jewelry shop

Breil Milano Swarovski Brown Thomas Jewellery Department CA&C Hangzhou Enigma Diamond Kwiat, NY Comete Gioielli Flagship Goldsmith bodil binner Shop Bafna Jewellers Cafe Ring Furrer Jacot-Simply united Justgold Sparkles Jewellery

HI-DESIGN publishing

International Publishing Design Spreading

Unbounded Territory Infinite Value

Hi-Design International Publishing Co., Ltd. is a professional publishing company specialized in publishing, planning and promoting books about architecture, interior design, landscape design, graphic design, culture and art.

With extensive range of globalized resources, we plan and publish hi-quality hardcover books which are sold all over the world.

ISE Jewellery Cupid Jewels Flagship Store De Beers London Kabiri Covent Garden Garcia MiguÊlez Jewelers Epin Diamond Belfry Tashkent Cartier Shinsegae Inchon Faraone jewelery boutique in Milan Rami Abboud Shop Chopard Leviev Jewelry Shimansky Hermès Dubai Mall Caprice Tiffany Ginza

Address:Nanshan Haidesandao 16 Yangriwanpan 7-31B Shenzhen China Tel:0755-86586558 Fax: 0755-86586558 Email: info@hi-design.hk

www.hi-design.hk

preface

版权页

We need to bear in mind that the definition of “luxury” is totally different in 21st century from the one in 20th century. The last century was the time about objects – jewelry was about “expensive” matters. Now, that is no longer the case. People’s sense of values is changing. Especially in Japan , after that most terrible disaster in March this year, we realized that our most important asset is the bonds among people, and the time left to us – and indeed these must be the luxury of this age. Therefore, believe that jewelry shop should be a place about relationships, where you experience “links” with people and things.

kengo kuma

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8.

52.

92.

Breil Milano

Enigma Diamond

Bafna Jewellers

在日本经历过今年三月的巨大灾难之后。人们已经意识到最宝贵的财富是人与人之间的关系以及我们

16.

58.

100.

余下的生命，它将会成为这个时代最奢华的东西。因此，要相信珠宝店将会成为体现人际关系的地方，

Swarovski

Kwait, NY

Cafe Ring Ginza

26.

64.

104.

Brown Thomas Jeweller y Department

Comete Gioielli Flagship

Cafe Ring Yokohama

32.

72.

108.

Chinese Arts&Crafts, Hangzhou Store

Vogue the Glam Garden

Furrer Jacot-Simply United

40.

80.

114.

Maharaja Diamond

Rosato Retail Design Stores

Justgold

46.

86.

120.

Mauboussin Madison Avenue

Goldsmith Bodil Binner Shop

Jacob & Co in NYC

序言 ——隈研吾 我们需要记住 21 世纪的“奢华”与 20 世纪时期的“奢华”概念全然不同。上个世纪是一个崇尚物质 的时代，因此珠宝成了“昂贵”的代名词。现在情况已远非如此。人们的价值观在不断改变，尤其是

在这里，人们可以体验到人与人和人与事物之间的各种联系。

contentS 

目录 

Jewellery

Shop

Breil Milano

The new Breil Shop is actually based on a concept of flexibility and dynamism. The fundamental element is the “pixel wall”, which is made up of shaped cubes of varying sizes sealed with interchangeable panels set into the boxes.

The layout has been designed to allow the cubes to be mixed and matched. This gives the area a feeling of movement that can be reinvented whenever necessary simply by playing with the graphics, colours and plasma screens that have been used for the cubes’ “lids”. This system provides a perfectly dynamic display area for the products that can be constantly changed in any of the shops.

The “touch wall” represents another distinctive element. This is an interactive display wall that enables the customer to discover the products by simply touching the flashing luminous leds on the glass surface; these then activate a display light to reveal the product behind the glass.

The display counters follow the same principle and are designed to display the products horizontally: the internal design of the display cabinets uses geometric elements of varying heights which are positioned to display the products on different levels. This creates a visual effect that brings to mind a bird’s-eye view of the city, as if every display cabinet contains the energy of an individual built-up area.

Carefully selected materials and chromatic effects have been used to give the stores the “wow factor”, making them more welcoming and elegant: the contrast between black and white, atmospheric lighting and the use of surfaces that are soft to the touch all help to accentuate the stores’ bold character, which is the concept’s real leitmotiv.

Studio 63 Architecture + Design 

Designer | Massimo Dei, Piero Angelo Orecchioni, Federico Gigetti, Paolo Giannelli Location | Shanghai,China area | 34m2 PHOTOGRAPHER | Yael Pincus



Jewellery

Shop

Breil Milano

The new Breil Shop is actually based on a concept of flexibility and dynamism. The fundamental element is the “pixel wall”, which is made up of shaped cubes of varying sizes sealed with interchangeable panels set into the boxes.

The layout has been designed to allow the cubes to be mixed and matched. This gives the area a feeling of movement that can be reinvented whenever necessary simply by playing with the graphics, colours and plasma screens that have been used for the cubes’ “lids”. This system provides a perfectly dynamic display area for the products that can be constantly changed in any of the shops.

The “touch wall” represents another distinctive element. This is an interactive display wall that enables the customer to discover the products by simply touching the flashing luminous leds on the glass surface; these then activate a display light to reveal the product behind the glass.

The display counters follow the same principle and are designed to display the products horizontally: the internal design of the display cabinets uses geometric elements of varying heights which are positioned to display the products on different levels. This creates a visual effect that brings to mind a bird’s-eye view of the city, as if every display cabinet contains the energy of an individual built-up area.

Carefully selected materials and chromatic effects have been used to give the stores the “wow factor”, making them more welcoming and elegant: the contrast between black and white, atmospheric lighting and the use of surfaces that are soft to the touch all help to accentuate the stores’ bold character, which is the concept’s real leitmotiv.

Studio 63 Architecture + Design 

Designer | Massimo Dei, Piero Angelo Orecchioni, Federico Gigetti, Paolo Giannelli Location | Shanghai,China area | 34m2 PHOTOGRAPHER | Yael Pincus



















灵动与活力是新开设的Breil珠宝店设计理念的基石。店内最基本的元素就是“像素墙”。它是由不同尺寸的立方体构成，上面用 嵌在盒子上的可更换面板密封。 这种布局设计是希望能够使这些立方体混合搭配使用。该设计给人一种动态感，并且如果对用做立方体“盖子”的图形、色彩和 等离子屏幕进行简单调整，就会随之创设出不同的动态感。这种设计为产品提供了一种绝佳的展示区，而且在不同的店内可以随时进行 调整。 “触摸墙”是该店的另一大特色。顾客只需轻轻碰一下玻璃表面的闪烁的发光管，就会激活展示灯，这种交互式展示墙就可以把 玻璃里面的产品展示出来。 展示柜的设计遵循同样的原则，水平摆放展出产品。陈列柜的内部设计采用了几何元素，产品摆放高度不同，错落有致。这会营 造出一种视觉效果，使人想起城市的俯瞰图，感觉每个陈列柜内的不同展示空间都体现出一种独特的活力。 店内采用了精心选择的材料和套色效果，以此来体现创意，使珠宝店显得更加优雅、更受欢迎。黑与白的对比、氛围浓郁的灯光 及触感柔和的表面材料的使用都突出了珠宝店的创新特色，这也正是其设计理念的主旨。





灵动与活力是新开设的Breil珠宝店设计理念的基石。店内最基本的元素就是“像素墙”。它是由不同尺寸的立方体构成，上面用 嵌在盒子上的可更换面板密封。 这种布局设计是希望能够使这些立方体混合搭配使用。该设计给人一种动态感，并且如果对用做立方体“盖子”的图形、色彩和 等离子屏幕进行简单调整，就会随之创设出不同的动态感。这种设计为产品提供了一种绝佳的展示区，而且在不同的店内可以随时进行 调整。 “触摸墙”是该店的另一大特色。顾客只需轻轻碰一下玻璃表面的闪烁的发光管，就会激活展示灯，这种交互式展示墙就可以把 玻璃里面的产品展示出来。 展示柜的设计遵循同样的原则，水平摆放展出产品。陈列柜的内部设计采用了几何元素，产品摆放高度不同，错落有致。这会营 造出一种视觉效果，使人想起城市的俯瞰图，感觉每个陈列柜内的不同展示空间都体现出一种独特的活力。 店内采用了精心选择的材料和套色效果，以此来体现创意，使珠宝店显得更加优雅、更受欢迎。黑与白的对比、氛围浓郁的灯光 及触感柔和的表面材料的使用都突出了珠宝店的创新特色，这也正是其设计理念的主旨。





Jewellery

Shop

Brown Thomas Jewellery Department

Beautifully capturing the essence of the product houses the Burdifilek designed Brown Thomas Luxury Hall and transported shoppers into a world of refined luxury. Dedicated to fine jewellery, watches and luxury gifts, the signature space references the sophisticated modernism of the Brown Thomas brand; st rengt heni ng t he depa rt ment store’s positioning as Ireland’s luxury shopping destination in the heart of Dublin.

