JungleDrums issue 80 - May 2010

Page 1

OC[

LWPINGFTWOUQPNKPG EQO

check

out

our

8A6HH:H

\j^YZ

inside

heZX^Va

:7D9; ^hhjZ

GDN6A 76AA:IÉH

I=>6<D HD6G:H A:6EH >CID 68I>DC 6H DJG <J:HI :9>IDG

VOLCANOES, KNOTS & CRUELTY: DEBORAH COLKER’S WORLD

LEO CAVALCANTI: WHY YOU CANNOT MISS HIS LONDON DEBUT

WIN TICKETS TO A SUMMER FESTIVAL ON A BEACH IN CROATIA

A5¢ A<= "

:.F

+H [QW XG QPN[ IQV Âż XG UJQVU VJKU OQPVJ VJKU KU KV TGCF[ CKO Âż TG

hig^`Z

OUT THE END OF THE WEEK AT THE Bloomsbury Bowling Lanes at Jungle’s party on June 4th, ‘Baby Bitch’, with Marina Gasolina, Leo Cavalcanti (UK debut), JoĂŁo Brasil & DJ Glittah UGG OQTG QP RCIG

\gZZi THE WONDERFUL MARIA RITA

Yd i]Z YVcXZ

as she returns to London for her second ever UK gig on May 18th, with DJ D. Vyzor setting the mood on the decks at Camden’s Koko! ¿ PF QWV JQY VQ IGV VKEMGVU CV LWPINGFTWOUQPNKPG EQO

YOU’VE ALWAYS DREAMT OF LEARNING

as our special Dance Issue, guest edited by noneother than Brasilian ballet dancer Thiago Soares, delves deep into the worlds of salsa, samba, lambada, zouk and forrĂł! YCNV\ QXGT VQ RCIG QP VJG FQWDNG

hVajiZ

THE AWESOME PRESENCE OF MAJOR LAZER at Village Undergound on May 26th, as DJ/producers Diplo and Switch lay down their contagious rehashing of Jamaican dancehall, disco, hip-hop and heavy African influences. YKP VKEMGVU VQ VJG IKI CV LWPINGFTWOUQPNKPG EQO

X]ZX` OUR EXCLUSIVE INTERVIEW WITH

‘Rio’s Daft Punk’, Brasilian duo The Twelves - see what their massive 2007 remix of M.I.A.’s ‘Boyz’ brought them, and win tickets to their Cargo gig on May 22nd! JKV LWPINGFTWOUQPNKPG EQO

E>8IJG:H 7N B6G8DH =:GB:H $$ ;:A>E: ;DCI:8>AA6 ” 9#6#C#8#:# >AAJHIG6I>DC 7N HD B: E>8IJG:H 7N B6G8DH =:GB:H $$ ;:A>E: ;DCI:8>AA6

EQPVGPVU

7B;4Y¢ A¢¡: 96C8: L>I= JH

COVER FEATURE

EJ7A>H=:G ?ja^Vcd OVee^V

:9>IDGH 6cV 7gVh^a ZY^idg5_jc\aZYgjbh#dg\ B^ad HiZZaZ[dm he^XZh5_jc\aZYgjbh#dg\

RCIG

6GI 9>G:8IDG CZc^ 6abZ^YV YZh^\c5_jc\aZYgjbh#dg\

Jungle’s special issue brings you a full hands-on guide for finding the best dance spots in the city

8DAA67DG6IDGH A k^V I]^bdi]Zd 6cV 8Vgda^cV CjcZh 8Vgda BdgVcY^c^ ;ZgcVcYd 9jVgiZ 8Va ?VYZg Gjhh ?dcZh :g^`V IVbW`Z 6^gidc Gda^b ;^YZa BVYZ^gV ;VW^VcV GZ^h 8Vb^aaV 8dhiV ;VW^VcV E^d Daan =jciZg Dg^VcV HVcidh ?ja^V 7daa^\Zg 6WW^Z 8VgiZg A^o H]VgbV 9:H><C:GH 8aVg^hhV HVc EZYgd I]Zaa^jh OVbegd\cd B6G@:I>C< I:6B ;Za^eZ Da^k^Zgd [Za^eZ5_jc\aZYgjbh#dg\ EVjad EjXX^ 8DBB:G8>6A I:6B 6a^cZ G^XZ Dg^VcV HVcidh 9>HIG>7JI>DC 7G?Zi VcY :bWaZb Y^hig^Wji^dc5_jc\aZYgjbh#dg\ ;DJC9:G <^VccV Idc^ 69K:GI>H>C< ^c[d5_jc\aZYgjbh#dg\ A>HI>C<H V\ZcYV5_jc\aZYgjbh#dg\ HJ7H8G>EI>DCH hjWhXg^WZ5_jc\aZYgjbh#dg\

?JC<A:9GJBHÉ 8DCI68I

%'% ,')' *&)% ^c[d5_jc\aZYgjbh#dg\ f$e$Xen */-') bedZed mY'n .mm

INTERVIEW Jungle catches up with Deborah Colker, Brasil’s main contemporary choreographer, on tour in the UK

SPICES

4THINKING MINDS

DESTINATION

Jungle’s new party, art from the Americas and online, and reams of live shows to kickstart your summer

Afterclass dance with a twist: teenagers get ahead with fitness, fun and perhaps a potential career

Environmental awareness and preservation of turtles and humpback whales in Praia do Forte

AGENDA

JUNGLE GUIDE

INBOX

ARNALDO ANTUNES

The bible to what’s going on in town

For your every eating and drinking need

Your rants and raves

Letters, jumbled up

FK8B?I>;: 8O @KD=B; :HKCI BJ: &(& -(*( +'*& [#cW_b0 _d\e6`kd]b[Zhkci$eh] f$e$ 8en */-')" BedZed" M9'N .MM Cedj^bo fkXb_YWj_ed 9efoh_]^j @kd]b[:hkci BjZ (&'&

8DK:G E>8IJG: 7N 6C9G:? JHE:CH@N q 8DK:G ;:6IJG: E>8IJG: 7N 6C9Gw HIw;6CD

B6>D '%&% ,WPING&TWOU ,

GFKVQTKCN I]^V\d lViX]Zh dkZg i]Z XgZVi^kZ iZVb Vi ?9 h =F

iV`^c\ XZcigZ hiV\Z Being a Latin American living in London I seek to keep in tune with what happens in my community and kill off any homesickness by going to shows of Brasilian artists, Latin bars and parties, to remind me of my culture and where I’m from. There are various means of keeping in the know about Latin American events and news. I must confess that when I picked up JungleDrums for the first time, WOW! Everything you could want from a Latin publication in Europe, and the smartest thing is the style of the magazine - cool, but not pretentious; the biggest trump card, without a doubt, is its being in English and Portuguese. And now, a little about myself: from Rio, I’ve lived here for eight years [incidentally, the same amount of time Jungle’s been in print]; I’m the principal dancer of the Royal Ballet, the first Brasilian to enter the company. It’s great to share my achievements, but in truth I suffered like all dancers: in the beginning the integration in another country is really tough. As a dancer, I’d like to express my thanks for this edition, which talks about and promotes Brasilian dance around here. I think it’s important that people know we have names like Deborah Colker, who’ll be performing in June at the Barbican (see Interview, p38), founder of her own company and winner of important prizes. Like her, there are other groups, perhaps not with the same international success, but in the same way promoting Brasilian dance abroad. I’m here to express my thanks to Jungle for this space given to dance. And to all my compatriots who live in London and work in dance of all styles, I wish them the best of luck and every success!

HZcYd jb aVi^cd"VbZg^XVcd k^kZcYd Zb AdcYgZh! hZbegZ egdXjgd bZ bVciZg VciZcVYd Xdb d fjZ VXdciZXZ cV b^c]V Xdbjc^YVYZ Z bViVg V hVjYVYZ ^cYd V h]dlh YZ Vgi^hiVh WgVh^aZ^gdh fjZ k b V AdcYgZh! WVgZh Z [ZhiVh aVi^cVh! iVcid edg egVoZg eZhhdVa fjVcid eVgV aZbWgVg YZ b^c]V eg eg^V XjaijgV Z YZ dcYZ kZc]d# =d_Z Zm^hiZb k{g^dh bZ^dh YZ hZ ^c[dgbVg hdWgZ ZkZcidh aVi^cdh Z cdk^YVYZh# 8dc[Zhhd fjZ fjVcYd eZ\jZ^ V ?jc\aZ9gjbh eZaV eg^bZ^gV kZo! LDL IjYd d fjZ hZ ZheZgV YZ jbV ejWa^XV d aVi^cV cV :jgdeV Zhi{ Vfj^! Z d bV^h WVXVcV d Zhi^ad YV gZk^hiV! Xdda! bVh hZb egZiZch d0 d bV^dg igjc[d! hZcYd! hZb Y k^YV d [Vid YZ hZg Zb ^c\a h Z edgij\j h# 6\dgV [Vad YZ b^b jb edjXd/ hdj XVg^dXV Z k^kd Vfj^ ]{ d^id Vcdh0 hdj eg^bZ^gd WV^aVg^cd Yd GdnVa 7VaaZi Z iVbW b d eg^bZ^gd WgVh^aZ^gd V ^ciZ\gVg V XdbeVc]^V# w Wdb edYZg bdhigVg Vh k^i g^Vh! hdV WZb! bVh cV kZgYVYZ hd[g^ Xdbd idYdh dh WgVh^aZ^gdh/ cdh eg^bZ^gdh Vcdh WZb Y^[ X^a V ^ciZ\gV d Zb jb eV h Y^[ZgZciZ# 8dbd WV^aVg^cd! \dhiVg^V YZ V\gVYZXZg edg ZhiV ZY^ d fjZ [VaV Z egdbdkZ V YVc V WgVh^aZ^gV edg Vfj^! ed^h iZbdh XdbeVc]^Vh Z \gVcYZh Vgi^hiVh YZ Vaid c kZa igVWVa]VcYd eVgV gZegZhZciVg WZb d 7gVh^a Z ZmeVcY^g d bZgXVYd YZ YVc Vh edejaVgZh# 6X]d ^bedgiVciZ fjZ Vh eZhhdVh hV^WVb fjZ iZbdh cdbZh Xdbd 9ZWdgV] 8da`Zg! fjZ hZ VegZhZciV Zb _jc]d cd 7VgW^XVc kZ_V V >ciZgk^Zl cV e{\ (- ! [jcYVYdgV YZ hjV eg eg^V XdbeVc]^V Z kZcXZYdgV YZ ^bedgiVciZh eg b^dh# 8dbd ZaV! Zm^hiZb djigdh \gjedh! iVakZo c d Xdb d bZhbd m^id ^ciZgcVX^dcVa! bVh ^\jVabZciZ bdhigVcYd V YVc V WgVh^aZ^gV cd ZmiZg^dg# ;^Xd edg Vfj^ V\gVYZXZcYd | ?jc\aZ eZad ZheV d eVgV V YVc V# : V idYdh dh XdbeVig^diVh fjZ k^kZb Zb AdcYgZh Z igVWVa]Vb V hZgk^ d YV YVc V Zb idYdh dh Zhi^adh! YZhZ_d hdgiZ Z hjXZhhd

6JKCIQ 5QCTGU IWGUV GFKVQT

LQKP WU ADVERTISE!

?jc\aZ9gjbh ^h dcZ d[ J@Éh bdhi hjXXZhh[ja ^cYZeZcYZci ejWa^XVi^dch! l^i] (&"&&& Yef_[i ejWa^h]ZY ZkZgn bdci] VcY Y^hig^WjiZY id VgdjcY (+& XVgZ[jaan hZaZXiZY adXVi^dch ^c i]Z J@# LZ VgZ gZVY Wn V hVkkn VjY^ZcXZ ZV\Zg id ViiZcY i]Z WZhi ZkZcih VgdjcY idlc# <Zi i]Zb idd 9edjWYj &(& -(*( +'*& dg [cW_b _d\e6`kd]b[Zhkci$eh]

HAVE YOUR SAY!

>iÉh \gZVi id `cdl l]Zc i]ZgZ VgZ ?9 Vgi^XaZh ndj gZVaan a^`ZY! Wji lZ adkZ id ]ZVg VWdji ide^Xh VcY ^YZVh ndj i]^c` lZ h]djaY add` ^cid! hd Wn Vaa bZVch Ygde jh ndjg i]dj\]ih Vi/ [Z_jeh6`kd]b[Zhkci$eh] ;dg i]^h ^hhjZ h gVcih! eaZVhZ ijgc id eV\Z +*#

Heathrow Underground WHERE CAN I FIND MY JD?

?jc\aZ9gjbh ^h Vi ^i V\V^c! bV`^c\ ]^hidgn _jhi Vh lZ Y^Y l^i] djg ?9 ijWZ Y^heaVnh ^c '%%-! Wn WZXdb^c\ i]Z dcan 7gVh^a^Vc bV\Vo^cZ id WZ Y^hig^WjiZY ^c =ZVi]gdl V^gedgi# ;dg i]Z di]Zg '%% adXVi^dch k^h^i `kd]b[Zhkciedb_d[$Yec

UWD

UETKDG TO JUNGLEDRUMS

VcY \Zi i]Z WZhi d[ 7gVh^a Y^gZXi id ndjg Yddg ZkZgn bdci] Dc ide d[ &' ^hhjZh d[ ?9 ndj \Zi V [gZZ 9K9 VcY 89 VcY djg VccjVa ?jc\aZ Ig^eh bV\Vo^cZ### 8]ZX` djg lZWh^iZ [dg YZiV^ah VcY XVaa jh id hZZ l]Vi h ^c djg XjeWdVgY `kd]b[Zhkciedb_d[$Yec

YKP YGD STOP MAKING SENSE FESTIVAL

E>8IJG:H / NDJG> A:CFJ:II: $$ I=DB6H 9DGC $$ IJGCB6HI:G I>B

We’ve got 2 pairs of tickets for the festival, taking place on the Adriatic coast of Croatia from Sept 3rd-5th with the likes of The Very Best, Carl Craig, Radioclit and Fran & Josh!

YES YES Y'ALL

CAN STILL SEE MAJOR LAZER FOR FREE HAVANA CULTURA @ BARBICAN

THE TWELVES @ CARGO

CIBELLE ALBUM LAUNCH

<^aaZh EZiZghdc VcY GdWZgid ;dchZXV egZhZci =VkVcV 8jaijgV dc ?jan +i]! XZaZWgVi^c\ 8jWVÉh [gZh]Zhi iVaZci VcY cZl hdjcYh#

I]Z Yjd VgZ WZ^c\ idjiZY Vh Ăˆ7gVh^aÉh VchlZg id ' BVcn 9?hÉ! VcY ndj XdjaY XViX] i]Z^g 8Vg\d \^\ dc BVn ''cY#

8ViX] i]Z ^ccdkVi^kZ h^c\Zg Vi =dmidc HfjVgZ 7Vg @^iX]Zc dc BVn '%i] [dg i]Z aVjcX] d[ ]Zg AVh KZcjh GZhdgi EVaVXZ =diZa

JUNGLEDRUMS ONLINE.COM /

AND THAT’S THE BEAUTY

d[ i]Z lZWh^iZ Ä i]ZgZÉh hij[[ ndj h^bean ldcÉi Ò cY ]ZgZ Ä cZl igZVih ZkZgn YVn! VcY i]^h bdci] lZ kZ Vaa i]ZhZ ZmXajh^kZ ^ciZgk^Zlh [dg ndj/

VINICIUS CANTUARIA

HALCYON @ MATTER

CHOC QUIB TOWN

L^i] hjeedgi [gdb GdYg^\d AZ d VcY 8^cZbVi^X :chZbWaZ [dg ]^h gZijgc 7VgW^XVc =Vaa \^\ dc BVn '*i]#

I]Z ehn"igVcXZ eVgin gZijgch l^i] >c[ZXiZY Bjh]gddb! 9Z_Vkdd VcY A^WgV. dc BVn '&hi! VcY lZÉkZ \di * eV^gh d[ i^X`Zih#

I]Z 6[gd"8dadbW^Vc djiÒ i Wg^c\ i]Z^g ]^e"]de! YjW VcY ZaZXigdc^XV [jh^dc id i]Z ?Voo 8V[‚ dc BVn ')i]#

<diVc Egd_ZXi I]Z IlZakZh AZd 8VkVaXVci^ 6Yg^Vcd 6YZlVaZ K^c^X^jh 8VcijVg^V <VWg^Za 6oZkZYd d[ 8VhjVg^cV 9Vc^Za =VV`hbVc Wn ?dVd 7gVh^a @^h]dc @]Vc d[ Ad``]^ IZggV! BVnÉh 89 d[ i]Z bdci]

6cY ^c VYY^i^dc id djg XdkZg [ZVijgZ lZ aa WZ ejii^c\ ZmigV ^c[d VWdji YVcXZ XaVhhZh VcY ZkZcih dca^cZ# A[[f kf m_j^ ki Wj `kd]b[Zhkciedb_d[$Yec

JUNGLE ON FACEBOOK

8dbZ VcY WZ djg k^gijVa [g^ZcY! Ă’ cY dji VWdji djg ZkZcih VcY eVgi^Zh VcY XdbZ Ă’ cY jh [dg gZVa

HOW TO ENTER Id eVgi^X^eViZ ^c Vcn d[ i]Z egdbdi^dch VcY XdbeZiZ [dg i^X`Zih h^bean k^h^i ?jc\aZÉh lZWh^iZ lll#_jc\aZYgjbhdca^cZ#Xdb \d id i]Z XdbeZi^i^dc hZXi^dc VcY gZ\^hiZg ndjg YZiV^ah# HZZ h^iZ [dg iZgbh VcY XdcY^i^dch d[ Zcign# L^ccZgh l^aa WZ hZaZXiZY Vi gVcYdb# <ddY ajX`

JUNGLE ON TWITTER

@ZZe je l^i] djg YV^an i]dj\]ih dkZg i]Z il^iiZghe]ZgZ k^V jm_jj[h$Yec%`kd]b[ZhkcicW]#

URKEGU

7ADDB>C

7DLAGDDB GD8@ C GDAA JUNGLE PICKS ITS FAVOURITE BOWLING ALLEY FOR A BRAND NEW PARTY TO SHOWCASE BRASIL'S MODERN SOUND YQTFU D[ .sXKC 6JKOQVJGQ RKEVWTG D[ %CTQNKPG $KVVGPEQWTV

&' ,WPING&TWOU B6N '%&%

*16 6+25 VQ URKEG WR [QWT NKHG &+%#5 37'06'5 RCTC CIKVCT UWC XKFC

©<AA¡ 8;<D

GFKVGF D[ /KNQ 5VGGNGHQZ URKEGU"LWPINGFTWOU QTI

5 7ADDBH7JGN 7DLA>C< A6C:H )i] ?jcZ! -eb! * VYk $ , Yddg ?JC<A:9GJBHDCA>C:#8DB

Bloomsbury Bowling Lanes is one of Jungle’s favourite nights out, we’ve always wanted to host an event there. And so, Baby Bitch was born, our new party, the answer to all our prayers. Tell a lie. We then had the little dilemma which was, amid so much musical talent, who to pick to launch the project. Singer Marina Gasolina and DJ João Brasil you already know. They’ve already been performing here and there around London (and once together on the same night), João firing out his ridiculously irresistible mashups of baile funk, axé and pop. Marina’s already launched her solo project back in April – real rock'n'roll – none of the funk carioca of before, but with the same helpings of on stage insanity and intensity. But it will be the first time the delicate voice of Leo Cavalcanti sounds out live in Europe. Son of composer Péricles Cavalcanti, he considers his music to be music therapy. “It’s not intentional, but it turned out that my compositions have a strong therapeutic function for me. It ends up being heavily existential and following movements of absolute necessity for transformation and of the search for truth”, Leo explains. His influences only reinforce this idea: “I take a lot of influence from Spanish flamenco, from Arabic and Hindi music (beyond popular Brasilian and world music from my generation), and this shows through in my work. As there exists a mystical realm, a certain ‘spiritual romanticism’, which is the tonic of my composition”. Onstage, he captivates not only with his music, but also with his theatrical performance in perfect harmony. DJ Glittah will keep the beat between acts, there’ll be short films curated by Braziliality, and of course, three lanes reserved for JD for you to book and bowl. ,&

