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international publishing UNBOUNDER territory design spreading infinite value

www.hi-design.hk

Hi-design International Publishing Co., Ltd. is a professional publishing company specialized in publishing, planning and promoting books about architecture, interior design, landscape design, graphic design, culture and art.

With extensive range of globalized resources, we plan and publish hiquality hardcover books which are sold all over the world.

国际出版 疆域无界 传播设计 价值无限 国际化 时刻关注设计界发展的前沿动态，跟踪国际设计的最新潮流； 按国际化标准出版专业图书。

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中小学建筑

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design architect INTERIOR design signarchitect design architectURE design AUDIO VISUAL WORLD architectURE design Hotel ARCHITECTURE High-rise Office Building

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中高层办公建筑

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Kindergarten Architecture

RE design Parking Building

幼儿园建筑 新型停车场

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design architectURE design Shopping Mall office building now

现代办公建筑

World public architecture

世界最新公共建筑Ⅱ

Fascinating architecture

世界最新公共建筑Ⅰ

LATEST APARTMENT BUILDING

国际新集合住宅

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《办公总部基地》

《国际新集合住宅Ⅱ》

Headquarters Base

Latest Apartment Bulding Ⅱ

K-12 Education Architecture

《商业广场Ⅱ》

《办公总部大楼 ( 下）》

《办公总部大楼 ( 上）》

Shopping Mall Ⅱ

Office Headquarters Vol.2

《中小学建筑》

Office Headquarters Vol.1

《城市综合体》

《影剧院》

《酒店建筑》

Hopsca

Audio VIsual world

Hotel Architecture

《中高层办公建筑》

《幼儿园建筑》

《新型停车场》

High-Rise Office Building

Kindergarten Architecture

Parking Building

《银行建筑》

《购物中心》

《现代办公建筑》

Bank Building

Shopping Mall

Office Building Now

《世界最新公共建筑Ⅱ》

《世界最新公共建筑Ⅰ》

《国际新集合住宅》

World Public Architecture

Fascinating Architecture

Lastest Apartment Building

《概念·建筑》

Conceptual Architecture

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HEADQUATERS BASE

《办公总部基地》

ISBN

binDinG

978-7-5611-7371-8

hardcover

SiZE

PAGE

285*380mm

336pages

当建筑师为一家公司设计建筑时，他们必须将公司的价值观 融入到他们的设计中，同时还要考虑到城市、功能和建筑的相互 影响。一座建筑，除了自身的功能性以外，还要反映并传达公司 的价值观。这就要求规划师所提交的公司设计不能武断教条，而 应该主要考虑到具体的项目目标和主要愿景。 《总部基地》这本书向我们展示了一些精选的工程项目，项目 中对建筑和现代办公空间的独特思考为公司建筑提供了新的视角。

When architects are asked to design a building

planner to propose company-specific designs

for a corporation they have to accommodate

that must not be dogmatic whereas the debate

the knowledge of values of a company into

about the project-specific goals and visions of

their design while also accounting for its

the principal should prevail.

urban, functional and constructional context.

This ‘Headquarters Base’ book presents some

Architecture, in addition to creating a functional

excellent projects, which provide a brand new

identity, can also convey a message and reflect

perspective on the architecture design for

the values of a company. This requires the

corporate buildings.

BOSCH CHINA HEADQUARTERS Architect: Suzhou Industrial Park Design & Research Institute Co., Ltd. Location: Shanghai, China

博世中国总部

Area: 28,630 m2 Photographer: Zhao Jiang

Located in Shanghai Hongqiao airport economic park, the building stands hale and hearty with structure precision, which implies its identity as precision machining. The site is L-shape. Considering the capacious river landscape on the south, Bosch takes the east-west layout, in order to maximize the view from the three buildings. The deficiency in energy saving caused by this style is compromised by flexible external blinds and photovoltaic power generation plates, which achieves an excellent effect. The main building is No.1 building, which has several waterscapes, especially the ones on the eastern and western sides of the hall and the one indoors. With different features, the three waterscapes stand facing each other with select plants, which form a nice transition space between indoors and outdoors.

On the south part, podiums above the forth floor rise 8 meters from the river, which makes a person feel as if in the air while viewing the river from inside.

The building looks neat and orderly, the different heights of aluminum plates, various arrangements of curtain wall and cantilever and indention between floors, ever-changing in strict grid, shortcutting the elements' size to accelerate the construction efficiency and enhancing the particular order and integration in bulk building. Different indoor circulation spaces have different colors, so that thousands of employees can easily distinguish the area they are in. At night, these colors create unique colorful atmosphere for the whole building, as if it is an ivory tower floating on the river, crystal clear.

headquarters base 038

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headquarters base 288

DBL NL PLACE VENDOME Architect: Branimir Medić & Pero Puljiz, de Architekten Cie Landscape Designer: Buro Sant en Co, Den Haag Structural Engineer: PK Staal, Winterswijk

289

旺多姆广场

Location: Vebru, Schiedam Area: 20,300 m2

North elevation

Place Vendome is situated in the new Osterenk / Watersteeg office and business estate in Zwolle. This high-quality development project is characterized by strips of construction that alternate with the reed lands typical of the area. Green zones and a measured layout of the public space will determine the future ambience.

During the design stages, the Architekten Cie. researched various volumes, with the aim of creating a sheltered inner court with pleasant sojourning qualities and natural ambience. Making incisions in the corners ensures that the inner court is visible from the outside, and produces a more spacious perception from the inside. It also offers the opportunity to have two addresses at one location.

The construction consists of prefabricated white concrete elements. The expressive storey-high openings characterize the facade. The glass partitioning

facade is detached from the construction. The sunblinds, electrical ducts and data facilities are integrated in the intervening cavity. The stratification of the facade produces different perceptions of the building in the daytime and at night. During the day, the reflection of the glass gives the building a more closed allure and reinforces the horizontal striped pattern of the two glass tints.

At night, the illumination emphasizes the free form of the construction.

The angled end of the facades form the entrance to the Place Vendome. Guys and stays bearing Virginia creepers give a particular cachet to the entrance and reinforce the green quality of the location. Architecture and nature merge together here. The advanced layout of the greenery was developed in conjunction with the Van Sant en Co landscape architects. Boxwood plants refer to baroque models such as the Place Vendome in Paris. The combination with hydrangeas offers a flowering accent.

West elevation

Glazing facade elevation Elevation module

headquarters base 054

055

headquarters base 206 0

TRANSOCEANICA HEADQUARTERS Architect: Alex Brahm, David Bonomi, Marcelo Leturia, Maite Bartolomé, Felipe de la Jara, Diego Parra, Sebastián Infanta, Manuel Brahm, Mauricio Sanchez, Manuel Pulgar, Javiera Rolando, Ignacio Abé

Firm: +arquitectos Landscaping: Juan Grimm Location: Santiago, Chile

The building of the corporate Group Transoceánica, answers in its design to the implementation of a system of energy efficiency oriented to reduce demand, improve the quality of workspaces and adopt a respectful attitude to the environment.

In the development of the project, three conditions of the commission itself were faced, first at the request of the client, the building becomes part of a master plan made in Germany by the planning office Krause Bohne Gmbh, which defined the occupation of the site and the use of curved forms, by integrating a future development along with other office buildings. Second, the energetic concept of the building, with emphasis on the climate project and also for the rest of the specialties (Electrics, Lighting, Sanitation and Control System) were developed by the German office Bohne Ingeniure, with which it was made a joint work to define concepts of design that the project had to answer architecturally to achieve the sustainability goals required. Third, the building site, in front of the Lo Castillo Aerodrome, which has an exigent norm

10

207

20m

特昂斯安妮卡总部 Area: 20,000 m2 Photographer: Guy Wenborne

regarding constructability, land occupation and maximum height, forcing the development of an extended project in a terrain of generous proportions.

Based on the foregoing, it emerges a three level office building and two underground parking levels, composed of a main body conformed by a great hall of full height delivering to two wings of open plans for offices, plus and independent body in the north part for Auditorium and Casino, which connects through an exterior marquise, integrating it to the building and the site. The shape proposed seeks to optimize the solar orientation, favoring natural light, ensuring views of the exterior from every enclosure and developing a careful treatment of facades to avoid unwanted thermic increases or losses.

It was interesting giving answers and guiding a process marked by formal restrictions and the use of new Technologies, with the view and characteristics of architectural elements, strengthening the role of the architect as head of a multidisciplinary process and as main guest in the mission of providing better places to live in.

headquarters base 192

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LATEST APARTMENT BUILDING II

《国际新集合住宅Ⅱ》

ISBN

binDinG

978-7-5611-7372-5

hardcover

SiZE

PAGE

285*380mm

336pages

《新集合住宅II》以集合住宅的策划与设计为主线，彰显 了集合住宅规划设计的思路和方法，通过大量的实例多角度、 多层次地展现了集合住宅的设计思路，并对集合住宅的规划设 计内容和要点分类地进行了剖析。本书收录了40个集合住宅项 目，由30多位资深的设计学者参与制作而成。对我国目前的房 地产开发和集合住宅的建设具有极好的借鉴作用。

With the planning and design of apartment as the guideline, and plenty of cases shown in a multiangle and multi-level way, the book highlights the concept and methods of apartment projects planning and design, classifies and analyzes their contents and points. The 40 latest apartment projects from about 30 well-known and experienced architects on this book will be a good reference to real estate development and residential apartment construction.

Housing Erzherzog-Karl-Straße - 121 Apartments Erzherzog-Karl-Straße – 121 公寓

• Architect: AllesWirdGut, feld72 • Location: Wien

The idea behind the development is to create a built structure which combines a variety of residential offerings into one neighborhood that facilitates different ways of living.

This objective was pursued on both an urban-planning and on an architectural level. For one thing, the estate comprises several widely different urban design typologies: There is the lawn with several point block buildings scattered on it; the residential courtyard building with access balconies, or the street and plaza with a multi-family townhouse.

This collage structure makes the estate mediate in the urban fabric between the colony of small-scale single-family houses on the West side and a shopping mall to the East.

Reflections at Keppel Bay

For another thing, the buildings are terraced on the upper storeies, which creates different living and outdoor situations from floor to floor.

The range of apartment types thus created spans from the single person rooftop apartment with a large terrace to flexible (blended) family apartments with living rooms from which one or two temporary bedrooms may easily be partitioned off if needed, and to assisted-living homes for children without families.

吉宝湾印象

The color design re-unifies the resultant diversity into one coherent neighborhood and provides it with an urban identity of its own.

• Area: 20,212m² • Planning: ARGE hERZberg (AllesWirdGut, feld72)

Prominently situated at the entrance to Singapore’s historic Keppel Harbor, Reflections at Keppel Bay is a 185806.08-square-meter residential development comprised of 6 high-rise towers and 11 low-rise villa apartment blocks of 6-8 floors each.

A series of undulating towers is the focal point of this project. These sleek curving forms of alternating heights create graceful openings and gaps between the structures. The spaces between the buildings allow for views to the horizon beyond. The resulting composition is a creative interplay of changing planes and reflections. It will contribute immensely to Singapore’s skyline and vitality as a world class city.

• Architect: Studio Daniel Libeskind, DCA Architects Pte Ltd • Project Management: Keppel Land • Structural Engineer: T. Y. Lin international

This project, which will include 1,129 residential units are expected to be topped off in 2011. Model show flats are currently on display and sales for the apartments have already begun.

• Machanical/Electrical/Plumbing Engineer: Beca Carter Hollins & Ferner • Civil Engineer: T. Y. Lin International • Landscape Architect: Hargreaves Associates, Sitetectonix • Curtain Wall Consultant: R. A. Heintes & Associates • Lighting Designer: LPA • Contractor: Who Hup 164

165

• Location: Keppel Bay, Singapore • Area: 185806.08 m² • Photographer: Courtesy of Keppel Bay Pte Ltd-a Keppel Land Company, SDL, Keppel Bay Pte Ltd., VMW Obilia

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Linienstraße 40

IJburg, a new urban expansion consisting of six islands, lies in the east part of Amsterdam. Blok 47 is situated on the east section of the Haveneiland the central island of IJburg - and optimizes all the architectural ingredients to be found in IJburg: the street grid encompasses the block, which is traversed by a canal, and there is a park to the east while the harbour lies to the west.

IJburg Block 47 艾瑟尔堡 47 号住宅

柏林 Linienstraße 40 号住宅

• Architect: Roger Bundschuh

The block comprises 86 housing-association rented houses, 49 inexpensive owner-occupied houses, 13 medium-priced owner-occupied houses, 21 free-sector houses, 1,650 m² of commercial space, 2,050 m² of office space, and 97 parking bays in a subterranean car park.

• Architect: Branimir Medić & Pero Puljiz, de Architekten Cie • Firm: de Architekten Cie • Project Team: H. Hammink, M. Campschroer,

• Firm: Bundschuh Architekten • Location: Berlin, German • Area: 800 m² • Photographer: Jan Bitter

Along the west side (the harbour) and the east side (the park) the construction is eight-storey high, accommodating offices, commercial space and apartments.

S. Moerman, J. Liu, R. v.d. Kroft • Contractor: Smits Bouwbedrijf bv • Structural Engineer: Adams Bouwadviesbureau bv

Residential streets lie on the north and south sides of the block, which has four-storey construction and stacked maisonettes here. Another nine houses are situated on the inner courtyard. These courtyard houses are accessed via a communal entrance on the harbour side and via a pedestrian route along the waterfront. The lower maisonettes have front doors opening on to the street.

• Location: Amsterdam • Area: 24,750 m²

Five spacious, high entrance halls offer access to the apartments and the maisonettes on the upper floors.

The communal garden in the inner courtyard is also accessed via these entrances. The garden consists of a wooden platform, a lawn, and three magnolia trees.

The street façades were developed from the essence of the building. Blok 47 is a powerful, elegant building with exceptional expression. The vertical relief on the brickwork reinforces the impression of mass and weight. From an angle, the façade gives a completely different impression than it does from the front.

Sited amidst a heritage-protected urban ensemble by architect Hans Poelzig, L40 is a collaborative design by artist Cosima von Bonin and architect Roger Bundschuh. The monolithic, sculptural form is expressed in exposed black concrete.

The building houses apartments on the upper floors, a showroom on the second floor and retail spaces on the ground floor.

The design revolves around the relationship between users, tenants and the surrounding cityscape.

Sharp contrasts between microscosmic, completely removed spaces and wide open, stage-like spaces create a tension that invites individual reassessment of ones own place in the urban fabric.

The horizontality and large cantilevers of the structure reference both classic modernism as well as the neighbouring Landmark buildings.

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093

196

197

La Liberte 荷兰 La Liberté 社会住宅

• Architect: Dominique Perrault • Firm: Dominique Perrault Architecture, Paris, France • Associated Architect: Oving Architekten, Groningen • Engineer: Dijkhuis Groningen (structures), Zonderman B.V. (electrical engineering), Feenestra (heating and ventilation systems), Gevekebouw B.V. (general contractor) • Location: Laan van der Vrijheid, Groningen, The Netherlands • Area: 23,400 m²

The project comprises the construction of two square plan buildings: one tower of approximately 80 meters (tower A), and another of 40 meters high (tower B).

Moreover some polished steel panels are placed perpendicularly to the façades, which punctuate the façades and multiply the perceptions of the building.

The buildings are both made up of a platform, entirely in glass, independent, with the same height and accommodating the offices. As they are not taller than the nearby blocks, the platforms respect and extend their horizontality.

Dominique Perrault delivers here social housings of quality, offering substantial dimensions and spaces.

Then, two blocks, with different heights, seem to be floating above the platforms and accommodate the housings. Here the architect plays with the volumes: actually the tower A is made up of two volumes of housing with equivalent proportions, and slightly shifted. It seems that the architect has piled up different volumes, one on the others: one volume of offices and one volume of housing for the tower B, one volume of offices and two shifted volumes of housing for the tower A. The housing blocks are hanging above the offices thanks to a five-meter-high terrace. In this "in-between", only a core, sheltering the common spaces, brings an easy transition between the private spaces and the offices.

At last, a footbridge, located at the same level and opened to the users, links up the both towers.

Through the treatment of the façades, Dominique Perrault creates a real dialogue between the both buildings and between the project and its urban environment.

Whatever the viewpoint, the façades of the three housing blocks never offer the same treatment of colors – black, grey and whites. These shades of color strengthen the stack impression and energize the city skyline.

018

Each level has 5 apartments; all the apartments have 3 rooms and a wide average surface area.

The Dutch law enforces a totally deaf façade for the apartments facing the highway. Dominique Perrault plays with this imposition by articulating these apartments around glass inner loggias. These loggias, totally mobile and equipped with sophisticated filters, work as a real protection against noise pollution.

Finally the polished steel panels, set up at the loggias level, capture natural light and reflect it towards the apartments.

These mirrors also offer to the residents an alternative outdoor vision.

"La Liberté" counts 120 apartments, split up in 15 different types with about 40 variants.

So the high rise construction allows free spaces at the bottom of the buildings. At the North of the building, and to answer to the order, Dominique Perrault lays out the ecologic garden designed to develop the local flora and fauna. Opened to everyone, it will be integrated into the city ecologic way. A "meditative" garden will be created at the South of the buildings. It will be a space offered and opened to everyone.

Section A-A + B-B

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Andersen Garden 安徒生花园

Andersen Garden is an impressive residential complex, where the Upper East Side neighbourhood is intended to resemble the prestigious areas surrounding Central Park in New York and will consist of residential, commercial and leisure uses. schmidt hammer lassen architects was responsible for the design of the largest plot comprising a 93,000 square meters large housing development.

• Architect: schmidt hammer lassen architects • Cooperating Architect: Beijing Xingtai Real Estate Development Co. Ltd.,

The sequence of six slender blocks clad in white Chinese granite is placed on a sculpted green plinth housing retail areas and connections to local infrastructure and parking. Clear stair turrets link the towers and create a

sense of transparency. At the ground level, the green base forms a lightly undulating plaza and provides residents with access to recreational areas designated as community clubs. The upper part of the plinth forms a sunny west-facing parkland area.

The individual units follow the classic style of Chinese courtyard houses in the historic part of Beijing, where accommodation is arranged around a central inner court. In this way the need for hallways is obviated. The orientation accentuates daylight access and view to the Bahe River and the green spaces beyond.

Super Shine Engineer, Beijing Chengjian Design and Research Institute • Landscape Architect: schmidt hammer lassen architects • Location: Beijing, China • Area: 93,000 m² • Photographer: Adam Mørk

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009

K-12 Education Architecture

《中小学建筑》

ISBN

binDinG

978-7-5611-7334-3

hardcover

SiZE

PAGE

245*320mm

336pages

高迪国际出版有限公司编著的《中小学建筑》是一本关于服 务中小学教育的建筑书籍，收集了来自欧洲，美洲，亚洲 的优秀作品， 其设计者多为国际知名设计事务所， 例如， ATKINS, Arquitectonica, NAC|Architecture, Henning Larsen Architects, Dietmar Feichtinger,RAU等等。该书涵盖了最新 的节能，环保的中小教育建筑，通过清晰的图片，详细的文字说 明，专业的技术图，帮助读者更好的了解设计师的设计理念和行 业发展趋势。

Edited by Hi-design International Publishing

Larsen Architects, Dietmar Feichtinger, RAU

Co. Ltd., ‘K-12 Educational Architecture’

etc. With high resolution photos, detailed

is a book mainly about primary and mid-

explanation and professional drawings, this

school architecture which collect great

publication covers latest sustainable K-12

projects of world well-known architects from

architectures, will be surely helpful for readers

Europe, America and Asia, such as ATKINS,

to get an idea of the design concept and trend

Arquitectonica, NAC|Architecture, Henning

in architectural design.

