretty much no place
challenge to transform our squandering
By presenting a design concept to
where you could drive it. But as you can
lifestyle into a society that is based on
someone, one always shows how things
imagine, that‘s not really the point here.
renewable resources and ecological limits.
could be. That also implies to question
Instead of designing the next sports car
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Tw
our
Two glowing rings mean there is significantly inreased radiation and your dish is not
The red ring tells you that the measured dose of radiation is beyond the limiting valu
with a huge but heavy engine, we wanted
is an ordinary kitchen plate with built-in
power‘s risks? Are we willing to accept an
to use a very limited power source and
radioactive metre and LED rings to visu-
increasing number of electronic aids to
create a vehicle that still looks dynamic,
alize food’s level of contamination. What
make our polluted environment inhabit-
aggressive and spectacular while provid-
seems like a real product on first sight is
able again?
ing a lot of driving fun. Everyone knows
actually my ironic comment on how I
There are plenty such questions in all
how little torque you gain from screw-
expect our technology-religious society
fields of societal and technological devel-
drivers and therefore there is the direct
to fight the risks of nuclear power. I was
opments and I think designers should
association of the amount of power one
almost waiting for a product like this after
imply such questions in their work. The
can deal with. But despite the screwdriver
the Fukushima accident. Not because it
future will somehow happen anyway. But
engines, it is surprisingly exciting to drive
would solve anything, but simply because
by asking questions and proposing ideas
the “EX” and with one‘s head close to the
people would buy it. So it didn‘t really sur-
today, we can moderate and negotiate the
ground, it definitely feels fast enough. So
prise me that there were a lot of people
process of future becoming reality. We can
the “EX” proves that using smaller engines
asking me where to buy the plate but no
choose from a broad variety of possible
is not necessarily a loss of driving fun but
one wondered how it worked or whether
futures and decide which way we want
can open up room for completely new
it could protect you from nuclear radiation
to go. Showing some of the possibilities
transportation concepts. You begin by
reliably. And if that doesn‘t make you think,
and encouraging people to actively shape
questioning cars as luxurious and exces-
here are some other questions I wanted to
their future is what really drives me as a
sive status symbols.
raise with the “Fukushima Plate”: What will
designer. And I know that there are scores
Another project of mine is the “Fuku-
happen to those who cannot afford their
of like-minded creatives out there some-
shima Plate” that I conceptualized shortly
own plate? Will superficial innovations
where, who share the belief that relevance
after the nuclear catastrophe in Japan. It
like this affect our estimation of nuclear
is the key to good design SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 63
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Landscape design
HOME
THE
TURF Words: Sharanya S; Images: Mohnish Dabhoya
We discover that squeezing a little garden in a cramped space isn’t as hard as you think – just stick your green thumb out.
W
hile urbanization has been a
workshops on organic gardening. Started
time specifically to water them. Every once
boon to mankind on the one
10 months ago in Pune, mostly because
in a while, trim the dried leaves. If you plan
hand,
clock-patterned
he was tired of eating vegetables sprinkled
to grow flowers, consider colours that will
city life has been greatly compromised by
with pesticides, Dugar helps you grow your
complement the colour palette of your
space and greenery. A kitchen and dining
own vegetables and teaches you everything
room, ushering in joy and vibrancy.
room combined; treadmill in the corner of
there is to learn about seeding, taking care of
the living room for a gym; and the washing
the soil, watering, harvesting and more.
our
Once the plants are growing successfully, you can beautify decorate them in
machine in the bedroom, are only but a few
If you are imagining hours spent toiling
any way you like. “An advantage of living
instances of cramped spaces. A green corner
over manure, seeding and harvesting, let
in a city like Bengaluru is that I have space
then, apart from of a little bamboo plant on
me assure you, it’s a lot easier and the joy
to create a green patch right behind my
the desk and a money plant on the kitchen
of a bountiful garden is worth its value in
house. I buy plain earthen pots and paint
sill is almost non-existent.
gold. “You need to spend just about 10-15
them myself and I have three stone animals
But nature is a natural healer and people
minutes a day watering your plants,” says
around my cacti collection; a turtle and
turn to gardening as therapy, as a hobby, to
Dugar; and involving all members of the
two frogs. They just add a little fun ele-
eat organically or to enjoy the simple joys in
family in the upkeep of the garden is gener-
ment,” says Jaya V, a housewife who started
life. An edible garden within your own home
ally a good idea, he advises.
her own garden over ten years ago. “I only
is a healthy trend that seems to be catch-
The first step towards creating your
decided to grow edible plants recently. I
ing on; and lack of space is not a deterrent
own garden is planning. Restricted space
started with basil, mint and lemons. Now
here. “You can grow methi (fenugreek) or
means you can’t grow every plant you
I also have tomatoes, chillies; and I’ve just
coriander in an old carton of yoghurt,” says
wish to. Start slow. Pick something simple;
planted pumpkin seeds and hopefully, I’ll
Vaibhav Dugar. Dugar is the co-founder of
make sure you pick a location that receives
have beautiful vine growing soon.”
an organization called Ek Titli that conducts
adequate sunlight and shade and set a
For those who do not enjoy the luxury
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of a backyard, there are many space-saving techniques that can be employed. The simplest being, pots that hang from roofs of balconies, or off balcony railings. A vertical rack that lets you set a number of pots anywhere close to a light source is an effective way to bring in some green into the room. Decorated pots also lend a touch of
SALAD BAR Get down and dirty, here’s how:
colour to the garden. Those lucky to have a
Coriander Use a container of any size and make a hole at the bottom. Fill it with a layer of
terrace or a verandah can place stone figu-
gravel and then put soil on top. Crush a few coriander seeds and add them to
rines, cob stones, mini-fountains or even
the container with a small layer of sand over it. A bunch of coriander leaves will be flourishing in less than a month.
a bright colourful bench to complement their plants If you’re a DIY kind of person,
Chillies
or teapots and grow plants in them. You
Mint
While the benefits of plants in the house
Mint grows just like coriander does and needs a small container. Make sure you cut the dead leaves or it will continue to sap all the nutrients.
can even grow an assortment of herbs in a large wok or deep dish.
Slit a few chillies and spread the seeds in a pot. They will start sprouting in a week or so.
you can recycle old chipped mugs, buckets
Beans
Beans grow in a vine so you can twist them around a grill of your window or a pole.
are several, a little patch inside your house,
Tomatoes Tomatoes need more space and a small pot won’t do. Cut a small tomato
born out of your efforts can provide you with
into pieces and plant them in soil. Use a big, deep pot and make sure there is
a peaceful haven of clean, pure air and, to say
enough space for the plant as it grows. They take almost a month or more to
the least, the thriving beauty is a jackpot
start sprouting. You can even try and plant cherry tomatoes. SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 65
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A-BOXY
JACKETS Words: Varun Godinho, Images: courtesy Bang & Olufsen
The fascinating creativity that goes into chiselling speakers is nothing short of a work of art.
