CUADERNO DE PROCESO Taller Flores y Prats Semestre de oto単o, 2014 Daniel Tata Schneider
Plano Barcelona, 1929
Plano Barcelona, 1940
Days End, Gordon Matta-Clark, New York, 1973
Carrer d窶連lﾃｭ Bei 101, Barcelona
Carrer del dos de Maig 185, Barcelona
Passatge Iglesias 8, Barcelona
Teatro Olimpico, Andrea Palladio, Vincenza, 1585
Jaques Tati: „Mon Oncle“, Francia, 1958
Tom Emerson: „Never Modern“, 2013 „In the work of artists, Richard Wentworth as in that of Sempé, in Tati there is a fundamental optimism and a fascination with the resourcefulness of people as they get on with their lives. Like contemporary society at large, architecture is fundamentally a work of bricolage drawing from the debris of history and the comedies of everyday life in the world that surrounds us.“
Mehr als Wohnen, Futurafrosch, Z端rich, 2009-2015
Hotel Shabby Shabby, Raumlabor, Berlin, 2014
Imagination Headquarter, Ron Herron, London, 1990
The Art of Living, Saul Steinberg, New York, 1949
Carrer Bilbao 53, Poble Nou, Barcelona
Robert Evans: „Figures, Doors and Passages“, 1997 „(…) there is surely another kind of architecture that would seek to give full play to the things that have been carefully masked by it’s anti-type (the corridor type); an architecture arising out of the deep fascination that draws people towards others; an architecture that recognizes passion, carnality and sociality. The matrix of connected rooms might well be an integral feature of such buildings.“
Double Helix House, Onishimaki + Hyakudayuki Architects, Tokyo, 2012
Sesc Pompéia, Lina Bo Bardi, São Paulo, 1986