Inception and Destination 建築的實存
遺忘之場|記憶重塑|當下城域|
2O14-2O19 CHANG,CHIH-HAO Profile
Those Memories We lost in the daily lifetime
Eduacation
2014-2019
淡江大學工學院建築學士 第 一 名 畢業
2011-2014
臺北市立麗山高中
Tamkang University, New Taipei, Taiwan
LiShan High School, Taipei, Taiwan
Awards & Products
2019
淡江建築 107 學年畢業設計
傑出設計獎
- 不完全台北 _The Living under Generic
新北建築師公會 創意新生代 特優
- 不完全台北 _The Living under Generic
張志豪 Jonathan Chang
1995/12/02
0963928815 u10000205@gmail.com Taipei, Taiwan
TEAM20 第七屆建築與規劃新人獎 入選 - 不完全台北 _The Living under Generic
2018
ta 台灣建築雜誌 vol.269 Next Generation
2017
臺北建築師公會 創意共居聚落 佳作
- 年輕建築人的期待論述
- 都市行者 | 落腳與共享住宅
遠東建築新人獎 入選
- Inter-Generational Garten
王紀鯤建築設計獎
I am a student from Tamkang University in Taiwan, love to explore and record space. And also like to use photography marking space behavior and recording the city. Also because of the love of cranky personality, when designing, I always imagine whether the architecture or space can jump off the three-dimensional frame and start to have four dimensions with poetry. This kind of imagination is not satisfied with the atmosphere of the space itself but believe in that space should grow from the base and serve the user. It's just like a stage, people are both actors and viewers, and when the stage has the depth of time and the temperature that make the actors immersive the show, and it will be a playful script. In the design operation, constantly explore the types of architecture in different fields, and try to develop designs from different angles, finding the possibility of the essence of space in various aspects, form follows essence. Any form and movement respond to the perspective and attitude of our viewing of things.
Profesional Experience
北美館 |2018 台北雙年展 --MAS 微建築展
策展總召
翁祖模建築師事務所
寒暑期實習
2017-2018
淡江建築學會
執行秘書
2017.08
JWU/TKU 2017 International Housing Workshop
執行副召
上海 華東建築設計研究院
暑期實習
瓦建國際設計有限公司 ( 全聯建設 )
專案協助
向登群建築師事務所
暑期實習
2018 2018-2019
2017.06 2017.01 2015-2016
//Interior design/Competitive participation/Regional planning/Web Design
//Regional planning/Facade design/Residential unit design/Report production //Historical data file/Rendering production
//Villa planning/Architectural drawing/Model making/Report production
Technical Skills AutoCAD 2D Sketch up Rhino Grasshopper Ecotect
Adobe Photoshop
Artlantis Studio
Adobe Lightroom
Lumion
Adobe Illustrator
Microsoft Office
Adobe Indesign
PowerDirector
Skill, Hobbies & Language 3D Modelling
Photography
Hand make model
Travelling
Adaptability
Writing poetry
Team work
Organizing
Chinese
English
| 2014-2019 |
// The Time // The Death of Architecture | Time Market | Theoretical Architecture Design | /P.7/
Penetration | Visual and Invisible | Architecture Design | /P.21/
Sound of Time | Listening to nature | Landscape Design | /P.25/
We met after Time | Inter-Generational Garten | Reprogram Architecture Reaserch | /P.29/
// The Past // House that call Home | The Rover | Architecture Design | /P.41/
We mourn the city | Virtual field | Architecture Design | /P.49/
We face | Bee Shelter | Micro Architecture Studio | /P.53/
The Living under Generic | Not completely Taipei | Typology Architecture Reaserch | /P.62/
// The Time//
The Time
// 摘要 // 若那束光永恆的停留在此處;第一日,人們會感到震驚;第二日,人們會開始膜拜;第三日,人們會開始習以為常 若這束光有了生與死,人們會為她感動,開始稱她晨曦與日暮,在她生命裡的每個階段人們都會為她命名 人們的生活依循著她的變化而膜拜,這是對生命的讚美 當你站在一處懸崖邊上,佇立著,看著此處變動的星輝與月映 當你站在一座高樓頂上,寧靜的,聽著這城市裡的喧囂與陌生 你是否會被那樣的變動所感動 那是對於時間的悸動 那並非你特異的去追尋什麼 而是她們就自然而然的發生在你眼前 時間,擁有它的不可預期性以及我們所期待的變化 當 永恆的死亡 | 滲透的夜幕 | 片刻的聲音 | 等待的偶遇 發生時,你看見 ......
//Abstract//
/5 /
If the light stays here forever; the first day, people will be shocked; the second day, people will begin to worship; the third day, people will become accustomed of it. When this light has life and death, people will be touched by her. Beginning to call her sunrise and sundial, people will name her at every stage of her life. People’s lives follow her changes, it's a praise of life. When you stand on the edge of the cliff, stand and watch the changing star and moon. When you stand on the roof, quietly listen to the hustle and strangeness of the city. Will you be touched by the changes? That is the incitement of time. That's not your intention to pursue, but just happens naturally in front of your eyes. Time, have its unpredictability and the changes we are expecting When the eternal death | the night of penetration | the sound of a moment | w aiting for an encounter, you will see...
/6 /
/7 /
// The death of architecture //
TKU 2O18 Spring EA4 Time market
Theoretical Architecture Design Project: Traditional market Site:Shilin,Shidong Road,Taipei
// 摘要 // 過去,我們定義了所有事務的邏輯性,習慣了了解一切發生的脈絡,我們講求效率講求事物的意義 在現代主義開始之後,人們高舉著機能至上的旗幟,但當機能死去之後,建築能留下什麼 ? 或許你說 | 她擁有美麗的外殼,而這些衣裳構成了城市的記憶 或許你說 | 她終究應走向死亡 就炸毀吧 ! 讓記憶停在虛幻的腦海中
倘若,我們回到建築最開始的非物質性,將一切具有意義的事物賦予他們,在時間之後的記憶 這是一座終究會死亡的建築,但當下 | 她是一座生活開始的場域 //Abstract// In daily, we define all the logic of things;we used to understand all the development of things;we stress efficiency and the meaning of things.
2018 Spring EA4 Time market
The death of architecture |
Advisor: 游瑛樟
After the modernism,people handing up the banner of function first,but when the function dies,what can it leave? Maybe you will say she has a beautiful shell,these clothes constitute the memory of the city. Maybe you will say that she will eventually die.Just blow it up!! And let the memory stop in the illusory mind. if,We go return to the original non-material space and give them all the meaning of things.The memories after time...... This is a building that will eventually die,but now it is a field where life begins.
/8 /
2018 Spring EA4 Time market The death of architecture |
《Golconda, 1953 by Rene Magritte》 "...people always start from the practicality of the article, never look for symbolic meaning in the article;But when they faced with painting, they found that painting was useless, so they looked around for meaning so that they will free from confusion because they
/9 /
don't understand what they should think about when facing painting... They need something that they can rely on in order to feel comfortable; They need a safety cable that they can firmly grasp, this will save themselves from falling into emptiness and solitude. "People looking for symbolic meaning fail to grasp the poetry and mystery inherent in the image. There is no doubt that they feel mysterious, but they try to get rid of this mystery. They are afraid of it." By asking "What does this mean," they express a wish: Everything is understandable. However, if someone does not reject this mystery, they will have a completely different reaction..."
At that time, our life started from the public
Architecture is eternal
|
Hall
In the past space service | nothingness
2018 Spring EA4 Time market
Today, we're only materialistic
The death of architecture |
At that time, architecture was not called architecture.
Instead of god In the past, our daily life began with religion and spirit and space supports the activities of sacrifice. As time passed, people no longer revered the gods, the temple gradually became ruined. But we admire the space after being abandoned And now, when we have only pursuit of material, what kind of space will be left behind?
/10/
Replace body and mind
The death of architecture |
2018 Spring EA4 Time market
Perception over the logic
/11/
Over the semiotics
Field definition and landscape description
Spatial perception of multiple perspectives
Maurits Cornelis Escher
Marcin Bialas
Distorted of space and path
Implied and ritual
Behavioral change and destruction
Implication and guidance of mind
When we throw away the logic of reason, Surrealism changes our way of thinking, from the perspective of semiotics, perception, and time, the intent is to recapture the prototype of our most revered space. In the study of space prototypes,light, place atmosphere,geometric relationship, and object meaning, they all have a strong symbolic language, conveying the continuation of space and the feeling of immateriality. Such a symbolic language constitutes the spatial perception of our spiritual level, which is a dream that transcends reality.
