VOYAGER Vol. 19 Sep 2018 Ever Rich昇恆昌機場誌第19期

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目錄 CONTENTS 006 序

Editor’s Note

008 行事曆

Agenda

封面藝術家 Cover Artist

010 吳睿哲：將不同的自己拼貼成形 Jui-Che Wu: Pieces of Me

名人 People

016 潘小雪：世界奔騰 大地隱身

Yuki Pan: A Racing World; The Secluded Land

013 舒米恩：用創作轉譯原住民文化， 跟著音樂回部落

Suming: Interpreting Indigenous Culture Through Creativity and Finding Music’s Tribal Roots

主題企劃 Feature

024 2018 昇恆昌藝術季：融合共生

行李箱的故事 My Luggage Story 040 Eye Candle：氣味雕塑家 Eye Candle: A Sculpted Scent

Voyager to Go 046 實現學子們的未竟之夢

Taking Jewellry Designers’ Dreams From Paper Into Reality

050 新店到港

New Shops Open Their Doors

054 光譜計畫：看見光與愛

2018 Ever Rich Spectrum Program

058 有種甜蜜叫閨蜜！ 三麗鷗明星邀旅客機場放閃

Sanrio Celebrates Friendship at the Airport

060 閨蜜專屬！帶著 Hello Kitty 限定小物曬友情 Take Hello Kitty With You

2018 EVERRICH EVERART: NEW BORN

026 溯源本色 珍愛當地文化

The Origin: Cherishing Local Cultures

030 李根在：獻給這塊土地的禮物 Ken-Tsai Lee: A Gift to This Land

034 成亦寧：母親點燃我的心

Voyager City 064 島嶼之南，猶有另外一個南方 The Hidden South

072 家庭相本

Family Album

Yi-Ning Cheng: Inspired by my Mother

036 翻轉原服：陶瓶變仕女，鳥羽成紳士 Experimenting With Indigenous Couture

077 Shopping Directory 別冊 Supplement: Voyager 2018 AUTUMN

出版發行：昇恆昌股份有限公司

編輯統籌：黑潮文化股份有限公司

發行人：江松樺

Managing Editor: Eric Hao-Yuan Weng

Published by Ever Rich D.F.S. Corporation Publisher: Simon Chiang

策劃監督：吳秀光、江建廷、常春媚

Supervisory Manager: Samuel Wu, Kevin Chiang, Sandy Chiong 總編輯：張勝傳

Editor-in-Chief: Markus Chang

地址：11494 台北市內湖區新湖二路 289 號

Address: No.289 Shin-Hu 2nd Road, Nei-Hu District, Taipei

11494, Taiwan, R.O.C.

客戶服務電話：0800098668 Service Line: 0800098668

網址：www.everrich-group.com

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Editorial Coordination: Kuroshio Culture Co. Ltd. 主編：翁浩原

設計統籌：謝喬伃

Design Coordination: Joy Chiao-Yu Hsieh 封面插畫：吳睿哲

Cover Illustration: Jui-Che Wu 英文校稿：Shane Rothery

Proofreader: Shane Rothery 別冊配件編輯：王翎珊

Supplement Accessory Editor: Kirstie Wang 別冊配件攝影：洪上鈞

Supplement Accessory Photography: Uliz Hung

本刊編輯內容之版權為本刊所有，非經本刊同意與授權不得作任何形式之複製或轉載。

Use of editorial content without permission is strictly prohibited. All Rights Reserved.

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在旅行中 感受回到心之原點的藝術

During Travel, Art Shows You Where the Heart Is

藝術，在旅行中扮演著什麼樣的角色？是替旅途增

添色彩、或是以美感妝點旅程裡的記憶？致力推廣台灣文

What role does art play in travel? Does it make it more

colourful or our subsequent memories of it richer? Whatever

化的昇恆昌，透過一年一度的「昇恆昌藝術季」，將藝術

the answer, we think it’s a positive role. In line with this

化的旅人們，能在離開這塊土地時，藉由這場盛宴與動人

curates artistic displays for show in airports nationwide,

帶出美術館，在機場中策展，讓來不及在台灣體驗在地文 的美學相遇。

philosophy as well as our commitment to promoting

Taiwanese culture, the annual EVERRICH EVERART event

allowing outbound travellers to enjoy one last taste of local cultures and aesthetics.

四年來昇恆昌藝術季以多元姿態展現台灣文化的包

容性與創造力，串連從北到南的藝術家呈現主題作品。今 年以「融合共生」為題，邀請原民藝術重要獎項「Pulima

藝術獎」引薦的藝術家，透過野性的色調、樸實的線條， 加上當代美感，呈現原民創作的傳承與創新。除此之外， 昇恆昌也邀請了輔仁大學師生參展，讓學生作品有機會在

Over the past four years, EVERRICH EVERART has demonstrated the ingenuity, diversity, and scope of Taiwanese

culture, with thematically organised works from artists across the country. Under this year’s theme, “NEW BORN”, aboriginal

artists recommended by the Pulima Art Awards have explored

tradition and innovation with wild colours, simple lines, and

contemporary aesthetics. As we report in this issue of Voyager,

國門展現；更特別邀請屢獲國際設計獎的李根在設計師為

Ever Rich has also invited teachers and students from Fu Jen

置藝術在桃園國際機場展出，讓今年的展覽匯集更繽紛的

identity for the exhibition, interpreting cultural integration

展覽主視覺操刀，以不同視角詮釋文化交融，設計大型裝 藝術面貌。

Catholic University to showcase their works at the gateway to Taiwan. Award winner Ken-tsai Lee has examined visual

from multiple perspectives with major installation at Taoyuan

International Airport. The exhibition this year aggregates art in

不只藝術季的創新，跟著「我的行李箱」單元，與

氣味雕塑家 Eye Candle 以味覺和視覺將台灣創造力飛躍

國際舞台；同時在「City」單元立足台東，以「南方以

南」的戶外藝術展演，感受藝術賦予這片土地的新涵義。 而本期起增加了「名人單元」，藉由各界名人分享，讓 《Voyager》與旅人間多了驚喜與期待，環扣本次原民與

all its possible forms.

Away from the art event, this month’s edition of My Luggage

Story follows scent-sculpting brand Eye Candle as it elevates

the olfactory creativity of Taiwan onto the international stage. In

Voyager City, we take you to the east coast county of Taitung, where an arts festival is offering new depictions of what the land means to those who live there. Meanwhile, in our new

藝術的主題，邀請創作歌手舒米恩及當代美術館館長潘小

People section, notable figures are invited to share the unique

與故事。

and MOCATaipei Director Yuki Pan put their life experiences

雪擔任「客座名人」，從文字裡閱讀來自不同人生的歷練

in this indigenous arts-centric issue, singer-songwriter Suming and stories into words.

一路以來秉持著「把最美好的台灣事物帶入機場」，

昇恆昌與《Voyager》承載著對台灣與世界連結的使命感， 透過機場平台體驗藝術、融合島嶼上的多元美好，讓機場 不只是中繼，而是旅途中看見台灣文化力量的起點。

and often surprising insights they’ve gleamed from life. Finally,

Ever Rich and Voyager are determined to “bring the best of

Taiwan to airports”, and in doing so connect Taiwan and the world. We encourage every traveller to experience the art

now on display at airports countrywide and to appreciate the diversity intrinsic to this island. Airports are more than physical sites that connect people to places – they are your first stop on connecting with Taiwan at a much deeper level.

總編輯 張勝傳

Markus Chang, Editor-in-Chief

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Agenda

行事曆

藝術家張如安創作展：狗日子

Ru-An Jhang’s Solo Exhibition: Dog’s Life 親密度與相容性提升，越來越多人稱飼養的犬為：毛小孩、汪星人 ; 沒人飼養的 犬為：流浪犬、浪浪。階級多元的發展以及人類自身對於牠們的關注、定義，成

為人類歷史中，不容忽視的一群生物，犬隻品種的多元性更彰顯了牠們演化的成 功，究竟是什麼神奇的原因讓他們變得如此重要？創作材料的轉換，由繪畫思考

過渡到日常生活的轉場，對犬圖像研究的好奇心，也是對於形式媒材的政治語彙 存疑，同時，是創作者面對學院藝術的學習歷程之回應。

2018 /

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桃園機場 第一航廈 B7 文化藝廊 B7

As pets are getting more and more intimate with people with a higher tolerance of each other, people call the pets they keep names such as furkid. For those wandering around, they call them stray dogs, wanderers, and more. The development of classes is the result of people’s concern for and definition of them. They become parts of the human history.

The diverse species of dogs manifest their success in evolution. The shift in the media for artistic creation and the transition from thinking of painting to the scenes in everyday life originates from the study and curiosity of images of dogs.

Culture Gallery, Terminal 1, Taoyuan International Airport

金門手創夢想特展：大人的積木日常

Kinmen Handcraft Dream Special Exhibition: Adult's Daily Bricks 積木，直接聯想到的陪伴孩子的學伴玩具，出社會後總是要有大人的模樣才是 大人，事實上無論年齡多大，每一個人都懷有赤子之心。昇恒昌基金會推出「大

人的積木日常」金門手創夢想特展，以「穩重的大人」（金門尚義機場）、「大 人的品味」（金門水頭商港）與「下班後的大人」（金湖飯店），三種不同狀

態為主題，藉由帶有童趣的積木堆出成年人令人玩味詼諧的日常，療癒疲勞的 輕鬆一下！

2018 /

09 / 0 6 - 2 0 1 9 / 0 3 / 1 4

金門尚義機場 / 金門水頭商港 / 金湖飯店 文化藝廊

Culture Gallery, Kinmen Shang Yi Airport / Kinmen Shuitou Pier / Golden Lake Hotel

Bricks are associated with being kid's toys. After entering society, one should always act like a grown up. In fact, it's doesn't matter what age you are, each individual has an innocent heart. Ever Rich Foundation presents Adult's Daily Bricks: Kinmen Handcraft Dream Special Exhibition, themed with three different topics, including Dignified Adults at Kinmen Shang Yi Airport, Adults with Good Taste at Kinmen Shuitou Pier and Adults After Work at Golden Lake Hotel. Through the bricks that carry interesting kid's fun, piles of interesting and humorous daily creations heal the stress for a relaxing feeling!

中華文化總會特展：文化台灣

GACC’s Special Exhibition: Taiwan Plus 中華文化總會於 2018 年 9 月於東京上野恩賜公園舉辦以市集、音樂、展覽為主 的「文化台灣 Taiwan Plus」，以展現台灣最前端的文化、創意與設計力，並傳 達台灣當代之生活型態、流行文化、土地味覺。這是要用音樂、美學和來自地方

與新一代的文創產品，訴說當代台灣的故事與精神。Taiwan Plus 的意思就是台 灣除了日本人熟悉的美食、美景，還有許多超越想像的美好。

2018 /

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Organised by The General Association of Chinese Culture, “Taiwan Plus” will take place in Tokyo’s Ueno Park featuring a series event such as market, musical performance, and exhibition. This event will showcase the forefront of Taiwanese culture, innovation, and design; and tells the story of contemporary Taiwan. It aims to give the fresh idea about Taiwan’s creativity and soft power. Taiwan is more than a destination for food. It is also a fountain of creativity.

松山機場第一航廈出境文化藝廊

Cultural Gallery, Terminal 1, Taipei Songshan Airport

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2018 台北雙年展

2018 Taipei Biennale 台灣最重要的當代藝術展覽，邁入第 22 年的台北雙年展，這次邀吳瑪悧、范切

斯科．馬納克達作為雙策展人，以「後自然：美術館作為一個生態系統」作為主軸， 試圖運用美術館作為轉化生態議題的場域，透過藝術家的觀點賦予意義並進行檢

視，打造跨領域的對話平臺。因此不再侷限於視覺藝術家，非營利組織、社會運 動人士、影像工作者、建築師都是這次展覽的參與者，希望能打破藝術家和非藝 術家之間的界線。

2018 /

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台北市立美術館

Mali Wu and Francesco Manacorda will serve as co-curators of the 11th Taipei Biennial in 2018. The Biennial will focus on the interconnectivity of ecosystemic structures formed between humans and nature, and aims to serve as a platform of social experimentation to generate new interdisciplinary possibilities for long-lasting, community-driven, bottomup synergies. It also aim to explores the concept of “ecosystem” in a broader context than merely nature or the biological environment, encompassing cultural, economic and sociological factors as well.

Taipei Fine Arts Museum

造物新世代

Craft: The Reset 位在深圳的設計互聯，即將舉辦新工藝百物展「造物新世代」，呈現了工藝在當 代設計與社會中所煥發出的新的活力。展品包含器物、衣物、家具、建築和社會

項目等跨界多元的設計實踐。從手工復興、方法與技藝、迭代與創新和理想社會

四個角度，展示了豐富的創意設計實踐正在如何重新激發工藝的生命力。在消費

與審美同步升級的當下，設計師們如何運用工藝創造極富吸引力的新生活方式？ 展出設計師，包含台灣知名設計師石大宇的品牌「清庭」等百餘位。

2018 /

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深圳設計互聯

Craft: The Reset is a large-scale exhibition about the reawakening of crafts in contemporary design and society, investigating the widening possibilities of crafts as an equally important creative impulse for the future innovation. Crafts are fashionable. A surge of interest is seeing a growing amount of people learning, consuming, sharing and supporting crafts. Many mainstream products are adapting a craft look or story, catering to new aesthetic sensibilities, new consumer classes and global trends.

Design Society, Shenzhen

2018 Pulima 藝術節

Pulima Art Festival 2018 2018 Pulima 藝術節策展主題「Micawor」是阿美族語「翻動」的意思。揭示著 時代的巨變下，一股持續翻動的正向力量：社會的改革是為人類發展開闢新的途

徑，而藝術在此刻洞察纖毫，探索著人類存在的意義，並為世界描繪全新的願景。 The theme of 2018 Pulima Festival “Micawor” means “to turn over” in Pangcah. It refers to the sustained positive force that is turning everything over within the context of the dramatic changes of the times. Reforms in society are opening up new paths for the development of the human race, and art is gaining detailed insight into the meaning of human existence while helping to cultivate a new vision for the world.

2018 /

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台北當代藝術館

Museum of Contemporary Art, Taipei

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Cover Artist 封面藝術家

吳睿哲：將不同的自己拼貼成形 Jui-Che Wu: Pieces of Me Text by 曾維宏 Weihong Tseng Image Courtesy of Jui-Che Wu

Translated by Rye Lin Ting-Ru

牧羊人說再見 (The Shepherd Said Goodbye)

此系列插畫是為徐珮芬《在黑洞中我看見自己的眼睛》所繪製，利用複合媒材相互交疊碰撞，去揣摩詩句中的情感， 它們各自獨立，卻又相互影響。This series is painted for Pei-Fen Hsu’s I Saw My Own Eyes in Black Hole. For it, Wu mixes and

overlaps various materials to express the rich emotion of Hsu’s poetry. They are individual pieces yet also influence each other.

無論是報章雜紙或專用的美術用紙，任何零碎的各式紙張散

落於桌上，經過剪裁、重組、粘貼都能形成一幅幅充滿新意 的作品，本期封面映入眼簾的便是吳睿哲另類「插畫」技巧 的呈現，也完美演繹了人與土地間最樸實純真的情誼、最原 始的那份感動。

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Collages can be made by cropping, mixing, and pasting any paper media, from newspaper to fine art. The cover of the current VOYAGER issue is the work of Jui-Che Wu, whose alternative-art illustration depicts the relationship between humans and nature at its purest and simplest.

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擁抱山林的藝術創作

Into the Woods

「最原始的感動就來自於那些最初的、最簡單

的、最渺小的事，從這個出發點我想到生命的初始與 傳遞。」高中時期曾參與生物研究社，熱愛自然的吳

睿哲，曾能細數野外碰見的花草樹木的名字，來自於 大地之母的呢喃與溫暖一直長存心中，時常能在他的 作品看見。

“The most touching moments of life result from the earliest, simplest, and smallest things, and this reminds me of the beginning and reproduction of life,” Wu said. When Wu was in high school, he participated in science club.

With a passion for nature, he could name a wide variety of plants when spotting them in the wild. The land’s murmurs and warmth have remained in his mind – and his works – ever since.

「土地是任何事情的初始，也是傳遞的媒介，所

以整體的概念就從這裡開始。」封面以遠山、蝴蝶翅

膀與魚鱗等圖騰作為主軸，三者透過河流相連合成， 象徵著不同形式的生命更迭傳遞的概念。善於巧妙運

用拼貼、繪畫、轉印等手法，吳睿哲這次選用單刷版

reproducing, advancing, and relating. Taiwan’s mountains and flowing water resonate with the idea of raw beauty in Wu’s mind, making them the perfect means to depict aforementioned “touching moments at the very beginning” and the richness this motherland gives us.

創意素材的排列組合

Creative Combinations

與許多藝術創作者背景不同，吳睿哲自小並未受

過專業的繪畫訓練，他謙虛地表示這也是專攻拼貼的

主要原因。但這樣的選擇絕非投機，而是懂得自己的

特長，輔以其他藝術手法。目前就讀倫敦皇家藝術學 院（Royal College of Arts，簡稱 RCA）的他，雖在

插畫組，卻仍以拼貼創作為主要方法，「RCA 很自由， 對老師來說插畫不是我們想像中的插畫，是想要拓展

那個可能性，挑戰商業氣息，更在乎的是怎麽去呈現 一個故事或主題，不會要你直接畫出來。」

Wu’s background differs from other artists, with no formal training or education in painting. According to his humble explanation, this is why he specialises in collage art; however, this choice seems less based on petty shrewdness than being a strategic alternative to leverage

畫，將此技法的特質與他想表達的意念完美結合。

“The land is the beginning of things, and it is also the medium. This is where the project begins,” he said. The VOYAGER cover features a mountain motif along with the wings of butterflies and scales of fish. These three patterns are connected by the river, which symbolises evolution.

Wu is skilled at collage, painting, and printmaking, and he uses monochrome prints in the current issue to express himself articulately.

單版印刷的每一幅作品皆為獨一無二，無法仿

製，這樣介於複製與非複製的模糊地帶，更是與「傳 遞、遞進、互有關聯」的意象不謀而合。臺灣的山水 淙流喚起吳睿哲心中的共鳴，成為我們看到的優美成

品，更完美詮釋本期主題「最初的感動」，展現了臺 灣這塊土地所帶給我們的豐沛情緒。

Each monochrome print is unique and unable to be replicated. They all exist in the grey area between replicas and non-replicas, playing with the concepts of

透過印刷技法，他將原住民的圖騰抽象轉化，轉印到山上、蝴蝶，象 徵 島 上 的 文 化 多 樣 化 的 交 融。Wu’s printing technique transforms indigenous totem into abstract representations, in this case of the mountains and a butterfly to symbolise cultural diversity and inclusiveness.

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Cover Artist

his strengths. Indeed, though Wu is now a student at the Royal College of Arts (RCA) in London majoring in illustration, he’s focusing on collage as his main technique.

“We have so much freedom at RCA. For our instructor, illustrations aren’t simply images that we conjure up in our heads. Instead, illustration should be about expanding possibilities and challenging commercial practices. It is about how you present a story or a topic, rather than merely painting it.”

experiences – ones of both suffering and delight – and pouring them into his works.

仔細追溯吳睿哲的創作源頭，則與他對文字創作

的涉獵與平面設計的背景有著密不可分的關係，「你 要怎麼去讀詩？它其實就是把很多意象組合起來，某

種形式上也可是一種拼貼。」從他的作品裡，時常可

以看見將寫實的意象重組拼湊後，成了耐人尋味的抽 象畫面，留給觀者自由領會的空間。

Examining the roots of Wu’s art, it is his background knowledge of literature and graphic design that are perhaps the strongest influences. “How do you read a poem? You pull together different imagery; poetry is a form of collage art, too.” Similarly, a mix of imagery is found in his works, giving them an abstractness and leaving space and questions for the viewer to ponder.

集設計、插畫、文字、攝影於一身的創作才子

A Multifaceted Talent

攤開吳睿哲的「履歷」，會驚喜地發現他的多重

身份：文學獎、攝影展、平面設計，以及插畫。看似不 同風貌的階段，其實都隱隱地相互影響，激盪出溫潤不

烈的火花。法國大哲學家沙特曾將「詩」歸納於與繪 畫、雕刻和音樂等同類的藝術，與散文劃清界線，這樣 的論述套用在吳睿哲身上便可見清晰樣貌。詩人透過文 點名時刻（Roll Calling Time）

字母書繪本是他在台研究所的畢業創作，採用動物園裡的動物與管理員 作為角色，利用讀者的想像力去挑戰日常生活習以為常的事物。This is

Wu’s graduation work for his master’s degree in Taiwan. For it, he chose zoo animals and zookeepers as the main figures, using them to tell stories that challenge our understanding of things in everyday life.

