Fine Music Sydney Magazine - October 2020

OCTOBER 2020

05

Extrordinaire Organist Louis Vierne

06

In Conversation with Saxophonist Justinn Lu

36

Jaques Emery Bandleader on the bass

38

Dread Junction

Lively Up Yourself

I N D E X

06. In Conversation with Justinn Lu

36. Emerging Artist We talk to bassist and bandleader Jaques Emery

We talk to the emerging saxophonist

38. Lively Up Yourself

08. The Very Human Humanist

Exploring the man behind Beethoven’s music

05.

Organist Extrordinaire

Louis Vierne

10 years of Reggae on Dread Junction

09. The Bonn Accord

36. Why Jazz is Cool Pt.3 Summer Latin Jazz

The Music of Bruch and Beethoven

40. Volunteer Spotlight Richard Verco

10. Program Guide

42. CD Reviews

42. Listener Letters

35. Composer List

42. In Next Month’s Issue

43. Crossword

T H I S

M O N T H

A T

F I N E

M U S I C

44. Patrons List

S Y D N E Y

September has seen us all step into the light at Fine Music Sydney. After months of isolation, the sunshine and warmth that spring has delivered have created a change in both the temperature and mood in our studios. We hope that our listeners are feeling this shift too.

With these thoughts in mind I invite you to venture outside (while practising safe social distancing measures) for our usual selection of books, records, CDs, DVDs and more at our Book and CD fair, running daily from 9am to 6pm at the Crows Nest Community Centre, 2 Ernst Place, Crows Nest until Monday 5 October. We hope to see you there!

We have great news for our Beethoven fans, this month we focus on the launch of our extensive Beethoven 250 Festival which comprises 42 programs over nine weeks from October to December. Look out for five articles featured over the next three months which will cover different aspects of Beethoven’s life and music.

Finally, I would like to thank the following dedicated volunteers who were involved in the production of this month’s program.

Regards, Rebecca Beare

P R O G R A M M E R S

A N D

P R E S E N T E R S

OCTOBER Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Andrew Bukenya, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Paulo Hooke, Gerald Holder, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, Anne-Louise Luccarini, Dave Mac, Christina MacGuinness, Linda Marr, Meg Matthews, Stephen Matthews, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, John Milce, Simon Moore, Gail Monjo, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Anabela Pina, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Darryl Rule, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Jacky Ternisien, Ricky Yu

03

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor Rebecca Beare Assistant Editor Mona Omar Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Co-operative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Mission Statement To share the love of fine music through broadcasting

Program Compiler Team Coordinator Chris Blower

Goals

Proof Readers Eddie Bernasconi, Tessa Miles

2. To maintain and improve high standards in all we do

Contributors Dan Bickel Rex Burgess Vince Carnovale Paul Cooke Nicky Gluch Leita Hutchings Pamela Newling Barry O’Sullivan Cover Image Justinn Lu by Emmanuel Esguerra Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address: PO Box 78, St Leonards, NSW 2065 Phone: 9439 4777 (9am–6pm) ABN: 64 379 540 010

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

BOARD OF DIRECTORS: Chair: David James Deputy Chair: Christopher Waterhouse Secretary: Katy Rogers-Davies Directors: Roger Doyle, Robert Gilchrist, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: David Jacobs, Peter Stavrianos

finemusicsydney.com

PUBLIC OFFICER : Rebecca Beare

Frequency 102.5 FM

STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistants: Eddie Bernasconi, Tessa Miles

Transmitter Governor Phillip Tower, Circular Quay

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Lloyd Capps Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Cynthia Kaye Finance: Peter Poole WHS: Rebecca Beare Contents and concept of Fine Music Sydney Copyright © 1975-2020

04

Louis Vierne Organist Extraordinare Written by Rex Burgess Photo via Collection Musée de Notre-Dame de Paris

Vierne started composing at an early age, with his visual impairment obliging him to use outsized manuscript paper and “a large pencil”, as his colleague Marcel Dupré recounted. Later in life, as his sight continued to diminish, he resorted to composing in Braille. His personal life was both physically and emotionally difficult, with severe spiritual trials that are reflected in his music: Vierne was deeply affected by his separation and subsequent divorce from his wife, as well as the deaths of his brother René and his son Jacques, who were killed in battle in World War I. Beside his great skills as a performer and improviser, Vierne was also an important composer in several genres. He composed an orchestral symphony, vocal and choral music, and a number of substantial but neglected chamber works, including a violin sonata and piano quintet. He did place, however, a particular emphasis on his own instrument. Most notable amongst Vierne’s compositions is a set of six symphonies for organ composed between 1899 and 1930. Monumental in style, they have been described as reflective of the immense and decorated architecture of his beloved Notre-Dame cathedral.

Interestingly, in 2003, a German progressive rock group recorded a composition which “rearranges moments of an organ symphony” by Vierne, regarding its pomp and power as a forerunner to rock’n’roll.

Jeremy Filsell recounted Vierne’s final moments, a recital at Notre-Dame on 2 June 1937: “He was … given a theme (in Braille) on which to improvise, decided which stops to use but suddenly wavered as a pedal note sounded. Placing his hand over his heart, he fell and died there and then of a stroke.” His wish to die at the console of the Notre-Dame organ was thus fulfilled. A spiritual ending for a man to whom music had been the absolution from life’s trials.

Image: Public Domain / Collection Musée de Notre-Dame de Paris

The origins of the French organ tradition can be traced back to a certain Jean Titelouze (c.1563-1633). Priest, scholar, performer and composer, his two collections of organ music from the 1620s set in train a great outpouring from organ composer-performers in France which has continued right up to the present day.

This October, we commemorate 150 years since Vierne’s birth.

18 months on from the fire in the Notre-Dame, and in a year where even ecclesiastical music has been silenced, we too can find solace in Vierne’s music and look forward to the days when church organs and choirs ring out again.

By no means least amongst the cavalcade of names — from the Couperins to Messiaen and beyond — is that of Louis Vierne.

Born in 1870, he had congenital cataracts to an extent which nowadays would be called legally blind. Nonetheless, such was his musical ability that he was already tinkering at the piano at the age of two. Vierne attended the Institut National des Jeunes Aveugles (The National Institute for Blind Children), where he learnt harmony, piano and violin as well as Braille. In 1890 he entered the Paris Conservatoire, going on to serve as assistant organist to Charles Widor at the church of Saint-Sulpice in Paris.

Then in 1900 he became principal organist at Notre-Dame cathedral, a post he held until his death in 1937.

Thursday 8 October at 1pm

05

In Conversation with Justinn Lu Mona Omar speaks to the emerging saxophonist Photos by Emannuel Esguerra

You won our 2019 Fine Music Young Virtuoso (YVA) Award, how did you find the experience?

Competing in the Fine Music Young Virtuoso Award has become one of the most memorable experiences of my performing career, especially in times like these where there are limited opportunities to perform to a live audience. When I look for motivation to practice, I remember the thrill of the whole YVA experience, from choosing a competition program that had been my most challenging to date, to what seemed like a trance of focus and excitement performing live on the day in front of the adjudicators, guests and microphones broadcast to a much wider audience than I could imagine. I felt everyone was just so inspired and bursting with energy to show the world what we could offer in our performances.

In 2018, you were invited to play at the Melbourne International Saxophone Festival as the youngest and only high school student hosting a recital. How did this opportunity come about?

In January 2018, Jay Byrnes hosted his annual Sydney Saxophone Academy in which Joseph Lallo was the guest artist. During this academy, Joseph and Jay discussed and advertised the first saxophone festival to be held in Australia; the Melbourne International Saxophone Festival, a three-day event replicating the structure of the World Saxophone Congress.

Looking for opportunities to practice for my LMusA, Andrew Smith, my teacher at the time, encouraged me to apply for a recital spot at the festival. When I was invited to perform, I was unaware of the high caliber artists such as Nick Russoniello, Mary Osborne, Michellina Chan, and members of the Nexas Quartet, also taking part. I was praised and presented a highly anticipated recital, despite being just a high school student amongst a sea of established artists and musicians. This festival was a game changer in my development as a musician, as it was a major contributing factor to my continued study of music after high school, and of course in my choice to study at the Melbourne Conservatorium under Joseph Lallo, who is such a passionate and dedicated musician, performer and teacher.

Photo by Emmanuel Esguerra

You completed your AMusA and LMusA with the tutelage of Andrew Smith and Mark Walton, and you currently study under Joseph Lallo at the Melbourne Conservatorium of Music. Who would you love to work with next?

Although I would love to continue studying with Joseph Lallo, as he is a musician that I feel looks deeply into the meaning of music and our purpose as performers, Niels Bijl, who recently moved to Melbourne from the Netherlands, may have a teaching style that would help me explore new ideas and philosophies about performance.

06

I was praised and hosted a highly

anticipated recital, despite being just a high school kid amongst a sea of

established artist and musicians, but had an amazing audience turn-out

including students and alumni from the Sydney Conservatoriums

How would you describe the opportunities that exist for young and emerging musicians in classical and jazz music?

I believe that if you can express your unique voice through your music, you will have people who want to listen. When I post artistic ideas on social media these days, I definitely feel a growing audience the more I experiment with this idea of expression and artistry, which is at the core of our art: to express and experience things with people who are interested in listening. I believe although there are not as many opportunities to perform and prove ourselves in competitions yet in Australia, compared to internationally, with the right drive and passion, it is possible, and opportunities will arise where you actively search and prepare. If I can do it as a high school saxophonist in the classical music world, we all can!

Thursday 22 October at 8am

Photo by Emmanuel Esguerra

07

The Very Human Humanist Exploring the Man Behind Beethoven’s Music Written by Dan Bickel

Fine Music Sydney is joining music lovers around the world to celebrate the 250th anniversary of Beethoven’s birth with the broadcast of a Beethoven 250 Festival. From 17 October until 17 December (Beethoven’s baptism date; his actual birthdate is unknown) we will be exploring the full range of Beethoven’s oeuvre, relishing well-known favourites and exposing some lesser-known gems. Before turning to the music, however, I thought we should shine a light on Beethoven the man.

Born in Bonn, Germany, Ludwig van Beethoven is certainly one of the best known and admired classical composers.

His musical gift is recognised across cultures, and the adoption of his Ode to Joy as the official anthem of the Council of Europe attests to his wide impact and appeal.

He was a true humanist, who wanted the best for mankind, but his own moods and complex personality were much harder to rein in.

After initial musical education in Bonn, Beethoven moved to Vienna in 1792 to study with Haydn. Upon his arrival, he took part in piano competitions and it was said of him: “He is not a man but a demon. He plays in such a way that will drive us all to the grave.” His demeanour would not have helped; notoriously stubborn and at times quite difficult, he would deliberately arrive late at meals and pay little attention to the way he dressed. Beethoven lived in some 60 different apartments in Vienna and his quarters were said to be less than hygienic. Complaints from neighbours about noise (he had loud arguments with his servants) may explain his frequent moves. At the same time, however, Beethoven could be quite sociable.

Historic Images / Alamy Stock Photo

Beethoven is reported to have said: “Music is a higher revelation than all wisdom and philosophy, it is the wine of a new procreation, and I am Bacchus who presses out this glorious wine for men and makes them drunk with the spirit.” It is this intensity that characterises so much of his music. Goethe wrote about something similar, the ‘daimonic’, powerful, often irrational force that drives imaginative and creative people. He noted that Beethoven had this force to a high degree.

He was immensely fond of coffee and the Viennese coffeehouse scene allowed him lively discourse with friends and colleagues, free from the formality of the musical aristocracy upon whom he relied as patrons. Beethoven is usually regarded as a misunderstood genius as well as a loner who was unhappy in his romantic relationships. This is true to a degree, but some of his difficulties may have been the result of his financial struggles and increasing deafness. From 1798 his hearing began to deteriorate and with growing deafness he shied away from social events for fear it might be noticed. Eventually, he gave up on finding a cure, and accepted the situation with stoicism.

So perhaps Beethoven’s irritability and disregard of social graces was a strive to achieve his ideals. And one can’t help but think he wanted all to share his vision. This is evidenced in his music, from the spirit of the Eroica Symphony through to the Ode to Joy, a setting of a verse

by Friedrich Schiller which champions the brotherhood of humanity. Most movingly, Fidelio, Beethoven’s single opera, expresses his fierce affirmation of human freedom and dignity.

Saturday 17 October at 2.30pm

08

The Bonn Accord The Music of Bruch and Beethoven Written by Nicky Gluch Image: Femme au Violin, by Henri Matisse

According to Joseph Joachim, “The Germans have four violin concertos. The greatest, the most uncompromising, is Beethoven’s. The one by Brahms vies with it in seriousness. The richest, the most seductive was written

by Max Bruch. But the most inward, the heart’s jewel, is Mendelssohn’s.” Leaving aside Joachim’s characterisation of the four concerti, what interests me is his grouping of these four men, for it reminds me of a comment made by Christoph von Dohnanyi. When asked how he selected works for a concert program, Dohnanyi explained that he sought a common mentality, as diverse as the works might be. Thus Bruckner, for him, went with Mozart, not Beethoven, just as I posit Beethoven and Bruch share a common soul. A bon accord that may find its origins in the city of Bonn.

Though Beethoven is referred to as a composer of the First Viennese School, he was born and raised in Bonn.

Pre-COVID, many had planned to visit the city, and specifically the Münsterplatz, to celebrate 250 years since the composer’s birth. It is in the Münsterplatz that one finds the famous Beethoven Monument; unveiled in 1845 to commemorate what would have been Beethoven’s 75th birthday, it was the realisation of an idea, long in the works, initiated by musicology professor Heinrich Carl Breidenstein.

It was with Breidenstein that the young Bruch allegedly had his first music theory lesson. Born in Cologne in 1838, Beethoven’s city lay just 30km away. When the 11-year-old Bruch visited, he would have seen the Monument shining in its newness. Beethoven’s legacy was thus inescapable, be it physically or through Breidenstein’s teachings, and that Bruch felt an affinity for Bonn is evidenced in his decision to return in 1873.

He would spend five years there, working privately, before moving to Liverpool and, eventually, Berlin.

Berlin was Mendelssohn’s city. He was 18 when Beethoven died, and had already written some of his masterworks, including the Overture to A Midsummer Night’s Dream and his String Octet. Almost 100 years later, Bruch would write his own, though his octet was for eight instruments, as opposed to the doublequartet of Mendelssohn’s conception. Mendelssohn, the conductor, was a Beethoven advocate, and in 1844 he conducted the Violin Concerto with Joachim as soloist.

The work became key to Joachim’s repertoire, and he to the piece’s acceptance in the canon. When Brahms heard him perform it, he was deeply impressed, and so began a long and fruitful friendship.

Peter Barritt / Alamy Stock Photo

That Brahms revered Beethoven is well known; he was his great musical inspiration and, in many ways, shadow. That the Brahmsian aesthetic is distinguished from that of Wagner and Liszt is similarly recognised, however the divergence occurred not there but with Mendelssohn. In Beethoven’s Symphony No. 7, for example, Wagner saw a programmatic theme, whereas Mendelssohn saw a marvellous symphonic structure which had no need for programmatic interpretation. The difference in mentality was whether one looked for drama behind the music, or whether one saw music as inherently transcendental. Those who walked Mendelssohn’s path walked a spiritual and metaphysical line. And so Brahms’ music speaks without words, as does Bruch’s, his recognised disciple.

Join Fine Music Sydney this October to commemorate 100 years since Bruch’s death and delve deeper into his heartfeltArtwork oeuvre.

by Leita Hutchings Friday 2 October at 2pm

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FOR THE LOVE OF MUSIC Make your final act an overture – become a Fine Music Sydney Bequestor and join a group of passionate philanthropists who pledge a bequest with the knowledge that they are securing the future of classical music for future generations to come.

Throughout our 45-year history Bequests have facilitated significant strides forward funding studio refurbishments and equipment purchases, broadcast opportunities for emerging and established ensembles as well as awards and scholarships to support emerging musicians.

Your financial gift will enable us to keep broadcasting the music we all love and value. Please contact us today to discuss leaving a gift to Fine Music Sydney in your will.

02 9439 4777

finemusicsydney.com/bequest

Thursday 1 October 00:00 UNLEASH THE VINYL With Tom Zelinka 01:00 GROOVESVILLE/25 0'CLOCK With Ray Levis 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Anabela Pina Vivaldi, A. Il duello. Le Orfanelle Della Pieta Baroque Ensemble.

Erato 382457-2 5 Sarasate, P. de Zigeunerweisen, op 20 (1878).

Anne-Sophie Mutter, vn; Vienna PO/James Levine.

DG 477 9730 9 Handel, G. Passacaglia, from Harpsichord suite no 7 in G minor (arr. Halvorsen). Alexandra Koll, vn; Heinrich Koll, va.

Naxos 8.557606 8 Veracini, F. Violin concerto in A à cinque (c1716). Accademia I Filarmonici/Alberto Martini.

Naxos 8.553413 12 Graupner, C. Trio sonata in F, GWV210.

Members of Finnish Baroque O. Ondine ODE 1240-2 9 Chen - Ho. The butterfly lovers’ violin concerto, mvt 1, Falling in love (1959; arr.

Chung). Lu Siquing, vn; Taipei Chinese O/ Chung Yiu-Kwong.

BIS BIS-2104 11 Mozart, W. Violin sonata no 33 in E flat, K481 (1785). Natsuko Yoshimoto, vn; Bernadette Harvey, pf.

Fine Music concert recording 24 10:30 CONCERT HALL Prepared by Denis Patterson Verdi, G. Overture to Aïda (1872). BBC PO/ Edward Downes.

Chandos CHAN 9788 12 Saint-Saëns, C. Piano concerto no 2 in G minor, op 22 (1868). Benjamin Grosvenor, pf; Royal Liverpool PO/James Judd.

Decca 478 3527 22 Rachmaninov, S. Symphony no 1 in D minor, op 13 (1895). USSR SO/Yevgeny Svetlanov.

Melodiya SUCD 10-00141 47 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Sonata in G, TWV 42:G6.

Cristiano Contadin, bass viol; Rodney Preda, bass viol; Roberto Loreggian, hpd; Gian Michele Costantin, hpd.

Brilliant Classics 95150 9

Telemann, G. Fantasia no 2 in D minor, TWV33:2 Andrea Coen, hpd.

Brilliant Classics 95150/37 4 Telemann, G. Concerto in D, TWV43:D7.

Otto Sauter, tpt; ob; members of Palatinate O, Mannheim/Nicol Matt.

Brilliant Classics 95150/14 12 Telemann, G. Sonata in D. TWV40:D1.

Siegfried Pank, va da gamba.

Brilliant Classics 95150/28 12 Telemann, G. Trio in E minor, TWV42:E2.

Wilbert Hazelzet, fl; Alfredo Bernadini, ob; Richle van der Meer, vc; members of Musica Amphion.

Brilliant Classics 94104 15 14:00 FRÉMAUX IN BIRMINGHAM AND SYDNEY Prepared by Ron Walledge Offenbach, J. Overture to La belle Hélène (1864).

EMI CDM 1 66418 2 9 Ibert, J. Divertissement (1930).

EMI 5 66010 2 14 Lalo, E. Symphonie espagnole, op 21 (1873).

Yan Pascal Tortelier, vn.

EMI 7 69457 2 33 McCabe, J. Notturni et alba (1970). Jill Gomez, sop.

EMI CDM 7 63176 2 22 City of Birmingham SO (4 above) Carmichael, J. Flute concerto, Phoenix (1979). James Galway, fl.

LP RCA VRL1 7373 16 Saint-Saens, C. Symphony no 3 in C minor, op 78, Organ, mvt 3 (1886).

ABC 434 895-2 14 Sydney SO (2 above) Louis Frémaux, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Stephen Wilson 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Nicky Gluch Nápravnik, E. Nocturne after Chopin, op 48 no 1 (1894). Jonathan Plowright, pf.

Hyperion CDA67803 6 Liszt, F. Symphonic poem no 10: Hamlet (1858). New Zealand SO/Michael Halász.

Naxos 8.553355 15 Borodin, A. String quartet no 2 in D (1881).

Australian String Quartet.

Fine Music concert recording 27 Rimsky-Korsakov, N. Overture on Russian themes, op 28 (1866/80). Moscow SO/Igor Golovschin.

Naxos 8.553858 14

11

Balakirev, M. Piano concerto no 1 in F sharp minor, op 1 (1855-56). Malcolm Binns, pf; English Northern Philharmonia/David LloydJones.

Hyperion CDA66640 14 Borodin, A. Symphony no 1 in E flat (1862-67). Royal Stockholm PO/Gennady Rozhdestvensky.

Chandos CHAN 9199 36 22:00 CHAMBER INTERLUDE With Nicky Gluch Mendelssohn, Fanny. Piano trio in D, op 11 (1846). Oliver Butterworth, vn; Michael Evans, vc; Frank Wibaut, pf.

Hyperion CDH55078 27 22:30 ULTIMA THULE With Jackson Day

Friday 2 October 00:00 MUTABLE CARAT With Nick Dan 01:00 THE LONG DIVISION With Joe Goddard 02:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Elaine Siversen Takemitsu, T. A flock descends into the pentagonal garden (1977). Royal Concertgebouw O/John Adams.

Radio Nederland RCO11004 12 Bartók, B. Suite: Out of doors (1926).

Andreas Haefliger, pf.

Avie AV 2082 16 Reade, P. Suite from The Victorian kitchen garden. Deborah de Graaff, cl; Marshall McGuire, hp.

Fine Music concert recording 9 Diabelli, A. Serenade, op 99. Konrad Hünteler, fl; Reinbert Evers, gui.

Pantheon D 14 112 16 Danyel, J. Can doleful notes. Robin Blaze, ct; Elizabeth Kenny, lute.

Hyperion CDA67126 7 Hoffmeister, F. Serenade for wind octet.

Amadeus Wind Players/John Gray.

Fine Music concert recording 20 10:30 CONCERT HALL Prepared by James Nightingale Bizet, G. Overture: Patrie, op 19 (1873).

Melbourne SO/John Lanchbery.

ABC 456 669-2 13

Brahms, J. Violin concerto in D, op 77 (1878).

Lisa Batiashvili, vn; Staatskapelle Dresden/ Christian Thielemann.

DG 479 0086 38 Lilburn, D. Symphony no 2 (1951). New Zealand SO/James Judd.

Naxos 8.555862 31 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 FOCUS ON STENHAMMAR Prepared by Paul Cooke Stenhammar, W. Allegro con moto ed appassionata (1888-89). Lucia Negro, pf.

BIS CD-554 12 Stenhammar, W. Symphony no 2 in G minor, op 34 (1911-15). Gothenburg SO/Neeme Jarvi.

BIS CD-251 43 14:00 MAX BRUCH CENTENARY Prepared by Angus McPherson A Centenary Event

1920 2020

Bruch, M. Overture to Die Loreley, op 16 (1863). Rhenish PO/Wolfgang Balzer.

EBS ebs6071 5 Bruch, M. The flight into Egypt, op 20 (c1858-64). Shihomi Inou-Heller, sop; Maria Luise Wilke, cont; Klaus Thiem, bar; Berlin Philharmonic Choir; Berlin RSO/Uwe Gronostay.

Schwann 313 013 H1 8 Bruch, M. Double concerto, op 88a (1915).

Martin Berkofsky, pf; David Hagan, pf; Berlin SO/Lutz Herbig.

LP Turnabout TV 334 732 23 Bruch, M. Pieces for clarinet, viola and piano (1910). Paul Dean, cl; Brett Dean, va; Stephen Emmerson,pf.

ABC 442 363-2 21 Bruch, M. Violin concerto no 1 in G minor, op 26 (1866-67). Anne-Sophie Mutter, vn; Berlin PO/Herbert von Karajan.

DG 479 4110 26 Bruch, M. String octet, op posth (1920).

Ensemble Ulf Hoelscher. cpo 999 451-2 25 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Robert Small Elgar, E. Overture: Cockaigne, op 40, In London town (1901). London SO/Charles Mackerras.

Argo 430 835-2 14

Martinu, B. Double concerto (1953). Bohuslav Matousek, vn; Karel Kosárek, pf; Czech PO/ Christopher Hogwood.

Hyperion CDA67672 28 Sibelius, J. Symphony no 2 in D, op 43 (1901). Adelaide SO/Arvo Volmer.

ABC 476 3945 43

09:05 THE PIANO ALONE Prepared by Paul Cooke Weber, C.M. Invitation to the dance, op 65 (1819). Stephen Hough, pf.

Hyperion CDA67686 8 Ghandar, A. Ragtime suite (2001). Ian Munro, pf.

Tall Poppies TP186 9 Mozart, W. Symphony in D, from Serenade Schumann, R. Fantasy in C, op 17 (1836-38). in D, K203 (1774). Australian Brandenburg O/ Alfred Brendel, pf.

Paul Dyer.

Vanguard OVC 4027 32 Fine Music concert recording 24 10:00 MUSICAL JOURNEYS 22:00 BAROQUE AND BEFORE Prepared by Rodrigo Azaola Featuring the viola da gamba Riisager, K. To Apollo, god of light (1972).

Prepared by Paul Cooke Danish NSO/Owain Arwel Hughes.

Pepusch, J. Trio sonata. Belinda Webster, fl; Dacapo 6.220527 11 Ted Granlund, va da gamba; Helen Scott, vc; Scarlatti, A. Eros and Leandros. Gérard Günther Holler, org.