Revered | Supreme divinity
Access | Mystery behind the slit
Symmetry | Endless space continuation
After | Between daily life and death
Beam | Condensed divine time
Continuation | Gradient visual geometry
Scattered | Defined divine time
Crumbling | Cosmology under state of particles
Field | Sluggish divine time
The death of architecture | 2018 Spring EA4 Time market /12/
Fragment symbol is piece together into the city's memory Between quiet and silent | time is stopped
2018 Spring EA4 Time market The death of architecture |
Point and beam of light
Object level
Light scattered under the scale
Sold
Storage Circulation
Shuttle in the daily path
Freeze
Modular Display
Spreading smell
Array
Display -Perception and substance
Crumbling
-Particles and Scale
Field
Dry
Shine
Interactive
Replenish Scale
Foraging Heat
Storage
Storage Circulation
Storage
Continuation
Circulation
-Time loop
Field
-Sluggish time
/13/
Tranquil
Tranquil
Shine Leisure
Activity
Heat
Scale
Assemble Hidden
Shine
Assemble
-Time residing
Hidden
Access
-Uncharted and long for
The death of architecture | 2018 Spring EA4 Time market
Functional coexistence Speed| path | purpose Death| material | daily Daily| rest | diet
The moment, the steamed bun chef opens his steamer | Some light spreading in the city lanes The lanes are full of confusion We shuttle in the most familiar field | Habitually in a fragmented and continuous field This is the place, we call it the daily field But they called it the end of death
/14/
型態操作 Type operation
牆面類型
The death of architecture |
2018 Spring EA4 Time market
Wall type
/15/
單牆類型
雙牆類型
Single wall type
參牆類型
Double wall type
立 Erect
Triple wall type
順
撫 Caress
Smooth
淨 單牆類型
Single wall type
Snuggle
Lift
間
定 Stabilize
隙 Lacuna
拑
展
絡 Context
渙 Lustrous
佑 Protect
Expansion
Clamp
逸 Abscond
Guide
Separate
Cleanse
掀
引
焙
雙牆類型
Bake
核
裹 Core
Wrap
絫 Congest
Double wall type
繆
Stable
Permeate
Triple wall type
Slit
憧 Await
Lost
Corner
居 Reside
滲
覆 Coating
Wait
Via
Eternal
待
途
恆
失
Firm
隅角
須臾 Instant
禎
Infiltrate
2018 Spring EA4 Time market
參牆類型
Frequent
Uproar
天狹
Field
絲
喧 Link
域 The death of architecture |
Enmesh
襯
瀙
豎 Mounting
/16/
時序操作
The death of architecture |
2018 Spring EA4 Time market
Timeline operation
時序
Wait
Corner
覆
居
Coating
途
Await
Infiltrate
隅角
恆 失 Eternal
Lost Corner
Reside
憧
滲
待
隅角
Timeline
須臾 天狹
Instant
Slit
Via
/17/
生鮮
Fresh Market
飲食
Catering restaurant
聚會
Party hall
覆 憧 鮮 隅 居 途 啖 待 隅 狹 聚 滲 失 臾 器 恆
商品
Commodity department store
The death of architecture |
2018 Spring EA4 Time market /18/
2020
飲食
生鮮 Catering restaurant
Party hall
商品 Commodity department store
The death of architecture |
2018 Spring EA4 Time market
Fresh Market
聚會
/19/
Following the time sequence, the corridor formed a loop. In the loop, there is no beginning or end. As time past, the building gradually died. The moment of 2O2O is her most brilliant appearance, she is a market. People run, trade, praise gods, think about themselves in her. As time goes by, she gradually dies, people no longer need a market. Woods and glass the part of her began to collapse, and the plump props by steel began to corrode. 2O7O was the moment she stopped, and in this ruin, people gradually came back.Here are the places where they once collapsed, played, and lived. When they came back with their memories, they injected new functions into her. It became a place for people to gather, reminisce, and hold various activities in the city.Its ruin is not spurned by people, but it adds to the mystery of the past. 217O... There is nothing left here, leaving only the high walls that are built by reinforced concrete, it is her last appearance, a monument belonging to the city itself, where people recalling the past here...
The death of architecture |
2018 Spring EA4 Time market /20/
2070
/21/
// Penetration //
TKU 2O16 Spring EA2 Visual and Invisible Advisor: 謝博鈞
從基地附近的巷弄中找到其所構成的元素、尺度,並藉由內外立面的區隔將巷弄這樣的 社區型態延伸進入基地內,形塑藝術家那種想要展現自我卻同時保有部分隱 私的開放性,利用尺 度的差異將私人入口與開放中庭區隔開來,並利用玻璃層次的穿透性,創造出空間的可視與不可 視,讓活動成為開放與否的依據。 以光來控制人視覺的可及性,保有著創作者與參觀者的距離,卻又能在這樣的機制下使 創作者展現部分的創作歷程。而中庭的部分圍繞著基地原有的老樹塑造出一個展演的氛圍,利用上 層的居住空間與下層的琴房,形成以下方主奏為主,上方弦樂為輔的立體演奏空間,利用這樣的方 式,讓藝術家所生活其中的音樂滲透進各個開放與空共的空間之中。
//Abstract// Finding the elements and scales of the lanes near the site, and extend the community style of the lanes into the site by the division of the inner and outer facades, shaping the artist to express himself while retaining some privacy. Openness, using the difference in scale to separate the private entrance from the open atrium area, and using the transparency of the glass level to create the visual and invisible space, so that the activity becomes the basis of openness or not. Using light to control the accessibility of human vision, to maintain the distance between the creator and the visitor, but under such a mechanism allows the creator to show part of the creative process. The part of the atrium surrounds the original old tree of the base to create an atmosphere of performance. The upper living space and the lower piano room are used to form the following main theme, and the upper string is supplemented by the three-dimensional performance space. The way in which the music that the artist lives is infiltrated into the space of openness and space.
2016 Spring EA2 Visual and Invisible
// 摘要 //
Penetration |
Architecture Design Project: Violinist's house Site:Zhongzheng,Linyi St.,Taipei
/22/
Material|Order
Fence|Isolation
Lanes|Unpredictability
Cloister|Interface
Frame view|Space
Window cabinet|Visibility
Symbiosis|Time
There are poetic elements in the lanes of the city, the shimmering lights from the street lights at night, the street scene reflected by the window, the order in the corridor, the old house where the corner is covered by vines.....Through the changes in time and light, the city in the lane is changing. Transparency and imperfections begin to change the depth of the city under the change of windows and light.
Time penetration
Penetration |
2016 Spring EA2 Visual and Invisible
Light|Suggestive
/23/
Ground Plan | Light
PrivateP
ublic Core
Lanes|Exclusion
Lanes | Close scale
Invisible | Isolated space
Sunshine | Core Space
Site | Zoning
Visual | Continuous space
Path | Life network
Volume | pocket space
Entrance | Impact
Window | Continuous space
Lanes | Life Network
Lanes | Public and Private
Extending the experience of the lane into the base, erecting a high wall to isolate the inside and outside leaving only two entrances, different scales distinguish between public and private. But the interface is not immutable. When the internal light overflows at night, the public and private interfaces begin to become blurred and no longer absolute.
2016 Spring EA2 Visual and Invisible
Lanes | Pocket space
Window | Visual and invisible
Penetration |
Window | Shading and depth of view
/24/
North elevation
/25/
// Sound of Time //
TKU 2O15 Spring EA1 Listening to nature
Landscape Design Project: Experience corridor Site:Tamkang University,New Taipei
你不能擁有寧靜,是這裡自然所述的語言 喧嘩與不斷的窺視,將人們無形的介入表達的粼粼盡致,人們不曾踏入此處 那是被一切行為所遺棄的場域,這裡擁有屬於自然的獨立 以及 曾經被期望成為人們口中綠地的宣示,但是人們不會介入 因為習以為常的規範,人們習慣步行於路上,那是框定後的界線 人們懼怕自然,關於付出與被自然的擷取,步道逐漸被人們遺忘 它失去了意義後,成了早該存在的風景 那完全符合人們對於自然的既定印象 它擁有只屬於符號化的語彙以及語彙,界定了擁有與邊界 座落在一片柏油間喧嘩, 卻以最低調的沉默凝視著人們的遺忘 //Abstract// You can't have peace here, nature whispered. Noisy and constant voyeurism, people’s invisible interventions are expressed, people never step into here. It's the field abandoned by all actions, but with the isolated nature. The green space was once declared by people, but now they never intervene here. Because of the usual norms, people used to walk on the road, it's the bounded line. People are afraid of nature, with regard to giving and being absorbed by nature, the trail is gradually forgotten by people. After it lost its meaning, it became a landscape that should have existed. That is completely in line with people's established impression of nature. It has a vocabulary and vocabulary that is only symbolic, defining ownership and boundaries. Located in a noisy, but gazing at people's forgetting with the lowest level of silence.
