FASHION
BEAUTY
MUSIC
ART ISSUE 9 ANYTHING GOES
Cover story by Jim Huang
Fěn Hóng Sè Magazine (Pink Magazine) is a Australian full colour quarterly, online and print on demand publication. Our purpose is to showcase the amazing talent we have in Australia & internationally & to celebrate the creativity that is all around us in the areas of fashion, art & music. You can order a copy of the magazine through the website & get it delivered right to your door no matter where you are in the world. From mainstream to avant garde, emerging to established, electronic to rock & surrealism to realism - we have a passion for it all & we can't wait to publish & show this talent off on a global scale! For art and photographic submissions: www.fenhongsemagazine.com/submissions/ Quarterly themes can be found here: www.fenhongsemagazine.com/themes/
CONTENTS
P3: Karan Sarnaik P11: Leo & Lin P17: Declan May P25: Made by Hyman P31: The Future is Female - Aoife Dunne P37: Jim Huang (front cover) P49: Abraham Saraya P59: Creative's Spotlight P63: Lucrezia Costa (back cover) P71: Delving into the mind of Bianca Esteban P77: Adam Kafo P85: Armando Branco P91: Lucy Alcorn P95: Eyes of Bel P101: Linda Andersson P113: Charles Grant P121: Julia Chernysheva P129: Contributors List
Editor-In-Chief Megan Quigley
Special Thanks John Quigley (my one & only)
General Inquiries editor@fenhongsemagazine.com Submissions www.kavyar.com/fen-hong-se-magazine
CONTACT / editor@fenhongsemagazine.com FACEBOOK / facebook.com/fenhongsemag INSTAGRAM / @fenhongsemag WEBSITE / www.fenhongsemagazine.com
FRONT COVER (P37) PHOTOGRAPHER Jim Huang HAIR/STYLIST Leonard Johnston MUA Olga Gill MODEL Nina Valentine AGENCY Red11 Model Management VIDEOGRAPHER Amy Ha
BACK COVER (P63) PHOTOGRAPHER Lucrezia Costa STYLIST Eugenia Cannella HAIR STYLIST Livia Primofiore MUA Sabrina Trentini MODEL Milena Podda AGENCY The Lab Models Agency
WILD PHOTOGRAPHER Lucy Alcorn MAKE UP ARTIST Leah Baines HAIR STYLIST Natalie Anne MODEL Daphne Laan AGENCY IMG Models (P91)
The Old School
PHOTOGRAPHER Karan Sarnaik STYLIST Priyanka Manial STYLING ASSISTANTS Disha Sodha and Keyuri Nishar HMUA Shaili Shah FEMALE MODEL Rubi Boro MALE MODEL Aryan Luhar AGENCY Inega
Aryan wears REPUBLIQUE BY SANIA shirt ROHIT DOSHI pant Rubi wears ZARA blazer HIDE & CO belt ASKMIKA pants
Aryan wears ALKA jacket, skirt and pants Rubi wears ALKA top and pants
Rubi wears ALKA top and pants
Fěn Hóng Sè Magazine • 6
Aryan wears HITESH PAHUJA blazer ROHIT DOSHI pants Rubi wears ALKA top and jacket
Fěn Hóng Sè Magazine • 7
Aryan wears HM turtleneck sweater SANJEEVS DESIGNER STUDIO blazer NM DESIGN STUDIO printed blazer Rubi wears POOJA VERMA dress
Aryan wears HM Turtleneck Sweater HITESH PAHUJI suit Rubi wears POOJA VERMA dress
Aryan and Rubi wear ROHIT DOSHI
Fěn Hóng Sè Magazine • 10
LEO & LIN's ethereal collection's have caught the eyes of women everywhere, whisking them away to a place of daydream, where they are always styled from head to toe in beautiful pieces, in settings of granduer and whimsy. Creative Director, Leo Lin, spoke to us and gave us a glimpse behind the curtain into the magical world that is LEO & LIN. We know that LEO & LIN’s first collection made an appearance in 2017, can you tell us about the birth of the LEO & LIN label? Had you been working in the industry previously, has fashion always been a passion of yours or did the idea of the label come from a natural progression in your creative process? LEO & LIN was conceived from my passionate interest in design, not only fashion but all aspects of design and how design narrates and documents lifestyle and epochs. One of my leitmotifs in launching the label was my personal and the brand’s belief of creating designs that empowered women by being strong, elegant and romantic and yet transcending the requirements of modern living. I am inspired by women and their ability to be strong yet celebrate their femininity. My career itself was augmented by a strong foundation in business, firstly in my family business and then skills and tools I learnt from completing a Business Commerce Degree at Monash University. Highly motivated by my great interest in fashion design, I set aside a year to plan launching LEO & LIN. I spent the year growing my knowledge and cultivating my design skills under the tutelage of a team I assembled consisting of expert and experienced pattern makers, fabric designers, clothiers and seamstresses. This is where my creative skills came to life and I learnt the science and craftsmanship that goes behind creating good garments. When you design a collection where do you start and what inspires you? We know that LEO & LIN has a signature hue “Ms Moonlight”, a purple hue that is a mix of layered lilac, blue greys and sandstone, how do you carry this through when adapting it to the inspiration for the collection you are working on? My design process for each collection begins as soon as the last is launched. Being a commercial brand, we firstly gauge reception from consumers and buyers as to what silhouettes, colour palettes and design features resonate with them. Then I am led by a theme. For instance, our upcoming collection for Spring/
Summer 2020, "REBELLIOUS, 2020" features prints inspired by TAROT… The collection that you showed at this year’s Mercedes Benz Fashion Week “IMPERIAL” is described as "..elegant, romantic & strong. A reflection of duality, blending the aesthetics of two eras that had a lasting impact on today’s cultural zeitgeist". Can you talk us through how the inspiration of this collection came into being and the process you took to perfect your vision? The Resort 20 collection we showed at Mercedes Benz Fashion Week called ‘Imperial” is a collection that truly embodies our brand ethos; ‘Elegant, Romantic and Strong’. "IMPERIAL" our Resort offering for 2020 (available online now at www.leoandlin.com) is inspired by the freshness of the warm season, and a period of renaissance and ‘rejouissance’ featuring prints inspired by Roman mythology, summer gardens and deconstructed paisley. Look out for the Owl of Minerva nestled within a standout multi-colour pleated skirt. The silhouette hints at Victorian shapes modernised for today’s woman; find 'leg o mutton’ and billowing sleeves, cinched waists and diaphanous pleated skirts designed to empower and stand out. Relaxed pant suits with kimono-sleeved jackets or wide-legged pants are another feature. The collection is aimed for the modern woman and her lifestyle needs and marked to make you stand out whether at a party or on your travels abroad with many pieces afforrding the flexibility to mix and match. What is the best part about being designer? The best part of being a designer is the ability to understand your consumers and design for their lives. So much of creativity also lies in being able to satisfy. Nothing is more rewarding for me than seeing someone feel empowered and elegant, armed to take on the world in one of my LEO & LIN garments. What has been the biggest hurdle and greatest asset on getting your label up & running to the business that it is today? The greatest asset so far in launching LEO & LIN has been to see it gaining acceptance amongst customers and industry alike. We have been very fortunate being able to participate in recognised events like Mercedes Benz Fashion Week Australia, Virgin Australia Melbourne
Fěn Hóng Sè Magazine • 11
RES20: IMPERIAL PHOTOGRAPHER Jeremy Choh HAIR Koh Hair MAKE UP ARTIST Jasmin Lo MODEL Brooke Durrant @ Chic Management MODEL Mali Koopman @ Chic Management MODEL Beti @ Chic Management
Fěn Hóng Sè Magazine • 12
Fashion Festival and Melbourne Fashion Week. It has been very humbling to witness how industry and media alike have supported us. It has also been a rewarding experience to see our brand in its growth stages but mostly, the best reward has been how consumers have reacted to our brand. What is the next step for LEO & LIN, Where do you see your label in the next year? Currently, I am already working on the Fall/Winter 20 Collection which is exciting. We have gained momentum with buyers in Australia and Globally particularly in the US in terms of stockists and that will be a great step for the brand; to see a growing number of stockists with our garments. In a year’s time, I think LEO & LIN will grow out of being a fledgling label and start a journey to become more mature as an established label. This has been in most part with the support of consumers, industry and media that I am always grateful for. Define Fashion from your point of view. What is fashion…to me fashion is a way of living. Fashion to me transcends everything that touches our life from clothing to food, home décor to technology. In terms specifically to clothing, I think fashion is how it is how we choose to armour ourselves and how we want to guide others to see us. For the LEO & LIN woman, that is to be STRONG, ELEGANT & ROMANTIC!