Focusing on elevating the luxury shopping experience, the attention to detail within the design instills within it a sense of nuanced elegance. Conceived as a central piazza, gracefully curved displays encourage meandering exploration and effortlessly lead shoppers through the space. Cantilevered over sandblasted champagnecoloured Starfire glass bases, semicircular fixtures appear to float above honed marble flooring in mottled creamy shades of taupe, cream and café-au-lait. Custom oyster-colored suede displays provide an inconspicuous backdrop for the jewellery itself, allowing the product to take center stage.

The perimeter is sheathed in a veil of subtly reflective dichroic glass; revealing a shimmering goldhued iridescence. Invisible floating vitrines are suspended on the modulated transparent glass, allowing for a glimpse through to adjacent shopin-shops for brands like Cartier and Tiffany & Co. The materiality of the product is further reflected in recurring sculptural installations.

Hand-articulated in polished nickel, Bertoia-inspired installations by Toronto-based artisan Dennis Lin infuse the interior volume with a kinetic energy. Extending floor to ceiling, rods appear to be elegantly captured in suspended animation.

Columns clad in tinted antiqued mirror further reflect the polished nickel sculptures, maximizing its visual impact.

Burdifilek 

Creative Partner | Diego Burdi Managing Partner | Paul Filek Project Manager | Tom Yip Location | 88-95 Grafton St, UK Area | 539m2 Photographer| Ben Rahn

The interior design concept carries on the success of Burdifilek’s ongoing collaboration with the iconic retailer, having also designed the award-winning Women’s Designer Collections and Shoe Departments in 2006, and the Men’s World in 2008, each contributing to the retailer’s international recognition as a premier shopping destination.



Jewellery

Shop

Brown Thomas Jewellery Department

Beautifully capturing the essence of the product houses the Burdifilek designed Brown Thomas Luxury Hall and transported shoppers into a world of refined luxury. Dedicated to fine jewellery, watches and luxury gifts, the signature space references the sophisticated modernism of the Brown Thomas brand; st rengt heni ng t he depa rt ment store’s positioning as Ireland’s luxury shopping destination in the heart of Dublin.

Focusing on elevating the luxury shopping experience, the attention to detail within the design instills within it a sense of nuanced elegance. Conceived as a central piazza, gracefully curved displays encourage meandering exploration and effortlessly lead shoppers through the space. Cantilevered over sandblasted champagnecoloured Starfire glass bases, semicircular fixtures appear to float above honed marble flooring in mottled creamy shades of taupe, cream and café-au-lait. Custom oyster-colored suede displays provide an inconspicuous backdrop for the jewellery itself, allowing the product to take center stage.

The perimeter is sheathed in a veil of subtly reflective dichroic glass; revealing a shimmering goldhued iridescence. Invisible floating vitrines are suspended on the modulated transparent glass, allowing for a glimpse through to adjacent shopin-shops for brands like Cartier and Tiffany & Co. The materiality of the product is further reflected in recurring sculptural installations.

Hand-articulated in polished nickel, Bertoia-inspired installations by Toronto-based artisan Dennis Lin infuse the interior volume with a kinetic energy. Extending floor to ceiling, rods appear to be elegantly captured in suspended animation.

Columns clad in tinted antiqued mirror further reflect the polished nickel sculptures, maximizing its visual impact.

Burdifilek 

Creative Partner | Diego Burdi Managing Partner | Paul Filek Project Manager | Tom Yip Location | 88-95 Grafton St, UK Area | 539m2 Photographer| Ben Rahn

The interior design concept carries on the success of Burdifilek’s ongoing collaboration with the iconic retailer, having also designed the award-winning Women’s Designer Collections and Shoe Departments in 2006, and the Men’s World in 2008, each contributing to the retailer’s international recognition as a premier shopping destination.



Burdifilek公司设计的托马斯布朗豪华大厅完美地捕捉住了它所呈现的产品的精华，从而把顾客 带入了一个充满精美珠宝的高贵、奢华的殿堂。高品质的珠宝、手表和奢侈礼品尽皆陈列于大厅之 中，特色鲜明的空间布局昭示着托马斯布朗品牌成熟的现代主义风格，更凸显出该店的定位：成为都 伯林心脏地带爱尔兰豪华购物的目的地。 设计者致力于提升购物者的奢华购物体验，关注细节设计，店内处处渗透出一种细致入微的优雅 感觉。作为中央广场，展示台为优美的弧线形设计，购物者可以自由随意地漫步其间。空中高悬着香 槟色斯达飞磨砂玻璃板，灰褐色与乳白色交织渐变的大理石地面光滑、典雅，上面精心安放着半圆形 展台。定制的牡蛎色羊羔皮作为珠宝的衬托背景，令它们本身更为引人注目。 人们视线所及之处是双色玻璃反射的如面纱般的朦胧光影，它闪现出一种金色晕彩。透明玻璃 之上安装着同样透明的悬浮玻璃橱窗，透过它们，人们可以看到毗邻的品牌专卖店，如卡地亚和蒂芙 尼。反复出现的雕刻装置进一步体现出各种产品的存在感。抛光镀镍的手动铰链式装置由多伦多的工 艺师丹尼斯林设计，使大厅内部充满了一种动态能量。从天棚到地面，棒条体组合悬挂其间，动感十 足。着色古董镜上的包钢柱体反射着抛光镀镍雕刻品，使其视觉效果达到了最大化。 该店的内部设计概念沿用了Burdifilek公司与标志性零售商的成功合作路线。他们已经设计出了 2006年女子设计师作品和靴鞋部的获奖作品，及2008年男子世界获奖作品，上述种种都令该零售商 作为首要购物目的地的地位获得了国际认可。





Burdifilek公司设计的托马斯布朗豪华大厅完美地捕捉住了它所呈现的产品的精华，从而把顾客 带入了一个充满精美珠宝的高贵、奢华的殿堂。高品质的珠宝、手表和奢侈礼品尽皆陈列于大厅之 中，特色鲜明的空间布局昭示着托马斯布朗品牌成熟的现代主义风格，更凸显出该店的定位：成为都 伯林心脏地带爱尔兰豪华购物的目的地。 设计者致力于提升购物者的奢华购物体验，关注细节设计，店内处处渗透出一种细致入微的优雅 感觉。作为中央广场，展示台为优美的弧线形设计，购物者可以自由随意地漫步其间。空中高悬着香 槟色斯达飞磨砂玻璃板，灰褐色与乳白色交织渐变的大理石地面光滑、典雅，上面精心安放着半圆形 展台。定制的牡蛎色羊羔皮作为珠宝的衬托背景，令它们本身更为引人注目。 人们视线所及之处是双色玻璃反射的如面纱般的朦胧光影，它闪现出一种金色晕彩。透明玻璃 之上安装着同样透明的悬浮玻璃橱窗，透过它们，人们可以看到毗邻的品牌专卖店，如卡地亚和蒂芙 尼。反复出现的雕刻装置进一步体现出各种产品的存在感。抛光镀镍的手动铰链式装置由多伦多的工 艺师丹尼斯林设计，使大厅内部充满了一种动态能量。从天棚到地面，棒条体组合悬挂其间，动感十 足。着色古董镜上的包钢柱体反射着抛光镀镍雕刻品，使其视觉效果达到了最大化。 该店的内部设计概念沿用了Burdifilek公司与标志性零售商的成功合作路线。他们已经设计出了 2006年女子设计师作品和靴鞋部的获奖作品，及2008年男子世界获奖作品，上述种种都令该零售商 作为首要购物目的地的地位获得了国际认可。













Jewellery

Shop

Chinese Arts & Crafts, Hangzhou Store

Chinese Arts & Crafts, Hangzhou Store is the newest flagship store launched by China Resources Retail (Group) Co., Ltd. in China. It offers a distilled range of antiques and a collection of novelty jewellery items - all of which had enhanced the concept of revitalizing Chinese arts.

The interior design strategy adopted was to project the brand identity through comtemporizing Chinese aesthetic elements in a subtle way. The shopping space is a big “Wooden Treasure Box” to contain different types of prestigious gifts.

Horizontal planes of brown carpet and floor ceiling are set up to provide a homogeneous envelope to the interior space.