2015 Spring EA1 Listening to nature
// 摘要 //
Sound of Time |
Advisor: 陳昭文
/26/
Path and stay
Chirp source and
Activity and perceived location Walking|Shortcut
Walking|Complex
Stream sound source and
Walking|Freedom
Activity sound and influence
Original trail path
Venation|Rules
Venation|Symmetry
Venation|Diverge
The site is the node which student activities must pass, it's also the only interface between the campus and the residents. Because of the lack of space and the chaos of the moving line, people rarely stay or rest here. As the only green area around, it gradually became an unusable green landscape. Listening to the sounds that change according to time on the site, transforming the branches of the leaves into a path, following the tree group on the site and the point of listening to the sound becomes a path of sensing time.
Sound of Time |
2015 Spring EA1 Listening to nature
Woodlot
/27/
杲兼
Encircled activity space
Sound penetration
Light penetration
Echo corridor
Sound capture
Sound persistence
Interface and time
23:00-06:00
Stream
19:00-23:00
Sound of Time |
06:00-08:00
Chirp ,Stream
Chirp ,Stream
14:00-19:00
08:00-11:00
Chirp ,Voice,Stream
Voice,Chirp
11:00-14:00
Voice Sound loop of site Material
soft
wood,
metal
Sound texture
Stuffy
Hard
crisp
Material sound
Withered and
2015 Spring EA1 Listening to nature
Using the sound of the site, the touch, and the gradual yellowing of the leaves, extending nature life and death,using the corrosion of the metal to record the growth of the forest. The moisture released when the leaves are withered is also the beginning of metal corrosion. Using sound sources from different bases of the base, corresponding to different spatial manipulation techniques, creating a path on listening to nature.
/28/
Deciduous corridor
Leisure and performance
Rain sound symphony
The path of this time captures the time and sound on the site in different materials and ways. Through the natural circulation, the relationship between the site and the man-made objects is intertwined. By changing the height of the ground floor, people gradually walk into the ground and listen to the sights that have been neglected in the past.
/29/
// We met after Time //
TKU 2O16 Full EA3 Inter-Generational Garten
Reprogram Architecure Reaserch Project: Elderly day-care center Site:Beitou,Huanggang Rd.,Taipei
高齡化是當代越來越嚴重的問題,而每個人都終將老去,但老年生活是不是要 如同一般的照顧中心那樣,像是學校、補習班一樣的課程化、制度化 ? 脫離人性使用而規劃的生活是以管理層思考的,是不是我們每個人面對老年時 願意的生活模式 ? 世代交流,是讓不同年齡層間能互相了解、學習、使老人找到被需求的感覺的 必要方式,在相處、聊天、一起活動的過程中讓年輕世代更認識老年生活,讓他們自主 陪伴、幫助,有助於老年生活更趨向於日常化的方式。 從活動的分析我們開始討論一日的活動,找出不同世代和時間的交集,並再次 組織成一個新的活動和空間模型。 //Abstract// Aging and caring for the elders are an inter-generational challenge and getting more and more serious. As Each person will eventually grow old, but the caring for the elderly in the urban areas are inadequate and poorly maintained. How should we face the old age? Inter-Generational communication let people of different ages understand and learn from each other. This could be the way to let the elderly to be inclusive in the process by chatting, getting together socially. Elderly life with children, from daily life to sharing of activities, cooperation, from the common time period, the type of activity in the choice of whether to join or just observe. The daycare center will be closer! lets us grow old together . From the analysis of activities, we began with day activities, to find the intersection of different generations and time,and once again organized a new activity and spatial model.
2016 Full EA3 Inter-Generational Garten
// 摘要 //
We met after Time |
Advisor: 林珍瑩
/30/
Activity and behavior correlation analysis Walking / Climbing
Walking / Climbing
lie
Jogging Thinking / Daze
2016 Full EA3 Inter-Generational Garten We met after Time |
Chat / Discuss / Sing
Chat / Discuss / Sing
Lose the ball Identify rehabilitation Bathe
Lose the ball Identify rehabilitation Bathe Foot bath
Eat
Eat
write
Thinking / Daze Meditation
Meditation
paint
Play chess
Play chess
Chat / Discuss / Sing
Chat / Discuss / Sing
say
Lose the ball Identify rehabilitation Bathe
take wash
Eat dessert Movement Massage Reading Watch movie Watch TV Sleep Dancing Planting
look
Jogging
throw
bend
chew
cook
Lose the ball Identify rehabilitation Bathe
hit
Foot bath
Foot bath
Eat
Eat
Eat dessert Movement Massage Reading Watch movie Watch TV Sleep Dancing Planting
dig
Thinking / Daze
Eat dessert Movement Massage Reading Watch movie Watch TV Sleep Dancing Planting
walk
jump
Listen to the story
Listen to the story
Listen to the story
Listen to the story
Drawing / Graffiti
Drawing / Graffiti
Drawing / Graffiti
Drawing / Graffiti
Cook
Cook
Cook
Cook
Teach
Teach
Teach
Teach
Write Sharing Ghosts catch people Hide and seek Using computer
Write Sharing Ghosts catch people Hide and seek Using computer
Write Sharing Ghosts catch people Hide and seek Using computer
Write Sharing Ghosts catch people Hide and seek Using computer
Do craftsmanship
Do craftsmanship
Do craftsmanship
Do craftsmanship
Sleep
Watch movie
Write
think chew look lie sit
lie bend sit
Walking
think say take look lie pinch sit
walk think say look jump
Watch TV
Reading
think take look write paint sit
think take look lie write paint sit
Identify rehabilitation
Massage
Play chess
think say hit look lie pinch sit
Eat
think say takechew look lie sit
think say take chew look lie dig sit
Using computer
Foot bath
think say wash look lie bend sit
think say take hit look lie bend sit
think say take look sit
Eat dessert Sharing
Climbing
walk think say look jump
/31/
think
Foot bath Eat dessert Movement Massage Reading Watch movie Watch TV Sleep Dancing Planting
Dynamic behavior
Play chess
Walking / Climbing
Jogging
Meditation sit
Play chess
Daily behavior
Activity behavior relationship
Thinking / Daze
Meditation
Quiet act
Walking / Climbing
pinch
Jogging
think say look sit
6
Ethnicity and Activity time
12
walk think say take look lie sit jump
18
24
Sleep 6
12
18
24
Meditation 6
12
18
24
Daze 6
Thinking
Sing
Chat
12
18
24
walk think say take look lie sit jump
6
A B C
Watch TV
A B C
Drawing
A B C
Eat
A B C
Eat dessert
Teach
6
6
6
12
12
12
12
18
18
18
18
think say take chew look lie pinchwash sit
24
24
24
24
A B C
Footbath
A B C
Massage
A B C
Graff iti
A B C
Bathe
walk think say take look write paint sit
6
12
18
24
6
12
18
24
6
12
18
24
6
12
18
24
A B C A B C A B C A B C
Activities and spatial use analysis
Site
10人
10人 80人
Drawing
Write
10人
Thinking
Sharing
Foot bath
Watch movie
10人
Reading
Bathe
M Massage
10人
Do craftsmanship shi Movement
10人
Using computer
20人
Identify rehabilitation
Daze Eat
Sing 30人
Teach
Eat dessert
Sleep
Planting
Jogging
20人
Lose the ball
Dancing
Climb
60人
10人
Graffiti
Watch TV
20人
Walk
Cook
Meditation
Ghosts catch people
Listen to the story
10人
Hide and seek
30人
We met after Time |
Common Level 80人
Sleep
40人
Eat
Watch movie
30人
Planting Listen to the story Using computer
20人
Foot bath
Watch TV Teach
Reading
Write
Do craftsmanship Walking
Eat dessert Sharing Dancing 10人
Bathe Graffiti Hide and seek Play chess Daze
Ghosts catch people
Massage
Identify rehabilitation Movement
Jogging
Thinking
Climbing
Drawing
2016 Full EA3 Inter-Generational Garten
5人
Cook Sing
Site location: Taipei City Beitou District Sanhe section 59 number Site size: 3200 square meters
Chat
Ethnicity and activity preferences Walk
Jump
Say
Take
Concept--Wait and Stay
Behavior Ability
lie sit say look walk think
Moving fast The number of people on the moving line is small There is a stop end outside the line
take look think
Think
Moving slowly The number of people gathered on the line There is a stay node on the line
Sit
sit say
Function node and activity speed
walk take bend
T g o he activities of the roup's c wn activities and isp free tp e hoose to artici at
lie
Bend
walk
Look
jump
T o he activities f the y communit 's own activities pp y and will ha en ever da
bend look say take think
y
Sleep
sit
Di , fferent groups but have the same activity, d but the degree o ifference in the ability of the c e ommon nod
lie
Level 1
o
Level 4 Identify Teach Do craftsmanship rehabilitation
Sleep Meditation Daze Thinking Reading Write
Planting
Level 5
Level 2 Watch Watch Drawing movie TV
Eat
Using Eat dessert computer
Sing
Cook
Lose the ball
Walking Movement
Level 6
Level 3 Play Listen to Foot Massage Graffiti Chat chess the story bath
Node and generation communication Hide Climbing Ghosts and catch seek people
Jogging Dancing
f
/32/
2016 Full EA3 Inter-Generational Garten We met after Time |
Relationship between ethnicity and activity
From the daily activities of the elderly and behavioral analysis began to re-address the activities of the day demand, to find the intersection of different generations and time, and organize a new structure and spatial organization model.