CREATIVE DIRECTOR LEO LIN WEBSITE www.leoandlin.com INSTAGRAM @leoandlin FACEBOOK @leoandlin
Fěn Hóng Sè Magazine • 13
RES20: IMPERIAL RUNWAY HAIR Tony and Guy RUNWAY MAKE UP ARTIST Kelly Bowman RUNWAY IMAGES Lucas Dawson Photography RUNWAY IMAGES Myles Kalus
Fěn Hóng Sè Magazine • 14
PHOTOGRAPHER Steven Chee HEAD VIDEOGRAPHER Dale Alexander Bremner BTS PHOTOGRAPHER Tero Sung MAKE UP ARTIST Christian McCulloch MAKE UP ARTIST Kelly Bowman HAIR STYLIST Raymond Robinson HAIR STYLIST Richard Kavanagh MODEL Brooke Durrant @ Chic Mangement MODEL Roberta Pecoraro @ Chic Management MODEL Logan Crosby @ Priscilla’s Model Management
Fěn Hóng Sè Magazine • 15
e n e r e S
Declan May PHOTOGRAPHER Mamas STYLIST Isabella MUA Maya eston MODEL Poppy Pr Machine Agency AGENCY Culture
LEO AND LIN dress LONELY lingere
DION LEE singlet LONELY lingere
Fěn Hóng Sè Magazine • 18
CECILIE BAHNSEN dress DR MARTENS sandals
ANNA QUAN top and pants DION LEE corset
DION LEE singlet LONELY lingere
Fěn Hóng Sè Magazine • 22
LEO AND LIN dress LONELY lingere ZIMMERMANN pants
Made by Hyman Music has created impetus and inspiration for this series of fashion illustrations created by Textile designer Melody Hesaraky and the wish to produce a pure and transcendental art form and not just use a familiar image! Using music as an analogy or metaphor in her designs and artistic expression, by listening to music and emulating it in the work, Melody has discovered unconventional techniques in her pattern designs and art-making approach. Like music, her work was created from the depth of her inner self and the purest way to express this is letting the rhythm leads what she draws. These following fashion illustrations are visually communicating the magic of music. You can perhaps dream without words and fly through time and space without moving by looking at them. Some of them were created in different music venues while listening to the music and some are the results of remembering that experience.
WEBSITE: www.melodyhesaraky.com INSTAGRAM: @ melodyhesaraky FACEBOOK: @ melody.hesaraky
I Miss You
Silicon
Fěn Hóng Sè Magazine • 19 Source
Artificial Intelligence
Feeling of Purpose
Off Limits
Move With Me
Robot
Made by Human
Robots Reflection of Us
IS FEMALE
THE FUTURE
Multidisciplinary Artist Aoife Dunne is just back from the opening of her latest open air digital installation TRANZEMOREX and had some time to talk to us about her life making art and the insanely creative journey she has embarked upon. Why art? Where did it all start for you? Prior to pursuing art, I trained as a dancer and performer. I was heavily involved in the music and theatre scene which consumed most of my childhood. I was working on several big productions between the UK & Ireland (whilst juggling school) and continued to do this until my early teens. Being a dancer and performer during this period had a huge impact on my creative thought process, as well as educate me about the technicalities involved in making work from the perspective of both the performer and the observer. At the age of twelve I started an online magazine which was my first real launch into entrepreneurship. I had over twenty contributors from all over the world writing for the magazine who I had become friendly with through an online forum. This involved designing all graphic elements, coordinating and editing all content, branding the publication and promotion. I definitely used the internet / online community as an escape from my routine driven school life. That same year I also started a web design business, with skills I acquired from hours on google fused with trial and error. This interest then rapidly evolved into making film. In 2008, a year after the magazine launched I made a short video piece which was selected to be shown at the Beijing Film Festival. This was my first real experience with directing, script writing and creating sets. I began my career in fashion in 2011 at the age of sixteen. Within a few months of persistently creating work and collaborating with a variety of different creatives. I soon began styling and art directing shoots for reputable publications and brands internationally. The experience I gained from working in this industry for the past eight years has been crucial to the development of my artistic practice, which is so heavily focused o n using costume asa vehicle to explore, express and define notions of identity. Clothing has always been an escape for me. I feel the relationship I have with clothing is very intimate and powerful that I often find it difficult to articulate. Growing up I used clothing as a visual text type, a mode of rebelling against normality. Dress has such a transformative effect, it allows us to reach beyond ourselves, acting as a catalyst to explore and experiment with our character. I feel my work and my dress are naturally inseparable, as my work feeds into every aspect of my life. In 2012 I started studying Fine Art Media at the National College of Art and Design. I started working with found objects on the street, developing a whole new language in my work. I became fascinated with using the language of clothing to push the boundaries between fashion and sculpture, both of which deal with notions of space and volume in relation to the human body. My work became an amalgam of all my interests and curiosities performance, sculpture, sound, costume and technology. Today my works are rich in allusions to art and space, and concerned above all, with the idea of pushing beyond an image and breaking through into the on-screen world.