對於「插畫」創作沒有固定樣貌，他起初顯得困

惑，但經過一年的磨練與適應，似乎也能漸漸體會到

不同於臺灣制式教育的英國風範，繼續往自己熟悉的 拼貼領域鑽研。將各種生活點滴看作創作靈感，將那

些深刻的、難受的、歡快的生命經驗仔細剖析，挖空 自己，最後成就一幅幅有故事的作品。

Wu was initially confused about the unfixed nature of illustration; however, after a year or so of study, it began to make sense for him, as did the British approach to education, which differs from that of Taiwan. As he moves forward with collage art, he carefully analyses his past life

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字呈現感受，但詩詞中的文字又不僅僅只是指出某個明 確的意象，而是承載許多模糊的符號，來勾勒出作家所 構築的世界。喜好把各種媒材擺放在一起、玩弄圖層的 排列，作詩與作畫兩者的相似性便逐漸重疊。

A look at Wu’s resume reveals his multiple identities as a winner of a literature competition, a photographer, a graphic designer, and an illustrator; his achievements in such diverse fields influence one another. The great French philosopher Sartre categorised poetry not as a form of prose but a form of art, alongside paintings, carvings, and music. Wu is a living example supporting this view.

Poets express themselves through words, but rather than referring to specific imagery, their words are ambiguous symbols reflecting their own world. By combining diverse mediums and layering them upon one another, poetry and art overlap and become one.

2016 年為徐珮芬的詩集《在黑洞中我看見自己的

眼睛》畫了一系列的插畫，讓他入選波隆那插畫展，

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封面藝術家

Jealous Eye, Loose Tongue

Church Street Tales 是和社區合作

的計畫。透過一篇居住或工作於倫 敦 Church Street 的 人 們 所 寫 的 故 事（真實的或虛構的），再進行發 想 與 繪 製， 像 他 收 到 的 是 關 於 嫉 妒、閒言閒語、與夫妻間的信任。

Church Street Tales is a collaboration with a local community. It’s based on the stories, real and fictional, written by people residing or working on Church Street in London, with topics including jealousy, gossip, and spousal trust.

受到注目，「當時我的心情其實很複雜，我覺得我還 沒準備好，即使很開心達到自己的目標了，但會開始

擔心現在的作品會不會比之前的不好」，陷入了百感 交集的心態，不過在業主充分授權自由創作的支持，

他重新詮釋了詩人的文字，讓不同的圖層與材質相互 碰撞、安靜地對話，交疊出別具意義的新語法，成為 他目前最重要的作品。

There is one more year to go for Wu’s educational journey in London. Asked what illustration is, Wu replied: “Illustration is a way to talk and communicate; it’s a medium between speakers and listeners.” It’s like cutting and pasting pieces of lives together and using this to create and deliver an important message. It’s listening and responding to your inner self and realising your naked and authentic thoughts.

Wu’s illustrations for Pei-Fen Hsu’s poetry collection, I Saw My Own Eyes in Black Hole, won him a place at the Bologna Children’s Book Fair and much attention.

“I had complicated feelings about that,” Wu recalled. “I didn’t think I was well prepared at that time. I was glad that I made achievements, but I was starting to worry that my earlier works might have been better than my recent ones.” He re-interpreted Hsu’s poems by mixing different materials and adding layers to the work, creating dialogues between them. A new visual language was thus created through that series of illustrations, which proved to be the most important of his career.

在倫敦的學習旅程還有一年，好奇地問吳睿哲，

插畫是什麼？「插畫是一種說話、溝通的方式，提供說 者與聽者另一種媒介。」如同不斷地將自己或他人的生

命剪下來、貼上去，剪下、粘貼，隨後散播每一則重要 的訊息。誠實面對自己、回應自己，如此不斷地在拼組 與對話中，成就屬於自己最赤裸、真實的樣貌。

Vegan Kitten

入選葡萄牙插畫雙年展（Ilustrarte 2018），的《Vegan Kitten》起初以 色紙拼貼而成，並使用轉印的技法增加細節，爾後以絹版印刷再製，作 品包含吳睿哲所喜歡的三項東西：貓、植物與瓶罐。Selected for inclusion at the Ilustrarte 2018 biennial in Portugal, Vegan Kitten is colour paper collage. Wu added further detail by transfer printing and silkscreen printing to depict three of his favourite subjects: cats, plants, and jars.

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People

名人

潘小雪：世界奔騰 大地隱身 Yuki Pan: A Racing World; The Secluded Land Translated by Liz Chang

Image Courtesy of the Artists

About

潘小雪 Yuki Pan

創作者、策展人、教育家，同時兼任台北 當代藝術館執行總監。曾與倫敦英三角模 式藝術國際創作營合作，在台創立洄瀾國 際創作營 7 屆。也曾執行文建會的「藝術 介入空間」、原民會的「原住民藝術工作 者駐村計畫」、近年更策劃「東海岸大地 藝術節」等。

Leisure does not involve intervention but adopts a state of openness; rather than obtaining, leisure releases, freeing and forgetting the self as if drifting into a restful sleep.

Leisure doesn’t mean a lack of work; those who work endlessly are the ones who are lazy. Leisure is an act of stopping any activity that doesn’t correlate with the inner landscape and a return to the self; it is the active pursuit of existence and to become one with the world.

東台灣的地理風景以及與世隔絕的氣質提供了

《閒暇》的可能，這是東海岸的美學基調。花蓮向來 人煙罕至，任由四季刮盪的山河，有史以來便自我隱 藏的大地，便是我們的生命情調。每次搭火車離開台

北盆地雜亂的群山，衝出一座又一座黑暗的山洞之後， 壯闊的太平洋，清晰的山影，使得時間開始緩慢起來， 感官完全打開了。

An artist, curator, and educator, Yuki Pan is also the executive director of the Museum of Contemporary Art, Taipei. Pan has collaborated with the Triangle Network in London, founded and overseen the HweiLan International Artists Workshop for seven years, and served as the executor of the Council for Cultural Affairs’ Art Intervene Space and the Council of Indigenous Peoples’ Taiwanese Indigenous Art Residency. In recent years, Pan has curated various events including the Taiwan East Coast Land Arts Festival.

The geographical landscape of Taitung and its secluded nature leaves room for the concepts proposed in Leisure.

Hualien has always been a land with few visitors, home to roaring winds and rolling mountains, secluded from the world and a shelter for the soul. Each time as I take the train to escape the messy terrain of the Taipei basin, the vast sea comes into view after travelling through a series of black tunnels, finally thrusting me into the embrace of the scenery. As time slows down, I feel my senses awakening.

為了人類社會能夠更完美，我們生活當中有時

看著乾淨的沙河中擠滿還在半途中的巨石，無法

候 需 要 去 過「 無 用 的 」 默 觀 生 活。 德 國 學 者 Josef

想像到達太平洋之後，他們成了小小的鵝卵石，甚至

暇不是拼命工作之後再去休假玩樂，閒暇是一種心靈

的桫欏、木麻黃破碎的暗影，天上成群結隊的走雲，

Pieper 所說的《閒暇》哲學就是指這種生活，他說閒

態度，也是靈魂的一種狀態，內在無所憂慮，自由、 平靜、順其自然、沉思默想……。

是一大片的沙灘。陽光下蒸騰發散的植物，暗自枯榮

纍纍的荒山野地…。這一切不斷地把我拉回世界的原 初，好像第一次張開眼睛看到這個世界似的。

To c re at e a b e tt e r s o c i e t y, t h e re a re d a y s w h e n “uselessness” is key. German scholar Josef Pieper points this out in Leisure, which expresses the philosophy that a leisurely life doesn’t exist after a busy work life ends but rather is a state of mind and soul where the individual is carefree, unrestricted, calm, at ease, and immersed in meditation.

閒暇的態度不是干預，而是自我開放，不是攫取，

而是釋放，把自己釋放出去，達到忘情的地步，好比 安然入睡的境界。「閒暇」不是不工作，那些不眠不 休地工作的人才是懶惰的人，「閒暇」是停下與自己 內在無關的工作而回到自己，積極回到自己的存在， 並且與世界合而為一。 016

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達鳳‧旮赫地 2016 年東海岸大地藝術節在台東東河小馬部落的作品《停

駐‧休息的地方》。 Tafong Kati’s Bahanhannan in Donghe, Taitung at the 2016 Taiwan East Coast Land Arts Festival.

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安聖惠（峨冷‧魯魯安）2016 年東海岸大地藝術節在加路蘭的作品《風搖蘭》。 Eleng Luluan’s Wind Blows Lotus in Jialulan, Taitung at the 2016 Taiwan East Coast Land Arts Festival.

As rocks in clean rivers and streams come into view, I find it hard to imagine these large rocks transformed into small cobblestones, or even soft sand, when they finally reach the Pacific Ocean. Plants thrive under the sun; the Taiwaniana Alsophila continue with the cycle of life, horsetail trees cast shadows on the land, and clouds drift in the sky, layering with the plains and mountains. All these sights seem to pull me back to the authenticity of this world, allowing me to encounter these views with a fresh pair of eyes.

這個經驗讓我不斷思考藝術的始源，企圖跳脫過

去藝術分類的方式，返回生活，回到藝術的原初，回 到一切正在發生、形成、無法歸類和命名的本源，再 重新出發，重新看這個世界。

This experience has inspired me to contemplate the origin of art. As I attempt to break free from the categorising of art, I manage to return to the beginning where it all started and began to take shape, the source which is unable to be classified and named. Then, I set off once again to reexamine the world.

東台灣原住民藝術工作者和他們的部落，也提供

我如何還原的一線生機。原住民藝術工作者在世俗生 活、祖靈信仰以及基督信仰的三重悖論中可以找到創

作起點，主要原因在於他們與「原始契約」的緊密關

係，意即對他自己的始源、大自然、天地人神緊密地 連結著，「拒絕遺忘」使他們的創作不斷，許多創作

型歌手被讚譽為「有老靈魂的年輕人」就是這個連結。 The indigenous artists of eastern Taiwan and their tribes provide a chance to restore the nature of art. The reason these artists are able to find a starting point for artistic creation through the triple paradox of secular life, ancestral religion, and Christianity is because of their intimate relationship with the original contract, which refers to the connection between individuals and their origin, nature, others, and supernatural forces. Their refusal to forget has become an ongoing inspiration, with many singer-songwriters dubbed “youngsters with old souls”.

當台灣社會陷入不知要鞏固資本主義的經濟堡壘

還是要啟發社會良心的價值兩難而迷失的時候，被邊 緣化的原住民族，在無法參與、無法決定台灣的前途 時，卻得天獨厚地避開了社會的狂亂，穩穩地唱著自

己的古調，尋找自己的色彩，建立知識體系，確定存 在價值。我們看到人在現實界的意符（meaning）消

失，生命力（libido、signification）卻返回的現象， 這正是台灣目前原住民處境的寫照。

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People

Just when Taiwanese society is lost in a dilemma between ever more intense capitalism and inspiring social conscience, the indigenous community’s situation – being cast as outsiders and unable to participate and voice their opinions on the future of Taiwan – has proved to be a blessing in disguise. As they escape the chaos of society, these indigenous artists continue singing their ancient tunes, steadily in search of their own style, constructing their system of knowledge, and confirming their self-worth.

I notice people disappearing in meaning throughout the world while their libido and signification return to their original state; this is the portrayal of the contemporary indigenous community in Taiwan.

在我規畫的東海岸大地藝術節中，許多原住民藝

術家的作品相當感人，像達鳳在台東東河鄉小馬部落

天主堂對面馬路邊的田地上的作品，一隻巨大的海馬， 打開肚子正好像一座達魯岸（工寮或聚會所），他用

漂流木、竹子等自然素材表現的得心應手。這件作品

的靈感來自小馬部落天主堂的神父們，近一世紀以來， 歐洲白冷教會的年輕神父們來到窮鄉僻壤的原住民部

落，他們的愛以及畢生的奉獻，就像深海裡的海馬，

當他們打開肚子把孩子一一生出之後，便安靜地死在 深海裡，就像神父們一輩子不為人知的奉獻。當達鳳 帶大家到教堂的後院，夕陽下，溫暖的陽光照著七座 白色墳墓，這一剎那大家都非常感動。

Throughout the Taiwan East Coast Land Arts Festival, which I organised, many indigenous artists presented works that were particularly touching, such as Tafong’s work on the roadside field across from the Piyuhu Catholic Church in Donghe, Taitung. A large seahorse with an open abdomen resembling Taluan (which means work or gathering place), it skilfully using natural materials such as driftwood and bamboo as a means of expression. The work was inspired by the priests of the church. For almost a century, young priests of the European Bethlehem Church have travelled to this remote and impoverished indigenous area, silently devoting their life and love to the area, just like the seahorse, dying quietly in the depths of the sea after giving birth. As Tafong guides visitors to the backyard of the church, the warmth of the setting sun lights up seven white graves, touching all who see the view.

近 20 年來台灣原住民藝術的發展令人驕傲，從

山地人、山胞到原住民；從博物館到美術館；從新原 始藝術到現代藝術；從觀光節慶到表演藝術；從部落 到國際；從傳統工藝到創意產業；從自發性藝術事件 到官方的藝術節，都能看到一個清楚的發展軌跡，以 及一個燦爛的未來。

The development of indigenous art in Taiwan for the past 20 years has made many proud. From the natural environment to its residents, museums to art galleries, new primitive art to modern art, tourism festivals to performance art, villages to the international stage, traditional crafts to the creative industry, and spontaneous art events to official art festivals, the track of development is clear to all and points to a spectacular future.

由潘小雪策展在台北當代藝術中心的「華麗轉身」亦有

安德烈的作品，來自於部落圖騰作為靈感的服裝設計。

Curated by Yuki Pan “The Charismatic Rebirth of Yore” at MOCA also exhibits Sabra Andre’s clothing designs, which are inspired by the tribal totem.

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名人

舒米恩 Suming：用創作轉譯原民文化，跟著音樂回部落

Suming: Interpreting Indigenous Culture Through Creativity and Finding Music’s Tribal Roots 口述 Word by 蘇米恩 Suming Text by 廖彥銘 Kevin YM Liao

Translated by Liz Chang

About

舒米恩 Suming

「聽不懂卻哭了出來」是不少人聽過阿 美族歌手 Suming Rupi（舒米恩．魯碧） 表演後的感想，他的清亮嗓音與真摯聲 線，突破語言隔閡，給予聽眾難以言喻 的力量與感動。舒米恩透過創作，將資 源與產業帶入部落，凝聚族群歸屬與認 同。種種耕耘獲金曲獎、金馬獎、金音 獎與總統文化獎的肯定。

Many people say they “shed tears despite not understanding the lyrics” when listening to Amis singer Suming Rupi. Suming’s silvery tones and genuine sentiments transcend language. He brings resources and inspires industry among tribe members while also fostering a sense of belonging and identity in them. Suming’s works have won him the Golden Melody Award, the Golden Horse Award, the Golden Indie Music Award, and the Presidential Cultural Award.

我是阿美族原住民，家鄉在臺東都蘭。以前大家

覺得花蓮、臺東很原始，不會想來，因爲少了溝通機 會，互不了解，產生敵我的意識形態。不過大家共同 生活在這片土地上，總要認識左右鄰居，知道誰跟你

在一起。所以當媒體和網路蓬勃發展，資訊變得透明，

些是我的成長環境，也是養分。我很早就知道自己熱

愛創作，除了持續寫歌、唱歌，這幾年和夥伴一起辦 音樂節、開演唱會，讓美好的音樂，不再只在部落裡 傳唱，用更多方式打通大家認識部落的路。我們做了

《海邊的孩子》和《阿米斯音樂節》，串連部落，帶 進太平洋國家的音樂人，促成大家的參與和認同，激

發下一代的學習慾望和能量，部落文化才有機會傳承 下去。

I am particularly affectionate about my hometown. The soil, flowing seawater and rivers, the breeze of Dulan, animals and plants, and tribal ceremonies and events are deeply woven into the world that I grew up in and nourish my life. I realised my creative passion from a young age and have continued to write and sing songs ever since. In recent years, I’ve partnered with a few friends to organised music festivals and concerts, hoping beautiful works of music can spread outside of tribes and become a channel for more people to become familiar with our culture. Our efforts include the Wawa No Liyal and Amis Music Festival, which brings tribes together and introduces musicians

加上臺灣社會的多元與包容，就能彼此交換知識和能 力，互相認識和交流。就像現在花東夯到不行，火車 票都好難買。

I’m an Amis aborigine from Dulan, Taitung. In the past, people had the impression of Hualien and Taitung as remote, rural places and rarely had the desire to visit them. I believe this impression was due to a lack of communication, leading to misunderstanding. The fact remains that we are living on the same land and should get to know one another. With the boom of the media and the internet, information has become more and more transparent. As long as Taiwan society can have an open and welcoming mindset, we can exchange knowledge and skills, enabling interaction and dialogue. Today, Hualien and Taitung have become popular travel destinations.

我很喜歡我的家鄉，這裡的土、流動的海和河、

都蘭的風、大自然的動植物、部落的祭典和活動，這

舒米恩創作 EP「像最初的自己致敬」封面。 The cover of Suming’s EP “Salute

to The Origin of Myself”.

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People

專注地歌唱，是他最吸引人的地方。 The audication audible in his voice is perhaps the most attractive quality of his singing.

from countries in the Pacific Ocean to inspire participation and a sense of identity, hoping to encourage the next generation to pass down the legacy of tribal culture.

我相信「一個人如果沒有歷史，這個人就不存

在」，一旦你有扎實的文化底蘊，與外界交流時，才 更顯自信。我們的教育很少告訴我們「自己是誰」 ，

但如果成長過程沒了底蘊，你不曉得自己的立場和文 化基礎，創作出的內容很容易有別人的影子，外人看 來格外沒自信。我覺得臺灣的文化很棒，要好好把握

和珍惜。在國外，僑胞積極地跟我用臺語對話、大家

聽見我用族語唱歌也默默流淚。看到其他人對臺灣的 思念和認同那麼濃厚，就希望大家不要自卑，一起成 為更有自信的臺灣人。

I believe “no one can truly exist without history”. Only when an individual is deeply rooted in culture can he or she be confident when interacting with the world. We are seldom taught to think about “who are we”, but without the nourishment of culture, we have no idea about our

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position in the world or our cultural foundation. When this happens, our work is merely the shadow of others, lacking confidence and individuality. I am fond of Taiwanese culture and think we should cherish our heritage. When I am abroad, oversea Chinese often make an effort to talk with me in Taiwanese, and many people cry when listening to me sing in Amis. When I witness the longing for Taiwan and the sense of identity of these people, I often wish we could be more confident.

但我要說，向外學習是必然的。日本將搖滾轉化

為日式搖滾，連 Bossanova 也能有小野麗莎，他們學 習國外事物，卻沒有忘記自己是誰。我是臺灣阿美族 原住民，更是這個世界的一份子，我保持開放的態度

來學習，了解這個世界有多大，同時用母語、曲調等 符碼，讓大家看見部落。回頭看我的第一張專輯，我 以阿美族語加入電音舞曲，就是想藉由跨界合作，跳

脫民謠和世界音樂的印象，翻轉大家對原住民音樂的 期待。

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名人 However, let me stress that I think it’s important that we expand our horizons. The Japanese invented their own version of rock ‘n’ roll, visual kei; as for bossa nova, the Japanese have Lisa Ono. The Japanese have never forgotten their own identity when learning from foreign cultures. I am an Amis aborigine from Taiwan and a member of the world. I maintain an open mindset to learn from the world, while at the same time using my mother tongue and symbols from my culture to allow my tribe to be seen by the world. Looking back to my first album, my approach of combining the Amis language with electronic dance music was an attempt to disrupt people’s understanding of folk music and world music, and to disrupt people’s expectations of indigenous music.

三、四年前，我去了新喀里多尼亞，和當地的原

住民交流，待了快一個月，陳潔瑤導演將整個過程拍

成紀錄片《漂流遇見你》。這座南太平洋的島國上，

雷鬼音樂流行了幾十年，但這裡的雷鬼融入了自己的 傳統節奏，很不一樣。那時他們問我：「你們臺灣的

節奏是什麼？」我很順地回答：「嘣～噠噠，嘣～噠 噠噠～」這是一個我覺得很特別的臺灣的節奏，你可

以在《高山青》、《來去台東》或是很多原住民歌曲 裡找到。中華民國來臺灣初期的音樂，不少有受到日 本演歌影響，但你在演歌裡找不到這節奏，它比較像 是臺灣音樂人發展出來的，臺語、中文等不同語言都 適用，是跨族群的。

About three or four years ago, I visited New Caledonia and spend almost one month with the indigenous people there. Director Laha Mebow recorded the encounter and made it into a documentary, Ça Fait Si Longtemps.

