Gage Fall 2013 Catalog by Gage Academy of Art

Fall 2013

FALL 2013

Contents

ABOUT GAGE 1 To Draw is to Look with Purpose

Mission

Guided by the belief that artists are made, not born, Gage strives to educate, enrich and engage artists and the community in the visual arts. Gage offers instruction in the principles of drawing, painting and sculpting and is dedicated to helping students of all ages and skill levels realize themselves as artists in contemporary society.

Community Advisors Diane Butler, Lane Powell, WA Robert K. Dent, WA Ira Goldberg, Art Students League, NY David Hill, Sonata Capital, WA Zhi Lin, University of Washington, WA Chris Madison, Sierra Investments, CA Alvin Martin, Bader Martin, WA Trina Wherry, WA Artistic Advisors Domenic Cretara, artist, CA Samuel H. Davidson, Davidson Galleries, WA Martha Mayer Erlebacher, artist, PA Antonio Lopéz García, artist, Spain Gregory Hedberg, Hirschl & Adler Gallery, NY Norman Lundin, Prographica Gallery, WA John Pence, John Pence Gallery, CA Don Porter, Pietra Serena, WA

Please

give For over 20 years, Gage Academy of Art, a 501(c)(3) not-for-profit institution, has been serving the community with inspired programs and events for artists of all ages and abilities. To give online visit GageAcademy.org/support, or call our Development office at 206.323.4243 x12. Gage® and Drawing Jam® are registered trademarks of Gage Academy of Art. No part of this catalog may be reprinted without permission. ©2013 Gage Academy of Art. All Rights Reserved.

Catalog printed by ColorGraphics.

Curriculum & Foundation Programs

28-29

Teaching Artists

30-31

Program Schedule

32-33

Student Information / Registration GRATIS AT GAGE

Artist Lectures

Professional Development Events

Board of Trustees Julie Tall President Erin Moyer Vice President, President-elect Ted Kutscher Treasurer Greg Eastman Secretary Gary Bezowsky, Ann Bradford, David Dwyer, Anne Steele, Richard V. West Co-Founders Pamela Belyea Director Emerita Gary Faigin Artistic Director

Support for Gage

6 Exhibitions

Executive Director Sheila Hughes

Best of Gage | Gage News

Benefactors Joyce Allen, Kenneth S. Rosen, Ida S. Cole, Anne Steele Artistic Director Gary Faigin

2-3

ADULT PROGRAMS 10-11

Weekend Workshops

12-13

Weeklong Workshops

Open Studios

Lecture Series

16-18

Drawing Classes

19-21

Painting Classes

23 Ateliers

Sculpting Classes

YOUTH PROGRAMS 24-25

Youth Classes

26 Introductions

26-27

Teen Art Studios GAGE ART TRAVEL

The French Connection — 2013

Charles Emerson in L.A. — 2014

New York, New York! — 2014

COVER ARTIST: VONN SUMNER Gage Teaching Artist “I do not set out to illustrate some predetermined verbal idea, nor do I intend any one specific literal or didactic message with my paintings. Instead, I trust and follow my instincts and compulsions to work with certain poses, shapes and relationships and to explore the emotional and psychological territory that unfolds. I find some fulfillment and meaning through the process of making something out of nothing; I am interested in the potential of art to create one’s own mythologies.” Find fall classes and workshops offered by Vonn Sumner on pages 16–19. Cover: Neo-Byzantine, 2013, 20" x 18", oil on canvas

BACK COVER ARTIST: ANGELIQUE HALL Gage Teen Artist, age 15 Angelique Hall is a 9th grader at Arbor Montessori School. “I love Teen Art Studios because I get to try new styles and techniques under a variety of teachers. It’s also a great opportunity to practice my art somewhere other than at home! As an added bonus, Gage is also a great place to make friends you have something in common with, outside of school and other activities.” Read more about Youth Programs at Gage on pages 24–27.

ABOUT GAGE: To Draw is to Look with Purpose

To Draw is to Look with Purpose

By Vonn Sumner

hy study painting and drawing? Why do these ancient forms still matter? We live in a time where we see more images than ever, but this only increases the value of visual literacy and deepens our hunger for meaningful pictures. Far from rote memorization, studying drawing and painting highlights the important distinction between “training” and “education” — the former limits our potential, the latter expands our horizons. At its best, this discipline “Especially in the wake is a constant exercise in critical thinking and of the “de-skilling” creative problem solving, in which the student is not given a set of answers but instead movement in Postwar presented with the tools for a lifetime of asking art schools, and as our questions. In this spirit of inquiry, even the technological gadgets best teachers are only slightly more advanced students. and screens encroach

and threaten to

In my years of painting and teaching I am subsume us, the constantly reminded of the primacy of drawing. To draw is to look with purpose. We are all practice of drawing born with these incredible eyes, but until we is more important take seriously the idea of drawing we probably than ever.” have not yet learned how to see. To draw is to engage with the world in an active sense, to be — Vonn Sumner more alive, to reassert our human presence into the physical plane. In addition to the relevance of drawing by hand, the moment that students touch their charcoal to paper they enter into dialogue with 40,000 years of human activity: the almost mystical hope that we can transform dust on a surface into something living and real. What a crazy thing to try to do — and what a privilege to try!

Vonn Sumner, Gage Teaching Artist

From top: Roses, 2013; Miss Aujenie, 2002; Totem, 2008

OpenHouse@Gage Join us for demonstrations by teaching artists, hear from current and former students, learn more about adult workshops and classes and tour the studios and facilities. Plus,

2 sessions | Sat, Aug 24 | 11am-1pm & 1pm-3pm

meet the Registrar and the Academic Advisor — and find out if Gage is right for you! New students who register for an adult class or workshop at Open House receive a 10% dis-

count off tuition! For more information, or to reserve your spot, please RSVP to Mark@GageAcademy.org — and we’ll see you there!

Student Art Exhibit, Awards & Sale

2013 BEST OF GAGE

Out Like a Lion The 2013 Best of Gage welcomed one of the largest crowds ever seen in the 21-year history of the event, as more than 900 enthusiastic art lovers packed the Gage building on Capitol Hill to view artwork created by Gage students in the 2012-13 academic year. Outgoing Gage Executive Director Pamela Belyea opened the evening with a special surprise award, recognizing the courage it takes to pursue the artist’s life. The Pamela Belyea Award for Courage went to Aristides Atelier student Ulan Moore, recognizing his drive and determination, as well as his dedication to his craft. “After 23 years of leading Gage, I have come to respect the courage of the many artists who train and work in this institution; artists who face down their own creative fears and their own artistic uncertainty every

day” said Belyea. “Since courage describes a brew of perseverance, honesty and passion, I have become acutely aware of the courage required by artists to forge ahead.” Guest Juror Beth Sellars, co-founder and curator of Seattle’s Suyama Space, selected first-, second- and third-place honors in seven categories, as well as the annual Best in Show; and new in 2013, a Best Drawing award. Said Sellars, “As a curator, I appreciate the opportunity to view new work, whether it is student or long-time professional work. Congratulations to the students and to Gage Academy of Art for the fine body of work exhibited here.”

Best Drawing Mandy Hallenius People’s Choice Award Stephanie K. Johnson Beginner 1st Place — Kathy Paul 2nd Place — Christina Logan 3rd Place — Kirsten Frits

Thanks to the many sponsors and volunteers who made the 2013 Best of Gage a night to remember — and visit TeamPhotogenic.com to view and download photos from the event.

Landscape 1st Place — Marina Montes 2nd Place — Anita Lehmann 3rd Place — Rochelle Roseman

REFRESHMENT SPONSORS Central Co-Op Chateau Ste. Michelle Poppy Schooner Exact Brewing Co. Tango Restaurant & Lounge Via Tribunali: Capitol Hill Vios Café & Marketplace

Figure 1st Place — Mandy Hallenius 2nd Place — Nita Brautlacht 3rd Place — Scott McCall

Abstract 1st Place — Kathleen Coyle 2nd Place — Sherry Lauf 3rd Place — Jean Fowley Sculpture 1st Place — Liz Gallagher 2nd Place — Jennifer Mattson 3rd Place — Jutta Breitling Still Life 1st Place — John Zadrozny 2nd Place — Patricia Halsell 3rd Place — Angela Lewis

EVENT PHOTOGRAPHER Team Photogenic (Photos from the event are available for viewing and purchase at TeamPhotogenic.com)

In Celebration of Pamela Belyea

A Roast A Boast & A Toast 2

Best in Show Praew Jantaphao

Portrait 1st Place — Melia Blankenship 2nd Place — Ulan Moore 3rd Place — Ou Kong

SPECIAL THANKS TO THE 2013 BEST OF GAGE SPONSORS Framesmith Gamblin Artist’s Colors Golden Artist Colors Museum Quality Framing NCECA Seattle Art Museum University Bookstore Utrecht Art Supplies Watson-Guptill

And the Awards go to . . .

In addition to the work selected by Sellars, guests selected a People’s Choice Award, which went to Aristides Atelier graduate Stephanie K. Johnson for her stunning thesis piece, Sunset in the Wilderness. A complete list of awards from the 2013 Best of Gage is at right.

Courage Award created by paper artist Patty Grazini

PRIZE SPONSORS Artist & Craftsman Supply Baas Framing Studio Bellevue Arts Museum Blick Art Materials Dakota Art Stores Daniel Smith Artists’ Materials Elliott Bay Book Company Frame Central: Capitol Hill

2013 Best in Show winner, Praew Jantaphao, London, detail

FRIDAY, OCTOBER 4 Mark your calendars! We invite you to honor Co-Founder and Director Emerita PAMELA BELYEA at a special celebration of her remarkable career at Gage. Stay tuned to GageAcademy.org for more info, coming soon!

Gage Welcomes

New Executive Director, Sheila Hughes Gage is proud to announce the appointment of SHEILA HUGHES to the position of Executive Director, effective August 12.

GAGE NEWS

The former Chief Operating Officer and Vice President of Communications at One Reel, Hughes was also responsible for overseeing the operations of their dynamic entertainment brand, Teatro Zinzanni, and was instrumental in creating, managing and growing One Reel events including Bumbershoot, Summer Nights at the Pier, Family Fourth, the Zinzanni Institute of Circus Arts and WOMAD. A graduate of Hamilton College in Clinton, NY, Hughes currently sits on the board of directors for The Icicle Fund and the Harmony Project. To learn more, visit GageAcademy.org/newsroom.

structor

n Atelier I

SA’HLigEgins O I D U T S Faigin & Kang-O pm , – 4:00 Aristides 10:00am 16-17 | er b m ve No

Atelier Instructor Studio Sale:

Aristides / Faigin / Kang-O’Higgins Sat & Sun, November 16-17 | 10am – 4pm

For the first time in Gage history, Atelier Instructors Gary Faigin, Mark Kang-O’Higgins and Juliette Aristides present a weekend-long Studio Sale of original works from their inventories. Start or enhance your art collection with stunning small- and medium-size drawings and paintings on a variety of subjects.

In Memoriam

Martha Mayer Erlebacher 1937-2013

Juliette Aristides, detail

Mark Kang-O’Higgins

Gary Faigin, detail

Save the Date

SATURDAY, DECEMBER 7 | 9am-9pm

The annual Drawing Jam® returns to Gage Academy of Art! Make plans now to bring the whole family to the 14th annual community celebration of art, music and creativity, happening Saturday, December 7 from 9am to 9pm at Gage. Spend an hour — or the entire day — but don’t miss one of the most unique art events in the Northwest! Stay tuned to GageAcademy.org/drawingjam — and we’ll see you there!

Invited to Santa Fe in 1991 to be the school’s first guest workshop instructor, Martha was a hard-core artist from the Old School who cared passionately about her art, the training of artists and about the world of art. Martha was a loving friend, a generous donor and a thoughtful member of the Gage Board of Advisors. “I try to make art, which reaffirms to the viewer that there is a value in human life. It should give the sense that one is not alone, and that one is part of a group with similar needs, longings, hopes, dreams, fears and desires which transcend time.” — Martha Mayer Erlebacher

Named a “must do event” by Seattle Magazine! Presented by

View images from the 2012 Drawing Jam at Facebook.com/gageacademy

Support for Gage We are all in this together!

ABOUT GAGE: Support for Gage

A heartfelt thank you to the many donors and volunteers who so generously support Gage Academy of Art. We are grateful to the many friends of Gage who ensure that we may continue serving and nurturing artists of all ages. The following list includes supporters from July 1, 2012 to June 30, 2013. If you want to learn more about volunteer opportunities at Gage, or you would like to make a donation in support of the Gage mission, please visit GageAcademy.org/support, or email development@gageacademy.org. $100,000 and above *Anne Steele

