Fine Art & Straits Chinese Porcelain Auction

Fine Art Auction

Fine Art & Straits Chinese Porcelain

Sunday, 27 February 2022 RAFFLES AUCTION - FEBRUARY 2022

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RAFFLES Auction Fine Art & Straits Chinese Porcelain

VIEWING

17 - 26 February 2022 10am - 5pm 151, Jalan 5/42, off Jalan Gasing 46100 Petaling Jaya, Malaysia

AUCTION DAY

27 February 2022 (Sunday) 1pm 151, Jalan 5/42, off Jalan Gasing 46100 Petaling Jaya, Malaysia

For enquiries: Sharon Lok : +6017 207 0277 Office : +603 7772 6193 Mike Ong (best2bid): +6016 338 0643 rafflesauction@gmail.com 2

RAFFLES AUCTION - FEBRUARY 2022

Important Notice Important Notices BRIEF ON CATALOGUE

All Lots are sold on an “as is” basis. The contents of catalogues produced by Raffles formed statements of opinion only. Subject to the limited warranty given in the Conditions of Sale for Buyers, no representation and warranty is made by Raffles or any seller of a Lot in respect of anything, including without limitation, description, value, or quality.

Buyers are advised to inspect the property themselves. Raffles is not liable for any error or omission in this catalogue. All descriptions of dimensions are approximate only.

CONDITION REPORTS

Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. Raffles catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request.

Please liaise with Raffles representatives for a condition report on a particular lot.

EXPLANATION OF CATALOGUING PRACTICE

For Pictures, Drawings, Prints and Miniatures.

Terms used in this catalogue have the meanings ascribed to them below: Name(s) or Recognized Designation of an Artist without any Qualification in Raffles opinion a work by the artist. *”Attribute to…” In Raffles qualified opinion probably a work by the artist in whole or in part. *”Studio of..’/”Workshop of..” In Raffles qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *”Circle of..” In Raffles qualified opinion a work of the period of the artist and showing his influence. *”Follower of…” In Raffles qualified opinion a work executed in the artist’s style but not necessarily by a pupil. *”Manner of…” In Raffles qualified opinion a work executed in the artist’s style but of a later date. *”After…” In Raffles qualified opinion a copy (of any date) of a work of the artist. *”Signed..”/”dated…”/“Inscribed…” In Raffles qualified opinion the work has been signed/dated/inscribed by the artist.

“With signature…”/”With inscription…” In Raffles qualified opinion the signature/ inscription appears to be by hand other than that of the artist. *With date…” In Raffles qualified opinion the date on the item was not executed on that date.

INFORMATION FOR BUYERS

BIDDING The Auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left with Raffles in advance of the auction. Bidding will be done in Ringgit (MYR). The auctioneer will not specifically identify bids placed on behalf of the consignor.

BIDDING INCREMENTS The auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are:MYR 1,000

- MYR 10,000

by RM 500

MYR 10,000

- MYR 20,000

by RM 1.000

MYR 20,000

- MYR 50,000

by RM 2.000

MYR 50,000

- MYR 100,000

by RM 5.000

MYR 100,000

- MYR 200,000

by RM 10.000

MYR 200,000

- MYR 500,000

by RM 20.000

> MYR 500,000 by the auctioneer’s direction

ABSENTEE BIDS Absentee bids are written instructions from prospective buyers directing Raffles to bid on their behalf up to a maximum amount specified for each lot.

Raffles staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical bids are received from two or more parties, the first bid received by Raffles will take priority. The auctioneer may execute absentee bids directly from the rostrum. Absentee Bids Forms are available in this catalogue.

Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be executed at the amount of the bid.

TELEPHONE BIDS Prospective buyers may bid by telephone during the course of the auction.

Arrangements for this service must be confirmed with the Bid Department at least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on the telephone, prospective buyers consent to the recording their conversation. Raffles will not be responsible for errors of failures to execute bids.

SUCCESSFULL BIDS The fall of the auctioneer’s hammer indicates the final bid, at which time, the buyer assumes full responsibility for the lot.

AUCTION RESULTS You may contact Raffles management/office for the results.

CONDITIONS OF SALE FOR BUYERS

Together with the terms as set out in “INFORMATION FOR BUYERS”, These Conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by these Conditions when he/she bids to purchase a Lot. 1. Meanings In these terms and conditions, the following words and expressions have the following meanings:

CONDITIONS OF SALE Raffles CONDITIONS OF SALE FOR BUYERS governs the terms and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue. Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS.. No reliance should be placed on oral representations made by any person at the auction.

“Buyer” means the successful bidding buyer of a Lot;

ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information.

“Lot” means each piece of property as described in the Catalogue for which bids are invited for purchase;

RESERVES The reserve is the confidential minimum price the consignor will accept. The reserve will not normally exceed the low estimate.

BUYERS PREMIUM Raffles charges a premium to the buyer on the final bid price of each lot sold at 12% (twelve percent).

VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Buyers are strongly advised to examine the lots thoroughly, Condition reports are available.

Raffles reserves the right to refuse admission and participation in its auctions.

REGISTRATION Prospective buyers need to register for a numbered bidding paddle. Details of bank accounts are required for credit reference purposes.

“Catalogue” means the Catalogue prepared by Raffles which describes and illustrates all Lots for sale by Raffles; “Conditions” means these terms and conditions; “Hammer Price” means the price at which a Lot is sold to Buyer;

“Raffles”, “our”, “we”, “us” means Raffles Auction sdn. bhd; “Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer; “Seller”, means in respect of a particular Lot, the seller of that Lot and his personal representatives; “MYR” means the lawful currency of Malaysia.

Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders, and words importing persons shall include companies and corporations and vice versa. Unless otherwise stated, references to Clauses are references to Clauses in these Conditions. The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein.

2. Parties to the sale of a Lot

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3.

4.

Bidding 6. (a) Registering. Prospective buyers are required to register for a numbered bidding paddle. Copies of bank accounts may be required to be shown to Raffles for credit references and/or payment purposes. (b) Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between the Seller and Raffles. Bids may be placed by representatives of Raffles on behalf of the Seller up to the Reserve Price. There is no obligation on Raffles to identify bids placed on behalf of a Seller. (c) Types of bids. Bids may be accepted from those present at the auction and from telephone bidders, or by absentee written bids left with Raffles prior to the auction. By bidding by telephone, all prospective buyers consent to the recording of all conversation and bids. (d) Currency. Prices of all Lots are in Ringgit Malaysia and all bids shall be made in Ringgit Malaysia. (e) Final bid. The fall of the auctioneer’s hammer indicates acceptance of the final 7. bid, at which time the Buyer enters into a full valid and binding contract with the Seller to purchase the Lot. The results of absentee bids will be notified to the prospective buyer after the auction. Risk and responsibility of the Lot (but not title) pass to the Buyer seven calendar days from the date of the sale or earlier if full payment is made and delivery made to the Buyer. (f) Buyer’s responsibility. When bidding, a prospective buyer accepts personal responsibility to pay the Hammer Price of the Lot for which he bids if he is 8. successful, together with the premium price of 12% (twelve percent) of the hammer price. (a)

(b)

(c)

(d)

(e)

(f) 5.

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Limited warranty No warranty. Neither the Seller nor Raffles makes any warranty in respect of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot “as is” without any representation or warranty of any kind by Raffles or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot. Limited warranty. The Seller and Raffles only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyer is required to notify Raffles in writing within a period of 30 days (the “Notice”) from the date of auction.

Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is a forgery. Raffles or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert.

Refund. In the event that Raffles is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Raffles and the Seller is limited to the purchase price of such Lot. Neither Raffles nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice.

Conflict of opinion. In the event of conflict of opinion between the Buyer’s expert and the expert appointed by Raffles or the Seller, or if it can be shown that tests of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot. No assignment of Limited Warranty. The Limited Warranty in this Clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

Payment, Title and Collection of purchases (a) Deadline for payment. All payments for sold Lots must be made within sevencalendar days from the date of sale. (b) Title. No title in the Lot will pass to the Buyer until all amounts due to Raffles as stated in Clause 3(f) above have been paid, even in circumstances where Raffles has released the Lot to the Buyer before full payment has been made. (c) Payment modes. Payments must be in Ringgit Malaysia and may be made in telegraphic transfer to Raffles’s bank account. Please include the Buyer’s name and invoice number in the bank instructions. (d) Collection. The Buyer is required to collect his purchase from the premises of Raffles and pay for all delivery and shipping costs. Raffles may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk. (e) Storage charges. All purchases will initially be held for collection at the premises of Raffles at no charge for a period of fourteen days from the date of sale.

Subsequently Raffles will charge the Buyer storage charges, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection. (f) Limit on insurance cover. Raffles provides general insurance cover for sold Lots for a period of up to seven days from the date of sale of such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers.

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Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time, Raffles and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to :(a) charge default interest at the rate of 1.5% per month on the outstanding sums due from the Buyer; (b) to commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis; (c) rescind the sale of the Lot; (d) to resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer; (e) to hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer.

Copyright The copyright in all images, illustrations and literature, including the Catalogue is the property of Raffles and shall not be used by the Buyer without the prior written consent of Raffles. No warranty is made by Raffles and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it.

Miscellaneous (a) Notwithstanding anything stated in these Conditions, the Buyer shall indemnify Raffles and the Seller on a full indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Raffles in respect of any breach by the Buyer of these Conditions. (b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law. (c) Raffles will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service. (d) These Conditions are subject to Indonesia law, which shall apply to its construction as well as to its effect. (e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

001 KHALIL IBRAHIM

b. Kelantan, 1934 - d. 2018

Figurative Series (unframed)

Ink on paper 15 x 21 cm

MYR 800 - 1,500 USD 190 - 360

The legendary Khalil Ibrahim began as a self-taught artist before becoming one of only a few Malaysians to be awarded a state scholarship to attend the prestigious Central Saint Martins School of Art and Design in London. While there, he received formal training, developed his artistic style, and travelled around Europe, with the new experiences fuelling his creativity and adding to his versatility as an artist. After completing the course in 1966, he furthered his studies at the University of Malaya and became a qualified art teacher.

In 1968, Khalil moved to Kuala Lumpur and embarked on his artistic career which spanned over 50 years. In the time, he explored and worked in a variety of styles, from figurative sketches to abstracts, and with different mediums, including watercolour, acrylic, and batik. His notable works include those of the tranquil scenes of the East Coast villages; studies of the human form in the Nude Series (2005); batik prints such as Kelantanese (1968) and Gadis (1968); as well as his preLondon paintings from the 1950’s, including Bachok (1957) and Kuala Besut (1955). Khalil was also known to use sketches as a base of his works and this has resulted in a large number of ink on paper pieces found in his sketchbooks.

Khalil’s first solo exhibition was held at the Samat Art Gallery in 1970. This was followed by many more exhibitions, including in Indonesia, Singapore, Switzerland, and Australia. His skill in the various mediums such as acrylic, oil, watercolour, and ink, was first viewed as a whole during his retrospective show, A Continued Dialogue, at PETRONAS Gallery in 2004. His artworks have been held in many private and public collections, such as in Hilton Kuala Lumpur, Bank Negara, Singapore Art Museum, Fukuoka Museum of Art in Japan, and Victoria Gallery in Melbourne, Australia.

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002 KHALIL IBRAHIM

b. Kelantan, 1934 - d. 2018

Landscape, 1997 (unframed)

Ink on paper 33 x 41 cm Signed and dated lower left

MYR 800 - 1,500 USD 190 - 360

The legendary Khalil Ibrahim began as a self-taught artist before becoming one of only a few Malaysians to be awarded a state scholarship to attend the prestigious Central Saint Martins School of Art and Design in London. While there, he received formal training, developed his artistic style, and travelled around Europe, with the new experiences fuelling his creativity and adding to his versatility as an artist. After completing the course in 1966, he furthered his studies at the University of Malaya and became a qualified art teacher.

In 1968, Khalil moved to Kuala Lumpur and embarked on his artistic career which spanned over 50 years. In the time, he explored and worked in a variety of styles, from figurative sketches to abstracts, and with different mediums, including watercolour, acrylic, and batik.

His notable works include those of the tranquil scenes of the East Coast villages; studies of the human form in the Nude Series (2005); batik prints such as Kelantanese (1968) and Gadis (1968); as well as his pre-London paintings from the 1950’s, including Bachok (1957) and Kuala Besut (1955). Khalil was also known to use sketches as a base of his works and this has resulted in a large number of ink on paper pieces found in his sketchbooks.

Khalil’s first solo exhibition was held at the Samat Art Gallery in 1970. This was followed by many more exhibitions, including in Indonesia, Singapore, Switzerland, and Australia. His skill in the various mediums such as acrylic, oil, watercolour, and ink, was first viewed as a whole during his retrospective show, A Continued Dialogue, at PETRONAS Gallery in 2004.

His artworks have been held in many private and public collections, such as in Hilton Kuala Lumpur, Bank Negara, Singapore Art Museum, Fukuoka Museum of Art in Japan, and Victoria Gallery in Melbourne, Australia.

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003 YUSOF GHANI b. Johor, 1950

Segerak Series, 2002 Ink on paper 14 x 14 cm each Signed, front and on the reverse

MYR 2,200 - 3,500 USD 530 - 840 Yusof Ghani graduated with a Bachelor in Fine Arts from the George Mason University, Virginia, USA (1981) and then obtained his Masters in Fine Arts from the Catholic University of America, Washington DC, US (1983). He is one of Malaysia’s leading artists whose works are stroke-based renditions and is known for his strong lines and spontaneous marks on dynamic compositions giving energy and movement to his painting. His hallmark series Tari, and subsequent series Segerak, Wajah and others are highly sought after among international collectors. Yusof has held over 20 solo exhibitions in venues such as Slavia Regina Gallery, Washington DC, USA (1983), Richmond Art and Cultural Center, Vancouver, Canada (2009) and more. In 1985, Yusof was honoured when he was awarded the Major UNICEF Art Asia, Kuala Lumpur, Malaysia. Throughout his 35 year career, Yusof has garnered a wide array of collectors and his works are in the collections of corporate bodies, private galleries and many private individuals.

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004 ZARINA ARIFFIN

b. Kelantan, 1955 - d. 2010

a) Jendela I b) Jendela II Etching ED 6/10 28.5 x 22 cm each Numbered, titled and signed below

MYR 1,500 - 2,000 USD 360 - 480 Zarina Binti Ariffin was born on 21st November 1955 in Kelantan. She did Fine Metal in ITM and graduated in 1977. In 1983, she founded A.P Art Gallery, which was a pioneer gallery in Malaysia, with her husband, Rahime Harun. The pair created a printmaking studio and had few artist apprentices as a printmaker at their 3 storey shop house. Zarina’s etching works are mostly on Malaysia objects with intricate designs. She has an eye for detail. She passed away in 2010.

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005 TAJUDDIN ISMAIL, DATO’ b. Negeri Sembilan, 1949

Malacca Shophouse I Malacca Shophouse II Limited edition print on paper 29 x 22 cm each Titled and signed below

MYR 1,500 - 2,000 USD 360 - 480

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006 ZARINA ARIFFIN

b. Kelantan, 1955 - d. 2010

Koleksi I Etching ED: A/P 27 x 21 cm Numbered, titled and signed below

MYR 800 - 1,000 USD 190 - 240

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Zarina Binti Ariffin was born on in 1955 in Kelantan. She did Fine Metal in ITM and graduated in 1977. In 1983, she founded A.P Art Gallery, which was a pioneer gallery in Malaysia, with her husband, Rahime Harun. The pair created a printmaking studio and had few artist apprentices as a printmaker at their 3 storey shop house. Zarina’s etching works are mostly on Malaysia objects with intricate designs.

She has an eye for detail. She passed away in 2010.

007 FAIZAL SIDIK b. Selangor, 1978

Wayang Kulit Series II: Buka Panggung, 2005 Acrylic on canvas 122 x 91 cm Signed , titled and dated on the reverse

MYR 1,200 - 2,000 USD 290 - 480 Born in Petaling Jaya, Selangor in 1978, artist Faizal Sidik graduated from University Teknologi MARA, where he majored in fine arts. He then pursued a masters degree in Visual Art (Southeast Asia) at University of Malaya, under the tutelage of distinguished artist Redza Piyadasa.

Faizal has partaken in numerous solo exhibitions, including; “Faizal Sidik: Drawing 1996-2006” in 2006 at the MTDC Multimedia Academy Art Gallery, Serdang; “Sublime Weave I”, at Leonardo Kuala Lumpur in 2010; “Sublime Weave II”, at KLPAC, Kuala Lumpur in 2012.

The artist also received the Young Contemporary Art Award (YCA) in 2000 by the National Visual Art Gallery of Malaysia. Faizal was a lecturer at various art institutions for nearly ten years, some of which include Universiti Teknologi MARA (UiTM) Shah Alam, MTDC Multimedia Academy, Art Film Design Academy (AFDA) and SEGi University College. From 2000 to present Faizal has curated or cocurated numerous exhibitions including “Conceptual Art: National Visual Art Gallery of Malaysia Collection” at National Visual Art Gallery (2012). He also active in contributing writing for Senikini, Arteri, Set, Dewan Budaya, Berita Harian, Berita Mingguan and art blog. He is also an assistant editor of Senikini magazine. In 2013 Faizal was co-curator of the 4th Singapore Biennale.

Faizal’s works has consistently explored the idea of collective conscience. His repertoire extended to sketches, drawing, mixed media, paintings and sculptures. The artist strongly believes in the medium of drawing and sketches stimulate the eyes of the beholder. Through drawings, the artist tackles issues that is close to his heart, such as war which happened from 1996 to 2004. Faizal documented the plight and turbulence of the war which occurred in Balkan countries such as Bosnia, Palestine and Iraq through his works. The artist recent works, as he claims, are much different, owed to the shift in his thinking process, inspired by the suggestions of German philosopher, Immanuel Kant. Through his works, Faizal offers a transcendent experience which includes aesthetics and sensation.

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008 AB CHIK

Village by the River Watercolour on paper 25.5 x 35.5 cm Signed lower right

MYR 1,000 - 2,000 USD 240 - 480

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009 MAZUKI MUHAMMAD b. Kelantan, 1977

Kampung Halaman, 2012 Watercolour on paper 35,5 x 53 cm Signed and dated lower right

MYR 600 - 800 USD 140 - 190 Mazuki Muhammad is a Kelantanese artist who is in the same generation as Ismail Kadir, Mokhtar Ishak and Mahmood. The artist has his own style, apart and shifting away from being similar to Ismail Mat Hussin, Mazuki always build the beauty of his artworks by not just focusing on the main object, but also the side objects and environment which are able to make one ‘feels’ the artwork by viewer’s ve sensors. The artist has participated in numerous exhibitions and competitions, such as the Plein Air Challenge 2016 organised by People of Remarkable Talent (PORT), Plein Air session 2015 and exhibitions of his artworks at Desa Park City.(20160 by Art Gallery And Frame.

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010 YONG LOOK LAM b. Selangor, 1962

Concubine Lane, Ipoh, 2012 Watercolour on paper 75 x 27 cm Signed and dated lower left

MYR 1,900 - 2,500 USD 450 - 600 Yong Look Lam is a well established fine artist in Malaysia.

He graduated in 1982 with a Diploma in Fine Art from the Kuala Lumpur College of Art and a year later he completed his Diploma in Watercolour. Look Lam is actively involved within the art scene where his works have been widely exhibited and won various awards and prizes. He was the Second Prize winner in 1984 at the Malaysian Landscape art competition organized by the National Art Gallery.

Due to his close interpretations of culture and the village community, he is known as the ‘Kampong Boy’ of the art scene. His works are drawn through his experiences in travelling around and observing the architectural wonders of the heritage of the towns and cities. He is one of the founding members of the Malaysian Watercolour Organization where he has been involved in numerous exhibitions in around the world. He is the recipient of the Malaysian Watercolour Society Award in 1987 as well as the Pemandangan Malaysia Award in 1994. One of his most recent solo shows was held at the Pinkguy Gallery entitled Ashore where he depicted the life and culture of the fishing village an earlier solo show was the “Fascinating but Vanishing – A Watercolour Painting Exhibition” was held in Penang.

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011 MAZUKI MUHAMMAD b. Kelantan, 1977

Cucuku, 2012 Watercolour on paper 51 x 36 cm Signed and dated lower left

MYR 600 - 800 USD 140 - 190 Mazuki Muhammad is a Kelantanese artist who is in the same generation as Ismail Kadir, Mokhtar Ishak and Mahmood. The artist has his own style, apart and shifting away from being similar to Ismail Mat Hussin, Mazuki always build the beauty of his artworks by not just focusing on the main object, but also the side objects and environment which are able to make one ‘feels’ the artwork by viewer’s ve sensors. The artist has participated in numerous exhibitions and competitions, such as the Plein Air Challenge 2016 organised by People of Remarkable Talent (PORT), Plein Air session 2015 and exhibitions of his artworks at Desa Park City.(20160 by Art Gallery And Frame.

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012 KARTHIKA

Nayikas Adorned - Halebidu, 2007 Photograph ED 1/5 50 x 90 cm Numbered, titled and signed below

MYR 1,000 - 2,000 USD 240 - 480

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013 KARTHIKA

Descent of The Apsaras, 2006 Photograph ED 5/5 75 x 49 cm Numbered, titled and signed below

MYR 1,000 - 2,000 USD 240 - 480

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014 HARRIS RIBUT b. Selangor, 1951

Dancer, 1999 Acrylic on canvas 41 x 41 cm Signed and dated lower left

MYR 1,800 - 2,000 USD 430 - 480 Harris Ribut was born on Carey Island, Selangor on September 8, 1951. He started off as a street-painter back in 1976 which lead to a job as a paste-up artist at several publishing house, until he ended became an Art Director.