VGZVU KP 'PINKUJ VGZVQU GO 2QTVWIWqU

6 7addbhWjgn 7dla^c\ AVcZh jb Ydh adXV^h [Vkdg^idh YV ?jc\aZ Zb AdcYgZh! hZbegZ gdadj jbV kdciVYZ YZ [VoZg jbV [ZhiV a{# :ci d cVhXZj V 7VWn 7^iX]! cdkV [ZhiV YV ?jc\aZ! Z idYdh dh cdhhdh egdWaZbVh [dgVb gZhdak^Ydh# BZci^gV# 6 \ZciZ i^c]V jb ÆegdWaZb dÇ fjZ ZgV! YZcigZ iVcidh iVaZcidh bjh^XV^h! hZaZX^dcVg fjV^h ^g^Vb ZhigZVg d egd_Zid# 6 XVcidgV BVg^cV <Vhda^cV Z d 9? ?d d 7gVh^a kdX h _{ Xdc]ZXZb# :aZh _{ hZ VegZhZciVgVb Va\jbVh kZoZh Vfj^ Zb AdcYgZh ^cXajh^kZ cV bZhbV cd^iZ ! d ?d d hdaiVcYd hZjh bVh]jeh XdchigVc\ZYdgVbZciZ ^ggZh^hi kZ^h ZcigZ Vm Z ede Z edg V kV^# ?{ BVg^cV ZhigZdj hZj egd_Zid hdad Zb VWg^a0 WZb gdX` c gdaa! cVYV YZ [jc` XVg^dXV! edg b Xdb V bZhbV ^chVc^YVYZ Z ^ciZch^YVYZ cd eVaXd# BVh hZg{ V eg^bZ^gV kZo fjZ V YZa^XVYV kdo YZ AZd 8VkVaXVci^ hdVg{ Vd k^kd cd kZa]d Xdci^cZciZ# ;^a]d Yd Xdbedh^idg E g^XaZh 8VkVaXVci^! d b h^Xd XdbeVgV hjV b h^XV | jbV iZgVe^V bjh^XVa# ÆC d ^ciZcX^dcVa! bVh VXVWV VXdciZXZcYd YZ b^c]Vh Xdbedh^ Zh iZgZb jbV [jc d [dgiZbZciZ iZgVe ji^XV eVgV b^b# :aV VXVWV hZcYd WVhiVciZ Zm^hiZcX^Va! Z hZ\jZ bdk^bZcidh YZ cZXZhh^YVYZ VWhdajiV YZ igVch[dgbV d Z YZ WjhXV YV kZgYVYZ#Ç! Zmea^XV AZd# HjVh ^cÓ j cX^Vh gZ[dg Vb ZhhV ^YZ^V/ ÆiZc]d WVhiVciZh ^cÓ j cX^Vh Yd Ó VbZcXd ZheVc]da! YZ b h^XV {gVWZ Z ]^cY Va b YZ b h^XV edejaVg WgVh^aZ^gV Z bjcY^Va YZ b^c]V edXV Z ^hhd VeVgZXZ cd bZj igVWVa]d# Ed^h Zm^hiZ jb iZdg b hi^Xd! jb XZgid gdbVci^hbd Zhe^g^ijVa ! fjZ V i c^XV YVh b^c]V Xdbedh^ Zh#Ç Cd eVaXd ZaZ XVi^kV c d h eZaV b h^XV! bVh iVbW b eZaV eZg[dgbVcXZ iZVigVa Zb eZg[Z^iV h^cidc^V# 9? <a^iiV] kV^ bVciZg d hdb gdaVcYd ZcigZ Vh VegZhZciV Zh0 ]VkZg{ V Zm^W^ d YZ jb XjgiV" bZigV\Zb igVo^Yd eZaV 7gVo^a^Va^in! Z XaVgd! ig h e^hiVh YZ Wda^X]Z ZhiVg d Y^hedc kZ^h eVgV gZhZgkV eZadh aZ^idgZh YV ?jc\aZ# ,& B6>D '%&% ,WPING&TWOU &(

URKEGU A:I I=: B6N"=:B 8DBB:C8:

hjbbZg hiVgih ]ZgZ### The month of May's truly โ kicking offโ , and the shows over the coming weeks promise to get even the laziest of bones out and about. Gotan Project are due back in town with their electro Tango, to their as good as London headquarters, whilst Clara Moreno promises some cosy samba at Guanabara. The smooth samba jazz of Vinicius Cantuรกria returns to his last London stage, the Barbican, and rounding it all off, Casuarina and their old school samba, hailing Rioโ s Lapa, will be livening up Guanabara later in the month. Incidentally, they share in common the fact theyโ re coming to London with new albums to promote. And fortunately for us, their latest works are real masterpieces. 10 out of 10. ,&

:hiZ bย h YZ bV^d Zhi{! Zb Wdb edgij\jย h! WdbWVcYd# Dh h]dlh YVh egย m^bVh hZbVcVh egdbZiZb i^gVg Viย dh bV^h Xg^iZg^dhdh YZ XVhV# <diVc Egd_ZXi kZb Xdb hZj iVc\d ZaZigย c^Xd eVgV hjV fjVhZ hZYZ adcYg^cV! V 7g^midc 6XVYZbn! ZcfjVcid 8aVgV BdgZcd ย egdbZhhV YZ bj^id hVbWV V\VggVY^c]d cd <jVcVWVgV# D hVbWV _Voo YZ K^c^X^jh 8Vcij{g^V kdaiV Vd hZj ย ai^bd eVaXd adcYg^cd! cd 7VgW^XVc# : eVgV [ZX]Vg! d 8VhjVg^cV! Xdb hjVh ZkdXVย ย Zh YZ hVbWV YV AVeV XVg^dXV! YZkZ V\^iVg d <jVcVWVgV cd ร b Yd bย h# :b Xdbjb! idYdh kย b egdbdkZg hZjh bV^h cdkdh {aWjch cV XVe^iVa Wg^i}c^XV# HdgiZ cdhhV! dh ย ai^bdh igVWVa]dh h d idYdh Y^\cdh YZ cdiV# CdiV &%# ,& D[ 'TKMC 6CODMG (CDKCPC 4GKU

?JC<A: H:HH>DCH/ 86HJ6G>C6 B6N '+I=! ,EB! ย , 69K $ ย &% 9DDG

H^cXZ '%%&! l]Zc i]Zn ZbZg\ZY dc G^dร h cZl Wd]Zb^Vc hXZcZ! i]Z hdjcY d[ 8VhjVg^cV ]Vh XdbZ id WZ YZhXg^WZY Vh hVbWV! ^c WgVcY cZl Xadi]Zh# L]Vi YgVlh eZdeaZ id i]Z^g bjh^X ^h hZZ^c\ ndjc\ bjh^X^Vch! ^cร jZcXZY Wn gdX` VcY kVg^djh di]Zg hinaZh! gZ]Vh]^c\ 7gVh^a^Vc XaVhh^Xh VcY egZhZci^c\ i]Zb id cZl \ZcZgVi^dch# ?jc\aZ ^ck^iZY i]Z WVcY id aVjcX] i]Z^g aViZhi VaWjb! BIK VegZhZciV 8VhjVg^cV! dc '+i] BVn VcY Vi <jVcVWVgV! `^X`"hiVgi^c\ ?jc\aZ HZhh^dch! V cZl egd_ZXi [dg '%&% YZkZadeZY ^c eVgicZgh]^e l^i] I6E Edgij\Va VcY i]Z 7gVh^a^Vc kZcjZ# BVcn d[ i]Z hdc\h dc i]Z 89 VgZ XdkZgh/ ร D 9^V hZ OVc\djร BVg^d 9^c^o"GVi^c]d ! bVYZ [Vbdjh Wn i]Z kd^XZ d[ ?dkZa^cV Eย gdaV CZ\gV! ^h WZ^c\ gZhjggZXiZY# EZgXjhh^dc^hi VcY h^c\Zg <VWg^Za 6oZkZYd hVnh ร lZ lVciZY id Wg^c\ WVX` i]Z [ZZa^c\ d[ daY"hX]dda hVbWV! Wji l^i] V bdYZgc idjX]ร # <jVcVWVgV! EVg`Zg HigZZi ร L8'7 *EL ?JC<A:9GJBHDCA>C:#8DB ย %'% ,')' *&)%

<DI6C EGD?:8I B6N &)I=! 9DDGH ,EB! ย '*#*)

:kZg h^cXZ i]Z^g Vgg^kVa l^i] i]Z VaWjb AV GZkVcX]V YZa IVc\d! bVcn eVi]h ]VkZ jc[daYZY [dg i]Z ;gVcXd" 6g\Zci^c^Vc WVcY# I]Z^g idjgh lZgZ adc\"gjcc^c\! i]Zn eVgi^X^eViZY ^c =daanlddY hdjcYigVX`h VcY ZkZc kVg^ZY ^c i]Z hinaZh d[ bjh^X i]Zn idd` ^cร jZcXZ [gdb# 7ZndcY i]Z^g dlc igVYZbVg` hinaZ! WZ^c\ V b^mijgZ d[ IVc\d VcY ZaZXigdc^X! i]Z WVcY ร ^giZY l^i] _Voo ^c Ajc{i^Xd! VcY cdl! l^i] IVc\d (#%! i]ZgZร h V iVc\^WaZ idjX] d[ gdX`VW^aan VcY V [da`adg^X ZY\Z# Dc i]Z di]Zg ]VcY! i]Z k^hjVa VcY X^cZbVi^X hdjcY d[ i]Z^gh Xdci^cjZh higdc\! VcY ^iร h ldgi] WZVg^c\ i]^h VheZXi d[ i]Z^g cZmi a^kZ eZg[dgbVcXZ ^c b^cY l]Zc ndj a^hiZc id i]Z 89# 8g^hi^cV K^aaVadc\d Xdci^cjZh id [ZVijgZ l^i] heZX^Va XdaaVWdgVi^dch! ]Zg kd^XZ Xdcig^Wji^c\ id i]^h YgZVbn Vibdhe]ZgZ# >iร h cd ldcYZg <^aaZh EZiZghdc YZXaVgZY ]^bhZa[ Vc jcXdcY^i^dcVa [Vc d[ i]Z WVcY# D' 6XVYZbn 7g^midc! '&& HidX`lZaa GdVY ร HL. .HA D'6869:BN7G>MIDC#8D#J@ ย %-)) ),, '%%%

K>C>8>JH 86CIJ6G>6 GD9G><D A:6D B6N '*I=! ,#(%EB! ย &*"ย ''#*%

6c VaWjb hVaZh hZchVi^dc ^c 7gVh^a! K^c^X^jh a^kZh a^`Z Vc jcYZg\gdjcY bjh^X^Vc ^c CZl Ndg`# HZVgX]^c\ [dg i]Z cZl VcY jc`cdlc! ]Z h XdaaVWdgViZY l^i] i]Z _Voo d[ 7^aa ;g^hZaa VcY i]Z ZXaZXi^X bjai^bZY^V d[ 9Vk^Y 7ngcZ! gZร ZXi^c\ ]^h dlc bjh^XVa hinaZ! VcY ]Z hi^aa adkZh id \Zi hdjcYh dji d[ ZkZgni]^c\! ZkZc e^ooV WdmZh# ;dg ]^h aViZhi VaWjb! HVbWV 8Vg^dXV! ]Z ^ck^iZY ( kZiZgVc e^Vc^hih id ZmeZg^bZci VcY eaVn VgdjcY! WZ^c\ ?d d 9dcVid! BVgXdh KVaaZ VcY 7gVY BZ]aYVj# :meaV^c^c\ ]^h ^che^gVi^dc ]Z hV^Y i]Vi ร e^Vcd ]ZaeZY Wg^c\ hVbWV ^cid XdciVXi l^i] di]Zg XjaijgZhร ! ^i ]ZaeZY i]Z XgdhhdkZg WZilZZc hVbWV VcY _Voo# Cdi [dg\Zii^c\ ]^h VXdjhi^X \j^iVg dg eZgXjhh^kZ h^YZ! K^c^X^jh egdb^hZh V WZVji^[ja 7VgW^XVc h]dl! l^i] GdYg^\d AZ d lVgb^c\ je i]Z hiV\Z dc i]Z c^\]i# =^i ?9 lZWh^iZ [dg djg ^ciZgk^Zl l^i] K^c^X^jh#

8A6G6 BDG:CD B6N &.I=! ย * 6;I:G .EB

8aVgV BdgZcV ^h dc idjg egdbdi^c\ ]Zg cZl VaWjb! B^hh 7VaVcย d# I]Z hinaZ ^c ]VcY ^h cdcZdi]Zg i]Vc ejgZ hVbWV"hl^c\# 9Zhe^iZ ]Zg WdhhVcdkV gddih Vh YVj\]iZg d[ XdbedhZg CZahdc 6c\Zad BdgZcd VcY gZcdlcZY h^c\Zg ?dnXZ ! ^c i]^h ]Zg [djgi] VaWjb i]Z h^c\Zg ^cigdYjXZh jh id ]Zg cZl"[djcY eVhh^dc [dg [jc`n hVbWV \gddkZh! VcY h]Zร h VagZVYn Vhhjg^c\ i]Vi ]Zg cZmi VaWjb l^aa [daadl i]Z hVbZ a^cZh# I]dhZ l]d ViiZcYZY i]Z ร *% nZVgh d[ WdhhV cdkVร XZaZWgVi^dch Vi i]Z 7VgW^XVc WVX` ^c '%%- ]VY i]Z X]VcXZ id ]ZVg ]Zg ]jh`n b^Y"gVc\Z kd^XZ! l^i] ldcYZg[ja g]ni]b VcY hl^c\# 7VX` i]Zc! h]Z h]dlZY i]Z VjY^ZcXZ ]dl h]Zร h \gdlc je ^c V ldgaY VcY [Vb^an d[ bjh^X VcY aZVgci cdi _jhi VWdji bjh^X ^ihZa[! Wji Vahd V [V^g W^i VWdji ]dl id ldg` i]Z hiV\Z# 6cY [dg i]Z WVg\V^c d[ _jhi ย *! ]Zg h]dl ^h hjgZan dcZ d[ i]Z ร cZhi d[[Zgh d[ i]Z bdci]#

7VgW^XVc =Vaa! H^a` HigZZi " :8'N -9H

<jVcVWVgV! EVg`Zg HigZZi ร L8'7 *EL

76G7>86C#DG<#J@ ย %'% ,+(- )&)&

<J6C676G6#8D#J@ ย %'% ,')' -+%%

&) ,WPING&TWOU B6N '%&%

E>8IJG:H 7N I=DB6H 9DGC $$ EG>H86 AD7?DN $$ AJ86H 7DG> $$ B6G8DH =:GB:H $$ K>K>6C: G6C<:A

/2@A <3 A5ยข ?ยข@A 3<? :ยกF 7VaVYV HeZX^Va! BVn '%i] Idee^c\ d[[ V Wjhn egd\gVbbZ Vi <jVcVWVgV i]^h bdci] i]ZgZร h V W^\ c^\]i l^i] 9? B6B! d[ hZa["hinaZY aVWZa VcY \ZcgZ 7gVo^a^Vc Adjc\Z! l^i] hjeedgi [gdb HVgVkV] Hdja! VcY V heZX^Va XVedZ^gV eZg[dgbVcXZ bVg`^c\ i]Z aVjcX] d[ hina^hi ?ja^V K^YVaร h aVWZa! 7VaVXd# <J6C676G6#8D#J@

9Vc^Za =VV`hbVc BVn '&hi ''cY I]Z bVc WZ]^cY BVc GZXdgY^c\h WZadl \di ^cid WV^aZ [jc` ^c '%%(! eaVnh ild J@ hadih Vi 8Vb^cd '&hi VcY 7^\ 8]^aa =djhZ ''cY # 8]ZX` dji djg ZmXajh^kZ ^ciZgk^Zl l^i] ]^b Wn ?dVd 7gVh^a Vi/ ?JC<A:9GJBHDCA>C:#8DB

6XXdgY^dch [gdb 7gVo^a BVn (%i] 8dci^cj^c\ dc [gdb i]Z \j^iVg eZg[dgbVcXZ aViZ aVhi nZVg Vh eVgi d[ i]Z BZbdgn d[ 7gVo^a egd_ZXi! i]^h jc^fjZ eZg[dgbVcXZ! l^i] AjaV 6aZcXVg VcY AjX^Vcd BV^V dc VXXdgY^dch! iV`Zh ndj id i]Z gddih d[ l]ZgZ i]Z ^chigjbZci WZVgh igVY^i^dcVa XjaijgVa kVajZ ^c 7gVh^a# 86;:DID#8D#J@

URKEGU

A5¢ A<=

E>CI6 '%&%

4.992?62@ D; E>CI6 '%&%

76Gâ HĂ€D E6JAD

DcZ d[ 7gVh^a h aZVYZgh! 7Vg‹ <VaZg^V l^aa Wg^c\ Vgi^hih hjX] Vh BVg^Vcc^iV AjooVi^! 8Vgadh ;V_VgYd! ;Za^eZ 7VgWdhV! 8aVjY^V ?V\jVg^WZ VcY IdWn 8]g^hi^Vc

C6G6 GD:HA:G HĂ€D E6JAD

9jZ id Wg^c\ W^\ Vgi^hih hjX] Vh D^i^X^XV VcY EVjad 7gjhX`n WZadl ! VcY cZlZg dcZh a^`Z 8Vd <j^bVg Zh# HZZ ?jc\aZ h ^ciZgk^Zl VXgdhh i]Z eV\Z l^i] i]Z \VaaZgnÉh Y^gZXidg

6G:K6AD B>6B> I]Z Cdgi] 6bZg^XVc \VaaZgn heZX^Va^hZh ^c AVi^c 6bZg^XVc Vgi [gdb i]Z '%i] XZcijgn! l^i] W^\ cVbZh hjX] Vh An\^V 8aVg`! 9^Z\d G^kZgV VcY 6a[gZYd Kdae^#

&+ ,WPING&TWOU B6N '%&%

>i h XaVni^bZ Wdnh VcY \^gah I]Z hjheZchZ d[ i]Z YZWji

V^gWdgcZ Vgi [gdb V[Vg THE LARGEST FAIR OF LATIN AMERICAN ART ARRIVES FROM NEW YORK Come June, the colours, lines and movement of Latin American art will burst out in West London. In its third edition – and its very first in Europe – PINTA, the Modern & Contemporary Latin American Art Show, will arrive. Usually only in New York, this year the event gains a London leg, promising to bring together works by the most influential of artists from over 50 galleries from the USA, the Americas and Europe. According to Mauro Herlitzka, one of the directors of the fair, right from the first edition it was always evident that one day a European PINTA would be in order: “London's the perfect place, for its interest in art from different parts of the world, its curious audience and a central market for the arts. We now have the maturity after NY to do it [here]â€?. There are two Brasilian galleries on the list of those selected to participate in the event, being BarĂł and Nara Roesler, both from SĂŁo Paulo. Other galleries are also getting a lot of attention (see left), and among the artists expected to steal the show are Regina Silveira, Artur Lescher, LeĂłn Ferrari, Cao GuimarĂŁes, SebastiĂŁo Salgado, Ligia Pape, Ligia Clark, HĂŠlio Oiticica, Vik Muniz and Mira Schendel. Beyond the stands, PINTA will also hold two exhibitions: a tribute to the Venezuelan painter Carlos Cruz-Diez, and a show by the Cuban artist Carmen Herrera, known for reinterpreting geometric abstraction. A rare opportunity to see up close the sheer richness of Latin art all in one space, and on European soil. ,& D[ ,}NKC $QNNKIGT