$100-$499

Anonymous, Gloria Alexander, Nanine Alexander, Amazon.com, Greg Anderson, John Anderson & Ann Stedronsky, Alison Andrews, Chad Atkins, Bradley Bagshaw, Leonardo $25,000-$99,999 Baldaccini, Sarah Banks, Erik Barsness, Paul Barton, Elaine Bassett, Dana & Rena Behar, Jon and Mary Shirley Foundation Dave Bergsvik & Scarlett Cava, Neil Black & Sherri Wolson, Barry Boone, Michael Brown & Michelle McEachern, Carol Buchan, Mariana Burceag & Tom Vogl, Diane Butler, Laura $10,000-$24,999 Camp & Peter Cowles, Tom & Ada Campbell, Frank Carsey, Marietta Christie, Valerie 4Culture, Ida Cole, Pamela Johnson & Carl Haefling, Chris & Lois Madison, Ann Morris, Collymore, R.E. Condon, Antonia Cook, Bruce Cook, Bob & Bev Corwin, Silvia Coxe Waltner, Seattle Office of Arts & Culture, *Julie Tall, Heather Cromwell, James Crutcher, Daniel & Claudia Pravat Family Fund, Beckie Daniels, Mark & Susan Torrance Foundation, Susan Cindy & Gregg Daugherty, Danielle deClercq, Democracy Alliance, Stephanie Doran, Luke & Charlynn Duecy, John & Pamela Eisen, Jamie & Bart Eppenauer, John Epping, Dyan & Winokur & Paul Leach Joe Ewing, Douglas Exworthy & Kent Poush, Alex Farivar & Carrie Simon, Theresa Fenton, $5,000-$9,999 Teri Fischer & William Shook, Thomas & Ann Flack, Helen Frain, Rob French, Mr & Mrs. Anonymous, Joyce Allen, *Gary Bezowsky E.P. Garrett, Nanette Garrison, Bill & Melinda Gates Foundation, Susan E. George, Ryan & Donna Evered, Dennis Cloutier, Ellen & Gist, Kristy & Paul Glaze, David Glessing, Blake Goldberg, Jane Gonzalez, Larry Greenfield, William Cooper, *David Dwyer, Foundation Zave & Judy Gussin, Daniel Hagedorn, Patty Haller, Ruth Harold, Laura Haroldson, John & for the Art Renewal, Spencer & Frances Marilyn Harris, Robert Haugland, Sharon Hazzard & George Ras, Ross Henry, Jay Herford, Lehman, Leon Lowenstein Foundation, Shawn & Alison Hintz, Gordon & Sara Hodge, Lee Humason, Robert Jack, Nancy Jenkins, Nintendo of America, Carol-Ann O’Mack & Laura Jennings, Pamela Johnston, Elizabeth Jones, JP Morgan Chase Employee Giving John Deininger, RBC Wealth Management, Program, Kupunakane Ranch, LLC, Norbert Kusters, Laird Norton Wealth Management, Pamela & Ron Taylor Ellen Lam, Tanya Lambert, Jeff Larkin, Kristina Larson, Steve & Ea Lilja, David Liu, Alfred E. & Kathleen J. Lopus, Lynn Lumbard, Bradley & Christina Mace/Simon Mace Gallery, $2,500-$4,999 Cathleen Macellani, Val Markus, Laurie Marocco, Alvin Martin & Muriel Dance, Michael Anonymous, Lee Holcomb, Don & Lisa & Lisabeth Martonick, Terry Mayberg, Rosemary McCauley & Andy Hall, James & Carole Immerwahr, Jean Johnson & Peter Miller, McCotter, Sage McCotter & Randy Huelett, Jim McElroy, Jill McGuire, Anna & Paul McKee, *Ted & Susan Kutscher, Steve & Carol James McKendry, Noel McLane, Alistair & Susan McPherson, Barbara & Daniel Melber, Medwell, Microsoft Matching Gifts Donald E. Meyer, Marilyn Milberger, Elise Morrow, Linh Nguyen, Sheila Noonan & Peter Program, *Erin Moyer, *Brent & Heidi Reys, Hartley, Marcelle O’Connell, Rosanne Olson & Edward McMahon Jr., Joan Ostendorff, Kelly Saltchuk/Illahie Holdings, Stellar Holdings, Patterson, Kathy Paul, Laura Periman, Robert Perlman & Hollis Palmer, Kelly Peterson, Inc., Nancy & David Thacher, Kristine & Sue Peterson, Doug Playter & Jodi Ketelsen, Mark Pomerantz, Joseph Primavera, Charles John Travaglini, George & Jean Wagner, Prutting, Susanne Quistgaard, Anna Rhodes, Scott Rhodes, Linda Ridder Walker & Walter Jerry Watt & Vreni Von Arx Watt, Richard K. Walker, Barbara Riddle, Joan & Donald Roberts, K. Robinson, Pamela Robinson, Prudence Worthington & D. Lisa West Rolfe, Elizabeth & Steve Rummage, Rush Drake Insurance, Mariana Sacristan, Marne Sannes & Daniel Brewer, Marie Sauter & Mark Ballinger, Bob Scheulen & Kim Wells, Andy $1,000-$2,499 Schlauck, Seattle Foundation, Susan Sellin, Amy & William Shaw, Lisa Simonson, David & Anonymous, Alberta Adams, Catherine Catherine Skinner, Charles & Joy Smith, Keri & Greg Stack, Clara Staunton, Scott & Colleen Adams & Bob Bloxom, Stuart & Sue Ashmun, *Ann Bradford & Geoff Patterson, Stromatt, Richard & Sharon Sundberg, Melinda Sweet & Bob Gudmundson, Oksana Tatarinov, Fred & Jan Tompkins, Elizabeth Torrance, Shelagh Tucker, David & Stephanie Charles Schwab, Dale & Leslie Chihuly, Twigg, Vitolo Company, MyHanh Vo, Virginia & Ted Volin, Kristina Von Heinz, Pat & Ed Drs. Sandra & Sterling Clarren, Robert & Wagner, Peter Walton, Thomas Whittemore, Gordon Wilcox, Annelliott Willis & Jim Nida, Carole Dent, Anita & Jack Dingrani, *Greg Cindy Wilson & Lee Acton, Tina Woods, Chris Wronsky, Scott & Jenny Wyatt, Wyman Youth Eastman, Pamela & Robert Eshelman, Trust, Elisa Zhang, Min Zhong Frederick & Anne Feiertag, Michelle Friars & Bruce Funkhouser, Donn Fry & Up to $99 Diane Stielstra, Christine & David Gedye, Anonymous, Argos International, Hillary Barnes, Meg Barry, Pamela Belyea & Gary Faigin, Meg Holgate & Bruce Bradburn, Michael Wendy & Richard Best, Nikki Boeschoten, Michael Boulton, Kelly Brewer, Shawn Brinsfield, Hopcroft & Starr Niego, Alex Hopmann David Burnelle, Dr. Eugene & Darlene Burt, Valencia Carroll, Judy Cash, Erin Christie, & Kat Korab, James Jennings & Linda Elisabeth Cuddihy, Michelle Driano, Donna Dunning, Courtney Estevenin, Denise Evans, White, Ben Johnson, Laird Norton Wealth Timmie Faghin, Shelley Farber, Lisa Finch, Diane Flood, Arlene Fowler, Lanie Franza, Anne Management, Hugh Lurie, MaryLou & Ron Freitas, Jay Gale, Amos Galpin, Mara Gearman, Lewey Geselowitz, Paul Gleeson, Alan McCollum, Meg Murch & Roger Burk, Carol Goodin, Evan Gordon, Julie Graham, Nick & Catherine Gura, Kathleen Guy, Marlow Harris, Newell, Bruce & Amy Niermeyer, NMS, LLC, Susan Haworth, Karen Helms, Linda Hendricks, Nancy Hill, Jonathan Hutter, Jill Irwin, Tara D.Jordan & Craig Parietti, Michele & Kyle Jaiyeola, Patrice Janda, Susan Jewell, Susan Jones, Mark Kang O’Higgins, Gordon Keating, Peltonen, Jens & Pam Quistgaard, Chip Diane & Paul Keck, Patrick & Laureen Kelly, Allen Klein, Mark Kollar, David Kremers, Jeff Ragen, Katherine Randolph & Kyle Wang, & Laura Krinsky, Leslie Ann Kutz, Margaretta Lantz, Ladd Leavens, Christine Lee, Leibold Cathy Sarkowsky, Frederick & Connie Communications, Inc., Carol Loughlin, Michael Magrath, Cyd Martin, Michael Mondello, Scheetz, Mark Schuster, Alan Urdan, Sarah Morris, Annie & Peter Moser, Linda Murray, Abigail Nazareth, Frances Nolan, Toni Sally Anne West, Conrad Wouters Nunes, Heather Oesting, Marnie O’Sullivan, Dorothy & Nathaniel Penrose, Mary Peterson, & Glenna Olsen Ann Phalen, Jennifer Picardo, Pam Pizzichemi, Don & Alice Porter, Mayumi Terao Potter, Peter Randall, Lisa Ravenholt, Chloe Rees, Erin Schadt & Karrin Daniels, Scott Schliebner $500-$999 & Angela Hungelmann, Ivan Schneider, Caleb Schroder, Bruce Scott, Ellen & Peter Seibert, Anonymous, Cindy & Tad Anderson, Shae Shatz, Mattie Shaw, Sisko Works, Elizabeth Smith, Spencer Smith, Teresa St Onge, Antiquarian Society of Seattle, Charlotte Dennis Stanchfield, Barbi & Bruder Stapleton, Bryanann Stavley, Warren Stevens, Sayeh Behnke, Patricia Belyea & Michael Stone, Taghavi, Aleta Taylor, Becky Titus, Kimberly Trowbridge, Cheryl Tsuhako, Qui Tu, Barbara Boeing Gift Matching Program, Phoebe Valentine, Michael & Claire Vitolo, Anne Ward, Robin Warner, Christine Weldy, Inese Brockman, Chihuly Studio, Stephan Westcott, Sheryl Westergreen-Berni, Paula Wharton, John Wyss Coonrod & Cheryl Cook, Costco Matching Gifts Program, Barbara De Young, Jim Gage Leadership Circle & Gaylee Duncan, Ellen Evans & Sandy Anonymous, Joyce Allen, Ida Cole, Ellen & William Cooper, David Dwyer, Lee Holcomb, Chris Melzer, Lorri Falterman, Patricia & & Lois Madison, Ann Morris, Jon & Mary Shirley Foundation, Anne Steele, Julie Tall, Pamela Michael Frost, Christina Grachek, Ruth & & Ron Taylor, George & Jean Wagner, Susan Winokur & Paul Leach Jack Halsell, Katherine & Craig Hanson, Charleen Hern, JJ Jacobi & Erik Neumann, Gage Easel Club Richard & Jonna Jensen, Tulay Kent & Tuna Anonymous, Gloria Alexander, Nanine Alexander, Cindy & Tad Anderson, Gary Bezowsky & Ertemalp, Jade Kim & Zoran Brkanac, Donna Evered, Tom & Ada Campbell, Dale & Leslie Chihuly, Bruce Cook, Bob & Bev Corwin, Kutscher Rhodes & Benner, Lane Powell John & Pamela Eisen, Pamela & Robert Eshelman, Ellen Evans & Sandy Melzer, Dyan & Joe PC, Gene & Sari Lipitz, Drs. Katy McCoy Ewing, Lorri Falterman, Shelly Farber, Frederick & Anne Feiertag, Teri Fischer & William & Phil Vogelzang, Alex & Liz McKallor, Shook, Helen Frain, Don Fry & Diane Stielstra, Christine & David Gedye, Zave & Judy Gussin, Fletcher McLynne, Christine Moran, Chris Laura Haroldson, Sharon Hazzard & George Ras, Don & Lisa Immerwahr, Pamela Johnson & Nelson, Paul Nelson, Noble Wines, Ltd., Carl Haefling, Christine Moran, Erin Moyer, Joan Ostendorff, Hollis Palmer & Robert Perlman, Pacific Trends/Dahlia Lounge, Susan Pohl, Daniel & Claudia Pravat, Molly Preston, Charles Prutting, Marty & Don Sands, Frederick & Molly & Tom Preston, Joe Roberts, Marty Connie Scheetz, Charles & Joy Smith, Keri & Greg Stack, Clara Staunton, Warren Stevens, & Don Sands, Sarah Strachan, Hope & Frank & Jennifer Swant, Kristine & John Travaglini, Pat & Ed Wagner, Jerry Watt & Vreni Von Richard Stroble, Yiwen Su, Frank & Jennifer Arx Watt, Richard West & Carole Levinthal, Trina Wherry, Bob Zat Swant, Andrew Taper, Margaret A. Watson Scholarship Funds & Paul B. Brown, Teresa Wells & Nick Artist Magazine, Dennis Cloutier, Susan Winokur & Paul Leach Berger, *Richard West & Carole Levinthal, Trina Wherry, Mark Wittow & Gail Gatton, Robert Zat

* members of the Gage 2012-2013 Board of Trustees

Mary Gales Scholarship Fund

Patricia Belyea & Michael Stone, Drs.Sandra & Sterling Clarren, Michelle Driano, Kristy & Paul Glaze, Jill Irwin, Nancy Jenkins, Rosanne Olson & Edward McMahon, Jr, Anna Rhodes, Barbi & Bruder Stapleton, Yiwen Su, Melinda Sweet & Bob Gudmundson, Sheryl Westergreen-Berni

Gage Academy of Art Legacy Circle

Anonymous, Frieda Faigin, Michael Magrath, Robert Raab & Kathy Mahan, Anna Rhodes

Susan Torrance Memorial

Alison Andrews, Christie Cash/Kupunakane Ranch, Kathie Delph/Argos Intnl., Democracy Alliance, Donna Dunning, Theresa Fenton, Patricia & Michael Frost, Mr & Mrs E. P. Garrett, Daniel Hagedorn, John & Marilyn Harris, Gordon & Sara Hodge, Richard & Jonna Jensen, Lars H. Jonsson/Stellar Holdings, Nick Leibold/Leibold Communications, Lynn Lumbard, Val Markus, James & Carole McCotter, Alistair & Susan McPherson, Chris Nelson, Carol Newell, Noble Wines, Ltd., Sheila Noonan & Peter Hartley, Pacific Trends, Inc/Dahlia Lounge, D.Jordan & Craig Parietti, Nathaniel & Dorothy Penrose, Susan Pohl, Linda Ridder Walker & Walter Walker, Joan & Donald Roberts, Pamela Robinson, Prudence Rolfe, Charles Schwab, Susan C. Sellin, Mattie Shaw, William & Amy Shaw, David & Catherine Skinner, Frederick & Janice Tompkins, Elizabeth Torrance, Scott & Jenny Wyatt, Wyman Youth Trust

In-Kind Donors 5th Avenue Theatre, Aaron Brothers, Mitchell Albala, Annie’s Art & Frame, Aristides Classical Atelier, Sharon Arnold, Artist & Craftsman Supply, Baas Framing Studio, BAKED., Charlotte Behnke, Belle Pastry, Bellevue Art & Frame, Bellevue Arts Museum, BikeLava, Blick Art Supplies, Boat Yard Inn, Bottlehouse, Cakes by Crème de la Crème, Cakes of Paradise, Canson Inc., Capitol Cider, Capitol Hill Flowers & Garden, Center for Wooden Boats, Central CO-OP, Centrum, Chaco Canyon Organic Café, Chihuly Garden & Glass, Chihuly Garden & Glass Collections Café, Chihuly Studio, Jonathan Clarren, CommuniTea Kombucha, Bruce Cook, Costco, D: Floured, Dahlia Bakery, Dakota Art Stores, Daniel Smith, Daydream Cottage at Seabrook, Despi Delite Bakery, Elliott Bay Book Co., Eltana Bagels, Essential Baking Company, Faber-Castell, Fleurish, Flowers on 15th, Frame Central, Framesmith Custom Picture Framing, Fred Meyer, Fremont Abbey, Donn Fry & Diane Stielstra, Gallery Frame, Robert Gamblin, Gamblin Artists Colors, Golden Colors, Grand Central Baking Company, Teresa Greiner, Mary Ellen Grimes, Ruth Harold, Aron Hart, Douglas Helling, High 5 Pie, Horizon House Art Room, Taya Huang, Jet City Improv, Catherine Johnson, Katy McCoy & Phil Vogelzang, Krispy Kreme: Sodo, Le Fournil, Le Panier Very French Bakery, Don Lee, LUC Restaurant, Maxwell Hotel, Mayflower Park Hotel, Claire McCabe, Paul McKee, Jane Metcalfe, Metropolitan Market, Mighty O Donuts, Monte Cristo, Morfey’s Cakes, Museum of Indian Arts & Culture, Museum Quality Framing, National Council on Education for the Ceramic Arts, New Mexico History Museum, Noah’s Bagels, Northwest Film Forum, Oddfellows Café & Bar, Dr. Jeff Olliffe, Pacific Science Center, Panzanella, Photo Center NW, Poppy, Janelle Poulsen, Pratt Fine Art Center, Carolyn Price-Dyer, QFC, Ravishing Radish, Remnant King Carpets, John Rizzotto, Roy Street Coffee & Tea, Safeway, Savoir Faire, Schooner Exact Brewing Company, Sandra Scofield, Sculpture Woods, Seabear Wild Salmon, Seattle Art Museum, Seattle Children’s Theatre, Seattle International Film Festival, Seattle Opera, Seattle Repertory Theatre, Seattle Shakespeare Company, Seattle Symphony, Seattle Theatre Group & The Paramount Theatre, Seattle Tilth Association, Second Use Building Materials, Silverwater Café, Simon Mace Gallery, Simply Desserts, Skillet Food Truck, Sky City Restaurant at the Needle, Sorrento Hotel & Hunt Club, Starbucks, Stillman & Birn, Sugar Bakery & Café, Superior Stucco Services, Inc, Tango Restaurant & Lounge, TASTE Restaurant & Events, Teatro Zinzanni, The Resort at Port Ludlow, The Tasting Room, The Willows Inn, Trudy’s Floral Design, University Book Store, Utrecht, Via Tribunali: Capitol Hill, ViOS Café & Marketplace, Wallflower Custom Framing, Waterways Cruises, Watson-Guptill, Sabella Wells, Richard V. West & Carole Leventhal

Interns Colleen RJC Bratton, Ashley Miller, Liz Patterson, Grace Travaglini

Volunteers Alberta Adams, Kristin Affolter, Nanine Alexander, Malia Ambata, Jennifer Ament, Kathleen Anacrusis, Cindy Anderson, Tonia Arehart, Jasmine Aye, Fong Baatz, Britt Barer, Sasha Baylor, Kyle Beatty, Charlotte Behnke, Aubrey Benasa, Mary Bennett, Anat Ben-Shaul, Cathy Betchtel, Sarah Bixler, Ellen Blazich, Jacob Bottorff, Wallis Botz, Helen Bouchard, Sabrina Bowers, Julie Bradley, Jutta Breitling, David Brooks, Cyndi Brown, Tabitha Brown, Liv Browning, Clara Bui, Suzanne Burnell, Manuel Calderon, Joe Campagna, Kaija Campos, Chris Cantu, Julia Carpenter, George Chan, Lonnie Chavez, Diana Chen, Jean Chen, Katherine Chilcote, Wen Chiu, Dick Chubbuck, Larine Chung, May Lee Chung, Jonathan Clarren, Dahlia Cohen, Bruce Cook, Kelsey Cook, Kathleen Coyle, Diana Cromer, Alisha Dall’osto, Savvy Dani, Karrin Daniels, Sam Day, Alec Deason, Alix Despard, Julie Devine, Bobby Di Trani, Mary Jo DiMaggio, Carrie Dresser, Linda-Jo Duffy, Chaquana Dunton, Ellen Eades, Julia Eckels, Zooey England, Elizabeth Erickson, Courtney Estevenin, Dyan Ewing, Ben Faigin, Sarah Faigin, Shelley Farber, Holly Feral, Patricia Ferreyra, Suzanne Ferris, Lin Fiedler, Kate Flores, Ceridwen French, Bailey Friske-Thom, Nik Fuentes, Lori Fulsaas, Keven Furiya, Lara Gaasland-Tatro, Sarah Gage, Mikaelah Garner, Halina Gee, Terri Gerard, Jordan Giarratano, Sara Gibran, Stephen Gilbert, Roxanne Glick, Marcia Glover, Bess Goddard, Jane Gonzalez, Alan Goodin, Kathy Goodwind, Christina Grachek, Angela Greene, Guy Grondeaux, Janet Gryczan, Ekta Gupta, Sharon Hager, Beth Halfacre, Mandy Hallenius, Pat Halsell, Maria Harrington, Aron Hart, Ruth Hartmann, Olivia Hill, Winfield Hobbs, Christie Hogue, Michele Holter, Michael Hopcroft, Julie Hougom, Formosa Huang, Jameson Hubbard, Linda Hurst, Melinda Iverson, Kyoko Iwasaka, Tara Jaiyeola, Nathan Jenkin, Cat Johnson, Franky Johnson, Stephanie K. Johnson, Meerea Kang, Beth Kehoe, Patrick Kelly, Kathleen Kemly, Megan Kennedy, O.D. King, Johnpaul Kirsch, Derek Lactaoen, Rachel Lam, Jane Landis, Scott Landry, Mark Leavens, Jeremías Lentini, Angela Lewis, Calvin Lien, Ethan Lind, Clive Lissaman, Ichun Liu, Christina Logan, Catherine Longacre, Janina Loos, Donna Lough, Stephanie Luka, Marguerite Lynch, Vikram Madan, Richard Mann, Susanne Marckx, Jim Matthew, Jennifer Mattson, Denise Matuszewski, Cindy Maxwell, Scott McCall, Susan McManamen, Thea Mercer, Ryan Merz, Ashley Miller, Paul Miller, Ekaterina Minkina, Corbin Mirick, Ulan Moore, Ethan Moreley, Ianthe Moul, Elizabeth Muktarian, Meg Murch, Linda Murray, Jennifer Myers, Elena Nachmanson, Leilanie Nipper, Anna Lisa Notter, Rose Oliveira, Alex Olsen, Pam Orazem, Serkan Ozturk, Alison Parks, Berkeley Parks, Liz Patterson, Josh Pemberton, Peter Pere, Urania Perez, Katherine Pesce, Jethaniel Peterka, Mary Peterson, Ryan Peterson, Andrienne Pilapil, Lowell Poisson, Joyce Prigot, James Prouty, Charles Prutting, Monika Rafizadeh, Danny Reed, Michael Riester, Houri Ronasi, Karin Roth, Susie Rumsby, Mary Sacco, Philip Salmon, Gail Savin, Chris Sawyer, Erin Schadt, Erin Schiedler, Karen Schmidt, Micheal Schoentag, Christine Schott, Arica Schuett, Rosie Schwartz, Ryan Sherman, Dylan Shoji, Anna Shumaker, Sam Shumaker, Nancy Silveson-Valdez, Mackenzie Sipiora, Vededa Sirvica, Bob Slaton, Lisa Snow Lady, Charlie Spitzack, Angelica Sta. Teresa, Heather Stadler, Tamara Stangeby, Julia Stanton, Marissa Stein, Tenold Sundberg, Jacob Sutton, Martijn Swart, Shannon Sweeney, Anthony Talevich, Starr Tavenner, Tim Taylor, Amanda Teicher, Joanna Thomas, Stefani Thornton, Carolyn Todd, Zak Towle, Korina Trew, Cheryl Tsuhako, Qui Tu, John Unbehend, Connie van Winkle, Oritana Ve’a, Mia Vo, Monica Voigt, Jens von der Linden, Valentina Voronkova, Eric Wahlquist, Angela Walker, Amanda Watson, Lauren Webb, Josh Webb, Christine Weldy, D. Lisa West, Kimberly White, Mo Wilhelm, Kristina Winch, Elana Winsberg, Judith Winter, Jenn Woodham, Hayley Woods, Jessica Yerxa, John Zadrozny, Jennifer Zamecnik, Elisa Zhang

Gage Art Travel

age Art Travel tours bring together small groups of artists and art enthusiasts for intensive explorations guided by informed and passionate experts. Please book early; tours are limited to 18 participants, unless otherwise noted, and tend to sell out quickly. Learn more at GageAcademy.org/tours.