A few years stint as a reporter for a newspaper lead to the post of sub-editor. He started painting full-time in the early nineties from the house of APS to the Artist Colony at Jalan Conlay Kuala Lumpur.

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015 HARRIS RIBUT b. Selangor, 1951

Pergi Pasar, 1999 Acrylic on canvas 40.5 x 81.5 cm Signed and dated lower left

MYR 3,200 - 4,000 USD 760 - 960 Harris Ribut was born on Carey Island, Selangor on September 8, 1951. He started off as a street-painter back in 1976 which lead to a job as a paste-up artist at several publishing house, until he ended became an Art Director. A few years stint as a reporter for a newspaper lead to the post of sub-editor. He started painting full-time in the early nineties from the house of APS to the Artist Colony at Jalan Conlay Kuala Lumpur.

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016 KHALIL IBRAHIM

b. Kelantan, 1934 - d. 2018

East Coast Series, 1989 Watercolour on paper 13 x 16 cm Signed and dated lower right

MYR 5,500 - 6,000 USD 1,320 - 1,440 The legendary Khalil Ibrahim began as a self-taught artist before becoming one of only a few Malaysians to be awarded a state scholarship to attend the prestigious Central Saint Martins School of Art and Design in London. While there, he received formal training, developed his artistic style, and travelled around Europe, with the new experiences fuelling his creativity and adding to his versatility as an artist. After completing the course in 1966, he furthered his studies at the University of Malaya and became a qualified art teacher.

In 1968, Khalil moved to Kuala Lumpur and embarked on his artistic career which spanned over 50 years. In the time, he explored and worked in a variety of styles, from figurative sketches to abstracts, and with different mediums, including watercolour, acrylic, and batik. His notable works include those of the tranquil scenes of the East Coast villages; studies of the human form in the Nude Series (2005); batik prints such as Kelantanese (1968) and Gadis (1968); as well as his pre-London paintings from the 1950’s, including Bachok (1957) and Kuala Besut (1955). Khalil was also known to use sketches as a base of his works and this has resulted in a large number of ink on paper pieces found in his sketchbooks.

Khalil’s first solo exhibition was held at the Samat Art Gallery in 1970. This was followed by many more exhibitions, including in Indonesia, Singapore, Switzerland, and Australia. His skill in the various mediums such as acrylic, oil, watercolour, and ink, was first viewed as a whole during his retrospective show, A Continued Dialogue, at PETRONAS Gallery in 2004. His artworks have been held in many private and public collections, such as in Hilton Kuala Lumpur, Bank Negara, Singapore Art Museum, Fukuoka Museum of Art in Japan, and Victoria Gallery in Melbourne, Australia.

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017 ISMAIL MAT HUSSIN b. Kelantan, 1938 – d. 2015

Mengait Pukat, 2011 Watercolour on paper 45 x 60 cm Signed and dated lower right

MYR 4,000 - 6,000 USD 960 - 1,440 Ismail Mat Hussin’s artistic prowess began truly blooming at the age of 16. He was first trained by teacher Nik Mahmood of Sekolah Melayu Padang Garong, Kelantan. Five years later, Ismail began to actively produce and exhibit his works around Kota Bharu venues such as the Scouts Hall, and even ventured to other towns around Kelantan. By 1968, he began taking the brave step to immerse himself entirely in the world of art. He joined the Kelantan branch of Angkatan Pelukis Semenanjung (APS ). Lifestyle of the locals in the East Coast,the activities by the sea and fishing villages ,the East Coast culture are often wonderfully captured in Ismail Mat Hussin’s works.

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018 LAU WAI LENG

b. Negeri Sembilan, 1977

Lady in Blue, 2012 Oil on canvas 36 x 38 cm Signed and dated lower right

MYR 1,200 - 1,900 USD 288 - 456

Lau Wai Leng is a figurative artist based in Kuala Lumpur, Malaysia.

She studied in the Central Academy of Art and graduated with Diploma of Fine Art in 1998. The artist has taken part in many group exhibitions since 1998, and her works have been gaining and increasing popularity and becoming a favourite with many travelling tourists to Malaysia. She is famous for her Market Series (women working in wet market ), which fully presented Malaysia’s Kelantan wet market. The artist had taken part in many group exhibition since 1990’s, such as Group Exhibition at Menara Maybank, Bangsar (2001), Bank Art Fair, Island Shangri-La Hotel, Hong Kong (2013), 2nd Solo Exhibition “Love and Gratitude” at Art Accent, Kuala Lumpur and more. Lau mostly paints in oil, where her aesthetic effects are created by lines, shapes, color, light ad dark, mass, volume, texture and perspective.

019 LAU WAI LENG

b. Negeri Sembilan, 1977

Lady in Red, 2012 Oil on canvas 36 x 38 cm Signed and dated lower left

MYR 1,200 - 1,900 USD 288 - 456 26

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020 MAZUKI MUHAMMAD b. Kelantan, 1977

Perahu, 2006 Watercolour on paper 73 x 53 cm Signed and dated lower right

Mazuki Muhammad is a Kelantanese artist who is in the same generation as Ismail Kadir, Mokhtar Ishak and Mahmood. The artist has his own style, apart and shifting away from being similar to Ismail Mat Hussin, Mazuki always build the beauty of his artworks by not just focusing on the main object, but also the side objects and environment which are able to make one ‘feels’ the artwork by viewer’s ve sensors. The artist has participated in numerous exhibitions and competitions, such as the Plein Air Challenge 2016 organised by People of Remarkable Talent (PORT), Plein Air session 2015 and exhibitions of his artworks at Desa Park City.(20160 by Art Gallery And Frame.

MYR 1,500 - 1,800 USD 360 - 430 RAFFLES AUCTION - FEBRUARY 2022

27

021 FONG KIM SING b. Kedah, 1949 - d. 2021

Boats by the Sea, 1996 Oil on canvas 77 x 90 cm Signed and dated lower right

MYR 1,900 - 3,000 USD 450 - 720

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Fong Kim Sing is awarded with 3rd Prize in Kedah Fest Open Show while 2nd Prize in Kontena Nasional Sdn Bhd Art Competition. He has organised a few solo exhibitions in early 1996 at NN Gallery, Kuala Lumpur until the latest, “Perjalanan Seorang Seniman”, NN Gallery, Kuala Lumpur (2012). He actively participated in selected Group Exhibitions, such as continuous participation in APK Open, Kedah State Art Gallery, Kedah from year 1981 to 1997, as well as international exhibition, e.g. International Contemporary Art Fair (2008) and Dunia Seni Lukis New Expression of Asia Art, Henan Art Museum (2008).

022 YONG LOOK LAM b. Selangor, 1962

Perahu, 2013 Watercolour on paper 68 x 68 cm Signed and dated lower right

MYR 5,500 - 8,000 USD 1,310 - 1,910 Yong Look Lam is a well established fine artist in Malaysia. He graduated in 1982 with a Diploma in Fine Art from the Kuala Lumpur College of Art and a year later he completed his Diploma in Watercolour. Look Lam is actively involved within the art scene where his works have been widely exhibited and won various awards and prizes. He was the Second Prize winner in 1984 at the Malaysian Landscape art competition organized by the National Art Gallery. Due to his close interpretations of culture and the village community, he is known as the ‘Kampong Boy’ of the art scene.

His works are drawn through his experiences in travelling around and observing the architectural wonders of the heritage of the towns and cities. He is one of the founding members of the Malaysian Watercolour Organization where he has been involved in numerous exhibitions in around the world. He is the recipient of the Malaysian Watercolour Society Award in 1987 as well as the Pemandangan Malaysia Award in 1994. One of his most recent solo shows was held at the Pinkguy Gallery entitled Ashore where he depicted the life and culture of the fishing village an earlier solo show was the “Fascinating but Vanishing – A Watercolour Painting Exhibition” was held in Penang.

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023 ISMAIL KADIR b. Kelantan, 1952

Rumah Rakit #3, 2005 Watercolour on paper 52 x 75 cm Signed and dated lower left

MYR 1,800 - 3,000 USD 430 - 720 Ismail Kadir graduated from Science University of Malaysia (USM). He is the President of Kelantan Art Society, the Vice President of Association of Malaysia Art Societies, Committee Member of Kelantan State Museum Corporation, Committee Member of Malaysia Historical Society Kelantan Branch and Committee Member of Kelantan State Culture Council. He was the ex- Country Head of International Watercolour Society (IWS) Malaysia.

He exhibited works in various local and national evens for more than 20 years. He participated in many invited international exhibitions in China, United Kingdom, India, Taiwan, Singapore, Brunei, Turkey, Indonesia, Thailand and Italy. He has been represented Malaysia in several promotional events such as ‘Malaysia Week in London’, UK. He was invited to conduct art- workshops and talks on many local and international events. He has been selected as jury in many local, national and international competitions. He received several art awards on local and national level. His works are widely collected by public and private institutions such as galleries, museums, corporations and individuals.

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024 ZAC LEE

b. Johor, 1968

Kampung Halaman, 1999 Watercolour on paper 54 x 74 cm Signed and dated lower right

MYR 1,900 - 3,900 USD 456 - 936 Zac Lee is known to be one of most established fine artists in Malaysia. His work is known to be produced using his trademarked fluid strokes that use objects and forms which are generally metaphors for the community and individuals. He is known to have involved national iconography as well as traditional folklore as a means of conveying his message and perception of the society at large. This is because of his background where he learnt his trades through the adoption of traditional painting and Chinese calligraphy. Zac is known for his experimental approach to his artwork where he gained much experience and technique through his residential programme where was then the first Malaysian to be admitted into the Three Shadows Art Center in Beijing, China. From there, he will continue to inject his creativity into what he learnt as well as using conventional photographic techniques into his body of work. Basically, Zac incorporates traditional and contemporary techniques which involves his experience in Chinese oriented methods with more modern ones like silk-screening, digital imaging and such. This puts him in a unique and original position as not many contemporary artists are able to exude these technique as well as Zac does.

Zac Lee’s work has been locally and internationally renowned for his unique way of conveying a message through his art. Using a mixture of media that include photography, brush strokes, oil and printing, Zac’s work has been seen in public and private galleries around the region.

He was the first Malaysian to be included in the residential programme at the Three Shadows Art Center (Caochangdi) in Beijing, China in 2010 while in 2005, he was awarded the Freeman Fellowship by the Vermont Studio Center in the United States of America.

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025 KHOO CHEANG JIN b. Penang, 1963

Pulau Ketam, 2012 Watercolour on paper 38 x 56 cm signed, titled and dated lower right

MYR 900 - 1,500 USD 220 - 360

Born in 1963 and graduate of the School of Architecture in UNSW, Australia, streetscape with old buildings and unique Architecture has always been Khoo’s favorite subjects for painting.

He pays great attention to light and shadow, detail of buildings, atmospheric perspective and contextual activities in his watercolour paintings.

Chairman of Penang Watercolour Society and Penang Art Society, he has been actively participating in exhibitions in Malaysia and abroad. Numerous awards has been won by him including Young Artist Award in the Penang Museum Annual Art Exhibition (1980), one of the 12 winners in the Malaysia Landscape Watercolour Painting competition organised by Dunlop Malaysia Berhad & National Art Gallery, KL (1882), youth Art Excellence Award in the Singapore National Day Youth Art Exhibition (1994), Highly Commended Award in the UOB Group’s 13th Painting of the Year competition, Singapore (1994) and Silver Award in S P Setia Art Fair, Penang (2001). In 1995 he was selected wuth 22 others by the President of the Republic of Singapore to participate in “President Charity Art Exhibition – The President’s Watercolour Selections 1995”. His works are in the collections of corporate bodies, private galleries and many private individuals.

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026 LUI CHENG THAK b. Negeri Sembilan, 1967

Village Scene 5, 1990 Watercolour on paper 55 X 39 cm Signed, dated lower right and titled on the reverese

MYR 900 - 2,000 USD 260 - 480

027 LUI CHENG THAK b. Negeri Sembilan, 1967

Village Scene 2, 1990 Watercolour on paper 55 X 39 cm Signed, dated lower right and titled on the reverese

MYR 900 - 2,000 USD 220 - 480

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028 ALEX ONG BOON HAU b. Johor, 1951

Tropical I, 1989 Watercolour on paper 55 X 74 cm

MYR 1,200 - 2,000 USD 290 - 480

029 ALEX ONG BOON HAU b. Johor, 1951

Tropical II, 1989 Watercolour on paper 55 X 74 cm

MYR 1,200 - 2,000 USD 290 - 480

Born in Muar, Johor, Ong attended the Kuala Lumpur College of Art and graduated in 1977. Since then, he has held at least seven solo exhibitions, the first of which being in 1994.Ong has received two awards from the Malaysian Watercolour Society, one in 1987 and another in 1990, in recognition of his watercolour rock paintings. Ong’s works have been cited as being able to “conjure up a romantic expression of life and love”, such as the paintings in his 2008 exhibition titled Romance.His third solo exhibition, Seasons 2, which was held in 2002 as a follow-up to 1999’s Seasons, reportedly took three years to complete.A member of the Singapore Watercolour Society,he visits New Zealand at least once every year to seek inspiration for his paintings. Most of his paintings have naturalistic elements, and often depict plants from the wild, such as the yarrow.

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030 MAAMOR JANTAN b. Kedah, 1961

Siri Permandangan, 1996 Watercolour on paper 34 x 49 cm Signed and dated lower right

MYR 2,800 - 4,000 USD 670 - 960

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031 MAAMOR JANTAN b. Kedah, 1961

Bali Series, 2000 Watercolour on paper 23 x 33 cm Signed and dated lower right

MYR 2,800 - 4,000 USD 670 - 960

032 MAAMOR JANTAN b. Kedah, 1961

Bali Series, 1999 Watercolour on paper 23 x 33 cm Signed and dated lower right

MYR 2,800 - 4,000 USD 670 - 960

Maamor Jantan is a Kedah born self- taught artist and also given the name as a protégé of the late Khalil Ibrahim, he started off as an assistant curator before meeting Khalil in 1984. Maamor ’s unconventional approach to watercolour paintings has distinguished himself from other artists and has led him to join the Malaysian Watercolour Society. Maamor Jantan is also well versed in other subjects such as village scenes, night scenes and such. His paintings often portray rural landscape scene and especially famous for his Cakcibor Series, Kampung Series, Bali series, Jogja series, Paradise series and more. His paintings have been exhibited in Indonesia, Thailand, and Malaysia and in 2014 held his first solo exhibition in University Malaya, Malaysia.

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033 MAAMOR JANTAN b. Kedah, 1961

Cakcibor Series, 2004 Watercolour on paper 63 x 48 cm Signed and dated lower right

Maamor Jantan is a Kedah born self- taught artist and also given the name as a protégé of the late Khalil Ibrahim, he started off as an assistant curator before meeting Khalil in 1984. Maamor ’s unconventional approach to watercolour paintings has distinguished himself from other artists and has led him to join the Malaysian Watercolour Society. Maamor Jantan is also well versed in other subjects such as village scenes, night scenes and such. His paintings often portray rural landscape scene and especially famous for his Cakcibor Series, Kampung Series, Bali series, Jogja series, Paradise series and more. His paintings have been exhibited in Indonesia, Thailand, and Malaysia and in 2014 held his first solo exhibition in University Malaya, Malaysia.

MYR 4,800 - 6,000 USD 1,150 - 1,430 RAFFLES AUCTION - FEBRUARY 2022

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034 CHIANG SHIH WEN b. Melaka, 1949

Batu Caves, 1989 Oil on canvas 40 X 30 cm Signed and dated, lower right

MYR 1,000 - 2,000 USD 240 - 480

Chiang Shih Wen is best known for incorporating the elements of light, hue and space that vividly illustrates the depth of layering in his portrayal of buidings and environment.

He graduated from the Kuala Lumpur College of Art in 1974, later won the “Young Artist Competition” held by “Nanyang Siang Pau” in 1981 and “Malaysian Landscape in Watercolour” in 1982 organised by The National Art Gallery. With more than 30 years of experience in painting, the evolution of art and the freedom of expression could be seen through his masterpieces which Chiang took great influences from the world-famous artist, Van Gogh, Renoir and other 20th century artists.

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035 SHAFURDIN HABIB b. Perak, 1961

Family Picnic, 2001 Oil on canvas 46 x 46 cm Signed and dated lower left

MYR 2,800 - 4,000 USD 670 - 960 Shafurdin Habib is an artist who highlights Malaysian peasantry life. As good friend to Khalil Ibrahim He sensitively frames the kampung life into realistic but expressive depiction. Well known for his watercolour paintings, Shafurdin’s oil and acrylic works add an extra dimension to his art.

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036 KOH TENG HUAT b. Penang , 1963

My Balik Pulau, 2019 Oil on canvas 60 x 91.5 cm Signed and dated lower right

MYR 2,000 - 5,000 USD 480 - 1,200 Koh Teng Huat began his career as a reporter after graduated from Sacred Heart High School. In 2012, Koh decided to return to Balik Pulau and set up his studio in this charming fishing village. Koh fondness in using the washbuckling style of palette knife paintings has become his forte for the past three years. According to Koh, using palette knife to paint enables him to highlight the focal point of his painting; producing distinct texture, impasto works. Koh is the founder of the Balik Pulau Art Society.

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037 OOI AIK CHEONG b. Malaysia, 1975

Rocks by the River, 1999 Watercolour on paper 26,5 x 37 cm Signed and dated lower right

MYR 2,200 - 3,000 USD 530 - 720

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038 RAPHAEL SCOTT AHBENG b. Sarawak, 1939 - d. 2019

Kampung Bako, 2012 Watercolour on paper 60 x 144 cm Signed and dated lower right

MYR 3,500 - 4,500 USD 600 - 1,080

039 JANSEN CHOW b. Pahang, 1970

Jetty, 2012 Watercolour on paper 27 x 75 cm Signed and dated lower left

MYR 1,900 - 2,500 USD 450 - 600

Raphael Scott AhBeng was studied Art and Photography Course, Bath Academy of Art, United Kingdom from 1964 – 1967. English and Drama, British Council Grant, British Drama League, London in 1973 and Broadcasting, Sarawak/ British Council Grant, BBC, London in 1990. Raphael was awarded the First Prize, Sarawak Shell Open Art Competition,Sarawak in 1959, Bronze Medal in the Malaysia Watercolour Competition, Kuala Lumpur in 1978, First Prize, Sarawak Shell Open Art Competition, Sarawak in 1982, First Prize, Sarawak Shell Open Art Competition, Sarawak in 1983, Third Prize, Natural Malaysia Art Competition, Kuala Lumpur in 1991 and Served as an advisor for the Sarawak Artists Society from 1999 until 2000.

Jansen Chow graduated from Kuala Lumpur College of Art on 1991 and further his studies in Art Students League of New York from 1994 to1996. He is the only Asian artist to be so widely recognized for his masterly watercolour and has been awarded 5 Signature Memberships with 5 different watercolor associations: 4 in the United States of America (AWS, NWS, LWS, NEWS) and 1 inCanada (CSPWC). There’s a kind of fluidity in his artworks, which truly entice. His collectors keep his paintings as the subjects are usually places they’ve been to and want to go to or have heard of and read about. In 2016, he has organised his solo show, “Sensibility Excursion”. Jansen concentrates more on oils and acrylics; his palette of hues, his proclivity for specifics, his orientation towards particular leitmotifs and his readiness to articulate individual sensitivities have ripened passionately.

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040 YONG LOOK LAM b. Selangor, 1962

Tanjong Pagar, 2012 Watercolour on paper 74 x 55 cm Signed and dated lower left

MYR 1,800 - 3,800 USD 430 - 910

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Yong Look Lam is a well established fine artist in Malaysia. He graduated in 1982 with a Diploma in Fine Art from the Kuala Lumpur College of Art and a year later he completed his Diploma in Watercolour.

Look Lam is actively involved within the art scene where his works have been widely exhibited and won various awards and prizes. He was the Second Prize winner in 1984 at the Malaysian Landscape art competition organized by the National Art Gallery. Due to his close interpretations of culture and the village community, he is known as the ‘Kampong Boy’ of the art scene. His works are drawn through his experiences in travelling around and observing the architectural wonders of the heritage of the towns and cities. He is one of the founding members of the Malaysian Watercolour Organization where he has been involved in numerous exhibitions in around the world. He is the recipient of the Malaysian Watercolour Society Award in 1987 as well as the Pemandangan Malaysia Award in 1994. One of his most recent solo shows was held at the Pinkguy Gallery entitled Ashore where he depicted the life and culture of the fishing village an earlier solo show was the “Fascinating but Vanishing – A Watercolour Painting Exhibition” was held in Penang.

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49

041 CHIANG SHIH WEN b. Melaka, 1949

Street Scene, 1987 Watercolour on paper 61 X 48 cm Signed lower right

MYR 1,300 - 1,800 USD 310 - 430 50

RAFFLES AUCTION - FEBRUARY 2022

Chiang Shih Wen is best known for incorporating the elements of light, hue and space that vividly illustrates the depth of layering in his portrayal of buidings and environment. He graduated from the Kuala Lumpur College of Art in 1974, later won the “Young Artist Competition” held by “Nanyang Siang Pau” in 1981 and “Malaysian Landscape in Watercolour” in 1982 organised by The National Art Gallery. With more than 30 years of experience in painting, the evolution of art and the freedom of expression could be seen through his masterpieces which Chiang took great influences from the world-famous artist, Van Gogh, Renoir and other 20th century artists.