肖顿·霍尔专科学校坐落在彼得 利镇，学校拥有多名在表演艺术方面 具有很高专业地位的专家学者。学校 的目标就是充分运用学校的成功经验 和成就，鼓舞在校学生在各个领域获 得成功。设计师们希望将学校的教育 热情和办学精神，贯穿于整个建筑设 计中。 学校的前方是全新的表演艺术设 施，这样的设计能够激励所有踏进校 园的人，营造出一种深刻而震撼的第 一印象。整个表演大厅外面铺有弯曲 的镀金金属墙面板，如同一整个浮动 的闪闪发光的宝石，傲气十足地显示 学校在表演艺术领域的专业地位。 这样的灵感来自于彼得利地区独 一无二的地质地形特征，设计师们采 用了层状的错位排列的设计方案，选 用的建筑材料也符合这一设计风格。 这样的设计实际上反映了该地区十分 丰富的矿藏资源，以及该地区独有的 错位排列的地质地理风貌。白色墙体 上方是突出的暗黑色砖瓦方形屋顶， 这样的色彩搭配与当地露天的黑色煤 层与白垩崖壁互相辉映，相得益彰。 这个方案得到了学校和当地社团 的极力认可，构思独特的设计方案和 充满热情与灵感的内涵令人折服。这 个建筑在当地具有很高的社会地位， 该地区有关文化遗产的年度社区节日 活动都在这里举行，每年都要迎接来 自达拉谟的数百人欢聚于此。

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Verstas Arkkitehdit Oy KIRKKOJÄRVEN KOULU pohjapiirros 2. kerros 1/400

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Verstas Arkkitehdit Oy KIRKKOJÄRVEN KOULU pohjapiirros 2. kerros 1/400

Location / Suffolk, UK

Lowestoft Sixth Form College 洛斯托夫特预科学院

Lowestoft Sixth Form College is a fresh, stimulating environment

A central atrium provides a “stack-effect” maximising cross flow

which also sets new

ventilation; air permeability is outstanding, with U values below those recommended by Part; the large thermal mass of the

standards in sustainable design.

concrete acts as a thermal buffer; while high efficiency condensing

The building was designed by adopting a “whole building” approach, taking into account the building orientation, building shape, fabric, external shading and thermal mass to minimise energy usage. Designed to achieve BREEAM ‘Excellent’, the building focuses primarily on a low carbon solution rather than relying on renewables. The actual predicted annual energy

Architect Richard Christmas

consumption is 68.6kWh/m2 with the associated annual carbon 2

emissions being 22.94kgCO2/m .

boilers complement under floor heating in the atrium space.

The orientation, building shape and wall area have been designed to reduce any effect on the performance of the building, whilst extensive thermal and daylight modelling have been carried out to achieve an optimum balance between solar gain and natural daylight. It is estimated that the Sixth Form College will use 67% less energy and will have 62% less carbon emissions compared to recently built Further Education college buildings.

Firm Atkins

038

039

SHOPPING MALL II

《商业广场Ⅱ》

ISBN

binDinG

978-7-5611-7208-7

hardcover

SiZE

PAGE

285*380mm

344pages

《商业广场2》延续精挑细选的原则，以更为科学合理的 编排方式整合当下最新最顶级的中外商业建筑设计方案以飨读 者。通过展示其创作理念、造型设计、功能结构、材质运用等 要素，用精确的图片与简练的文字全面诠释经典高端之作的设 计精髓，为广大设计师及相关专业人士提供宝贵的借鉴资料。

Our principle of careful selection extends to this book. It aims to show the readers the latest and top-class shopping mall projects, with a more scientific and reasonable layout arrangement. The perfect combination of the design concept, architecture design, function structure and materials appliance, with precise photos and concise words, comprehensively explains the design essence. This book will be definitely a beneficial and precious reference to the architects and relevant professionals.

Office Headquarters Vol.2

《办公总部大楼 ( 下）》

ISBN

binDinG

978-7-5611-7057-1

hardcover

SiZE

PAGE

240 *320 mm

256pages

《办公总部大楼》所选作品独特，集中体现着大公司总部 大楼设计中的新材料、新技术、新观点、新设计手法与技巧； 所选作品基本来自多个个不同国家与地区，既有欧、美、日本 等发达国家，也有亚、非、拉丁美洲等发展中国家，它们展现 着不同地域文化与经济条件下展馆设计的创作成就。 每个案例从项目概述、设计理念、构思意象、环境文脉、 功能布局、动线计划、细部处理、设备与材料到每个作品的特 有层面，力求作出最全面、最详尽的阐述与剖析。为广大设计 爱好者提供了一次难得的欣赏国际设计艺术成就的机会。

The office headquarters collects the latest

background and economic developing level.

unique architecture works, which are applying

Each case, from the project description, design

the new materials, new technology, new

idea, design imagery , environmental context ,

ideas, new design methods and skills. The

functional layout planning, detailing processing,

selected works contributed by worldwide

equipment and materials to the unique aspects

countries and regions, not only Europe, USA,

of each work, strives to provide the most

Japan and other developed countries, but

comprehensive and detailed presentation.

also the developing countries from Asian,

This book provides a rare opportunity to enjoy

Africa, Latin America, which are presented the

the international design achievements for the

creative achievements under different culture

design enthusiasts.

Office Headquarters Vol.1

《办公总部大楼 ( 上）》

ISBN

binDinG

978-7-5611-7057-1

hardcover

SiZE

PAGE

240 *320 mm

256pages

《办公总部大楼》所选作品独特，集中体现着大公司总部大 楼设计中的新材料、新技术、新观点、新设计手法与技巧；所选 作品基本来自多个个不同国家与地区，既有欧、美、日本等发达 国家，也有亚、非、拉丁美洲等发展中国家，它们展现着不同地 域文化与经济条件下展馆设计的创作成就。 每个案例从项目概述、设计理念、构思意象、环境文脉、功 能布局、动线计划、细部处理、设备与材料到每个作品的特有层 面，力求作出最全面、最详尽的阐述与剖析。为广大设计爱好者 提供了一次难得的欣赏国际设计艺术成就的机会。

The office headquarters collects the latest

background and economic developing level.

unique architecture works, which are applying

Each case, from the project description, design

the new materials, new technology, new

idea, design imagery , environmental context ,

ideas, new design methods and skills. The

functional layout planning, detailing processing,

selected works contributed by worldwide

equipment and materials to the unique aspects

countries and regions, not only Europe, USA,

of each work, strives to provide the most

Japan and other developed countries, but

comprehensive and detailed presentation.

also the developing countries from Asian,

This book provides a rare opportunity to enjoy

Africa, Latin America, which are presented the

the international design achievements for the

creative achievements under different culture

design enthusiasts.

HOPSCA

《城市综合体》

ISBN 978-7-214-08192-6 978-988-16527-1-3

binDinG hardcover

SiZE

PAGE

240 *320 mm

352pages

如今，如同以前的功能齐全的城镇一样的HOPSCA，即集宾 馆、办公楼、公园、购物中心、俱乐部、公寓于一体的综合体 建筑，成为新兴的建筑形式。功能齐全的城镇是随着时间的推 移，逐步发展，相互融合，相互联系，慢慢形成的，而HOPSCA是 在利用了旧有城镇模式或采用了全新的建筑理念一次性形成的。 《城市综合体》共精选了40多个案例，并对每个项目进行了 详尽的说明，对广大建筑、室内设计师有很大的借鉴作用。

Nowadays, HOPSCA which includes hotel,

is generating this immediately by using old

office, park, shopping mall, club, apartments,

city patterns or generating astoundingly new

is the attempt to generate a form of life

concepts.

like it was in the smaller towns in former

This book selects 40 excellent projects,

times. Slowly grown over time the town is

which includes thorough introduction of

reaching a necessary level of integration and

each project, and will be a good reference

intervened network of functions. HOPSCA

for the architects and readers.

Audio VIsual world

《影剧院》

ISBN

binDinG

978-7-5611-6991-9

hardcover

SiZE

PAGEs

245 *320mm

368pages

如今，人们去多功能影院不但可以看电影，而且可以得到 完全的娱乐和休闲。反过来，这也催生了小吃店、游戏区，使得 电影院变成了社交中心。因此，多功能设计变成了一种设计的挑 战，设计师不但需要考虑到私人空间和公共空间、用户循环和安 全保障，而且要设计出集美观和商业性于一体的场所。《视听世 界：影剧院与音乐厅（中英 对照版）》汇集了各种各样的影院建筑设计项目，无论是多 屏幕影院还是独立影院，都可以让您对现代美学设计有个大致的 了解，这将是个令人愉快的阅读过程。

Nowadays people go to multi-function theater

the design aesthetic and commercial viability

not only for watching movies but also getting

of spaces. The Audio Visual World: Cinema,

complete entertainment and relax, which has

Theatre & Concert Hall (in Chinese/English

in return, creating the emergence of snack

Version) collects all kinds of cinema architectural

bar, gaming center, turning the multi-functional

design projects, no matter the multi-screen

theater into a social hub. Hence multi-function

cinema or the independent cinema, both of

theater design has now become a design

them can let you have a general understanding

challenge which the designer has not only

of modern aesthetic design, this would be a

to take care of private and public spaces,

pleasant reading process.

user circulation and safety, keeping in mind

Hotel ARCHITECTURE

《酒店建筑》

ISBN

binDinG

978-988-19707-9-4

hardcover

SiZE

PAGE

285*380mm

336pages

《酒店建筑》内容简介：“酒店不仅是一个睡觉的地方。” 在当今时代，生活水平的提高以及生活方式的多样化使得人们对 酒店的要求早已突破了在20世纪60年代前作为商务旅行者的“短 暂逗留”之处的单纯住宿功能。因此，酒店设计，无论从建筑外 观到室内装饰也逐渐变得复杂，同时越发受到重视。《酒店建 筑》一书每个案例都通过精美的实景图片、详尽的技术图片及详 实的文字说明加以全面的介绍。无论对于建筑师或相关领域专业 人士来说，都可从《酒店建筑》中获得。

Hotel is not a place to sleep only. Nowadays,

more and more attention, no matter the exterior

the improvement of living standards and the

architecture or the interior decoration.

diversion of lifestyle make people’s demands

This book shows each project with exquisite

for hotel beyond the simple and single function

photos, detailed drawings and concise words.

of short stay to those business travelers in

Both the architects and related professionals

the 1960s. Therefore, hotel design becomes

will benefit a lot from this book.

more and more complicated and is being paid

high-rise office building

《中高层办公建筑》

ISBN

binDinG

978-988-19707-8-7

hardcover

SiZE

PAGE

240 *320 mm

336pages

社会在不停变化着，而独特存在的建筑工程却要维系多年， 这就要求建筑师既要高度关注所使用的建筑材料，采用优质的外 墙和立面材料；同时也要考虑到随着时间的推移，更新技术设备 时的审美解决方案。 本书是有关中高层办公以及办公建筑设计的优秀参考书，收 集了大量世界著名建筑师的设计作品，内容包括建筑设计作品的 详细介绍、高清实景图、平立剖、细节及节点详图。书中所展示 的精美的、具有现代感的设计作品，以及周围景观设计，可为建 筑设计及相关人员提供借鉴和参考，激发创作灵感。

In a society that is continuously evolving, but with

design of high-rise office buildings. It collects

buildings that will distinguish the territory for many

many excellent projects from the well-known

years, the architect must be an ethical person who

architects all over the world, with abundant

pays careful attention to materials, forecasting

contents including detailed description, high-

their aging and adopting those of excellent quality

res photos, specific plans, sections, elevations,

for cladding and coating, in addition to considering

etc. These attractive and fashionable

aesthetic solutions that will facilitate updating

architecture designs with the surrounding

technological equipment over time.

landscape, will be a salutary lesson and

This book is a good reference for architecture

inspiration stimulation.

KINDERGARTEN ARCHITECTURE

《幼儿园建筑》

ISBN

binDinG

978-7-5611-6830-1

hardcover

SiZE

PAGE

245 *290 mm

352pages

随着时代发展，人们对儿童身心健康发展愈益重视。幼儿 园建筑担负着启蒙教育的使命，亦愈益注重与儿童身心特点相 结合。在形式和色彩方面都表现得朝气蓬勃，空间布局则更加 自由富有创意。本书精选了来自世界各地的33个幼儿园建筑项 目，为设计界人士提供专业独到的设计视角，邀您共赏。

With time development, people are paying

forms, and the arrangement of the space

more and more attention to the physical

need to be more free and creative.

and psychological health of our children.

The book ‘Kindergarten Architecture’

As a platform of educational activities,

presents thirty-three successful kindergarten

kindergarten building is increasingly required

projects all around the world, all the projects

to fit for combination of physical and

are strive to open a professional and

psychological characters of children. The

distinctive vision for the design world.

design need to be vigorous in colors and

PARKING building

《新型停车场》

ISBN

binDinG

978-7-5611-6812-7

hardcover

SiZE

PAGE

240 *320 mm

350pages

自然环境、城市化进程和现代都市生活赋予了停车库丰富的 多样性。本书甄选了全球优秀设计师的最新停车库作品，与设计 精英们一起分享新颖独特的设计理念，引领科学化、现代化的停 车库设计潮流。

The natural environment, urbanization development, and modern city life bring the parking building abundant diversity. This book contains the latest parking building designs contributed by the worldwide excellent architects, and it shares the unique design concept with readers which leads the scientific, modern design trends of the parking building.

081

135

01

02

Hessing Cockpit in Acoustic Barrier The Acoustic Barrier is a one and a half kilometers long and 13 meter high structure that protects new apartment buildings from the noise of the A2 highway, which counts 14 lanes since its reconstruction. The Hessing Cockpit houses the showroom, annex and garage of the Hessing company, national dealer of luxury cars. The concept for both the Acoustic Barrier and the Cockpit building, which is immersed in the elongated volume, was design adapted to the speed of passing cars [120 kilometer per hour].

01 Longitudinal section of cockpit | 02 Showroom | 03 Acoustic barrier seen from highway | 04 General view at night

02

01

03

03

04

066

067

045

one building. The design parking garage functions ich are currently occupied

he parking decks and the n the different functions. metallic look. The gradual the impression of a woven different look depending

ansparent bridge between

r plan and elevation

05

04 395

156

073

028

009

071

029

bank building

《银行建筑》

ISBN

binDinG

978-7-5611-6739-7

hardcover

SiZE

PAGE

240 *320 mm

352pages

《银行建筑》，本书内容提要:与中国经济高速度发展相适 应，金融业的发展也极为快速，最集中的体现莫过于大量新银行 的出现。本书包括了30多个代表目前世界最高设计水平的银行建 筑设计案例，每一个方案都用原始构思、草图、透视图和表现图 加以说明，并附有内容丰富的文字说明。

Bank Building, the abstract of this book’s

This book includes more than 30 representative

content is fitting with the surging development

bank building design cases of the world's

of Chinese economy, the development of

highest design level at present, each case is

finance industry is especially eye-catching,

to illustrate with original conception, sketches,

the most concentrated embodiment is the

perspective and performance diagram, as well

emergence of a large number of new banks.

as rich content of design description.

SHOPPING MALL

《购物中心》

ISBN

binDinG

978-7-5611-6724-3

hardcover

SiZE

PAGE

240*320mm

368pages

《购物中心》精选了国外40多个商业广场项目。无论从项 目的开发商实力、知名度，还是从这些项目本身所体现的设计 水平来看，都是目前国际上最顶级的商业广场。

This book carefully selected 40 shopping mall projects, which rank in top both in the strength of developers and the architecture design levels.

office building now

《现代办公建筑》

ISBN

binDinG

978-7-5611-6359-7

hardcover

SiZE

PAGE

240 *300 mm

352pages

本书汇集了世界经典的办公建筑设计案例，并且每个建筑案 例配以说明和详细建筑设计图以及景观图。本书图片精美、可读 性强，收录的建筑案例可以给国内建筑设计师以启发。

This book collects the latest and classic office building projects around the world, which are fitted with concise words, abundant and comprehensive drawings and landscape plan. The exquisite images and strong readability make the projects a good reference and inspiration to domestic architects.

Education Executive Agency and Tax Offices Landscaping

Interior Architects

Landscape Architects

Wayfinding Designer

UNStudio

Lodewijk Baljon

Studio Linse and UNStudio

Lodewijk Baljon landschapsarchitecten

Buro van Baar

Installations

Structure

Location

Area

Photographers

Arup structure

Architects

Arup constructie [structure]

Kempkensberg 12, 9722 TB, Groningen

48,040m² offices, 21,000m² parking, 1,500m² pavilion

Ewout Huibers , Ronald Tilleman, Christian Richters

008

The architecture aims to present these institutions with a softer, more human and approachable profile. Tall buildings are generally associated with mid-twentieth century modernism.

Their harsh, businesslike exteriors contain powerful, inaccessibleseeming strongholds. By contrast, the DUO and Tax offices deliberately cloak a commanding public institution in an organic, friendlier and more future-oriented form.

All-round architectural sustainability includes a sum of many parts: (1)Fins Sustainability and energy reduction have steered the design of the facade, which contains technical installations that are tailored to be durable and cause minimal environmental impact.

The facade concept integrates shading, wind control, daylight penetration and construction in fin-shaped elements. These horizontal fins keep a large amount of the heat outside the building, reducing the requirement for cooling.

(2)Concrete core activation Another technical feature of the building that contributes to its sustainable character is the combination of concrete core activation and underground long-term energy storage. This

appreciably reduces the demand for external energy sources.

(3)Individual climate control for each workspace Plenty of natural daylight and adjustable heating, ventilation and access to fresh air for individual workspaces contribute to the comfort of the workspaces throughout the building.

(4)The 11th floor A high pressure ventilation system with natural air inflow and outflow via main engineering shafts and the facade grills on the 11th floor reduces the need for artificial ventilation.

(5)Future possibilities In addition, the residual energy of the data center and offices can be used to heat the homes that will be realized in the future in the perimeter of the site.

(6)Flexibility The building is designed so that it can be transformed into housing in the future without major structural modifications. Therefore, the locations of elevators, stairs and technical spaces have been carefully considered, and a structural grid of 1.20 m. has been deployed, rather than the conventional office grid of 1.80 m.

009

310

311

Menzis Head Office 52• • • • • • • •Neerbosscheweg• • • • • • • • • • • • • • • • • • • • • • •86•• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •Goffert• • • • • • • • • • • • • • •• •• •• •• •• • • • • • • • • • • • • • • • • • • • •Neerbosscheweg• • • • • • • • • • • • • • • • • • • •Goffert• • • • • • • • • • • • • • • • • Goffert• • • • • • • • • • • • • • • • • • •600• • • •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •17•• • •• •• •8• • • • • • • • •10•• • •• •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Architects

Firm

Design Team

Area

de Architekten Cie., Branimir Medić & Pero Puljiz

de Architekten Cie. Amsterdam

V. Ulrich, M. de Jong, K. de Schepper, C. Garcia, W. Benschop, M. Keijzer, P. van Berkum

20,000m²

Structural Engineering

Contractors

Location

Ingenieursbureau Wassenaar bv, Haren

Heijmans IBC Bouw BV, Assen

Menzis Zorgverzekeraar, Groningen

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

The 12-storey building is divided into three identical prismatic segments, each of which has been turned 90° in relation to its predecessor. With dimensions of 43 metres x 43, the segment is characterized by functional yet aesthetic compactness. Each segment contains four storeys, intersected vertically by an atrium.

