Mar apr 2016 by Design Matrix

DESIGN MATRIX • March-April 2016

March-April 2016 VOL. 6 • ISSUE 3• `100

ESIGN • INTERIORS D • LE Y ST FE LI • E PL PEO

One-on-one with

SSA Architects Architecture is a comprehensive approach, which combines the hard skills of design and the soft skills of human connection and experience.

Buildings make their first impressions through their facades. • We Architects , Mumbai • DCA Architects, New Delhi • Baldiwala Associates, Mumbai • Shilpa Architects Planners Designers, Chennai & more...

a MRJ presentation

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KiTEC Industries (India) Private Limited C-18/11, Jeevan Bima Nagar, Borivali (W), Mumbai - 400103 Web:. www.kitecindia.in Tel.: 022-28951144 09 Mar - Apr 2016 Vol 6 Issue 3 DM.indb 10

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It gives us immense happiness to have got a chance to be published in Design Matrix. It is very well organized and presented magazine, compared to rest of the magazines in market. Loved, the overall magazine along with the special editor’s pick of the month. We started of our hospitality interiors journey with being published in Design Matrix on our very first project, so we really hope to do many more in future. It was a pleasure working with you and your team

Ar.Harsh Boghani Vadodara Congratulations to Design Matrix team for bringing out an exciting issue. Keep up the good work and all the best!

Ar. Sukumar Dharmadhikari

magazine; I was impressed by the articles and the pictorial essence. The images used were so interesting that I could not resist, but to go back to it again and again. I am eagerly waiting for a chance to grab, the next edition.

Chaya Patel Surat Congratulations to Design Matrix for completing five successful years and giving us an array of interesting projects. I loved the cover story in the last issue. It was brilliant and I never miss reading any editions. Design Matrix is a beautiful magazine that offers a bright feeling with good contents and mind-blowing projects. Wish you all the best for the future editions.

Jay Krishnan Pillai Bangalore

The New Year edition of Design Matrix was impressive and the new format and styles that you have implemented made it easy for us to connect with the content. The layouts were exciting. Thank you DM, for giving us the best. My favorite project was an interesting watch boutique and of course the cover story.

Riya Ramanujan Chennai

Owned, Printed and Published by Karan M. Jhunjhunwala. Printed at Dhote Offset Technokrafts Pvt. Ltd. 2nd Floor, Paramount Estate, Plot No 5A, Off Vishweshwar Nagar Road, Goregaon (E), Mumbai 400063. Published at MRJ Trading Pvt. Ltd., F/201, Shyam Kamal ‘C’ Wing 1, Agarwal Market, Vile Parle(E), Mumbai 400 057, India

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The Focal Point on kitchen industry was something that fascinated me to pick up a copy of Design Matrix. I found the overall magazine interesting. Though it was the first time, I was reading this

INBOX

Mumbai

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S ’ R O EDIT N O T E

EDITOR’S PICK

DRAMATIC & COMFORTABLE

Designing of industrial sales office for Raheja’s was all together a unique experience for Ar. Samir Dharurkar, Principal Architect, We Architects; and his team. They found it as a rare opportunity to design, both the architecture and interiors of this sales office in Mumbai. We Architects were asked by the clients to design a very simple office, depicting an industrial look, unlike any other sales offices. The designers coined several ideas and developed a concept that included natural elements, such as wood, metal and stone in an array of patterns, portraying a flowing and endless space, softening the industrial vibe, without losing its urban charm.

ur New Year edition began with fresh ideas, new aspects and a creative format. Hope you all have noticed the fine detailing and have enjoyed the interesting design centric articles and artistic layouts. This issue showcases exclusive projects from Chennai, Delhi, Gujarat, Mumbai, Pune and Raipur. The salon project by Stone Lotus, Chennai will tempt you to rejuvenate your mind, body and soul. Workaholics will certainly fall in love with the oﬃce spaces featured in this edition. Some enchanting homes will thrill you… With Women’s Day round the corner, we are excited to meet creative designers like Pavitra Sriprakash from Chennai, Nidhi Jaju from Pune, Trupti Adurkar and Aashita Dhruva from Mumbai. A special thanks to Harsha Kotak, our columnist from London for an attention- grabbing, Global Eye. Miss Ko is fascinating and mesmerizing. I am sure you will be lured by Miss Ko and enjoy your evening in Paris. Coming to another interesting subject, facade is something that always attract the passers-by. Often, when I pass by Dadar, I glare at the glass façade of Kohinoor Square. In this edition, I converse with Ar. Sandeep Shikre, Principal, SSA Architects, and the man behind this project. My meeting with him was an eye-opener, with regards to various aspects of architecture. Our Cover Story showcases interesting projects that one would be keen to know about. Speaking about facades, our Focal Point is not only interesting, but also informative with industry experts view , authored and educational articles. More exciting projects are on its way. Keep reading Design Matrix and send in your comments. I eagerly wait to hear from you all. Till then, wish you all a Happy Holi, blessed Easter and other fun filled festivities that are on its way. Have fun!!! Cheers

Marilyn Madathil www.designmatrix.co

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CONTENTS Pg 69

Pg 24 First Impressions an interesting article by Ar. Priti Kalra will make a good impression. Thermally-modified hardwoods (AHEC)

ZOOM IN

Teknion: A New Working Environment at Banglore. Trupti & Prasad Adurkar designs a home- cum- oﬃce space.

Pg 44 COVER STORY

Dessign Matrix converse with Ar. Sandeep Shikre, who believe that Architecture cannot be limited to any style...

GLOBAL EYE

Some news from Paris… An Evening in Paris will take your breath away.

FOCAL POINT

Industry leaders share their insights on the traits prevailing in the Facade Industry. Ar. Meenal Sutaria, Green Angle, authors an interesting article on Sustainable Facades – A short History of shelter & facade. Read more ...

ARTY - TECHTURE

Shivnath Villa; designed Aashita and Kulin Dhruva is considered to be one of the best designed villas in Raipur. Hope,this project will mesmerize you… An interior designer’s oﬃce needs to be cosmopolitan; urban with a non-cluttered feel and designer Nidhi Jaju’s oﬃce in Pune is indeed synonymous with creativity and a cutting-edge design.

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Pg 94

Style is a constant evolution. Zique, a unisex spa and salon by Stone Lotus will tempt you to change your lifestyle!

CORPORATE DESIGN

Designing an industrial oﬃce space for Raheja’s was a unique experience for We Architects. The Primarc Oﬃce, conceived by the DCA team with unique ethos – Dream, Design, Discover and Deliver.

BLISSFUL ABODE

Human touch is the real genius

Pg 102

behind any creation. Baldiwala Associates creates a distinct, elegant and fresh mansion in Mumbai. The Design Atelier, take us to a spacious apartment with bold and oﬀ-beat interiors. The Warli house by The Interior Workshop, optimizes tradition. Fall in love with this home.

DESIGN CORNER

110

Studio Veekas,continue their quest for providing innovative and creative solutions.

Pg 116

A blend of innovative designs with minute detailing by P Square Designs are thrilling.

EVENTS & PRODUCTS

122

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SUBSCRIBE NOW... • Celebrate with your favourite designers. • Enter different spaces- residential, luxury,leisure and lot more • Design centric projects across the globe. • Offering a design platform to students ( next -gen designers)

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Cover story

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Architecture &

Beyond…

Architecture is comprehensive and cannot be encompassed with any boundaries or style. An Architect is the one who orchestrates the success of the project from conception to completion, through his creativity and leadership. SSA’s belief is that Architecture should seamlessly connect with the context and meet the needs of the end user. Their vision is to create a custom experience for their clients from the moment they set their eyes on the development. Words: Marilyn Madathil & Monaa Shah Photo credits: Sakina Zojwala (profile) Projects: Sebastian Zachariah

r. Sandeep Shikre, along with

ing architectural firms in the country.

Ar. Alpa Shikre, who partners

Ar. Sandeep Shikre shares the success

with him in both, work & life,

mantra of SSA with Design Matrix.

set up a design consultancy firm in

as SSA Architects. SSA has oﬃces in

DM: When you were a child did you always want to become an architect?

Mumbai, Pune and Bangalore. From

SS: While growing up, I wasn’t

its humble beginnings, with a team of

exposed to Architecture and like

two, it has grown to a team of 240+

every other Indian child, I wanted to

dedicated, committed professionals,

be a cricketer. It was only during my

within a short span of two decades.

teens that I started paying attention

SSA with its diverse portfolio has

to my creative streak, which, com-

bagged many national and interna-

bined with the inherent strength of a

tional awards and is one of the lead-

strong analytical mind and an under-

1989, under the name of Sandeep Shikre and Associates popularly known

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standing of mechanics, made Archi-

mantra of design - ‘Form Follows

tecture a natural choice. Architecture

Function.’

the bar, walk the talk and walk it tall.

lured me with its obvious potential

I continue to be inspired by my

for being a performance based pro-

guru Prof. Amberkar, who is close

DM : What is your design philosophy?

fession, where innovation would be a

to my heart; he is currently the Vice

SS: The design process begins by

continuous dynamic process.

Chairman of Rachana Sansad - com-

understanding the clients’ brief both

mitted to educating and shaping

articulated and silent along with the

DM: Were there any particular influences early in your career?

young minds. I was greatly moti-

end users functional needs. It has to

vated and inspired by the faith and

be contextual, completely anchored

trust shown by the Kohinoor Group,

in its program and style. The design

SS: Like all aspiring Architects, I was,

under the leadership of its CMD, Ar.

has to create a meaning on site, which

and continue to be influenced by the

Unmesh Joshi from the initial years

is both deep and broad, where lives

works and philosophy of great Mas-

of my career, till date. His faith in me

are influenced and behaviours are

ters such as Frank Wright Lloyd, Le

has prompted me to continually raise

shaped. Once you have appropriately mapped this in sync with the context,

Corbusier, Charles Correa, Achyut Karvande, B. V. Doshi. The additional benefit was the influence in my college years at ‘Rachana Sansad’, by fantastic gurus – Ar. Mhatre and his quite smile, Ar. Gumaste – a committed

academician and task master

and Ar. Wandrekar – a visionary. This perfect trio, balanced each other in establishing a great Architectural school, where I learned the basic

Rapid Fire College you attended: Ruparell College / Rachana Sansad My favourite pastime: Travel, meet people If not an Architect: Cricketer My favourite structure: La Familia Sagrada Your inspiration: People

excellence in design will naturally evolve. We believe that architecture is more than just a visible built form. It creates behaviour and connects the community. Architecture always has to be versatile, organic and attuned to the nature around it. The design has to create a meaning on site which is both deep and broad.

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DM: What are the diﬀerent types of projects and services oﬀered by SSA? What is your team strength?

oﬀ lights while leaving a room - ‘Balanced Designing’.

tone of the building. Facades

were

originally

solid

masses with punctures (windows) to allow light and ventilation, as seen in

vices, encompassing all specialized

DM: Tell us about the evolution of Façade Design in India.

fields, across the spectrum of sec-

SS: Façades are to a building what

moved on from simply keeping the

tors from healthcare to hospitality,

first impressions are to people. The

weather out to being both, aestheti-

residential to commercial, education

building’s character is determined by

cal and functional.

to institutions, master planning to

its Architectural façade and is a cru-

Towards the end of the last cen-

mixed use developments.

cial design and construction element

tury, influenced by the West, the

that is responsible for setting the

Architects designed glass façades

SS: SSA provides comprehensive ser-

With team strength of 240+ dedi-

the fort Architecture, Hava Mahal etc. Over the last century facades have

cated, committed professionals - SSA is structured around 3 verticals Architecture, Interior Designing & Project Management. The core teams are supported by our engineers, graphic designers, and 3D visualizers, Supervisors, CAD Managers, who work with the latest tools that enable them to be ahead of the curve.

DM: How hardworking is the SSA team? SS: The ethos of SSA can be summed up in three simple words ‘Architecture and beyond…’ Our team based approach ensures the cross pollination of ideas and insights enable us to Deliberate, Design Deliver; ‘Growing from Strength to Strength’.

DM: What do you feel is the greatest challenge when it comes to designing for environmental sustainability? SS: We are very proud of the fact that we were the first team in Asia to obtain the ‘LEED Platinum’ rating for ‘Kohinoor Hospital’. Our team is committed to designing for environmental sustainability, where our practice philosophy is to be nimble, facile, fluid, and flexible, continually moving forward, where the role of the Architecture and Architects is to be completely involved with the rest of the society. One of the biggest challenges of sustainability is ‘Behavior Change’ for e.g. Simple things like switching MARCH-APRIL 2016 • DESIGN MATRIX 27

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that were not apt, for our climate.

the least. The use of newer design-

L-R : Ar. Pankaj Palshikar, Ar.

As environment sustainability aware-

ing tools, technology, materials such

Amit Chaubal, Avadhut Kadu,

ness spread, designers realized that

as GRC (Glass Reinforced Concrete),

Er. Shashikant Sovani, Er. Murli

the glass facade while being aes-

engineered stone, GRFP (Glass Rein-

Ramaswamy, Sreekumar Kurup,

thetic, has to be energy eﬃcient and

forced Fiber Plastic), zinc panels, liv-

Meghna Bhuva, Ar. Anuja

functional.

ing panels (panels that include flora)

Sawant, Pooja Heroor

At SSA, while designing Kohinoor

etc. goes a long way in helping the

Square façade, special attention

Architect to create an architectural

Below: Vaishali Pendurkar, Sne-

was paid to maximizing the daylight,

hal Vaidya, Mona Shah, Ar. Alpa

while providing, the reduction of heat

Shikre, Ar. Sandeep Shikre

and glare. We innovatively used an articulated glass, which is in sync with the micro climate response, where it does not allow harsh reflection on the abutting development. The ‘U’ value and shading co-eﬃcient of the glass is optimal along with a high VLT. Overall, the glass façade while making an aesthetically bold statement takes care of both the sustainable and functional aspects We have also adapted the strategy of using of the elevation feature such as Architectural fins functionally, to reduce the heat. The current evolution of material and technology is exciting to say

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expressions, which is environmentally sustainable, aesthetically appealing and functional. This fast evolving facade industry is actually a boon to the Architects where anything is possible. Façade is a collation of aesthetic, functional and structural elements.

DM: What advice would you give to young designers starting out today? SS: ‘Architecture,’ is an extremely respected and valued profession. An Architect is a leader who has the inherent ability to connect and engage with the end user. The mantra for success is ‘Continuous Learning, practice the best ethics, have an ability to adapt, trust and respect the team’. In a nutshell, be an extrovert with a holistic approach. Last but not the least - Be passionate and enjoy what you do … Have fun!!!

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Redefining 30 Design Matrix â&#x20AC;˘ march-april 2016

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the skyline march-april 2016 â&#x20AC;˘ Design Matrix 31

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Double height sky lobbies with bio walls act as break out space.

2 Thoughfully segregated drop off and pick up points. 3 Columnless office space with floor to ceiling glass facade allows maximum daylight. 4 State of the art lift lobby with innovative compass system for vertical transmission. 5 An atrium with the glass encased fabric mural of 26 meters height, which acts as a facade, commemorate the textile mill workers. 6 Articulated faceted glass facade designed to shimmer like a diamond.

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KOHINOOR SQUARE Kohinoor Square makes an ‘Architectural Statement’, establishing a new approach to high density growth, where an iconic high rise tower with 360º panoramic view and articulated aesthetically appealing glass, reflects the diﬀerent textures of nature. The project is being developed by the Kohinoor Group, whose mission is to ‘Reimagine’, ‘Constantly innovate’ and ‘Think out of the box’, based on the CMD - Unmesh Joshi’s philosophy to ‘Think ahead of time’. Kohinoor Square was conceptualized by SSA in collaboration with gkkworks, California. It is developed as a mixed use complex, sprawling around 2.6 million sq ft. This vast project is located at Shivaji Park, Dadar, Mumbai and includes residential, commercial, retail and hospitality. Snugly cocooned in the heart of the city, it is an architectural statement that is poised to redefine the Mumbai Skyline.