This was followed by timber veneered walls with recessed illuminated showcases in various sizes to display the delicate products. Different sizes of frames / grids / boxes compose the shopfront and cater for differnt display needs and provide visual connection to the interior.

To echo the square configuration of the site, rectilinear arrangements of the 2 key zones’ display and lighting systems were adopted. Chinese calligraphies denoting the names of the 2 zones were executed in both 2D and 3D ways.

PANORAMA 

Designer | Alan Tse Location | Hangzhou, China Photographer| Ng Siu Fung

Area | 279m2



Jewellery

Shop

Chinese Arts & Crafts, Hangzhou Store

Chinese Arts & Crafts, Hangzhou Store is the newest flagship store launched by China Resources Retail (Group) Co., Ltd. in China. It offers a distilled range of antiques and a collection of novelty jewellery items - all of which had enhanced the concept of revitalizing Chinese arts.

The interior design strategy adopted was to project the brand identity through comtemporizing Chinese aesthetic elements in a subtle way. The shopping space is a big “Wooden Treasure Box” to contain different types of prestigious gifts.

Horizontal planes of brown carpet and floor ceiling are set up to provide a homogeneous envelope to the interior space.

This was followed by timber veneered walls with recessed illuminated showcases in various sizes to display the delicate products. Different sizes of frames / grids / boxes compose the shopfront and cater for differnt display needs and provide visual connection to the interior.

To echo the square configuration of the site, rectilinear arrangements of the 2 key zones’ display and lighting systems were adopted. Chinese calligraphies denoting the names of the 2 zones were executed in both 2D and 3D ways.

PANORAMA 

Designer | Alan Tse Location | Hangzhou, China Photographer| Ng Siu Fung

Area | 279m2



杭州中艺是华润零售集团在国内新设立的旗舰店，出售的均为最珍贵的中国工艺品和价值连城的珠宝首饰，目的是要增强和提高中国工艺品 的国际地位。 本店的室内设计重点是要充分体现富于中华美学要素的品牌地位，整个空间由“木制礼盒”的概念构成，内里装满了各式各样的精美礼品。 店内咖啡色的地毯和天花构成了内部的纯色空间，横纹木质饰面墙身提供了不同大小的照明盒子饰柜，用以陈列各种精致及名贵的工艺品。 店面厨窗由大小不同的框架、格子及盒子组成，用来摆设商品，与店内部在视觉上连成一片。 为了配合店址的方形结构，其两个主要的部份的陈列和照明系统都采用了直线安排，两区的区名用中文书法展现，用平面和立体字样来表现 中国风味的美感及功能。





杭州中艺是华润零售集团在国内新设立的旗舰店，出售的均为最珍贵的中国工艺品和价值连城的珠宝首饰，目的是要增强和提高中国工艺品 的国际地位。 本店的室内设计重点是要充分体现富于中华美学要素的品牌地位，整个空间由“木制礼盒”的概念构成，内里装满了各式各样的精美礼品。 店内咖啡色的地毯和天花构成了内部的纯色空间，横纹木质饰面墙身提供了不同大小的照明盒子饰柜，用以陈列各种精致及名贵的工艺品。 店面厨窗由大小不同的框架、格子及盒子组成，用来摆设商品，与店内部在视觉上连成一片。 为了配合店址的方形结构，其两个主要的部份的陈列和照明系统都采用了直线安排，两区的区名用中文书法展现，用平面和立体字样来表现 中国风味的美感及功能。





















Jewellery

Shop

Maharaja Diamond “MAHARAJA diamond” is the jewelry shop centering on bridal jewelry. The basic color of the shop space was “red”, “gold” and “off-white”, suggesting the image of India-the country of origin of a diamond. Maintaining a luxury image, the gorgeousness and high-quality of the space were to let the customer choose the jewel comfortably. Also, the accent such as chandelier was set to match the Japanese market. The chandelier, hanged down from ceiling of 4m’s height, was the most conspicuous icon which was made in the shape of the logo mark of MAHARAJA diamond. These all were the Swarovski glass pieces. The reception space was at the inner part of the shop. The space was constructed to make the customers feel calm and sense of presence and check the item without bothered by their surroundings.

Ichiro Nishiwaki 

Location | Japan



Jewellery

Shop

Maharaja Diamond “MAHARAJA diamond” is the jewelry shop centering on bridal jewelry. The basic color of the shop space was “red”, “gold” and “off-white”, suggesting the image of India-the country of origin of a diamond. Maintaining a luxury image, the gorgeousness and high-quality of the space were to let the customer choose the jewel comfortably. Also, the accent such as chandelier was set to match the Japanese market. The chandelier, hanged down from ceiling of 4m’s height, was the most conspicuous icon which was made in the shape of the logo mark of MAHARAJA diamond. These all were the Swarovski glass pieces. The reception space was at the inner part of the shop. The space was constructed to make the customers feel calm and sense of presence and check the item without bothered by their surroundings.

Ichiro Nishiwaki 

Location | Japan

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



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“Maharaja钻石”珠宝店主营婚礼珠宝。店内的基本 色调为红色、金色和米白色，以此来体现印度——钻石原产 国的形象特色。店内长久保持的奢华与高雅品质能够使顾客 在此自由舒适地选择珠宝。此外，为了吸引来自日本市场的 顾客，店内广泛应用了枝形吊灯。这些枝形吊灯以珠宝店名 MAHARAJA的字母造型排列，从4米高的天花板上向下悬垂， 成为店内最引人注目的标识。这些吊灯均为施华洛世奇的产 品。接待区设在珠宝店的里面，这里既安静又体现出对顾客的 关注，这样顾客便可以在此处品鉴珠宝，不被外界打扰。

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“Maharaja钻石”珠宝店主营婚礼珠宝。店内的基本 色调为红色、金色和米白色，以此来体现印度——钻石原产 国的形象特色。店内长久保持的奢华与高雅品质能够使顾客 在此自由舒适地选择珠宝。此外，为了吸引来自日本市场的 顾客，店内广泛应用了枝形吊灯。这些枝形吊灯以珠宝店名 MAHARAJA的字母造型排列，从4米高的天花板上向下悬垂， 成为店内最引人注目的标识。这些吊灯均为施华洛世奇的产 品。接待区设在珠宝店的里面，这里既安静又体现出对顾客的 关注，这样顾客便可以在此处品鉴珠宝，不被外界打扰。

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Enigma Diamond This brand focuses on high-end customized products and sales of rough stone, therefore, the design of the exhibition hall should be unique and simple rather than traditional. The designer treats the exhibition hall as its products and the design highlights its line, technics and pattern.

L-shaped structure occupies too much space and the designer takes its full advantage to define the layout. The exhibition hall is naturally divided into two areas by designing a curve at the original structural column, which not only hides the huge column but also makes the rear of the exhibition hall become the important and hidden VIP room. The layout and the application of materials create the expansion, diversity and various facets in the exhibition hall, such as, the contrast between hard marble and soft rugs, the abundant application of edge-cutting gray mirrors and black mirrors.

Vicky Design 

Designer | Vicky Ou area | 125m2

Location | Shenzhen, China

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Jewellery

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Enigma Diamond This brand focuses on high-end customized products and sales of rough stone, therefore, the design of the exhibition hall should be unique and simple rather than traditional. The designer treats the exhibition hall as its products and the design highlights its line, technics and pattern.

L-shaped structure occupies too much space and the designer takes its full advantage to define the layout. The exhibition hall is naturally divided into two areas by designing a curve at the original structural column, which not only hides the huge column but also makes the rear of the exhibition hall become the important and hidden VIP room. The layout and the application of materials create the expansion, diversity and various facets in the exhibition hall, such as, the contrast between hard marble and soft rugs, the abundant application of edge-cutting gray mirrors and black mirrors.