Arty techture
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I
They are the outcome of designers who have spent decades, not thinking ‘outof-the-box’, but rather ‘outsidethe-cabinet’.
f you’ve looked at a speaker and thought
But at what point does “bold and different”,
that it was part art and part science, then
become an esoteric practice, where the design
you’re probably looking at the latest range of
isn’t universally appealing and is more likely to be
speakers to come out of the factories (some call
the self-indulgent pursuit of a designer? “There’s
them design studios and sound laboratories) of
an element of selfishness in this,” says Grange. “I
few of the world’s leading speaker manufacturers.
think every designer should want to own and live
These
physics
with what he or she designs. Therefore, I wanted
experiments hijacked by product designers with
to live with my designs and therefore, I could
absolute disregard for convention. They are the
begin to see them in my home, which is a mix-
outcome of designers who have spent decades,
ture of old and new, and furniture and function,”
not thinking ‘out-of-the-box’, but rather ‘outside-
said Grange. For some pieces, like the Fergusson
the-cabinet’. “There was really quite a tradition
Hill FH001 horn speaker, the design has just shat-
about how speakers looked for a long time;
tered every notion of what a living-room speaker
and they came from the way you could make
must resemble. The nearly 1.65m tall horn made
them and had to go on making them— and
of perfectly see-through acrylic is said to deliver
they were boxes,” said Kenneth Grange, the
sound that is as good as it looks. At approximately
former chief designer at Bowers & Wilkins in an
Rs. 9 lakh, they don’t come cheap.
magnificent
pieces
aren’t
interview with the B&W Society of Sound. “The
Another stunning speaker is the Nautilius
box was the dominating form. The cabinet, as I
that was the product of five years of research led
call it, is a natural piece of furniture [of the living
by Lewis. These are pieces beautiful enough to
room]. And I think, it poses the first big question
be lifted from your living-room and curated in
whether hi-fi is a piece of equipment or a piece
a museum. And some of them are. The Nautilus
of furniture. And I think that’s the designer’s
and B&W Signature Diamond speakers by Grange
dilemma,” he had continued.
are part of the collection housed at the Design
Such designer’s dilemmas are often resolved
Museum, London. Several Bang & Olufsen pieces
by unconventional methods. David Lewis, chief
by Lewis, including the svelte BeoLab6000, are
designer at Bang & Olufsen since the ’60s, has
part of the permanent collection at the Museum
apparently worked in a silo, barring a minimum lev-
of Modern Art, New York.
el of interaction with his team members. He report-
The pursuit by designers for a median that
edly visits the office every other week for just a day
blends lifestyle with functionality, led to creations
and uses the intervening days to mull over brilliant
like the beautiful BeoLab 4000 speaker. This
concepts, which he then focuses into execution on
speaker is as tall as a book and narrow as a tome,
that single day. He also claims that the designers at
designed by Bang & Olufsen’s Lewis, specifically
Bang & Olufsen do not associate with each other.
to stand inconspicuously in a bookshelf. Another
This unusual method of heightening the creative
example is JBL’s Control Now two-way satellite
instinct of designers has worked for them.
quarter-round-shaped speakers, two of which can
At work, Lewis uses cardboard when design-
be attached to form a semi-circle that can then be
ing his speakers and not paper and pencil. Mal-
mounted on a wall or even on the edge of a wall. At
leable and tangible, it serves him an added
approximately Rs 20,000 a pair, this is where design
advantage when designing his product. Grange
runs parallel to affordability. Although Bose’s col-
was an industrial designer credited with working
lection includes speakers with sharp edges and
on designs ranging from Kodak cameras to Ken-
unimaginative designs at large, the quality of their
wood food mixers. Lewis worked on designs for
sound especially that from the 5.1 Channel Home
refrigerators with Vestfrost. What their power to
Theatre Speakers and even their Bose Wave music
think laterally gave him, apart from the ability to
system packs a punch several times its size. So here
work as comfortably with optical lenses and cool-
appearance takes a backseat.
ing compressors as with acoustics, was an under-
The larger picture, however avers to the evolv-
standing of design as a means of communication.
ing design of speakers from top notch brands. The
The speaker designs by both Lewis and Grange
proverbial household ‘sound-boxes’ aren’t merely
took on forms that ranged from hexagonal and
objects placed in a living room they stand as dis-
round to oblong and irregular.
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These magnificent pieces aren’t physics experiments hijacked by product designers with absolute disregard for convention.
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Conversations
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MOULDED TO
PERFECTION Words: Priyanka Mathur; Images: courtesy Anju Kumar
When it comes to sculptures, Anju Kumar has become a name to reckon with. Her latest Ganesha collection is just a glimpse of what is in store for art-lovers. SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 73
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T
he art of sculpting is an age-old one;
My school encouraged creativity in all
this is an expression that continues
forms. However, the seed of my passion for
to flourish with its evergreen three-
pottery was sown only in grades 11 and 12.
dimensional appeal for the simplicity with
I owe my strong foundations to my won-
which it can be understood.. There was a
derful school and dedicated teachers.”
time when sculpting was a means of liveli-
What started off merely as a hobby
hood in ancient civilizations. Over a period
soon grew into a full-fledged profession.
of time, this art form managed to wind its
With more than 80 solo exhibitions under
way into the inner circles of urban contem-
her belt, Anju has definitely arrived.
porary society, moving from the realm of traditional expression to one of ubër-chic.
Shut away in her basement studio, this self-taught artist spends long hours
How a work of art is created from
experimenting with mediums and design.
a lump of clay is something that would
Putting her creativity to good use, she has
intrigue any art-lover, and Anju Kumar is
been able to come up with fascinating and
no different. This Delhi-based artist first
unique shapes in different mediums, such
dabbed her hands in mud about 20 years
as wood, matte, leather and metal. She has
ago. She says, “It is said that creativity
created a range of earthen vases in gold
knows no bounds. This holds very true for
and copper hues, exquisitely carved vases
me. Sculptures, paintings, pottery…all are
in metallic tones with embossed floral pat-
creative works that are close to my heart.
terns, and the like.
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Apart from making pottery, Anju creates garden sculptures, vases, urlis, garden
also love to do Buddhas in abstract forms, I do enjoy making Ganpatis the most.”
furniture, and murals in different materi-
About her recent collection, she says,
als. She has also decorated homes for the
“The handcrafted vases and sculptures
who’s who of Delhi, worked for the Jaypee
that I have created are a part of the Neo-
Chain of Hotels, The Radisson Hotel, The
Paleo collection. Also, apart from giving off
Oberoi Group of Hotels, Hotel Ibis, The
a positive Zen-like aura, they add elegance
Fortune Group of Hotels, OVL, Petronet,
and beauty to any corner. Earthen vases
ONGC, The Jindal University, The Saagar
are eco-friendly, add warmth and bring
School, to name a few.
an outdoor feel in the interiors. They also
Recently, Anju unveiled her Ganesha
make ideal gift items.”
collection, called the “5 Looks of Ganesha”.
With a new design studio in Gur-
Like most artists, she explains her fascina-
gaon, Anju continues to exercise her
tion with Ganesha, “Sculptures, in par-
individuality as a studio potter revising
ticular Ganeshas, are something I love to
traditional shapes, sizes, and designs into
create as I am spiritually attached to Him.
modern day design ethos while retain-
His blessings give me happiness and pros-
ing traditional ways of manufacture. The
perity. I have been creating Ganeshas in
self-taught potter infuses vibrancy in her
different moods and forms from the time
works through a host of textural tech-
I held my first show in 1990 and though I
niques and colours SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 75
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Photo feature
DRESSING THE
SCULPTURES A Ph. D. student of Sculpture Art in the monuments of Gujarat, Dharti Patel traces the male and female costumes, hair-dos and head-dresses of Gujarat’s Solanki dynasty – a period recognized for traditional art by harmonious reconciling of the classicist style of emphasizing garments of the late 9th century. She chronicles hairstyles like Alakchura, Ghammil, Kuntal; costumes like Sari, Dhoti, Uttariya, Duppatta; also ornaments like the Katimekhla and Katiband that were used as costumes.
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Retail design
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SPACED OUT Word: Varun Godinho; Images: Prashant Bhat, courtesy the designer
Rupal Bhat and her team of interior designers just completed a back-to-the-basics exercise of renovating the Durian showroom in Mumbai.