As a consequence, a spiral of atria is generated, forming an internal response to the dynamic exterior.

The foot accommodates the public functions, which are oriented toward the atrium and include service desks, an insurance shop, and a healthcare service centre. A doctor ’s room and several consulting rooms are situated in the more private area. A practical system of partitioning divides the third and fourth floors into meeting rooms, a library, training areas, an auditorium, and a restaurant. The restaurant area can also be deployed flexibly as extra meeting space if required. The spacious staircases, which allow easy public flow through the atrium to the restaurant and meeting centre above, offer an unimpeded view of both the inner area and the water of the Winschoterdiep (canal).

Esplanade• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

The middle and upper segments are generic. The specific presence of the atrium, which allows the incidence of daylight into the building, contrasts with the neutral substantiation of each storey. The atrium divides each storey into various series of working areas with distinct qualities. The variation in spatial conditions enables the application of diverse office concepts, geared to the different work processes within Menzis. The atrium stairs facilitate informal contact between the storeys.

The aluminium façade panels, with their specially developed metallic colours, are enamelled. The protruding and receding façade strips reinforce the play of light and shade. The horizontal structure and the variation in bronze tints accentuate the dynamic character of the volume.

In combination with the use of natural materials, the magnolia garden around the building, with its diverse terraces, water features and illuminations, contributes to creating a pleasant and relaxed ambience.

028

022

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ARCHITECTURE Since the building is below ground level, there are no facades. The main architectural element to be seen from the street is the large reflecting pool with a clutch of stainless steelclad cones rising from it. These cones introduce compelling sight lines and diagonals to the complex and bring daylight into the underground areas. Their steel skin has a relief imprint of dragons designed by the Dutch artist Rob Birza as part of the commissioned artwork. The underground facades facing the garden are of black textured concrete, a strong frame for the green gardens. Inside, floors, ceilings and walls are of fully prefabricated panels with a continuous stone facing. Against this hard stone backdrop, wall furnishings also designed by Rob Birza present a soft colourful finish.

The cones are intimate spaces with warm wood paneling and zenithal light.

CIRCULATION AND LOGISTICS The public entrance to the complex is centrally located at ground level amidst the water landscape. The reflecting pool works as a barrier to protect 133 the high-security grounds from intruders. At the same time, the water is a buffer tank used for cooling the building. Internal routings for the staff is organized as a promenade along the sunken gardens, much like the cloister walk of a monastery. In this way, staff can always find their bearings when moving through the vast complex. The elevator bays of the towers are located at points along this route.

Besides the circulation for staff, there is a secondary logistic route of rear corridors for goods and catering. These corridors connect to the loading bays, kitchens, and storage and archive areas without interfering with the staff routings. A third circulation system is the infrastructure for the data systems, the most important element in Tax Office operations.

The enormous bundles of data cable are organized in a separate underground duct corridor linking the central computer building to the various office towers.

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world public architecture

《世界最新公共建筑Ⅱ》

ISBN

binDinG

978-7-214-06738-8

hardcover

SiZE

PAGE

246 *290 mm

352pages

本书甄选全球建筑设计大师的精品力作，每个设计项目都特 色鲜明、极富创意，将最前沿最具革新性的公共建筑设计理念送 到您的手边，带您领略公共建筑独特的内涵及表情。看设计师将 理性的分析和感性的人文情思融合，用充满想象力的造型语言表 达最引人注目的、具有创新性的公共建筑设计.

T h i s b o o k , Wo r l d P u b l i c A r c h i t e c t u r e ,

and expression of the public building.

contributed by the worldwide famous

Through rational analysis and perceptual

architects, projects are characteristics and

human emotion, the architect uses the

quite original which bring you the most

imaginative language to present the most

forefront and innovative designs and could

striking and innovative public building

take you to appreciate unique connotation

design.

I nstitute for Sound and Vision, the Netherlands Architect: Neutelings Riedijk Architecten bv Building Design: Bureau Bouwkunde bv, Rotterdam, the Netherlands Structural Design: Aronsohn Raadgevende Ingenieurs bv, Rotterdam, the Netherlands Building Physics Design: Cauberg-Huygen Raadgevende Ingenieurs bv, Den Bosch, the Netherlands Installation Design: Royal Haskoning Adviesgroep Gebouw Installaties, Rotterdam, the Netherlands Concept Facade: Neutelings Riedijk Architecten bv Grafical Design Facade: Jaap Drupsteen, Studio Drupsteen, Huizen, the Netherlands

Product Development Facade: Neutelings Riedijk Architecten bv i.s.m. T.N.O. Eindhoven, Studio Drupsteen, Huizen, en Saint Gobain Glass, Veenendaal, the Netherlands Interior Design: Neutelings Riedijk Architecten bv Constractor: Heijmans Bouw Best bv, Best, the Netherlands Location: Sumatralaan 45, Mediapark, 1217 GP Hilversum, the Netherlands Area: 30,000 m² Photographer: Daria Scagliola, Stijn Brakkee, Fotografie Scagliola/Brakkee, Rotterdam, the Netherlands

The building divides into five distinct elements: archives/stores, museum, offices, client reception and services. Together these parts bound a central well at the building's heart. Here is the building's public portion comprising the main reception hall, restoration facilities and video auditoria. This large central space stitches together all the components of the institute.

Considering that something like half of the required programme encompasses storage and archive rooms with rigorously stipulated climatic conditions but no need for daylight, designers decided on a horizontal division into two. The portion below the ground contains the archives vault, while above the ground are the museum and other use forms requiring natural light. Bridging the gap between these two portions are the public spaces, client reception and services.

The central well delivers daylight down to the lowest levels of the vault. In the first instance zenithal light streams in through the skylights; the second, colored and tempered light enters through the glazed frontage of the superstructure. The large well in the superstructure opens to the south so that the afternoon sun penetrates to the core of the building and reflected light can skim over the inner facade wall of the offices.

At the entrance, the void presents as a deep canyon that dramatically brings home to visitors the scale and the sheer size of the archives/storage vault. One of the canyon's sides is a flush wall, and the other rises in a series of inverted terraces. These contain the rooms for receiving clients plus annexes serving the archives and stores; the archives and stores themselves are concealed behind the flush canyon wall.

The central well culminates in an enormous void where both museum and offices show their best face. The upside-down cascade of museum levels registers as a wall sculpture that shapes and scales the internal space of the building.

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Architect: Studio Daniel Libeskind Firm: Architeckt Daniel Libeskind AG Location: Dublin, Ireland Area: Theatre: 13,768 m² Project Management: Lafferty Project Management Structural Engineer: ARUP (Dublin) Mechanical/Electrical/ Plumbing Engineer: ARUP (Dublin) Venue and Acoustic Consultant: ARUP Acoustics, UK Facade Consultant: Billings Design Associates Fire Protection Consultant: Michael Slattery & Associates Lighting Designer: Pritchard Themis Façade Sub-contractor: Permasteelisa Central Europe, Permasteelisa S.p.A Health and Safety: Bruce Shaw Partnership Theatre Planner/Consultant: Arts Team (Part of RHWL Architects) Quantity Surveyor: Davis Langdon_PKS

MACKEN STREET

N ew Youth Centre in Rivas Vaciamadrid

THE LIFFEY

SIR JOHN ROGERSONS QUAY

MISERY HILL

ADMIRAL BROWN WALK

HIBERNIAN ROAD

CHIMNEY VIEW CHIMNEY

CHIMNEY PARK

GRAND CANAL SQUARE

GRAND CANAL QUAY

GRAND CANAL HARBOUR

SITE PLAN

GRAND CANAL THEATRE

ARCHITEKT DANIEL LIBESKIND

Architects: Manuel Collado, Arpia y Nacho Martín Asunción Firm: Mi5 Arquitectos Collaborators: Eider Holgado, Richar y Diego Barajas Constructor Firm: Dragados Engenieer: Juan Travesí Location: Rivas-Vaciamadrid, Madrid, Spain Area: 2,244 m² Photographers: Miguel de Guzman, Javier de Paz

F ro m t h e b e g i n n i n g , t h e p ro j e c t wa s conceived as the possibility of making the “underground” visible, a construction devised as a radical manifestation of Madrid’ s outskirts youthful spirit in general, and of Rivas´ youth groups in particular.

The project aspires to become an explicit “teen” communication vehicle by appropriating their language and their voices as the ingredients of the project. In this way, the project’s team embraces all Rivas’s youth groups by means of an open participation process, in which the future users of the centre, combined with technicians and politicians, will contribute their decisions, their concerns, their fantasies and their aesthetics to create a contemporary “social monument”.

The end result of this process is a public structure with a punk spirit, intensely burdened with content and articulated around programmatic centres conceived as activity explosions, which are erected as meeting and exchanging points of the emerging communities.

CARDIFF LANE

ROPEWALK WAY

The Grand Canal Square Theatre and Commercial Development in Dublin features a 2,000-seat performing arts centre which is integrated into a commercial area via two office blocks that include 35,000-square-meter of leasable office and retail space. This is located at the heart of the Grand Canal Harbour Development and creates a focal point for Grand Canal Square. The project is currently under construction.

The 11,000-square-meter Grand Canal Square Theatre is at the heart of the Grand Canal Harbour development. The building is based on the concept of stages — the stage of the theatre itself, the stage of the piazza, and the stage of the theatre lobby above the piazza, illuminated at night. The theatre becomes the main façade of a large public piazza that has a five-star hotel and residences on one side and an office building on the other. The piazza acts as a grand outdoor lobby for the theatre. With the dramatic theatre elevation as a backdrop and platforms for viewing, the piazza itself becomes a stage for civic gathering.

With their twin facades, glazed courtyards and landscaped roofs, the two office blocks which make up the Commercial Development provide sustainable, state of the art work environments. By designing multi-storey glazed atriums, the commercial buildings integrate with the adjacent retail, residential, cultural and public space components.

GALLERY QUAY LANE

Commercial Development

HANOVER QUAY

G rand Canal Square Theatre and

05.02.2010

G R A N D C A N A L

T H E A T R E

NORTH ELEVATION NORTH ELEVATION

CURTAIN UNFOLD ELEVATIONS - PRIMARY STEEL STRUCTURE

119.0°

C3

105.0°

G3

C4

92.8°

C5

135.0°

C6

58.2°

C2

90.0°

C1

81.3°

CURTAIN UNFOLD ELEVATION - GLASS FACADE

CURTAIN UNFOLD

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M as Museum Aan de Stroom The building The MAS was designed as a sixty-meter high tower. Ten gigantic natural stone trunks are piled up as a physical demonstration of the heaviness of history, full of historical objects that are the legacy of our ancestors. It is a storehouse of stacked history in the middle of the old harbour docks. Every storey of the tower has been rotated a quarter turn, creating a gigantic spiral staircase.

This spiral space, in which a facade of corrugated glass is inserted, forms a public city gallery.

The spiral route A route of escalators leads the visitors from the square up to the top of the tower. The story of the city, its harbor and inhabitants is told in the spiral tower. Visitors can enter a museum hall on every level and reflect on the history of the dead city, while on the way up breath-taking panoramas unfold above the living city. The top of the tower accommodates a restaurant, a party room and a panoramic terrace, where the present is celebrated and the future is planned.

The facades Facades, floors, walls and ceilings of the tower are entirely covered with large panels of hand-cut Red Indian sandstone, evoking the image of a

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Architect: Neutelings Riedijk Architects, Rotterdam, the Netherlands Structural Design: Bureau Bouwtechniek, Antwerp, Belgium Constructive Design: ABT België, Antwerp, Belgium Building Physics: Peutz bv Ingenieuze Adviseurs, Mook, the Netherlands Installation Design: Marcq & Roba, Brussels , Belgium Location: Hanzestedenplaats, 2000 Antwerp, Belgium Area: 19,500 m²(Floor Surface)+11,500 m²(Outdoor Construction) Photographers: Sarah Blee, Antwerp, Scagliola/Brakkee, Rotterdam, the Netherlands Copyrights Photography: Neutelings Riedijk Architects, City of Antwerp

monumental stone sculpture. The four-color variation of the natural stone panels has been distributed over the facade on the basis of a computergenerated pattern. The spiral gallery is finished with a gigantic curtain of corrugated glass. Its play of light and shadow, of transparency and translucence turns this corrugated glass facade into a light counterweight to the heavy stone sculpture.

The ornaments In order to soften the monumental tower volume, a pattern of metal ornaments has been attached to the facade as a veil. The ornaments have the shape of hands, the symbol of the City of Antwerp. This pattern is continued inside the building by means of metal medallions, cast according to a design

by Tom Hautekiet with a text by Tom Lanoye.

The plaza The museum square at the base of the tower is an integral part of the design.

The square has been designed in the same red natural stone as the tower and is surrounded by pavilions and terraces as an urban area for events and open-air exhibits. The central part of the square is sunken and forms a framework for the large mosaic by artist Luc Tuymans.

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FASCINATING ARCHITECTURE

World Public Architecture

《世界最新公共建筑Ⅰ》

ISBN

binDinG

978-7-5611-6050-3

hardcover

SiZE

PAGE

246 *290 mm

368pages

本书甄选全球建筑设计大师的精品力作，每个设计项目都 特色鲜明、极富创意，将最前沿最具革新性的公共建筑设计理念 送到您的手边，带您领略公共建筑独特的内涵及表情。看设计师 将理性的分析和感性的人文情思融合，用充满想象力的造型语言 表达最引人注目的、具有创新性的公共建筑设计。

The book ‘Fascinating Architecture’ offers a

of public architecture. This publication focus

selection of public building architecture of

on how designers combined emotional

leading architects from all over the world,

vision and rational analysis, and aims to

each project will provide you with creative

express most eye-catching and chic public

and forefront design concept, and it can also

architecture in creative design methods.

bring you unique conception and meaning

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Rothoblaas limited Company

Akmani Hotel

Architect: Patrik Pedó and Juri Pobitzer Firm: Monovolume architecture + design Location: Kurtatsch, Italy Area: 3700m² Photographer: Oskar Da Riz

Architect: TWS & Partners Location: Jakarta, Indonesia District: Pusat Site Area: 994m² Bldg. Area: 1478m² Gross Floor Area: 10.467m² Blag. Coverage Ratio: 67.5% Gross Floor Ratio: 70.82% Photographer: Fernando

The "rothoblaas" office is a large-scale commercial operation specializing in assembling systems and power tools for the woodworking industry.

Warehouse and commissioning are situated on the ground floor whereas administration, a meeting room and a showroom can be found on the upper floor. The aim of the project was to create a compact building with a high level of recognition. The contemporany of the company becomes a corporate identity of the enterprise. This has lead to a functional, compact structural shell, provided with a glass envelope. The main building material employed is wood in order to show the own products.

The project is briefed as a boutique – business hotel located in a main busy road in central of Jakarta, which is called Wahid Hasyim street.

Mainly known as a tourism and leisure, commercial stripe, this area contains many street side coffee shops and small hotels, which cater many local or foreigner tourists.

The area surrounding is allocated for the commercial usage which results in a high building floor ratio, because it has a direct access to the central business district of Jakarta, called Thamrin area.

The site itself is relatively small parcel of land, for commercial usage, which around 1500 square meters. Sandwiched between two commercial usage, a Spain embassy and office building, the site can be seen and approached easily from Thamrin area.

Taken this commercial consideration, the client wants to build a custom – self operated business hotel, which has a vision to deliver an unique and customize product to the market.

In order to deliver the best product to win over the market between surrounding competitors, the client held informal competition by end of 2007 to look for concept that suit for the project.

TWS & Partners succeed to convince client and got the project after few months process of presentation.

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MGM Mirage, Las Vegas, Nevada, USA Architect: Adamson Associates Architects Location: Las Vegas, Nevada, USA Area: 46452m² Structural Engineer: Halcrow Yolles Facade Consultant: Israel Berger & Associates Interior Designer: Rockwell Group Lighting Designer: Focus Lighting Collaborating Architects: Foster and Partners, Gensler, Murphy Jahn Architects, KPF, Pelli Clarke Pelli Architects, HKS, Leo A. Daly, RV Architecture Contractor: Perini Building Company Photographer: CityCenter Land, LLC, SDL, Alexander Garvin, Scott Frances, MGM

Located in the heart of Las Vegas Boulevard, Crystals is the 500,000-square-foot retail and entertainment space, which is the connective center of the MGM MIRAGE City-Center project.

Opened in 2009, City Center is a vertical city within a city which includes 2,400 private residences, two boutique hotels, and a 61-story resort casino.

The crystalline and metal-clad facade signals to visitors well in advance of arrival that Crystals is not a traditional retail environment. The passage with a spiral roof leads people to the retail area.

From the interior, the roof’s dramatic angles and skylights become a backdrop for the luxury retail and dining area which include Louis Vuitton, TIFFANY & CO., and Bulgari as well as concept restaurants from Wolfgang Puck and Todd English. The public spaces allow for a variety of urban experiences: a water feature at the entry, cafes and a grand staircase leading to Casino Square at the end of the arcade, animating the entire space.

The design and construction of Crystals employ the most environmentally conscious practices and materials. In November 2009 it was announced that Crystals achieved LEEDR Gold Core & Shell certification from the U.S. Green Building Council (USGBC), making it the world’ s largest retail district to receive this level of recognition.

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latest apartment building

《国际新集合住宅》

ISBN

binDinG

978-7-5611-6362-7

Hardcopy

SiZE

PAGE

240 *320 mm

368pages

本书收入2009和2010年国外著名建筑设计公司的最新多层 集合住宅项目，这些项目代表了近期国际住宅设计领域的新趋 势和新动向，对国内的地产从业人员，有着深远的影响力。

The book contains the latest apartment projects in 2009 and 2010 from celebrated architects around the world, which represent the new trend of the apartment design in recent years, and will have deep influence on the domestic real estate developers.

Architect: Francis-Jones Morehen Thorp Firm: Francis-Jones Morehen Thorp Documenting architects: Lend Lease Consultants: Aecom, BBC Consulting Planners, Norman Disney & Young, Page Kirkland Group, Renzo Tonin & Associates, Robert Bird Group Location: 4 Distillery Drive, Pyrmont, NSW, Sydney Australia Area: 16506m² Photographer: John Gollings, FJMT/Andrew Chung

Sugar Dock, Jacksons Landing

Sugar Dock provides 132 residential units, associated communal open space and underground carparking. The design of the development seeks to complement and respond to the building forms and open spaces within the masterplan and its urban context characterised by its relationship to large scale elements.

Informed by a long trapezoidal masterplan envelope, the tower consists of a series of glass residential apartments enclosed and anchored by two precast shells combining the visual language of the new development with that of the old Pyrmont. Within the glass form, apartments are turned away from their primary boundary, and the adjacent tower, towards the view and optimal orientation. A podium element grounds the tower’s masonry walls and reinforces the sandstone cliff-like Bowman street alignment. A generous communal and private landscaped space links the Sugar Dock to the next tower under development. Apartments along Bowman Street have been articulated to read as a series of houses inserted into the cliff face. They have an intimate character with their connection to the park on Bowman Street and are restricted in height

allowing clearer views through site views from Distillery Hill and from the communal open space.