Innovative spandrel lighting strategy with articulated crown, creates an iconic expression.

2 A new approach to high-rise towers.

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CORPORATE HQ FOR MUDRA COMMUNICATIONS (LEED Gold) Mudra Communications is the perfect example of the modern adaption of Indian heritage. The Architectural translation is seen in the tech style building with traditional red clay fins, and is reflected in the interiors through the innovative ‘Warli’ pictographs that are peppered along the interiors at strategic locations. Understanding that all the ‘Strategic Business Units’ of Mudra would be housed under one roof, the concept of ‘Vibgyor’ and palette of color box was adapted, to distinguish and best reflect Mudra’s Cluster of multiple creative talent which are brought together and are as vibrant as the ‘Rainbow’.

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Tech style building where a nine storey atrium acts as an insulation, the bold white canopy cuts across the building providing a shading device.

2 A spacious warm welcoming lobby with Warli pictographs, innovatively peppered along the interiors. 3 An open office with exposed ceiling and bold colours create a cozy ambience. 4 An extra ordinary Directorâ&#x20AC;&#x2122;s cabin customized to reflect his philosophy.

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AMERICAN SCHOOL OF BOMBAY (LEED Gold) The American School of Bombay is located at Kohinoor City, Kurla (West), Mumbai. It is spread over 100,000 sq ft. A well designed space can help a company increase revenue, decrease operational cost and boost employee morale. This was the basic concept around which the design was developed for the four individual ‘built to suit’ towers for the Kohinoor Group. The design is a concrete and steel structure with a fritted - glass façade, which emit the LED’s glow by night. The individual towers are customized to meet the specific needs of the end user. The interior concept was developed by FNI, USA and SSA translated the concept into the local context. Detailed attention has been given to the design of each and every element of the school including the acoustic, furniture, false ceiling, carpets, surface textures etc. The interiors concept is to create an environment where children can learn, play and grow into well rounded individuals.

1 Out of the box design to create a warm, cheerful ambience to emphasize the learning spaces. 2 Open study zones with skylight designed for collaborative spaces. 3 Physical barriers kept at a minimum with light and accent colours define spaces.

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1 1

Courtyard teamed with Micro Climate Responsive strategy encourages people to connect.

2 Spaces that nurture, connect and play. 3 Institute of Management - Balance between the built and unbuilt environment expresses porosity.

INSTITUTE FOR MANAGEMENT STUDIES

Courtyard planning is one of the age old techniques used to achieve the balance between the built and unbuilt environment. The inclusion of the courtyard in an education complex, makes it the spot for the users to naturally congregate. This approach I reflected in our design for an educational institution, where it is teamed with ‘Micro Climate Responsive Strategy’, making it conducive for the active participation of the user. The pauses in the building such as courtyards, terrace, corridors and balconies should be optimally leveraged to encourage people to connect. The master plan reflects the interactive spaces that flow around and through the building. The key concept is connectivity creating spaces, that stimulate learning through contact and sharing of ideas.

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IIT BOMBAY SCIENCE RESEARCH PARK SSA, participated in a design completion floated by IIT Bombay to develop a Science Research Park, which is built to foster innovation, commercialization development

and

economic

through

collabora-

tions between industry and universities. Active relation of indoor and outdoor spaces in the form of strategically placed terrace and courtyard in the center is the focal point of this built form. Connecting bridges and climatically placed glass façade along court provide identity to the built form.

SUNTECK CENTER The clients brief was to create an architecture to house its oﬃce headquarters to heighten its presence in the commercial & financial capital of India - in BKC Mumbai. SSA designed a transparent flued glass architecture, which stands in a stark contrast to its tectonic to recreate and reciprocate to the clients brief. What is most intriguing about the building, is its facade, which takes its cue from site orientation and climatology of the region - thus the maximum glass façade is exposed on the north to minimize the solar gain. The views generated from the orientation, entitles the design for a floor to ceiling glass façade.

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LUXURIOUS TOWERS These towers are located right next to the Haji Ali bay at Worli. It was our vision to merge the inside and outside and get a seamless views of the surroundings. The units developed for the buildings are triple aspect units which provide uninterrupted views of the sea and the city. Detailed deliberation of the design has led to evolution of the community spaces split on multiple levels providing the towers with multiple unique interaction spaces, the highlight of which is the E-Deck split on two levels which also functions as a connecting bridge between the twin towers. The towers also boast of a multitude of lifestyle amenities. The elevation of the podium has been treated in such a way that it becomes a usable space.

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1 Lucid atrium space using light & transparency to create a composed collaborative space. 2 Accentuated wall to ceiling motif breaks the monotony. 3 Leitmotif jali design. 4 Play of light at the entrance creates drama.

SAYAJI HOTELS LTD.

SSA has created a hotel for the Sayaji Group in Pune that defines hospitality in a new language of excellence where ‘Art blends into Architecture and Design blends into Luxury’. The reception area on one side with the Art Gallery on the other side is complemented by the suspended lights from the level five that create drama. The sit out in the entrance lobby is also a piece of art creating an interesting junction amidst the black, matt beige and light cream sofa arrangements that greet you to rest and admire the welcome. For the guest rooms SSA has deviated from being too decorative, instead accentuated the spaces, though simple in design is very sophisticated.

Portico, the multi cuisine fine dining restaurant with its leitmotif jali design - a fusion of traditional design in modern steel material. Portico is a magnetic allure with its antique beige marble flooring and dark walnut tones.

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TAJ VIVANTA SSA in coordination with Duncan & Miller, USA had developed concept for Interior Design of public spaces for Taj Vivanta Hotel, Surat. At the tea lounge you will notice ‘Tree of Life’ mural that catches your attention. This ‘Tree of Life’ is symbolic to Taj Vivanta’s philosophy of consistent organic growth in a sustainable manner. Each of the public spaces of the hotel has its own layout and theme and they all share a palette of materials including glass, wood, natural stone flooring, wooden partitions for screening giving it a touch of contemporary warmth.

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The ‘Tree of Life’ symbolizing the organic growth.

2 Creating a celebrating look, which has a chic and contemporary appeal.

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1 1

The ‘Word Mosaic’ of travel destinations on world map background, displayed in the waiting lounge complements the travel management image of the office.

2 To get away from a typical open office planning, various interactive break spaces are created around the accentuated structural columns. 3

A special sitting area is carved out in the reception and waiting area, which is demarcated by wooden look vinyl flooring.

VEENA WORLD The client’s brief was to design a layout in such a way that the design philosophy is easily replicable in any kind of location - as in from three people sales oﬃce to a fifty people sales oﬃce, while ensuring that the materials selected are available Pan India. The clients brief was ‘A warm welcoming atmosphere where people can plan their dream holidays’. The essence of travel and destinations is blended in the interiors through use of MDF cutouts of sky-

line silhouettes of different countries fitted on partition. The unique touch that differentiates this travel office is the subtle translation of transporting the prospective clients to their dream destinations through the visual eye candy of the skyline silhouettes. www.ssaarchitects.com

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Global eye

Miss Ko.

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EVENING IN

PARIS

An exciting evening in beautiful Paris is what most people dream of. An evening under the twinkling lights of Eiffel Tower or a coffee & Éclair at one of the Persian Patisserie on Champs Elysees. But my idea of a memorable evening is more than just that...

Words & Images: Harsha Kotak

Last week, while I was on a business trip to the French capital, I had one of the eve-

nings to myself. So I decided to grab this opportunity and go on a design hunt for Global Eye. I fixed a date with the mysterious Miss Ko, in the heart of Paris. Situated close to Arc de’ Triomphe, in centre of Paris’s fashion avenue is Miss Ko, a spectacular Japanese restaurant with a fascinating

Restaurant

theatrical setting.

Like an alleyway

Designed

the

illustrious

stretched across 200

French architect Philippe Starck, this

sqm, this part of the restau-

restaurant is a quirky and intriguing

rant is a reflection of an Asian

piece of art.

street with lots of hustle bustle

Miss Ko is an imaginary heroine, a faceless Eurasian who reveals

and good food. It’s a social space where not only

herself in modest nudity with a body

the DJs change every week but also

entirely covered in tattoos. Miss Ko

guest chefs are invited to oﬀer

is beautiful, Miss Ko is sensuous. She

something new every day.

is the inspiration behind the artwork

The 200 or so seats scat-

and design of the restaurant’s inte-

tered across the bar, sushi

riors, created artistically by Starck.

zone and more intimate

Like all his projects, this one is also

tables for two, invite

a showcase of his almost-unreal and

diners to partake in the

fictional creativity.

food, which is just as

Here is a glimpse into my experience at Miss Ko.

diverse and intense as the interior.

Miss Ko. MARCH-APRIL 2016 • DESIGN MATRIX 45

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Restaurant

Bar

A Long Shot at the Bar

The art work looks like a wallpa-

The main attraction of the space is a

per, covering the surface like dense

long bar counter made of hundreds

ivy, with not a single pattern repeat-

of TV screens stretching a massive

ed, punctuated by fictional charac-

26 metres of length. It is the sig-

ters who interact by gaze and glance.

nature piece of the place and the

This visual curiosity, designed to

broadcast

serve as a purely visual tale, is admi-

diﬀerent Asian news channels as if

rably striking both in its detail and its

interacting with the customers wait-

broader artistic vision.

monitors

continuously

ing to be served a drink. It took me a while to lift my head up and order a drink.

Dining Area The restaurant is an eclectic mix of colours and objects signifying the

Wall Art

marriage of Asian and European

This monumental fresco in the

culinary art. The large tea pot lamp

lounge area which spans a 15-meter

in this area creates an impression of

long wall, is artist David Rochline‘s

being on a large stage where guests

interpretation of Miss Ko. This poet-

are encouraged to explore and inter-

ic work was carefully produced using

act with the settings. The ambience

a technique combining watercolour,

attracts attention and draws the din-

pencil and gouache.

ers to experience a surreal world of

While sitting in this informal lounge and sipping a drink, I felt like Alice in wonderland.

an artist’s vivid imagination. On

the

concrete

walls

are

grains of rice that move and face

Mesmerizing Wall Art

Bar counter

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Open Kitchen

It’s Cocktail Time

that morph, attracting the eye and

gious”. Philippe Starck. Miss Ko sur-

ensnaring the focus, adding more

prises, Miss Ko fascinates. Not just

fun and drama to the background.

a gastronomical treat but a visual treat as well, this place will awaken

Food & Drinks

all your five senses and is worth a vis-

An exciting mix of French and Asian

it. So next time you are in Paris don’t

cuisine which oﬀers everything,

miss the chance to fix a date with the

from

beautiful Miss Ko.

the

French

salad

Nicoise

with an Asian twist, to a chocolate

Merci !

cheesecake in form of dim sums. And the bar serves everything from Thai spirits to iced jasmine tea alongside their ever popular delectable cock-

About the Author

tails.

Harsha Kotak, an alumni of Savan-

Fine dining in a laid back and fun

nah College of Art & Design, Georgia,

atmosphere is what this place is all

graduated with an MFA in Commer-

about. And it is truly a joy to relish

cial Interior Design, and for the last

some sushi while watching the chef’s

17 years has practiced in the US, UK

prepare Japanese and French delica-

and India. She has worked on many

cies in the open kitchen.

prestigious projects for the White House and Pentagon in the US, as

Food, Art & Curiosity

wells as for the US Embassy in New

“Nothing is normal in the world

Delhi, India. Currently based in Lon-

of Miss Ko, not even us. It’s conta-

don, she handles projects across UK & Europe. Harsha’s hobby of writing took

Dining Area

her to the prestigious Oxford University and that’s where the journey of Global Eye began. Her passion to explore the world of design and share her views gave birth to this regular column. She also regularly writes about ‘Global Trends in Design’ for various American publications. harshakotak@designmatrix.co MARCH-APRIL 2016 • DESIGN MATRIX 47

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Focal Point

Traits of Facade Industry Designing the urban skyline What’s the element that stands out in the design of a building? – It’s the Facade that reflects a multi-linguistic expression, from clean straight lines to zigzag/curvilinear forms; from static to adaptive; or a façade modulated to the spatial articulation. The façade systems are a multi-facetted design element – dictated by design itinerary, socio-cultural context and economic background.

e it a single dwelling residence, highrise structure or a monumental building, façade has always attracted the

passers-by. It’s interesting how our brain associates (roughly) the typology of the building with its sheer envelope. The Guggenheim Museum, Zaragoza Bridge, Kiefer Technic Showroom, Lattice House and likewise, dramatizes one’s perception of its existence by the play of materials and technology. There has been a dramatic evolution in the façade industry. It’s unclear whether the material science and technology has shaped the industry or it’s the creative minds behind the curtain. Either way, it’s indisputable that all these parameters constitute to the development of the industry – constantly pushing the envelope to cater to the industry needs.

Words: Team Design Matrix

In addition, it’s intriguing to comprehend the engineering involved in bringing the aesthetically appealing façade designs to life.

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Challenges faced by the manufacturing sector Façade industry has undergone tremendous changes in the past few years. And what lies at the crux is “developing innovative façade solutions that are aesthetically appeal-

For instance, Beat

ing as well as highly practical,” says

Murner, Project Manager, Jakob

Amit Vyas, Managing Director, Dur-

Rope Systems, Switzerland points

lax Archtech Pvt Ltd, Mumbai. This

out, “Lightweight and highly func-

might sound like a child’s play. But

tional wire rope mesh applications

‘practical approach’ means façade

always require dedicated custom-

systems with high calibration, ver-

ised fittings. And the project specific

satile to withstand extreme weath-

solutions depend on when, how and

er conditions of the country, high

where the planning is done. A lot of

strength and durability, flexible to

work is required right in the early

the artistic forms of the building

stage of a creative solution; even if

and most essentially, energy eﬃ -

the outcome is not sure! That’s the

cient designs. In addition, “Struc-

risk we are dealing with.”

tural integrity, weather-tightness, acoustical/thermal insulation, safety and security barriers form the func-

The challenge for manufactures is to develop innovative facade solutions that are aesthetically appealing as well as highly practical. Amit Vyas Managing Director Durlax Archtech Pvt. Ltd

Durlax Archtech Pvt. Ltd (3)

tion and performance of the façade materials and systems,” elaborates Dr. Prashanth Reddy, Managing Director, FunderMax India Private Limited, Banglore. Lately, in India, ‘Green Materials’, ‘Sustainable Design’, ‘Energy-Eﬃ cient Design & Systems’ have been the driving factors in possibly every sector. Manufacturing sector of the façade industry has left no stone unturned in adhering to this agenda. But it is wise to “use right materials that are safe, stable and also fall into the budget set by the developer,” infers P Jothi Ramalingam, Director, Winwall Technology India Private Limited, Chennai. In the broad spectrum, with the architects’ and designers’ thirst to innovate, “the manufacturing sector is perpetually challenged to oﬀer customisable products with flawless installation process with timely delivery and execution, value for money, and holistic and technical approach,” emphasizes Satyajit Limaye , Director, Madhav Limaye Group, Pune.”

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It has become mandate to use recycled materials with minimal maintenance. Dev Sharma & Harpreet Singh Arora, Partners FlexStone Gallery, Ahmedabad FlexStone Gallery, Ahmedabad (5)

Dynamism

façade cladding market such as UHPC

With environment consciousness

No doubt, the exposure of science

(Ultra High Performing Concrete),

being instilled in the country and

and technology has produced a

Carbon Fibre, Corten Steel, ETFE

across the globe, “it has become

mammoth of materials for one

Membranes

Surfaces,

mandatory to use recycled materials

to explore. “We are seeing the

to name a few, besides HPL,” says

with minimal maintenance,” remarks

emergence of new materials in the

Reddy.