The French Connection: From Provence to Paris

GAGE Art Travel

Friday, October 18 to Saturday, October 26, 2013 (8 nights) Tour Guide: Gary Faigin $4,800 double occupancy | $6,200 single occupancy (no roommate)

Follow in the footsteps of Cézanne, Matisse and Gauguin as celebrated artist and art historian Gary Faigin leads an inspiring journey through the lives and works of the Impressionist and Modern masters. Your tour begins in Nice, where charming nearby museums feature masterworks of Matisse, Chagall and Picasso. Heading west, you’ll explore Aix-en-Provence, St. Remy de-Provence and Arles. Finally, journey north to picturesque Avignon, before embarking on a high-speed Eurorail ride to Paris for a guided exploration of the historic art, culture and romance of the City of Light. Nice, France

Your tour includes three nights in Nice, two nights in Arles and three nights in Paris in centrally-located 4- and 5-star hotels; plus daily breakfasts, two group-dinners and one group-lunch and intercity travel and museum admission. Please note: meals not mentioned here, airfare and airport transfers are not included in the price of the tour. Please be prepared to walk up stairs and stand for prolonged periods.

ATR1303 To book your spot on this tour, email Belyea@GageAcademy.org

Charles Emerson in LA: Looking at Modern & Contemporary Art Thursday, February 6 to Monday, February 10, 2014 (4 nights) Tour Guide: Charles Emerson Tour Only: $950/person Tour with Hotel: $1,250 double occupancy | $1,650 single occupancy (no roommate)

Escape the Northwest winter doldrums with an inspiring art tour to sunny Los Angeles, featuring some of the best modern and contemporary art the West Coast has to offer! For four days, join Gage teaching artist Charles Emerson for a guided tour through LA’s major museums and contemporary galleries, including LA County Museum of Art, Museum of Contemporary Art LA, J. Paul Getty Center, Pasadena Museum of California Art and UCLA Hammer Museum. Group size limited to 13, book now, before this tour fills up! LACMA, Los Angeles

Your tour includes an evening cocktail hour at our luxury boutique hotel, the Angeleno, with guided art tour commencing Friday morning through Monday noon. Tour with Hotel includes 4 nights in a 4-star hotel in Brentwood, plus all museum admissions, group dinner in downtown LA, plus local transportation to all museums and galleries. Not included: meals not mentioned, airfare and airpot transfers.

ATR1401 Reserve your place online with a $500/person non-refundable deposit!

New York, New York! Sunday, March 23 to Saturday, March 29, 2014 (6 nights) Workshop Instructor: Michael Grimaldi Tour Guide: Gary Faigin

For one inspiring week, spend your mornings at the venerable Art Students League, and your afternoons discovering the city’s excellent galleries and museums. Michael Grimaldi, one of America’s foremost contemporary realists, leads a morning portrait drawing workshop during the weekdays. Your afternoons are spent with art critic and historian Gary Faigin, touring the Big Apple’s most important museums and galleries, including the Museum of Modern Art (MoMA), the remarkable new contemporary museum DIA-Beacon and more.

Metropolitan Museum of Art, NYC

Your tour includes a cocktail party and group dinner; Art Students League portrait drawing workshop (students only); all museum admissions, local and inter-city travel. Not included: meals not noted; airfare, airport transfers and accommodations. Gage has prepared a list of hotels, from inexpensive to luxury, to meet the needs of our students. Please contact the Gage office (206.323.4243 x10) for more information.

ATR1402 To reserve your spot, contact tour coordinator Margaretta Lantz at 206.323.4243 x32, or email margaretta@gageacademy.org

Gratis @ Gage Exhibitions GRATIS @ GAGE: Exhibitions

Gage is proud to present an eclectic array of student, instructor, local and national artist works in three gallery spaces on the third floor of the building. Special events, receptions and artist lectures complement the exhibitions, and provide an opportunity to engage the community at large with the issues and imagery of contemporary art. All galleries are open 10:00am to 6:00pm daily. Visit GageAcademy.org/events for more information.

Peter Malarkey, detail

ENTRY GALLERY

ROSEN GALLERY

STEELE GALLERY

PAINTINGS IN THE ELWHA VALLEY September 13 – October 11

SEATTLE & BEYOND: STUDENT WORK FROM GAGE SUMMER WORKSHOPS September 16 – October 11

NECESSARY OBJECTS: THE CONTEMPORARY STILL LIFE September 13 – October 11

Artists’ Reception: Friday, September 20, 6:00pm-8:00pm

Artists’ Reception: Friday, September 20, 6:00pm-8:00pm Concurrent Artist’s Lecture at right: Friday, September 20, 7:00pm

Artists’ Reception: Friday, September 20, 6:00pm-8:00pm Since 2009 Peter Malarkey has been painting the Elwha Valley on the Olympic Peninsula. Removal of two dams on the Elwha River has offered a chance to document large scale habitat restoration, the structures and our developing relationship with our environment. Peter is continuing the series now that the dams are removed and 15 million cubic yards of retained sediment finds its way downstream, affecting the valley floor and river levels, and forming a new estuary at the river mouth.

Students exhibit artwork created during summer 2013 workshops at Gage. These concentrated workshops present in-depth training and practice, providing a framework for developing artistic skills, creative insights and imaginative impulses. Collected works include plein-air paintings from Port Townsend and Skagit Valley, drawings and mixed-media pieces, and work created under the tutelage of visiting instructors from one-, two-, five-, and ten-day workshops.

Gage is proud to present still life works by Katherine Ace, David Kroll, Norman Lundin, Jim Phalen and Sherrie Wolf. Playing with and subverting realism, re-contextualizing objects in nature, utilizing landscape as backdrop and hinging upon historical references, the still-life paintings in Necessary Objects make a definitive statement to the relevance of the genre to contemporary art.

A BUILDING FOR BREATHING October 18 – November 14

HUNCHED BODIES, FLUSHED CHEEKS: STUDENT FIGURES AND PORTRAITS October 18 – November 15

CHIMEDDORJ: MONGOLIAN MODERNISM October 18 – November 14

Artists’ Reception: Friday, October 18, 6:00pm-8:00pm

Inspired by The Poetics of Space by Gaston Bachelard, artists Gala Bent and Serrah Russell have collaborated to explore ideas of the body, the domestic and the natural through collage, photography, drawing and text. A limited edition collection of their collaboration will be on view and available for purchase the night of the opening.

The study of the figure is central to the philosophy of art education at Gage, as shown through Atelier work in the figure studio, well-attended public open studios and the sheer number of figure and portraiture courses taught each quarter. In Hunched Bodies, Flushed Cheeks current Gage students show off their intensive study of the human form and its complex modes of expression, presenting realistic portraits, gestural figurative studies and everything in between.

Artists’ Reception: Friday, October 18, 6:00pm-8:00pm Concurrent Artist’s Lecture at right: Friday, October 18, 7:00pm

In this bright hour, barely built, a sift of light,

Shagdarjavin Chimeddorj (b. 1954) was raised in Mongolia within a culture of nomadic horsemen. He depicts the body language of horses through sensitive and varied use of spare strokes of ink and modernist applications of oil paint. Deep blue color plays an important role in his work, partly expressing the depth of space felt on the Mongolian steppe. Internationally collected, the majority of the body of his works shown at Gage are on loan from the Hughes and Potter family collections.

a subtle tilt.

Poem: Gala Bent. Collage: Serrah Russell 6

Julia Stanton

Shagdarjavin Chimeddorj, detail

GRATIS @ GAGE: Artist Lectures

Artist Lectures Each quarter, Gage hosts thought-provoking lectures with working professional artists and art historians. The public is invited to attend these events free of charge.

The History, Interest & Sensibilities of Still Life Painting Jim Phalen Friday, September 20 7:00pm Geo Studio, 3rd Floor In Conjunction with Necessary Objects: The Contemporary Still Life

Exhibiting artist and Gage teaching artist Jim Phalen lectures on the history of the Still Life genre and how it has evolved over the centuries, including a formal analysis of several paintings and a discussion of the composition, subject matter and paint handling as sensibilities have both changed and remained consistent through the years. In addition, Phalen discusses contemporary artists’ contributions and the continuing interest in still life painting, including his own work and the work of the other participating artists in Necessary Objects. Jim Phalen graduated from the San Francisco Art Institute with a BFA in Sculpture and later attended the University of New Mexico, earning an MA and an MFA in Painting and Drawing. Phalen is represented by the Dolby Chadwick Gallery in San Francisco and the Cumberland Gallery in Nashville, TN. Jim Phalen, detail

The Art of Mongolia Bolor Smith Friday, October 18 7:00pm Geo Studio, 3rd floor In Conjunction with Chimeddorj: Mongolian Modernism

Bolor Smith discusses the culture and rich artistic traditions in her native Mongolia, providing context for the paintings and poetry of exhibiting artist Shagdarjavin Chimeddorj. Chimeddorj’s style of “Mongolian Modernism,” is said to be shaped under the nomadic perception of nature, and dates back to the time of strict censorship during the Soviet socialist regime (1921-1991). Also a poet, the Mongolian writing seen in some of his paintings was prohibited during the Soviet era and is now being revived thanks in part to his work. In 2006, Chimeddorj received the Mongolian State Honored Prize from the President of Mongolia in recognition of his contribution to Mongolian art.

Shagdarjavin Chimeddorj, detail

UWWorldSeries.org

Not to Miss! Friday, November 8, 2013

8:00pm

Meany Hall for the Performing Arts, University of Washington

Don’t miss AnDa Union in their Seattle debut. This vibrant ensemble performs in the khoomii throat-singing style, combining different musical traditions from all over Mongolia.

Bolor Smith is a native Mongolian who was born and raised in a small countryside community called Undur-Ulaan in the Arkhangai Province of Mongolia. She is the Founder and Director of Blue Sky Education Project, a Washington State based NGO that provides educational opportunities for the underprivileged of the Mongolian countryside. She serves on the board of Bellingham Sister Cities Association as the chair for their Mongolian sister city, Tsetserleg. Smith has a Juris Doctor from the Mongolian National University in Ulaanbaatar, Mongolia and a Masters of Business Administration from Western Washington University in Bellingham, WA. She currently lives in Bellingham, WA with her husband, Eric, son, Temuulen and daughter, Zaya.

GRATIS @ GAGE: Professional Development Events

Gratis @ Gage Professional Development Events Emerging and established local, regional and national artists present lectures, workshops and seminars to enrich the discussion of issues facing and affecting art and artists in the community. Open to the public. FREE

Jeffrey Simmons, detail

NEW! ART 21 FILM SERIES

ARTTALK Second Thursdays 12:30pm-1:30pm Geo Studio, 3rd floor FREE

FREE 1st Thurs 12:30pm-1:30pm Geo Studio, 3rd fl

Gage Artistic Director Gary Faigin interviews artists about their intentions, process and materials.

Monthly screenings of Art in the Twenty-First Century.

Oct 10

What Have You Been Up to Since We Last Talked?

Nov 14

Jeffrey Simmons, an ArtTalk follow-up

Five years ago, painter Jeffrey Simmons was our ArtTalk guest. At the time, Stranger art critic Jen Graves wrote of his elegantly-crafted abstractions: “They’re groovy and trippy, like op art . . . with shapes that look like galactic objects.” His shimmering recent watercolors, on the other hand, evoke crystal structures, wings in flight and force fields; the imagery is clearly linked to the previous series, but is very different in significant ways. How does an artist evolve while remaining faithful to their core inspiration? How does one thing lead to another?

A Visionary in His Own Words: The Art and Letters of Morris Graves Vicki Halper

It is always enlightening to hear an articulate artist discuss their own work. Legendary Northwest painter Morris Graves is no longer with us, but his words live on, thanks to a recent collection of Graves’s letters compiled and edited by independent curator Vicki Halper. Halper, who knew the artist personally, will read selected letters from the book, Morris Graves: Selected Letters, while we look at and discuss the images being described. In the more literary days before email, Graves was particularly eloquent in his use of the written word, and they offer a brilliant window into his mystical works.

Throughout academic year 2013-2014, Gage presents monthly screenings of Art in the Twenty-First Century, a special biennial series on contemporary art and artists that has aired on PBS since 2001. These hour-long films feature such artists as Rackstraw Downes, Laurie Anderson, Sarah Sze, Kiki Smith and Cindy Sherman. Presented for inspiration and to fuel dialogue about art, these films provide opportunities for new and different ideas in the Gage community. FREE POPCORN! October 3: Balance November 7: Stories December 5: Humor February 6: Transformation

ARTIST TOOLKIT Fourth Thursdays 12:30pm-1:30pm Geo Studio, 3rd floor FREE Professionals present lively lunchtime conversations about the business of art.

Sept 26 Art Prep 101

Oct 24 DIY Photographing Your Artwork

Heather Joy Founder, HOLDstudios

HOLDstudios was founded in 2003 by artists Matthew Olds and Heather Joy in order to provide art installation services for both artists and art patrons. In this Artist ToolKit, learn how to build panels, stretch your own canvas using pre-made stretchers, and what tools and materials you need to create the perfect foundation for your work of art. Heather Joy will also go over the various services HOLDstudios provides for artists, such as exhibition consultation and packing artwork for shipping. HOLDstudios is a diverse fine arts company specializing in custom-built canvas, stretchers and panels for artists in the greater Puget Sound area.

HOLDstudios 8

Melinda Hurst Frye, photographer

Professional photographer Melinda Hurst Frye presents tips and tricks for photographing artwork. Designed for the low-budget working artist, Hurst Frye provides a brief photography demonstration and discusses strategies for setting up the work, tips for lighting and the best types of cameras and lenses; plus her recommendations on editing and working with the images on the web and more. Melinda Hurst Frye received her Bachelor’s degree from Pacific Northwest College of Art and earned her Master’s degree From the Savannah College of Art and Design. She has worked shooting everything from editorial work to medical imagery. In addition, Melinda is an accomplished photographic artist, exhibiting her work both locally and nationally.

Melinda Hurst Frye

Nov 21

Framing Tutorial

Geoffrey Harrison, Owner, Director, Plasteel Frames

Geoffrey Harrison is the owner of Plasteel Frames, a shop in SODO specializing in artisan custom frames and expert fine art handling, conservation, frame restoration, various mounting services and streamlined display solutions. During this Artist ToolKit, learn the nuts and bolts of framing, the tools you’ll need, hanging hardware and what it takes to create a beautiful finished work of art ready for any wall.

Geoffrey Harrison is the owner of Plasteel Frames, which specializes in fine artisan custom frames and expert fine art handling, conservation, frame restoration, various mounting services and streamlined display solutions.

Plasteel Frames

ABOUT GAGE: Curriculum & Foundation Programs

Curriculum & Foundation Programs

orkshops and classes at Gage are founded on the core principles of drawing, painting and/or sculpting from observation, and are open to artists of all ages and skill levels. Student artists learn technique, theory and application through mentorship and practice in the time-honored tradition of classical realist training.

OPEN ENROLLMENT All of the educational programs at Gage are open enrollment, meaning students create a course of study based on individual passions and interests. Whether you’re a working art professional or simply curious to explore drawing, painting and/or sculpting, you’ll find a dedicated and inspirational community, united in a common desire to explore creativity and achieve new heights of artistic development.

FOUNDATION PROGRAMS AT GAGE A skill-based foundation is critical to achieving a solid understanding of core concepts and theories. Through classes that offer both a breadth and depth of study, Foundation Drawing and Painting classes are designed to help students chart a course of study through progressively complex skills and subjects. Enjoy foundation classes at your own speed and select the courses most suited to your interests.

SKILL LEVELS Each program features a recommended skill level, prescribed by the instructor:

CONTINUING EDUCATION — EDUCATOR CLOCK HOURS “The creative environment at Gage is energizing and inspiring. The challenges reminded me that learning can be stimulating and exciting and have enabled me to be a better art teacher. The class gave me a sense of confidence and joy which I apply every day in my teaching.”

Beginning (BEG): You have little or no experience with drawing, painting or sculpting practice, theory and/or media. Intermediate (INT): You have a basic understanding of the principles of drawing; you paint with an understanding of media application and use of color; and/or sculpt with an understanding of structure and form, as well as a working knowledge of basic techniques and tools. Advanced (ADV): You exhibit a technical mastery of the theory, practice, tools and techniques associated with drawing, painting and/or sculpting.

WANT TO LEARN MORE? RSVP for the Fall 2013 Open House on Saturday, August 24 (see p. 1). You may also arrange to meet with an academic advisor to review your portfolio, and find out which programs at Gage are right for you. To schedule an interview, contact Gage at 206.323.4243 x15, or send an email to Advisor@GageAcademy.org.

— Li-Ting Hung, Art Teacher, Soundview School

Gage offers clock-hour credits for educators in select classes in drawing, painting and sculpting. Register for classes as normal, and for an administrative fee of $45 per 30 hours completed, you may earn clock hours toward your continuing education. Look for the symbol, or contact Gage at 206.323.4243 x10. FALL 2013 Clock Hour Classes • Foundation Drawing I (p. 16) • Foundation Figure Drawing I (p. 17) • Long-Pose Figure Drawing (p. 18) • Figure Drawing with Expression (p. 18) • 5-Week All-Day Figure & Portrait Drawing (p. 18) • Luminous Still-Lifes in Acrylic (p. 19) • Pastel Still-Lifes: The Impressionist Palette (p. 20) • Expressive Figure in Pastel (p. 20) • Beginning Oil Painting (p. 20)

FOUNDATION DRAWING PROGRAM

see pages 16–18 FALL

Foundation Drawing I* Foundation Figure Drawing I* Perspective Drawing Principles of Perspective Drawing lectures WINTER

Foundation Drawing II* Foundation Figure Drawing II* Design Concepts for Artists Anatomy for the Artist lectures SPRING

Aesthetics of Drawing Foundation Figure Drawing III* Figure Drawing in Interiors Portrait Drawing Figure Sculpting Drawing the Features of the Head lectures FOUNDATION PAINTING P PROGRAM see pages 19–21 FALL

Foundation Still-Life Painting I* Foundation Figure Painting I: Color into Value* Introduction to Color Understanding Color for Painters WINTER

Foundation Still-Life Painting II* Foundation Figure Painting: Head, Hands, Feet* Portrait Painting Design Concepts for Artists (or elective) SPRING

Foundation Still-Life Painting III* Foundation Figure Painting: Figure in Context Portrait Sculpting *class meets twice a week Right: Li-Ting Hung, artwork from Melissa Weinman’s Human Figure and Portrait, detail

Weekend Workshops ADULT PROGRAMS: Weekend Workshops

eekend workshops at Gage offer artists the opportunity to explore new media and subject matter, return to a personal art practice or upgrade artistic skills.

Anne Lewis, detail

Kathy Liao, detail

Steven Reddy

CITYSCAPES IN WATERCOLOR Tom Hoffmann Fri-Sun 9:30am-4:30pm 9/13-9/15 [3 days]

LIFE SIZE MIXED-MEDIA DRAWING Kathy Liao Sat-Sun 9:30am-4:30pm 9/28-9/29 [2 days]

ILLUSTRATIVE DRAWING Steven Reddy Sat-Sun 9:30am-4:30pm 10/5-10/6 [2 days]

The rigors of city life demand constant adaptation. As visual artists, you devise your own ways to interpret the complex urban environment. Spend a weekend translating your personal vision into the washes and strokes that are the vocabulary of watercolor. Set up your easel on wharfs and in alleyways, painting Seattle’s diverse neighborhoods from life.

