Downtown Echo, September 29, 2016

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September 29, 2016

Alicia Ashcroft

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Public salmon stories welcomed at art exhibit Growing up in Saskatchewan, Eileen Leier’s first experience with salmon was the tinned version of the nutrient-packed flesh that was consumed during winter months. When Eileen witnessed her first salmon run, she was “blown away” by the numbers of sockeye salmon thundering past. Adams River is framed by the Little Shuswap Indian Band with the Roderick Haig-Brown Provincial Park on the other side. The Adams River Run is one the world’s largest, with 15 million salmon seeking to spawn in 2010; a dominant year. Eileen returned in 2014 for the next dominant run, where more photographs featured in the art installation were taken. The number of people travelling from near and far to spy on the salmon’s journey, locals mixed with international salmon spectators, hoping to catch a glimpse of the natural phenomenon was a subject of fascination for Eileen. The human interest in the salmon run captured her imagination, as did the little village setting that grew around the run. Sqlelten7úw’i –Red Salmon – Sockeye: Reconsidering the Adams River Run explores the collective fascination with this spectacular and wholly endangered life cycle. “We take for granted that the salmon will always run” and that is simply not the case. Questions about the wellbeing of the salmon run leads to bigger inquiries about the health of the planet. In 2009, there were so few salmon passing through, that public concern led to the establishment of the Cohen Commission, an investigation into the welfare of salmon along BC coastlines. Recommendations were made to Provincial and Federal Governments, but very few of the changes were implemented. “Poli- Reconsidering the Adams River Run is her way tics are affecting wild stocks, people have to of making noise, she smiles, “Absolutely.” The make noise about this”, Eileen insists. “Grass intention is also to connect people to the stories roots public movements are a significant way of persistent salmon and their yearly quest. Eileen is fascinated by landscapes, historical to draw attention to the issues.” When asked if

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and provincially sanctioned sites, “the containers of natural phenomena”. Her work tends to be focused on the wild spaces and deconstructing the need for humans to “organize wilderness”. - continued on page 2

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