:b _jc]d! XdgZh! igV dh Z bdk^bZcidh YV VgiZ aVi^cd"VbZg^XVcV k d ^ckVY^g d dZhiZ adcYg^cd# :b hjV iZgXZ^gV ZY^ d! eg^bZ^gV cV :jgdeV! V E>CI6! [Z^gV YZ VgiZ bdYZgcV Z XdciZbedg}cZV YV 6b‚g^XV AVi^cV X]Z\V ZcĂ’ b | X^YVYZ# CdgbVabZciZ gZVa^oVYd Zb CdkV Ndg`! ZhiZ Vcd d ZkZcid \Vc]V kZgh d adcYg^cV fjZ egdbZiZ gZjc^g igVWVa]dh Ydh bV^h ^cĂ“ jZciZh Vgi^hiVh aVi^cdh YZ XZgXV YZ *% \VaZg^Vh YVh 6b‚g^XVh Z :jgdeV# HZ\jcYd jb Ydh Y^gZidgZh YV [Z^gV! BVjgd =Zga^io`V! YZhYZ V eg^bZ^gV ZY^ d _{ ZgV XZgid fjZ hZg^V cZXZhh{g^V V kZgh d ZjgdeZ^V# ÆAdcYgZh ‚ d aj\Vg eZg[Z^id eVgV ^hhd YZk^Yd Vd hZj ^ciZgZhhZ Zb eZ Vh k^cYVh YZ Y^[ZgZciZh eVgiZh Yd bjcYd! edg hZj eÂ?Wa^Xd Xjg^dhd Z edg hZg jb bZgXVYd XZcigVa YVh VgiZh# 9Zed^h YVh ZmeZg^„cX^Vh Zb CN c‹h VYfj^g^bdh V bVijg^YVYZ eVgV [Vo„"aV Vfj^Ç! XdciV# 9jVh \VaZg^Vh WgVh^aZ^gVh Zhi d cV a^hiV YVh hZaZX^dcVYVh eVgV eVgi^X^eVg Yd ZkZcid! V 7Vg‹ Z V CVgV GdZhaZg! VbWVh YZ H d EVjad# DjigVh XVhVh ^ciZgcVX^dcV^h! edg‚b! iVbW‚b X]VbVb V ViZc d XdcĂ’ gV d IDE ( Vd aVYd # :cigZ dh Æ]^\]a^\]ihÇ Zhi d egZk^hidh eVgV ZhhV ZY^ d igVWVa]dh YZ GZ\^cV H^akZ^gV! 6gijg AZhX]Zg! AZ‹c ;ZggVg^! 8Vd <j^bVg Zh! HZWVhi^ d HVa\VYd! A^\^V EVeZ! A^\^V 8aVg`! =‚a^d D^i^X^XV! K^` Bjc^o Z B^gV HX]ZcYZa# 6a‚b Ydh ZhiVcYZh! V E>CI6 iVbW‚b gZXZWZg{ YjVh Zmedh^ Â?Zh/ jb ig^Wjid Vd e^cidg kZcZojZaVcd 8Vgadh 8gjo"9^Zo Z jbV bdhigV YV Vgi^hiV XjWVcV 8VgbZc =ZggZgV! Xdc]ZX^YV edg gZ^ciZgegZiVg V VWhigV d \Zdb‚ig^XV# :hhV ‚ jbV gVgV dedgijc^YVYZ YZ kZg V g^fjZoV YV VgiZ aVi^cV gZjc^YV Zb jb Â?c^Xd ZheV d cV :jgdeV# ,& E>CI6 6GI ;6>G 5 :6GAH 8DJGI (gY"+i] ?jcZ! —-"—&* E>CI66GI#8DB

16?20A<? @ A5<B45A@ 96C>:A GD:HA:G

E>CI6 ]Zaeh bjhZjbh dWiV^c Vgi# =VkZ CVgV Vgi^hih WZZc hdjXZY a^`Z hd4 BDB6 CN Vfj^gZY ldg` Wn EVaVic^`! 8Vd <j^bVg Zh VcY 6cidc^d BVcjZa! VcY B6A>! ^c EZgj! ldg` Wn B^aidc BVX]VYd# L]^X] Vgi^hih l^aa ndj Wg^c\ i]^h nZVg4 6cidc^d 9^Vh! 6cidc^d BVcdZa! =‚a^d D^i^X^XV! B^aidc BVX]VYd! 8 d <j^bVg Zh! 7g†\^YV 7VaiVg 6gijg AZh]XZg# L]d Yd ndj i]^c` l^aa \d Ydlc lZaa4 D^i^X^XV! Ò ghi id Zm]^W^i Vi I6I: BdYZgc! ^h ]^\]an hdj\]i V[iZg ^c AdcYdc# 8 d ]Vh Zm]^W^iZY Vi i]Z <Vhldg`h0 ]Z VcY 6cidc^d BVcjZa VgZ eVgi d[ i]Z I6I:Éh XdaaZXi^dc! VcY 6cidc^d 9^Vh _jhi ]VY V aVg\Z hdad Zm]^W^i^dc ^c i]Z 9Vgdh XdaaZXi^dc ^c Ojg^X]#

URKEGU

C 3<? :<?¢;¥

I=: HIDGN 7:=>C9 I=: E=DID###

6]! > adkZ heg^c\i^bZ " Wadhhdb! hjccn YVnh! e^Xc^Xh VcY### 6a^Zch# L]Vi4 NZe! XgZVijgZh [gdb djiZg heVXZ# >[ ndjÉkZ hiZeeZY djih^YZ aViZan ndj bjhiÉkZ hZZc ^i# 7n Ăˆ^iÉ > \jZhh > bZVc Ăˆ]ZgÉ# H]Z h Vaa dkZg idlc l^i] ]Zg \adl^c\ da^kZ h`^c! fj^g`n"hb^aZ VcY gZei^aZ ha^i"a^`Z eje^ah# > i]^c` ndj lViX] idd bjX] IK# Cdi Vi Vaa Ă„ i]^h ^h dji i]ZgZ ^c i]Z gZVa ldgaY Ă„ ^iÉh i]Vi VXigZhh [gdb G^d l]d a^kZh ^c CZl Ndg`! BdgZcV 7VXXVg^c# H]ZÉh i]Z [VXZ d[ i]Z K VYkZgih ZbWaVodcZY VXgdhh AdcYdc# G^\]i½ > XVc i iV`Z ]Zg dji d[ bn b^cY L^i] Vc dji"d["i]^h"ldgaY WZVjin h]Z eaVnh i]Z Va^Zc"fjZZc 6ccV ^c i]Z cZl hX^"Ă’ gZbV`Z d[ i]Z Xjai &.-%h b^c^"hZg^Zh# 8dda > Y^\ hX^"Ă’ # Hd ndj egdWVWan gZbZbWZg BdgZcV [gdb i]Z h]dgi"a^kZY h]dl ;^gZĂ“ n VcY i]Z he^c"d[[ bdk^Z HZgZc^in# 6] nZh! VcY lVhcÉi h]Z ^c HiVg\ViZ H<"& Vh lZaa4 NZV]! h]ZÉh cd higVc\Zg id heVXZh]^e YgVbV! dg ZkZc Xdb^X Wdd`h# DcXZ gjbdjgZY Vh V higdc\ XVcY^YViZ [dg i]Z [Vbdjh i^VgV ^c V LdcYZg LdbVc bdk^Z VYVeiVi^dc! id WZ Y^gZXiZY Wn ;^gZĂ“ n h ?dhh L]ZYdc# H]Z YZĂ’ c^iZan ]daYh V eaVXZ ^c i]Z ]ZVgih d[ i]dhZ hfjVgZ"ZnZY cZgYh# Idd igjZ# 6cY i]Vc`h id ]Zg Vc Va^Zc ^ckVh^dcÉh cZkZg WZZc hd Vaajg^c\# K ^h dc Hn[n J@ ZkZgn IjZhYVn! &%eb

BDI=:G H B>A@

ADD@>C< 9::E L>I=>C

:nZh d[ ^ccdXZcXZ

PERUVIAN FILMMAKER UNEARTHS HER NATION'S PAINFUL PAST It’s a stark statistic, but during Peru's civil war, between 1970 and 1990, over 90% of girls aged between 12-16 were raped. If these numbers make one feel uneasy, put yourself in the position of a nation trying to forget the traumas of this era. “I felt all this fear, the ghosts that haunted the air. So I decided to depict the change the country's experiencing today, portraying the feeling of hope�, says the Peruvian filmmaker Claudia Llosa, winner of the Golden Bear for her second feature film The Milk of Sorrow, nominee for Best Foreign Language Film for this year’s 82nd Academy Awards. Inspired by research by anthropologist Kimberly Theidon, the film tells the story of young Fausta, who suffers from the illness ‘the milk of sorrow’, absorbed from her mother who was raped whilst pregnant. Fausta attempts to defend her body, but this only leads to deeper problems. Rather than depicting violence, the film bears sensitive cinematography and chanting in Quechua (an Inca dialect), portraying this courageous journey from fear to freedom. ,&

w jb YVYd Zcig^hiZXZYdg/ bV^h YZ .% YVh bja]ZgZh YZ &' V &+ Vcdh [dgVb ZhijegVYVh cV \jZggV X^k^a Yd EZgj &.,%".% # HZ dh cÂ?bZgdh Y^kja\VYdh eZaV DCJ VhhjhiVb! ^bV\^cZ iZciVg hZ a^kgVg Ydh igVjbVh YV ZgV YZ iZggdg# Æ:j hZci^ idYd ZhhZ bZYd! d [VciVhbV fjZ VhhdbWgVkV cdhhdh VgZh# :ci d! gZhdak^ gZigViVg V bjYVc V fjZ d eV†h ZhiV k^kZcYd! V hZchV d YZ ZheZgVc VÇ! Y^o V X^cZVhiV eZgjVcV 8aVjY^V AadhV fjZ kZcXZj d Jghd YZ Djgd Z XdcXdggZj Vd DhXVg YZ bZa]dg Ă’ abZ ZhigVc\Z^gd Xdb hZj hZ\jcYd igVWVa]d! I]Z B^a` d[ Hdggdl# >che^gVYd cV eZhfj^hV YV Vcigde‹ad\V @^bWZgan I]Z^Ydc! d Ă’ abZ cVggV d YgVbV YV _dkZb ;VjhiV! fjZ hd[gZ Yd bVa YV ÆiZiV VhhjhiVYVÇ! igVchb^i^Yd eZad aZ^iZ YZ hjV b Z! ZhijegVYV \g{k^YV# 9Z VXdgYd Xdb V XgZc V! dh VbVbZciVYdh eZad aZ^iZ Yd Zhijegd c d i„b VabV Z YZkZb eVhhVg edg g^ijV^h YZ gZXjeZgV d YV Y^\c^YVYZ# 8db ZmigZbV hZch^W^a^YVYZ cV [did\gVĂ’ V Z X}ci^Xdh ZcidVYdh Zb Y^VaZid VcY^cd! d Ă’ abZ bdhigV V igV_Zi‹g^V Yd bZYd | a^WZgYVYZ# ,& D[ #KTVQP 4QNKO I=: B>A@ D; HDGGDL >c X^cZbVh [gdb 6eg^a (%i] 9D<LDD;#8DB

S¢?;¥;Q< 4<;@¥Y¢@

IB Â? '%%. " '%&% L6GC:G 7GDH# :CI# >C8# 6AA G><=IH G:H:GK:9#

&- ,WPING&TWOU B6N '%&%

- Ahh... the potion of beauty!

LLL#C>FJ:A#8DB#7G

Just lovely!!

Like my chicks! Your opinion doesn't count!

The basement of London’s Troubadour CafÊ has been graced by the likes of Jimi Hendrix, Bob Dylan and Jimmy Page, but upstairs this May it’ll showcase the first physical exhibition of rising Brasilian artists from a new online gallery, nicolahall.com. Having studied Art History and worked at the Royal Academy and Tryon Gallery, the website is passion and project of young English art dealer Nicola Elphinstone. But it was

her partner's international career which took them to Zimbabwe, Kenya and finally Brasil, immersing her in the vibrant art scenes abroad. Now representing and selling artists’ work from these countries, Nicola aims to “bring within reach original and affordable art�. Launching the website in February, where she provides insight into each artist’s life with journal accounts, she recently returned from two years in Brasil. This month she’ll hold a

one-day show presenting the work of three Brasilians: Menelaw Sete, ‘the Picasso of Brasil’, a Salvadorbased eccentric who once held an underwater exhibition; TĂşlio Pinto, with vast acrylic compositions bursting with colour; and FĂĄbio Merker, fascinated by degrees of dis/ organisation, adapting the Brasil flag moto as ‘Order and Chaos’, mixing ridgid motifs with (uncontrollable) dripping paint. Catch their work before it’s back to hyperreality. ,&

;{W^d BZg`Zg BZcZaVl HZiZ

IÂ?a^d E^cid

[gdb e^mZah id eV^ci^c\h

ONLINE BRASILIAN AND AFRICAN ART GALLERY SPRINGS TO LIFE FOR A DAY D edg d Yd 8V[‚ IgdbWVYdjg! Zb AdcYgZh! _{ gZXZWZj Vgi^hiVh Xdbd ?^b^ =ZcYg^m! 7dW 9naVc Z ?^bbn EV\Z! Zb bV^d! edg‚b! d VcYVg YZ X^bV Zm^W^g{ V eg^bZ^gV bdhigV [†h^XV YZ Vgi^hiVh WgVh^aZ^gdh YZ jbV \VaZg^V dca^cZ! V c^XdaV]Vaa#Xdb# 6e‹h ZhijYVg ]^hi‹g^V YV VgiZ Z igVWVa]Vg cV GdnVa 6XVYZbn Z cV Ingdc <VaaZgn! ZhiV cdkV VkZcijgV ‚ [gjid YV eV^m d YV _dkZb BZgX]Vci ^c\aZhV C^XdaV :ae]^chidcZ# 6 XVggZ^gV ^ciZgcVX^dcVa Yd bVg^Yd YZ C^XdaV dh aZkdj Vd O^bWVWlZ! @ZcnV Z 7gVh^a! eZgb^i^cYd V ^bZgh d YZaV cV k^WgVciZ XZcV YV VgiZ XdciZbedg}cZV# 6\dgV Xdb gZegZhZciV d Z kZcYV cZhhZh eV†hZh! C^XdaV WjhXV ÆidgcVg VgiZh dg^\^cV^h V jb VaXVcXZ bV^h VXZhh†kZaÇ#

HZ\j^cYd d gZidgcd YZ C^XdaV Zb VWg^a Ve‹h eVhhVg Yd^h Vcdh cd 7gVh^a Z d aVc VbZcid Yd lZWh^iZ Zb [ZkZgZ^gd! d ZkZcid VegZhZciV ig„h WgVh^aZ^gdh/ BZcZaVl HZiZ! Ăˆd E^XVhhd WgVh^aZ^gdÉ! IÂ?a^d E^cid! Xdb hjV Xdadg^YV Z kVhiV Xdbedh^ d VXg†a^XV Z ;{W^d BZg`Zg! [VhX^cVYd Xdb \gVjh YZ YZh$dg\Vc^oV d! VYVeiVcYd d aZbV YV WVcYZ^gV WgVh^aZ^gV Xdbd ĂˆdgYZb Z XVdhÉ! Z XdcigVhiVcYd VYdgcdh g†\^Ydh Xdb ^cXdcigda{kZa i^ciV e^c\VcYd# KZ_V VciZh fjZ dh igVWVa]dh kdaiZb Vd VbW^ZciZ k^gijVa# ,& D[ /KNQ 5VGGNGHQZ

Š<AA. 5¥C¢ 6;GD IDN HIDGN

>h ndjg X]^aY eZhiZg^c\ ndj [dg V idn XdaaZXi^dc Vh bjai^XjaijgVa Vh hdX^Zin ^ihZa[4 Dg Yd ndj lVci id d[[Zg i]Zb V ldgaY aZVYZg d[ Vc VXi^dc Ò \jgZ4 I]Zc X]ZX` dji V[gdidnh# Xdb# 7gV^cX]^aY d[ ?VbV^XVc bdi]Zg H^dW]Vc AZXd^ciZ! l]d lVh ^che^gZY Wn ]dl jc^che^g^c\ idYVn h gVc\Z d[ egZYdb^cVcian l]^iZ"h`^ccZY! WajZ" ZnZh Ydaah lVh! h]Z WZ\Vc \Vi]Zg^c\ idnh VcY WdVgY \VbZh gZegZhZci^c\ Y^[[ZgZci Zi]c^X \gdjeh! id XgZViZ Vc dca^cZ h]de# =Zg bdhi edejaVg ^iZbh cZX` VcY cZX` l^i] i]Z DWVbV VXi^dc Ò \jgZ VgZ i]Z —* `Zng^c\ Ò \jg^cZh0 i]Z bdhi ZmeZch^kZ ^h i]Z A^iiaZ Bdbbn LVa` <^\\aZ 9daa ! ^c ild kZgh^dch/ Vc :c\a^h]" heZV`^c\ WaVX` dcZ VcY V HeVc^h]"heZV`^c\ WgjcZiiZ V[gdidnh#Xdb Vahd i]gdl eVgi^Zh l^i] idnh [dg X]^aYgZc id eaVn l^i]! VcY i]Z eV^Y bdcZn [dg VYb^hh^dc \dZh id X]Vg^in# L=:G: ID ;>C9 :B/

C>8DA6=6AA#8DB 5 I=: IGDJ769DJG BVn '&hi! &%Vb"+eb! ;G:: C>8DA6=6AA#8DB

—*"—**#.. V[gdidnh#Xdb

URKEGU

G6ĂžO:H

G=NI=B :C GDDI

6cndcZ ldjaY kZ i]dj\]i i]Z `^iX]Zc lVh ]^h Ă’ ghi Ygjb hZi

THE BRASILIAN PERCUSSIONIST IN SEARCH OF AFRICA, RHYTHMS, AND A ROUTE HOME Although not hugely well-known, Adriano Adewale is a name well worth keeping an eye on – you’re likely to see it around. This Brasilian musician, half African, almost Londoner yet completely global, arrived here ten years ago, and these days wins audiences over all around. Full of energy and agility, Adewale fell for music as a child, through is grandfather. As many Brasilians do, he came to London to learn English and discover another culture, but his main motive was to be a touch closer to his roots, in Africa. Before too long he was finally able to visit the continent, gleaning rhythms and studying new instruments. After his return to do a Masters at SOAS (the School of Oriental and African Studies), performing here and there, he set about on numerous projects. Sementes (2008), his first CD (meaning ‘seeds’), “was a slow creative process, but ever such a special oneâ€?, he reflects. The mixture of jazz, drums, Brasil, Africa and Europe was inspired by diversity he found in his daily life. “In Europe you meet people from all over the world, different cultures and tastes, it’s very rich in that senseâ€?. For almost a year, Adewale's been artist in residence at the University of Essex, where, together with the company Segue, he’ll lead Festival Brasileiro. Beyond this project he’s got various London shows and in September is due to launch his new CD, RaĂ­zes (Roots), a natural growth from Sementes. He says that for the audience it’s easy for them to conjure imagery through his music, and has his fingers crossed the new album continues to invoke this: “I hope this feeling is strong with the song ‘Family Album’, bearing that certain saudade (a fond longing) for Brasil and familyâ€?. And speaking of Brasil, his journey back is already on his mind, after all a true Brasilian never loses that love for home. “I want to return but to take with me what I’ve learnt. I dream of creating a cultural centre and working with the community. To me, this is music, a social instrumentâ€?. ,& '' ,WPING&TWOU B6N '%&%

6eZhVg YZ c d i d [Vbdhd! 6Yg^Vcd 6YZlVaZ ‚ jb cdbZ fjZ kVaZ V eZcV hZ iZg cV bZb‹g^V# :hiZ bÂ?h^Xd WgVh^aZ^gd! bZ^d V[g^XVcd! fjVhZ adcYg^cd Z XdbeaZiVbZciZ \adWVa X]Z\dj V AdcYgZh ]{ YZo Vcdh Z ]d_Z Xdcfj^hiV eÂ?Wa^Xdh Zb idYV V eVgiZ# 8]Z^d YZ ZcZg\^V Z egd_Zidh! 6YZlVaZ hZ VeV^mdcdj eZaV bÂ?h^XV fjVcYd Xg^Vc V! VigVk‚h YZ hZj VkÂ?# 8dbd bj^idh WgVh^aZ^gdh! kZ^d V AdcYgZh eVgV Xdc]ZXZg djigV XjaijgV Z VegZcYZg ^c\a„h# D bdi^kd eg^cX^eVa! edg‚b! ZgV ZhiVg bV^h eg‹m^bd YV Ă›[g^XV! dcYZ Zhi d hjVh gV†oZh# 9Zed^h YZ jb iZbed! Ă’ cVabZciZ eÂ?YZ k^h^iVg d Xdci^cZciZ V[g^XVcd! dcYZ ZhijYdj cdkdh g^ibdh Z ^chigjbZcidh# 6e‹h kdaiVg! [VoZg bZhigVYd cd HD6H HX]dda d[ Dg^ZciVa VcY 6[g^XVc HijY^Zh Z idXVg Vfj^ Z Va^! XdbZ dj V XgZhXZg Z ]d_Z egdYjo ^cÂ?bZgdh egd_Zidh# HZbZciZh '%%- ! hZj eg^bZ^gd 89! Æ[d^ jb egdXZhhd Xg^Vi^kd aZcid! bVh bj^id ZheZX^VaÇ! ZaZ XdciV# :hiV b^hijgV YZ _Voo! WVi^YVh! 7gVh^a! Ă›[g^XV Z :jgdeV [d^ ^che^gVYV eZaV Y^kZgh^YVYZ fjZ dWhZgkV Zb hZj Xdi^Y^Vcd# Æ6fj^ cV :jgdeV kdX„ ZcXdcigV eZhhdVh YZ idYd d bjcYd! XjaijgVh Z hZch^W^a^YVYZh Y^[ZgZciZh! ‚ bj^id g^XdÇ# ={ fjVhZ jb Vcd! 6YZlVaZ ‚ gZh^YZciZ YV Jc^kZgh^YVYZ YZ :hhZm! dcYZ gZVa^oVg{ cd Ă’ cVa YZ bV^d! _jcid Xdb V XdbeVc]^V ĂˆHZ\jZÉ! d ;Zhi^kVa 7gVh^aZ^gd# 6a‚b YZhiZ egd_Zid! ZaZ iZb djigdh Zb AdcYgZh Z eaVcZ_V eVgV hZiZbWgd d aVc VbZcid YZ hZj cdkd 89 GV†oZh! fjZ Y{ Xdci^cj^YVYZ V HZbZciZh# :aZ XdbZciV fjZ d ejWa^Xd XdhijbV [VX^abZciZ k^hjVa^oVg ^bV\Zch VigVk‚h YZ hjVh XVc Â?Zh Z ZaZ ZheZgV fjZ ^hhd eZgbVcZ V Xdb d cdkd {aWjb/ ÆZheZgd fjZ d h^ciVb Xdbd V bÂ?h^XV Ăˆ;Vb^an Ă›aWjbÉ! fjZ igVo VfjZaV hVjYVYZ Yd 7gVh^a Z YV [Vb†a^VÇ# : edg [VaVg Zb 7gVh^a! d gZidgcd iVbW‚b Zhi{ Zb hZjh eaVcdh! VĂ’ cVa d Wdb WgVh^aZ^gd cjcXV YZ^mV YZ VbVg V eg^bZ^gV XVhV# ÆFjZgd kdaiVg Z aZkVg d fjZ VegZcY^# :heZgd Xdchigj^g jb XZcigd XjaijgVa Z [VoZg igVWVa]dh Xdb V Xdbjc^YVYZ# EgV b^b bÂ?h^XV ‚ ^hhd! jb ^chigjbZcid hdX^VaÇ# ,& D[ %CTQN /QTCPFKPK