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D
urian’s showroom in downtown Mumbai, has been around for 12 years. You’d be forgiven if you
didn’t know it existed, especially since it is tucked away in a non-descript lane off Dr. E Moses Road in Worli. Shilpi Dokania, director at Durian Furniture, enlisted the services of Rupal Bhat and her design team at AR Intertect to make it distinctive from the clutter of furniture showrooms that dot the surrounding area. Given the 6,000 square feet showroom, spread across two levels, in a part of the city where every square inch of retail and residential space is worth its weight in gold, it made sense to re-do the look of the retail space to make every inch count. “We wanted to re-launch the showroom. The shell had to be retained while undertaking the project. We could not shut the store, which is why we had to complete the work phased out in sections,” Shilpi explains. Working with a well-known national brand that offers a collection of neo-classic, art deco, and modern furniture, Rupal decided to meet these designs mid-way – by placing them in a contemporary ambiance as far as the interior design scheme was concerned. Her team began by opening the space that formerly seemed cluttered. They opened the false ceiling, plugged the leakages, re-laid the carpeting on the top floor, installed an LCD displaying the catalogue of the store’s collection, and made all necessary surface alterations in keeping with the new look. The railing on the top floor of the atria, POP walls and IPS stone flooring on the ground floor, were left as they were. The project was completed within a record time of six weeks. “Each of our 50 stores across the country sport a look that is city-specific. So, while in Delhi we would require opulence with marble to impart a rich look; in Mumbai there is no need to be showy. Here, you are catering to the well-travelled and affluent sections of society,” says Shilpi. A furniture store commands a dynamic layout with its ever-changing range on display. Durian isn’t an exception. The inventory keeps changing to reflect changing SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 85
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The renovated showroom isn’t an opulent masterpiece, but a persistent back-to-thebasics exercise. The project was completed within a record time of six weeks.
“We wanted to re-launch the showroom. The shell had to be retained while undertaking the project. We could not shut the store, which is why we had to complete the work phased out in sections,”
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trends and this would include an entire
– become navigational pathways for cus-
range of furniture completely different in its shape and size than its predecessor. Rupal has met this challenge by compartmentalizing the store into two distinctive sections: the ground floor – a fixed section – is made available for home furniture; while the upper level is for office furniture. But the arrangement of furniture within
tomers; and being adjustable, they effec-
A furniture store commands a dynamic layout with its everchanging range on display.
tively light up the constantly-changing range on display. The renovated showroom isn’t an opulent masterpiece, but a persistent backto-the-basics exercise. The aim of giving customers a simple, yet classy habitat that doesn’t overpower the furniture it houses,
each section is flexible. The furniture dis-
is one of the most distinctive features of this
play can be easily played with. Strategically
store that is definitely turning more heads
positioned track lights serve two purposes
than it did before
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Youth forum
FANCY
SOLUTIONS Words: Savitha Hira; Illustrations: ©Ola Mirecka, courtesy Erik de Laurens
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Exploring the realm of materials by challenging what they are and asking what they could be, product designer Erik de Laurens endeavours to create new materials from everyday objects.
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M “The ſshing industry generates several circumstances where many tons of ſsh scales are leftover. Using this waste as resources for the production of ſshscale-plastic, I tried to highlight the potentiality of these industrial ƀaws.”
y work challenges assump-
three pairs of goggles and glasses inspired
tions that one can have on the
by swimming goggles and a table with
definition of industry in order
a fish inlay. Further, he has extended
to propose alternatives,” says product
the range of colours in the previously
designer Erik de Laurens, who just gradu-
designed fish-scale tumblers.
ated from the Royal College of Arts, Lon-
His other project called “The Milk Proj-
don and exhibited his innovative ideas at
ect” questions the production of plastics
the institutions’ annual show in the last
and works on the revival of casein plastic
week of June 2011.
as a regional product produced by dairy
Constantly striving to seek design alter-
farms. “These materials are so present in
natives that could have implications in the
our lives that they have become indispens-
social and economical realm, the young
able. But they are meant to get even more
man has a host of innovative products to
expensive over the next few years due to
his credit. While the material is as unusual as
the rarefaction of resources. Therefore it is
the application is common, it goes to show
legitimate to try to find other ways of pro-
what the calibrated mind can accomplish
ducing them,” says Erik.
when it ticks in the ‘now’ and ‘beyond’.
Based on the theory of reviving the use
Erik’s first product that stands out for its
of casein (milk) plastic to produce various
sustainable design is what he calls “The Fish
objects, the young man evaluates the cost
Feast”. A water dispenser made with fish
ratio of oil-based plastics to the milk plastic
leather; tumblers realized with fish scales
and finds that oil is worth three times the
and a table cloth patterned to explain how
price of milk; hence it is only logical to try to
to build your own boat. In his words, “The
revive the milk plastic material. He has it all
fish feast started when I was asked to design
worked out: Today dairy farms are the keep-
objects for the canteen of a primary school
ers of their region’s identity; anything they
of Macassar, a township of Cape Town.
produce, whether it is milk, cheese, butter,
When I was a kid, the sea was for me a very
cream or yoghurt, is evidence that things
important source of joy and daydream,
can remain simple, honest and authentic.
which surely led me to design. I decided to
This huge cultural content is a force that
create a monthly event in which the pupils
other plastics cannot compete with.
of one class would be brought for a ‘fish-
“Further,” says Erik, “The process of
ing day’ to a nearby beach. They would
making this plastic is somewhat similar to
then go back to school with the fish they
the process of cheese making and could
have caught, and prepare the traditional
easily be produced by a dairy. Moreover, it
cape kedgeree. To accompany this feast, I
would require no further equipment.”
designed a range of objects related to fish.”
Erik has recently exhibited a selection
In continuation of ‘the fish feast’, Erik
of his research and latest work during the
created a surprising material made of
graduation show 2011 at the Royal College
100% fish scales (no added compound).
of Art. His work has been shortlisted for the
He explains, “The fishing industry gener-
‘Sustain RCA Award 2011’. He will show his
ates several circumstances where many
work in the Sustain exhibition, which will
tons of fish scales are leftover. Using this
take place during the London design week
waste as resources for the production of
in September 2011.
fish-scale-plastic, I tried to highlight the
Raring to go, the young lad is presently
potentiality of these industrial flaws.” In
looking to push both these developments.
order to test the material, he has designed
We wish him all the best
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Musings
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THE
ART
OF THE MATTER Words: Priyanka Mathur; images: courtesy Time Out, Mumbai.
What is it like to be surrounded by brilliant pieces of art? What helps you decide which is worth showcasing? What does being a curator mean? SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 95
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F
or many, art is chiefly about aesthet-
and form a fundamental institutional link
looks after a museum’s collection and orga-
ics. What looks beautiful is what
between the art lover and the artist. This
nizes its display. In recent years, the term has
counts. However, to a trained eye, art
brings us to some key questions: Who cares
come to be used for persons who concep-
is not just about aesthetics. It is about the
for these works of art? How are these works
tualize temporary art exhibitions.”
story it narrates; the era it represents; even
valued? How are they selected for exhibi-
the making of potential artistic influences.
tions? This is where the curator steps in.
Since art is subjective as a theme, the approach given to a particular work of art
Masterpieces like Leonardo Da Vinci’s The
Susan Hapgood, director, Mumbai
varies from curator to curator. It is up to
Last Supper and The Mona Lisa, Botticelli’s
Art Room and Senior Advisor, Indepen-
him/her to decide what kinds of works
The Birth of Venus, Michaelangelo’s David
dent Curators International (ICI), New York,
should be put on display. However, in order
and The Pieta and Pablo Picasso’s Les Dem-
enlightens. “An art curator is a person who
to be able to distinguish one work of art as
oiselles d’Avignon are some great works of
cares for works of art, manages an art col-
‘more deserving’ than the other, different
art that, apart from detailed artistry, repre-
lection, organizes art exhibitions, or any
kinds of expertise are integral to being a
sent thought processes of the times they
combination of these functions, as his /her
curator of visual art.
were created in – perhaps that is why these
primary responsibilities,” she says. “The job
Susan says, “What is of utmost impor-
paintings, withstanding the tests of time,
has been compared to being a producer or
tance is visual sensitivity and breadth of visu-
are considered as masterpieces.
a conductor or a deejay, and these are all
al experience. Other key expertise needed is
apt references as well.”
knowledge of the kind of art one is working
Museums around the world house several works of art, most of which date back
Well-known curator Girish Shahane
hundreds of years. Galleries are rampant
puts it simply, “A curator is a person who
with, study of art history, awareness of curatorial methodologies, and writing skills.”