Rest activities
Dynamic activity
Children activity
Long time activity
Spatial cluster relationship
Surround path
Rest space
Cluster communication
Chatting
Space shortcuts
Path atmosphere
/33/
Static activity
We met after Time |
2016 Full EA3 Inter-Generational Garten /34/
Plan Exploded
/35/
A-A’Sectional Perspective
We met after Time |
2016 Full EA3 Inter-Generational Garten
We met after Time |
2016 Full EA3 Inter-Generational Garten /36/
B-B’Sectional Perspective
/37/
We met after Time |
2016 Full EA3 Inter-Generational Garten
We met after Time |
2016 Full EA3 Inter-Generational Garten /38/
// The Past //
The Past
// 摘要 // 過去的經驗時時刻刻的影響著我們,我們總會記得那片草原、那座山林、第一次看到海的悸動 那一件又一件烙印在腦海中的事務使人回念 我們無法拋去過往就如同我們無法丟去記憶一般 這個時代,面對國際化、城市化下的建築單一性 人們講求自由的流動、變化、國際樣式與現代美學 建構城市的一切都是主流思潮下的時尚與現代主義下的規章 建築逐漸丟去皮殼下的詩意 這並非對於過去的紀念性 而是對於不斷譜寫當下的集體記憶 當我們相遇 | 當我們弔念 | 當我們面對 你會記起在這座城市裡發生的一切
//Abstract//
/39/
The experience always impact on us, sometimes we remember the prairie, the forest and the sensation felt when we saw the sea in the first time. Every that branded in mind makes people miss, we can't ignore the past as we can't throw away memories. In this era, facing the unity of architecture under internationalization and urbanization. People stress free flow, change, international style and modern aesthetics. Regulations under fashion and modernism construct everything in the city, the buildings gradually lost the poetry under the cortex. This is not a memorial of the past, but for constantly composing the collective memory of the present. When we meet | we mourn | we face You will remember the things that happened in this city.
/40/
/41/
// House that call Home //
TKU 2O17 Spring EA3 The Rover
Architecture Design Project: Cohousing Site:Shilin,Shidong Road,Taipei
// 摘要 //
在這片社區裡,居民更多的是為了生活而掙扎,逐漸被都市遺忘的老舊磚屋也不再翻新,老人們不 期待著什麼,而就只是坐等時間的侵蝕。 當異鄉人的到來,他們在日常間偶然的相遇,逐漸的熟識這塊曾繁華過的老台北城區;當生存的掙 扎感逐漸消失,於生活中相互了解、熟識、扶持,冷漠與陌生將在時間的磨合下開始改變。 由心理層面建構新的共享方式,在時間偶然下所填補的陌生,從封閉到分享自我的社會性共享住宅。 //Abstract// Travelers between cities | A group of travelers who are looking for memories of their hometowns, who are shackled between cities, face the changes of this generation with a closed and unfamiliar, constantly looking for memories and self in the world, looking for a place to shelter. In this community, residents are more struggling to live, and the old brick houses that are gradually forgotten by the city are no longer being refurbished. The old people are not expecting anything, but just waiting for the erosion of time. When the strangers arrived, they met occasionally in the daily life, and gradually became familiar with the old Taipei city that had been prosperous. When the sense of struggle for survival gradually disappeared, mutual understanding, familiarity, and support in life, indifference, and strangeness will the change of time begins to change. The psychological sharing of new ways of sharing, the strangeness of filling in time, from the closed to the sharing of the self-social shared housing.
2017 Spring EA3 The Rover
城市間的旅人 | 一群追尋著家鄉記憶的旅者,他們在各個城市間徘徊,帶著封閉與陌生的開始面對這個世代的變遷, 不斷的在土地上尋找記憶與自我,尋找一處容身之地。
House that call Home |
Advisor: 黃瑞茂
/42/
The Rovers...
House that call Home |
2017 Spring EA3 The Rover
Looking for a way to escape the city, asking themselves where is hometown? People who wander between cities are confusing about their uncertainty hometown. It is because the completely similar and duplicate under international urbanization. What they are looking for is the memory that should be their hometown,They wandering around city and cities and looked for memories that local residents might bring, they tried to integrate, however, they choose to leave after they are familiar with others. They do not expect to settle forever in a place. Just to understand the meaning of self. They doubt themselves and look forward to being understood; they deny it all, but convinced to find. They are urban rovers, a group full of contradictions and uniqueness.
Everyday life happens on opening space, Becoming a familiar field It is the least expected pore in the city.
UNIT
UNIT
UNIT
UNIT
Red Room & Community
Cooking Shop │ Art Workshop │ Local Story Hall
Lanes and open spaces are places where people’s life memories occur, but it is also is the path of that rover looking for self.
Public event Self-seeking, urban memory, identity Single
Urban experience, cultural exchange, sharing
Cohabitee
Settlement search, city identity, freedom Urban experience, cultural exchange, sharing, caring
Traveler
/43/ Foreigner
Being needed, identity, caring Sharing, communication, cultural heritage, urban memory
Elder
locals One-parent family
Father and child
Identity, life, leisure Mutual help, communication, play
Mother and child
Security, identity, being needed, life Cooking, communicating, playing
Open publicity Sharing│ cooperation Private publicity
Travel
About stray House-> Path-> Destination-> Alley-> Destination-> Path-> Entry-> Think-> Acceptance-> Cultivate-> Home
Work
Create
Crop
Sport
Playing
Playing chess
Listen story
Communion
Chatting
Symposium
Private event Eat
Private publicity
Watch TV
Cooking
Reading
Live│ cooperation
Privateness
Use computer
Meditation
Daze
Thinking
Bathing
Sleeping
Writing
House that call Home |
Meet or miss | Home outside the house
Playing Listen story One-parent + Elder family
One-parent family
Watch TV
One-parent + Traveler family
Playing chess
Communion
Traveler
Symposium Travel Create
Elder + Traveler
Cooperative mode
Sport Eat Reading Crop Cooking Chatting
++
++
/44/
Red Room activity Bookstore Farmland Coffee shop Kindergarten Cleaning team
Work
All Elder
2017 Spring EA3 The Rover
Reduce the activity in the leaving unit, let people meet in the open space of building and community. Analyze the activities of different groups, find out their commonalities,using the Red Room, a special foreign art organization, make the community's activities more special and younger. At the same time, in order to take care of the disadvantaged groups in the community, the cooperative model allows the livelihood and sustainable management of the community can coexist.