.1?6ÂĄ;< .1ÂĄDÂĄ9ÂĄ @

HJBB:G H=DLH

BVn '&hi" '(gY ;Zhi^kVa 7gVh^aZ^gd 5 Jc^ d[ :hhZm/ bjh^X! i]ZVigZ! Ò ab VcY YVcXZ! l^i] X]dgd! WdhhV hVbWV! eajh V `^YhÉ 7jbWV BZj 7d^ ldg`h]de! VcY 6Yg^Vcd VcY JbeViVXjb a^kZ# ZhhZm#VX#j`$Vgihdc* ?jcZ '*i] 8DA; '%&% 8^in d[ AdcYdc ;Zhi^kVa 6Yg^Vcd l^aa aZVY V eZgXjhh^kZ egdXZhh^dc eaVn^c\ ^chigjbZcih XgZViZY Wn X]^aYgZc# HZZ lll#Xda[#dg\ ?jan *i] 8DA; '%&% 6Yg^Vcd l^aa eZg[dgb l^i] e^Vc^hi ?dVccV BVX\gZ\dg VcY 7g^iiZc H^c[dc^V#

A52 3B99 6;A2?C62D ?JC<A:9GJBHDCA>C:#8DB

URKEGU

WB;©Y¢ ?¢CV¢D@

01 <S aU¢ :<;aU

I=: IDE G:A:6H:H D; I=: BDCI=

mambo ska

H@6 8J76CD 86H>CD HDJC9H

NZh! nZh! nZh# I]Zn VgZ WVX`# I]Z gddih gdX`^c\! gVc`^c\ VcY h`Vc`^c\! XjbW^V! bVbWd! aVi^cd! XVg^WWZVc bjai^ cVi^dcVa^hi! [Zhi^kVa [Vkdjg^iZh H`V 8jWVcd! l^i] V \gZVi [daadl je i]^gY VaWjb# ;^[iZZc igVX`h d[ h]ZZg YZa^\]i! i]ZgZ VgZ WgVcY cZl hdc\h lg^iiZc Wn i]Z WVcY VcY V [Zl XaVhh^X XdkZgh a^`Z Aje^iV VcY IZfj^aV# CViin 7d Vh ValVnh \j^YZh [gdb i]Z ]Zab ^c ]^h ^cZk^iVWaZ h]dlbVch]^e hinaZ l^i] V \gZVi WVcY WZ]^cY ]^b ^cXajY^c\ i]Z aZ\ZcYVgn 7Zccn 7^aan! :YY^Z IVc IVc I]dgcidc! B^hh BZ\d VcY 8Vgadh EZcV# >[ ndjÉkZ ZkZg hZZc i]^h WVcY a^kZ ndjÉaa `cdl i]Vi a^kZ i]Zn VgZ V h]dl cdi id WZ b^hhZY! VcY i]Vc`[jaan i]Z he^g^i VcY fjVa^in ^h eVX`V\ZY ]ZgZ l^i] Wg^bb^c\ ZmjWZgVcXZ# BVbWd VcY h`V! \Zi gZVYn id h]^bbn! ^iÉh \dccV WZ V hjbbZg hdjcYigVX`# 7N GJHH ?DC:H

oro

8=D8 FJ>7 IDLC LDGA9 8DCC:8I>DC

>iÉh cd ldcYZg i]Vi \adWVa bjh^X ^h dc i]Z

g^hZ VcY AVi^c bjh^X ^h ide d[ i]Z e^aZ l]Zc ndj ]VkZ \gZVi WVcYh a^`Z 8]dX Fj^W Idlc dc i]Z WadX`# =ZgVaY^c\ [gdb i]Z eVX^Ò X XdVhi gZ\^dc d[ 8dadbW^V VcY i]Z egdk^cXZ d[ 8]dXd! i]ZnÉkZ V cZl VaWjb dji! VcY ^ih V Xdg`Zg# :bWgVX^c\ i]Z [da`adg^X gddih d[ i]Z^g bdi]ZgaVcY [jhZY l^i] ]^e"]de! hdja! YVcXZ]Vaa! 6[g^XVc ZmegZhh^dch VcY cVi^kZ g]ni]bh! ^iÉh V hda^Y eVX`V\Z [gdb WZ\^cc^c\ id ZcY# Idd bVcn hiVcYdji igVX`h! Wji dcZh id a^hiZc dji [dg VgZ i]Z Vci]Zb^X HVc 6cidc^d! Dgd VcY Hdbdh EVX^Ò Xd# I]Z a^kZ h]dl ^h ZfjVaan k^WgVci VcY ndj XVc XViX] i]Zb i]^h hjbbZg Vi i]Z ?Voo 8V[ dc BVn ')i] l^c i^X`Zih dc e#. VcY Vi AdkZWdm ^c ?jan# ;dg\Zi VWdji YdlcadVY^c\ V [Zl dYY igVX`h Ä \d Wjn i]Z l]daZ VaWjb# Ndjg È89É XdaaZXi^dc YZhgkZh ^i# 7N GJHH ?DC:H

amar la trama

?DG<: 9G:MA:G L6GC:G BJH>8

Jgj\jnVc ?dg\Z 9gZmaZg ^h XjggZcian dcZ d[ i]Z bdhi gZheZXiZY h^c\Zg hdc\Zlg^iZgh ^c AVi^c 6bZg^XV# L^cc^c\ Vc DhXVg [dg i]Z hdc\ 6a Digd AVYd 9Za G^d [gdb i]Z Ò ab BdidgXnXaZ 9^Vg^Zh ]^\]a^\]iZY ]^h jc^kZghVa VeeZVa cdi dcan ^c ]^h dlc Xdci^cZci Wji VXgdhh i]Z \adWZ# =^h [dgbjaV d[ YZa^XViZan XgV[iZY hdc\h VcY eaVn[ja hidgniZaa^c\ ]VhcÉi X]Vc\ZY bjX] dkZg i]Z nZVgh Wji gZVX]Zh cZl ]Z^\]ih

ADC9DC 8DAA:8I>K: H 76C<A69:H=>"8J76C 7A:C9 ]ZgZ eVgi^XjaVgan dc i]Z [VciVhi^X WgddY^c\ YjZi l^i] VXigZhh VcY \^ga[g^ZcY AZdcdg LVia^c\ dc IdfjZ YZ FjZYV! VcY i]Z _dndjh AVh IgVchjZciZh [ZVijg^c\ i]Z HeVc^h] \j^iVg d[ ?dhZb^ 8Vgbdc VcY XdbeaZiZ l^i] V X^gXjh [Vc[VgZ ^ciZgajYZ b^YlVn i]gdj\] i]Z hdc\# I]ZgZÉh V ldcYZg[ja a^\]icZhh d[ idjX] i]gdj\]dji VcY i]Z ^bbVXjaViZ egdYjXi^dc ^h V \gZVi VX]^ZkZbZci# A^[Z V[Ò gb^c\ hij[[ 7N 86A ?69:G

cuba libre >G6@:G: ;6G DJI

I]^h VaWjb ^h i]Z gZ" ^hhjZ d[ V &.-% ?VeVcZhZ k^cna AE! WZ^c\ aVjcX]ZY [dg i]Z Ò ghi i^bZ djih^YZ d[ ?VeVc# 7VX` i]Zc! 8]jX]d KVaYZh >gV`ZgZ lVh Vi ^ih WZhi VcY bdhi egdYjXi^kZ eZg^dY! hi^aa l^i] igjbeZiZg 6gijgd HVcYdkVa dc WdVgY# BjX] ZVga^Zg i]Vc 7jZcV K^hiV HdX^Va 8ajW! i]^h WVcY lVh i]Z Ò ghi d[ 8jWVc _Voo id XdcfjZg VjY^ZcXZh ldgaYl^YZ! VcY a^hiZc^c\ id i]^h VaWjb dcZ XVc iZaa l]n# 6aa i]Z hdc\h lZgZ eZg[ZXian egdYjXZY VcY eZg[dgbZY# I]^h ^h 8jWVc _Voo Vi ^ih WZhi VcY i]ZgZ ^h a^iiaZ ldcYZg Vh id l]n i]Zn lZgZ VlVgYZY V <gVbbn i]Z nZVg WZ[dgZ ^c &.,.! [dg i]Z^g egZk^djh VaWjb >gV`ZgZ# I]Z^g aVhi VaWjb Vh >gV`ZgZ lVh ^c &..- VcY! h^cXZ i]Zc! dcan 7"h^YZh dg gVg^i^Zh ]VkZ WZZc gZaZVhZY! bjX] id i]Z^g [VchÉ VeegZX^Vi^dc# 7N :G>@6 I6B7@:

I]Z bdhi Xdadjg[ja d[ XdaaVWdgVi^dch 7DG9:G 8DCIGDA

cd k^hV cZXZhhVgn Who'd ever imagine that one day a London-based collective would build a cultural bridge between Cuba and Bangladesh? The Lokkhi Terra project, and the album they’ve just released, is just as incredible as this idea. The musical imagination and global vision of Bengali pianist Kishon Khan led him to put together a multicultural combo with worldclass musicians like jazz artist Finn Peters, Brasil’s Kassin Alexandre (Moreno/Domenico/ Kassin +2), Stephane San Juan (Amadou & Mariam), Hilaire Penda (Trilok Gurtu), recording in Rio, Dhaka, La Havana & London. A sensual jazzy feeling embraces No Visa Required, featuring soulful Bengali voices of Sohini Alam and Aneire Khan, Afro-Latin rhythms and refined Indian classical music. This musical 'OVNI' has taken off from cosmopolitan London city and can be seen at night from the Caribbean Sea to the Far-East mountains... ,&

7B;49¢ @ a<= " <;96;2 36;1@ '$ ch iYhk\\ li a_hijo Wbc[_ZW q hdjcYXadjY ($ iY^bWY^je\Xhedn feZWYWij q hZVgX] Wdi] ldgYh )$ Xehd \h[[ % C$?$7 q [i >\dg 8VkVaZgV 9^ead

FjZb edYZg^V ^bV\^cVg fjZ jb Y^V jb XdaZi^kd YZ AdcYgZh edYZg^V Xdchigj^g jbV edciZ XjaijgVa ZcigZ 8jWV Z 7Vc\aVYZh]4 D egd_Zid Ad``]^ IZggV Z hZj gZX b"aVc VYd {aWjb h d i d ^cXg kZ^h fjVcid ZhiV ^YZ^V# 6 ^bV\^cV d bjh^XVa Z k^h d \adWVa Yd e^Vc^hiV WZc\Va^ @^h]dc @]Vc d aZkdj V Xdbedg jb XdbWd bjai^XjaijgVa Xdb b h^Xdh ^ciZgcVX^dcV^h Xdbd d Vgi^hiV ;^cc EZiZgh! d WgVh^aZ^gd @Vhh^c 6aZmVcYgZ! HiZe]VcZ HVc ?jVc 6bVYdj Z BVg^Vb ! =^aV^gZ EZcYV Ig^ad` <jgij ! \gVkVcYd d {aWjb cd G^d YZ ?VcZ^gd! 9]V`V! =VkVcV Z AdcYgZh# Jb hZci^bZcid hZchjVa Xdb jb idfjZ YZ _Voo ZckdakZ Cd K^hV GZfj^gZY! fjZ iZb V eVgi^X^eV d YVh kdoZh YZ Hd]^c^ 6aVb Z 6cZ^gZ @]Vc! g^ibdh Zhe^g^ijV^h aVi^cd"V[g^XVcdh Z V gZÒ cVYV b h^XV Xa{hh^XV ^cY^VcV# Jb DKC> bjh^XVa fjZ VXVWV YZ YZXdaVg Z edYZ hZg k^hid | cd^iZ YZhYZ d bVg XVg^WZc]d Vi Vh adc\ cfjVh bdciVc]Vh Yd ZmigZbd aZhiZ### ,& D[ &, +\GO

C27. < D2/@6A2 =.?. . :CIG:K>HI6 8DB @>H=DC @=6C

AD@@=> I:GG6 CD K>H6 G:FJ>G:9 ;jc`^lVaV GZXdgYh

*$ J@< iekdZ#coaeb ehj^eZen q BZm^XVc bVh] jeh +$ `e e XhWi_b q (+* bVh] je Wad\hedi

') ,WPING&TWOU B6N '%&%

E>8IJG:H 7N H>AK>6 8GJO

move your body

'+ ,WPING&TWOU B6N '%&%

cover feature

_jhi

:7D9; YQTFU D[ #PC $TCUKN RKEVWTG D[ 6JGNNKWU <CORTQIPQ

JUNGLE HEADS OUT INTO THE FIELD TO FIND THE BEST TIPS FROM THE WORLD OF DANCE IN LONDON

6 ?JC<A: H6> :B 86BED E6G6 :C8DCIG6G 6H B:A=DG:H 9>86H 9D BJC9D 96 96Cv6 :B ADC9G:H#

“I got married at forró”, says Aruna de Oliveira Costa. Her statement might sound weird at first, but it represents how something first tried as a matter of curiosity can evolve into a hobby and become an important part of someone’s life – or even to mark the consecration of a relationship, as happened with Aruna. ‘’I went to Brasil on holiday in 2003 and started practicing capoeira. Then I was introduced to forró. I now come here ever since it opened’’. By ‘here’, Aruna’s referring to Forró do Galpão, the weekly party which goes down at Corbet Place on Brick Lane. And that’s where she met her husband. ‘’The place is now part of my life, so when Juca and I decided to get married we chose to celebrate here after the ceremony in Brasil, and the organisers threw us a party’’, she says, in an almost perfect Portuguese, with a little Minas Gerais twang. Another English woman in love with forró, Bella

Æ:j bZ XVhZ^ cd [dgg Ç! Y^o 6gjcV YZ Da^kZ^gV 8dhiV# 6 [gVhZ! fjZ ^c^X^VabZciZ edYZ hdVg ZhigVc]V! bdhigV Xdbd Va\d fjZ XdbZ V YZkV\Vgo^c]d! Xdb jbV Xjg^dh^YVYZ! Z YZed^h VYdiVYd Xdbd jb ]dWWn! jbV Vi^k^YVYZ YZ aVoZg Z YZhXdcigV d! edYZ k^g V hZg jbV eVgiZ i d ^bedgiVciZ YV k^YV! X]Z\VcYd Vi V ÈVeVYg^c]VgÉ jb gZaVX^dcVbZcid# ;d^ ZmViVbZciZ d fjZ VXdciZXZj Xdb 6gjcV# Æ:b '%%(! [j^ eVgV d 7gVh^a YjgVciZ Vh [ g^Vh cV [VXjaYVYZ# A{ Xdc]ZX^ V XVedZ^gV! fjZ XdbZXZ^ V egVi^XVg Z VigVk h YZaV [j^ VegZhZciVYV iVbW b Vd [dgg # KZc]d Vfj^ egVi^XVbZciZ YZhYZ fjZ VWg^jÇ! Y^o# È6fj^É gZ[ZgZ"hZ Vd ;dgg Yd <Vae d! [ZhiV gZVa^oVYV idYV fj^ciV"[Z^gV cd 8dgWZi EaVXZ! Zb 7g^X` AVcZ! aZhiZ YZ AdcYgZh# ;d^ a{ fjZ 6gjcV Xdc]ZXZj hZj bVg^Yd! ?jXV# Æ:hiZ aj\Vg hZ idgcdj eVgiZ YV b^c]V k^YV# IVcid fjZ fjVcYd YZX^Y^bdh cdh XVhVg! Va b YV XZg^b c^V cd 7gVh^a! gZhdakZbdh XdbZbdgVg Vfj^ iVbW b! \Vc]Vbdh jbV [ZhiV Ydh dg\Vc^oVYdgZhÇ! Y^o ZaV! Zb edgij\j h fjVhZ eZg[Z^id Z Vi jbV edci^c]V YZ hdiVfjZ b^cZ^gd#

B6>D '%&% ,WPING&TWOU ',

maria rita

9ZY^XVi^dc! eZgh^hiZcXZ VcY eZghZkZgVcXZ VgZ hi^aa i]Z WZhi lVn id gZVX] Vcn \dVah ^c a^[Z# AZVgc^c\ id YVcXZ ^h cd Y^[[ZgZci# I]Z bdgZ ndj egVXi^XZ! i]Z bdgZ ndj eZg[ZXi ^i! gZ\VgYaZhh d[ l]^X] g]ni]b ndj ]VkZ V \d Vi ROSA NAZIRA, DANCE INSTRUCTOR

SAMBA I]Z jai^bViZ hnbWda d[ i]Z ^YZci^in d[ 7gVh^a^Vc bjh^X! hVbWV WZVgh gddih ^c 6[g^XVc YVcXZh VcY lVh YZkZadeZY [gdb 7V]^Vc hVbWV gdYVh ^c V gdjcY ! l^i] i]Z 6[gd"7gVh^a^Vc hinaZ [gZfjZcian VhhdX^ViZY id XVedZ^gV# EVgi d[ 7gVh^a^Vc 8jaijgVa =Zg^iV\Z! hVbWV Vh ^i ^h l^YZan `cdlc idYVn lVh Wdgc ^c G^d! ^c &.&,! VcY [gdb i]^h XVbZ he^c"d[[ kVg^Vi^dch d[ i]Z hinaZ hjX] Vh hVbWV YZ \VÒ ZgV! eVgi^Yd Vaid VcY eV\dYZ# I]Z ZhhZci^Va hdjcY ^h WVh^XVaan bVYZ l^i] hig^c\ VcY eZgXjhh^kZ ^chigjbZcih#

Dodds, 25, comes to Forró do Galpão whenever she can. “People here are a family. Many are frequent punters and everybody is up for dancing and having fun. The atmosphere conquered me’’, she tells, and not only the atmosphere, as Bella also met her other half, Jonata, at Corbet Place. Her love for Latin rhythms began in her teenage years and she’s mastered salsa, samba, axé and lambada. She even happily gives hints and pointers to those willing to have a go. ‘’Samba is much harder to learn than forró, where the pace is more obvious. Samba can be very quick and tricky to follow, while I didn’t have any trouble learning forró’’. Aruna agrees: “if the man knows how to dance, the women learns faster; it gets easier for us’’. Sizzling and packed, Forró do Galpão has been such a hit that some punters have teamed up to organise a second event on Mondays, but they make it clear that it’s not a replacement event. “Galpão remains strong’’, says DJ James Lawrence, whose own forró story is rather curious. He first experienced

paraíso school of samba LZYcZhYVnh 5 DaY HigZZi I]jghYVnh 5 7g^midc ,#(%eb id -#(%eb WZ\^ccZgh -#(%eb id .#(%eb ^ciZgbZY^ViZ , * l^i] hijYZci XVgY