Reggae music has been popular on the Pacific island

for decades, but the reggae of the island is one of a kind, having mixed with the local traditional rhythm. The people of New Caledonia asked me: “What is the rhythm of Taiwan?” I demonstrated a unique Taiwanese rhythm that can be heard in songs such as Green High Mountain, Let’s Go To Taitung, and various indigenous music. The musical style during the early years of the Republic of China was influenced by Japanese enka, but the rhythm that I demonstrated was not from enka. The rhythm was developed by the Taiwanese and transcends ethnicity, applying to Taiwanese, Mandarin, and other languages alike.

究竟「臺灣的節奏」是什麼？這個問題連同那沒有名 字的節奏，不停在我腦袋裡轉。雖然節奏沒有系統性

的被記載，做田野調查真的有夠困難的，不過也因為 這樣開放的狀態，給了創作者很大的想像和空間，我

正在準備下一張專輯，會以這個節奏為基礎發展詞曲。 作為一位轉譯者，我希望持續透過音樂創作，跨越語

言的隔閡，讓大家看到原住民的美好。我想，這是最 好展現文化力量的方式，也是我一直在做的事情。

What is “the rhythm of Taiwan”? This question, along with the nameless rhythm that I demonstrated, lingered in my mind. Although these rhythms were not recorded systematically, and field research has its challenges, this also provides an openness that leaves space for imagination among artists. I am currently preparing for my next album and plan to compose works based on this rhythm. As a “musical translator”, I hope to continue the mission of transcending language barriers through music to show more people the beauty of indigenous culture. I believe this to be the best method of displaying the power of culture; this is also what I have always been working on.

看那陶醉的觀眾們！

An enraptured audience.

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Feature

主題企劃

2018 昇恆昌藝術季：融合共生

2018 EVERRICH EVERART: NEW BORN Text by Voyager Editorial Translated by Leonard Chien

秉持取之社會，用之社會核心價值的信念，2018 昇恆昌機場藝術

季再一次讓穿梭在機場的各國旅客，放慢腳步，被台灣最真誠的 美感動，今年昇恆昌邀請財團法人原住民族文化事業基金會引領

多位原民藝術家、輔仁大學織品服裝學院、知名平面設計師李根 在，以「融合共生」為主題，透過藝術和設計，呈現文化融入生

活的美學樣貌，以傳統為基石，用當代的思維，開創未來的道路。

The 2018 Ever Rich Airport Art Festival gives back to society by inviting local and international travellers at airports across the country to slow down and experience the authentic aesthetics of Taiwan. For this year’s festival, Ever Rich is partnering with the Indigenous Peoples Cultural Foundation, aboriginal artists, Fu Jen Catholic University’s College of Fashion and Textiles, and noted graphic designer Kentsai Lee. Under the theme “New Born”, art and design are integrated into life aesthetics to build pathways leading to the future, supported by both a traditional foundation as well as contemporary thought.

長期致力推廣台灣人文藝術的昇恆昌，持續以

brought traditional theatre into terminals, with travellers wowed by the elegant performances.

力。從 2015 年開始，已連續 4 年舉辦藝術季，去年

今年則將原民文化帶入機場，足跡遍佈台北松

不同形態的機場展覽，讓旅客感受到台灣的文化軟實 把傳統戲劇帶進機場，讓旅客體驗粉墨登場的身段優 雅，感受台灣各地戲曲文化，讓人留下深刻印象。

Ever Rich has long been committed to promoting art and culture in Taiwan, organising exhibitions at airports in various forms since 2015. Last year, its annual art festival

山、桃園、臺中、高雄等 4 座機場，讓機場再度成為

舞台，展演屬於台灣的生命悸動。由李根在操刀的藝 術季主視覺，以主體的蛋形代表生命原點，也是未來 的開始，交織的彩色線條表現原民編織、多元文化融 合，保留傳統精神和創造未來的含意。

2018 昇恆昌藝術季，由桃園機場公司總經理蕭登科 ( 左四 )、昇恆昌免稅商店總經理江建廷 ( 右四 ) 等人共同主持開幕儀式。

Taoyuan International Airport Corp. General Manager Deng-ke Hsiao, centre left, and Ever Rich General Manager Kevin Chiang, center right, join other guests at the launch of the 2018 EVERRICH EVERART.

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1

2

1 . 模特兒演繹成亦寧作品。

Catwalking Yi-Ning Cheng’s work.

2. 精采的動態走秀之後，（左起）輔仁大學、沙布喇．安德烈、 成亦寧一起上台向旅客致意。 After the catwalk, from left to right,

the representative from Fu Jen Catholic University, Sabra Andre, and YiNing Cheng take a bow.

昇恆昌總經理江建廷特別分享，機場是旅客往

來台灣的重要交通樞紐，而昇恆昌服務國門機場除了

「營利」，更重要的使命是落實台灣價值，把台灣的 Aboriginal culture is highlighted in the Songshan, Taoyuan, Taichung, and Kaohsiung airports this year, exploring the life and dynamics of this land’s native people. In the visual identity created by Kentsai Lee, the egg shape represents the origin of life and the future. Colourful lines are allusions to aboriginal weaving and cultural diversity.

In sum, it aims to preserve traditional spirits to shape the future.

7 月 31 日於桃園國際機場舉辦開幕典禮，由輔

仁大學織品服裝學院所主導的展演，模特兒走秀展示

豐富多元文化，行銷到國際舞台上。每年舉辦「昇恆

昌藝術季」，就是要推廣台灣觀光與深度旅遊，讓世 界看見台灣的美。

Airports are the key portal for travellers going to and from Taiwan, says Ever Rich General Manager Kevin Jiang. As such, he adds, Ever Rich is committed to making them hubs for more than just business operations – it aims to project Taiwan’s values and promote multiculturalism. The annual art festival does this by putting the best of Taiwan onto the global stage.

輔仁大學師生及原民設計師成亦寧的時尚服裝設計，

壓軸更展出國際級服裝設計師沙布喇．安德烈的「排 灣族百步蛇十字繡系列」；並邀請曾獲第 27 屆金曲 奬年度最佳歌曲的原住民歌手舒米恩，用他爽朗的聲 音，讓大家感受藝術無遠弗屆的魅力。

During the opening ceremony at Taoyuan International Airport on 31 July, a runway show presented fashion designs prepared by Fu Jen Catholic University’s College of Fashion and Textiles as well as by Yi-Ning Chen.

International fashion designer Sabra Andre also exhibited his collection inspired by aboriginal patterns, while awardwinning indigenous musician Suming was on hand to provide the art of song.

邀請曾獲第 27 屆金曲奬年度最佳歌曲的原住民歌手舒米恩。

Award-winning singer Suming performs at the launch. （攝影：楊雅淳）

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Feature

溯源本色 珍愛在地文化

The Origin: Cherishing Local Culture

以自身文化為靈感，安德烈的印花作品，在機場閃閃發光。 Inspired by indigenous

cultural traditions, Sabra Andre’s innovative prints make quite the splash at the airport.

（攝影：楊雅淳）

Text by Voyager Editorial

Image Courtesy of Artists Translated by Rye Lin Ting-Ru

以「融合共生」為主題，2018 昇恆昌藝術季邀請財團法人

原住民族文化事業基金會及其所屬「Pulima 藝術獎」引薦 當代原民藝術家們攜手參展。

With the theme "NEW BORN," EVERRICH EVERART 2018 invites the Indigenous Peoples Cultural Foundation to present its project, Pulima Art Award, and introduce contemporary indigenous artists.

昇恆昌藝術季以機場作為展覽場域，今年從北到

南呈現材質和創作方法迥異的原民藝術家。桃園國際

機場以「創世當代」為題，用當代新銳服飾表現創新， 呈現藝術的立體面向；在台北松山機場及臺中國際機 場，則以「蛻變原生」為主題，將平面結合立體作品 表現當代重生；高雄國際機場以「溯源傳世」為題，

由具地緣關係的兄弟藝術家，其作品表現原住民傳統

與傳承。多樣媒材的藝術表現、交織多元的台灣文化， 展現關懷土地的創意能量，讓國內外旅客近距離感受

原住民文化生命力，也將原住民族豐富文化深耕台灣。

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EVERRICH EVERART presents indigenous artists’ works made of diverse materials and techniques in airports nationwide. Based on Taiwan's geographic regions, we give you “South – the Origin”, presented in woodcut; “Center – the Transformation”, in two- and three dimensional artworks; and “North – the Modernisation”, in clothing artifacts. The diversity of materials emphasises the multiculturalism of Taiwan as well as the creativity and love for the land of the Taiwanese. EVERRICH EVERART is set to impress domestic and international travellers alike with the vigour of indigenous cultures, which it will help to flourish.

創 立 於 2012 年 的「Pulima 藝 術 獎 」， 是財團法人原住民族文化事業基金會為 促進原住民族藝術發展，而創辦國內第一 個以原住民族為主體的獎項。尤其在成立 之 際， 正 處 於 世 代 交 替 的 階 段， 從 早 一 輩原住民族藝術家歷經解嚴與正名運動， 至今全球化浪潮中的年輕世代，回溯母體文化來彰顯創作 的獨特性。 Founded in 2012, Pulima Art Award was the first art award established for indigenous people in Taiwan. Its organiser is the Indigenous Peoples Cultural Foundation, which works to promote art among the country’s native people. The award was established at a time of generational change, as older indigenous artists who had lived through the abolishment of Martial Law passing the torch to younger artists who had come of age amidst globalisation and were turning back to their mother cultures to discover their unique identity.

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主題企劃

巴豪嵐．吉嵐 / 排灣族

Pahawlan Cilan, Paiwan Tribe 母親為排灣族，父親則是外省人，原住民

和漢民族混血的巴豪嵐．吉嵐，在創作的思考

裡也不斷透過跨越來探求自我。從自己的認同、

個人的生命感受、原住民傳統文化及神靈傳說 讓他作品裡充滿了豐富的意象，也造就獨樹一 格屬於自己的符號圖騰。如同這次展出的雕塑 作品《歌喉者》，呈現原住民愛好自然，勇敢 唱出生命美好的旋律。

Pahawlan’s mother is from Paiwan, and his father is a Chinese migrated to Taiwan. With the heritages of Paiwan and Han, Pahawlan Cilan crosses the border between the two to explore his own identity when he’s making his art. His works are rich in symbolism as he mixes in his own identity, life experience, indigenous cultures and mythology to produce special patterns exclusive to his own works. He presents his sculpture, The Singer, in this exhibition to illustrate indigenous people’s love for nature and beautiful melody of their life. 台北松山機場 Taipei Songshan Airport

1

2

1. 他的雕塑作品，呈現原 住民愛好自然，勇敢唱出

生 命 美 好 的 旋 律。These sculptures express indigenous people’s love for nature and

the beautiful melody of a life lived in rhythm with the enviroment.

2. 藝 術 家 和 他 的 作 品。 The artist and his work.

沙布喇．安德烈 / 排灣族 Sabra Andre, Paiwan Tribe

擁有排灣族血統的服裝設計師沙布

喇．安德烈，踏上時裝設計是無心插柳的 結果，從小離開部落生活的他，在學藝術 中發掘自己的創作充滿符號、圖騰，於是

排灣族的文化本源，便成為他獨一無二的 靈感繆思。以充滿建築結構的設計作為特 色，他的服裝透過點、線、

設計師安德烈和他受到 部 落 圖 騰 啟 發 的 作 品。 Sabra Andre and his tribal totem-inspired design.

（攝影：楊雅淳）

面形成一個包覆人體的空

間，如同軟性的建築，而服 裝上的圖騰，便是個人與文 化的內化過程，回望自己原 民的身份。

Fashion designer Sabra Andre, of Paiwan heritage, wandered onto a career path in fashion design by chance. He left his tribe at a young age and while studying art developed a fascination with symbols and patterns, which are at the core of Paiwan culture. These became his exclusive muses. His designs also possess an architectural structure, with the connection of dots, lines, and surfaces. 桃園國際機場 Taoyuan International Airport 027

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Feature

杜寒菘 / 魯凱族

Pacake Taugadhu, Rukai Tribe 如同許多當代的原住民一樣，求學的過

程，從部落到城市，但杜寒菘的父母堅持以母 語與他對話、講述部落故事與家族中的種種

事蹟，讓他依然對自己的部落文化保有強烈的

情感聯繫，也成了他創作的底蘊。此次展出 的作品，取材自魯凱族和排灣族的神話故事，

將熊和豹之間的趣事轉化為立體雕塑的作品， 希望讓每個孩童了解古老文化傳說，也讓民 眾了解如何守護山林，體會那些藏在作品裡 的深義。

透 過 藝 術， 民 眾 能 重 溫 那 古 老 有 智 慧 的 故 事。Through the arts, we can again hear and learn ancient

stories and wisdom.

Just like other indigenous people in modern era, Pacake moved from tribes to cities to receive education. But his parents insist on talking to him with their mother tongues and pass on tribal and family stories to him so that he has strong connection and affection to his tribal culture which later inspire him when he’s making his own artworks. Those works of him included in this exhibition was inspired by Rukkai and Paiwan myths, which Pacake turned anecdotes of bears and leopards into sculptures to introduce ancient myths to children and remind people to protect mountains and forests and grasp the depth of meanings in his works. 臺中國際機場 Taichung International Airport

陳淑燕╳杜瓦克．都耀 / 噶瑪蘭族

Shu-Yen Chen and Tuwak Tuyaw, Kavalan Tribe

光織屋是由纖維藝術家陳淑燕和工藝師杜瓦

克．都耀組成的手作坊，堅持使用在地原始素材和

古老手藝，秉持著內心對原始自然回歸與連結的渴 望，織造簡樸而溫暖的當代美學，呼喚每個人內在

的自然靈魂之光！主要以原民捕捉溪水中魚蝦所使

用的傳統工具「Sanku 竹藤編魚筌」為基礎延伸創 作，揉合樹皮布、草木染等自然纖維，編造出具絕 編織纖維，交織出大自然的樂章。 Weaving fabrics together reveals the symphony of nature.

佳光影效果及營造空間氛圍的藝術裝置。

Fibre artists Shu-Yen Chen and Tuwak Tuyaw run the handmade studio Paterongan Art. Their insistence on using local, traditional materials and craftsmanship along with their desire to return to and connect with nature help them produce humble artworks with warmth and contemporary aesthetics. Based on the Sanku bamboo fish trap, a traditional fishing tool used in lakes and rivers, the artists use natural fibres like bark cloth and natural dye to weave and give their installation attractive lighting and ambience. 臺中國際機場 Taichung International Airport

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主題企劃

撒古流．巴瓦瓦隆 / 排灣族

Sakuliu Pakialalang, Paiwan Tribe 出身屏東排灣族工藝世家，為了延續逐漸凋零的部落文化，長年投入部落田

調，從耆老們的記憶找尋、分享，再整理成圖文並茂的手稿，並且創立「部落有教 室」，啟蒙更多創作者；而這些田調手稿，則建構其創作的文化內涵。他的藝術成 就深受各界肯定，2018 年榮獲「第 20 屆國家文藝美術獎」。 Born in a Paiwan craftsman family in Pingtung, Sakuliu Pakialalang has devoted to revitalise dying tribal cultures through long-term field research and documenting. He interviewed the elders on tribal memory and stories, which he then applied words and drawings to document, and he founded “Classroom in the Tribe” to enlighten more artists. His own works are based on those records he amassed in his field research and won him lots of praise; he’s one of the winners of the National Award of Arts in 2018.

細膩的筆觸，呈現藝術家對於

鄉野的關懷。With great attention to detail, the artists express h i s c o n n e c t i o n w i t h Ta i w a n ’s countryside.

高雄國際機場 Kaohsiung International Airport

伊誕．巴瓦瓦隆 / 排灣族

Etan Pakialalang, Paiwan Tribe 身為 Pulima 家族出身的藝術家，伊誕在藝術領域長年耕耘，創作媒材多

元。2009 年莫拉克風災重創部落，影響了他的創作風格，發展出獨有「紋砌

刻畫 (venecik)」藝術形式，透過「紋路、疊砌、雕刻、畫色」，打破形式的 疆界，呈現記憶中原住民的古樸和神秘色彩。在他的作品裡，時常能看見他 將將自然界的點、線、流動等紋路表現在創意中，是伊誕對大地的讚頌。 名為《鳥語又花香》的作品，

你是否能感受到那自然的美好？

Can you feel the beauty of nature from this work entitled Bird Calls, Flower Blooms.

As an artist born in Pulima family, Etan works in art industry for long and has diverse practices of art. In 2009, Typhoon Morakot devastated his tribe badly and that changed his art practice as he developed “venecik” techniques through pattern drawing, layering, carving, and colouring to dissolve boundaries between different art forms and present humbleness and mystery of indigenous cultures. Etan connects patterns of nature, such as dots, lines, flow, together in his works to pay tribute to the land. 高雄國際機場 Kaohsiung International Airport 029

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李根在：獻給這塊土地的禮物

Ken-Tsai Lee: A Gift to This Land Text by 黃銘彰 Photography by 楊雅淳

Image Courtesy of 李根在 Translated by Rye Lin Ting-Ru

2018 昇恆昌藝術季主視覺設計，邀請了台灣知名設計師 李根在操刀，具有敏銳洞察力的他，對於多元文化的宏 大包容，反映在他的設計作品上，面對與台灣文化扣連

的設計題目時，總能透過對歷史文獻與當代生活的深入 觀察，從文化內涵中提煉出適當的元素，轉化為不落俗 套的視覺呈現。

這一次，他從對台灣原住民族文化脈絡的認識出發，重

新理解這個題目，並運用嫻熟的設計語彙詮釋這個題目 背後的深遠意義——「融合是前面的過程，共生才是最 後的成果。」

Ever Rich invited renowned Taiwanese designer Ken-Tsai Lee to create the key visual for its art festival, 2018 EVERRICH EVERART. Lee is observant artist who encompasses multiple cultures; and indeed, these characteristics are present in his works. Whenever he has a project relating to Taiwanese culture, he seeks out the relevant cultural essence in both historical archives and contemporary lifestyles, and proceeds to transform them into unconventional visual works.

This time, Lee began with the indigenous cultures of Taiwan, re-examining their profound meanings and then applying his masterful design skills to interpret them: “Fusion (NEW) is the former step, cohabitation (BORN) is the final result.”

蛋，代表著「一體」

The Egg: A Form of Inclusiveness

若要談到這次「融合共生」主視覺的設計理念，

或許得先從古希臘時期即困擾至今的大哉問聊起，「到

底是先有雞，還是先有蛋？」，李根在於思考的過程 中，意外對於「蛋」這個再平凡不過的物體有了不同 的領略。

To dissect the concept behind “NEW BORN,” we must refer to the old question dating back to the Ancient Greeks:

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設計師李根在。Designer Ken-Tsai Lee

“Which came first, the chicken or the egg?” Lee had a wise insight into the egg – perhaps the most ordinary thing in the world – while he was brainstorming for this project.

「與其試著回答這個循環因果的問題，我想提出

的是，『蛋』這個狀態所乘載的意義。我認為『蛋』

代表的是『一體』，它同時是生命的產物、又能讓生

命誕生。」而如此特別的狀態，正與他腦海裡「共生」 的概念不謀而合，於是這次藝術季主視覺的主要輪廓 很快便成形了。

“I would like to discuss the meaning of eggs being in existence rather than resolving the question of causation,” Lee says. “I consider eggs comprehensive, it a new life born and itself gives birth to new lives, too.” The egg’s special status collided with the idea of

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主題企劃 cohabitation (BORN) in Lee’s mind, and the contours of the key visual appeared in his mind soon after.

將每個點連成線 From Dots to Lines

「你無法預先把每個點串連起來，只有在回顧

時，你才會明白那些點是如何連在一起的。」蘋果公

司創辦人賈伯斯曾經以這麼一段話，說明他大學休學 時期修習的書法課，最後如何奇妙地在設計第一台麥 金塔電腦時派上用場。而類似的經歷也發生在李根在 設計這次主視覺的過程中。

Apple founder Steve Jobs once said: “You can't connect the dots looking forward; you can only connect them looking backwards.” The quote is a reflection on how a typography class Jobs had taken after dropping out of college ended up proving useful 10 years later during the creation of the first Macintosh computer. A similar experience happened to Lee while he was working on the Ever Rich case.

「在我那年代，念復興美工科的學生，都要做一

個『圓周 36 點』的基礎圖學訓練，我們要用針筆將 圓周上均分的 36 個點全部畫線，彼此連接。畫完 36

乘以 36 條線後，老師最後會以這 1296 條線中間構

成圓形的完整度作為評分標準。」除了圓形要夠圓，

筆墨還得平滑一致，回想起那樣的嚴格訓練，李根在 笑說「那簡直是噩夢中的噩夢」。

“When I was still a student at Fu-Hsin Trade & Arts School, we practiced ‘the 36 circle points’ for basic graphics. We used technical pens to draw lines connecting 36 dots on the circumference of a circle. After we finished the 36x36 lines, our instructor marked the 1296 lines according to the completeness of the circle they formed.” The circle had to be round and the ink smooth and consistent. Training like that was “a nightmare within a nightmare”, Lee says with a laugh.