The material chosen for the shells is vertically articulated light coloured precast concrete providing a relationship with the prominent sandstone outcrops of the Distillery Hill development. The elevations have been developed to correspond with the more private functions within and to provide protection from afternoon sun.

To the north/east, a metal/glazed balustrade system has been developed to utilise daytime reflections to provide a surface to the building at the balcony line, suppressing the slab edge. Behind the balustrade is a series of fritted glass panels, arranged to create a greater sense of privacy and to provide a ‘screen behind a screen’ effect which operates both at the individual apartment scale and the scale of the whole elevation.

The metal/glazed system provides a lightness to the buildings material character appropriate to its height and heightened environmental screening to the recessed balconies.

Architect: Markus Kaasik, Andres Ojari, Ilmar Valdur, Merjer Müürisepp Firm: 3+1 Architects Location: Tallinn Area: 1917m² Photographer: Arne Maasik, Kaido Haagen

Koidula Apartment Building

Building is located close to the Kadriorg park, one of the most important and historical green areas in Tallinn. Currently the socially and historically rich district is developing quickly into a prestigious living area. The residential buildings along Koidula St. date from different periods and it has caused the chaotic structure of the street.

The building is composed by the old renovated part and the new wing, which is in place of the old courtyard wing. Covered passageway connects the new wing to the existing building.

The aim was to keep the courtyard and Le Balto office (Berlin) is designing a private garden there. It is possible to see the depth and beauty of the plot also from the street.

The room structure of the apartments in the older part is changed, creating new connections through the floors.

The new wing situates along the border of the plot and it opens only to the courtyard garden. The house could be divided into three linear sections. The first section opening only to the garden contains stairs to the apartments as well as terraces of all apartments. In the middle section there are living zone along with the bedrooms, the third section along the plot of the border contains so-called servant zone—kitchens, bathrooms, saunas and connections inside of the apartments.

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Architect: Rok Oman, Spela Videcnik Firm: OFIS architects Location: Bohinjska Bistrica, Slovenia Area: 7500m² Photographer: Tomaž Gregorič

Shopping Roof Apartments

The initial task from the client was to build a new shopping mall on the plot of the existing one.

Furthermore the new project proposed use of the shopping roof for additional volume as new apartments.

The wooden mass is located centrally in the village of Bohinjska Bistrica in the alpine area of Lake Bohinj. The village has beautiful views towards the mountains but unfortunately it was architecturally damaged in the 1960s with a textile factory and housing blocks, that were build around them.

The textile factory was later closed down and the plot later occupied the old shopping mall and today the new one. The side views therefore are not very nice.

The organization of the housing and the envelope of the apartments open

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towards mountain views and the sun. Therefore the front, wooden facade is mostly transparent with panoramic windows. The side facade is closed, the windows open towards the balcony that is cut into the volume. From side windows also view open to the mountains.

The stepped volume of the building follows the silhouette of surrounding landscape. On top of the shopping mall apartments are set in the form of stepped L-volume. From the west strong wind and snow arrive the facade which is opened only towards enclosed balconies and its material is gray slate which is designed as a vertical roof. L-shape volume encloses inner communal garden that is the roof of the shopping mall.

The front and courtyard facade is warm and opened, made of wooden verticals with different rhythm.

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Architect: Ivan Matušík, Sebastian Nagy Firm: sebastian nagy architects Location: Spojovacia 30, Nitra, Slovakia Area: 1000m² Photographer: Bobo Boska, Ivan Karlik

TRIANGOLO

The apartment house TRIANGOLO was created as a dialog between natural predispositions, town and the construction site locality. The Nitra’s upland, Zobor and meander of the river Nitra represented basic inspirational dominants.

Triangular parcel and the roof of harmonic curve together with dispositional and material concept eventually formed architecture into its final resemblance. From typological point of view the building is a three-tract, the corridors of which are lit along the entire height by daylight from terminal vertical skylight. In the architectonic expression dominates mono-materialism, two facades of identical appearance and curved section of the roof with domes. The dispositional and also the constructional principle unroll from bearing ferro-concrete cores, which enabled creation of apartments in various size categories.

Individual conception is also indicated by the house symbol located by the entrance to the house.

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Architect: Marlies Rohmer Firm: Architectural office Marlies Rohmer Location: De Uithof, Utrecht Area: 18600m² Photographer: Scagliola / Brakkee, René de Wit, AkzoNobel

Smarties

The building of student housing on the Utrecht University site turned De Uithof into a fully-fledged campus, simultanously tackling the chronic housing shortage for young people in this city. The new complex of 380 independent and clustered rooms manifests itself as a solitary mass in the ‘strip of objects’ of the OMA master plan (which also includes the Unnik tower and the Educatorium). A four-storey tall concrete ‘leg’, which projects by eight metres, shelters a range of communal and commercial spaces.

The facade consists of a grid of multicoloured aluminium panels in which the windows are omitted. Seen from a distance, the colours blend into a grey, scaly skin. The closer you come, the more it appears as a colourful honeycomb for the bright young students – people's ‘smarties’ – from all over the world.

Beneath this lively skin, the interior of the mass fosters encounter and interaction at every scale. Party rooms and niches along the staircases and

corridors make a microcosm in which young love can flourish and lifelong friendships can develop.

De Uithof used to be a monotonous cluster of university buildings on the city margins of Utrecht. The separate buildings bore little relation to one another. Rem Koolhaas (OMA) and Art Zaaier devised a concept which would give De Uithof more coherence and character. Since then the object has been to achieve greater contrast between the built–up zones and open areas. The existing landscape qualities must be accentuated, but this must be balanced by compact building in functional clusters to enhance the level of urban interaction and eliminate the feeling of an urban desert.

The central section consists of the Kasbah zone, a dense strip in individual buildings are closely spaced, and the ‘Object’ zone, in which the buildings are of a similar scale but grouped separately around a walkable public strip. A hallmark of the central area is that the buildings also communicate internally through a continuous walkway at first floor level.

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077

040

041

conceptual architecture

《概念·建筑》

ISBN

binDinG

978-7-5611-6494-5

hardcover

SiZE

PAGE

246 *290 mm

336pages

本书收录了马德里法院、迪拜骆驼塔、台北表演艺术中 心、白色孔雀、汽车体验、螺旋酒店、马马洛电影院和媒体中 心、PJCC开发区、台北表演艺术中心、疾病控制中心大楼等数十 个建筑设计精品图案。

The book ‘Conceptual Architecture’ is a

Center, The White Peacock, Car Experience,

kaleidoscope of 70 projects all around the

The Helix Hotel, Movie Theater and Media

world, including dozens of world standard

Center of Saint-malo, PJCC Development,

architectural design, such as Court of Justice

Taipei Performing Arts Center/Studio, Centers

Madrid, Dubai Camel, Taipei Performing Arts

for Disease Control Complex etc.

021

020

131

130

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147

146

099

098

Putrajaya Waterfront Residential Development - Kuala Lumpur, Malaysia Soho• • • • • • Architect: Luca F. Nicoletti, Serina Hijjas Firm: Studio Nicoletti Associati, Hijjas Kasturi sdn Location: Kuala Lumpur, Malaysia Area: 280.000 m²

The key of the overall planning for the waterfront is the relationship to the waterfront or lakefront. Whilst the buildings on the boulevard predominantly reinforce the alignment of the boulevard, the waterfront planning should tie the boulevard back to the waterfront. The current masterplan creates large building block footprints that remain heavy a reminiscent of old American models. The conceptual approach is relative to context and tropical climate. Three factors influence the sketch planning approach: allow permeable building blocks, smaller block sizes and radiate the buildings to enhance the visual corridors and links between the boulevard and the lakefront; varying the building height of ten-storey restrictions heightening at nodal points for massing hierarchy; unify the buildings by introducing a canopy roof uniquely tropical.

The new urban plan places integration with landscaping and view as priorities.

It encourages creating "fingers" of developments towards the water body and infused with park, creating a series of green forecourts.

The urban plan suggests the building orientation and massing provide maximum view toward the water and development across the lake. The massing is broken into smaller components with different heights. This approach will ensure the integration of landscape and building massing. The landscape and public areas will be larger and located in between the building fingers, which will create an interesting "journey" towards the waterfront.

095

094

Centers for Disease Control Complex • • • • • • • • • • • • • • • • Architect: Luca F. Nicoletti Firm: Studio Nicoletti Associati Sustainability: HOARE LEA, London, Thomas Lefevre Plants: Parsons Brinckerhoff International, Inc. Taiwan Location: Taipei, Taiwan Area: 42.800 m²

073

072

The Helix Hotel • • • • • • • • Architect: Thomas Leeser Firm: Leeser Architecture Location: Zayed Bay, Abu Dhabi, UAE Area: 23,086m² Formal Competition Name: The Pre-Concept Design of Iconic Hotel – Zayed Bay Development Competition Date: July 10th, 2008 Competition Scale: International Place in the Competition: First

050

Elevations

With 208 guest rooms and suites arranged around a helical floor, the hotel immediately dispenses with the idea that visitors must engage in the stale paradigms of rigid hallways and atria that characterize a typical hotel stay.

The floor constantly shifts in width and pitch as it rises to the top floor, keeping public spaces always in flux. No two rooms positioned across from each other have exact views to the other side, already pulling the visitor out of the pedestrian and into the hotels uniquely urban world.

Conceptually, the Helix Hotel participates in a critical dialogue between opulence and urbanness, between the variety of services offered by a small city and the demands of a five-star hotel guest. The floor suggests the curves a winding street would take through a bustling town, and many programmatic elements are open to views from across the central void.

Though the void seems to offer unmitigated visibility, there are enclaves for private meetings and guest privacy. It is designed so that one activity feeds into the next rather than affecting sharp separations between each activity.

On the luxury side of vacation culture, there are playful elements that make the hotel a designer destination in an iconic setting. From the outset, it is as much a showplace for the abundance of opulent life as it is a fully incorporated urban experience. At the entry, valets drive clients cars into the

car park, which, rather than being predictably aboveground or underneath the hotel, is situated instead under the bay. At the top of the Helix, the rooftop pool deck features a full sized swimming pool with a glass bottom, with the water and swimmers visible from eight floors below at ground level.

In the restaurant below the lobby, the bay waves are so near to the floor plate that they lap up onto the edge of the restaurant inside of the glass curtain wall. The wall retracts, revealing a sweeping breeze.

While focusing on unique design, Leeser Architecture is also committed to sound sustainability practices and worked with consultant Atelier Ten to determine the best possible conditions and materials for heat and energy conservation. The indoor waterfall allows for the accumulation of heat inside the hotel to be minimal by filtering cool water back up into the system as it falls through the void. In the sub-lobby, a dynamic glass wall is built from the base of the second floor down into the water. The wall acts as a curtain would, opening when the weather is cool enough and closing when it is too hot for exposure to the desert air. Portions of the outside surface are clad in panels made of a new material called GROW, which has both photovoltaic and wind harnessing capabilities.

The Biolab Squadron consists of labs sealed within two similar elements evoking Nautilus shells. The two shells, forming the Biolab Squadron, are a metaphoric example of the highest formal and technological sophistication of the most advanced laboratories conceived and the extremely harmful pathogenic viruses of our planet which are studied within themselves.

The Biolab Squadron outer skin pattern is made of interlacing geometric

incisions reproducing the four conventional symbols attributed to the DNA sequence of the bacteria being studied. The result is a surface perfectly homogenous and uniform in its overall material, but mysteriously engraved by symbols illegible by most people. A sense of arcane volumetric unity bearing an enigmatic and indecipherable message emanates from this surface treatment.

051

Car Experience • • • • • • • • Architect: Francesco Gatti Firm: 3Gatti Location: Jiangning Area, High-Tech Zone, Nanjing, China Area: 15,000m² Project Manager: Summer Nie Collaborators: Nicole Ni, Muavii Sun, Chen qiuju, Jimmy Chu, Luca Spreafico, Damiano Fossati, Kelly Han Materials: Steel Structure, Resin Coating, Glass Partitions

042

“Car Experience” is a project for a building to be dedicated to the automobile: the car as an object of desire, a world to explore, a technology to study, an article to display and a means to travel around the building.

On an overall scale the area tectonically resembles a road, with a structure similar to that of an elevated motorway or a car park, but on a more human scale, the structure is as complex, ergonomic and sophisticated as the interior of a car.

The principal structure of the building is a spiral ramp with a glass partition dividing the exterior from the interior. In the internal part, reserved for pedestrians, the incline is more gradual, whereas the exterior and steeper side is for the transit of cars.

The building’s typology develops sequentially, its structure similar to that of a film where the undisputed protagonist is the automobile. In fact the visitor, as the spectator of a film, is obliged, frame by frame, to follow the physical and psychological route as dictated by the museum’s architect.

The visitor enters the museum with his own car and initiates the exhibition’s journey. In this way visiting the museum is divided into two types of experience: the first is the experience of going up in one’s own car, the second is the experience of going down on foot.

Along the surface of the ramp there are occasional glass blocks or “prisma” which protrude from the flooring and ceiling. Their size, depth and type depend on their function as each one is intended for something different, for example if the area is intended for open space functions, or if it is intended for functions that require greater privacy such as offices, meeting rooms, conference rooms, laboratories, bathrooms or kitchens.

The outer facade of the building is completely permeable and reveals on sight the interplay of the different levels and the fluidity of the internal and external spirals. The building could seem to appear as an urban car showroom, with its corners and angles filled with tempting shining automobiles.

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《城市景观小品》

《度假村》

Urban Landscape Furniture

Resort Design

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URBAN LANDSCAPE FURNITURE

《城市景观小品》

ISBN

binDinG)

978-988-19707-0-1

hardcover

SiZE

PAGE

285 *380mm

336pages

城市小品泛指安置在城市公共空间的各种元素与设施，为居 民提供不同的服务和功能。今天的城市小品拥有多样的类型，并 且经常彼此相互结合，例如座椅和垃圾箱的结合、照明系统和信 息牌、广告牌的结合，又或者喷泉、游戏设施、交通指示、自行 车支架、路牌、花架、遮蔽蓬以及多种其他保护措施，形成多种 可能性的组合。 《城市小品》收集了130多个展现城市小品的物价和方案， 目的不在于详尽包揽最大量讯息，而是带着展望未来的眼光，以 最新最具改革性的案例来广泛呈现当代创作在 这个领域的面貌。

The Urban Landscape Furniture refers to the

protection facilities, which make various of

elements and facilities in the urban public

possible combination.

space, which provide different services and

The Urban Landscape Furniture is featured

functions for people. Now the urban furniture is

more than 130 urban designs, with future

rich of diversity and with many combinations.

vision, the aim of this book is not to include as

Such as the seats and dustbins, lighting

many projects as we can, but to present the

system, information column and billboards, or

appearance of contemporary creation in the

fountains, playground, transport signals, bike

field through the latest projects of this area.

rack, guideboard, plant grate, shelter and other

Biography

L E E H . S K O L N I C K , FA I A Principal Lee H. Skolnick seeks to synthesize art, science, and architecture to create memorable and meaningful experiences, passionately developing and pursuing his philosophy of “design as interpretation.” He is the firm’s visionary, leading the staff to unlock each project’s “motivating story” to inspire curiosity, understanding and imagination and to translate them into concrete expression. By making a thorough exploration and translation of content the starting point for design, he has brought depth, authenticity, and vision to an array of diverse architecture and exhibition projects around the country, including the Muhammad Ali Center in KY; the Creative Discovery Museum in TN; and traveling exhibitions for the Smithsonian Institution. New York-based cultural clients include the Sony Wonder Technology Lab; the Paley Center for Media; the New York Hall of Science; the American Museum of Natural History and the Cooper Hewitt, National Design Museum.

Rocket Park 火箭公园 This project on behalf of the New York Hall of Science (NYHS) included Concept Planning through Construction Administration for the Rocket Park Mini Golf course. The project features an interactive outdoor miniature golf

In 2003, Mr. Skolnick was elevated to the American Institute of Architects College of Fellows. In 2006, he received Lee H. Skolnick a Presidential Citation for Outstanding Achievement from the Cooper Union. In 2007, he coauthored the book

experience themed on rocket science physics. The nine hole miniature golf course with interactive components

“What is Exhibition Design?”. Translated into five languages, the book explores what constitutes successful design, Lee H. Skolnick seeks to synthesize art, science, and the various roles involved in exhibition design, and how new technologies expand the possibilities for both form architecture create memorable and meaningful and function. Into 2008, Mr. Skolnick was appointed the Foundingexperiences, Chairman of the Board of Architecture Omi. He passionately developing pursuing his “design currently serves on the Editorialand Advisory Board of thephilosophy Journal of theofNational Association for Museum Exhibition, entitled Exhibitionist, and, years visionary, served on theleading Board of the the Society as interpretation”.

Hefor is several the firm’s staff for Environmental Graphic Design.

He has served on panels and juries for the New York State Council on the Arts, the National Endowment for the to unlock each project’s “motivating story” to inspire curiosity, Arts and the American Institute of Architects. Currently, Mr. Skolnick is an Honorary Research Fellow at the School understanding imagination and to in translate of Museum Studiesand at the University of Leicester England. them into concrete expression.

illustrates various concepts of rocket science physics, from Blast Off to Splash Down. Concepts are further explained through interpretive graphics. The nine hole course circles a central iconic practice area themed as a planetary and lunar landscape.

Professional Affiliations

Designer Lee H. Skolnick

American Association of Museums American Association for State and Local History 这个项目是代表纽约科学馆（NYHS）针对火箭公园迷你高尔夫球 American Institute of Architects

Location Queens, NY, USA

场的建筑工程管理项目而进行的概念化设计。该项目的特色是在火箭物 Architectural League

Design company Lee H. Skolnick Architecture + Design Partnership

Association of Children’s Museums 理学为主题的区域里打造一个互动性户外小型高尔夫球场。九洞迷你高 Association of Science-Technology Centers

尔夫球场与其相关组件阐释说明了各种火箭物理学的概念：从火箭升空 New York City American Institute of Architects 到宇宙飞船返回。通过说明性图形，对相关概念做出进一步解释。九洞 Board Memberships

高尔夫球场环绕着以行星和月球景观为主题的中心标志性练习场地。 Board Member, The Cooper Union Board of Trustees, 2012 Board Member, Longhouse Reserve, 2012 Chairman of the Board, Architecture OMI, New York, 2008 - present Exhibitionist Magazine Editorial Advisory Board, NAME, 2008 - present Board Member, Society for Environmental Graphic Design, 2001 - 2007 Awards John Q. Hedjuk Award for “Outstanding Contribution to the Theory, Teaching and Practice of Architecture”, 2012 Presidential Citation for Outstanding Achievement Award, Cooper Union, New York, NY, 2006 Distinguished Member Award, Society for Environmental Graphic Design, 2004 Exhibition Design Commendation, AIA, New York Chapter for the Creation of Live/Work Skyline/Street exhibit at the Center for Architecture, New York, 2003 George A. Ledlie Fund Prize, Cooper Union, New York, 1979 Education: B. Arch., Cooper Union, New York, NY, Recipient, George A. Ledlie Fund Prize Boston Architectural Center, Boston MA

[C]Space DRL10 Pavilion Alvin Huang This pavilion was the winning entry to an international design competition held by the world renowned Architectural Association school to celebrate the tenth anniversary of their Graduate Design course. The structure was designed for use by the general public and was located on Bedford Square in London, near the British Museum where it provided a rare place for the public to sit and gather informally. Its visually striking presence invites inspection from a distance and more closely reveals the merging of many discrete flat concrete elements into a single continuous curved form with a thick base that is stepped and ramped to accommodate many different uses. As you move around, the appearance of the pavilion varies from opaque to transparent,

Alvin Huang is an award winning architect and designer with a profound interest in the application of advanced digital design and fabrication processes as techniques to drive the design, development, and construction of built structures.