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‘‘Awareness about all contemporary artrelated practices that could include architecture, fashion, photography, design, new media, video and cinema, etc. and a receptive and open mind towards the past/present art and cultural history is a must for a curator. Added to this, is his belief in himself and in his artists.’’
Artist and curator, Bose Krishnamachari
on whether it is a commercial or non-com-
private collections. If there was more per-
concurs, “A curator should be equipped
mercial venture. The process begins with a
meability to the incoming and outgoing,
with awareness about all contemporary art-
concept and selecting works of art or com-
the art scene in India would be nurtured in
related practices that include architecture,
missioning pieces that fit the concept.’’
a more global way.” Indian artists, Bose and
fashion, photography, design, new media,
This process leads to another curatorial
Riyas Komu have made a commendable
video and cinema, etc.” He feels that the-
aspect: how to decide the value of an art
stride in this direction by introducing India
ory and practice should go hand-in-hand.
work. Just as any other trade functions, the
to the global Biennale scenario. The Bien-
Where am I curating? Who is the audience?
art ‘trade’ functions based on market condi-
nale will be the first international art festi-
How is the space? Such issues need to be
tions – i.e. by demand and supply, and what
val in India and will take place in Kochi and
addressed. “I would closely look at the nit-
people are willing to pay for it. Apart from
Muziris in 2012. Partnering with the Muziris
ty-gritty – invitation design, typography,
this, there are other practical, logistical,
Heritage Foundation, it will celebrate India’s
catalogues, interviews, etc., in addition to
conceptual, financial, and political consid-
rich cultural and social heritage, showcas-
making sure that everything is art-sensitive
erations that need to be deliberated upon.
ing some of the world’s most engaging art-
in the space,” he concludes.
In recent times, Indian art is marching
ists, both established and emerging, from
A curator also needs to have a good
ahead on the international radar. Susan
understanding of another aspect: commer-
points out, “Unfortunately though, the flow
Equipped with proficiency in the field
cial viability. Art and commerce are linked
is rather one-dimensional, because not so
and a keen eye, the role of a curator, is thus
together. As Girish explains, ‘‘The process of
many foreign works find their way into Indi-
becoming more well-defined and it is he/
curation, apart from other factors, depends
an galleries, museums, auction houses, and
she who plays a key role in the art world
India and abroad.
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Design promo
SERENADING THE
ELITE
This latest addition to the party scene in the Capital will pull at your dance-strings putting you among the A-listers…
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A
clearly protecting its inner sanctum.
a given. Now we give you an option that
its decor – an artistic exploration of past
detail here. Luxurious tapestry in skilled
is not just the latest to the party scene in
and present that is beautifully translated
patchwork and intricately carved wooden
the Capital, but also has the potential to
into not just the ambiance but also in the
jaalis cover the walls, while bright fluores-
become your most favoured – the night
music that ranges from electro to pop,
cent LEDs add to the mood and give it a
club at The Lalit. This 10,000 sq. ft. multi-
from house to disco. The seating, lighting,
contemporary essence.
level, state-of-the-art, shrine of aesthetic
sound system, technology, all spell class,
A restricted and exclusive area aptly
innovation, opulence and music that was
while earthy shades, dark wood floors,
named The List tells its own story. One of
Dr. Jyotsna Suri and her son Keshav’s vision
evocative sculptures sourced from Khaju-
the rooms depicts the power of energy
of indulgence, has been conceptualized by
raho depicting scenes from the Kama
through a chandelier installation that is
Ar. Bobby Mukherjee and executed by The
Sutra, make one travel back in time, and
the brain-child of Dr. Jyotsna and Keshav.
Lalit project team. Calling it a shrine is only
want to celebrate sexuality.
Another chamber in this area celebrates
s the days move towards the week-
nightclub that comes equipped with its
end, the mind starts planning for
On stepping inside, one comprehends
own DJ console. Influences of India’s rich
it and a night out with friends is
the fusion brought alive in the form of
cultural heritage can be felt within every
apt, as exquisitely carved totem poles stand
Adjacent to the main dance floor is the
fashionable India complete with a mini-
on either side of the gold-gilded entrance,
The Salon – a mini nightclub within the
ramp that is the symbol of glamour. What’s
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more, the privacy of the A-listers visiting this area is also assured. Especially made electronic key cards have been presented to extremely select guests to enable them free access to and from this area. The nightclub also boasts of a Champagne Lounge – The Dressing Room – that only serves the choicest of delectable champagnes, sparkling wines and cocktails made from the bubbly. Also on offer at the club are its inimitable range of branded merchandise – unique and imaginatively designed products that are fashionable but don’t lose out on that essential fun factor! Starting with T-shirts and flip-flops, plans are already underway
to extend the line to include shoes, bags
One of the rooms depicts the power of energy through a chandelier installation that is the brain-child of Dr. Jyotsna Suri and her son Keshav, the Executive Director of the group. It shows a chandelier falling on glass; breaks the glass but manages to stay intact.
and perfumes, among other chic items. This newbie is also setting some never-heard-before benchmarks. To discourage drinking and driving, exclusive pick and drop services are offered to the guests. Apart from this, a variety of special packages give enjoyment and relaxation an all-new definition! A certain sense of dignified and subtle aesthetic has become inseparable from its identity. The Lalit not only maintains its commitment to being modern in its thought, yet, not disconnected from its Indian roots, but this addition to its family, takes it a notch above the rest! SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 101
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L
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T C U D O R P
H C N LAU Bar accessories
from
Wasted Fish
Who said nothing good ever came out of a night of heavy drinking? Drinki Shahani & Imran Riz vi, dec ng mavens Chandni ided to sober up and des ign a range of bar access in line with their person ories that were alities. Wasted Fish the name of their venture is cheered on by every drin unique, quirky and ker. Their products range from shot glasses, upscal decanters to ashtrays and e wine glasses, even matchboxes. This ran ge is individualistic, and ones seen before. unlike any thing ww w.wastedfish.com
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Bath Accessories from
AquavivaAG
Luxury of the finest kind will make its way into you r bathroom with this set of gold bath accessories studded with Swarovski Crystals. The collection consists of a gel dispens er, brush holder, Q-Tip jar and a jar for cot ton balls. Unabashedly high-end but with a touch of class, gleaming with the utmost per fection, this bathroom collection is bound to grab eyeballs. The Acquav ivaAG collection is made with the latest technique s in metallurgy, resulting in products of the highes t quality. These crystal encrusted accessories wil l complement dark tile, stone and wood bathroom s and add glamour to your space. Exclusively available at Bat hline Sensations, A-232, Okhla Phase-1, New Delhi.