萬萬沒想到，於學生時代紮實卻痛苦萬分的習作，

竟在構想「融合共生」視覺時突然浮現。相較過去以筆 尺連接各個點的費時作法，現在拜電腦科技所賜，只要 動滑鼠設定幾個指令，1296 條線一瞬間就可以出現，

而且毫釐不差地在中間留下一個完美的圓。不過，正是

以往左手扶著尺、右手拿著筆，在每個點之間繪製線 條，再讓每個線條交疊出圖形的經驗，讓李根在深刻感 受到「融合」的內涵——哪怕過程可能是緩慢、甚至艱 辛的，最後總能形塑出在嚴格規律中內蘊著強大生命力

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的圖像。源於記憶裡的切身感受，在主視覺設計當中， 便能看見李根在化用線條交織的技法，在蛋形輪廓內部 打造出具有無限可能的想像空間。

To Lee’s surprise, the exercise emerged from the recesses of his mind when he was working on “NEW BORN”. In contrast to the exhausting use of pens and rulers to connect the dots, technology now allows us to draw 1296 lines in the blink of an eye. With just a few clicks, a perfect circle can be formed. However, the old illustration exercise – with left hand holding the ruler and right hand holding the pen – gave Lee a new perspective on the meaning of fusion (NEW). The process may require great time and effort, but it yields images with vitality. Lee’s ultimate egg-shaped design speaks of infinity, with the lines weaving around each other just as Lee had created them in the past.

更巧妙的是，不同方向相交的線條，恰好也呼應

了台灣原住民族的編織文化。「因為原民傳統文化的色 彩使用非常突出，於是我採用色環上漸變的顏色來呈

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現。」在這些色彩紛呈的線條相互疊加之下，極度細緻 的疏密與色彩變化構建出無比強烈的視覺吸引力。

Interestingly, lines of different directions reflect the weaving tradition of Taiwan’s indigenous people. “The use of colours in indigenous cultures is outstanding, so I used a colour wheel to present the shades of colours.”

Layering up the lines of brilliant colours, Lee created an eye-catching work featuring an exquisite, colourful arrangement.

立體化為平面視覺創造新意

Fresh Takes on Stereoscopic Graphics

綜觀李根在過往的設計作品，不難發現，他喜歡

且擅長讓自己的設計進入常民的生活場域，且往往都能 與地景恰如其分地結合，從他為「2014 城南藝事」及

「2015 台灣設計師週」設計的主視覺應用便能明顯體 會。基於「參與式設計」的思考模式上，他對於將「平 面視覺立體化」相當駕輕就熟，而且不斷創出新意。

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主題企劃 “When 2D images are transformed into 3D works, a new dimension is born,” he says. “For this design, ‘weaving’ makes a new dimension.” Lee and Ever Rich will showcase the key visual design at the departure area of Terminal 2 at Taoyuan International Airport, where 2D design works are turned into 3D installations with the use of lines weaving around each other and integrating into the landscape of the airport. The key visual can also be found on all the exhibition areas and brochures, introducing the artworks at Taiwan’s four different airports and showing visitors the multicultural aesthetics of Taiwan.

在機場，人們總是來來去去，曾經台北、紐約兩

1 2

地跑的李根在，當然也曾是其中一員；而作為一名行遍 3

1&2. 2015 年 台 灣 設 計 週 主視覺，展現平面立體化的

可能性。 Just one of the 2015

Taiwan Designers’ Week works that showcase the potential of stereoscopic design.

3. 另 一 種 平 面 立 體 化 的 可 能，「穿戴字型」，紐約字

體 俱 樂 部 年 度 台 灣 展 覽。

Another wearable example of stereoscopic graphic design, as displayed for the Type Directors Club Annual Exhibition.

Reviewing Lee’s works, it’s not difficult to see that the artist is fond of and talented at pouring his designs into people’s daily life; they always perfectly match their landscape and context, as demonstrated particularly well by the visuals he created for the 2014 Taipei South Town Art Festival and the 2015 Taiwan Designers’ Week. Based on the “participatory design” concept, he explores stereoscopic graphics with skill and innovation.

天下的知名設計師，他仍然回到台灣這塊土地上。「我 之所以能夠胸有成竹地轉換這些文化內涵，是因為自己

對於這些文化有一定程度的認識。」為了打造 2018 昇 恆昌藝術季的主視覺，他不但回頭梳理了個人的生命

體驗，也再一次檢視這座島嶼的文化內涵，最後完美

詮釋了台灣多元族裔文化的融合與共生——這個設計， 像是獻給生活於這塊土地所有族群的禮物，也是對於未 來世代最誠摯的祝福。

Like the crowds at the terminal, Lee himself used to bustle through the airport as he shuttled between Taipei and New York. However, despite earning quite some renown abroad, he has decided to settle in Taiwan. “[Here,] I can apply elements of different cultures to my work with confidence because I have sufficient knowledge of them,” he says. In designing the key visual for 2018 EVERRICH EVERART, he went back through his own life experiences and re-examined the cultures of this island, interpreting fusion and cohabitation – the “NEW BORN” – of this country’s many cultures and ethnicities.

「平面轉換成立體的時候，能夠創造出一種新的

維度，這次『編織』的元素更是如此。」於李根在與昇

恆昌團隊的規劃下，本次藝術季的主視覺將在桃園機場 第二航廈出境處展示，從平面設計轉化為大型立體裝

置，運用線條交錯的穿透性，與機場既有的空間結合；

而主視覺設計圖除了應用在昇恆昌藝術季所有展區外， 也和展覽文宣結合，讓來訪的旅客，能閱讀和欣賞散落

台灣 4 座機場的藝術家作品，透過主視覺的交織，體 驗台灣的多元文化之美。

2014 城南藝事 漢字當代藝術展主視覺 Visual for The Contemporary Art of Chinese Characters from the 2014 Taipei South Town Art Festival.

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成亦寧：母親點燃了我的心

Yi-Ning Cheng: Inspired by my Mother Text by 丁吉彗 Photography by 楊雅淳 Translated by Rye Ting-Ru Lin

有著阿美族與排灣族血統，23 歲的實踐大學服裝設計系畢業 生成亦寧，於 2017 發表的時裝設計《致母親》系列，在原

民傳統元素上，大玩色彩與材質創意，不但獲台灣金點設計 獎肯定，也踏上北京、上海的時裝週伸展台，今年更獲得武 漢國際時裝週紅 T 盃世界青年設計邀請賽銅獎。

Twenty-three-year-old Cheng Yi-Ning has heritage of the Amis and Paiwan tribes and is a graduate of Shih Chien University, having majored in fashion design. In 2017, she won Taiwan’s Golden Pin Design Award for her fashion collection, “To My Mother”, which features creative uses of brilliant colours and materials inspired by traditional indigenous designs. She has also attended fashion shows in Beijing and Shanghai and won the bronze medal of Wuhan Fashion Week’s Red T Trophy International Youth Designers Invitational with the collection.

歲月成長了我的心靈，卻蒼白了你的身影， 你的青春，為我消失殆盡， 我的母親，我的感謝也是微不足道的。 您的眷眷深情點燃了我心中的蠟燭，您的孜孜教誨照亮了 我人生的旅途。 您是我畢生的眷戀，一生的牽掛。 With the passage of time, I matured as you aged.

Your dedication and your sacrifice inflamed my heart and illuminated my path.

I thank you deeply and sincerely.

這是成亦寧以《致母親》為名設計時裝系列，作

為實踐大學畢業作品發表後，在臉書上寫的感言。但

她對母親的感恩早已溢於言表，成為伸展台上一套套

成亦寧（右）和母親。 A portrait of daughter and mother.

Cheng posted this to Facebook after presenting her collection, “To My Mother”, for her graduate exhibition.

For it, she took her ineffable gratitude to her mother and turned it into fabulous designs. From sky blue and pale turquoise to bright orange and violet, the saturated colours coalesce into broad shoulders or sway like beads.

Hemp ropes conclude the design as its hem, depicting the shape of freedom, while the cloth tied to the legs speaks of capability and experience, like the female warrior of a fantasy film.

她們是成亦寧眼中的母親形象，「在我眼中，媽

媽是個堅強且厲害的女強人，靠自己的力量撐起整個 家。因為她要扶養三個小孩，時常加班，但並不會因 工作忙碌而減少對孩子的關愛。」

These traits are of Cheng’s mother. “In my eyes, Mum is a tough and amazing superwoman. She has not only supported our family on her own, but also maintained a good relationship with us. Even though she’s had to work overtime to raise her three children, she’s never been absent in our life.”

成長於單親家庭，成亦寧的孺慕之情為服裝作品

精彩的設計——湛藍、艷橘、奼紫、湖綠，飽和的色

的造型、色彩與材質，帶來生命的深度。她用隔音海

珠裝飾，衣襬的毛線滾邊勾勒出自由的線條、纏綁的

父於一身、剛中帶柔的愛。服裝從淡粉到深藍的顏色

彩忽而凝聚成厚實的肩膀，忽又潑灑成搖曳生姿的串 褲片與綁腿凸顯著幹練敏捷的個性——恍若奇幻電影 裡的女戰士。

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綿填塞出罩衫、披肩的厚實肩線，象徵媽媽集慈母嚴 變換，就像母親在撐持家庭的歲月中，漸漸褪去青春 色彩，換上責任的重擔。

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主題企劃 Cheng grew up in a single-parent family, and her affection for her mother gives a deeper-than-usual meaning to her works, including their specific styles, colours, and materials. She fills the shoulder pads of her blazers and scarves with soundproof foam, symbolising the dual identities of her mother: an amiable mother (like the soft foam) as well as a harsh father (indicated by the broad shoulders). The gradual gradient, from light pink to deep blue, reflects her mother’s aging throughout the years, as she has grown from a young woman without burden to a veteran with a family to support.

特殊的布料材質，都是各方文化在成亦寧血液中

with indigenous elements like beads, cross-stitch, knitting, cloth tied to the legs, and bold colour schemes. After Cheng grew up, she returned to her tribe in Taitung to seek out her mother culture, elements of which she infuses into her works. Her collection is the result of collaboration between herself and her mother: Cheng designs the pieces while her mother, who used to be an arts and craft teacher, makes the accessories. “Guarding you, loving you, supporting you are Mum’s lifelong responsibilities” was Cheng’s mother’s touching comment on her daughter’s Facebook post.

現在，成亦寧在家扶基金會附設的幸福小舖擔任

的融合與創新，她享受實驗布料的原創魅力，譬如她

商品開發與改良指導，一邊輔助單親或弱勢的媽媽們

上混合撞色，塗抹出流雲迷彩般的花案，再撕下來用

備。在偉大的母親護持下，一位新銳服裝設計師正在

不採用死板的印花，而是自己用壓克力顏料在透明片 毛線手縫在衣服上。雖然投注時間實驗出的布料可能 不完美，但手作的溫度是她所喜愛的。

The fusion and creativity in Cheng’s choice of fabrics come from multiple cultures. She also enjoys the experimental process of mixing fabrics, such as in order to design her own patterns. Instead of using cliché patterns, Cheng uses elaborate cloud-like colour “patches” she makes herself by painting on an acrylic board and then peeling the layer off and sewing it onto her clothes. Although that particular experiment worked, they don’t always end up perfect. But she continues with them regardless due to her fondness for the warmth of handmade works.

做手工布包維持家計，一邊為自己出國進修存錢做準 生成。

Today, Cheng works at Taiwan Fund of Children and Family as a product designer and an instructor, teaching single and disadvantaged mothers to make handmade bags as a means of financially supporting their families.

She is aiming to save for further study overseas. With her mother in her corner, Cheng is flourishing into a great fashion designer before Taiwan’s eyes.

這樣的服裝設計，前衛有型如當代藝術，又處處

流露著原民傳統元素——串珠、十字繡、編織、褲片、 綁腿、大膽的原民配色等。有著原民血統的她，年紀 漸長後，回到台東的部落尋根，並且把那份文化連結 融入設計。她的作品更是母女協力共創的結晶，成亦 寧完成設計圖後，自己製作衣褲、曾是工藝老師的媽 媽則幫忙製作飾品，她靠著一個倒扣的碗公，就能做

出豐豔多彩的串珠帽子。「守護、相愛、支持，是阿

母一生的責任義務，」亦寧媽媽在女兒臉書上的留言， 令人動容。

The unique style of her design seems like contemporary art, yet it is coloured ( 左 ) 布料實驗是創作重要的過程。

Experimenting with fabrics is a critical part of her creative process.

( 右 ) 當

代 的 剪 裁， 大 膽 的 配 色， 原 住 民 的 元 素 訴 說 著 她 的 風 格。 Amidst

contemporary cutting and bold colours, the aboriginal elements speak her own language.

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翻轉原服：陶瓶變仕女，鳥羽成紳士

Experimenting With Indigenous Couture Text by 丁吉彗 Image Courtesy of Designers Translated by Rye Lin Ting-Ru

輔大織品服裝學系擁抱豐富的傳統服飾內涵，結合當代 美學，激發師生及系友的新銳靈感，為 2018 昇恆昌藝術 季帶來精彩的時尚展演。

The College of Fashion and Textiles at Fu Jen Catholic University embraces the vibrant cultures of traditional couture and combines them with contemporary aesthetics, inspiring faculty and alumni to stage a sensational fashion show at the 2018 EVERRICH EVERART event.

Taoyuan International Airport’s Terminal 2 looked different on 31 July as a group of male and female models walked into an EVERRICH EVERART press conference, bringing a dynamic display of fashion into the bustling airport. The couture worn by the models reflected the Fu Jen faculty’s exploration of indigenous cultures, using innovate designs and modern tailoring techniques to integrate traditional patterns with trendy colour schemes.

事實上，原民精神絕不僅止於原民族群中，這次

原住民設計師與非原住民設計師的作品同場爭豔，正 展現台灣超越族群的共生力量，融合各方文化成遍地

7 月 31 日的桃園機場第二航廈很不一樣，有一

群男女模特兒，魚貫走入昇恆昌藝術季開幕記者會的

現場，為繁忙的機場注入一股流動的時尚氣息，模特 兒身上一套套的時裝設計，不但展現了輔仁大學師生

獨有的美學詮釋，透過探索原始文化脈絡，讓傳統圖

騰交織時尚配色，更結合當代剪裁，將創意能量全力 綻放。

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盛放的藝術奇花。

Indeed, both indigenous and non-indigenous people alike may be said to have some degree of indigenous soul. In this case, indigenous as well as non-indigenous designers presented their works on the same stage, illustrating how different ethnicities cohabitate in Taiwan and how multiple cultures can be fused together into magnificent works of art.

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主題企劃 譬如，輔仁大學織品服裝學系自 1976 年開始蒐

集典藏傳統織品服飾，傳統文化的豐富內涵早已融入 設計創意的教學。這次受邀為開幕走秀，來自助理教

授吳伯玲與系友劉興倫的精彩設計。而旅客從桃園機 場離境前，也別忘了駐足欣賞落地玻璃櫥窗內的時裝 藝術展，由學生陳芍孜與張雅荃帶來的恣肆想像。

Fu Jen’s College of Fashion and Textiles has been collecting couture made of traditional textiles since 1976, with the vibrant cultures they represent included in the school’s creative teaching strategies. Now, it’s the work of Bolin Wu, an assistant professor at the college, and Hsinlun Liu, a college alumni, that’s on the catwalk. And, before your departure, don't forget to stop by and appreciate the fashions of Shao-tzu Chen and Ya-chuan Chang, both students at the college.

對大自然、原始文化的崇敬，是不分族群、語言

的，如同藝術文化和創意，輔大師生為我們做了美好 的示範。

Different ethnicities and languages strike observers with the same awe with their artistic value and creative flair – something the Fu Jen faculty demonstrated wonderfully.

十三行陶器紋飾：輕熟女的典雅風範 Shihsanhang Ceramic Pot Patterns: The Elegance of Sophisticated Women

不同於原住民設計師對傳統圖騰或配色的敏感

Fu Jen’s faculty found inspiration from diverse sources in addition to traditional indigenous designs. Wu, for example, was inspired by the collection of Shihsanhang Museum, in particular its sienna ceramic pots. Made by the Pingpu peoples of Kavalan and Ketagalan between 500 and 1,800 years ago, they appear humble and siennacoloured at the first sight but actually have gradients, of dark brown to grey to light grey, which inspired the colour schemes of Wu’s own designs. The pot’s simple patterns are transformed into ancient-style modern accessories, highlighting the hems and top fronts of her works.

另外，為了與陶器一體成型的簡約曲線造型相呼

應，她不但採用較硬挺的麂皮面料，更應用她擅長的

立體剪裁，設計出一片布、單接縫的圍裹版型，展現 循環永續、生生不息的傳承精神。 To echo the monolithic ceramic pots, she used harder materials such as suede and adapted her draping skills to make a singleseamed pattern with only one piece of fabric, expressing the concepts of sustainability and the passing on of cultures.

紳 入 山 林： 布 農 元 素 的潮感西裝

度，輔大師生的靈感來源更多元。像吳伯玲助理教

Gentry in the Mountain: Tr e n d y B u n u n - S t y l e Suits

時 獲 得 啟 發， 她 細 察

結合台灣玉山的

授在參觀十三行博物館

攝影：楊雅淳

1800~500 年前噶瑪蘭族

布農族傳統服裝元素、

褐陶器，乍看紅棕色的古

色與西裝，系友劉興倫的《紳入山林》系列，打破男裝

/ 平埔族凱達格蘭人的紅

樸外表，其實有深咖啡、 灰、白灰等層次變化，恰 好作為她這系列的用色風

格。陶器上大巧若拙的壓 印紋飾，被她轉化為更具 現代感的古金屬配飾，羅 布在作品的裙擺或胸口。

玉山原生鳥類的華麗羽

的制式無聊，拋開民俗風配色的既定想像，打造出有如 玉山獨矗天地的不羈美少年形象，榮獲 2015 年經濟部 舉辦的時裝設計新人獎首獎。

Combining suit making with the essence of traditional Bunun couture and brilliant feathers of Mt. Jade’s native birds, Fu Jen alumnus Liu broke the boring rules of menswear and abandoned conventional folk colour schemes for his collection, “Gentry in the Mountain” The works won Liu the top prize at the 2015 Taiwan Fashion Design Award held by the Ministry of Economic Affairs.

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Feature 這系列有布農裙裝與西式長褲混搭的多層次設

計，也有雄鳥尾羽修長鮮艷的翩翩丰采，選擇性地點

綴前胸、下襬，或腰帶、側背包等處，試圖透過時尚 設計闡揚美好山林與人文內涵。

With the collection’s layering of Bunun skirts and Western trousers, Liu highlights the top front, hems, waist, and cross body bag with the brilliant feathers of male birds, using fashion to exhibit the wonder of mountains, forests, and arts.

醮：自然手作，靈氣充滿

Sacrifice Series: Natural, Handmade, and Aura

當多數時裝設計追求酷炫，採用科技性材質時，

張雅荃卻反其道而行，選擇回歸最天然的材質——麻， 與最原始的做法——手染、手縫。她的《醮》系列，

只用了紅白兩色，白色象徵天地初始、一片清寂空白， 紅色象徵尊貴地位。原來，她對這系列設六套服裝的 想像，都是神祇——男女山神與隨侍的四季精靈。 蒸氣之下，形骸之上：未來叢林裡的狩獵者

Under the Steam and Above the Appearance: Hunters in the Future Jungle

想像在近未來，戰爭引爆核災，人類回歸山林，

重新在霧氣濛濛的森林獵場中求生存。陳芍孜《蒸氣 之下，形骸之上》設計主色之一的橘色，象徵在冷熱

At a time when most fashion designers are striving to produce trendy outfits using high-tech materials, Chang returned to natural materials, such as cotton, and ancient techniques, such as dying and sewing by hand. Her “Sacrifice” series utilises only two colours: white, to symbolise the initial state of the world, and red, to symbolise royal status. It was actually the gods and goddess of mountains and the fairies alongside them that inspired her to design this collection of six outfits.

兵器相接的戰事中，火藥爆炸的橘紅色火光，與刀劍 鐵器上橘紅色的斑斑鏽蝕。另一主色軍綠色，既是樹 茂草長的原始求生場景，也是現代軍服的聯想。

Imagine that, in the near future, war leads to nuclear disaster and humans return to the mountains and live in foggy, hazy forests. Shao-tzu Chen’s “Under the Steam and Above the Appearance” series uses orange as one of its main tones to symbolise flames of the nuclear blasts and the flaking patches of rust on the blades and swords of war. The other main tone, military green, suggests natural scenery of trees and grass while also being linked with the colours of modern soldiers.