Is there a common thread/unique signature that bridges all of your works together? As a multi-modal and multi-format artist, what bridges all of my works together is my interest in digital and material culture. I create immersive, multi-hued, dreamlike, vivid playgrounds that conflate the two-dimensional moving image with the three dimensional arrangement of objects in a space, exploring the borderline between reality and utopia. With language that is rooted in postpop and post-internet, I hope to submerge audiences into phantasmagorical, detail-driven virtual and physical worlds, resulting in an audiovisual concert. I create every element of my work myself, it’s pretty much a-one woman show! What is your favourite medium? I see my installations as an entity, all elements blended together to create one experience. I don’t prefer one medium over another, it’s the combination of all these ingredients that produce the desired outcome. What is the best part of doing what you do? What drives you? Being an artist comes with a lot of sacrifices and simultaneously, a lot of rewards. I feel like my main drive from an early age to create work and boldly following my curiosity, stemmed from feeling incredibly misunderstood. Making art in a multitude of different forms, allowed me to communicate and express myself in ways I struggled to verbally. My obsession with creating environments and characters is selfishly an escape route brought on from feeling alienated in my reality. Art has the psychedelic potential to transport us away from the dread of the mundane, making the everyday extraordinary. I am driven by a predilection for subverting norms, an insatiable urge to create, a love for abstraction and ceaseless motivation to push the limits of convention.
Your creative work includes sculpture, sound, technology, costume and performance, pushing into the realms of both virtual and augmented reality. Can you tell us about how you link all of these different facets into your creations? What is your process? It’s very natural for me to meld all these different components together as my background is multifaceted. I thrive on creating environments that are over-saturated and activate all senses. My process is actually very organic, I don’t over-think my decisions or desires, I make work based on instinct and feeling. I usually begin with being drawn to a particular material or concept. I give myself the space to experiment and fail. My theatrical assemblages combine personal narratives and remixed references, carefully-constructed to challenge the psychological complexities, desires, and illusions that haunt late-capitalist culture.
Fěn Hóng Sè Magazine • 33
What can we see from you after the TRANZEMOREX installation? Have you already started working on a new project? I am currently working on two international solo shows for 2020 - Puerto Rico and New York. I am also busy creating my biggest show yet in my hometown Dublin early next year, which will be exhibited in a space observatory, exploring the ways in which our body interacts with advances in technology and proposes possible hybrids—both existing and yet to come — between woman and machine - I can not contain my excitement!
WEBSITE: www.aoifedunne.com INSTAGRAM: @efadone FACEBOOK: AoifeDunneArtist
So tell us about your latest open-air digital installation piece TRANZEMOREX at Gallery EP7 Paris, what inspired you to create it and how did it all come together? I was commissioned to create this piece at Gallery EP7, Paris in 2018. My thoughts were very much focused on human contact and the characteristics of digital space. I feel digital space should be pushed forward and developed into genuine qualities, which expand our notion of space, rather than mimic our physical experience. I wanted to explore how modern technology fosters a sense of fragmentation between users and the spaces they occupy. As this piece is situated outdoors within the busy streets of Paris, I wanted to create a piece of public artwork that would capture viewers attention and quickly transport them into a new state of consciousness. Thankfully the show was a huge success, crowds gathered on the streets to experience my open-air digital installation, it was truly a surreal experience.
Fěn Hóng Sè Magazine • 36
SS pp ee cc tt rr uu mm OO uu tt ee rr
PHOTOGRAPHER Jim Huang FASHION STYLIST/HAIR STYLIST Lenard Johnston MUA Olga Gill VIDEOGRAPHER Amy Ha MODEL Nina Valentine AGENCY Red11 Model Management
LJ DESIGNS dress WHATZNAMEDEZYNZ glasses and arm stockings
FUN HOUSE hosiery LJ DESIGNS dress PUBLIC DESIRE boots CHUNG HYE LINE shirt WHATZNAMEDEZYNZ glasses and hat
MORGAN KLYN dress WHATZNAMEDEZYNZ glasses and hat
This Page: ELKA KNITWEAR body suit WHATZNAMEDEZYNZ gloves and belt MISGUIDED boots Opposite Page: WHATZNAMEDEZYNZ glasses and belt CHUNG HYE LINE jacket PLEASER gloves
GUCCI belt LJ DESIGNS neck tulle CHUNG HYE LINE dress WHATZNAMEDEZYNZ glasses and arm stockings
VERSACE headpiece DIOR belt DANIEL HAN jacket GUCCI belt DAWEI ZHANG skirt PLEASER gloves
H&M hat GOJO STORE shirt JULIANNA JUNG overalls WHATZNAMEDEZYNZ glasses and gloves
Cor y Anima a Barcelona story PHOTOGRAPHER Abraham Saraya STYLIST/PRODUCTION Cerbervs Male MODEL Monika Burkot AGENCY Berta Models SHOT ON LOCATION Park Ciutadella in Barcelona, Spain
DIESEL GOLD jacket MAX-TAN trousers FERRAGAMO shoes
MAT-TAN jacket REPLAY trousers FERRAGAMO shoes
MAX-TAN skirt TOPSHOP tank top UTERQUE earrings FERRAGAMO shoes
Fěn Hóng Sè Magazine • 52
TOPSHOP tank top MAX-TAN shorts FERRAGAMO shoes
MANGO dress
MAX-TAN blouse ZARA trousers STEVE MADDEN shoes
Fěn Hóng Sè Magazine • 56
MAX-TAN blouse and skirt
Fěn Hóng Sè Magazine • 57
Lucy Alcorn PHOTOGRAPHER'S SPOTLIGHT
@lucy_alcorn
NAME: Lucy Alcorn LOCATION: Sydney, Australia Were you born with a camera in your hand or at what point did you start? Definitely not! But both of my parents are art teachers, so I grew up surrounded by beautiful imagery, and I think developed an eye for strong compositions, colour palettes and graphics early on. I was a graffiti artist when I was in high school (much cooler than I am now haha) and first picked up a camera to document my HSC work. I enjoyed the process and ended up studying photography at Uni, where a studio lighting elective class that changed my life forever. The studio is where I am happiest, and I now spend most of the week hanging out in mine! How would you describe your work to someone who has never seen it? My work is clean and minimal, with glowing, glossy skin and detailed retouching (though I like to leave enough ‘flaws’ in to make it look real.) I love to use blocks of colour, and graphic lines and shapes. It’s dreamy, it’s romantic, it’s all things beauty. What photographers from the past or present have influenced you the most? I’ve always adored portraits by David Bailey, especially those key ones from the 60s. I think his strong, clean and beautiful images still impact the work I try to produce today. I’m also obsessed with Tim walker - I love his dreamscape fashion editorials, and I love the personality he always manages to capture in portraits. My favourite current artist is a girl called Elizaveta Porodina. She is insanely creative and inspiring to follow. She uses colour in the most magical way. Somehow all her work is wildly different yet perfectly cohesive. Everyone should check her out immediately! Where do you find your inspiration? It’s such a cliche answer but it’s true - I find inspiration everywhere in my day to day life. Sometimes at galleries, in movies and magazines, maybe from a strange outfit in the crowd, or something bizarre in Bunnings, or just deep dives in instagram or Pinterest. I love trying to find
two things that majorly mismatch, and trying to zip them together in a fresh and new way. What is your favourite photo shoot that you have done and why? WINDSWEPT which was published here in FHS! I have kind of done the opposite of most photographers, and started out with studio lighting, and never really learned what to do with natural light, and this shoot pushed me out of my comfort zone. I shot with available light only, and it was really satisfying to be able to get it right. It also ended up being a major crowd favourite, the dramatic image with the plane flying through is by far my most liked image on instagram, and its generated a lot of new enquiries for me. I love how magical and dreamy it is - it’s exactly the kind of photography I want to be creating.