;Va`^g` HigZZi C& +=F $ 7g^midc =^aa HL' &?; %'% ('.& '(.% E6G6>HDH6B76#8D#J@

london school of samba

east london dance

guanabara

HigVi[dgY 8^gXjh :&* &7M

EVg`Zg HigZZi L8' *EL %'% ,')' -+%

IjZhYVnh -".#(%eb " '* ;jaa iZgb :6HIADC9DC6C8:#DG<

BdcYVnh ,#(%"-eb ;G:: <J6C676G6#8D#J@

gandaia arts

canecão

<6C96>6#DG<

&, Ndg` LVn GY# C, .F< %'% ,)-* ),(-

HVbWV gZ\\VZ VcY BVgVXVij KVg^djh i^bZh VcY eaVXZh

HjcYVnh [gdb *eb ;G:: 86C:86DADC9DC#8DB

HjcYVnh +",#(%eb ) 7Vna^h GY# H:& ,66

ADC9DCH8=DDAD;H6B76#8D#J@

DjigV ^c\aZhV VeV^mdcVYV edg [dgg ! 7ZaaV 9dYYh! YZ '* Vcdh iVbW b YVc V cd <Vae d hZbegZ fjZ edYZ# Æ6fj^ Vh eZhhdVh h d Xdbd jbV [Vb a^V " bj^idh h d [gZfjZciVYdgZh Vhh Yjdh Z idYd bjcYd Zhi{ Y^hedhid V Zch^cVg V YVc V Z hZ Y^kZgi^g# ;d^ Vhh^b fjZ d VbW^ZciZ bZ Xdcfj^hidjÇ! XdbZciV# 7ZaaV! fjZ iVbW b Xdc]ZXZj d hZj fjZg^Yd! d WgVh^aZ^gd YZ HVciV 8ViVg^cV ?dcViV! cd ;dgg Yd <Vae d! Y^o fjZ YZhXdWg^j dh g^ibdh aVi^cdh cV VYdaZhX cX^V! Z iVbW b YVc V hVahV! hVbWV! Vm Z aVbWVYV# EVgV fjZb fjZg hZ ^c^X^Vg cdh g^ibdh WgVh^aZ^gdh! ZaV Y{ V Y^XV/ Æd hVbWV WZb bV^h Y^[ X^a YZ VegZcYZg fjZ d [dgg ! dcYZ d g^ibd bV^h Wk^d# D hVbWV edYZ hZg bj^id g{e^Yd Z bV^h Xdbea^XVYd YZ VXdbeVc]Vg! _{ d [dgg ! Zj c d i^kZ Y^[^XjaYVYZ cZc]jbV eVgV VegZcYZgÇ# 6gjcV XdcXdgYV# ÆHZ d ]dbZb hVWZ YVc Vg! V bja]Zg VegZcYZ bj^id g{e^Yd! WZb bV^h [{X^a eVgV V \ZciZÇ# 6c^bVYd Z WZb X]Z^d! d ;dgg Yd <Vae d [Vo iVcid hjXZhhd fjZ Va\jch Ydh [gZfjZciVYdgZh hZ jc^gVb eVgV Xg^Vg jbV cdkV cd^iZ YZ [dgg ! V\dgV |h hZ\jcYVh"[Z^gVh# BVh YZ^mVb XaVgd fjZ c d hZg{ jbV hjWhi^ij^ d/ ÆD <Vae d Xdci^cjV [^gbZ Z [dgiZÇ! Y^o ?VbZh AVlgZcXZ# 9? Yd adXVa! ZaZ iZb jbV ]^hi g^V WVhiVciZ Xjg^dhV# 8dc]ZXZj d [dgg ]{ Yd^h Vcdh cd '- ,WPING&TWOU B6N '%&%

IT’S QUITE HARD TO GET TO GRIPS WITH LEADING THE STEPS, SOMETHING ESSENTIAL FOR A FORRÓ DANCER. YOU HAVE TO PRACTICE

<jVcVWVgV! WVg Xdb iZb{i^XV WgVh^aZ^gV cV gZ\^ d YZ =daWdgc! Z VeZhVg YZ c d ZciZcYZg cVYV YZ edgij\j h! [^Xdj ZcXVciVYd Xdb V hdcdg^YVYZ YVh b h^XVh0 edg XZgXV YZ d^id bZhZh [Zo VjaVh gZ\jaVgZh! Z Xdci^cjV egVi^XVcYd Vi ]d_Z# ÆC d hVW^V Yd fjZ ZhiVkVb [VaVcYd! bVh XdchZ\j^V hZci^g V Zbd d YVh XVc Zh# IVbW b bZ hZci^ bj^id WZb YVc VcYd i d eg m^bd V jbV bja]Zg! d fjZ c d Xdbjb cV >c\aViZggV Z c d Zhi{ cVh cdhhVh igVY^ ZhÇ! V[^gbV# 9Zed^h Y^hhd! V^cYV hZb ZciZcYZg Vh aZigVh! idgcdj"hZ 9? Yd ;dgg Yd <Vae d! d fjZ Y^o [VoZg ejgVbZciZ edg Y^kZgh d# ?VbZh XdbZciV fjZ eVgV d ]dbZb edYZg VaXVc Vg jb Wdb c kZa Xdbd YVc Vg^cd YZ [dgg ! ^bedgiVciZ egVi^XVg hZbegZ# ÆD bV^h Y^[ X^a VegZcYZg V a^YZgVg Z \j^Vg dh eVhhdh! d fjZ ZhhZcX^Va eVgV jb YVc Vg^cd YZ [dgg Ç! XdcXaj^# BVh d [dgg Zhi{ adc\Z YZ hZg d c^Xd g^ibd WgVh^aZ^gd fjZ [Vo hjXZhhd Zb AdcYgZh# D hVbWV! VeZhVg YZ igVY^X^dcVa Z [Vbdhd ]{ WVhiVciZ iZbed! Xdci^cjV VigV^cYd egVi^XVciZh Z hZ\j^YdgZh# FjZ d Y^\V GdhV CVo^gV! egd[ZhhdgV YV bdYVa^YVYZ ]{ bV^h YZ &% Vcdh# 6 WgVh^aZ^gV fjZ Zhi{ Vfj^ YZhYZ &..,! Z Zch^cV hVbWV cd <jVcVWVgV YZhYZ V ^cVj\jgV d Yd adXVa! XdciV fjZ dh ^c\aZhZh cjcXV YZ^mVb YZ hZ VeV^mdcVg eZad g^ibd bV^h

cover feature

forró two years ago, at Guanabara, and even though he doesn’t speak a word of Portuguese, Lawrence took eight months of dancing classes. “I didn’t know what the songs were about, but I could get their feel. It was also rather pleasant to dance so close to a woman, something not so common in England, as it’s not part of our tradition’’, he explains. For James, practice is the only the way towards perfection for a male dancer. “It’s quite hard to get to grips with leading the steps, something essential for a forró dancer. You have to practice all the time’’. Forró, however, is by no means the only Brasilian rhythm enjoying popularity in London. Samba, albeit more traditional and known worldwide now for a long time, still attracts its followers in the capital. Rosa Nazira, who’s been teaching samba classes for more than 10 years, says that British men and women have never given up on the famous rhythm from the streets of Rio de Janeiro. She feels touched by the amount of elderly students in her classes. “It’s so surprising.

guanabara

IjZhYVnh ,".eb , XaVhhZh ^cXajYZ XajW [ZZ EVg`Zg HigZZi L8' *EL %'% ,')' -+% <J6C676G6#8D#J@

hampstead school of latin dance

KVg^djh i^bZh , [dg &] $ &% [dg '] :megZhh^dch HijY^dh (."*& =^\]\ViZ GY# CL* &GH $ %'% ,.&+ *&).

Love Lambada

,eb " 7Z\^ccZg $ >begdkZgh $ -eb JeeZg aZkZah , eZg XaVhh! &% [dg Wdi] '.& " '.( @^c\ HigZZi L+ .C=

8J7:96C8:#8DB

ADK:A6B7696#8DB

brazilian Social dance

zouk lambada

?VX`hdch AVcZ I]ZVigZ '+.6 6gX]lVn GY# C+ *66 $ %,* ((,* '-&%

6Yg^Vcd " %,. *-'- %%*(

;g^YVnh -".eb ,# Di]Zg i^bZh VcY hinaZh [gdb +

Eg^kViZ XaVhhZh dcan '*ee [dg &] ODJ@A6B7696#8DB

7G6O>A>6CHD8>6A96C8:#8D#J@

XVg^dXV YZ idYdh# HdWgZ V [gZfj cX^V YZ hjVh VjaVh! GdhV XdbZciV hZ ZbdX^dcVg Xdb V fjVci^YVYZ YZ eZhhdVh bV^h kZa]Vh fjZ hZ Zc\V_Vb Zb VegZcYZg d g^ibd# ÆÉw hjgegZZcYZciZ# :aZh YVc Vb hZb eVgVg! hZb bZYd YZ hZg [Za^o Z VegdkZ^iVg d bdbZcidÇ! Y^o# G^ibdh aVi^cdh! Xdbd V hVahV! iVbW b h d \VgVci^V YZ cd^iZh Y^kZgi^YVh cV XVe^iVa Yd GZ^cd Jc^Yd# JbV YVh bV^dgZh Y^[^XjaYVYZh Zb hZ VegZcYZg V YVc V ZciZcYZg d XdbeVhhd bjh^XVa eVgV bdkZg"hZ cd iZbed XZgid# GdhV! fjZ iVbW b Y{ VjaVh YZhiZ Zhi^ad! Y^o fjZ eVgV fjZb gZVabZciZ fjZg VegZcYZg d XdchZa]d fjZ Xdch^YZgV ^YZVa eZgh^hi^g# ÆFjZgZg edYZg# 9ZY^XV d Z eZgh^hi cX^V Xdb eZghZkZgVc V h d jb XdchZa]d Vci^\d! bVh Xdci^cjVb hZcYd V bZa]dg bVcZ^gV YZ hZ VaXVc Vg fjVafjZg dW_Zi^kd cV k^YV# 6egZcYZg V YVc Vg c d [d\Z V gZ\gV/ fjVcid bV^h hZ egVi^XV bV^h hZ VeZg[Z^ dV! c d ^bedgiV d g^ibdÇ! Y^o Xdc[^VciZ# : jbV cdk^YVYZ fjZ kZb Xdcfj^hiVcYd WVhiVciZ \ZciZ V aVbWVYV odj`# Dj hZg^V odj` aVbWVYV4 D egd[Zhhdg YV bdYVa^YVYZ! @aZWZg HVjYZ! gZhedcYZ/ ÆC d ]{ [dgbV c^XV YZ [VaVg# 8dbd d Zhi^ad hjg\^j YZ jbV [jh d! ]{ VYVeiV Zh# 6a\jbVh eZhhdVh jhVb V^cYV jb iZgXZ^gd iZgbd! Èodj`

E>8IJG:H 6C9Gw HIw;6CD

LAMBADA + ZOUK

AVbWVYV VeeZVgZY ^c i]Z cdgi] d[ 7gVh^a Yjg^c\ i]Z &.,%h# 6h l^i] hVahV! ^i Vahd YZg^kZh [gdb V [jh^dc d[ hinaZh hjX] Vh \j^iVggVYV V \ZcgZ [gdb EVg{ ! bZgZc\jZ VcY XjbW^V# 7ZXdb^c\ edejaVg ^c i]Z aViiZg nZVgh d[ i]Z -%h! i]Z hinaZ Xdci^cjZh id WZ gZk^iVa^oZY i]gdj\] ^ih [jh^dc l^i] odj`! V bjh^XVa \ZcgZ [gdb i]Z ;gZcX] LZhi >cY^Zh l]^X] bZVch ÈeVginÉ# I]Z dg^\^cViZY hinaZ! aVbWVYV odj`! Vahd `cdlc Vh 7gVh^a^Vc odj`! ^h V W^i hadlZg i]Vc igVY^i^dcVa aVbWVYV VcY ^hcÉi YVcXZY ZmXajh^kZan id i]Z g]ni]b d[ odj`#

WgVh^aZ^gdÉ! eVgV Y^[ZgZcX^{"ad Yd XVg^WZc]dÇ# EVgV fjZb c d hVWZ! V Y^[ZgZc V ZcigZ ZaZh V kZadX^YVYZ0 d g^ibd dg^\^cVa bV^h aZcid! eZgb^i^cYd bV^h Ygdeh YZ Xdged Z XVWZ V# ?{ d WgVh^aZ^gd iZb jb g^ibd jb edjXd bV^h VXZaZgVYd Vegdm^bVcYd"hZ YV aVbWVYV dg^\^cVa# : Zb AdcYgZh! fjVa [Vo bV^h hjXZhhd4 ÆDh Yd^h# CV YVc V hZbegZ ]{ bj^iV egdXjgV eZadh bV^h kVg^VYdh Zhi^adhÇ! V[^bV @aZWZg#

AVbWVYV Odj` ^h V [jh^dc hinaZ# [jh^dc hinaZ# HdbZ eZdeaZ ZkZc XVaa ^i i]Z 7gVh^a^Vc Odj` id Y^[[ZgZci^ViZ [gdb i]Z 8Vg^WWZVc kVg^Vi^dc L]^X] dcZ ^h bdgZ hjXXZhh[ja4 7di]# 9VcXZ ^h ValVnh ^c YZbVcY [dg ZkZgn `^cY d[ hinaZÇ KLEBER SAUDE, DANCE INSTRUCTOR

67G>A '%&% ,WPING&TWOU '.

FORRÓ

move your body

JEAN ABREU 7VhZY ^c AdcYdc [dg &' nZVgh! ?ZVc 6WgZj [dgbh eVgi d[ i]Z iZVb d[ 7gVh^a^Vc YVcXZgh l]dÉkZ VX]^ZkZY hjXXZhh djih^YZ d[ i]Z^g Xdjcign# =^h _djgcZn! ]dlZkZg! lVh i]Z deedh^iZ d[ i]Vi jcYZgiV`Zc Wn bdhi YVcXZgh ]ZgZ# L]^ahi bdhi XdbZ [gdb V bdgZ XaVhh^XVa WVX`\gdjcY ^c 7gVh^a VcY YZX^YZ id ZmeadgZ i]Z^g AVi^ccZhh jedc Vgg^k^c\ ^c AdcYdc! ?ZVc! dc i]Z XdcigVgn! aZ[i WZ]^cY ]^h XVgZZg ^c WVaagddb YVcX^c\ id XdbZ VcY hijYn XdciZbedgVgn YVcXZ ^c AdcYdc! VcY ]Z cZkZg add`ZY WVX`# 6[iZg gZXZ^k^c\ V hX]daVgh]^e [gdb i]Z AVWVc 9VcXZ 8ZcigZ! ?ZVc lZci dc id hijYn VcY bdkZ ^cid X]dgZd\gVe]n! VcY YZX^YZY id hiVgi ]^h dlc XdbeVcn V[iZg l^cc^c\ i]Z ?ZglddY 8]dgZd\gVe]n 6lVgY ^c '%%(# L^i] ]^h cZl h]dl! >ch^YZ! d[Ò X^Vaan i]Z Ò ghi Wn ?ZVc 6WgZj 9VcXZ! ]Z ZmeadgZY i]Z Zck^gdcbZci d[ eg^hdc! YgVl^c\ ]ZVk^an dc ]dl i]Z WdYn VcY b^cY gZVXi id XdcÒ cZbZci# IV`^c\ i]Z eZg[dgbVcXZ id i]Z :Y^cWjg\] ;g^c\Z ;Zhi^kVa! [gdb 6j\jhi +i]" &'i]! i]Z h]dl! ^c XdaaVWdgVi^dc l^i] i]Z egd\gZhh^kZ gdX` WVcY +*YVnhd[hiVi^X! ^h YjZ ^c AdcYdc ^c DXidWZg '%&%# ?:6C67G:J#8DB

They dance non-stop, with no fear, just so willing to seize the moment’’, Rosa explains. Latin rhythms such as salsa are also a guarantee for fun in London. First, however, learners have to overcome the most basic difficulty of the process – getting the tempo right. In the specific case of salsa, Rosa prescribes persistence as the only medicine. “If you work your socks off you’ll get there. Dedication, persistence and perseverance form a well-known trio, but they are still the best way to reach any goals in life. Learning to dance is no different. The more you practice, the more you perfect it, regardless of which rhythm you have a go at’’. A new fever that’s been conquering revellers is lambada zouk. Kleber Saude, who teaches the rhythm, explains what it’s all about: “it’s hard to describe. It’s a fusion style, so there are adaptations. Some people even call it the Brasilian Zouk to differentiate from the Caribbean variation’’. For those who don’t know, the main difference is the tempo. The original version is slower and allows more body and head movements, while the Brasilian variation is a bit faster and closer to the original lambada. Which one is more successful? ‘’Both. Dance is always in demand for every kind of style’’, answers Kleber. More than merely a way to learn some new steps, the dance nights spread across London offer mental and physical benefits. Dance can also be a form of escaping a sedentary life with an activity so enjoyable that it disguises the effort made. Besides, it’s a great way to socialise, meet new people and shake off stress when dancing the night away. ,&

I]Z ldgY È[dgg É YZg^kZh [gdb i]Z iZgb [dggdWdY ! l]^X] ^c i]Z 6[g^XVc aVc\jV\Z 7Vcij bZVch VggVhiV"e ! [VggV ÈdcZ ]Zaa d[ V eVginÉ # Dg^\^cVaan! ^i lVh jhZY id YZhXg^WZ V eVgin Vi l]^X] g]ni]bh [gdb i]Z cdgi]ZVhi hjX] Vh WV^ d VcY mdiZ lZgZ eaVnZY! VcY ZkZcijVaan XVbZ id WZ i]Z cVbZ d[ i]Z bjh^XVa g]ni]b idd# >i WZXVbZ edejaVg ^c i]Z &.*%h VcY ]Vh Vh ^ih igVY^i^dcVa a^cZ je d[ bjh^X^Vch Vc VXXdgY^dc! V ig^Vc\aZ VcY V oVWjbWV V ineZ d[ Ygjb #

forró do galpão

I]jghYVnh +"&&#(%eb " ;G:: 8dgWZi EaVXZ :& +FG $ %'% ,,,% +&%%

forró family - bar 3one7 IjZhYVnh -".eb *

(&, ;^cX]aZn GY# CL( +:E $ %,- ())+ **,,

casa do forró

BdcYVnh [gdb ,eb ;G:: 8ajW 6fjVg^jb " '+' DaY HigZZi :8K& .99 ;DGGD#8D#J@ $ 8AJ76FJ6G>JB#8D#J@

guanabara

;dggd XaVhhZh ZkZgn HjcYVn ,#(%"-eb " ;G:: EVg`Zg HigZZi L8' *EL $ %'% ,')' -+% <J6C676G6#8D#J@

SALSA >c HeVc^h]! hVahV bZVch Èhe^XZÉ# I]Z 8jWVc g]ni]b! ZbZg\^c\ ^c i]Z &.+%h! ]Vh ^ih dg^\Zch ^c Èhdc XjWVcdÉ! bVbWd VcY 6[gdXVg^WWZVc gjbWV! WdbWV VcY eaZcV [gdb Edgid G^Xd! Wji Vahd idd` ^cÓ jZcXZ [gdb bZgZc\jZ! XjbW^V VcY _Voo! VcY idYVn Vaadlh ^c V kVhi b^mijgZ d[ hdjcYh id XgZViZ i]Z g]ni]b# L^cY ^chigjbZcih VgZ i]Z ]^\]a^\]i d[ V hVahV WVcY#

apt bar

BdcYVnh [gdb ,eb " + [dg &]g $ . [dg ']g &%"&* 6aYZgbVgn =djhZ :8)C &IM $ %'% ,+&- .%' 6EI76G#8D#J@

bar salsa

KVg^djh i^bZh VcY aZkZah .+ 8]Vg^c\ 8gdhh GY! Hd]d " L8'= $ %'% ,(,. (',, 76GH6AH6#:J

BV^h Yd fjZ VeZcVh jbV [dgbV YZ VegZcYZg Xdbd YVc Vg jb cdkd g^ibd! Vh cd^iZh YZ YVc V ZheVa]VYVh eZaV X^YVYZ d[ZgZXZb WZcZ[ X^dh [ h^Xdh Z bZciV^h# 9Vc Vg jbV [dgbV YZ hV^g Yd hZYZciVg^hbd egVi^XVcYd jbV Vi^k^YVYZ egVoZgdhV Zb fjZ V Y^kZgh d X]Z\V Vi V bVhXVgVg d Zh[dg d [Z^id# 6a b Y^hhd! jbV i^bV bVcZ^gV YZ hdX^Va^oVg! Xdc]ZXZg eZhhdVh cdkVh Z Va^k^Vg d higZhh YV gdi^cV Y^{g^V# ,&

bar23

I]jghYVnh ;G:: jci^a ,#(%eb0 V[iZg * [dg &]g '( Hid`Z CZl^c\idc GdVY! C&+ -7? $ %'%,"')&"'%+% 76G"'(#8D#J@

the factory dance & fitness IjZhYVnh [gdb ,#)*eb )%, =dgchZn GdVY C&. )9 ;68IDGNADC9DC#8DB

power dance system

LZYcZhYVnh -#(%eb " .#(%eb" - eZg XaVhh II 9VcXZ HijY^d! EdiiZgh 7Vg! =Zgi[dgYh]^gZ! :C+ &66 EDL:G96C8:HNHI:B#8DB