He is not only a proponent for the use of these tools and technologies as a means of challenging conventional notions of space and form, but also as a method for augmenting the role of the architect in the procurement of construction.

Alvin received a Master of Architecture and Urbanism from the AA DRL (2004) and a Bachelor of Architecture degree from the University of Southern California (1998). He is currently the director of Design Research for Amanda Levete Architects (AL_A) in London, England. Previous experience includes collaborations with Zaha Hadid Architects, Future Systems and DMJM Designs.

His work has been widely published in the US, Europe and Asia.

producing a stunning three-dimensional moire. The 12m span structure encloses while also providing a route through for passing

Alan Dempsey

pedestrians and blurring the distinction between inside and

Alan Dempsey is founding director of Nex a multidisciplinary design office with international projects that range in scale from design to architecture and infrastructure. Current works include two bridges in Dublin, a pavilion with Sir Ken Adam in Berlin, and an installation for the furniture manufacturer Established & Sons at the Milan Fair.

Alan is a registered architect in the UK and has previously worked with Farjadi Architects, OCEAN and finally with Future Systems, where he was a project director responsible for some of their most significant recent work.

Alan studied at the Dublin Institute of Technology, Universidad de los Andes, Bogotá and the Design Research Lab at the Architectural Association in London.

outside, shelter and stage.

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Designer Alvin Huang, Alan Dempsey

Location London, UK

Design Company Synthesis Design + Architecture

Area 100 m2

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该项目包括为位于克利夫兰底特律 Shoreway 附近的戈登广场 艺术区设计的两个巴士候车亭。这是一件将功能性和标志性元素纳 入新公共艺术之中的创作，这一创作将在万众瞩目的底特律大街街 景项目中实现。 从概念上看，该设计是由一张不锈钢板经折叠而制成的候车亭。 这种单一的材料可以提升规模较小的候车亭的雕塑质量。候车亭表 面的折叠点取决于候车区的功能、环境和结构变化，这些因素组合

Gordon Square Bus Shelters

在一起决定了候车亭的形状。为适应当地的阳光、风和景致条件，

Robert Maschke, AIA

候车亭表面遍布穿孔式设计。到了晚上，候车亭内设有照明，灯光 微微地投射在周围的建筑物和自身表面，改变了现有环境的同时作 Designer Robert Maschke, AIA

为崭新的、充满活力的设施的一部分与环境相融。

Location Cleveland, Ohio, USA

The project consists of two bus shelters designed for the Gordon Square Arts District within Cleveland’s Detroit Shoreway neighborhood. The brief called for the creation of functional and iconic elements to be incorporated as a part of an ensemble of new pieces of public art slated for the highly anticipated Detroit Avenue Streetscape project.

Conceptually, the design is conceived as a single stainless steel surface which wraps and folds to create the shelter. The singular material enhances the sculptural quality of the modestly scaled shelters. Folds in the surface are determined by the accommodation of functional, contextual, and structural variables, which merge to generate the shelter’s shape. A pattern of perforations moves across the surface of the shelter which responds to localized conditions of sun, wind and view. In the evening the shelters are internally illuminated, projecting a subtle dithered pattern on the surrounding buildings and surfaces transforming the existing context and incorporating it as a part of this new vibrant installation.

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Robert Maschke, AIA established Robert Maschke Architects Inc. in 1997 and since that time has been responsible for the design of a wide range of arts, commercial, and residential projects throughout in the world. Over time, Maschke has cultivated a design sensibility that is simultaneously timeless in atmosphere, highly articulated in finish, and meticulous in detail. He has continuously engaged in the disciplines of design from a variety of positions throughout his career, and has served as a lecturer and design critic. Maschke believes it is critical to understand current issues impacting the design disciplines in order to remain a part of the discussion that shapes design culture. As a member of the American Institute of Architects, Robert Maschke has been the recipient of many honors and awards.

Resort design

《度假村》

ISBN 978-7-5038-6742-2 978-988-16585-1-7

binDinG hardcover

SiZE

PAGE

240 *320 mm

352pages

《度假村》所甄选出的优秀项目不只是建立在自然风景的基 础上，而是尊重、协调、借用自然优势，将其地域特色、人文历 史、旅游资源等放大突出，并与周边城市环境有机结合。人们在 感受自然气息的同时，更能触摸到设计师别具一格的设计思维和 超前的生态灵感。

The collection of ‘Resort Design’ not only based on natural scenery, it also utilizes and harmonize the natural advantages, highlighting the region characteristic, humanity history and tourism resources which combined with surrounded environment. People can feel the natural atmosphere while appreciate the unique design thought and advancing environmental inspiration.

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one & only, the palm, dubai

ARCHITECT dSa architects international

The Hotel is divided between land and water based buildings each with a distinctive style and ambiance. On land, the built language is influenced by the Moorish and Andalucían vernacular with specific reference to the Alhambra while on the water, the Architecture is contemporary incorporating both modern and historic nautical themes.

LOCATION the palm Jumeirah, dubai, united arab emirates

The Site is located at the end of the West Crescent of the Palm and offers 450 meters of private beach, uninterrupted views to the Palm, the Jumeirah Beach Waterfront, the Arabian Gulf and a sheltered private bay formed by the end of the Palm rock revetment.

PHOTOGRAPHER © One & Only resorts

The Hotel encompasses 66 Premiere Rooms, 18 Junior Suites, 6 Executive Suites and The Royal Palm Suite situated in the Manor House and six low rise Mansions as well as three two bedroom and one three bedroom Villas. The Manor House also contains the Hotel Reception, the Lobby Lounge, two fine dining Restaurants and a Conference Facility. The Lobby Lounge and Restaurants open onto external dining terraces overlooking the 850 square meter main swimming pool which in turn is flanked by six private Pool Cabanas. From the Pool area access is gained via an external Function Area and Wedding Gazebo to the Spa, Beauty and Fitness Center which offer 9 private Spa treatment suites with private gardens, a fully equipped gym, a lap pool and a Beauty Salon.

迪拜棕榈天下无双酒店

The six Mansions are located on the perimeter of the site allowing direct access and views to the private beach. Each houses between 8 and 10 suites on two levels which are accessed via an open entrance courtyard and dedicated reception lobby. Also on the beach front are the four Villas.

These all include a private pool, outdoor Majlis, private garden and dedicated staff facilities.

On the water, the buildings comprise a Marina Restaurant with expansive external relaxation and dining terraces, a Welcome Centre and private Marinas for both hotel guests and visitors.

ANOTHER WORLD

The Fortress Hall and The Arched Ballroom:

Cap Rocat is a former military fortress located in the most secluded area of the bay of Palma de Mallorca. Stunningly blended into the landscape, this magnificent fortress has been totally refurbished without altering its unique architecture and its natural environment.

Cap Rocat offers function rooms for the organization of private meetings, and an area for events that can seat up to 250 persons.

The former shooting pads, with a commanding view of the bay of Palma, have become spectacular suites each with a private patio and terraces.

LOUNGES The former fortress halls have become relaxing areas, where different scenarios have been recreated, together with private lounges for exclusive use of our guests. In summer, the former patios are transformed into pleasant lounges where one can enjoy the warm summer nights.

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THE TERRACE Located above the Fortress Hall, the panoramic terrace is an excellent area for the organization of a cocktail during the warm summer evenings and with stunning panoramic views of the bay of Palma.

THE BUNKER The former gunpowder depot, excavated into the rock, is transformed into a magical place at night for special events, where guests of the event can enjoy a cocktail and music without disturbing the privacy and calm of the hotel guests.

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ayana ResoRt and spa

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CONTRIBUTOR aYana resort and Spa LOCATION Jimbaran Bay, Bali, indonesia AREA 77 hectares

巴厘阿雅那水疗度假村

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interior design interior design interior design Commercial Display

商业展示设计

EXHIBITION SPACE DESIGN

展会室内空间设计

Glamorous Restaurants

缤纷炫宴

interior design interior design

interior design design

Yacht Interior 游艇室内设计 interior

Jewellery Shop 珠宝店 interior design interior design Bank Interior 银行室内

interior design interior design interior design New top club TOP 会所 Oriental stylish interiors

东方雅居

Home Décor 现代时尚

interior design interior design

interior design interior design Urban style 港台风格家居 Tea house 茶楼

interior design STYLISH HOME INTERIORS interior design

雅居名舍

Creative & Modern Office

现代创意办公空间

Stylist Restaurants

雅致餐厅

boutique in fashion

精品时尚店

Villa in nature

享·自然 - 国外豪宅

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fascinating

interior design interior design

house 国外顶级 HOUSE

interior design interior design

interior design interior design interior design

interior design

《商业展示设计》

《展会室内空间设计》

《缤纷炫宴》

Commercial Display

Exhibition Space Design

Glamorous Restautrants

《游艇室内设计》

《珠宝店》

《银行室内》

Yacht Interior

Jewellery Shop

Bank Interior

《TOP 会所》

《东方雅居》

《现代时尚》

New Top Club

Oriental Stylish Interior

Home Décor

《茶楼》

《港台风格家居》

《雅居名舍》

Teahouse

Urban Style

Stylish Home Interiors

《现代创意办公空间》

《雅致餐厅》

《精品时尚店》

Creative& Modern Office

Stylish Restaurants

Boutique

《享·自然 - 国外豪宅》

《国外顶级 HOUSE》

Villa in Nature

fascinating House

loading……

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www.hi-design.hk

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Commercial Display

《商业展示设计》

ISBN

binDinG

978-7-5611-7086-1

hardcover

SiZE

PAGE

242*280 mm

320pages

高迪国际出版有限公司编著的《商业展示设计(精)》分为数 码、家居、美容、配饰、食品和服饰6大类，展示了最新的50多 个商业展示设计项目，所有项目都出自国际知名的设计事务所之 手，用大量清晰的实景图片和平面图、立面图、剖面图等技术图 片，配以详细的文字说明，向读者立体展示出商业展示设计的最 新趋势和创意手法。

The Commercial Display compiled by Hi-

firms, by using a large number of clear live-

design International Publishing (Hong Kong)

action pictures and plans, elevations, sections

Co, Ltd is divided into 6 types such as digital,

and other technical pictures, matched with

lifestyle, beauty, accessory, food and fashion.

detailed descriptions, it displays the latest trend

It shows over the latest fifty commercial display

and creative technique of commercial display

design projects, all items are stem from the

design to readers in the method of Stereo

hands of some famous international design

display.

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37

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Freudenhaus Eyewear Store

快乐之家眼镜店崇尚简洁、优质的理念。清晰的线条、 简单的外形及优质的材料展现出设计永恒的本质。该眼镜店的 室内装修以令人信服的方式反映了该店的特色理念，即吸引年 轻目标顾客群体的兴趣及好奇心。与此同时，通过减少及净化 室内设计，眼镜成为顾客兴趣的焦点。橱窗采用非传统的风 格，圆形的舷窗中播放着最新款眼镜设计的视频，顾客将发现 这种独特的展示技术隐藏在巨大金属门的后面。如果顾客在铃

The Freudenhaus Eyeglasses follow an idea of the simplicity and high quality of materials, a timeless essence from clear lines, simple forms and high-quality materials. The interior decoration of the eyeglass shop reflects the mark example in convincing form. A concept was developed that above all arouses interest and curiosity of the quite young target group. At the same time by reduction and pureness of the design the eyeglasses move into the center of interest. The unorthodox disguised shop windows, whose round porthole cutouts are taped with videos of the current eyeglass collections, hide themselves to what the clients find as special presentation techniques behind the large metal door. If one got inlet after short ringing, the bright and clear design surprises at first sight. The white front desk floats as space sculpture in the center. From the ceiling and walls extendable glass tubes rise up in which the eyeglasses are presented. Space high reflective surfaces in the showroom let the small hitting a corner shop work and grow in space. If one finally regards the separation doors at the end of the area, one recognizes how the forms of the corporate architecture were taken up subtly here: A swinging door, which resembles an oversize pupil with its round glass cutout and the centrically set semicircular grasps.

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响后进入店中，首先映入眼帘的清晰明亮的设计会令人感到惊 奇。白色的悬空前台如空间雕塑般放置在店铺的中央。天花板 和墙面上可伸展的玻璃管中展示着各种眼镜。高反射度的表面

Designer: Marie Aigner

从视觉上增加了空间的高度，使得街角的小店在空间上得到扩 展。如果在区域的尽头注意到隔门，会发现商业建筑的形式在

Design Company: Aigner Architecture

此如何巧妙地得到运用：转门上的圆形玻璃就像一个巨大的瞳 孔，中间是两个半圆形的拉手。

Location: Munich, Germany Area: 76 m² Photographer: Jacek Majewski

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Design Company: Barteluce Architects & Associates Design Team: Dan Barteluce, Alice Perera, Brian Swanson, Matthew Usbeck, Christopher Parrish, Natalie Lewis, Sean Hennessey

H2O +

Location: Vancouver, Canada

Designer: Michael Neumann

Area: 130 m²

Design Company: synn architekten Location: Brunn am Gebirge, Austria Area: 45 m² Photographer: synn architekten

Yellowcent Shop

H2O+ in Vancouver was a 130 square meters renovation that introduced a new, crisp, and clean design concept meant to compliment the natural sea derived skin products sold within the retail space. The crisp white interior design is highlighted with textural elements such as the wave panels. Accents of ocean blue tones compliment this energetic contemporary environment and work in harmony with the nature-found skincare products showcased.

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The small shop near Vienna was designed to transform yellowcent’s already existing onlinepresence and its corporate design into architecture. A wall unit which has perforations of different sizes and heights acts as storage space and display area. Its surfaces consist of white high gloss finish and plexiglas. Facing the entrance a large integrated plasma display shows the company’s presentation videos.

The panels on the ceiling—shaped like the cutouts of the wall display—hide the lighting and provide space for multimedia devices such as beamers and screens. The interior is completed by a multifunctional desk, which also appears in the colours of the company logo.

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EXHIBITION SPACE DESIGN

《展会室内空间设计》

ISBN

binDinG

978-7-5611-6986-5

hardcover

SiZE

PAGE

240 *290 mm

320pages

空间的变化是最让人精神振奋的，随着角度的变化，看到 不断变化的风景，增加空间趣味性。书中所提供的在视觉节点 上的多种处理方式，为我们开拓思路，并为以更多的手段来创 造空间提供了切实可行的途径。 此书精选了将近四十余个不同 风格展会设计的案例，全方位、多角度地展示了最近几年空间 设计界最In、最出彩作品，为我们进行展会设计提供了良好的 可参考素材。

The change of space is the most refreshing

in more practical ways. This book selected

thing for one’s spirit. Along with the change

nearly forty different style exhibition design

of angle, we can see a constantly changing

cases, and to show the most fashionable and

landscape, thus which can increase the

excellent work in the field of space design

interests of space. A variety of processing

recent years in all-round, multi-angle way so

modes on visual nodes that provided in this

that provides a good reference material for our

book, is to expend way of thinking, as well

working of exhibition design.

as provide a feasible way to create space

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“可丽耐智能空间生活”展览让我有机会制造出一个积 木式的住宅——用凹凸板和简单工具就能做出来的房子。我 一直都对积木式住宅的构想很感兴趣，想做出一种高效能的 居所，建筑过程简单快捷，价格低廉大众化，而且还能进行 方便而有效的定制。我一直相信，建筑的本质是运用一些组 件元素，但这些组件需要更自由的形式和更灵活的构造，这 样才不至于千篇一律。我要考虑的另一个问题就是在制造这 些板材的过程中要尽量减少浪费，增加回收的可能性。 我认为“可丽耐智能空间生活”是具有象征意义的作品， 它可以让我们了解技术、住宅、家具和空间如何才能有效地 结合在一起，强化人们的体验感，影响我们的心灵，改善我 们的生活，同时也可以帮助我们减少日常生活对环境的影响。 这个令人思维发散的居家方案的住宅空间设计为柔和的 子宫状结构，有助于提高能量效率，保证住宅的任何一个角 落都不会留下过热或过冷的空气。住宅内还安装了可持续智 能系统，以便减少能耗，回收利用水资源并减少对环境的影 响。 杜邦“特卫强”无纺布建筑薄膜能保护外壁，并让外壁 “呼吸”，从而提高室内环境的舒适度。屋顶还安装有杜邦 光电板，能生产可持续绿色环保能源，为提高能效降低能源 消耗，室内使用 LED 灯，辐射采暖地板则使用太阳能。 这个有机技术化住宅的设计理念是向着利用不同的材料 和技术来创造智能化家居环境方向迈出的第一步。

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OLIGO Design Company Ueberholz, BACHMANN.KERN UND PARTNER Stand Constructer Ueberholz

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Location Light and Building, Frankfurt, Germany Area 182m2 Photographer Photoprop

For the realisation of a trade fair stand for lighting manufactur Oligo, design agency BACHMANN.KERN UND PARTNER teamed up with Ueberholz. The booth appeared at Light+Building 2010. Oligo had serval requests. Firstly, it was important that the reliability of the firm´s name was emphasised following a change in ownership. In addition, Oligo desired the balance it successfully maintained between tradition and innovation be accentuated, was well as the high quality of its products.

The two agencies used black to create a homogenous backdrop; against it, Oligo´s products came clearly to the fore. Black curtains made of gauze appeard to float around the perimeter of the stand, forming cubicles in

213

which individual lamps were presented. The partial transparency of the fine material took away the severity of the blackness whithout distracting visitors from the exhibits. This characteristic of gauze was very welcom to Ueberholz and BACHMANN.KERN UND PARTNER, as the two firms deliberately focused on reduction, showing that Oligo did not need an ostentatious appearance to convince visitors of its trustworthy reputation.

On entering the stand, visitor´s attention quickly became focused on the centre of the space where Trinity, the firm´s latest product, was showcased.

Illustrating the fusion of form, function and technology, several of the floor and pendant lamps formed the highlight of the presentation.

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GLAMOROUS RESTAUTRANTS

《缤纷炫宴》

ISBN 978-7-214-08192-6 978-988-16527-1-3

binDinG

SiZE

PAGE

242 *280 mm

352pages

hardcover

设计师们采用新的技术、方法对餐厅环境进行有新意的设 计，使空间更具活力，能给客户带来更多的视觉享受。《缤纷炫 宴：餐厅设计》展示了世界上最时尚的餐厅室内设计作品，这些 作品充分体现了现代餐厅环境设计的新思路，对餐厅环境中的各 个空间分别展示，让读者全方位地领略设计师对空间的利用及把 握，使创意变得更加直白，更易理解。

New techniques are adopted by designers

book fully reflect a lot of new ideas in designing

in order to make the spaces in restaurants

restaurants. In this book, we will show every

full of vitality and serve our customers with

space of all the restaurants, which makes the

more visual enjoyment. THE GLAMOROUS

design concepts easier to be understood. And

RESTAURANTS displays the most fashionable

you will appreciate how the designers utilize

designs in the world. And the projects in this

and make full use of the space.