Dev

and

Solid

Sharma,

Owner,

FlexStone

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Gallery, Ahmedabad. Clients,

being

well-informed,

have been wisely investing In high quality

materials

and

products

despite its initial cost at the higher end – conscious of products’ value. This has increased the demand for high aesthetic products with inherent

quality

last

long.

Harpreet Singh Arora, Partner, Flex Stone Gallery; further explains, “Our R&D revolves around certain key points, viz. recyclable raw material, maintenance-free, light weight, nonporous (which ensures no algae/ fungal growth), heat insulation and fire resistant.” With

the

economical

growing yet

need

for

eco-friendly

materials, many companies came up with alternatives. Limaye recalls, “Manufacturers

introduced

HGL

boards as a substitute to Wood. But the challenge lies in giving natural products with the same consistency and warranty, without aﬀecting the environment as a whole.” 52 DESIGN MATRIX • MARCH-APRIL 2016

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Technology Drive Human ingenuity has given birth to several inventions that have directly and indirectly aﬀected the façade materials & systems industry. Gone are the days when these materials and systems were treated in isolation in the designing of a building.

The most critical element in the complete facade assembly is the fasteners and the mechanism used for that.

With computational tools, architects and designers work in collaboration with the material engineers and

Dr Prashanth Reddy, Managing Director FunderMax India Pvt Ltd, Bangalore

structural engineers to integrate the two fields for a holistic design idiom. Ramalingam

mentions,

“Newer

FunderMax India Private Limited, Bangalore (2)

products which are being introduced are designed to integrate with building management systems thus automating some of the operations.” Further, “the optimisation of the design and manufacturing lead to lower cost retaining its performance. For eg: Webnet micro wire rope mesh, a new process for the sleeve production, leads to a smoother design of the mesh and to a significant lower cost, without compromising on its strength,” remarks Murner. Another concern of utmost importance lies in its execution and the sequence in which it is carried out. The material thus sourced may hold high strength and flexibility that fits the designer’s agenda. But a slight hitch in the installation process may turn the entire execution process upside down, causing delay in the project and unnecessary waste of resources – adding up to the project cost! “The most critical element in the complete façade assembly is the fasteners and the mechanism used for that. What we need is an accurate data integration environment incorporating building design, detailed joint design, and field installation together covering a series of management activities, including façade fabrication production, positioning, detection, cost estimation, and risk control,” elaborates Reddy. 54 DESIGN MATRIX • MARCH-APRIL 2016

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Project specific solutions depend on when, how and where the planning is done. A lot of work is required right in the early stage of a creative solution; even if the outcome is not sure! That’s the risk we are dealing with. Beat Murner Project Manager Jakob Rope Systems Switzerland Jakob Rope Systems, Switzerland Indian distributor : Acier Systems Pvt. Ltd. Mumbai. (2)

Indian market vs International market The advancement in technology and material science has brought several changes in the perception of the Indian façade industry. “The adherence to strictest energy and quality parameters and norms have given rise to more robust, energy eﬃcient, innovative and adaptable façade systems such as Back Ventilated Façade System, Double Skin Façade System, Louvers Façade Systems, Energy Eﬃ cient Façade Cladding Systems, etc.,” says Reddy. MARCH-APRIL 2016 • DESIGN MATRIX 55

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Newer products which are being introduced are designed to integrate with building management systems thus automating some of the operations. The optimisation of the design and manufacturing lead to lower cost retaining its performance. P. Jothi Ramalingam Director Winwall Technology India Pvt Ltd, Chennai. Jakob Rope Systems, Switzerland (3) India is an emerging market. With the call to ‘Make in India, and ‘Start up India Stand up India’ initiatives, one can expect India to be one of the largest economies driving global business growth, predicts Ramalingam. Observing the Indian business-consumer traits, Limaye states, “Indian market usually takes time to accept and adapt to new products. The challenge, henceforth, is to find the first mover in this market for others to follow and experience the superior quality of the product portfolio.” 56 DESIGN MATRIX • MARCH-APRIL 2016

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Madhav Limaye Group, Pune. (2)

Anticipation/Aspiration Novel structures sprucing up in the

Indian market usually takes time to accept and adapt to new products. The challenge, henceforth, is to find the first mover in this market for others to follow and experience the superior quality of the product portfolio. Satyajit Limaye Madhav Limaye Group, Pune

urban fabric is a testimony to the evolving architecture and engineering sector. With a number of green rated buildings gradually adding up to the global agenda, and computational tools resolving the complex parameters, one can anticipate healthy competition among designing and manufacturing sectors in the near future.While Flex Stone Gallery aspires to produce green products where stone mining from Mother Nature for cladding is reduced – like Flexstone made from recycled products, FunderMax aims to continue to contribute to the cause of education for the underprivileged. Reddy, further, expects architects to consider both technical aspects of façade designing and its aesthetics, driven by energy eﬃcient design. With tall, dynamic structures creating the urban skyline of the city, the performance testing of the façades are expected to be complex. Ramalingam, firmly believes that the performance testing of façade helps the developer to understand the behaviour of the system under severe atmospheric conditions, reassuring them that the products used in their projects will perform to its full potential under normal conditions and poses no risk whatsoever to the occupants and the general public at large. With such fast paced development one can anticipate and aspire to witness many novel designs in our urban fabric, creating a healthy neighbourhood. www.jakob.com/ rparekh@acier.in www.fundermax.at www.durlax.com www.flexstoneinc.com www.winwalltechindia.com satyajit@madhavlimayegroup. com/novawood.com.tr/designersarcade.com MARCH-APRIL 2016 • DESIGN MATRIX 57

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Focal Point

Meenal Sutaria Ar. Meenal Sutaria is the founder of Green Angle, a team of skilled and enthusiastic architects that are constantly working towards solutions

for

embedding

design eﬃciencies in buildings and developments. She has over 18 years of industry experience and constantly endeavors to improve the state of operations for our facilities today. She firmly believes that any change can be brought about only by capacity building and like mindedness.

SUSTAINABLE FACADES What came first “the roof” or “the wall” is an age old question in the history of shelter. From the earliest of times “shelter” for any man or animal meant a roof over the head, protecting it from weathering elements like the sun, rain and snow.

Words: Ar. Meenal Sutaria Photo credits Vernacular Architecture And Regional Design - 2 & 3. Curtain Wall Recent Developments By Cesar Pelli & Associates - 1, 4 & 5. Richard Meier - 6

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he walls came in more as a protection from the threat

important urban spaces with uniformity and notable character. Facades

of animals and warring tribes

abutting the street were transformed

and eventually from the need of

and those abutting alleys were left

social privacy. And as the enclosure

unattended. But some unique instal-

was formed, then arose the need for

lations like the Flatiron Building of

comfort within the enclosure. The

New York, which stood at the corner

relationship of Man with climate and

of two major streets was presented

enclosures is an exploration, since

with due importance. In spite of this

antiquity.

In every climatic zone a

unique enclosure was made to adapt

diďŹ&#x20AC;erentiation, the facade still served as a primary provider of daylight and

to the weathering and hostile ele-

ventilation in warmer climates and

ments. At first this enclosure also

protection from cold in the colder

called as the building envelope, was responding to specific functions but

Functions of a facade

as and when civilizations progressed,

Rural Context : Interestingly, histori-

embellishments

decorations

cally interior spaces of rural dwell-

were carried on the facades. These

ings, across the entire world were

became symbols of prosperity and

unusually dark. Light was controlled

carriers of culture and heritage. Some

by smaller openings. This was either

of the civilizations to be noted being

dictated by the technology of con-

the Greek or Chinese temples or even

struction or by the function of the

the more recent Muslim mosques

space. This also gave an insight that

and palaces. This is where the public

most functions were done outdoor or

buildings presented themselves into

in semi outdoor spaces like courts and

and

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courtyards. Urban Context: However histori-

the first time in the â&#x20AC;&#x2DC;The Lever House,â&#x20AC;&#x2122;

heating. Environmental degradation,

building in New York.

and unsustainable operational energy bills began to question the facade

cal cities as well cities of the present require more and more functions to

The flip side

performance and once again ques-

be held within the dwellings due to

As much as this reduced the bulk and

tions began to be raised !!! And the

density of buildings. Gradually, verti-

volume of the buildings and allowed

Facade as an element of design began

cal stacking of functions led to taller

for penetration of natural light, it also

to be redefined!!!

urban structures, space between the

became a weak envelope in terms

buildings reduced and there was an

of its resistance to excessive heat or

Some of the primary questions which

increasing requirement for visual

cold and started functioning more like

led to this enquiry were:

comfort and thermal comfort i.e pri-

green houses. A likewise revolution in

1) What is the function of the build-

marily light and ventilation for almost

material was concrete which replaced

ing skin or envelope or facade ?

all times of the day in the interior

all traditional age old materials and

2) How do these elements that form

spaces. This revolutionised the facade

became the new popular construction

the facade impact the building

and serves as the primary function

technology and infill material. The

even to the present day.

past 100 years could be said as the

3) What does the facade convey to

age of glass and concrete and steel.

the user, what is it relationship to

From the wall and window to curtain wall:

It enabled the builders and designers

the user in the external environ-

For centuries the design of the build-

of their dreams, however it also led

4) Does the facade of the building

ing envelope, i.e the wall roof window

to the newer buildings having lesser

participate in the large scheme of

and floor was driven by the prevailing

resistance to heat and cold. This led

construction technology like stone,

to the inventions of the artificial cool-

earth or wood and the primary need

ing and the artificial lighting tech-

consumption of the building due

of comfort from heat or cold. This

nologies. Rapidly, building that were

to the facade during the entire life

also restrained the size of the open-

almost near zero in their energy con-

ccycle of the building ? Thus the

ings and the thickness of walls, and

sumption and self sustainable began

Facade moved from energy guz-

added weight and bulk to the struc-

to need large amounts of energy to

zling element to energy conserv-

tures. However the industrial revolu-

perform.

ing, and from energy conserving

to build the buildings and structures

form function and design?

ment and internal environment ?

urban design and form ? 5) Finally what is the energy

to energy generating element of

tion led to the invention of the curtain

80% of the buildings energy use

wall, for the first time an innovative

was during its operational phase,

way of using glass. The entire wall

mostly arising from its need for arti-

meenal@greenangle.net

was replaced by the curtain wall for

ficial lighting and artificial cooling or

www.greenangle.net

the building envelope.

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First Impressions

Focal Point

They say you only get one chance to make a good first impression. One is likely to question – can this thought be extended beyond the psychology of the human mind to the understanding of other segments of our lives? Words: Ar. Priti Kalra, Photo credits: Wikimedia

Vidhana Soudha

or the sake of argument, let us

– a space where government oﬃcials

vidual level of cultural exposure), the

ponder over something which

work. Diﬀerent architectural ele-

resulting perception of awe remains

we are universally aﬀected

ments contribute to this unanimous

unchanged. Feelings of admiration

by – our surroundings, the built envi-

feeling. The building has been con-

versus angst vary from person to

ronment. Buildings make their first

structed in the Mysore Neo-Dravidi-

person based on economic disposi-

impressions through their facades,

an style, which hails from South India.

tion, status in society, belief systems

and streets make their first impres-

It has been seen primarily in temples

and attitude towards the reigning

sions through series of building

and kings’ residences – the king was

government.

facades. From part to whole, an urban

considered to be divine, possessing

A few hundred metres down

context

aesthetic

religious significance. The buildings

the road is the Visvesvaraya Tower,

vocabulary and a city develops its

boasted of highly ornate, pyramid

‘image’ in the minds of its people.

establishes

its

shaped towers. The construction

rea. He makes a strong statement

Take the Vidhana Soudha on

material employed was sandstone,

with this building complex, the tallest

Dr. Ambedkar Road in Bangalore.

soapstone or granite. Whether the

tower of which reaches 85 metres in

The instinctive feelings evoked in

historical reference that one’s mind

height. The building’s form has been

one’s mind are those of majesty and

tends to make on looking at the

compared to a bunch of periscopes

authority. It is visibly evident (even

Vidhana Soudha is an educated and

emerging from the earth’s core – all

without reading the signage) that

well-informed guess or whether it is

in all an overwhelming structure. The

the building is of political importance

a layman’s intuition (based on an indi-

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1 in raw concrete intentionally retains

es or not is an interpretation which

the markings from the concrete cast-

varies depending on the interpret-

ings. The facade is Brutalist, giving

er’s social background. Nevertheless,

passersby the impression that the

onlookers hold a united opinion that

building is a place for serious busi-

only concerned individuals would be

ness. Automatically one feels that

granted entry into the building. It

the towers probably house oﬃces.

is imperative to reflect on Correa’s

Whether they are government oﬃc-

modern response to the intimidating

UB City Towers

Visvesvaraya Tower

Russell Market

Parthenon

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context of the Vidhana Soudha and

incorporates Hindu architectural ele-

ness to the facades of buildings. It has

High Court. Diametrically opposite in

ments in the form of bulbous domes

been proven that certain mathemati-

architectural style, the building com-

capped with gothic spires, and Islamic

cal ratios adopted in design achieve

mands as much respect as its neigh-

architectural elements in the form

more beautiful results, for example,

bours without overshadowing them.

of scalloped arches. Roofed by cor-

the Golden Ratio seen in the Parthe-

It is inaccurate to limit the definition

rugated aluminium sheets, brickwork

non in Athens.

of ‘facade’ merely to the skin of a

of lime and mortar has been care-

Today, studies focussing on the

building. The facade is the connective

fully constructed to pay tribute to the

psychological evaluation of build-

link between outside and inside. For

marvel of British engineering. Almost

ing facades have generated a need

UB City Towers on Vittal Mallya Road

immediately, the withering age of

to reflect on the prevailing scenario.

in Bangalore, the Mediterranean

the building is revealed. Dotted with

With the vulgar economic dispar-

architectural elements bear clear

perseverant hawkers and determined

ity between classes, our cities have

testimony to the fact that the build-

pedestrians, the panorama of Rus-

become an amalgamation of con-

ing is a high-end one – not to mention

sell Market, Richards Square and St.

trasting facades – squatter settle-

the branding of Gucci, Louis Vuitton

Mary’s Basilica gives one the feeling

ments plonked outside opulent resi-

and Moschino that lines the front

of being in a more modest and hum-

dential towers, vast slum localities

facade. The Tuscan inspired architec-

ble locality.

and sprawling IT oﬃces situated on

ture employing faux finishes together

In this manner, based on facade

opposite ends of the same road, bicy-

with an exclusive range of moulding

treatment, one can decipher the eco-

cle vendors parked outside high-end

detailing lends a posh air to the con-

nomic value of a building, its function,

automobile showrooms and the like.

text. The programme of the building

and even the scale of spaces within.

It isn’t any wonder that despite how

comprises oﬃces, apartments and a

Further, certain characteristics help

striking a building envelope may be,

luxury shopping mall.

deduce whether a building holds his-

the most prominent feeling one feels

torical, religious or political impor-

in our metros is that of discomfort.

tance.

Some food for thought...