Luke Foley-Martin @lukefmphotography
Where do you prefer to shoot – in a studio or on location, and why?
NAME: Luke Foley-Martin LOCATION: Auckland, New Zealand What is your background and how did you become involved with photography? Photography came naturally from a young age and I have been interested in the medium ever since. I love to photograph so turning this into a full time thing seemed natural and logical. I like to think I’m creative so turning my ideas and thoughts into reality was incredibly rewarding. One thing that I learnt very quickly was that relationships are key so I spent many years introducing myself to people in the industry. Slowly but steadily I began to photograph jobs on my own. It has kinda snowballed from there, I have never looked back on this profession and nor do I intend to anytime soon.
I love both studio and location. I’ve spent a lot of time in both environments. As my career has progressed I really do love the look and workflow of studio photography. You start with a blank canvas and have total ability to craft anything you want. If you’re happy to work around hours that produce wonderful lighting then photographing on location can be amazing however this is not always the case and it can be very stressful at times. With all this in mind, if you go to the photoshoot in a positive, confident and open manner you’ll always find yourself creating work that you and your team can be proud of. What would be a dream collaboration for you? Dream collaboration, I have no clue. There are certainly people who I admire and would love to sit down for a long chat with. Collaborating to me can be simply having a conversation with someone, it can get to a point where we photograph but isn’t it wonderful to listen and learn from other creative minded people? I think so. What is the best thing about being a photographer? To me being a photographer is fantastic. I get to meet all types of people in various situations and stages of their lives, I have an opportunity to gain a very unique amount trust and respect. I get to listen to some fascinating stories and see some amazing smiles. Then as a result of of this, I capture a moment or several. The other side of being a photographer is that you can capture the world you see. I watch the mundanity of life around us in a lot of my personal work. Introduce my audience to points of view that are often overlooked and beauty that’s not seen. Create a conversation through my images. Where do you source your inspiration from? I source my ideas from everywhere. I think Instagram is a great way to throw ideas at people and see how they feel however if you’re really want to understand how to read an image and understand a photoshoot, you’ve got to go for a magazine. You can inspect as close as you want and for as long as you want in a magazine. I tend to throw myself into something early 2000’s. Another way I also love to source ideas and get things moving is by simply reaching out and catching up with people.
Lexi Laphor @lexilaphorphoto
Which photographer’s influence you and how do they influence the images you create?
NAME: Lexi Laphor LOCATION: Sydney, Australia How long have you been photographing fashion? What made you start? Officially since Feb this year - My first editorial was for FHS! That was the first time I took my camera off of automatic and decided to believe in myself and commit to learning the craft. Unofficially, I’ve always been involved in image making and storytelling- documenting underground scenes with my old school Pentax, making costumes, styling, modeling, dancing and performance art. I’m creative to the core and being able to develop another way to express and create felt really important and exciting for me. Now I can express and create something visual that relies less on me using my body to do so. Photography is another way for me to release, express and explore. I think there is something elusive and magical about a still image and although we live in a time completely saturated by photos, I think photography is also more accessible than ever and that that is a good and empowering thing. Believe in yourself and go for it! FHS Mag publishing me as an emerging photographer is something I’m so grateful for. Making space for emerging artists is really important and something I respect and don’t see valued enough. What is the best part of photography? What drives you and can you tell us what is your favourite part of creating a shoot? My favourite part of a shoot is expressing attitude and style. Seeing the way a model and clothing will interact together is the magic for me. So I always plan a shoot around a model/person that inspires me or garments that excite me. Sometimes I have the full and complete vision I want to create and other times I am completely spontaneous and see where the model and the clothing take the shoot. The later makes me anxious but are usually the photos I appreciate more as it is a surprise. My favourite thing to express through fashion photography is something a bit weird, rebellious or other worldly. I want the image to be beautiful or creepy, ideally both! As a woman and a queer person I want to portray anything that promotes someone to open their mind and to get in their imagination.
My favourite photos are always me being drawn to the model/person and the clothing. Everything else to me photography wise is something I want to use that enhances or supports those two elements that inspire me the most. I think currently there just so many amazing and talented photographers that create magical and beautiful work. Growing up I was obsessed and am probably informed by four big name photographers. David Lachapelle his images of Lil Kim and Amanda Lepore especially. Helmut Newton - his focus was not on the technical but more the subject of the image and the story- seeing women perform and express strength and dominance in combination with sexuality. Ren Hang - his work is provocative and intimate, simple and yet so expressive and powerful. Ellen Von Unworth fashion wise- her portrayal of female erotism in the mainstream and also her perspective coming from being a model for so long before becoming a photographer interests me. How would you describe your photography style? Honestly I don’t know yet my style is still unclear to me. I still have so much to experiment with before I examine my body of work and try to direct, dissect or describe it!
Abraham Saraya @abrahamsaraya
NAME: Abraham Saraya LOCATION: Mexico City, Mexico Why photography? Where did it all start for you? I guess for me it was such a coincidence. I have always liked fashion, photography and arts since I was a kid and have always been interested by these topics. I got a job as a photographer's asistant when I was I think 19, straight out of high school and after that I became more interested in photography. I was looking how it all worked and that it was actually posible to live a good life and travel through a job in photography so it was perfect for me. I worked in some studios while going to photography school, and start devoloping a career after that. What makes a great fashion photograph? Fashion photography for me nowadays is about making a statement with images. For me it has to tell a story or be visually grabbing your attention right away, i think there are so many awesome photographers and each would portray a different kind of work. Some are very romantic some other more bold, some other more natural so I think it has to have your style and your statement. What motivates you to continue making images? Photography is part of what I am, it has given me everything I have and I traveled to so many places thanks to what i do. For me photography is something I will always do. It is how I express myself so my inspiration will change depending on what i'm going through in my life, where i am living, who I am talking with so I guess life itself is my inspiration. How would you describe your style? I guess my style is bold and sexy, I like strong images, movement, spontaneous situations. I love the energy showing on pictures, and letting the situation get out of control, especially when there is no line to follow and we can get creative and experiment with different light, colours and situations.
Biggest Inspiration? My biggest inspiration is traveling and people. When you go around different places you see new things, new art, and if you keep doing it you can make in your mind a mix of styles and your vision grows everytime you see new interesting face, with new angles and unique feautures. Places to photograph that are so interesting, the nighttime in Shanghai is one of the things I love most. It is so colourful, everywhere neon lights - it's one of my favorites and one of the most visually mesmerizing places I have been. The antique feeling of Barcelona streets, the unique physique of Lulu Broderick the model from the editorial in issue 7, I guess all of this inpires me.