Bond & Brook

Designer: Dorrien Hopley Design Company: d_raw associates Location: London, UK Area: 250 m² Materials: Carara marble, Pewter, Polished plaster, Handcrafted Venetian mirror, Laminated glass with crushed silk

Leading independent department store Fenwick launches Bond & Brook – a new, integrated restaurant concept, central to the re-design of the prestigious luxury retailer’s flagship London store.

Privately owned British department store Fenwick are set to show a major return to form, leveraging their status as one of London’s key "boutique" retail destinations, with the launch of Bond & Brook – a bespoke restaurant concept that will sit on the 2nd floor, overlooking Brook Street and sitting comfortably beside displays of high fashion, will be an all-day restaurant open for breakfast, brunch, lunch, afternoon tea, cocktails and canapés in harmony with the store’s opening hours.

Designed by architectural and interiors practice d_raw, in collaboration with the hospitality consultancy A Private View (founded by Evening Standard restaurant critic Fay Maschler & Journalist and Broadcaster, Simon Davis) and brand specialists Made Thought, the site, as one of a very small number to offer food and drink on Bond street, will boast not only a daytime restaurant but also a less formal café area and a large, sculptural, showpiece of a cocktail bar central to the no-expense-spared space.

All elements of the design have been created especially for the reclaimed space, most prominently a curtain of semi-reflective, floor to ceiling, asymmetric glass "fins" that encircle the two store-facing sides of the restaurant, allowing the restaurant to be concealed or indeed opened up onto (and mixed with) the fashion floor, highlighting the store’s several new acquisitions.

Other features include a full "fashion library" of books and magazines and a "champagne burst" chandelier (a visual echo of the celebratory ambience) rising above the pewter wrapped cocktail bar.

The new restaurant, as a key part of the Fenwick’s major new re-design for 2010, signals a renewed commitment to a stronger than ever fashion proposition plus a stylish reminder of the unique flair of one of Britain’s most charming independent stores.

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Fenwick 百货公司决定重建位于伦敦的奢侈品旗舰店，而且重建工作的中心是开设一间全新的综合餐厅——Bond & Brook 餐厅。 英国私营的百货公司 Fenwick 力图重振它在伦敦精品零售店中的领导地位，在二楼量身打造了 Bond & Brook 餐厅。人们可以在那里俯瞰 Brook 大街，舒服地坐着欣赏顶尖时尚的商品，还能够享受这家全日餐厅所提供的早餐、早午餐、午餐、下午茶、鸡尾酒和点心。餐厅的营业 时间与商场的营业时间一致。 Bond & Brook 餐厅是由 d_raw 室内建筑设计公司进行设计，并由酒店咨询公司 A Private View（由 Evening Standard 晚报的餐厅评论家 Fay Maschler 和记者兼广播员 Simon Davis 共同创办）和品牌专家 Made Thought 合力打造，是 Bond 大街上为数不多的能够提供食品和饮品 的场所。最让餐厅老板引以为豪的是：白天餐厅不仅提供食物而且也供应休闲咖啡，餐厅中央区矗立的大型雕塑吧台，可供客人享用鸡尾酒。 所有的设计元素都是为这个改造的空间特意创造的。最明显的有：介于地面和天花板之间的半反射窗帘；在朝向商场的两侧，环绕着的 不对称鳍状玻璃能够将餐厅隐蔽起来，或是向时装层敞开并融为一体，使顾客很直观地看到商场里的一些新品。 餐厅里还有其他的特色：摆满书籍、杂志的“时尚图书馆”，位于青灰色的鸡尾酒吧台上方的香槟色吊灯——与周围充满快乐的氛围构 成视觉上的呼应。 作为 Fenwick 2010 年重建的主要部分之一，这家新餐厅标志着对空前壮大的时尚定位的新承诺，同时也代表了 Fenwick——英国最具吸 引力的独立商店之一——独特的时尚眼光。

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Sky Lounge Restaurant Designers: Roman Leonidov, Zoya Samorodova Design Company: Roman Leonidov Architects Location: 23 floor, 32а, Leninsky avenue, Moscow Area: 100 m² Materials: glass, white ceramic granite, wood Photographer: Alexey Knyazev

The restaurant Sky Lounge itself is on the 22nd floor of the Academy of Science, a VIP-hall is on the 23rd floor. Before that on the 23rd floor there were technical facilities, and the architects made everything from the upper floor.

Though it is a single volume with a total area of 100 square meters, an impression of complex space is created at once. Such outcome is achieved through multiple reflecting effects. A column in the center of the hall is “wrapped” with dark-grey smoked glass. While the light is switched on

052

014

this rather massive structure works as a mirror. Many other columns also function as lamps: they are decorated with satin cloth, and illumination is integrated inside. A huge moon-shaped chandelier with 250 threads of bugles and a big table resembles a half-moon, created upon the drafts of Roman Leonidov. The major color is white here. When evening comes, columns shine; light from the large chandelier resembles stars in the sky, as the major theme is sky and clouds here.

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015

yacht INTERIOR

《游艇室内设计》

ISBN

binDinG

978-7-5611-6826-4

hardcover

SiZE

PAGE

240 *320 mm

368pages

此书搜罗了全球顶级游艇设计师及游艇制造商提供的最新游 艇设计作品，为设计界专业人士和游艇爱好者提供了多维、全面 的视角，充分展现游艇带来的时尚休闲、高品位的生活方式。

This book gathers latest yacht design works of the world's top yacht designers and yacht manufacturers; offers a multidimensional, comprehensive perspective for design professionals and yacht enthusiast; fully demonstrated the fashion, leisure, high quality of life which yacht provide.

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norTHern STar interior Design exterior Design shipyarD length Beam cruising speeD

Pauline Nunns Espen Ă˜ino Naval Architects LĂźrssen Yachts 75.40m 13.50m 17.00kn

Northern Star has a length of 75 metres and is designed for extensive and extended cruising in both northern and southern hemispheres. She features large outdoor spaces and provides ample seating for open air dining, lounging and sun bathing. In cooler weather conditions a heater in the overhead as well as glass panels for wind protection ensure that guests feel comfortable at all times.

The interior, designed by Pauline Nunns, can best be described as a grand country home, which is executed in every single detail and dominated by light airy and comfortable traditional interiors.

When entering Northern Star through the main entrance into the marble floored hallway you instantly get the feeling of a classic rather than a flashy yacht. The hallway provides a very impressive cylindrical glass elevator which accesses all decks and is encircled by the main staircase.

The main deck hosts the main salon and dining area, which are executed in a warm red tone. Comfortable couches and chairs are placed around a real working fireplace and a self-playing Steinway piano offers musical entertainment.

The 5 guest suites are also situated on the main deck and offer generous accommodations and very large windows. The decoration of each cabin is different but all is held in light colours. The beauty and massage room next to the guest cabins is a much sought-after spot onboard.

Most of the upper deck is dedicated to the owner's suite which includes a cosy lounge with library as well as private study. The suite offers most spectacular panoramic views and two side doors offer the possibility to walk outside to a cosy seating area. The sky lounge on the same deck is a masterpiece in its own right and has the same light-blue and white colours as the owner's suite.

Northern Star is a yacht built for pleasure, but above all other considerations she is a yacht intended to be self-sufficient during extended voyages on the high seas and well equipped for whatever she may face.

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jewellery shop

《珠宝店》

ISBN

binDinG

978-7-5611-6715-1

hardcover

SiZE

PAGE

245 *290 mm

368pages

珠宝店的设计要跟上潮流，体现出珠宝本身的气质，同时 又要满足不同消费者的需求，就要根据人们不同的品味和生活方 式，甚至生活范围选择需要表现的形式和内容。比如，哪种形式 比较容易表现消费者对生活情趣的追求，哪种内容最能显示个人 品位的超凡脱俗，哪种灯光最能迎合人们对于空间风格与生活情 调的需求，等等。而《珠宝店》向读者展示的正是流行设计中丰 富的想象力和独特的创造力，集中演绎了40多个国外最新的珠宝 店的设计案例，旨在为读者提供最具价值的参考信息。

The design of the jewelry store should keep

extraordinary refined personal taste, what kind

up with the trend, reflect the temperament of

of lighting that best cater to the demand of the

jewelry itself, while at the same time meet the

people’s require for the space of the style and

needs of different consumers; according to

lifestyle needs, etc. The ‘Jewelry Shop’ shows

people’s different taste and lifestyle, even life

reader are popular design of rich imagination

range to select the form and content need

and unique creativity focus on interpretation of

to be demonstrated. For example, what kind

the more than 40 foreign latest jewelry store

of form is easier to show consumer’s pursuit

design case, in order to provide the reader

of joy of life, which kind of content is most

with the most valuable reference information.

Jewellery

Shop

Enigma Diamond This brand focuses on high-end customized products and sales of rough stone, therefore, the design of the exhibition hall should be unique and simple rather than traditional. The designer treats the exhibition hall as its products and the design highlights its line, technics and pattern.

L-shaped structure occupies too much space and the designer takes its full advantage to define the layout. The exhibition hall is naturally divided into two areas by designing a curve at the original structural column, which not only hides the huge column but also makes the rear of the exhibition hall become the important and hidden VIP room. The layout and the application of materials create the expansion, diversity and various facets in the exhibition hall, such as, the contrast between hard marble and soft rugs, the abundant application of edge-cutting gray mirrors and black mirrors.





Jewellery

Shop

Swarovski Store This is a large project implemented by Swarovski to renew boutiques and concessions in all major fashion capitals around the world.

The new store in Ginza, is completed as the first flagship ever Swarovski showcases in the world.

The concept of the new retail architecture, "Crystal forest", is comprehensively implemented in this store design.

PhotograPh by Masahiro Okamura

Vicky deSign 2

When the designer pondered how to express the intimate relationship between crystals and nature, he have looked to the forest as a key element of his inspiration. The designer have intended to design a new retail architecture, which makes the visitor wonder, from the moment of stepping in the boutique, whether he/she were in the forest, jeweled with crystals and pieces

Designer | Vicky Ou Location | Shenzhen, China area | 2m2



of jewelry, rather than proposing an ordinary interior design for retail.

As the key elements of the shop, the facade is covered with nearly 1500 stainless-steel mirror relieves. it reflects the various scenes from different angles and sparkles brightly as if crystals cascade down from the sky. its ever-changing day and night expression harmonizes light and fascination and attracts people out in the street.

Stepping inside the store through the entrance, where another key element of the design, waterfall-like chandelier, is showcased, the visitor will encounter a crystal staircase. it orchestrates the sparkling of the crystals and radiates brilliance throughout the entire space by creating a fantastic atmosphere. Moreover, dazzling crystals on the floor are embedded in the stone like a fossil. Each staged object increases its transparency and sparkles more in the space when the illumination hits and brings the pieces to live as they are the creatures living in the forest. on the second floor, a special installation called “Shooting Star” will be presented, in which crystals make a scene just like a fall of shooting stars. With using the shimmer of the crystals to resemble stars, "Shooting Star" is an installation, which shows people the beauty of overlapped and reverberated transparent sparkles.

The installation will express a poetic and fantastic world where 28,000 crystal stars twinkle down from the sky.

tokujin YosHioka inc.

Designer | Tokujin Yoshioka Location | Tokyo, Japan area | 62m2





位于新加坡乌节商业中心的珠 宝旗舰店以其大胆和想象力开辟了 一个购物新天地。以令人目眩心驰 的双层珠宝盒概念来设计的购物大 厅占地244平方米，为进入的人们 提供了一场视觉和感官的盛宴。它 打破了一切关于珠宝店设计的陈腐 概念。丘比特珠宝店是一个标新立 异的典范。 一进入大厅，人们便能感受到 精心规划的空间内充满未来主义气 息，厅内布满大胆的金色、银色和 黑色的细节设计。打破常规的360 度抽象展柜和柜内展示的独一无二 的珠宝一样引人注目。大厅内的多 层空间被分割成不同部分，营造出 不同特色和购物体验，但是不规则 动态设计又模糊了各部分之间的界 限，使人不自觉地从一个区域过渡 到另一个区域。例如，一楼的波浪 状金色楼梯尽头与平台相连，人们 在上楼过程中可在不同高度停留， 并从多种角度观赏珠宝。所有珠宝 都被进行了分类，每个部分的定制 088

展台都各有特色，如金色斑点展

089

柜、高光黑面展柜和二楼的金色椭 圆形展柜等。此外，定制的4米宽 的铰链式铬合金环状装饰物悬挂在 10米高的空中，成为了外面来往人

The flagship boutique at Orchard Central breaks new ground in its boldness and vision. The coveted duplex Jewel Box concept of the new mall spans 244 square meters and is a visual and sensory feast that defies all staid notions of the traditional jewelry store. CUPID, after all, is about breaking the rules.

群注目的焦点。另一个特色就是位

From the minute one enters, one is transported into a futuristic, yet organic space limned with bold gold, silver and black details. Iconoclastic “360 Blob” displays catch the eye and are as arresting as the unique jewelry pieces within. This multi-level space is divided into different sections creating different characteristic and experience of jewelry shopping, but the fluid design also blurs these sections and transports people seamlessly from one area to another. The undulating golden staircase on the first floor for example, is designed with platforms so that people can stop at different levels, viewing the jewelry from different angles, all while ascending through the space to go to the next area. The jewelry pieces are also categorized within different custom-made displays that are unique in each section, such as the golden blob display, high-gloss black faceted display, and the golden oval display on the second floor. Additionally, a custom-made 4-meter wide sculpture which shaped as entangled chrome bracelets/rings are suspended from the ceiling creating a bold focal point to the view from outside while also filling the 10m high space. Another highlight of the store is the CUPID bar & lounge on the second floor where VIP customers can enjoy a glass of champagne while they shop. They can even chill out to the music of guest DJs at a special console area.

息和香槟小酌，他们甚至还可以在

The designer Karim says of the space: ““I believe the store which I have designed is like no other in Singapore, if not the world,’’ he says. “In keeping with my philosophy, I have tried to break the conventions and traditional expectations of what a jewelry store should be.Like the finest jewelry pieces, the boutiques are rich, yet minimal, precious yet audacious, skewed yet organic. The space also is totally functional and democratic in its presentation. It is a project I am very proud of.’’

于二楼的丘比特酒吧和休息室，那 里可为前来购物的VIP客户提供休 特殊的控制台区域请特邀DJ为其 播放驰放音乐。 设计师卡里姆曾这样描述该 店：“我相信我所设计的商店即便 不是在世界上，那么在新加坡也是 独一无二的。按照我的理念，我努 力打破常规，突破人们对珠宝店的 一贯预期。就像店内展示的高级珠 宝一样，这处珠宝店把丰富与极 简、贵重与冒险、创新与秩序融为 一体。它同时也兼具功能性和大众 性，我为它自豪。”



6





BANK INTERIOR

《银行室内》

ISBN

binDinG

978-988-19707-6-3

hardcover

SiZE

PAGE

240 *320 mm

384pages

在这本书内所提及的银行大厦案例中为了响应不断扩大的 客户群而成立的一些新的银行业务部门都十分有趣。今天的银行 是舒适且富有吸引力的地方，它的内部设计与众不同，再加上可 以展示银行身份的其他元素，传达了一致的信息，同时也显示了 这个机构的“个性特点”。

It is interesting to see in this publication examples of new sectors within Retail Banking which have emerged in response to an ever broadening client base. Banks today are comfortable and attractive places, with a distinctive interior design which, together with other elements of brand identification, creates a consistent message and manifests ‘the personality’ of the institution.

_Description Allen international was commissioned to evolve the brand identity and retail branch design of the respected Emirati brand: Abu Dhabi Islamic Bank.

Building upon the brand’s reputation for traditional Islamic financial services allen international’s strategic goal was to make it much more relevant to a younger market and also to a much wider global non-Islamic customer base. To do this they subtly evolved the brand identity to reflect the transparency of the offer through its simple shape and rendering. The Brand’s core DNA of Simplicity, Transparency, Partnership and Community established by allen international was the starting point for the retail branch design.

Taking the traditional souk marketplace stalls as the inspiration for this central area, allen international designed a flexible display and digital

Barwa Bank

Abu DhAbi islAmic bAnk

_Description the Barwa Bank branch design concept has been one of the most challenging projects that Crea International has ever developed: designing the most progressive Islamic bank of the future, showcasing modernity and coolness. the objective was to propose an environment aimed at making customers more and more familiar with the most innovative technologies, a bank thought where people would feel comfortable and welcome. through the methodology of physical Brand Design, Crea International team approached the project in a very logical and structured way: "In the first place, we look into the history and traditions of the country to get familiar with the components Qatari people felt very belonging to their culture and were proud of. we also analyzed throughout the mission of Barwa Bank and the values it stands for, and finally

Design Company_Crea International

merchandise system. The teller zone was purposely recessed off the branch marketplace so it would not become a dominant feature of the retail offer preventing the branch from feeling purely transactional.

Tactically positioned digital screens were sited in the branch as part of its Attract, Build, Capture (ABC) Digital communications strategy to create the dynamic delivery of promotional and brand messages to customers. allen international used this new branch design as the basis of the separate “Dana” ladies banking branches. By defining a unique colour scheme, brand pattern and materials a more feminine space was developed. Finally, the affluent segment “Diamond Banking” was developed. With its own concierge desk, exclusive lounge, prayer spaces and discreet meeting offices, a rich, exclusive design was created for this segment.

we looked at the banking models both in western and middle east countries to build a strong point of difference and a gap with the current models, as claims viviana rigolli, strategy director of the project.” to ensure real distinctiveness versus such current banking models and to build the most innovative bank, Crea International designed a new service standard: only a central banking area hosting multifunctional comfortable workstations where the bank assistant can seat close or in front of his client looking together at touch screen table, where all banking functions can be performed with total transparency and almost paperless. the final result is a delicate balance between simplicity, intuitive space fruition of the service model and the warm environment.

Design Company_Allen International

basic _54

info

Design director_Libero Rutilo

Concept supervisor_Massimo Fabbro

architect_Nicola Golfari

Strategy director_Viviana Rigolli

lead graphic designer_Sonia Micheli

Graphic designer_Giuseppe Liuzzo

location_Qatar

55_

_144

Location_Abu Dhabi

Designer_ Richard Benson

basic info 145_

现代银行办公场所需要传递的核心信息为：开放、透明和高效，全行业概莫能外。德意志银行泰国总部的设计吸取了上述 原则，创造出了开放和流动的空间，把客户接待区、会议室和工作区连接在一起。 接待处可以进行非正式聚会和用做欢迎访客，而高效的楼板可以最大限度地利用空间。项目的关键之处是反映出银行尊贵 的地位，同时也通过使用重要的当地影响力来显示他们的承诺和对泰文化的尊重。因此，德意志银行在Athenee Towers的办公 室是泰元素和现代格调的美丽结合。 银行内部颜色直接参考了泰国寺庙和素可泰王朝宫殿屋顶的色彩。三层的德意志银行办公楼使用了黄色、橘色和绿色三种 颜色，办公场所墙面也刷有此三色。

197_

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43_

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75_

_Description The client's guidelines for the project stressed on transparency of space, high flexibility in arrangement, modern, elegant look and direct contact with client.

Model outlet interior has been divided into three access areas significantly facilitating orientation of customers in the bank. Without using the traditional partition walls the designers managed to distinguish self banking, customer service area and background facilities. Ceilings on the whole area are covered by custom designed lamps tightly adjoining to each other. Cylindrical shape of the

lampshades and blackness of the ceiling that increases impression of depth, both increase the feeling of space of the interior. Some lamps are used as ad carriers. Images placed at the bottom of the lampshade use the lamp lightsource to look similarly to citylight.