Russell Market, one of Bangalore’s oldest, is a dynamically different shopping complex. Built in

A more philosophical line of

the Indo-Saracenic style, the design

research attributes feelings of happi-

connect@pritikalra.in

4 MARCH-APRIL 2016 • DESIGN MATRIX 63

09 Mar - Apr 2016 Vol 6 Issue 3 DM.indb 63

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Focal Point

64 DESIGN MATRIX â&#x20AC;¢ MARCH-APRIL 2016

09 Mar - Apr 2016 Vol 6 Issue 3 DM.indb 64

01-03-2016 17:11:57

ThermallyPhoto credits: Gabrielle Voinot ( 3 )

Modified

Hardwoods An opportunity for America’s temperate species Words: Roderick Wiles, AHEC, Director for Africa, Middle East, South Asia and Oceania

n many temperate climates, tim-

ber clad buildings, decking, exter-

species,oﬀering high performance in

chemically-

treated

softwood

nal wooden structures and wood-

external applications.

en windows are not just fashionable,

Growing environmental aware-

and they are the norm. In recent

ness and stricter environmental regu-

years, however, the trend for tim-

lations are forcing developers to look

ber in these applications has spread

for timber from sources, which have a

further afield, including India. While

proven record of sustainable manage-

timber is not a preferred material

ment and low environmental impact.

for windows in the region, projects

The process of thermal modification

going up today are featuring wood

(also known as heat treatment) is now

in many other applications, such as

able to provide temperate hardwood

shade structures, gazebos, bridges,

species with the requisite durabil-

decking, cladding and outdoor fur-

ity and resistance to decay that was,

niture. In India, there is now demand

traditionally, only oﬀered by tropi-

for significant volumes of both tropi-

cal hardwoods. Whilst the concept is

cal hardwood species and pressure

not a new one, thermal modification today is an industrial process, using painstakingly developed technology and it truly represents a new opportunity for American hardwoods.

Thermally-modified hardwoods The thermal modification process, a clean and energy eﬃcient technology, uses high heat in a controlled atmosphere to improve both the dimensional stability and the decay resistance of wood by permanently altering its chemical and physical properties.

Roderick Wiles

processing

wood

1,2 & 3 Marseill Museum. MARCH-APRIL 2016 • DESIGN MATRIX 65

09 Mar - Apr 2016 Vol 6 Issue 3 DM.indb 65

01-03-2016 17:12:02

Photo credits: Petr Krejci ( 4 )

4 produced from America’s well-man-

5 improve longevity and performance.

and oﬀer it as an alternative to traditional species, such as teak. In princi-

aged hardwood forests, thermallymodified US hardwoods provides

Opportunities for End Use

ple, heat-treated hardwood furniture

an aﬀordable and environmentally-

Thermal modification opens up tre-

could be made from lower-cost spe-

friendly alternative to certain hard-

mendous opportunities for manu-

cies, such as ash, red oak, tulipwood

woods that might be illegally har-

facturers of wood products. The

and soft maple. While this lower-

vested from endangered tropical

improved moisture resistance and

material cost furniture might not

rainforests.

dimensional stability of thermally-

take market share away from teak,

The thermal modification pro-

modified hardwoods make them an

it could win significant market share

cess limits the ability of the wood

excellent option for wood flooring

from metal and plastic furniture.

to absorb moisture, so the product

in spaces where solid wood flooring

is more dimensionally stable and

has traditionally been ruled out for

oﬀer the possibility to produce more

less prone to cup, warp and twist

reasons such as contact with water.

specialized wood products for those

with changes in relative humidity.

Whilst, engineered wood floors have

consumers looking for something

This increase in dimensional stabil-

been substituted in many of these

unique in their homes. For instance,

ity significantly extends the service

areas, strip or plank flooring made

heat-treated wood has been used

life of applied finishes, reducing

from heat-treated hardwood lum-

to replace tiles on a shower floor.

maintenance

thermal

ber may be a solution to growing

In Europe, heat-treated wood has

modification process also removes

the available market for solid wood

also been commonly used in spas for

those nutrients in wood that would

flooring.

sauna benches because of its dura-

costs.

The

Heat-treated

hardwoods

also

otherwise provide a food source for

There is also an opportunity for

bility and low heat transfer. Homes

insects and wood-destroying fungi.

furniture manufacturers to produce

with decks, balconies and patios are

As a result, the end products do

wooden outdoor furniture made

also potential spaces for heat-treat-

not contain any toxic chemicals to

from thermally-modified hardwoods

ed hardwoods. Composite decking

66 DESIGN MATRIX • MARCH-APRIL 2016

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01-03-2016 17:12:05

The American Hardwood Export Council (AHEC) is the leading international trade association for the US hardwood industry, representing committed exporting US hardwood companies and all the major US hardwood production trade associations. AHEC runs a worldwide programme to promote American hardwoods in over 50 export markets, concentrating on providing architects, specifiers, designers and end-users with technical information on the range of species, products and sources of supply. In addition,

AHEC also produces a full range of technical publications.

4,5 & 8 Paul’s Shed.

products tend to be commonly speci-

Green credentials

fied, however treated softwoods or

While the use of heat and, therefore,

cedar are also used. Heat-treated

energy

hardwoods have the potential to

criticism

replace both, particularly for those

the end product does indeed deliver

building on the waterfront. The

on the environmental claims it

thermal modification process also

makes. In a comparison between

Market potential and the future

sequesters carbon within the wood,

heat-treated lumber and chemically-

The potential for thermally-modified

giving the end product a rich brown

treated lumber, a recent Life Cycle

American hardwoods is certainly

color. The appearance and uniform

Assessment conducted in Europe

promising, both in established mar-

coloration rival that of many tropical

found that the former had about

kets as well as in developing ones.

hardwood species and its color alone

the same carbon impact on the

Somewhat limited availability may be

may be enough to win over end users,

environment as the latter, primarily

a constraining factor for the immedi-

as has been the case with numerous

because thermal modification relies

ate future, but this is changing very

furniture manufacturers around the

on heat.

quickly, as producers adopt the tech-

world who are just discovering this material for the first time.

consumption from

However, is

than

7 Gray’s Inn

lumber

nology across the United States,

chemically

Canada and also in Europe and Asia.

As the product becomes better known, it is anticipated that it’s

Furthermore, in the case of American

potential as an alternative option in

hardwoods,

thermally-modified

exterior applications or in wet envi-

lumber can be also be positively

ronments will be exploited widely.

differentiated in the marketplace

It’s consistent rich brown color, its

due to the long history of good

dimensional stability, resistance to

forest governance and management

decay and its environmental cre-

practices in the U.S hardwood industry.

dentials all point to it being one of

Thermally-modified

American

the most exciting new products the

hardwoods may also be the first truly

wood industry has been able to offer

green lumber resource that performs

in recent years.

lack

lumber

6 Gamper Bench

used.

the

Photo credits: Rob Parrish ( 1 )

draw

environmentalists,

heat-treated

‘greener’

treated

may

because chemicals

better and costs less than alternative products developed to replace wood.

www.americanhardwood.org march-april 2016 • Design Matrix 67

11_FOCAL Point - AHEC 01.indd 67

02-03-2016 14:59:12

Zoom in

A NEW WORKING ENVIRONMENT Teknion Corporation, recently announced the official opening of its redesigned showroom in Bangalore, India. This new showroom reflects Teknion’s international design expertise, regional business competencies and achievements in India.

“O

new

Bangalore

space serves as a touch point for non-

Principal of the Hong Kong-based

showroom

provides

resident workers, a haven for short-

consultancy g+, in conjunction with

the perfect platform to

term, spontaneous interaction, or as

Teknion. Greer also designed Teknion’s

showcase our design and manufactur-

a more traditional waiting area. ” The

international design centre in Kuala

ing capabilities, while demonstrating

socialisation spaces and chair wall fea-

Lumpur, Malaysia. In addition to the

our understanding of evolving work-

ture products from Teknion - Studio

main Bangalore showroom, which

place concepts,” says Terry McAllis-

and Soft space respectively.” Teknion’s

opened a decade ago, Teknion oper-

ter, President, International Markets,

architectural wall products define

ates a second showroom in India, in

Teknion. “It is also an ideal venue for us

various spaces. The mezzanine encom-

Gurgaon, Haryana.

to extend our legacy as a knowledge

passes a piazza concept at the centre

leader internationally, while continu-

of the space, encouraging interaction

space to create customer experiences

ing to build dialog with local designers,

and the sharing of services. Dedicated

that communicate Teknion’s interna-

architects, facilities managers and cus-

work settings – for employees who

tional design expertise, regional busi-

tomers.”

usually work in the oﬃce as part of a

ness competencies and achievements

The ground floor explores the

team or process – contrast with shared

in India so that, together, we can best

breadth of Teknion and Teknion Stu-

settings, for those who regularly work

serve our customers’ workplace chal-

dio portfolios through settings typical

outside the oﬃce. Everyone has access

lenges today, and in the future,” says

of today’s working styles – a confer-

to the Community Center to post mes-

McAllister.

ence room with the latest technology,

sages and collect mail, and to make use

manager’s cabin or private oﬃce, and

of their personal lockers and the oﬃce

a finishes area for reviewing surface

service area.

“We

redesigned

the

Bangalore

Unit #G8-9, Red Cross Bhavan, 26 Race Course Road, Bangalore

materials, including the latest from

The 320 m² (3,450 square feet) space

560001- India. 080- 41527600/01/02

Teknion Textiles. An “in-between”

was redesigned by Ernest P. Greer,

www.teknion.com

68 DESIGN MATRIX • MARCH-APRIL 2016

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Zoom in A beautiful blend of Indo - Western art style.

Simple &

Clutter-free Designers Trupti and Prasad Adurkar, P&T Associates, Mumbai; designs a trendy home-cum-office and the design of this space will lure the visitors to step back and admire it. Photo credits: Prashant Bhat

Trupti & Prasad Adurkar march-april 2016 â&#x20AC;˘ Design Matrix 69

13_Zoom In - Trupti 4 page (2).indd 69

02-03-2016 14:44:52

e take you to an apartment

the entrance that camouflages this

that is cozy, comfortable

space,” says Trupti, while expressing

and easy to maintain. This

the sumptuous feel, created in this

house was designed with excellent

apartment.

space planning for a nuclear family. The client is a businessman, mainly

A cozy home

into land development and construc-

Trupti and Prasad refrained from

tion. Simplicity is the key element

designing a jazzy space; they picked

and is reflected in the straight line

up a light colour palette comprising

furniture used in this dwelling. “Our

of beige and white in the living and

favorite element is the door panel at

the kitchen. All rooms are allied with

Wooden flooring gives the warmness of the space and the bright yellow colour brighten up the space.

The idea was to make maximum use of space to fit all the necessary gadgets and still maintain the openness.

The ambience of the room makes you feel comfortable and happy.

Contrast combination with Corian and veneer, along with wooden flooring highlights the Managing Director’s cabin.

2 3

70 DESIGN MATRIX • MARCH-APRIL 2016

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Double height living room extends the spatial perception of the interior.

Diagonal lines and onyx make a simple and clam work place.

An attractive bedroom with vertical & horizontal design concepts and mono-chromatic décor.

5 the living room, which blends in the

The distinction

feeling of transparency and spacious-

The client also wanted the designers

ness in this home. A spacious stair-

to create a spacious boutique oﬃce

case is an integral part connecting

within his apartment. The oﬃce is

the diﬀerent area s of this home.

neat and follows a similar colour

Bright yellow brightens up the

scheme that is adapted to the home.

master bedroom and the wooden

On entering one can feel the classy

flooring, adds warmth to this space.

tone of the décor with the Italian

The mono- chromatic colour scheme

marble flooring, luxurious sofas and

in the guest bedroom generates

artifacts, creatively used to add a

boldness. The daughter’s bedroom

distinctive feel. The client’s cabin is

with a combination of Corian, veneer

kept simple. The dark tone of veneer

and Italian marble, slightly contrasts

and shade of white, generates vibrant

with the other areas. Moving on the

feel. The furniture throughout the

son’s bedroom, one can feel the impe-

oﬃce is minimalistic with clean lines.

rial touch with dark veneer and sober white shades.

Prasad and Trupti were deeply inspired while designing a home-

8 MARCH-APRIL 2016 • DESIGN MATRIX 71

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01-03-2016 17:12:36

cum-oﬃce space and were appreciated by the client for oﬀering him and his family a perfect breathing space, blended with a subtle colour palette, best materials and excellent planning.

Know the designer Good interior design adds a new dimension to a space. It can increase our eﬃciency in the way we go about our daily lives and it adds depth, understanding and meaning to the

environment. Thoughtful and wellcrafted design adds a new dimension to the décor and lifts the spirit of the space. P&T Associates; Mumbai was incepted

Trupti

and

Prasad

Adurkar in 2003, with this ideology. This firm is mainly into residential and commercial spaces. This design duo believes in creating a new concept for each design, they create and oﬀer complete satisfaction to their clients. Plot no. 76,2/Gangecha Apartment, Sri Krishna Nagar, Borivali (E) Mob: 9833132894

The daughter’s bedroom has a predominant play of marble and wood.

The area is simple, stylish, well designed, uncomplicated yet sophisticated. The wooden runner on the ceiling enhances the beauty.

prasad.interior@gmail.com

10 The choice of colours , materials and texture creates the wonderful and calm ambience.

72 DESIGN MATRIX • MARCH-APRIL 2016

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Arty-Techture

Sprawling

Shivnath Villa; designed by young and vibrant architects,Aashita and Kulin Dhruva,Kulin Dhruva Architects, Mumbai; is considered to be one of the best designed villas in Raipur, both for its architecture and interiors. Simplicity and elegance are seen throughout this breathtaking design. Photo credits: Ravi Kanade

Luxury Aashita and Kulin Dhruva

Exterior view during the evening.

MARCH-APRIL 2016 â&#x20AC;˘ DESIGN MATRIX 73

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he Shivnath villa was planned

ing compound wall is constructed

for

with

very high to maintain privacy. This

three

brothers

ground + two floors. The cli-

high wall is crafted with square cut

ents desired a home with complete

outs of varied sizes, with traditional

openness, interconnecting the two

Indian Jali pattern, creating an inter-

levels visually. It was indeed an

esting light and shadow play.

enthusiastic task for Aashita and

Beige Italian marble flooring has

Kulin to plan a home with Vastu

been used throughout the house for

compliances, according to the client

generating a feeling of vastness and

requirements. Describing the chal-

connecting with the continuity of

lenges, Ar. Kulin explains, “The struc-

spaces. The main formal living area is

ture was constructed up to the plinth

smartly separated from the informal

level and the casting of the first floor

family room with a TV unit, suspend-

was to start before we were award-

ed from the ceiling. This floating

ed the work. The initial plan was a

unit not only creates a visual bar-

single height living room and mere

rier between the two areas, but also

placement of rooms without appro-

helps in maintaining the openness at

priate planning. A structural change,

the same time.

as per the new proposed plan was

The colours used for the floor-

one of the challenges, which was

ing, walls, panels and furniture are

mainly faced. With a bit of tweaking

all in neutral shades of brown, beige

the spaces and with planning, it was overcome. And, with the assistance

of a Structural Engineer, the intended plan was achieved.” The visual connection between the two levels were achieved with a double height living space, which is further overlooked by a double height family lounge on the first floor. This double height space makes this house look visually magnanimous. The planning ensures to get a feel of an atrium-like space as soon as one enters through the ten foot high entrance door. The adjoin-

Comfortable living room.

2-3 Family room with comfortable seating areas.

74 DESIGN MATRIX • MARCH-APRIL 2016

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4 5

4 View of the second family room with cozy interiors. 5 Dining room for hosting and feasting. 6-7 Bedroom spaces planned undersatnding the taste of the occupants.