042 CALVIN CHUA b. Melaka,1955

Wealth, 1986 Watercolour on paper 55 x 74 cm Signed and dated lower left

MYR 2,000 - 3,000 USD 480 - 720 Calvin Chua studied Diploma in Fine Art at KLCA in 1982. Calvin has held a lot of exhibitions in Malaysia, Thailand, Indonesia, Singapore, Hong Kong, Taiwan, Korea and Japan. He also held his solo exhibition, there’s Lobby Centre at NSTP Kuala Lumpur in 2006. A few major exhibitions listed are Pameran Titian II (National Art Gallery in Bangkok in 1989, Watercolor in Asia by Art Base in Singapore in 1990, The 8th Asian Watercolor Confederation in Bali/Jakarta in 1993, The 11th Asian Watercolor Confederation in Hong Kong in 1996, Asian Pacific Watercolor Painting Confederation Exhibition in Taipei in 1999, Image Of Malaysia & India in New Delhi in 2001, Colors of Malaysia in Aman, Jordan in 2003 and 7th International Watercolour Exhibition in Nigata, Japan in 2007.

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043 YONG CHENG WAH b. Penang, 1943 - d. 2017

Orchid, 2002 Watercolour on paper 50 X 74 cm Signed and dated, lower right

MYR 1,200 - 2,000 USD 260 - 480

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The late Yong Cheng Wah was a prominent figure in the Malaysian visual arts scene. He was the son of legendary artist, Yong Mun Sen. His works are collected by the National Art Gallery of Malaysia, Bank Negara, the French National bank, Paul Getty and Malaysia’s first Prime Minister, Tunku Abdul Rahman. His success earned him a three time feature on the Who’s Who in Art list and numerous prizes for art. His early batik artworks along with oil and watercolour paintings are a testament to his extraordinary skills in manipulating the medium with his signature technique. His works are often a piece of his memory

044 CHUAH PHAIK HOON b. Perak, 1973

Prosperity No. 3, 2021 Watercolour on paper 36 x 36 cm Signed and dated lower right

MYR 3,300 - 5,000 USD 790 - 1,200

Chuah Phaik Hoon has a Diploma in Fine Arts from the Kuala Lumpur College of Art (KLCA) in Kuala Lumpur, Malaysia. As her paintings reflect harmony, humbleness, community and happiness, she has always been interested in art. As a member of the Malaysia Watercolour Society, Chuah has participated in numerous group exhibitions and won many art awards, including Philip Morris Art Awards, Honorable Mention Awards 2000, Anugerah Insentif Pamera Terbuka 2015, Gallery Shah Alam. Some of her recent exhibitions include “Blossoms” Exhibition of Malaysian Art Groups, Li Chi Mao Art Museum 2018, Art Festival at City Art Gallery at Li Chi Mao Art Museum, Kuala Lumpur, “Pameran Terbuka 2019” by Galeri Shah Alam, and more. Among her collectors are YB Elizabeth Wong and Tun Daim Zainuddin.

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045 CHUAH PHAIK HOON b. Perak, 1973

Transmutation 7, 2021 Collage and mixed media on canvas Diameter 50 cm Signed and dated below

MYR 3,000 - 5,000 USD 720 - 1,190 Chuah Phaik Hoon has a Diploma in Fine Arts from the Kuala Lumpur College of Art (KLCA) in Kuala Lumpur, Malaysia. As her paintings reflect harmony, humbleness, community and happiness, she has always been interested in art. As a member of the Malaysia Watercolour Society, Chuah has participated in numerous group exhibitions and won many art awards, including Philip Morris Art Awards, Honorable Mention Awards 2000, Anugerah Insentif Pamera Terbuka 2015, Gallery Shah Alam. Some of her recent exhibitions include “Blossoms” Exhibition of Malaysian Art Groups, Li Chi Mao Art Museum 2018, Art Festival at City Art Gallery at Li Chi Mao Art Museum, Kuala Lumpur, “Pameran Terbuka 2019” by Galeri Shah Alam, and more. Among her collectors are YB Elizabeth Wong and Tun Daim Zainuddin.

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046 GOH LYE HOCK b. Kedah, 1963

Lotus, 2013 Oil on canvas 31 x 31 cm each (Triptych) Signed and dated lower right

MYR 2,500 - 3,000 USD 600 - 720 Goh graduated from Kuala Lumpur College of Art in 1985. Goh is famous for making ordinary scenes and images based on his style, utilizes acrylic as his main medium and transform them to be intense in emotions and colours.The artist has taken part in various exhibitions in a few different countries, including Singapore, Indonesia,The Philippines, China, Mongolia, Taiwan, Hong Kong, Macau and Japan. He was awarded the Young Contemporary Artists by National Art Gallery Malaysia in 1985 and Philip Morris Honourable Mention in 2003.

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047 YAP CHIN HOE b. Selangor, 1970

Truly Yours II, 2010 Oil on canvas 61 x 76 cm Signed lower left

Yap Chin Hoe has been a full time artist since he graduated from the Malaysian Institute of Arts in 1991. He has finessed a refreshing contemporary interpretation of classical Western still- life - the Oriental antiquewares bring grace and poise to an otherwise traditional theme. Intricate details - the fluttery of dragonfly wings,a light, red flower and the detailed design on the bowl, it has given a sign of a more vivid palette that have infused his recent artwork with new vitality.

MYR 4,900 - 6,000 USD 1,170 - 1,430

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048 LEONG HOCK KHOON b. Melaka

Peranakan House Series, 2007 Acrylic on canvas 61 x 61 cm Signed and dated lower right

MYR 2,000 - 3,000 USD 480 - 720 58

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049 LUI CHENG THAK b. Negeri Sembilan, 1967

Jalan Lekir, Melaka, 2020 Oil on canvas 61 x 51 cm Signed and dated lower left

MYR 5,500 - 8,000 USD 1,320 - 1,910

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Lui Cheng Thak stands among Malaysia’s foremost fine artists. He holds a Diploma in Art and Design from the Kuala Lumpur College of Art in 1989. The theme surrounding Lui’s work revolves around history and heritage as he is very much involved with working around historical buildings, structures and street life around the country. Lui Cheng Tak has participated in numerous solo exhibitions, his first being the ‘Our Heritage’ exhibition at Rusli Hashim Fine Art in Kuala Lumpur, in 2001. In 2006, the artist presented the ‘As I Was Passing II’ exhibition at Gallery Citra. Lui’s other solo exhibitions includes ‘Old Time, Old Faces’ at the NNB Gallery, Johor in 2008, ‘Reborn’ at the Pinkguy Art Gallery in 2012, ‘Colour Crazy’ at Pinkguy Art Gallery in 2013, ‘Circles: Cheng Thak, Lui, Nostalgia and Collective Memory’ at White Box Map @ Publika in 2014 and ‘Bayang’ at the Pinkguy Art Gallery in 2015. In 2019, Lui Cheng Thak participated in Art Expo - ‘Beautiful Days - Memories Are Forever The Art of Lui Cheng Thak’

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050 ENG KHOON

Creation Daun Pisang 14, 1998 Mixed media on canvas 35,5 x 28 cm Signed and dated lower right

MYR 2,000 - 4,000 USD 480 - 960 62

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051 WONG JONG NONG b. Singapore, 1944 - d. 2010

Asian Faces & Places, 2000

Wong Jong Nong enjoyed rural and hilly scenery, coastal areas and river scenes, mostly in a small group. He would paint the scene according to part-reportage and part-interpretation once he chose his “angle” to anchor his composition, with an eye to the artistic elements as he had trained him to do with his Fine Art training at the Nanyang Academy of Fine Art in Singapore, 1964.

Oil on canvas 49 x 39 cm Signed and dated lower right

MYR 4,000 - 5,000 USD 960 - 1,190 RAFFLES AUCTION - FEBRUARY 2022

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052 ISMAIL LATIFF b. Melaka,1955

Paya Gambir, 2014 Acrylic on paper 29 X 19 cm Signed below

MYR 1,000 - 2,000 USD 240 - 480

Ismail Latiff was born in Melaka, in 1955. He graduated with a Diploma in Art & Design from MARA institute of Technology (UITM) in 1979. He won the Frank Sullivan Prize in the graphic art section of the Salon Malaysia art competition held by the National Art Gallery Malaysia. As an artist, he was nominated Young Illustrator of Asia in Japan in 1981 and won first prize at the Biennale of Visual Arts, Seychelles in 1992.

The year 1989 was a prolific year for Ismail’s career as he took part in three separate exhibitions, the first being at The First ASEAN Travelling Exhibition in Paintings, Photography & Children’s Art, that took place in numerous cities; Jakarta, Kuala Lumpur, Bangkok, Manila, his homeland and Singapore, to name a few. His second stint of the year was at the 3rd International Asian European Art Biennial Exhibition that took place at the State Museum of Fine Arts, Ankara, Turkey. The very same year, he exhibited at the Osaka Triennial ’90 International Competition of Painting at My Dome Osaka, Japan.

The subjects of earth, light, wind and water based landscapes have always been his trademark. Ever the magician who weaves magic on his canvas, Ismail Latiff features a harmonious blend of colours, creating a motion-like masterpiece on canvas. This is the type of scene that one encounters only in dreams or in the figments of the imagination, but very difficult to put into words and even tougher to revisualise. There’s much to unfold with Ismail’s works but that’s the beauty of it. The artists treats his viewers to a visual orchestra, transporting them to an enigmatic and mythical realm.

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053 ISMAIL LATIFF b. Melaka,1955

Energi Garis Merapi No: 02, 2000 Acrylic on paper 38 X 28 cm Signed lower right

MYR 1,500-2,500 USD 360 - 910

Ismail Latiff was born in Melaka, in 1955. He graduated with a Diploma in Art & Design from MARA institute of Technology (UITM) in 1979. He won the Frank Sullivan Prize in the graphic art section of the Salon Malaysia art competition held by the National Art Gallery Malaysia. As an artist, he was nominated Young Illustrator of Asia in Japan in 1981 and won first prize at the Biennale of Visual Arts, Seychelles in 1992.

The year 1989 was a prolific year for Ismail’s career as he took part in three separate exhibitions, the first being at The First ASEAN Travelling Exhibition in Paintings, Photography & Children’s Art, that took place in numerous cities; Jakarta, Kuala Lumpur, Bangkok, Manila, his homeland and Singapore, to name a few. His second stint of the year was at the 3rd International Asian European Art Biennial Exhibition that took place at the State Museum of Fine Arts, Ankara, Turkey. The very same year, he exhibited at the Osaka Triennial ’90 International Competition of Painting at My Dome Osaka, Japan.

The subjects of earth, light, wind and water based landscapes have always been his trademark. Ever the magician who weaves magic on his canvas, Ismail Latiff features a harmonious blend of colours, creating a motion-like masterpiece on canvas. This is the type of scene that one encounters only in dreams or in the figments of the imagination, but very difficult to put into words and even tougher to revisualise. There’s much to unfold with Ismail’s works but that’s the beauty of it. The artists treats his viewers to a visual orchestra, transporting them to an enigmatic and mythical realm.

RAFFLES AUCTION - FEBRUARY 2022

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054 TAYEP YOP b. Penang, 1931

Siri Samudera, 2008 Acrylic on canvas 102 x 76 cm Signed and dated lower right

MYR 4,000 - 5,000 USD 960 - 1,200

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Tayep Yop is one of few Northern Malay artist active in communicating to the world with his art. Started as Batik artists in the 60’s, when opportunity struck him during the Festival of Penang in 1970.

His enthusiasm has brought him to California, representing Malaysia in Batik Painting Festival in 1978. SInce then, the artist had done more than 100 exhibitions throughout Malaysia. His work carries certain distinctive identities influenced by motives and shapes of Malay cultures object, kites, batiks, carvings of traditional houses and nature.

By late 80’s his development moves towards surrealism of landscape green jungles with Conglomerate of very imaginative colours that are coherently organized. The 90’s and beyond 2000, he sensed a lot of spiritual connection with khat, the Islamic calipgraphies. It was only then he proceed with his strong vibrant colours of known identities.

055 FAIZAL SIDIK b. Selangor, 1978

Surah Al Hasyr Ayat 23, 1999 Mixed media on board 70 x 30 cm

MYR 800 - 1,000 USD 190 - 240 Born in Petaling Jaya, Selangor in 1978, artist Faizal Sidik graduated from University Teknologi MARA, where he majored in fine arts. He then pursued a masters degree in Visual Art (Southeast Asia) at University of Malaya, under the tutelage of distinguished artist Redza Piyadasa.

Faizal has partaken in numerous solo exhibitions, including; “Faizal Sidik: Drawing 1996-2006” in 2006 at the MTDC Multimedia Academy Art Gallery, Serdang; “Sublime Weave I”, at Leonardo Kuala Lumpur in 2010; “Sublime Weave II”, at KLPAC, Kuala Lumpur in 2012. The artist also received the Young Contemporary Art Award (YCA) in 2000 by the National Visual Art Gallery of Malaysia. Faizal was a lecturer at various art institutions for nearly ten years, some of which include Universiti Teknologi MARA (UiTM) Shah Alam, MTDC Multimedia Academy, Art Film Design Academy (AFDA) and SEGi University College.

From 2000 to present Faizal has curated or co-curated numerous exhibitions including “Conceptual Art: National Visual Art Gallery of Malaysia Collection” at National Visual Art Gallery (2012). He also active in contributing writing for Senikini, Arteri, Set, Dewan Budaya, Berita Harian, Berita Mingguan and art blog. He is also an assistant editor of Senikini magazine. In 2013 Faizal was co-curator of the 4th Singapore Biennale.

Faizal’s works has consistently explored the idea of collective conscience. His repertoire extended to sketches, drawing, mixed media, paintings and sculptures. The artist strongly believes in the medium of drawing and sketches stimulate the eyes of the beholder. Through drawings, the artist tackles issues that is close to his heart, such as war which happened from 1996 to 2004. Faizal documented the plight and turbulence of the war which occurred in Balkan countries such as Bosnia, Palestine and Iraq through his works. The artist recent works, as he claims, are much different, owed to the shift in his thinking process, inspired by the suggestions of German philosopher, Immanuel Kant.

Through his works, Faizal offers a transcendent experience which includes aesthetics and sensation.

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056 KHOO SUI HOE b. Kedah, 1939

Memo: The Clouds Captured III ED 29/60 Lithograph on paper 55 x 55 cm Numbered, titled, signed and sealed below

MYR 3,800 - 6,000 USD 920 - 1,440 Khoo Sui Hoe attended the Nanyang Academy of Fine Arts in Singapore in 1959 and has chosen to further his studies at the Pratt Graphic Centre in New York. In 1974, he was awarded a scholarship grant from the John D. Rockefeller 3rd Fund to study the development of contemporary art. Known for creating imaginary dream-like scenes, Sui Hoe’s paintings often entice calmness and deep thoughts.artist, Sui Hoe won First Prize in Oil for the Malaysian Art & Craft competition in 1965, obtained Honourable Mention for the Salon Malaysia (1969) and twice received Certificate of Merits for the Asian Art Now, Las Vegas Art Museum (2002 & 2004). He had his first one-man show in 1965 and since has had over exhibitions all over the world. He recently has a solo exhibition at the Wisma Kebudayaan SGM. 68

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057 MAT ALI MAT SOM b. Kuala Lumpur, 1975

Belago, 2012 Acrylic on canvas 37 x 152 cm Signed and dated lower right

MYR 3,900 - 5,000 USD 930 - 1,200 Mat Ali graduated from University Technology Mara (UITM) with a Bachelor of Fine Art in 1998. His love for Malay traditional martial arts, Silat, has been extended to the notion of creative manifestation. A fine sculptor, Mat Ali captures this tradition on canvas as well. His paintings of warriors have often captured the movement and energy that is the basis of Silat in itself. Mat Ali has participated in numerous exhibitions including the ‘Young and New’, House of Matahati (2009), his solo show ‘Dendam Tak Sudah’, Metro Fine Art Gallery (2010), ‘Artriangle’, National Art Gallery Malaysia (2010), ‘A Meter Diameter’, House of Matahati (2012), and ‘Lineage’, Art Accent Gallery (2012).

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058 LIM KOK PENG b. Kedah, 1975

Lone Ranger, 2014 Acrylic on canvas 50 x 46 cm Signed and dated lower right

MYR 1,200 - 1,900 USD 290 - 450

059 LIM KOK PENG b. Kedah, 1975

Time Series, 2012 Acrylic on paper 77 x 58 cm Signed and dated lower right

MYR 1,800 - 3,800 USD 430 - 910

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060 KELVIN CHAP

b. Padang, Indonesia 1974

Subculture Series, 2005 Mixed media on canvas 57 x 57 cm Signed and dated lower right

MYR 1,900 - 3,000 USD 456 - 720

Kelvin Chap is an Indonesia-born artist, who studied Diploma (Fine Art), Malaysian Institute of Fine Art from 1992 to 1994. He was awarded 1st Prize in the Swatch Street Painting Competition based on the theme, Spirit of Our Times in 1994, Honourable Mention, Phillip Morris Malaysia Art Awards in 1995, Honourable Mention, Phillip Morris Malaysia Art Awards in 1996, Honourable Mention, Phillip Morris Malaysia Art Awards in 1997, Juror’s Choice, and Phillip Morris Malaysia Art Awards in 2001. Kelvin had held few solo exhibitions, among there are Belawing And The Great Mamat, Pelita Hati Gallery Of Art, Malaysia in 1996, Idea # 9,Pelita Hati Gallery Of Art, Malaysia in 2000, Planet Of The Masks 2002, Aoyama Gallery, Malaysia in 2002 and Old Masks, Modern Man, Maison of Malaysian Art (MoMA) Fine Arts Gallery, Kuala Lumpur, Malaysia in 2011.

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061 ALIAS YUSSOF b. Kelantan, 1958

Semangat Senja, 2020 Mixed media on paper 48 x 73 cm Signed and dated lower right and on the reverse

MYR 2,500 - 4,000 USD 600 - 960

Alias Yussof visually translates not only the landscapes that refer to the natural world by extracting the geometrical shapes of the structural floor plans of a building but the urban landscape paintings about human habitation on his artworks. As an artist, he selects the scene, settings, and the stage for views to bring their imagination and private interpretation that recreate a personal juxtaposition of the newly discovered colours which represents the culture and sensibility of the people that inhabit these places. Alias has participated in various exhibitions in Malaysia, the USA, and Bangladesh. He has won several design awards, namely Design Awards, and Diamond Today Award. Moreover, he has done some commissioned works for corporate bodies and held his own solo exhibitions, including ‘Juxtapose’ in 1995, ‘Uprising’ in 2008, and ‘New Painting New Beginnings’ in 2014. Alias’ artworks have become a collection for private collectors from around the world, namely the Deutsche Bank Kuala Lumpur, WIFE Headquarters Kuwait, Embassy of Poland, Malaysia, Sime Darby Engineering, Kelantan Art Sabah, Rosli Dahlan of Allen & Gledhill, Al Rajhi Bank Kuala Lumpur, Crystaville Group of Companies, HDC (Halal Development Corporation), and many more.

062 ALIAS YUSSOF b. Kelantan, 1958

Langit Merah Berwarna Sendu, 2020 Mixed media on paper 49 x 74 cm Signed and dated lower right and on the reverse

MYR 2,500 - 4,000 USD 600 - 960

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063 TING CHO CHIEN b. Sarawak, 1970

Silent Morning Series, 2001 Acrylic on canvas 43 x 23 cm Signed and dated lower right

MYR 4,500 - 6,000 USD 1,070 - 1,430 Ting Cho Chien obtained a Diploma in Fine Art from Central Academy of Art, Malaysia in 1987. Chien was awarded the ‘Cornucopia of Malaysia Arts’ (Metropolitan Gallery of Fine-art) in 1996 and Pertandingan Karya Seni Kreatif Kebangsaan PNB in 1997. Some of his solo and group exhibitions include 1997 ‘Love’s Providence’ at Gallery Wan, Kuala Lumpur, Malaysia; 2004 ‘‘Batik’ from Neighbour’ at Vanessa Art House & Galeri Santi, Jakarta, Indonesia; 2017 ‘Three’s a Crowd’ group exhibition at The Gallery @ Star Hill, Kuala Lumpur and 2018 The Gallery @ Star Hill 20th anniversary group show, Kuala Lumpur. Chien’s work is held in private collections worldwide including Malaysia, U.S., China, Taiwan, Singapore, Sweden, Australia, France, Holland, England, Indonesia and other countries globally.

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064 TAN THEAN SONG b. Kedah, 1946 - d. 2017

Ladies in Batik Sarong Batik 88 x 62 cm Signed lower left

Tan Thean Song is a batik artist that received formal art training in Nanyang Academy of Fine Arts, Singapore (NAFA). Besides batik painting, he uses watercolour and Chinese ink. Tan is a recipient of numerous awards including the first prize in the Malaysian Young Artists Art Competition in 1964 and a second prize in Salon Malaysia Art Competition. He has held solo exhibition in Adelaide Expo and Penang, as well as being involved in several group exhibitions in Malaysia and Singapore.

MYR 2,500 - 4,000 USD 600 - 960 RAFFLES AUCTION - FEBRUARY 2022

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065 MUHAMAD JUSOH b. Kelantan, 1952

Senja, 1986 Batik 58 x 70 cm Signed and dated lower left

MYR 1,500 - 2,000 USD 360 - 480 Muhamad Jusoh is a batik artist who joined local art society (PESENI) in 1983. He is currently the president of PESENI (1997 - current). He has participated in numerous exhibitions and conventions since the 1980s such as in 2011, Konvensyen Batik Antarabangsa, Kuala Lumpur Convention Centre, Pameran Lambaian Kelantan III 2012-PESENI-City Art Gallery 2012, “The Soulscapes of the East”. Malaysia Affordable Art Gallery, KL Sentral 2013 and more. Some of the awards he received include “Penghargaan Karyawan Kelantan 2013” and “Saguhati Pertandingan Khat 2013” by Majlis Agama Islam Kelantan.