Lesne, ct; Il Seminario Musicale.

Fine Music concert recording 7 Virgin 5 45126 2 11 Purcell, H. The plaint, Let me weep, from The Holst, G. Hymn to Dionysus, op 31 no 2 fairy queen (1692). Alexandra Oomens, sop; (1913). Osian Ellis, hp; Royal College of Music Lucinda Moon, baroque vn; Laura Moore, va Chamber Choir; Royal PO/David Willcocks. da gamba; Latitude 37.

Unicorn-Kanchana DKP 9046 9 ABC 481 2100 7 Rameau, J-P. Cantata: Thétis (1718). Peter Caix d'Hervelois, L. de Suite in A. Bengt Harvey, bar; London Baroque.

Ericson, va da gamba; Rolf LaFleur, lute.

BIS CD-1495 10 BIS CD-22 16 Satie, E. The snare of Medusa (1913).

Carissimi, G. Bel tempo per me se n’andò; In Erwartung Ensemble/Bernard Desgraupes. un mar di pensieri; V’intendo v’intendo occhi.

Aria Music 592292 4 Martyn Hill, ten; Trevor Jones, va da gamba; Handel, G. Venus and Adonis, HWV85 Robert Spencer, lute; Christopher Hogwood, (c1700). Philippa Hyde, sop; Parley of hpd.

Instruments/Peter Holman.

LP L’Oiseau-Lyre DSLO 547 16 Chandos CHAN 0776 10 Couperin, F. Huitième concert dans le goût Henze, H. Muses of Sicily (1966). Dresden théatral, from Les goûts-réünis ou Nouveaux Kreuzchor; pf; Joseph Rollino, pf; Paul Sheftel, concerts (pub. 1724). Owen Watkins, rec; pf; members of Dresden Staatskapelle/Hans Geoffrey Burgess, baroque ob, rec; Catherine Werner Henze.

Finnis, va da gamba; Nicholas Parle, hpd.

DG 479 1522 28 Fine Music concert recording 21 11:30 ON PARADE Handel, G. Tra le fiamme, HWV170 (1707).

Music that’s band Dorothee Mields, sop; Hille Perl, va da gamba; Prepared by Owen Fisher La Folia Baroque O. Grafulla, C. Skyrocket march. Allentown DHM G0100036503747 18 Band/Ronald Demkee.

Forqueray, A. Suite no 5 in C minor (pub.

AMP 2K 085 3 1747). Wieland Kuijken, va da gamba; Chopin, F. Military polonaise. Fairey Band/ Sigiswald Kuijken, va da gamba; Gustav Harry Mortimer.

Leonhardt, hpd.

LP HMV OCSD 3668 3 Harmonia Mundi GD 77145 25 Bagley, E. March: National emblem.

University of Michigan Symphony Band/H. Robert Reynolds.

Saturday 3 October Didgeridoo HOT 1100 3 Allan, E. Acapulco 1922. Hendon Band/ 00:00 CLASSIC-ALL THROUGH Donald Morrison.

THE NIGHT LP Astor GGS 1516 2 06:00 SATURDAY MORNING MUSIC Parry, J. Tydfil overture. Wallace Collection With David Garrett Brass Ensemble.

09:00 WHAT'S ON IN MUSIC Nimbus NI 5470 11 12:00 URBAN JAZZ LOUNGE With Leita Hutchings

12

13:00 OPERA IN MINIATURE Prepared by Elaine Siversen Gluck, C. Der Betrogene Kadi. Opera in one act. Libretto by Pierre-René Lemonnier. First performed Vienna, 1786. KADI: Walter Berry, bass bar FATIMA: Anneliese Rothenberger, sop ZELMIRE: Helen Donath, sop NURADIN: Nicolai Gadda, ten OMAR: Klaus Hirte, bar OMEGA: Regina Marheineke, sop Bavarian State Opera Ch & O/Otmar Suitner.

EMI 4 64319 2 49 The Kadi (or Qadi), a Muslim judge, desires Zelmire (whom he has never seen) in preference to his wife Fatima. As Zelmire has rejected him, he has ordered her to be married to a poor man so that she would live in poverty. The groom, Nuradin, is in fact not indignant because he has deceived the Kadi about his finances in order to be able to marry Zelmire. She seeks revenge on the Kadi by arranging for him to take Omega, a less-attractive woman, as his new wife.

Zelmire arranges for the Kadi to visit and sends Nuradin away. Disguised as Omega, she tells the Kadi that she is consulting him because her father Omar forbids her to marry. The Kadi falls for the story, and for the disguised Zelmire, and summons Omar.

Amazed that anyone (much less the Kadi) is interested in his daughter, Omar asks for a substantial dowry. Fatima is angered when the Kadi declares that he has divorced her. The wedding to Omega is about to take place, but the Kadi is enraged when he sees the real Omega rather than the pretended one. Then Zelmire and Nuradin reveal the deception.

Omega is disappointed, and the Kadi and Fatima reunite.

Cui, C. A feast in time of plague. Dramatic setting in one act of Alexander Pushkin’s play, Little tragedy. First performed, Moscow, 1901.

WALSINGHAM: Andrei Baturkin, bar YOUNG MAN: Alexei Martinov, ten MARY: Ludmila Kuznetsova, mezz LOUISA: Tatiana Sharova, sop PRIEST: Dmitri Stepanovich, bass Russian State SO/Valery Polyansky.

Chandos CHAN 10201 32 During a feast, a Young Man raises a glass asking all present to toast one of their friends who has recently died from the plague.

Instead, Walsingham calls for a moment of silence as a more fitting remembrance.

He then requests Mary to sing a sad song before they resume their merriment. Her song touches him deeply but Louisa, in a cynical rant, says that Mary is just playing on his emotions.

Interrupted by the creaking sounds of a deadcart passing by, Louisa faints. When she recovers, she wonders whether she was only dreaming about the cart. The Young Man asks Walsingham to sing something about the plague. Walsingham responds with a hymn but the Priest enters, chastising the merrymakers for disrespecting the dead. He begs them to leave and attempts to shame Walsingham by bringing up the memory of the latter's recently deceased mother and wife. Walsingham sends the Priest away but remains lost in thought.

The feasters return with the distant sounds of a funeral procession as the background to their feasting.

14:30 SATURDAY MATINEE Aladdin Davis, C. Ballet: Aladdin (1995-2000).

Malaysian PO/Matthias Bamert.

Naxos 8.557898-99 2:06 Ravel, M. Shéhérezade, fairy overture (1898).

Lyon NO/Jun Märkl.

Naxos 8.570992 16 17:00 SOCIETY SPOT Folk Federation of NSW With John Milce 18:00 MUSIC OF THE SCREEN Prepared by Sue Jowell 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Erwin Schulhoff Prepared by James Nightingale Schulhoff, E. Variations and fugue on an original Dorian theme, op 107 (1913). Caroline Weichert, pf.

Grand Piano GP604 21 Schulhoff, E. String quartet no 1 (1924).

Petersen Quartet.

Capriccio C7297 16 Schulhoff, E. Ogalala. Borusan Istanbul PO/ Sascha Goetzel.

Onyx 4086 13 Schulhoff, E. Hot sonate. Amo Bornkamp, sax; Ivo Janssen, pf.

Vanguard Classics 99092 14 Schulhoff, E. She was grazing her oxen; When I was on mummy’s lap; Come and sit in my trap, from Folksongs and dances from the Tesínsko region (1936). Magdalena Kozená, mezz; Malcolm Martineau, pf.

DG 479 2557 7 Schulhoff, E. Symphony no 5 (1938-39).

Bavarian RSO/James Conlon.

Capriccio C7297 35 Schulhoff, E. Susi - fox song (1937). Caroline Weichert, pf.

Grand Piano GP604 4

13

22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Medtner, N. Piano quintet in C, op posth.

Dora Schwarzberg, vn; Lucia Hall, vn; Nora Romanoff-Schwarzberg, va; Jing Zhao, vc; Lilya Zilberstein, pf.

EMI 7 21119 2 25 Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). Mstislav Rostropovich, vc; Royal Concertgebouw O/Kyrill Kondrashin.

Radio Nederland RCO 06004 18 Rubinstein, A. Quintet in F for piano and winds, op 55 (c1855/60). David Griffiths, cl; Andrew Barnes, bn; Robert Johnson, hn; members of Australia Ensemble.

Fine Music concert recording 35 Mussorgsky, M. Suite: Pictures at an exhibition (1874; orch. Ashkenazy).

Philharmonia O/Vladimir Ashkenazy.

Decca 478 2826 34

Sunday 4 October 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Stephen Wilson 09:00 MUSICA SACRA Prepared by Stephen Matthews Zelenka, J. Missa omnium sanctorum.

Stuttgart Chamber Choir; Stuttgart Baroque O/Frieder Bernius.

Sony 88985439412 51 Humfrey, P. Hear O heav’ns. Choir of St John’s College, Cambridge/George Guest.

Argo 483 1285 5 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Hummel, J. Bassoon concerto in F (1805).

Valery Popov, bn; Russian State SO/Valery Polyansky.

Chandos CHAN 9656 25 Cherubini, L. Symphony in D (1815). London SO/Charles Mackerras.

Carlton Classics 15656 91372 30 Berlioz, H. Le montagnard exilé (1823).

Françoise Pollet, sop; Anne Sophie von Otter, mezz; Christine Mühlbech, hp.

DG 435 860-2 7 Weber, C.M. Clarinet quintet in B flat, op 34 (1815). Sabine Meyer, cl; members of Academy of St Martin in the Fields.

EMI 5 57359 2 27 Rossini, G. Ballet music from Othello (1816).

Monte Carlo National Opera O/Antonio de Almeida.

Philips 422 843-2 20

12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers 13:00 WORLD MUSIC: Whirled Wide 14:00 THE SWEDISH SYMPHONY Prepared by Chris Blower Berwald, F. Overture to The Queen of Golconda (1868).

EMI CDM 5 65073 2 7 Berwald, F. Play of the elves (1842).

EMI 5 65303 2 8 Royal PO/Ulf Björlin (2 above) Reminiscence of the Norwegian mountains (1842). Gävle SO/Petri Sakari.

Naxos 8.555370 9 Symphony no 2 in D (1842). Swedish RSO/ Roy Goodman.

Hyperion CDA67081/2 27 15:00 SUNDAY SPECIAL Four centuries of British music Prepared by Chris Blower Gibbons, O. See, see, the Word is incarnate (1616). Fretwork.

Harmonia Mundi HMU 807554 6 Purcell, H. Suite from The prophetess (1690).

Le Concert des Nations/Jordi Savall.

Alia Vox AVSA 9866 14 Arne, T. Keyboard concerto no 3 in A (pub.

1793). Parley of Instruments Baroque O/Paul Nicholson, fp & dir.

Helios CDH55251 17 Bennett, W. Sterndale Symphony in G minor, op 43 (1864). London PO/Nicholas Braithwaite.

Lyrita SRCD.206 24 Bax, A. Overture, elegy and rondo (1927).

Slovak PO/Barry Wordsworth.

Marco Polo 8.223102 24 Rutter, J. Beatles concerto (1979). Peter Rostal, pf; Paul Schaefer, pf; Royal PO/John Rutter. ucj 476 124-2 24 17:00 HOSANNA Prepared by Stephen Matthews Lauridsen, M. O magnum mysterium. Voces8.

Decca 478 5703 6 Mendelssohn, F. Psalm 2. Stuttgart Chamber Choir/Frieder Bernius.

Carus 83.221 8 Handel, G. Chorus and arias, from Belshazzar. Cologne Chamber Choir; Collegium Cartusianum/Peter Newmann.

Pourpre PPR 18011 17 Stepan, J. Allegro; Andante, from Organ sonata in E sharp. Jaroslav Tuma, org.

Arta Music 11 Bach, J.S. Choruses from Cantatas, BWV17, BWV29 and Mass in G. hänssler 98.337 10

18:00 SMALL FORCES Prepared by Frank Morrison Dohnányi, E. Serenade for string trio, op 10 (1902). Donald Weilerstein, vn; Atar Arad, va; Paul Katz, vc.

Pro Arte CDD 238 19 Myslivecek, J. Wind octet no 1 in E flat.

Harmoniemusik of London.

Virgin 5 61368 2 15 Berwald, F. Piano trio no 1 in E flat (1849).

András Kiss, vn; Csaba Onczay, vc; Ilona Prunyi, pf.

Naxos 8.555001 19 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Beethoven, L. Overture to Coriolan, op 62 (1807). Sydney SO/Willem van Otterloo.

LP RCA VRL4 0190 9 Respighi, O. Symphonic poem: Roman festivals (1928). Cleveland O/Lorin Maazel.

Decca 478 2826 26 Berlioz, H. Herminie (1828). Michèle Lagrange, sop; Lille NO/Jean-Claude Casadesus.

Harmonia Mundi HMC 901542 21 Wolf, H. Symphonic poem: Penthesilea (188385). Paris O/Daniel Barenboim.

Apex 0927-49582-2 26 20:30 NEW HORIZONS Prepared by Calogero Panvino Gubaidulina, S. Viola concerto (1996). Yuri Bashmet, va; Mariinsky TO/Valery Gergiev.

DG 471 494-2 35 Harvey, M.K. Piano sonata (2006). Michael Kieran Harvey, pf.

Move MD 3315 21 Abbott, K. Autumn song (2001). Lamorna Nightingale, fl; Jocelyn Edey Fazzone, pf. www.aim.com.au 4 Dean, B. Viola concerto (2005). Brett Dean, va; Sydney SO/Simone Young.

SSO recording 26 22:00 JAZZ AFTER HOURS With Sue Jowell

Monday 5 October 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1844 Prepared by Chris Blower Suppé, F. Overture to Morning, noon and night in Vienna (1844). Vienna PO/Zubin Mehta.

CBS MK 44932 8

14

Mendelssohn, F. Hear my prayer (1844).

Aled Jones, treb; Monteverdi Singers; Andrew Goodwin, org.

ABC 476 3685 12 Kalliwoda, J. Oboe concertino in F, op 110 (1844). Diana Doherty, ob; Queensland SO/ Werner Andreas Albert.

ABC 456 681-2 16 Verdi, G. Dell’esilio nel dolore ... O tu che l’alma adora, from Ernani (1844). Marcelo Álvarez, ten; Milan Giuseppe Verdi Symphony Ch & O/Daniel Oren.

Decca 478 1442 3 Schumann, R. Six pieces in canonic form, op 56 (1844-45; arr. Kirchner). Vienna Brahms Trio.

Naxos 8.553837 17 Chopin, F. Piano sonata no 3 in B minor, op 58 (1844). Sylvia Torán, pf.

Quicksilva QS 6142 23 10:30 CONCERT HALL Prepared by Paul Cooke Massenet, J. Orchestral suite no 6: Scènes de féerie (1879). Monte Carlo Opera O/John Eliot Gardiner.

Erato 2292-45858-2 18 Scharwenka, X. Piano concerto no 1 in B flat minor, op 32 (1876). Alexander Markovich, pf; Estonian NSO/Neeme Järvi Chandos CHAN 10814(2) 30 Bracanin, P. Symphony no 3 (1995/97).

Queensland SO/Werner Andreas Albert.

ABC 465 433-2 34 12:00 SWING SESSIONS With John Buchanan 13:00 MUSIC OF THE DANCE Prepared by Katy Rogers-Davies Copland, A. Danza de Jalisco, from Three Latin-American sketches (1959). New Philharmonia O/Aaron Copland.

CBS MK 42429 4 Martinu, B. Jazz suite (1928). Zdenek Jílek, pf; Members of Prague SO/Zbynek Vostrák.

Supraphon SU 3058-2 011 12 Bernstein, L. Symphonic dances, from West Side story (1960). New York PO/Leonard Bernstein.

CBS MYK 44773 21 Márquez, A. Danzón no 2 (1993). Simón Bolívar Youth O/Gustavo Dudamel.

DG 477 7457 10 Grusin, D. Three Latin-American dances (2000). Arnold Steinhardt, vn; Amanda Forsyth, vc; Dave Grusin, pf.

Naxos 8.559235 16 Shostakovich, D. Jazz suite no 2 (1938).

Russian State SO/Dmitri Yablonsky.

Naxos 8.555949 20

Milhaud, D. Carnival in New Orleans, op 275 (1947). Stephen Coombs, pf; Artur Pizarro, pf.

Hyperion CDA67014 9 Prokofiev, S. Tales of an old grandmother, op 31 (1918). Vladimir Sofronitzky, pf.

Brilliant Classics 9241 23 10:30 CONCERT HALL Prepared by Rita Felton Dvorák, A. Overture: Carnival, op 92 (1891).

Melbourne SO/Tadaaki Otaka.

ABC 476 4598 10 Paganini, N. Violin concerto no 1 in D, op 6 (1815). Michael Rabin, vn; Philharmonia O/ Eugene Goossens.

EMI 5 72854 2 29 Sibelius, J. Symphony no 1 in E minor, op 39 (1899). New Zealand SO/Pietari Inkinen.

Naxos 8.572305 40 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 CARLOS KLEIBER CONDUCTS Prepared by David Brett Strauss, J. II Overture to Die Fledermaus (1874). Vienna PO. CBS M2XK 45564 8 Brahms, J. Symphony no 2 in D, op 73 (1877).

Vienna PO. Artists FED 013/14 37 Wagner, R. Tod und Hölle! from Tristan und Isolde (1857-59). Brigitte Fassbaender, mezz; Werner Götz, ten; Dietrich Fischer-Dieskau, bar; Wolfgang Hellmich, bar; Kurt Moll, bass; Staatskapelle Dresden.

DG 477 5324 8 Schubert, F. Symphony no 3 in D, D200 Tuesday 6 October (1815). Chicago SO. Artists FED 013/14 20 00:00 CONTEMPORARY Verdi, G. Lunge da lei ... De’ miei bollenti COLLECTIVE spiriti, from La traviata (1853). Plácido 03:00 CLASSICAL TILL DAWN Domingo, ten; Bavarian State O. 06:00 FINE MUSIC BREAKFAST DG 477 6292 4 including Arts Calendar at 7.30am Beethoven, L. Symphony no 5 in C minor, op With Julie Simonds 67 (1807). Vienna PO. 09:00 DIVERSIONS IN FINE MUSIC DG 479 4110 34 Colours of the keyboard Carlos Kleiber, cond (all above) Prepared by Rex Burgess 15:00 MOZART AND THE STRING Bach, J.S. Concerto in D, after Vivaldi, QUARTET BWV972 (1713-14). Alison Balsom, tpt; Colm Prepared by Frank Morrison Carey, org.

Boccherini, L. Piano quintet in E flat, op 56 Warner 0 19162 2 8 no 3 (1797). Les Adieux.

Bach, C.P.E. Sonata in G minor, Wq51 no 6 Harmonia Mundi GD77053 15 (1760). Gustav Leonhardt, clavichord.

Abel, C. Sonata in G. Bengt Ericson, va da Philips 422 349-2 8 gamba; Rolf LaFleur, lute.

Alkan, C-V. Troisième recueil de chants, op 65 BIS CD-22 8 (c1859). Stephanie McCallum, pf.

Clementi, M. Piano sonata in A, op 2 no 4 Toccata TOCC 0157 19 (1779). Susan Alexander-Max, fp.

Saint-Saëns, C. Bassoon sonata in G, op 168 Naxos 8.555808 13 (1921). Ursula Leveaux, bn; Ian Brown, pf.

Mozart, W. String quartet no 1 in G, K80 Hyperion CDA67431/2 12 (1770). Quartetto Italiano.

Decca 478 5555 15 14:30 INSPIRED BY LITERATURE Prepared by Chris Blower Carulli, F. Fantasy in G on themes from Bellini's Il pirata, op 337. Jean-Pierre Rampal, fl; Alexandre Lagoya, gui.

CBS MK 42130 11 Schubert, F. Ballet no 2 from Rosamunde, D797 (1823). Minneapolis SO/Stanislaw Skrowaczewski.

Mercury 462 954-2 7 Giuliani, M. Potpourri from Rossini’s Tancredi, op 76 (pub. 1817). Mikael Helasvuo, fl; Jukka Savijoki, gui.

BIS CD-413 14 Pasculli, A. Concerto on themes from Donizetti’s La favorita. Jeremy Polmear, ob; Diana Ambache, pf.

Meridian CDE 84147 12 Milhaud, D. Scaramouche, op 165b (1937).

Guitar Trek.

ABC 442 508-2 10 Liszt, F. Solemn march to the holy grail, from Parsifal. Igor Levit, pf.

Sony G010003685272S 11 Janácek, L. Pohádka (1910/23). Steven Isserlis, vc; Thomas Adès, pf.

Hyperion CDA67948 12 16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS

15

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN 22:00 CHAMBER SOIRÉE Prepared by Gerald Holder Myslivecek, J. Octet no 1 in E flat. Sabine Meyer Wind Ensemble.

EMI 5 55512 2 16 Dvorák, A. Piano trio no 4 in E minor, op 90, Dumky (1890-91). Yuval Piano Trio.

DG 457 892-2 32 Brahms, J. Trio in A minor, op 114 (1891).

Alan Hacker, cl; Jennifer Ward Clarke, vc; Richard Burnett, pf.

Amon Ra SAR 37 24 Beethoven, L. String quartet in D, op 18 no 3 (1798). Alban Berg Quartet.

EMI 5 62778 2 23 Bax, A. Oboe quintet (1922). Nash Ensemble.

Hyperion CDA66807 17

Wednesday 7 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Paul Cooke Hummel, J. Adagio and rondo in A, alla polacca. James Ehnes, vn; London Mozart Players/Howard Shelley.

Chandos CHAN 10255 11 Field, J. Piano quintet in A flat (1815). David Juritz, vn; Jennifer Godson, vn; Sarah-Jane Bradley, va; Julia Desbruslais, vc; Míceál O'Rourke, pf.

Chandos CHAN 9534 11 Hofmann, L. Sinfonia in F. Northern CO/ Nicholas Ward.

Naxos 8.553866 13 Guillemain, L-G. Flute sonata in B minor, op 12 no 2 (pub. 1743). William Hazelzet, baroque fl; Fantasticus.

Resonus RES10222 14 Caccini, F. Maria, dolce Maria; Che t’ho fatt’io?; Non so quel sorriso; Se muove a guirar fede; Jesu corona virginum (pub. 1618).

Jane Edwards, sop; Marshall McGuire, hp; Erin Helyard, hpd.

Artworks AW033 14

Dussek, J. Élégie harmonique in F sharp minor, in the form of a sonata, op 61 (180607). John Khouri, pf.

Entr’acte ESCD 6503 15 10:30 CONCERT HALL Prepared by Frank Morrison Delius, F. Brigg Fair: An English rhapsody (1907). BBC SO/Andrew Davis.

Teldec 4509-90845-2 17 Lalo, E. Cello concerto in D minor (1877).

János Starker, vc; London SO/Stanislaw Skrowaczewski.

Mercury 432 010-2 23 Shostakovich, D. Symphony no 5 in D minor, op 47 (1937). Moscow PO/Kirill Kondrashin.

Melodiya 74321199522 42 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 WOMEN CONDUCTORS Prepared by Jacky Ternisien Gershwin, G. Rhapsody in blue (1924).

Steven Barta, cl; Jean-Yves Thibaudet, pf; Baltimore SO. Decca 478 2189 17 Puts, K. Flute concerto (2013/14). Adam Walker, fl; Peabody SO. Naxos 8.559794 24 Gershwin, G. Variations on I got rhythm (1934). Jean-Yves Thibaudet, pf; Baltimore SO. Decca 478 2189 9 Glass, P. Symphony no 3 (1997).

Bournemouth SO. Naxos 8.559202 24 Barber, S. Capricorn concerto, op 21 (1944).

Karen Jones, fl; Stéphane Rancourt, ob; John Gracie, tpt; Royal Scottish NO. Naxos 8.559135 14 Takemitsu, T. Funeral music, from Black rain (1994/95). Bournemouth SO. Naxos 8.557760 5 Dvorák, A. Scherzo capriccioso, op 66 (1883).

Baltimore SO. Naxos 8.570995 15 Marin Alsop, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Camille Mercep Verdi, G. Attila. Opera in three acts. Libretto

by Temistocle Solera. First performed Venice, 1846. ATTILA: Ruggero Raimondi, bass EZIO: Sherrill Milnes, bar ODABELLA: Cristina Deutekom, sop FORESTO: Carlo Bergonzi, ten

Mendelssohn, F. Variations concertantes, op 17 (1829). Richard Lester, vc; Susan Tomes, pf.

Hyperion CDA66478 9 Holst, G. Lyric movement for viola and chamber orchestra (1933). Andriy Viytovych, va; English Sinfonia/Howard Griffiths.

Naxos 8.570339 12 Dodgson, S. Partita for guitar. Alberto Ponce, gui.

Arion ARN 68212 9 Holland, D. Piano trio (1944). Eggner Trio.

ABC 481 7995 16 10:30 CONCERT HALL Prepared by Angus McPherson Beethoven, L. Overture to Coriolan, op 62 (1807). Bavarian RSO/Colin Davis.

CBS MDK 44790 10 Berlioz, H. Harold in Italy, op 16 (1834).

Nobuko Imai, va; London SO/Colin Davis.

Philips 442 290-2 42 Mendelssohn, F. Symphony no 4 in A, op 90, Italian (1833). Royal Concertgebouw O/Kyrill Kondrashin.

