Graduation Document - Jansher Aidan Bakhshi

Page 99

SYNTHESIS FROM INTERNAL CONVERSATIONS

At Titan, the design briefs come from the marketing team and every sub brand has a brand manager who directs the design efforts to match the user segments. It is the conversations with these brand managers and marketing team that has been synthesized into two contrasting words that create creative tension between them Classic and Contemporary.

1) Trust Factor: Tata has established itself as an honest brand in the mind of the consumer.

When talking to the marketing team, it was important to understand how Titan’s business works. A lot of the assumptions that we walk into projects with disappear once confronted with the reality of business and this is precisely what happened. At present, Titan has approximately sixty percent market share of the organized watch market. As a mass brand, it would be impossible to achieve this without crafting different watches for different categories of people. Some categories of watches do not really make the company any money but are necessary to maintain to keep the competition at bay. This was idea behind the setting up of Sonata.

3) A watch for every price Titan has tried to craft itself as a one-stop destination where a user can find a design for every whim, fancy and price point.

When zooming out to look at the Titan brand as a whole, the marketing team would argue that the following makes a strong case for the USP of Titan watches:

2) High Quality product when a purchase is made, users can often sit back and not worry about the quality of product or after sales service.

4) Original Design Titan prides itself with creating its own designs. Sub brands like raga are truly unique and have no real parallel. Innovative products like the Titan Edge give hope that India is actively participating in adding its share to horological history. 5) A pedigree in the watch industry While this was not fully articulated, it is worth considering. With the advent of tech companies getting into the watch space with smart watches, it is worth thinking about whether a watch company can craft it’s value proposition around its experience in designing wrist based artifacts. Designers from the watch industry have with them

deep user insights and would need to up-skill to adapt smart technology. However, the journey is different for tech companies that need to uncover such insights on their own, or via collaboration with other watch companies (for example, Apple watch collaborated with Hermes). 6) Contemporary Design Assurance was given that Titan will never fall behind in terms of market trends. If there is something in vogue in the market, you won’t have to wait for it to hit the market, Titan would be one step ahead in making sure that it is already there. When engaging the marketing departments in conversation about the changing design landscape in watches, it was brought to my notice that the region that watches operate within today is largely that of minimalism. Modern minimalism has great resonance with the classical way in which watch design is practiced. Titan, despite having been perceived as brand for older folk, has always had classical watch design as its strength. Thus the new brand culture, as well as the well as the design of watches, is at an interesting place because it is born out of interpretation of what is contemporary as per trend and what is classic as per Titan’s inherent design DNA.

Graduation Project | Titan Vision Next: Explorations in Recrafting the Watch Proposition | 99


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REFLECTIONS

2min
page 199

INFORMATION REFERENCES

4min
pages 200-203

IMAGE REFERENCES

12min
pages 204-211

DESIGN IS

1min
pages 189-192

FIRST MANUFACTURE DRAFT

1min
pages 175-180

STORYTELLING AS A VISIONING TOOL

1min
pages 185-188

INTERCHANGEABLE BEZEL OPTIONS

0
pages 171-174

FINAL DESIGN

2min
pages 165-170

MOODBOARD

1min
pages 157-158

IDEA DEVELOPMENT - KEY SKETCHES

1min
pages 159-162

IDEA DEVELOPMENT - QUICK PROTOTYPES

1min
pages 163-164

ADOPTION PLAN & DESIGN STORY

2min
pages 155-156

TREND - USERS

0
page 151

DESIGN - NEXT

0
page 152

TREND - BRANDS, STORES

0
page 150

ADOPTION STRATEGY - RAGA

1min
page 143

SILHOUETTE, SURFACE & DETAIL

3min
pages 139-142

TITAN CASE SHAPE VARIANTS

2min
pages 137-138

MANUFACTURING

3min
pages 132-134

WATCH CONSTRUCTION AT TITAN

2min
pages 135-136

DESIGN LANGUAGE AT SCALE

3min
pages 129-130

APPLICATION ON TITAN

3min
page 131

DESIGN LANGUAGE

8min
pages 121-128

BRAND STORIES

3min
pages 117-120

DEFINING BRAND USING CORE METHOD

1min
pages 115-116

WHERE ARE COMPANIES HEADED?

3min
pages 113-114

DEFINING BRAND USING JUNG’S ARCHETYPES

2min
pages 107-112

DEFINING BRAND FROM PARENT BRANDS

4min
pages 101-106

SYNTHESIS FROM INTERNAL CONVERSATIONS

3min
pages 99-100

TITAN AT CORE

3min
pages 97-98

REFRAMED BRIEF

2min
pages 93-96

COMPETITIVE OVERLAPS WITHIN TITAN

3min
pages 90-92

COMPETITIVE OVERLAPS OUTSIDE TITAN

5min
pages 84-89

PRODUCT DIFFERENTIATION PARAMETERS

2min
page 77

TITAN WATCHES FOUNDING PHILOSOPHY

2min
pages 71-72

TITAN - USERS & NON-USERS

5min
pages 73-76

WHERE ARE WATCHES GOING?

4min
pages 67-70

INDIA’S RELATIONSHIP WITH WATCHES

4min
pages 62-63

THE HISTORY OF TIMEKEEPING DEVICES

7min
pages 52-56

WRISTWATCH DESIGN EVOLUTION

9min
pages 57-61

INNOVATION IN WRISTWATCHES

4min
pages 49-51

WRISTWATCH TEARDOWN

2min
page 29

TREND FORMULATION

1min
pages 47-48

CROSS-FERTILIZATION IN WATCHES

2min
pages 45-46

WATCH GROUPS & PRICE SPECTRUM

5min
pages 40-44

WRISTWATCH GENRES

5min
pages 37-39

WATCHCASE MATERIALS

4min
pages 34-36

WATCH TERMINOLOGY

10min
pages 30-33

INITIAL BRIEF

1min
pages 25-28

NATIONAL INSTITUTE OF DESIGN

1min
pages 15-16

SYNOPSIS

1min
page 23

ACKNOWLEDGMENTS

1min
page 11

TITAN COMPANY LIMITED

3min
pages 19-22

TIMELINE

0
page 24

PRODUCT DESIGN

1min
pages 17-18

PREFACE

0
page 10

CONTENTS

1min
pages 12-14
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