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066 MAZUKI MUHAMMAD b. Kelantan, 1977

Pertarungan Burung, 2012 Batik 105 x 112 cm Signed and dated lower left

MYR 3,000 - 5,000 USD 720 - 1,200 Mazuki Muhammad is a Kelantanese artist who is in the same generation as Ismail Kadir, Mokhtar Ishak and Mahmood. The artist has his own style, apart and shifting away from being similar to Ismail Mat Hussin, Mazuki always build the beauty of his artworks by not just focusing on the main object, but also the side objects and environment which are able to make one ‘feels’ the artwork by viewer’s ve sensors. The artist has participated in numerous exhibitions and competitions, such as the Plein Air Challenge 2016 organised by People of Remarkable Talent (PORT), Plein Air session 2015 and exhibitions of his artworks at Desa Park City.(20160 by Art Gallery And Frame.

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067 CHUAH SEOW KENG b. Kelantan, 1945

Sunset, 2010 Batik 41.5 x 44 cm Signed and dated lower left

MYR 4,500 - 6,000 USD 1,070 - 1,430

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Chuah Seow Keng is recognised as one of Malaysia’s leading artists and is known for his work on batik (a traditional fabric closely associated with Malaysian culture) and watercolour paintings. Chuah was awarded a scholarship to study at the Suddeutsche Kunststoff-Zentrum, Wurzburg, Germany in 1968 specialising in fiberglass sculptures.

Chuah was first exposed to the art of batik painting by this father Dato’ Chuah Thean Teng, The Father of Batik Painting, who pioneered batik art in Malaysia. Chuah’s mastery of this medium was recognised early on and he was selected to demonstrate his batik skills at the International Freundschaftheim in Buckeburg, Germany. Batik is an especially difficult medium to work with as its thin fibers absorbs ink on contact, allowing no room for errors.

In recognition of his artistic talents, two of Chuah’s batik paintings, ‘Rural Life’ and ‘Fish’, were selected by the United Nations International Children’s Funds (UNICEF) for their greeting cards in 1988, and in 1989, Chuah was awarded the Certificate of Excellence for Outstanding Achievement at the Artitudes 7 th International Art Competition, New York, United States.

068 FATIMAH CHIK b. Johor, 1947

Shiboritik Series, 1998 Batik 51 X 43 cm Signed and dated lower right

MYR 2,200 - 2,800 USD 530 - 670

Celebrated Malaysian artist Fatimah Chik trained at the MARA School of Art and Design as a textile designer and was born in 1947 in Pontian, Johor. She began experimenting in batik designs from the mid 1970’s and it was then when she started dabbling in infusing varied motifs into her artworks, birthing a style that was entirely her own. Fatimah Chik’s coveted and brilliant Nusantara Series are highly ornate, structured with its luxurious texture and at most times, the way it is created – blocks, waxing, hand painting, dyeing to add more value to it. The artist has wonderfully revolutionised and brought batik to greater heights by co-mixing the old-style of crafting symbolic batik with new art forms to fit into the category of contemporary fine art. Her creations break the barriers between the physical, religious and racial differences among people. Throughout her artistic career, Fatimah maintained her role as an educator at the Mara Institute of Technology and later at the Malaysian Institute of Art. Fatimah is venerated in the Malaysian art and fashion scene and her expertise is valued as a judge at competitions such as the Piala Seri Batik Design Competition in 2015. Not long after graduation, she married her former art history professor, Redza Piyadasa. Piyadasa, who died in 2007, was a renowned artist, art critic and educator who is credited with initiating the debate on the national artistic identity of Malaysia.

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069 FATIMAH CHIK b. Johor, 1947

Untitled, 1983 Batik 67 X 54 cm Signed and dated lower right

MYR 3,800 - 4,500 USD 910 - 1,080

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Celebrated Malaysian artist Fatimah Chik trained at the MARA School of Art and Design as a textile designer and was born in 1947 in Pontian, Johor. She began experimenting in batik designs from the mid 1970’s and it was then when she started dabbling in infusing varied motifs into her artworks, birthing a style that was entirely her own. Fatimah Chik’s coveted and brilliant Nusantara Series are highly ornate, structured with its luxurious texture and at most times, the way it is created – blocks, waxing, hand painting, dyeing to add more value to it. The artist has wonderfully revolutionised and brought batik to greater heights by co-mixing the old-style of crafting symbolic batik with new art forms to fit into the category of contemporary fine art. Her creations break the barriers between the physical, religious and racial differences among people. Throughout her artistic career, Fatimah maintained her role as an educator at the Mara Institute of Technology and later at the Malaysian Institute of Art. Fatimah is venerated in the Malaysian art and fashion scene and her expertise is valued as a judge at competitions such as the Piala Seri Batik Design Competition in 2015. Not long after graduation, she married her former art history professor, Redza Piyadasa. Piyadasa, who died in 2007, was a renowned artist, art critic and educator who is credited with initiating the debate on the national artistic identity of Malaysia.

070 TAN PENG HOOI b. Penang, 1942

Peace Doves, 2013 Oil on canvas 46 x 51 cm Signed and dated lower right

MYR 5,000 - 7,000 USD 1,190 - 1,670

Tan Peng Hooi is one of Malaysia’s established artists. Tan has a strong artistic reputation as he has his own original way of expressing his ideas in his body of work which he derived through his keen perception senses as well as his unique sense of observation of nature. His works are known to have been widely influenced by John Constable and J M Williams Turner, who are both very renowned British artists during his time. His artworks are known to be primarily involved with oil. Most of his works are ‘lively’ in that, he projects the beauty of rural life that include the likes of ducks, doves and the sea through his body of work. He has participated in countless group exhibitions as well as his own solos. Some of his works have already been inducted into the permanent collection of major art spaces like Bank Negara, Penang State Art Gallery, National Art Gallery and others.

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071 TAI SUK HIAN b. Melaka, 1968

Wondering About, 1996 Oil on canvas 61 x 51 cm Signed and dated below

MYR 2,800 - 5,000 USD 670 - 1,200 Born in 1968, Suk Hian-Tai’s creative work was largely inspired by the 1980s. The 1980s were a turbulent period culturally, and were marked by growing global capitalism, global mass media, significant discrepancies in wealth, alongside a distinctive sense of music and fashion, epitomised by electronic pop music and hip hop. Artists growing up during this time were heavily influenced by this cultural atmosphere.

The 1980s were a significant decade in terms of politics, marked by the African Famine and the end of the Cold War, which was signified by the fall of the Berlin Wall in 1989. Neo Geo and The Pictures Generation became leading art movements during the decade, alongside Neo-Expressionism which became well-known in Germany, France and Italy (where it was known as Transavanguardia). Artists such as Anselm Kiefer, Jörg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel were leading artists of the era, alongside Jean-Michel Basquiat, Keith Haring and Kenny Scharf, who established the street art and graffiti movements.

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072 TAI SUK HIAN b. Melaka, 1968

Twilight in the Wilderness, 1996 Oil on canvas 91,5 x 124 cm Signed and dated below

MYR 6,000 - 8,000 USD 1,440 - 1,920 Born in 1968, Suk Hian-Tai’s creative work was largely inspired by the 1980s. The 1980s were a turbulent period culturally, and were marked by growing global capitalism, global mass media, significant discrepancies in wealth, alongside a distinctive sense of music and fashion, epitomised by electronic pop music and hip hop. Artists growing up during this time were heavily influenced by this cultural atmosphere.

The 1980s were a significant decade in terms of politics, marked by the African Famine and the end of the Cold War, which was signified by the fall of the Berlin Wall in 1989. Neo Geo and The Pictures Generation became leading art movements during the decade, alongside Neo-Expressionism which became well-known in Germany, France and Italy (where it was known as Transavanguardia). Artists such as Anselm Kiefer, Jörg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel were leading artists of the era, alongside Jean-Michel Basquiat, Keith Haring and Kenny Scharf, who established the street art and graffiti movements.

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073 JOHN OH

b. Kuala Lumpur, 1967

Facing The Challenge, 2021 Acrylic on paper 56,5 x 80,5 cm Signed and dated lower right

MYR 4,500 - 6,000 USD 1,070 - 1,430 John Oh is a Malaysian full time artist and the founder of Kajang Art Heritage Gallery and Sky Gallery, Atmosphere 360, KL Tower. Not only that, John is also the founder of the Contemporary Malaysian Watercolourist Association from 1993 - 1997 as well as a professional artists that travels through Cambodia, Vietnam and Indonesia. Moreover, he has been actively involved in the field of performing art as a violinist in the Malaysia Philharmonic Orchestra Outreach. Besides, John’s works have been a great collection by many art collectors including Bank Negara Malaysia, Hong Leong Group, Maybank, Hong Kong Shanghai Bank, Royal Selangor Pewter, Wisma Schofin, Shell Holiday Inn Shah Alam, Sri Damansara Club Private Collectors and Crace Church, Kepong.

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074 ERIC QUAH b. Perak, 1946

Praise, 2000 Mixed media on canvas 100 x 100 cm Signed and dated lower right

MYR 7,000 - 9,000 USD 1,680 - 2,160

Eric Quah is an artist who uses art as a representation of his life journey as he has lived in many countries throughout his life, which include his home in Malaysia, Australia, New Zealand and China while travelling to other continents across Asia and to Europe.

Eric’s works were known to see gradual change as he travelled more throughout his life.

He now continues his art in Penang where he draws out his memories and injects them into his paintings and artwork. His past works and records see him travelling to many parts of the world where he has previously been the an art teacher in Malaysia. He also studied under the old Malaysian greats namely Lee Cheng Yong, Chuah Thean Teng and Chia Hui Kiam while he also studied and practiced art in Austrlia. He is the founding president of the Asia Pacific Art Organization and had previously visited Istanbul, New Delhi, Myanmar, Cambodia and Thailand, among many other countries.

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075 LIM AH CHENG b. Selangor, 1968

Leadership Series, 2009 Mixed media on canvas 61 x 61 cm Signed and dated lower right and on the reverse

MYR 3,900 - 5,000 USD 930 - 1,190 Lim studied in Malaysia Institute of Art (MIA), Kuala Lumpur till year 1990. He was trained under Mr Chong Chen Chuan (Then Chairman of the Calligraphy Society of Malaysia) in 1995. He was awarded Free Diploma Scholarship, Malaysia Institute of Art, 1988 and Initiative Award 1997 and Galeri Shah Alam, 1997. His subject matter is not isolated to things of the oriental, but is global and progressive in perspective. Today, the main subject matter that Lim employs is that of a horse, as he appreciates them for their strength, beauty and poetic movement, and aspires to bring out their spirituality in his works. Lim was held a lot of solo exhibitions around Kuala Lumpur, Penang and Singapore since 1996.

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076 SAMSUDIN MOHAMAD b. Perak, 1962

Balinese Dancer, 1997 Oil on canvas 48 x 48 cm Signed and dated lower right

MYR 2,500 - 3,500 USD 600 - 840

Samsudin Mohamad ventured into the working world in 1980 as an illustrator. He then moved on to be a graphic artist for a few years before becoming a full-time painter in 1986. Later, in 1993- 1994, he pursued Creative Arts at Universiti Sains Malaysia.

Samsudin’s painting style is known to evolve with time, reflecting his journey in life. As such, with the new chapters, environments, and responsibilities, he has developed a portfolio comprising artworks in mediums from watercolour and oil to acrylic and charcoal. The artist paints what he sees and feels, and one of his favourite subjects is humans, unique with their personalities and emotions.

Throughout the years, Samsudin’s works have been featured in Malaysia and internationally, including at the Malay Cultural Village, Singapore, 1989; an artist exchange programme in Ubud, Bali, 1997; PETRONAS Gallery, Kuala Lumpur, 1997; Japan & Asean Art Festival, Bangkok, 2003; and Open Air Show, Bulgaria, 2014.

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077 SAMSUDIN MOHAMAD b. Perak, 1962

Portrait, 2005 Oil on canvas 46 x 46 cm Signed and dated lower right

MYR 2,500 - 3,500 USD 600 - 840

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Samsudin Mohamad ventured into the working world in 1980 as an illustrator. He then moved on to be a graphic artist for a few years before becoming a full-time painter in 1986.

Later, in 1993- 1994, he pursued Creative Arts at Universiti Sains Malaysia.

Samsudin’s painting style is known to evolve with time, reflecting his journey in life. As such, with the new chapters, environments, and responsibilities, he has developed a portfolio comprising artworks in mediums from watercolour and oil to acrylic and charcoal. The artist paints what he sees and feels, and one of his favourite subjects is humans, unique with their personalities and emotions.

Throughout the years, Samsudin’s works have been featured in Malaysia and internationally, including at the Malay Cultural Village, Singapore, 1989; an artist exchange programme in Ubud, Bali, 1997; PETRONAS Gallery, Kuala Lumpur, 1997; Japan & Asean Art Festival, Bangkok, 2003; and Open Air Show, Bulgaria, 2014.

078 KHOO SUI HOE b. Kedah, 1939

A Performer, 1995 Oil on canvas 22.5 x 25.5 cm Signed lower left and on the reverse

MYR 6,500 - 8,000 USD 1,560 - 1,920

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079 SAMSUDIN MOHAMAD b. Perak, 1962

Nude, 2000 Oil on canvas 61 x 51 cm Signed and dated lower left

MYR 2,500 - 4,000 USD 600 - 960

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Samsudin Mohamad ventured into the working world in 1980 as an illustrator. He then moved on to be a graphic artist for a few years before becoming a full-time painter in 1986. Later, in 1993- 1994, he pursued Creative Arts at Universiti Sains Malaysia.

Samsudin’s painting style is known to evolve with time, reflecting his journey in life. As such, with the new chapters, environments, and responsibilities, he has developed a portfolio comprising artworks in mediums from watercolour and oil to acrylic and charcoal. The artist paints what he sees and feels, and one of his favourite subjects is humans, unique with their personalities and emotions.

Throughout the years, Samsudin’s works have been featured in Malaysia and internationally, including at the Malay Cultural Village, Singapore, 1989; an artist exchange programme in Ubud, Bali, 1997; PETRONAS Gallery, Kuala Lumpur, 1997; Japan & Asean Art Festival, Bangkok, 2003; and Open Air Show, Bulgaria, 2014.

080 M KHAIRIL HUSSIN b. Kelantan, 1991

Dapur, 2015 Oil on canvas 60 x 91 cm Signed and dated lower left

MYR 1,000 - 2,000 USD 240 - 480

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081 HENG EOW LIN b. Kedah, 1946

Mother’s Love II, 2011 Oil on canvas 80 x 80 cm Signed and dated lower right and on the reverse

MYR 2,500 - 4,500 USD 600 - 1,080

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Heng Eow Lin is a Malaysian artist-sculptor is a graduate of the prestigious Nanyang Academy of Art where despite the calling for the commercial world, he knew very well what he wanted in life and set out to become a full-time artist, something he has been doing for the last 3 decades. When studying at Nanyang, Heng was guided by Lim Yew Kuan and Georgette Chen where he started off learning how to draw portraits.

He would then tour Europe for a year where he painted portraits for income. His works are known to be in the beauty of life in the human form. Hence, it is common to see a lot of human figures and images in Heng’s works.

Such is the essence of Heng’s body of work that he uses his techniques marvelously in his expressions not only through paintings but also in his sculptures as well.

Since establishing himself as an artist, Heng has travelled the world where his works have been seen in major public and private galleries throughout. Among some of his notable works were exhibited in the likes of the Penang State Gallery, the Della Butcher Gallery in Singapore’s Hyatt Regency Hotel while h has also been involved in group exhibitions like the Asian International Art Exhibition in Singapore, the Southern Thailand Art Group Exhibition in Bangkok, the Asian International Art Exhibition in Taiwan, the Asian International Art Exhibition in Indonesia while they have also been seen in parts of Europe like London, France and Switzerland.

082 HENG EOW LIN b.Kedah, 1946

Mother’s Love I, 2012 Oil on canvas 100 x 100 cm Signed below

MYR 3,800- 6,800 USD 910 - 1,630

Heng Eow Lin is a Malaysian artist-sculptor is a graduate of the prestigious Nanyang Academy of Art where despite the calling for the commercial world, he knew very well what he wanted in life and set out to become a full-time artist, something he has been doing for the last 3 decades. When studying at Nanyang, Heng was guided by Lim Yew Kuan and Georgette Chen where he started off learning how to draw portraits.

He would then tour Europe for a year where he painted portraits for income. His works are known to be in the beauty of life in the human form. Hence, it is common to see a lot of human figures and images in Heng’s works.

Such is the essence of Heng’s body of work that he uses his techniques marvelously in his expressions not only through paintings but also in his sculptures as well.

Since establishing himself as an artist, Heng has travelled the world where his works have been seen in major public and private galleries throughout. Among some of his notable works were exhibited in the likes of the Penang State Gallery, the Della Butcher Gallery in Singapore’s Hyatt Regency Hotel while h has also been involved in group exhibitions like the Asian International Art Exhibition in Singapore, the Southern Thailand Art Group Exhibition in Bangkok, the Asian International Art Exhibition in Taiwan, the Asian International Art Exhibition in Indonesia while they have also been seen in parts of Europe like London, France and Switzerland.

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083 SAMSUDIN MOHAMAD b. Perak, 1962

Kasih Ibu, 2001 Oil on canvas 122 x 92 cm Signed and dated bottom middle

MYR 5,500 - 8,000 USD 1,310 - 1,910

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Samsudin Mohamad ventured into the working world in 1980 as an illustrator. He then moved on to be a graphic artist for a few years before becoming a full-time painter in 1986. Later, in 1993- 1994, he pursued Creative Arts at Universiti Sains Malaysia.

Samsudin’s painting style is known to evolve with time, reflecting his journey in life. As such, with the new chapters, environments, and responsibilities, he has developed a portfolio comprising artworks in mediums from watercolour and oil to acrylic and charcoal. The artist paints what he sees and feels, and one of his favourite subjects is humans, unique with their personalities and emotions. Throughout the years, Samsudin’s works have been featured in Malaysia and internationally, including at the Malay Cultural Village, Singapore, 1989; an artist exchange programme in Ubud, Bali, 1997; PETRONAS Gallery, Kuala Lumpur, 1997; Japan & Asean Art Festival, Bangkok, 2003; and Open Air Show, Bulgaria, 2014.

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084 NIZAR KAMAL ARIFFIN b. Pahang, 1964

Puppet Series, 2000 Acrylic on canvas 46 x 46 cm Signed and dated below

MYR 3,000 - 4,000 USD 720 - 960

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Nizar studied Fine Arts and Graphics at University Sains Malaysia in 1986.

He then continued to paint arduously, after graduation and move to Kuala Lumpur in 1993 to paint at Central Market and Angkatan Pelukis SeMalaysia House. In 1998, he became a full-time artist. He first joined the Artists’ Conlay at Kuala Lumpur Craft Complex, then Senika, Pahang’s art society in 1984. The artist has been awarded as the Honorable Mention: Phillip Morris Asian Art Award in two continuous year in 1999 and 2000. Since 1985, He had held more than 20 exhibitions, including the Conlay Artist Group, MAP at Publika, Solaris Dutamas, Kuala Lumpur (2011), Melangkau Ufuk, Antara Langit dan Bumi, Galeri Petronas, Kuala Lumpur (2010), Tampannya Budi, National Art Gallery, Kuala Lumpur (2009), Senika , Hyatt Hotel, Kuantan, Pahang (1985), WWF, DBKL, Kuala Lumpur (1985).

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085 LEE JOO FOR, JOHN

b. Penang, 1929 - d. Australia, 2017

Faces Oil on canvas 31 X 46 cm Signed lower right

MYR 4,000 - 6,000 USD 960 - 1,440 Lee Joo For is one of the leading graphic artist of Malaysia. He was awarded a scholarship by the Malaysian government to study art at the Brighton College of Art. He received additional scholarship to further his studies at the Camberwell School of Art, followed by the Royal College of Art, which only accepts the most outstanding artist from England. Lee was into the practice of sculpture and the varied techniques of printmaking. His works have been collected by many museums and galleries in the United States, England, Australia, Italy, and other countries. Lee has had one man exhibitions at London Commonwealth Institute (1960), International Institute, New York (1969), Kansas University (1969), and Washington Goodwind Mansions (1969). He also represented Malaysia at the Tokyo International Print Exhibition (1966), the Italian Expositions of International Prints (1976), Montreal Expo Combined Exhibitions (1970), and Sao Paolo Combined Exhibition (1970).

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086 LEE JOO FOR, JOHN

b. Penang, 1929 - d. Australia, 2017

The Lover - Faces Oil on canvas 31 X 46 cm Signed below

MYR 4,000 - 6,000 USD 960 - 1,440 Lee Joo For is one of the leading graphic artist of Malaysia. He was awarded a scholarship by the Malaysian government to study art at the Brighton College of Art. He received additional scholarship to further his studies at the Camberwell School of Art, followed by the Royal College of Art, which only accepts the most outstanding artist from England. Lee was into the practice of sculpture and the varied techniques of printmaking. His works have been collected by many museums and galleries in the United States, England, Australia, Italy, and other countries. Lee has had one man exhibitions at London Commonwealth Institute (1960), International Institute, New York (1969), Kansas University (1969), and Washington Goodwind Mansions (1969). He also represented Malaysia at the Tokyo International Print Exhibition (1966), the Italian Expositions of International Prints (1976), Montreal Expo Combined Exhibitions (1970), and Sao Paolo Combined Exhibition (1970).