In this two-day workshop, students work big and boldly to create large-scale layered mixed-media drawings through observation and imagination. Explore different techniques of expressive drawings, working from models, still lifes and photography as you layer multiple elements into one drawing. Step outside your comfort zone, stretch the limit of what a drawing can be, and enjoy the freedom to make a mess and have some fun.

Through discussions, demonstrations and exploratory exercises, Steven introduces you to his own technique for developing engaging, detailed observational drawings with intention and confidence. An understanding of general principals of perspective is helpful, but guidelines and vanishing points, while foregone in favor of loose capture, still invoking the artist’s subjective viewpoint and sensibility. Discussions, demos and critiques guide your studio time as you work from the still life and in the field. Through careful observation and the application of new drawing, shading and coloring techniques, you progress from pen and ink contours, fully-toned India ink–wash grisailles to polished, lively watercolor renderings. $25 partial materials fee payable to instructor.

WW1329 INTERMEDIATE $295

MIXED-MEDIA PAINTING Hamid Zavareei Sat-Sun 9:30am-4:30pm 9/14-9/15 [2 days] Learn how to incorporate unconventional materials into your art-making process. Experiment with application and inclusion of mastics, wire mesh, acrylic gels, wood, metal, adhesives and more as you explore new tools and techniques such as drip painting and gestural painting in your work. $25 partial materials fee payable to instructor. WW1330 ALL $195

CRASH COURSE IN COMPOSITION Anne Lewis Saturday 9:30am-4:30pm 9/21 [1 day] Artists are constantly making decisions: both the conscious and unconscious minds play roles in these decisions. Believing that experience nourishes intuition, this crash course is a “lab” designed to exercise and build compositional skills. To this end, the immediacy of collage lends itself well to fast, fun and informative projects emphasizing structure, unity, rhythm, shape, positive and negative space and more. You may work in any medium of your choice.

WW1332 ALL $205

UNDERSTANDING COMPOSITION THROUGH SHAPE & NOTAN Mitch Albala Sat-Sun 9:30am-4:30pm 10/5-10/6 [2 days] A composition is only as strong as the integrity of its underlying design. Notan (Japanese for “dark-light harmony”) is a type of study that uses the balance between darks and lights to reveal the essential energies of a composition. Working from masterworks, photographs and still lifes in painting, drawing and collage, you learn to identify the dark-light composition and, most importantly, to “think in notan” — to make better choices in the formative stages of your work so as to bring greater order and power to your compositions. This class does not promote an Asian style, but rather, a universal principle applicable to all types of painting and drawing. WW1333 ALL $195

WW1331 ALL $95

WW1334 ALL $195

MIXED-MEDIA IMAGE LAYERING Patrick LoCicero Sat-Sun 9:30am-4:30pm 10/12-10/13 [2 days] Learn the processes and skills needed to energize and make the surfaces of your paintings complex, nuanced and rich with meaning. Through the process of mixed media, found object and collage, explore various background layering techniques, and learn how to integrate dissonant materials in a composition to create a successful finished work of art. Historical and contemporary examples inspire you to find your own voice and lead to a unique and personal iconography. WW1335 ALL $195

Terry Furchgott

Larine Chung

THE ARCHITECTURE OF COLLAGE Anne Lewis Saturday 9:30am-4:30pm 10/19 [1 day]

AUTOBIOGRAPHICAL ARTIFACTS IN DIORAMA Patrick LoCicero Sat-Sun 9:30am-4:30pm 11/23-11/24 [2 days]

PAINTING THE FLOWER IN OIL Larine Chung Sat-Sun 9:30am-4:30pm 12/14-12/15 [2 days]

A collage starts with one scrap, one idea or one image, and builds to reveal a story of individual and often disparate elements. Take a day to examine that building process and explore the underlying structures to support the compositions you create. Experiment with collage materials and enjoy the playfulness and pleasure of this liberating medium. WW1336 ALL $95

VENETIAN PAINTING TECHNIQUES OF THE OLD MASTERS Hamid Zavareei Sat-Sun 9:30am-4:30pm 11/16-11/17 [2 days] Italians adapted the Flemish painting technique that originated in the Northern European Renaissance by substituting the egg tempera underpainting with oil paint and using canvas as opposed to wood panels, which allowed for larger paintings and compositions. This significant advance in painting technique is responsible for the burgeoning of oil painting on a scale that was unprecedented, and has continued to be the foundation of academic learning throughout Europe. Follow this tradition as you create master copies and learn to lay the initial paint layer called Imprematura, and develop the underpainting, working with the layers of scumbles and glazes to the final touches and highlights. WW1337 INTERMEDIATE $195

Explore and develop an autobiographical artifact that records our past and present experiences through paint, found objects, collage and sculptural elements. In the tradition of Joseph Cornell, Louise Bourgeois and Lucas Samaras, create a personal threedimensional art piece to help tear down the boundaries between craft, drawing, painting and sculpture. WW1338 ALL $195

ALLA PRIMA FIGURE PAINTING WITH ACRYLICS Terry Furchgott Fri-Sun 9:30am-4:30pm 12/13-12/15 [3 days] Explore the alla prima or direct method of painting with acrylics characterized by bold, expressive brushwork, a painterly surface and the balance of finish with spontaneity. Starting with the practice of an accurate but direct brush drawing on the canvas and the bold block-in of relative tonal values and colors, experiment with a variety of limited palettes, brushwork and techniques including use of the fan brush and palette knife. Working from dramatically costumed models in theatrical settings you learn to truly paint “at the first go,” making swift color and compositional choices, simplifying complex subjects and creating several strong and spontaneous images full of light and drama. $15 partial materials fee payable to the instructor. WW1339 INT/ADV $325

ADULT PROGRAMS: Weekend Workshops

Patrick LoCicero, detail

Nature offers such amazing lessons for artists, and fall is one of the best times to learn from it. Learn how to paint beautiful flowers by first studying Fantin-Latour master works to improve your sense of perception, then recreate a floral still life and paint from life. Explore, from close observation, topics such as abstract value composition and gestural dynamics. Discussion topics also include issues associated with the shape and texture of flowers. WW1340 ALL $195

FIGURE DRAWING ON TONED PAPER Juliette Aristides Mon-Wed 9:30am-4:30pm 12/16-12/18 [3 days] Explore the atmospheric use of tone in this three-day figure-drawing immersion. Create two kinds of work: a reductive drawing where you apply the charcoal first and remove the tone to reveal a strong value pattern. Next, draw on toned paper with white, where the charcoal or pencil is built up gradually to create form. Strong management of values in a composition is responsible for much of the power and visual impact of a work of art. Using the figure model as your subject, explore different aspects of tone such as composition, shape, edges and contrast. The workshop is augmented by ongoing demonstrations, discussions and lectures related to figure drawing on toned paper and how it can be applied to other subject matter. WW1341 ALL $325

Weeklong Workshops ADULT PROGRAMS: Weeklong Workshops

age weeklong workshops allow artists to devote five or more days to intensive training. Gage invites serious students to study with a nationally respected artistinstructor while devoting a concentrated period of time to the practice of making art. SEPTEMBER 2013

DECEMBER 2013

John Morra, detail

Koo Schadler

Koo Schadler, detail

PAINTING THE SPANISH STILL LIFE John Morra Tues-Fri & Mon-Fri 9:30am-4:30pm 9/3-9/13 [9 days]

PORTRAITURE IN EGG TEMPERA* Koo Schadler Mon-Fri 9:30am-4:30pm 12/2-12/6 [5 days]

STILL LIFE IN EGG TEMPERA* Koo Schadler Mon-Fri 9:30am-4:30pm 12/9-12/13 [5 days]

Old as the Egyptians and most famous during the Renaissance, egg tempera painting is increasingly popular with artists today. Explore every step of how to develop a portrait in egg tempera through ongoing individual instruction and critiques. Learn the traditional Old Master palette used to develop flesh tones, and observe the painting process from the instructor. You may work from your own photographs, provided photos or from a copy of an Old Master portrait. A demonstration on the essentials of working in egg tempera is provided for beginning students. $60 partial materials fee payable to the instructor.

Learn how to create a luminous egg tempera still-life painting from start to finish, including exploring the importance of the set-up, taking into consideration light, values, color, warm and cool shapes, textures and edges; including instructor painting demonstrations and ongoing individual instruction and critiques. Work from either life, your own photographs or from provided photos of still lifes. A demonstration on the essentials of working in egg tempera is provided for beginning students. $60 partial materials fee payable to the instructor.

Over nine days, create one dramatic still-life oil painting in the style of Spanish artists Melendez and Cotan, which feature spot-lit objects in deep black space. Your studio working method dates back to the Renaissance with a set-up that includes a grid mounted on a tripod and plumb lines. Using the grid allows you to re-train your eyes to accurately see shapes and relationships in a fresh new way while you develop your painting from a gridded drawing to a monochrome study with a color glazing to finish. WA1316 INT/ADV $1,000

WA1319 ALL $650

WA1318 ALL $650

*Both workshops include a photography session to explore lighting techniques and posing a model to create visually strong photographs that already look like beautifully designed paintings.

LAST CHANCE!

TO GET AWAY TO FORT WORDEN

AUGUST 2013 IN PORT TOWNSEND

LANDSCAPE PAINTING IN OIL Gary Faigin Mon-Fri 9:30am-4:30pm 8/19-8/23 [5 days]

NATURE PAINTING IN GOUACHE Karen Hackenberg Mon-Fri 9:30am-4:30pm 8/19-8/23 [5 days]

PORTRAIT DRAWING ON TONED PAPER Tenaya Sims Mon-Fri 9:30am-4:30pm 8/19-8/23 [5 days]

WA1313 ALL $600

WA1314 ALL $600

WA1315 ALL $625

Please visit GageAcademy.org/adult for full workshop descriptions. 12

JANUARY 2014

Nicholas Raynolds

Melissa Weinman

PORTRAIT PAINTING IN THE RENAISSANCE TRADITION Geoffrey Laurence

PORTRAIT DRAWING IN PENCIL Nicholas Raynolds

TROMPE L’OEIL PAINTING Melissa Weinman Mon-Fri 9:30am-4:30pm 1/6-1/10 [5 days]

Mon-Sat 9:30am-4:30pm 1/6-1/11 [6 days] As a foundation for your own contemporary works, explore the indirect painting techniques of the Venice and Florence schools of the 15th and 16th centuries. Working from the model, each day you progress through set stages of this rigorous painting technique in order to complete one finished portrait by workshop’s end. Progressing from compositional studies, develop a careful underdrawing and fill in your portrait with a monochromatic grisaille painting to establish tonal gradations, then overpaint your portrait with a classic dead palette of red oxide, yellow ochre and cold black plus white before applying a warm/ cool palette that pushes the value contrasts and gives your portrait a beautiful tonal depth. The final stage of your painting process includes working with a full-color palette while applying glazes and scumbles, as required. This is an advanced course suitable for anyone with an interest in classical painting techniques and intermediate painting skills. WA1401 INT/ADV $675

Mon-Fri 9:30am-4:30pm 1/6-1/10 [5 days] Working from the live model, learn a number of conceptual and practical tools by which to better solve the observational and practical problems associated with naturalistically depicting the human face and head. While seeking to grasp the character of the sitter, develop drawings from the block-in stage through to the modeling and completion of forms. Recognizing stages in the drawing’s development serve as the discussion point of various topics including gesture, proportion and likeness, the anatomy of light and shadow, structural and physiological anatomy and value, line and mass.

ADULT PROGRAMS: Weeklong Workshops

Geoffrey Laurence

Trompe l’oeil painting (literally “trick-theeye” painting) has a rich tradition going back to the ancient wall paintings of Pompeii. The beauty of this technique is that it is so simple and yet visually arresting. It’s application ranges from illusions of bas relief wall decoration to still-life painting to public murals. Explore the compositional strategies that make striking illusions possible, while refining your rendering skills in the painting medium of your choice. WA1403 ALL $600

WA1402 ALL $625

OpenHouse @Gage (see page 1)

2 SESSIONS Saturday, August 24

11am-1pm & 1pm-3pm

HOUSING OPTIONS: (5 NIGHTS) Check-in Sunday, Aug 18 / Check-out Friday, Aug 23 Officers Quarters An 11-bedroom compound with a large shared kitchen, dining room and living room. Café breakfast included. Sorry, no children, no pets. FW1301 One person/1 bed $250 FW1302 Two persons/1 bed $350 (no children)

Officers Row Houses Stay in your own historic officer’s row house, complete with a big porch and a comfy living room. Sleeps 4–5. Café breakfast included. No pets, but children are welcome! FW1303 2 bed/2-bath house $1,000 Ft. Worden, Port Townsend, WA Register online at GageAcademy.org beginning Monday, August 5, 2013 or call 206.323.GAGE

Open Studios ADULT PROGRAMS: Open Studios

rop-In, Reserved and Private Mentored Studios provide opportunities for Gage students and artists in the community to work independently from the model or on personal projects under the mentorship of a Gage instructor or graduate.

DROP-IN FIGURE STUDIOS No instructor

RESERVED FIGURE STUDIOS No instructor 9:30am-12:30pm

PRIVATE MENTORING PROGRAM Instructor Assigned Individually

In the tradition of all professional art schools, Gage offers drop-in figure studios every day of the week. Artists work independently from the model on a drop-in basis, gaining hands-on practice in drawing, painting or sculpting the figure. In Artist’s Choice sessions, the pose is set by a Gage instructor who works alongside studio artists for the duration of the pose.

In the Reserved Figure Studios, a group of dedicated artists work from one figure pose throughout the 10-week quarter, with the pose set on the first night. Artists must register before the quarter begins to guarantee an easel space.

Connect with a Gage mentor for guidance on your creative journey. Depending on your skill level, mentors give private art lessons or assess your work, make suggestions for further study and help develop a road map for your future study. To enroll, call Gage to help you determine the best match for your mentoring needs.

ST1301 FIRST VISIT FREE $14 (drop-in) / $55 (5-session pass) $160 (20-session pass)

STR1302 (Fri am) $165 Dwg/Ptg

Clothed Figure in Interior Pose set by Terry Furchgott 6:30pm-9:30pm In this Reserved Figure Studio, a group of dedicated artists work from one figure pose throughout the 10-week quarter, with the pose set on the first night. This quarter Friday night Studio participants will work from a Clothed Figure in Interior pose created by Gage teaching artist Terry Furchgott, known for her complex and inspiring figurative set ups.

MP1301 Mentoring by a Gage Instructor: 3 hours $225

($175 if enrolled in a concurrent Gage program)

MP1302 Mentoring by a Gage Graduate: 8 hours $250

Call 206.323.GAGE x10.

STR1303 (Fri pm) $165 Dwg/Ptg

DROP-IN AND RESERVED FIGURE STUDIOS

Fall Quarter Schedule | September 16 – November 24 MONDAY

9/16 - 11/18

TUESDAY

9/17 - 11/19

WEDNESDAY THURSDAY 9/18 - 11/20

9/19 - 11/21

Visit GageAcademy.org for schedule updates or changes. FRIDAY

9/20 - 11/22

SATURDAY 9/21 - 11/23

SUNDAY

9/22 - 11/24

9:30am - 12:30pm 9:30am - 12:30pm 9:30am - 12:30pm Morning

SHORT POSES RESERVED STUDIO SHORT POSES 10-week pose Dwg • Ptg/STR1302

Afternoon

Evening

1:30pm - 4:30pm 1:30pm - 4:30pm 1:30pm - 4:30pm 1:30pm - 4:30pm ARTIST’S CHOICE LONG POSE ARTIST’S CHOICE LONG POSE 4th-yr Aristides students 6:30pm - 9:30pm 6:30pm - 9:30pm 2-week poses RESERVED STUDIO [pose set w/Faigin] 10-week pose Dwg • Ptg / STR1303 [pose set w/Furchgott]

Lecture Series ffordable and stimulating, the Gage Evening Lecture Series invites art students and the general public to become better acquainted with artistic techniques and art history. Register for an entire series or drop in for a particular lecture that interests you.

STARTING SEPT 17

OCTOBER 21

PRINCIPLES OF PERSPECTIVE DRAWING D Gary Faigin Tuesdays 7:00pm-8:30pm

POP! GOES THE EASEL: PARODY, SATIRE & HOMAGE IN CONTEMPORARY REPRESENTATION Richard V. West Monday 7:00pm-9:00pm 10/21

Celebrated artist and author Gary Faigin offers entertaining lectures for artists of all levels in this eight-part lecture series reviewing the principles and history of perspective with demonstrations, drawings and images. Principles of Perspective Drawing (fall) is followed by Anatomy for the Artist (winter) and Drawing the Head (spring). The lectures can be taken sequentially as a series, or independently of each other. For the accompanying studio class, see Perspective Drawing with Vonn Sumner on p. 16. Sept 17 The Basic Principles of Perspective

Art historian, curator and author Richard V. West is Director Emeritus of the Frye Art Museum and a member of the Board of Trustees at Gage. A native of Prague, Czech Republic, he studied in Europe and the United States before receiving a master’s degree in art history from the University of California at Berkeley.

Sept 24 One-Point Perspective Oct 1

Two-Point Perspective

Oct 8

The Still Life: Ellipses, Reflections, Water & Mirrors

Oct 15

Freehand Perspective

Making art about art has a long and venerable tradition in our culture. How is this tradition being transformed today in a world awash with images drawn from all cultures and times, the omnipresence of popular culture, kitsch and a growing fascination with “bad art?” This illustrated lecture explores the ways some artists are combining traditional tropes and appropriated images with contemporary themes, sometimes as reverential homages, but often with ironic twists that transform the originals into vehicles for contemporary parody or satire.

ALL LEVELS/PUBLIC WELCOME L1306 $15 each OR $60 for the full series

ALL LEVELS/PUBLIC WELCOME L1307 $15

More info on p. 9

Clock-Hour Course

The Gage Teaching Artist Library Available at Amazon.com, or at the Cathedral Shop at St. Mark’s (across the parking lot from Gage) Mitchell Albala, Landscape Painting Juliette Aristides, Classical Drawing Atelier Juliette Aristides, Classical Painting Atelier Juliette Aristides, Lessons in Classical Drawing Suzanne Brooker, Portrait Painting Atelier Margaret Davidson, Contemporary Drawing Gary Faigin, The Artist’s Complete Guide to Facial Expression Michael Friel, Still Life Painting Atelier Tom Hoffmann, Watercolor: Mastering the Medium

Courtesy ARTstor.org

Underwritten by Kenneth S. Rosen

P Foundation Painting

ADULT PROGRAMS: Lecture Series

Gage Programs D Foundation Drawing

Baldassare Peruzzi, Sala delle Prospettive

Cesar Santos, Picnic in Central Park Register online at GageAcademy.org beginning Monday, August 5, 2013 or call 206.323.GAGE

Drawing Classes

ADULT PROGRAMS: Drawing Classes

rawing from observation provides the structural foundation for the translation of the physical world into a two-dimensional image. Drawing classes run for 10-week sessions with most classes meeting once a week for three hours. Or, explore the Drawing Foundation Program, which provides an academic progression of artistic training. Learn more about Foundation Programs on page 9 and look for the D symbol in class listings. Please Note: Most classes require out-of-studio homework.