Radio Nederland RCO 06004 30 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 FACETS OF LOUIS VIERNE Prepared by Angus McPherson Vierne, L. Berceuse in A. Carlo Curley, org.

Argo 430 837-2 4 Vierne, L. Messe solennelle in C sharp minor, op 16 (1900). Choir of Westminster Cathedral; Joseph Cullen, org; Andrew Reid, org; James Thursday 8 October O'Donnell, cond.

Hyperion CDA66898 23 00:00 CONTEMPORARY Vierne, L. Symphony no 3 in F sharp minor, COLLECTIVE op 28, Organ (1912). Michael Dudman, org.

03:00 CLASSICAL TILL DAWN LP Chartreuse RICS 78201 25 06:00 FINE MUSIC BREAKFAST Vierne, L. Marche triomphale du centenaire including Arts Calendar at 7.30am de Napoléon I (1921). Christopher BowersWith Simon Moore Broadbent, org; London Gabrieli Brass 09:00 DIVERSIONS IN FINE MUSIC Ensemble/Christopher Larkin.

The instruments: Strings Hyperion CDA66275 8 Prepared by Paul Cooke Vierne, L. Eros, op 37 (1916). Steve Davislim, Marais, M. Muzettes I and II (1723). Rolf ten; Queensland SO/Guillaume Tourniaire.

Lislevand, theorbo; Jordi Savall, bass viol; Melba MR 301123 12 Pierre Hantaï, hpd.

Vierne, L. Carillon de Westminster, from 24 Auvidis/Valois V 4640 3 Pièces de fantaisie (1926-27). Olivier Latry, Loeffler, C. Réverie en sourdine; Le rossignol; org.

Harmonie du soir; La lune blanche; La naïve V 5338 7 chanson de ingénues (1892-94). William 14:30 STUDENTS OF NADIA Dazeley, bar; Douglas Paterson, va; Julian BOULANGER Milford, pf.

Prepared by Jacky Ternisien ASV DCA 1139 15 Milhaud, D. Suite provençale (1936).

Shaw, T. Violin concerto in G. Elizabeth Conservatoire Concerts Society O/Serge Wallfisch, vn; Parley of Instruments/Peter Baudo.

Holman.

Le Chant du Monde LDC 278.300 16 Helios CDH55260 14 Gismonti, E. Smart baláo.

5 Piazzolla, A. Death of the angel.

4 Ambrosian Singers; Finchley Children’s Music Group; Royal PO/Lamberto Gardelli.

Philips 412 875-2 1:46 During his invasion of Italy, Attila the Hun is smitten by a captive Odabella and gives her his sword. He rejects a compromise proposed by the Roman general Ezio who then opposes him. Foresto, Odabella's lover, fears her infidelity, but she swears the sword is to avenge her father’s death. Marching to Rome, Attila is terrified by the sight of Pope Leo. Foresto plans to poison Attila. When Odabella foils this, wanting to kill him herself, Attila announces he will marry her. After resolving their differences, the three Romans attack the Huns and Odabella kills Attila.

22:00 LATE NIGHT CONCERT Prepared by Ron Walledge Mozart, W. Sinfonia concertante no 2 in E flat, K364 (1779). Norbert Brainin, vn; Peter Schidlof, va; English CO/Benjamin Britten.

BBC BBCB 8010-2 32 Kodály, Z. Suite from Háry János, op 35a (1927). London PO/Georg Solti.

Decca 478 3706 22 Korngold, E. Violin concerto in D, op 35 (1945). Gil Shaham, vn; London SO/André Previn.

DG 439 886-2 25 Sibelius, J. Symphony no 5 in E flat, op 82 (1915). London PO/Paavo Berglund.

LPO Live 0065 32

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Friday 9 October Aquarelle Guitar Quartet (2 above) Chandos CHAN 10609 Schifrin, L. Main theme, from Mission impossible (1996). Royal PO/Nick Ingman.

Sony 88697290382 5 Copland, A. Four dance episodes, from Rodeo (1942). Detroit SO/Antal Dorati.

Decca 414 273-2 20 Legrand, M. Chanson de Maxence, from Les demoiselles de Rochefort (1967). Anne Sofie von Otter, mezz; Brad Mehldau, pf. naïve V 5241 5 Glass, P. Concerto for saxophone quartet and orchestra (1995-97). Raschèr Saxophone Quartet; Stuttgart CO/Dennis Russell Davies.

Nonesuch 7559-79496-2 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Mozart, W. Six variations in F on Paisiello’s Salve tu, Domine, K398 (1783-84). Geoffrey Lancaster, fp.

Tall Poppies TP009 7 Haydn, J. String quartet in C, op 33 no 3, The bird (1781). Salomon Quartet.

Hyperion CDA66681 22 Bach, C.P.E. Lobesang; Morgenlied; Abendlied; Über die Finsternis kurz vor dem Tode Jesu; Passionslied (1780-81). Klaus Mertens, bar; Ludger Rémy, fp. cpo 999 708-2 20 Mozart, W. Divertimento in B flat, K439b no 1 (1783/86). CO of Europe Wind Soloists.

Teldec 2292-46472-2 14 Salieri, A. Eccomi più che mai … Amor, pietoso Amore, from Il ricco d’un giorno (1784). Cecilia Bartoli, mezz; O of the Age of Enlightenment/Adám Fischer.

Decca 475 100-2 6 Clementi, M. Piano sonata in D, op 10 no 2 (1783). Howard Shelley, pf.

Hyperion CDA67717 8 Mozart, W. Symphony no 36 in C, K425, Linz (1783). Mozart Akademie Amsterdam/Jaap ter Linden.

Brilliant Classics 94295 31 22:00 KEYBOARD INTERLUDE Eckhardt-Gramatté, S-C. Sonata no 3 (192425). Marc-André Hamelin, pf.

Centrediscs CMCCD 168611 26 22:30 ULTIMA THULE With George Cruickshank

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Rex Burgess Davies, P. Maxwell An Orkney wedding, with sunrise (1985). George McIlwham, bagpipes; Scottish CO/Peter Maxwell Davies.

Unicorn-Kanchana DKP(CD)9070 12 Grieg, E. Night scene, from Peer Gynt (1875).

Toril Carlsen, sop; Oslo Philharmonic Ch; London SO/Per Dreier.

Unicorn-Kanchana UKCD 2056 7 Hovhaness, A. Mountains and rivers without end, op 225 (1968). Manhattan CO/Richard Auldon Clark.

Koch 3-7221-2H1 24 Alkan, C-V. Études in E flat, op 35: no 7, The fire in the neighbouring village; no 8, Song of the mad woman by the sea shore (pub. 1847).

Stephanie McCallum, pf.

Tall Poppies TP055 15 Mozart, W. Serenade no 12 in C minor, K388 (1782-83). Celia Craig, ob; Georgina Roberts, ob; David Rowden, cl; John Lewis, cl; Ben Hoadley, bn; Simone Walters, bn; Michael Dixon, hn; Lisa-Wynne Allen, hn.

Fine Music concert recording 22 10:30 CONCERT HALL Prepared by Jacky Ternisien Bizet, G. Overture: Patrie, op 19. Mexico PO/ Enrique Bátiz.

Brilliant Classics 94404 14 Punto, G. Horn concerto no 5 in F. Barry Tuckwell, hn; Academy of St Martin in the Fields/Neville Marriner.

EMI 5 69395 2 17 Riisager, K. Summer rhapsody on Danish folk melodies (1943). Aarhus SO/Bo Holten.

Dacapo 8.226148 12 Fibich, Z. Symphony no 3 in E minor, op 53 (1898). Detroit SO/Neeme Järvi.

Chandos CHAN 9328 37 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 NOT QUITE AN ORCHESTRA Prepared by James Nightingale Spohr, L. Rondoletto in G, op 149 (1848).

Howard Shelley, pf.

Hyperion CDA 67947 4 Beethoven, L. Four contredanses, WoO14 (1802). Eduard Melkus Ensemble.

Archiv 439 964-2 5

17

Weber, C.M. Divertimento assai facile, op 38 (1816). Martin Maria Krüger, gui; Klaus Schilde, pf.

Calig CAL 50912 15 Spohr, L. Nonet for strings and winds, op 31 (1813). Consortium Classicum/Dieter Klöcker.

Orfeo C 155 871 A 28 14:00 BETWEEN TWO WORLDS Tchaikovsky’s orchestral works Prepared by Ron Walledge Tchaikovsky, P. Hamlet, fantasy overture after Shakespeare, op 67 (1888). Vienna PO/ Lorin Maazel.

Decca 480 6617 17 Tchaikovsky, P. Letter scene, from Eugene Onegin (1879). Renata Tebaldi, sop; O/Georg Solti.

Legato Classics LCD 183-1 4 Tchaikovsky, P. Suite no 4 in G, op 61, Mozartiana (1887). Ruggiero Ricci, vn; Suisse Romande O/Ernest Ansermet.

Decca 476 2723 26 Tchaikovsky, P. Pezzo capriccioso in B minor, op 62 (1887). Mstislav Rostropovich, vc; USSR State SO/Gennady Rozhdestvensky.

Brilliant Classics 9240 7 Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). London PO/Mstislav Rostropovich.

EMI 5 65709 2 52 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess Kraus, J.M. Funeral symphony (pub. 1792).

Drottningholm Baroque Ensemble/Stefan Parker.

Musica Sveciae MSCD 416S 19 Grieg, E. Funeral march in memory of Rikard Nordraak (1866; arr. Halvorsen). Bergen PO/ Ole Kristian Ruud.

BIS CD-1740/42 8 Mahler, G. Funeral rite (1888). Chicago SO/ Pierre Boulez.

DG 457 649-2 25 Mozart, W. Masonic funeral music in C minor, K477 (1785). Sydney University Graduate O/ Christopher Bowen.

SUGC recording 5 Prokofiev, S. Juliet’s funeral, from Romeo and Juliet, op 64 (1935-36). Kirov O/Valery Gergiev.

ABC 480 6403 7 Wagner, R. Siegfried's funeral march, from Götterdämmerung (1869-74). Vienna PO/ Georg Solti.

Decca 448 135-2 8

Berlioz, H. Grande symphonie funèbre et triomphale, op 15 (1840). Jeffrey Budin, tb; Montreal Symphony Ch & O/Charles Dutoit.

Decca 425 001-2 35 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Telemann, G. Hamburg Admiralty music, TWV24:1 (1723). Mieke van der Sluis, sop; Graham Pushee, ten; Rufus Müller, ten; Klaus Mertens, bass; David Thomas, bass; Michael Schopper, bass; Alsfeld Vocal Ensemble; Bremen Baroque O/Wolfgang Helbich. cpo 999 373-2 1:38 Vivaldi, A. Flute concerto in F, RV433, La tempesta di mare. Jirí Válek, fl; Capella Istropolitana/Jaroslav Krecek.

Naxos 8.554053 7 Graun, C. Sforzerò l’avverso mare, from Ifigenia in Aulide (1728). Julia Lezhneva, sop; Luca Pianca, lute; Concerto Köln/Mikhail Antonenko.

Decca 483 1518 5

Dvorák, A. String quartet in F, op 96, American (1893; orch. Rosenkrans). Royal PO/ Charles Rosenkrans.

Telarc 80610 28 11:30 ON PARADE Prepared by Robert Small Rimsky-Korsakov, N. Trombone concerto (1877; arr. Langford). Norman Law, tb; John Foster Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 8793 11 Sparke, P. Concerto grosso. Roger Webster, cornet; Philip Shaw, cornet; Sandy Smith, hn; Robert Childs, euphonium; John Foster Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 8793 15 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 LA FOLIA Prepared by Di Cox Ponce, M. Variations and fugue on La folia de España (1928-31). John Williams, gui.

LP CBS SBR 235970 24 Saturday 10 October 14:30 SATURDAY MATINEE Operetta in the afternoon 00:00 CLASSIC-ALL THROUGH Prepared by Elaine Siversen THE NIGHT Sullivan, A. The Yeomen of the Guard.

06:00 SATURDAY MORNING MUSIC Operetta in two acts. Libretto by W.S. Gilbert.

With Stephen Wilson First performed London, 1888. COLONEL 09:00 WHAT'S ON IN MUSIC FAIRFAX: Neill Archer, ten 09:05 THE PIANO ALONE WILFRED SHADBOLT: Donald Maxwell, bass Prepared by Katy Rogers-Davies PHOEBE MERYLL: Pamela Helen Stephen, Ginastera, A. 12 American preludes, op 12 sop (1944). Fernando Viani, pf.

LEONARD MERYLL: Peter Hoare, ten Naxos 8.557911 14 SERGEANT MERYLL: Donald Adams, bass Copland, A. El salón México (1933-36; arr.

ELSIE MAYNARD: Alwyn Mellor, sop Bernstein). Ray Lemond, pf.

JACK POINT: Richard Suart, bass Fine Music concert recording 11 DAME CARRUTHERS: Felicity Palmer, sop Piazzolla, A. Milonga del ángel (1965).

Welsh National Opera Ch & O/Charles Kathryn Stott, pf.

Mackerras.

Chandos CHAN 10493 7 Telarc 2CD-80404 1:30 Ginastera, A. Piano sonata no 1, op 22 Colonel Fairfax is to be beheaded that day (1952). Alberto Portugheis, pf. for the crime of sorcery. Wilfred, the head ASV DCA 865 17 gaoler at the Tower of London, is in love with 10:00 MUSICAL JOURNEYS Phoebe. Phoebe’s brother, Leonard, has Prepared by Paul Cooke been appointed a Yeoman of the Guard. Their McPhee, C. Tabuh-Tabuhan, toccata for father, Sergeant Merryll, is anxious to rescue orchestra (1936). Eastman-Rochester O/ Fairfax who had twice saved his life in battle.

Howard Hanson.

He plans that Phoebe will get the key to the Mercury 478 5092 17 Fairfax’s cell from Wilfred while Leonard and Mozart, W. Violin concerto no 5 in A, K219, Fairfax will exchange identities. The charge Turkish (1775). Isaac Stern, vn; Columbia SO/ of sorcery against Fairfax was made by his George Szell. wicked cousin, Sir Clarence Poltwhistle, who Sony SM3K 66 475 28 will inherit his estate if he dies unmarried.

Liszt, F. The fountains of the Villa d’Este, Before he dies, Fairfax asks that be allowed to from Years of pilgrimage, Third year (1877). marry any available woman who will receive Stephanie McCallum, pf.

100 crowns for her assistance. His request is ABC 476 1248 8 granted. A young singer, Elsie, needs money to buy medicine for her ailing mother. She is offered the chance to earn 100

18

crowns for marrying the condemned man.

Her companion, a jester, Jack Point, wishes to marry Elsie but is assured that she will be widowed very quickly. Elsie is blindfolded and led off for the secret ceremony. Meanwhile Phoebe distracts Wilfred and steals his keys which she gives to her father who goes to free Fairfax. Sergeant Meryll disguises Fairfax as his son Leonard.

All is ready for the execution. Wilfred, Fairfax (disguised as Leonard) and two Yeomen go to fetch Fairfax. They return and Fairfax announces his own disappearance. Point is distraught at the escape of Elsie's husband, Wilfred is blamed, and all rush off to hunt for Fairfax. Jack Point reveals the secret wedding to Wilfred and convinces him to swear that he shot Fairfax dead as he swam across the river to escape. Wilfred agrees to save his own skin. Fairfax discovers the identity of his secret bride and, disguised as Leonard, attempts to woo her but is rejected. He is about to reveal himself when a shot is heard.

Wilfred and Point declare that Wilfred has shot Fairfax so Point asks Elsie to marry him.

Fairfax (still disguised as Leonard) instructs Point in the art of wooing but it soon becomes clear that he is wooing Elsie for himself and Elsie is responding. Angry and hurt, Phoebe inadvertently reveals to Wilfred that ‘Leonard’ is in fact Fairfax. In her remorse, she agrees to marry Wilfred if he remains silent. The real Leonard then returns and announces that a reprieve has come for Fairfax. When Elsie arrives for her wedding to ‘Leonard’, she learns that Fairfax lives. Fairfax arrives but the distraught Elsie does not turn to see his face.

He keeps up the pretence until Elsie begs for her freedom to go to ‘Leonard’ but he refuses.

Finally Elsie turns to see his face and finally recognises him. Everyone is happy except the broken-hearted Jack Point.

Suite no 1 from Victoria and Merrie England (1897). Royal PO/Royston Nash.

Decca 468 810-2 11 Excerpts from The gondoliers (1889).

Columbia Light Opera Company soloists, Ch & O/Joseph Batten.

Naxos 8.110317-18 36 17:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by John Hanna 18:00 MUSIC OF THE SCREEN Prepared by Maureen Meers 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Richard Wagner Prepared by Rex Burgess Wagner, R. Overture to Rienzi (1838-40). Los Angeles PO/Zubin Mehta.

Decca 475 7470 12

Wagner, R. Sonata for Mathilde Wesendonck (1853). Werner Genuit, pf.

LP Bellaphon EB 23049 11 Wagner, R. Wesendonk Lieder (1857-58).

Kirsten Flagstad, sop; Gerald Moore, pf.

LP EMI EX 29 1227 3 19 Wagner, R. Siegfried's Rhine journey, from Götterdämmerung (1869-74). Birgit Nilsson, sop; Wolfgang Windgassen, ten; Vienna PO/ Georg Solti.

Decca 476 2457 21 Wagner, R. Siegfried idyll (1870). Australian CO/Richard Tognetti.

ABC 481 4571 18 Wagner, R. Prize song, from The mastersingers of Nuremberg, Act III (1867).

Plácido Domingo, ten; Berlin German Opera O/Eugen Jochum.

Decca 476 2457 8 Wagner, R. Prelude and Liebestod, from Tristan and Isolde (1857-59). Marilyn Richardson, sop; Queensland SO/Werner Andreas Albert.

ABC 426 999-2 17 22:00 SATURDAY NIGHT AT HOME Prepared by Frank Morrison Mozart, W. Piano trio in B flat, K502 (1786).

Florestan Trio.

Hyperion CDA67556 22 Schubert, F. Symphony no 5 in B flat, D485 (1816). Vienna PO/Georg Solti.

Decca 414 371-2 30 Haydn, J. String quartet in F minor, Hob.III:61, The razor (1788). The Lindsays.

ASV DCS 236 24 Tchaikovsky, P. Souvenir de Florence, op 70 (1891). Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9387 34

Wilson, vn; Chris Wellington, va; Don McVeigh, va; John Scott, org; Philomusica of London/ George Guest.

Decca 443 868-2 37 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Krommer, F. Double concerto in E flat, op 91 (pub. c1815). Tomoko Takashima, cl; Nicolaus Esterházy Sinfonia; Kálmán Berkes, cl & dir.

Naxos 8.553178 24 Rossini, G. Calm your fair looks ... A beautiful enchanting gleam, from Semiramide (1823).

Cecilia Bartoli, mezz; La Fenice Theatre Ch & O/Ion Marin.

Decca 436 075-2 10 Haydn, J. String quartet in G, Hob.III:81 (1799). Australian String Quartet.

ABC 426 805-2 25 Jadin, H. Piano sonata in F sharp minor, op 4 no 2 (pub. 1795). Jean-Claude Pennetier, pf.

Harmonia Mundi HMC 901189 15 Reicha, A. Symphony in F (1808). Beethoven Academie/Jan Caeyers.

Audivis-Valois V 4834 36 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide 14:00 THE SWEDISH SYMPHONY Prepared by Chris Blower Alfvén, H. Symphony no 2 in D, op 11 (189798). Stockholm PO/Neeme Järvi.

BIS CD-385 54 15:00 SUNDAY SPECIAL A Czech master Prepared by Frank Morrison Dvorák, A. String quintet in A minor, op 1 (1861). Ladislav Kyselak, va; Vlach Quartet, Prague.

Naxos 8.553376 30 Sunday 11 October Dvorák, A. Songs my mother taught me, op 55 (1880). Yvonne Kenny, sop; Melbourne SO/ 00:00 CLASSIC-ALL THROUGH Vladimir Kamirski.

THE NIGHT ABC 442 509-2 2 06:00 SUNDAY MORNING MUSIC Dvorák, A. Theme and variations in A flat, op With Terry McMullen 36 (1877). William Howard, pf.

09:00 MUSICA SACRA Chandos CHAN 9044 15 Prepared by Rex Burgess Dvorák, A. Five songs for male choir, op 27 Lalande, M-R. de Vanum est vobis ante (1878). Lund University Male Choir/Janåke lucem (c1687). Véronique Gens, sop; Elisabeth Larson.

Natiffa, bass viol; William Christie, org.

Caprice CAP 21423 13 Harmonia Mundi HMC 901416 11 Dvorák, A. Allegro ma non troppo, from Bach, J.S. Allein Gott in der Hoh’ sei Ehr, Cypresses (1887). Quatuor Thymos.

BWV663 (c1713-17). André Isoir, org.

Avie AV2234 3 Caliope CAL 3716/7 6 Dvorák, A. Symphony no 9 in E minor, op Bononcini, A. Stabat Mater (c1720). Felicity 95, From the New World (1893). London SO/ Palmer, sop; Paul Esswood, ct; Philip István Kertész.

Langridge, ten; Christopher Keyte, bass; Choir Decca 417 724-2 44 of St John's College, Cambridge; John

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17:00 HOSANNA Prepared by Meg Matthews Hymns: All creatures of our God and King; Who would true valour see. Choir of St Peter’s Cathedral, Adelaide/Leonie Hempton.

Sounds of St Peter’s 6 Handel, G. Psalm 110: Dixit Dominus, from The Carmelite Vespers (1707). Taverner Choir; Taverna Players/Andrew Parrott.

EMI 7 49749 -2 32 Bach, J.S. O hilf, Christe, Gottes Sohn; Ach Herr, lass clein lieb Engelain, from St John’s Passion, BWV245 (1724). Munich Bach Choir; Munich Bach O/Karl Richter.

Archiv 413 622-2 4 Zelenka, J. Quoniam tu solus sanctus; Cum sancto spiritu, from Missa omnium sanctorum (1741). La Barocca/Ruben Jais.

Glossa GCD 924103 9 18:00 SMALL FORCES Prepared by Rita Felton Munro, I. Clarinet quintet, Songs from the bush (2009). David Rowden, cl; Omega Ensemble.

ABC 481 4667 18 Bach, J.S. Trio sonata in C minor, BWV1079 (1747). Jean-Pierre Rampal, fl; Isaac Stern, vn; Leslie Parnas, vc; John Steele Ritter, hpd.

Sony SMK 64 509 18 Schubert, F. String quartet no 7 in D, D94 (c1811). Sine Nomine Quartet.

Erato 2292-45484-2 18 19:00 SUNDAY NIGHT CONCERT Prepared by Krystal Li Rachmaninov, S. Five études-tableaux (1917; orch. Respighi 1929). Sydney SO/ Vladimir Ashkenazy.

Exton EXCL-00018 21 Mendelssohn, F. Piano concerto no 1 in G minor, op 25 (1831). Jan Lisiecki, pf; Orpheus CO. DG 00028948364718 20 Canteloube, J. Triptyque (1914). Véronique Gens, sop; Lille NO/Serge Baudo.

Naxos 8.570338 16 Boccherini, L. Symphony in D minor, op 12 no 4, La casa del Diavolo (pub. 1771).

Ensemble 415/Chiara Banchini.

Harmonia Mundi HMX 2908601.30 25 20:30 NEW HORIZONS Prepared by Krystal Li Macens, E. The space between the stars (2018). Sydney SO/Jessica Cottis.

ABC 481 9111 13 Nyman, M. String quartet no 2 (1988).

Balanescu Quartet.

Argo 433 093-2 22 Tormis, V. 17 Estonian wedding songs (1971). Estonian Radio Choir/Toomas Kapten. apex 0927 49871 2 18

Tuesday 13 October Yoshimatsu, T. Two little pieces. Craig Ogden, gui.

Chandos CHAN 9743 4 Kats-Chernin, E. The witching hour, concerto for eight double basses and orchestra (2016).

Kees Boersma, db; Timothy Dunin, db; Alex Henery, db; Max McBride, db; Kirsty McCahon, db; Matthew McDonald, db; Robert Nairn, db; Caro Vigilante, db; Australian World O/Alexander Briger.

ABC 481 6430 25 22:00 JAZZ AFTER HOURS

Monday 12 October 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1905 Prepared by Frank Morrison Vaughan Williams, R. Norfolk rhapsody no 1 in E minor (1905-06). Melbourne SO/Bernard Heinze.

ABC 434 896-2 11 Dohnányi, E. Concert piece in D, op 12 (1905). János Starker, vc; Seattle SO/Gerard Schwarz.

Delos DE 3095 24 Quilter, R. To Julia, op 8 (1905). Benjamin Luxon, bar; David Willison, pf.

Chandos CHAN 8782 12 Godowsky, L. Kunstlerleben (1905). Rian de Waal, pf.

Hyperion CDA66496 12 Tosti, P. L’ultima canzone (1905). Luciano Pavarotti, ten; National PO/Antonio Tonini.

Decca 417 796-2 4 Webern, A. String quartet (1905). Emerson String Quartet.

DG 445 828-2 15 10:30 CONCERT HALL Prepared by Denis Patterson Steiner, M. Charge, from The charge of the Light Brigade (1936). Moscow SO/William Stromberg.