Watch from House of
Dior
Quartz The new Dior VIII 33mm chic, is r Dio of use Ho the from e. The tur refined and classic cou gant ele and e watch is feminin amic cer ech h-t hig with a black It has a e. cas el ste ss inle sta and ck ceramic turning Bezel set with bla with a set is wn pyramids. The cro d with a we scre ert ins ic black ceram has black steel case-back. The dial mond dia lacquer hand applied shaped indices. ww w.dior.com
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Illuminated Pots from
Firefly Firefly brings a range of lighting accessories that will instantly transform eith your interiors or an outdoo er r space. Whether its illu minated plant pots up garden path leading to the your front door or a lam pshade with an illumin champagne bucket on a ated side table in the living roo m, Firefly helps you ensure that your home and gar den get a touch of class, elegance and luxury. Som the products are custom e of made and can be brough t out on special occasions. ww w.illuminatedpots.in
The Rosenthal studio-line collection presents a designed dining concept of porcelain, glass, cutlery and accessories of excellent form and crafted by Precillia Urquiola. The transparency, a major feature of high quality porcelain products, is particularly evident in Urquiola’s design and reflects Rosenthal’s many years of competence and experience. The fine relief structure emphasises the shimmering effect of the waferthin porcelain. www.rosenthal.de
Dining accessories by
rosenthal
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Wardrobes from
Kiwa
Elegant and spacious, wa rdrobes are an important par t of the household and the new range of wardrobes from Kiwa. An IKian venture, will not only reflect the elegan ce of your home but ignite a spark of flamboy ance and sophistication to the drawing room and bedroom. Kiwa’s latest innovation is the Falcon range of wardrobes with a matt finish on contem porary classic swing doo r compositions. The moder n wardrobe from Kiwa is an amalgamation of attr active designs and functional traits and is des igned to organize and distribute space. ww w.forz za.in
Bedspreads from
NAS Home
This new line of bed line n from Nas Home has eve rything you need to brin your bedroom right from g a beautiful look to elegant and trendy design s, stunning shades to stu range of bedspreads inc rdy and comfy fabrics. Thi ludes comfor table cot ton s and trendy polyester, flora and stylish bed covers ma l bedspread collections de from specially hand pic ked nat ura are bright and bold shades l fabrics. The shades use d for this season adding elegance and sty le to your bedroom. This collection is also a merge r of attractive prints, vibran t themes and ethnic mo tifs. ww w.nashome.net
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Allure Brilliant Faucets
from
Grohe
If you want to transform your conventional bathro om into a private spa, Allure Brilliant has the per fect fittings for you. A consistent design philos guarantees harmony thr ophy oughout the product line and elongated cubes wit chamfered edges rise from h every faceted sur face to meet at precisely defined intersections. The faucet s’ most extraordinary fea ture is the spout and cut square “Aqua Window” -out that provides for a unique view of the water flow per fect marriage of functio –a n and design, allowing fl owing water to become integral element of the pro an duct. ww w.grohe.com
Horizons new range of LED lights (a massive 60 watt Luxo Brite EV07) guarantees you the satisfaction of doing your bit to save the environment by saving no less than 700 per cent more energy than your average traditional lighting. Besides this, the clean white light emitted lasts almost double the time of other lights and is, in the long run, a design wonder and excellent investment. www.hle.co.in
LED lighting from
Horizon
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Animal shaped accessories from
Living in Style Living in Style brings you accessories that will brighten your home instan tly. Where else will you get a smug white china cat to sit majestically on your mantelpiece or a ma gnificent black horse rearing its proud head, ma ne a flutter? Imported from Italy, each accessory takes on its own individual character through meticulous hand work and attention to detail. The se ceramic animalshaped accessories will spr uce-up your ambiance with their beauty and add a touch of the exotic to your home décor. For more details contact
Ganesha Idol from
2877 3448
Episode
Episode, the renowned silv er brand in India, unveile d a large pure silver Gan casion of Ganesh Chatur esha close to the octhi. This magnificent pie ce, the first of the limited the making for over a yea edition series, has been r by master craftsmen and in Episode’s talented design ers. The deity has been placed on a base made in ony x and dressed with exq uisite hand-crafted jewelle ry. ww w.episode.com
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Rennaissance
Homez
Renaisaance Homez is a one-stop shop for elegant luxury furniture from leading brands of America and Europe. Rich fabrics, fabulous lighting and scores of unique accessories from renowned manufact urers are available to instantly transform your interiors. Every item is a fine harmony of distinct design and essential quality. Look out for the fabrics from Beacon Hill and Robert Alle n that offer quality and durability in every inc h. ww w.rennaissancehome
z.com
Grated Cheese Bowl from
Casa Bugatti
This colourful delightful set of bowls from Casa Bugatti are frivolous fun and a visual delight. We fell for the bright eye-popping colours like flame orange, deep purple, electric blue and moody grey. The cheese grated bowls come with spoons and have a SAN base. They have a pure white lid and a polished, altogether delightful finish and are available at the Home Collective store in Mumbai. www.casabugatti.it
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etc. JULY-AUGUST 2011 • DESIGN MATRIX 113
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Happenings
GLOBAL OPEN DESIGN SHOW J
uly saw Planet One infrastructure
session with young volunteers on a 8 ft.
inviting ace architect and well-
x 6 ft. canvas in just over an hour, with
known sculptor Arzan Khambatta
him giving a presentation on his design
along
with
internationally-renowned
architect, writer and Professor Will Alsop, to unveil the logo of GODS – Global Open
process simultaneously. Everyone present got a lesson in having fun while at work. Global
Open
Design
Show
is
Design Show – a platform where creative
conceptualized as a one-of-its-kind show
minds from diverse design fields will meet
that would bring together creative people
and exchange ideas. Alsop regards as
to interact with each other and enjoy
his architectural heroes Le Corbusier, Sir
the experience. Designed like none else,
John Soane, Mies van der Rohe and John
this show will be curated and presented
Vanbrugh. His avant-garde, modernist
in an environment that suits the creative
buildings are usually distinguished by
mind – that of being free-spirited. The
their vibrant use of bright colour and
guests will participate in presentations,
unusual forms.
workshops, exhibitions, debates, quizzes
The evening saw a congregation of
and a lot of other exciting activities.
architects, designers and students of
The added attraction will be the locale
design at Le Sutra Gallery eagerly awaiting
that will set the mood right from the
the interactive session with Professor
moment everyone receives the invite – it
Alsop for what was a unique painting
is destination Goa!
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HOME
COLLECTIVE A store with home accessories that can rival collections from homes across the globe.
H
ome Collective is a home accessories store that caters to bar accessories like coaster sets, gardening utilities like bright jackets for your brown pots, and kitchen essentials like storage boxes among other items from 27 brands. The inauguration
was a star-studded event. The chief guests– Ira and Lilette Dubey – were hobnobbing with celebrities including Divya Palat, Suchitra Pillai and Nisha Jamvwal. The co-owners of the store – Pooja Kejriwal and Anay Choksey – had a task at hand while playing host at the event. Choksey, who is also known to be an excellent cook, personally welcomed the addition of Rashmi Uday Singh to the guest list. Choksey is a 26-year-old techie with a degree in economics. No doubt then that the products in the store, whether a wall-mounted wine rack or a wall clock made with silverware, are not only aesthetic and ergonomic but also economical. Most of the products in the store are priced from `250-50,000. “We have tried to put together an assortment of products that make your house a better and more organized place, with the vision to make your lifestyle better,” said Kejriwal. Although we were tempted to walk away with the `37,000 Vitalis 24-piece cutlery set, it was the magnetic key rack priced at `4,439 that caught our attention the most. We’re sure it would catch yours too when you visit the store 116 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
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Happenings
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Happenings
INDIA INTERNATIONAL FURNITURE FAIR
L
ike so many things in life, the value of good-quality
fair, and the country’s pavilion will stretch over a space of 500
furniture can often be underrated. It should essentially be
square metres, and will be fronted by Singapore Mozaic, a group
a prerequisite for a fine and comfortable life, and keeping in
comprising of major furniture brands from the company, and led
tune with this, the MP International Pte. Ltd. (MPI) is collaborating
by the Singapore Furniture Industries Council (SFIC), thus further
with the International Furniture Fair Singapore (IFFS) Pte. Ltd. to
consolidating the fresh and exciting initiative undertaken for
organize the inaugural India International Furniture Fair, which
the exhibition.
descends upon these shores from November 16th to 18th, at the Bombay Convention and Exhibition Centre.