The package of branding elements designed by medusa also includes internet post, fun-place for kids, leaflet stands, a form of retractable lightbox with highlighted ad and multimedia pylon. For better customer orientation designers have created signage system in each room located on the floor.

ING BaNk Design Company_medusaindustry

basic info

Designer_Wojciech Eksner, Łukasz, Zagała, Przemo Łukasik

location_Poland

photographer_Agnieszka Wawro, Milosz Jaksik

BCC Bank

_Description The brief of this project is to convert an existing 2-floor building to be the new branch of the BCC. The floor area is 120 square meters and has an irregular shape. The original flooring will be conserved; thus, the project makes use of innovative solutions to create eye-catching visual effects. The drop ceiling is composed of large suspended panels in wood, which cast a pattern of light and shadow on the surfaces below. Utilities and cabling are fitted behind the ceiling. The calm, cool atmosphere of the office space is characterised by the contrast between the light-coloured areas of the walls and counter and the dark surfaces

Design Company_Kuadra Studio

basic _116

info

Location_Madonna dell’Olmo

Co-authors_Tomek Majewski, Daria Cieslak,Grzegorz Pietraszuk,Michał Sokołowski, Konrad Basan, Joanna Sowula

of the countertops. This effect highlights the wood panels forming the ceiling. The black wall surfaces made of panels with vertical bars open up to reveal storage cabinets.

The existing spiral staircase has been masked by a large cylinder, composed of tubes of varying diameters. These are mounted vertically and are irregularly spaced. The large white counter is divided into windows for the tellers by vertical glass “blades”, to create a certain degree of privacy. Two large offices are partitioned off by glass walls.

Area_120m2

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117_

_Description In an empty tenant space in a struggling neighborhood, OneCalifornia has filled a vacancy in an area with many empty storefronts. Boosting financial literacy is an important component of the bank's mission.

Recognizing that banks can be intimidating to first-time users in this tight, urban setting, design lends to a place that is comfortable and inclusive. The layout allows movement to the teller and banker stations, while creating an intimate waiting area. Broad views to the street outside give a greater sense of security to the neighborhood and encourage other businesses to set up shop there.

Corporate Department of InG Bank SlaSkI Design Company_robert majkut Design

_Description The basis of the concept was the idea of creating new, abstract space for corporate customers sector, which is extremely important for the bank.

Solution Taking into consideration functionality, solutions used concentrated on maximum effectiveness and perfect matching to the character and duration of meetings, required technological equipment and the way of their organization. Central, spacious, representative reception is also adjusted for the waiting room with its business TV channels, coffee corner for people who are waiting and also for those who are in the cabinets, and the communication network which enables easy access to all cabinets.

The client zone is linked directly with the back office. In the back office there are also cabinets of the management board and directors of particular departments and regions. Apart from the furnishing, the standard of the back office does not differ from the customer service zone.

This consequence of improving the furnishing standard is characteristic for the project. It should emphasize not only the characteristic way of brand image building but also care for the work quality, deeply rooted in the interior and culture of the company. In the back office there are

comfortable armchairs for resting during informal meetings as well as equipment for individual or group work.

Formally, the project is based on the concept of free flow of waiving walls. Made of two layers, orange and white, they create a kind of stiff curtain freely covering or showing the entrances, passages, and doors in the whole customer zone. Free waiving and sloping wall gives the futuristic effect and diversify the design and intervention effect of the building. It creates the impression of sewing the "internal clothing" on the fixed building construction. Every hole in the structure shows its thickness, multilayer, additionally underlined by internal lightings. The same rule creates the internal island .

Colours which dominate the interior are the corporate ING colours.

The usage of much higher intensity than in other branches, impose orange as the leading colour, supplemented with big amount of white and few hues of grey. This set of colours, enriched by lighting blue, visible mainly in the carpeting and furniture in the social infrastructure, breaks the warm energetic climate, balancing and making it calmer.

The colour theme is seen in the whole space. White furniture, orange seats and walls, blue accents in the upholstering and carpeting create the perfectly harmonized wholeness.

OneCalifOrnia Bank Design Company_ Mark Horton / Architecture

basic _24

info

Designer_Robert Majkut

location_ul. Malczewskiego 45, Warsaw, Poland

area_1,404m2

photographer_OLO Studio _230

25_

Photographer_Ethan Kaplan

Location_Oakland, CA

Designer_Mark Horton, James Stamp

basic info 231_

New Top club

《TOP 会所》

ISBN

binDinG

978-7-214-07838-4

hardcover

SiZE

PAGE

235 *305 mm

352pages

会所是高端生活方式的一种体现。《TOP 会所》将辑录世 界各大城市独具魅力的休闲会所设计方案，将全球休闲会所（策 划）设计公司、著名设计师和娱乐投资商的最新休闲会所项目汇 编成书。不同地域和文化的设计师在休闲会所上的最新探索成果 将呈现于此，为读者呈现一场最高品质的视觉盛宴。此书的编辑 方式也区别于以往，按服务类型专业的区分细化的介绍几类会 所，重点展示了每类会所的设计风格和设计要求及配套服务。

Clubs are one of the reflections of top life

enjoy a high-quality visual feast about club.

styles. NEW TOP CLUB shows the glamorous

In addition, the editing of the book is different

designs from all over the world. It displays the

from the previous. We introduce several

latest clubs from famous design companies,

kinds of clubs in detail according to the

designers and entertainment investors. The

service types and highlight the design styles

book presents the newest achievements

and requirements, as well as the supporting

from different regions and cultures. You will

services of different clubs.

339

021

万科公望主会所

项目地点 | 中国浙江 项目面积 | 5 000 平方米 设 计 师 | 杨春蕾 设计公司 | 杭州良品室内装饰设计有限公司 主要材料 | 石材、木饰面、铜艺、墙纸、硬包、实木地板 摄 影 师 | 林德建

239

As one of the high-end projects, open to public use, the club plays the role of an urban complex as well as a landmark, providing service for the local senior personages in Hangzhou.

Located at the bank of Fuchun River with the picturesque landscape, the traditional charm in this project is naturally achieved through modern and international displaying approach.

With no adherence to the gravity and solemnity in the traditional style,

adopting modern and succinct lines, the designer creates the broadness and tranquility of this project in the background of outdoor gorgeous landscape. Decorated with stone material in white and dark wooden color, the whole space diffuses human touch and cultural taste in a balanced way. The various forms of copper use, perfectly interspersing and interweaving everywhere, make the finishing point of this project, and highlight its dignity and nobility.

036

037

044

045

096

oriental stylish interior

《东方雅居》

ISBN

binDinG

978-7-214-07669-4

hardcover

SiZE

PAGE

245 *290 mm

352pages

《东方雅居》书涵盖大量优秀中式设计案例，中式风格不是 纯粹的元素堆砌，而是通过对传统文化的认识，将现代元素和传 统元素结合在一起，以现代人的审美需求来打造富有传统韵味的 空间，让传统艺术在当今社会得到合适的体现。

The book ‘Oriental Stylish Interiors’ covers a

through the understanding of traditional culture,

large number of outstanding Chinese style

to create a space full of traditional charm for

design cases. Chinese style is not pure

the modern aesthetic demands, which reveals

elements piling up, but combining the modern

suitable manifestation of the traditional arts in

elements and traditional elements together

today's society.

学问通达，定应沉浮，破旧衍新，在 东方韵味的别致中融入充满现代精神的时尚 质感，这是新中式家居的自由豁达。一册古 籍、一盏明灯、一杯香茗、一张罗汉床、几 具青花瓷，宁静而致远；红袖添香，东方假 日，为伊倾情。 明快简约、含蓄优雅的设计风格，仿佛 回归自然，令身心平静、舒展，使居住空间 成为纷繁生活中的一隅桃源。花非花、镜非 镜的新式空间，对其所根植的古典文化充满 敬意。古典、雅致的厅堂，宽敞而明亮，点 燃的不只是眼球，温暖且透彻心房。古朴的 窗扇点亮了整个空间，正所谓“闲时月下谈 经论道，卧看庭前花开花落。” 窗外月色如觞，一曲春江花月夜，浅 浅的音韵，袅袅的律动，江河拱手，为君一 笑。

012

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空间的改造，是该案的重中之重。为了充分利用空间 又保留其原有特色，设计师做了颇为精心的构思和设计。 首先更改了梯位，令餐厅与客厅形成围合之势，令空 间更加简洁、大气，动线更加流畅。 在客厅原有弧顶的局部挑高空间中搭建楼板，在低矮 之处，保留部分空间，作为连接客厅与二楼休闲区的天井， 令客厅呈现非凡的气势。弧顶利用镜面铝塑板，弱化其突 兀的形状，令人站在此处，就能够瞥见楼上的一隅风光， 妙趣横生。

088

064

089

084

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Home Décor

《现代时尚》

ISBN

binDinG

978-7-5611-6347-4

hardcover

SiZE

PAGE

246 *290 mm

368pages

Home décor 包含了不同的空间、房间、室内设计元素和 不同种类的房屋，home décor的特色让读者探索了一系列风格 不同的气氛，非常个性的多彩空间，无数的内页，呈现室内设 计和装饰上的变幻多姿。

Home décor includes various space, room, interior design elements and diverse types of houses.

The feature of Home décor allow reader to explore series design styles of different atmosphere; extremely colorful space, numerous inside pages present us the changeable and colorful interior design and decoration.

tea house

《茶楼》

ISBN

binDinG

978-7-5611-6555-3

hardcover

SiZE

PAGE

245 *335 mm

368pages

茶楼是体现中国五千年的文化载体，它的设计不仅要注意 环境优美，更需要注重文化风味的营造。茶楼不仅综合了茶、 陶瓷、中国建筑，其实它还含有中国的文化——儒家文化。在 每一个茶楼，你不仅可以闻到特有的茶香，看到各式陶瓷制 品，还有中国文化散发的墨香，小桥流水、竹韵飘香、清雅幽 静 这些元素很好地把中国各地的文化融入到其中。

The teahouse is a carrier of five thousand years

appreciate various ceramics, and experience

Chinese culture and history, and the design

Chinese culture in each teahouse. The bridge

not only focus on the beautiful environment,

with brook underneath, bamboo fragrance,

but also pay more attention to the construction

elegant and quiet – all these elements are well

of cultural sense. You can smell the tea scent,

included in tea house design.

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本案是静茶的第二家店，是按照标准店的经营模式，故此次采用了许多标准化的模式。 整个空间设计流动着静穆、深邃的气韵，散发着诗性的光芒，既具深厚的传统积淀，又有鲜 明的时代特征，体现了设计师对深化山水意境的追求。东方文化的体现尤为深刻，有中华武 术的阳刚之美，也有高山流水的韵律之美，更充实着华夏人热爱和平、追求和谐的大度之美。 在作品中我们已经看到了“新东方主义”的形成。 在这个时代，文化的本源与融合，成为一对矛盾却互相无法割舍的力量。美学概念浑然 一体，无法强行拆分。但倘若我们一定要剖析“新东方主义”，大概应是“东方的审美传统、 西方的现代精神、设计的艺术创造”，三位一体，缺一不可。东西方文化的碰撞与融合是“新 东方主义”的核心思想。

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urban style

《港台风格家居》

ISBN

binDinG

978-7-214-07567-3

hardcover

SiZE

PAGE

246 *290 mm

352pages

本书甄选了港台设计师们的最新样板房设计实例，每个设计项 目都讲究形式与空间的美感、极富创意，将最前沿最具革新性的家 居设计理念送到您的手边，让您领略设计带来的多位感官体验。

The book selected the latest model houses from Hong Kong and Taiwan designers. Every project is featured with aesthetics of forms and space, creative and unique. We will let you experience the forefront and innovative home designs and have the multifaceted sense enjoyment.

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168 - 169

Beverly Hills ShowFlat

Royal Palace Designer: Du Kangsheng Design Company: Audi International Interior Design

• • • • • • • •

• • • • • • • • • • • • • •

Designer: Danny Cheng Design Company: Danny Cheng Interiors Ltd.

Theme of the design: structural and spatial beauty This three-storey house is designed in a simple and proportional way and decorated with elegant ornaments. The well-regulated layout enables our line of vision to run through the whole flat, creating a spacious and comfortable home.

French windows are preserved so that those wonderful scenery outside can be fully enjoyed. It also allows sufficient daylight to go inside the house while the varied daylight during a day creates different atmosphere for the house.

Various materials are skillfully used to create an ingenious layout. Wooden floor is chosen

for certain areas to promote a sense of warmth. Black mirror is installed on the wall from the 2nd floor corridor leading to the sitting room, reflecting vague images which add to the house a sense of mystery and also enhance its spaciousness. Besides, clear glass is installed at the staircase to enrich the visual view, while the super-high decorative bookshelves at the living and reading room highlight the extraordinary ceiling height.

Not many luxurious components are chosen, yet the design carries an attractive elegant temperament. Putting various elements together properly, together with various effects of lamplight and daylight, it creates a variety of atmosphere and a unique space.

Considering that the owner is young people, the special vocabulary is embedded in a reserved but dynamic design. The keynote of the television main wall is E beige marble, together with the carving wall under the line bringing the principle part extravagance as well as space atmosphere. The whole space is human-centered, taking black, white and cream color as main colors to decrease residential saturation. With natural structure and lines of elevation, the design highly sets off the moist and texture of those fine and delicate furniture.

In the kitchen, there is a fractionate and elegant smell just because of the light glass material, imposing marble material, moist wooden material crossing with each other by glass. Besides, the art work embedded in the stair hall provides the space sense of luxurious art.

The master bedroom is wooden floored, with royal charisma and royal sleeping atmosphere by reserved and simple lines and interwoven dark and light earth colors. The designer transformes the space tension according to the space features, and makes a game room exclusively for the children showing a castle illusion based on white color.

Attic is full of exotic holiday mood due to the light design, material usage and the supplement of flowers and grass. Air courtyard by wooden fence grid makes it more comfortable to live in this crowed city.

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058 - 059

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

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B1F

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Da'anyan Cheng's Residence • • • • • • • • • • Designers: Po-shen Kuo, Wang Yi-wen, Wang Ching-wen Design Company: Free-interior Design Area: Interior 82.5 m²•••Exterior 118.8 m² Materials: Weathered Wood, Flat Iron, Rosewood, Marble, Diamond Tan Floor, Xi Danzi Photographer: Sam Siew Shien

The designer is to create a living space without indoor and outdoor segment. There could be interaction with life, with inward running green atmosphere, lighting, stream, breeze, blossomed flowers, weaving trees, falling leaves, birds’ singing and original flavor of human voice.

The designer uses simple and white wall as a natural canvas, to let the lighting of pool reflect on the wall, floor and ceiling. These entire scene decorations can be enjoyed all the time in every single season. During the night, through the intelligent design of lighting,

the design makes both indoor and outdoor scene different from that in daylight, without the influence of night, providing chances to take participate in any activity both indoor and outdoor in the night.

This proposal does not cover large areas, fully-equipped with open kitchen, dining table, wall cupboard, ceiling lamp, desk and tea table to satisfy the owner's demands, even making it tailor-made for the owner.

074 - 074

Le Bleu Deux • • • • •••••

Designer: Danny Cheng Design Company: Danny Cheng Interiors Ltd.

Skillfully making use of color and space, the designer creates a modern home with a unique taste, resembling a holiday home.

A nearly all-white living room is deliberately designed to highlight the spaciousness created by the connection of two flats as well as to emphasize the outside scenery. A black wall, which is used to conceal the front door, serves to sustain and unite the style of the kitchen as well. A set of white dining table with wooden chairs is placed in a dining room without any clear distinction, granting the whole living room a natural sense of warmth, which put people at ease everywhere at home. Besides, movable glass doors are installed at the balcony, blending the indoor and outdoor scenery while letting in natural sea breeze and sunlight, so that the house is filled with a kind of natural warmness.

A simple study room eases the tension of city life. A bookshelf with great capacity allows

you to pick anything you need at anytime and facilitate your work. A space originally for three rooms is used for one single master suite, creating your own cozy little world. A big glass window in the suite let in natural sunlight and make sure the beautiful natural environment outside is fully enjoyed. One single color tone is used to unify the style of the entire house. During daytime, the outside green environment may relieve the weariness of your eyes, while at night the tone of white in the room may also allow your eyes to take a rest.

The simple yet delicate layout emphasizes the spaciousness created by the connection of two flats, while at the same time retaining the original outside view. The tenderness of the natural environment enhances the warmth inside the house, creating a snug and relaxing home.

stylish home interior

《雅居名舍》

ISBN

binDinG

978-988-19707-1-8

hardcover

SiZE

PAGEs

246 *290 mm

303pages

本书介绍了永康81样板房、长虹峰华样品屋、雅致新古典大 宅、海逸豪园、Mix&Match、愉景湾、巴黎皇宫样品屋、新美式殖 民地风格、淡水新横滨、淡水吴公馆、南京西路黄公馆、御品苑 样品屋、龙江路刘公馆、景美蔡公馆、Clean—Cut、单身豪宅生 活、世纪馆等室内装修案例。

The book introduces many interior decoration

Yokohama, Danshui; Wu’s Residence, Danshui;

cases, such as No.81, Yong Kang Show Flat;

Huang’s Residence, Nanjing West Road; Royal

Rainbows Feng Hua Show Flat; Elegant Neo-

Villa Show Flat; Liu’s Residence, Long Jiang

classical Residence; Hai Yi Mansion Garden;

Road; Cai’s Residence, Jing Mei; Clean-Cut;

Mix & Match; Discovery Bay; Paris Palace

Single Deluxe Residence Life; Century Hall and

Show Flats; New American Colonial Style; New

so on.

crEative & modern office

《现代创意办公空间》

ISBN

binDinG

978-988-19707-2-5

hardcover

SiZE

PAGE

246 *290 mm

352pages

本书反映了我们所处的时代和社会文化的发展。科学技术 的发展带来了人类价值观的变化，毋庸置疑也使得办公空间设计 在各个层面都更加多功能化。当前,设计师也关注材料的变换、 颜色、技术、能提供足够光线的玻璃透明度等，尤其关注对地球 至关重要的可持续发展问题。本书收纳了70多个国际项目,包括 MSN、谷歌、skype等,旨在提高生活质量。

The book ‘Creative & Modern Office’ is a

colors, technology, glass transparency

reflection of our time and the cultural changes

which could provide abundant light. They

of our society. Technology development

are especially concerned with sustainability,

makes human’s value prevails in our cultural

essential to our planet. This publication is

attitudes, and not surprisingly, the office

a kaleidoscope of 70 projects all around

designs become multifunctional in all

the world, including MSN, Google, Skype,

important dimensions. Today designers are

the aims of this book is to highlight life’s

also concerned with innovative materials,

quality(turned in unison:quality of life)

One Shelley Street Designer Clive Wilkinson Architects Location Sydney, Australia Area 30658 m² (330,000 SF)

Prodigy MSN

Clive Wilkinson Architects was selected to lead the design team to implement a fit out for Macquarie that would complement their adoption of a new collaborative style: Activity-Based Working (ABW), a flexible work platform developed by Dutch consultant Veldhoen & Co. The designers’ first idea was to open up and animate the ten-story atrium with 26 ‘meeting pods’, as a kind of celebration of collaboration, allowing clear lines of sight through the financial business.