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101

087 SAMSUDIN MOHAMAD b. Perak, 1962

Seated Nude, 2015 Acrylic on canvas 152 x 152 cm

MYR 5,000 - 6,000 USD 1,190 - 1,430

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Samsudin Mohamad ventured into the working world in 1980 as an illustrator. He then moved on to be a graphic artist for a few years before becoming a full-time painter in 1986. Later, in 1993- 1994, he pursued Creative Arts at Universiti Sains Malaysia.

Samsudin’s painting style is known to evolve with time, reflecting his journey in life. As such, with the new chapters, environments, and responsibilities, he has developed a portfolio comprising artworks in mediums from watercolour and oil to acrylic and charcoal. The artist paints what he sees and feels, and one of his favourite subjects is humans, unique with their personalities and emotions. Throughout the years, Samsudin’s works have been featured in Malaysia and internationally, including at the Malay Cultural Village, Singapore, 1989; an artist exchange programme in Ubud, Bali, 1997; PETRONAS Gallery, Kuala Lumpur, 1997; Japan & Asean Art Festival, Bangkok, 2003; and Open Air Show, Bulgaria, 2014.

088 SAMSUDIN MOHAMAD b. Perak, 1962

Bermain I, 2016 Acrylic on canvas 76 x 102 cm Signed and dated below

MYR 4,500 - 5,000 USD 1,080 - 1,190 Samsudin Mohamad ventured into the working world in 1980 as an illustrator. He then moved on to be a graphic artist for a few years before becoming a full-time painter in 1986. Later, in 1993- 1994, he pursued Creative Arts at Universiti Sains Malaysia.

Samsudin’s painting style is known to evolve with time, reflecting his journey in life. As such, with the new chapters, environments, and responsibilities, he has developed a portfolio comprising artworks in mediums from watercolour and oil to acrylic and charcoal. The artist paints what he sees and feels, and one of his favourite subjects is humans, unique with their personalities and emotions.

Throughout the years, Samsudin’s works have been featured in Malaysia and internationally, including at the Malay Cultural Village, Singapore, 1989; an artist exchange programme in Ubud, Bali, 1997; PETRONAS Gallery, Kuala Lumpur, 1997; Japan & Asean Art Festival, Bangkok, 2003; and Open Air Show, Bulgaria, 2014.

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089 LIM AH CHENG b. Selangor, 1968

Dancers, 2006 Oil on canvas 61 x 61 cm each (Triptych) Signed, below

MYR 5,800 - 6,500 USD 1,390 - 1,550 Lim studied in Malaysia Institute of Art (MIA), Kuala Lumpur till year 1990. He was trained under Mr Chong Chen Chuan (Then Chairman of the Calligraphy Society of Malaysia) in 1995. He was awarded Free Diploma Scholarship, Malaysia Institute of Art, 1988 and Initiative Award 1997 and Galeri Shah Alam, 1997. His subject matter is not isolated to things of the oriental, but is global and progressive in perspective. Today, the main subject matter that Lim employs is that of a horse, as he appreciates them for their strength, beauty and poetic movement, and aspires to bring out their spirituality in his works. Lim was held a lot of solo exhibitions around Kuala Lumpur, Penang and Singapore since 1996.

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105

090 RADUAN MAN b. Pahang, 1978

Tafakur, 2006 Woodcut on canvas 57 x 168 cm Signed, titled and dated on the reverse

MYR 8,500 - 12, 000 USD 2,030 - 2,870 Raduan Man graduated with Bachelors of Design Fine Arts from the University Technology Mara (MARA) in 2000 before going on to obtain a Bachelor’s of Fine Arts (print making) with Honours from MARA. In 2002 Raduan was awarded the Pahang State Foundation Scholarship for his and Masters in Fine Art (painting) from the University of Wolverhampton, UK and in 2007 was once again the recipient of the state scholarship for his Masters in Fine Art (printmaking) from the Camberwell School of Art, UK.Raduan has participated in over 30 group exhibitions and has held 7 solo exhibitions including Fresh Markings, NN Gallery, Kuala Lumpur (2003), Beyond Print – Raduan Man, Gallery Chandran, Kuala Lumpur (2009), and Living Metals, Purple Houz Fine Arts, Petaling Jaya (2012). His recent solo is at White Box Publika, 2017.

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107

091 YAU BEE LING b. Kuala Lumpur,1972

Two Women, 2008 Oil on canvas 77 x 77 cm each Signed and dated on the reverse

MYR 9,000 - 12,000 USD 2,160 - 2,880 Yau Bee Ling studied painting at the Malaysian Institute of Art, graduating in 1995. She has exhibited her artworks in many exhibitions, including the artist’s most recent exhibition at Wei-Ling Contemporary Gallery in March 2013. Yau also exhibited internationally in various oversea location such as Japan, Singapore, Pakistan, China, Hong Kong, Sweden and Bangladesh. Some of the worth mentioned includes her artworks in the 2nd Fukuoka Triennale in 2002 and were exhibited at the Fukuoka Asian Art Museum, Japan; “Soul of Asia: Fukuoka Asian Art Museum Collection” exhibition in Hokkaido Museum of Contemporary Art in 2005. Yau was awarded the Rimbun Dahan, Malaysian – Australian Artist-in-Residence programme. Her artworks is in collection of the Fukuoka Asian Art Museum, Japan and Galeri Petronas, Malaysia.

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109

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092 JANSEN CHOW b. Pahang, 1970

Downtown, 2012 Acrylic on canvas 91 x 91 cm Signed and dated lower right

MYR 3,900 - 6,000 USD 930 - 1,440

Jansen Chow graduated from Kuala Lumpur College of Art on 1991 and further his studies in Art Students League of New York from 1994 to1996. He is the only Asian artist to be so widely recognized for his masterly watercolour and has been awarded 5 Signature Memberships with 5 different watercolor associations: 4 in the United States of America (AWS, NWS, LWS, NEWS) and 1 in Canada (CSPWC). There’s a kind of fluidity in his artworks, which truly entice. His collectors keep his paintings as the subjects are usually places they’ve been to and want to go to or have heard of and read about. In 2016, he has organised his solo show, “Sensibility Excursion”. Jansen concentrates more on oils and acrylics; his palette of hues, his proclivity for specifics, his orientation towards particular leitmotifs and his readiness to articulate individual sensitivities have ripened passionately.

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111

093 JUHARI SAID b. Selangor, 1961

Katak Hendak Jadi Lembu, 1997 ED. 12/20

Woodblock print on paper 70 x 91.3 cm Signed, titled, numbered and dated below

MYR 5,000 - 7,000 USD 1,200 - 1,680 Juhari Said graduated from UiTM (Universiti Teknologi Mara) where he learnt his trades from 1979 to 1983, He is a leading Malaysian artist printmaker with a career that spans over 35 years. Not to mention, he is the Main Prize winner in the Printmaking category of Salon Malaysia 1991. Two years after the event, he was Malaysia’s representative at the ASEAN Workshop in the Philippines. A research grant recipient from the French Government that year, he also receive another grant from the Japan Foundation in 1994. In his early work, the artist has worked predominantly with woodblock prints on paper or canvas.He has been involved in numerous exhibitions and art fairs both locally and internationally in Austria, China, France, Indonesia, Japan, London, Macau, Pakistan, Philippines, Taiwan, Tunisia, Vietnam and more. Juhari has also been involved in various local and international residencies such as the ‘Bare Hands Residency’ in Jordan, Indonesia and Japan.

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094 FAIZAL SUHIF b. Johor,1984

Grey Sky, 2010 Roller and oil on canvas 61.5 x 152.5 cm Signed lower left

MYR 3,200 - 4,000 USD 770 - 960 Faizal Suhif is an artist who has an intense interest in the natural world and in the detail of organic things. His artwork usually combines the textural qualities of textile and printmaking processes, including mono prints, naturally it sourced from mark making. Faizal graduated with Diploma in Fine Art, UiTM, Melaka (2006), Degree Hons in Fine Art from UiTM Shah Alam (2008) and M.A in Fine Art, UiTM Shah Alam in 2013. The artist often travel to places such as Indonesia, Beijing and some places in Malaysia to find accidental marking and textures, from a cement surface, wall textures, trees and pedestrian. He won numerous awards since 2007, such as Consolation prize, Johor Open Show(2009), Finalist, Malaysian Resources Corporation Berhad Art Awards(2009) Honorable mention, NBC International Silkscreen Print Biennial Exhibition (2007) and more. His works are in the collection of UKM, Bangi, International Medical University, Malaysia, Malaysian Embassy in China, National Art Gallery of Bangladesh, National Museum of Macau as well as private collectors ..

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113

095 NGUYEN BA TUAN b. Ha Nam, Vietnam, 1973

Ha Long Bay Oil on canvas 120 x 139 cm Signed, lower right This lot is accompanied with certificate of authenticity

MYR 8,000 - 18,000 USD 1,910 - 4,300

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Nguyen Ba Tuan graduated from Hanoi City Stage and Screen University at the Faculty of Fine Arts. Ba Tuan’s main source of inspiration is the peaceful village landscape of Vietnam. The familiar images of the rice fields, the boat, the water docks, the thatched roof, the bamboo groves are all retained in his memory, which then recreates on his canvas in various warm and cool colour palettes.Ba Tuan continues to be inspired by the majesty and mystery of nature. He expresses the simplicity and purity of landscape using rich colour and conventional space to accentuate the form and beauty of the landscape.His work is mostly monochromatic; yellow, red, blue, white or grey tones, with textures and a touch of a different colour to create a contrast that brings all his sceneries to life.Ba Tuan used to paint freely, but in recent years he completely switched to painting the Northern Delta landscape, where he was born and raised.

“The tumultuous childhood, jokes and poverty of a rural area along the Red River–Ha Nam, have given me memories of happiness and sadness.

Along with friends of the same age bathing, chasing, fishing, kicking a football, these things have instilled in my work a peaceful, romantic, melancholic atmosphere of the countryside” – Nguyen Ba Tuan

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115

096 FAIZAL SIDIK

097 FAIZAL SIDIK

Taman 3 (The Garden 3), 2017

Taman 4 (The Garden 4), 2017

Glossy paint on paper board D 54 cm

Glossy paint on paper board D 55 cm

MYR 600 - 800 USD 145 - 190

MYR 600 - 800 USD 145 - 190

b. Selangor, 1978

b. Selangor, 1978

Born in Petaling Jaya, Selangor in 1978, artist Faizal Sidik graduated from University Teknologi MARA, where he majored in fine arts. He then pursued a masters degree in Visual Art (Southeast Asia) at University of Malaya, under the tutelage of distinguished artist Redza Piyadasa.

Faizal has partaken in numerous solo exhibitions, including; “Faizal Sidik: Drawing 1996-2006” in 2006 at the MTDC Multimedia Academy Art Gallery, Serdang; “Sublime Weave I”, at Leonardo Kuala Lumpur in 2010; “Sublime Weave II”, at KLPAC, Kuala Lumpur in 2012. The artist also received the Young Contemporary Art Award (YCA) in 2000 by the National Visual Art Gallery of Malaysia. Faizal was a lecturer at various art institutions for nearly ten years, some of which include Universiti Teknologi MARA (UiTM) Shah Alam, MTDC Multimedia Academy, Art Film Design Academy (AFDA) and SEGi University College. From 2000 to present Faizal has curated or co-curated numerous exhibitions including “Conceptual Art: National Visual Art Gallery of Malaysia Collection” at National Visual Art Gallery (2012). He also active in contributing writing for Senikini, Arteri, Set, Dewan Budaya, Berita Harian, Berita Mingguan and art blog. He is also an assistant editor of Senikini magazine. In 2013 Faizal was co-curator of the 4th Singapore Biennale.

Faizal’s works has consistently explored the idea of collective conscience. His repertoire extended to sketches, drawing, mixed media, paintings and sculptures. The artist strongly believes in the medium of drawing and sketches stimulate the eyes of the beholder. Through drawings, the artist tackles issues that is close to his heart, such as war which happened from 1996 to 2004.

Faizal documented the plight and turbulence of the war which occurred in Balkan countries such as Bosnia, Palestine and Iraq through his works. The artist recent works, as he claims, are much different, owed to the shift in his thinking process, inspired by the suggestions of German philosopher, Immanuel Kant. Through his works, Faizal offers a transcendent experience which includes aesthetics and sensation.

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098 MARISA R. NG b. Selangor, 1977

Table for One, Table #4 What I Had Yesterday, 2021 Oil on canvas 122 x 122 cm Titled on the reverse

Born into a conservative Malaysian family, Marisa R. Ng was always the odd one out.

Following her passions, she studied fine art under a number of talented tutors before completing a figure drawing course at the National Academy of Arts, Culture, and Heritage (ASWARA). While trained in figurative sketches, Marisa found her calling in abstract expressionism, where she is free to express herself in the most authentic and spontaneous ways . Her works have been featured in exhibitions since 2009 and her first solo exhibition in 2013 for this exact series, Monsoons, held in collaboration with the US Embassy and AkashA at the MAS Building. Her works have also crossed borders, with a 2019 showcase at the H.E.R exhibition organised by Isa Art Gallery, Jakarta.

MYR 9,000 - 12,000 USD 2,150 - 2,870 RAFFLES AUCTION - FEBRUARY 2022

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099 NIZAR KAMAL ARIFFIN b. Pahang, 1964

Mask Series - Faces, 2003 Acrylic on canvas 61 x 61 cm Signed and dated lower right

MYR 2,200 - 3,000 USD 530 - 720

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Nizar Kamal Ariffin studied Fine Arts Graphics at Universiti Sains Malaysia (USM) in 1986. He won the Philip Morris Asian Award twice. He then continued to paint arduously, after graduation and move to Kuala Lumpur in 1993 to paint at Central Market and Angkatan Pelukis SeMalaysia House. In 1998, he became a full-time artist. He first joined the Artists Colony at Kuala Lumpur Craft Complex, then Senika, Pahang’s art society in 1984. He worked at the Ministry of Culture and Youth and was appointed resident artist at Taman Seni Budaya Pahang.His famous series of works consists Bayang,(Shadow), Topeng (Mask) and Faces and Faces series. The artist has been awarded as the Honorable Mention: Phillip Morris Asian Art Award in two continuous years in 1999 and 2000. Since 1985, He had held more than 20 exhibitions, including the Conlay Artist Group, MAP @ Publika, Solaris Dutamas, Kuala Lumpur (2011), Melangkau Ufuk – Antara Langit dan Bumi – Galeri Petronas, Kuala Lumpur (2010), Tampannya Budi – National Art Gallery, Kuala Lumpur (2009), Senika ,Hyatt Hotel, Kuantan, Pahang (1985), WWF – DBKL, Kuala Lumpur (1985) and other venues.

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119

100 DZUL AFIQ ZAKARIA b. Selangor, 1985

Siri Alam, Siri 10, 2014 Acrylic on canvas 91 x 91 cm Signed lower right and on the reverse

MYR 1,500 - 2,000 USD 360 - 480

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Dzul Afiq bin Zakaria is an artist with a graphic design background graduated from Curting University, Bachelor in Graphic Design and Advertising. An uprising Malaysian artist hails from Kuala Lumpur. An abstract expressionist which his works are colourful and truly captivating for one’s imagination . Dzul Afiq Zakaria has been actively painted since before and it goes even deeper when he enrol Master in Fine Arts at UiTM and then graduated with a success of Master Final Showcase Award. Creating his signature vision with Abstract Expressionist style of painting as a platform to voice out his view towards issues such as environmental, social, cultural, or humanity. When he paints abstract. The session are comparable, emerge by memories and feelings, each strokes, lines and colors were modeled by his own manisfestation. In silence, few words to adjust the movement , gestures of actions. The shapes and lines that make up the art to meld together and the different shades of color used to make the painting flow together to create a harmonies pattern or clash into violent frenzy with movement, dynamism, vibration, and energy with vibrant color as his voice that pregnant with meanings. Dzul Afiq had taken many parts in art exhibitions actively, collaboratively and individually in Malaysia.

101 MOHD ZULKIFLI Rimbun Song, 2008

Acrylic on canvas 136 x 118 cm Signed and dated lower right and on the reverse

MYR 4,500 - 7,500 USD 1,080 - 1,800

102 YUSRI SULAIMAN b. Perak, 1977

Mindscape, 2008 Mixed media on canvas 122 x 122 cm Signed and dated lower left and on the reverse

MYR 4,500 - 7,500 USD 1,080 - 1,800

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103 HUSIN HOURMAIN b. Perak, 1963

Abstract Landscape, 2001 Acrylic on canvas 61 x 92 cm Signed and dated lower right

MYR 1,900 - 3,000 USD 456 - 720 Established Malaysian contemporary artist Husin Hourmain was born in 1963 and hails from Perak. An abstract expressionist at heart, the artist’s journey to art began with a degree in graphic design and photography from the Malaysian Institute of Arts. He pursued a career in advertising upon graduating and it was only in 2003 when Husin became a full time artist. To date, he has done three solo exhibitions and numerous group shows. His works are collected by major institutions such as the National Art Gallery alongside Malaysian corporations and private collectors.

Husin’s paintings are a pure expression of flowing energy, as illustrated in Abstract Landscape. Bold, vivid colour were employed to enliven the artist’s rendition of a landscape, in the manner of abstract art. A medley of blue, red, green and yellow hues makeup what could be perceived as shrubbery or foliage. There is a richness to Husin’s works, imbued with strong abstract expressionist brush strokes. Today, the artist is focussing on Islamic calligraphy, bringing a new perspective to it.

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104 FAUZULYUSRI b. Kedah, 1974

Ground - Surface 2, 2008 Mixed media on canvas 62 x 62 cm Signed and dated lower left and on the reverse

MYR 3,000 - 5,000 USD 720 - 1,190 Fauzulyusri graduated from University Institute of Technology Mara (UITM) in 1999. Fauzulyusri is an artist who invites us to revisit our child- hood, trying to emulate the joy and burden free mentality of yesteryears is the goal of Fauzul who embodies the beauty and purity of human creativity. Fauzul’s oeuvre incline towards children, naivety and primitive art carefully composed through chromatic colour schemes and well-structured compositions. His maturing style is based upon assessment of form and content, while its spontaneity, accidental impres- sion and textural effects display the playful esthetic of his work. Using intelligently carefree forms and free flowing lines, Fauzulyusri creates his works using pure imagination, knowledge and in-depth technique. Fauzulyusri is known for his series Natural, Flora and Lowland (The Abstract World), Cage, (Trapped with the World), Primitive Pop and Neolith- ic (Documentation through Paintings), Ground and Play (Playing with Texture), Guris (Stained Scratches), Coreng (Scribbling Life) and Teroka (Exploring Possibilities). Fauzulyusri has been exhibiting in various galleries in Malaysia, Indonesia, Hong Kong, Singapore and the United Kingdom. Fauzul has received special mentions in the Kijang Art Awards by Bank Negara Malaysia in 2004 and at the Young Contemporary Art Award at the National Art Gallery Malaysia in 2002. Fauzul’s works were chosen to be part of the Inaugural Shah Alam Biennale, 2016 in Selangor. The latest solo exhibition of Fauzulyusri was at Taksu Gallery in February, 2020 with the title ‘Tona’ by Fauzulyusri.

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105 FAUZULYUSRI b. Kedah, 1974

Ground - Surface 3, 2008 Mixed media on canvas 62 x 62 cm Signed and dated lower left and on the reverse

MYR 3,000 - 5,000 USD 720 - 1,190 Fauzulyusri is an artist who invites us to revisit our childhood, trying to emulate the joy and burden free mentality of yesteryears is the goal of Fauzul who works embodies the beauty and purity of the human creativity. Fauzulyusri has been exhibiting in various galleries in Malaysia, Indonesia, Hong Kong, Singapore and the United Kingdom. He also has ten solo exhibitions to his name, the most recent being ‘Guris’, 2011 and ‘Coreng’, 2013. Fauzul has received special mentions in the Kijang Art Awards by Bank Negara Malaysia in 2004 and at the Young Contemporary Art Award at National Art Gallery Malaysia in 2002. Recently, his works were chosen to be part of the Inaugural Shah Alam Biennale, 2016 in Selangor.

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106 ISMAIL LATIFF b. Melaka,1955

Magical Dance “The Red Dawn II”, 1996 Mixed media on paper 55 x 75 cm Signed and dated lower right

MYR 6,000 - 12,000 USD 1,440 - 2,880 Ismail Latiff graduated from the MARA Institute of Technology in 1979. In the same year hewon the Frank Sullivan Award in the Graphic Art section of the Salon Malaysia organised by the National Art Gallery. Ismail Latiff started his career in the advertising industry before becoming a full-time artist in 1986. Ismail Latiff’s works tend to have a connection with the viewer with his drip paint- ing technique and colour palette tend induce a dream like state when stared at. A common motif found in Ismail Latiff’s work is a perfect circle in the center.