+
-No pay or dividends -Interest or idea -Sustainable management or practice -Sense of participation
Cooking
Study group
Workshop
Travel sharing
Local story exchange
Working community Rotation department No supervisor, boss Employees are shareholders
Symposium
House that call Home |
2017 Spring EA3 The Rover
SCALE:1/100 SCALE:1/100
/45/
Site Plan 一樓平面圖
一
三樓平面圖 Third floor plan
5F 五樓平面圖 plan
二樓平面圖
四樓平面圖
六樓平面圖
2017 Spring EA3 The Rover
4F 四樓平面圖 plan
House that call Home |
二樓平面圖 Second floor plan
/46/ 6F plan
四樓平面圖 三樓平面圖
六樓平面圖
四樓平面圖
六樓平面圖
五樓平面圖
7F七樓平面圖 plan
/47/
Longitudinal Sectional Perspective
House that call Home |
2017 Spring EA3 The Rover
Old tree square
Open interface
2017 Spring EA3 The Rover
Entrance to home
House that call Home |
Artist studio
/48/
Cross Sectional Perspective
Meet | Face
Escape shelter
/49/
// We mourn the city //
TKU 2O17 Spring EA3 Virtual field Advisor: 朱慶煌
// 摘要 //
Google 是一間極具創新、新穎、勇於挑戰的新世代團隊 , 他們提供了虛擬、夢想、未來性與 保存著過去的記憶。 當科技使記憶的互動不再只是單一的閱讀,而由場域開始延伸,在實體所為塑出來的空間裡與 當下互動。從城市的在地歷史開始,找尋國際公司自己的在地性,那並非只是冰冷的科技,而是具 有共鳴與記憶的城市廣場。 基地的位置是過去台北發展的核心,帶有許多過去歷史上的記憶,日治時期的華山車站、華山 酒廠、民國初年混亂的變動以及如今的華山市場。而這些過去的記憶總帶有自己的氛圍與狀態,他 們為這個城市留下最無法抹滅的痕跡 ......
//Abstract// Google is a new generation of innovative and challenging. They provide virtual, dream, future and memories of the past. When technology makes the interaction of memory no longer just one-way reception, extending from the field, interact with the moment.From the history of the city to find the international company's own locality, it is not just cold technology, but a city square with resonance and memory. The location of the base is the development center of Taipei in the past, with many memories of history, the Huashan station during the Japanese occupation, the Huashan winery, the chaotic changes in the early years of the Republic of China and the Huashan market today. These memories always have their own atmosphere and state, and they leave the most indelible mark for the city...
2017 Spring EA3 Virtual field
- 記憶,在不斷重疊中拼湊 - 滲透,在虛實間徘迴 -
We mourn the city |
Architecture Design Project: Google office building Site:Zhongzheng,Zhongxiao East Road,Taipei
/50/
Huashan Winery
We mourn the city |
2017 Spring EA3 Virtual field
International Art Village
The chaos of urban development in the early years of the Republic of China made the city's texture spatial with the chaotic order, and this spatial trait left the impression in the people of Taipei. Transform the space pattern of the building into a city memorial plaza and become a miniature city. From the activity analysis of Google, we can find the behaviors that can be carried out by the office workers, the residents and the outsiders, and find a path to recreate the collective memory.
Huashan Old Station
Shandao Temple
Site
What's Google? interactive Life
People
choose
Space
plublic
Activity
Leisure
Work liberty
Choice
personal
regular
About work Local and outsider
Eat Cook Chat
交ćľ
/51/
Travel Share
Write
Creat
Yoga
Game
Fitness
Pet
Study
Billiard ball
Mahjong Think
Read
Plant
TV Ping pong
Study
Chess Meditation
Peaceful
Picnic
Work
About activity
B1F Plan - City Memory Square
-Under the dome A library of recording reality, the sun illuminated and scattered into the quietest moment of the building.
-Original memorial The hall of the conversion floor, it's the calmness of the city before entering the personal space, surrounded by pure walls.
-Sinking landscape It is a contemplative space that underground, consisting of a quiet urban landscape, where temporarily escapes from noise.
Interactive workshop
Rental unit
5F Plan - Google Office
6F Plan - Conversion floor|Rental Unit Hall
Google creation Sharing food space
Google Office
/52/
City memory square
Landscape Section
2017 Spring EA3 Virtual field
TED Forum
We mourn the city |
-City Memorial Square Each volume carries a virtual memory, simulated by the digital image. Outside the volume is the city memory that is happening right now.
/53/
// We face //
TKU 2O17 Full EA4 Bee Shelter Advisor: 張懷文 Designer: Chih-Hao,Chang + Shao-Lun,Chien
隨著全球的氣候變遷,使的極端氣候環境更加惡劣,工業化的農藥與侵害,開始加速生態鏈的 失衡 ...... 我們選擇位於寒帶氣候的加拿大魁北克市,此處在 2014 年已經有超過 50% 的野生蜂群消失, 面對極端氣候所造成的蜜蜂消失、死亡問題,我們提出了一個構想,希望利用城市熱島及無農藥的 環境特性來復育當地消失的蜜蜂,並以季節性出租蜂箱的方式來協助當地經濟作物授粉,也透過工 作坊以及蜂農工作展示來成為環境教育的場域。 在城市中瑣碎的地塊中,我們主要針對四種基地進行庇護所的設立,主要是 : 廣場、公園、屋 頂、停車場,因應不同基地所帶有的活動及環境特性,我們以單元模矩的方式由維持蜜蜂冬季保暖 的溫室結合不同的教育、工作、休憩單元,讓蜜蜂復育能在不同的環境中與都市活動共存。
2017 Full EA4 Bee Shelter
// 摘要 //
We face |
Micro Architecture Studio Project: Micro Architecture Site: Québec City,Canada
//Abstract// With the global climate change, making the extreme climate environment worse, industrialized pesticides and violations, began to accelerate the imbalance of the ecological chain ... We chose Québec City, a frigid climate, where more than 50% of wild bees have disappeared in 2014. In the face of the extinction and death of bees caused by extreme weather, we put forward a concept that we hope will make use of urban heat islands and Environmental characteristics of pesticides to rehabilitate the disappearance of the local honey bee, and seasonal beekeeping hired to help local economic crop pollination, but also through workshops and beekeepers work to become a field of environmental education. In the trivial plots of the city, we mainly set up shelters for four types of bases: plazas, parks, rooftops and parking lots. Based on the activities and environmental characteristics of different bases, Way by maintaining the bees in winter warmth of the greenhouse with different education, work, recreation units, so that bee re-breeding can co-exist with the urban activities in different environments.
/54/
2017 Full EA4 Bee Shelter
Blueberry, cranberry, apple and other crops are densely distributed in the suburbs of the city. Many blueberry farms have a high demand for pollination of bees, and due to a large number of bees disappearing in Quebec, the pollination of blueberries is urgent. Therefore, we hope that by the placement of urban beekeeping, the bees will be revived and the pesticides will be avoided, and the bees can be transported to the farms on the edge of the city for pollination.
SITE: MONTREAL CITY
Blueberry, cranberry, apple and other farms
Quebec , Montreal , Vaudreuil-Dorion
Wintering period
Frequency: 1st January to 31st December Weekday Times: 00:00-24:00 Hrs Weekend Times: 00:00-24:00 Hrs Barometric Pressure: 101.36 kPa ? W e a th e r T o o l
We face |
Fruit
Rent
Pollination
Fruit
URBAN
Apple
Cranberry
FARM
Blueberry
Apple
Urban beekeeping
Cranberry
Wintering period 5
Comfort
250KG
Stereographic Diagram Psychrometric Chart
Location: Montreal, Quebec - Canada Location: Montreal, Quebec - Canada
March
April
May
June
July
5
10
15
20
25
30
35
40
Location: Montreal, Quebec - Canada Location: Montreal, Quebec - Canada
15?
330? 10?
30?
315?
40?
40? 25 50?
1st May
60?
285?
75?
60?
285?
285?
1st Sep
70?
/55/
30? 300?
300? 1st Jun
1st Aug
50?
70? 20
20 80?
1st Apr
80?
1st Apr
270?
90?
75? 0.16
75.0? 75?
285?
0.16
1st Sep
0.08
174
45?
149 124
30 km/ h
99
60?
60?
74 49
20 km/ h
<24
0.24
285?
?W e
199
0.40
300?
D a te
T im e
224
75.0? 75?
75?
10 km/ h
0.08 90?
90?
270?
90?
W EST
EAST
1st Oct
105?
255?
255?
16 14
Comfort
13
10
11
12
5
10
15
210?
20
25
Prevailing Winds Prevailing Winds W in d F re q u e n c y (H rs )
W ind Fre q ue nc y (H L ors c a)t io n :
T im e : 0 0 : 0 0 - 2 4 : 0 0 Date: 1st January - 31st December Time: 00:00 - 24:00 ? W e a th e r T o o l
40 km/ h 30 km/ h 20 km/ h
174
10 km/ h
150? 40
35
50 km/ h
330?
40 km/ h 30 km/ h 20 km/ h
40 km/ h
L o c a tio n : M o n tre a l, Q u e b e c - Ca n a d a (4 5 .5 ? -7 3 .7 ?