Numerous work zones surround the atrium, designed to house 100 employees each in adaptable neighborhoods. An arterial staircase links the zones forming a ‘Meeting Tree’, emblematic of the interconnectedness of Macquarie’s client relationships. The Main Street on Level 1 offers communal spaces that are highly conducive to corporate and philanthropic events and include a café and dining areas. Within the office floors ‘Plazas’ were modeled after collaboration typologies—the Dining Room, Garden, Tree House, Playroom, and Coffee House, where cross-pollination among business groups is encouraged through spontaneous encounters.

One Shelley Street has been designed to the highest levels of green star or LEED efficiency, using revolutionary technologies like harbor water cooling, chilled beams and zone controlled lighting. Overall energy consumption has been reduced by 50%. The interior staircase, linking the various neighborhoods, has reduced the use of the elevators by 50%.

There has been a 78% reduction in paper storage needs and a 53% reduction in printing paper. Mail is scanned and distributed electronically, decreasing the need for storage.

Employees have lockers in which to store personal addenda, and are deterred from creating paper waste, there's not a trash can in sight.

One Shelley Street is positioned to be a trailblazer for the new global sustainable office building.

Designer Space, Juan Carlos Baumgartner / Fabiola Troyo del Valle Lighting design Luz en Arquitectura Contractor GA&A LEED Adviser Cívita Comissioning LEED AKF Location Santa Fe, Mexico City Area 890 m² Photographer Paul Czitrom

22

The main concepts of this project are the followings: OPEN AND BRIGHT AS THE FUTURE OF PRODIGY MSN The openness and translucency are evident in the whole Project.

The layout gets all the advantage it can to the daylight. Most of the glassed façade is free, but there are a few points in which some meeting rooms and private offices are next to the façade.

Those spaces are closed with glass, that allowed the openness and brightness we were looking for. In addition, the workstations are low and they have translucent boards.

Finally, in the heart of the project was built a long piece of private offices, conceptualized as a glass box in which it was designed some graphic patterns make of vinyl to make these spaces more private but clear as well. They translate clearly the personality of Prodigy MSN. MULTI-PROPOSE SPACES This project was focused to be versatile. So, if we compare this project with a traditional one, we can find that this one didn’t look for a check list of needed spaces, moreover it creates spaces capable of respond to the client necessities. A clear example of this is the reception, which more than a wait-reception space, it is a node where employees, clients and visitors gets in. Into this node, it is located a coffee bar to make this approach warmer. There isn´t any physic board to separate this space to the work-space, and most of the meeting rooms are located into this node.

23

The offices have a variety of casual meeting rooms spread in strategic points to allow communication among employees, and some of them have other functions, as the collection and storage bar.

LEED COMMERCIAL INTERIORS CERTIFICATION The main points in this project for LEED certification are the following.

-The offices are into a building that is looking for LEED Core & Shell certification, and that building is located in an urban area that is provided by basic and accessible services and by public transportation infrastructure.

- The project saves more than 20% in the water use.

- The project gets a save of 20% of energy in lighting systems.

- The project complies with the standards of energy efficiency that LEED recommends.

-There is a dedicated space to collect and store recyclable materials.

-More than 20% of materials used in the project have recycled content.

-The HVAC system has filters that help to maintain the interior air quality cleaner.

- Paintings, coatings, sealers and glues used in the project have a low content of VOC´s, which avoids interior air pollution.

-100% of the workspaces have access to daylight and views.

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3M – CTC Designer Arquitectura e Interiores Location Saint Paul, Minnesota, United States of America Area 1800 m²

This project responds to a requirement of specific use. A fundamental premise was established to work on base in the own themes of the architecture, as a way of giving to the exercise to project a reflection point about the different implicit relationships by intervening a territory. This argument is given from a set of general ideas that may go unnoticed but are essential to establish within the architecture work of a mindset that does not give specific answers to specific problems but has been raised as a trigger for various reflections on architecture. Is in part recognition of the relationships no explicit within a range of possibilities? In thinking about the problems of the architecture as belonging to the themes and thought processes, makes the architectonic answer not a perfect answer to the problems that implies an specific project, on the contrary will be looked as a range in which different architects, in different times, with their own characteristics of time, give answer according to the logic construction of an argument. An argument that leads to study, compare and recognize the issues of the architecture that at first do not appear to be comparable elements.

-The main objective of this proposal, is to establish a space solution and the articulation of those that must have the CTC (Customer Technical Center) to create a space for the client in a way it potentializes the 3M products and could generate identification for the commercial aspects and markets initiative of 3M. -Conceive the CTC as a tool inside the business processes, making the CTC an important step in providing solutions, services and construct inside the environment of 3M long term relationships with customers.

- Design a building to not only establish a relationship with the 3M business initiative but also create an architectonic communion with the previous building without unknowing the value of the architectonic work, but build a set of elements conceived in different times and become part of the representation of its period.

- Make the architecture of the building itself CTC a model application of the 3M products in which many options offered by 3M products can be explored to architectural and construction solutions.

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Autodesk Designer Studio BA Location Israel Area 500 m²

The main idea was to teach the software developers about the needs of architects and designers, by placing objects that emphasize the 3d and multimaterial complexity of it. Located in the center of the office, these objects are used to create the formal and informal meeting, lectures and relaxation space.

The office area is about 500 square meters and located right beside the Tel Aviv harbor, the Israeli R&D center is the AutoCAD WS developers. It contains a mini stand, video games space, relaxation space, dining area, meeting rooms and private/common workspaces.

3D MULTI-PROGRAM,OFFICE CENTER The 3d multi-material object is made out of steel, glass, wood and fabric. It enables movement around, within and on top of it. The space offers a place to work and take a break. It includes a meeting room, video games lounge, mini stand for lectures\gatherings and a relaxation roof top space, which enables a view of the entire office.

A MORPHED SURFACED DINING SPACE The dining table made from 6mm bent steel, was designed as a dual function object. It enables a standard height seating as well as a bar height seating. Its size and position allows the dinning space to blend as an inseparable part of the office.

The HEIGHT CHANGING WORK SPACE An open space terrace platforms that enables a view towards the office and main window while working. It emphasizes its 3D, by being an object with diverse angles and heights, that allows the employees to move through and around it.

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stylish restaurants

《雅致餐厅》

ISBN

binDinG

978-7-214-07277-1

hardcover

SiZE

PAGE

242 *280 mm

368pages

本书精选了国外最优秀的设计师的近70个餐厅设计作品，全 面展示了各个项目的室内设计手法和材料。设计师独特的设计手 法为各个功能空间带来令人神往的空间享受。经典案例的集结出 版定能为读者带来奢华的生活享受，也为同行间的相互交流提供 良好的平台。

The book selects about 70 restaurant designs from abroad, and fully displays the design techniques and materials of the interior for each project. The unique design technique of each functional area will bring you fascinating enjoyment to the perfect spaces. Such classic collection of restaurants would bring a luxury visual enjoyment to readers and also provide a communication platform for designers.

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MY SQUASH CLUB Designer: Anna Matuszewska – Janik Location: Poznań, Poland Photographer: Paweł Penkala

My Squash is a sports club that offers six professional squash courts, but also yoga and dance classes, aerobic, art classes for children, etc.

The club also features a small restaurant and a hotel located nearby.

The place was designed as a typical club that would attract a group of people and convince them to stay not just for one hour of play, but for longer – that is why the investor decided to open the bar and restaurant, for the purpose of having the interiors equipped with huge, comfortable sofas and ensuring the extra activities.

The designer’s main goal was to create interiors completely different from the traditional image of a sports club that can be seen around us (in Poland). The new club was to be modern, easy on the eye and surprising.

It was supposed to be stunning and outraging, inspiring and confusing at the same time, and surprising with its creativity.

The interior stands out with its white and shiny epoxy floor and a nearly fanatic consistency in colors.

The design included the installation of fantastic lamps by the internationally recognized Polish Puff-Buff workshop, as well as Cumulus lamps by Daria Burlińska, a young designer.

The designer also used standard Scala sofas (Mebelplast) and Dr. Yes’ chairs designed by Starck for Kartell.

The remaining elements of interior design were made to order, according to the design.

It is also important that the investor was open to various ideas and did not limit the investment to a fixed budget, but gave the designer total freedom in their creative work.

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PRAQ AMERSFOORT Designers: Frank Tjepkema, Janneke Hooymans, Tina Stieger, Leonie Janssen, Bertrand Gravier, Camille Cortet Design Company: Tjep Location: Amersfoort, Dutch Special Thanks: Brandwacht en Meijer & Kloosterboer

068

In October 2003, two wonderful entrepreneurs came with their wish to start a new unique restaurant concept that would welcome parents and their children without looking like a playground.

Indeed, children don't necessarily want to spend the evening with Donald Duck when their parents go out. The first Praq restaurant opened its doors shortly after and became quite successful and well-known.

After five successful years, the two clients realized that the formula had the potential to become a restaurant chain, thus opening two new venues in 2008. Presented here is the first of the two that opened in Amersfoort, Dutch. Again, all have tried to create a restaurant that is inspiring and fun for children, while comfortable and enjoyable for their parents. This in an integrated rather than separated manner, which is more usually the case. The space is characterized by a monumental farm style roof composed of huge massive wooden beams. Within this space, a playful world has been tried to creadted by placing furniture and elements that form crossovers between objects and furniture or furniture that refers to the space itself.

For example, a table becomes a window, a bus or a kitchen. The six-meter-high construction in the center looks like an abstract cloud evoking something of a colorful game while contrasting nicely with the handcrafted architecture. One space is reserved for children and their parents while the other is reserved for adults.

The adult space clearly fits the same world. Only here, the accent is more geared towards cosiness and style. By the way, Praq means mashed food for children in Dutch, however, the plates sereved at Praq are very refined and tasty.

069

boutique in fashion

《精品时尚店》

ISBN

binDinG

978-7-214-07227-6

hardcover

SiZE

PAGE

242 *280 mm

367pages

《精品时尚店》是全球最新精品店铺荟萃之作，它会让你知 道想象力和创意具备多大的商业动力。同时也让读者饱览世界上那 些引人注目的、具有创新性的展览空间和店内陈列设施，为读者提 供必不可少的参考价值。《精品时尚店》通过彩色照片向读者展示 它的思想，同时也通过对色彩、质地、照明及图案艺术的运用和表 现，诠释那些具有表现力、无限魅力的功能空间。

Boutique in Fashion is a constellation work

world, and provide necessary reference

that collected the latest boutique shops

value for readers. Boutique in Fashion shows

throughout the world, it will let you know how

its thought to readers through the colorful

much commercial power that the imagination

photographs, but also interprets those

and creativity possess. At the same time, it

expressive, infinite charm function spaces

also let readers have a good view of those

through the use and performance of color,

compelling, innovative exhibition spaces

character, lighting and design art.

and in-store display facilities around the

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• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ••• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

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villa in nature

《享·自然 - 国外豪宅》

ISBN

binDinG

978-7-214-07108-8

hardcover

SiZE

PAGE

246 *290 mm

336pages

本书精选了世界上最优秀的设计师的住宅（别墅）设计作 品，全面展示了各个项目的设计手法和材料。设计师独特的设计 手法为各个功能空间带来令人神往的空间享受。经典案例的集结 出版定能为读者带来艺术的享受，也为同行间的相互交流提供良 好的平台。

The book selected the best villa designs in the world. It will fully show you the design techniques and materials of each project, which bring you a fascinating enjoyment to every space. Such classic collection of restaurants would bring a luxury visual enjoyment to readers and also provide a communication platform for designers.

Architects: Rok Oman, Špela Vide č nik, Ne ž a Oman, Florian Frey, Vanja Fink, Špela Uršič Firm: OFIS Architects Structural Engineering: Valide d. o. o Electrical Engineering: Winky d. o. o, Energomont d. o. o.

Location: Ljubljana, Slovenia Area: 800 m² Photographer: Tomaž Gregorič

V illa Old Oaks, Ljubljana

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The private client convoked a proper architectural competition for five invited offices, the idea being to choose an architect for his new residence.

The residence is situated in a new neighbourhood of six larger villas. The unique feature of the site is a splendid view of a stand of oak trees that are over a hundred years old. The terrain slopes down towards these trees. To guarantee that most of the major spaces will have access to this view, the house is organised in stepped levels following the terrain. The outline of the house keeps to the shape of the plot of land, minus four metres all around, the minimum distance Slovenian law calls for vis-à-vis one’s neighbours.

The heart of the house is an external covered courtyard. Main spaces, such as the entrance lobby and staircase, the children’s playroom, the dining, living, bedroom and work areas, overlook this space. These rooms, plus the wellness area with its small pool, also have a view of the park.

The staircase roof is glazed. The courtyard roof is part-glass, part-wood and has views of the sky and the treetops, thus creating a strong link between inside and outside.

Structurally, we wanted to achieve a column-less ground floor. The ceiling of the dining and living area is slung from a Vierendeel beam hidden in the walls of the floors above. The glass construction and frames are also handled with minimum supports.

Other programmes inside the house follow the client’s brief, which was very precise. Working partly at home, he has different hobbies. Security and fire escape issues are important, as is the clear division of private areas of the house and those where guests are allowed to wear shoes or where one receives the postman.

The house has also to be “intelligent”. Various functions, such as air conditioning, security and sun-responsive external shade, can be controlled by software, and different ambiences can be created, using lights and music.

3 3rd Street Residence Located off a walk street in Manhattan Beach with panoramic ocean views, this 418 m² residence was designed as a modern South Pacific Island retreat.

Drawing inspiration from their favorite vacation destinations, the client set the tone for their ideal lifestyle. The intent was to achieve “an architecture which is pure, clear, clean, neat and healthy,” possessing tropical overtones, natural materials and a hint of luxury.

Organized efficiently, like a ship, the home design parallels move, often seen in boat architecture. A nautical theme runs throughout, from the expansive

Architects: Christopher Kempel, AIA, Rocky Rockefeller, AIA Firm: Rockefeller Partners Architects Landscape Architect: John Feldman Interior Designer: Alana Homesley Location: Manhattan Beach, California, USA Area: 418 m² Photographer: Eric Staudenmaier

and free “upper deck” (third level) where living is open, light and breezy, to the tidy organization of the sleeping quarters “below deck” at the mid-level.

The central stair at the heart of this home with its wood floating cantilevered teak planks accompanied by a mahogany slatted ladder, appears as a sail-like screen soaring nearly three stories tall.

From its organization and structure to its refined details and tropical finishes, this modern South Pacific Island retreat feels right at home at the beach.

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F ish House

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Architect: Annesley Charles Wilkinson Firm: Guz Architects Location: Singapore Area: 726 m² Photographer: Patrick Bingham Hall

This modern tropical bungalow encapsulates the essence of living in the hot and humid climate of Singapore by creating open spaces which encourage natural ventilation and offer residents views to the ocean.

The main design concept is to create a house which has close relationship with nature and this is achieved by having a swimmingpool linking the house with the landscape and ultimately visual connections with the sea.The idea of connection is reinforced by having the basement level media ro o m wi t h a u - s h a p e d acrylic window which allows diffuse natural light in and also views out into the pool. The curved roofs, symbolizing the sea waves, also emphasize the idea of the nearby sea. These are almost totally covered with thin bendable photovoltaic panels supplying enough energy to the house, while the remaining area is used as a g reen ro o f g i v i n g residents some outdoor leisure spaces.

Fish House is a modest yet luxurious residential design which gives residents opportunities to live in harmony and comfortably with nature.

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fascinating house

《国外顶级 HOUSE》

ISBN

binDinG

978-7-5611-6132-6

hardcover

SiZE

PAGE

246 *290 mm

320pages

本书的设计出自国外的知名建筑师之手，为人们呈现了国外 HOUSE的设计方式及设计理念。这些建筑，或建于城市之中，或 建于山谷之中，或建于海边峭壁之边，均被设计师的巧夺天工的 设计，完全融入到周边环境，让人们欣赏到国外顶级HOUSE的魅 力。特点：国外顶级HOUSE设计，引领HOUSE建筑潮流。卖点：为 建筑设计师提供顶级HOUSE设计理念与设计灵感。

The designs of this book come from well-

environment, allow people to enjoy the

known foreign architects which present the

charm of top foreign HOUSE designs. Book

foreign HOUSE design methods and design

of features: it includes top foreign HOUSE

concept to readers. These houses which built

designs and leads the HOUSE architectural

in downtown, in valley or at the cliff of the

trends. Book of promotion: it provides the

seaside, all well designed by designers and

top HOUSE design concept and design

integrated completely into the surrounding

inspiration for architects.

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Architect: David Jameson, Ron Southwick Firm: David Jameson Architect Location: Falls Church, Virginia Area: 423 m² Photographer: Paul Warchol

Architect: David Jameson, Ron Southwick Firm: David Jameson Architect Location: Kensington, Maryland Area: 209 m² Photographer: Paul Warchol

The design is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly articulated shape defined by its program.

The largely open interior is organized internally through a succession of spaces pierced. An excavation in the floor of the remaining structure knits the main level to the multistory living room and terrace level.

The project is in large part directly related to the topography and engaging the lake and shoreline, conceptually carving into the hill at points and breaking away from it at others. Consequently, the building becomes an abstract reading of the landscape that contains it.

Located 5 miles north of Washington DC, the project is a renovated residence for a young family situated among a subdivision of utilitarian post war houses.

The 2250sf residence takes the form of a simple mass whose purity is interrupted by the void space of a carport. Bounded by an introverted exterior, luminous living spaces unfold in a series of interlocking volumes that are more urban and contained. Stairs become a series of intersecting diagonal slices through space. Cement board sheets are sheared into abstract siding shingles that contribute to the unreadable scale of the building.

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Architect: David Jameson Firm: David Jameson Architect Location: Great Falls, Virginia Photographer: Nic Lehoux

Architect: Rolf Carl Nimmrichter, Dennis Clayton Matthiesen Firm: nimmrichter cda ag Location: Dietlikon, Switzerland Photographer: Bruno Helbling

The parameters of the design were determined by the desire for autonomy of form and materiality, as well as the new building's interaction with the house and pool already on the land. An existing pavilion, acting as pool and summer house, was demolished and replaced by a new volume.

The new building's form is a response to its position on the site, and the angled façade reflects the client's desire for living areas offering different degrees of openness or seclusion. The exterior is faced with horizontal, open-jointed cedar batten cladding, which further emphasises the geometry of the building.

The three-floor building's overall volume is 1000m³. Garage and necessary storage and utility rooms are located in the basement. The open-plan ground floor comprises one large living, eating and cooking area, and there are three bedrooms and a recessed balcony on the upper floor.

The interior, also designed by nimmrichter cda, is defined by its core faced in chestnut wood, which encompasses the entrance hall, with cloakroom and externally-accessible guest toilet, and the staircase.

The building is Minergie® certified, a registered quality label for low-energy buildings. The energy concept includes making use of the neighbouring house's existing heating system and using solar panels to heat water for both houses.

Situated on a hillside site, the Graticule House is conceived to be a trace, or reference datum, allowing a reading of the relationship between the building and nature.

Fundamental to the conception of the house is the notion of cadence, where repetitious vertical and horizontal markers of the building’s tectonics are juxtaposed with the particularity of the forest and ground plane. Light and space are modulated by meshing ribbons of glass and wall planes that form a tessellation of solid and void.

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L akeview Residence

K ensington Residence

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