Naxos 8.570154-55 10 Stanford, C. Villiers Piano concerto no 2 in C minor, op 126 (1911). Malcolm Binns, pf; London SO/Nicholas Braithwaite.

Lyrita SRCD.219 38 Spohr, L. Symphony no 8 in G, op 137 (1847).

North German Radio PO/Howard Griffiths. cpo 777 178-2 31

12:00 SWING SESSIONS With John Buchanan 13:00 MUSIC OF THE DANCE Prepared by Stephen Wilson Beethoven, L. 12 Contredanses (1800-01).

Academy of St Martin in the Fields/Neville Marriner.

EMI CDM 1 66426 2 11 Shostakovich, D. Ballet: The limpid stream, op 39 (1934-35). Konstantin Scherbakov, pf.

Naxos 8.570092 16 Coleridge-Taylor, S. Four characteristic waltzes, op 22 (1898). RTE Concert O/Adrian Leaper.

Marco Polo 8.223516 14 Turina, J. Danzas fantásticas, op 22 (1920).

Cincinnati SO/Jésus López-Cobos.

Telarc 80574 15 Brahms, J. Excerpts from Hungarian dance suite (1852/69; arr. Webster). Geoffrey Collins, fl; Catherine McCorkill, cl; Ian Munro, pf.

Fine Music concert recording 13 Gossec, F-J. Symphonie concertante du ballet de Mirza in D (1784). Martin Sandhoff, fl; Andrea Keller, vn; Concerto Köln/Werner Ehrhardt.

Capriccio C8019 11 14:30 THE PARISIEN COMPOSERS Prepared by Jacky Ternisien Godard, B. Ouverture des Guelfes (1882).

Royal Scottish NO/Martin Yates.

Dutton Epoch CDLX 7291 8 Desplat, A. Griet’s theme, from Girl with a pearl earring. Royal PO/Paul Bateman.

Sony 88697161052 4 Saint-Saëns, C. The carnival of the animals (1886). Justine Clarke, narr; Jay Lag’aia, narr; Georgie Parker, narrs; Janis Laurs, vc; Anna Goldsworthy, pf; Mark Kruger, pf; Adelaide SO/David Stanhope.

ABC 476 3686 34 Legrand, M. Windmills of your mind, from The Thomas Crown affair (1968). Royal PO/Nick Ingman.

Sony 88697290382 3 Dukas, P. The sorcerer’s apprentice (1897; arr. Schottstädt). Sabine Meyer, cl; Alliage Quintett.

Sony 88875190972 10 Gounod, C. Ballet music, from Faust (1859).

London SO/Richard Bonynge.

Decca 452 772-2 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS

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00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by James Nightingale Ligeti, G. Étude 4: Fanfares. Yuja Wang, pf.

DG 477 8140 4 Buxtehude, D. Suite in E minor. Jacqueline Ogeil, hpd.

Move MD 3191 8 Liszt, F. Venezia e Napoli (1859). Marc-André Hamelin, pf.

Hyperion CDA67760 18 Debussy, C. Proses lyriques (1895). Elly Ameling, sop; Dalton Baldwin, pf.

EMI CDM 7 64095 2 19 Ghandar, A. Ragtime suite (2001). Ian Munro, pf.

Tall Poppies TP186 9 Martinu, B. Piano trio no 3 in C, The great (1951). Arbor Piano Trio.

Naxos 8.572251 21 10:30 CONCERT HALL Prepared by Robert Gilchrist Berwald, F. Overture to Estrella de Soria (1841). Helsingborg SO/Okko Kamu.

Naxos 8.553051 8 Haydn, J. Symphony in G, Hob.I:94, Surprise (1791; arr. Salomon). Australian Haydn Ensemble/Skye McIntosh.

Fine Music concert recording 21 Hurst, M. Horn concerto (1968). Roy White, hn; Melbourne SO/Stanford Robinson.

LP ABC RRCS 136 24 Haydn, J. Symphony in D, Hob.I:96, Miracle (1791). Cleveland O/George Szell.

Sony M2YK 45673 23 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 TRIBUTE TO JULIAN BREAM Prepared by Derek Parker Dowland, J. Lachrimae pavin (pub. 1604).

Nancy Hadden, fl; Catherine Mackintosh, treble viol; James Tyler, tenor viol; Jane Ryan, bass viol; Robert Spencer, pandora, lute; Julian Bream, lute.

RCA RD 87801 5 Villa-Lobos, H. Prelude no 2 in E (1940).

Julian Bream, gui.

RCA 6525-2-RG 3 Paganini, N. Grand sonata in A, op 39 (180304; transcr. Bream). Julian Bream, gui.

EMI 5 55362 2 21 Rodrigo, J. Concierto de Aranjuez (1939).

Julian Bream, gui; Monteverdi O/John Eliot Gardiner.

RCA 6525-2-RG 21

14:00 EARLY CLASSICAL COLLECTION Prepared by James Nightingale Bach, C.P.E. Flute concerto in D minor, Wq22 (c1747). Konrad Hünteler, fl; Amsterdam Baroque O/Ton Koopman.

Erato ECD 75536 22 Haydn, J. String quartet in G, Hob.III:81 (1799). Australian String Quartet.

ABC 426 805-2 25 Bach, J. Christian Confitebor tibi Domine (1759). Joanne Lunn, sop; Elena Biscuola, cont; Georg Poplutz, ten; Thomas E. Bauer, bass; South German Chamber Choir; Concerto Cologne/Gerhard Jenemann.

Carus 83.347 24 Mozart, W. Piano sonata no 11 in A, K331 (1781-83). Brian Chapman, pf.

Tonart TPCD 950531 23 Haydn, M. Symphony in G (1783). London Mozart Players/Matthias Bamert.

Chandos CHAN 9352 16 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN 22:00 CHAMBER SOIRÉE Prepared by Krystal Li Medtner, N. Violin sonata no 1 in B minor, op 21 (1910). Lydia Mordkovitch, vn; Geoffrey Tozer, pf.

Chandos 9293 21 Greenbaum, S. Book of departures (2008).

NZTrio.

ABC 481 0504 11 Farrenc, L. Sextet in C minor for piano and winds (1852). Kathryn Selby, pf; Omega Ensemble.

Fine Music concert recording 25 Dussek, J. Concert duo for harp and piano, op 73 (1811). Masumi Nagasawa, hp; Richard Egarr, pf.

Etcetera KTC1436 23 Mozart, W. String quartet no 19 in C, K465, Dissonance (1785). Quartetto Italiano.

Decca 478 5555 32

Wednesday 14 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Chris Blower

Marsh, J. String quartet in B flat. Salomon Quartet.

Hyperion CDA66780 17 Holzbauer, I. Quintet in B flat for flute, strings and harpsichord. Members of Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 8.41062 14 Romberg, B. Sonata in B for cello and harp.

Klaus Storck, vc; Helga Storck, hp.

LP Telefunken 6.4102 11 Dussek, J. Piano trio in B flat, op 24 no 3 (1793). Trio 1790. cpo 999 583-2 15 Alabiev, A. Violin sonata in E minor (1825-28).

Adrian Chandler, vn; Olga Tverskaya, fp.

Opus 111 OPS 30-230 23 10:30 CONCERT HALL Prepared by Angus McPherson Saint-Saëns, C. Danse macabre, op 40 (1874). Detroit SO/Paul Paray.

Mercury 478 5092 7 Kats-Chernin, E. Displaced dances (2000).

Stephanie McCallum, pf; Adelaide SO/David Stanhope.

ABC 481 6430 31 Tchaikovsky, P. Symphony no 6 in B minor, op 74, Pathétique (1893). Czech PO/Semyon Bychkov.

Decca 483 0636 45 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 CHANNELLING SHAKESPEARE Prepared by Angus McPherson Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826). Slovak PO/ Anthony Bramall.

Naxos 8.554433 12 Sutherland, M. You spotted snakes (c1930s).

Michael Halliwell, bar; David Miller, pf.

Australian Music Centre VAST033.2 2 Tchaikovsky, P. Symphonic fantasy: The tempest, op 18 (1873). SO of Russia/Veronika Dudarova.

Olympia OCD 512 A&B 24 Vine, C. Suite from The tempest (1990).

Tasmanian SO/Ola Rudner.

ABC 476 2267 22 Schumann, R. Overture: Julius Caesar, op 128 (1851). Polish National RSO/Johannes Wildner.

Naxos 8.550608 10 Dean, B. String quartet no 2, And once I played Ophelia (2014) Allison Bell, sop; Doric String Quartet.

Chandos CHAN 10873 20

21

Prokofiev, S. Suites from Romeo and Juliet (1936; 1947; arr. Wells 2013). Claire Edwardes, perc; Flinders Quartet.

Fine Music concert recording 17 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Haydn, J. L’incontro improviso. Comic opera in three acts. Libretto by Carl Friberth adapted from a French libretto by L.H. Dancourt. First performed Esterháza, 1775.

DARDANE: Della Jones, mezz REZIA: Linda Zoghby, sop ALI: Claes H. Ahnsjo, ten OSMIN: Domenico Trimarchi, bass-bar CALANDRO: Benjamin Luxon, bar Lausanne CO/Antal Dorati.

Philips 473 851-2 2:40 The female slave Dardane, a confidante of Rezia, Princess of Persia, tries to charm Ali, Prince of Balsóra, to test his love for Rezia who is the harem favourite of the Sultan of Egypt. Ali and his female slave, Osmin, are surprised when Rezia enters and the three women tell of the unfortunate travels that brought them to Cairo. Osmin asks the dervish Calandro for his help in allowing Ali and Rezia to escape together. Plans are made for the escape and, when the sultan returns unexpectedly from the hunt, all flee via a secret staircase.

The Sultan offers a reward for the recovery of Rezia. Calandro decides to betray them to win the bounty. Ali disguises himself as a French painter to avoid arrest, but to no avail. However, the Sultan pardons Ali and Rezia, gives them his blessing and condemns the treacherous Calandro. At the couple's request, Calandro is pardoned but banished from Cairo.

23:00 CHAMBER MUSIC Australian performers Prepared by James Nightingale Schubert, F. Rondeau brillant in B minor, D895 (1826). Adele Anthony, vn; Jonathan Feldman, pf.

Naxos 8.554148 15 Sutherland, M. Clarinet sonata (1949). Nigel Westlake, cl; David Bollard, pf.

Tall Poppies TP004 8 Turina, J. Ciclo plateresco. Alice Giles, hp; Arnan Wiesel, pf.

Schwann 3-1765-2 7 Vine, C. String quartet no 5 (2007). Goldner String Quartet.

ABC 476 5168 22

Thursday 15 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: strings Prepared by Jennifer Foong Ravel, M. Introduction and allegro for harp, flute, clarinet and string quartet (1906). Ursula Holliger, hp; Peter-Lukas Graf, fl; Hans Rudolf Stalder, cl; Die Kammermusiker Zürich.

Claves 50-280 11 Mendelssohn, F. String symphony no 3 in E minor (1821). Australian Brandenburg O/ Shunske Sato.

ABC 481 4952 10 Sainz de la Maza, R. Habanera. Alirio Diaz, gui.

Vanguard 08 9003 72 2 Désargus, X. Duet: Au clair de la lune (1820).

Marielle Nordmann, hp; Brigitte Haudebourg, pf.

Arion ARN 68285 6 Boccherini, L. String sextet in F minor, op 23 no 4 (1776). Mayumi Seiler, vn; Iris Juda, vn; Diemut Poppen, va; Werner Dickel, va; Richard Leste, vc; Howard Penny, vc.

Brilliant Classics 94386 15 Geminiani, F. Cello sonata in C, op 5 no 3 (pub. 1746). Hidemi Suzuki, vc; Rainer Zipperling, vc; Guy Penson, hpd.

Ricercar RIC 095077 12 Borodin, A. Piano quintet in C minor (1862).

Ilona Prunyi, pf; New Budapest String Quartet.

Marco Polo 8.223172 23 10:30 CONCERT HALL Prepared by Peter Poole Dyson, G. Children's suite after Walter de la Mare (1924). City of London Sinfonia/Richard Hickox.

Chandos CHAN 9369 19 Skryabin, A. Piano concerto in F sharp minor, op 20 (1896). Roger Woodward, pf; Sydney SO/Edo de Waart.

ABC 481 1322 26 Reicha, A. Symphony in F (1808). Beethoven Academie/Jan Caeyers.

Audivis-Valois V 4834 36 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Pimpinone, TWV21:15 (1725).

Erna Roscher, sop; Reiner Stüss, bass; Rudolf Brödner, hpd; Staatskapelle Berlin/Helmut Koch.

Brilliant Classics 95150/47 56

14:00 AN AFTERNOON CONCERT Prepared by Ron Walledge Britten, B. Simple symphony, op 4 (1934).

English CO/Benjamin Britten.

Decca 478 5364 18 Vaughan Williams, R. Aristophanic suite: The wasps (1909). Royal Liverpool PO/James Judd.

Naxos 8.572304 26 Lalo, E. Cello concerto in D minor (1877).

Maria Kliegel, vc; Nicolaus Esterházy Sinfonia/ Michael Halász.

Naxos 8.554469 28 Nielsen, C. Symphony no 4, op 29, The inextinguishable (1914-16). Danish NSO/ Michael Schønwandt.

Dacapo 8.206002 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Arnold, M. Four Scottish dances, op 59 (1957). Queensland SO/Andrew Penny.

Naxos 8.553526 9 Berio, L. Sequenza I (1958). Nora Shulman, fl.

Naxos 8.557661-63 5 Williamson, M. Piano sonata no 3 (1958).

Antony Gray, pf.

ABC 472 902-2 12 Britten, B. Nocturne, op 60 (1958). Peter Pears, ten; Alexander Murray, fl; Barry Tuckwell, hn; William Waterhouse, bn; Roger Lord, cora; Ossian Ellis, hp; Denis Blyth, timp; London SO/Benjamin Britten.

Decca 478 5364 27 Desenclos, A. Prélude, cadence et finale (1956). Arno Bornkamp, sax; Ivo Janssen, pf.

Globe GLO 5032 10 Ireland, J. Five poems by Thomas Hardy (1926). Roderick Williams, bar; Iain Burnside, pf.

Naxos 8.570467 10 Vaughan Williams, R. Symphony no 9 in E minor (1956-57/58). London PO/Adrian Boult.

EMI CDC 7 63098 2 35 22:00 KEYBOARD INTERLUDE Hummel, J. Piano sonata in F sharp minor, op 81 (1819). Hae-won Chang, pf.

Naxos 8.553296 28 22:30 ULTIMA THULE With Marc Cottee

Friday 16 October 00:00 CONTEMPORARY COLLECTIVE

22

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Chris Blower Quilter, R. Suite no 1: Where the rainbow ends (1911). Northern Sinfonia/Richard Hickox.

EMI CDC 7 49933 2 15 Canteloube, J. Baïléro; N’aï pas léu de mio, from Songs of the Auvergne (1923-30).

Véronique Gens, sop; Lille NO/Jean-Claude Casadesus.

Naxos 8.557491 9 Liszt, F. Un soir dans la montagne (1837-38).

Jean Dubé, pf.

Naxos 8.557364 8 Vivaldi, A. Concerto in D, RV95, La pastorella. Chandos Baroque Players.

Hyperion CDA66309 10 Nelson, M. Birrarung suite. Rumiko Saka, vn; Karla Drazenovic, vc; Michelle Nelson, gui.

Move MCD 492 17 Haydn, J. String quartet in C, Hob.III:39, The bird (1781). Jerusalem Quartet.

Harmonia Mundi HMX 2962030 20 10:30 CONCERT HALL Prepared by Elaine Siversen Weber, C.M. Overture to Der Freischütz (1821). New Zealand SO/Antoni Witt.

Naxos 8.570296 10 Tchaikovsky, P. Piano concerto no 2 in G, op 44 (1880). Daniel Dodds, vn; Catherine Hewgill, vc; Garrick Ohlsson, pf; Sydney SO/ Vladimir Ashkenazy.

SSO recording 47 Enescu, G. Orchestral suite no 2, op 20 (1915). Rumanian National RO/Horia Andreescu.

Olympia OCD 495 25 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 THE PARISIAN COMPOSERS Prepared by Jacky Ternisien Bizet, G. Overture: Patrie, op 19 (1873).

Melbourne SO/John Lanchbery.

ABC 456 669-2 13 Charpentier, M-A. Canticum in honorem beatae virginis Mariae (c1680). Le Concert de Nations/Jordi Savall.

Astrée E 8713 11 Bizet, G. Three musical sketches (1858).

Setrak, pf.

Harmonia Mundi HMA 1905223.24 10 Koechlin, C. La jeune Tarentine, op 23 no 1 (1900/02, orch. 1930/44). Juliane Banse, sop; Tatjana Ruhland, fl; Libor Sima, bn; Joachin Bänsch, hn; Mila Giorgieva, vn; David Ma, vn; Paul Pesthy, va; Ansgar Schneider, vc; Renie Yamahata, hp.

SWR Music 19046 9

22:00 BAROQUE AND BEFORE Musicians of Florence Prepared by Elaine Siversen Arrigoni, C. Sonata in D. Catherine Finnis, vc; Paul Hooper, mand; John Gray, hpd.

Fine Music tape archive 6 Strozzi, B. Cantata: Lagrime mie. Jane Edwards, sop; Luke Green, hpd.

Walsingham WAL8024-2 10 Veracini, F. Violin concerto in A à cinque (c1716). Accademia I Filarmonici/Alberto Martini.

Naxos 8.553413 12 Caccini, G. Amarilli, mia bella. Margaret Lynch, sop; Peter Lynch, gui.

LP Move MS 3060 3 Vitali, F. O bei lumi (1618). Magdalena Kozená, mezz; Private Musicke/Pierre Pitzi.

DG 477 8764 3 Viviani, G. Sonata II (pub. 1678). Gabriele Cassone, tpt; Antonio Frigé, org.

Nuova Era 6832 7 Gagliano, M. da La Dafne (1608). Barbara Schlick, sop; Ine Kollecker, sop; Norma Lerer, mezz; Nigel Rogers, ten; Ian Partridge, ten; Berthold Possemeyer, bar; David Thomas, bass; Monteverdi Choir; Camerata Accademica/ Jürgen Jürgens.

LP Archiv 2533 348 1:05

Saturday 17 October 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC 09:05 THE PIANO ALONE Prepared by Jacky Ternisien Grainger, P. Children’s march: Over the hills and far away (1918). Penelope Thwaites; John Lavender, pf.

Pearl SHE CD 9623 7 Clementi, M. Piano sonata in C, op 14 no 1 (1786/1815). Genevieve Chinn, Allen Brings, pf.

Centaur CRC 2046 18 Schmitt, F. Une semaine du petit elfe Fermel’oeil, op 58 (1912). Invencia Piano Duo. Grand Piano GP730X 24 10:00 MUSICAL JOURNEYS Prepared by Michael Morton-Evans Lilburn, D. A song of islands (1946). New Zealand SO/John Hopkins.

Centre for NZ Music Trust 14 Hovhaness, A. Symphony no 20, op 223, Three journeys to a holy mountain (1969).

23

Royal Scottish Academy of Music and Drama Wind O/Keith Brion.

Naxos 8.559207 21 Goossens, E. Five impressions of a holiday, op 7 (1914). Darling Downs Trio.

LP Grevillea GRV 2400 15 d’Indy, V. Mediterranean dyptich (1921).

Buffalo PO/JoAnn Falletta.

Beau Fleuve 14 Young, V. Gulliver’s travels (1939). Moscow Symphony Ch & O/William Stromberg.

Naxos 8.573368 17 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Ives, C. Excerpts from Suite: Old home days.

Allentown Band/Ronald Demkee.

AMP 2K 085 5 Foulds, J. A Keltic lament. Marcus Cutts, euphonium; Fairey Band/Harry Mortimer.

LP HMV OCSD 3668 4 Foster, S. Old dog day. Pioneer Brass.

Centaur CRC 2131 5 Arlen, H. Over the rainbow. Hendon Band/ Donald Morrison.

LP Astor GGS 1516 3 Ball, E. March: Torchbearers. Salvation Army Citadel Band.

Doyen DOY 221 6 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 COME TO THE OPERA Prepared by Derek Parker 14:30 SATURDAY MATINÉE Beethoven 250 Festival 1770-2020

Saint-Saëns, C. Septet in E flat, op 65 (1881).

David Guerrier, tpt; Renaud Capuçon, vn; Esther Hoppe, vn; Beatrice Muthelet, va; Gautier Capuçon, vc; Janne Saksala, db; Frank Braley, pf.

Virgin 5 45602 2 16 Boulanger, N. Fantasy (1912). David Greilsammer, pf; French Radio PO/Steven Sloane. naïve V 5224 20 14:30 MUZIO CLEMENTI AND HIS PUPILS Prepared by Stephen Wilson Clementi, M. Piano sonata in G, op 40 no 1 (1802). Howard Shelley, pf.

Hyperion CDA67819 25 Moscheles, I. Recollections of Ireland, op 69 (1826). Tasmanian SO/Howard Shelley.

Hyperion CDA67430 15 Cramer, J. Piano quintet in B flat, op 79 (1832). Nepomuk Fortepiano Quintet.

Brilliant Classics 94377 20 Field, J. Piano concerto no 1 in E flat (1799).

Benjamin Frith, pf; Northern Sinfonia/David Haslam.

Naxos 8.553770 21 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Great conductors of the modern era Prepared by David Brett Wagner, R. Prelude to Act I of Die Meistersinger von Nürnberg (1866-67).

Decca 475 7470 9 Bruckner, A. Te Deum (1869). Judith Blegen, sop; Margarita Lilowa, mezz; Claes-Håkan Ahnsjö, ten; Peter Meven, bass; Vienna State Opera Ch; Josef Böck, org.

Decca 425 075-2 21 Vienna PO (2 above) Strauss, R. Thus spake Zarathustra, op 30 (1895-96). Los Angeles PO. Decca 475 7470 33 Shankar, R. Finale, from Sitar concerto no 2 (1982). Ravi Shankar, sitar: London PO. Warner Classics 5 86555 2 21 Bartók, B. Hungarian sketches (1931). Israel PO. Decca 466 691-2 12 Vivaldi, A. Triple concerto in F, RV551.

Pinchas Zukerman, vn; Itzhak Perlman, vn; Isaac Stern, vn; New York PO. Sony SM2K 66 472 11 Puccini, G. Nessun dorma, from Turandot (1926). José Carreras, ten; Plácido Domingo, ten; Luciano Pavarotti, ten; Florence Maggio Musicale O; Rome Opera TO. Decca 478 2826 4 Zubin Mehta, cond (all above)

BEETHOV EN 250th Anniversary

Prepared by Elaine Siversen Beethoven, L. Ballet: The creatures of Prometheus, op 43 (1800-01). Scottish CO/ Charles Mackerras.

Hyperion CDA66748 1:03 Beethoven, L. 12 Variations on See the conqu’ring hero comes, from Handel’s Judas Maccabeus, WoO45 (1796). Zoe Knighton, vc; Amir Farid, pf.

Move MD3356 14 Beethoven, L. Violin sonata no 7 in C minor, op 30 no 2 (1802). Anne-Sophie Mutter, vn; Lambert Orkis, pf.

DG 479 2949 27 Beethoven, L. String quintet in C, op 29 (1802). Pinchas Zukerman, va; Tokyo String Quartet.

RCA 661 284-2 34 17:00 SOCIETY SPOT Classical Guitar Society Prepared by Darryl Rule

18:00 MUSIC OF THE SCREEN Prepared by Adam Bowen 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER E.J. Moeran Prepared by Paul Cooke Moeran, E.J. Summer valley (1925). Iris Loveridge, pf.

Lyrita REAM 1103 5 Moeran, E.J. In the mountain country: Symphonic impression, op 141 (1921). Ulster O/Vernon Handley.

Chandos CHAN 6525 7 Moeran, E.J. Lonely waters (c1931). Rebekah Coffey, sop; Ulster O/JoAnn Falletta.

Naxos 8.573034 8 Moeran, E.J. Rhapsody in F sharp (1943).

John McCabe, pf; New Philharmonia O/ Nicholas Braithwaite.

Lyrita SRCD.248 19 Moeran, E.J. String trio in G (1931). Members of Maggini String Quartet.

Naxos 8.554079 21 Moeran, E.J. Symphony in G minor (1937).

Ulster O/Vernon Handley.

Chandos CHAN 8577 46 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Biber, H. Partia VI in D, from Harmonia artificiosa-ariosa (pub. 1712). Musica Antiqua Cologne/Reinhard Goebel.

Archiv 479 1957 18 Campagnoli, B. Flute quartet no 2 in C (c1790s). Gabriele Formenti, fl; Ensemble Il Demetrio.

Brilliant Classics 95399 13 Bottesini, G. Gran duetto no 2 (1880).

Wolfgang Güttler, db; Ernö Sebestyen, va.

Schwann CD 311 042 H1 18 Schumann, R. Carnaval, op 9 (1833-35).

Joyce Yang, pf.

Avie AV2229 33 Ravel, M. Suite from Mother Goose (1908-11).

Montreal SO/Charles Dutoit.

Decca 478 5616 28

Sunday 18 October 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Robert Small 09:00 MUSICA SACRA Prepared by Jacky Ternisien Fauré, G. Messe basse (1881). Choir of the Chapel of Newington College; Amy Johansen, org; Elizabeth Swain, cond.