40 km/ h
T im e : 0 0 : 0 0 - 22 14 : 0 0
13 10
30 km/ h
? W e a th e r T o o11 l46
20 km/ h
174
10 km/ h
<2
149 124
24+ 19
12 9 7 4 <2
h rse r D a te : 1 st Ja n u a ry - 3 1 st D e c e mb 28+ 25 T ime : 0400:0k0m -/ 2h 4 :0 0 22 19 16 ? W e a th 3 0e rkTmo/ ohl 20 km/ h 10 km/ h
14 11 8 5 <2
12
10
11
135?
210?
120?
240?
150?
150? 195? 180?
165? 180?
Compromise: 165.0? 165?
135?
120?
240?
225?
Annual Average Underheated Period Overheated Period
135?
225?
120?
210?
Avg. Daily Radiation at -180.0? Entire Year: 0.54 kWh/ m? Underheated: 0.43 kWh/ m? Overheated: 0.55 kWh/ m?
150?
210?
195?
195?
180?
Compromise: 165.0? 165? 165?
150?
135?
Annual Average Underheated Period Overheated Period
SOU T H
The site is in a high latitude area where the winter is extremely dry and cold, the sunshine hours are insufficient, and the wind direction of the canyon is southwest and northeast. 5 0 k m/ h
Wind Frequency (Hrs)
D a te : 1 s t J a n h u rs a ry - 3 1 s t D e c e m5 b0 ekr m / h
23 20
7 199 5
10 km/ h
13
L o c a t io n : M o n t re a l, Q u e b e c - C a n a d a (4 5 . 5 ? -7 3 . 7 ? 50 km/ h
18 224 15
h rs 249+ 26+
14
195?
W in d F re q u e n c y (H rs )
20 km/ h
40 km/ h
105?
9
225?
210?
Avg. Daily Radiation at -180.0? Entire Year: 0.54 kWh/ m? Time: 12:00 Date: 21st June Underheated: 0.43 kWh/ m? Overheated: 0.55 kWh/ m? Dotted lines: July-December.
30 km/ h
50 km/ h
30?
45?
30 km/ h
50
hrs
15? h rs 24+ 21 19 16 14 12 9 7 4 <2
10 km/ h
315?
149
45
Prevailing Winds Prevailing W inds
50 km/ h
345? h rs 28+ 25 22 19 16 14 11 8 5 <2
225?
165?
180?
N OR T H
M o n t re a l, Q u e b e c - C a n a d a (4 5 . 5 ? -7 3 . 7 ?
D a-t eCanada : 1 s t J a n(45.5? u a ry - -73.7? 3 1 s t D e c e m5 b0 ekr m / h Location: Montreal, Quebec
199
30 195?
105?
255?
8 15
5 135?
Time: 12:00 Date: 21st June Dotted lines: July-December.
1st 120? Dec
240? 16
9
225?
DBT(蚓 )
240? 1st Jan
8 15
255?
1st Feb
1st 120? Dec
240? 1st Jan
105?
105? 1st Nov
10
1st Feb
5
? W e a th e r T o o l
300?
0.32
0.24
1st Nov 10
124
60?
1st Aug
Loc
249+
Worst
0.56 0.48
1st Jul 60?
0.32
30?
W in
hrs
Best 30?
45?
315?
0.48 0.40
15?
1st Mar
255?
50
Pre
15?
40 km/ h
15 1st Mar
hrs
315?
50 km/ h
0.72 0.64
45?
1st Oct 15
50
330?
0.56
270?
270?
N OR T H
3 4 5 ? m? kWh/
330?
? W e a th e r T o o l
45?
N
345?
W ind Fre q ue ncincident y (H rs ) Orientation based on average daily Montreal, Quebec - Canada (45.5? -73.7? radiation on a Location: vertical surface. January - 31st December Underheated Date: Stress:1st 2693.0 Time: 00:00 Overheated Stress: 0.0 - 24:00 ? W e a th e r T o o l Compromise: 165.0?
Worst
0.64
315? 20?
1st Jul 60?
300? 1st Jun
1st May
Location: Montreal, Quebec - Canada
Best 30?
30?
0.72
30
25
OptimumPrevailing Orientation Winds
15?
15? kWh/ m?
10?
45? 20?
N
N
330?
330?
? W e a th e r T o o l
315? 30
345?
345?
Orientation Sun Position: -177.5? 67.9?based on average daily incident radiation on a vertical surface. HSA: -177.5? VSA: 112.1? ? W e a th e r T o o l Underheated Stress: 2693.0 Overheated Stress: 0.0 Compromise: 165.0?
AH
30?
? W e a th e r T o o l
45
August September October November December
Bee timing
Optimum Orientation Stereographic Diagram
N
345?
Sun Position: -177.5? 67.9? Frequency: 1st January to 31st December WeekdayAH Times: 00:00-24:00 HrsHSA: -177.5? VSA: 112.1? Weekend Times: 00:00-24:00 Hrs? W e a th e r T o o l Barometric Pressure: 101.36 kPa
224
15
10
Wintering period
Bee rental
249+
25
20
Blueberry
DBT(蚓 )
45
AH
30
Urban beekeeping
January February
40
GREEN HOUSE
Wintering period
Psychrometric Chart
Location: Montreal, Quebec - Canada
4 0 k m/ h
50 km/ h 40 km/ h
3 0 k m/ h
30 km/ h 20 km/ h
2 0 k m/ h
1 0 k m/ h
10 km/ h
h rs 24+ 21 19 16 14 12 9 7 4 <2
h rs 249+ 224 199 174 149 124 99 74 49 <2 4
Prevailing W inds
5 0 k m/ h
50 km/ h 40 km/ h 30 km/ h 20 km/ h 10 km/ h
h rs 26+ 23 20 18 15 13 10 7 5 <2
4 0 k m/ h
50 km/ h 40 km/ h
3 0 k m/ h
30 km/ h 20 km/ h
2 0 k m/ h
1 0 k m/ h
10 km/ h
h rs 24+ 21 19 16 14 12 9 7 4 <2
蚓 4 5 + Wind Frequency (Hrs) 4 0 L o c a tio n : M o n tre a l, Q u e b e c - Ca n a d a (4 5 .5 ? -7 3 .7 ? 35 D a te : 1 st Ja n u a ry - 3 1 st D e c e mb e r 30 2 5 T ime : 0 0 :0 0 - 2 4 :0 0 2 0 ? W e a th e r T o o l 15 10 5 <0
5 0 k m/ h
4 0 k m/ h
3 0 k m/ h 2 0 k m/ h
1 0 k m/ h
h rs 249+ 224 199 174 149 124 99 74 49 <2 4
5 0 k m/ h
4 0 k m/ h
3 0 k m/ h 2 0 k m/ h