He widely exhibits his artworks locally and internationally. Recently his work was chosen in the Inaugural Shah Alam Biennale 2016, Selangor

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107 ISMADI SALLEHUDIN b. Pahang, 1971

Untitled, 1997 Acrylic on canvas 164 x 136 cm Signed and dated lower right

MYR 5,000 - 8,000 USD 1,200 - 1,920

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Ismadi Sallehudin graduated from Universiti Teknologi MARA (UITM) in 1994 and he also attained his Master’s Degree in Art and Design from De Montfort University, Leicester, United Kingdom in 1999. The expressions of colours are very important to Ismadi. His works are accidental in the sense that he uses different techniques like scratching on the canvas, splashing of colours, quick strokes of the brush strokes, spontaneous brush flow and combinations of other techniques to produce on the artworks. His works have been exhibited extensively both locally and internationally. Besides painting, Ismadi is also adept in etching, drawing and monotype print.

His works have been exhibited extensively at home and abroad. His roles as an art educator included lecturing at UITM from 1994 to 1997 and Kolej Bandar Utama from 1995 to 1997.

108 SHARIFAH FATIMAH SYED ZUBIR, DATO’ b. Kedah, 1948

Nightdance, 2019 Acrylic on paper 42 x 30 cm

MYR 6,000 - 9,000 USD 1,440 - 2,160

Dato’ Sharifah Fatimah is the country’s leading female abstract artist. After graduating from University Technology Mara (UiTM) in 1971, Dato’ Sharifah graduated with First Class Honours for her Bachelor’s in Fine Arts from Reading University, UK (1976) and then Masters in Fine Arts from the prestigious Pratt Institute (1978). Upon her return, Dato’ Sharifah served as an art curator in the National Art Gallery for 7 years as her career as an artist gained momentum. Today, Dato’ Sharifah’s works are exhibited internationally and can claim prestigious institutes such as the Museum of Modern Art, New York, Singapore Art Museum, National Art Gallery, Kuala Lumpur, and Bank Negara Malaysia amongst her collectors. In the words of Dato’ Sharifah, “I want the colours of my paintings to be like the music of the reed, symbolically seen as the externalization of an inner movement, just as musical tones work through wind instruments from inside out. We live our true lives in the depths of our hearts, not in the superficial masks of personality which we show to the world.”

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109 YUSOF GHANI b. Johor, 1950

Topeng Series, 1996 Mixed media on paper 40 x 28 cm Signed and dated lower right

MYR 6,000 - 8,000 USD 1,440 - 1,920 128

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Yusof Ghani graduated with a Bachelor in Fine Arts from the George Mason University, Virginia, USA (1981) and then obtained his Masters in Fine Arts from the Catholic University of America, Washington DC, US (1983). He is one of Malaysia’s leading artists whose works are stroke-based renditions and is known for his strong lines and spontaneous marks on dynamic compositions giving energy and movement to his painting. His hallmark series Tari, and subsequent series Segerak, Wajah and others are highly sought after among international collectors. Yusof has held over 20 solo exhibitions in venues such as Slavia Regina Gallery, Washington DC, USA (1983), Richmond Art and Cultural Center, Vancouver, Canada (2009) and more. In 1985, Yusof was honoured when he was awarded the Major UNICEF Art Asia, Kuala Lumpur, Malaysia. Throughout his 35 year career, Yusof has garnered a wide array of collectors and his works are in the collections of corporate bodies, private galleries and many private individuals.

110 ISMAIL LATIFF b. Melaka,1955

Golden Moon “Magical Movement I”, 1995 Mixed media on paper 100 x 40 cm Signed and dated lower right

MYR 6,000 - 12,000 USD 1,440 - 2,880 Ismail Latiff was born in Melaka, in 1955. He graduated with a Diploma in Art & Design from MARA institute of Technology (UITM) in 1979. He won the Frank Sullivan Prize in the graphic art section of the Salon Malaysia art competition held by the National Art Gallery Malaysia. As an artist, he was nominated Young Illustrator of Asia in Japan in 1981 and won first prize at the Biennale of Visual Arts, Seychelles in 1992.

The year 1989 was a prolific year for Ismail’s career as he took part in three separate exhibitions, the first being at The First ASEAN Travelling Exhibition in Paintings, Photography & Children’s Art, that took place in numerous cities; Jakarta, Kuala Lumpur, Bangkok, Manila, his homeland and Singapore, to name a few. His second stint of the year was at the 3rd International Asian European Art Biennial Exhibition that took place at the State Museum of Fine Arts, Ankara, Turkey. The very same year, he exhibited at the Osaka Triennial ’90 International Competition of Painting at My Dome Osaka, Japan.

The subjects of earth, light, wind and water based landscapes have always been his trademark. Ever the magician who weaves magic on his canvas, Ismail Latiff features a harmonious blend of colours, creating a motion-like masterpiece on canvas. This is the type of scene that one encounters only in dreams or in the figments of the imagination, but very difficult to put into words and even tougher to revisualise. There’s much to unfold with Ismail’s works but that’s the beauty of it. The artists treats his viewers to a visual orchestra, transporting them to an enigmatic and mythical realm.

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111 ISMAIL LATIFF b. Melaka,1955

Tasik Rumbia Permata Hijau, 1996 Mixed media on paper: 100 x 79,5 cm Signed and dated lower right

MYR 6,500 - 9,000 USD 1,560 - 2,160

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Ismail Latiff graduated from the MARA Institute of Technology in 1979. In the same year he won the Frank Sullivan Award in the Graphic Art section of the Salon Malaysia organised by the National Art Gallery. Ismail Latiff started his career in the advertising industry before becoming a full-time artist in 1986.

Ismail Latiff’s works tend to have a connection with the viewer with his drip paint- ing technique and colour palette tend induce a dream like state when stared at. A common motif found in Ismail Latiff’s work is a perfect circle in the center. He widely exhibits his artworks locally and internationally. Recently his work was chosen in the Inaugural Shah Alam Biennale 2016, Selangor.

RAFFLES AUCTION - FEBRUARY 2022

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112 JACK TING b. Sarawak, 1968

Solo II, 1998 Oil on canvas 130 x 97 cm Signed and dated lower right and on the reverse

MYR 16,000 - 20,000 USD 3,840 - 4,800 132

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Jack Ting is a Sibu born artist, graduated with Diploma in Fine Art at Kuala Lumpur College of Art. he has won several awards in the 1990s, as well as multiple solo exhibitions which include Ceremonies at Art Salon, Kuala Lumpur in 1998, and Drifted Glimpses at The Gallery at Star Hill, Kuala Lumpur in 2008. He is a member of the Malaysian Watercolour Organisation, Malaysian Artist Association and Federation of Malaysian Artist, Malaysia.

113 RAPHAEL SCOTT AHBENG b. Sarawak, 1939 - d. 2019

GEM HILL, 2011 Oil on canvas 112 x144 cm Signed, titled and dated lower right

MYR 10,000 - 18,000 USD 2,390 - 4,300 Raphael Scott AhBeng was studied Art and Photography Course, Bath Academy of Art, United Kingdom from 1964 – 1967. English and Drama, British Council Grant, British Drama League, London in 1973 and Broadcasting, Sarawak/ British Council Grant, BBC, London in 1990. Raphael was awarded the First Prize, Sarawak Shell Open Art Competition,Sarawak in 1959, Bronze Medal in the Malaysia Watercolour Competition, Kuala Lumpur in 1978, First Prize, Sarawak Shell Open Art Competition, Sarawak in 1982, First Prize, Sarawak Shell Open Art Competition, Sarawak in 1983, Third Prize, Natural Malaysia Art Competition, Kuala Lumpur in 1991 and Served as an advisor for the Sarawak Artists Society from 1999 until 2000.

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114 SUZLEE IBRAHIM b. Terengganu, 1967

Movement Series Swimming Together, 1995/1996 Acrylic and oil on canvas 91 X 91 cm Signed and dated lower right

MYR 12,000 - 18,000 USD 2,870 - 4,300

One of Malaysia’s foremost abstract artist, Suzlee Ibrahim was born in Kuala Terengganu, in 1967. According to the artist, “Through abstract expressionism paintings, the painter does not have to speak because the painting itself tells everything. Audiences can evaluate or understand according to the ability and understanding they have.” A prolific abstract expressionist artist since 1987, Suzlee Ibrahim has produced an extensive oeuvre in 20 series and various dimensions.

Suzlee is also an art academician who began his teaching career as a part-time lecturer at the School of Art and Design, Mara Institute of Technology (ITM now UiTM) in 1993. He held a permanent position there from 1997 until 2009.

Much like most of Suzlee’s works, these pieces entitled ‘Swimming Together’, joining the Movement Series, is a spectacle of colours on canvas, reflecting the artist’s proclivity for colours, brushwork and composition. He gains inspiration from travelling the globe. With a predominant blue hue that sweeps the background, earthy tones such as brown, orange and white enliven the shapes of the turtles, or penyu, in Bahasa Malaysia. These particular paintings, among Suzlee’s early works transpired when he returned to him hometown of Terengganu and chanced upon a newspaper clipping about turtle poaching that happened internationally. This struck a chord with the artist and he illustrated his sadness about the issue on canvas. With masterful brushstrokes, the artist depicted the turtle’s silhouette/form, yet at times, it disappears entirely and poses as abstract art. This marked the birth of the ‘Movement Series’ in 1994.

He has had an illustrious career as an artist thus far, evident in more than 40 countries that he has exhibited in, including the United Kingdom, USA, Argentina, Australia, Austria, Belgium, Brazil, Bosnia Herzegovina, Canada, China, Colombia, Cuba, Denmark, Finland, France, Germany, Greece, Hong Kong, Hungary, India, Indonesia, Italy, Japan, Korea, Lithuania, Macedonia, Netherland, Poland, Portugal, Puerto Rico, Romania, Russia, Sarajevo, Singapore, Slovenia, Spain, Taiwan, Tunisia, Turkey, UAE, Nepal and Bangladesh. On September 29, 2015, Suzlee received recognition from the Malaysia Book of Records as the artist who produced the longest painting entitled, ‘The Poem’ an acrylic and oil on canvas piece measuring at 5 x 60 feet, 2010-2015.

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115 SUZLEE IBRAHIM b. Terengganu, 1967

Movement Series The Lake, 1995/96 Acrylic and oil on canvas 91 x 91 cm Signed and dated lower right

MYR 12,000 - 18,000 USD 2,870 - 4,300

One of Malaysia’s foremost abstract artist, Suzlee Ibrahim was born in Kuala Terengganu, in 1967. According to the artist, “Through abstract expressionism paintings, the painter does not have to speak because the painting itself tells everything. Audiences can evaluate or understand according to the ability and understanding they have.” A prolific abstract expressionist artist since 1987, Suzlee Ibrahim has produced an extensive oeuvre in 20 series and various dimensions.

Suzlee is also an art academician who began his teaching career as a part-time lecturer at the School of Art and Design, Mara Institute of Technology (ITM now UiTM) in 1993. He held a permanent position there from 1997 until 2009.

Much like most of Suzlee’s works, these pieces entitled ‘The Lake’, joining the Movement Series, is a spectacle of colours on canvas, reflecting the artist’s proclivity for colours, brushwork and composition. He gains inspiration from travelling the globe. With a predominant blue hue that sweeps the background, earthy tones such as brown, orange and white enliven the shapes of the turtles, or penyu, in Bahasa Malaysia. These particular paintings, among Suzlee’s early works transpired when he returned to him hometown of Terengganu and chanced upon a newspaper clipping about turtle poaching that happened internationally. This struck a chord with the artist and he illustrated his sadness about the issue on canvas. With masterful brushstrokes, the artist depicted the turtle’s silhouette/form, yet at times, it disappears entirely and poses as abstract art. This marked the birth of the ‘Movement Series’ in 1994.

He has had an illustrious career as an artist thus far, evident in more than 40 countries that he has exhibited in, including the United Kingdom, USA, Argentina, Australia, Austria, Belgium, Brazil, Bosnia Herzegovina, Canada, China, Colombia, Cuba, Denmark, Finland, France, Germany, Greece, Hong Kong, Hungary, India, Indonesia, Italy, Japan, Korea, Lithuania, Macedonia, Netherland, Poland, Portugal, Puerto Rico, Romania, Russia, Sarajevo, Singapore, Slovenia, Spain, Taiwan, Tunisia, Turkey, UAE, Nepal and Bangladesh. On September 29, 2015, Suzlee received recognition from the Malaysia Book of Records as the artist who produced the longest painting entitled, ‘The Poem’ an acrylic and oil on canvas piece measuring at 5 x 60 feet, 2010-2015.

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116 JEHAN CHAN

b. Melaka, 1937 - d. 2011

Malacca River, 1987 Watercolour on ricepaper 59 x 78 cm Signed and dated lower left

MYR 6,500 - 9,000 USD 1,560 - 2,160 Jehan was one of the many local-born artists who studied at the Nanyang Academy of Art in Singapore during the 1950s. After completing his study in NAFA, he taught at Pay Fong Middle school in Malacca for 22 years. In 1983, he decided to become a full time artist. In the 1968 and 1970, his was given two solos by Frank Sullivan at Samat Art Gallery (1968 & 1970)and one at the Art Gallery, Penang (1991).

Jehan has also won several awards, which include first prize in the prestigious Salon Malaysia and a Merit Award in the Art India Exhibition.

Jehan Chan’s artworks are on display at his galleries in Malacca, namely Jehan Chan Art Gallery. Jehan experimented with watercolor collage on crinkled rice paper in the late 1980s. It was in the period which he has perfected the technique that enabled him to put together the Seascape Series, which widely fond appreciative audiences in Malaysia.

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117 MAAMOR JANTAN b. Kedah, 1961

Bali Series, 2005 Oil on canvas 61 x 76 cm Signed and dated lower right

MYR 4,500 - 6,000 USD 1,080 - 1,400 Maamor Jantan is a Kedah born self- taught artist and also given the name as a protégé of the late Khalil Ibrahim, he started off as an assistant curator before meeting Khalil in 1984. Maamor ’s unconventional approach to watercolour paintings has distinguished himself from other artists and has led him to join the Malaysian Watercolour Society. Maamor Jantan is also well versed in other subjects such as village scenes, night scenes and such. His paintings often portray rural landscape scene and especially famous for his Cakcibor Series, Kampung Series, Bali series, Jogja series, Paradise series and more. His paintings have been exhibited in Indonesia, Thailand, and Malaysia and in 2014 held his first solo exhibition in University Malaya, Malaysia.

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118 MARIA TJUI

b. Sumatra, Indonesia, 1934 - d. 2016

Balinese Ceremony, 1991 Oil on canvas 79 x 99 cm Signed lower lrft and dated lower right

MYR 6,500 - 9,000 USD 1,560 - 2,160 Maria Tjui is a Indonesian female painter born in Pariaman, West Sumatra. She started painting when she was a member of S.I.M (Young Indonesian Artists) under the guidance of S. Soedjojono. In 1961-1963 she studied at the Indonesia Academy of Fine Arts, Yogyakarta in Sculpturing. In 1967-1970 she made a tour of some Asian countries. Returning to Indonesia in 1970, she exhibited her works in several cities of Indonesia. She had a few solo exhibitions held in Jakarta, Surabaya, Bali, Malaysia, Kuala Lumpur, Taipei, Padang, and Medan.

Maria also participated in joint exhibitions, both domestically and abroad. One of them is the exhibition organized by the International Advisory Committee, Very Special Arts at the John F. Kennedy Center, Washington DC, USA. Maria, alongside other international artists representing 67 countries around the world in the exhibition. Maria Tjui was also invited by the Foundation Dr. Sun Yat Sen to exhibit at the Museum of Sun Yat Sen, Taipei.

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119 TEW NAI TONG

b. Selangor, 1936 – d. 2013

Prosperous Malaysia Cooper tooling 39 x 81 cm Signature insribed below

MYR 10,000 - 15,000 USD 2,390 - 3,580 Tew Nai Tong was truly one of the few who have changed the landscape of Malaysian art. Born in 1936, Klang, Tew Nai Tong started his early education at the Peng Hwa Chinese School at the age of seven. At 18, he decided that he wanted to pursue his dream of being a proper artist.

With his mind set on painting as a means of living, he moved to Singapore and enrolled at the Nanyang Academy of Fine Arts (NAFA). It was customary for NAFA graduates to further their studies in Paris and following that rule of thumb, Nai Tong spent the next two years studying oil and figurative painting at the Ecole Nationale Superieure Des Beaux- Arts de Paris. From 1967 to 1968, Tew Nai Tong immersed himself in the kaleidoscope of arts and culture in France and across Europe, visiting museums and art galleries in search of inspiration for new pieces.

The late masterful artist, Tew Nai Tong said his works were most often inspired by his frequent travels to remote areas both locally and to neighbouring countries. His repertoire was that of cows or buffaloes, the camaraderie between village folk against their environment and traditional pastimes. The artist’s works is about the simple pleasures of life, human dignity and the joy of living. Tew Nai Tong’s career included a stint in copper tooling, between 1960’s to 1970’s. This particular work, entitled ‘Prosperous Malaysia’ executed in the medium of copper tooling reflects the Malaysian spirit and the antics of people in the inimitable style of the artist. Distinct and stunning in its own right, this piece is is also one of Tew Nai Tong’s early works.

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120 CHUAH SEOW KENG b. Kelantan, 1945

Ladies in the Market, 2009 Batik 57 X 42 cm Signed and dated lower right

MYR 7,000 - 9,000 USD 1,670 - 2,150

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Chuah Seow Keng is one of Malaysia’s leading artists and is well known for his batik and watercolour paintings. In 1968 he was awarded a scholarship to study at the Suddeutsche Kunststoff Zentrum in Wurzburg, Germany. While attending this academy he specialized in fiberglass sculpture, a difficult, but rewarding art medium. While being recognized as an accomplished sculptor, Seow Keng is also acknowledged as a masterful batik artist. His abilities as an artist were noticed at a very early age. He was exposed to the art of batik painting by his father Dato’ Chuah Thean Teng, who pioneered batik painting as a fine art form. Seow Keng excels in this intricate art technique and was chosen to demonstrate his batik skills at the International Freundschaftheim in Buckeburg, Germany. During 1974 Germany’s Television Channel Zweites-Deutsches Fernsehen-Trans-Tel made a documentary film of Seow Keng.

Seow Keng returned to Malaysia after completing his studies in Germany. In 1970 and 1971, the Malaysian Singapore Airline (M.S.A.) commissioned him to do a fibre-glass relief sculpture for its Ipoh and Penang office respectively. Seow Keng also created a fiberglass sculpture commissioned by the Bank Negara of Malaysia. He has permanent display at the Yahong Art Gallery in Penang, Malaysia.

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121 CHUAH SEOW KENG b. Kelantan, 1945

Fishing Village Batik 60 x 56 cm Signed lower left

MYR 10,000 - 15,000 USD 2,400 - 3,600

146

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Chuah Seow Keng is one of Malaysia’s leading artists and is well known for his batik and watercolour paintings. In 1968 he was awarded a scholarship to study at the Suddeutsche Kunststoff Zentrum in Wurzburg, Germany. While attending this academy he specialized in fiberglass sculpture, a difficult, but rewarding art medium. While being recognized as an accomplished sculptor, Seow Keng is also acknowledged as a masterful batik artist. His abilities as an artist were noticed at a very early age. He was exposed to the art of batik painting by his father Dato’ Chuah Thean Teng, who pioneered batik painting as a fine art form. Seow Keng excels in this intricate art technique and was chosen to demonstrate his batik skills at the International Freundschaftheim in Buckeburg, Germany. During 1974 Germany’s Television Channel Zweites-Deutsches Fernsehen-Trans-Tel made a documentary film of Seow Keng.

Seow Keng returned to Malaysia after completing his studies in Germany. In 1970 and 1971, the Malaysian Singapore Airline (M.S.A.) commissioned him to do a fibre-glass relief sculpture for its Ipoh and Penang office respectively. Seow Keng also created a fiberglass sculpture commissioned by the Bank Negara of Malaysia. He has permanent display at the Yahong Art Gallery in Penang, Malaysia.

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147

122 FATIMAH CHIK b. Johor, 1947

Nusantara Melody, 1993 Batik 116 x 69 cm Signed and dated lower right

MYR 9,000 - 18,000 USD 2,160 - 4,320 148

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123 FATIMAH CHIK b. Johor, 1947

View from the Verandah, 1993 Batik 75 x 113 cm Signed and dated lower right

MYR 15,000 - 25,000 USD 3,600 - 6,000 Celebrated Malaysian artist Fatimah Chik trained at the MARA School of Art and Design as a textile designer and was born in 1947 in Pontian, Johor. She began experimenting in batik designs from the mid 1970’s and it was then when she started dabbling in infusing varied motifs into her artworks, birthing a style that was entirely her own. Fatimah Chik’s coveted and brilliant Nusantara Series are highly ornate, structured with its luxurious texture and at most times, the way it is created – blocks, waxing, hand painting, dyeing to add more value to it. The artist has wonderfully revolutionised and brought batik to greater heights by co-mixing the old-style of crafting symbolic batik with new art forms to fit into the category of contemporary fine art. Her creations break the barriers between the physical, religious and racial differences among people. Throughout her artistic career, Fatimah maintained her role as an educator at the Mara Institute of Technology and later at the Malaysian Institute of Art. Fatimah is venerated in the Malaysian art and fashion scene and her expertise is valued as a judge at competitions such as the Piala Seri Batik Design Competition in 2015. Not long after graduation, she married her former art history professor, Redza Piyadasa. Piyadasa, who died in 2007, was a renowned artist, art critic and educator who is credited with initiating the debate on the national artistic identity of Malaysia.