Vicky Design 

Designer | Vicky Ou area | 125m2

Location | Shenzhen, China

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plan

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plan

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商家主要是走高端的定制路线、原石销 售，所以展厅的设计要求独特、简洁，避免老 旧的设计手法。因此设计师把展厅当成商家的 产品来设计，突出整体的线条、工艺、形态。 原L形结构柱比较占空间，设计师利用这 点不足，运用弧线在原结构柱位置自然地把展 厅划分成两个区域，还把巨大的结构柱隐藏起 来，展厅后部成了重要的、隐蔽的VIP室。在 材料的运用上，大理石的钢硬与地毯的温柔形 成了鲜明的对比。大量的车边灰镜与黑镜的运 用，从空间的布局到材料的运用让展厅显得更 加多元化、多面性，也延伸了空间。

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商家主要是走高端的定制路线、原石销 售，所以展厅的设计要求独特、简洁，避免老 旧的设计手法。因此设计师把展厅当成商家的 产品来设计，突出整体的线条、工艺、形态。 原L形结构柱比较占空间，设计师利用这 点不足，运用弧线在原结构柱位置自然地把展 厅划分成两个区域，还把巨大的结构柱隐藏起 来，展厅后部成了重要的、隐蔽的VIP室。在 材料的运用上，大理石的钢硬与地毯的温柔形 成了鲜明的对比。大量的车边灰镜与黑镜的运 用，从空间的布局到材料的运用让展厅显得更 加多元化、多面性，也延伸了空间。

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Jewellery

Shop

Kwait, NY The design challenge was to work around four existing structural columns, pilasters, and an enormous lateral beam at the mezzanine level. Also, within a confined space, to create a critical mass sales area and access to the basement, staff amenities and mezzanine. The designer’s goal was to create maximum transparency; an open effect reinforced by a centrally located staircase leading to the upstairs mezzanine. This open staircase serves as a central interior focus, and links the functions of private and public sales. Entering from the street, the designers intend and atmospheric experience suggesting an air of classical reverence. And like a frame around a picture, the entire environment seeks to frame and enhance the experience of being in the interior space. Luxury, well suited to a classical interior, steered the modern design, layout and palette of classical materials and finishes. Suggesting the symmetry of the Kwiat tiara emblem, the volumetric space contains a disciplined layout of display counters, vitrines, desks and displays. All are situated under a stately high ceiling, on a well-proportioned sales floor. Unity is sought by balanced contrasts of hard & soft and warm & cold, to create an overall harmonious effect.

The collaboration between client and architect led to a tactile architecture where contrasting experiences are evident. While the volume of the spacious, open, gallery-like entry suggests the city and public domains; an invitingly private and intimate focus emerges from the tactile nature of the design materials and from the merchandize itself. Attractive architectural features facilitate ever changing displays, with backdrops and settings intended to both surprise and entertain.

The overall design aims to glitter with the clarity of the jewels and diamonds on display, and to convey all aspects of Kwiat’s merchandise and message. Seen from without or within, this establishment should represent an unmistakable celebration of luxury and jewels. And just as the glamour of diamonds is announced by their exquisitely cut and resplendently luminous facets; this design’s forms, colors, fabrics and textures intend to glamorously and unequivocally announce to Madison Avenue – the flagship House of Kwiat.

Barteluce Architects & Associates 

Location | New York, USA Area | 186m2 Photographer | Richard Caden

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Jewellery

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Kwait, NY The design challenge was to work around four existing structural columns, pilasters, and an enormous lateral beam at the mezzanine level. Also, within a confined space, to create a critical mass sales area and access to the basement, staff amenities and mezzanine. The designer’s goal was to create maximum transparency; an open effect reinforced by a centrally located staircase leading to the upstairs mezzanine. This open staircase serves as a central interior focus, and links the functions of private and public sales. Entering from the street, the designers intend and atmospheric experience suggesting an air of classical reverence. And like a frame around a picture, the entire environment seeks to frame and enhance the experience of being in the interior space. Luxury, well suited to a classical interior, steered the modern design, layout and palette of classical materials and finishes. Suggesting the symmetry of the Kwiat tiara emblem, the volumetric space contains a disciplined layout of display counters, vitrines, desks and displays. All are situated under a stately high ceiling, on a well-proportioned sales floor. Unity is sought by balanced contrasts of hard & soft and warm & cold, to create an overall harmonious effect.

The collaboration between client and architect led to a tactile architecture where contrasting experiences are evident. While the volume of the spacious, open, gallery-like entry suggests the city and public domains; an invitingly private and intimate focus emerges from the tactile nature of the design materials and from the merchandize itself. Attractive architectural features facilitate ever changing displays, with backdrops and settings intended to both surprise and entertain.

The overall design aims to glitter with the clarity of the jewels and diamonds on display, and to convey all aspects of Kwiat’s merchandise and message. Seen from without or within, this establishment should represent an unmistakable celebration of luxury and jewels. And just as the glamour of diamonds is announced by their exquisitely cut and resplendently luminous facets; this design’s forms, colors, fabrics and textures intend to glamorously and unequivocally announce to Madison Avenue – the flagship House of Kwiat.

Barteluce Architects & Associates 

Location | New York, USA Area | 186m2 Photographer | Richard Caden



设计时面临的最大问题是如何利用已有的构造、壁柱以及位于夹层的巨大的侧面横梁。还有就是如何在有限的空间内创造出足够大的 销售区域以及通往地下室的通道、员工便利设施和夹楼。设计师的目标是要打造出一个足够透明的空间；这种宽敞明亮的效果是由安装在 室内中间位置通往楼上夹层的楼梯凸显出来的。这个开放的楼梯既可以更好地吸引顾客的注意力，又连接了私人购买区和公开出售区。当 您进入到室内，您立刻会感受到设计师特意设计要凸显的一种氛围——古典和庄严。 就像是一幅画的边框一样，设计师想追求的是把一切都囊括进来，来完全体现人们在室内的美好感受。奢华、古典的氛围，驾驭着 现代化的设计、布局以及古典风格的装饰材料和成品的色调，这一切都突出了Kwiat皇冠式设计的对称性。室内摆放着井然有序的展示柜 台、玻璃橱窗、桌子和各种展示品。所有的一切都位于气势宏伟的天花板下，布置着比例得当的销售区。通过硬和软、暖和冷的平衡对 比，这种一致性凸显了整体的和谐氛围。 客户和建筑师的关系在这个建筑上被鲜明的表现出来。在这里，您会明显看到双方不同的感受。宽敞的、开放的、走廊式的入口展现 了公共购物区；极其私密性的购物区在那些生动的装饰材料和商品的映衬下更加吸引人。极具魅力的建筑特色与经常变换的珠宝展示相得 益彰；室内背景和各项设置都力求兼具新颖性与实用性。 该项目总体的设计目标就是凸显珠宝和钻石的璀璨，同时向消费者展示和传递Kwiat的商品信息。无论是从里面还是从外面看，这座 建筑都鲜明地代表了奢华和珠宝的关系，就像是璀璨的钻石一样，它们精妙的切割和耀眼的切面都吸引了人们的眼球。设计的风格、颜 色、纤维材质以及纹理的装饰材料都在生动形象地向麦德逊大道的人们宣称——这就是Kwiat的旗舰店。





设计时面临的最大问题是如何利用已有的构造、壁柱以及位于夹层的巨大的侧面横梁。还有就是如何在有限的空间内创造出足够大的 销售区域以及通往地下室的通道、员工便利设施和夹楼。设计师的目标是要打造出一个足够透明的空间；这种宽敞明亮的效果是由安装在 室内中间位置通往楼上夹层的楼梯凸显出来的。这个开放的楼梯既可以更好地吸引顾客的注意力，又连接了私人购买区和公开出售区。当 您进入到室内，您立刻会感受到设计师特意设计要凸显的一种氛围——古典和庄严。 就像是一幅画的边框一样，设计师想追求的是把一切都囊括进来，来完全体现人们在室内的美好感受。奢华、古典的氛围，驾驭着 现代化的设计、布局以及古典风格的装饰材料和成品的色调，这一切都突出了Kwiat皇冠式设计的对称性。室内摆放着井然有序的展示柜 台、玻璃橱窗、桌子和各种展示品。所有的一切都位于气势宏伟的天花板下，布置着比例得当的销售区。通过硬和软、暖和冷的平衡对 比，这种一致性凸显了整体的和谐氛围。 客户和建筑师的关系在这个建筑上被鲜明的表现出来。在这里，您会明显看到双方不同的感受。宽敞的、开放的、走廊式的入口展现 了公共购物区；极其私密性的购物区在那些生动的装饰材料和商品的映衬下更加吸引人。极具魅力的建筑特色与经常变换的珠宝展示相得 益彰；室内背景和各项设置都力求兼具新颖性与实用性。 该项目总体的设计目标就是凸显珠宝和钻石的璀璨，同时向消费者展示和传递Kwiat的商品信息。无论是从里面还是从外面看，这座 建筑都鲜明地代表了奢华和珠宝的关系，就像是璀璨的钻石一样，它们精妙的切割和耀眼的切面都吸引了人们的眼球。设计的风格、颜 色、纤维材质以及纹理的装饰材料都在生动形象地向麦德逊大道的人们宣称——这就是Kwiat的旗舰店。

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



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

Jewellery

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Rosato Retail Design Stores

The concept for the Rosato Retail Design Stores derives from the brand's slogan, Gold is Glam.