Gage Programs D Foundation Drawing P Foundation Painting

More info on p. 9

Clock-Hour Course

BEGINNING

CAST DRAWING Larine Chung Monday 9:30am-12:30pm 9/16-11/18 Learning to draw a sculptural cast from direct observation gives you practice in studying line, tone and mass without the complication of color. Begin by building your drawing with a block-in, the foundation of the classical drawing process, and then model the large and small forms with tonal values. In addition, practice expressive skills through various gesture drawings. D1361 ALL $430

PERSPECTIVE DRAWING D Vonn Sumner Monday 1:30pm-4:30pm 9/16-11/18 Explore methods for creating pictorial space using perspective. Drawing from the imagination, memory and observation, you learn to use aerial as well as one-, two- and three-point perspective to develop strong compositions. In-class drawing, discussions and critiques are part of each session. Some drawing experience is recommended, but not required. D1362 ALL $430

Larine Chung 16

FOUNDATION DRAWING I D Terry Furchgott Tues 9:30am-12:30pm & Thurs 9:00am-noon 9/17-11/21

BEGINNING PORTRAIT DRAWING & SCULPTING Suzanne Brooker Tuesday 1:30pm-4:30pm 9/17-11/19

Margaret Davidson Tues/Thurs 6:30pm-9:30pm 9/17-11/21

Take your portrait drawing into the third dimension by sculpting the features of the face with oil clay. Alternating weekly between drawing and sculpting, focus on gaining a stronger understanding of each facial feature in context while developing a sharper eye for the detail and structure of the face. Easy step-by-step instruction; no sculpting experience required. D1365 ALL $460

Master the practical and theoretical aspects of drawing from observation through rendering the still life and the figure in black and white media and learning to draw the face and head from models. Development of visual problem-solving skills is stressed through concentration on accurate drawing, tonal value, perspective, composition and spatial arrangement. Furchgott devotes 10 sessions to still life and 10 to the model, while Davidson focuses all 20 sessions on the still life. This course is the first in a series, which continues with Foundation Drawing II (winter), Aesthetics of Drawing (spring) and Figure Drawing in Interiors (spring). D1363 BEGINNING $685 (Furchgott) D1364 BEGINNING $660 (Davidson)

Terry Furchgott

PEN & INK Margaret Davidson Tuesday 1:30pm-4:30pm 9/17-11/19 Work with a variety of pens and inks, including pens you construct yourself from bamboo and forsythia. Learn hatching, stipple, line, brushwork and even unusual techniques like “eyelashing” as you work from actual still-life set ups, and copying from such masters as Rembrandt, Dürer and van Gogh. Emphasis is placed on developing direct pen-and-ink drawing skills with no preliminary pencil-under drawing. Intermediate and advanced students are welcome and are offered more advanced projects on which to work. D1366 ALL $430

Margaret Davidson

Michael Lane Wed/Fri 1:30pm-4:30pm 9/18-11/22 Working in a variety of drawing media, you build a foundation of skills and methods for creating accurate, emotive renderings of the human figure. Learn concrete techniques for conveying form, contour, structure and volume. Anatomy and proportion are stressed throughout, while class discussions and critiques add context and breadth to your new art-making skills. This course is the first in a series, which continues with Foundation Figure Drawing II (winter) and Foundation Figure Drawing III (spring). D1367 BEGINNING $695 (Weinman) D1370 BEGINNING $695 (Lane)

DRAWING PORTRAITS OF TREES Suzanne Brooker Wednesday 9:30am-12:30pm 9/18-11/20 From graphite studies to gestural sketches in chalk and charcoal, learn to interpret trees using a variety of drawing techniques. Gain an understanding of form, texture and perspective as you explore the nuances of landscape drawing. From photographic sources you learn the basic skills of rendering volumes in space and interpreting light and shadow. Your goal is to gain an understanding of the dynamic structure of trees, accurately depict a variety of tree forms, draw foliage through texture and see the landscape in perspective. Outdoor drawing sessions if weather permits. D1368 ALL $430

Melissa Weinman

THE QUICK SKETCH Bill Evans Wednesday 9:30am-12:30pm 9/18-11/20

BOTANICAL DRAWING Kathleen McKeehen Friday 9:30am-12:30pm 9/20-11/22

Learn to overcome the difficulty of relating and interpreting what you see into what you are drawing. Create dozens of quick sketches from both the world around you and a model in motion while studying various sketch mediums and techniques. As you sketch, focus on studying proportions and the correct placement of lines, learning to accurately interpret what you observe onto paper. D1369 ALL $460

Beginning with measurement techniques, observational skills and the unique requirements of botanical art, learn to use line to accurately portray plant subjects, then move on to understanding light’s effect on form and how to use shading for threedimensionality. While focusing on plants, the skills you acquire apply to any realistic drawing effort and are an excellent preparation for learning botanical watercolor. Intermediate students are welcome and may take on more advanced plant subjects.

BEGINNING PORTRAIT DRAWING Aron Hart Thursday 1:30pm-4:30pm 9/19-11/21 Working from portrait models and selfportraits, study the essential techniques and concepts of proportion, line, value, volume, structure and composition. Focus on the basic concepts of drawing applied to the human form and learn to think visually, translating what you see into a compelling portrait using simple techniques. D1371 BEGINNING $460

BEGINNING FIGURE DRAWING Aron Hart Thursday 6:30pm-9:30pm 9/19-11/21 Vonn Sumner Friday 9:30am-12:30pm 9/20-11/22

ADULT PROGRAMS: Drawing Classes

FOUNDATION FIGURE D DRAWING I Melissa Weinman Tues/Thurs 6:30pm-9:30pm 9/17-11/21

D1374 ALL $430

DRAWING FOR BEGINNERS Mitch Albala Friday 1:30pm-4:30pm 9/20-11/22 Aron Hart Sunday 10:00am-1:00pm 9/22-11/24 In this introductory fundamentals class, you learn key concepts and artistic principles in order to accurately render line, shape, proportion and negative space while working from simple objects and the still life. You explore various drawing media, including charcoal and graphite, as you progress from simple lines toward a nuanced understanding of tonal description. D1375 BEGINNING $430 (Albala) D1376 BEGINNING $430 (Hart)

Gain technical mastery and intuitive understanding of depicting the human form. Working from quick gesture drawings, then longer more considered poses and drawings, you learn to incorporate proportion and anatomy, use light and shade to depict volume, and line and tone to describe planar changes in the body. D1372 BEGINNING $460 (Hart) D1373 BEGINNING $460 (Sumner)

Aron Hart

Kathleen McKeehen Register online at GageAcademy.org beginning Monday, August 5, 2013 or call 206.323.GAGE

ADULT PROGRAMS: Drawing Classes

Drawing Classes (continued) PORTRAIT DRAWING Michael Lane Friday 6:30pm-9:30pm 9/20-11/22

ANATOMY FOR THE ARTIST Melissa Weinman Tues/Thurs 1:30pm-4:30pm 9/17-11/21

LIGHT & SHADOW Margaret Davidson Thursday 1:30pm-4:30pm 9/19-11/21

Working from portrait models and selfportraits, study the essential techniques and concepts of proportion, line, value, volume, structure and composition. Focus on the basic concepts of drawing applied to the human form and learn to think visually, translating what you see into a compelling portrait using simple techniques.

Working from the figure model, learn the intricacies of the bones and musculature of the human body and apply these concepts to your drawings. Weinman introduces you to the structural forms of the body through studio drawing practice and insightful study of the volumetric forms of anatomy. Students in this class acquire a fundamental background for developing their figurative skills. Text requirement: Robert Beverly Hale, Master Class in Figure Drawing. D1379 INTERMEDIATE $695

In real life, light and shadow are how we see absolutely everything. In art, light and shadow are how we show both form and space, and also a key way we indicate mood. Working in black and white media, you concentrate on light and shadow and work on how to control and manage both to arrive at the drawings you want. You also explore stretching and bending shadows, as well as different ways to render shadow shapes and highlights. D1382 INTERMEDIATE $430

FIGURE DRAWING WITH EXPRESSION Barbara Fugate Wednesday 1:30pm-4:30pm 9/18-11/20

5-WEEK ALL-DAY FIGURE & PORTRAIT DRAWING Melissa Weinman Saturday 10:00am-4:30pm 10/26-11/23

Work big and bold each week as you explore a specific art element while drawing from the figure. Begin each class making gesture drawings, progressing to longer poses and investigating the formal issues of drawing, including line, contour, volume, mass and space. This class is about making expressive drawings that are imbued with exciting energy and vitality in both short and long studied drawings. Work life-size on 24"x36" paper. D1380 INTERMEDIATE $460

This six-hour Saturday class allows you to focus on your figurative skills under the guidance of a thoughtful teaching artist. Using charcoal, graphite or trois crayon, refine shape and value skills while working from the model. Achieve more accurate shapes, increase your understanding of the surface anatomy of the figure and head and study the way light falls on three-dimensional forms. Morning demonstrations and work focus on the figure, while afternoons are devoted to the portrait. D1383 INTERMEDIATE $460

Barbara Fugate

Vonn Sumner

D1377 ALL $460

INTERMEDIATE

LONG-POSE FIGURE DRAWING Kathy Liao Monday 1:30pm-4:30pm 9/16-11/18 Vonn Sumner Wednesday 6:30pm-9:30pm 9/18-11/20 Create credible figures from observation as you draw from the model. Working from longer, more considered poses, achieve more accurate shapes, increase your understanding of the surface anatomy of the figure, create a sense of volume and depth and study the way light falls on three-dimensional forms. Study anatomy, proportion, volume, form and solutions to common figure drawing challenges. Classes are devoted to demonstrations, discussions, lectures and drawing from life. Homework required. D1378 INTERMEDIATE $460 (Liao) D1381 INTERMEDIATE $460 (Sumner)

Mitch Albala 18

Painting Classes

Painting classes run for 10-week sessions, most meeting once a week for three hours. Or, explore the Painting Foundation Program, which provides an academic progression of artistic training. Learn more about Foundation Programs on page 9 and look for the P symbol in class listings. Please Note: Most Gage classes require out of studio homework.

Gage Programs D Foundation Drawing P Foundation Painting

ADULT PROGRAMS: Painting Classes

ainting describes both a process and a product, and ultimately demonstrates the technical, expressive and conceptual abilities of an artist. Painting classes at Gage begin with traditional programs like color theory and grisaille painting, and advance to professional-level classes based on conceptual and abstract theories.

More info on p. 9

Clock-Hour Course

BEGINNING

INTRODUCTION TO COLOR P Vonn Sumner Monday 9:30am-12:30pm 9/16-11/18

PORTRAITS IN WATERCOLOR Hamid Zavareei Monday 1:30pm-4:30pm 9/16-11/18

LUMINOUS STILL-LIFES IN ACRYLIC Terry Furchgott Monday 6:30pm-9:30pm 9/16-11/18

Explore the properties and potentials of color in two-dimensional art. Using acrylic paints you start with a very limited palette and work toward a full-spectrum vibrant post-impressionist palette. Topics include tints and shades, color as value, creating color-light as opposed to describing cast light, the law of simultaneous complimentary contrasts and more. Class projects draw from the instructor’s years as a student and student-teacher with renowned painter Wayne Thiebaud, lessons from Josef Albers and personal studio practice. P1387 ALL $430

Experiment with both traditional watercolor techniques and looser approaches to capture the essentials of your portrait model. Focus on head, facial structure and proportion, placing an emphasis on the economy of the line, and allowing for the watercolor to build up the volume and structure of the head and face through color and value. Explore light, shade, form and value with broad gestural strokes in warm and cool colors.

From color mixing to brush techniques to the use of a wet palette, learn to handle the spontaneous and quick drying medium of acrylic paint with confidence and skill. Working from inspiring set ups containing colorful flowers, fruit and ceramics, learn to draw accurately with paint and create a sense of three-dimensional realism in your image through the use of relative tonal values, color temperature and saturation. Complete brief color sketches and one finished work learning to handle both fine detail and bold, painterly brushwork. $15 partial materials fee payable to instructor. Homework required. Some previous drawing experience recommended. P1391 ALL $430

FOUNDATION FIGURE PAINTING I: P COLOR INTO VALUE Anne Petty Mon/Wed 9:30am-12:30pm 9/16-11/20 With exercises addressing both your understanding of the figure and oil-painting techniques, build a versatile arsenal for solving common figure-painting challenges. Explore various technical and conceptual strategies for analyzing structure, proportion, gesture and form, and learn to understand value and color relationships. This course is the first in a three-part series, which continues with Head, Hands, Feet (winter) and Figure in Context (spring). P1388 BEGINNING $695

Anne Petty

P1389 ALL $460

FOUNDATION STILL-LIFE P PAINTING I John Rizzotto Mon/Wed 1:30pm-4:30pm 9/16-11/20 Work through a series of exercises, and complete one monochromatic and two color paintings using still life as your motif. Lessons include handling materials, light and shadow, color mixing, color design, brushwork, the painting process and setting up a compelling still life. This course is the first in a three-part series, which continues with Foundation Still-Life Painting II (winter) and Foundation Still-Life Painting III (spring). P1390 BEGINNING $660

John Rizzotto

ENCAUSTIC PAINTING Hamid Zavareei Monday 6:30pm-9:30pm 9/16-11/18 Investigate the different characteristics and effects achieved by employing wax as a component of your painting. Learn the basics of this ancient, luminescent medium, including material, surface and painting techniques as you explore a range of encaustic applications: from simple addition of wax to your painting media to hot-wax painting and the heating of wax-painted surfaces to layering and transferring methods. $25 partial materials fee payable to instructor. P1392 ALL $430

Hamid Zavareei, detail Register online at GageAcademy.org beginning Monday, August 5, 2013 or call 206.323.GAGE

ADULT PROGRAMS: Painting Classes

Painting Classes (continued) FIGURE PAINTING IN OIL Anne Petty Tuesday 9:30am-12:30pm 9/17-11/19

BEGINNING STILL-LIFE PAINTING Jim Phalen Wednesday 9:30am-12:30pm 9/18-11/20

BEGINNING OIL PAINTING Suzanne Brooker Thursday 6:30pm-9:30pm 9/19-11/21

Create a figure painting in oil from the live model. Starting with a limited palette, learn how to block-in value and temperature shapes that comprise the figure and surrounding environment. Explore practical color-mixing strategies and work up to your final painting in an extended palette with an emphasis on composition and sighting accurate figure proportions. P1393 ALL $460

Larine Chung Sunday 2:00pm-5:00pm 9/22-11/24

Develop your studio skills in this challenging media with essential information on how to prime your surface and manage your paints, palette and brushes. Three study paintings in landscape, still life and figure offer an introduction to the challenges of each genre while building your skills in color mixing and brush techniques in oil. P1399 BEGINNING $430

PASTEL STILL-LIFES: THE IMPRESSIONIST PALETTE Terry Furchgott Tuesday 6:30pm-9:30pm 9/17-11/19 Learn to handle the richly-colored medium of soft pastel with confidence while gaining inspiration from the colorful palettes and luminous tonality of Monet, Renoir and Bonnard. Working from flowers, fruit and still life objects, you progress from black and white studies focused on basic drawing skills to full color exercises to a multi-session finished painting. Explore planar structure and color layering techniques and create images full of shimmering light and colorful shadows. $15 partial materials fee payable to instructor. Homework required. Some previous drawing experience recommended. D1394 ALL $430

In a step-by-step process you learn the methods of oil painting while exploring the still-life genre. In order to promote artistic skills and confidence, you learn to consider value, warm and cool relationships and color, as well as methods for self-correction and problem solving. Throughout the course, you participate in discussions on tools, materials, methods and techniques. P1396 ALL $430 (Phalen) P13103 ALL $430 (Chung)

EXPRESSIVE FIGURE IN PASTEL Kathy Liao Wednesday 6:30pm-9:30pm 9/18-11/20 Explore various figure drawing techniques and approaches to developing the human form with pastel. Emphasis is placed upon observation, anatomy, structure, proportion, value and color. Line, gesture, value, and mass are discussed and explored. Draw directly from the model, working toward the goals of accuracy and personal expression. Explore pastel techniques and proper handling, as well as the history of pastel and its properties. A perfect class for those looking to speed up and become less tight in their work. P1397 ALL $460

BEGINNING WATERCOLOR Tom Hoffmann Wednesday 9:30am-12:30pm 9/18-11/20

COMPONENTS OF THE LANDSCAPE Suzanne Brooker Thursday 9:30am-12:30pm 9/19-11/21

Develop an understanding of transparent watercolor that allows you to make conscious choices regarding color, value, wetness and composition before the brush ever touches the paper. Focus on awareness skills as well as technical skills, since knowing what to do is at least as important as knowing how. P1395 BEGINNING $430

Working from photographic sources, increase your knowledge of methods for rendering texture, atmosphere and color temperature. Examine the basic components of landscape painting in a step-by-step approach — from tree portraits, rendering the effects of the sky and interpreting foliage, to understanding the contours of the ground plane. Outdoor painting sessions if weather permits. P1398 ALL $430

Jim Phalen, detail

Kathy Liao, detail

PORTRAIT PAINTING IN OIL Jim Phalen Friday 9:30am-12:30pm 9/20-11/22 Michael Lane Saturday 10:00am-1:00pm 9/21-11/23 In this course on the art and practice of portraiture, you learn to compose from observation, acquire strategies for organizing visual information and study historic precedent while you work to render convincing and compelling likenesses of the model in oil. P13100 ALL $460 (Phalen) P13102 ALL $460 (Lane)

BOTANICAL WATERCOLOR:

Gage Programs D Foundation Drawing P Foundation Painting Clock-Hour Course

Michael Lane

More info on p. 9

INTERMEDIATE WATERCOLOR Tom Hoffmann Wednesday 1:30pm-4:30pm 9/18-11/20

FIGURE PAINTING IN OIL Michael Lane Saturday 2:00pm-5:00pm 9/21-11/23

Fall offers up a variety of colors, textures and shapes for the botanical artist, and an enjoyable opportunity to play with a range of methods such as wet-on-wet washes and color-intensifying dry-brush. Beginners to botanical illustration learn observation and measurement skills as well as the use of watercolor washes and dry-brush techniques to create three-dimensional, aesthetically pleasing and scientifically correct images. Intermediate students gain experience in mixing colors both on the palette and with layering, and even loosen up a bit with wet-on-wet washes. P13101 ALL $430