Newington College recording 10

Vivaldi, A. Clarae stellae, scintillate, RV625.

Andreas Scholl, ct; Australian Brandenburg O/ Paul Dyer.

ABC 466 964-2 12 Sheppard, J. Missa cantate. The Sixteen/ Harry Christophers.

Hyperion CDS44401/10 31 10:00 THE CLASSICAL ERA Prepared by Di Cox Kraus, J.M. Overture to Proserpin (1778).

Drottningholm Court TO/Thomas Schuback.

Musica Sveciae MSCD 424 7 Berwald, F. Concert piece in F, op 2 (1820).

Klaus Thunemann, bn; Academy of St Martin in the Fields/Neville Marriner.

Philips 446 096-2 11 Wikmanson, J. String quartet no 2 in E minor, op 1 (pub. 1801). Chilingirian Quartet.

CRD 33123 21 Mozart, W. Piano concerto no 9 in E flat, K271, Jeunehomme (1777). Maria João Pires, pf; Gulbenkian Foundation of Lisbon CO/ Theodor Guschlbauer.

Erato 2292-45050-2 33 Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Pepe Romero, gui; Academy of St Martin in the Fields Chamber Ensemble.

Philips 438 769-2 17 Beethoven, L. Prisoners’ chorus, from Fidelio, op 72 (1804-14). Opera Queensland Ch; Queensland SO/Johannes Fritzsch.

ABC 476 3489 7 Haydn, J. Symphony in D, Hob.I:1 (c1759).

Hanover Band/Roy Goodman.

Hyperion CDA66524 13 12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide 14:00 THE SWEDISH SYMPHONY Prepared by Chris Blower Atterberg, K. Overture to Aladdin, op 44 (1941). Berlin SO/Stig Rybrant.

Swedish Society SCD 1021 6 Atterberg, K. Vittorioso, op 58 (1962).

Gothenburg SO/Neeme Järvi.

Chandos CHAN 10894 8 Atterberg, K. Symphony no 1 in B minor, op 3 (1909-11/13). Swedish RSO/Stig Westerberg.

Sterling CDS-1010-2 40 15:00 SUNDAY SPECIAL The symphony under Stalin: Popov Prepared by Paolo Hooke Popov, G. Chamber symphony in C, op 2 (1927). Moscow Chamber Ensemble/ Alexander Korneyev.

Olympia OCD 588 34

24

Popov, G. Symphony no 1, op 7 (1928-34).

Moscow State SO/Gennady Provatorov.

Olympia OCD 576 42 Popov, G. Symphony no 2, op 39, Motherland (1943). USSR RT SO/Gennady Provatorov.

Olympia OCD 576 35 17:00 HOSANNA Prepared by Richard Munge Hymns: All creatures of our God and King; Let all mortal flesh. Cantus Choro; Norman Kaye, org; Peter Chapman, cond.

Move MD 3032 7 Psalm: No 42: Like as a hart desireth the water-brooks. Cathedral Singers; Andrej Kouznetsov, org; Brett McKern, cond.

TCS 02 5 Alcock, W. Magnificat; Nunc dimittis in A. Boy choristers and lay vicars of Salisbury Cathedral; John Challenger, org; David Hills, cond.

Priory PRCD 1118 8 Elgar, E. Anthem: Great is the Lord, op 67.

Colin Campbell, bar; Choir of Westminster Cathedral; Andrew Reid, org; James O’Donnell, cond.

Hyperion WCC 100 10 Stopford, P. Anthems: Bring us, O Lord God; The chorister prayer. Choir of Truro Cathedral; BBC Welsh NO/Christopher Gray.

Regent REGCD 517 8 Hymns: Thine be the glory; Rejoice, the Lord is King. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond.

Hyperion CDA 68013 5 Bach, J.S. Prelude and fugue in A, BWV536.

James Lancelot, org.

Priory PRCD 1179 7 18:00 SMALL FORCES Prepared by Krystal Li Haydn, J. Keyboard trio in G, Hob.XV:25, Gypsy (1795). Beaux Arts Trio.

Philips 454 098-2 17 Pasculli, A. Homage to Bellini. Céline Moinet, cora; Sarah Christ, hp.

Harmonia Mundi HMC 902175 8 Prokofiev, S. Cello sonata in C, op 119 (1949).

David Pereira, vc; Lisa Moore, pf.

Tall Poppies TP032 28 19:00 SUNDAY NIGHT CONCERT Prepared by Chris Blower Alfvén, H. Suite: The prodigal son (1957).

Stockholm PO/Neeme Järvi.

BIS CD-455 19 Chaminade, C. Concertstück in C sharp minor, op 40 (1888). Danny Driver, pf; BBC Scottish SO/Rebecca Miller.

Hyperion CDA68130 15 Berlioz, H. Symphonie fantastique, op 14 (1830). Philadelphia O/Eugene Ormandy.

Sony SBK 46 329 49

Brahms, J. Symphony no 1 in C minor, op 68 (1855-76). Gewandhaus O/Riccardo Chailly.

Decca 478 5344 44 12:00 SWING SESSIONS With John Buchanan 13:00 MUSICAL MATINEE Prepared by Jacky Ternisien Dvorák, A. Miniatures, op 75a (1887).

Budapest FO/Ivan Fischer.

Philips 464 647-2 14 Schubert, F. Incidental music to Rosamunde, D797 (1823). Columbia SO/Bruno Walter.

Sony SMK 64478 20 Rossini, G. Introduction, theme and variations in B flat (1810). Joy Farrell, cl; Britten Sinfonia/ Nicholas Daniel.

ASV QS 6242 13 Monday 19 October Sullivan, A. Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, ten; RTE 00:00 CLASSIC-ALL THROUGH Concert O/Andrew Penny.

THE NIGHT Marco Polo 8.223461 23 06:00 FINE MUSIC BREAKFAST Bizet, G. Children's games, op 22 (1871). including Arts Calendar at 7.30am Consort of London.

With Robert Small Collins 11412 11 09:00 DIVERSIONS IN FINE MUSIC 14:30 INSPIRED BY LITERATURE A year in retrospect: 1824 Prepared by Chris Blower Prepared by Jacky Ternisien Rufinatscha, J. Overture: The bride of Kuhlau, F. Overture to Lulu (1824). Odense Messina (c1850). BBC PO/Gianandrea SO/Eduard Serov.

Noseda.

Unicorn-Kanchana DKP(CD)9132 8 Chandos CHAN 10665 14 Hummel, J. Introduction, theme and variations Brahms, J. Nänie, op 82 (1880-81). Prague in F, op 102 (1824). Diana Doherty, ob; Philharmonic Ch; Czech PO/Giuseppe Queensland SO/Werner Andreas Albert.

Sinopoli.

ABC 456 681-2 14 DG 419 737-2 14 Arriaga, J. Symphony in D minor (1824).

Liszt, F. Overture to Rossini’s opera, William Scottish CO/Charles Mackerras.

Tell (1838). Leslie Howard, pf.

Hyperion CDA66800 23 Hyperion CDS44546 14 Schubert, F. Die junge Nonne, D828 (1824Verdi, G. La peregrina, from Don Carlos 25). Felicity Lott, sop; Graham Johnson, pf.

(1867). Giovanni Adamo, vn; Bologna IMP PCD 898 5 Comunale TO/Riccardo Chailly.

Weber, C.M. Romanze: Sie war so hold Decca 425 108-2 15 (1824). Dietrich Fischer-Dieskau, bar; Hartmut Bennett, W. Sterndale Piano sonata in A Höll, pf. flat, op 46, The Maid of Orleans (1873). Ilona Claves 50-9118 3 Prunyi, pf.

Mendelssohn, F. Rondo capriccioso, op 14 Marco Polo 8.223512 21 (1824). Richard Burnett, fp.

16:00 FINE MUSIC DRIVE Amon Ra SAR 38 6 including Arts Calendar at 5.00pm Danzi, F. Wind quintet in E minor, op 67 no 2 19:00 JAZZ PULSE (1824). Berlin Philharmonic Wind Quintet.

With Chris Wetherall BIS CD-532 18 20:00 STORMY MONDAY 10:30 CONCERT HALL With Austin Harrison Prepared by Elaine Siversen 22:00 JAZZ AFTER HOURS Coleridge-Taylor, S. Four characteristic waltzes, op 22 (1898). RTE Concert O/Adrian Tuesday 20 October Leaper.

Marco Polo 8.223516 14 Bach, C.P.E. Flute concerto in G, Wq169 00:00 CONTEMPORARY (c1755). Patrick Gallois, fl; Carl Philipp COLLECTIVE Emanuel Bach CO/Peter Schreier.

03:00 CLASSICAL TILL DAWN DG 439 895-2 25 20:30 NEW HORIZONS Prepared by Nev Dorrington Zawadzki, S. Phenomenology (2020).

Sebastian Zawadzki, pf.

Sebastian Zawadzki Music PH 341 17 Zawadzki, S. Spirituality (2020). Sebastian Zawadzki, pf.

Sebastian Zawadzki Music SP 216 45 Frahm, N. Tristana (2007). Nils Frahm, pf, celesta, org.

Erased Tapes ERATP 18 17 Zawadzki, S. Other minds (2020). Sebastian Zawadzki, pf.

Sebastian Zawadzki Music SZOM 12 6 22:00 JAZZ AFTER HOURS

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06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rita Felton Mozart, W. Fantasia in C minor, K475 (1785).

Alfred Brendel, pf.

Philips 454 244-2 12 Rameau, J-P. Suite in G minor. Wanda Landowska, hpd.

Pearl CD 9019 9 Bach, C.P.E. Rondo in C, Wq56 no 1 (1778).

Geoffrey Lancaster, fp.

ABC 432 248-2 9 Ravel, M. Sonatine (1903-05). Martha Argerich, pf.

DG 479 5978 10 Karg-Elert, S. Passacaglia and fugue on the name BACH, op 150 (1933). Aart Bergwerff, org.

NCRV NCR 9088 22 Górecki, H. Piano concerto, op 40 (1980).

Tamara-Anna Cislowska, pf; Tasmanian SO/ Johannes Fritzsch.

ABC 481 6295 8 Chopin, F. Polonaise in F minor, op 71 no 3 (1828). Gusztáv Fenyö, pf.

LP MBS 7 7 10:30 CONCERT HALL Prepared by Denis Patterson Massenet, J. Picturesque scenes (1874).

Suisse Romande O/Neeme Järvi.

Chandos CHSA 5137 16 Hummel, J. Double concerto in G, op 17 (c1805). Alexander Trostiansky, vn; Polina Osetinskaya, pf; Russian PO/Gregory Rose.

Naxos 8.557595 37 Berwald, F. Symphony no 2 in D, Sinfonie capricieuse (1842). Malmö SO/Sixten Ehrling.

BIS CD-795/796 28 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 LEOPOLD STOKOWSKI CONDUCTS Prepared by David Brett Debussy, C. The sunken cathedral, from Preludes, bk 2 (1910; orch. Stokowski). New Philharmonia O. Decca 478 3691 7 Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Sergei Rachmaninov, pf; Philadelphia O. Naxos 8.110602 22 Thomson, V. Suite from The river (1934).

Symphony of the Air. Vanguard OVC 8013 24 Wagner, R. Themes from Parsifal, Act III (arr.

Stokowski). Houston SO. Everest EVC9024 17

1770-2020

Brahms, J. Symphony no 4 in E minor, op 98 (1884-1905). New Philharmonia O. BBC BBCRD 9107 38 Leopold Stokowski, cond (all above) 15:00 MOZART AND THE STRING QUARTET Prepared by Frank Morrison Haydn, M. Divertimento in D for wind sextet (1786). Consortium Classicum.

Schwann 310 002 H1 10 Soler, A. Piano sonata no 62 in B flat (1782).

Mlade Colic, pf.

Naxos 8.573544 16 Bach, J. Christian Quintet in D for flute, oboe, violin, viola and continuo, op 11 no 6 (1774).

Members of Concentus Musicus Vienna/ Nikolaus Harnoncourt.

Teldec 8.41062 14 Mozart, W. String quartet no 2 in D, K155 (1772). Festetics Quartet.

Hungaroton HCD 31443-45 12 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN 22:00 CHAMBER SOIRÉE Beethoven 250 Festival Prepared by Rex Burgess

BEETHOV EN 250th Anniversary

Beethoven, L. String quartet in A, op 18 no 5 (1798-1800). Takács Quartet.

Decca 476 2802 28 Beethoven, L. Trio in G for flute, cello and piano, WoO37 (1786). Geoffery Collins, fl; Julian Smiles, vc; Ian Munro, pf.

Fine Music concert recording 17 Beethoven, L. Violin sonata no 9 in A, op 47, Kreutzer (1803). Patricia Kopatchinskaja, vn; Fazil Say, pf. naïve V5146 30 Beethoven, L. String quartet no 14 in C sharp minor, op 131 (1826). Melos Quartet.

DG 415 676-2 36

Wednesday 21 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong

Arriaga, J. Overture to Nonetto, op 1 (c1817).

Le Concert des Nations/Jordi Savall.

Astrée E 8532 8 Myslivecek, J. Wind octet no 1 in E flat.

Harmoniemusik of London.

Virgin 5 61368 2 15 Marsh, J. String quartet in B flat. Salomon Quartet.

Hyperion CDA66780 17 Rosenmüller, J. Lieber Herre Gott, wecke uns auf. Ellen Hargis, sop; Mary Springfels, bass viol; Paul O'Dette, theorbo; King's Noyse/ David Douglass.

Harmonia Mundi HMU 907179 4 Hotteterre, J-M. Trio sonata in C for two oboes and basso continuo. Bruce Haynes, ob; Ku Ebbinge, ob; Danny Bond, bn; Gustav Leonhardt, hpd.

LP RCA RL 30425 6 Wassenaer, U. Concerto no 1 in G for string orchestra and basso continuo, from Concerti armonici (pub. 1740). Brandenburg Consort/ Roy Goodman.

Hyperion CDA66670 11 Müller, I. Clarinet quartet no 2 in E minor.

Friederike Roth, cl; Berolina Ensemble.

Naxos 8.572885 18 10:30 CONCERT HALL Prepared by Michael Field Copland, A. Suite from Appalachian Spring (1943-44). Melbourne SO/Benjamin Northey.

ABC 481 0863 25 Ginastera, A. Harp concerto, op 25 (1956).

Alice Giles, hp; Adelaide SO/David Porcelijn.

ABC 454 506-2 23 Bruch, M. Symphony no 3 in E, op 51. London SO/Richard Hickox.

Chandos CHAN 9738 35 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 WOMEN CONDUCTORS Prepared by Jacky Ternisien Wagner, R. Prelude to Tristan and Isolde (1859). West Australian SO/Simone Young.

ABC 476 6811 11 Respighi, O. Brazilian impressions (1928).

Buffalo PO. Naxos 8.557711 19 Duval, F. Les génies (1736; ed. Washburn).

Bay Area Women’s PO. Newport Classic NCD 60102 11 JoAnn Falletta, cond (2 above) Offenbach, J. Jacqueline’s tears, op 76 no 2 (c.1839; arr. Thomas-Mifune). Sheku KannehMason, vc; City of Birmingham SO/Mirga Grazinytė-Tyla.

Decca 483 2948 7

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Boulanger, L. D'un soir triste (1918). Women's PO. Koch 3 7169 2H1 12 Bartók, B. Two portraits, op 5. Michael Ludwig, vn; Buffalo PO. Naxos 8.573307 13 JoAnn Falletta, cond (2 above) Verdi, G. Gloria all’ Egitto, from Aïda (1871).

Opera Australia Ch; Australian Opera and Ballet O/Simone Young.

ABC 462 006-2 3 Shostakovich, D. Cello concerto no 1 in E flat, op 107 (1959). Elspeth Dutch, hn; Sheku Kanneh-Mason, vc; City of Birmingham SO/ Mirga Grazinyte-Tyla.

Decca 483 2948 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Puccini, G. Edgar. Opera in three acts.

Libretto by Ferdinando Fontano. First performed Milan,1899. FIDELIA: Renata Scotto, sop EDGAR: Carlo Bergonzi, ten TIGRANA: Gwendolyn Killebrew, cont Schola Cantorum of New York; New York City Opera Children’s Ch & Opera O/Eve Queler.

CBS M2K 79213 1:35 In a small Flemish village in 1302, Edgar is torn between his infatuation with the passionate gypsy Tigrana and the pure love of his sweetheart, Fidelia. He elopes with Tigrana, but eventually tires of her and joins the army. He falls in battle and his body, fully dressed in armour, is borne back to his village where his great bravery is acclaimed.

However, a monk, who claims to have heard Edgar’s final confession, speaks of Edgar’s dissolute life and hints of more heinous crimes. All except Fidelia curse him and fall upon the suit of armour only to find it empty.

The monk reveals himself as Edgar who has now overcome his passion for Tigrana. As he embraces Fidelia, Tigrana stabs her. Tigrana is arrested. Edgar falls weeping onto Fidelia’s lifeless body as the villagers kneel in prayer.

Con onor muore, from Madama Butterfly (1904). Renata Scotto, sop; Carlo Bergonzi, ten; Rome Opera House O/John Barbirolli.

LP HMV ASD 4022 5 E lucevan le stelle, from Tosca (1900). Carlo Bergonzi, ten; Conservatoire Concerts Society O/Georges Prêtre.

EMI CDC 7 54016 2 3 22:00 BRITISH CHAMBER MUSIC Prepared by Paul Cooke Coleridge-Taylor, S. Nonet in F minor, op 2 (1894). Mary Ashley Barret, ob; Kelly Burke,

Thursday 22 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Madilina Tresca Haydn, J. String quartet in C, Hob.III:72 (1793). Takács Quartet.

Hyperion CDA 67781 22 Schubert, F. Nachtstück, D672b (c1819).

Christina Högman, sop; Jakob Lindberg, gui.

BIS CD-293 6 Corelli, A. Sonata in A, op 5 no 9 (pub.

1700). Fabio Biondi, vn; Antonio Fantinuoli, vc; Giangiacomo Pinardi, theorbo; Paola Poncet, hpd.

Glossa GCD 923412 12 Britten, B. Tema, Sacher (1976). Alisa Weilerstein, vc.

Decca 478 5364 1 Vivaldi, A. Guitar concerto in D (arr. Koch).

Guillermo Büchler, vn; Willem de Swardt, vn; Herwig Tachezi, vc; Gareth Koch, gui; Timothy Walker Brown, hpd.

Gracia 0010692 12 Ysaÿe, E. Poème no 2: Au rouet, op 13.

Amaury Coeytaux, vn; Liège Royal PO/JeanJacques Kantorow.

Musique en Wallonie MEW 1681 14 Thomas, J. Cambria (1863). Lipman Harp Duo. Naxos 8.570372 10

10:30 CONCERT HALL Prepared by Anne Irish Kuhlau, F. Overture to The elf’s hill, op 100 (1828). Odense SO/Othmar Maga.

Unicorn-Kanchana DKPCD 9110 11 Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Duncan Gifford, pf; Tasmanian SO/Sebastian Lang-Lessing.

ABC 476 1928 29 Sibelius, J. Symphony no 2 in D, op 43 (1901). Adelaide SO/Arvo Volmer.

ABC 476 3945 43 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 WEBER TO ELGAR Prepared by Denis Patterson Weber, C.M. Overture to Oberon (1826).

Staatskapelle Dresden/Gustav Kuhn.

Brilliant Classics 99935 9 Tchaikovsky, P. Romeo and Juliet, fantasy overture after Shakespeare (1869/79/80).

Vienna PO/Lorin Maazel.

Decca 480 6617 19 Elgar, E. Symphony no 1 in A flat, op 55 (1908). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00027 52 14:30 STUDENTS OF NADIA BOULANGER Prepared by Jacky Ternisien Glass, P. Opening (1982). Sally Whitwell, pf.

ABC 481 0644 5 Gershwin, G. Excerpt from Rhapsody in blue (1924; orch. Grofé 1926). Simon Tedeschi, pf; Queensland SO/Benjamin Northey.

ABC 481 0644 11 Piazzolla, A. Primavera porteño. Slava Grigoryan, gui.

Sony SK63011 7 Harris, R. Symphony for band, West Point (1952). U.C.L.A. Wind Ensemble/James Westbrook.

Bay Cities BCD-1008 19 Boutry, R. Divertimento for alto saxophone and orchestra (1963). Claude Delangle, alto sax; Swedish Wind Ensemble/Christian Lindberg.

BIS BIS-1640 9 Legrand, M. What are you doing the rest of your life? from The happy ending (1969). Anne Sofie von Otter, mezz; Brad Mehldau, pf. naïve V 5241 3 Copland, A. Fanfare for the common man (1942). Los Angeles PO/Zubin Mehta.

Decca 475 7470 3 Thomson, V. Symphony on a hymn tune (1928). New Zealand SO/James Sedares.

Naxos 8.559022 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley

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20:00 THE WORLD OF A SYMPHONY Beethoven 250 Festival 1770-2020

cl; Michael Burns, bn; Lynn Huntzinger Beck, hn; John Fadial, vn; Scott Rawls, va; Brooks Whitehouse, vc; Craig Brown, db; Andrew Harley, pf.

Centaur CRC 2691 26 Lefanu, N. String quartet no 2 (1996).

Goldberg Ensemble/Malcolm Layfield.

Naxos 8.557389 12 Bax, A. Oboe quintet (1922). Nash Ensemble.

Hyperion CDA66807 17 Howells, H. Sonata no 1 in E, op 18 (1917-19).

Paul Barritt, vn; Catherine Edwards, pf.

Hyperion CDA66665 16 Bedford, D. Fridiof kennings (1880). Mike Hamnett, perc; Apollo Saxophone Quartet.

Argo 443 903-2 12 Bridge, F. Piano quintet in D minor (1905).

Piers Lane, pf; Goldner String Quartet.

Hyperion CDA67726 28

BEETHOV EN 250th Anniversary

Prepared by Chris Blower Haydn, J. String quartet in C, Hob.III:77, Emperor (1797). Amadeus Quartet.

DG 410 866-2 25 Beethoven, L. Piano concerto no 1 in C, op 15 (1795). Arturo Benedetti Michelangeli, pf; Vienna SO/Carlo Maria Giulini.

DG 419 248-2 39 Boïeldieu, A. Harp concerto in C (1800).

Jutta Zoff, hp; Staatskapelle Dresden/ Siegfried Kurz.

Berlin 0012902BC 22 Beethoven, L. Symphony no 1 in C, op 21 (1800). Tasmanian SO/David Porcelijn.

ABC 461 917-2 25 22:00 KEYBOARD INTERLUDE Prepared by Di Cox Schumann, R. Symphonic études, op 13 (1834-37). Valentina Lisitsa, pf.

Decca 478 7697 26 22:30 ULTIMA THULE With George Cruickshank

Friday 23 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by James Nightingale Bax, A. The princess’s rose garden (1915).

Ashley Wass, pf.

Naxos 8.557769 7 Tomlinson, E. Suite of English folk dances (1951). Central Band of the Royal Air Force/ Duncan Stubbs.

Chandos CHAN 10847 14 Rigney, S. Ten coastal sketches (1995).

Slava Grigoryan, gui.

ABC 476 2271 14 Hoffmeister, F. Divertimento no 4 in B flat.

Consortium Classicum. cpo 999 107-2 10 Ghandar, A. Garden with birds (1998-99).

Ian Munro, pf.

Tall Poppies TP145 10

Liszt, F. Hungarian rhapsody no 4 in D minor (1846-85). London SO/Antal Dorati.

Mercury 432 015-2 11 Kodály, Z. Variations on a Hungarian folk song, The peacock (1938-39). Philharmonia Hungarica/Antal Dorati.

Decca 443 006-2 25 Dohnányi, E. Concert piece in D, op 12 (1905). János Starker, vc; Seattle SO/Gerard Schwarz.

Delos DE 3095 24 Lehár, F. Love unspoken, from The merry widow (1905). Joan Sutherland, sop; Ronald Stevens, bar; Elizabethan Sydney O/Richard Bonynge.

ABC 465 687-2 4 Goldmark, K. Rustic wedding symphony, op 26 (1877). Royal PO/Yondani Butt.

ASV DCA 791 47 22:00 BAROQUE AND BEFORE The music of Bologna Prepared by Rodrigo Azaola Torelli, G. Concerto grosso in E minor, op 8 no 9 (pub. 1709). Mariana Sirbu, vn; I Musici.

Philips 432 118-2 14 Cazzati, M. Trio sonata, op 18 no 9. Ensemble Mensa Sonora/Jean Maillet.

Pierre Verany PV730036 6 Corelli, A. Concerto grosso in F, op 6 no 6 (1711). Philharmonia Baroque O/Nicholas McGegan.

Harmonia Mundi HMU 907014 11 Vitali, T. Flute sonata in B minor. Brisbane Baroque Trio.

LP Grevillea GRV 1082 7 Perti, G. Motet: Gaudeamus omnes (170406). Basle Madrigalists; Musica Fiorita/Daniela Dolci.

Pan Classics PC 10357 18 Bassani, G. Oratorio: La morte delusa (1683).

Emanuela Galli, sop; Daniela del Monaco, cont; Philippe Jarrousky, alto; François Piolino, ten; Jean-Claude Saragosse, bass; Ensemble La Fenice/Jean Tubéry. naive OP 30499 1:03

09:05 THE PIANO ALONE Beethoven 250 Festival Prepared by Jennifer Foong 1770-2020

Mozart, W. Serenade no 11 in E flat, K375 (1781). Wind soloists of CO of Europe.

