BA Photography Exhibition 2011 Leeds College of Art
IN
TRODUCTION
This course will provide you with a sound technical background in the broad and stimulating field of photography and lens based media, as well as developing your critical and conceptual understanding. You’ll have an introduction to a range of new and traditional techbologies. Working with established methods of photographic image-making as well as contemporary digital methods of construction and manipulation. You will discover how they inform each other and are appropriate for achieving different outcomes. You’ll be encouraged to analyse contemporary photography in a variety of contexts, from the gallery to commercial design. The critical elements of the course will help you to discuss your own work as well as that of others.
CO
06. RACHEL BARKER The Journeys Inbetween
10. MARC BROWN The Journeys Inbetween
08. JACK BOOTH The Journeys Inbetween
NTENTS
04. ANNE-MARIE ATKINSON The Journeys Inbetween
04. ANNE-MARIE ATKINSON The Journeys Inbetween
14. ROSE-LOUISE COX Some ruins stuff
06. RACHEL BARKER The Journeys Inbetween
08. JACK BOOTH The Journeys Inbetween
08. JACK BOOTH No idea
06. RACHEL BARKER Grass
10. MARC BROWN The Journeys Inbetween
04. ANNE-MARIE ATKINSON Winter snow
12. AMY COCHRANE More ruins
06. RACHEL BARKER The Journeys Inbetween
10. MARC BROWN The Journeys Inbetween
06. RACHEL BARKER The Journeys Inbetween
08. JACK BOOTH The Journeys Inbetween
06. RACHEL BARKER Grass
04. ANNE-MARIE ATKINSON The Journeys Inbetween
12
HOLLY SAXTON
_ The Journeys Inbetween
Developed considering theories such as scopophilia, the love of looking; Panopticism, the “allseeing eye”; and the voyeurism of everyday life, this project observes people observing themselves through a two-way mirror whilst they unknowingly become the photographer’s subject. The viewer of the work becomes a spectator of the observation made by the photographer. The two-way mirror, placed in everyday locations, capturing people doing everyday things, provides the enjoyment of surveying others without being seen by the subjects. The snapshot aesthetic of the images enhances the feeling of observing and recording from a hidden viewpoint.
_ Opposite: Some sort of ruins _ Overleaf from left to right: Some sort of ruins, Again, some sort of ruins, What a surprise, ruins
_ holly@hotmail.com www.hollysaxton.co.uk +44 (0) 7533994122