6 MARCH-APRIL 2016 â&#x20AC;˘ DESIGN MATRIX 75

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10 and creams. Some interesting bright colours and elements are thrown in for augmenting the space. The use of light colours accentuated with bright coloured upholstery, few dark wood elements on walls, selective artefacts, further enhances the overall

look. The furniture is kept minimal to maintain the openness. The hanging lights in the double height living space and family lounge are customised in accordance to the decor of the interiors. Each of the nine bedrooms are planned keeping in mind the taste and needs of the individuals, occupying the same. There are three master bedrooms, one on each floor with an attached walk-in-wardrobe, a dresser and a luxurious toilet. The guest bedrooms are attached with a balcony on 76 DESIGN MATRIX â&#x20AC;˘ MARCH-APRIL 2016

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8 Guest bedroom. 9 Home theatre for entertainment. 10 Terrace. 11 Outdoor space. 12 View of another interesting bedroom. 13 Luxurious toilet. 14 Thoughtfully designed kitchen.

12 the first floor and a walkout veranda

standing the client specific require-

on the ground floor. A home theatre

ments. We believe in the extraor-

is planned on the second level for

dinary power of “DESIGN,” and are

family entertainment. The floor here

constantly

is customised with carpet; the walls

design solutions to create spaces

are clad with fabric on acoustical

that influence the quality of life.”

exploring

innovative

boards, with slits running through the wall and the ceiling.

aashita@kulindhruvaarchitects.com

The villa has complete openness,

kulin@kulindhruvaarchitects.com

the flow of natural light and ventilation by means of terraces and openings at various levels. Each common

space opens to a sit-out area facing the North, so that this can be used throughout the day for family gathering or simply to relax. The interesting element is each sit-out area has been distinctly diﬀerent from one another, which breaks the monotony. Separate kitchens for the preparation of vegetarian and non- vegetarian cuisines were thoughtfully designed

with

separate

storage

areas, working and service platforms by Aashita and Kulin, while accepting the client requirements.Elaborating the design ideology followed by these designers, Aashita adds, “We, asKulin Dhruva Architects believe in providing creative solutions, underMARCH-APRIL 2016 • DESIGN MATRIX 77

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01-03-2016 17:14:13

Arty-Techture

Truly

Xclusiveâ&#x20AC;Ś. Xclusive Interiors & Architecture, Pune; headed by Nidhi Jaju, is a creative and skilled interior design firm that has now expanded its wings into architecture and has been nominated for its designs. The firm has won many accolades and their own office is indeed synonymous with creativity and a cutting-edge design. (Awarded as one of the top 20 interior designers in India). Photo credits: Nitin Deo

Nidhi Jaju

78 Design Matrix â&#x20AC;˘ march-april 2016

20_Artytechture - Exclusif.indd 78

02-03-2016 15:17:18

n interior designer’s oﬃce needs to be cosmopolitan, urban with a non-cluttered

feel. The prime responsibility of any interior designer is to communicate eﬀectively with their clients and cater to the end to end solutions. The major role of any designer is to be sure that their design fits the owner’s style and purpose. We take you to Nidhi’s oﬃce that is tactfully to evoke a vibrant feel. With an intriguing concept that

Fact File Project Type: Oﬃce interiors Design Team: Xclusive Interiors

1 Reception area with aesthetic sensibilities. 2 Managing Director’s cabin. 3 Lobby area.

& Architecture Location: Pimple Saudagar, Pune Managing Director: Nidhi Jaju Area: 2,000 sq. ft.

will capture the minds and emotions,

with a great food for thought. The

the oﬃce of Xclusive is designed

design philosophy revolves around MARCH-APRIL 2016 • DESIGN MATRIX 79

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4 Reception & waiting area with comfortable seating. 5 View of workstations. 6 Project Manager’s cabin. 7 Conference room. 8 The table in MD’s cabin is fashioned in white Corian, using the bicycle structure.

4 functionality and ergonomics. Aes-

space to look fresh, bright, classic and

ment has been done in interesting

thetics although hugely important,

chic, while maintaining the sanctity of

forms of pyramids, which are subtle

cannot be an end in itself and the

a designer’s commercial oﬃce.”

and yet enable a sense of connection and openness to the entire space. The

design concept was based on the idea of using the colour white, grey and a

Reception

backdrop of the reception area is in

tinge of orange. The white based Ital-

Aesthetic sensibilities were employed

blue, it has wordings, which describe

ian flooring connects the reception,

while selecting furniture for the

“XCLUSIVE” in its true form. While

workspace and the Managing Direc-

reception area. One can feel com-

on the right-hand side is cement wall

tor’s cabin. To give a rustic feel, curvy

fortable in the seating space on both

panel with inbuilt lights to create the

flooring is used with a beautiful mural

sides. Speaking about a few challeng-

dramatic backdrop along with a happy

on one wall. This creates spark and

ing areas, Nidhi says, “There was a col-

man to welcome the clients. The chan-

energy around the working space that

umn, which was obstructing the open-

delier in the lobby is an eclectic piece

had to be very subtle and challenging

ness of space near the reception area

with white crystals, subtly reflecting a

to maintain a balance.

and to overcome this obstacle, the

white hue and creating a perfect envi-

Adding further insight on the

column was customized with a hand-

ronment for the oﬃce.

space, Nidhi says, “I didn’t want to

made mural that depicts a building or

restrict myself to a specific area or

architectural work that will be only

Workspaces

a period and there is no underlying

possible with teamwork and great

Near the workspace is a designer stor-

theme prevailing in the oﬃce. Per-

eﬀorts.”

age, crafted with gold metallic hollow

sonally, in this oﬃce, some of my

The reception table has been

inserts that act as a design element

favourite elements are the treatment

designed in such a way that it blends

and also helps the machines to cool

of columns, which were custom made

well with the column and looks like

down.

and relates to architecture, buildings

a perfect picture. The ceiling treat-

The workspace is designed with

and our team eﬀorts to complete a particular project. We added various

treatments on furniture like using metallic scarp on furniture, textures similar to Italian marble effect, MOP effect, and metallic sparkle effect and so on. Other interesting features include an attractive table top made out of a cycle base, oceanic algae ceiling effect with artificial grass and pyramid shaped ceiling in the reception area; all these striking elements, create a signature style and allows this 80 DESIGN MATRIX • MARCH-APRIL 2016

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01-03-2016 17:14:36

ronment that excites the team during

along with a contrast yellow mesh

the long work hours and allows one to

for a give a diﬀerent dimension to

stay focused.

this cabin. The textures used in this

white, grey and a dash of orange,

Every furniture unit has been

cabin are the usage of leather, scrap

which is the colour palette for the

designed in house. The opposite wall

metal and crackled eﬀect on table

space, the Italian white flooring cre-

is kept simple and clean to showcase

and drawers, which blends well with

ates a sense of connectivity between

exclusive projects. The interesting

mica crackled treatment given on

the reception, workspace and cabin,

thing is the usage of bird shaped

walls. Rustic and weathered flooring

were as the grey element in the in

lights that act as a focal point for the

artistically blend together to give an

flooring was given to generate a

entire wall, which easily goes well

out of the box look to the cabin. A

street eﬀect with contemporary 3d

with the entire street concept.

captivating leather valance, which is usually not used for oﬃce space has

street view, well- coordinated with a custom made tree mural along with

Project Managers’s cabin

been used with a script written that

birds and light eﬀect. This space

The ceiling of this cabin has been giv-

says “Small Things Matter,” and this

looks friendly and portrays a playful

en a reclaimed wooden eﬀect, which

truly explains “XCLUSIVE’S” style of

identity yet balancing the work envi-

has been suspended from the roof

working, which is coordinated with

MARCH-APRIL 2016 • DESIGN MATRIX 81

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9 Interesting grass ceiling. 10 Scrap metal and crackled eﬀect on table and drawers. 11 Hand-crafted pink lotus with light around Mandir. 12 Artistic wash area.

thoughtful selection of architectural

a sense of balance and style. The

knobs; hand-crafted pink lotus with

designer wash basin is placed at an

light acts as a focal point around the

angular position with a backlit mirror

Mandir. Care has been taken to have

to allow natural ventilation through

an informal modern seating arrange-

the window. A small nook has been

ment, keeping in mind the require-

created as a pantry area, which merg-

ments of clients. This is set with an

es with the entire space not wast-

awe-striking custom made leather

ing an inch of space. It also acts as a

finished wall treatment that depicts

buﬀer between washroom and the

light colored blinds welcoming ample

the fish scales patterns, coordinating

oﬃce area.

daylight.

with it is the crack egg shaped shell

This oﬃce space exemplifies an

chandelier above the main table. This

opened and a revitalized space with

Managing Director’s cabin

was chosen keeping in mind the sea-

appropriate glass partition and win-

This space has beautiful white floor-

based theme, which is being close to

dows, avoiding the unnecessary walls

ing that blends with interesting grass

nature.

and niches with custom made focal points. Bespoke furniture, custom-

ceiling in contrast and manages to draw the green eﬀect in the sea, vis-

Conference room

ized designing and implementation;

ible from the glass areas inside the

The main aim behind this area was

the end to end solutions along with

cabin. The main table is fashioned in

to create the impression of large

a blend of architecture and designer

white Corian, using the bicycle struc-

space within a very restricted area

lights with chandeliers team up with

ture as a base with a custom made,

as it had to accommodate 6-8 people

the entire look. Our oﬃce serves

large Ben castle artistically molded

easily and have suﬃcient storage for

as our word of mouth that “WE DO

on the furniture piece. This feature

in-house selection. “The pearl white

SOME AWESOME THINGS,” exclaims

is implemented to depict a cycle that

eﬀect along with custom-made han-

Nidhi.

is passing by the castle. Behind the

dles flow well with the theme and

table is floral concept mirror, which

has been highlighted with black base

is backlit to give depth to entire

curved sparkled flooring. This has

space along with usage of pine wood

been backlit to create an enchanting

shelves for display. Continuous draw-

eﬀect. In this small space, an extend-

ers and shutters have been designed

able bed has also been provisioned

along the wall to provide storage for

for any emergency situation. The

work yet not making it too bulky. A

round curvature has been given to

www.xclusiveinteriors.in

this conference room with the usage

of pine and frosted glass, which also acts as the outline for the reception area,” adds Nidhi.

Rest room and pantry As soon as one enters the design wall panel on the right side of this oﬃce, a combination of stone mica mirror, customized in butterfly shape, adds 82 DESIGN MATRIX • MARCH-APRIL 2016

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Arty-Techture

Uber luxury

Exterior Zique.

Style is a constant evolution; hence being one-of-a-kind, Zique, a unisex salon and spa is integral to this notion, right from the brand name to the tagline – ‘Beyond Unique’. The client requirement was to reflect the theme of “Uniqueness,” and “Luxury,” of the salon in the design. Photo credits: Shilpa Architects

Pavitra Sriprakash MARCH-APRIL 2016 • DESIGN MATRIX 83

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esigned by Shilpa Architects, Chennai; Zique is a

luxurious,style-infused salon

with exotic interiors paired with exclusive services, raising the bar in the beauty and lifestyle business! Located in Chetpet, Chennai - an up market and a prime location, this is the home for discerning clients–businessmen, women and progressive youth. Its world-class quality adds an aspiration and inspires one to standout-from-the-crowd. The 2,400 sq ft plush, stylish salon was envisioned to oﬀer services that redefine beauty

and styling in the city. The founder wanted to bring in a unisex design theme and name that is strong yet alluring. The clients were looking for a new magnificent design that was never seen in Chennai. To create functionality, the designers planned the strategies to

1 Spa - Massage luxury room.

Fact File Design: Shilpa Architects Plan-

2 Spa room detail.

ners Designers

3 Kids hair cutting station.

Turnkey Execution: Stone

4 Door detail mask.

Lotus

maximize the double height of the 84 DESIGN MATRIX • MARCH-APRIL 2016

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space. The salon is located on the ground floor with a glass encased

the door and get inside. The exterior façade beside the

spa on the mezzanine floor. Metallic

door is fitted with shimmering metal

gold accents have been thought-

that moves and makes a sound with

fully added into the space – right

the breeze. A great tree covers the

from the oversized mirrors to the

parking garage, and the gentle breeze

smaller details. One would be moved

moves the gold sequince that forms

by the purse holders for individual

the dynamic façade.

client comfort. A unique kid friendly

façade glistens and changes its char-

area with specialists, who focus on

acter with the lighting and weather

haircuts for kids is a special feature

and is easily spotted from anywhere,

of this salon. The playful lighting and

along the busy main road.

This dynamic

comfortable chairs ensure a smooth

When the client walks into the

experience for the youngest clients.

salon, the double height space with

All the design elements have

specialized lighting is magnified and

been uniquely customized for Zique,

connected by mirrored spaces, mak-

right from the mirror, detailed recep-

ing the place glamorous. Metallic and

tion table to the oversized door, with

translucent elements accented with

moulded masks that glow from the

white, provide the feeling of lavish-

lighting within the salon. The door

ness and royalty. The lighting is done

has been specifically fabricated with

by adding the “Luxe,” element to the

translucent glitter faces. They double

various specifications needed by the

up as the “door handles,” as the cli-

stylists and the international brand.

ents have to touch the face to push

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5 Lighting Detail. 6 Lounge & Hair Dressing Stations.

7 Entrance & Hair Dressing Stations. 8 Mani - pedi lounge. 9 Reception table detail.

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encase styling scissors in a glass lit table to showcase some of the equip-

ment used by the stylists. The spa rooms and specialized service areas in the mezzanine, provides a serene space for clients to experience their chosen treatments. The steps to the mezzanine are encased with mirror and glass, which are carefully lit to enhance the client experience. “Our mission was to build something magical and funky, that every visitor interacts with and engage in all the senses and creates a rich experience”, says, Pavitra Sriprakash, Chief Designer & Director, Shilpa Architects. Being diﬀerent evokes trends and

Zique lends this exceptional factor to

Times and various forums to address

its clients. It will create trendsetters

groups about her perspectives about

across all ages and expand its hori-

green buildings and sustainability.

zons to promote the message of evo-

She is the chief designer and Director

lutionary style, and luxurious design

of Shilpa Architects, an international

across India and the world.

award winning architectural design firm headquartered in Chennai.

Know the designer

This project was executed by

Pavitra Sriprakash is an Architect

Stone Lotus, a subsidiary of Shilpa

and Urban Designer with a focus

Architects.

on sustainability. As an expert in

in providing high-end turnkey design-

sustainability, she has been invited on

build solutions.

Stone Lotus specializes

several occasions by CII, The Indian Green Building Council, The Economic

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Corporate Design

Samir Dharurkar

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Industrial unit depicts metal & glass with simple geometry.

DRAMATIC & COMFORTABLE Designing of industrial sales office for Rahejaâ&#x20AC;&#x2122;s was all together a unique experience for Ar. Samir Dharurkar, Principal Architect, We Architects; and his team. They found it as a rare opportunity to design, both the architecture and interiors of this sales office in Mumbai. Photo credits: Prashant Bhat

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e Architects were asked by the clients to design a

very

simple

oﬃce,

depicting an industrial look, unlike any other sales oﬃces. The designers coined several ideas and developed a concept that included natural elements, such as wood, metal and stone in an array of patterns. To experiment with transparency and reflectivity, the main initiative was to remove borders and edges from the interiors to the exteriors, while portraying a flowing and endless space, softening the industrial vibe, without losing its urban charm. Maximum full height glasses with perforated metal screen wall were used to create diversity and focal points throughout the exterior elevations to create light and shad-

ow play. Elaborating the details, Ar. Dharurkar says, “RD-II by Raheja Universal Ltd – a totally a new concept was planned. When we think

of industries - what representations first come to our mind is heavy equipments, lots of metal, glass, etc.; the same was reflected into this oﬃce in a very unique and creative way. After all, the sales oﬃce

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Fact File

Design Team: Samir Dharurkar Mansi Dharurkar & Manoj

Maximum glass & metal screen, leading to a open plan concept focusing outdoors.

Sharma.

2 Metal Screen wall with artifacts - light and shadow effect.

Client: Raheja Universal Ltd.

False Ceiling attracts attention with reverse shadow patterns.