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陳芍孜 & 張雅荃時裝靜態展 A Fashion Show by Shao-tzu Chen and Ya-chuan Chang

2018/07/24 - 10/11

桃園機場第一航廈出境區 Departure Area, Terminal 1, Taoyuan International Airport

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My Luggage Story 我的行李箱

Eye Candle：氣味雕塑家 Eye Candle: A Sculpted Scent Text by Kirstie Wang Photography by 楊雅淳

Translated by Rye Ting-Ru Lin

佈滿繽紛花瓣，燃燒著能沈澱心

靈的花草精油蠟燭；轉頭卻是，

嬰兒頭造型蠟燭，雙眼流出血淚， 一 邊 散 發 著 甜 甜 的 櫻 桃 香 味。

有別於市面上大量生產的香氛產

品，由鄧凱元、鄧凱文倆兄弟一 手打造的品牌 Eye Candle，讓香 氛蠟燭不僅是擴散氣味、點亮空 間的媒介，更是為生活帶來趣味

且貫穿著立體觸感與視覺美感的 藝術品。

Here burns a candle for meditation, with petals and herbal oil, and here

is a decorative candle, shaped like a baby head with blood streaming from the eyes and scented with

cherries. Established by the Teng

brothers Kai-Yuan and Kai-Wen, Eye Candle’s wares are starkly different from the other scented candles on

the market. Their candles are more

than means of diffusing fragrance and light – they are artworks that bring joy and aesthetic pleasure.

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結合視覺造型與氣味的療癒力

Combining Visual Design with Aromas to Create Comfort

品牌成立至今邁入第 7 年，在台灣居家裝飾風潮

正興起時，Eye Candle 算是台灣市場上少數以居家裝

飾兼香氛為定位的獨立品牌，甚至從蠟燭本體製作、

包裝到調香都不假他人之手；由擅長平面的凱元負責 所有視覺設計，雕塑系畢業的凱文則負責手工雕刻，

一筆一畫地刻出眼前這些栩栩如生的造型蠟燭，精緻 擬真的外型結合繽紛的色彩，一推出就擄獲眾多時尚 品牌與海內外消費者的關注。

It’s been seven years since Eye Candle was established.

At that time, home decoration was booming in Taiwan. To this day, Eye Candle remains one of the few independent brands in its segment in Taiwan who makes everything themselves: from the candles to the fragrances to the packaging. Kai-Yuan is skilled at visual design and as such is responsible for the overall aesthetics while Kai-Wen, who majored in sculpture, gives the candles their lively, vivid physical forms. The exquisite shapes and brilliant colours of their products won the brothers much attention from fashion brands as well as domestic and international customers upon their launch.

品牌創立前 4 年，有礙於香氛原料的成本高昂，

兩人還是以擅長的視覺造型作為產品核心，直至近兩 年才開始將重心轉往調香。捨棄了工廠現成的香精，

Eye Candle 開發了各種專屬香氣，也為 Eye Candle 的

質自然會越來越要求，單純的視覺造型已經無法滿足 我們了，『氣味』反而更有力量，也是現代人最需要 的。」凱元笑說，面對挑剔的客人，他們不惜花下重 本引進了法國的香精油，並埋首研究調香配方，成功

開發出居家擴香與按摩蠟燭等商品，並持續在視覺造 型上尋求突破。

In its first four years, Eye Candle focused on the visual side of its products, rather than their scents, because of the great expense of ingredients used to create such fragrances. However, in the past few years, the brothers have delved deep into the aromas area, even going beyond existing prepared fragrances to create their own, giving their products a stronger identity in the process.

“At the beginning, we just wanted to offer interesting and eye-catching products, but our customers these days have increasingly refined taste, and we’ve had to catch up with them,” Kai-Yuan says. “Also, because we ourselves are entering middle age and becoming more demanding regarding quality of life, we want something more than visual pleasure. Scents, by contrast, are more powerful, and they’re actually more important in modern life.” He says with a chuckle that for their particularly picky customers, they have invested in expensive French essential oils and worked diligently to mix scents to develop new diffusers and candles.

由蠟燭燃起的旅行

Trips Illuminated by Candles

如今，Eye Candle 的名氣隨著頻繁的工作坊邀約

蠟燭注入了更深厚的靈魂，「一開始我們只想做得有

與國際家飾設計商展，已遍及中國、香港、東南亞、

一方面也是因為自己逐步邁入大叔的年紀，對生活品

元認為東南亞國家的物價、人情味與異國風情特別對

趣、吸睛，隨著客人的品味提升，品牌也得跟著進步，

日本與歐美各地，聊到近期的出差、旅遊的感想，凱

1

2

1. 凱元和凱文都熱愛逛動物園和科博 館，經常從中尋找創作靈感，也讓 Eye Candle 工作室擺設多了份博物

館的氛圍。When abroad, Kai-Yuan and Kai-Wen both enjoy visiting zoos and science museums, where they can look for inspiration for their candles as well as for Eye Candle’s studio.

2. 各 式 各 樣 的 蠟 燭， 彷 彿 多 寶 閣 一

般。Holding so many kinds of candles, this almost feels like a cabinet of curiosity.

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My Luggage Story

他的胃口，凱文則念念難忘柏林的博物館和日本的居 酒屋，每回在歐洲商展結束後，選貨店、男士髮廊和 自然歷史博物館通常是兩人的必訪去處。

Eye Candle’s market has expanded to include China, Hong Kong, Southeast Asia, Japan, and the West. Discussing their recent trips for studio events and exhibitions abroad, Kai-Yuan said he had been won over by the social engagement and exotic cultures of Southeast Asian countries whereas Kai-Wen was fond of the museums of Berlin and the pubs of Japan. Select shops, men’s hair salons, and natural history museums in Europe are their must-visit spots once the work part of the trip has concluded.

For Kai-Wen, natural history museums in Europe are particularly worthy of praise. For example, the National Museum of Natural History, located at the Garden of the Plants in Paris, boasts a shocking collection of specimen and bones of ancient animals; the embryos of animals and humans can be found there well. “Eye Candle has produced lots of decorative candles with the shapes of specimen and bones because we’re especially interested in anatomy and creepy things. Visiting museums gives us a chance to take a closer look at the biological structures of animals, leaving us lots of inspirational ideas.”

對不愛走觀光路線的凱元而言，男士理髮廳通常

是他第一個報到的地方，印象最深刻的是馬尼拉和越 南，常能找到整間店都是刺青潮男的髮廊，各個梳著

油頭且襯衫筆挺地為客人服務，通常兩百塊台幣的價 格就能享受高品質的服務，甚至還會為客人奉上精釀 啤酒，「到歐洲出差也會先往髮廊跑，總是要打扮得 體面一點才能在買家心中留下好印象。」凱元說道，

大概是香氛蠟燭品牌做久了，無形間對生活品質和自 身的儀容、氣味也會更加要求。

Kai-Yuan is not a fan of sightseeing spots; rather, a men’s hair salon is usually his first stop. Manila and Vietnam impressed him the most with their yuppie hairdressers, nearly all of whom had tattoos, slicked-back hair, and were dressed to the nines. Their high-quality service costs less than NT$200, and sometimes they also serve customers craft beer. “When I travel to Europe, my first stop is also a hair salon. A professional look gives your buyers a good impression.” In Kai-Yuan’s opinion, the longer he and his brother work on scented candles, the more demanding they are when it comes to their own quality of life, appearance, and scents.

打造更貼近心與生活的氣味

A More Intimate Scent In Your Mind and Your Life 充滿雕塑感的蠟燭，栩栩如生，好像真的一樣。 The sculptured candles are almost lifelike.

凱文認為，歐洲的自然歷史博物館館藏都特別地

精彩，如巴黎植物園裡的國立自然史博物館，就有許

多令人震撼的古生物標本以及大量的動物骨骼，甚至 還能看到動物和嬰兒的胚胎，「Eye Candle 做過很多 標本、骨頭類的趣味蠟燭，也是因為我們對解剖學和

具有詭異感的素材特別有興趣，拜訪科博館能近距離 觀察到不同的生物構造，日後在開發蠟燭造型時也能 從中取得靈感。」 042

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除了馬不停蹄地參加展會、舉辦工作坊，兄弟倆

也正努力著手開發新產品，期待 Eye Candle 除了造型 搶眼，也能擁有烙印人心的氣息，「回想成立品牌的 初衷，就是想要做我們自己都會喜歡，而且有趣、實 用也能走入生活的商品。」凱文表示，目前正積極開

發杯裝香氛蠟燭，透過較自然、中性素材的容器包裝， 與市面上主打奢華感的香氛品牌，和以往被消費者買 來送禮居多的造型蠟燭做出區隔，就是希望大家不只 有送禮時才會想到 Eye Candle，而是讓品牌與一般人 的生活有更緊密的連結。

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我的行李箱 蠟燭工作坊行李初公開

Luggage for a Candle Workshop

提供學員使用的操作盤

清潔與溶蠟兩樣用的熱烘槍

A plate for workshop participants

A heat gun for cleansing and melting wax

溶蠟用的鐵壺

製作花草蠟燭用的容器

A metal pot for melting wax

Containers for herbal candles

裝有各種氣味的香氛精油瓶

用來放多的精油和乳化劑

Bottles for essential oils

For storing extra oils and emulsions

商展或工作坊佈置用的

辦工作坊必備的卡式爐

文宣架

A portable stove for workshops

Brochures for commercial exhibitions

Besides their ongoing exhibitions and workshops, the Teng brothers also spend a great deal of time and effort on making new products. They expect themselves to offer stylish candles with impressive aromas. “When we look back at our initial motivation, it was our own preferences, fun, and utility that dominated our design.” According to Kai-Wen, they are developing scented tin products using more natural and neutral packaging materials to distinguish their new lines from other luxury fragrance brands as well as their own decorative candles. They hope for their brand to spring up in customers’ minds in everyday life, not merely when they’re shopping for a gift.

未來，Eye Candle 還想研發出讓消費者能自行調

香的香氛產品，如方便攜帶的蠟片，出國旅行到了飯

店、民宿，只要把喜歡的香氛蠟片捲在一起、插上燭 蕊，就能享有令自己安心的味道，「和香水和擴香不 一樣的是，燃燒蠟燭能為空間除臭、除濕，而不是直

接覆蓋氣味。」他們相信：人通常只要看到火源、聞 到香氣，就能讓感官獲得很純粹的滿足與喜悅，而能

為消費者帶來如此正面的影響，就是他們經營品牌最 大的成就感來源。

Eye Candle is also aimed at producing fragrance products allowing customers to mix scents by themselves, such as

via wax slices. Customers can roll up the portable slices and assemble a wick on them to enjoy a comforting scent when at a hotel or Airbnb. “Unlike perfumes and diffusers, candles reduce the bad smells and humidity of a space rather than simply covering the odour up.” In addition, many people feel satisfied and blessed when they see the flame or smell the scent. According to the brothers, bringing this positive attitude to their customers gives them the greatest joy and sense of achievement, motivating them to keep running the brand.

商店資訊 Shop Info ◎ 昇恆昌臺北松山機場店：台灣設計師文創專區 Taiwan Cultural Creative Products, Ever Rich Taipei Songshan Airport Store

◎ 昇恆昌桃園國際機場店：台灣特產館 ( 近 C5R 登機門 ) Tastes of Taiwan (Close to Gate C5R), Ever Rich Taoyuan International Airport Store

◎ 昇恆昌臺中國際機場店：台灣好滋味館

Tastes of Taiwan, Departure, Ever Rich Taichung International Airport Store

◎ 昇恆昌高雄國際機場店：森活提案 +

Living Lab, East Wing, Ever Rich Kaohsiung International Airport Store

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Taking Jewelry Designers’ Dreams From Paper Into Reality 實現學子們的未竟之夢 Text by 詹雅婷 Mimy Chan

Translated by Rye Ting-Ru Lin

「昇恆昌珠寶設計大賞」：為 Ever Rich Jewelry 昇恆 昌珠寶於 2017 年以「臺灣之美」為題舉辦之珠寶設 計比賽。吸引來自 5 個國家，共 505 件作品參賽， 投稿件數創珠寶設計類競賽新高。

↖脈 Range 金獎 Gold Award 李相誼 Lee Siang Yi

Ever Rich Jewelry Design Award : In 2017, Ever Rich Jewelry (ERJ) organised a Jewelry design competition, featuring the theme, “Beauty of Taiwan”, which has received 505 submissions from 5 countries, an unprecedented record in jewelry design competitions.

從一張設計圖，到一件珠寶作 品，之間的距離有多遠呢？頒 獎典禮落幕後，昇恆昌珠寶費 時超過四個月的時間，致力實 現 學 子 們 的 未 竟 之 夢， 將 紙 張 上的設計圖，賦予生命，幻化成 閃耀動人的珠寶。 How much effort does it take to turn a design into a real piece of jewelry? Since the awards ceremony, ERJ has spent more than four months working to bring the dreams of these young artists to life, transforming their designs on papers into real, dazzling pieces of jewelry.

商品的潛力，所以決定要將學生們的夢想進行到底， 付諸實行。

品牌經理邱陳碧表示，從籌備比賽開始，早有計畫要 把金、銀、銅獎的作品製作成真正的珠寶首飾，唯擔 心學生的設計可能過於天馬行空，會有「實現」的困 難。不過，評選後，發現前三名作品具備落實成珠寶

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ERJ initially had the ambition to turn the top three designs into real pieces, according to ERJ manager Grace Chiu. Although they were concerned about the possible impracticality of the students’ designs, this

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「脈」以臺灣的山脈作為主題。為了讓山脈更壯闊、強化臺灣意象、展現畫面 張力，設計中加入臺灣黑熊。另外，山脈的粗細線條依照行書筆法設計排列， 表現出東方之美。 "Range" bases the theme of Taiwan's mountain ranges. To further highlight the magnificence of the mountain ranges, the Formosan black bear as an element is blended into the design to strengthen the Taiwan imagery and visual tension. Moreover, the thickness of lines is arranged based on calligraphic stroke designs to present the beauty of the East.

was more than made up for by the great potential of the top three works. 品牌設計師劉心韻表示，雖然這三位學生對金工有些 概念，但對技術與材質的認知不夠深，所以在實際製 作時，需重新檢視鑲嵌的問題與材質的選擇，而我們 在盡可能符合原創設計的前提下，與學生反覆溝通， 安排與專業鑲工師傅面對面討論，僅做適當地微調， 期望他們能親身經歷珠寶設計是如何從想像走到現實 的境地。 According to ERJ designer Sylvie Liu, even though the students all had a basic understanding of goldsmithing, their lack of exper tise resulted in some impractical design elements. As a result, ERJ revised the designs, seeking out materials and mounting solutions that reflected the original plans as closely as possible. The team also brought the

↘臺灣梅花鹿 Formosan Sika Deer 銀獎 Silver Award 呂宜姍 Sandy Lu

students to meet with craf tsman to discuss the mounting issues in person. After much deliberation and communication, designs that were practical but still similar to the originals were finalized, with the students gaining valuable jewelry-making experience in the process. 其中以金獎作品【脈】的製作難度最高，由於熊頭的 立體度不足，難以和下方山脈做連結，特別引導學生 以黏土建模，了解立體結構的重要性和影響，完成局 部的修改。 The gold winner, “Range”, was the most challenging piece when it came to production. The bear’s head didn’t pop enough, making it not distinguishable enough from the mountain ranges below. So ERJ introduced the student to modelling clay, teaching the importance of structure and ensuring a perfect revised design. 銀獎作品【臺灣梅花鹿】則為尋找材料費盡心思。在 篩選上百枝後，終於找到在形狀、疏密度、律動感等 各方面與原始設計圖最契合的天然珊瑚枝。 Finding the optimal materials for the silver-winning piece, “Formosan Sika Deer”, also required diligence.

The hard work of the ERJ paid off handsomely when its hunt turned up hundreds of coral pieces, including more than enough that matches the shape and style of the original design.

「臺灣梅花鹿」以奔跑跳躍的臺灣梅花鹿，表現「精、氣、神」的活躍氣息，身 上的斑點可隨動作擺盪，並以大小層次展現律動感。 Formosan Sika Deer features a galloping jumping deer for its lively vigor in "spirits, energy and demeanor". The spots on antlers sway as one moves about. A sense of rhythm is expressed in gradations.

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↙望島 Island Gazing 銅獎 Bronze Award 蕭安淇 Anchi Hsiao

「望島」以葡萄牙人所望出去的視 角設計臺灣。此胸針能轉換角度， 形成阿里山眺望日出的風采；也能 垂直配戴，便是臺灣的美麗圖騰。 Island Gazing is designed from the Portuguese's point of view taking in the sight of the astonishing beauty of high mountains. The brooch can be worn reversed to simulate the magic of a sunrise over Mountain Ali (Alishan) and also worn vertically to become a beautiful totem of this treasured island, Taiwan.

銅獎作品【望島】為求主石的色澤表現更好，與學生 溝通後，增加其厚度，並更換配石，以達到美感的平 衡與視覺效果。 “Island Gazing” is the bronze winner. To make the piece extra dazzling, ERJ suggested that the student utilize a thicker piece of gemstone and change the small stones. The result is an even more gorgeous piece as it is even better balanced. 「昇恆昌的使命，就是要培育下一代的年輕人，鼓勵 他們勇敢追夢，我們想辦法協助他們實現夢想！」邱 陳碧強調，品牌投入資金、人力、時間、行銷資源等 去舉辦比賽、製作得獎作品，無非希望能激發年輕學

the dreams,” Chiu said. She emphasised that ERJ had invested in young people in very tangible ways, from financial and human resources to time and the development of marketing strategies – all simply in order to inspire them. Indeed, that’s precisely what motivated ERJ to organise the competition and bring the award-winning designs alive. ERJ is determined to continue enlightening young people on jewelry design and bringing their attention to their island home, looking forward to seeing them interpret the beauty of Taiwan from their own perspectives.

子的潛力，啟發他們對珠寶設計的想像、關注自身成 長的土地，以新世代的角度詮釋心中的臺灣之美。

三件得獎作品已以珠寶成品之姿，在品牌的內湖旗艦

“ERJ aims to support the next generation, encouraging them to pursue their dreams and helping them realise

店展出，在這與國際接軌的舞臺上，綻放臺灣的璀璨 與美麗。 The three award-winning pieces are now on exhibit at Ever Rich's Taipei Downtown Store, Neihu.

Come by to admire these works and, by doing so, admire Taiwan as well.

歡 迎 至 Ever Rich Jewelry 內 湖 旗 艦 店 參觀三件珠寶作品。 For viewing these three pieces of jewelry, please come to visit the Ever Rich Jewelry flagship store at Neihu.

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Voyager to Go

新店到港

昇恆昌深知旅客消費喜好，順應流行趨勢，一線品牌進駐、獨家代理不斷增加， up-to-date 機場與市區免稅商店動向，給你最新最多品牌新選擇

Text by Weier.H Image Courtesy of the Brands Translated by Rye Lin Ting-Ru

讓旅行箱不只是旅行箱 More Than a Suitcase

CENTURION - 傳達保護地球的美好信念 An Earth-Friendly Message

CENTURION（百夫長）將旅行箱視為傳承及傳遞生命科學與哲學的

載體，而每一位旅人都是關懷地球的信差，將愛護地球的使命，傳 播到世界各地。

CENTURION aims for its suitcases to be carriers of philosophy and travellers to be messengers promoting environmental awareness around the globe.

( 左 ) 以瀕臨消失的保育類動物作為創作概念。 CENTURION uses patterns of endangered animals on its suitcases. ( 右 ) 將環保的訴求體現於行李箱。 CENTURION explores environmental issues with its suitcase designs, with themes such as “pure planet”.

CENTURION 創辦人陳志彬先生多年來從事貿易

工作，穿梭於世界各地，親眼目睹許多世界文明與自 然生態遭受到破壞，即決心打造一個以「保護地球」

為核心價值的旅行箱品牌，期許每位旅人都是關懷地

球的信差，打造旅行箱成為信念交流平台，並在 2015

首創「海洋生態、森林保護、動物保育」三大主題。 認同此一理念的昇恆昌，特地引進，希望可以提供旅 人更多選擇。

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CENTURION founder Chih-Ping Chen spent many years travelling the world. He witnessed much damage being done to cultures and nature. It was that experience which inspired him to launch a suitcase brand with the mission of “protecting the earth.” He expected travellers to be messengers caring for the Earth and the suitcases to be platforms facilitating the exchange of ideas. The value of the Earth and environment that is shared by us at Ever Rich, and as such we’re proud to introduce its products to travellers.

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New Shops Open Their Doors 新店到港！

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明星名媛都愛用 Celebrities' Favourite

妝點個人的時髦穿扮

Play Dress Up Your Way 精緻做工及中性設計深受眾多名媛及明星的愛用。 Exquisite craftsmanship and gender neutrality make these designs favoured by celebrities.