Work with increasingly complex subjects as you expand your understanding of and dexterity with watercolor. Working from the still life, landscapes and photographs, learn to individualize your painting process, better understand the variables of watercolor painting, use the variables to your creative advantage and take informed risks. Students should have completed Beginning Watercolor or have basic watercolor experience. P13106 INTERMEDIATE $430

An extension of Portrait Painting in Oil, this course builds on fundamental concepts with special attention paid to essential issues such as lighting, composition, accessories and more advanced oil painting techniques. Focus on longer poses as you tackle portrait concepts to increase your aptitude in rendering costume elements, hands and the environment. P13109 INTERMEDIATE $460

ABSTRACT PAINTING I Julia Ricketts Sunday 10:00am-1:00pm 9/22-11/24 Investigate the language of abstraction through examples and methods used by 20th- and 21st-century artists using oil or acrylic paint. Topics include pure mark-making, repetition, structure and color as content. P13104 BEGINNING $430

INTERMEDIATE

THE ART OF BONNARD & VUILLARD: COLOR & COMPOSITION Charles Emerson Tuesday 9:30am-12:30pm 9/17-11/19

UNDERSTANDING COLOR P FOR PAINTERS Charles Emerson Thursday 9:30am-12:30pm 9/19-11/21 Color is color only according to amount, placement and application — a concept based on Josef Albers’s Yale color course and translated into acrylic from cut papers. To effectively learn to see what is happening in a work of art, develop your sensitivity to color beyond color charts and wheels, general color theories and many commonly held ideas. In daily studio exercises and critiques you explore color interaction using acrylics, space problems and most importantly, color density. The last two sessions include figure painting. Homework and further study problems are given and strongly encouraged. P13107 INTERMEDIATE $430

Study Bonnard’s mastery of complex compositions, his sumptuous palette and color sense, exquisite and inventive drawing and layered ambiguity of intense, close-valued colors. Learn to bestow on the commonplace an atmosphere and life through multiple layers of memory to give a glimpse of that place between perception and understanding. Oils or acrylics are used to journey from Impressionism to Coloristic Abstract as you explore the many little lies of Bonnard’s paintings for the sake of one big truth. P13105 INTERMEDIATE $460

EXPLORING CONTRAST: FIGURE & STILL LIFE Barbara Fugate Thursday 6:30pm-9:30pm 9/19-11/21

Charles Emerson

Tom Hoffmann

Explore the art principle of contrast and its influence on color and composition. Working from both the figure and still-life arrangements you explore compositional balance, depth of space and limited color palettes. You work quickly and directly using oils or acrylics, making several paintings throughout the course. Prior painting experience is recommended. P13108 INTERMEDIATE $460

ADULT PROGRAMS: Painting Classes

AUTUMN CORNUCOPIA Kathleen McKeehen Friday 1:30pm-4:30pm 9/20-11/22

CONTEMPORARY PAINTING SEMINAR Julia Ricketts Sunday 2:00pm-5:00pm 9/22-11/24 Study trends and ideas in contemporary painting while you develop your individual voice as a painter. In this seminar-style class you create a small body of work that hangs together as a group. Readings and discussion enhance in-class work time and regular critiques. All media and subjects welcome. P13110 INT/ADV $430

ADVANCED

ADVANCED WATERCOLOR Tom Hoffmann Tuesday 9:30am-12:30pm 9/17-11/19 As an experienced watercolor painter seeking to refine your practice and strengthen your personal style, you are invited to work under the close mentorship of your instructor to develop independent painting projects according to your artistic vision. Hoffmann assists you in your mastery of advanced techniques and innovative approaches to increasingly complex compositions. Class time includes group discussions and critiques. Completion of Intermediate Watercolor or instructor permission required. New students welcome. P13111 ADVANCED $430

Julia Ricketts Register online at GageAcademy.org beginning Monday, August 5, 2013 or call 206.323.GAGE

Sculpting Classes

ADULT PROGRAMS: Sculpting Classes

he transformative act of molding a physical substance into form gives the artist invaluable insight into understanding proportion, balance, rhythm and movement in ways that two-dimensional study cannot. Sculpting classes may be appropriate for all skill levels, and include full-size figure sculpting and écorché to complement classical training.

Gage Programs D Foundation Drawing P Foundation Painting

More info on p. 9

Clock-Hour Course

FOUNDATION FIGURE SCULPTURE I Michael Magrath Tues/Thurs 1:30-4:30pm 9/17-11/21

FIGURE SCULPTING STUDIO Michael Magrath Tuesday 6:30pm-9:30pm 9/17-11/19

THE ESSENCE OF ANIMALS Bill Evans Friday 9:30am-12:30pm 9/20-11/22

This unique, two-year series is designed for the serious student who wishes to become adept in figure sculpture, and for any who wish to fully understand the form in three dimensions. You sculpt both from life and from casts at various scales, working in a variety of media and acquiring the skills needed to realize accomplished figurative sculpture. Topics include modeling in the round, lifesized portraiture, mold making and casting. An ongoing practice in figure drawing is a strongly suggested component of the program. Suitable as an entry point for the new student, this course is part of an ongoing series in Foundation Figure Sculpture and will continue in the winter and spring quarters. Returning students from the prior year will work alongside new students with new topics and a deeper focus to advance their mastery of the human figure. Class price includes clay and armature.

Experience a clear and intuitive method for mastering the fundamentals of threedimensional modeling, as well as developing advanced skills that radically improve your ability to see and understand the figure. You work from the same pose for the entire quarter. Class price includes clay and armature. S1319 ALL $495

Learn clay handling, sculpture techniques and surface treatment as you create sculpture that expresses the personality of your animal. Beginning with a few small selfsupporting pieces, you create progressively larger animals up to 16" tall, then build an armature that allows flexibility to form your sculptures. Work fired in the Gage kiln and colored as time allows. Class price includes clay and armature. S1321 ALL $480

S1318 INT/ADV $735 See page 16 for Beginning Portrait Drawing & Sculpting with Suzanne Brooker.

BEGINNING FIGURE SCULPTURE Michael Magrath Thursday 6:30pm-9:30pm 9/19-11/21 Learn to accurately represent human gesture, proportion, mass, structure and surface form in three dimensions. This course offers sculpting students a comprehensive introduction to figure sculpture, while students of drawing and painting improve their dimensional depiction of the human form in space. You work from the same pose for the entire quarter. Class price includes clay and armature. S1320 BEGINNING $495 (Mon)

Teaching Artists Gage works with a corps of local, national and international teaching artists, handpicked for their skill in communicating core concepts and inspiring studentartists to stretch their technical and creative potential. Learn more on pages 28–29, or visit GageAcademy.org/artists.

* For full schedule and cost, see p. 13.

Michael Magrath, detail 22

Michael Magrath

Bill Evans, detail

Ateliers

ADULT PROGRAMS: Ateliers

unning from mid-September through mid-June each year, Ateliers offer an intensive studio program for the serious artist-in-training. The ateliers (French for artist’s studio) are based on the traditional teaching model of the 19th-century European academies, where dedicated art students apprenticed with a master artist. Atelier students are given an individual studio space to complete projects independently under the guidance of their instructor. Working together in group studios, atelier students enjoy the benefit of creative influence and dialogue among their peers within a focused environment. Enrollment in the atelier programs is yearly, with nine months of dedicated instruction. For the 2013-2014 school year, the ateliers run September 16, 2013 through June 13, 2014. Aristides and Kang-O’Higgins students make a 30-hour-per-week studio commitment, including working half of every day from the figure model. Students of Faigin work independently for a minimum of 15 hours in the studio each week, in addition to attending two weekly teaching sessions. Atelier students receive a 10% discount on all concurrent classes and workshops as well as free access to all Drop-In Figure Studios and any Lecture Series (see pp. 14–15). Occasionally, mid-year transfers are allowed — please inquire with the Registrar at 800.880.3898. To schedule a visit or to receive application materials, email Carol@GageAcademy.org or call 206.343.4243 x15, or 800.880.3898.

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ARISTIDES ATELIER Classical Drawing & Painting Juliette Aristides

KANG-O’HIGGINS ATELIER Drawing & Painting Mark Kang-O’Higgins

FAIGIN ATELIER Still-Life Painting Gary Faigin

Based on the 19th-century model for training painters, this four-year diploma program provides time-tested methods for solving pictorial problems. Aristides teaches in stages: serious beginning students focus on drawing; more advanced students move into monochromatic and then fully-chromatic painting. Fourth-year students work on individual projects with guest mentors. Work from casts, the model and master copies in a series of progressively complex projects. Intended for long-term students, the Aristides Atelier offers you the necessary vocabulary to create well-designed and well-executed drawings and paintings.

Intended for long-term students, the KangO’Higgins Atelier offers the opportunity to work on increasingly complex independent projects under the close guidance of your instructor. You work with line and tone, light and shadow, color theory and mixing, proportion and anatomy, as well as different approaches to life drawing and painting. Learn to convey the essential nature of your subjects through finding the balance between technical accuracy and expressive gesture. Short slide and technical demonstration lectures help you add to your skills and place your work into a wider historical and contemporary context.

The Faigin Atelier offers painting students the opportunity to focus their studio practice on the study of still-life arrangements over the course of one to several years. The intimate studio setting enables you to devote as much time as you wish to creating paintings, without the limitations of model time or weather conditions. Because everyone shares the same focus, optimal conditions for creative interchange and dialogue develop. You work toward success using the still life as a tool for the development of your own artistic voice, creating original, lively pictures that express your ideas and feelings, and focus on technique, rendering and composition.

ALL AT1310 13–14 Annual Tuition: $7,395

ALL AT1311 13–14 Annual Tuition: $7,395

ALL AT1312 13–14 Annual Tuition: $4,080

Juliette Aristides

Mark Kang-O’Higgins

Gary Faigin, detail

Youth Classes

Sponsorship logo standards

YOUTH PROGRAMS: Kids Classes

age Youth Programs offer practical art instruction in drawing, painting and 3-D design for kids and teens throughout the year. The curriculum encourages The Wells Fargo logo appears in Wells Fargo red and Wells Fargo yellow. Use the black 1-color version only for one- or students to explore new materials andonetechniques, develop creative two-color (black plus color) applications such as newspaper advertisingproblemor forms. solving skills and celebrate self-expression. Learn more about all of the Youth Programs Preferred 1-Color 100% Black teaching artists at GageAcademy.org/artists. CMYK logo

Gage Youth Programs Receive Generous Support from:

MARK & SUSAN

TORRANCE

FOUNDATION

NEW!

Print logo colors

Our logo colors must appear exactly the same every time they are used. On printed materials, Wells Fargo logo colors — Wells Fargo Red and Wells Fargo Yellow — must always match their CMYK formula respectively, whether printing on coated or uncoated stock. Never substitute other colors. This is especially important since certain paper stocks and different types of media may alter the way a color looks when reproduced. For this reason, a color check while the job is on press or in final production is essential. Drawdowns are strongly recommended in all cases. For print jobs requiring spot color pages, special spot ink formulas are provided from the Brand Management Team at brand@wellsfargo.com.

KIDS CLASSES: Saturdays ages 4–6 & 7–12

All Youth Program supplies and materials are included!

Wells Fargo red: C: 10 M: 100 Y: 80 K: 20

OCTOBER

MIXED MEDIA FOR KIDS NEW! Jessica Lah Online logo colors Ages 4-6 Saturday 10:00am-11:00am Below are the online color values of Wells Fargo red and Wells Fargo yellow. 10/5-10/26 [4 sessions] Wells Fargo Red: Wells Fargo yellow: C: 0 M: 20 Y: 100 K: 0

STORYTELLER’S WORKSHOP Willow Heath Ages 7-12 Saturday 10:00am-noon 10/5-10/26 [4 sessions]

R: 187 G: 8 B: 38 HEX: BB0826

Jessica Lah

Discover the history of mixed media painting Compose an adventure, mystery, comedy and from Picasso to Rauschenberg, and learn how more to make a picture book with dragons, Wells Fargo Yellow: R: 252 G: 198 B: 10 it’s used in contemporary art today. Explore heroes, pixies and monsters! Use your imagiHEX: FCC60A how to use multiple mediums or unusual nation to illustrate picture-book pages while Clearspace and size materials to demonstrate skill and artistic learning how to spin a great legend. Learn Clearspace frames the logo, separating it from other elements such as headlines, text, imagery, and the outside edge of expression. Create art from both observation illustration techniques, inking and watercolor printed materials. andamount imagination of impact. layering to create a visual narrative for your story. ExAlways leave the minimum of clearspacewith aroundtechniques the logo to maximize In print, the preferred clearspace is half the height or width of the logo collage on each side.and The absolute clearspace requirement a paints, drawing, foundminimum objects. ploreisvocal techniques, dramatic storytelling quarter of the height or width of the logo on each side. Online, the logo clearspace requirement is at least 10 pixels. and all of the elements of telling a good tale. Jessica Lah graduated from State University of Long Beach in 2010 and moved to Seattle in 2012. She studied mural painting in Italy, and spent ten months at the Guangzhou Academy of Fine Art in China. She is the 2009 LA Youth Hosteling International Grant recipient for her visual research in earthquake devastated Wenchuan.

Willow Heath

K1306 $80

Willow Heath has been teaching art classes in schools and studios in the Seattle area since 2002. Her classes encourage students to train their eye for color, light and detail, as well as to develop their own personal voice. Her paintings have been shown in galleries and art studios for more than a decade.

K1307 $100

NOVEMBER

Mandy Hallenius

ROBOT DRAWINGS! NEW! Mandy Hallenius Ages 4-6 Saturday 10:00am-11:00am 11/2-11/23 [4 sessions]

CONTOUR LINE & WATERCOLOR Jessica Damsky Ages 7-12 Saturday 10:00am-noon 11/2-11/23 [4 sessions]

Learn how to draw robots! Practice using light and shadow when drawing geometric shapes. Apply what you’ve learned to drawing various objects, such as spheres, cones and cubes. Compose these shapes to make unique and original robots with real proportion and perspective. Finally, learn coloring and rendering techniques in a variety of media for a final project, including crayons, colored pencils and pastel.

Draw and paint from observation (various still-life objects and self portraits from mirrors) and discover the expressive qualities of line and watercolors. Explore how to convey information with different qualities of line, wet on wet or dry brush techniques, pencil and pen to create vibrant paintings over your drawings.

Mandy Hallenius is a working artist and certified art teacher. Her artwork is heavily based on Classical Realism and explores themes of social hierarchies in contemporary society. She has over three years of professional teaching experience and enjoys sharing her passion for art with students of all ages.

K1308 $80 Jessica Damsky 24

Jessica Damsky received her MFA in painting and anatomy from the New York Academy of Art, and her BFA in painting with a minor in art history from the University of Hawaii at Manoa. In addition to Gage, Jessica has taught at Green River Community College, Pratt Fine Art Center, Kirkland Art Center and the Honolulu Art Museum.

K1309 $100

ble! rshipsAvaila YouthSchola e for more info. org/youth or call 206.323.GAg ademy. Download an application at GageAc

GAGE@ INGRAHAM FALL

Sarah Bixler

TEEN CLASSES: Tuesdays & Saturdays ages 13–17 All Youth Program supplies and materials are included! OCTOBER

YOUTH PROGRAMS: Teen Classes

OPEN TO ALL NORTH END HIGH SCHOOL STUDENTS!

DRAWING WITH COLOR Sarah Bixler Tuesdays 3:00pm-5:30pm 10/1-11/19 [8 sessions] Use color pencils and mixed media to explore the figure and color theory. Examine contemporary and historical sources for inspiration and guidance while working from the clothed model. Structured exercises challenge you to think differently and move outside your comfort zone, while time to work from the model independently provides the opportunity to move in your own direction.

YOUR ART IN HISTORY Jessica Jorgensen Ages 13-17 10/1-10/26 [8 sessions] Tues 4:00pm-6:00pm / Sat 1:00pm-3:00pm Study paintings from famous artists in history, and recreate a famous painting of your choice to create your own work of art! Learn how to take a close look at how your own work fits in with the work of other artists, and practice critical thinking skills. Brainstorm ideas and sketch multiple composition studies for making your own work of art inspired by art history. Learn how your art reflects your personal voice through drawing and painting.

Sarah Bixler earned her BFA in Drawing and Painting from the University of Washington, and has previously studied at Gage Academy of Art and Western Washington University. In 2010 her work was selected for a juror’s choice award at the Jacob Lawrence Gallery.

TI1302 $195

Jessica Jorgensen holds a BFA in Drawing and Painting from Biola University. In 2010 she was the recipient of the Award for Artistic Excellence for the painting “Esther,” which was purchased by the City of Pleasanton as part of the City Fine Arts Purchase Program.

Kyle Abernethy

WINTER

Jessica Jorgensen

T1306 $195

NOVEMBER MASTERING THE SELF PORTRAIT & STILL LIFE Julie Alpert Ages 13-17 11/2-11/26 [8 sessions] Tues 4:00pm-6:00pm / Sat 1:00pm-3:00pm

OIL PAINTING PRINCIPLES Kyle Abernethy Tuesdays 3:00pm-5:30pm 1/7-3/4 [8 sessions]

Work from the still life and self portrait with a variety of drawing materials to practice building forms through light and shadow. Train your hand and eye to understand size and spatial relationships of your subject matter. Learn the importance of good composition as a way to direct the viewer’s eye around the page and as a storytelling device. Materials include Conté crayon, ink, pencil, charcoal and collage.

(no class on Tues, 2/18 for mid-winter break)

Learn the ins and outs of oil painting through a step-by-step approach to classical still-life painting. Learn to utilize the rich, painterly qualities of oil paint through color-mixing and paint-handling exercises. Composition and lighting are also explored, in order to create a picturesque still life of your own at home.

Julie Alpert holds a BA in painting from the University of Maryland and an MFA in painting from the University of Washington. Alpert is a 2009 GAP Grant recipient and was awarded a 2012 Pollock-Krasner Grant.

T1307 $195

Julie Alpert

Kyle Abernethy studied in the Kang-O’Higgins Atelier and has taught courses in Gage Teen Art Studios, as well as offering private instruction. His work was awarded first prize in the 2007 Identity Theft exhibition at Gage, and he received the John Jude Palencar Guest of Honor Award at Norwescon 33.