1 0 k m/ h
蚓 45+ 40 35 30 25 20 15 10 5 <0
夏天
蜜蜂工作坊 蜜蜂相關展示
蜜蜂照顧
蜂農工作內容 訓練 Train
開箱
煙燻
夏天
Rent
知識宣導
蜜蜂照顧 開箱
煙燻
蜜蜂照顧 植物照顧
訓練 Train 蜜蜂接觸體驗 蜂農工作內容
蜂器展示
開箱 植栽
煙燻
蜂農工作內容
蜜蜂照顧 植物照顧
蜜蜂出租
夏天 Rent
開箱 植栽
煙燻
著裝
植物照顧
蜜蜂照顧 澆灌
蜂農工作內容 Conservation Association
甩蜜
抖落
教學 Renter
果樹修剪
開箱 植栽
煙燻
澆灌
Feedback
加工 過濾後即完成
蠟燭
Resident 過濾後即完成 回饋居民
甩蜜
Feedback
蠟燭
觀察
刮蠟
夏天
回饋居民 過濾後即完成
甩蜜
刮蠟
修剪 Sources of funds
澆灌
加工
抖落
刮蠟
影片觀賞
Square
Wanderer刮蠟
抖落
夏天
Government
抖落
Sources of funds
蜂農工作內容
夏天
出租 抖落
Park
品嘗 加工 過濾後即完成
甩蜜
DIY 蠟燭
授粉
修剪
Sources of funds
Resident
果實
刮蠟
過濾後即完成 回饋居民
甩蜜
Feedback
蜜蜂出租
植物照顧 蜜蜂照顧
澆灌 植物照顧
蠟燭
授粉
果實
Vulnerable
抖落 果樹修剪
刮蠟
出租
Roof
加工 過濾後即完成 授粉
甩蜜
蠟燭
Resident
果實
Train
訓練
植栽
澆灌
We face |
煙燻
植栽 開箱
加工
蜜蜂出租 Rent 出租
果樹
Operation Mechanism
修剪
蜜蜂出租
修正 / Revisions
圖例:
位置:
日期 / Date
1. 結構體,200*200*8*12 H型鋼 2. 結構體,3/2 B 磚造牆體 3. 15mm玻璃 4. 100*100*6*8 H型鋼 5. 25mm PC中空版 6. 250*75*25 t=4 C型鋼
A
B
C
7. 結構體,100*100*6*8 H型鋼
D C
內容 / Description
8. 100*50*20 t=2 C型鋼 公園組合樣式
植物照顧
果樹
加工
蜜蜂出租出租
蠟燭
授粉
E
F
G
H
I
果實
2017 Full EA4 Bee Shelter
1
2 備註:
植栽
澆灌
1. 圖面標註尺寸、施工規範及大樣詳圖等僅供參考, 廠商進場前需依設計原意,繪製製造圖及擬定必要 之施工計畫書圖,送交業主及設計者審查,實際施 作尺寸均以現場放樣檢討為準。
3
果樹修剪
出租
Planting Planting unit unit Planting unit
授粉
果實
4
2. 各項材料進場前,均需送交業主及設計者審查,以 確定材料性能、表面材質及顏色均符合規範要求。 3. 圖面標註尺寸、材料及文字敘述等版本不同之差異 處,均以最新之出圖日期為準。
4
4. 電腦圖檔除由合約訂定外,均不得以任何方式外 流。
5. 圖面所示均為本事務所擁有之智慧財產,切勿以任 何方式複製修改。
7
7
A4 02
蜜蜂出租
Planting unit Planting unit
A4 02
8
8
10
10
蜂起 | 極端氣候計畫
比例 / Scale
單位 / Unit
cm
A3=1:100 設計 / Designer
11
簡紹倫 張志豪
繪圖 / Drawn By
簡紹倫 張志豪
核准 / Approval
Roof
Roof Roof
13
果樹
出租
授粉
果實
14
14
15
工程名稱 / Project Name
魁北克市
A
B
蜜蜂復育計畫
C
圖名 / Drawing Title
Roof
Roof
E
G
全區
I
平面配置圖(公園)
日期 / Date
平面配置圖(公園) 圖例:
A2 02
位置:
1. SCALE:1/100 結構體,200*200*8*12 H型鋼
3. 15mm玻璃 4. 100*100*6*8 H型鋼 5. 25mm PC中空版
Teachingunit unit Teaching unit Teaching Square Square
6. 250*75*25 t=4 C型鋼 7. 結構體,100*100*6*8 H型鋼
A
B
C
8. 100*50*20 t=2 C型鋼
D C E
廣場組合樣式
F
G
H
I
J
K
1
Teaching unit Teaching unit
2
1. 圖面標註尺寸、施工規範及大樣詳圖等僅供參考, 廠商進場前需依設計原意,繪製製造圖及擬定必要 之施工計畫書圖,送交業主及設計者審查,實際施 作尺寸均以現場放樣檢討為準。 2. 各項材料進場前,均需送交業主及設計者審查,以 確定材料性能、表面材質及顏色均符合規範要求。 3. 圖面標註尺寸、材料及文字敘述等版本不同之差異 處,均以最新之出圖日期為準。
5
4. 電腦圖檔除由合約訂定外,均不得以任何方式外 流。 5. 圖面所示均為本事務所擁有之智慧財產,切勿以任 何方式複製修改。
6
Square
09 48
內容 / Description
備註:
3 4
Square
張號 / Sheet No.
02 A2
修正 / Revisions 日期 / Date
2. 結構體,3/2 B 磚造牆體
Square
2018 / 01 / 11
圖號 / Drawing No.
7
7
A4 01
A4 01
8
8
10
10
9
蜂起 | 極端氣候計畫
比例 / Scale
Repose unit Repose unit
Park
Park
cm 簡紹倫 張志豪
繪圖 / Drawn By
12
簡紹倫 張志豪
核准 / Approval
13
Repose Reposeunit unit Repose unit
14
14
15 工程名稱 / Project Name
魁北克市
16 A
Park
單位 / Unit
A3=1:100 設計 / Designer
11
B
蜜蜂復育計畫
C
Park
圖名 / Drawing Title
全區
E
G
平面配置圖(廣場)
I
日期 / Date
2018 / 01 / 11
圖號 / Drawing No. 修正 / Revisions
位置:
Park
圖例:
A2 01
1. 結構體,200*200*8*12 H型鋼 平面配置圖(廣場)
日期 / Date
2. 結構體,3/2 B 磚造牆體 SCALE:1/100
張號 / Sheet No.
內容 / Description
01 A2
08 48
3. 15mm玻璃 4. 100*100*6*8 H型鋼 5. 25mm PC中空版 6. 250*75*25 t=4 C型鋼
04 A4
7. 結構體,100*100*6*8 H型鋼
A
B
C
D C E
8. 100*50*20 t=2 C型鋼 頂樓組合樣式
F
G
H
/56/
I
1
Parking Parking
Parking
Greenhouse Greenhouse unit unit
Parking Parking
Greenhouse Greenhouse unitGreenhouse unit unit
2
備註: 1. 圖面標註尺寸、施工規範及大樣詳圖等僅供參考, 廠商進場前需依設計原意,繪製製造圖及擬定必要 之施工計畫書圖,送交業主及設計者審查,實際施 作尺寸均以現場放樣檢討為準。
3 4
2. 各項材料進場前,均需送交業主及設計者審查,以 確定材料性能、表面材質及顏色均符合規範要求。 3. 圖面標註尺寸、材料及文字敘述等版本不同之差異 處,均以最新之出圖日期為準。
4
4. 電腦圖檔除由合約訂定外,均不得以任何方式外 流。 5. 圖面所示均為本事務所擁有之智慧財產,切勿以任 何方式複製修改。
7
7
8
8
10
10
蜂起 | 極端氣候計畫
比例 / Scale
Site countermeasure
單位 / Unit
cm
A3=1:100 設計 / Designer
11
繪圖 / Drawn By
簡紹倫 張志豪 簡紹倫 張志豪
核准 / Approval
13 14
14
15 工程名稱 / Project Name
魁北克市
A
B
蜜蜂復育計畫
C
圖名 / Drawing Title
全區
E
G
A4 04
平面配置圖(頂樓)
I
日期 / Date
圖號 / Drawing No.
A2 04
平面配置圖(頂樓) SCALE:1/100
04 A2
2018 / 01 / 11 張號 / Sheet No.
11 48
/57/
We face |
2017 Full EA4 Bee Shelter
Fig.1-1 蜂箱結構與系統
Fig.1-2 玻璃帷幕細部
Fig.1-3 種植單元桁架大樣
Beehive structure and system Glass curtain detail Planting unit truss detail 1.
10mm 獨居蜂旅館
Living alone bee hotel
2.
20mm 可增式蜂片插槽
Bee formula sheet can be increased slot
3.
蜂箱出入口
Beehive entrance
4.
熱循環系統插口
Thermal Cycling System Socket
1.
100*150mm 結構方管(鋼鐵)
Square pipe structure (steel)
2.
不鏽鋼點駁接件
Stainless steel point splice
3.
12mm層壓安全玻璃 : 6mm+6mm鋼化安全玻璃
6mm + 6mm toughened safety glass
4.
26*250mm 不鏽鋼玻璃肋套件
Stainless steel glass rib kit
5.
8mm 預應力拉索
Prestressed cable
6.
預應力拉索扣環
Prestress pull prestressing cable buckle
7.
玻璃肋:16mm層壓安全玻璃 : 6mm+6mm鋼化安全玻璃
Glass rib
2017 Full EA4 Bee Shelter
2.
We face |
1.
3.
4.