The designers wanted the space to resemble a gold mine, a very luxurious, glamorous gold mine. The white ceramic walls have an organic form as if handmade. On their surface are organic shaped "holes" carved out to form the display window. The rest of the walls and ceiling are made of gold leafs, the floor is covered with off-white-colored moquette, the lighting is very soft and elegant, all lighting fixtures are hidden.

In the center of the room there is a cascade of gold "particles" coming down from the ceiling as if the elaborated gold excavated from the walls.

Studio 63 Architecture + Design 

Designer | Piero Angelo Orecchioni, Massimo Dei, Federico Gigetti Area | 35m2 Location | Florencet, Italy Photographer | Yael Pincus

All the materials used are precious materials that reflect the use of gold, silver and diamonds in the jewelry. Some of the products have a sense of one of a kind or hand made products and so the space seems to be molded by hand.

The space is very clean and glamorous.

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Jewellery

Shop

Rosato Retail Design Stores

The concept for the Rosato Retail Design Stores derives from the brand's slogan, Gold is Glam.

The designers wanted the space to resemble a gold mine, a very luxurious, glamorous gold mine. The white ceramic walls have an organic form as if handmade. On their surface are organic shaped "holes" carved out to form the display window. The rest of the walls and ceiling are made of gold leafs, the floor is covered with off-white-colored moquette, the lighting is very soft and elegant, all lighting fixtures are hidden.

In the center of the room there is a cascade of gold "particles" coming down from the ceiling as if the elaborated gold excavated from the walls.

Studio 63 Architecture + Design 

Designer | Piero Angelo Orecchioni, Massimo Dei, Federico Gigetti Area | 35m2 Location | Florencet, Italy Photographer | Yael Pincus

All the materials used are precious materials that reflect the use of gold, silver and diamonds in the jewelry. Some of the products have a sense of one of a kind or hand made products and so the space seems to be molded by hand.

The space is very clean and glamorous.

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ATTUALE

sovrapposto

piano interrato

piano terra

piano soppalco

fronte via monta napoleone

sezione a-a.

sezione b-b.

piano interrato

piano terra

piano soppalco

fronte via monta napoleone

sezione a-a.

sezione b-b.

piano interrato

piano terra

fronte via monta napoleone

sezione a-a.

piano soppalco

sezione b-b.

PROGETTO

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ATTUALE

sovrapposto

piano interrato

piano terra

piano soppalco

fronte via monta napoleone

sezione a-a.

sezione b-b.

piano interrato

piano terra

piano soppalco

fronte via monta napoleone

sezione a-a.

sezione b-b.

piano interrato

piano terra

fronte via monta napoleone

sezione a-a.

piano soppalco

sezione b-b.

PROGETTO

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罗萨托零售设计商店的设计灵感来源于该品牌的标语：黄金即为魅力。 我们希望所设计的地方能像一个非常豪华而迷人的金矿一样。白色陶瓷砖墙上的墙砖仿佛为手工磨制，排列有序。墙砖表面为精心排 列的“孔洞”造型，这些“孔洞”被雕刻成为展示橱窗。其它墙体和天花板都由金箔制成，地面铺着米白色厚地毯，灯光柔和典雅，所有 照明器材都是内嵌式的。 房间正中，一道金色“粒子”瀑布从天花板流泻下来，仿佛精心提炼的黄金正从墙上被开采出来。 店内使用的材料都非常珍贵，分别寓意着金、银和钻石的使用。很多产品都给人以独一无二且由手工制成的感觉。店内空间也仿佛由 手工塑造而成，给顾客留下洁净、迷人的印象。

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罗萨托零售设计商店的设计灵感来源于该品牌的标语：黄金即为魅力。 我们希望所设计的地方能像一个非常豪华而迷人的金矿一样。白色陶瓷砖墙上的墙砖仿佛为手工磨制，排列有序。墙砖表面为精心排 列的“孔洞”造型，这些“孔洞”被雕刻成为展示橱窗。其它墙体和天花板都由金箔制成，地面铺着米白色厚地毯，灯光柔和典雅，所有 照明器材都是内嵌式的。 房间正中，一道金色“粒子”瀑布从天花板流泻下来，仿佛精心提炼的黄金正从墙上被开采出来。 店内使用的材料都非常珍贵，分别寓意着金、银和钻石的使用。很多产品都给人以独一无二且由手工制成的感觉。店内空间也仿佛由 手工塑造而成，给顾客留下洁净、迷人的印象。





Jewellery

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Cafe Ring Ginza Cafe Ring Ginza Namikitoori is a new retail store that is set up in Namikitoori on the side of the street.

The free-standing location of Ginza Namikitoori creates a sense of quietness and tidiness as well as high-class impression which is consistent with the surrounding environment.

Uniform materials adopted in decorating the façade create dynamic atmosphere and draw the customers’ attentions to the jewelry in the boutique. The widely used brand color and walls and side furniture made of white natural mosaic marble tiles, together with dynamic settings, interpret the sense of existence and high-class impression with natural stone’s high quality and color.

Additionally, in order to highlight the value of various diamonds, specially designed 180 degree display cases make the wall look more dynamic and eye-catching.

Shigemasa Noi 

designer | Shigemasa Noi, Naoya Matsumoto Photographer| Seiryo Yamada

Location | Tokyo, Japan



Jewellery

Shop

Cafe Ring Ginza Cafe Ring Ginza Namikitoori is a new retail store that is set up in Namikitoori on the side of the street.

The free-standing location of Ginza Namikitoori creates a sense of quietness and tidiness as well as high-class impression which is consistent with the surrounding environment.

Uniform materials adopted in decorating the façade create dynamic atmosphere and draw the customers’ attentions to the jewelry in the boutique. The widely used brand color and walls and side furniture made of white natural mosaic marble tiles, together with dynamic settings, interpret the sense of existence and high-class impression with natural stone’s high quality and color.

Additionally, in order to highlight the value of various diamonds, specially designed 180 degree display cases make the wall look more dynamic and eye-catching.

Shigemasa Noi 

designer | Shigemasa Noi, Naoya Matsumoto Photographer| Seiryo Yamada

Location | Tokyo, Japan



Cafe Ring银座并木通店是在东京银座的并木通作为沿街店铺开设的分店。银座并木通店作为一个独立的店面，体现了安静感、 整洁感以及与银座的地域条件相适应的高级感。 建筑物的外立面采用了统一的建材，表现出活力的一面，把路上行人的目光都吸引到店里。采用品牌的主题颜色，用白色的天 然大理石马赛克花砖作为墙面和日常用具的材料，加以跃动性的布置，用天然石材所具有的质感和色泽来表现存在感和高级感。 此外，为了凸显各式各样钻石的存在价值，特别设置了180度的陈列柜，显得墙面非常有节奏感，非常抢眼。





Cafe Ring银座并木通店是在东京银座的并木通作为沿街店铺开设的分店。银座并木通店作为一个独立的店面，体现了安静感、 整洁感以及与银座的地域条件相适应的高级感。 建筑物的外立面采用了统一的建材，表现出活力的一面，把路上行人的目光都吸引到店里。采用品牌的主题颜色，用白色的天 然大理石马赛克花砖作为墙面和日常用具的材料，加以跃动性的布置，用天然石材所具有的质感和色泽来表现存在感和高级感。 此外，为了凸显各式各样钻石的存在价值，特别设置了180度的陈列柜，显得墙面非常有节奏感，非常抢眼。





Jewellery

Shop

Cafe Ring YOKOHAMA Minatomirai store of Cafe Ring Yokohama is a retail store located on the second floor of TOC Minatomirai korettom.

As a large commercial area, this building highlights the sense of openness and circulation, which creates an intimate atmosphere. A low wave-shaped partition is designed towards the lounge and makes the central show case very unique. The 14 display cases made of clear glass not only create crystal image of diamonds, but also act as the partition between the internal communication area and external area.

The designer applies the motif of waves and circles to the overall layout because of the special location of Port Yokohoma, resulting in the feeling of water flow and the delicate atmosphere.The column with clear glass is set up by the designer to emphasize the vertical feeling and the soft impression on the customers.

Shigemasa Noi 

designer | Shigemasa Noi, Naoya Matsumoto Photographer| Seiryo Yamada

Location | Tokyo, Japan

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Jewellery

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Cafe Ring YOKOHAMA Minatomirai store of Cafe Ring Yokohama is a retail store located on the second floor of TOC Minatomirai korettom.

As a large commercial area, this building highlights the sense of openness and circulation, which creates an intimate atmosphere. A low wave-shaped partition is designed towards the lounge and makes the central show case very unique. The 14 display cases made of clear glass not only create crystal image of diamonds, but also act as the partition between the internal communication area and external area.