Interior Contractor: Sachin

Maximum use of natural light by metal screen walls on West & North.

Sculpture with gear boxes -a perfect impact of industry.

Interiors Creative Sculpture & Mural: Motif Graphics

is the first impression and key point to sell.” Each and every element in this oﬃce is very thoughtfully designed. A Champa tree at the entrance, create a welcoming element. The unique sofas, chairs, centre tables, specially designed external sculpture with gear boxes stacked over each other; the lush green grass foreground with simple minimal lighting; the fabrics, upholstered wall with murals, fl amed granite floor with metal strips and custom

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an atmosphere of exquisite luxury. Bright colours, warm up the mood and give the space a new soul. An open plan concept with high functionality, allows visitors to interact seamlessly. A pair of industrialstyle pendant lights in this spacious office adds a classical note.

“All

lighting and furnishings were custom designed for this project. The reverse shadow pattern created on flat false ceiling will attract one and its reflection plays major role in overall ambience and visual balance,”

further exclaims Ar. Dharurkar. The use of dark brown walnut and beige laminates with a combination of Italian marble floor and flamed finished granite blends in warmness required for working ambience. The perfect selection of artefacts placed at key locations are indeed eye catching.

Know the designer “Human nature is an integration of curiosity, experimentation and adventure. But, from the time immemorial, man has felt the need to

92 Design Matrix • march-april 2016

8 15_CORPORATEDESIGN - We architects.indd 92

9 02-03-2016 14:50:08

10 6

Large overhangs extend over the entrance - Grand welcoming impact.

give his unending flow of thought

on innovative design and an impe-

and feeling, a means of expres-

tus to explore and experiment to

sion. To fulfill his urge, he mani-

develop aesthetical efficient and

fested ideas and emotions through

economical design solutions. With

various ways, representing its age,

vast experience on various proj-

8 Dark brown laminates creating warmness and a perfect ambience for conference.

people and life style and the times

ects, we can prepare all kinds of

in its fullnes, which was collectively

details, drawings to the quality and

classified as Art. This drive primar-

standards desired in today’s con-

Sculpture with gear boxes - a perfect impact of heavy industry and solidity.

ily arose in us to do something cre-

text. We Architects have clientele

ative and noteworthy for the soci-

with trust and faith built on a best

ety in which we dwell,” exclaims

service with wide experience such

10 Sofa chairs with Z shaped metal rim around arms - unique design best suits industrial office.

Ar. Dharurkar, the founder of We

as Inorbit Group, Raheja Universal,

Architects. The firm has worked

Tata Group etc.

11 Combination of wood and deco paint - warm welcoming effect.

residential, hospitality, retail proj-

wearchitects111@gmail.com

ects, with a single minded focus

www.wearchitects.co.in

Unique Industrial style pendant light and oversize Wall Mural - a classical note.

over diverse scales, ranging from

march-april 2016 • Design Matrix 93

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Corporate Design

ESIGN WITH

ISCOVERY

DCA Architects, an award-winning design consultation firm, New Delhi, was founded by two partners, Rahul Bansal and Amit Aurora in 1996. Through their individual expertise, they have contributed towards the firm’s robust image in the industry with a distinct focus on delivering design excellence and innovation. Photo credits: Primarc Group

he Primarc Oﬃce located at

varied interests and businesses.

Elgin Road, Kolkata; has been

Explaining further, Ar. Aurora adds,

conceived by the DCA team

“Since the client had rented this

with a very basic and minimalist

space for a short term lease, the

treatment of the walls, ceiling and

solution had to be a minimum invest-

services. With unique ethos – Dream,

ment on “fixed interiors,” with maxi-

Design, Discover and Deliver, Archi-

mum focus on elements that could

tects Aurora and Bansal created a

be moved to another location and

dynamic and dramatic oﬃce space

reused in future.”

for a new division of a company with

The site is endowed with two long

Amit Aurora & Rahul Bansal

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2 3

Cafeteria leading to the conference room & rest room, creating required connectivity.

Contrasting wall colour augments the furniture made from teak wood.

3 The open brick pattern on the reception counter & the lighting fixtures lend an unusual, unique look to it. 4 Meeting room with an eye-catching lighting fixture.

Awards IIID Awards 2015: Retail Category (North, East & Central), Regional Runner Up. IIID Awards 2015: Leisure & Entertainment Category (North,

East and Central), Regional Winner. VM-RD Retail Design Awards 2015: Health and Beauty Speciality Store - An John Salon, Kolkata. VM-RD Retail Design Awards 2014 : Health and Beauty Speciality Store- Looks Unisex Salon, New Delhi. Nomination: NDTV Design & Architecture awards, 2014- DCA OďŹ&#x192;ce.

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5 windows along the two opposite fac-

es of the premise. Hence, the layout is evolved along these walls, with all the activities such as the reception, cafeteria, the workstations and the Director’s cabin being placed along these windows. The meeting rooms, conference room and the Marketing Director’s space, which required extensive visual presentations and needed to be shielded from daylight, have been thoughtfully placed in the interiors of the premises. Elaborating the fine details, Ar. Bansal says, “The strategic placement of the cafeteria just beside the reception is deliberately planned to allow a casual interaction with customers/clients

and to encourage the intra-oﬃce 5

Passage area with one wall used to create storage space, while on the other end lies the conference room.

communication. This cafeteria leads

Filing cabinets built in eco-friendly particle board & laminate.

nectivity and transition in an other-

7 Work stations with a wood cladded partition wall. 8 Fixed partitions panelled with recycled deal wood and gypsum painted in a dark grey colour.

into the restrooms and the conference, thus creating the required conwise open oﬃce layout.” The fixed partitions are panelled with recycled deal wood and gypsum, which have been painted in a striking dark grey colour (all paints were low VOC). This is complemented by the accent furniture like the reception

Director’s cabin offset with decorative hanging lights and windows that let in plenty of natural light.

counter, the director’s table, conference room table and meeting rooms that are made out of teak-wood,

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Awards VM-RD Retail Design Awards 2013: Health and Beauty Speciality Store: Looks Unisex Salon, Ludhiana. VM-RD Retail Design Awards

reclaimed from the beams and raf-

medal in Architecture from SPA,

ters of old demolished buildings. The

New Delhi, Rahul Bansal together

elegant work stations and filing cabi-

with Amit Aurora, spearheaded the

netry are all built in eco-friendly par-

establishment of DCA Architects.

ticle board and laminate to balance

Since the last nineteen years, DCA

U.S Green Building Council

with the rest of the furniture.

has conceptualized retail identities

July 2013: Leeds for commercial

of various brands, luxury stores and

Interiors Platinum- L’Oreal Training Academy.

The resultant oﬃce is a very dynamic and functions with minimum

boutiques on a Pan-India basis.

use of artificial light during day-time.

The DCA Group provides services

The optimized use of task lights as

in architecture, interior design and

well as the strategically placed deco-

design co-ordination across a wide

rative lights and energy eﬃcient LED

range of building types, including

lamps, reduce the heat emission and

oﬃces, residential, hospitality and

thereby the energy consumption on

brand identities. The design stu-

an overall basis.

dio and its projects have won many national awards.

Book 2013 : Health and Beauty Speciality Store: Looks Unisex Salon, New Delhi.

VM-RD Retail Design Awards Book 2013 : Speciality Foods Kiosk Outlet- Khan Chacha. VM-RD Retail Design Awards Book 2013 : Leisure, Personal and Fashion Accessories- Mallika Empire.

Know the designers After graduating in 1993 with a gold

www.groupdca.in

IIID Awards 2013: Commercial Workplace- Large Category, (North, East and Central)Regional Runner Up. IIID Awards 2013- Hospitality category: (North, East and Central), Regional Runner Up for Amour. VM-RD Retail Design Awards Book 2012: Leisure, Personal and Fashion Accessories- Kudos. VM-RD Retail Design Awards Book 2012: Speciality Foods Kiosk Outlet - L’Opera.

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Blissful Abode

Arty

stroke 1

Bakir Baldiwala Welcome to a 2,000 sq ft; apartment in Mumbai that is quite distinct, elegant and fresh looking at all times. Bakir Baldiwala and his son Ali, principal designers of Baldiwala Associates, Mumbai, designs this mansion with great finesse and believes that human touch is the real genius to any creation. Photo credits: Bakir Baldiwala 98 DESIGN MATRIX â&#x20AC;˘ MARCH-APRIL 2016

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esigning interiors for Baldi-

walas’ have been an enlightening journey from concept

to reality. They envisage meticulous planning, dedication to their client’s objectives, innovative approach to the use of spaces, quality of design with a cost eﬀective design solution and timely completion. The ideologies of these designers have added great finesse to any piece of work, executed by them. The entrance of this spectacular apartment is well decorated. The main door with glossy lamination, copper inlays and handle; invites one and the semi circular ceiling adds a preface to this space. The circular concept is being carried forward in the inside areas too. The living area door again has the same pattern, but is much larger than the entrance. This door welcomes one

Reflecting style in the dining space.

Interesting walk-through.

Royal Entrance.

Glamorous walk-in wardrobe.

into a spacious rectangular room with circular gypsum cove ceiling, combined with the circular pattern. A rectangular living room oﬀers simple configuration with minimum furniture items. Circular cove lighting, glass partition (divider between the living room and dining) with edged leaf designs; tall windows, the tall door at the entrance, beige marble

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on the flooring and a part of the same on the walls, add to the grandeur of this room. The dining table is inlaid with rosewood check design on either end and with lamination. The checks and veneer stand out and creates a contrasting element in the overall feel of the space. A large mirror on one end is bordered with inlay copper bands. The large window has maple leaves sandwiched between glasses to complement the partition glass on the opposite side. The passage leading to the kitchen and other bedrooms enhance the openness of the apartment as viewed from the dining area. The picture frames on the walls and

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to this room. Behind the TV walls, there are walk in wardrobes with a huge mirror. The wardrobes on both sides are a combination of veneer and white lamination. The veneered ones, once again have copper inlay in a zigzag pattern with tailor made copper handles. The grey marble flooring creates a distinct feel and ensures a contrast aesthetically with the finishes around. The success of any project indeed lies in surpassing the defined needs of the client. The vast experience and expertise enables Baldiwalasâ&#x20AC;&#x2122; to

The dome breaks the monotony in the living space.

Marble texture in the rest rooms are indeed refreshing.

A regal bed to rest and relax.

Comfort for the guest.

understand important aspects of the touch of wood in the ceiling glam-

design process and demanding situ-

orize the passage.The lights having

ations. All their works spell practical

copper shades further highlight the

approach and invariably exude the

artistic touch.

warmth of a home. Their traditional

The master bedroom is simple and

work ethics revolves around the fact

straight with clean lines, coved ceil-

that technological mediums can best

ing with veneered panels. The pan-

be explored, while speeding up the

elling in this room has a section for

work execution with an individual

family pictures, which goes nostalgic.

insight to it.

A writing unit in an enclave and the TV wall blends in a minimalist nature

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BOLD CHIC AND

Blissful Abode

The Design Atelier, Mumbai; an architectural and interior design firm, lead by Ar. Tapan Shah and Ar. Hiral Shah provides design services that work and possess a soul. This firm believes that every space should talk about the character of the user. Bold, offbeat interiors are the best way to replicate the client’s personalitiy and Bhatia’s residence, exemplifies this! Photo credits: Subin Selva

Tapan and Hiral Shah 102 DESIGN MATRIX • MARCH-APRIL 2016

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he Bhatia’s are proud owners of

choosing a colour scheme was the per-

a spacious apartment in a high-

ception of colours and the energy that

rise, located at Planet Godrej,

comforts our clients.”

Mumbai. They are young and well trav-

Gold and colourful mirrors were

elled people with strong personalities.

the primary design elements used to

Elaborating the fine details, Ar. Tapan

warm up each space, the reflective

adds, “Impressive colour scheme is

surfaces bounce light around every

the ideal way to transform any cold,

room. A black mirror with wooden

empty interior into a bold space with

plates running along passage ceilings;

sustainable and profound energy. We

bevelled clear mirrors in geometrical

believe everything has its colour and

arrangements next to dining area, L

every colour has its story and energy.

- shaped wooden paneling with gold

Therefore filling an empty room with

mirror running along the center within

specific colours and choosing a colour

the passage area creates a glamorous

scheme means that you add life to

and aﬄuent style to the interiors. Ar.

the identity, mood and energy of the

Hiral, further adds, “Velvet is one of

design space. Our primary goal while

those things that conjure up thoughts

Pin-tuck pleats in the sofa allows tailored aesthetic. Neo -Classical French table creates visual continuity.

View of living area: leather upholstered Indian seating and the TV unit adjoining it.

View of the master bathroom.

Rusty orange wall in the passage adds harmony to the living room.

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Fact File Project Type: Residential Interiors Client: Bhatia Location: Planet Godrej, Mumbai Architect: The Design Atelier of luxury in our minds. Like gold and marble, the use of velvet around this apartment had been regarded as an indication of personal wealth and class. Rustic orange and sea blue silk velvets were the dominant colours in living room, giving boldness to the space. All curtains were tailored out of embossed velvet to perform far better than other materials, when it comes to blocking out the daylight. While short listing fabrics, we knew that velvet curtains can add to the luxurious feel to a room considerably. Bedroom

5 a harmony in each room.â&#x20AC;?

headboards were upholstered out of

One would be certainly moved

the same fabric as curtains to maintain

by the laser-cut elements of varied

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The shades of rusty orange and sea blue is used in the living & dining area along with intricate laser- cut designs.

A perfect balance of red velvets and beige wall coverings blend in comfort and aesthetics in the guest bedroom.

Internal passage with mirrored false ceiling, leading towards the guest and master bedrooms.

Perspective view of dining area with vertical upholstered wooden paneling, just above the dining table.

Wood panelled entrance door with geometric arrangement of plants.

form, used to integrate a new dimen-

this by weaving together variety of

sion within each space. Back lit white

design elements to get the elegance

wooden frames with laser cut tree

at its best.

imprints in diminishing form and size replaced the traditional idea of an

Know the designers

entrance lobby. The fabric upholstery

Ar. Tapan completed his Masters

in sea blue silk velvet along dining area

Degree in Architecture, (M.Arch)

was carried as the ceiling with floral

from Illinois Institute of Technol-

laser-cut frame to demark and glo-

ogy, Chicago, USA. He worked with

rify the dining space. The similar floral

Design Emphasis, Mumbai and Space

design was used as mirror installations

Architects – USA, before setting up

along living space to complement the

his own practice. Ar.Hiral (B. Arch ),

wooden ceiling. The passage end lead-

after graduating from I.E.S.College of

ing to the individual bedroom was

Architecture worked as an associate

again highlighted with a staggered

with Ar. Seema Puri, Mumbai. Tapan

leaf pattern, which was finished in the

and Hiral along with their team, strive

rustic orange colour used within the

for appropriate design solutions that

living space.

are suitable to place, use, occasion,

The greatest challenge the design-

the client’s vision and budget and

ers faced was to retain the wavelength

this allows them in being responsive

of boldness within the entire apart-

to the needs, values and ideas of their

ment with diﬀerent concepts running

clients.

around each space. Tapan and Hiral with their design expertise achieved

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Arty-Techture

Warli

A good design is primarily about matching the colours and tones. The art deco home designed by Tejas Mistry, chief designer, The Interior Workshop, Surat; blends well with Italian vintage and minimalist design.

house

Photo credits: Kamal Bengali

Tejas Mistry

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ost of us desire a home

opens to a living room, done with an

that is creative and match-

olive theme. A soothing environment

es our tastes and lifestyle,

is created in this area with coloured

isnâ&#x20AC;&#x2122;t it! This Warli house optimizes

bottles and plantation. The simple

tradition.Everything about Warli is

and sober landscape is beautifully

earthy and soothing. No wonder,

designed with folding style chairs.