來自台灣許豪峰，曾是明星指定的服裝造型師，

2011 開始透過配件設計實踐個人的美學體驗。秉持著 昇恆昌支持台灣本土設計的初衷下，特別引進，讓更 多人能認識台灣新銳。他的設計充滿設計感，帶有些 許輕搖滾的中性風格，常常是不分性別，大家都能輕

4

鬆配戴。所有系列商品除了做工精細外，在包款材質 皆選用頭層真皮，兼具質感與耐用度，像是國際巨星

舒淇、第一名媛孫芸芸、時尚女神 Irene Kim 等，都 是品牌愛用者。

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HansHsu is created by Taiwanese designer Hao-Feng Hsu. A stylist-turned-designer, he infuses his label with his own aesthetics and ideas. In line with Ever Rich’s support for emerging Taiwanese designers and its efforts to introduce them to travellers, it has brought HansHsu’s works to the airport. Hsu’s designs are fashionable and gender-neutral, with a soft rock style. All of his collections are exquisite, and his bags are made with full-grain leather to ensure good quality and strong durability. The diverse but simple design makes his products fashionable and of good quality. They are beloved products of celebrities and fashion icons.

1. 帶有時髦魅力的明亮色調。With a fashionable palette of bright colurs.

2. 隨興搭配體現自我風格。Show your style with versatile accessories.

3. 聚焦目光的時髦配件。Fashionable accessories that catch the eyes.

4. 精緻做工讓人愛不釋手。Exquisite designs that you’ll love.

5. 皮件展現優雅好品味。Express your elegance with leather.

部份商品數量有限，實際售價請洽昇恆昌免稅商店。品牌據點請參閱書末「品牌索引」。

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時髦來自獨一無二 Fashion from Uniqueness

FIND KAPOOR - 社群媒體上的當紅話題 A Social Media Darling

來自韓國的品牌 FIND KAPOOR，象徵著獨特而奢華，同時也傳 達熱愛時尚與生活藝術的理念，一直深受名人喜愛。簡單時髦

的設計，細膩柔軟的皮革，精緻的作工，多變而繽紛的色系， 以及各式各樣不同的背帶，可能添增珍珠、鉚釘等不同元素， 自由混搭不同組合，完美詮釋出專屬於個人的風格。

South Korean brand FIND KAPOOR, with its focus on combining uniqueness and luxury, has won a legion of celebrity fans who share its enthusiasm for fashion. FIND KAPOOR’s simple, chic designs use soft leather, exquisite craftsmanship, vibrant colours, and a wide range of straps and accessories like pearls or rivets that can be styled however you want, allowing you to perfectly articulate your own style.

嚴謹的製作流程打造經典 3WAY 水桶包「PINGO」

Strict production processes are imposed to produce the classic 3WAY bag.

The beloved bag is a favourite of celebrities and models alike.

眾人推坑的 3WAY PINGO

The Must-have 3WAY PINGO

其 中 FIND KAPOOR 的 經 典 包 款「PINGO」，

不只韓團少女時代成員秀英有背過，另外紐約名媛

Olivia Palermo 和時尚部落客 Chiara Ferragni 也都各

自詮釋出不同風采。水桶包「PINGO」除了可以有 3 種不同的使用方式外，小巧可愛的外型，多變活潑的 色彩，在搭配上肩帶、手提袋和包包本身都可以依個 人喜好做選擇，時髦卻又獨一無二，正是時下展現出 每個人不同的時髦態度。

FIND KAPOOR’s classic bag, PINGO, has been spotted on the shoulders of, among others, K-pop group Girls’ Generation’s Sooyoung, New York It girl Olivia Palermo, and fashion blogger Chiara Ferragni – all with differently styled bags. Indeed, PINGO is a shopping bag that can be used in three distinct ways. Its compact and lovely shape and vibrant colour, along with its customisable strap, pouch, and bag, make it a one-of-a-kind fashion statement and way to express your individual taste.

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都會女性的時尚指標 A fashion icon among city girls.

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New Shops Open Their Doors 新店到港！

最佳溫度的完美肌膚 The Perfect Temperature for the Perfect Skin

su:m37º - 一個有溫度保養品

Skincare Products with Warmth 甦秘 [su:m] 在韓語中意為呼吸 (breath) 之意，而 37 º 則是人體體溫 和發酵的最佳溫度。以有溫度的保養品作為概念，並經研究發現天 然酵母於 37 º 發酵後，正是最適用於身體肌膚。su:m37º 的理念正 是藉由發酵讓肌膚保持生命力，並使肌膚更加美麗。

Named for [su:m], which means “breath” in Korean, and 37°, which is the best temperature for our body and fermentation, this cosmetics brand aims to offer skincare products with warmth. It found that fermenting products at 37° makes natural yeasts the most suitable for skin. Utilising this insight, su:m37° products keep your skin resilient and glowing.

讓皮膚甦醒的韓國神仙水

Magic Water Awakening Your Skin

su:m37º 最具代表性的經典商品，青春奇蹟活酵

肌秘露 Secret Essence，是由蘊含富有生命力的 80 多

種植物，透過光韻與聲波，進行富有律動的節奏自然 發酵而成，神奇的 Cytosis® 成分能有效提升肌膚穩定 性、全方面活化肌膚，打造青春健康美肌，其使用者

滿意度高達 99.8%，有著神仙水的美稱，更榮獲 2016

韓國化妝品大賞 SINGLES COSMETIC AWARDS 的最大 獎 Beat of Best 的殊榮。

The signature product of su:m37°, Secret Essence contains more than 80 herbs fermented naturally. Its Cytosis® soothes and revitalises your skin, making it young and healthy. Customer satisfaction with the product is 99.8%, earning it the nickname “magic water.” It has also won the Best of the Best prize at the 2016 Singles Cosmetic Awards in South Korea.

( 上 ) 韓流明星李鍾碩為代言人。Jong-suk Lee is the brand ambassador of su:m37˚

( 下 ) su:m37˚ 青春奇蹟活酵肌秘露免稅套組 su:m37˚ Secret Special Set

部份商品數量有限，實際售價請洽昇恆昌免稅商店。品牌據點請參閱書末「品牌索引」。

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光譜計劃：看見光與愛

2018 Ever Rich Spectrum Program

第三屆昇恆昌光譜計畫首次移師澎湖。 The Ever Rich Spectrum Program expands to Penghu for the first time in 2018.

Text by 吳珈瑤 Image Courtesy of Ever Rich Translated by Leonardo Chien

昇恆昌與江許笋文教基金會，已連續 3 年推動「光譜計 畫」觀光公益營，透過在「不山不市」學區舉辦營隊活

動，讓不在山區、也不在市區的學校，獲得更多的關懷

與資源。活動以「國際觀光」、「地方特色連結」、「學

生需求」、以及「公益關懷」為四大主軸，串連了企業、 大學青年和資源相對較匯乏的學子，透過三者的交流與 匯集，激盪出不一樣的火花！

Over the past three years, Ever Rich and the Chiang Education Foundation have been committed to the Spectrum Program, which organises summer camps about tourism at schools between urban and remote areas. The events focus on four themes: international tourism, local features, student needs, and charitable care. They’re aimed at connecting corporations, college students, and teenagers in order to inspire innovative ideas and experiences.

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第三屆的昇恆昌「光譜計畫」共有來自全台各地

40 多隊的隊伍報名參加，經過激烈的提案競賽，最終 優勝隊伍分別由澎湖科技大學的 C.K. 研究室以及銘傳 大學旅遊創新實驗社拿下，前者帶領了澎湖地區 15

所國中約 60 位的青年學子，後者則前進了位於桃園 平鎮區的東安國中，他們以豐富的營隊籌辦經驗，設 計出貼近在地學子所需的課程，四天三夜的暑期夏令 營，獲得了熱烈廣泛的迴響。

Over 40 college teams participate in the Spectrum Program this year, and only two proposals are accepted.

They are students from the National Penghu University of Science and Technology and Ming Chuan University. The former has led 60 teenagers from 15 junior high schools on the island county of Penghu, while the latter has organised the activity with Taoyuan’s Dongan Junior High School. Based on their extensive experiences, they’ve successfully designed four-day summer camps around students’ needs.

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Ever Rich Spectrum Program 昇恆昌．光譜計畫

首度移師澎湖

First Time in Penghu

伴隨海洋環境而生的澎湖，擁有別具一格的自然

生態以及人文風情，在地的澎湖科技大學隊伍遂以自 身經驗出發，將主題定為「海洋探索家」，透過結合 地方文化與知識，規劃出系列寓教於樂的課程，包括 海洋教育、在地文化、環境保育以及依照學生興趣取 向的專業課程。

As an island chain, Penghu has unique natural and cultural environments. Local college students have utilised their personal experiences to develop Ocean Explorer, an informative and fun program that covers ocean education, local culture, environmental conservation, and professional lessons.

After doing so last year, students from Ming Chuan University were again selected for the event. They combine local culture and the tourism industry in their program, in which they lead Dongan Junior High School students to the neighbouring Longgang area. Many local residents have family heritage in China’s Yunnan province or the border regions of Thailand, and this is reflected in their cuisine. To understand local features, the students also visit a traditional market and a noodle restaurant.

After the tour, they brainstorm marketing strategies to transform local resources into tourism assets.

專業課程亦是活動的亮點之一，從彩妝造型穿

搭、餐飲烹飪到觀光禮儀，昇恆昌員工擔任講師利用 休假時間準備教材，讓學生能接觸更多專業知識、拓 展視野。

為了讓在地學子了解日常所居環境的永續發展，

在環境保育的課程中，澎湖大學隊伍帶領著學生們造 訪水產養殖場的復育珊瑚基地，亦身體力行至後寮沙 灘進行淨灘，共同清理了岸邊的廢棄物，同時設計課 程介紹海漂垃圾，引導學生透過藝術創作、讓海廢再 生，培養他們對這片土地的熱情與關懷。

In the sessions on environmental conservation, students learn about sustainable development in local regions, such as by visiting a coral reef conservation laboratory and cleaning up waste on the seashore. Students also use this marine debris to create artworks and study how waste influences our world and life on it.

在地觀光文化之旅

Discovering Local Tourism

回到本島，再次蟬聯冠軍的銘傳大學，延續著上

屆學長姐傳承的經驗，來到桃園平鎮的東安國中。一

向擅長將在地文化融入觀光產業的銘傳大學隊伍，在 這次課程中規劃了一場滇緬之旅，帶領學員造訪鄰近 的龍岡區，此區居民大多來自中國雲南和泰緬邊境， 飲食以米線和米干為著名。為了深入了解在地特色，

他們一同造訪了忠貞傳統市場和國旗屋。一整天的參 訪後，大學生們帶著學員一起發揮創意提出推廣地方 的行銷新見解，分享交流如何將在地資源轉化為觀光 資產。

( 上 ) 四天三夜的暑期夏令營，獲得學生們熱烈的迴響。 Four-day summer camps are well received by students.

in water activites.

( 下 ) 海域活動課程，學生們玩得不亦樂乎。 Students revel

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Professional lessons are also carefully designed, covering grooming, catering, and tourism etiquette. Ever Rich employees voluntarily spend their own time preparing lesson plans to pass on industry knowledge to students.

延續與展望

Looking Forward to Next Time

喚醒青年學子關懷公益的光譜計畫，不僅讓更多

「不山不市學區」獲得關注，更推廣了各地觀光與文 化，這股付出與接受的良善循環，體現了公共服務導

向、利益大眾的精神。未來，昇恆昌亦將秉持這股精 神為社會注入更多正面以及進步的能量！

Th e S p e c t r u m Pro g r a m e n c o u r a g e s s t u d e n t s t o participate in charitable activities, highlights schools between urban and remote regions, and promotes local tourism and culture. The devotion involved in the program creates a virtuous cycle in which public services benefits ever more people – a positive, progressive force in society that Ever Rich will continue supporting.

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1.

海廢美化的課程，教導學生如何使用廢棄物再創作。

2.

澎湖科技大學隊伍帶領學子們至後寮沙灘進行淨灘活動。

Students learn to upcyle marine debris into new creations.

The Penghu University of Science and Technology team leads students to clean up a beach.

3.

銘傳大學隊伍與東和國中學生一同造訪忠貞傳統市場。

Ming Chuan University team takes Donghe Junior High School students on a trip to a traditional markets.

4.

專業課程講師來自昇恆昌員工，他們自發利用休假時間準 備課程。Ever Rich employees spend their free time after work

preparing lessons for students.

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有種甜蜜叫閨蜜！三麗鷗明星邀旅客機場放閃 Sanrio Celebrates Friendship at the Airport Text by 廖彥銘 Kevin YM Liao Translated by Leonardo Chien

攝影：楊雅淳

一年一度的昇恆昌╳三麗鷗活動以「閨蜜一起去旅行」 為主題，今年暑假在桃園國際機場展開！ Hello Kitty 與 雙星仙子 KIKILALA 更在七夕現身機場與旅客同樂，邀請 現場閨蜜組合挑戰舉旗遊戲、趣味十連拍，讓甜蜜的七 夕更瀰漫萌意！

This year’s annual Ever Rich and Sanrio event, held over summer at the Taoyuan International Airport, was themed “Travel with Confidants”. Widely adored Japanese characters Hello Kitty and KIKILALA joined travellers for the Qixi Festival, also called Chinese Valentine’s Day, inviting friends to participate in games and pose for photos.

人生當中必有幾位密友，如膠似漆的感情其實

不輸情侶，昇恆昌與台灣三麗鷗公司特別選在七夕

舉 辦 Hello Kitty 歡 樂 見 面 會， 活 動 開 場 由 桃 園 市 唯一的小學儀隊 - 幸福國小「幸運草儀隊」帥氣操

槍揭開序幕，架勢十足的動作獲得滿堂采；緊接著 Hello Kitty 與 雙 星 仙 子 KIKILALA 萌 樣 登 場， 熱 情 與旅客打招呼。 058

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Everyone has a few confidants in their life – people with whom they are almost as close as couples. To celebrate these relationships, Ever Rich and the Taiwan arm of Japanese design giant Sanrio organised a Chinese Valentine’s Day event with help from its most famous character, Hello Kitty, plus a few of her friends. It was opened by the only primary school honour guard team in Taoyuan, from Xingfu Primary School. The performance received rapturous applause from the audience, who were then greeted by Hello Kitty and KIKILALA.

當天的閨蜜挑戰賽考驗默契，最終優勝者獲得

Hello Kitty 頒發三麗鷗精美獎品；另一個拍照活動， 邀請閨蜜們戴起蝴蝶結飾品合照上傳。為什麼要戴

蝴蝶結呢？不說你可能不曉得，Hello Kitty 與她的 雙胞胎妹妹 Mimmy White 擁有信物般的蝴蝶結，

Hello Kitty 的紅色蝴蝶結戴在左耳、Mimmy White

的則是黃色戴在右耳，彼此的好感情不言而喻。打 開社群媒體，搜尋「#everrich #sanrio」，看看活 動當天的閨蜜萌照吧！

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During the event, the Confidant Challenge tested just how well friends knew each other, with Hello Kitty handing Sanrio goods to the winners. Best buds also took photos, with a bow added to symbolise their friendship. Why a bow? Fans of Japanese kawaii culture will be able to tell you: the cute accessory symbolises the bond between Hello Kitty, who wears a red bow, and her sister Mimmy, who wears a yellow one. Search the hashtags #everrich and #sanrio on social media to see some snapshots from the event.

說到 Hello Kitty，怎能錯過桃園國際機場第

二航廈的 Hello Kitty 主題候機室，除了備有粉紅

候機座椅，旁邊的 Hello Kitty 專賣店更提供桃園

國際機場限定版商品，並設置兒童遊樂區，小朋友 也能在裡頭的粉色溜滑梯盡情玩耍，浪漫可愛的空 間 是 機 場 的 熱 門 拍 照 打 卡 景 點，Hello Kitty 迷 們 趕緊來朝聖。

It was far from Hello Kitty’s first foray into the Taoyuan airport – she even has her own theme lounge in Terminal 2. Besides its pink chairs, a Hello Kitty store on the side offers exclusive merchandise plus a playground complete with a pink slide for the little ones. It’s a space that’s adorable and a little romantic, and it’s trending online.

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此外，近來討論聲量飆升的三麗鷗全新角色

「衝吧烈子」，首次登臺就在桃園機場。烈子白天 在公司飽受上司和同事鳥氣，怒氣爆表就躲到廁所

或卡拉 OK 裡大唱搖滾金屬音樂發洩，吼完瞬間又

變回溫和的小熊貓，反差萌的模樣令人哭笑不得。

暑假期間昇恆昌獨家引進周邊商品以及桃機版烈子

KTV，也還原了動畫中的場景，候機空檔高歌一曲， 實在紓壓滿點！

Someone else who’s garnered a lot of attention recently is Sanrio’s newest character, Aggretsuko. Her appearance at the airport marked her debut in Taiwan. Her story is one that quite a few may relate to: after being on the receiving end of some harsh treatment from her boss and colleagues, she hides in a toilet stall and relieves pressure by shouting along with a heavy rock tune. The singalong helps her regain her composure and she turns back into a calm red panda, making for a humorous contrast. During this summer vacation, Ever Rich has introduced not just exclusive Aggretsuko merchandise but also karaoke, giving travellers the chance to sing their heart out before boarding their flight.

1. 三麗鷗家族魅力不分年紀！ Everybody loves the Sanrio Family. 2. 桃園幸福國小儀隊受邀表演。An honour guard from Hsing Fu

Elementary School in Taoyuan was invited to perform. 3. 烈子的小房間。Aggretsuko’s corner.（攝影：楊雅淳） 4.Hello Kitty 現身桃機，旅客

駐足圍觀爭相拍照！ You can tell Hello Kitty is a superstar by the fact that everyone wants picture with her.

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Voyager to Go

閨蜜專屬！ 帶著 Hello Kitty 限定小物曬友情 Take Hello Kitty With You Text by 廖彥銘 Kevin YM Liao

Translated by Rye Lin Ting-Ru

今 年 昇 恆 昌 獨 家 推 出 Hello Kitty 和 雙 胞 胎 妹 妹

Mimmy White 的獨家限定版產品，讓您跟好友一起 分享可愛、分享快樂。

This summer, Ever Rich is offering exclusive merchandise featuring Hello Kitty and her twin sister, Mimmy White.

Pick some up and share the kawaii love with your friends.

揹起甜蜜，就想和你一起出遊 Travel With Love

旅行 Hello Kitty 閨蜜空氣包

全 新 設 計 的 旅 行 Hello Kitty 閨 蜜 空 氣 包， 有

大、中、小三種版本，裡頭各附有拉鍊內袋、隱藏

式拉鍊，可將各種出遊小物整齊收納，拉鍊頭更搭 配粉色蝴蝶結，細緻加分。輕盈的材質及表層布料 的防潑水加工，適合外出旅行。

The new Hello Kitty travel backpacks come in three sizes and have inner pockets and hidden zippers to store your travel goods. The zipper heads are decorated with pink bows while the lightweight material and waterproof surface make them suitable for everyone on the go.

毫不隱藏的真心情意

Unhidden and Authentic Emotions

旅行 Hello Kitty 玻璃甜心款

旅行 Hello Kitty 玻璃甜心款隨身瓶，高硼玻璃的瓶身材質，

耐熱又耐冰 (-30 到 150℃ )，無論冷泡或熱泡都方便。茶湯顏色

透過壺身，清透可見，就像閨蜜情誼一樣，萬事都表露無遺。

在瓶底濾網投進喜歡的花草茶葉，沖泡熱水立刻香氣四溢，再 裝入簡約時尚的粉色可愛防熱袋，拎著走，隨時都可以和姊妹 淘來一場紓壓下午茶。

Hello Kitty glass bottles are suitable for all drinks between -30 and 150 degrees Celsius, and it allows your tea’s beautiful colours to be clearly visible, just like the obvious bonds between best friends. Simply put your favourite tea in the filter at the bottom and add hot water to the bottle. It comes with a sleek and stylish pink carry bag, making it a breeze to tote it to your next afternoon tea with friends.

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皓齒養成從小開始

Good Oral Health Habits Start Young

環遊 Hello Kitty 兒童語音牙刷

環遊 Hello Kitty 兒童語音牙刷是一支會跟小朋友「說話」

的牙刷，在可愛 Hello Kitty 的陪伴下，透過語音教學一步步操

作，練習自主刷牙，從小開始培養聰明潔牙的習慣，長大後擁

有皓齒不是夢。牙刷組合內含額外刷頭一只，讓小朋友愛上刷 牙之餘，也不要忘記定期更換刷頭。

This Hello Kitty-themed talking toothbrush speaks to children, teaching them how to brush their teeth themselves step by step. It’s a key lesson to learn early in life, as it sets kids up for strong oral health as adults. The toothbrush set includes an additional replaceable head.