One striking and especially noteworthy aspect of the fair is the emphasis on the environment, and the organizers
The exhibition will feature around 80 participating brands
have stressed the need for the industry to think ‘green’ and
and companies from the world over, all household names in the
ensure minimal consumption of scarce resources, imploring
furniture industry globally, with several countries being dedicated
them to consider factors such as sustainability, protection
special country pavilion spaces. A majority of the exhibitors at the
and preservation of the environment. With this in mind, the
fair are expected to be international names. The concept for this
organizers have encouraged the companies displaying their
novel showcase has been derived from the Singapore International
products to focus on eco-friendly materials as well, and these
Furniture Show, which originated three decades ago, and is a
‘green’ products will be tagged with special labels, thus allowing
flourishing platform for furniture showcase and purchase today.
visitors at the fair to spot these particular exhibits with ease since
The primary function of the forthcoming exhibition is to provide
they will be tagged with distinctive green ribbons.
the industry with an insight into global industry and design trends
The show will, if all goes to plan, witness over 3,000 trade
as well as provide a respectable buyer-seller market and bring to
visitors from India and other parts of South Asia, while attempts
the fore, a space for idea exchange and interaction. It serves to fill
are being made to ensure the recruitment of 150 key buyers from
the void and hopefully provide leading furniture brands a chance to
metros and major cities across the country. The show is expected
enter the Indian market with high-quality products.
to follow a decentralized and evenly spread out format, targeting
The furniture industry in India has immense potential for growth,
furniture importers, retailers and distributors, as well as architects,
which is what the festival aims at capitalizing, with several eminent
interior designers, residential and commercial property owners,
European and Asian companies set to venture into the markets.
among several other segments.
One of the chief reasons for this potential is the development of
It will also host seminars on business sustainability and best
the country’s economy, with the furniture market in India currently
practices, industry challenges, and design trends, aside from various
worth $8 billion, and growing at a compound annual rate of 30 per
workshops and presentations focusing on relevant aspects of the
cent, according to a report compiled by KPMG.
industry, thus providing comprehensive insight into the intricate
Exhibitors from Singapore are expected to dominate the
functions of the booming furniture industry in the country.
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Happenings
IIID COPPER AWARD 2011
T
he Institute of Indian Interior Designers (IIID) joined hands
include the fact that the installation is an instantly-alluring piece,
with the International Copper Promotion Council (India)
visible in all its resplendence from the entrance to the property,
[ICPCI], to organize the inaugural at the IIID Copper Award
as well as from the lobby, reception, and other parts of the hotel.
in Mumbai recently, celebrating the contribution of architects and
An artistic image of a tree adopting a curvilinear geometry stands
designers from across the country for their remarkable endeavours
out as an especially soothing aesthetic visual, with an enormous
at integrating copper as an intrinsic element in their works.
trunk providing the strapping foundation for the tree, while the
A distinguished jury comprising eminent names such as
branches interact with each other to form a sense of incredible
architect and sculptor Arzan Khambatta, industrial designer and
depth. Other notable contestants included Samira Rathod from
Director at the National Institute of Design, Pradyumna Vyas,
Mumbai for her work titled ‘Table – Shipwreck’, and Walter D’Souza
Rachna Sansad, among others, reviewed 30 shortlisted entries,
from Ahmedabad for ‘Sculpture – Ribbon’.
to finally award the prestigious prize to Saloni Shah from Surat,
The award night also featured a glorious photo exhibition
for excellence and best design executed in copper and its alloys
displaying copper works of illustrious architects and designers
(brass/bronze) in Architecture, Interior Design, Product Design
from across the world, including names like F Javier Bernalte
and Industrial Design, for 2010-11.
and Jose Luis Leon. These images captured interiors and iconic
The event, an annual feature this year onwards, aims at
landmarks, providing a peek into the tremendous use of copper,
recognizing excellence in interior design and providing a platform
for both its artistic merits and functionality. The exhibition
to showcase trends in design and incorporate these elements
comprised of over 60 images, and also included a few entries from
into everyday use. The organizers received entries from all over
the IIID Copper Award 2011.
India, which were finally shortlisted to 30 entries, which the judges
A live fashion show, on the theme ‘Copperlicious’, organized
evaluated. Shah’s prize winning entry was based around the theme
by the Rachana Sansad School of Fashion and Textile Design,
of the ‘Tree of Life’, assimilating symbols of prosperity and happiness.
added a lighter twinge and some zest to the proceedings of
She displayed a 12 feet wide by 31 feet long installation extending
the evening, as models walked the ramp in eclectic outfits
from the wall and stretching across the ceiling in the coffee and
predominant in copper and decked with copper jewellery for this
tea lounge at a hotel in Surat. Elements of the work that stand out
splendid celebration of copper SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 119
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Conservation
The art of conservation can be learned at: • Camboville College of Arts, London • Delhi Institute of Heritage Research and Management • The Vishwabharati Institute, Kolkata • Anupam Sah’s workshops and courses on conservation, Mumbai
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PAST PERFECT Intervention that is ‘as little as possible’ and ‘as much as is necessary’ is the mantra of an informed conservation. Words: Varun Godinho
I
n 2006 Richard Speare, the European art consultant at Chhatrapati
mounting and weakening adhesive. Typically this would result in a
Shivaji Maharaj Vastu Sanghralay (CSMVS ) Museum in Mumbai,
condition known as cockling that would manifest itself by way of
was sifting through the collection at the museum. Attempting
a wavy surface area on the manuscript/painting.
to clear the mounds of artefacts and paintings that lay in a corner,
• Biological damages could occur due to attack by termites and
that weren’t on display and whose origins hadn’t been conclusively
other insects. Keep a close eye on any traces of fungal growth
determined, he came across a Sword of Damocles painting.
on the work.
This painting, it turned out, was the work of Antoine Dubost,
• Chemical damages could occur due to acidity or reactivity of
commissioned by Sir Ratan Tata in 1922. For years this painting had
substances in close proximity to the work of art. These damages
been gathering dust, and steadily degrading. It was at this time that
may not be easily discernible to an untrained eye, but will show up
Anupam Sah and his team intervened.
in the lab under raking light.
Sah, the head of art conservation, research and training at
• If you do spot damage to the manuscript/painting due to physical,
CSMVS Art Conservation Centre, is known to pull back paintings,
chemical or biological reasons, carefully dismount the manuscript.
manuscripts and artefacts from the brink of ruin. Sah insists that there is a “design of degradation” that
• Place in an air-conditioned room with the temperature regulated from 18-25 degrees Celsius.
conservators must understand before they undertake their work.
• Wrap the work in a non-acidic archival tissue paper, which is
Unless a conservator can understand and deduce the mechanism
commonly available in stores where hand-made paper is available.
of degradation, he cannot reverse it. Restoration, he explains, is the
Do not place in a polythene bag as this can have an adverse
intervention on the image of the object to convey its message. The maxim that Sah and his team follow is intervention that is “as little as is possible and as much as is necessary.”
chemical reaction on the work. • Hand over immediately to a work conservationist for further assistance.
Omkar Kadu, a 33-year-old conservation assistant at CSMVS
Paridhi Sharma, paper conservator at the centre, outlines the
further interprets, “While undertaking conservation, we need to also
steps that are undertaken for the conservation of documents.
keep a close eye on aesthetics.” It is that care of aesthetics that has
“First we complete a condition-report that outlines the work
permitted him to work on a 1962 VS Gaitonde painting that belongs
required and the estimated budget for the manuscript. Following
to the NCPA and a circa 1965 MF Husain miniature painting that
that we propose a treatment and discuss it with the team
belongs to a private collector, among other projects.