Tejas and his team were so enthralled

The master bedroom again has a

by this art form that they decided to

traditional theme. The most striking

create an entire line of very tradi-

feature here is the side table in black

tional patterns on the entrance, rich

with wooden legs, framed like a chair.

with earthy colours. This interesting

The entire wall behind the master

element in this area, recreated the

bed is in the shades of yellow and

magic of Warli paintings.

the wardrobe shutters are clad in ply-

The living room of this home is

wood finish with natural polish.

sober and traditional with shades of white. The TV wall, clad in fossil stone and corrugated sheet, gives a natural touch to the design. The wooden dining table is simply rich with an adjoin-

1 Simple and sober space. 2

The colour and tone plays a vital role in the living area.

The hanging light at different levels is contemporary in style in the dining area.

ing dining console. A creative niche is created in the kitchen area with corrugated sheet and a dark slate stone cladding elevation. The kitchen space MARCH-APRIL 2016 â&#x20AC;˘ DESIGN MATRIX 107

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Fact File Project: Warli House Location: Althan, Surat

5 At foyer, Warli painting with suspension light effect . 6

The master bedroom has a traditional theme. The side table is designed as chair concept in this bedroom.

Slate stone is used in the kitchen for elevation to create niches.

Client: Mayank Gogri Interior Design: Tejas Mistry Design team: Tejas Mistry,

Branch design pattern on the flooring of the living room.

Kalpesh Chotaliya, Piyush Pancholi

The Warli house is well organized

suitable

and

conceptual

design,

and has reached to a technical excel-

understanding the budget of their

lence, originally with a thatch roof.

clients and oﬀering them complete

Being a stylized home, this design

satisfaction. This young, talented

idea is blended well with the struc-

designer streams into the field of

ture. Enjoy living in a fine-looking

architecture, interior design, mate-

creation!

rialization and creates a signature style that is contemporary, modern

Know the designer

yet rooted in this country’s culture.

The Interior Workshop, headed by Tejas Mistry is known for creating

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Design Corner

Relaxed

Space

Solutions With a diverse portfolio ranging from residential developments, retail, office buildings; institutional architecture, hospitals, industrial projects; hospitality and recreational projects, Ar. Vikas and Kalpak Bhandari, the principal architects, Studio Veekas, Pune; continue their quest for providing innovative and creative solutions. Photo credits: Atul Kanetkar

Vikas and Kalpak Bhandari

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he core strength of this orga-

family with a large garden to be used

nization is into oﬀering archi-

frequently for gatherings. This resi-

tectural, interior design and

dence is approached from a pedes-

cost eﬀective solutions with fine

trian ramp along a water body with

environmentally

lotus plants and fishes. The garden

conscious project is handled criti-

can be independently accessed from

detailing.

Each

1 Evening view of exterior from the front garden. 2 Customized Lotus ceramic artwork on infinity edge swimming pool wall.

cally, co-ordinated and assessed by a strong team of professionals, including the principal architects. The firm

has to its credit a number of prestigious projects and developments in Pune for companies like Tata Housing, Bajaj Housing, New India Industries Pvt Ltd; to name a few.

Pachpande Residence A serene home designed by the enthusiastic team of Studio Veekas will certainly influence the users. The owners of this home dreamt of a large size residence for their MARCH-APRIL 2016 • DESIGN MATRIX 111

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3 Customized elevator with half vision etched panel stainless steel doors. Wood and glass railings to stair. 4 View of the family room treated in Japanese tamo ash veener. 5 View of the swimming pool from the upper level of the residence. 6 The recreation zone at the basement floor. 7 The study zone - Mothers bedroom at ground level.

8 Dining room with sliding doors and laser cut screen to Puja room beyond.

rich wallpaper, add to the luxury and

the entrance ramp. The entrance wall, clad with warm coloured onyx stone welcomes the visitors and hints at the opulence that might be present in the interior. A large round glass inlay in the flooring of the entrance lobby is well lit to highlight the elaborate pattern and the rich materials used. The Lotus wall art , an aquarium and large flower vases complete the look of the entrance lobby. The large formal living room with sixteen feet height, full height motorized sheer drapes to the large openings, allow a lot of natural light within the house thus reducing the use of artificial lighting to a large extent. A bespoke chandelier, champagne leafing to the false ceiling, cus-

tomized glass doors with etching and

glam quotient of the living room. This home is designed in split levels to keep all spaces visually connected and also make them easily accessible from each space. The swimming pool has a triple height, which allows all the diďŹ&#x20AC;erent spaces to overlook the swimming pool volume and helps in visual connectivity of the spaces. The customized ceramic Lotus mural on one wall seems to rise from the infinity edge of the pool and colourful ceramic fishes seem112 DESIGN MATRIX â&#x20AC;˘ MARCH-APRIL 2016

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Fact File Owners: Mr. Sandeep & Priti Pachpande

Architecture: Ar. Vikas and Ar. ingly jumping from the pool, add to

and large toilets all finished in Italian

the interest and scale of the central

marble. Each room is furnished tak-

volume of the pool area – The heart

ing into account the end users need

Interior design: Ar. Kalpak

of the residence.

in terms of functionality, layout and

Bhandari - VEEKAS, Pune

The entrance lobby, formal living

aesthetical liking.

room, dining, kitchen with storage

The family room too has a large

and utility areas are planned at the

height and has an attached terrace

entry level of the residence to enter-

for amusing the guests. The terrace

tain the guests. A stair from the lobby

is finished using a combination of

levels leads to the semi-basement

composite wooden finish flooring

level, which house the residential,

and rustic vitrified tiles. Large white

oﬃce, a home-theatre, an informal

planters with tall plants and a large

party area and a gymnasium.

white designer chair with a coﬀee

The master bedrooms are situated on the first and second level

Kalpak Bhandari; VEEKAS, Pune

Landscape consultant: Umesh Wakaley- Rootsdesigns, Pune Structural consultants & chartered engineers: Kanetkar Kulkarni, Pune

table lend a soothing look to the terrace.

and overlook the pool. All the bed-

A cantilever sits-out to one of the

rooms have a sleeping, reading and

master bedroom that projects over

TV zone along with walk-in wardrobe

the pool is clad with mirror all around

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Espree Realtors: Continuity or worktop to outdoors, which is used as refreshment/ lunch counter with high stools.

10 Use of bright vibrant colors in interior as well as exterior spaces

Fact File Owners: Niranjan Katariya Interior design: Ar. Kalpak

9 to reflect the pool water, murals and the other surroundings, thus diluting

Bhandari - VEEKAS, Pune

the physical existence of the sit-out. White and beige coloured natural stone are used to clad the exterior of the lower floor of the bungalow and the upper floors are finished in textured plaster with paint. White Statuario marble flooring is used for all the day areas and beige coloured Italian marble is used in all the bedrooms and family areas for a cosy feel. Walnut and ebony veneers are used throughout the residence for the doors and door frames. The architecture and interior design of the residence is an amalgamation of the client’s requirement, liking, ambitions and our outlook, approach to design as designers and feel that the

end result balances and addresses both ends well.

Office for Espree Realtors A contemporary space is created using effective combinations of textures, materials and components in this compact office space, which grants it a rustic language. This office space is designed with an attempt to infuse elements of vitality, freshness, dynamism and surprise in the entire space. The layout of this small office is generated such that each space has exposure to the external glazing and the garden around the 114 DESIGN MATRIX • MARCH-APRIL 2016

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11 Expanse of the workspace showing all the different colours & materials used in the office. 12 Use of different materials, textures and colors create interest & surprise in each space within the office. 13 Continuity or worktop to outdoors which is used as refreshment/lunch counter with high stools

12 oﬃce. This helps in making use of

tecture, Pune and further did his

natural daylight and also to achieve

Extension Course in Urban Design

better visual and physical integration

with University College London. He

with the outdoors. The circulation

started his architectural practice in

path within the oﬃce is strategi-

1975 after completing his education.

cally planned and connects all zones

Ar. Kalpak joined the practice

with minimum movement within the

after graduating in 1998 and later

oﬃce.

went on to study at The Bartlett

Director cabins and workspace

School of Architecture, University

have visual and physical outdoor

College London. He travels exten-

extensions to the garden, thus pro-

sively across the world and keeps

viding relief and acting as eﬀective

himself updated with the new trends,

break out areas.

developments and related technolo-

Bright colours are used to add vibrancy to the oﬃce. The detailing,

gies. Currently,

Studio

Veekas

use of materials, finishes, textures

engrossed in a large number of resi-

and colours occur and recur in all the

dential, commercial and institutional

spaces and lend a sense of homoge-

projects, predominantly in Pune

neity - a guiding principle from the

and also in cities like Ahmedabad,

very outset of the planning exercise.

Ahmednagar, Bhopal, Bhuj, Nagpur, Noida and Palitana. The firm has a

Know the designers

number of awards to their credit.

Ar.Vikas.S.Bhandari studied Architecture at the BKPS College of Archi-

Awards Paradise Premises Pvt. Ltd for Vascon Engineers: Builders Association of India Award for Quality in Design – Year 2000 Manikchand Plaza, Pune: Winner of National Design Competition May,2001 Minto Hall, a Heritage Campus, Bhopal: 2nd stage of National Level Competition, 2003 Ozone Shopping Mall: Ambience Awards by the Times of India Group in the Commercial Building Category ,2005 Waters Edge for Sagar Properties: AESA AWARD for the best project in the Group Housing Category, 2015

kalpak@veekas.studio

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Design Corner

Reinventing The

Talent

The young deign duo, Maulik Bhadani and Piyush Nakrani, the founders of P Square Designs, Ahmedabad; always aspire to thrill their clients with their dedication, innovative designs and details. They consider that minute element in any small project make them perfect for the next. Photo credits JJ Films, Ahmedabad.

Piyush Nakrani

Maulik Bhadani

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aulik and Piyush formed

the designers were asked to use that

P Square Designs in 2010.

mythological theme with a natural

They began their practice

material palate.

in Ahmedabad and surroundings of

The main entry is very elegant-

Gujarat. Now, their forte lies in cre-

ly designed and the eye catching

ating fascinating bungalows, studio

element in this area is the Radhe

apartments, show flats and restau-

Krishna clay artifact. The rest of the

rants. They have also designed hospi-

living area also follows mythologi-

tals, retail outlets, site oﬃces, corpo-

cal archetypes with sholkas in back

rate oﬃces and many more.

painted glass, a Ganapati mural with

Black glass ceiling with wooden walls.

Radha Krishna with Sleeper wood background.

White, Black, natural wood.in master bedroom.

Ganapati with 21 diyas.

Mythological living.

21 diyas of bronze, wall graphics and

Mythical

paintings. A mirror artifact with very

A 4 BHK apartment with an area of

detailed craftsmanship creates a

2400 sq ft; was completed with fine

strong impact, when one enters this

detailing by this duo, adding a divine

home.

touch. Govindbhai Patel, owner of this studio apartment believe in the fact that there is a strong mythological impact in his life. He wanted to present his personality with very spacious visuals in his apartment and

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A dedicated garden area with artificial grass is planned next to the living room to create a cosy living atmosphere.

The master bed-

room shows client’s love towards the colour black. The back painted glass in black, the veneer applications, the Corian bed with side tables; all furniture and accessories in this space are thoroughly planned

and placed

so beautifully that it makes a perfect master bedroom without any hurdles.

Now we move into another bungalow designed by Maulik and Piyush. A large size bungalow is a big challenge for any designer with lots of space available, at the same time, adding a diﬀerent look that has to be flawless.

Modern Mansion Dinesh Pethani, Chairperson of a very mature and prestigious developers group of Eastern Ahmedabad; approached P Square Designs to mould an exceptional and an out of the box bungalow project. The designers were asked to make the designs for a typical Gujarati family with a contemporary glimpse, yet functional in style. A 5 BHK Bungalow with an area of 3,400 sq ft was assigned to these designers and with

zeal and enthusiasm, they oﬀered the client, an idyllic space, just in Seven months.

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11 The main entry depicts a bunch of

is luxurious, ideal for family gather-

natural elements with a single piece

ings. The Corian TV unit panel with

lime stone jali, wooden pattis in dif-

stone cladding, peacock painting, the

ferent orientations; wood, veneer

acrylic ceiling with artistic motifs, a

and original copper plates with cut

human figure wall mural, portrays the

out designs.The entrance foyer with

family’s liking for art and crafts. The

Italian stone floor enhances a clean

kitchen area has a single colour with

and clutter free space. A chisel stone

white glass profile shutters making

motif with musical idols, create a

it a large space. A single piece traver-

musical and welcoming entrance. The

tine stone is used for large size kitch-

hexagon shapes with wooden frames

en wall dado. The use of green onyx

and diﬀerent Italian stone pieces are

for the breakfast table, goes well

artistic, behind the entrance, just

with the symmetry of the kitchen.

near the common wash basin will grab the visitors’ attention. The living room with onyx floor

On the ground floor, the dining area is combined with the family liv-

Mythological living with open dining space.

Zula for typical Gujarati family.

8 Stone elements in main entry as stone jali and mother of pearl. 9 Bedroom creating diffrent moods. 10 Hexagon stone cladding with wooden frames for common wash basin. 11 Ivory tone with onyx breakfast table. 12 Traditional Mandir with contemporary wooden patti ceiling.

ing sofa for their huge family needs.

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13 The Mandir has been kept traditional 13 Royal master bedroom with traditional curves. 14 Traditional jali work for Grandparent’s bedroom 15 Wooden and cane string atrifact for main entry 16 Main entry with grand double opening. 17

Master bath in Italian touch

15 robe evokes a subtle mood.

with contemporary design. The dou-

The bedroom designed for the

ble height dining area is very spacious

client with a green theme defines his

with overwhelming lights and hang-

nature friendly attitude. The bath-

ing fittings. The staircase area has a

room space in this room is spacious

cluster of ten lights, which fill up the

and the designers here prove their

stairs with a great illuminating eﬀect

extraordinary skills with horizontal

and creating a unique design ele-

tile patterns that make this space

ment.

look larger than the actual size.

The first floor is simply minimalis-

We can see the variations in mate-

tic with some artwork. All bedrooms

rial palate in this spacious mansion,

are located on this floor and boasts

which is the main strength of these

of versatility. The master bedroom

designers.

18 Material collage for MD’s cabin TV wall.

is designed for the client’s elder son, Hardik. The colours black, red and

Poles apart

19 Intersection of grey and yellow horizons in reception table.

white blend gracefully with the over-

Let us now look into another verti-

all ambience. Red chairs with over-

cal. Here, we step into an 850 sq ft

head hanging light, gives a royal feel.

oﬃce for OMTECK Industries. The

The bathroom in Italian stone with a

client Bhavik Soni is a very young and

single piece granite wash basin and

energetic industrialist, who wanted

black and gold acrylic ceiling creates

to make a very cheerful and vibrant

a feel of a star hotel. The second bedroom is designed for the client’s younger son and this

room replicates his personality. Blue coloured text, graphics, the egg chair and the blue colour acrylic with a sports theme, clearly shows his love for the same colour. The bathroom also has the same colour theme. The grandparents’ bedroom ceiling with cutwork designs will stride anyone to the ancient times. A relaxing chair in a corner and grey back painted glass shutters in the ward120 DESIGN MATRIX • MARCH-APRIL 2016

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director’s cabin very cleverly.

The

wooden ceiling with indirect light, adds a luxurious feel, blending well with the original height of the simple ceiling. The wall panelling with diﬀerent materials makes a strong impact of luxury with an additional Mandir space. The executive table with side storage also maintains the overall theme of odd shapes and yellow focal point. An unconventional design

with unconventional material palate describes designer’s capability for artistic design executions.

oﬃce. The challenging task was that

crafted in ceilings and partitions, con-

it had to look like a corporate oﬃce.

vert all conventional materials into

Know the designers

The designers began their work with

unconventional.