恆溫友誼帶著走

Your New Travel Companion

旅行 Hello Kitty 閨蜜保溫瓶

炎熱的夏日行旅，到哪都讓人想喝一口沁涼飲料，Hello Kitty 閨蜜不鏽

鋼真空保溫瓶，由保溫瓶專業品牌膳魔師（Thermos）製作，按一下自動彈 開的瓶口，喝水也能俐落帥氣，貼心的安全扣環，扣上即防止彈開與外漏。閨 蜜保溫瓶不只能沁涼保冰，在冬季也暖心保溫，就像身旁的知心好友，總是能 適時的給我們最舒服的陪伴。

There is nothing like a cool drink on a hot summer day. The Hello Kitty stainless steel vacuum flask range is produced by industry leader Thermos. The easy-to-open cap can be operated with one hand, and the safety avoid leaks. The flask will become your new best friend, keeping your beverages cool in summer and warm in winter.

再累也要美美地小憩

Rest Your Weary Head

旅行 Hello Kitty 記憶頸枕

印有可愛獨家花色的 Hello Kitty 記憶頸枕，在機場獨

家限定上市！問起長途旅客的必備品，很多人二話不說直 指記憶頸枕，無非是可以免去肩頸折磨的好物。有了記憶 頸枕撐著頸椎，讓你不再搖頭晃腦，在飛機上能夠美美入 眠，下機後立即活力滿滿展開旅程！

These exclusive Hello Kitty neck pillows are only available at the airport. Such pillows are a must for long-haul travel, reducing the pressure on your neck and shoulders and ensuring a nice inflight snooze.

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Voyager City

台東

豪華朗機工 Luxury Logico，《在屾》( Rebirth)，2018，長 11m x 寬 52m x 高 5m，水泥柱、鋼筋 cement column

島嶼之南，猶有另一個南方 The Hidden South

Translated by Rye Lin Ting-Ru Image by 山冶計畫

車行過台九線公路，一邊是湛藍太平洋，一邊是大武山 群，山脈河谷中有著無數傳說與故事，有獵人們嘹亮的

歌聲、有隨風搖曳的小米穗。這裡是東方之南，亦是南 方之東，一個外界眼中的神祕之地。南迴是東部通往南 部的並經之路，依偎著海洋右伏居在山中，部落散落在

Text by

林怡華 Eva Lin

目前工作與生活於台東，擅長沉浸式思考與放空，喜好跨題材 實驗操演，關注藝術如何介入社會，習以情境喜劇般手法探索 現實，延展藝術能動性與作用力。曾任畫廊協會秘書長與 Art Taipei 總監，現任山冶計畫藝術總監，近期策展包含 2017 映 像節「破壞控制」與「南方以南」南迴藝術計畫。 Eva Lin works and lives in Taitung. She excels at immersive thinking as well as not thinking about anything, and is fond of experimenting on numerous fronts. Lin cares about how art engages society and explores reality in the manner of comedies in order to enhance the dynamics and power of art. She served as the secretary-general of the Taiwan Art Gallery Association and the director of Art Taipei. She’s currently the director of Mt. Project. Recent curatorial projects of hers include Damage Control, Parallax 2017, and The Hidden South collaborative program.

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斜坡之上，但其豐富的文化地景與自然樣貌鮮少被人知 道，是否想過還有另一個南方，我們並不熟悉的南方？

Driving along Provincial Highway No. 9, you see the blue Pacific to one side and the Dawu Mountain Range on the other. Countless myths and stories are centred on the rivers and valleys of this area, with hunters singing aloud and the millet blowing in the breeze. This is the south of the east and the east of the south – a mysterious place to foreign eyes.

To visit Southern Taiwan from the island country’s east coast, one must travel via the South-Link Highway, which lies by the ocean and crouches in the mountains, on whose slopes tribes live. However, few people are knowledge of the area’s vibrant cultural and natural treasures. Have you ever thought of this “hidden south”?

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故事的開始要從一條被世人遺忘的舊路開始說

起，泛藍太平洋旁，人煙荒涼之處，滿天星空不足為 奇，被黑暗包圍不以為懼，來到這，注定走上不一樣 的路。大概是三年前全然地放下台北生活與工作，移

居到了台東偏鄉，像極乘著汪洋之舟，即便不適水性， 很快會被自然給馴服，順著海波的律動行進。

This story began with a long-forgotten track. It sat on a barren area next to the big blue Pacific Ocean; stars are always out here, so there’s no reason to fear the night. The track leads to another world. About three years ago, I gave up my job and life in Taipei to migrate to a small town in Taitung County on Taiwan’s southeast coast. Doing so was like sailing a small boat on the big ocean: at first you’re seasick but not long after you’ve gotten used to the ocean and are in sync with its current.

and understanding. Thus, my husband and I initiated an art residency program at the elementary school where he works (and which had only one graduate at a recent graduation ceremony). For the program, we invited artists to reside on campus. The artists lived with the students, teaching and learning with them to show them another path they might be able to take in the future. Meanwhile, the participating artists gained special life experiences and inspiration from the countryside.

「南方以南」南迴藝術計畫即是秉持著這樣相互

學習尊重的理念，邀請國內外藝術家到了南迴生活一段 時間並向在地學習，以共生共長的方式讓藝術與地方產 生連結，共同尋覓南迴隱藏的寶藏。因為即是同住在台 東，來到了不同的部落就像是到了另一小型國家。

沒有太多的不適應，但大多人都誤會了在台東的

生活是多麼悠閒愜意，似乎每天都躺在沙灘飲酒作樂。 實際上，鄉下生活的不便利性，生活不再理所當然，

想來份水餃請先從桿麵皮做起，生病要到醫院的路程 病都快好了。大可選擇住在市區，但將錯過這一切通 往自由的美好過程。

For me, adapting to the town wasn’t too difficult, but it’s not like Taitung is a place of endless fun where you can sit on the beach and drink all day. The inconvenience of country life here means you don’t take anything for granted. Want dumplings? Start rolling the pastry. Want to see a doctor? You’ll feel better by the time you get there.

I could see myself choosing a city rather than a town, but then again I’d miss all the wonder along the way.

尊重其中的差異 用藝術來連結

Respecting the Difference, Connecting With Art

也是真正搬到這裡後，才深深的感受，鄉下存在

的不是「差距」而是「差異」，更多時候需要的不是 物資，而是對這份差異的尊重與理解。我便和先生在

其任職的小學（就是畢業典禮只有一個學生畢業的小 學）啟動藝術家駐校計畫，邀請藝術家進駐到學校，

與學生們共同生活教學相長，讓學童對於世界或是未 來有多一份想像，而藝術家也從中帶走一份特別的生

南方以南作品地圖 The map of The Hidden South

After my relocation, I began to understand that there’s no gap between the countryside and the city; they were just different. The countryside needed nothing but respect

The Hidden South was born of the ideas of mutual respect and learning. For it, we invited domestic and international artists to the south to cohabitate and learn with local people. The project connected art with the local

活經驗與啟發。

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Voyager City community, allowing the artists and the residents alike to seek out the hidden treasures of Southern Taiwan; after all, Taitung has so many faces to explore. Whichever village you visited, you felt like you had entered a new country.

向大地學習 重新探索自然與人的關係

Learning From the Land and Exploring the Relationship Between Humans and Nature

未知的南迴航行在巫師群的祈福與照料之下，

有幸得以認識被十幾位耆老所扶養長大的大鳥傳奇司

降，掌握著通往逝去中的文化鎖匙，得以在其身上窺 探了過去與未來。更隨著獵人藍保的足跡行走，謹守 著土地倫理，在農田裡匍匐前進，和山麻雀比賽搶小

米，喝著飛鼠卡布奇諾，捲入夢境般的真實，遵守著

祖先教誨，學習順應自然時序，融入萬物的平衡之中。 My South Link journey into the unknown introduced me to the legendary holy bird Si-Jiang, which had been raised by dozens of tribal elders. The bird was a sign of a dying culture, and looking into its eyes revealed both the past and future. I followed the steps of a hunter, Lan Bo, having respect for the land, crawling forward through fields, and bearing ancient lessons in mind. I learnt to adapt to nature and its balance.

從前的大鳥部落沿岸，是海龜洄游行徑地，藝

術團隊豪華朗機工利用尼伯特颱風摧毀多處荖葉園造

成廢氣水泥柱和鋼筋，打造一座簍空的山型雕塑《在 屾》，代表著人類對自然的虧欠，來到這你得以看到 超過一百種的藍，得以望著海洋踏在土地上思考，敬

畏著這自然神秘的生命力。位在高溫的焚風帶生活與 創作恍如陸上行舟，藝術家創作的媒材夾雜著血汗與 淚水，然唯有在嚴酷的生活狀態下，才能真正感悟自 然的本質，與部落文化的科學性與智慧面。

Using the scattered concrete and steel debris left in a betel nut plantation by Typhoon Nepartak, the Luxury Logico art group built an installation in the shape of mountains. The work, Rebirth, symbolises the debt that humans owe to nature. You could examine the hundred shades of blue here or you could look out at the ocean and contemplate things, in awe of this world’s mysterious vitality. Living and making art in the foehn-like wind was like rowing boats on land, but it was just this demanding environment that showed the artists the true quality of nature and the science and wisdom of the land’s original inhabitants, pushing them to put more sweat, blood, and tears into their work.

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黃博志 Po-Chih Huang，《夢啟酒》(Dream Inspired Millet Wine)，2018，尺寸

可變，依空間而定，攝影輸出、木板、霓虹燈、地毯 photography, wood, neon

lighting

晃到山的那邊，部落流傳神秘部族矮黑人的棲息

地，吳思嶔創造了一個偽遺跡，訪客可透過擴增實境

APP「看見」矮黑人，並「聽見」矮黑人敘說其遭遇

和各個原住民部族的關係，提供觀眾對傳說與真實交 接線開啟更多想像的空間。走進達仁鄉安朔村，黃博 志與卡加日坂家族包頭目合作的《夢啟酒》作品，嘗

試著將「夢」的狀態，重新以攝影、書寫等創作方式

將之夢實體化，頭目將邀請你品嚐祖靈托夢所釀製而 成的小米酒，跟大家聊聊關於夢的故事，回應原住民 以身體感知與記憶，與自然、真實與想像之間的連結 本能。

Drifting off to the other side of the mountains, where Negritos are said to have once lived, you can find the mock remains made by Sih-Chin Wu. His augmented reality app “broadcasts” the life of these short-statured, dark-skinned people, allowing visitors to “see” them and “listen” to them telling their stories and about how they interacted with other indigenous tribes; in the process, it leaves much space for visitors’ imaginations. After visiting Anshuo Village in Da’ren Township, Po-Chih Huang collaborated with the head of the Katjadrepan family to create the work Dream Inspired Millet Wine. In it, they interpret dreams through various mediums including photography and writing, bringing these dreams into existence.

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台東 聽見內在的旋律 去感受

在原住民族裡並沒有「藝術」或「藝術品」的字彙，

200 spots along the southeast coast – in villages and on hidden tracks and of waves and ancient songs. Hearing them will transplant you to this place, introducing you to the voices of this land and showing you how life here is entwined with nature.

分類定義。「南方以南」同樣也不只是藝術創作計畫，

台東，是一個需要花費時間去感受的地方，你需

To Feel the Melody From the Heart

他們的藝術是自然散落的生活各個層面，無需特別去

更是一種學習、生活的方式，重新去探索自然與人的關

要帶回的不是紀念品，而是一個精神、一項技能、一

踐。即便無法參與其中，也可隨著吳燦政在南迴海岸、

自己的世界觀更為寬廣。讓我想起在南迴柴油普快車

係，藉由身體去學習與記憶，在大地的哲學中生活與實 部落生活、神隱山徑等超過 200 個地點所錄製的聲音 地圖，縈繞的海浪、遺忘的古謠、村長的廣播…，我們

聽到南迴的內在旋律，也聽見生活和自然交織的聲響， 啟動不同的感官來認識這片原生土地。

There’s no word for “art” or “artworks” in the dictionaries of many indigenous languages; art was such an intrinsic part of life for these people that it was unnecessary to define or categorise it. The Hidden South applies the same logic: It was not only an art project but a way to learn and to live, to explore the relationship between humans and nature, to learn and memorise things with our own bodies, and to practice this philosophy of the land. Even though you weren’t at the event, Tsan-Cheng Wu’s audio map is the next best thing. For it, Wu recorded sounds at more than

位朋友、一段記憶，試著理解不同的生活與文化，讓 緩慢行進間，配合著窗外的景緻與自然的光影，李世 揚即興音樂與舞蹈，車廂上所共演的魔幻時光，而我 的台東旅程似乎才正要開始。

Taitung is a place you need to take your time to experience. You don’t need to bring back a souvenir but rather a thought, a skill, a friend, or a memory – try to understand different lifestyles and cultures, to broaden your horizon. Just writing this reminds me of the train moving slowly along the southeast coast along with the scenery outside the window, the light and shadows, the improvised music and dance of Shih-Yang Lee, and all the other fantastic performances. But even when reflecting on the past, I feel like my adventure in Taitung has only just begun.

邱 承 宏 Chen-Hung Chiu，《 陽 台 》（The Balcony），2018， 長 2m x 寬 4m x 高 1.2m，美國檜木 American cypress

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私房景點 Personal Pick 1. 沙拔壤民宿 Saparang Hostel

2. kituru

沙拔壤不只是民宿更是羅沙工作

南迴最美的咖啡廳，kituru 在排

室，保存了家族傳承世代的原民 文物，年輕屋主安聖全及家人對

傳承文化付出相當心力，他具有 國際追蹤師證照，提供了多樣自 然文化體驗行程，包括獵人文化 與野外求生等課程，還可跟手巧 的羅媽媽訂製族服。

Saparang isn’t only a hostel but also Rosa’s studio and a storage room for indigenous artefacts passed down to her by her family. Indeed, the young master hunter An-sheng and his entire family are devoted to cultural conservation and offer a variety of trips to explore both natural and cultural scenery, including lessons on hunting culture and outdoor survival skills. Visitors can also purchase customised couture made by Mama Rosa.

台東縣金峰鄉壢坵村 1 鄰 9-1 號 No.9-1, Liqiu Village,

Jinfeng Township, Taitung County, Taiwan

排灣族人在部落開的店，堪稱是 灣族語代表練習或是學習的意

思，這是一個相互分享、學習原

住民（排灣族）傳統文化的地

方，店裡的每一個角落與陳設讓 傳統的記憶 / 技藝的靈魂，確確

實實的活化流傳著，別忘了嚐嚐 特有的山地搖搖飯。

Kituru was opened by the Paiwan and claimed to be the most beautiful café on the South Link.

Kituru means practice and learning in Paiwan language, suggesting the café is a place to share and l e a r n t h e t r a d i t i o n a l Pa i w a n culture. Every corner at the café speaks of traditional memory and craftsmanship. And don’t forget to taste the exclusive meal, mountain shake-shake rice.

太麻里鄉多良村大溪 110 號 No.110, Daxi, Taimali Township, Taitung County, Taiwan

3. 藍皮普快列車 The Blue Ordinary and Ordinary Express Train

南迴限定台鐵藍皮普快列車，鐵 道迷柴油火車頭拖拉、最大的重 點即便是車廂沒冷氣所以也是唯

一可開窗的火車，讓你得以窺探 南迴蔚藍山海。南迴鐵路電氣化 完工在即，柴油火車進未來將走 入歷史，千萬不要錯過這體驗

復 古 秘 境 小 站 之 旅。（ 備 註：

3671 車次藍皮普快每天早上從 枋寮出發，下午原車 3672 次從 台東返回）

The South Link rail line’s exclusive blue trains, which run regular and express services, lack air conditioning. But this means travellers can open the windows, allowing them to appreciate the mountains and ocean, and earning the trains many fans. With the impending completion of railway electrification, the diesel train will be rolled into the history, so don't miss out a journey in a vintage vehicle.

(Note: The No.3671 train leaves Fangliao in the morning and returns to Taitung in the afternoon.)

Info

南方以南 thehiddensouth.tw

備註：雖然展覽已經結束了，除了主展場，大多數作品都會停留在原地。

Note: Though the exhibition has finished, most works remain at their original locations, except those of the main exhibition venue.

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環宇.pdf 1 2018/8/14 下午12:39

最美麗海灣_單.pdf 1 2018/9/5 下午1:14

最美麗海灣_單.pdf 2 2018/9/5 下午1:14

Voyager City 舊金山

Text & Photography

潘怡帆 Crystal Pan

中文系畢業，於生活雜誌 BIOS Monthly 擔任 編輯兼攝影四年。旅居過北京、澳洲、新加 坡，現於倫敦進修攝影碩士學位。通常幻想 自己活在六零年代，喜歡以漂亮男孩為繆思。 辦過個小展覽，出過本小攝影集，夢想是在 遠方過著軟爛無事的小島生活。 Crystal Pan graduated with a major in Chinese and has worked at the lifestyle magazine BIOS Monthly as an editor and photographer for four years.

Having lived in China, Australia, and Singapore, she’s now studying in London for a master’s in photography. Pan fancies herself a child of the ’60s, and beautiful boys are her muses. She has held a mini solo exhibition and published a mini photobook. Her dream is to live on a remote island, idling away her days.

Instagram: www.instagram.com/babeinacorner Facebook: www.facebook.com/crystalpanphoto Translated by Ryn Ting-Ru Lin

從我小學起，父親幾乎每年春天都會飛往舊金山

著當時我傳真到舊金山飯店的插畫，上面用注音寫著

Hotel, with the phonetic voice "I am a daddy", and the special mugs I have been at home for many years are also from San Francisco souvenirs. The name of the city has been well known at our dinner table, but a family of three who traveled to San Francisco together was already after I graduated into society.

是來自舊金山紀念品。這座城市的名字在我們家飯桌

我和母親愛好旅遊，經驗比父親更多，但是一來

參加研討會，即使只是出差一週，當時很黏父親的我， 每天最期待接到父親打回家的越洋電話，家裡也保留 「我ㄞ ˋ 爸爸」，而我在家中多年來的專用馬克杯也

上已被說得很熟了，但一家三口一起到舊金山旅遊， 卻已經是我畢業進入社會後的事了。

From my elementary school, my father flew to San Francisco to participate in seminars almost every spring.

Even if I was only on a business trip for a week, I was very sticky to my father. I was most expecting to receive a call from my father to go home every day. My family still kept my fax at the time. The illustration to the San Francisco

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到舊金山，父親彷彿覺得要一肩負起導遊之責，盡盡 地主之誼，除了指劃一些著名觀光區，也帶我到一間

位置偏遠的越南餐館嚐嚐他難忘的河粉湯。我想像父 親這些年來獨自尋訪穿梭在這座城市的街巷，對平日 只愛宅在家中的他來說，每年一次的舊金山出差大概 就是難得的獨身小冒險。2014 這趟家族旅行，還是會

有些吵吵鬧鬧，不過當時趁著春暖花開、陽光燦爛，

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拍下了不少父母親在舊金山金黃色陽光下的笑容，現

1

在回想，覺得很美好。

My mother and I love to travel and have more experience than our father. But when I came to San Francisco, my father seemed to feel that he had to shoulder the responsibility of the tour guide. He did his best to meet the landlord’s friendship. In addition to pointing to some famous sightseeing spots, he took me to a location. The remote Vietnamese restaurant tasted his unforgettable river meal soup. I imagine that my father has been searching for the shuttle in the streets of the city for the past few years. For him who only loves his home at home, the annual San Francisco business trip is probably a rare single adventure. 2014 This family trip will still be a bit noisy, but at that time, with the spring blossoms and the sunshine, I took a lot of smiles from my parents in the golden sunshine of San Francisco. Now I think, I feel very good.

2 3

4

1. 在珊瑚粉的晨曦中降落舊金山，沒甦醒的那一半城市還睡在海色的

夢裡。 Landing in San Francisco in a light coral dawn, half of the city was still

asleep. 2. 當地的朋友說每年一到春天，他公寓那層樓會被櫻花圍繞。

一起風，花瓣就被吹落進房間。A local friend told us his apartment would

be surrounded by cherry blossoms when spring came, with petals blowing into his room with the breeze. 3.Dolores Park 的草地上有賣給孩子七彩

冰棒的攤販，後面的巷弄有賣給嬉皮大人吃的神奇餅乾。據說找到神 秘竹籃，投錢進去拉拉繫繩，竹籃就會被收進樓上的窗口，籃子降回

地面時裡面就會有著大人的下午茶。A vendor was selling colourful ice

pops to kids on the Dolores Park lawn. Nearby was a vendor selling “magical

biscuits.” It’s said that if you could find the mysterious bamboo basket, put in some coins, and pull the rope attached to it, the basket would be raised up

to a window and returned you with the grownup afternoon tea. 4. 在舊金山

走了很多路，大部分的時候就是為了在一次次上下坡後，可以在坡頂 看見不遠處的海灣。We walked a long way uphill and down, mostly for the

speculator views.

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舊金山

5

8

7

10

6

5.

9

11 12

那天租了單車，和父親一起騎越過金門大橋。雖然他 沒說出口，但看著照片總覺得那天父親應該很開心。 相信自己愛過、相信自己快樂過，可能就是我為什麼 拍照。 My father and I rented bikes and rode them over the

Golden Gate. Looking at the photos from the day, I believe that – though he didn’t say anything at the time – he was very happy. I think take photos because they help me believe that I have loved someone and been happy.