before we begin to implement it.” But before that can begin,
Detailing indicative signs of degradation that private collectors
Sah insists on a dry-run through the entire process to ensure
should watch out for and immediate remedial steps before they
minute variables like where in the laboratory the piece will be
deliver a painting/manuscript to a professional conservator, Kadu
restored, ability of the conservationist to move freely around the
succinctly lists the following:
table and an assurance that the movement of chemicals near the
• Physical factors that can cause damage include improper
manuscript aren’t left to chance SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 121
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122 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
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Book review
CORPORATE OFFICES IN INDIA Publisher: White Flag, `2995 Reviewed by Akhil Sood
T
he fundamental principle of shiny, glossy paper is, or should be: the bigger, the better. And White Flag, the publishers of Corporate Offices in India, follow this unwritten tenet to the hilt, pulling no punches in presenting an ambitious coffee-
table book in all its splendour, documenting the most visually attractive corporate offices in the country in a format that can only be termed as generous. Tastefully captured images of imposing office structures peek out gracefully from within the giant-sized pages, as one gets a true sense of the architectural marvel and vision that would have gone into the creation of these representations of ambition and design talent residing in the country and beyond, as well as of a flourishing economy. The book, with a foreword by well-known architect C N Raghavendran, highlights the structural elements of 20 of the finest corporate offices in the country, depicting finely detailed prints of the facades, interiors and wide shots of the buildings, placing emphasis on the stylistic fundamentals incorporated in their creation, as well as drawing attention to the work of the architects involved. Short captions complementing the photos reveal the nuances of architecture on display, and speak largely about the aesthetic design elements – be it minimalistic styling or imaginative restructuring of existing structures; also various other factors such as cost efficiency, economy of resources, lighting, comfort, and
environmental aspects, etc. Commencing with a long shot of the iconic Indian Oil building in Delhi, designed by J Subramaniam and Abhin and Vasudha Alimchandani, it includes comprehensive details of the architectural firms and teams involved, and brief histories of the company and the building itself, aside from the much-vaunted photographs that showcase the quality on display. With more than 200 pages of quality content, Corporate Offices in India pays ample attention to each building featured. (One finds spaces designed by Christopher Benninger, Hafeez Contractor, Mihir Thaker, etc.) The book also focuses extensively on the interiors – the 8 hours of the day, the 6 days of the week, the 12 months of the year, the spaces where a greater part of one’s productive adult life is spent, as the introductory passage states – and deconstructs the seeminglyintangible aspects that make functioning in the corporate world comfortable and calm. In fact, the book points out notable quirks and enlightening chunks of information about each of the 20 buildings it features. While a simple and not-especially impressive cover and minor editing and spelling errors do serve to hinder the entire experience of traversing through the book, these remain minor grievances. All in all, Corporate Offices in India largely justifies its hefty price tag for connoisseurs, making for pleasant yet intellectually stimulating coffee table conversation, giving life and emotional malleability to these concrete and brick constructs, which would precisely be the point behind its inception. The one real obstacle though, might be the task of actually managing to fit the entire book on a coffee table! SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 123
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124 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
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Product review
LUXE-WRAP Design and luxury engage in a relationship that culminates into a new feather for the Porsche Design World Collection. Words: Savitha Hira; Images: courtesy Porsche Design Group
P
urist is a style of art that was developed in France in the early 20th century – characterized by the use of simple geometric forms and images evocative of objects produced by machine. Purist design combined with high-end materials
has been the iconic style-credo of the Porsche Design luxury brand ever since its inception in 1972. With contemporaries like S T Dupont, Montblanc, Gucci, and Prada, this luxury brand is particularly focussed on technically inspired products that are functional and timeless. The latest to hit the market in the Porsche Design World Collection is the hookah christened Shisha. Combining products from diverse cultural backdrops, the World Collection has a product portfolio that includes exclusively designed chopsticks, a tea and soup set, as well as a few fashion items that include a silk scarf (India). Shisha is meant to cater to the Middle East for its first Porsche Design store which is in Dubai. Made in Austria, the Porsche Design Shisha combines high-quality materials such as aluminium, stainless steel and glass and stands at a height of 55 centimetres. It only shows a discreet branding on the aluminium top of the Shisha and comes with a long flexible tube made out of TecFlex material, which is also used for the classic Porsche Design TecFlex writing tools. Public Relations Office, Porsche Design Group, Christian Weiss quotes Founder F A Porsche: “If you analyze the function of an object, its form often becomes obvious.” Weiss explains that the luxury brand has remained true to this idea. “Moreover,” he says, “A truly good product has to fulfil both aspects in order to be a long term success.” The “engineered luxury” and expertise of Porsche Design has won the company more than 130 national and international awards. As Weiss elaborates, “The functional, enduring and purist demand of the brand is combined in a way that not only captivates with its classic design, but also with the innovative combination of materials.” With a customer base that swears by the Porsche design signature, irrespective of their ownership of other celebrated Porsche products (specifically the Porsche sports car), Shisha was launched in mid-July 2011 at Harrods and is available in worldwide Porsche Design Stores. In India it is available at the Porsche Design Store at New Delhi. The extravagant indulgence is priced at Rs. 94,700 (US$ 1,960) SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 125
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Japan Jewellery Fair
2011 will be a one stop shop for sourcing
millions of home owners under one roof.
Japan, in particular, Tokyo city is known for
latest designs and supplies.
The Home Design and Remodelling Show
its edgy fashion sense as well as its keen
will witness record sales of home products,
business and technological know-how.
Date: Sept 1st- 3rd
This premier jewellery event in the heart
Venue: Manchester, U.K
of the city will be attended by jewellery
design and equipment. Date: Sept 2nd- 6th
jewellery manufacturers, jewellery design-
Madrid International Fashion Fair
ers, watch and time piece retailers as well
The Madrid International Fashion Fair, to be
Tableware Show
as student designers. The exhibitor’s pro-
held this year at the Feria de Madrid, will
The Tableware and Giftware Show gives its
file includes experts from the fields of
bring quality and variety to the runway and
participants the great possibility to dem-
antique jewellery, pearls, rubies, sapphires,
guarantees fashion investors and enthusi-
onstrate their novel, fashion and modern
emeralds, crystal and jewellery and acces-
asts an event where business can be mixed
tableware, décor elements both for cater-
sory design equipment.
with pleasure. Among the visitors you will
ing enterprises as well as for domestic use.
find
manufacturers, exporters, boutique
The Tableware Trade Show is the exhibition
Date: Sept 1st- 3rd
owners, traders and wholesalers. Experts
of new market opportunities, latest devel-
Venue: Tokyo, Japan
in the fields of fashion industry, mass retail,
opment tendencies of the tableware indus-
exclusive designer’s collections, and brand
try, analysis and development perspec-
name merchandise as well as representa-
tives. Dealers and distributors, re-exporters,
tives from major fashion institutes. Fashion
wholesalers, interior professionals, major
The Stitch and Creative Crafts Show 2011 is
publications and young designers will also
corporate businesses related to the table-
a premier event for the stitching, craft and
be in attendance.
ware and home textile industries are the
wholesalers, agents, duty free retailers,
The Stitch and Creative Crafts Show
knitting industry in the United Kingdom.
target visitors.
The show will provide a matchless oppor-
Date: Sept 1st- 3rd
tunity to craft enthusiasts to network and
Venue: Madrid, Spain
get inspiration from the most creative
Venue: Miami, U.S.A
Date: Sept 7th- 10th Venue: Kiev, Ukraine
knitting, stitching and paper craft from
Home Design and Remodelling Show, USA
the experts. Hundreds of exhibitors from
The Home Design and Remodelling Show
This Home & Garden Fair is an international
across the world will be participating in
is a five-day event featuring new home
mega event inviting people from all over
this show in order to showcase their latest
designs, and ways to remodel and reno-
the world. The show will provide an oppor-
products/services. Moreover, the fair will
vate old ones. The spirit of the show is that
tunity to all its visitors to see top-of-the-line
also include an educational programme
there is no other place like one’s own home.
quality of both, design, and technology in
and workshops, offering an insight into the
Architects and interior designers have an
furniture and other household products.
current trends in the stitch and craft mar-
immense opportunity to promote their
The event will be hosted by companies who
ket. The Stitch and Creative Crafts Show
expertise in the business for the benefit of
deal with household products and garden-
artists and learn about various skills of
Home and Garden, Salem
126 DESIGN MATRIX • SEPTEMBER-OCTOBER 2011
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ing products from all over the world and will
in product line like silver findings, burma
Western Productions and is a fabulous
draw experts from relevant industries. The
jade, crystals, be-venetian, swarovski, pearls,
home and decorating show featuring ven-
exhibitors will be related to china and glass
lamp work, silver, seed beads, vintage glass,
dors with everything for improving the
industry, innovative kitchen accessories, gar-
jewellery and much more. This year, the
home. Paintings and wall hangings, fur-
den and terrace floral accessories and also
Northeast Bead Extravaganza will be focus-
niture, tips on how to be energy efficient,
landscaping for the theme gardens.
ing on the machines and equipment used
flooring, windows and docking. If you offer
for stone mining. Stone processing will
a service in the home improvement area,
Date: Sept 8th- 11th
also be on display for visitors coming from
this is your show. Trade visitors will include
Venue: Salem, Germany
all over the world. The main focus of the
designers and re-modelers, interior design-
event will be on the buyers and importers
ers, luxury home builders, architects, pro-
of products and service-related people.
fessionals involved in home re-modelling.