The designer applies the motif of waves and circles to the overall layout because of the special location of Port Yokohoma, resulting in the feeling of water flow and the delicate atmosphere.The column with clear glass is set up by the designer to emphasize the vertical feeling and the soft impression on the customers.

Shigemasa Noi 

designer | Shigemasa Noi, Naoya Matsumoto Photographer| Seiryo Yamada

Location | Tokyo, Japan

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Cafe Ring横滨Minatomirai店是在TOC Minatomirai korettom这座商业办公大楼的二楼开的分店。 因为这里是大规模的商业办公大楼，所以非常重视开放性和循环性，让人感觉很容易亲近。面对公共通道设置了一个波浪形的 矮隔断，让楼层中心部位的展示柜显得非常别致。14个清玻璃的陈列柜既能展示钻石水晶般的印象，又是里面商谈空间和外面的隔 断。 整体设计上，因为港口城市横滨的地理位置，为了让人感受到水的流动和柔和的气氛，设计师把波浪和圆形作为主题来使用。 为了让人感觉到垂直的方向，设计师竖立了清玻璃的柱子，强调了在一片柔和中留在人们眼中的印象。

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Cafe Ring横滨Minatomirai店是在TOC Minatomirai korettom这座商业办公大楼的二楼开的分店。 因为这里是大规模的商业办公大楼，所以非常重视开放性和循环性，让人感觉很容易亲近。面对公共通道设置了一个波浪形的 矮隔断，让楼层中心部位的展示柜显得非常别致。14个清玻璃的陈列柜既能展示钻石水晶般的印象，又是里面商谈空间和外面的隔 断。 整体设计上，因为港口城市横滨的地理位置，为了让人感受到水的流动和柔和的气氛，设计师把波浪和圆形作为主题来使用。 为了让人感觉到垂直的方向，设计师竖立了清玻璃的柱子，强调了在一片柔和中留在人们眼中的印象。

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Jewellery

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David Yurman Townhouse

Set within a landmarked, six-level townhouse on Madison Avenue, the David Yurman flagship boutique in New York is conceived as the “home of David Yurman.” The spatial concept symbolizes and embellishes the rich artisanal David Yurman tradition of modernity by conceiving an environment of graphically focused comfort and accessibility. The window displays, like a dramatic theater stage, are designed for flexibility and transformation from one collection presentation to another.

The front elevation and main entry are defined by a two-storey proscenium frame of limestone and patinated Cor-Ten steel, with glass panes of varied height and depth forming a Mondrian-like composition that animates the façade. Scenic layers of etched Starfire glass and suspended screens partially veil the interior, giving the boutique an alluring presence that draws people inside. The interior architecture is a defined by vertical movement and suspended volumes, a dramatic interplay between expansive height and compressive, intimate spaces. Customers enter a two-storey atrium at the storefront, while a pair of three-storey atria at the center and rear accentuates the verticality of the townhouse.

Gabellini Sheppard Associates 

Location | New York, USA area | 557m2 Photographer | Paul Warchol

Gradated finishes become lighter as they ascend these multi-storey spaces, while the circulation cores are articulated as single volumes by their tactile, artistic finishes. At the base of the front stair volume, a multimedia chamber, embellished in black plaster, visually opens the ground floor and creates a graphic area for campaign display. An elevator, newly installed, is clad in bronze silk mirror, for a material contrast with the slatted wood ceilings and blackened steel trims. Throughout the space, rich, artisanal metal finishes – in both blackened and hammered stainless steel – reflect David Yurman’s background as a sculptor and celebrate his artistic legacy. The flexible display fixtures, with naturally curving edges, swivel display drawers, and integrated lighting, can be moved around to reconfigure the selling area. The lighting concept heightens the emotional quality of the space and employs a variety of sources.

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Jewellery

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David Yurman Townhouse

Set within a landmarked, six-level townhouse on Madison Avenue, the David Yurman flagship boutique in New York is conceived as the “home of David Yurman.” The spatial concept symbolizes and embellishes the rich artisanal David Yurman tradition of modernity by conceiving an environment of graphically focused comfort and accessibility. The window displays, like a dramatic theater stage, are designed for flexibility and transformation from one collection presentation to another.

The front elevation and main entry are defined by a two-storey proscenium frame of limestone and patinated Cor-Ten steel, with glass panes of varied height and depth forming a Mondrian-like composition that animates the façade. Scenic layers of etched Starfire glass and suspended screens partially veil the interior, giving the boutique an alluring presence that draws people inside. The interior architecture is a defined by vertical movement and suspended volumes, a dramatic interplay between expansive height and compressive, intimate spaces. Customers enter a two-storey atrium at the storefront, while a pair of three-storey atria at the center and rear accentuates the verticality of the townhouse.

Gabellini Sheppard Associates 

Location | New York, USA area | 557m2 Photographer | Paul Warchol

Gradated finishes become lighter as they ascend these multi-storey spaces, while the circulation cores are articulated as single volumes by their tactile, artistic finishes. At the base of the front stair volume, a multimedia chamber, embellished in black plaster, visually opens the ground floor and creates a graphic area for campaign display. An elevator, newly installed, is clad in bronze silk mirror, for a material contrast with the slatted wood ceilings and blackened steel trims. Throughout the space, rich, artisanal metal finishes – in both blackened and hammered stainless steel – reflect David Yurman’s background as a sculptor and celebrate his artistic legacy. The flexible display fixtures, with naturally curving edges, swivel display drawers, and integrated lighting, can be moved around to reconfigure the selling area. The lighting concept heightens the emotional quality of the space and employs a variety of sources.

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大卫 . 雅曼在纽约的旗舰店位于麦迪逊大道上一个六层的地标性独栋大楼里，被公认为是大卫. 雅曼珠宝店的大本 营。整个空间体现并表达出大卫.雅曼现代化的传统手工艺，营造出图画般舒适和亲切的氛围。展示橱窗如同一个戏曲舞 台，不时地变幻展出一季又一季的珠宝。 店铺的正立面和主入口是用石灰石和微微发光的耐候钢打造出的两层镜框式的框架，并安装上各种高度和厚度的玻 璃窗格，形成蒙得里安（Mondrian）风格的组合结构，使店铺的正面充满生机和活力。蚀刻的斯达飞玻璃和悬挂的幕 布上的布景遮挡住了部分室内风光，更增添了店铺的魅力，吸引着顾客。室内的结构体现出一种垂直的韵律感，展区中 心的顶部悬垂着大面积条状木纹板，营造出既有高度又有私密空间的一种氛围。客人进入店铺就能看到一个两层高的中 庭，另外在店铺中间和后面还分别各有一个三层高的中庭，突出了这个独栋大楼的垂直感。 随着空间的上升，渐变色的漆变得越来越浅，但是核心区域以唯美的、充满质感的漆突出其作为单一体量的特点。 在前面楼梯的底部有一个多媒体室，用黑色的灰泥加以装饰，视觉上向顾客打开了一楼的空间，并为珠宝展示营造出一 片图画区域。最新安装的电梯，用丝状的青铜色镜子进行打造，与木质板条天花板和暗色的钢质边缘形成鲜明的对比。 纵观整个空间，充满着丰富的、有艺术家气息的金属制品——捶打制成的深色不锈钢制品——符合大卫.雅曼作为雕塑家 的要求，表现出他作为艺术家的品位。空间里摆放着灵活易用的家具，天然的弧形边缘、转环抽屉和复合式灯光都可以 随着展示区域的变动而进行挪动。灯光将各种资源综合利用起来，更加提升了整个空间的感性品质。