TI1401 $195

Introductions

T een

YOUTH PROGRAMS: Introductions

Meet Julie Alpert, Youth Teaching Artist â&#x20AC;&#x153;My favorite part about teaching art to youth is how much I learn about my own art practice in the process. Gage Teen Art Studios give me the flexibility to develop and teach ideas that are interesting to me, or that I am sorting out in my studio with my own work. Through planning and teaching classes like Urban Landscape Watercolor, Contemporary Still Life, and Exquisite Corpse Collage, I become better at articulating complicated drawing and painting concepts, not only to my students, but to myself. I want to cultivate a love for making art in young Julie Alpert people and Gage makes it easy; there is just the right amount of relaxed socializing and rigorous learning. And who can say no to free pizza? I always tell people how much I would have benefitted from this kind of programming when I was a teen.â&#x20AC;?

Art s i so Stud age 13 18 Free

Facebook.com/GageTeens

* Join Julie for Mastering the Self Portrait & Still Life, T1307, p. 25.

Greg Stump

Jessica Damsky

Young artists explore new ways to express themselves at Gage.

facebook.com/gageteens 26

@gageteens

Nate Herth

@gageteens

YOUTH PROGRAMS: Teen Art Studios

TEEN ART STUDIOS (TAS) is a FREE weekly drop-in program for teen artists ages 13-18. Hosted by Gage Academy of Art and led by professional teaching artists, each month offers a dynamic opportunity for creativity and discovery. Whether experienced or brand new to art, TAS welcomes all young artists looking for new ways to express themselves!

art materials and pizza!

FRIDAYS CAPITOL HILL

SATURDAYS RAINIER VALLEY

SEPTEMBER

DRAWING CONCEPTS Greg Stump

MIXED-MEDIA PAINTING Jessica Lah

Explore different ways of drawing, seeing and thinking. Push beyond familiar habits and approaches with creative prompts to inspire new ways of making marks, generating ideas and perceiving the world. Restrictions in speed, vision and movement help you make process-based drawings, while a wide range of exercises and collaborative games form the basis of unusual stories and pictures.

Discover the history of mixed-media painting from Picasso to Rauschenberg, and learn how itâ&#x20AC;&#x2122;s used in contemporary art today. Explore how to use multiple mediums or unusual materials in a way that demonstrates skill and artistic expression. Create art from both observation and imagination with techniques of layering paints, drawing, collage and found objects.

Gage Academy of Art | 1501 Tenth Avenue East | 6:30pm-9:30pm

OCTOBER REDUCTIVE DRAWING & PAINTING Jessica Damsky

OCTOBER PATTERN, PATTERN EVERYWHERE Julie Alpert

Explore reductive drawing and painting techniques in charcoal and paint. Use various erasing and removing techniques to push and pull forms out of the background. While learning about light and shadow, learn to see subject matter in terms of shape and value rather than just lines, and make drawings with dramatic visual impact!

Pattern is everywhere: nature, fashion and architecture. Drawing from a still life or photograph, learn to depict the world through pattern and repetition using drawing materials, watercolor, ink, collage and felt. Improve drawings skills by learning to separate out major forms, abstracting them with pattern, composing the image and flattening the forms by applying original patterns.

NOVEMBER

COLOR FLOW Nate Herth

REDUCTIVE BLOCK PRINTING Kerstin Graudins

Practice the balance needed to control the nature of water and paint. Mastering brush techniques and concentration is key to experimenting with the translucency and vibrancy of watercolor. Construct and draw still-life structures with intricate patterns and designs, and then use color to transform your composition.

Use reduction printmaking, a technique where you cut away the drawn image, to create multicolor prints. Learn to reduce your image area for each color by planning a repetitive process for your carving, and how to register your images for a perfect application of different colors.

GAGEACADEMY.ORG/YOUTH

Jessica Lah

Treehouse Building | 2100 24th Avenue South | 6:30pm-9:30pm

Julie Alpert

Kerstin Graudins

Teaching Artists

ABOUT GAGE: Teaching Artists

age teaching artists are working artists chosen for their depth of technical knowledge, artistic curiosity, and generosity of spirit in the studio. Find artist statements, teaching philosophies and extended biographies of Gage teaching artists online at GageAcademy.org/artists. MITCHELL ALBALA BA-Queens College, NY. Training: Gage Academy of Art. Taught Seattle Art Museum, WA; Seattle Central Community College, WA. Exhibitions: New York; Seattle; Washington, DC. Representation: Lisa Harris Gallery, WA. Author: Landscape Painting, Essential Concepts and Techniques for Plein Air and Studio Practice. JULIETTE ARISTIDES Training: Barnstone Studio, PA; Pennsylvania Academy of the Fine Arts, PA; The Atelier, MN; Water Street Atelier, NY. Representation: John Pence Gallery, CA; Le Quire Gallery, TN; Wendt Gallery, NY. Author: Classical Painting Atelier, Classical Drawing Atelier, Lessons in Classical Drawing. SUZANNE BROOKER MFA-California State University at Long Beach, CA; BFA-California Institute of the Arts, CA; Whitney Museum Independent Study Program, NY. Author: Portrait Painting Atelier: Old Master Techniques and Contemporary Applications. LARINE CHUNG BFA-Chinese University of Hong Kong. Training: Gage Classical Atelier, WA. Taught: Whidbey Island Fine Art Studio, WA. Exhibitions: Grey Gallery, WA. Representation: The Fountainhead Gallery, WA. Awards: First Place in Still-Life, 2010 Best of Gage; First Prize, 2008 Gage Self-Portrait Competition. MARGARET DAVIDSON MFA-University of Washington, WA. BFA-University of Michigan, MI. Taught: Pratt Fine Arts Center, WA; Cornish College of the Arts, WA; Indiana State University, IN; University of Washington, WA. Representation: SAM Gallery, WA; Edison Eye Gallery, WA. Author: Contemporary Drawing, Key Concepts and Techniques. CHARLES EMERSON MFA-Yale University, CT; Graduate Studies: Boston University, MA; BFA-University of Southern California, CA. Fulbright Scholar in Venice, Italy. Artist in Residence at La Jolla Museum of Contemporary Art. Publication: The Art of Drawing by Bernard Chaet. Exhibitions include Sisko Gallery, WA. BILL EVANS BA Architecture-University of Washington, WA. Taught: Cornish College of the Arts, WA; Pottery Northwest, WA. Exhibitions: Art Stop, WA; Kebanu Gallery, OR; Allied Arts Invitational, WA; Fountainhead Gallery, WA; Frye Art Museum, WA. Awards: 2004 Best in Show at Washington Potters Association Show; WCA Juror’s Award at 2008 Art Stop. Representation: Sisko Gallery, WA.

GARY FAIGIN Training: Art Students League, NY; Ecole des Beaux-Arts, France. Taught: Art Students League, NY; New York Academy of Art, NY. Co-founder and Artistic Director, Gage Academy of Art. Art Critic, KUOW public radio, WA. Exhibitions: Frye Art Museum, WA; Woodside/Braseth Gallery, WA; Tacoma Art Museum, WA; Coos Art Museum, OR. Representation: Linda Hodges Gallery, WA. Author: Artists’ Complete Guide to Facial Expression. BARBARA FUGATE MFA Painting-Miami University of Ohio, OH. Taught: Seattle Art Museum, WA; Seattle Pacific University, WA; Troy Art Center, NY; Western Kentucky University, KY. Exhibitions: ArtSpace, WA; Bellevue Art Museum, WA; Fountainhead Gallery, WA; Martin-Zambito Gallery, WA. Author: The Best of Sketching and Drawing. TERRY FURCHGOTT BA-Radcliffe College, MA. Training: Camden Arts Center, England. Awards: Artist Trust Fellowship, King County Arts Commission, WA State Arts Commission. Numerous public art murals. Representation: Lisa Harris Gallery, WA. MICHAEL GRIMALDI, Guest Teaching Artist Training: Art Students League, NY; National Academy, NY; New York Studio School, NY; Ecole Albert Defois, France. Taught: Janus Collaborative, NY, Art Students League, NY; National Academy, NY, Water Street Atelier, NY; Studio 126, Grand Central Academy, NY. Exhibitions: Arcadia Gallery, NY; Forum Gallery, NY; John Pence Gallery, CA; Hirschl & Adler Galleries, NY; National Academy Museum, NY. KAREN HACKENBERG, Guest Teaching Artist BFA Painting-Rhode Island School of Design, RI. Exhibitions: Vermillion Art Gallery, WA; OK Hotel, WA; Fountainhead Gallery, WA; Bainbridge Arts and Crafts, WA; ArtsWest Gallery, WA; Whatcom Art Museum, WA. Recipient: GAP Award, Artist Trust, WA; Centrum Creative Arts Residency, WA; Artist Trust EDGE Program at Centrum. ARON HART Training: Kang-O’Higgins Atelier, WA. Exhibitions: Up Front Gallery, WA; Semantics Art Gallery, WA; Flatcolor Gallery, WA; Art/Not Terminal Gallery, WA; Colombia City Gallery. Awards: First Place, Burien Arts Juried Exhibition, First Place, Drawing, Edmonds Arts Festival; First Place, Portraiture, Best of Gage; Third Place, Painting, Edmonds Arts Festival. TOM HOFFMANN MA-Art Education, University of London Institute of Education, England; BFA-Amherst College, MA. Hoffmann has taught extensively nationally and locally. Exhibitions: Frye Art Museum, WA; Seattle Art Museum, WA; Tacoma Art Museum, WA. Representation: Fountainhead Gallery, WA. Author: Watercolor Painting: A Comprehensive Approach to Mastering the Medium.

MARK KANG-O’HIGGINS MFA, New York Academy of Art, NY; MA, University College Galway, Ireland. Training: Edinburgh College of Art, Scotland. Exhibitions: Columbia University, NY; New York Public Library, NY; SAM Gallery, WA; Linda Hodges Gallery, WA. MICHAEL LANE Education: Samuel Fleisher Art Memorial, PA; The Pennsylvania Academy of the Fine Arts, PA; mentored by Nelson Shanks. Taught: Moore College of Art and Design, PA; Mural Arts Program, City of Philadelphia, PA. Exhibitions: Vain Gallery, WA; Form/Space Atelier, WA; Artists’ House Gallery, PA. GEOFFREY LAURENCE, Guest Teaching Artist MFA-New York Academy of Art, NY. Training: Byam Shaw School of Art, England; London College of Printing, UK. Taught: Los Angeles Academy of Figurative Art, CA; Andreeva Portrait Academy, NM. Exhibitions: Skotia Gallery, NM; LewAllen Contemporary, NM; Forbes Galleries, NY. Representation: 101/Exhibit, FL; John Pence Gallery, CA. ANNE LEWIS, Guest Teaching Artist BA-Fine Arts, University of Puget Sound, WA; Graduate Studies: Pacific Oaks, WA. Training: School of Visual Concepts, WA; Pratt Fine Arts Center, WA; University of New Mexico, NM. Taught: Pratt Fine Arts Center, WA; Bellevue Arts Museum, WA; Tacoma Art Museum, WA. Publication: Mixed Media Collage. KATHY LIAO BFA-University of Washington, WA; MFA-Boston University, Ma. Taught: Boston University, Ma, Grand Image, Ltd., WA, Wing Luke Asian Museum, WA. Exhibitions: Fuel, WA, Commonwealth Gallery, Ma, La Familia Gallery, WA, Seattle Art Museum Gallery, WA, Jacob Lawrence Gallery, WA. PATRICK LOCICERO, Guest Teaching Artist MFA-The San Francisco Art Institute, CA; BFAThe Ohio State University, OH. Taught: University of Washington, WA; Cornish College of the Arts, WA. Exhibitions: Linda Hodges Gallery, WA; Seattle Art Museum, WA; Sue Greenwood Fine Art, CA; United States Embassy, country of Georgia. Commissions and Collections around the United States. MICHAEL MAGRATH MFA Sculpture and Public Art-University of Washington, WA. Training: Florence Academy of Art, Italy. Taught: Reed College, OR; Sculpture Academy of London, United Kingdom; University of Washington, WA. Public and private commissions: UW Medal of Honor Memorial; Microsoft; Dwayne Clarke Residence. Awards: IFRAA Best Sculpture Award, GAP Award, 4Culture, Art Renewal Center Best Sculpture 2009.

ABOUT GAGE: Teaching Artists

John Rizzotto, detail KATHLEEN MCKEEHEN Training: Natural Science Illustration-University of California, Santa Cruz, CA; Freelance: Organic Gardening, The Herb Companion, Gardener’s Companion. Member: American Society of Botanical Artists; Guild of Natural Science Illustrators; Society of Children’s Book Writers and Illustrators.

JULIA RICKETTS BFA-New York State College of Ceramics at Alfred University, NY. Taught: Kirkland Arts Center, WA; Pilchuck School of Glass, WA; Pratt Fine Arts Center, WA. Solo Exhibitions: Alysia Duckler Gallery, OR; Friesen Gallery, ID; Fulcrum Gallery, WA; Representation: Patricia Cameron Gallery, WA.

JOHN MORRA, Guest Teaching Artist MFA-New York Academy of Art, NY; BFA-University of California at Santa Barbara, CA. Taught: Water Street Atelier, NY; New York Academy of Art, NY; School of Visual Arts, NY. Exhibitions: Hirschl & Adler Galleries, NY; Arnot Art Museum, NY; Oglethorpe University Museum of Art, GA.

JOHN RIZZOTTO Training: Classical Atelier, Gage Academy of Art, WA; The School of Visual Concepts, WA. Recipient: ARC Scholarship. Exhibitions: Frye Art Museum, WA; Bellevue Art Museum, WA. Representation: Rhodes Stringfellow Gallery, OR.

ANNE PETTY MFA-Painting & Drawing, University of Washington, WA; BFA-Drawing & Painting, Missouri State University, MO. Taught: University of Washington, WA. Exhibitions: Sandpoint Gallery, WA; SAM Gallery, WA; Henry Art Gallery, WA; Jacob Lawrence Gallery, WA. Awards: University of Washington de Cilia Teaching in Excellence Award, WA. JIM PHALEN, Guest Teaching Artist MA & MFA-Painting, University of New Mexico; BFA-Sculpture, San Francisco Art Institute, CA. Taught: University of Washington, WA; University of Puget Sound, WA; Cornish College of the Arts, WA; Bowdoin College, ME. Exhibitions: Frye Art Museum, WA; Darby/Cardonsky Gallery, CT; Albright-Knox Art Gallery, NY; Humbolt State University, CA; Dolby Chadwick Gallery, CA. NICHOLAS RAYNOLDS, Guest Teaching Artist BFA-Emily Carr Institute of Art and Design, Canada. Training: Dusseldorf Academy of Art, Germany; Nova Scotia College of Art and Design, Canada; Vancouver Academy of Art, Canada; Water Street Atelier, NY. Exhibitions: New York, Seattle, Washington, D.C. Representation: John Pence Gallery, CA. STEVEN REDDY, Guest Teaching Artist BFA-Visual Design, University of Oregon, OR; certified K-12 Art teacher. Board: The Urban Sketchers. Author: An Illustrated Journey (HOW Books 2013).

KOO SCHADLER, Guest Teaching Artist BA-Tufts University, MA; Studio Art Centers International, Italy; College of Marin, CA; New England School of Classical Painting, NH. Representation: J. Cacciola Gallery, NY; Tree’s Place, MA; Board member: Society of Tempera Painters. TENAYA SIMS, Guest Teaching Artist BFA Painting & Drawing-Carnegie Mellon University, PA; Graduate: Aristides Atelier, Gage Academy of Art, WA. Taught: Georgetown Atelier, WA; Fall City Fine Art Studio, WA; Pratt Fine Arts Center, WA. Exhibitions: Elka Rouskov Gallery, WA; Howard/Mandville Gallery, WA.

MELISSA WEINMAN MFA-2-D Media, University of Southern California, CA. Taught: University of Puget Sound (Art Department Chair), WA; University of Maryland, MD; University of Richmond, VA. Exhibitions: Kittredge Gallery, WA; Wesleyan Theological Seminary, Washington, D.C.; Seattle Pacific University, WA; Frye Art Museum, WA; Linda Hodges Gallery, WA. HAMID ZAVAREEI BS-West Virginia Institute of Technology, VA. Taught: Seattle Pacific University, WA; Kirkland Art Center, WA. Exhibitions: William Traver Gallery, WA; Gallery Bershad, MA; SAM Gallery, WA; Fountainhead Gallery, WA; Carnegie Art Museum, CA; Palos Verdes Art Center, CA. Residency: Lantern of the East Art Camp, South Korea. Representation: Linda Warren Gallery, IL.

Staff*

206.323.GAGE

Sheila Hughes

x13

Margaretta Lantz x32

Gary Faigin

x13

Shelly Leavens

VONN SUMNER MFA-University of California, Davis; BA-University of California, Davis. Exhibitions: Merry Karnowsky gallery, CA; Phillips Museum of Art, PA; Paul Thiebaud Gallery, CA; Northern California Center for the Arts, CA; Tahoe Tallax Association, NV. Publications: The Washington Post, Poets and Artists Magazine, The Huffington Post, Artweek LA, Juxtapoz.

Sharon Arnold

x17

Mark R. Livingston x11

Alison M. Dawson x12

Kathleen Moore x16

Sam Hamrick

x20

Tali Rausch

x12

Carol Hendricks

x15

Ani Rucki

Graphic Designer

x14

Adult Programs Manager

KIMBERLY TROWBRIDGE MFA-Painting, University of Washington, WA; BFAPainting/BA English Literature, Indiana University, IN. Exhibitions: Grey Gallery, WA; Ouch My Eye, WA; Crawl Space Gallery, WA; The Kinsey Institute, IN; University Alumni House, WA; MFA Thesis Exhibition, Henry Art Gallery, WA; Jacob Lawrence Gallery, WA.