ÆHVbWV ^h bjX] ]VgYZg id aZVgc i]Vc [dgg ! l]ZgZ i]Z eVXZ ^h bdgZ dWk^djh# HVbWV XVc WZ kZgn fj^X` VcY ig^X`n id [daadl! l]^aZ > Y^YcÉi ]VkZ Vcn igdjWaZ aZVgc^c\ [dgg Ç

(% ,WPING&TWOU 6EG>A '%&%

BELLA DODDS, DANCE AFFICIONADO

richmond dance ;g^YVnh -/(% " ./(% eb

@Zl GdVY! G^X]bdcY IL. 'C6 G>8=BDC996C8:#8D#J@

salsaclub

6Yb^hh^dc * ( hijYZci l^i] >9 kVg^djh i^bZh VcY kZcjZh H6AH68AJ7#8D#J@

E>8IJG: I=:AA>JH O6BEGD<CD

cover feature seção

2010

dance GUIDE 5 days in may *I= " .I= B6N

EZg[dgbVcXZh! ldg`h]deh! edhi"h]dl iVa`h VcY YZWViZh l^aa d[[Zg i]Z VjY^ZcXZ i]Z X]VcXZ id ZmeZg^ZcXZ YVcXZ VcY ZbWgVXZ k^hjVa Vgih! iZmi VcY hed`Zc ldgY! Vahd bdk^c\ idlVgYh eZg[dgbVcXZ! a^kZ Vgi! ^chiVaaVi^dc VcY ZkZc XdbZYn# KVg^djh i^bZh VcY eg^XZh Hdji]WVc` 8ZcigZ

a triple celebration '*I= 6EG>A " &.I= B6N

I]Z GVbWZgi 9VcXZ 8dbeVcn ]dcdjgh i]Z a^[Z VcY ldg` d[ 6bZg^XVc YVcXZ ^Xdc BZgXZ 8jcc^c\]Vb! l^i] i]Z J@ gZk^kVa egZb^Zg d[ ]^h ^aajhig^djh e^ZXZ! GV^c;dgZhi# L^i] ^ih hXdgZ Wn 9Vk^Y IjYdg! gZÓZXi^kZ h^akZg e^aadlh Wn 6cYn LVg]da! ^iÉh V ldcYZg[ja VgiZ[VXi [gdb i]Z +%h#

HDJI=76C@8:CIG:#8D#J@ ™ %-)) -), ..&%

afro-cuban cultural weekend -I= " .I= B6N

I]Z 8jWVc HX]dda d[ 6gih ^h egdbdiZh gV^hZh [jcYh [dg i]Z 9:8 =V^i^ :Vgi]fjV`Z 6eeZVa i]Z JC>8:; =V^i^ :Vgi]fjV`Z 8]^aYgZcÉh 6eeZVa! l^i] V lZZ`ZcY ÒaaZY l^i] ldg`h]deh ^cXajY^c\ Vc ^ciZch^kZ 6[gd"8jWVc VcY =V^i^Vc YVcXZ egd\gVb# —&*"—*-! .#(%Vb".eb ( 8dgcZgh! Cdgi]Vbeidc GdVY " :8&G %=J 8J76CH8=DDA#8D#J@

babel

&- " &. B6N I=

I=

8dbeg^h^c\ d[ ÒkZ \^Vci WdmZh [dg &, YVcXZgh VcY bjh^X^Vch id ldg` ^c VcY VgdjcY! Zmeadg^c\ i]Z a^c`h WZilZZc Zi]c^X^in VcY ^YZci^in! VcY i]Z bni]h i]Vi h]VeZ djg WZa^Z[ hnhiZbh# —&%"—'* HVYaZgÉh LZaah! GdhZWjgn 6kZcjZ H69A:GHL:AAH#8DB

big dance bubble: portavilion '%I= " ')I= B6N

I]^h bdW^aZ! WjWWaZ"h]VeZY eVk^a^dc l^aa idjg i]Z XVe^iVa [gdb BVn i]gdj\]dji i]Z hjbbZg! igVch[dgb^c\ eVg`h VcY eaVn^c\ ]dhi id V YncVb^X egd\gVbbZ d[ ZkZcih! l^i] YVcXZ eZg[dgbVcXZh! ldg`h]deh VcY deZc hiV\Z YVcXZ _Vbh#

—-"—(HVYaZgÉh LZaah! GdhZWjgn 6kZcjZ H69A:GHL:AAH#8DB

sun bailante

brazil! brazil!

dance atlas

8VedZ^gV l^i] h^c\Zgh! YVcXZgh VcY hVbWV bjh^X^Vch iV`^c\ eaVXZ Vi i]Z jeijgcZY ejgeaZ JcYZgWZaan Xdl! l^i] g]ni]b VcY ^cYZhXg^WVWaZ [ZVih d[ VXgdWVi^Xh! ideeZY d[[ l^i] V WgZVi]aZhh Y^heaVn d[ [ddiWVaa^c\ bV\^X#

9VcXZ 6iaVh ^h V jc^fjZ XVgid\gVe]^X lZWh^iZ V^b^c\ id Wj^aY V ldgaY bVe d[ YVcXZ# 8gZViZ ndjg dlc YVcXZ bdkZ! Ă’ab ^i! jeadVY ^i VcY e^ced^ci l]ZgZ ndj VgZ dc i]Z bVe# 8]dgZd\gVe]Zg AjXV H^akZhig^c^ l^aa hZaZXi i]Z WZhi dcZh VcY XgZViZ Ă’kZ gdji^cZh id WZ eZg[dgbZY Vi i]Z 7^\ LdgaY 9VcXZ ZkZci ^c AdcYdc#

&&I= ?JC: " &-I= ?JAN

-#(%eb! ;G:: EVg`hiZVY =djhZ 8djginVgY! GdZ]Vbeidc E6G@HI:69=DJH:#8D#J@

96C8:6IA6H#DG<

inside – the workshop

unearthed

'-I= ?JC: " 'C9 ?JAN

I]Z ZkZci l^i] dcan '% eaVXZh ^ciZcYh id egdk^YZ `cdlaZY\Z VcY ^ch^\]i ^cid ?ZVch X]dgZd\gVe]^X egdXZhh VcY bdkZbZci iZX]c^fjZh [gdb ]^h gZeZgid^gZ! gZhjai^c\ ^c V h]dgi e^ZXZ Vi i]Z ZcY d[ i]Z lZZ`# Bdc";g^! 'eb "+eb! —&)% 8]^hZc]VaZ 9VcXZ HeVXZ 8=>H:C=6A:96C8:HE68:#8D#J@

paco peùa – flamenco sin fronteras '.I= ?JC:Ä(G9 ?JAN

EVXd EZŠV XZaZWgViZh i]Z [jh^dc d[ ;aVbZcXdÉh bjh^XVa igVY^i^dch WZilZZc AVi^c 6bZg^XV VcY 6cYVajX†V# =Z jc[jgah V hZchVi^dcVa WVcY d[ bjh^X^Vch! k^gijdjh h^c\Zgh VcY i]Z kZgn WZhi ÓVbZcXd YVcXZgh#

'-I= B6N

—&% " —(HVYaZgÉh LZaah! GdhZWjgn 6kZcjZ

6 igde^XVa eVgin XZaZWgVi^c\ AVi^c! 8Vg^WWZVc VcY 6[g^XVc g]ni]bh VcY YVcXZ! d[[Zg^c\ i]Z X]VcXZ id ]VkZ WVh^X igde^XVa YVcXZ aZhhdch! l^i] eZg[dgbVcXZh VcY a^kZ WVcYh#

global dance contest

I^bZ VcY eg^XZh I78 I]Z >ha^c\idc BZiVa Ldg`h! , IdggZch Hi " 8&K&CF HJC76>A6CI:#8DB

displaced 'C9 ?JC:

BVg^V ;ZgcVcYV IdaZYd eVgi d[ i]Z ?ZVc 6WgZj 8dbeVcn ! egZhZcih V eZg[dgbVcXZ l^i] Ă’kZ YVcXZgh! WZ^c\ V gZhedchZ id ]Zg ZmeZg^ZcXZ d[ b^\gVi^c\ [gdb 7gVh^a id AdcYdc# -#(%eb! ;G:: =danWdjgcZ 6k# HL&* )?9 E6G@HI:69=DJH:#8D#J@

maracatudo mafua *I= ?JC:

BVgVXVijYd BV[jV ZbWdY^Zh i]Z g]ni]bh VcY bdkZbZcih d[ 7gVh^aÉh Cdgi]ZVhiZgc hiViZ d[ EZgcVbWjXd! VcY l^i] dcZ d[ i]Z bdhi igVY^i^dcVa BVgVXVij \gdjeh! i]ZnÉaa Wg^c\ higdc\ Xdadjg VcY g]ni]b id i]Z [Zhi^kVa#

&%I= ?JAN

H69A:GHL:AAH#8DB ™ %-)) )&' )(%%

'- B6N I=

HVYaZgÉh LZaah egdbdiZh V YVcXZ XdciZhi [dg i]dhZ l]d lVci id h]dl ndjg iVaZci id i]Z ldgaY# 6aa ndj cZZY id Yd ^h X]dgZd\gVe]! eZg[dgb VcY Òab Vc dg^\^cVa e^ZXZ d[ YVcXZ VcY hjWb^i jci^a (%i] ?jcZ# I]Z l^ccZg d[ i]Z XdciZhi l^aa WZ ^ck^iZY id eZg[dgb a^kZ Vi HVYaZgÉh LZaah ^c ?VcjVgn '%&&# ;G:: HVYaZgÉh LZaah <adWVa 9VcXZ 8dciZhi <AD76A96C8:8DCI:HI#8DB

big dance (G9 " &&I= ?JAN

=jcYgZYh d[ ZkZcih bV`Z i]^h V YVg^c\ [Zhi^kVa i]Vi l^aa iV`Z dkZg AdcYdc higZZih VcY ejWa^X heVXZh " Xjab^cVi^c\ ^c IgV[Va\Vg HfjVgZ 7^\ 9VcXZ! V h]dl" hidee^c\ YVcXZ [dg &%!%%% eZdeaZ# :hiVWa^h]ZY Vh V W^Zcc^Va [Zhi^kVa ^c '%%+! ^i ]Vh \gdlc id WZXdbZ i]Z J@Éh bdhi ^bedgiVci YVcXZ egd\gVbbZ! l^i] deedgijc^i^Zh [dg b^aa^dch d[ eZdeaZ id ZmeZg^ZcXZ VcY iV`Z eVgi ^c YVcXZ# BdgZ i]Vc V bV_dg YVcXZ [Zhi^kVa! 7^\ 9VcXZ ^h V XVbeV^\c [dg dcZ VcY Vaa id _d^c ^c#

&(I= " &)I= ?JAN

JcZVgi]ZY ^h V _djgcZn [gdb i]Z YVg` VcY hidgbn id i]Z gVY^Vci! iV`^c\ ndj id i]Z kZgn ]ZVgi VcY hdja d[ ÓVbZcXd l^i] Vgi^hih Y^gZXian [gdb ^ih W^gi]eaVXZ# —- " —&' AVWVc I]ZVigZ A676C#DG<

carlos acosta '-I= ?JANĂ„,I= 6J<JHI

;daadl^c\ ]^h hdaY"dji AdcYdc 8da^hZjb gjc aVhi hjbbZg! 8Vgadh 6XdhiV gZijgch l^i] V bjX]"Vci^X^eViZY cZl h]dl# Igjan V heZXiVXaZ cdi id WZ b^hhZY# —&% " —+* AdcYdc 8da^hZjb :CD#DG<

river tango 2010 &+I= " &.I= H:EI:B7:G

6c ^ciZgcVi^dcVa IVc\d ;Zhi^kVa ^c AdcYdc id XZaZWgViZ '%% nZVgh d[ ]^hidgn VcY XjaijgZ d[ i]Z bdhi edejaVg 6g\Zci^cVÉh YVcXZ# ;G:: CVi^dcVa I]ZVigZ G>K:GI6C<D#8D#J@

companhia de dança deborah colker ',I= 6EG>A " (G9 ?JAN

I]Z XdbeVcn ^h VXi^kZ i]gdj\]dji i]Z nZVg l^i] eZg[dgbVcXZh ^c i]Z^g ]dbZidlc d[ G^d YZ ?VcZ^gd! 7gVh^a VcY idjg^c\ ^ciZgcVi^dcVaan# I]Z^g aViZhi ldg`! 8gjZa l^aa WZ idjg^c\ i]Z J@ ^c '%&%# ;dg YViZh VcY i^X`Zih/ YVcXZXdchdgi^jb#Xdb KVg^djh i^bZh VcY eg^XZh KVg^djh adXVi^dch 96C8:8DCHDGI>JB#8DB

the big event dance4life ',I= CDK:B7:G

6 ]j\Z XZaZWgVi^dc [dg ndjc\ eZdeaZ ]ZaY Vi V ide AdcYdc kZcjZ nZi id WZ cVbZY# I]^h bVhh^kZ YVcXZ ZkZci l^aa hZZ 9?h VcY XZaZWg^in VbWVhhVYdgh XdbZ id\Zi]Zg l^i] djg ndjc\ eZdeaZ id eZg[dgb i]Z YVcXZ)a^[Z k^V hViZaa^iZ l^i] '+ di]Zg ]dhi Xdjcig^Zh XdccZXi^c\ bdgZ i]Vc **!%%% ndjc\ eZdeaZ ldgaYl^YZ

&#(%"-#(%eb! ;G:: EdiiZgh ;^ZaYh EVg`! IddaZn HigZZi

I^bZ I78! ;G:: =^aan ;^ZaYh"7gdX`aZn BVm ;Zhi^kVa

HZZ lZWh^iZ [dg i^bZh VcY eg^XZh KVg^djh adXVi^dch

;G:: I]Z 7>< :kZci

EDGI6K>A>DC#8DB

7GD8@A:NB6M#8D#J@

7><96C8:'%&%#8DB

96C8:)A>;:#8D#J@

?JA=D B6>D '%%, '%&% ,WPING&TWOU (&

move your body

VJKCIQ UQCTGU

THE PRINCIPAL DANCER: FROM HIP HOP TO BALLET D[ #PC $TCUKN

THIAGO ON DANCE Æ9VcXZ XdcfjZgZY bZ l]Zc > Òghi [Zai i]Z Xdcigda ^iÉh edhh^WaZ id ]VkZ dkZg ndjg dlc WdYn# > gZhdakZY id YZY^XViZ bnhZa[ VcY hijYn ]VgY! VcY i]Vi lVh l]n > WZ\Vc id egVXi^hZ kVg^djh ineZh d[ YVcXZÇ#

Æ> ]VkZ V YZh^gZ id WZ Vc VbWVhhVYdg [dg YVcXZ ^c 7gVh^a# >i ]Vh V adi d[ ediZci^Va VcY XVeVX^in! Wji i]Z aVX` d[ \ddY Y^gZXi^dc! hdbZdcZ igjan eVhh^dcViZ VWdji YVcXZ l]d XVc ldg` [dg i]Z hV`Z d[ YVcXZ ^ihZa[ VcY YZkZade hZg^djh egd_ZXih# :kZgn i^bZ > \d id 7gVh^a > ign id iV`Z Vc ^ciZgZhi^c\ eZg[dgbVcXZ0 > ign id ^ckdakZ bnhZa[ bdgZ VcY bdgZ ZkZgn i^bZÇ# Æ7gVh^a ]Vh V adi d[ iVaZci hegZVY dji VgdjcY i]Z ldgaY0 ^[ Vaa i]Z hiVgh d[ 7gVh^a^Vc XaVhh^XVa WVaaZi lZgZ id WZ eji id\Zi]Zg ^c dcZ YVcXZ XdbeVcn ^iÉY WZ V [VciVhi^X dcZÇ#

(' ,WPING&TWOU B6N '%&%

UNDOUBTEDLY ONE OF THE MOST FAMOUS CASES OF SUCCESS FOR BRASILIAN DANCERS internationally, Thiago Soares is Jungle’s guest editor for this month. Based in London since 2002, he’s one of the first dancers at the Royal Opera Ballet, one of the world’s most prestigious classical companies in the world. But although he arrived in the city with the most impressive CV of any Brasilian dancer in terms of international awards (a Gold medal at the annual jamboree organised by the Russian outfit Bolshoi, and a Silver at the Paris International Dance Festival), Thiago had to start from scratch in London – his first shows were as an extra. ‘’I had to learn a lot about the tradition and the style of the Royal Ballet, which I didn’t know very well. I accepted the challenge and don’t regret it. I’m still grateful that Royal Ballet made me take a step backwards in order to take several forwards’’, he says. It didn’t take long for Thiago to have his talent recognised in London, though; in 2006 he had already climbed up the ladder and reached the position of first dancer. ‘’It had a special taste - there’s nothing better than a triumph conquered with difficulties, he states, proudly. Curiously enough, Thiago started his moves with capoeira and used to dance hip hop. Then, by suggestion of the coordinator of the group he was part of, he decided to invest in classical training. ‘’The guy said I had potential to be a classical dancer, but I thought it had nothing to do with me. I liked hip-hop, spinning on the foot. But he persisted, saying that the technique would help me with street dance. Then, when I was 15, I took jazz classes. I was starting to think seriously of becoming a dancer and I choose Centro de Dança Rio. They insisted that I took ballet, and after trying it I didn’t stop’’, he recalls. ,&

8:GI6B:CI: JB 9DH :M:BEADH B6>H CDIâG>DH 9: 76>A6G>CDH 7G6H>A:>GDH 7:B HJ8:9>9DH :B Zb AdcYgZh! I]^V\d HdVgZh d cdhhd ZY^idg Xdck^YVYd YZhiV ZY^ d# CV X^YVYZ YZhYZ '%%'! ZaZ [Vo eVgiZ Yd \gjed YZ eg^bZ^gdh WV^aVg^cdh Yd Xdged YZ WV^aZ Yd GdnVa DeZgV 7VaaZi! jbV YVh XdbeVc]^Vh YZ WVa Xa{hh^Xd bV^h egZhi^\^VYVh Yd bjcYd# BVh VeZhVg YZ X]Z\Vg Vfj^ aVjgZVYd Xdb dh bV^dgZh eg b^dh cV YVc V _{ Xdcfj^hiVYdh edg jb WgVh^aZ^gd Vi Zci d bZYVa]V YZ egViV cd 8dcXjghd >ciZgcVX^dcVa YZ 9Vc V YZ EVg^h Z bZYVa]V YZ djgd cd 8dcXjghd >ciZgcVX^dcVa Yd IZVigd 7dah]d^! Zb BdhXdj! G hh^V ! I]^V\d iZkZ fjZ XdbZ Vg YZ WV^md Xdb eVe ^h egVi^XVbZciZ YZ Ò\jgV d# ÆI^c]V fjZ VegZcYZg V igVY^ d Z d Zhi^ad YV XdbeVc]^V! fjZ c d Xdc]ZX^V bj^id# 6XZ^iZ^ Z c d bZ VggZeZcYd! eZad Xdcig{g^d! ]d_Z V\gVYZ d Vd GdnVa 7VaaZi edg bZ [VoZg YVg jb eVhhd eVgV ig{h eVgV YZed^h XdchZ\j^g YVg k{g^dh eVhhdh eVgV [gZciZÇ! ZaZ Y^o igVcfj^ad# BVh c d YZbdgdj eVgV fjZ I]^V\d i^kZhhZ hZj iVaZcid gZXdc]ZX^Yd iVbW b Zb AdcYgZh/ Xdb egdbd Zh VcjV^h YZcigd YV XdbeVc]^V! X]Z\dj V eg^bZ^gd WV^aVg^cd Zb '%%+# ÆIZkZ jb \dhid ZheZX^Va0 c d ]{ cVYV bZa]dg Yd V k^i g^V XdchZ\j^YV bZhbd Xdb Y^ÒXjaYVYZhÇ! [VaV dg\ja]dhd# Cd ^c X^d YV VYdaZhX cX^V! I]^V\d igZ^cVkV XVedZ^gV Z X^gXd! Z XdbZ dj V YVc Vg ]^e ]de# 6i fjZ! ^cXZci^kVYd eZad XdgZ \gV[d Yd hZj \gjed! gZhdakZj VedhiVg cVh bdYVa^YVYZh bV^h Xa{hh^XVh YZ YVc V# Æ:aZ Y^hhZ fjZ Zj i^c]V ediZcX^Va eVgV hZg WV^aVg^cd Xa{hh^Xd! bVh cV edXV Zj VX]VkV fjZ c d i^c]V V kZg Xdb^\d# :j \dhiVkV Yd ]^e ]de! VYdgVkV gdYVg cd X] d# BVh ZaZ ^ch^hi^j! Y^oZcYd fjZ V i Xc^XV ^g^V bZ V_jYVg cd higZZi YVcXZ iVbW b# 6i fjZ! Vdh &* Vcdh Zj [j^ [VoZg _Voo eVgV kZg Xdbd ZgV# I^c]V XdbZ VYd V aZkVg V YVc V V h g^d Z ZhXda]^ d 8Zcigd YZ 9Vc V G^d ZhXdaV cV OdcV CdgiZ Yd G^d YZ ?VcZ^gd # :aZh ^ch^hi^gVb eVgV fjZ Zj ÒoZhhZ WVa iVbW b Z YV c d eVgZ^ bV^hÇ! XdciV# ,&