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大卫 . 雅曼在纽约的旗舰店位于麦迪逊大道上一个六层的地标性独栋大楼里，被公认为是大卫. 雅曼珠宝店的大本 营。整个空间体现并表达出大卫.雅曼现代化的传统手工艺，营造出图画般舒适和亲切的氛围。展示橱窗如同一个戏曲舞 台，不时地变幻展出一季又一季的珠宝。 店铺的正立面和主入口是用石灰石和微微发光的耐候钢打造出的两层镜框式的框架，并安装上各种高度和厚度的玻 璃窗格，形成蒙得里安（Mondrian）风格的组合结构，使店铺的正面充满生机和活力。蚀刻的斯达飞玻璃和悬挂的幕 布上的布景遮挡住了部分室内风光，更增添了店铺的魅力，吸引着顾客。室内的结构体现出一种垂直的韵律感，展区中 心的顶部悬垂着大面积条状木纹板，营造出既有高度又有私密空间的一种氛围。客人进入店铺就能看到一个两层高的中 庭，另外在店铺中间和后面还分别各有一个三层高的中庭，突出了这个独栋大楼的垂直感。 随着空间的上升，渐变色的漆变得越来越浅，但是核心区域以唯美的、充满质感的漆突出其作为单一体量的特点。 在前面楼梯的底部有一个多媒体室，用黑色的灰泥加以装饰，视觉上向顾客打开了一楼的空间，并为珠宝展示营造出一 片图画区域。最新安装的电梯，用丝状的青铜色镜子进行打造，与木质板条天花板和暗色的钢质边缘形成鲜明的对比。 纵观整个空间，充满着丰富的、有艺术家气息的金属制品——捶打制成的深色不锈钢制品——符合大卫.雅曼作为雕塑家 的要求，表现出他作为艺术家的品位。空间里摆放着灵活易用的家具，天然的弧形边缘、转环抽屉和复合式灯光都可以 随着展示区域的变动而进行挪动。灯光将各种资源综合利用起来，更加提升了整个空间的感性品质。

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Jewellery

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ISE Jewellery ISE Jewellery was an existing family business that approached HEAD for a re-branding exercise and move of location within the Peninsula Hotel in Hong Kong. The traditional serve over counter style was retained but the rest of the store was modernized. By developing the existing logo into a repeat element, this simple effect was then used on double sided glass throughout the store. The exterior of the store was treated with strong matching grooved glass and one-off male and female mannequins were designed for the show window to specifically showcase individual pieces of Jewellery.

HEAD Architecture and Design 

Location | Hong Kong, China Area | 121m2 Photographer | Graham Uden

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Jewellery

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ISE Jewellery ISE Jewellery was an existing family business that approached HEAD for a re-branding exercise and move of location within the Peninsula Hotel in Hong Kong. The traditional serve over counter style was retained but the rest of the store was modernized. By developing the existing logo into a repeat element, this simple effect was then used on double sided glass throughout the store. The exterior of the store was treated with strong matching grooved glass and one-off male and female mannequins were designed for the show window to specifically showcase individual pieces of Jewellery.

HEAD Architecture and Design 

Location | Hong Kong, China Area | 121m2 Photographer | Graham Uden

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伊势珠宝为家族企业，它聘请HEAD建筑设 计公司为其进行品牌重塑，并把店址迁出香港的 半岛酒店。传统的柜台式服务被保留下来，但是 店内的其他方面进行了现代化革新。店内的所有 双面玻璃上都使用了现有企业标识，形式简洁但 效果突出。店外配有与珠宝店风格非常一致的凹 槽玻璃，同时橱窗里设有两名一次性的男女模 特，用于展示珠宝中的极品。

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伊势珠宝为家族企业，它聘请HEAD建筑设 计公司为其进行品牌重塑，并把店址迁出香港的 半岛酒店。传统的柜台式服务被保留下来，但是 店内的其他方面进行了现代化革新。店内的所有 双面玻璃上都使用了现有企业标识，形式简洁但 效果突出。店外配有与珠宝店风格非常一致的凹 槽玻璃，同时橱窗里设有两名一次性的男女模 特，用于展示珠宝中的极品。

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Jewellery

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Cartier Shinsegae Inchon Imagine a concept restoring French luxury, adapted to an international market: this was Bruno Moinard's challenge for the refurbishment of the 220 Cartier boutiques. He chose the setting of an elegant, prestigious house, inviting the customer such as a guest to amble through; propelling the cultural heritage of the label towards a new contemporary classicism. The facades perpetuate the Portor marble and the architect invents imposing windows, opts for oak matched with bronze and a subtle lighting. In these curio cabinets, he enjoys exalting mystery through use of "secretive walls" .

Bruno Moinard 

Location | Korea

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Jewellery

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Cartier Shinsegae Inchon Imagine a concept restoring French luxury, adapted to an international market: this was Bruno Moinard's challenge for the refurbishment of the 220 Cartier boutiques. He chose the setting of an elegant, prestigious house, inviting the customer such as a guest to amble through; propelling the cultural heritage of the label towards a new contemporary classicism. The facades perpetuate the Portor marble and the architect invents imposing windows, opts for oak matched with bronze and a subtle lighting. In these curio cabinets, he enjoys exalting mystery through use of "secretive walls" .

Bruno Moinard 

Location | Korea

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设计师Bruno Moinard在整修第220家卡地亚珠宝专卖店时面临这样的挑战：如何使 人们重拾法式奢华，并把这种概念推向国际市场。该店是一所非常优雅、颇具声望的建 筑，顾客进入其中就如同被邀请赴会的客人缓步而入。设计师力求把该品牌传承的文化遗 产融入到当代古典主义之中。建筑物正面运用了Portor大理石，建筑拥有令人印象深刻的窗 子，选择了橡木与青铜制品的搭配及巧妙的照明设备。在放置古董的展柜里，设计师通过 “隐秘之墙”的运用传达出令人激动的神秘感。

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设计师Bruno Moinard在整修第220家卡地亚珠宝专卖店时面临这样的挑战：如何使 人们重拾法式奢华，并把这种概念推向国际市场。该店是一所非常优雅、颇具声望的建 筑，顾客进入其中就如同被邀请赴会的客人缓步而入。设计师力求把该品牌传承的文化遗 产融入到当代古典主义之中。建筑物正面运用了Portor大理石，建筑拥有令人印象深刻的窗 子，选择了橡木与青铜制品的搭配及巧妙的照明设备。在放置古董的展柜里，设计师通过 “隐秘之墙”的运用传达出令人激动的神秘感。

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Cartier Korea

Cartier Korea

Cartier Korea

Cartier Korea 

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Cartier Korea

Cartier Korea

Cartier Korea

Cartier Korea 

Jewellery

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Faraone Jewellery Boutique in Milan

The concept behind the new Faraone jewellery shop in Milan, Via Montenapoleone was carried out by architect Massimo Iosa Ghini.

It was inspired by an idea of preciousness characterized by symbolic pieces that envelop and outline the space in order to provide refined and elegant display opportunities.

Interiors were created with traditional materials, including refined finishings chosen with great care: different woods with greyish hues, amber-coloured glass, brass and bronze-plated metals and soft nappa leather for the chairs. The area is enclosed with panels of “boiserie” in moulded wood setting the tone for the space. The squared lines of the crystal display cases meet and intersect, offering innovative plays of light and overlapping elements.

PHOTOGRAPH by Enrico Basili for Dogma

The boutique is laid out over two levels with a connecting staircase and a large wall that serves as a backdrop and features multiple coloured glass plates in amber, yellow and bronze shade.

The small “privées” on the first floor are dedicated to customers who prefer a quieter space just for them.

Ground Floor Plan

Iosa Ghini Associati 

First Floor Plan

Location | Milan, Italy Area | 120m2 Photographer | Santi Caleca

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Jewellery

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Faraone Jewellery Boutique in Milan

The concept behind the new Faraone jewellery shop in Milan, Via Montenapoleone was carried out by architect Massimo Iosa Ghini.

It was inspired by an idea of preciousness characterized by symbolic pieces that envelop and outline the space in order to provide refined and elegant display opportunities.

Interiors were created with traditional materials, including refined finishings chosen with great care: different woods with greyish hues, amber-coloured glass, brass and bronze-plated metals and soft nappa leather for the chairs. The area is enclosed with panels of “boiserie” in moulded wood setting the tone for the space. The squared lines of the crystal display cases meet and intersect, offering innovative plays of light and overlapping elements.

PHOTOGRAPH by Enrico Basili for Dogma

The boutique is laid out over two levels with a connecting staircase and a large wall that serves as a backdrop and features multiple coloured glass plates in amber, yellow and bronze shade.

The small “privées” on the first floor are dedicated to customers who prefer a quieter space just for them.