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124 ISMAIL MAT HUSSIN b. Kelantan, 1938 – d. 2015

Melayang Wau, 2004 Batik 85 x 73 cm Signed and dated, lower right

MYR 32,000 - 40,000 USD 7,650 - 9,560

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Ismail Mat Hussin is a protégé of Khalil Ibrahim, who stands today on his own and has kept true to batik painting until today. Batik art has ascended from a humble and practical worn piece of cloth and alleviated to fine art today and Ismail Mat Hussin is one of the very finest in this art. Ismail Mat Hussin’s batik combines warm tones and earthy hues from a restricted palette of colors to depict everyday rural scenes with lively good humor. His human figures are drawn more real looking people with dull background surroundings and Ismail’s trademark is heavy limbs with the muscles rendered mosaic-like and graceful movements of figures. The works of the artist are collected and can be seen in prestigious institutions such as National Visual Arts Gallery, Malaysia Airline System, National Museum, Esso Malaysia, Bank Negara, and Petronas Gallery.

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125 MOHD HOESSEIN ENAS, DATO’ b. Bogor, Java, Indonesia, 1924 - d. 1995

Portrait of a Malay Woman, 1974 Pastel on paper 64 x 48,5 cm Signed and dated lower left

MYR 26,000 - 40,000 USD 6,210 - 9,560

Dato’ Mohamed Hoessein Enas, also regarded as the ‘Father of Portraits’. is one of the earliest generations of Malaysian artists. Born in 1924 in Bogor in Java, he migrated to Malaysia in 1947 to escape the aftermath of the Indonesian Revolution.

The artist is famed for his European-style realistic paintings. A member of the Fellow Royal Society of Arts, Hossein’s work spanned across many mediums and his reputation as a portrait artist was sealed as the best in the art scene, particularly those of the Malaysian royalty. Hoessein Enas’ works exude a certain brilliance in capturing still life and exuding the elegance evidently projected.

He was the founder of the Majlis Kesenian Melayu which eventually became the Angkatan Pelukis Semenanjung, dedicated in producing artworks of the Malay tradition. He was also a member of the the Board of Trustees and the former head of Design and Staging Services of the national RTM (Radio dan Televisyen Malaysia).

He was then appointed as the Royal Portrait Painter by His Royal Highness the Sultan of Selangor in 1990. Hoessein Enas passed away in 1995 and left behind a legacy of heritage and artwork in the royal halls and walls which are irreplaceable.

There is some sense of culture translated to all of Hoessein’s portraits, whether it’s in the actions of his subject, their clothes or their livelihood. This work is no different, it is the epitome of elegance and grace. A demure Malay lady dressed to the nines in her traditional attire, a flower adorning her big hair speaks of the era. The subject is painted beautifully, depicting her alluring nature — big glistening eyes and full, plump lips and rosy cheeks.

152

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153

126 AWANG DAMIT AHMAD b, Sabah , 1956

EOC Series, 1993 Watercolour on paper 24 x 20 cm Signed and dated, below

MYR 7,000 - 9,000 USD 1,680 - 2,160

Awang Damit hails from the second generation of abstract expressionists in Malaysian modern art. As a generation including artists such as Yusof Ghani, they create artworks in a broadly expressionistic style and expanded the subject matter of their paintings from landscapes and nature to include current cultural, social and religious issues. As one of the most recoginsed expressionists in Malaysia, he has been lauded for his series EOC, Marista, Iraga, Payarama and New Payarama . Compositionally complex, and often ridden with symbolist elements, most of the masterpieces illustrate Awang Damit’s sensitivity to colour and form, and his skill fragmented shapes and patterns influenced by his highly developed aesthetics. According to Professor Dr. Muliyadi Mahamood, ,”Awang sees, hears, touches, feels, and smells his subject and the world around him. He incorporates all these sensory perceptions into his paintings”.

127 AWANG DAMIT AHMAD b, Sabah , 1956

EOC Series, 1993 Watercolour on paper 24 x 20 cm Signed and dated, below

MYR 7,000 - 9,000 USD 1,680 - 2,160

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128 ZULKIFLI YUSOFF b. Kedah, 1962

Malay Sketches Series ( J.W.W. Birch at Pasir Salak ), 2008 Acrylic on canvas 119 x 91,5 cm Signed lower right

MYR 20,000 - 35,000 USD 4,800 - 8,400

Zulkifli Yusoff graduated with a Diploma in Art and Design (Fine Art) from Mara Institute of Technology (UITM) in 1989 and Masters of Art from the Manchester Polytechnic, United Kingdom in 1991. He is known to be a very versatile and explorative artist, working with varies mediums, whose work carry satirical message. Zulkifi has played a signifcant role in developing installation art in Malaysia and received recognition when he won the coveted Grand Minister’s Prize and the Major Award for Sculpture at the 3rd Salon Malaysia in 1992. He represented Malaysia in the inaugural Asia-Pacifc Triennial of Contemporary Art in Bribane, Australia (1993), and he was the second Malaysian to show at the Venice Biennale (1997), with his work don’t play during Maghrib. He has held several solo exhibitions which include Powerful Dialogue, The Art Gallery, Penang (2000), Malay Sketches, Utterly Art, Singapore (2008), and Negaraku, National Gallery, Kuala Lumpur (2010).

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129 ZULKIFLI YUSOFF b. Kedah, 1962

Malaya Series (Nona Singapura), 2009 Acrylic on canvas 121 x 91,5 cm

MYR 20,000 - 35,000 USD 4,800 - 8,400

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Zulkifli Yusoff graduated with a Diploma in Art and Design (Fine Art) from Mara Institute of Technology (UITM) in 1989 and Masters of Art from the Manchester Polytechnic, United Kingdom in 1991. He is known to be a very versatile and explorative artist, working with varies mediums, whose work carry satirical message. Zulkifi has played a signifcant role in developing installation art in Malaysia and received recognition when he won the coveted Grand Minister’s Prize and the Major Award for Sculpture at the 3rd Salon Malaysia in 1992. He represented Malaysia in the inaugural Asia-Pacifc Triennial of Contemporary Art in Bribane, Australia (1993), and he was the second Malaysian to show at the Venice Biennale (1997), with his work don’t play during Maghrib. He has held several solo exhibitions which include Powerful Dialogue, The Art Gallery, Penang (2000), Malay Sketches, Utterly Art, Singapore (2008), and Negaraku, National Gallery, Kuala Lumpur (2010).

130 TAJUDDIN ISMAIL, DATO’ b. Negeri Sembilan, 1949

Fleeting Moments, 1997 Mixed media on canvas 113 x 114 cm Signed and dated lower right and on the reverse

MYR 49,000 - 60,000 USD 11,760 - 14,400 Tajuddin Ismail is a multi-talented artist. After obtaining his Bachelors in Fine Arts from Mara Institute of Technology (UITM), he studied Graphic Design at the Art Centre College of Design, Los Angeles, (USA) in 1974 and subsequently pursued his post- graduate in Interior Architecture at Pratt Institute, New York. This wide array of education has broadened Tajuddin’s perspective and often it is reflected in his work. Tajuddin has served as an Associate Professor in Fine Art and Interior Design, UiTM from 1975 to 2004. Since 1971, Tajuddin has actively involved as a painter, academician and also as an independent design consultant. He also served as a juror to many national art and design competitions. Currently co-founder of TJ FINE ART Gallery and he is also served as an Adjunct Professor and Academic Advisor to Sunway University. He has been awarded for the prestigious Salon Malaysia, National Art Gallery, Kuala Lumpur, 1979 as well as the Malaysia Design Council, 1994 and receiving an Honourable Mention for the Philip Morris, Malaysian Art Awards, 1994.

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131 ISMAIL LATIFF b. Melaka,1955

Festival Of Inner Jungle “Moon Flowers” 1999 Acrylic on canvas 98 x 139 cm Signed and dated lower right and on the reverse

MYR 13,000 - 19,000 USD 3,120 - 4,560 Ismail Latiff was born in Melaka, in 1955. He graduated with a Diploma in Art & Design from MARA institute of Technology (UITM) in 1979.

He won the Frank Sullivan Prize in the graphic art section of the Salon Malaysia art competition held by the National Art Gallery Malaysia. As an artist, he was nominated Young Illustrator of Asia in Japan in 1981 and won first prize at the Biennale of Visual Arts, Seychelles in 1992.

The year 1989 was a prolific year for Ismail’s career as he took part in three separate exhibitions, the first being at The First ASEAN Travelling Exhibition in Paintings, Photography & Children’s Art, that took place in numerous cities; Jakarta, Kuala Lumpur, Bangkok, Manila, his homeland and Singapore, to name a few. His second stint of the year was at the 3rd International Asian European Art Biennial Exhibition that took place at the State Museum of Fine Arts, Ankara, Turkey. The very same year, he exhibited at the Osaka Triennial ’90 International Competition of Painting at My Dome Osaka, Japan.

The subjects of earth, light, wind and water based landscapes have always been his trademark. Ever the magician who weaves magic on his canvas, Ismail Latiff features a harmonious blend of colours, creating a motion-like masterpiece on canvas. This is the type of scene that one encounters only in dreams or in the figments of the imagination, but very difficult to put into words and even tougher to revisualise.

There’s much to unfold with Ismail’s works but that’s the beauty of it. The artists treats his viewers to a visual orchestra, transporting them to an enigmatic and mythical realm.

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132 MOHD FAUZIN MUSTAFA b. Perak, 1966

Silent Growth, 1992 Mixed media, collage on canvas 122 x 91.5 cm Signed and dated lower left

MYR 4,000 - 6,000 USD 960 - 1,440

Fauzin Mustafa is an art graduate who holds several notable awards such as the Young Contemporaries competition, Salon Malaysia, ASEAN Youth Painting and Philip Morris Asian Art Awards. He is a contemporary artist who like to use nature’s sovereignty and tropical colours through metaphoric, symbolic and dominant leaf iconography to present his paintings.The artist is renowned for his mixed media practice since the 1990s. He innovatively use batik and Malay iconography as well as proverbs provides a viable shift of the modernist to contemporary art whilst showcasing the best of the lesser-known Malaysian culture to the world.His artworks are collected by both local and oversea collectors.

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133 JACK TING b. Sarawak, 1968

Ceremonies, 1997 Mixed media on canvas 173 x 228 cm Signed and dated lower left

MYR 38,000 - 45,000 USD 9,120 - 10,800 Sarawakian artist Jack Ting Mui Chii, born in 1968 in Sibu, is famed for his abstract paintings. The artist was drawn to drawing and painting from a very young age. Jack Ting graduated from the Kuala Lumpur College of Art with a Diploma of Fine Arts in 1992 and trained with Professor Tetsuya Noda in his print workshops. He is skilled in acrylic, oil, watercolour and etching, most of his abstract work centre around his culture and his hometown. Since his graduation, the abstract artist has won several awards in the 1990s, as well as multiple solo exhibitions which include Ceremonies at Art Salon, Kuala Lumpur in 1998 and Drifted Glimpses at The Gallery @ Star Hill, Kuala Lumpur in 2008. He is a member of the Malaysian Watercolour Organisation, Malaysian Artist Association and Federation of Malaysian Artist, Malaysia.

True art is a reflection of an artist’s imagination and perception. Such is the case with Jack Ting’s art pieces and ‘Ceremonies, 1997’.

With a deluge of energetic, robust and bold colours, Jack decorates the canvas with complete abandon, letting his imagination run free, allowing it to guide him as his hands work the brush strokes. It is a celebration indeed, embodied by the movement, gush of energy and subsequent gentleness that he perfects this artwork. Upon further inspection, the painting reveals various underlying motifs and images almost embedded into the piece such as masks, village houses, feathers adorned by indigenous to name a few. One can deduce that this work is inspired by his origin and culture in Sarawak. This work is special not only for its aesthetic, value and meaning it holds, but also because it was documented as the cover of his solo exhibition book in Art Salon, 1997.

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134 CHONG AI LEI b. Johor, 1985

In Love, 2016 Oil on canvas 120 x 165 cm Signed and dated lower right and on the reverse

MYR 22,000 - 28,000 USD 5,280 - 6,720

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Johor-born contemporary artist Chong Ai Lei was born in 1985. She graduated from Dasein Academy of Art, Kuala Lumpur, in 2005 with a Diploma in Fine Arts and has been a fulltime artist since 2010. In 2013, Ai Lei conducted a solo exhibition at Sangkring Art Space in Jogjakarta, Indonesia and in 2016, at Galeri Canna in Jakarta, Indonesia. She has also participated in group exhibitions spanning Indonesia, Malaysia, Korea, China and the UK. She was one of the finalists of the Malaysian Emerging Artist Award in 2009, and went on to become the winner in 2011. She has participated in Art Stage Singapore (2015) and Art Stage Jakarta (2016), and has taken part in the Start Art Fair in the UK (2014) as well as Art Busan in South Korea and Art Taipei in Taiwan in 2016. It’s noteworthy that the artist’s work was sold in an international auction in Hong Kong.

135 YUKI THAM YOKE IN b. Johor, 1992

Untitled, 2017 Oil on canvas 160 x 120 cm Signed lower right

Yuki Tham studied at Dasein Academy of Fine Art. She has won a Silver Award in UOB Painting of the Year, Emerging Artist Category year 2014, 1st Prize in Oil/Acrylic Category, Tanjong Heritage National Art Competition and Outstanding Achievement Award, Dasein Academy of Art. In 2013,she received 3rd Prize in Oil/Acrylic and Printmaking Category, Tanjong Heritage National Art Competition. She has been participated in numerous group exhibitions since 2013 including Art Kaohsiung 2017, Art Expo Malaysia Plus 2016 with G13 Gallery and Transit A2, HOM Art Trans in year 2016.

MYR 8,800 - 10,000 USD 2,110 - 2,400 RAFFLES AUCTION - FEBRUARY 2022

165

136 ARIF FAUZAN OTHMAN b. Perak, 1979

Tree Hugger 2 Series, 2014 Oil on canvas 91 x 91 cm signed and dated lower right

MYR 8,000- 12,000 USD 1,920 - 2,880

166

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Figurative artist Arif Fauzan was born in 1979, in Perak. He holds a Bachelor In Fine Arts degree from Universiti Teknologi MARA Shah Alam (UiTM), graduating in 2001. The artist has won numerous competitions and accolades under his belt including the Consolation Prize in Live Drawing at the Laman Budaya Shah Alam in 2001. It’s also noteworthy that he received honourable mention in the Philip Morris ASEAN Art Awards (Malaysia) in 2003 and the Arts + Earth Young Artist Award in 2006. Arif Fauzan also partook in the Art Expo Malaysia 2016 and Art Stage Singapore 2015. His first solo exhibition, entitled ‘Temp’ was held at the Artist’s Cafe at the National Art Gallery Kuala Lumpur in 2005. His recent solos since then include ‘Sublime Image’ and ‘World Eclipse’ (Arti Gallery) in 2012 and 2014 respectively, as well as ‘Black Zephyr’ at G13 Gallery in Kelana Jaya in May 2017. On an international scale, Arif Fauzan took part in the Outdoor Art Show in Australia in 2004 and 2005. Like many artists, Arif Fauzan takes inspiration from his surroundings through findings and observations. The artist offers his take on the topic of worldly politics, environmental issues and its relationship with human being.

137 ANONYMOUS Magnificent Bali

Watercolour on paper 17 x 26 cm

MYR 1,800 - 2,000 USD 430 - 480

RAFFLES AUCTION - FEBRUARY 2022

167

168

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138 KOEMPOEL SUJATNO

b. Ngawi, Indonesia, 1912 – d. Batu, Indonesia, 1987

Pantai Tanjung Perak Oil on canvas 30 x 40 cm Signed lower right

MYR 2,800 - 4,000 USD 670 - 960 Koempoel Sujatno was born in Ngawi, East Java, 1912, with the name of Koempoel Sujatno. He studied painting from the Dutch painter Gerard Pieter Adolfs and Willem Van Der Does. He was one of the most prolific artists, but since many of his paintings have been damaged, lost and spread out in countries abroad, his works are now well sought after. Koempoel was an artist who preferred outdoor objects – plein air – anything under the sun. Therefore most of his works are presented in bright harmonious colors revealing a graceful enchantment. He died on August 18, 1987 in Batu, East Java due to his severe throat cancer.

RAFFLES AUCTION - FEBRUARY 2022

169

139 WAYAN SUWECA b. Indonesia

The Duel Oil on canvas 100 x 130 cm Signed and titled lower right

MYR 1,800 - 3,000 USD 430 - 480

170

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140 GUNAWAN BAGEA b. Bandung, 1971

Kucing Kesayangan, 2006 Oil on canvas 51 x 50 cm Signed and dated lower right

MYR 2,000 - 5,000 USD 480 - 1,200

RAFFLES AUCTION - FEBRUARY 2022

171

141 FAIZIN

b. Bayuwangiku, Indonesia, 1973

Bisik - Bisik Tetangga, 2012 Oil on canvas 120 x 140 cm Signed and dated lower right This lot is accompanied with certificate of authenticity from the artist

MYR 5,000 - 8,000 USD 1,200 - 1,920

172

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The artist, Faizin, is known for his little humorous situations of ordinary people going about their simple jobs. He was a finalist in the Indonesian Art Award in Jakarta in 1999. He has taken part in exhibitions in Jakarta and Bandung in Indonesia, and in 2006, he took part in the Asian Art Mosaic exhibition in Singapore.

142 FAIZIN

b. Bayuwangiku, Indonesia, 1973

Semai Tanda Cinta Di Jarimu Yang Indah, 2013 Oil on canvas 120 x 140 cm Signed and dated lower left

The artist, Faizin, is known for his little humorous situations of ordinary people going about their simple jobs. He was a finalist in the Indonesian Art Award in Jakarta in 1999. He has taken part in exhibitions in Jakarta and Bandung in Indonesia, and in 2006, he took part in the Asian Art Mosaic exhibition in Singapore.

MYR 6,000 - 8,000 USD 1,440 - 1,920

RAFFLES AUCTION - FEBRUARY 2022

173

174

RAFFLES AUCTION - FEBRUARY 2022

143 YAO TUO 姚拓

b. Henan, China, 1922 - d. Kuala Lumpur, 2009

Calligraphy Chinese ink on rice paper 26 x 36 cm Sealed and signed in Chinese

MYR 2,500 - 4,000 USD 600 - 960 姚拓，又名姚天平，是马华文坛的资深作家、编辑出版家、华文教育家，同时还是一位以商养文亦文亦商的文坛管宿。他 以辛勤的劳作和结实的成果，在一个急剧变化的时代中，赢得了相对稳定的声誉。他十八岁就离开家乡，走上从军之路， 军旅生涯给他提供了一份颇具传奇色彩的人生经历，这是海外华文作家中所极少有的。1950年，他到了香港，这种经历使 他有机会深入了解五十年代初期香港低下阶层的生活面貌。也就是在这个时候，他兴起开拓第二个生命的决心，并改用现 在的名字姚拓。1953年，经朋友介绍进入《中学生周报》，并参与《友联活页文选》的编辑，由此开始的以后三十多年间 由他主编的中小学教科书，对于新马的华文教育产生了深远的影响。当香港公司需要向东南亚地区发展的时候，姚拓自告 奋勇来到南洋，１９５７年移居马来西来亚，历任马来西亚《学生周报》、《蕉风》杂志社社长、主编达３０余年。他１ ９５０年开始文学创作、出版。

RAFFLES AUCTION - FEBRUARY 2022

175

144 GOH KEE CHONG 吴其昌 Old Houses

Ink on paper 27 x 33 cm Signed and sealed in Chinese

MYR 1,800 - 2,000 USD 430 - 480 吴其昌毕业于新加坡南洋美专，曾在吉隆坡马来西亚艺术学院执教，曾元焕是其学生。他是森州艺术协会（NSArt Society）会员之一，成立于1965年，会员有专业画家和普通艺术爱好者，可说是森州最活跃的艺术团体，每年举办会员作 品年展，组织会员写生和参加国内外画展。2015年他曾受邀参加卢伙生美术馆主办的“当代画家速写邀请展” 。

176

RAFFLES AUCTION - FEBRUARY 2022

145 WU GUAN ZHONG 吳冠中

b. China, 1919 - d. China, 2010

Pomegranate 小石榴 ED 60/100 Integrated print on rice paper 67 x 135 cm Signed and dated lower right

MYR 4,000 - 6,000 USD 960 - 1,440 吴冠中是当代著名画家、油画家、美术教育家。在五十至七十年代，致力于风景油画创作，并进行油画民族化的探索。他 力图把欧洲油画描绘自然的直观生动性、油画色彩的丰富细腻性与中国传统艺术精神、审美理想融合到一起，并渐渐兼事 中国画创作。他力图运用中国传统材料工具表现现代精神，并探求中国画的革新。1935年，投考国立杭州艺术专科学校； 隔年即入国立杭州艺专习西画，兼学中国画及水彩画。1938年，艺专附中结业，升入本科学油画，师事常书鸿及关良。同 时亦学习中国画。1940年，转学中国画，成了潘天寿的学生，临摹了不少历代绘画精品。后仍迷恋油画色彩，转回油画 系。1942年，毕业于国立杭州艺术专科学校。1943年于四川重庆沙坪坝青年宫举办第一次个人画展。1946年考取全国公费 留学绘画第一名，赴法国留学；隔年就读于巴黎国立高等美术学校苏弗尔皮教授工作室进修油画。其作品于1948年参加巴 黎春季沙龙展和秋季沙龙展。后又留学归国，任教于中央美术学院、清华大学建筑系副教授，且任教北京艺术学院、中央 工艺美术学院，而1979年当选了中国美术家协会常务理事。后期吴冠中获中央工艺美术学院的支持主办“吴冠中作品展” 、香港艺术中心主办“吴冠中回顾展”、大英博物馆首次为在世画家其举办“吴冠中——二十世纪的中国画家”展览、法 国巴黎塞纽奇博物馆举办“走向世界——吴冠中油画水墨速写展及国家文化部主办“吴冠中画展。1991年，法国文化部授 予其法国文艺最高勋位。”，并颁发给他“巴黎市金勋章”；入选法兰西学院艺术院通讯院士，是首位获此殊荣的中国籍 艺术家，成为第一位亚洲人获此职位。2006年香港中文大学授予吴冠中教授“荣誉文学博士”衔； 2007年湖南美术出版社 出版《吴冠中全集》。