Lee Humason

x19

Ashley Shumaker x10

Operations Director

Susan Jones

x11

Josh Webb

Executive Director Artistic Director

Youth Programs Manager Development Director Facility Manager

Web Editor

Executive Assistant

x18

Curator/Public Events

Communications Director Fundraising Manager Grant Writer

Co-Registrar

Volunteer IT Support

*staff email = first name + @GageAcademy.org

Program Schedule ABOUT GAGE: Program Schedule

Weekend Workshops

YOUTH PROGRAMS: Classes

WW1329 WW1330 WW1331 WW1332 WW1333 WW1334 WW1335 WW1336 WW1337 WW1338 WW1339 WW1340 WW1341

Cityscapes in Watercolor Mixed Media Painting Crash Course in Composition Life Sized Mixed Media Drawing Composition Through Shape & Notan Illustrative Drawing Mixed-Media Image Layering The Architecture of Collage Venetian Painting Techniques Autobiographical Artifacts in Diorama Alla Prima Figure Painting w/Acrylics Painting the Flower in Oil Figure Drawing on Toned Paper

Int All All All All All All All Int All Int/Adv All All

Hoffmann Zavareei Lewis Liao Albala Reddy LoCicero Lewis Zavareei LoCicero Furchgott Chung Aristides

Fri-Sun Sat-Sun Sat Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat Sat-Sun Sat-Sun Fri-Sun Sat-Sun Mon-Wed

9/13-9/15 9/14-9/15 9/21 9/28-9/29 10/5-10/6 10/5-10/6 10/12-10/13 10/19 11/16-11/17 11/23-11/24 12/13-12/15 12/14-12/15 12/16-12/18

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p. 10 p. 10 p. 10 p. 10 p. 10 p. 10 p. 10 p. 11 p. 11 p. 11 p. 11 p. 11 p. 11

All All All Int/Adv All All Int/Adv All All

Faigin Hackenberg Sims Morra Schadler Schadler Laurence Raynolds Weinman

Mon-Fri 8/19-8/23 Mon-Fri 8/19-8/23 Mon-Fri 8/19-8/23 Tue-Fri, Mon-Fri 9/3-9/13 Mon-Fri 12/2-12/6 Mon-Fri 12/9-12/13 Mon-Sat 1/6-1/11 Mon-Fri 1/6-1/10 Mon-Fri 1/6-1/10

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p. 12 p. 12 p. 12 p. 12 p. 12 p. 12 p. 13 p. 13 p. 13

All All All

none none none

varies Fri/am Fri/pm

9/16-11/24 9/20-11/22 9/20-11/22

See p. 14 for times See p. 14 for times See p. 14 for times

All All

Faigin West

Tue Mon

9/17-10/15 10/21

7:00pm-8:30pm 7:00pm

p. 15 p. 15

All All Beg Beg All All Beg All All Beg Beg Beg Beg All Beg Beg All

Chung Sumner Furchgott Davidson Brooker Davidson Weinman Brooker Evans Lane Hart Hart Sumner McKeehen Albala Hart Lane

Mon Mon Tue/Thu Tue/Thu Tue Tue Tue/Thu Wed Wed Wed/Fri Thu Thu Fri Fri Fri Sun Fri

9/16-11/18 9/16-11/18 9/17-11/21 9/17-11/21 9/17-11/19 9/17-11/19 9/17-11/21 9/18-11/20 9/18-11/20 9/18-11/22 9/19-11/21 9/19-11/21 9/20-11/22 9/20-11/22 9/20-11/22 9/22-11/24 9/20-11/22

9:30am-12:30pm 1:30pm-4:30pm times vary 6:30pm-9:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 9:30am-12:30pm 1:30pm-4:30pm 10:00am-1:00pm 6:30pm-9:30pm

p. 16 p. 16 p. 16 p. 16 p. 16 p. 16 p. 17 p. 17 p. 17 p. 17 p. 17 p. 17 p. 17 p. 17 p. 17 p. 17 p. 18

Int Int Int Int Int Int

Liao Weinman Fugate Sumner Davidson Weinman

Mon Tue/Thu Wed Wed Thu Sat

9/16-11/18 9/17-11/21 9/18-11/20 9/18-11/20 9/19-11/21 10/26-11/23

1:30pm-4:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 1:30pm-4:30pm 10:00am-4:30pm

p. 18 p. 18 p. 18 p. 18 p. 18 p. 18

Weeklong Workshops WA1313 WA1314 WA1315 WA1316 WA1318 WA1319 WA1401 WA1402 WA1403

Landscape Painting in Oil Nature Painting in Gouache Portrait Drawing on Toned Paper Painting the Spanish Still Life Portraiture in Egg Tempera Still-Life in Egg Tempera Port Ptg in the Renaissance Tradition Portrait Drawing in Pencil Trompe Lâ&#x20AC;&#x2122;oeil Painting

Open Studios ST1301 Drop-In Figure Studios STR1302 Reserved Figure Studios STR1303 Reserved Figure Studios

Lecture Series L1306 L1307

Principles of Perspective Drawing Pop Goes the Easel

Drawing Classes: Beginning D1361 D1362 D1363 D1364 D1365 D1366 D1367 D1368 D1369 D1370 D1371 D1372 D1373 D1374 D1375 D1376 D1377

Cast Drawing Perspective Drawing Foundation Drawing I Foundation Drawing I Beg Portrait Drawing & Sculpting Pen & Ink Foundation Figure Drawing I Drawing Portraits of Trees The Quick Sketch Foundation Figure Drawing I Beginning Portrait Drawing Beginning Figure Drawing Beginning Figure Drawing Botanical Drawing Drawing for Beginners Drawing for Beginners Portrait Drawing

Drawing Classes: Intermediate D1378 D1379 D1380 D1381 D1382 D1383 30

Long-Pose Figure Drawing Anatomy for the Artist Figure Drawing w/Expression Long-Pose Figure Drawing Light & Shadow 5-Week All-Day Fig & Port Drawing

ABOUT GAGE: Program Schedule

Painting Classes: Beginning P1387 P1388 P1389 P1390 P1391 P1392 P1393 P1394 P1395 P1396 P1397 P1398 P1399 P13100 P13101 P13102 P13103 P13104

Introduction to Color Foundation Fig Ptg I: Color Into Value Portraits In Watercolor Foundation Still-Life Painting I Luminous Still-Lifes in Acrylic Encaustic Painting Figure Painting in Oil Pastel Still-Lifes: Impressionist Palette Beginning Watercolor Beginning Still-Life Painting Expressive Figure in Pastel Components of the Landscape Beginning Oil Painting Portrait Painting in Oil Botanical Wcolor: Autumn Cornucopia Portrait Painting in Oil Beginning Still-Life Painting Abstract Painting I

All Beg All Beg All All All All Beg All All All Beg All All All All Beg

Sumner Petty Zavareei Rizzotto Furchgott Zavareei Petty Furchgott Hoffmann Phalen Liao Brooker Brooker Phalen McKeehen Lane Chung Ricketts

Mon Mon/Wed Mon Mon/Wed Mon Mon Tue Tue Wed Wed Wed Thu Thu Fri Fri Sat Sun Sun

9/16-11/18 9/16-11/20 9/16-11/18 9/16-11/20 9/16-11/18 9/21-11/23 9/17-11/19 9/17-11/19 9/18-11/20 9/18-11/20 9/18-11/20 9/19-11/21 9/19-11/21 9/20-11/22 9/20-11/22 9/21-11/23 9/22-11/24 9/22-11/24

9:30am-12:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 6:30pm-9:30pm 9:30am-12:30pm 9:30am-12:30pm 6:30pm-9:30pm 9:30am-12:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 10:00am-1:00pm 2:00pm-5:00pm 10:00am-1:00pm

p. 19 p. 19 p. 19 p. 19 p. 19 p. 19 p. 20 p. 20 p. 20 p. 20 p. 20 p. 20 p. 20 p. 20 p. 21 p. 20 p. 20 p. 21

Int Int Int Int Int Int/Adv

Emerson Hoffmann Emerson Fugate Lane Ricketts

Tue Wed Thu Thu Sat Sun

9/17-11/19 9/18-11/20 9/19-11/21 9/19-11/21 9/21-11/23 9/22-11/24

9:30am-12:30pm 1:30pm-4:30pm 9:30am-12:30pm 6:30pm-9:30pm 2:00pm-5:00pm 2:00pm-5:00pm

p. 21 p. 21 p. 21 p. 21 p. 21 p. 21

Adv

Hoffmann

Tue

9/17-11/19

9:30am-12:30pm

p. 21

Foundation Figure Sculpture I Figure Sculpting Studio Beginning Figure Sculpture The Essence of Animals

Int/Adv All Beg All

Magrath Magrath Magrath Evans

Tue/Thu Tue Thu Fri

9/17-11/21 9/17-11/19 9/19-11/21 9/20-11/22

1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm

p. 22 p. 22 p. 22 p. 22

Aristides Atelier Kang-O’Higgins Atelier Faigin Atelier

All All All

Aristides Mon-Fri Kang-O’Higgins Mon-Fri Faigin Mon-Fri

9/16-6/13 9/16-6/13 9/16-6/13

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p. 23 p. 23 p. 23

All All All All All All All All

Lah Heath Hallenius Damsky Jorgensen Alpert Bixler Abernethy

10:00am-11:00am 10:00am-noon 10:00am-11:00am 10:00am-noon See p. 25 for times See p. 25 for times 3:00pm-5:30pm 3:00pm-5:30pm

p. 24 p. 24 p. 24 p. 24 p. 25 p. 25 p. 25 p. 25

Painting Classes: Intermediate P13105 P13106 P13107 P13108 P13109 P13110

The Art of Bonnard & Vuillard Intermediate Watercolor Understanding Color for Painters Exploring Contrast: Figure & Still-Life Figure Painting in Oil Contemporary Painting Seminar

Painting Classes: Advanced P13111

Advanced Watercolor

Sculpting Classes S1318 S1319 S1320 S1321

Ateliers AT1310 AT1311 AT1312

Youth Classes K1306 K1307 K1308 K1309 T1306 T1307 TI1302 TI1401

Mixed Media for Kids Storyteller’s Workshop Robot Drawings Contour Line & Watercolor Your Art in History Mastering the Self Portrait & Still Life Drawing with Color Oil Painting Principles

Sat Sat Sat Sat Tues/Sat Tues/Sat Tues Tues

10/5-10/26 10/5-10/26 11/2-11/23 11/2-11/23 10/1-10/26 11/2-11/26 10/1-11/19 1/7-3/4

Gage offers a range of payment plans and discount options for adult classes and workshops. Visit GageAcademy.org/adult for more.

Student Information ABOUT GAGE: Student Information

1501 Tenth Ave E

5 Harvard Ave E

St. Marks Cathedral

GAGE (in St. Nicholas building)

FACILITY Gage is located in the St. Nicholas school building, 1501 Tenth Avenue East beside St. Mark’s Cathedral on North Capitol Hill. The Gage main entrance is on the south end of the building. Please contact Gage staff regarding ADA accommodations. BUILDING & OFFICE HOURS Office Hours: Mon-Fri: 9:00am-5:00pm Building Hours: Weekday Hours: 8:30am-10:00pm Saturday Hours: 9:00am-6:00pm Sunday Hours: 10:00am-6:00pm The Belyea Library and galleries are open at all times the building is open. PARKING Free parking is available weekdays along the south wall of the St. Nicholas building and behind St. Mark’s Cathedral. For evening and weekend programs, students are invited to park behind the St. Nicholas building, as well.

TRANSPORTATION Gage is located east of I-5, south of 520 and four blocks north of Broadway on Capitol Hill. For public transportation, take Metro bus line 49. For driving directions, visit GageAcademy.org/aboutus.

Garfield St

E Galer St

10th Ave E

W S

N E

SCHOLARSHIP OPPORTUNITIES Year-round, Gage offers full- and partial- need– based tuition scholarships to youth and adult students on a reserved and space-available basis. In addition, Gage offers more substantial need- and merit-based adult scholarships annually with applications due each July. To learn more and to receive our adult Scholarship Forms, please visit the Gage website, or contact the Registrar at 206.323.4243 x10 or email Info@GageAcademy.org.

NOTICE OF NONDISCRIMINATION Gage does not discriminate on the basis of race, color, nationality, gender identity, sexual orientation, ability, age, religion or ethnic origin in administration of its educational and admissions policies, scholarships and any school-administered programs.

For Youth Scholarship info, please contact Sharon Arnold, Youth Programs Manager, at 206.323.4243 x17 or email Sharon@ GageAcademy.org.

ART SUPPLIES Class and workshop materials lists are posted on the web. Students may also request that a copy be faxed or mailed. Adult students provide all art supplies and should expect to pay $50 or more to purchase the required materials. Gage provides odorless solvents for all oil-painting programs. Gage does not allow the use of Liquin or any other highly toxic mediums in the studios. Gage Youth Programs include all art supplies.

FREE WiFi Free wireless internet is available on all three floors of the school. Network: GAGE. Password: gage_wifi

Utrecht Seattle moved into

NOW IN BALLARD!

Find a larger assortment, lower prices & your favorite Utrecht products at:

2000 NW MARKET STREET

206.523.4830 ~ WWW.DAKOTAARTSTORES.COM

Blick - Seattle

1600 Broadway Ave. On the corner of Broadway & Pine!

206-324-0750

Artists’ Materials

30% OFF

The Northwest’s Largest selection of art supplies—over 18,000 items for the artist

800-426-6740 danielsmith.com 800-426-6740 •• danielsmith.com

ONE NON-SALE, IN STOCK ITEM VALID 7/29/13 -11/11/13

Blick Art Materials and Utrecht Art Supplies, coupon must be surrendered at time of purchase; no copies will be honored. Limit one coupon per day. In-store promo only. Valid only on non-sale, in-stock items. Offer not valid with any other discounts or promotions, phone/mail/internet orders, Custom Framing/Printing orders, and purchases of gift cards or school kits.

*Ao10052*

SEATTLE STORE SEATTLE 4150 First STORE Ave. S. 4150 First Ave. S. (206) 223-9599

(206) 223-9599

BELLEVUE STORE BELLEVUE 15112 NE STORE 24th St. 15112 24th St. (425)NE 643-1781 (425) 643-1781

Registration Fall 2013 registration begins Monday, August 5, 2013.

MAIL

PHONE

GageAcademy.org

Phone 206.323.GAGE(4243) x10 or 800.880.3898

ABOUT GAGE: Registration

ONLINE

Three ways to register: Download a registration form at GageAcademy.org/adult and mail to: Gage Academy of Art 1501 Tenth Avenue East Seattle, WA 98102

Gage accepts Visa, Mastercard and American Express as well as checks or cash. NOTE: There is a $12 nonrefundable registration fee for each registration, regardless of number of programs booked. Registration fee is waived for ateliers, lecture series, and open studio passes.

TUITION DISCOUNTS

CANCELLATION DETAILS

Gage welcomes artists of all abilities to attend the myriad programs available through the school. In addition, Gage offers the followings tuition discounts for all of our adult classes and workshops:

Students who wish to cancel their place in a program must notify the Gage office by telephone or email to qualify for tuition refund or tuition credit. Tuition credits must be applied toward Gage programs within one year and are available on a stand-by basis only. All tuition credits are nontransferable. See Atelier and Student contract for cancellation terms.

25% discount for adult student 25 years old and younger 10% discount for new adult students 10% discount for registering with a new adult student 50% discount for K–12 educators (stand-by) 50% discount for professional artists (stand-by)

CLASS AND WEEKEND WORKSHOP CANCELLATION TERMS Program cancelled by Gage:

100% refund of all fees

Cancel more than three business days before program start date: Partial refundt

Please go to GageAcademy.org/adult for payment and discount terms.

Cancel three business days or fewer before program start date:

PAYMENT OPTIONS

Tuition creditt

Cancel on or after first session date, but before second session date: Prorated tuition creditt*

When you register for any adult class or workshop at Gage, you may choose a monthly two- or three-payment option on your credit card at no extra charge. All class and workshop cancellation terms apply. Please call our Registrar to enroll in a payment plan. Questions? Email Info@GageAcademy.org.

Cancel on or after date of second session:

0% refund

$25 deposit will be withheld from your nontransferable tuition credit or refund. Tuition credits are nontransferable and must be used within one year. *Prorated credit not available for weekend workshops.

STUDENT CONTRACT Submission of your registration constitutes acceptance of all terms and conditions stated in this catalog and agreement that Gage Academy of Art (Gage) cannot be held responsible or liable for any act or for any injury, illness, death, damage, loss, accident, delay or irregularity which may occur during the course of any program. Gage assumes no responsibility for losses or additional expenses due to influences beyond its control. Personal effects, artwork and art supplies are students’ sole responsibility at all times. Gage reserves the right to cancel any program in which case it is liable only for any fees paid to Gage Academy of Art. Gage reserves the right to reschedule any program or replace any instructor without refund. Gage reserves the unconditional right to terminate enrollment in the event of unreasonable or disruptive conduct or failing to follow Gage’s student policies and rules; and Gage may do so without any refund. No refund will be made for early departure or deviation from the Gage schedule and program registration shall be nontransferable. Publicity waiver: Unless informed otherwise, Gage considers photographs taken of students and their artwork to be permissible for publication in Gage informational materials, including the web.

WEEKLONG WORKSHOP CANCELLATION TERMS Workshop cancelled by the Academy:

100% refund of all fees

Cancel more than four weeks before workshop start date:

Partial refundtt

Cancel four weeks or fewer, but more than five business days before workshop start date:

Tuition credittt

Cancel five business days or fewer before workshop start date:

0% refund

$75 deposit will be withheld from your tuition refund or nontransferable tuition credit. Tuition credits are non-transferable and must be used within one year.

nsorship logo standards

Gage, a not-for-profit institution, relies on support from the following generous organizations and foundations. Discover more ways to support Gage: Contact Alison Dawson, Development Director, at Alison@GageAcademy.org.

ls Fargo logo appears in Wells Fargo red and Wells Fargo yellow. Use the black 1-color version only for one- or or (black plus one color) applications such as newspaper advertising or forms. Preferred

MARK & SUSAN

1-Color TORRANCE F O U NBlack DATION 100%

CMYK logo

Norman Archibald Charitable Foundation • The Baltimore Foundation • Boeing Gift Matching Program

go colors

o colors must appear exactly theJP same every timeChase they are Employee used. On printed materials, Wells Fargo•logo Morgan Giving Program Billcolors & Melinda Gates Foundation Matching Gift Program Fargo Red and Wells Fargo Yellow — must always match their CMYK formula respectively, whether printing Leon Lowenstein Foundation • Microsoft Matching Gift • Seattle Foundation — Donor Advised Funds d or uncoated stock. Never substitute other colors. This is especially important since certain paper stocksFoundation and t types of media may alter the way a color looks when reproduced. For this reason, a color check while the job Saltchuk Resources Matching Gift Program • Jon and Mary Shirley Foundation ess or in final production is essential. Drawdowns are strongly recommended in all cases. For print jobs g spot color pages, special spot ink formulas are provided from the Brand Management Team at wellsfargo.com.

Fargo red: : 100 Y: 80 K: 20

SIMPLY DESSERTS

Fargo yellow: 20 Y: 100 K: 0

logo colors

re the online color values of Wells Fargo red and Wells Fargo yellow.

1501 Tenth Avenue East Seattle WA 98102 206.323.GAGE (4243) 800.880.3898 GageAcademy.org

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Classical Training for Contemporary Artists

YOUTH PROGRAMS AT GAGE Artist Angelique Hall created this dynamic print as part of the Xerox Transfer Printmaking session in May at the Rainier Valley Teen Art Studios. Led by teaching artist Emily Stout, TAS artists like Angelique explored this exciting alternative process using a Xerox image transferred onto a variety of surfaces. See pages 26–27 for more info about TAS programs in fall 2013, or visit GageAcademy.org/tas.

NONPROFIT ORG U.S. POSTAGE PAID SEATTLE, WA PERMIT NO. 711