Teldec 2292-46472-2 24 10:30 CONCERT HALL Prepared by Michael Field Strauss, R. Symphonic fantasy from Die Frau ohne Schatten. Rainer Honeck, vn; Vienna PO/Christian Thielemann.

DG 479 1426 22 Haydn, J. Keyboard concerto in F, Hob.XVIII:3 (1765). Vienna CO/Philippe Entremont, pf & dir.

LP Teldec 6.42704 21 Tchaikovsky, P. Suite no 3 in G, op 55 (1884).

Vienna PO/Lorin Maazel.

Decca 476 2723 41 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 NOT QUITE AN ORCHESTRA Prepared by James Nightingale Brahms, J. Theme and variations in D minor, from String sextet op 18 (1860). Ian Holtham, pf.

Tall Poppies TP 219 9 Mendelssohn, F. Die Liebende schreibt, op 86 no 3 (1851; arr. Maisky). Mischa Maisky, vc; Sergio Tiempo, pf.

DG 471 565-2 3 Schumann, C. Three romances, op 22 (1853).

Lisa Batiashvili, vn; Alice Sara Ott, pf.

DG 479 0086 9 Brahms, J. Serenade no 2 in A, op 16 (185859). London SO/István Kertész.

Decca 466 459-2 30 14:00 BETWEEN TWO WORLDS Tchaikovsky’s orchestral works Prepared by Ron Walledge Tchaikovsky, P. Suite from The nutcracker, op 71a (1891-92). Berlin PO/Mstislav Rostropovich.

DG 429 097-2 23 Tchaikovsky, P. Piano concerto no 3 in E flat, op 75 (1893). Peter Donohoe, pf; Bournemouth SO/Rudolf Barshai.

EMI CDC 7 49939 2 16 Tchaikovsky, P. Suite from The Sleeping Beauty, op 66a (1888-89). Berlin PO/Mstislav Rostropovich.

DG 429 097-2 20 Tchaikovsky, P. Symphony no 6 in B minor, op 74, Pathétique (1893). Russian National O/ Mikhail Pletnev.

DG 479 1429 46 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA From Hungary Prepared by Di Cox

BEETHOV EN 250th Anniversary

Beethoven, L. 15 Variations and a fugue in E flat on an original theme, op 35, Eroica (1802).

Sviatoslav Richter, pf.

Olympia OCD 339 24 Beethoven, L. Piano sonata no 19 in G minor, op 49 no 1 (c1797). Gerard Willems, pf.

ABC 465 077-2 8 Beethoven, L. Piano sonata no 8 in C minor, op 13, Pathétique (1798). Arthur Schnabel, pf.

EMI CHS 763765 2 19 10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Mendelssohn, F. Overture: Calm sea and prosperous voyage, op 27 (1828). Vienna PO/ Carl Schuricht.

Decca 482 4955 12 Ippolitov-Ivanov, M. Caucasian sketches, suite no 1, op 10 (1894). Sydney SO/ Christopher Lyndon-Gee. Marco Polo 8.220369 25 Smetana, B. At the sea, concert study in G sharp minor (1861). Leif Ove Andsnes, pf.

EMI 3 41682 2 5 Elgar, E. Spanish serenade, op 23 (1892).

Liverpool Philharmonic Choir; Royal Liverpool PO/Charles Groves.

EMI 7 47511 2 5 Brahms, J. Symphony no 3 in F, op 90 (1883).

Columbia SO/Bruno Walter.

Sony SMK 64 471 33 11:30 ON PARADE Prepared by Chris Blower Sousa, J.P. The kaffir on the Karroo; In the land of the golden fleece; Coronation march, from Tales of a traveller (1911). Royal Artillery Band/Keith Brion.

Naxos 8.559093 16 Sousa, J.P. Overture to The charlatan (1898); Flags of freedom march (1918). Royal Norwegian Navy Band/Keith Brion.

Saturday 24 October Naxos 8.559396 10 12:00 URBAN JAZZ LOUNGE 00:00 CLASSIC-ALL THROUGH With Leita Hutchings THE NIGHT 13:00 IN A SENTIMENTAL MOOD 06:00 SATURDAY MORNING MUSIC With Maureen Meers With Peter Bell 14:00 SHORTER SYMPHONIES 09:00 WHAT'S ON IN MUSIC Prepared by Rex Burgess With Robert Gilchrist Mozart, W. Symphony no 29 in A, K201 (1774). Danish National CO/Adam Fischer.

Dacapo 6.220543 26

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Sunday 25 October 14:30 SATURDAY MATINEE Israel in Egypt Prepared by Elaine Siversen Handel, G. Oratorio: Israel in Egypt, HWV54 (1739). Anita Kyle, sop: Emma Moore, sop; Anna Dowsley, cont; Richard Butler, ten; Simon Lobelson, bass-bar; David Hidden, bass; Amy Johansen, org; Sydney University Graduate Choir & O/Christopher Bowen.

SUGC recording 1:59 Handel, G. Organ concerto no 1 in B flat, HWV306 (1740). Simon Preston, org; English Concert/Trevor Pinnock.

Archiv 479 1932 19 17:00 SOCIETY SPOT Sydney Schubert Society Prepared by Ross Hayes 18:00 MUSIC OF THE SCREEN Prepared by Adam Bowen 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Wolfgang Amadeus Mozart Prepared by Frank Morrison Mozart, W. Divertimento no 1 in E flat, K113 (1771). Vienna Chamber Ensemble.

Denon CO-77882 13 Mozart, W. String quartet no 7 in E flat, K160 (1773). Festetics Quartet.

Hungaroton HCD 31443-45 12 Mozart, W. Fantasia in C minor, K475 (1785).

Alfred Brendel, pf.

Philips 454 244-2 12 Mozart, W. Violin sonata no 21 in E minor, K304 (1778). Takako Nishizaki, vn; Jenö Jandó, pf.

Naxos 8.553110 12 Mozart, W. Abendempfindung, K523 (1787).

Olaf Bär, bar; Geoffrey Parsons, pf.

EMI 5 55345 2 4 Mozart, W. Piano trio in B flat, K502 (1786).

Macquarie Trio Fine Music concert recording 23 Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Concertgebouw O/George Szell.

Sony SMK 68445 31 22:00 SATURDAY NIGHT AT HOME Prepared by Dan Bickel Dvorák, A. Overture: Hussite, op 67 (1883).

London SO/István Kertész.

Decca 417 597-2 14 Strauss, R. Oboe concerto in D (1945/48).

Heinz Holliger, ob; New Philharmonia O/Edo de Waart.

Philips 438 733-2 26 Franck, C. Rédemption (1871-72). Belgian NO/André Cluytens.

EMI 5 65153 2 13 Tchaikovsky, P. Manfred symphony, op 58 (1885). London PO/Mstislav Rostropovich.

EMI 5 65709 2 1:00

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch Bach, J.S. Cantata, BWV112: Der Herr ist mein getreuer Hirt (1731). Bach Collegium Japan/Masaaki Suzuki.

BIS BIS-9052 13 Langlais, J. The Annunciation, op 2 no 1, from Poèmes évangéliques (1932). Robert Smith, org.

Fine Music concert recording 7 Saint-Saëns, C. Messe de Requiem, op 54 (1878). Elke Hooke, sop; Barbara Jin, cont; Andrew Goodwin, ten; Simon Lobelson, bass; Sydney University Graduate Choir & O/ Christopher Bowen.

SUGC recording 35 10:00 THE CLASSICAL ERA Prepared by Stephen Wilson Méhul, É-N. Overture to Mélidore et Phrosine (1794). Brittany O/Stefan Sanderling.

ASV DCA 1140 11 Reicha, A. Piano trio in E flat, op 101 no 1 (pub. 1824). Guarneri Trio.

Supraphon SU 3024-2 131 25 Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Pleyel, I. Double concerto in D (c1788).

Wolfgang Brunner, fp; Leonore von Stauss, fp.

Profil Medien PH18087 19 Cherubini, L. Symphony in D. San Remo SO/ Piero Bellugi.

Naxos 8.557908 30 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide 14:00 THE SWEDISH SYMPHONY Prepared by Chris Blower Stenhammar, W. Midwinter, op 24 (1907).

Gothenburg Concert Hall Choir.

BIS CD-438 12 Stenhammar, W. Symphony no 2 in G minor, op 34 (1911-15).

DG 445 857-2 42 Gothenburg SO/Neeme Järvi (2 above) 15:00 SUNDAY SPECIAL The younger Haydn Prepared by Chris Blower Haydn, M. Flute concerto in D (1765-68).

István-Zsolt Nagy, fl; Austro-Hungarian Haydn O/Ádám Fischer.

Nimbus NI 5392 19

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Haydn, M. Ave Regina. Choir of St John’s College, Cambridge/George Guest.

Decca 430 159-2 8 Haydn, M. Incidental music to Voltaire’s Zaïre (1777). German Chamber Academy Neuss/ Johannes Goritzki. cpo 999 512-2 28 Haydn, M. String quintet in G (1773).

L'Archibudelli.

Sony SK 53987 25 Haydn, M. Grace. Die Singphoniker. cpo 999 333-2 4 Haydn, M. Symphony no 29 in C (1784).

Bournemouth Sinfonietta/Harold Farberman.

LP Vox Cum Laude D-VCL 9085 23 17:00 HOSANNA With Jeremy Hall Hymn: Angel-voices ever singing. Choir of Winchester Cathedral; Paul Scriven, org; David Hill, cond.

Herald HAVPCD 257 3 Haydn, J. Te Deum for the Empress Marie Therese. Tölz Boys Choir; Tafelmusik/Bruno Weil.

Sony SK 66260 8 Gretchaninov, A. The cherubic hymn. Holst Singers/Stephen Layton.

Hyperion CDA66928 4 Stanford, C. Villiers Communion service in C. Christopher Whitton, org; Christopher Robinson, cond.

Naxos 8.555794 9 Bairstow, E. Let all mortal flesh keep silence.

David Hill, cond.

Hyperion CDA 67497 3 Choir of St John’s College, Cambridge (2 above) Rogier, P. Domine Dominus noster.

Magnificat/Philip Cave.

Linn Records SKD 348 6 Lauridsen, M. O nata lux. Voces8.

Decca 478 8053 4 Hymn: How shall I sing that majesty. Choir of Winchester Cathedral; Paul Scriven, org; David Hill, cond.

Herald HAVPCD 257 4 Vierne, L. Final, from Symphony no 1.

Jeremy Filsell, org.

Signum SIGCD063 7 18:00 SMALL FORCES Prepared by Rex Burgess Leclair, J-M. Violin sonata in D, op 9 no 6 (pub. 1743). Monica Huggett, vn; Christophe Coin, bass viol; Christopher Hogwood, hpd.

L’Oiseau-Lyre 436 185-2 15 Shostakovich, D. Excerpts from The gadfly, op 97 (1955; arr. Borisovsky). Lawrence Power, va; Simon Crawford-Phillips, pf.

Hyperion CDA67865 17

Monday 26 October 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1930 Prepared by Frank Morrison

Revueltas, S. Cuauhnáhuac (1930). Royal PO/Enrique Bátiz.

ASV DCA 871 10 Kabalevsky, D. Sonatina in G minor, op 13 no 2 (1930). Murray McLachlan, pf.

Olympia OCD 267 10 Gershwin, G. Embraceable you, from Girl crazy (1930). Kiri Te Kanawa, sop; New Princess TO/John McGlinn.

EMI CDC 7 47454 2 5 Copland, A. Dance symphony (1930). Detroit SO/Antal Dorati.

Decca 414 273-2 17 Respighi, O. Snuffbox suite (1930). Antonio Plotino, fl; Alberto Boschi, picc, fl; Paolo Bottini, ob; Sergio Dagnino, ob, cora; Gabriele Screpis, bn; Luigi Tedone, bn; Hector Moreno, Norberto Capelli, pf.

Dynamic CDS 96 10 Myaskovsky, N. String quartet no 3 in D minor, op 33 no 3 (1910/30). Leningrad Taneyev Quartet.

Melodiya MA 3006 27 10:30 CONCERT HALL Prepared by Robert Gilchirst Telemann, G. Overture in F sharp minor.

Collegium Musicum 90/Simon Standage.

Chandos CHAN 0661 17 Hummel, J. Piano concerto in A minor, op 85 (c1816). Stephen Hough, pf; English CO/ Bryden Thomson.

Chandos CHAN 8507 30 Mozart, W. Symphony no 39 in E flat, K543 (1788). Australian CO/Frans Brüggen.

LP ABC RRCS 132 31 12:00 SWING SESSIONS With John Buchanan 13:00 TO THE DEVIL Prepared by Stephen Wilson Williams, C. The devil's galop. New London O/Ronald Corp.

Hyperion CDA66868 3 Tartini, G. Violin sonata in G minor, Devil’s trill (pub. 1734). Davide Monti,vn; Josephine Vains, vc; Jacqueline Ogeil Cristofori, pf.

Tall Poppies TP243 19 Piazzolla, A. Romance del diablo (arr. Crabb).

James Crabb, accordion; Benjamin Martin, pf; Australian CO/Richard Tognetti.

Chandos CHAN 10163 7 Williams, J. Devil’s dance, from The witches of Eastwick (1987). Gil Shaham, vn; Jonathan Feldman, pf.

DG 463 483-2 4 Liszt, F. Reminiscences of Meyerbeer’s Robert the devil (1841). Leslie Howard, pf.

Hyperion CDS44542 17

30

14:00 BORROWED FROM BEETHOVEN Beethoven 250 Festival Prepared by Paul Cooke 1770-2020

Offenbach, J. Cello duet in A, op 51 no 1 (1847). Andrea Noferini, vc; Giovanni Sollima, vc.

Brilliant Classics 94475 12 Bottesini, G. Introduction and bolero. Thomas Martin, db; Anthony Halstead, pf.

Naxos 8.570399 9 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Bridge, F. Suite: The sea (1911). Ulster O/ Vernon Handley.

Chandos CHAN 8473 22 Vieuxtemps, H. Violin concerto no 5 in A minor, op 37 (1861). Itzhak Perlman, vn; Paris O/Daniel Barenboim.

EMI CDC 7 47165 2 21 Mozart, W. Se al labbro mio non credi, K295 (1778). Rolando Villazón, ten; London SO/ Antonio Pappano.

DG 479 2463 13 Weill, K. Symphony no 1 (1921). Gewandhaus O/Edo de Waart.

Philips 434 171-2 26 20:30 NEW HORIZONS Prepared by James Nightingale Murphy, N. Spinning top (2016). Benaud Trio.

ABC 481 7995 6 Donatoni, F. Hot (1989). Ensemble Dal Niente/Michael Lewanski.

New Focus Recordings FCR130 14 Abrahamsen, H. String quartet no 2 (1981).

Arditti String Quartet.

Winter & Winter 910 242-2 16 Ghandar, A. Garden with birds (1998-99). Ian Munro, pf.

Tall Poppies TP145 10 Lim, L. Inguz: Fertility (1989). Carl Rosman, cl; Rosanne Hunt, vc.

ABC 456 687-2 6 Crane, L. John White in Berlin (2003). Anton Lukoszevieze, vc; Alan Thomas, electric gui; Simon Limbrick, perc; Philip Thomas, pf.

Another Timbre at74x2 13 Weir, J. Heroic strokes of the bow (2018). BBC SO/Martyn Brabbins.

NMC Records D137 14 22:00 JAZZ AFTER HOURS

BEETHOV EN 250th Anniversary

Beethoven, L. The nine symphonies (17991824). Cambridge Buskers, DG 482 1785 3 Beethoven, L. Benedictus, from Missa solemnis, op 123 (arr. Busoni). Tanja BeckerBender, vn; BBC Scottish SO/Garry Walker.

Hyperion CDA68044 9 Beethoven, L. Allegro con brio, from Piano concerto no 3 in C minor, op 37 (1804; transcr.

Alkan). Marc-André Hamelin, pf.

Hyperion CDA66765 19 Leifs, J. Pastoral variations on a theme of Beethoven, op 8 (1930). Nordic CO/Christian Lindberg.

BIS CD-1538 11 Beethoven, L. Sonata in F for cor anglais and piano, op 17 (1800; arr. Oguey). Alexander Oguey, cora; Neal Peres da Costa, pf.

ABC 481 7026 17 Liszt, F. Fantasy on motifs from Beethoven’s The ruins of Athens (1837/48-52/55). Victor Sangiorgio, pf; Queensland SO/En Shao.

ABC 456 680-2 12 Beethoven, L. Adagio un poco mosso, from Piano concerto in E flat, op 73, Emperor (1809; transcr. Halliday). Anthony Halliday, org.

Move MCD 452 8 Beethoven, L. Notturno, op 42 (1803; arr.

Kleinheinz). Paul Coletti, va; Leslie Howard, pf.

Hyperion CDA66946 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS

Tuesday 27 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds

Wednesday 28 October

BEETHOV EN 250th Anniversary

Prepared by Jennifer Foong Beethoven, L. Piano trio in G, op 1 no 2 (1792-95). Beaux Arts Trio.

Philips 438 948-2 31 Beethoven, L. String quartet in E minor, op 59 no 2, Razumovsky (1805-06). Emerson String Quartet.

DG 479 1432 34 Beethoven, L. Music, love and wine (1817); Sunset (1818). Catrin Wyn Davies, sop; John Mark Ainsley, ten; Thomas Allen, bar; Elizabeth Layton, vn; Ursula Smith, vc; Malcolm Martineau, pf.

DG 477 5128 6 Beethoven, L. Wind octet in E flat, op 103 (1792). Lothar Koch, ob; Gerhard Stempnik, ob; Karl Leister, cl; Peter Geisler, cl; Günter Piesk, bsn; Henning Trog, bn; Gerd Seifert, hn; Manfred Klier, hn.

DG 439 852-2 22 Beethoven, L. Grosse Fuge in B flat, op 133 (1826). Goldner String Quartet.

ABC 476 3542 16

31

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Le Roux, G. Suite no 3 in A minor. William Christie, hpd; Arthur Hass, hpd.

Harmonia Mundai HMA 190399 13 Montéclair, M. de Ariadne and Bacchus (1728). Fiona Campbell, mezz; Ensemble Battistin.

ABC 476 5941 15 Wesley, S. Symphony no 5 in E flat (1784).

Milton Keynes CO/Hilary Davan Wetton.

Unicorn-Kanchana DKP9098 15 Jacquet de la Guerre, E-C. Sonata for violin and continuo (1707). Alice Piérot, vn; members of Les Voix Humaines.

Alpha ABM100 15 10:30 CONCERT HALL Prepared by Jacky Ternisien Pez, J. Overture in B flat. Les Muffatti/Peter van Heyghen.

Ramée RAM 0705 18 Bach, J. Christian Bassoon concerto in B flat (ed. Wojciechowski). Gábor Janota, bn; Liszt Ferenc CO/János Rolla.

Hungaroton HRC 041 23 Dukas, P. Symphony in C (1896). Suisse Romande O/Armin Jordan.

Erato 2292-45221-2 41 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 BEETHOVEN SONGS Beethoven 250 Festival Prepared by Dan Bickel 1770-2020

14:00 ADRIAN BOULT BEING UNBRITISH Prepared by Ron Walledge Rimsky-Korsakov, N. Capriccio espagnol, op 34 (1887).

EMI CDM 1 66428 2 15 Williamson, M. Organ concerto (1961).

Malcolm Williamson, org.

Lyrita SRCD.280 27 Brahms, J. Alto rhapsody, op 53 (1869). Janet Baker, mezz; John Aldis Choir; EMI 5 62791 2 12 London PO (3 above) Wagner, R. Prelude to Act 1, from The mastersingers of Nuremburg (1868). New Philharmonia O. EMI 9 73399 2 10 Brahms, J. Piano concerto no 2 in B flat, op 83 (1878-81). Artur Schnabel, pf; BBC SO. Naxos 8.505189 45 Adrian Boult, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN With David Garrett 22:00 CHAMBER SOIRÉE Beethoven 250 Festival 1770-2020

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Bach, J.S. Double concerto in C minor, BWV1060. Kenneth Gilbert, hpd; English Concert/Trevor Pinnock, hpd & dir.

Archiv 471 754-2 14 Devienne, F. Oboe sonata in C, op 70 no 1 (1798-99). Peter Bree, ob; Roderick Shaw, fp.

Etcetera KTC 1084 14 Haydn, J. Keyboard sonata no 60 in C, Hob. XVI:50 (1794-95). Alfred Brendel, pf.

Philips 411 045-2 18 Mendelssohn, F. Sonata no 1 in B flat, op 45 (1838). Richard Lester, vc; Susan Tomes, pf.

Hyperion CDA66478 22 Liszt, F. Réminiscences de Don Juan (1841).

Ignaz Friedman, reproducing pf.

Nimbus NI 8801 10 10:30 CONCERT HALL Prepared by Rita Felton Handel, G. Overture to Faramondo, HWV39 (1738). English CO/Richard Bonynge.

ABC 482 1059 8 Bruch, M. Violin concerto no 1 in G minor, op 26 (1868). Lydia Mordkovitch, vn; London SO/ Neeme Järvi.

Chandos CHAN 8667 24 Haydn, J. Symphony in E minor, Hob.I:44, Mourning (c1772). Amsterdam Baroque O/Ton Koopman.

Erato ECD 88173 23 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 THE TALENTED VOLUNTEERS Prepared by Jacky Ternisien Chopin, F. Waltz no 7 in C sharp minor, op 64 no 2 (1847). Simon Moore, pf.

4 Simonds, J. Victoria’s violin (2005). Victoria Jacono, vn; Julie Simonds, pf.

3 Various. Sullivan: Cachuca, from The gondoliers (1889); Lecuona: Malagueña (c1928). Susannah Lin, pf; Marilyn Schock, castanets.

4 Fine Music recordings (3 above) Devienne, F. Trio in G minor, op 66 no 2.

Christine Daeger, fl; Debbie Scholem, vn; Rosemary Quinn, vc.

15 Dargaville, T. Kolam (2012). James Nightingale, sax; Continuum Sax. New Music Network 7 Piper, A. Singin’ a cappella (2003); Dear John (2010). Idea of North; James Morrison, gui; Jonathan Zwartz, db; Gordon Rytmeister, drums.

ABC 470 419-6 8 Mozart, L. Trumpet concerto in D (1762). St Lawrence O/Neil McEwan.

Fine Music tape archive 11

BEETHOV EN 250th Anniversary

Beethoven, L. Mailied, op 52 no 4 (1792); Neue Liebe, neues Leben, op 75 no 2 (1809); Adelaïde, op 46 (1794-95); Aus Goethes Faust, op 75 no 3 (1809); Andenken, WoO136 (1809); Ich liebe dich, WoO123 (c1795); Lied aus der Ferne, WoO137 (1809); Wonne der Wehmut, op 83 no 1 (1810). Peter Schreier, ten; András Schiff, pf.

Decca 444 817-2 25

14:30 INSPIRED BY LITERATURE Prepared by Jacky Ternisien Schumann, R. Overture, from Goethe’s Faust (1844-53). English CO/Benjamin Britten.

Decca 425 705-2 8 Rubinstein, A. Tone poem: Faust, op 68 (1864). George Enescu PO/Horia Andreescu.

Naxos 8.557005 20 Sarasate, P. de Concert fantasy on Gounod’s Faust (1874). Livia Sohn, vn; Geoff Nuttall, va; Benjamin Loeb, pf.

Naxos 8.573403 12 Schumann, R. Overture to Scenes from Goethe’s Faust, Wo03 (1853; arr). Eckerle Piano Duo. Naxos 8.572879 8 Schubert, F. Seven Goethe Lieder. Olaf Bär, bar; Geoffrey Parsons, pf.

EMI CDC 7 54773 2 15 Liszt, F. Mephistopheles, from A Faust symphony (1854; arr.). Franz Liszt Piano Duo. Naxos 8.572560 17 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by James Nightingale Caldara, A. Il più bel nome. Opera in one act. Libretto by Pietro Pariati. First performed Barcelona, 1708. VENERE: Maria Espada, sop PARIDE: Robin Blaze, ct GIUNONE: Raquel Andueza, sop ERCOLE: Mariane Beate Kielland, mezz IL FATO: Agustin Prunell-Friend, ten El Concierto Español/Emilio Moreno.

Glossa GCD 920310 1:57 [The most beautiful name]. This serenata was written in praise of the new wife of the Holy Roman Emperor Charles VI, Elisabeth Christine who does not make an appearance in the serenata. Venus, Paris, Juno and Hercules each take turns to make a case for the importance of love, beauty, wisdom and strength, the casting vote being made

by Fate. Just as all have rested their cases, Fate announces that another goddess is set to capture their praises, revealing that this is none other than Elisabeth Christine.

All declare loyalty to Elisabeth and sing her praises in solo, duet and ensemble arias. After Fate reaffirms the supremacy of the Queen, everyone joins together in a hymn of praise to her.

Vivaldi, A. Violin concerto in E minor, RV277, The favourite (pub. 1729). Giuliano Carmignola, vn; Sonatori de la Goiosa Marca.

Divox CDX 79406 13

22:30 WAR AND PEACE Prepared by Stephen Wilson Prokofiev, S. Symphonic suite from War and peace, op 91 (1941-43). Philharmonia O/ Neeme Järvi.