6.

在陽光的慷慨加持下，美國西岸的色彩與風景常常 過 分 天 真 無 憂， 讓 人 覺 得 難 以 深 交。The generous

sunshine means the colours and scenery of the West Coast are perhaps too carefree.

7.

望遠鏡存在的意義通常暗示前方有需要仔細觀察的

景象。然而風景名勝的望遠鏡純屬裝飾，觀光客經

常投幣後不知從何處著眼，沒有主題得以對焦，總

是看了半晌便一臉狐疑地拍拍屁股走人。Sightseeing

telescopes and binoculars often suggest something worthy of meticulous observation. However, in many scenic spots, telescopes are only a token amusement. After visitors insert coins in them, they often find no subjects worth focusing on and leave uncertain of the device’s purpose.

8.

父親知道我拍他，都會安安靜靜讓我拍完。不問為什 麼拍，也從不追問照片成果。有時候我覺得有過這些 時 刻 就 很 好 了， 照 片 最 後 怎 麼 樣 也 無 妨。When Dad

would notice me taking photos of him, he’d stay in the same place and allow me to finish, never asking why or to see the results. Sometimes I considered these moments themselves great enough that I didn’t even check my shots.

9.

剛和一個要好的朋友含淚道別後，我在街上遇到一 罐跌到的果汁。I saw a bottle of juice fall over on the way

after I had bid farewell to a good friend.

10.

11.

花店總是看起來很討喜。The flowers spilling out of florists

were always pleasing.

復活節週末踏上舊金山 LGBT 大本營 Castro Street，

在街上看到了一些西裝筆挺的兔子，還有全身光溜溜 的 老 傢 伙。On Easter Weekend I visited Castro Street, the heart of the city’s LGBT district, and saw bunnies in suits as well as a naked older gentleman.

12.

也看到了男人和他的鳥巢（真的鸚鵡蹲在裡面）

I also saw a man and his bird’s nest (with a real parrot sitting inside).

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13

15

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13. 跟著朋友去了變裝皇后的歌舞廳，準備好一捲捲一美元鈔票的小費，表演者靠近就可以塞進他們乳溝，有時候逗他們高興

就在你面前高歌一曲。I followed my friends to a drag queen disco. We rolled our dollar bills beforehand and put them in performers’

cleavage when they reached us. If you made them happy, they would sing a song for you.

14. 一家三口在九曲花巷的林蔭裡散步。Roaming in the shade of Lombard Street with my family.

15. 從飛機上俯瞰的雲中小拱橋，到在碼頭旁看了會驚嘆的金門大橋，終於落實了，說了好幾年的美西家族旅行。I saw a little arch bridge from the plane and the amazing Golden Gate Bridge from the dock. It was a satisfying reminder that our family trip to the West Coast had finally been realised after so many years.

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BURBERRY – 精品 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 / 高雄

EVER RICH JEWELRY 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口｜網路預訂 – 昇恆昌免稅預購網

BVLGARI – 美妝香氛 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口｜網路預訂 – 昇恆昌免稅預購網 C CALVIN KLEIN – 美妝香氛 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口｜網路預訂 – 昇恆昌免稅預購網 CENTURION 市區預售中心 – 台北內湖旗艦店 / 金門金湖廣場 機場免稅商店 – 桃園 網路預訂 – 昇恆昌免稅預購網

F FIND KAPOOR 市區預售中心 – 台北內湖旗艦店 / 台北民權店 機場免稅商店 – 桃園 / 高雄 網路預訂 – 昇恆昌免稅預購網 FITBIT 市區預售中心 – 台北內湖旗艦店 / 金門金湖廣場 機場免稅商店 – 桃園 / 臺中 / 高雄 FOLLI FOLLIE 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網

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品牌索引

Shopping Directory

FURLA 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網 G

LANCÔME 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網

GARMIN 機場免稅商店 – 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網

LANEIGE 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 網路預訂 – 昇恆昌免稅預購網

GIORGIO ARMANI – 美妝 市區預售中心 – 台北內湖旗艦店 機場免稅商店 – 桃園 網路預訂 – 昇恆昌免稅預購網

L'OCCITANE 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網

GIORGIO ARMANI – 香氛 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口

M

GODIVA 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 / 花蓮 港口免稅商店 – 金門水頭港口 / 基隆港口 網路預訂 – 昇恆昌免稅預購網 GUCCI – 精品 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 / 高雄 GUERLAIN 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網 H HANS HSU 機場免稅商店 – 桃園 / 高雄

MCM 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 網路預訂 – 昇恆昌免稅預購網 MIDO 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網 MIU MIU – 美妝香氛 市區預售中心 – 台北內湖旗艦店 機場免稅商店 – 松山 / 桃園 網路預訂 – 昇恆昌免稅預購網 MONCLER 機場免稅商店 – 桃園 MONT BLANC– 腕錶 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 N

K KAPPA 市區預售中心 – 台北內湖旗艦店 KIEHL'S 市區預售中心 – 台北內湖旗艦店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 網路預訂 – 昇恆昌免稅預購網 L

NEUHAUS 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網 NIKE 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網 S

LA MER 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 網路預訂 – 昇恆昌免稅預購網

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SALVATORE FERRAGAMO – 精品 市區預售中心 – 台北內湖旗艦店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 網路預訂 – 昇恆昌免稅預購網

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品牌索引

Shopping Directory

SAMSUNG 機場免稅商店 – 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網 SEXYLOOK 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 SHISEIDO 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網 SHU UEMURA 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網 ※ SHU UEMURA 彩妝商品於市區預售中心、桃園機場昇恆昌 免稅商店、免稅預購網銷售 SISLEY 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 / 臺中 / 高雄 網路預訂 – 昇恆昌免稅預購網 SU:M37° 市區預售中心 – 台北內湖旗艦店 SULWHASOO 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 高雄 網路預訂 – 昇恆昌免稅預購網 SWAROVSKI 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網

※ 以上列出本期 Voyager 介紹的商品品牌於

昇恆昌免稅商店入駐據點。還有更多知名品牌 於昇恆昌全區賣場供您選購。

T TAG HEUER 市區預售中心 - 台北內湖旗艦店 機場免稅商店 - 松山 / 桃園 TIMELESS TRUTH MASK 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 TISSOT 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 / 臺中 / 高雄 港口免稅商店 – 金門水頭港口 網路預訂 – 昇恆昌免稅預購網 TOD'S 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 桃園 / 高雄 網路預訂 – 昇恆昌免稅預購網 V VALENTINO 市區預售中心 – 台北內湖旗艦店 機場免稅商店 – 桃園 W WHOO 市區預售中心 – 台北內湖旗艦店 / 台北民權店 / 金門金湖廣場 機場免稅商店 – 松山 / 桃園 Y YVES SAINT LAURENT– 美妝香氛 市區預售中心 – 台北內湖旗艦店 / 台北民權店 機場免稅商店 – 桃園 網路預訂 – 昇恆昌免稅預購網

市區預售中心地址

內湖旗艦店 台北市內湖區金莊路 129 號 民權店 台北市民權東路 3 段 72 號 B1

金湖廣場 金門縣金湖鎮太湖路 2 段 198 號

網路預訂 昇恆昌免稅預購網 www.everrich.com

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Vo y a g e r b y e v e r r i c h

ANTI-AGING PARTNER 2

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1. CLÉ DE PEAU 塑妍逆引菁萃 & 精質乳霜 Firming Serum Supreme & The Cream ／ 2. SISLEY 抗皺活膚

御緻緊緻精華 & 駐顏霜 SISLEŸA L'Integral Anti-Age Firming Concentrated Serum & SISLEŸA L'Integral

Anti-Age ／ 3. SULWHASOO 滋陰生人蔘緊緻煥顏微導精露 & 修護霜 EX ( 滋潤型 ) Concentrated Ginseng Renewing Serum & Cream Original ／ 4. LA MER 創世紀原晶極萃 & 經典乳霜 Genaissance De La Mer &

Crème De La Mer ／ 5. GUERLAIN 皇家蜂王乳雙導精華 & 香緹日霜 Abeille Royale Double R Renew & Repair Serum & Abeille Royale Day Cream ／ 6. L'OCCITANE 煥活微囊肌底精華液 & 蠟菊極致修護精華 霜 Overnight Reset Oil-In-Serum & Divine Cream ／ 7. SHISEIDO 紅妍肌活露 & 激能量水乳霜 Utm Power Infusing Concentrate 2.0 & Essential Energy Moisurizing Cream

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2018 AUTUMN

COFFRET

YVES SAINT LAURENT 經典迷你香水套裝 MIU MIU 迷你小香組

BVLGARI 隨身香氛噴霧套裝 LANCÔME 最佳香氛錦盒套組

GIORGIO ARMANI 女士香水迷你套装

CALVIN KLEIN 女士迷你禮盒

BURBERRY My Burberry 小香禮盒組

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部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

PAIR OF LONG WEAR 1 2

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1. YVES SAINT LAURENT 恆 久 完 美 無 瑕 粉 底 & 保 濕 遮 瑕 蜜 Encre De Peau All Hours Foundation & Concealer ／ 2. BOBBI BROWN 持久無痕輕感粉底 SPF15 PA++ & 粉凝霜 SPF30 PA+++ Skin Long-Wear Weightless Foundation SPF15 PA++ & Compact Foundation SPF30 PA+++ ／ 3. LANCÔME 零 粉 感

超 持 久 粉 底 SPF38 PA+++ & 遮 瑕 乳 Teint Idole Ultra Wear Foundation SPF38 PA+++ & Concealer ／

4. ESTÉE LAUDER 粉持久完美持妝粉底 SPF10 PA++ & 超完美光透亮輕蜜粉 Double Wear Foundation Stay-in-place Makeup SPF10 PA++ & Perfecting Loose Powder ／ 5. SHU UEMURA 鑽石光極緻保濕粉 底液 & 氣墊粉餅 The Lightbulb Fluid Foundation & Cushion Foundation ／ 6. GIORGIO ARMANI 完美 絲絨水慕斯粉底 & 昇華版持久絲光防曬兩用粉餅 Power Fabric Foundation & Lasting Silk UV Compact

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2018 AUTUMN

MASTER OF MASK 2 1

昇恆昌獨家 1. DR.WU 膠囊面膜 ABC 綜合 18 入組 A to C Capsule Mask Set

2. SEXYLOOK 酵 素 機 場 限 定 版 面 膜 組 合 Enzyme Facial Masks Limited Edition Set

3. TIMELESS TRUTH MASK 昇 恆

昌╳提提研獨家新手包面膜套組 Newbie Gift Set 3

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4. KIEHL'S 薑葉木槿精萃緊緻乳

霜 面 膜 Ginger Leaf & Hibiscus Firming Overnight Mask

5. CLARINS 生 命 之 葉 保 濕 面 膜

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Refreshing Hydration Mask

6. LANEIGE 睡美人香氛水凝膜舒

緩鎮靜兩件套裝 Water Sleeping Mask [Lavender] Duo Set

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部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

CHOCOLATE

GODIVA 喜悅巧克力禮盒 (18 顆裝 )

GODIVA Happiness Chocolate

Gift Box (18 pieces)

GODIVA 金裝品鑑巧克力系列禮盒 (15 顆裝 )

GODIVA Gold Discovery

Chocolate Gift Box (15 pieces)

GODIVA 金裝品鑑巧克力系列禮盒 (28 顆裝 )

GODIVA Gold Discovery Chocolate

Gift Box (28 pieces)

GODIVA 美妙城市幻想曲系列 巧克力禮盒 (18 顆裝 )

GODIVA Wonderful City Dreams Chocolate Gift Box (18 pieces)

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2018 AUTUMN

CHOCOLATE

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1. Neuhaus Irresistibles 精 選 巧 克 力 禮 盒 (12 顆 裝 ) Neuhaus Irresistibles Collection Box (12 pieces) ／ 2. Angelina 精選餅乾禮盒 Angelina Biscuits Assortment Tin Box 70g ／ 3. Neuhaus Bon Bon 精選巧克力禮盒 (27 顆裝 ) Neuhaus Bon Bon Collection (27 pieces) ／ 4. Angelina 精選 心型造型巧克力禮盒 Angelina Chocolate Pralines Heart Box 78g

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部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

3C 無所不能 SAMSUNG Galaxy Note 9 筆較厲害

S Pen 功能再躍進，支援遠端遙控， 可當做自拍器、簡報筆或遠端播放影 音，透過藍牙連線隔空解鎖喚醒連結

的 App，還能直接手寫畫重點，不必 再帶簡報筆；支援快充 S Pen 插回手 機僅 40 秒就完成充 電；為首款 Note 系

列搭載智慧雙光圈 機 種， 堪 稱 手 機 界 的單眼 。

GARMIN fēnix® 5X Plus

・頂級多功能運動 GPS 智慧腕錶，配備腕式心率感測器和彩色

TOPO 登山地圖，提供 Trendline ™ 熱門路線，幫助跑者及車 友找到和跟隨最佳路徑。

・可儲存最多 500 首歌曲，連接 Bluetooth® 頭戴式耳機後，不 帶手機也能收聽音樂。

・Garmin Pay ™整合信用卡及一卡通小額支付，讓您以手錶輕 鬆付款。

・電池表現 ( 最長可達 )：手錶模式 18 天，GPS 模式 11 小時， 並且可同時撥放音樂 ( 電力依使用狀態仍有差異 ) 。

・搭載脈搏血氧感測功能 (Pulse Ox)*，可查看脈搏血氧飽和度 (SpO2%) 估計值，提供不同海拔活動時的體能調整參考。 ＊本產品非屬醫療器材，不得用於醫療用途。

Fitbit Versa 智能運動手錶

・除了追蹤睡眠階段，更新增女性健康追蹤功能。

・動態個人化指導課程及連續心率追蹤，SMARTTRACK 自動運動辨識，是每日健康與運動的最佳夥伴。

・透過 GPS 連線，即時查看戶外運動的配速和距離。 ・可儲存與播放 300 多首歌曲，感應式付款功能及 熱門應用程式，智慧搭配體驗更便利生活。

・電池續航力達四天以上。

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2018 AUTUMN

EXCLUSIVE SPIRITS 免稅限定 昇恆昌 獨賣

麥卡倫探索系列 - 赤木

巴布萊爾 1991 單一桶 #12

100% 初次歐洲與美國雪莉桶釀造，平衡且富饒

巴布萊爾單一桶 #12 蒸餾於 1991 年，熟成 26 年，

The Macallan Terra

層次的酒體表現，以太妃糖、乾果的芳香和木質 的辛香，格外迷人

56 度 12 年陳年高粱酒

Kinmen Aged 12 Year Old Kaoliang Liquor

承襲釀酒古法「純糧固能發酵釀酒工藝」進行釀 造，至少 12 年以上熟成，濃郁的陳香與糧香的 味道，風味口感圓柔醇厚

09

Balblair 1991 #12

在 2017 年以原酒強度 51.8% 裝瓶，限量 606 瓶

百齡罈 19 年

Ballantine's 19 Year Old

精選來自 Miltonduff 酒廠的單一麥芽酒廠，散發豐 富的橡木香氣與飽滿的果香，以及悠長的香草尾韻

部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

LIGHT JEWELRY 1 2

3

4

6

5

1. SWAROVSKI MASTERY 系列手環 BANGLE ／ 2. SWAROVSKI MASTERY 耳環 EARRINGS ／ 3. FOLLI FOLLIE STAR FLOWER 系列項鍊 NACKLACE ／ 4. FOLLI FOLLIEI STAR FLOWER

系列耳環 EARRINGS ／ 5. SWAROVSKI OCTEA NOVA 系列鏈錶 BRACELET WATCH ／ 6.

SWAROVSKI DUO EVIL EYE 系列耳環 EARRINGS

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2018 AUTUMN

LIGHT JEWELRY

2

3

1

6 4

5

1. SWAROVSKI DUO

系 列 項 鍊 NECKLACE ／ 2. SWAROVSKI DUO

系 列 耳 環

EARRINGS ／ 3. FOLLI FOLLIE RETRO SQUARE 系 列 鏈 錶 BRACELET WATCH ／ 4.

SWAROVSKI CRYSTAL LAKE 系 列 鏈 錶 BRACELET WATCH ／ 5. SWAROVSKI HERO 系列手環 BANGLE ／ 6. FOLLI FOLLIE CHARM MATES 系列手鍊 BRACELET

011

部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

WATCH 2

1

3

5 4

1. MONTBLANC STAR LEGACY 男 錶 ／ 2. MONTBLANC 1858 男 錶 ／ 3.

MIDO COMMANDER 男錶 ／ 4. TAG HEUER FORMULA 1 男錶 ／ 5. TISSOT T-CLASS/CH.TOURELLES 男錶

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2018 AUTUMN

TRAVEL LIGHT 1 2

3 4

5

6

1. GUCCI PRINT LEATHER 後 背 包 BACKPACK ／ 2. GUCCI NEW KANYE 樂 福

鞋 LOAFER ／ 3. GUCCI BLACK 手 拿 包 CLUTCH ／ 4. COACH ACADEMY 單 肩 包 PACK ／ 5. GUCCI GG MARMONT 2.0 斜 背 包 MESSENGER BAG ／ 6.

BOTTEGA VENETA CALF INTRECCIATO CHECKER 腰包 BELT BAG

013

部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

LOGO-MANIAC 1

2

4 3

6 5

1. COACH CANVAS SIGNATURE 後背包 BACKPACK ／ 2. VALENTINO CANDYSTUDS 斜背

包 CROSSBODY BAG ／ 3. MCM XMINI 後背包 BACKPACK ／ 4. GUCCI OPHIDIA 腰包 BELT BAG ／ 5. MCM VISETOS 腰包 BELT BAG ／ 6. GUCCI FALACER 運動女鞋 SNEAKER

014

2018 AUTUMN

RED LUST 2

1

3

4

5

6 1. BURBERRY 馬勒皮革肩背包 THE SATCHEL SHOULDER BAG ／ 2. BURBERRY GRAFFITI PRINT RED RUCKSACK 後背包 BACKPACK ／ 3. GUCCI QUEEN MARGARET 手提肩背包

HANDLE BAG ／ 4. GUCCI 2.5CM DOUBLE G 腰帶 BELT ／ 5. TOD'S NEW JOY 托特包 TOTE ／ 6. FURLA METROPOLIS 斜背包 CROSSBODY BAG

015

部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

MINI GARDEN 2 1

3

4

5 6

1. GUCCI GG MARMONT 2.0 相 機 包 CAMERA BAG ／ 2. COACH PARKER 肩 背 包 SHOULDER BAG ／ 3. FURLA METROPOLIS 斜背包 CROSSBODY BAG ／ 4.

SALVATORE FERRAGAMO FO SWITCH-BLUE 絲巾 SCARF ／ 5. BOTTEGA VENETA ALUMNA 斜背包 SHOUDLE BAG ／ 6. COACH DINKY 斜背包 CROSSBODY BAG

016

2018 AUTUMN

NOIR DELUXE

1 2

3

4

5

6

1.CHLOE MINI ROY 水桶包 BUCKET BAG ／ 2. GUCCI 3CM DOUBLE G 腰帶 BELT ／ 3. VALENTINO CANDYSTUDS 手拿包 CLUTCH ／ 4. GUCCI PEYTON

低 跟 鞋 PUMP ／ 5. SALVATORE FERRAGAMO VARA RW 肩 背 包 SHOULDER BAG ／ 6. GUCCI MARMONT 2.0 後背包 BACKPACK

017

部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

Vo y a g e r b y e v e r r i c h

CHIC MOVES 2 1

4

3 5

6

7

1. NIKE AIR MAX 270 運 動 鞋 SNEAKER ／ 2. NIKE VAPORMAX 運 動 鞋 SNEAKER ／ 3.

MONCLER 毛帽 BENIES ／ 4. ADIDAS ORIGINAL 後背包 BACKPACK ／ 5. KAPPA APP 短 版 T-SHIRT ／ 6. MONCLER 羽 絨 外 套 BADY JACKET ／ 7. GUCCI NEW ACE 運 動 鞋 SNEAKER

018

2018 AUTUMN

TRENDY SPORTS 2 1

3

4

6

5

1. MONCLER JAKUB 運 動 鞋 SNEAKER ／ 2. COACH ACADEMY 單 肩 包 PACK ／ 3.

BURBERRY CHECKER 連 帽 外 套 HOODIE ／ 4. NIKE VAPORMAX FLYKNIT 運 動 鞋 SNEAKER ／ 5. NIKE EPIC FLYKNIT 運動鞋 SNEAKER ／ 6. MONCLER 羽絨外套 ACTION JACKET

019

部分商品數量有限，售完為止。實際銷售價格請洽昇恆昌免稅商店。

VOYAGER ACCESSORIES 2018 AUTUMN