RAFFLES AUCTION - FEBRUARY 2022

177

146 TAI BOON PIOW 戴文标 Field, 2003

Chinese ink on rice paper 24 x 30 cm

MYR 1,500 - 2,500 USD 360 - 600 戴文标现为草堂门金石书画会理事及啸涛篆刻书画会会员。曾于2018 参与《南亚风情》写生作品展于澳门，且于 2019参与 《望风怀想》书画近作展于新加坡。

178

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147 THAM CHANG RONG 谭昌镕

b. Sichuan, China, 1933

Relaxing, 1994 悠哉游哉 Chinese ink on rice paper 66 x 34 cm Signed and sealed in Chinese

MYR 3,800 - 5,000 USD 912 - 1,200 谭昌镕是中国杰出的花鸟画家，现为中国艺术家协会会员，中国戏曲家协会会员，中国舞台艺术家协会四川分会理事，四 川中国画研究会会长，国画家及舞台美术家。 其作品清新朴质、隽永秀丽且画风独特，自成一格。其艺术传略曾被海内外 报刊及电视、广播等媒体作过数十次专题介绍。美国总统卡特访华时，政府曾以其代表作品《雄鹰图》致赠，受到高度赞 誉；国际航班以他的画作为点缀；人民大会堂、天安门、钓鱼台、北京市市委市政府和北京饭店都收藏和陈列有他许多作 品。

RAFFLES AUCTION - FEBRUARY 2022

179

148 ZHONG ZHENG CHUAN 钟正川

b. Melaka, 1945

Lotus, 2008 Chinese ink on rice paper 120 x 70 cm Signed and dated in Chinese

MYR 6,000 - 8,000 USD 1,440 - 1,920 钟正川,现为马来西亚水墨画协会总会长、香港世界艺术家联合 总会副主席、新加坡书法家协会及新加坡书法研 究院院士、钟正 川画院院长、马来亚国立大学教授、北京市希望书库基金会海外 荣誉副会长、马来西亚华人文化 协会视觉艺术主任等。其作品被马来西亚国家艺术馆、马来西亚国家迎宾馆、中国艺术 研究院、齐白石纪念馆、 张大千纪念馆、韩国文化艺术馆、台湾 国立教育美术馆等多国元首、政要、大使、国家级美术馆收藏。 被誉为“ 马来西亚的齐白石”。曾参加亚洲美术联盟美展、马来西亚十大名家作品展、国际现代 水墨画名家精选巡回展 等。二零零八年六月,与靳尚谊、吴冠 中、朱徳群、王明明入选由中国文联书画艺术专业委员会、文化 部对外艺 术展览中心、中国大众文学学会联合编制 的《海内外中国书画艺术当代名家集五大名家》,中国国家画院 艺术交 流中心、中国油画学会、文化部艺术品评估委员会提供学 术支持。二零零八年四月,为庆祝海南建省办经济特区 二十周 年,中共海南省委宣传部和中央数字电视书画频道在海口及三亚 举办由钟正川领衔的《马来西亚水墨画协 会大型画展》。 180

RAFFLES AUCTION - FEBRUARY 2022

149 ZHONG ZHENG CHUAN 钟正川

b. Melaka, 1945

Five Rabbits 五福临门, 2012 Chinese ink on rice paper 69 x 137 cm Signed and titled lower right

MYR 7,000 - 10,000 USD 1,680 - 2,400

钟正川,现为马来西亚水墨画协会总会长、香港世界艺术家联合 总会副主席、新加坡书法家协会及新加坡书法研究院院士、钟正 川画院院长、马来亚国立大学教授、北京市希望书库基金会海外 荣誉副会长、马来西亚华人文化协会视觉艺术主任等。 其作品被马来西亚国家艺术馆、马来西亚国家迎宾馆、中国艺术 研究院、齐白石纪念馆、张大千纪念馆、韩国文化艺术馆、台湾 国立教育美术馆等多国元首、政要、大使、国家级美术馆收藏。 被誉为“马来西亚的齐白石”。 曾参加亚洲美术联盟美展、马来西亚十大名家作品展、国际现代 水墨画名家精选巡回展等。二零零八年六月,与靳尚谊、吴冠 中、朱徳群、王明明入选由中国文联书画艺术专业委员会、文化 部对外艺术展览中心、中国大众文学学会联合编制 的《海内外中国书画艺术当代名家集五大名家》,中国国家画院 艺术交流中心、中国油画学会、文化部艺术品评估委员会提供学 术支持。二零零八年四月,为庆祝海南建省办经济特区二十周 年,中共海南省委宣传部和中央数字电视书画频道在海口及三亚 举办由钟正川领衔的《马来西亚水墨画协会大型画展》。

RAFFLES AUCTION - FEBRUARY 2022

181

150 ZHONG ZHENG CHUAN 钟正川

b. Melaka, 1945

Cranes,2017 松鹤连年 Chinese ink on rice paper 70 x 138 cm Signed and titled lower right

MYR 7,000 - 10,000 USD 1,680 - 2,400 钟正川,现为马来西亚水墨画协会总会长、香港世界艺术家联合总会副主席、新加坡书法家协会及新加坡书法研究院院士、 钟正川画院院长、马来亚国立大学教授、北京市希望书库基金会海外荣誉副会长、马来西亚华人文化协会视觉艺术主任 等。其作品被马来西亚国家艺术馆、马来西亚国家迎宾馆、中国艺术研究院、齐白石纪念馆、张大千纪念馆、韩国文化艺 术馆、台湾国立教育美术馆等多国元首、政要、大使、国家级美术馆收藏。 被誉为“马来西亚的齐白石”。曾参加亚洲美术联盟美展、马来西亚十大名家作品展、国际现代水墨画名家精选巡回展 等。二零零八年六月,与靳尚谊、吴冠中、朱徳群、王明明入选由中国文联书画艺术专业委员会、文化部对外艺术展览中 心、中国大众文学学会联合编制的《海内外中国书画艺术当代名家集五大名家》,中国国家画院艺术交流中心、中国油画学 会、文化部艺术品评估委员会提供学术支持。二零零八年四月,为庆祝海南建省办经济特区二十周年,中共海南省委宣传部 和中央数字电视书画频道在海口及三亚举办由钟正川领衔的《马来西亚水墨画协会大型画展》。

182

RAFFLES AUCTION - FEBRUARY 2022

151 FENG DA ZHONG b. LiaoNing, China 1949

Tiger 遥思, 2003 Chinese ink on rice paper 65 x 65.5 cm Signed, titled, dated and sealed, lower left in Chinese character

冯大中作为时代的画手,首先要突破传统画虎的套式,进行新的美学思考。其以 虎蜚声画坛,其实他的山水画亦相当出色。曾参加过2014两会的全国人大代表 和政协委员名单,是第十、十一、十二届全国人大代表。任职中国工笔画学会 会长,中国美术家协会中国画艺委会副主任,中国画学会副会长,中国美术家协会 理事,辽宁省美协副主席,国家一级画家,享受国务院特殊津贴专家。冯先生先 后在北京、香港、日本、台湾、新加坡、法国、澳大利亚等国家和地区举办展 览,作品多次入选全国性大展并获奖。作品《苏醒》、《母与子》入选《中国美术全集》 。

MYR 4,000 - 8,000 USD 960 - 1,920 RAFFLES AUCTION - FEBRUARY 2022

183

152 CHEN WEN HSI 陈文希

b. China, 1906 - d. Singapore, 1991

Frog Chinese ink on rice paper 66 x 34 cm Signed and sealed in Chinese

MYR 25,000 - 40,000 USD 6,000 - 9,600 陈文希童年在乡野裡度过,让他向许多有趣、 美丽的事物探索和追寻,孕育 了他对绘 画的 热爱。中学毕业后到上海美术专科学校专攻 美术, 后因故 转校新华艺术专科学 校, 受 教於潘天寿等名师, 四年后,往汕头中学教 美术, 还组织春阳画社。年轻时期便开展 于汕头、广州、香港、上海等城市举 行个 展;1937年在南京举行的中国第二次全国美 展,更受到徐悲鸿的赏识和 讚扬,同年也被英 国画室杂誌所刊选的当代中国十大画 家作品 将其列為之 一。1948年,他逐心动而远道下 南洋,就此定居下来,先后任教於华 侨中学、 南洋美专,逢假期閒暇便往东南亚各地旅行收 集画材。陈文希以他独特的中 西结合的画 风, 奠定了他在国际艺坛上的基础。在他诸 多作品中如画鱼、 鸟、猿猴、 鷺鷥等，都是 他朝夕观察作画。1975年,新加坡大学特颁” 名誉 博士“荣衔于他,作為首 位当地画家获 得此荣誉。此外, 1964年, 他获得新加 坡总 统尤索夫授予公共服务勋章, 1980年得台湾 歷史博物馆颁发金章, 1987 年则得亚细安文 化及传播奖。

184

RAFFLES AUCTION - FEBRUARY 2022

RAFFLES AUCTION - FEBRUARY 2022

185

153 TWO PIECES OF BLUE AND WHITE SPOONS a) L 4.5 in W 2 in b) 4.4 in W 2 in

MYR 120 - 200 USD 30 - 50

186

RAFFLES AUCTION - FEBRUARY 2022

154 SIX PIECES STRAITS CHINESE BLUE AND WHITE SPOONS WITH FLORAL AND CHINESE CHARACTER “HUI” MOTIF a) L 4.9 in W 1.7 in (5 pcs) b) L 5.2 in W 2.2 in (1 pcs)

MYR 350 - 600 USD 80 - 140

RAFFLES AUCTION - FEBRUARY 2022

187

155 FIVE PIECES STRAITS CHINESE BLUE AND WHITE SPOONS WITH DOUBLE HAPPINESS MOTIF a) L 3.8 in W 1.6 in (3 pcs) b) L 3.9 in W 1.6 in (1 pcs) c) L 4 in W 1.6 in (1 pcs)

MYR 150 - 300 USD 40 - 70

188

RAFFLES AUCTION - FEBRUARY 2022

156 TWO PIECES OF STRAITS CHINESE WHITE GROUND SPOONS WITH BIRD AND PEONIES MOTIF Spoon 2 pcs

L 5.1 in W 1.6 in (2 pcs)

MYR 650 - 900 USD 160 - 210

RAFFLES AUCTION - FEBRUARY 2022

189

157 FIVE PIECES STRAITS CHINESE SPOONS WITH PHOENIX AND PEONY MOTIF a) L 4.1 in W 1.3 in (2 pcs) b) L 4 in W 1.3 in (1 pcs) c) L 4.3 in W 1.3 in (1 pcs) d) L 3.9 in W 1.2 in (1 Pcs)

MYR 500 - 1,200 USD 120 - 290

190

RAFFLES AUCTION - FEBRUARY 2022

158 SIX PIECES STRAITS CHINESE SPOONS WITH PHOENIX AND PEONY MOTIF L 5 in W 1.6 in each

MYR 600 - 1,500 USD 140 - 360

RAFFLES AUCTION - FEBRUARY 2022

191

159 SIX PIECES STRAITS CHINESE SPOONS WITH BIRD AND FLORAL MOTIF a) L 4.8 in W 1.6 in (5 pcs) b) L 4.9 in W 1.7 in (1 pcs)

MYR 600 - 1,200 USD 140 - 290

192

RAFFLES AUCTION - FEBRUARY 2022

160 TWO PIECES BLUE AND WHITE BOWLS WITH SPIRALING BRANCH AND CHINESE “HUI” CHARACTERS MOTIF a) D 6.5 in H 3 in b) D 6.4 H 3 in

TWO PIECES BLUE AND WHITE BOWLS WITH SPIRALING BRANCH BATEK MOTIF D 7.5 in (2 pcs

MYR 400 - 800 USD 100 - 190

RAFFLES AUCTION - FEBRUARY 2022

193

161 FOUR PIECES BLUE AND WHITE BOWLS WITH SPIRALLING BRANCH MOTIF D 4.3 in H 2.2 in each

MYR 350 - 800 USD 80 - 190

194

RAFFLES AUCTION - FEBRUARY 2022

162 STRAITS CHINESE BLUE AND WHITE GROUND KAMCHENG D 4.9 in O 6 in H 6 in

MYR 300 - 800 USD 70 - 190

RAFFLES AUCTION - FEBRUARY 2022

195

163 STRAITS CHINESE BLUE AND WHITE GROUND KAMCHENG WITH PEA FLOWER MOTIF D 7 in O 8.5 in H 8.8 in

MYR 350 - 1,000 USD 80 - 240

196

RAFFLES AUCTION - FEBRUARY 2022

on reverse

164 JAPANESE IMARI PORCELAIN D 3.7 in O 7.1 in H 8.1 in

MYR 800 - 1,500 USD 190 - 360

RAFFLES AUCTION - FEBRUARY 2022

197

on reverse

165 JAPANESE IMARI PORCELAIN D 4.5 in O 6 in H 12 in

MYR 800 - 2,000 USD 190 - 480

198

RAFFLES AUCTION - FEBRUARY 2022

166 STRAITS CHINESE FAMILLE ROSE BOWL WITH PEONIES AND EIGHT AUSPICIOUS MOTIF D 3.4 in H 2 in

STRAITS CHINESE FAMILLE ROSE BOWL WITH PEONIES AND EIGHT AUSPICIOUS MOTIF D 3 in H 1.7 in

MYR 300 - 800 USD 70 - 190

RAFFLES AUCTION - FEBRUARY 2022

199

167 TWO PIECES WHITE GROUND BOWLS WITH PEONIES MOTIF a) D 6.5 in H 3 in b) D 6.7 in H 3 in

MYR 300 - 800 USD 70 - 190

200

RAFFLES AUCTION - FEBRUARY 2022

168 TWO PIECES FAMILLE ROSE BOWLS WITH PHOENIX AND PEONIES MOTIF ON SCALLOP EDGE D 4.2 H 2.2 in each

MYR 900 - 1,500 USD 220 - 360

RAFFLES AUCTION - FEBRUARY 2022

201

169 TWO PIECES WHITE GROUND BOWL WITH AUSPICIOUS MOTIF D 3.4 in H 2 in each

MYR 350 - 800 USD 84 - 190

202

RAFFLES AUCTION - FEBRUARY 2022

170 SIX PIECES FAMILLE ROSE BOWLS WITH PHOENIX AND PEONIES MOTIF a) D 2.5 in H 1.4 in (2 pcs) b) D 2.6 in H 1.5 in (2 pcs) c) D 2.9 in H 1.6 in (2 pcs)

MYR 300 - 800 USD 70 - 190

RAFFLES AUCTION - FEBRUARY 2022

203

171 TWO PIECES FAMILLE ROSE PLATES WITH PHOENIX AND PEONIES MOTIF ON THE SCALLOP EDGE D 5.9 in each

MYR 900 - 1,500 USD 210 - 360

204

RAFFLES AUCTION - FEBRUARY 2022

172 TWO PIECES FAMILLE ROSE PLATES WITH PHOENIX AND PEONIES MOTIF ON THE SCALLOP EDGE D 7.6 in each

MYR 1,500 - 3,000 USD 360 - 720

RAFFLES AUCTION - FEBRUARY 2022

205

173 STRAITS CHINESE WHITE GROUND PLATE WITH CENTRAL FISH PANEL, BIRD AND FLORAL MOTIF D 7.6 in

MYR 500 - 1,000 USD 120 - 240

206

RAFFLES AUCTION - FEBRUARY 2022

on reverse

174 CHINESE OVERGLAZED PORCELAIN VASE Late 19th - Early 20th Century D. 2.6 in O 4.5 in H 10.3 in

MYR 3,800 - 5,000 USD 910 - 1190

RAFFLES AUCTION - FEBRUARY 2022

207

175 WHITE GROUND BASIN WITH EIGHT AUSPICIOUS MOTIF D 16 in H 5 in

MYR 4,000 - 8,000 USD 950 - 1910

208

RAFFLES AUCTION - FEBRUARY 2022

176 WHITE GROUND CUP WITH BIRD AND PEONIES MOTIF D 3.8 in H 2.2 in

MYR 280 - 400 USD 70 - 100

RAFFLES AUCTION - FEBRUARY 2022

209

177 BLUE GROUND TEAPOT WITH CENTRAL LOTUS PANEL D 2 in O 5.5 in H 3 in

MYR 2,500 - 3,500 USD 600 - 840

210

RAFFLES AUCTION - FEBRUARY 2022

178 STRAITS CHINESE WHITE GROUND CHUPU WITH FLORAL MOTIF D 4.1 in H 5 in

MYR 800 - 1,200 USD 190 - 290

RAFFLES AUCTION - FEBRUARY 2022

211

179 STRAITS CHINESE FAMILLE ROSE MUSTARD GREEN GROUND CHUPU WITH PEONIES MOTIF D 2.7 H 3.7 in

MYR 1,500 - 2,000 USD 360 - 480

212

RAFFLES AUCTION - FEBRUARY 2022

180 STRAITS CHINESE FAMILLE ROSE GREEN GROUND CHUPU WITH PHOENIX MOTIF D 4 in H 5 in

MYR 2,000 - 3,000 USD 480 - 720

RAFFLES AUCTION - FEBRUARY 2022

213

181 STRAITS CHINESE FAMILLE ROSE TURQUOISE GREEN GROUND POWDER BOX WITH PEONIES MOTIF D 2.5 H 1.3 in

MYR 2,500 - 4,000 USD 600 - 950

214

RAFFLES AUCTION - FEBRUARY 2022

182 STRAITS CHINESE FAMILLE ROSE GREEN GROUND CRICKET BOX WITH PEONIES MOTIF D 2.9 in O 3.3 in H 2.3 in

MYR 3,800 - 5,000 USD 910 - 1,190

RAFFLES AUCTION - FEBRUARY 2022

215

183 STRAITS CHINESE FAMILLE ROSE GREEN GROUND INCENSE BURNER HOLDER WITH PHOENIX AND PEONIES MOTIF D 5.7 in H 4.9 in

MYR 2,000 - 3,000 USD 480 - 720

216

RAFFLES AUCTION - FEBRUARY 2022

184 STRAITS CHINESE FAMILLE ROSE GREEN GROUND VASE WITH PEONIES AND AUSPICIOUS MOTIF D 3.5 in H 8.7 in

MYR 6,000 - 8,000 USD 1,430 - 1,910

RAFFLES AUCTION - FEBRUARY 2022

217

on reverse

185 STRAITS CHINESE GILDED AND LACQUERED WOODEN OFFERING BOX (CHANAB) L 13.8 in W 6 in H 10 in

MYR 3,800 - 5,000 USD 910 - 1,190

218

RAFFLES AUCTION - FEBRUARY 2022

186 ANTIQUE BED PANEL Wood 185 x 196 cm

MYR 2,800 - 4,000 USD 600 - 960

RAFFLES AUCTION - FEBRUARY 2022

219

220

RAFFLES AUCTION - FEBRUARY 2022

ABSENTEE BIDS FORM WRITTEN / TELEPHONE 1. BIDDER DETAIL Name

:

Address

:

Office Phone

:

Mobile No.

:

E-mail

:

Home Phone :

2. FINANCIAL REFERENCE Name of Bank & Branch

:

Bank Address :

Account Number

:

Credit Card # :

PLEASE ENTER THE BIDS CLEARLY Absentee bids should be received at least 24 hours before the sale.

Please mail to : sharonlokwp@gmail.com LOT #

MAXIMUM BID *) (MYR)

DESCRIPTION

*) Bidding will be conducted in Ringgit Malaysia. Bid amount is EXCLUDED from the buyer’s premium I request that RAFFLES Auction enter bids on the following lots up to the maximum price I have indicated for each lot.

I understand if my bid is succesful, the purchase price will be sum of my final bid plus buyer’s premium of 12%.

If identical absentee bids left, RAFFLES Auction will give precedence to the first one received. All bids, on a per lot basis as indicated, will be executed and are accepted subject to the “ Conditions of Sale” as printed in catalouge in the sale.

Date

:

Signature

: RAFFLES AUCTION - FEBRUARY 2022

221

Fine Art Auction

OFFICE 151, Jalan 5/42, off Jalan Gasing 46100 Petaling Jaya, Malaysia FURTHER INFORMATION Sharon Lok : +6017 207 0277 Office : +603 7772 6193

222

RAFFLES AUCTION - FEBRUARY 2022

Fine Art Auction

Connection Conference & Event Centre - CCEC 7 Kerinchi - In Nexus bangsar South FURTHER INFORMATION Sharon Lok : +6017 207 0277 Office : +603 7772 6193 RAFFLES AUCTION - FEBRUARY 2022

223

Be part of our Coming Auction

+603-7772 6193 No. 151, Jalan 5/42, off Jalan Gasing, 46100 Petaling Jaya, Selangor rafflesauction@gmail.com 224

RAFFLES AUCTION - FEBRUARY 2022

RAFFLES AUCTION - FEBRUARY 2022

225

Raffles Auction Sdn Bhd Reg No. 202001019696 (1376016-T) 151, Jalan 5/42, Off Jalan Gasing, 46100 Petaling Jaya, Malaysia Tel: +60 3-7772 6193

rafflesauction@gmail.com 226

RAFFLES AUCTION - FEBRUARY 2022