Ground Floor Plan

Iosa Ghini Associati 

First Floor Plan

Location | Milan, Italy Area | 120m2 Photographer | Santi Caleca

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这个新的Faraone珠宝店铺 位于米兰的蒙提拿破仑街（Via Montenapoleone），是由设计师 Massimo Iosa Ghini进行设计的。 设计灵感来源于珠宝的弥足珍 贵，通过整个空间里的象征元素表 达出来，以此为顾客呈现精致、典 雅的珠宝。 店内采用传统的材料进行装 饰，例如，精挑细选的雅致饰面： 灰色的木材、琥珀色的玻璃、黄铜 色和镀铜的金属、纳帕软皮座椅。 墙壁上镶嵌着细木护壁板，奠定了 整个空间的精致基调。水晶展示品 发出的直角光线交相呼应，营造出 新奇的灯光效果和重叠元素。 这间占据两个楼层的精品店 内有楼梯和一面巨大的墙壁上下联 通，打造出雅致的木质内饰及镶嵌 着琥珀色、黄色和铜色等各色的玻 璃。一楼的“私人空间”是专门为 喜欢安静的顾客设置的。

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这个新的Faraone珠宝店铺 位于米兰的蒙提拿破仑街（Via Montenapoleone），是由设计师 Massimo Iosa Ghini进行设计的。 设计灵感来源于珠宝的弥足珍 贵，通过整个空间里的象征元素表 达出来，以此为顾客呈现精致、典 雅的珠宝。 店内采用传统的材料进行装 饰，例如，精挑细选的雅致饰面： 灰色的木材、琥珀色的玻璃、黄铜 色和镀铜的金属、纳帕软皮座椅。 墙壁上镶嵌着细木护壁板，奠定了 整个空间的精致基调。水晶展示品 发出的直角光线交相呼应，营造出 新奇的灯光效果和重叠元素。 这间占据两个楼层的精品店 内有楼梯和一面巨大的墙壁上下联 通，打造出雅致的木质内饰及镶嵌 着琥珀色、黄色和铜色等各色的玻 璃。一楼的“私人空间”是专门为 喜欢安静的顾客设置的。

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Jewellery

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Wynn Encore – Jewelry This classically inspired store displays a world-class collection of fine jewelry; including timepieces from Rolex and custom designs exclusive to Las Vegas. A satin bronze and glass framed symmetrical storefront and sleek, impeccably crafted awnings, immediately announce the substantial worth of the highly visible merchandise within.

Softening the controlled hard-edge symmetry of the exterior, the interior’s Neapolitan plyboo millwork and undulating wave-like textured walls, warmly welcome all shoppers. A custom organic hemp carpet and suede-lined displays offer additional natural elements. And a color palette of crisp white and taupe enhances the overall sense of a dignified calm suiting the highly focused and rare displays.

Barteluce Architects & Associates 

Location | Nevada, USA area | 121m2 Photographer | Erik Kvalsvik

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Jewellery

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Wynn Encore – Jewelry This classically inspired store displays a world-class collection of fine jewelry; including timepieces from Rolex and custom designs exclusive to Las Vegas. A satin bronze and glass framed symmetrical storefront and sleek, impeccably crafted awnings, immediately announce the substantial worth of the highly visible merchandise within.

Softening the controlled hard-edge symmetry of the exterior, the interior’s Neapolitan plyboo millwork and undulating wave-like textured walls, warmly welcome all shoppers. A custom organic hemp carpet and suede-lined displays offer additional natural elements. And a color palette of crisp white and taupe enhances the overall sense of a dignified calm suiting the highly focused and rare displays.

Barteluce Architects & Associates 

Location | Nevada, USA area | 121m2 Photographer | Erik Kvalsvik

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这个充满古典主义灵感的 珠宝店向人们展示着世界级珠 宝藏品，包括劳力士手表和专 为拉斯维加斯店定制的产品。 古铜色玻璃框架的圆弧形店面 对称排列、光可鉴人，连同精 心制作到无可挑剔的遮阳篷都 在向人们直接昭示着店内陈列 着的珠宝的巨大价值。 店外为柔和与刚硬相结合 的可控对称设计，店内那不勒 斯plyboo木制品和贴有波浪状 起伏纹理的墙壁，迎接着顾客 的光临。定制的有机麻地毯及 用小羊羔皮为内衬的展示柜为 店内添加了自然元素。纯白和 灰褐的色调搭配与整体的高贵 稳重氛围相互协调，更与光彩 夺目的珍稀藏品相得益彰。

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这个充满古典主义灵感的 珠宝店向人们展示着世界级珠 宝藏品，包括劳力士手表和专 为拉斯维加斯店定制的产品。 古铜色玻璃框架的圆弧形店面 对称排列、光可鉴人，连同精 心制作到无可挑剔的遮阳篷都 在向人们直接昭示着店内陈列 着的珠宝的巨大价值。 店外为柔和与刚硬相结合 的可控对称设计，店内那不勒 斯plyboo木制品和贴有波浪状 起伏纹理的墙壁，迎接着顾客 的光临。定制的有机麻地毯及 用小羊羔皮为内衬的展示柜为 店内添加了自然元素。纯白和 灰褐的色调搭配与整体的高贵 稳重氛围相互协调，更与光彩 夺目的珍稀藏品相得益彰。

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Jewellery

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Podium in Paris Podium Jewelery has opened its doors in Paris on Fabour St. Honore st., opposite legendary Colette in October 2009. Podium Jewelery is a unique concept with an unprecedented portfolio of artists and original choice of pieces from their collections. Here jewellery is approached as art. Podium Jewelery focuses on one-of-a-kind pieces, which are created during hours of manual work often using ancient or rare techniques. In Podium Jewelery Paris all clients will find the unique selection of famous jewellery brands, which are sought after by the collectors all over the world. Among them are Loree Rodkin, Garrard, Delfina Delettrez Fendi, Kristen Farrell, Le Sibille, M.C.L by Matthew Campbell Laurenza and others. There’s no selection like this anywhere else in the world. The main idea of the new store is a sort of "random sampling".

It makes the atmosphere where nothing distracts from the jewellery. All furniture and the equipment for a boutique is executed under the author's project “Artbureau I/1” in Russia.

Artbureau I/1 

Designer | Ilya Klimov, Lena Solovieva location | Paris, France Photographer | Alexander Izar, Charles Delcourt

area | 50m2

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Jewellery

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Podium in Paris Podium Jewelery has opened its doors in Paris on Fabour St. Honore st., opposite legendary Colette in October 2009. Podium Jewelery is a unique concept with an unprecedented portfolio of artists and original choice of pieces from their collections. Here jewellery is approached as art. Podium Jewelery focuses on one-of-a-kind pieces, which are created during hours of manual work often using ancient or rare techniques. In Podium Jewelery Paris all clients will find the unique selection of famous jewellery brands, which are sought after by the collectors all over the world. Among them are Loree Rodkin, Garrard, Delfina Delettrez Fendi, Kristen Farrell, Le Sibille, M.C.L by Matthew Campbell Laurenza and others. There’s no selection like this anywhere else in the world. The main idea of the new store is a sort of "random sampling".

It makes the atmosphere where nothing distracts from the jewellery. All furniture and the equipment for a boutique is executed under the author's project “Artbureau I/1” in Russia.

Artbureau I/1 

Designer | Ilya Klimov, Lena Solovieva location | Paris, France Photographer | Alexander Izar, Charles Delcourt

area | 50m2

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Podium珠宝于2009年10月在巴黎传奇的柯莱特对面开设了店铺。这些珠宝是艺术家们前所未有的智慧与创新概念的结晶，也有 很多是来自于艺术家们的原创藏品。在此处，珠宝几乎等同于艺术品。Podium珠宝注重每种只此一件的理念，很多珠宝要花费几个小 时的手工劳作并应用传统或稀缺的工艺。在该店中，所有顾客都能找到著名珠宝品牌独一无二的藏品，而这些藏品则深受世界各地的收 藏者的欢迎。这些品牌包括Loree Rodkin、 杰拉德、 Delfina Delettrez Fendi、克里斯汀.法瑞尔、Le Sibille、马修.坎贝尔创立的 M.C.L 等等。在世界上其他各地都找不到此店的藏品。这家新店属于一种“随机取样”，努力营造一种以珠宝为中心的氛围。店内所有 的家具和设备都沿用设计者在俄罗斯的项目“Artbureau I/1”的选择。

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Podium珠宝于2009年10月在巴黎传奇的柯莱特对面开设了店铺。这些珠宝是艺术家们前所未有的智慧与创新概念的结晶，也有 很多是来自于艺术家们的原创藏品。在此处，珠宝几乎等同于艺术品。Podium珠宝注重每种只此一件的理念，很多珠宝要花费几个小 时的手工劳作并应用传统或稀缺的工艺。在该店中，所有顾客都能找到著名珠宝品牌独一无二的藏品，而这些藏品则深受世界各地的收 藏者的欢迎。这些品牌包括Loree Rodkin、 杰拉德、 Delfina Delettrez Fendi、克里斯汀.法瑞尔、Le Sibille、马修.坎贝尔创立的 M.C.L 等等。在世界上其他各地都找不到此店的藏品。这家新店属于一种“随机取样”，努力营造一种以珠宝为中心的氛围。店内所有 的家具和设备都沿用设计者在俄罗斯的项目“Artbureau I/1”的选择。

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