Chandos CHAN 9096 27 Williams, J. Main title from Star Wars (arr.

Wunder, Romberg). Ingolf Wunder, pf.

DG 479 0084 6 Beethoven, L. Wellington’s victory, op 91 (1813). Czecho-Slovak RSO/Ondrej Lenard.

Naxos 8.570154-55 15 Verdi, G. Pace, pace, mio Dio, from The force of destiny (1862). Marilyn Richardson, sop; Queensland SO/Vladimir Kamirski.

ABC 434 138-2 5 Wranitzky, P. Grand characteristic symphony for the peace with the French Republic, op 31 (1797). London Mozart Players/Matthias Bamert.

Chandos CHAN 9916 31

Thursday 29 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Mark Renton Djawadi, R. Medley from Game of thrones.

Luka Sulic, vc; Stjepan Hauser, vc; London SO/Robin Smith.

Sony 88985349122 5 Glass, P. Étude no 1 (1994-2012; arr. Meijer).

Lavinia Meijer, hp.

Sony G0100035642352 6 Piazzolla, A. Histoire du tango (1986; arr.

E. Grigoryan). Eduard Grigoryan, vn; Slava Grigoryan, gui.

Sony SK63011 19 Sibelius, J. String quartet in E flat (1885).

Tempera Quartet.

BIS CD-1376 18 Graziani, C. Cello sonata in F, op 3 no 4.

Antonio Meneses, vc; Gustavo Tavares, vc; Rosana Lanzelotte, hpd.

Sanctus SCS 002/3 14 Vitali, T. Chaconne (orch. Charlier 1911).

Sarah Chang, vn; English CO/Jun Markl.

EMI 5 56791 2 10 Byrd, W. Pavana Bray (c1596). Christopher Wilson, lute.

Virgin 7 90795-2 5

32

10:30 CONCERT HALL Prepared by Jennifer Foong Goldmark, K. Overture to Sappho, op 44 (1893). Bamberg SO/Fabrice Bollon. cpo 555 160-2 19 Weber, C.M. Concert piece in F minor, op 79 (c1821). Nikolai Demidenko, pf; Scottish CO/ Charles Mackerras.

Hyperion CDA66729 16 Balakirev, M. Symphonic poem: Tamara (1882). Philharmonia O/Yevgeny Svetlanov.

Hyperion CDA66586 22 Haydn, J. Symphony in D minor, Hob.I:34 (c1767). Academy of Ancient Music/ Christopher Hogwood.

L’Oiseau-Lyre 430 082-2 24 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 MUSIC AND TREES Prepared by Derek Parker Schumann, R. Forest scenes, op 82 (184849). Mitsuko Uchida, pf.

Decca 478 5393 24 Saint-Saëns, C. Cyprès et lauriers, op 156.

Matthias Eisenberg, org; Toulouse Capitole O/ Michel Plasson.

EMI 5 55584 2 16 Schubert, F. The linden tree, from Winterreise, D911 no 5 (1827). Dietrich Fischer-Dieskau, bar; Jörg Demus, pf.

DG 447 421-2 5 Liszt, F. Concert studies, S145: Forest whispers; Dance of the gnomes (1862-63).

Jamina Gerl, pf.

TyXart TXA16082 8 Respighi, O. Symphonic poem: The pines of Rome (1924). Cleveland O/Lorin Maazel.

Decca 478 2826 21 14:30 ANTON REICHA AND PUPILS Prepared by Stephen Wilson Reicha, A. 18 Variations and a fantasy in G on Mozart’s Se vuol ballare, op 51 (1804).

Geoffrey Collins, fl; Dene Olding, vn; Julian Smiles, vc.

Fine Music concert recording 16 Liszt, F. Allegro di bravura, op 4 no 1 (1824).

Leslie Howard, pf.

Hyperion CDS44501 9 Flotow, F. Zum treuen Freunde geh, from Martha (1847). Marie Friederike Schöder, sop; Vogtland PO/Stefan Fraas.

Ars ARS 38 144 6 Flotow, F. M’appari tutt’amor, from Martha (1847). Plácido Domingo, ten; London SO/ Nello Santi.

Sony 88875123122 4 Franck, C. Symphonic variations (1885).

Clifford Curzon, pf; London PO/Adrian Boult.

Decca 473 116-2 15

1770-2020

Vieuxtemps, H. Violin concerto no 4 in D minor, op 31. Viviane Hagner, vn; Royal Flemish PO/Martyn Brabbins.

Hyperion CDA67798 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Beethoven 250 Festival

BEETHOV EN 250th Anniversary

Prepared by Frank Morrison Kraus, J.M. Overture in D minor (1792).

Swedish CO/Petter Sundkvist.

Naxos 8.554777 10 Beethoven, L. Piano concerto no 2 in B flat, op 19 (1795). Martha Argerich, pf; Royal Concertgebouw O/Neeme Järvi.

Radio Nederland RCO 08005 30 Paganini, N. Sonata concertata (1803).

Monica Huggett, vn; Richard Savino, gui.

Harmonia Mundi HMU 907116 14 Beethoven, L. Duo in C, WoO27 no 1 (1796).

Charles Neidich, cl; Dennis Godburn, bn.

Sony SK 53367 13 Field, J. Sonata in E flat, op 1 no 1 (1801). Ian Hobson, pf.

Arabesque Z 6595 10 Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Vienna PO/Simon Rattle.

EMI 5 57445 2 32 22:00 KEYBOARD INTERLUDE Tchaikovsky, P. Piano sonata in C sharp minor, op 80 (1866). Ilya Rachkovsky, pf.

Naxos 8.570787 27 22:30 ULTIMA THULE With Jackson Day

Friday 30 October 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Chris Blower Offenbach, J. The birds in the hedgerows, from The tales of Hoffmann (1881). Patricia Petibon, sop; Lyon Opera O/Yves Abel.

Decca 475 0902 7

Glazunov, A. The forest, op 19 (1882-87; arr.

Glazunov for two pianos, eight hands). Aurora Piano Quartet.

Naxos 8.557717D 17 Bax, A. November woods (1917). Academy of St. Martin in the Fields/Neville Marriner.

Philips 454 444-2 20 Moeran, E.J. Three piano pieces: The lake island; Autumn woods; At the horse fair (1919).

Iris Loveridge, pf.

Lyrita REAM 1103 10 Conyngham, B. Streams (1988). Geoffrey Collins, fl; Patricia Pollett, va; Marshall McGuire, hp.

Tall Poppies TP071 9 Mahler, G. Songs of a wayfarer (1884). Janet Baker, mezz; Geoffrey Parsons, pf.

Hyperion CDA66100 17 10:30 CONCERT HALL Prepared by Michael Field Strong, G. Symphonic poem: Ondine (188283). Moscow SO/Adriano.

Naxos 8.559078 25 Spohr, L. Violin concerto no 6 in G minor, op 28 (1808-09). Simone Lamsma, vn; Sinfonia Finlandia Jyväskylä/Patrick Gallois.

Naxos 8.570528 25 Mozart, W. Symphony no 38, K504, Prague (1787). Freiburg Baroque O/René Jacobs.

Harmonia Mundi HMX 2908250.79 33 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 THE PARISIAN COMPOSERS Prepared by Jacky Ternisien Dukas, P. Overture to Polyeucte (1891). BBC PO/Yan Pascal Tortelier.

Chandos CHAN 241-32 15 Saint-Saëns, C. Rhapsody d’Auvergne in C, op 73 (1884). Ian Munro, pf; Tasmanian SO/ David Porcelijn.

ABC 465 424-2 10 Aznavour, C. She (arr. Rutter). Jane Rutter, fl; David Mibus, pf.

ABC 476 4837 4 Boulanger, L. Hymne au soleil (1912). Regine Böhm, mezz; Heidelberg Madrigal Choir; Sabine Eberspächer, pf; Gerald Kegelmann, cond.

Bayer BR 100 041CD 4 Koechlin, C. Four little pieces (1890-1909).

Barry Tuckwell, hn; Brenton Langbein, vn; Maureen Jones, pf. ex libris CD 6059 9 Magnard, A. Symphony no 4 in C sharp minor, op 21 (1913). Toulouse Capitole O/ Michel Plasson.

EMI 5 72364 2 36

33

14:30 FROM SWEDEN Prepared by Chris Blower Wirén, D. Trio no 1, op 6 (c1927). Stockholm Arts Trio.

BIS CD-582 15 Peterson-Berger, W. Tone-paintings (1885).

Olof Höjer, pf.

Discofil SCD 1086 17 Kraus, J.M. Ballet: The fisherman. Swedish CO/Petter Sundkvist.

Naxos 8.557498 50 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Alexander Glazunov Prepared by Di Cox Glazunov, A. Concert waltz no 1, op 47 (1893). Moscow SO/Igor Golovschin.

Naxos 8.553838 9 Glazunov, A. Violin concerto in A minor, op 82 (1904-05). Anne-Sophie Mutter, vn; National SO/Mstislav Rostropovich.

Erato ECD 75506 20 Glazunov, A. Symphonic poem: Stenka Razin, op 13 (1885). London SO/Yondani Butt.

ASV DCA 903 15 Glazunov, A. Symphony no 5 in B flat (1895).

Moscow SO/Alexander Anissimov.

Naxos 8.553660 35 Glazunov, A. Suite in E: From the Middle Ages, op 79 (1903). Royal Scottish NO/ Neeme Järvi.

Chandos CHAN 7049 23 Glazunov, A. Wedding march, op 21 (1889).

Rumanian State O/Horia Andreescu.

Marco Polo 8.220487 8 22:00 BAROQUE AND BEFORE Born 350 years ago With Paul Roper Caldara, A. Nelle membre lacerate, from La verità nell’inganno (1717). New Vienna Hofkapelle/Markus Miesenberger, ten & dir.

Pan Classics PC 10372 2 Caldara, A. Crucifixus à 16. Balthasar Neumann Choir; Michael Behringer, org; Thomas Hengelbrock, cond.

Harmonia Mundi 82876 58792 2 6 Legrenzi, G. Trio sonata, op 8 no 8, La Bevilacqua (1663). John Holloway, vn; Alison Bury, vn; Francis Baines, violone; Jakob Lindberg, theorbo; Andrew Parrott, org.

EMI CDC 7 54117 2 5 Caldara, A. Cantata: Da tuoi lumi e dal tuo core. Max Emmanuel Cencic, ct; Ornamente 99.

Capriccio 67 124 6

Fux, J. Harpeggio and fugue in G. Robert Kohnen, hpd.

Accent ACC 10022 4 Caldara, A. Magnificat in C (arr. J.S. Bach 1740-42 as BWV1082). Martina Lins, sop; Susanne Norin, cont; Markus Brutscher, ten; Hans-Georg Wimmer, bass; Rhenish Kantorei; Das Kleine Konzert/Hermann Max. Harmonia Mundi CDS 7 54426-2 6 Caldara, A. Torbido ma che freme, from La Passione di Gesù Cristo Signor Nostro (1730).

Sergio Foresti, bass; Europa Galante/Fabio Biondi.

Virgin VC 5 45325-2 3 Zelenka, J. Capriccio no 2 in G, ZWV183 (1718). Das Neu-Eröffnete O/Jürgen Sonnentheil. cpo 999 897-2 14 Caldara, A. Prefezie, di me diceste, from Sedecia (1732). Cecilia Bartoli, mezz; Il Giardino Armonico/Giovanni Antonini.

Decca 487 1522 8 Caldara, A. Trio sonata in D, op 2 no 3 (1699).

Ryo Teradako, vn; Bernadette Charbonnier, vn; Bruno Cocset, vc; Eric Bellocq, theorbo; Pierre Hantaï, hpd.

Virgin VC 7 91479-2 6 Caldara, A. Missa sanctorum Cosmæ et Damiani (c1730). Monika Frimmer, sop; Ralf Popken, ct; Wilfried Jochens, ten; Klaus Mertens, bar; Westphalian Kantorei; Capella Agostino Steffani/Lajos Rovatkay.

EMI CDC 7 54276 2 38

1770-2020

10:00 MUSICAL JOURNEYS Prepared by Chris Blower Stravinsky, I. The rite of Spring (1913/47).

Minneapolis SO/Antal Dorati.

Decca 478 3729 30 Barber, S. Cello concerto, op 22 (1945).

Steven Isserlis, vc; Saint Louis SO/Leonard Slatkin.

RCA 09026-68283-2 26 Anon. Deduc syon; Tempus transit gelidum; In taberna, from Carmina Burana. New Orleans Musica da Camera.

Centaur CRC 2145 11 Tomasi, H. Trumpet concerto (1948). Wynton Marsalis, tpt; Philharmonia O/Esa-Pekka Salonen.

LP CBS IM 42096 15 11:30 ON PARADE Prepared by Robert Small Bernstein, L. Symphonic dances from West Side story (1961; transcr. Lavender 2007).

Naxos 8.572837 23 Tucker, C. Ceremonial fanfare (2004).

Naxos 8.570968 2 Lone Star Wind O/Eugene Migliaro Corporon (2 above) 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 SHORTER SYMPHONIES Prepared by Rex Burgess Honegger, A. Pacific 231, from Three symphonic movements (1924). Bavarian RSO/ Charles Dutoit.

Erato 2292-45242-2 6 Honegger, A. Symphony no 5, Di tri re (1950).

Saturday 31 October Danish NSO/Neeme Järvi.

Chandos CHAN 9176 21 00:00 CLASSIC-ALL THROUGH 13:30 WINDS IN CHAMBER THE NIGHT Prepared by Gerald Holder 06:00 SATURDAY MORNING MUSIC Crusell, B. Clarinet quartet no 1 in E flat, op 09:00 WHAT'S ON IN MUSIC 2 (1803). Thea King, cl; members of Allegri With Nicky Gluch String Quartet.

09:05 THE PIANO ALONE Hyperion CDA66077 20 Beethoven 250 Festival Brahms, J. Horn trio in E flat, op 40 (1865).

Prepared by Frank Morrison Members of Nash Ensemble. crd 3489 30 Donizetti, G. Sonata in G minor/major for flute BEETHOV EN and harp. Jean-Pierre Rampal, fl; Marielle 250th Anniversary Nordmann, hp.

Beethoven, L. Piano sonata no 7 in D, op 10 Sony SK 44552 6 no 3 (1798). Stephen Kovacevich, pf.

14:30 OPERETTA IN THE EMI 5 62700 2 21 AFTERNOON Beethoven, L. Two pieces for piano, WoO51 Prepared by Elaine Siversen (c1795). Ronald Brautigam, pf.

Sullivan, A. The gondoliers. Operetta in two BIS SACD-1672 7 acts. Libretto by W.S. Gilbert. First performed Beethoven, L. Piano sonata no 12 in A flat, op London,1889. DUKE OF PLAZA-TORO: 26 (1800-01). Emil Gilels, pf.

Geraint Evans, bar Brilliant Classics 94291 20 DUCHESS OF PLAZA-TORO: Monica Sinclair, cont CASILDA: Edna Graham, sop

34

DON ALHAMBRA: Owen Brannigan, bass LUIZ: Alexander Young, ten MARCO PALMIERI: Richard Lewis, ten GIUSEPPE PALMIERI: John Cameron, bar TESSA: Marjorie Thomas, cont GIANETTA: Elsie Morison, sop Glyndebourne Festival Ch; Pro Arte O/ Malcolm Sargent.

EMI CMS 7 64394 2 1:37 The Duke and Duchess of Plaza Toro arrive in Venice from Spain with their daughter Casilda who, as a baby, was married to the son and heir of the King of Barataria. The infant prince was taken by Don Alhambra to Venice and, as the King has died, the hidden prince is now king. Casilda is now the reigning queen of Barataria but she is secretly in love with Luiz, the Duke's drummer. Don Alhambra explains that the prince was raised by the gondolier, Baptisto Palmieri, a drunkard, who eventually forgot which boy was his own son and which boy was the prince. The two boys, Marco and Giuseppe, are now gondoliers. They have just married Tessa and Gianetta respectively. Don Alhambra informs them that one of them is the King of Barataria, but no one knows which.

The gondoliers agree to go to Barataria at once, acting as one individual until the actual king is identified. Don Alhambra neglects to mention that the King is married to Casilda.

In Barataria Don Alhambra breaks the news that one of the gondoliers had married Casilda when they were babies and therefore is an unintentional bigamist. The Duke and Duchess of Plaza Toro arrive with Casilda and Luiz.

Don Alhambra finds the nurse who cared for the young prince. She happens to be Luiz's mother. She hid the prince and gave Don Alhambra her own son instead. Thus, the king is neither Marco nor Giuseppe, but Luiz.

Casilda finds that she is already married to the man she loves and the two gondoliers surrender their crown to Luiz and, although a little disappointed that neither will be a king, they can return happily to Venice with their wives.

Excerpts from The Yeomen of the Guard (1888). Muriel Harding, sop; Ann DrummondGrant, cont; Leonard Osborn, ten; Martyn Green, bar; D’Oyly Carte Opera Company Ch & O/Isidore Godfrey.

Naxos 8.111311/12 10 Excerpts from HMS Pinafore (1878). Muriel Harding, sop; Joan Gillingham, mezz; Ella Halman, mezz; Leonard Osborn, ten; Martyn Green, bar; Leslie Rands, bar; Darrell Fancourt, bass-bar; D’Oyly Carte Opera Company Ch; New Promenade O/Isidore Godfrey Naxos 8.111311/12 25

17:00 A FLOWER GARDEN Prepared by Derek Parker Strauss, J. II Roses from the South, op 388 (1880). Johann Strauss Ensemble/Russell McGregor, vn & dir.

ABC 476 4630 9 Debussy, C. Bruyères, from Préludes, bk 2 (1913). Gordon Fergus-Thompson, pf.

ASV DCA 723 3 Puccini, G. Chrysanthemums for string orchestra. Australian CO/Richard Tognetti.

Sony SK62855 8 Delibes, L. Flower duet, from Lakmé (1883).

Pretty Yende, sop; Kate Aldrich, mezz; RAI NSO/Marco Armiliato.

Sony 88985321692 6 Schumann, R. Blumenstück, op 19 (1839).

Vladimir Horowitz, pf.

RCA 82876 50754 2 10 Fauré, G. Les roses d'Ispahan, op 39 no 4 (1884). Felicity Lott, sop; Graham Johnson, pf.

Hyperion CDA66937 3 Purcell, H. Sweeter than roses, from Pausanias (1695). Andrew Dalton, ct; Freek Borstlap, bass viol; Anneke Uittenbosch, hpd.

Etcetera KTC 1013 3 Tchaikovsky, P. Waltz of the flowers, from The nutcracker, op 71 (1892). Royal PO/ Vladimir Ashkenazy.

RPO 8021 8

18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke Honegger, A. Excerpts from Les misérables (1934; ed. Adriano).

Marco Polo 8.223181 17 Tognetti, R. On high, from Mountain.

Australian CO/Richard Tognetti.

ABC 481 5781 4 Gold, M. The vampires of Venice, from Doctor Who, series 5 (orch. Foster 2010). Crouch End Festival Ch; BBC Welsh NO/Ben Foster.

Silver Screen SILCD 1345 Herrmann, B. Suite from Psycho. Los Angeles PO/Esa-Pekka Salonen.

Sony SK 62700 18 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Peter Poole Grainger, P. English dance, for six hands on two pianos (1921). Geoffrey Parsons, pf; Leslie Howard, David Stanhope, pf.

ABC 481 1601 10 Grainger, P. Fisher’s boarding house (1899).

West Australian SO/John Hopkins.

LP HMV OASD 430 000 7 Grainger, P. A Lincolnshire posy. Royal Australian Navy Band/Phillip Anderson.

Royal Australian Navy RAN-013 18 Grainger, P. Scandinavian suite (1902). Joel Moerschel, vc; Stephen Drury, pf.

Northeastern NR 228 16

35

Grieg, E. Three orchestral pieces from Sigurd Jorsalfar, op 56 (1874). Eva Knardahl, pf.

BIS CD 109 4 Grainger, P. Children’s march: Over the hills and far away (1918). Leslie Howard, pf; David Stanhope, pf.

ABC 481 1601 7 Grainger, P. Suite: In a nutshell (1916). English Sinfonia/Neville Dilkes.

EMI CDM 7 63520 2 18 Grainger, P. Youthful suite (1899/1940-45).

Sydney SO/John Hopkins.

ABC 476 5957 26 22:00 SATURDAY NIGHT AT HOME Prepared by Paul Cooke Bennett, W. Sterndale Symphony in G minor, op 43 (1864). London PO/Nicholas Braithwaite.

Lyrita SRCD.206 24 Brahms, J. Viola sonata in F minor, op 120 no 1 (1894). Zaslav Duo. Music & Arts CD-1087(2) 23 Hyde, M. Piano concerto no 1 in E flat minor (1934). Miriam Hyde, pf; West Australian SO/ Geoffrey Simon.

ABC 481 7995 30 Schubert, F. Piano trio no 1 in B flat, D898 (c1828). Beaux Arts Trio.

Philips 442 937-5 36

The following composers have works of at least five minutes on the October dates listed

Abel, C. 1723-1787 Abrahamsen, H. b1952 25 Alabiev, A. 1787-1851 Alcock, W. 1861-1947 Alfvén, H. 1872-1960 Alkan, C-V. 1813-1888 Arne, T. 1710-1778 Arnold, M. 1921-2006 Arriaga, J. 1806-1826 Arrigoni, C. 1697-1744 Atterberg, K. 1887-1974

6 14 18 11,18 6,9 4 15 19,21 16 18

Bach, C.P.E. 1714-1788 6,8,13,19,20 Bach, J. Christian

1735 - 1782 13,20,28 Bach, J.S. 1685-1750

4,6,11,18,25,27 Balakirev, M. 1837-1910 1,29 Ball, E. 1903-1989 17 Barber, S. 1910-1981 7,31 Bartók, B. 1881-1945 2,16,21 Bassani, G. c1657-1716 23 Bax, A. 1883-1953 4,6,21,23,30 Bedford, D. 1937-2011 21 Beethoven, L.1770-1827 4,6,8,9,12,17,18,20,22,24, 6,27,28,29,31 Bennett, W. Sterndale

1816-1875 4,19,31 Berio, L. b1925 15 Berlioz, H. 1803-1869 4,8,9,18 Bernstein, L. 1918-1990 5,31 Berwald, F. 1796-1868 4,13,18,20 Biber, H. 1644-1704 17 Bizet, G. 1838-1875 2,9,16,19 Boccherini, L. 1743-1805 6,11,15,18 Boïeldieu, A. 1775-1834 22,25,28 Bononcini, A. 1677-1726 11 Borodin, A. 1833-1887 1,15 Bottesini, G. 1821-1889 17,25 Boulanger, L. 1893-1918 21 Boulanger, N. 1887-1979 16 Boutry, R. b1932 22 Bracanin, P. b1942 5 Brahms, J. 1833-1897

2,6,12,19,20,23,24,27,31 Bridge, F. 1879-1941 21,25 Britten, B. 1913-1976 15 Bruch, M. 1838-1920 2,21,27 Bruckner, A. 1824-1896 16 Buxtehude, D.1637-1707 13 Caccini, F. 1587-1640 7 Caix d’Hervelois, L. de

c1675-c1760 2 Caldara, A. c1670-1736 28,30 Campagnoli, B.1751-1827 17 Canteloube, J.1879-1957 11,16 Carissimi, G. 1605-1674 2 Carmichael, J.b1930 1 Carulli, F. 1770-1841 5 Cazzati, M. c1620-1677 23 Chaminade, C.1857-1944 18 Charpentier, M-A.

1635-1704 16 Cherubini, L. 1760-1842 4,25 Chopin, F. 1810-1849 5,20 Clementi, M. 1752-1832 6,8,16,17 Coleridge-Taylor, S.

1875-1912 12,19,21 Conyngham, B.b1944 30 Copland, A. 1900-1990 8,10,21,26 Corelli, A. 1653-1713 22,23 Couperin, F. 1668-1733 2 Cramer, J. 1771-1858 16 Crane, L. b1961 25 Crusell, B. 1775-1838 31 Cui, C. 1835-1918 3 d’Indy, V. 1851-1931 Danyel, J. 1564-c1626 Danzi, F. 1763-1826 Dargaville, T. b1962 Davies, P. Maxwell

1934-2016 Davis, C. b1936 Dean, B. b1961 Debussy, C. 1862-1918 Delibes, L. 1836-1891

Key

17 2 19 27 9 3 4,14 13,20 31

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Delius, F. 1862-1934 7 Désargus, X. 1768-1832 15 Desenclos, A. 1912-1971 15 Devienne, F. 1759-1803 27 Diabelli, A. 1781-1858 2 Djawadi, R. b1974 29 Dodgson, S. b1924 8 Dohnányi, E. 1877-1960 4,12,23 Donatoni, F. 1927-2000 25 Donizetti, G. 1797-1848 31 Dowland, J. c1563-1626 13 Dukas, P. 1865-1935 12,28,30 Dussek, J. 1760-1812 7,13,14 Duval, F. ?1673-1728 21 Dvorák, A. 1841-1904

6,7,10,11,19,24 Dyson, G. 1883-1964 15 Eckhardt-Gramatté, S-C.