LuxeHome Open House The LuxeHome Open House offers material
The general public are the target visitors.
for building and re modelling your home.
Date: Oct 1st- 2nd
Visitors can expect the widest selection of
Venue: Newark, U.S.A
products to fit all lifestyles, from modern
Date: Oct 8th- 9th Venue: Fort Collins, USA
European to classic American to traditional
Times Glitter
English. In addition to the extensive line up
Times Glitter is a grand exhibition for fash-
India Carpet Expo-Varanasi
of world renowned manufacturers, each
ion, jewellery and lifestyle sector in India.
The India Carpet Expo Varanasi will be held for
boutique offers the advice and insight of
The event will showcase elegant jewellery,
four days at Varanasi, India. It is organised by
knowledgeable designers who are available
fashion couture and trousseau products,
the Carpet Export Promotion Council under
to assist with every phase of an ideal design
which will create wonders for visitors. This
the aegis of Ministry of Commerce, Govern-
project. The profile for exhibit includes out-
three day show is being organized by Asian
ment of India to exhibit a range of hand-knot-
door furniture, hearth products, tabletop/
Business Exhibitions and Conferences Ltd.
ted carpets and various types of floor cover-
decorative accessories, garden accessories,
Manufactures from trousseau, menswear,
ings. Traditional rural inspired motifs and
statuary and cast metal furniture.
lifestyle, accessories and cosmetics will be
fine fabrics will be focussed upon. The fair
participating. The event, which will be held
provides an opportunity for dealing directly
Date: Oct 1st
at the J.W Marriot will be attended by lead-
with buyers and taking them to manufactur-
Venue: Chicago, U.S.A
ers in fashion, celebrities and other envoys
ing units, godowns and warehouses. Visitors
from the fashion industry.
will include professionals from the specialty
Northeast Bead Extravaganza, Newark The Northeast Bead Extravaganza, Newark stands alone as one of the largest shows
carpet stores, buyers and sellers, suppliers, Date: Oct 6th- 8th
carpet manufacturers, carpet importers and
Venue: Mumbai, India
exporters, handloom houses, designers, emporiums and the general public.
exhibitors are participating from across
Northern Colorado Home and Decorating Show
the world to showcase the latest brands
This event has been taken over by Great
related to the Gemstone industry. Many
Date: Oct 15th- 18th Venue: Varanasi, India
SEPTEMBER-OCTOBER 2011 • DESIGN MATRIX 127
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GLOSSARY I F C: Jalaram z
z
Agar Bazar S. K. Bole Road, Dadar (W),
Pg. 12: Heritage Decorative Laminatess
Mumbai 400028. Tel: (022) 24318444/555
Deco Mica Pvt. Ltd.
9/b, k, Laxmi Ind. Estate, New Link Road,
306, 3rd Floor, Iscon Mall, Star Bazaar Bldg.,
Versova, Andheri (W), Mumbai – 400053.
Jodhpur Cross Road, Ahmedabad - 380 015
Tel : (022) 26327733 / 34
Pg. 1: Ebco
S.G.Highway, Ahmedabad – 380059. Tel: + 91 – 79 - 40017979
Pg. 89: Uniply Elementz Uniply Industrirs Ltd,
Pg. 13: Loom Crafts
#52, Harleys Road, Kilpauk,
HO & Manufacturing Unit: A-7/98 & 99,
Chennai-6000010.
402-3, Hyde Park, Saki Vihar Road,
South side G.T.Road Indl. Area,
Tel : 044-26605995
Mumbai 400072
Ghaziabad - 201009. U.P (India)
Tel: (022) 67837777 Fax: (022) 66920700
Tel.: +91 9871122239 / 9810031705
Email: info@ebco.in
Email : info@loomcrafts.com
www.ebco.in
Website: www.loomcrafts.com
Pg. 102 & 103: Bright Outdoor Media Pvt. Ltd.
Pg. 19: Durian Office Furniture
8th floor, Crescent Tower, Near Maurya House,
Pg. 3: Durian Home Furniture
401, The Chambers,
401, The Chambers, Western Express Highway,
Western Express Highway,
Vile Parle (E) Mumbai 400057
Vile Parle (E) Mumbai 400057
Mumbai 400053
Tel : (022) 26269000
Tel : (022) 26269000
Tel: (022) 67140000
Email: info@durian.in
Email: info@durian.in
Email: brightoutdoor@gmail.com
www.durian.in
www.durian.in
www.brightoutdoor.com
Pg. 4: Design Matrix Ultratech Excellence Awards
Pg. 46: MRJ Flooring Corporate Ad
Pg. 112: Surface Décor (India) Pvt. Ltd.
Email: response@designmatrix.co
MRJ Marketing Pvt. Ltd.
Abdul Satar Lakdawala Compound,
201, Shyam Kamal ‘C’ Bldg., Agarwal Market,
W. E. Highway,
Vile Parle (E), Mumbai – 400057.
Pg. 6: The Art Lounge
Besides TATA Motors,
Tel : (022) 26187132 / 26131442
Jog-Vikroli Link Road,
Hodiwala Bhatehena & Co
Email: flooring@mrjgroup.in
Jogeshwari (E), Mumbai 400060
3, J. Tata Road, HP Petrol Pump,
New Link Road, Andheri (W),
Tel: 28362424 / 28242424
Near Ritz Hotel, Churchgate, Mumbai 400020
Pg. 47: Uniply ATS
Tel: 22878787
Uniply Industrirs Ltd,
Email: theartlounge@live.com
#52, Harleys Road, Kilpauk, Chennai-6000010. Tel : 044-26605995
Pg. 7: VITA Vitrified Tiles
I B C: Durian Corporate Ad 401, The Chambers, Western Express Highway, Vile Parle (E), Mumbai 400057 Tel : (022) 26269000
383 – A, Vasu Smiriti, Flat No.4, 1st Floor,
Pg. 48: MRJ Le Cdeor
Email: info@durian.in
13th Road, Khar(W), Mumbai : 400 052.
MRJ Trading Pvt. Ltd.
www.durian.in
Tel : 022- 42367900/909
201, Shyam Kamal ‘C’ Bldg., Agarwal Market,
Email:cermalvisa@cermalvisa.com
Vile Parle (E), Mumbai – 400057. Tel : (022) 26187132 / 26131442
B C: Ultratech Paints & Textures
Email: artifacts@mrjgroup.in
F 213A/1, Lado Sarai,
Pg. 10 & 11 : Le Cdeor
Old M. B. Road,
8/H, Laxmi Ind. Estate, New Link Road,
New Delhi – 110030
Versova, Andheri (W), Mumbai – 400053.
Pg. 49: Delta
Tel : (022) 26327733 / 34
Olympic Laminates Pvt Ltd
Email: info@ultratechpaints.com
Email: jalaramvnf@gmail.com
6, Patel Avenue, 1st Floor, Near Gurudwara,
www.ultratechpaints.com
Tel: (011) 46061549/50
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