Graduation Document - Jansher Aidan Bakhshi

Page 45

CROSS-FERTILIZATION IN WATCHES “When thinking about the future of a product within a sector, it helps to think about what it is that sets the trends in that design space. With Cars, it’s F1. What is it with watches?” -Ayaz Basrai

We’ve seen watches with carbon-fibre detailing, architectural themes and watch straps moulded to woven textures, While moodboards can inspire form, detailing and a reinterpretation of space from any literally anywhere, it would be worth pointing out the fields that often cross pollinate with watches. Developments in these fields are likely to influence the design of watches.

Smart Phones: Former designer at Apple, Tony Fadell, talks about how the industry was trying to build better touchscreens in 1991. The setting of the touchscreen mounted on the display left the designers with the problem of having an air gap between these two parts -the air gap created parallax because of the refractive difference between the screen and the air. To solve this problem, designers filled oil to fill the air gap to kill the refractive differences. The result of this effort was beautiful, the oil gave this feeling that the display popped up to the surface. The format of having a touchscreen on top of

display in a gadget is similar to having a crystal on top of a dial read out in watches - You get an air bubble in both cases. Ressence founder Benoît Mintiens used this same trick to get the numerals on his watches to come all the way to the face. The result is beautiful here as well. Pens: ‘Guilloche’ refers to an engraved ornamental pattern comprised of intricately intertwined lines. Historically Guilloche was used on Ivory and wood, and soon it found its way into fine pen and jewellery constructions. It was the cross fertilization between these fields that saw guilloche being used in watch dials - the effect creates a sense of depth in what might seem a very plain watch dial. Jewellery: Gem setting is tricky and historically, we’ve seen companies like Chopard use their knowledge of jewellery making (the company started out as a jewellery company from Pforzheim) to create truly unique creations. The art of creating and ‘invisible crown’ and ‘floating case’

coupled with slender lug and strap integrations make for an aura of being delicate. This has inspired women’s watches across manufacturers. Belts: Being of the same family, watch band closure systems are reminiscent of those we find in belts. Take for instance the Daniel Wellington, whose fabric strap was so created to match with that of the belt. The buckle closure systems on the Hermes belts too are seen on the apple watch. Perfume: Altering the quality of light is the domain of jewellery. Beautifully cut diamonds catch light as in ways that inspire emotion. However, this has greatly influence the design of watches and perfume bottles. One often gets reminded of the folklore that talks about Magpies stealing shiny objects. In much the same way, the way these products react to light is an essential component in the creation of curiosity, desire and value perception. You can think of light in this respect as the hook that creates interest.

Graduation Project | Titan Vision Next: Explorations in Recrafting the Watch Proposition | 45


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

REFLECTIONS

2min
page 199

INFORMATION REFERENCES

4min
pages 200-203

IMAGE REFERENCES

12min
pages 204-211

DESIGN IS

1min
pages 189-192

FIRST MANUFACTURE DRAFT

1min
pages 175-180

STORYTELLING AS A VISIONING TOOL

1min
pages 185-188

INTERCHANGEABLE BEZEL OPTIONS

0
pages 171-174

FINAL DESIGN

2min
pages 165-170

MOODBOARD

1min
pages 157-158

IDEA DEVELOPMENT - KEY SKETCHES

1min
pages 159-162

IDEA DEVELOPMENT - QUICK PROTOTYPES

1min
pages 163-164

ADOPTION PLAN & DESIGN STORY

2min
pages 155-156

TREND - USERS

0
page 151

DESIGN - NEXT

0
page 152

TREND - BRANDS, STORES

0
page 150

ADOPTION STRATEGY - RAGA

1min
page 143

SILHOUETTE, SURFACE & DETAIL

3min
pages 139-142

TITAN CASE SHAPE VARIANTS

2min
pages 137-138

MANUFACTURING

3min
pages 132-134

WATCH CONSTRUCTION AT TITAN

2min
pages 135-136

DESIGN LANGUAGE AT SCALE

3min
pages 129-130

APPLICATION ON TITAN

3min
page 131

DESIGN LANGUAGE

8min
pages 121-128

BRAND STORIES

3min
pages 117-120

DEFINING BRAND USING CORE METHOD

1min
pages 115-116

WHERE ARE COMPANIES HEADED?

3min
pages 113-114

DEFINING BRAND USING JUNG’S ARCHETYPES

2min
pages 107-112

DEFINING BRAND FROM PARENT BRANDS

4min
pages 101-106

SYNTHESIS FROM INTERNAL CONVERSATIONS

3min
pages 99-100

TITAN AT CORE

3min
pages 97-98

REFRAMED BRIEF

2min
pages 93-96

COMPETITIVE OVERLAPS WITHIN TITAN

3min
pages 90-92

COMPETITIVE OVERLAPS OUTSIDE TITAN

5min
pages 84-89

PRODUCT DIFFERENTIATION PARAMETERS

2min
page 77

TITAN WATCHES FOUNDING PHILOSOPHY

2min
pages 71-72

TITAN - USERS & NON-USERS

5min
pages 73-76

WHERE ARE WATCHES GOING?

4min
pages 67-70

INDIA’S RELATIONSHIP WITH WATCHES

4min
pages 62-63

THE HISTORY OF TIMEKEEPING DEVICES

7min
pages 52-56

WRISTWATCH DESIGN EVOLUTION

9min
pages 57-61

INNOVATION IN WRISTWATCHES

4min
pages 49-51

WRISTWATCH TEARDOWN

2min
page 29

TREND FORMULATION

1min
pages 47-48

CROSS-FERTILIZATION IN WATCHES

2min
pages 45-46

WATCH GROUPS & PRICE SPECTRUM

5min
pages 40-44

WRISTWATCH GENRES

5min
pages 37-39

WATCHCASE MATERIALS

4min
pages 34-36

WATCH TERMINOLOGY

10min
pages 30-33

INITIAL BRIEF

1min
pages 25-28

NATIONAL INSTITUTE OF DESIGN

1min
pages 15-16

SYNOPSIS

1min
page 23

ACKNOWLEDGMENTS

1min
page 11

TITAN COMPANY LIMITED

3min
pages 19-22

TIMELINE

0
page 24

PRODUCT DESIGN

1min
pages 17-18

PREFACE

0
page 10

CONTENTS

1min
pages 12-14
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.