I MISS YOU Daddy
PHOTOGRAPHER Lucrezia Costa STYLIST Eugenia Cannella MUA Sabrina Trentini HAIR STYLIST Livia Primofiore MODEL Milena Podda AGENCY The Lab Models Agency SHOT AT Officina 32
A message to Alexander McQueen
The purpose of this editorial is to honour the memory of a great Designer and Artist. Furthermore, vintage and secondhand clothing and accessories were used in respect of sustainability. This choice sends a precise message: we must remember to never throw away things or the memories of our past.
THIS PAGE: HAORI HARMAT kimino SECOND HAND tulle dress and belt MODEL’S OWN choker OPPOSITE PAGE: HAORI HARMET kimino SECOND HAND skirt SHIELA CUNHA pointed pendant necklace SECOND HAND rattle necklace JEFFREY CAMPBELL shoes
HAORI HARMAT kimino SECOND HAND tulle dress JEFFREY CAMPBELL shoes
Fěn Hóng Sè Magazine • 65
Fěn Hóng Sè Magazine • 66
A-LAB MILANO ARCHIVED dress SHEILA CUNHA bracelet and ring JEFFREY CAMPBELL shoes
YLENIA MANGANO dress SECOND HAND belt and necklace JEFFREY CAMPBELL shoes
Fěn Hóng Sè Magazine • 69
Fěn Hóng Sè Magazine • 70
THIERRY MUGLER vintage jacket LIMYÉ BY LUCIA TITTARELLI trousers SECOND HAND necklace JEFFREY CAMPBELL shoes
DELVING INTO THE World of
Bianca Esteban
In her own words...
My name is Bianca Esteban and I am an artist. What does that mean, being an artist? In the face of the world’s many crises, showing the world how an artist thinks and feels might be one of the most important things we can do. Perhaps artists are the people who can do what politicians and businessmen can’t—save the world. As artists, we are trained to see beauty, wonder and worth in everything, from the ugly to the sublime. We find meaning in everything, significance. We are curious people and we love to learn new things, because in newness, we find inspiration. We are trained to pay attention to details; the smallest things make a big difference. Artists are considered and measured in their decisions; we think hard before we create or destroy anything, and our creative minds are uniquely equipped to see possibilities others can’t. We are creative problem solvers; the best of us can see that an obstacle is really an opportunity to learn and create a new, better solution. Our minds are open and we don’t automatically condemn that which is different to us. Just don’t ask us to balance a cheque book! So much of who I am came from the pursuit of art. It has taught me so many lessons in life, not the least of which is to see everything for what it is and imagine what it could be. Tell me we don’t need more people like this in the world! I began drawing at a very early age. When I was five, I was drawing mobsters with cigars and molls in fishnet tights with stiletto heels—obviously influenced by the cartoons I was watching at the time—but even then, I was attracted to darkness in the world. I’m a bit of a goth, I confess, but a different kind of goth—one who \evolved and expanded beyond the archetype. I never saw goth as a rebellious stage in my life. Being a goth outlasted my rebellious phase and into my forties. I’m still one.
I came upon my answer when I saw the movie Night Watch (Nochnoi Dozor) and saw a fantasy world divided by light and dark where the hero of the story was a creature of the dark, a monster typically viewed as evil. In this story, it was the light ones who were trying to destroy the world. That’s when I understood myself and the fundamental principle that not everything that is dark in this world is evil. And not everything
Queen Of Spades A self portrait from the Queens Of Suffering series
I started to wonder why that was, why I’m attracted to dark things, my fascination with the macabre. Did I just like black clothes because I’m clumsy and black doesn’t show stains when I spill shit on myself? Is it because black is slimming? Is it because I’m fundamentally fashion lazy and I don’t want to have to make colour choices every day? Or is my fascination deeper? Am I afraid of the dark and seeking to allay my fears by understanding them? Am I just a sicko?
Albinism
I wouldn’t call myself political or an activist, but I do share my thoughts with the world and try to show people perspectives they haven’t thought of yet. The subjects of these expositions vary greatly, from political rants to philosophical philosophical musings to showing the world what I learned today. Words are a powerful thing. A curious statement for a visual artist to make, I know. But through words and art, I can only try to help as many people as I possibly can. Helping people adds meaning to my life. I had a difficult time choosing artworks for this article. I was limited to a few selected pieces, but I have produced over a hundred artworks in lots of different styles, with many different messages. Some of my work is whimsical and madcap. Some laced with sarcasm and black comedy. Some of it is darker than anyone wants to confront. I’m a complicated person with many sides and a bit of a chameleon in that I adopt characteristics of other people easily. You could talk to me for years and not know everything. My art definitely reflects that. I write stories to go along with the visuals I produce, alternate worlds into which you can step. Often, I can’t stop the ideas from coming, more ideas than I will ever have the time, energy or resources to materialise. In the end, I decided to present these images that represent the range of art I have created. I humbly invite you to enjoy.
To view more of Bianca's work check out her instagram account: @bianca.esteban
In my mid twenties, I got chronically ill. I didn’t know it at the time (and wouldn’t find out what the issue was until eleven years later), but I developed fibromyalgia and ankylosing spondylitis—both conditions that are characterised by ongoing pain. I’ve been in physical pain for nearly twenty years now, and that has been a major factor in who I’ve become, but not necessarily a bad one. Sure, I have gone through some extremely dark times, but my salvation was in realising that some incredibly important good things came out of my illnesses. An excellent example of that fundamental principle of darkness and light. At first, I came to view myself as broken, but then later came to realise that ‘broken’ was not a bad thing. Being broken allowed me to connect with others and help them, understand their trials and tribulations. Empathy became a driving force for me, and I feel strongly that empathy will be the only thing that can save the world. We must see beyond our own spheres and place ourselves in the worlds of others—plant, animal and man—if we are to have any hope for survival. That and learning to never take more than we need.
Fěn Hóng Sè Magazine • 73
Milkshake Pearls Plant - Alienocularis Series
that is light is good. I feel compelled to show the world that the things we don’t understand are not necessarily ‘evil’ and to warn people that perhaps the things we do understand and have come to trust are not always ‘good’. Never before has this fact been more important to realise.
Eberhardt’s Confidence Cream After the Dopium Smokes catastrophe, Du Pont returned to the market under the new name Eberhardt, peddling their newest concoction—the only slightly more responsible Confidence Cream. Although not deadly like Dopium Smokes, the Confidence Cream resulted in much more social chaos as idiots high on cocaine lacked the inhibition to stop themselves from doing some truly stupid things. Confidence Cream was less about gaining confidence and more about robbing users of any kind of good judgement. Confidence Cream caused a wave of unemployment, countless divorces, and filled the hospitals with all sorts of injuries. One man made the papers when he walked up to the Duke of Cornwall and called him an ”arse-faced parrot turd”. It was eight months before it was discovered that the people from Du Pont were responsible and once more, they were shut down.