E>8IJG: I=:AA>JH O6BEGD<CD

CIGPFC EJGEM QWV QWT EQORNGVG CPF WRFCVGF NKUVKPIU CV LWPINGFTWOUQPNKPG EQO

E6GIN

8DC8:GI

LDG@H=DE I=:6IG:

;>AB

;:HI>K6A

:M=>7>I>DC

HEDGI

:.F until 30th 6CC6 B6G>6 B6>DA>CD/ 8DCI>CJDJH L^i] Wdi] Òab VcY hXjaeijgZ! BV^da^cdÉh ^chiVaaVi^dc jhZh hZkZgVa ]jcYgZY `^ad\gVbh d[ XaVn! Zmeadg^c\ i]ZbZh d[ ZkZgnYVn iVh`h! hdX^Zin VcY aVc\jV\Z# IjZh " Hjc &%Vb"+eb! LZYh i^aa .eb! ;G:: 8VbYZc 6gih 8ZcigZ! 6g`lg^\]i GdVY Ä CL( +9< 86B9:C6GIH8:CIG:#DG< ™ %'% ,),' **%%

until 20th CDLÉH I=: I>B: 6 XZaZWgVi^dc d[ i]Z aZ\VXn VcY [jijgZ d[ XdciZbedgVgn higZZi Vgi! [ZVijg^c\ Dh<ZbZdh Vadc\h^YZ i]Z a^`Zh d[ ?ZVc"B^X]Za 7Vhfj^Vi! H]ZeVgY ;V^gZn! 7Vc`hn VcY ;V^aZ# &%Vb Ä +eb IjZÄ;g^0 &&VbÄ)eb HVi! ;G:: I]Z 7aVX` GVi <VaaZgn! -( G^k^c\idc Hi " :8'6 (6N 7A68@G6I#8DB ™ %'% ,+&( ,'%%

5th may - 5th june CJCD G6BDH/ ;D96H:;D>8: =^h Ă’ghi hdad J@ h]dl! GVbdh ]Vh YZkZadeZY i]Z hZg^Zh dkZg V \gZVi cjbWZg d[ nZVgh! egZhZci^c\ aVg\Z" hXVaZ hXjaeijgZh! k^YZd! YgVl^c\h VcY eZg[dgbVcXZ#

15th | saturday

21st | friday

9>G:8IDG >C ;D8JH/ H6C9G6 @D<JI

ADH 8=6GANÉH DG8=:HIG6

I]Z eg^oZ"l^ccZg 7gVh^a^Vc ÒabbV`ZgÉh 6 =jc\Vg^Vc EVhhedgi Jb EVhhVedgiZ =�c\Vgd VcY Bjijb l^aa WZ [daadlZY Wn V F 6 l^i] @d\ji ZmVb^c^c\ ]Zg lZVk^c\ d[ YdXjbZciVgn VcY ÒXi^dc#

AdcYdcÉh egZb^Zg Y^hXd$[jc` WVcY iV`Zh dkZg 7Vg Bjh^X =Vaa dc ;g^YVn BVn '&hi id XZaZWgViZ i]Z gZaZVhZ d[ Vci^X^eViZY YZWji VaWjb 8]^XVcd 9^hXd ;jc`#

'#(%eb! ;G:: 7^g`WZX` 8^cZbV! )( <dgYdc HfjVgZ Ä L8&= %E9 77@#68#J@$8>A6KH$:K:CIH ™ %'% ,+(& +&)*

16th | sunday 6C<:A>FJ: @>9?D I]Z h^c\Zg 6c\Za^fjZ @^Y_d! dcZ d[ 6[g^XVÉh bdhi gZcdlcZY hiVgh! gZijgch id i]Z 7VgW^XVcÉh b^m^c\ Yg^k^c\ YVcXZ g]ni]bh VcY eda^i^XVa ang^Xh l^i] ]Zg dlc ZmigVdgY^cVgn hiV\Z egZhZcXZ# ,#(%eb —&%"—',#*% 7VgW^XVc 8ZcigZ! H^a` HigZZi " :8'N -9H 76G7>86C#DG<#J@ ™ %'% ,+(- )&)&

18 | tuesday th

B6G>6 G>I6 5 @D@D ;daadl^c\ ]Zg eVX`ZY dji '%%- 7VgW^XVc \^\! IZchVbWV! ?jc\aZ9gjbh VcY I6B 6^ga^cZh VgZ Wg^c\^c\ BVg^V G^iV WVX` [dg ]Zg hZXdcY h]dl! i]^h i^bZ je Vi 8VbYZcÉh @d`d! l^i] b^mZh WZ[dgZ i]Z h]dl [gdb 9? 9#Knodg#

&&Vb " +eb IjZh"HVi! ;G:: <VaaZgn ('! (' <gZZc HigZZi! AdcYdc Ă„ L&@ ,6I

9ddgh ,eb! —'% VYk @d`d! &V 8VbYZc =^\] HigZZi Ä CL& ,?:

<6AA:GN('#DG<#J@ ™ %'% ,(.. .''-

?JC<A:9GJBHDCA>C:#8DB ™ %'% ,')' *&)%

6th - 9th

19th | wednesday

8>G8DADB7>6 5 GDJC9=DJH:

86B>CDÉH (G9 7>GI=96N E6GIN

LdgaY EgZb^Zgh d[ JgWVc Wn 8^gXdadbW^V VcY CVgX^hhjh Wn i]Z GdjcY]djhZ 8^gXjh 8dbeVcn! l^i] 7gVh^a^Vc X^gXjh ZYjXVi^dc e^dcZZgh 8gZhXZg Z K^kZg gjcc^c\ ldg`h]deh dc BVn -i] VcY .i]#

?jc\aZÉh ]Zae^c\ i]Z k^WgVci HeVc^h] gZhiVjgVci$WVg bVg` ^ih (gY Vcc^kZghVgn l^i] V gVi]Zg W^\ WVc\ ^c i]Z [dgb d[ ZkZg"gVjXdjh Bdadidk ?j`ZWdm! eajh 9? A^bZ#

,#(%eb! —&%"—&* I]Z GdjcY]djhZ! 8]Va` ;Vgb GdVY " CL& -:= GDJC9=DJH:#DG<#J@ ™ %-)) )-' -%%-

14th | friday <DI6C EGD?:8I EgZhZci^c\ V XdbW^cVi^dc d[ iVc\d! i]Z hdjcY d[ i]Z^g 6g\Zci^cZVc ]Zg^iV\Z! l^i] hVbeaZh! WZVih VcY WgZV`h id XgZViZ i]Z^g jc^fjZ VcY Wg^aa^Vci hinaZ#

-eb i^aa &Vb! ;G:: 7Vg Bjh^X =Vaa! &() 8jgiV^c GdVY " :8'6 (6G 76GBJH>8=6AA#8DB ™ %'%, +&( *.*&

21st - 23rd ;:HI>K6A 7G6H>A:>GD 6 [ZVhi d[ bjh^X Vi i]Z Jc^kZgh^in d[ :hhZm l^i] Vgi! i]ZVigZ! iVa`h VcY YVcXZ! l^i] VXih hjX] Vh 8VgVi^c\V! I}c^V A^hWdV 9jd! 7dhXd YZ Da^kZ^gV! VcY Vgi^hi ^c gZh^YZcXZ eZgXjhh^dc^hi 6Yg^Vcd 6YZlVaZ# KVg^djh adXVaZh! i^bZh VcY eg^XZh AV`Zh^YZ I]ZVigZ! 8daX]ZhiZg! :hhZm Ä 8D) (HF :HH:M#68#J@ ™ %&'%+ *,(.)-

25th | tuesday K>C>8>JH 86CIJ6G>6 GD9G><D A:ÀD 6c ZmXajh^kZ YdjWaZ ]ZVYa^cZ h]dl l^i] i]ZhZ ild aZVY^c\ 7gVh^a^Vc VcY Edgij\jZhZ bjh^X^Vch# ,#(%eb! —&* " ''#*% 7VgW^XVc =Vaa! H^a` HigZZi " :8'N -9H 76G7>86C#DG<#J@ " %'% ,+(- )&)&

+eb"aViZ! ;G:: 8Vb^cd! ( KVgc^h]Zgh NVgY! @^c\h 8gdhh " C& .;9 86B>CD#J@#8DB ™ %'% ,-)& ,((&

19 | wednesday th

8A6G6 BDG:CD 5 <J6C676G6 EgZhZci^c\ Vc ^c[jh^dc d[ hVbWV VcY WdhhV cdkV l^i] 6[g^XVc igVY^i^dch VcY _Voo ^chigjbZciVi^dc! 8aVgV XZaZWgViZh hVbWVÉh gZcV^hhVcXZ Vh i]Z ZcYjg^c\ g]ni]b d[ 7gVh^a^Vc a^[Z l^i] V bdYZgc VcY jc^fjZ il^hi#

,eb! —'*#*) D' 6XVYZbn 7g^midc! '&& HidX`lZaa GdVY " HL. .HA

9ddgh *eb# H]dl .eb! —* V[iZg .eb <jVcVWVgV! EVg`Zg HigZZi Ä L8'7 *EL

D'6869:BN7G>MIDC#8D#J@ ™ %-)) ),, '%%%

<J6C676G6#8D#J@ ™ %'% ,')' -+%%

14th - 16th

20th | thursday

OJB OJB OJB 86ED:>G6 ;:HI>K6A

8>7:AA: 6A7JB A6JC8=

8VedZ^gV BVg6oja VcY 6c\daZ^gdh Yd BVg i]gdl V lZZ`ZcY 8VedZ^gV ;Zhi^kVa id XZaZWgViZ BVg6ojaÉh ',i] Vcc^kZghVgn! l^i] ldg`h]deh! bjh^X! gdYVh! YVcX^c\ VcY V eVgin dc HVijgYVn c^\]i#

I]Z AdcYdc"WVhZY 7gVh^a^Vc hdc\higZhh iV`Zh ndj id i]Z ZcY d[ i]Z [VciVhi^XVa ldgaY d[ ]Zg cZl VaWjb AVh KZcjh GZhdgi EVaVXZ =diZa! l^i] V a^iiaZ ]Zae [gdb ]Zg VaiZg Z\d! Hdc_V @]VaZXVaadc#

26th | wednesday ?JC<A: H:HH>DCH/ 86HJ6G>C6 ?jc\aZ9gjbh VcY <jVcVWVgV iZVb je id Wg^c\ ndj Vc ZmX^i^c\ cZl egd_ZXi XVaaZY ?jc\aZ HZhh^dch! `^X`"hiVgi^c\ l^i] i]Z J@ YZWji d[ 8VhjVg^cV VWdkZ ! G^dÉh cZl daY"hX]dda hVbWV djiÒi# ,eb! —, VYk $ —&% dc Yddg <jVcVWVgV! EVg`Zg HigZZi Ä L8'7 *EL ?JC<A:9GJBHDCA>C:#8DB ™ %'% ,')' *&)%

26th wednesday B6?DG A6O:G 6[iZg i]Z^g hjXXZhh Vi =dmidc 7Vg VcY @^iX]Zc aVhi nZVg! 9^ead VcY Hl^iX] gZijgc l^i] V h]dl b^m^c\ i]Z g^X] YVcXZ]Vaa igVY^i^dc d[ ?VbV^XV! ilZV`ZY hdja! 6[gdede! Y^hXd! ZaZXigd! ]^e"]de! VcY -%Éh"^che^gZY Y^\^iVa ede id XgZViZ V YVcXZ"Óddg"`^aa^c\ hZi#

KVg^djh i^bZh VcY kZcjZh! —'%"—)% <^WWh <gZZc $ HD6H $ I]Z Eg^cXZ d[ IZX`

-eb! —- VYk dg —&% dc Yddg '") =dmidc HfjVgZ " C& +CJ

9ddgh -eb! —&'#*% W[ VYk K^aaV\Z JcYZg\gdjcY! *) =danlZaa AVcZ Ä :8'6 (EF

B6G6OJA#8D#J@ ™ %,,(& -((-&.

=DMIDCHFJ6G:76G#8DB

K>AA6<:JC9:G<GDJC9#8D#J@ ™ %'% ,)'' ,*%*

() ,WPING&TWOU B6N '%&%

E>8IJG: 7N E6JAD GD9G><J:H

HEDCHDG:9 7N

D2289F

29th | saturday =DB7G:H < =Vk^c\ gZaZVhZY &% VaWjbh! hdaY b^aa^dch d[ gZXdgYh VcY hiVggZY ^c ild bdk^Zh! i]Z WVcY! dcZ d[ HeV^cร h bdhi ^bedgiVci \gdjeh h^cXZ i]Z -%h! ร cVaan bV`Zh i]Z^g adc\"VlV^iZY AdcYdc YZWji# +#(%eb! ย &- H]Ze]ZgYh 7jh] <gZZc " L&' -II %'H=:E=:G9H7JH=:BE>G:#8D#J@ ย %-)) ),, '%%%

30th | sunday

;DGGรข 9D 8D8D HiVgi i]Z lZZ` ^c \gZVi hinaZ VcY YVcX^c\ id i]Z ijcZh d[ i]^h ine^XVa 7gVh^a^Vc YVcXZ# 7ZZgh VgZ ย &#*% VcY 8V^e^g^c]Vh VgZ ย ( Vaa c^\]i# +eb! ;G:: 8dXd 7VbWdd! )- 8]Va` ;Vgb GdVY " CL& -6? 8D8D76B7DD#8D#J@ ย %'% ,'+, ++&(

7G6O>A>6C 688DG9>DC H=DL EVgi d[ i]Z BZbdgn d[ 7gVo^a Egd_ZXi! VXXdgY^dc^hih AjaV 6aZcXVg VcY AjX^Vcd BV^V l^aa eaVn Zbdi^dcVaan VcY g]ni]b^XVaan gZhdcVci bjh^X! VXXdbeVc^ZY Wn V k^YZd i]Vi igVchedgih i]Z VjY^ZcXZ id hdbZ d[ i]Z bdhi e^XijgZhfjZ VcY ldcYgdjh eVgih d[ 7gVh^a# 9ddgh -eb! h]dl .eb! ย 8V[Z Did! &-"'' 6h]l^c HigZZi ร :- (9A 86;:DID#8D#J@ ย %,*&& .'*,+&

7B;2 4th | friday ?9 E6GIN/ 767N 7>I8= ?jc\aZ9gjbh ^cigdYjXZh V c^\]i d[ bjh^X VcY Wdla^c\ l^i] BVg^cV <Vhda^cV Zm"7dcYZ Yd Gdaย ! AZd 8VkVaXVci^ J@ YZWji ! ?d d 7gVh^a VcY 9? <a^iiV]! egZhZci^c\ V bVh]je d[ 7gVh^a^Vc WZVih VcY hdjcYh# 8dbZ _d^c i]Z eVgin! h]dl ndjg h`^aah dc i]Z aVcZh dg X]^aa dji id 7gVo^a^Va^inร h h]dgi ร ab h]dlXVhZ# -eb"(Vb! ย * VYk 7addbhWjgn 7dla^c\ AVcZh! IVk^hidX` =diZa " L8&= ?JC<A:9GJBHDCA>C:#8DB ย %'% ,')' *&)%

3 -6 rd

every monday

th

E>CI6 BD9:GC 6GI ;6>G I]Z h]dlร h V jc^fjZ deedgijc^in [dg k^h^i^c\ \VaaZg^Zh id Zm]^W^i VcY hZaa i]Z WZhi d[ AVi^c 6bZg^XVc Vgi# 6[iZg i]gZZ hjXXZhh[ja ZY^i^dch ^c CZl Ndg` 8^in! E>CI6 ^h deZc^c\ ^ih ร ghi J@ ZY^i^dc! ^c AdcYdc# ย -"ย &*! kVg^djh i^bZh :Vgah 8djgi :m]^W^i^dc 8ZcigZ! LVgl^X` GY " HL* E>CI66GI#8DB

11th June - 18 july 7G6O>A 7G6O>A @^X`"hiVgi^c\ ;Zhi^kVa 7gVo^a i]^h hjbbZg ^h i]^h ejahVi^c\ ZkZci b^m^c\ XVedZ^gV! XVgc^kVa WZVih! VXgdWVi^Xh VcY Y^heaVnh d[ [ddiWVaa bV\^X VXXdbeVc^ZY Wn h^c\Zgh! YVcXZgh VcY bjh^X^Vch d[ G]ni]b 8Vgc^kVa#

every 1st tuesday H6B76 9: <6;>:>G6 96C8: 8A6HH Dc i]Z ร ghi IjZhYVn d[ ZkZgn bdci] XdbZ Ydlc VcY X]ZX` dji i]Z a^kZ WViZg^V VcY _d^c ^c l^i] i]Z HVbWV YZ GdYV XaVhhZh# ,#(%eb! dcZ XaVhh ย +0 ild XaVhhZh ย .( ;ZZi :Vhi! &*% 7g^X` AVcZ " :& +FA .(;::I:6HI#8D#J@ ย %,.), )&% -*(

every tuesday >E6C:B6 H:HH>DCH ;ZVijg^c\ bjh^X [gdb 7gVh^a^Vc _Voo! BE7! WdhhV cdkV! X]dgd VcY ZkZc gddihn hVbWV"gdX`# Hde]^hi^XViZY! \ddY fjVa^in bjh^X# *eb! ;G:: <jVcVWVgV! EVg`Zg HigZZi " L8'7 *EL <J6C676G6#8D#J@ ย %'% ,')' -+%%

every tuesday A>K: BJH>8 8]ZX` dji i]Z WZhi VcY bdhi ^ccdkVi^kZ a^kZ VXih [gdb Vaa dkZg i]Z ldgaY# <jZhi 9? <adWVa b^m^c\ jci^a &Vb#

every thursday 76A696 L>I= 9? A>Bร D 5 <J6C676G6 9? YjZah Vh gZh^YZci A^b d YdZh WViiaZ l^i] Vcdi]Zg 9? ZVX] lZZ`! l^i] V a^kZ VXi! [gZZ hVbWV gdX` aZhhdch VcY XVedZ^gV [gdb <gjed 8dgY d YZ Djgd# ย * V[iZg .eb " -i]! &*i]! ''cY! '.i] 6eg^a <jVcVWVgV! EVg`Zg HigZZi ร L8'7 *EL <J6C676G6#8D#J@ ย %'% ,')' -+%%

every friday HE>G>IJ6A ;G>96NH 8VbYZcร h 7gVh^a^Vc ]di hedih ]dhih V c^\]i d[ hdja! [jc`! Wdd\Vadd VcY 7gVh^a^Vc WZVih XdjgiZhn d[ 9? B{gX^d 8jhidY^d# -eb " 'Vb! ;G:: He^g^ijVa 7Vg! ) ;ZgY^cVcY HigZZi " CL& HE>G>IJ6A76G#8D#J@ ย %'%, )-* +,.&

every saturday 7G6H>A>6C 77F 6C9 96C8: A^kZ hVbWV [gdb ร Hd @Zb :]ร [gdb +eb " b^Yc^\]i! VcY V 7gVh^a^Vc hinaZ 77F [gdb (eb Vi I]Z Cdgi] EdaZ (eb " &'Vb I]Z Cdgi] EdaZ! Cdgi] EdaZ GdVY " L&% I=:CDGI="EDA:#8D#J@ ย %'% ,+'- -.,

every sunday GDDIB6HI:G 5 =DDI6C6CCNร H NZi Vcdi]Zg gZVhdc id kZcijgZ Hdji] d[ i]Z g^kZg! 7g^midcร h XddaZhi XajW ]dhih V [gZZ lZZ`an hZhh^dc ZVX] HjcYVn l^i] hdbZ VlZhdbZ LdgaY! AVi^c VcY 6[gd WZVih VcY a^kZ bjh^X# +eb " &Vb! a^kZ VXih -eb! ;G:: .* :[[gV GdVY! 7g^midc " HL' =DDI6C6CCN7G>MIDC#8D#J@

-eb! ;G:: Bdbd @Zb^V 7Vg! '* =ZYYdc HigZZi " L&

0ยก=<ยขV?ยก

BNHE68:#8DB$A>K:6IBDBD

every wednesday H6B76 8>IN 8Ve^iVa Yd HVbWV eaVn^c\ gddihn hVbWV VcY 8]^Xd 8]V\Vh <Vร Z^gV 7gVh^a eaVn^c\ YVcXZ]Vaa hVbWV# ย * V[iZg .eb <jVcVWVgV! EVg`Zg HigZZi ร L8'7 *EL <J6C676G6#8D#J@ ย %'% ,')' -+%%

every thursday HDGG>HD 7G6H>A >chigjbZciVa^hi VcY XdbedhZg @Vl GZ\^h aZVYh ]^h ig^d eaVn^c\ i]Z WZhi d[ BE7 7gVh^a^Vc ede Vi AdcYdcร h egZb^Zg _Voo kZcjZ#