1899-1974 8 Elgar, E. 1857-1934 2,18,22,24 Enescu, G. 1881-1955 16 Farrenc, L. 1804-1875 Fauré, G. 1845-1924 Fibich, Z. 1850-1900 Field, J. 1782-1837 Flotow, F. 1812-1883 Forqueray, A. c1672-1745 Frahm, N. b1982 Franck, C. 1822-1890

13 18 9 7,16,29 29 2 18 24,29

Gagliano, M. da1582-1643 16 Geminiani, F. 1687-1762 15 Gershwin, G. 1898-1937 7,22 Ghandar, A. b1943 3,13,23,25 Gibbons, O. 1583-1625 4 Ginastera, A. 1916-1983 10,21 Giuliani, M. 1781-1829 5 Glass, P. b1937 7,8,29 Glazunov, A. 1865-1936 30 Gluck, C. 1714-1787 3 Godard, B. 1849-1895 12 Godowsky, L. 1870-1938 12 Goldmark, K. 1830-1915 23,29 Goossens, E. 1893-1962 17 Górecki, H. b1933 20 Gossec, F-J. 1734-1829 12 Gounod, C. 1818-1893 12 Grainger, P. 1882-1961 17,31 Graun, C. 1704-1759 9 Graupner, C. 1683-1760 1 Graziani, C. d 1787 29 Greenbaum, S. b1966 13 Grieg, E. 1843-1907 9 Grusin, D. b1934 5 Gubaidulina, S.b1931 4 Guillemain, L-G.

1705-1770 7 Handel, G. 1685-1759

1,2,3,4,11,24,27 Harris, R. 1898-1979 22 Harvey, M.K. b1961 4 Haydn, J. 1732-1809 8,10,11,13,14,16,18,22,23,25,27,29 Haydn, M. 1737-1806 13,20,25 Henze, H. b1926 3 Herrmann, B. 1911-1975 31 Hoffmeister, F.

1754-1812 2,23 Hofmann, L. 1738-1793 7 Holland, D. 1913-2000 8 Holst, G. 1874-1934 3,8 Holzbauer, I. 1711-1783 14 Honegger, A. 1892-1955 31 Hotteterre, J-M. 1674-1763

21 Hovhaness, A. 1911-2000 9,17 Howells, H. 1892-1983 21 Hummel, J. 1778-1837

4,7,15,19,20,26 Hurst, M. b1925 13 Hyde, M. 1913-2005 31 Ibert, J. 1890-1962 1 Ippolitov-Ivanov, M.

1859-1935 24

Ireland, J.

1879-1962 15

Jacquet de la Guerre, E-C.

c1666-1729 28 Jadin, H. 1769-1802 11 Janácek, L. 1854-1928 5 Kabalevsky, D.

1904-1987 Kalliwoda, J. 1801-1866 Karg-Elert, S. 1877-1933 Kats-Chernin, E. b1957 11,14 Kodály, Z. 1882-1967 Koechlin, C. 1867-1950 Korngold, E. 1897-1957 Kraus, J.M. 1756-1792 Krommer, F. 1759-1831 Kuhlau, F. 1786-1832

26 5 20 7,23 16,30 7 9,18,29,30 11 19,22

Lalande, M-R. de 16571726 11 Lalo, E. 1823-1892 1,7,15 Langlais, J. 1907-1991 25 Lauridsen, M. b1943 4 Le Roux, G. c 1650-1705 28 Leclair, J-M. 1697-1764 25 Lefanu, N. b1947 21 Legrand, M. b1932 8 Legrenzi, G. 1626-1690 30 Leifs, J. 1899-1968 26 Lilburn, D. 1915-2001 2,17 Lim, L. b1966 25 Liszt, F. 1811-1886 1,5,10,13,16,19,23,26,27,28,29 Loeffler, C. 1861-1935 8 Macens, E. b1991 11 Magnard, A. 1865-1914 30 Mahler, G. 1860-1911 9,30 Márquez, A. b1950 5 Marsh, J. 1752-1828 14,21 Martinu, B. 1890-1959 2,5,13 Massenet, J. 1842-1912 5,20 McCabe, J. b1939 1 McPhee, C. 1901-1964 10 Medtner, N. 1880-1951 3,13 Méhul, É-N. 1763-1817 25 Mendelssohn, F. 1809-1847 4,5,8,11,14,15,19,24,27 Mendelssohn, Fanny.

1805-1847 1 Milhaud, D. 1892-1974 5,6,8 Moeran, E.J. 1894-1950 17,30 Montéclair, M. de

1667-1737 28 Moscheles, I. 1794-1870 16 Mozart, L. 1719-1787 27 Mozart, W. 1756-1791 1,2,6,7,8,9,10,13,18,20,23,24,25,26,30 Müller, I. 1786-1854 21 Munro, I. b1963 11 Murphy, N. 20th c 25 Mussorgsky, M. 1839-1881 3 Myaskovsky, N.

1881-1950 26 Myslivecek, J.

1737-1781 4,6,21 Nápravnik, E. 1916 1 Nelson, M. 20th c Nielsen, C. 1865-1931 Nyman, M. b1948

183916 15 11

Offenbach, J. 1819-1880 1,21,25,30 Paganini, N. 1782-1840 Parry, J. 1841-1903 Pasculli, A. 1842-1924 Pepusch, J. 1667-1752 Perti, G. 1661-1756 Peterson-Berger, W.

1867-1942 Pez, J. 1664-1715 Piazzolla, A. 1922-1992 Pleyel, I. 1757-1831 Ponce, M. 1882-1948

6,13,29 3 5,18 2 23 30 28 10,22,26,29 25 10

Popov, G. Prokofiev, S. Puccini, G. Punto, G. Purcell, H. Puts, K.

1904-1972 1891-1953 1858-1924 1746-1803 1659-1695 b1972

Quilter, R.

1877-1953 12,16

Rachmaninov, S.

1873-1943 Rameau, J-P. 1683-1764 Ravel, M. 1875-1937 Reade, P. 1943-1997 Reicha, A. 1770-1836 Respighi, O. 1879-1936 Revueltas, S. 1899-1940 Rigney, S. b1960 Riisager, K. 1897-1974 Rimsky-Korsakov, N.

1844-1908 Rodrigo, J. 1901-1999 Rogier, P. c1561-1596 Romberg, B. 1767-1641 Rossini, G. 1792-1868 Rubinstein, A.

1829-1894 Rufinatscha, J.

1812-1893 Rutter, J. b1945

18 6,9,14,18,28 21,31 9 2,4 7

1,11,20 3,20 3,15,17,20 2 11,15,25,29 4,21,26,29 26 23 3,9 1,10,27 13 25 14 4,11,19 3,28 19 4

Saint-Saens, C. 1835-1921 1,6,12,14,16,22,25,29,30 Saint-Saëns, C. 1835-1921 1,6,12,14,16,22,25,29,30 Salieri, A. 1750-1825 8 Sarasate, P. de

1844-1908 1,28 Scarlatti, A. 1659-1725 3 Scharwenka, X.

1850-1924 5 Schmitt, F. 1870-1958 17 Schubert, F. 1797-1828

5,6,10,11,14,19,22,28,31 Schulhoff, E. 1894-1942 3 Schumann, C. 1819-1896 23 Schumann, R. 1810-1856

3,5,14,17,22,28,29,31 Shankar, R. b 1920 16 Shaw, T. 1755-1830 8 Sheppard, J. c1515-c1560 18 Shostakovich, D.

1906-1975 5,7,12,21,25 Sibelius, J. 1865-1957 2,6,7,22,29 Skryabin, A. 1872-1915 15 Soler, A. 1729-1783 20 Sousa, J.P. 1854-1932 24 Sparke, P. b1951 10 Spohr, L. 1784-1859 9,12,30 Stanford, C. Villiers

1852-1924 12,25 Steiner, M. 1888-1971 12 Stenhammar, W.

1871-1927 2,25 Stepan, J. 1726-1797 4 Stopford, P. b1977 18 Strauss, J. II 1825-1899 6,31 Strauss, R. 1864-1949 16,23,24 Stravinsky, I. 1882-1971 31 Strong, G. 1856-1948 30 Strozzi, B. 1619-1664 16 Sullivan, A. 1842-1900 10,19,31 Suppé, F. 1819-1895 5 Sutherland, M.

1897-1984 14

Vaughan Williams, R.

1872-1958 12,15 Veracini, F. 1690-1768 1,16 Verdi, G. 1813-1901 1,7,19,28 Vierne, L. 1870-1937 25 Vieuxtemps, H.

1820-1881 25,29 Vine, C. b1954 14 Vitali, T. 1663-1745 23,29 Vivaldi, A. 1678-1741

9,16,18,22,28 Viviani, G. 1638-c1692 16 Wagner, R. 1813-1883

6,9,10,16,20,21,27 Wassenaer, U.

1692-1766 21 Weber, C.M. 1786-1826

3,4,9,16,22,29 Webern, A. 1883-1945 12 Weill, K. 1900-1950 25 Weir, J. b1954 25 Wesley, S. 1766-1837 28 Wikmanson, J.

1753-1800 18 Williams, J. b1932 28 Williamson, M.

1931-2003 15,27 Wirén, D. 1905-1986 30 Wolf, H. 1860-1903 4 Wranitzky, P. 1756-1808 28 Young, V. Ysaÿe, E.

1900-1956 17 1858-1931 22

Zawadzki, S. b1991 18 Zelenka, J. 1679-1745

4,11,30

Takemitsu, T. 1930-1996 2,7 Tartini, G. 1692-1770 26 Tchaikovsky, P. 1840-1893 3,9,10,14,16,22,23,24,29,31 Telemann, G. 1681-1767 1,9,15,26 Thomas, J. 1826-1913 22 Thomson, V. 1896-1989 20,22 Tomasi, H. 1907-1971 31 Tomlinson, E. b1927 23 Torelli, G. 1658-1709 23 Tormis, V. b1930 11 Turina, J. 1882-1949 12,14

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

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Emerging Artist Jaques Emery Bandleader on the Bass Written by Barry O'Sullivan Photo by Sarah Walker

Born in 1997 into a musical family, Jacques Emery is an emerging voice on the double bass as a bandleader and collaborator.

“My Mum and Dad are both professional string players. My mother plays violin with The Sydney Symphony Orchestra and my father plays cello with The Australian Opera and Ballet Orchestras. My older brother, Douglas, also a classically trained musician, is a Marketing Manager at the SSO.” His early teen jazz memories include hearing his parents’ jazz recordings mainly of Ella and Louis with the most vivid musical memory recall being a Dave Brubeck compilation played continuously in their car.

“I was really into listening to all different types of music — jazz, classical, contemporary, as well as electronica. It allowed me to draw on lots of different points of inspiration. Having that as a basis has helped me creatively in many different musical situations” He attended Mosman High School and was involved in many of the school’s musical activities.

“There were some really great jazz teachers at that school including the trumpeter Todd Hardy” said Jacques.

“I was getting classical lessons as well as jazz lessons throughout all that time”. Jacques commenced learning the double bass around then.

In 2016 he auditioned for and was offered a scholarship for his first year at the NSW Conservatorium of Music. While attending, he also received the Dean’s Award for academic excellence, SIMA’s ‘Jazz Stars of Tomorrow,’ and was awarded the BBM Youth Support Award by Judy Bailey. In his final year he received the George Henderson Mobility Scholarship which was a funding grant for an overseas study exercise, with fellow student Charlie Sundborn, for two months collaborating and workshopping with prominent musicians in Oslo, Berlin, and New York.

Jacques now belongs to some of Sydney’s most celebrated jazz ensembles including the ARIA-nominated Zela Margossian Quintet and HEKKA with pianist/composer Novak Manojlovic, winner of the 2019 Freedman Jazz Fellowship.

I first met up with Novak in 2016 at the Conservatorium when we were both in Mike Nock’s ensemble. He was in his fourth year. I was in my first.

Photo by Sarah Walker

38

I played with him and the drummer Tully Ryan at a street festival in Surry Hills that Barney McAll had curated for the City of Sydney in shop fronts all along this one street. From that experience, the band HEKKA evolved.”

Since 2018, Jacques has been engaged regularly with the Australian Art Orchestra, which has led to appearances at prestigious jazz festivals in Wangaratta, Berlin, London, Poland, and Melbourne.

Equally, in demand as a freelance musician, Jacques’ reputation has led to performance opportunities at the Melbourne International Jazz Festival in 2019 with Australian jazz luminaries Vince Jones and PBS Young Elder of Jazz Josh Kelly.

Jacques considers himself lucky to be a part of an exciting new generation of improvisers in Sydney where a community is forming around experimentation with improvisation and musical form.

This year Jacques has been nominated for a Freedman Jazz Fellowship, one of the highest recognitions of talent in the Australian jazz community.

Jacques’ ambitions for the next few years are

Jacques’ ambitions for the next few years are to establish his name further as an eclectic solo artist and a bandleader with ongoing releases and performances, as well as furthering his existing musical projects including his new project Soft Attack.

Friday 9 October at Midday

Photo by Sarah Walker

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Dread Junction Lively Up Yourself Written by Vince Carnovale Photo by Annie Shillington Design by Lyndon Pike

One of Australia’s foremost, knowledgeable and respected DJ identities in the reggae music business, Prince Vince has hosted “Dread Junction” a fortnightly 2-hour reggae program on Fine Music Sydney since 2010. It’s been described as ‘Australia’s hottest 2-hour reggae show’ with Prince Vince presenting a strictly Roots & Culture selection featuring the best riddims, new & old exclusive rare cuts and tunes originating from Jamaican culture dating right back to the early 60’s as well as the sounds of now!

But what is so great about reggae music is that much of what exists in popular music today started in Jamaica.

To put things into perspective, it’s worth going back in time before the rise of Bob Marley and the Wailers to trace the origins & roots of reggae. In the 50’s Jamaicans were listening closely to Miami and New Orleans radio. Rock ‘n Roll & R&B was the order of the day. But whilst catchy, nothing at that time was embracing the African heritage, there was little notion then in America of Afrocentricity. At the end of the 50’s different local sound system operators like Coxsone Dodd, Duke Reid and Prince Buster rose to prominence and started to cut their own records. The local sound systems in Jamaica were really taking off and this drove the local recording business, with their need to have the latest hot recording. The emergence of the effervescent beat of ska was simultaneously brewing in the early 60’s. At this time the colony of Jamaica gained independence from the United Kingdom on 6 August 1962.

In Jamaica, this date is celebrated as Independence Day, a national holiday.

Rocksteady is a sensational rhythm which slowed down the beat during the mid/late 60’s. Reggae is considered to have hit the town having been formulated around 1967/68.

Bob Marley was born on February 6, 1945, in St. Ann Parish, Jamaica. In 1963, Marley and his friends Peter Tosh & Bunny Wailer formed the Wailing Wailers. The Wailers’ big break came in 1972, when they landed a contract with Island Records. They took the world by storm. The rest is Legend.

Prince Vince presents Dread Junction on alternative Wednesday mornings fortnightly on Fine Music Sydney from Midnight – 2am. You will always hear the best in reggae including the old favourites but also featuring latest releases from Jamaica, the UK, Europe, America and from our very own Downunder.

Wednesday 1 October at Midnight

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Why Summer Latin Jazz is Cool Part 3 in the Why Jazz is Cool series Written by Leita Hutchings Illustration by Leita Hutchings

Ever thought how close Latin rhythms are to the rhythm of a heartbeat? Take the syncopation the heart-beat; a regular 3-3 beat, where the 3rd beat is silent. Now listen to “Lagrimas Negras” by Aldo Lope Gavillian and Sexteto Cubavana; there’s a literal jumping across a mid-beat, just like a heart-beat. It’s not a matter of art imitating life; it’s a perfect fusion of art and life.

The first few guitar bars of Lagrimas Negras SOUNDS like sunlight sparkling! And the tzzzk tzzzk of the Guiro is so close to high summer buzzing of Cicadas. How about the 50s madness when they “discovered” Latin jazz? Imagine! While everyone’s crooning to Frank Sinatra and dancing to Glen Miller, Latin jazz was “discovered”. Then, amongst an explosion of discovery; new fads happening all at once, there was the incredible leap from bobby sox, Aeroplane Jelly and post war conservatism; to the smouldering sensuality of Latinos and their music, along with Beatniks; Rockabilly, and Elvis Presley.

The only musical genre to have endured, without interruption, was Latin Jazz. Their unique rhythms; well documented, like the Tressillo and habanera rhythms; introduced all sorts of new rhythms to the musicians vernacular; bossa nova, rhumba, salsa (no, not the food!).

I learnt the trick of Latin dancing in Cuba; you mark the beat with your knees, not your feet. That’s why your hips start swinging. So you’re listening to some fabulous Latin jazz; your heartbeat and your breathing are in syncopation with the music; your hips are swinging, and there’s a great culture all around you, of sharing and good will. No wonder they’re always smiling and enjoying life; what a fabulous trick! In the middle of the day, you retire to a beautifully tiled, elegantly cool courtyard and drink “soft” mojitos to beat the heat … in a Hotel that Sinatra stayed in; there’s so many Hotels in Cuba that boast Sinatra stayed there. And while you’re reading or eating or sipping another Mojito, another exquisite Cuban group starts up some soulful or spritely jazz, and the spirit of dancing and sharing is palpable.

This summer; with the sun burning your hair, or dancing on the lawn; could there be anything better than Latin jazz, bare feet, tanned limbs, and a season of blistering hot days? I’m already anticipating sitting under a shady tree, a pair of super cool sunnies, wet hair drops evaporating off the skin … maybe a cool mojito in hand. What a great way to handle the coming months.

Saturday 3 October at Midday

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Volunteer Spotlight Richard Verco Written by Pamela Newling Photo supplied by Richard Verco Illustration by Lyndon Pike

‘Excellent’ and ‘exhilarating’ are words Richard Verco uses frequently when talking about his busy life.

Regular presenter, and occasional programmer, Richard has volunteered with Fine Music for about five years and currently broadcasts for three hours a week. He originally applied to the station to deliver magazines, as a way of adding to his regular walking routine. Not long after, he began programming and presenting, with Maureen Meers as his coach. “She was a very good coach—exceptionally good at languages”, he says.

Richard spends about two days preparing to broadcast the music selected by others. This involves assessing the character of the music and style, getting the CD notes and researching what the composer has been thinking. Then he writes a small spiel about it and, ‘the thing that drives most presenters nuts’, getting the pronunciation right. He admits that it is easier to present music he likes, but regardless of that, says it must be presented in a positive light. He often presents Musica Sacra and The Classical Era on Sundays and these are among his favourite programs to present.

A 30-year Telstra career provided Richard with great opportunities and challenges. Starting as a country engineer, he then designed telephone exchanges, network planning, sales and marketing, ran a few divisions and was part of the senior management team for a decade. No position was for more than two years and, thanks to frequent promotions, ‘it was a very good career’.

One of the pleasures of that time was country service. He spent a lot of time in Armidale and Moree—and ‘loved the flat country’.

In Armidale Division conversion of manual exchanges to automatic was a huge task in terms of money and designing networks.

Following retirement from Telstra 17 years ago, Richard ran a few consultancies in the dot.com era, one involving a Swiss-financed consortium with Telstra, China Telecom and other smaller players associated with the optical fibre loop from Singapore to Korea.

As a regular listener to Swiss Radio Classical, Richard comments that the broadcasts are excellent quality and is surprised how frequently the Tasmanian Symphony Orchestra is programmed—more than other Australian Orchestras. He also says that it is amusing to observe how European presenters often struggle with pronunciation of names like Mackerras and Bonynge.

‘Absolutely exhilarating’ is Richard’s description of participating in ChorusOz in 2018 in a performance of Handel’s Saul. The brainchild of Brett Weymark, Music Director of Sydney Philharmonia Choirs, ChorusOz gathered 600 singers from around Australia, who paid $300 each for the thrill of singing, to perform in the Concert Hall of the Sydney Opera House. Singing with Warringah Musical Choir is on hold during Covid-19.

Richard’s other interests include sailing, and regular city and bush walks with friends. A recent purchase of a caravan adds another opportunity for more fun, whenever time and current travel restrictions permit.

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CD REVIEWS

Romantic Dreams: Farrenc & Saint-Saëns Ironwood ABC 481 9887

Forgotten Fields Mark Isaacs Gracemusic/MGM

Debussy/Rameau Víkingur Ólafsson DG 483 7701

Louise Farrenc was a highly talented pianist who became Professor of Piano at the Paris Conservatoire: she was also a composer who wrote finely crafted chamber music and symphonies. Farrenc’s Quintet for piano and strings No 1 was composed at a time when Romanticism was beginning to establish itself; it has been compared to Mendelssohn and described as “Mozart on steroids”. A male critic once said of her music that it displayed, “all the graces of her sex in her melodies, and all the vigour of ours in her knowledge of counterpoint”. What this CD illustrates is that, regardless of gender, both Farrenc and Saint-Saëns, whose

own piano quintet is also performed, are capable of weaving both grace and vigour through their music. The comprehensive liner notes discuss the historically informed performance practices that have guided Ironwood’s interpretations.

Mark Isaacs is an Australian master composer and improviser. On this latest recording, he displays sublime subtlety, while always keeping one eye trained on the avant-garde, with a compilation of bucolic piano solo miniatures. The piano solo is quite often the window into the artist’s soul and left to his own devices and desires, this pianistcomposer produces music that’s as much about respecting a moment as it is about developing it. Captured on a Steinway Model D Concert Grand piano, these gorgeous cameos provide comfort and inspiration to listeners with a depth

and beauty to spare. From the familiar passion encountered in his composition Remembrance to the delicate quietude of Forgotten Fields, Isaacs branches out in myriad directions, utilising rubato romanticism and lush chords to deliver a sonic palette that represents a delightful culmination of his many varied musical explorations.

Debussy paid homage to Rameau in one of the first set of his Images.

He praised the “perfect taste and strict elegance which make up the consummate beauty” of Rameau’s music, and wrote that, despite the separation of two centuries, “Rameau seems to be our contemporary”. The pianist Víkingur Ólafsson, having become familiar only recently with Rameau, here intermingles pieces by both composers in a fascinating program that allows us to appreciate the similarities and synchronicities. We become aware of Baroque models such as toccatas and

sarabandes underpinning “Jardins sous la pluie” and other ‘hazy impressions’

by Debussy. We are surprised by the advanced harmonies in the operatic interlude “The Arts and the Hours”, written by Rameau when he was eighty and here arranged for piano by Ólafsson. This is an intelligently arranged recital and a very rewarding listening experience.

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– Paul Cooke

– Barry O’Sullivan

– Paul Cooke

LISTENERS' LETTERS His Master’s Voice

3 Times Lucky

Substitute

Your announcer sure likes to listen to his own voice. No music until 5.12pm. Like he says “that’s all by the bye.”

To Sue Jowell: Thanks for playing the Kingston trio! My gosh, that brought back memories! As a native of an area south of Boston, this song was always a lot of fun to listen to! The trio was long part of a thriving folksinging “scene” in the ‘60’s.

I’m loving the beautiful gentle substitute Music today - just perfect thank you.

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Linda

All Ears I’ve really enjoyed listening to your program. Especially loved the mix of music this morning between 8am and 9am with the Elgar, Bach and the tango...

Also loved the Nigel Westlake music last night.

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Safe Place I am a listener of 102.5 FM for a very long time. You are a very respectful and most desired station to me. You always keep me safe. In a world that is constantly changing it is very nice I can tune into a sedate station like 102.5 FM. Thank you.

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IN NEXT MONTH’S ISSUE Striving Towards Transcendence -

Beethoven’s Vocal Music

Emerging Artist Feature

The Themes of Fine Jazz on Fine Music (part 2)

The World of Beethoven’s Nine Symphonies Zela Margossian

Christ on the Mount of Olives and Fidelio

Visited by the virus

Music and the influenza epidemic of a century ago

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Meg

CROSSWORD Written by Julie Simonds

Down 1. Opening at Sydney Lyric 24th November(6) 2. Beatles movie of 1965 (4) 5. This music is sung by a choir (6) 6. Groom’s partner (5) 9. “Age of Aquarius” musical (4) 12. 42nd (6) 14. Need to scratch (4) 15. The colour of all Satie’s suits (4) 16. The past participle of blow (5) 17. Paul was known for his painting, drawing,

watercolor & printmaking 20. Expressing the composer’s emotions in an

imaginative and beautiful way.(7) 21. Celebrity; stage musical (4) 23. 18th century ballroom dance in 3 24. What the conductor reads to conduct (5) 26. Tim ?, lyricist of stage musicals Evita and

Jesus Christ Superstar (4)

Across 4. Joke teller (5) 7. Card game for four (6) 8. Barry Tuckwells instrument (4) 9. Victor, author of 1862 novel Les Miserables (4) 10. Dramatic musical composition (5) 11. Small children found in the woods? (5) 13. In The Hall Of The Mountain

(4)

16 Lionel, composer of the stage musical “Oliver” (4) 18. Musical piece whose name is Italian for “joke” (7) 19. Schoenberg developed his own, version of how many tones? (6) 21. What 4 across hopes to be (5) 22. “Swing Low,

Chariot” (5)

24. A system of naming the notes of a musical scale by syllables instead of letters.(5) 25. Who wanted to be a “Rich Man”(7) 27. Both Beethoven and Bach struggled with this disability (4) 28. An indication to gradually decrease the tempo of the music (3) 29. Dvorak’s nationality (5) 30. Composer of “Dido and Aeneas”

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