Maulik pursued his Interior design-

unconventional materials like cement

The conference room has a very

ing studies from the Bharti Vidhy-

sheets, yellow Corian, glossy lami-

earthy atmosphere with artificial

apeeth School of Interior Design,

nates, making this oﬃce very diﬀer-

grass wall in a hexagon shape. As an

Navi Mumbai. During a casual visit

ent and eye catching from the rest of

industrialist, the client also cares for

to Ahmedabad, Maulik met a young

the business arena.

nature, which one can see in the con-

entrepreneur Piyush. Though Piyush

The main entry with cement sheet

ference material palate. The confer-

does not belong to design field, his

finish and pure matt melamine polish

ence glass top blends with the false

keen interest towards designs forced

with yellow acrylic, backlit makes this

ceiling in cement sheets, which shows

him to pair with Maulik. Since then

area, very welcoming. The reception

designers awareness to treat small

the results were unexpected and P

table with ethnically hanging lights

space for larger visuals. Round hang-

Square Designs continue their work

makes a perfect ambience for visi-

ing lights, add a glimpse and touch to

in full swing.

tors. The staﬀ area perfectly merges

contemporary art.

with reception to create spacious

The designers have defined the

psquaredesigns@hotmail.com

visuals; here one will find too much material variation

like teak wood

pattis, cement sheet partition, clear glass, and yellow laminates for work stations and aluminium glass profile shutters with conventional LED lights. The odd shapes deliberately

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Event Report

Reminiscence of

Ar. Correa

Institute of Indian Interior Designers - (IIID), Mumbai Regional Chapter in association with GM modular switches, recently conducted an event musing about the legendary architect Padma Vibhushan, late Ar. Shri. Charles Correa, at National Center of Performing Arts (NCPA), Mumbai. he event was inaugurated by Inputs & Images: IIID, Mumbai Regional Chapter.

Chief Guest, Padma Vibhushan Architect Dr. Balakrishna V.

Doshi.

Dr. B.V. Doshi has been a

member of the Jury for several international and national competitions including the Indira Gandhi National Centre for Arts, Aga Khan Award for Architecture and the Pritzker Prize. His

distinguished

professional

career is more than matched by his academic achievements as the first founder director of the School of Architecture,

Ahmedabad

started

in 1962, which is regarded as both the pioneer and the fountainhead of modern architectural and planning IIID Secretary (Mumbai Chapter), Ketan Sheth with Kashyap Patwa

The living legend Ar. Charles Correa

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IIID Committee Members

Ar. Hemanti Sutaria hosting the Charles Correa Event

show was presented on this occasion,

Ar. Charles Correa was an Indian

depicting some of the interesting

architect, urban planner and activ-

works of Correa, with a background

ist. He is known for the creation of

song that was sung during his funeral

modern architecture in post-Inde-

by Marie Paul. IIID – MRC and Sole

pendence India. He has earned his

Sponsorer

place as a major figure in contempo-

Modular

Switches

played a pivotal and instrumental role

rary architecture. His contribution

for conducting this event. Everyone

to design and planning has been

present at the event were gifted a

internationally acclaimed and he has

education in India. Around 250+dig-

memorable souvenir by GM Modular

received several major awards. He

nitary members associated with this

Switches. IIID owes a special thanks to

had been awarded the Padma Shri in

design fraternity attended this event.

Jayanth Jain – Chairman of GM Modu-

1972, including an Honorary Doctor-

The keynote speakers, Sankalp Mesh-

lar Switches and his team for oﬀering

ate from the University of Michigan

ram - Movie Director and Kamal Hadk-

a generous and unconditional support

in 1980 and in 1984, Royal Gold Medal

er, reminisced over their personal and

for this event. Without the support,

in Architecture and second highest

professional experiences with the late

dedication, optimism and hard work

civilian honour. The Padma Vib-

legend Ar. Charles Correa. The other

of IIID-MRC Committee members, it

hushan was oﬀered to him in 2006,

speakers including Sachin Agshikar,

would have been impossible to make

by Government of India. The legend

Ruturaj Parikh and Abhinav Wahkle,

this inspirational event a reality.

died at his home in Mumbai in June

IIID President Pratap Jadhav felicitating Kamal Hadker

2015 after a brief illness at the age

enhanced this occasion through their conviction and dedication. A slide IIID Chairman (Mumbai Chapter) Ar. Ketan Vaidya

www.iiid.net.in Ar. Premnath in the audience

of 84. Dr. B. V. Doshi on the podium

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Event Report Ar. Arzan Khambatta, inaugurating Creations 2016.

STICKTIONS

GOOD DESIGN DOESN’T DATE Ar. Arzan Khambatta & Kashmira Dastoor with the audience

“Creating something out of thin air is easy. It’s finding the air that’s hard.” - Asher Trotter

mbedded in this mantra, the Interior Designing students of Nirmala Niketan Polytech-

nic College, Mumbai; were back with ‘CREATIONS 16’, in February 2016. Ar. Arzan Khambatta, known as the Iron Man for his out of the box creations in metal, inaugurated the exhibition, with his unconventional and inspiring presence.The jury comprised eminent architects and interior designers namely Ketan Seth, Ar. Bhavya Kenkare, Naresh Shah and Sumeet 124 DESIGN MATRIX • MARCH-APRIL 2016

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Sadawarti. The highlight was the drawing assignments of first, second and third year students along with miniature models made by the first years. The home accessories and life size furniture made by the second and third year students were impressive. This exhibition also showcased the work done by the Fashion & Commercial Art Department.

Stick art --- Home Accessories by the second year students

Kashmira Dastoor & Ar. Bhavya Kenkare with students of Nirmala.

A simple drawing of a person composed with few lines, curves, dots and crudely scratched out hair is the typical details of a stick figure. Any stick figure when given emotions moulds the character to come alive. The second years with creative thinking awakened the stick figures with mixed bag of materials. These characters were then assembled with unique designs, like book shelves, salt & pepper, lamps, toy rack, photo frames etc.

Decorative visual barriers: Furniture by the third year students Gone are the days when room dividers were heavy and intriguingly designed.

Designer Ketan Sheth with Kashmira Dastoor & Ar. Naresh Shah.

With new age comes a new invention. This year the look of room dividers take a quantum leap as visual barriers. The third year students aim was to throw spotlight on trendsetting sleek and multifunctional dividers, where in vogue use of materials glued with exceptional ideas. Every inch in this exhibition whispered, ‘classy and elegant’. Indeed, this exhibition showcased a completely new dimension of design, emerging from fresh talent, young emotion and absolute precision. This is just the beginning; more breathtaking ideas are on its way in the coming years. www.nirmalaniketanpolytechnic.com

Young students gazing at the exhibition.

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Event Report

GENESIS AT GARODIA SCHOOL

As an integral part of its curriculum to encourage student- industry interaction, Garodia School of Professional studies, recently concluded an interesting exhibition with seminars, called Genesis. The “Green” theme inspired students to use eco-friendly and low cost material to create innovative displays and life - like models.

Workshop on rendering by Ar. Prasanna Wategoankar

he event was inaugurated by Chief

Guest,

Priyadarshini

Rao a well-recognized Fashion

Designer for her signature style and she is also known for presenting her work at Indian Fashion week as well as Singapore Fashion week); Guest of Honor Ar. Ashutosh Wad,a renowned

Architect & Interior Designer, recipient of Trends Excellence Award, IIID MK, AICA Award and many more; Special Guest, Ar. Gurunath Dalvi and Director, Shruti Garodia. On the second day, seminars were conducted by Ar. Sudhir Diwan on diﬀerent styles of interiors and Naveen Sainani (Fashion Designer) on the importance of textile. Workshops were conducted on rendering by Ar. Prasanna Wategaonkar, wheel pottery by Mangesh Kumbhar and stylized illustration by Ramesh Makhwana. On the 3rd day, a workshop was conducted on Art of Rangoli by Umesh Panchal. On the spot competitions, face painting, mural art, best out of waste and canvas painting were enjoyed by students on 2nd and 3rd day respectively. The theme of using eco-friendly and low cost material was very well explored by both interior and fash-

Creativity at Garodia

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Speech by Shruti Garodia

Students showing their creativity

Ar. Sudhir Diwan

Ar. Gurunath Dalvi , Shruti Garodia & Ar. Pranav Bhatt.

Garodia School of Professional studies established in 1992 by P.G. Garodia Charitable Trust and received government recognition in the year 2004. It conducts diploma program in Interior Design & Decoration and Fashion Designing. The three year part time diploma program in Interior Design & Decoration is aﬃliated to the Maharashtra State Board of Technical Education.

ion students. The interior designing

paper bags, pulp papers, corrugated

students had displayed beautiful and

sheets etc. and the work was judged

usable artifacts, lamps and various

by Riya Mehra. This event concluded

mocks using this theme along with

with prize distribution ceremony.

their academic work. These eﬀorts

The knowledge of the eminent

were judged by Ar. Pranav Bhat and

speakers and the experiences shared

Ar. Girish Chattpar.

by special guests was indeed a great

The students of fashion designing had used this theme very innovatively

honour for the Institute and the students of GSPS.

to display manicures with the use of cupcake papers, tissue papers, brown

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T C U D O R P

H C N LAU The exquisite Nouveaux Classiques collection

One of the renowned French Luxury Furniture Brands, Roche Bobois launched an exclusive store in Mumbai dedicated to its Nouveaux Classiques collection. Located at India Bulls Finance Center, this store showcases enchanting living room, dining room and bedroom settings. On display is impeccably crafted furniture that includes luxurious sofas, elegant armchairs, chaise lounges and chic beds, detailed and hand carved in solid walnut and oak and upholstered in rich fabrics and the finest leather. The collection also includes center tables, dining tables, cabinets, bookshelves and occasional furniture. Other interior objects include stunning mirrors, decor accessories, rugs and lighting that complete the luxurious collection. Tel: 022-61062233 / 61062244

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Flawless hygiene with Cera Cera Sanitary ware Ltd, known for trendsetting innovations has introduced the new CLEAN RIM EWCs crafted with a blend of style and sensibility for contemporary bathrooms. “These Clean Rim EWCs are not only eco-friendly, water-saving, but also are aimed at better hygiene, by virtue of its rim-free design,” says Atul Sanghvi, Executive Director, Cera Sanitary ware Ltd. CERA’s modern EWCs blend seamlessly in to all bathrooms. Aesthetically appealing contemporary designs and now with CLEAN RIM make these EWCs the new standard for modern bathrooms. www.cera-india.com

Clessidra Metal by Ethimo- P3 Architectural Solutions P3 architectural Solutions is one of the ideal destinations for design tribulations of Architects, Interior Designers, Builders and Developers, Contractors and HNI’s. They bring to you Clessidra range by Ethimo, with an aluminum rod as the base material. It is a composition of embracing lines, which outline diﬀerent furnishing accessories. Mob: 98202 54444

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GLOSSARY IFC: American Hardwood

Pg. 10: KiTEC

www.americanhardwood.org

KiTEC Industries (India) Limited

Pg. 18 & 19: Durian Home & Office Furniture

C-18/11, Jeevan Bima Nagar,

Durian Industries Ltd.

Pg. 3: Ebco Pvt. Ltd.

Borivali (W), Mumbai – 400 103.

401, The Summit, Western Express

402-3, Hyde Park, Saki Vihar Road,

Tel.: (022) 2895 1144

Highway, Vile Parle (E), Mumbai 400 057.

Mumbai 400 072.

Email: sales@kitecindia.com

Tel: (022) 2626 9000

Tel: (022) 6783 7777

www.kitecindia.com

Email: info@durian.in www.durian.in

Email: info@ebco.in www.ebco.in

Pg. 11: Le Cdeor MRJ Trading Pvt. Ltd.

Pg. 20 & 21: MRJ Flooring

Pg. 4: LG Hi-Macs

F/201, Shyam Kamal ‘C’ Bldg., Wing 1,

MRJ Trading Pvt. Ltd.

New Patel Sawmill Group

Agarwal Market, Vile Parle (E),

F/201, Shyam Kamal ‘C’ Bldg., Wing 1,

204/B, Vertex Vikas, Sir M V Road,

Mumbai – 400 057.

Agarwal Market, Vile Parle (E),

Andheri (East), Mumbai – 400 069.

Tel: (022) 2618 7132 / 2613 1442

Mumbai – 400 057.

Tel: (022) 2683 3377 / 0952

Email: artifacts@mrjgroup.in

Tel: (022) 2618 7132 / 2613 1442 Email: flooring@mrjgroup.in

Email: decorexsol@gmail.com

Pg. 13: Travette Flooring Pg. 5: Cera

MRJ Trading Pvt. Ltd.

Pg. 53 MRJ FlexStone

www.cera-india.com

F/201, Shyam Kamal ‘C’ Bldg., Wing 1,

8/M, Laxmi Ind. Estate,

Agarwal Market, Vile Parle (E),

New Link Road, Versova,

Pg. 7: Durian Veneers

Mumbai – 400 057.

Andheri (W), Mumbai – 400 053

Durian Industries Ltd.

Tel: (022) 2618 7132 / 2613 1442

Tel: (022) 2631 6343 / 44

401, The Summit, Western Express

Email: flooring@mrjgroup.in

Tel: (022) 2626 9000

Pg. 15: Uniply Ind. Ltd.

IBC: FINfloor Laminated Flooring

Email: info@durian.in

No. 5, Branson Garden Street,

MRJ Trading Pvt. Ltd.

www.durian.in

Kilpauk, Chennai, Tamil Nadu 600 010

F/201, Shyam Kamal ‘C’ Bldg., Wing 1,

Tel: 91 44 2660 5995

Agarwal Market, Vile Parle (E),

Pg. 8: Lamineer

Email: info@uniply.in

Mumbai – 400 057.

Beside Mandi Gate,Pandri, Raipur,

www.uniply.in

Tel: (022) 2618 7132 / 2613 1442

Highway, Vile Parle (E), Mumbai 400 057

Email: flooring@mrjgroup.in

Chhattisgarh, India Tel: (0771) 4046414

Pg. 16: Concept Dekor

Email: lamineershop@gmail.com

Surface Dekor (India) Pvt. Ltd.

BC: Durian Office Furniture

Gala No. 28/29, New Satguru Ind. Estate,

Durian Industries Ltd.

Pg. 9: Maruti Sales Corporation

Jay Coach, Goregaon (E), Mumbai 400063

401, The Summit, Western Express

Janakbada, Moudhapara,

Email: surfacedekor@gmail.com

Highway, Vile Parle (E), Mumbai 400 057 Tel: (022) 2626 9000

Raipur, Chhattisgarh, India Tel: 0771 4030707

Pg. 17: Antique Laminates

Email: info@durian.in

Email: marutisalescorp@gmail.com

Surface Dekor (India) Pvt. Ltd.

www.durian.in

Gala No. 28/29, New Satguru Ind. Estate, Jay Coach, Goregaon (E), Mumbai 400063 Email: surfacedekor@gmail.com

130 DESIGN MATRIX • MARCH-APRIL 2016

09 Mar - Apr 2016 Vol 6 Issue 3 DM.indb 130

01-03-2016 17:21:08

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DESIGN MATRIX • March-April 2016

March-April 2016 VOL. 6 • ISSUE 3• `100

ESIGN • INTERIORS D • LE Y ST FE LI • E PL PEO

One-on-one with

SSA Architects Architecture is a comprehensive approach, which combines the hard skills of design and the soft skills of human connection and experience.

a MRJ presentation

DM_Front Cover Mar-Apr _02.indd 1

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