/58/
Fig.1-4 展示空間,作為室內休憩可觀察蜜蜂工作生態 Display space, as the indoor rest can observe the bee work ecology Fig.1-5 溫室單元,蜂農工作展示以及蜜蜂冬季活動及採蜜空間 Greenhouse units, beekeepers work show and honey bees winter activities and mining space Fig.1-6
We face |
2017 Full EA4 Bee Shelter
種植單元。在不同季節提供不同種類的室內外蜜源植物
/59/
Planting unit. In different seasons to provide different types of indoor and outdoor honey plant Fig.1-7 單元組織平面圖 Unit organization plan
We face | 2017 Full EA4 Bee Shelter /60/
1. 設計說明與模擬動畫 Description of design and simulation animation 2. 施工圖集 Drawings of construction drawings
/61/
// The Living under Generic //
Advisor: 林家如 Typology Architecture Reaserch Project: Homes Site:Songshan,Baoqing Street,Taipei
// 摘要 //
似乎我們無法精確的道明一座城市的記憶與生活。台北就是一座看似沒有明確記憶的 “Generic city” ,在追求便利與效益的過程裡,我們塑造了一座相似的城市。但無法辨別的表皮 之下,卻是城市人對於慾望最強烈的彰顯。城市人的冷漠被掩蓋在大量的違建之下;對於生活最原 始的想像,是否依然存在?或者,建築只剩下成為居住容器的功用 ?“ “House is a machine for living”當建築師的意志構成了永恆的當下,期盼著生活按照 美好的腳本演繹,填充著所有設定好的場域。個人意志終究會屈服於容器的框限或者反抗這樣的上 帝意念 ? 但當家屋擁有擴張的可能時,那是對於生活以及家的追求 ? 或只是慾望的無限繁衍 ? House or Home 是自始不斷脫離的兩個家;現代主義的教條下我們忽視了生活的複雜性, 排除了多餘、追求著純粹,不斷的再裝潢、遷居成為了我們追尋歸屬的方式。 Buy a Home or Rent a House? 當我們擷取城市生活的慾望,看見慾望彰顯背後的本質, 以型態重組屬於台北的生活方式。當家屋擁有了身份性是否能回歸這座由眾多意志所構成的城市, 如同我們外在的軀殼般擁有個性,在軀殼與軀殼的互動中創造出屬於我們的生活模式以及彼此的歸 屬感 ? 或終究只能在容器的最低需求下作為均質便利的盒子 ? 透過觀察構成 45% 台北的五層樓步登公寓重新尋找慾望最原始的彰顯方式;再次的定義建築的元素、 使用、關係尋找再次台北的可能性。
2018-2019 EA5 Not completely Taipei
我們如何閱讀一座城市 ?
The Living under Generic |
TKU 2O18-2O19 EA5 Not completely Taipei
/62/
2018-2019 EA5 Not completely Taipei The Living under Generic | /63/
當我們在台北這座城市中遊蕩,我們似乎無法清楚辨識出你身處的位置、區域;這十二張圖是在台北 不同的角落拍攝,當我們擺放在一起的時候似乎他們顯得一樣,或許有人會說這些一樣來自於外在的 加建物吧 ? 那我們抽離顏色後 ... 似乎也顯得相似吧 ? 這些熟悉的元素構成了我們整座城市的記憶, 更多的細節在我們熟悉後逐漸被抹去辨識的必要,但當我們在國外看見一棟這很台灣的建築又來自於 什麼呢 ? 當這座城市如同一個完整的背景一般,似乎 Rem Koolhaas 曾經描寫過相似的城市,他稱作這樣的城市 為 -- Generic City,一個可以被不斷附加上去永遠不會顯得突兀的城市
Rewriten City
Aldo Rossi
構成城市記憶的元素 集體記憶
<Typology> Can be remembered City
Colin Rowe
作為空間的建築 作為符號的建築
Island city 複層下的日常紋理
REM KOOLHAAS 慾望的島嶼
<DELIRIOUS NEW YORK>
Unrecognize City
City impression 44.47%
定義與失意
1957
曼哈頓,一座由慾望所構成的島嶼,每座高塔都是一個世界, 電梯打開的每層樓也是另一種欲望的烏托邦。 台北,我們對於他的第一印象或與來自於那些地標建築,但 真實構成的卻是這些 44.47% 的四五層樓步登公寓,所以台北 是一座 ...?
1956
直通與迴轉
四五層樓的步登公寓其實都是國軍潛移來台後最佳的居住容 器,有一段文章這樣寫道 :
多重進入
陽台/客廳/餐廳
現代主義下的生活過往
腰上進
現代主義原型
陽台/客廳/餐廳
1950
Photo: 水城台北
東京,整座城市由町目所構成我們可以清楚的定義出不同街 道以及區域的特色,就像 Colin Rowe 所說的拼貼城市。
1962
現代主義原型
1967
“在聯合新村之前台北也有公寓,是二樓式與三樓式 稱”市民住宅”始建於五十年代末七十年代初,七樓式電梯大 廈開始風行;隨即十一樓的、十五樓的;慢慢這裡成了垂直 的都市。樓高了,本以為看得遠,卻不想看到的仍是對面同 高的樓想在陽台上閒站都不甚宜了,後陽台更是你家洗衣機 生與他家炒菜聲相互唱和。若以為樓高了不遭小偷,顯然不 是,以前牆上的碎玻璃瓶如今改成鐵架網子。” 而當這些現代主義建築為了更滿足我們對於居住的慾望需 求,逐漸轉變成社會所需要的隱私、層次、以及生活性;這 些對於居住的反思成為了我們日常所見的三房兩廳以及傳統 步登公寓中的居住元素。
2018-2019 EA5 Not completely Taipei
< ? >
北京,是由很多不同元素不斷翻新複寫的城市,就像 Aldo Rossi 所述的,由這些記憶的元素構成了我們對於當下的定 義。
The Living under Generic |
<collage city>
當我們看向城市似乎可以隱約的辨識出他的樣貌,就像是在” 看不見的城市”這本書中所描述從不同面向所見的威尼斯。
/64/
2018-2019 EA5 Not completely Taipei
城市慾望下的常民生活
The Living under Generic |
01
自主建築都市化
05
Island of desire
08
The gate to home
03
自由的家
Unrestrained home
獨家獨院
Fantasy home
停車請上樓
06
Trailway trail
紅色大門
09
Shouldn�t miss
後巷小徑
/65/
理應相遇
Free compound
暫時的記憶
Temporary memory
01
Staircase house
樓梯之家
02
Balcony house
03
Water Tower house
水塔之家
04
Occasional house
Invisible Taipei
Endless passage
陽台之家
偶遇之家
Slit back lane
Pocket space
2018-2019 EA5 Not completely Taipei
07
自由的複合
生活場域的轉譯與回歸
04
樓上的房客
Upstairs tenants
The Living under Generic |
02
/66/
10
新時代標語
Warning! Please note
The Living under Generic |
2018-2019 EA5 Not completely Taipei
生活場域的轉譯與回歸
/67/
為父之家
後巷之家
里長之家
為父之家
陽台之家
叛逆之家
神明廳之家 理髮廳之家
晒衣場之家
陽台之家
叛逆之家
神明廳之家 精神性
生活的慾望家屋
集體性
個別性
精神性
個 人 精 神 性核 心 性
生 活 延 續個 性人 核 心 性
2018-2019 EA5 Not completely Taipei
晒衣場之家
The Living under Generic |
理髮廳之家
個人核心性
里長之家
核心性
後巷之家
/68/
生活延續性
個人精神性
集體性
個別性
2018-2019 EA5 Not completely Taipei The Living under Generic | /69/
能表明身份的容器真的是家屋嗎 ? 當容器 成為具有身份的軀殼後,下一步是尋找打 破軀殼的方式。不同的身份性透過連結創 造出變換身份以及容納不同使用者的可 能,隨時間的變動下,使用者逐漸轉換家 庭的結構、核心、生活方式。家屋在模矩 的組合下 , 創造出可以容納不同階層的公 共以及私密性,”< 家 > 範圍的定義不只 是房子本身,更包含了抵達的路徑以及前 院、後院”由家屋身份性所定義的半公共 創造了打破容器框架的可能
老 60
中 40‑59
派用
員工年齡分布
青 29‑39 老 60
中 40‑59
青 29‑39
過往的秩序性
現況居住結構
2018-2019 EA5 Not completely Taipei
相似的廣普性
The Living under Generic |
台電人員結構
/70/
基地狀況 基地是台電舊有的員工宿舍用地,產權為台電企業以及部份 的舊有員工;作為基地的自辦都更,台電預設此地繼續作為員工宿舍 使用,未來將繼續以只租不賣的方式繼續經營,而台電的人員結構逐 年具有年輕化的趨勢,故大多於租屋期間內皆具有可能的人口改變
/71/
The Living under Generic |
2018-2019 EA5 Not completely Taipei
一 樓 平 面 圖 二 樓 平 面 圖
三 樓 平 面 圖 四 樓 平 面 圖
The Living under Generic |
2018-2019 EA5 Not completely Taipei /72/
2018-2019 EA5 Not completely Taipei The Living under Generic | /73/
這是一個對於生活想像的當下劇本 , 身份性填充後創造了家屋與家屋間的聯繫 , 公共與私 密的混和成為了相互定義的可能。家屋間的空隙是被身份所定義的公共,家屋間的分隔是 感知彼此的介面。由身份所延展而成的社區創造了我們對家的歸屬感,當家的界限不再永 恆不變,眾多的個人意志構成了我們這座城市
The Living under Generic |
2018-2019 EA5 Not completely Taipei /74/
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