Fěn Hóng Sè Magazine • 74
The Red Cup A confronting piece about date rape.
Fěn Hóng Sè Magazine • 75
When It’s Taken Away The visual representation of opiate withdrawals, grief and loss.
Fěn Hóng Sè Magazine • 76
SPECTRUM PHOTOGRAPHER / RETOUCHER Adam Kafo MAKE UP ARTIST / MODEL Marcus Petaccia
Marcus created these looks using: • Makeup Forever flash palette • Juvia's Place Zulu palette • Morphe 35B palette • Too Faced perfect peach foundation • Tarte Shape Tape • Benefit roller lash • Kat Von D tattoo liner and red liquid lipstick • Fenty beauty setting powder
Fěn Hóng Sè Magazine • 78
Points of Lustrous Dimensions
Graduation work by students at JDO Academy, Amsterdam Supervised by Juliette den Ouden PHOTOGRAPHER Armando Branco STYLIST Patrick Hiemstra
OPPOSITE PAGE: STUDENT Laura Landman MODEL Floor @ LINDA Models HIEM earrings & corsage JOFEL VINTAGE blazer & belt HM kimono
THIS PAGE: STUDENT Sabrina Cerutti MODEL Julia @ A&P Model Management HIEM earring and cap DIOR shirt ZARA polo
Fěn Hóng Sè Magazine • 86
STUDENT Gerriet Brouwer MODEL Gin Ivy JOFEL VINTAGE earrings HIEM blazer LEVIS belt
Fěn Hóng Sè Magazine • 87
STUDENT Shirin Rahnamai MODEL Rinke @ LINDA Models HM earrings and necklace ABERCROMBIE & FINCH scarf JOFEL VINTAGE shirt MONKI jumpsuit ZARA belt
STUDENT Fardua Hesselink MODEL Elise @ LINDA Models JOFEL VINTAGE dress HIEM necklace ZARA shirt
Fěn Hóng Sè Magazine • 88
STUDENT Jetty Wit MODEL Vera @ LINDA Models JOFEL VINTAGE earrings HIEM corsage and top
STUDENT Eline Kampman MODEL Anouk @ LINDA Models HM earrings HIEM bracelets JOFEL VINTAGE top MISSONI dress
Fěn Hóng Sè Magazine • 89
Fěn Hóng Sè Magazine • 90
STUDENT Jolanda van Pareren MODEL Sanne @ LINDA Models JOFEL VINTAGE earrings HIEM scarf and pants ZARA top VERSACE belt
I W W W W W W W WILD PHOTOGRAPHER Lucy Alcorn MUA Leah Baines HAIR Natalie Anne MODEL Daphne Laan AGENCY IMG Models Worldwide
D L I W ILD W D L I W D L I I W W D L I W D L I W W D L I W D L I W W D L I W D L I W W D L I W D L I W W D L I W D L I W W D L I W D L I W W D
D L I W LD W D L I W D L I W W D L I W D L I W W D L I W D L I I W W D L I W D L I W W D L I W D L I W W D L I W D L I W W D L I W D L I W W D
W W I W I W W I W
Eyes of
Bel
PHOTOGRAPHY & INTERVIEW BY Yasmin Suteja SONGWRITER/PRODUCER/STYLIST & CREATIVE DIRECTOR Bel
Melbourne based songwriter/producer/stylist and creative director, Bel, has the power of amalgamating the arts. The duality of music and fashion are the very core of her work. She recently collaborated with Culture Machine’s Yasmin Sujeta to create images combining her renaissance approach to styling and Yasmin’s contemporary photographic freshness. Yasmin used this chance to sit down with Bel and asked her a few questions about what life looks like through her eyes. When you’re really looking, what do you see? Sometimes I see things I don’t want to see. I’ve always been deeply intuitive, to the point where often I can see things in people that they may not even consent to me discovering. I know that sounds crazy, but I do have to actively close myself off sometimes in order to respect others and their emotions/ experiences in a nutshell, I’m super tapped into peoples’ emotions and I can see past what they emit out. It’s both a blessing and a curse; a blessing because it allows me to foster deep connections with others, and be seen fully in return, a curse because it forces you to confront the bad in the world and it can be super disheartening at times. I’m a realist, so in a nutshell, the positive and negative intricacies of human nature always direct me to the silver lining.
SAKS POTTS dress VINTAGE earrings MANOLO BLAHNIK boots
Do you have an alter ego? And would you say this version of yourself expresses itself through music? Absolutely. I split myself into two people. I am Isabelle, and I am Bel. Isabelle is the dorky, introverted, shy, goofy, cuddly, yoga loving, vegetable craving old soul who prefers a good book and some tea to a massive night out. Isabelle is the woman that is best friends with her parents, loves dogs, nature, connection and spirituality. Isabelle is passionate about mental health awareness, body image diversity and inward equilibrium. Isabelle is brutally hard on herself, works herself till there’s blood, and is learning to be kinder to her body and mind. Bel does not give a fuck. Bel is dark, mysterious, aloof, hard to read, overtly sensual/sexual, wild and free. Bel embraces your sweat as she moves on stage with you. Bel loves the freaky, but she also loves the lush and the beautiful. Bel has flames running through her body. Bel is supremely is confident and proud, but not in an arrogant way; but in the way a woman should be. Bel loves art, creation, fashion, physical selfexpression and movement more than anything. Bel is also vulnerable within her strength. She is unapologetic. She is unafraid. Both of these identities are me. Both are as important and serve very different purposes personally and professionally. Tell me about a time you felt scared. I feel some degree of fear every single day. I was raised to become a doctor or lawyer like the rest of my family, but I couldn’t do it. The choice to pursue a creative life is to this day, the scariest thing I have ever done and continue to do. There isn’t one day that passes where I don’t have at least one thought that concerns my future. It can be totally paralysing, but I know that I’m not alone in this. I haven’t met one creative who does not feel this, irrespective of commercial success. Anyone who knows me personally understands that I am passionate and driven to the point of obsession/hysteria, so naturally I put a lot of emphasis and pressure on achieving my goals. That being said, I am calm and confident. I was raised to work hard, and I’m really excited about the future. The fear/vulnerability we feel only allows us to grow and become better and stronger artists. Trying to cleanse myself of these emotions would be counterproductive.
