Graduation Document - Jansher Aidan Bakhshi

Page 107

DEFINING BRAND USING JUNG’S ARCHETYPES

When attempting to boil down and detail out the attributes that should ideally define the core of Titan watches, there was a gut feeling that could no longer be ignored - the attributes that existed as words felt dry and lifeless. At this point, conversations had been penned down with all the major stakeholders and a significant amount of time had been spent collecting information and attempting to make sense of it through mapping and cluster formation. One of the core skills of a designer is to be able to make sense of chaos or ambiguity and in that effort, a lot had been resolved. However, there were still questions that were unanswered. For example, the word ‘adventurous’ could feature as a brand attribute of both Fastrack and G-Shock watches, and yet the outcomes were so very different - While the G-Shock interpretation is to explore the outdoors, the Fastrack interpretation is to break rules that you haven’t before. Both these interpretations did justice to the word

‘adventurous’ in their own right but were different in a way that had not be worked into the structure laid down to define the brand. It was in the search of how to account for these nuances at a structural level that one came across Carl Jung’s 12 brand archetypes. When looking at the archetypes, one could assert the previous branding efforts a place. The first branding effort done in 1984 was done in line with the ‘Hero’ archetype. This was a point when Titan was all about creating a positive impact in the world. Later in 2002, Sujata Keshavan’s rebranding of Titan marked the company’s move from being about timekeeping to being about lifestyle and fashion. This was in line with the ‘Explorer’ archetype where the company wanted to offer its users ‘emotional travels’ to project to the multiple facets of a single person. Today things were much more nebulous than in the past and the way the company communicated needed to be looked at to assert an archetype for the current brand.

In the following pages, you will see how Titan’s voice across media platforms was considered to get an accurate picture of what the company was about today. Looking at ads on YouTube, facebook and instagram, all the ‘hashtags’ were jotted down and common thread in the story arc was sought out. The more information one consumed, the more it became clear that Titan as a brand fell into the region of brand archetypes that pursued connection. There were tones of intimacy, love, passion, warmth and sensuality. At the same time there were currents of light-hearted humor and notions of being down to earth. The Titan jingle that is one of the most memorable things about Titan has been extracted from Mozart’s symphony 25 is the part of the symphony that inspires a feeling a jubilation. Titan’s mission statement talks about creating uplifting experiences for its customers.

Graduation Project | Titan Vision Next: Explorations in Recrafting the Watch Proposition | 107


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REFLECTIONS

2min
page 199

INFORMATION REFERENCES

4min
pages 200-203

IMAGE REFERENCES

12min
pages 204-211

DESIGN IS

1min
pages 189-192

FIRST MANUFACTURE DRAFT

1min
pages 175-180

STORYTELLING AS A VISIONING TOOL

1min
pages 185-188

INTERCHANGEABLE BEZEL OPTIONS

0
pages 171-174

FINAL DESIGN

2min
pages 165-170

MOODBOARD

1min
pages 157-158

IDEA DEVELOPMENT - KEY SKETCHES

1min
pages 159-162

IDEA DEVELOPMENT - QUICK PROTOTYPES

1min
pages 163-164

ADOPTION PLAN & DESIGN STORY

2min
pages 155-156

TREND - USERS

0
page 151

DESIGN - NEXT

0
page 152

TREND - BRANDS, STORES

0
page 150

ADOPTION STRATEGY - RAGA

1min
page 143

SILHOUETTE, SURFACE & DETAIL

3min
pages 139-142

TITAN CASE SHAPE VARIANTS

2min
pages 137-138

MANUFACTURING

3min
pages 132-134

WATCH CONSTRUCTION AT TITAN

2min
pages 135-136

DESIGN LANGUAGE AT SCALE

3min
pages 129-130

APPLICATION ON TITAN

3min
page 131

DESIGN LANGUAGE

8min
pages 121-128

BRAND STORIES

3min
pages 117-120

DEFINING BRAND USING CORE METHOD

1min
pages 115-116

WHERE ARE COMPANIES HEADED?

3min
pages 113-114

DEFINING BRAND USING JUNG’S ARCHETYPES

2min
pages 107-112

DEFINING BRAND FROM PARENT BRANDS

4min
pages 101-106

SYNTHESIS FROM INTERNAL CONVERSATIONS

3min
pages 99-100

TITAN AT CORE

3min
pages 97-98

REFRAMED BRIEF

2min
pages 93-96

COMPETITIVE OVERLAPS WITHIN TITAN

3min
pages 90-92

COMPETITIVE OVERLAPS OUTSIDE TITAN

5min
pages 84-89

PRODUCT DIFFERENTIATION PARAMETERS

2min
page 77

TITAN WATCHES FOUNDING PHILOSOPHY

2min
pages 71-72

TITAN - USERS & NON-USERS

5min
pages 73-76

WHERE ARE WATCHES GOING?

4min
pages 67-70

INDIA’S RELATIONSHIP WITH WATCHES

4min
pages 62-63

THE HISTORY OF TIMEKEEPING DEVICES

7min
pages 52-56

WRISTWATCH DESIGN EVOLUTION

9min
pages 57-61

INNOVATION IN WRISTWATCHES

4min
pages 49-51

WRISTWATCH TEARDOWN

2min
page 29

TREND FORMULATION

1min
pages 47-48

CROSS-FERTILIZATION IN WATCHES

2min
pages 45-46

WATCH GROUPS & PRICE SPECTRUM

5min
pages 40-44

WRISTWATCH GENRES

5min
pages 37-39

WATCHCASE MATERIALS

4min
pages 34-36

WATCH TERMINOLOGY

10min
pages 30-33

INITIAL BRIEF

1min
pages 25-28

NATIONAL INSTITUTE OF DESIGN

1min
pages 15-16

SYNOPSIS

1min
page 23

ACKNOWLEDGMENTS

1min
page 11

TITAN COMPANY LIMITED

3min
pages 19-22

TIMELINE

0
page 24

PRODUCT DESIGN

1min
pages 17-18

PREFACE

0
page 10

CONTENTS

1min
pages 12-14
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