LOEWE hat FENDI jeans VINTAGE shirt, denim boots and jewellery
What motivates you to make music? I have so many different motivators. Firstly, it doesn’t feel like a choice. It would have been easier to not make music and pick something “normal” to do for a living. However, making music, more specifically the writing process, is the predominant way I deal with my emotions. I find that I can’t truly move on from something unless I write it out. Aside from that, the fundamental reason why I feel so deeply driven to create music for public consumption is because simply put, I want to help others. Words come very naturally to me, but it’s not like this for everyone. If my songs/poetry/ visual art etc. can help someone express the things they hold inside but don’t have the words to say, that’s perfect with me. There are a lot of things I am deeply passionate about, and I want to interweave these topics through my music, and with a growth in presence, shed light on them in hope of achieving some good. Do you think in words or pictures? Both. Definitely both depending on what I’m thinking about. The causation, and desired outcome generally dictates how I process things. That being said, it’s usually not a conscious choice. How much is music about vulnerability? And do you find it easy or hard to access that part of you? The power of vulnerability is at the centre of all aspects of my personal and professional life. I constantly talk about it with everyone, preaching the importance of accepting our rawest feelings in whatever way they present themselves. This goes hand in hand with holding space for others. In my opinion, any artist who refuses to be vulnerable or real with their following, is in the wrong field. With the privilege of doing what you love for a living comes a responsibility to be authentic with your following. It doesn’t matter how big or how small. I can’t relate to artists who use music as a way to sell a vision or product/brand that isn’t real. So, as you can tell, I think sharing music is all about being vulnerable, because it’s the scariest thing an artist can do. You’re not only putting your diary on display, but you put so much of yourself in the minutiae of each track. Hence why I cannot understand how some people on social media sometimes. It takes so much courage to share music, and people can type so heartlessly. I’ve seen it happen to friends and it rips them apart. And yes, I do find it easy to tap into my vulnerability, possibly to my detriment. That being said, I’d rather it this way as opposed to being emotionally switched off and vapid. Do you make music for yourself or other people? Or both? I enjoy both equally these days. Whilst I mostly write for my own project, I love writing for other artists. I like it when it’s not always about me. I plan to write for others a lot more in the near future as it gives me an opportunity to step out of the artist’s seat, and purely work technically. It’s a mindset I really enjoy as I have a background in writing. I love helping others express themselves through language. That being said, my project is my number 1 focus, but there’s time to do it all I say! What is next for Bel/What should we expect in 2020? 2020 for Bel equals a plethora of new music that is ready to go, a new live show, the sharing of multiple forms of visual art, and a few sneaky collaborations in fashion that I could not be more excited about. It feels like 2020 has been a long time coming for me. I’ve been working hard behind the scenes for two years now. 2020 won’t be like this though. So, bring it on! To find out more on what's happening with new music releases and tours head to the link below: https://linktr.ee/eyesofbel
FENDI jacket BURBERRY skirt MANOLO BLAHNIK boots VINTAGE necklace and bracelet
LOOKS CREATED WITH: DAVINES oi oil NARS foundation LISE WAITER primer MAC setting spray BOBBI BROWN lipgloss BOBBI BROWN eyeshadows and concealer KEVIN MURPHY session spray flex hairspray GLITTER DROPS / MIRAGE cover fx highlight ANASTASIA BEVERLEY HILLS eyebrow brow powder duo, clear brow gel
Santa Susanna PHOTOGRAPHER Linda Andersson MUA Majlinn MODELS Hannah Kennelly and Carley Dilliard AGENCY Vision Los Angeles VINTAGE FASHION courtesy Chance Vintage, LA
Fěn Hóng Sè Magazine • 103
Fěn Hóng Sè Magazine • 104
Fěn Hóng Sè Magazine • 105
Fěn Hóng Sè Magazine • 106
Fěn Hóng Sè Magazine • 109
Fěn Hóng Sè Magazine • 110
Fěn Hóng Sè Magazine • 111
Fěn Hóng Sè Magazine • 112
MARIAM SEDDIQ gold pant suit DINOSAUR DESIGNS necklace ARTWORK Life at the Beach by Sasha Reid
COLLISION PHOTOGRAPHER/CREATIVE DIRECTION Charles Grant STYLIST/CREATIVE DIRECTION Emma Cotterill VIDEOGRAPHER Mathew Maker MUA Katrina Raferty HAIR STYLIST James Pearce LIGHTING ASSISTANT Chris Cao MODEL Aneka Morley AGENCY Priscilla's Model Management
MERAKI dress BALYCK earrings VALERE JEWELLERY rings COS boots ARTWORK Complex Nest by Jakob Geltner
TRELISE COOPER dress ARTWORK Reflections by Denise Popper
MERAKI dress DINOSAUR DESIGNS bangles ARTWORK Grace by Tim McFarlane Reid
TRELISE COOPER jacket and dress DINOSAUR DESIGN earrings ARTWORK Statue of Mad Liberty by Wang
TRELISE COOPER dress DINOSAUR DESIGNS earrings & ring ARTWORK In the Grey of Daybreak by Koichi Ishiro
TRELISE COOPER top MOSS & SPY skirt DINOSAUR DESIGNS earrings
TRELISE COOPER top DINOSAUR DESIGNS earrings
ALICE MCCALL dress DINOSAUR DESIGNS bangles COS boots ARTWORK View with a Room by Linda Bowden
SOBRAL clips ROSBALET shoes VINTAGE accessories OSCAR DE LA RENTA vintage dress by retro looks, Moscow
WILD
RICH
Beautiful PHOTOGRAPHER Julia Chernysheva DIRECTOR OF PHOTOGRAPHY Denis Karpenkov STYLIST Olga Moskovenko HMUA Olga Biel ASSISTANT Nastya Kunina MODELS Sabrina and Sofia of Select Management
Sofia wears: VINTAGE gloves CALZEDONIA socks JUAN MARTIN vintage jumpsuit RETROLOOKS MOSCOW vintage clutch bag and belt Sabrina wears: H&M earrings VINTAGE belt and gloves RETROLOOKS MOSCOW vintage dress and clutch bag
H&M skirt VINTAGE belt SOBRAL clips MARINER shirt LESEL turtleneck ROSBALET shoes CALZEDONIA tights RETROLOOKS MOSCOW clutch bag
Fěn Hóng Sè Magazine • 126
H&M coat LESEL turtleneck ROSBALET shoes CALZEDONIA tights RETROLOOKS MOSCOW skirt, top and clutch bag
Sofia wears: H&M earrings ROSBALET shoes VINTAGE belt and accessories RETROLOOKS MOSCOW vintage dress Sabrina wears: VINTAGE ring ROSBALET shoes H&M necklace and earrings CALZEDONIA tights RETROLOOKS MOSCOW dress, bracelet and clutch bag
Fěn Hóng Sè Magazine • 127
CONTRIBUTORS OF ISSUE 9 PAGES 3 – 10 THE OLD SCHOOL Location: Mumbai, India P: Karan Sarnaik I: @karan_sarnaik S: Priyanka Manial I: @styling_by_priyanka SA: Disha Sodha I: @dishasodha SA: Keyuri Nishar I: @keyurinishar M: Aryan Luhar I: @aaryan_luhar @inega.in M: Rubi Boro I: @rubiboro @inega.in DESIGNERS FEAT: @hm @hpsuits @poojavermalabel @republiquebysania @rohitdoshilabel @hideandco @ashtagindia @sanjeevs_designer_studio @nm_design_ studio @bohochick19 PAGES 11 - 16 DESIGNER FEATURE: LEO & LIN Location: Sydney, Australia W: www.leoandlin.com I: @leoandlin RES20/Runway images @toniandguyau @photomyles @kellybowmanmakeup @lucasdawsonphotography RES20/Grey Background Images: @chic_management @kohhair @jeremychohphoto @jasminlo.beauty @brookedurrant @malikoppman @el_chocolatemilk SS20 images: @stevenchee @christianmcculloch @richardkavanagh @brookedurrant @robertapecoraro @chic_management @loganemily_ @priscillasmodels @alexanderbremner @kellybowmanmakeup @raymondrobinsoneditorial PAGES 17 - 24 SERENE Location: Sydney, Australia P: Declan May I: @ddeclan S: Isabella Mamas I: @isabellamamas MUA: Maya I: @mayayuiii M: Poppy Preston I: poppyprestonn @culturemachineagency DESIGNERS FEAT: @leoandlin @lonelylingere @dionlee @zimmermann @annaquanlabel @ceciliebahnsen @drmartensofficial PAGES 25 - 30 MADE BY HYMAN TEXTILE DESIGNER: MELODY HESARAKY Location: USA I: @melodyhesaraky W: www.melodyhesaraky.com FB: @melody.hesaraky PAGES 31 - 36 THE FUTURE IS FEMALE ARTIST FEATURE: AOIFE W: www.aoifedunne.com I: @efadone FB: AoifeDunneArtist
PAGES 37 - 48 OUTER SPECTRUM (Front Cover) Location: New Zealand P: Jim Huang I: @brickandjim_official S/HS: Lenard Johnston I: @lenardjohnston MUA: Olga Gill I: @olgagillmakeup V: Amy Ha I: @_amyha M: Nina Valentine I: @nina_m_valentine @red11models DESIGNERS FEAT: @gojo_store @cottonon @misguided @juli_annaaaaaa @morganklyn @pdbaes @elkaknitwear @gucci @dior @versace @daniel.w.han @davidkisskiss
PAGES 49 - 58 COR Y ANIMA A BARCELONA STORY Location: Park Ciutadella in Barcelona, Spain P: Abraham Saraya I: @abrahamsaraya S/P: Cerbervs Male I: @Cerbervsmale M: Monika Burkot I: @Monikaburkot @Bertamodels DESIGNERS FEAT: @topshop @maxtanstudio @diesel @ferragamo @replay @zara @stevemadden @mango
PAGES 91 - 94 WILD Location: Sydney, Australia P: Lucy Alcorn I: @lucy_alcorn MU: Leah Baines I: @leahbaines_mua HS: Natalie Anne I: @natalieannehair M: Daphne Laan I: @lievv__ @imgmodels
PAGES 59 - 62 PHOTOGRAPHER'S SPOTLIGHT Lucy Alcorn I: @lucy_alcorn Abraham Saraya I: @abrahamsaraya Lexi Laphor I: @lexilaphorphoto Luke Foley-Martin I: @lukefmphotography
PAGES: 95 - 100 MUSIC FEATURE: EYES OF BEL Location: Melbourne, Australia I: @eyesofbel P: Yasmin Suteja I: @yasminsuteja DESIGNERS FEAT: @loewe @fendi @sakspotts @manoloblahnikhq @burberry
PAGES 63 - 70 I MISS YOU DADDY (BACK COVER) Location: Officina 32, Italy P: Lucrezia Costa I:@lucreziacostaph S: Eugenia Cannella I: @white_cannella MU: Sabrina Trentini I: @sabrinatrentinimua HS: Livia Primofiore I: @livhairmua M: Milena Podda I: @meellymayden @thelabmodels Studio: Officina 32 I: @officina32 Press Office: Monica Mazzanti PR I: @monicamazzanti_pr DESIGNERS FEAT: @haoriharmat @jeffreycampbell @sheilacunhaornaments @yleniamangano @limye.it PAGES 71 - 76 THE ARTISTICAL WORLD OF BIANCA ESTEBAN FEATURED ARTIST Location: NSW, Australia I: @bianca.esteban ETSY: AkshunHiro PAGES 77 - 84 SPECTRUM Location: Sydney Australia P/R: Adam Kafo I: @kafofoto HMU/M: Marcus Petaccia I: @beatbymarcus PAGES 85 - 90 POINTS OF LUSTROUS DIMENSIONS Location: Amstrdam P: Armando Branco I: @armandobranco_fic S: Patrick Hiemstra @patrickhiemstra_ I: @patrickhiemstra_ HMU: Sabrina Cerutti I: @lonamakeupartist HMU: Shirin Rahnamai I: @sam.shirin.kh HMU: Laura Landman I: @by.lauralandman HMU: Fardua Hesselink I: @by.fardau HMU: Gerriet Brouwer I: @gerrietbrouwer HMU: Jolanda van Pareren I: @jcp_beauty_ HMU: Jetty Wit I: @jettywit HMU: Eline Kampman I: @elinechristinamua M: Vera, Anouk, Sanne, Rinke, Floor, Elise I: @lindamodels M: Gin Ivy I: @gin_ivy M: Julia I: @aenpmodels DESIGNERS FEAT: @patrickhiemstra_ @dior @zara @hm @abercrombie @jofelvintage @monki @levis @versace @missoni
Fěn Hóng Sè Magazine • 129
PAGES: 101 - 112 SANTA SUSANNA Location: Los Angeles, USA P: Linda Andersson I: @lindaafotograf MU: Majlinn I: @mmonaaas M: Hannah Kennelly I: @hannahkennelly @visionlosangeles M: Carley I: @carleydillard @visionlosangeles FASHION FEATURED:@chancevintage
PAGES 113 - 122 COLLISION Location: Sydney, Australia P/CD/V: Charles Grant I: @charlesgrant_ S/CD: Emma Cotterill I: @emma_cotterill V: Mathew Maker I: @mathew_maker A: Chris Cao I: @chriscao HS: James Pearce I: @james_pearce_hair MU: Katrina Raftery I: @Katrina raftery M: Aneka Morley I: @anekamorley @Priscillasmodels DESIGNERS FEAT: @trelisecooper @dinosaur_designs @valerejewellery @mariamseddiq @merakiofficialau @alicemccallptyltd @cosstores @mossandspy PAGES 123 - 128 WILD RICH BEAUTIFUL Location: Russia P: Julia Chernysheva I: @julia.ch_art DP: Denis Karpenkov I: @deniskarpenkov S: Olga Moskovenko I: @froken_helga HMU: Olga Biel I: @olgabielmakeupartist A: Nastya Kunina I: @kuninanastya M: Sabrina I: @pure.e @selectmgmt M: Sofia I: @sonya.kuleshova @selectmgmt DESIGNERS FEAT: @retrolooks_moscow Sobral @hm @oscardelarenta @rosbalet Juan Martin @calzedonia @mariner
WILD PHOTOGRAPHER Lucy Alcorn MAKE UP ARTIST Leah Baines HAIR STYLIST Natalie Anne MODEL Daphne Laan AGENCY IMG Models (P91)
Back cover story by Lucrezia Costa W: fenhongsemagazine.com • I: @fenhongsemag • FB: fenhongsemag