,eb! ย &%"ย '% ?jW^aZZ <VgYZh! Hdji]WVc` " H:& -MM

+eb! ;G:: WZ[dgZ .eb Gdcc^Zร h 7Vg! ), ;g^i] HigZZi " L&9 )=I

JC9:G7:AAN#8D#J@ ย %-,& ++( '*(-

GDCC>:H8DIIH#8D#J@ ย %'% ,)(. %,),

I]Z WZadkZY YVcXZ$hedgi Xdch^YZgZY Vc Vgi [dgb Wn bVcn! XgdhhZY i]Z dXZVc VcY idYVn ^h eZg[dgbZY ^c i]Z J@ Wn hdbZ d[ i]Z WZhi 7gVh^a^Vc ร bZhigZhร VgdjcY# 6hhdX^Vi^dc d[ 8VedZ^gV 6#8#:#G# " Egd[Zhhdg GdYg^\d %,%*% %,(,(, egd[#gdYg^\d5VXZg"j`#Xdb

8dgY d YZ Djgd 8Vhfj^c]V $ EdcX^Vc^c]d %,,+* %&-&.& XYda#Xd#j`

@VWjaV BZhigZ 8Vga d %,.&( ..()*( ย `VWjaV#dg\

<gjed 6mย 8VedZ^gV BVgXjh 8VWZย V %,.(& ,,%&*( VmZXVXVedZ^gVj`#Xdb

6WVYV 8VedZ^gV BVc_Zg^Xd ย %,.), +%-()) VWVYV"j`#Xdb :Vhi AdcYdc 8VedZ^gV H^bdc 6i`^chdc %,,,. %(&',( XVedZ^gV"Vc\daV#Xd#j`

05208 :<?2 <;96;2

8VedZ^gV BjoZcoV J@ BVYZ^gV ย %,-*% )%(''& bVYZ^gV#bjoZcoV5\bV^a#Xdb 8VedZ^gV 6c\daV AdcYdc IdXV ย %,.%) %,*(+( XVedZ^gVadcYdc5 ]dibV^a#Xd#j`

?JC<A:9GJBH#DG<

B6>D '%&% ,WPING&TWOU (*

The UK’s most frequent flyer to 57 flights weekly to 8 destinations With more destinations, flights and superior baggage allowances, TAP Portugal is your first choice airline to Brazil. We have very attractive Business and Economy Class fares to all destinations. Our through check-in at Heathrow and Gatwick takes care of baggage and seat selection for your entire journey - allowing you to enjoy our seamless award winning service. #&3 &(!/&%* ( )1#! &(* # / * # ! !&3 3 % !(& #, &( 0&3 +#&

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

2

2

2

2

2

2

2

2

( )3 % 3) +# )3 &(( *3 *3*!$ 3& 3 &!% 3*&3'( ))3 3 3 3 % 3)+ " *3*&3 , !# !#!*.3 % 3 % 3-!* &+*3%&*!

!%% (3 3 &(# 4)3 !% 3 !(#!% 3*&3 &+* 3 $ (! 3

o Brazil

Executive class Choice of 3 entrĂŠes 180Âş Seat recline Video on demand Laptop powerpoint

Economy class Choice of entrĂŠes Video and audio Extendable footrests Ă“ĂŠĂ?ĂŠĂ“ĂŽkg baggage allowance

#.* ' &$

deborah colker

her EaVn^c\ Wn

gjaZh

YQTFU D[ #PC $TCUKN RKEVWTG D[ &CT[CP &QTPGNNGU

(- ,WPING&TWOU B6N '%&%

interview

THE INSATIABLE MIND BEHIND BRASIL’S LARGEST CONTEMPORARY DANCE COMPANY, DEBORAH COLKER SPEAKS TO JUNGLE ABOUT THE BUILDING OF HER CAREER AND HER NEW SHOW, CRUEL Perseverance and a lot of energy. These are, without a doubt, two of the most defining traits in the personality of Deborah Colker. The Rio-born dancer of Jewish Russian descent started out with ballet, learnt piano and went on to play volleyball, turning professional in the latter, before deciding to return to dance. After realising it was the right path for her, and from the very start in the early 80s, Deborah has choreographed shows, taught lessons, worked in fashion, theatre and carnival; she created special sequences for the World Cup and became the first woman to develop a dance for Cirque du Soleil, in celebration of the 25th anniversary of the Canadian company. To the passerby, Deborah, short and with a certain way about her - girlish, yet with a touch of tomboy – could go unnoticed in relation to her vast experience with dance. But one merely has to see her on the stage for any doubt to disappear; the vigour and precision with which she executes movements choreographed right down to the millimetre together with her company simply transform her into a giant. Even when she can’t be identified, whether amid the dancers or not even on stage, she has the ability to captivate the audience with her extremely fertile imagination, through the routines which she develops. Creating a singular and unprecedented style in Brasil, the trademark of the

company today, Deborah strives for more. And the mixture of contemporary dance with circus acrobatics enveloped broader influences, the necessity for which was determined by the very shows themselves. After Rota, in 1997, she realised the importance of staying close to the classical.

I’M VERY DEMANDING AND DON’T WANT TO REPEAT MYSELF. WITH TIME WE BECOME MORE SOPHISTICATED AND MATURE, THE RESTRICTIONS ARE BECOMING EVER TOUGHER. “Rota was greatly responsible for my returning to a love of classical ballet. Its technique benefits the existence of a contemporary dance company every day, and this can be seen in every sense: in the discipline, the aesthetic, the technique, breathing, and synchronicity”, she says. Then after Nó, in 2005, she took the gamble of applying more drama to the

shows. And her doing so was not in vain, as her latest work, Cruel, which Deborah is actually presenting around the UK, arriving in London in June, is inspired by the cruelty of youth and of old age, and by emotions such as love, passion, lust and rejection. Beyond winning innumerous awards in Brasil, the Deborah Colker Dance Company also received in 2001, in London, the Laurence Olivier Award for best choreography for Mix, a fusion of their first two productions, Vulcão (Volcano) and Velox. Talking to Jungle, the choreographer, now 50, reflects on her long journey since starting her own company, right through to her modern day recognition amongst audiences and critics alike. How and when did you start dancing? I started when young, studying ballet between the age of five and eight, and then I stopped so as to study piano and volleyball, and focus on my other studies. When I was 15 I began dancing once again, taking classes in ballet, jazz and tap dance. When I was 17 I started contemporary dance, and it was then that I chose to devote myself to dance, though I went on to study Psychology. In 2000, I returned to study piano again. I still dance classical ballet, even today, but it was in contemporary dance that I found a means in which to express my ideas, feelings and concerns. Where did the idea for the Deborah Colker Dance Company come from?

6 >CFJ>:I6 B:CI: EDG IGÛH 96 B6>DG 8DBE6C=>6 9: 96Cv6 8DCI:BEDGÙC:6 9D 7G6H>A! 9:7DG6= 8DA@:G 8DCK:GH6 8DB 6 ?JC<A: HD7G: 6 8DCHIGJvÀD 9: HJ6 86GG:>G6 : D CDKD H=DL 8GJ:A EZghZkZgVc V Z bj^iV ZcZg\^V# :hiZh h d! hZb Y k^YV! Yd^h Ydh igV dh bV^h bVgXVciZh YV eZghdcVa^YVYZ YZ 9ZWdgV] 8da`Zg# 6 WV^aVg^cV XVg^dXV YZhXZcYZciZ YZ gjhhdh _jYV^Xdh XdbZ dj cd WVa ! VegZcYZj e^Vcd Z [d^ _d\Vg k aZ^! cd fjVa X]Z\dj V hZ egdÒ hh^dcVa^oVg# 9ZX^Y^j! edg b! gZidgcVg | YVc V Ve h eZgXZWZg fjZ ZgV d XVb^c]d XZgid eVgV ZaV! Z YZhYZ fjZ XdbZ dj! cd ^c X^d Ydh Vcdh -%! 9ZWdgV] _{ XdgZd\gV[dj h]dlh! YZj VjaVh! igVWVa]dj Xdb bdYV! iZVigd Z XVgcVkVa! Xg^dj XdgZd\gVÒ Vh ZheZX^V^h eVgV V 8deV Yd BjcYd Z hZ idgcdj V eg^bZ^gV bja]Zg V YZhZckdakZg jbV YVc V eVgV d 8^gfjZ Yj HdaZ^a! Zb XdbZbdgV d Vd '*° Vc^kZgh{g^d YV XdbeVc]^V XVcVYZchZ# 6cYVcYd cV gjV! 9ZWdgV]! WV^m^c]V Z Xdb hZj d _Z^id bZ^d bZc^cV! bZ^d bdaZfjZ! gZhhVaiVYd eZad XdgiZ YZ XVWZad hZbegZ Xjgi^c]d! edYZ Vi bVciZg"hZ ^cX \c^iV Zb gZaV d | hjV ZmeZg^ cX^V Xdb V YVc V# w h k "aV cd eVaXd! edg b! eVgV fjVafjZg Y k^YV hZ Y^hh^eVg# D k^\dg Z V egZX^h d Xdb

fjZ ZmZXjiV dh bdk^bZcidh b^a^bZig^XVbZciZ XdgZd\gV[VYdh _jcid | hjV XdbeVc]^V igVch[dgbV 9ZWdgV] Zb jbV \^\VciZ# BZhbd fjVcYd c d edYZ hZg ^YZci^Ò XVYV Zb bZ^d Vdh WV^aVg^cdh! dj c d Zhi{ Zb XZcV! ZaV iZb d Ydb YZ ]^ecdi^oVg d e Wa^Xd Xdb dh egdYjidh YZ hZj " ZmigZbVbZciZ [ gi^a Ä ^bV\^c{g^d! VigVk h YVh XdgZd\gVÒ Vh fjZ YZhZckdakZ# 8g^VcYd jb Zhi^ad h^c\jaVg Z ^c Y^id cd 7gVh^a! ]d_Z V bVgXV gZ\^higVYV YV XdbeVc]^V! 9ZWdgV] fj^h bV^h# : V b^hijgV YZ YVc V XdciZbedg}cZV Xdb VXgdWVX^Vh X^gXZchZh \Vc]dj djigVh ^cÓ j cX^Vh! Xj_V cZXZhh^YVYZ kZ^d Ydh eg eg^dh ZheZi{Xjadh fjZ Xg^V# 6e h GdiV! YZ &..,! k^j V ^bedgi}cX^V YV Vegdm^bV d Xdb d Xa{hh^Xd# ÆGdiV [d^ d \gVcYZ gZhedch{kZa eZaV b^c]V kdaiV | eV^m d eZad WVa Xa{hh^Xd# 6 i Xc^XV Xa{hh^XV V_jYV V XVYV Y^V V Zm^hi cX^V YZ jbV XdbeVc]^V YZ YVc V XdciZbedg}cZV# EZgXZWZ"hZ ^hhd Zb idYdh dh hZci^Ydh/ YV Y^hX^ea^cV! YV Zhi i^XV! YV i Xc^XV! YV gZhe^gV d! YV h^cXgdc^X^YVYZ!Ç Y^o# B6>D '%&% ,WPING&TWOU (.

deborah colker From 1984 until 1993 (the year the company began), I was working as a choreographer and movement director for several theatrical productions, in showbiz, cinema, advertising, TV, and dance too. Over all these years I was also giving contemporary dance classes, and I choreographed lots of shows and during that time I began to develop my own style as an artist, then in 1993 I had this absurd necessity to tackle a far more complete piece of work, something which reflected me more. The first show, in 1994, was called Vulcão. As soon as it premiered, I knew I wasn’t simply putting on a show, but that

I was essentially creating a dance company. What was the experience like, of creating a dance company in Brasil? What is the hardest or most challenging part? When I began in the 90s, it was still difficult to get slots in the theatres, coverage in the press or any kind of sponsorship. Starting a dance company in Rio de Janeiro in the 90s was like planting a seed in the desert; it felt like trying to climb up walls or scale a mountain. And that, incidentally, is how Velox, my second show, was born in 1995. At that time there were very few municipal or provincial dance companies throughout Brasil that were managing to

survive. But those times changed for the better and I believe that my company played an important role in that change. We weren’t asking for any favours in our merely existing, but what we were doing was developing a creative and professional work that’s important for culture, education and art. Where do you get inspiration from for your shows? From daily life, from contemporary life, from my experiences and perceptions of the world. We also carry out research and experimentation that creates a dialogue with these inspirations. Which show was most difficult

9ZWdgV] ]Vh igjan gV^hZY i]Z WZcX]bVg` d[ 7gVh^a^Vc YVcXZ

: Ve h C ! YZ '%%*! Vedhidj Zb Vea^XVg bV^dg YgVbVi^X^YVYZ |h eZ Vh# C d | idV! d bV^h gZXZciZ ZheZi{Xjad! 8gjZa! fjZ 9ZWdgV] VegZhZciV VijVabZciZ Xdb hjV XdbeVc]^V cd GZ^cd Jc^Yd! X]Z\VcYd V AdcYgZh Zb _jc]d! ^che^gVYd cV XgjZaYVYZ YV bdX^YVYZ Z YV kZa]^XZ Z YZ Zbd Zh Xdbd Vbdg! eV^m d! ajm g^V Z gZ_Z^ d# 6a b YZ egZb^VYV cd 7gVh^a gZeZi^YVh kZoZh! V X^V YZ 9ZWdgV] kZcXZj iVbW b Zb '%%&! Zb AdcYgZh! d eg b^d AVjgZcXZ Da^k^Zg YZ bZa]dg XdgZd\gVÒ V eZad ZheZi{Xjad B^m! jbV [jh d YVh YjVh eg^bZ^gVh bdciV\Zch YV XdbeVc]^V! KjaX d Z KZadm# CV XdckZghV Xdb V ?jc\aZ! V XdgZ \gV[V! fjZ XdbeaZidj *% Vcdh! [VaV hdWgZ d adc\d XVb^c]d eZgXdgg^Yd YZhYZ bdciVg hjV eg eg^V XdbeVc]^V Vi d gZXdc]ZX^bZcid Yd e Wa^Xd Z Xg i^XV# 8dbd Z fjVcYd kdX XdbZ dj V YVc Vg4 8dbZXZ^ YZhYZ eZfjZcV! ZhijYVcYd WVa Ydh X^cXd Vi dh d^id Vcdh YZ ^YVYZ! fjVcYd eVgZ^ Z [j^ ZhijYVg e^Vcd Z k aZ^! Z iVbW b bZ YZY^XVg Vdh ZhijYdh# 6dh &* Vcdh kdaiZ^ V YVc Vg [VoZcYd VjaV YZ WVa ! _Voo Z hVeViZVYd# 6dh &, Vcdh XdbZXZ^ V YVc Vg XdciZbedg}cZd# 9Zed^h bZ YZX^Y^ eZaV YVc V! bVh iVbW b Ò o [VXjaYVYZ YZ eh^Xdad\^V# Cd Vcd '%%%! kdaiZ^ V ZhijYVg e^Vcd# D WVa Xa{hh^Xd! YVc d Vi ]d_Z! bVh ZcXdcigZ^ cV YVc V XdciZbedg}cZV d XVb^c]d eVgV Zmedg b^c]Vh ^YZ^Vh! hZci^bZcidh Z ^cfj^ZiV Zh# )% ,WPING&TWOU B6N '%&%

8dbd hjg\^j V ^YZ^V eVgV V 8dbeVc]^V YZ 9Vc V 9ZWdgV] 8da`Zg4 6 eVgi^g YZ &.-) Vi &..( Vcd Zb fjZ V 8dbeVc]^V XdbZ dj ! igVWVa]Z^ Xdbd XdgZ \gV[V Z Y^gZidgV YZ bdk^bZcid YZ k{g^Vh eZ Vh YZ iZVigd! cd h]dl Wjh^cZhh! Xdb X^cZbV! ejWa^X^YVYZ! IK! Z iVbW b YVc V# 9jgVciZ idYdh ZhhZh Vcdh iVbW b YVkV VjaV YZ YVc V XdciZbedg}cZV# 8dgZd\gV[Z^ bj^idh ZheZi{Xjadh Z YjgVciZ ZhhZ iZbed XdbZXZ^ V YZhZckdakZg b^c]V eZghdcVa^YVYZ Xdbd Vgi^hiV# :b &..(! ]djkZ jbV cZXZhh^YVYZ VWhjgYV YZ [VoZg jb igVWVa]d bV^h XdbeaZid Z bV^h VjidgVa# D eg^bZ^gd ZheZi{Xjad! YZ &..)! [d^ d KjaX d# 6hh^b fjZ ZaZ ZhigZdj! Zj _{ hVW^V fjZ c d ZhiVkV VeZcVh bdciVcYd jb ZheZi{Xjad! bVh Xg^VcYd jbV 8dbeVc]^V YZ 9Vc V# 8dbd V ZmeZg^ cX^V YZ bdciVg jbV XdbeVc]^V YZ YVc V cd 7gVh^a4 D fjZ bV^h igVWVa]dhd dj d[ZgZXZ bV^h Y^Ò XjaYVYZh4 FjVcYd XdbZXZ^ cV Y XVYV YZ .%! V^cYV ZgV Y^[ X^a XdchZ\j^g eVjiVh cdh iZVigdh! ZheV d cV ^begZchV Z fjVafjZg [dgbV YZ eVigdX c^d# EZchVg cjbV XdbeVc]^V YZ YVc V cdh Vcdh .% cd G^d YZ ?VcZ^gd ZgV Xdbd eaVciVg jbV hZbZciZ cd YZhZgid# 6 hZchV d ZgV YZ hjW^g eZaVh eVgZYZh Z YZ ZhXVaVg bdciVc]Vh# 6hh^b! ^cXajh^kZ! cVhXZ d KZadm! bZj hZ\jcYd ZheZi{Xjad! YZ &..*# CZhhV edXV i c]Vbdh ZheVa]VYdh eZad 7gVh^a edjfj hh^bVh XdbeVc]^V bjc^X^eV^h dj ZhiVYjV^h Z jbV dj djigV

interview

to choreograph? They get more difficult to choreograph and conceive each time. I’m very demanding and I don’t want to repeat myself.I believe that with time we become more sophisticated and mature. In this sense the restrictions are becoming ever tougher. And which of your shows got the most positive audience response? All of them have had a brilliant response from the audience, but I have to admit that Velox was a high point. Rota was a worldwide success… well, it’s hard to say. 4POR4 went down brilliantly in New

York; Cruel was wonderfully received in Germany and also Brasil too. All of the shows have communicated well with the audiences. You’ve performed in London before, haven’t you? What are you expecting from this return? Yes I’ve brought all the company’s shows to London. I’m feeling good about this tour of Cruel in the UK. ‘Cruel bears my trademark style, yet takes things in new directions. I think the shows will be emotional and will have a great rapport with the public. Do you think Brasilian dance has a

good reputation outside of Brasil? I think so. We have good dancers working in companies abroad and we have different types and genres of Brasilian companies performing abroad too. What do you consider to be the most important part of your work? I believe in the force of movement as beauty, wonder and thought. My work is a fascination with experimenting with new spaces and discovering new movements, and building a creative body. It is charged with emotion, intention, ideas and principally the certainty that dance has an intrinsic capacity for expression and emotion. ,&

CRUEL INTENTIONS

:meadg^c\ i]Z YVg` h^YZ d[ i]Z bddc

XdbeVc]^V fjZ XdchZ\j^V hdWgZk^kZg# :hhZh iZbedh bjYVgVb eVgV bZa]dg Z VXgZY^id fjZ V XdbeVc]^V iZc]V jb ^bedgiVciZ eVeZa cZhhV bjYVc V# C d VXgZY^id fjZ ZhiZ_Vbdh eZY^cYd jb [Vkdg eVgV Zm^hi^g! bVh h^b fjZ ZhiVbdh YZhZckdakZcYd jb igVWVa]d Xg^Vi^kd! egdÒ hh^dcVa Z ^bedgiVciZ eVgV V XjaijgV! ZYjXV d Z eVgV V VgiZ# 9Z dcYZ kdX i^gV Vh ^che^gV Zh eVgV hZjh ZheZi{Xjadh4 9d Xdi^Y^Vcd! YV k^YV XdciZbedg}cZV! YVh b^c]Vh ZmeZg^ cX^Vh Z eZgXZe Zh Yd bjcYd# IVbW b [VoZbdh jb igVWVa]d YZ eZhfj^hV Z ZmeZg^bZciV d fjZ Y^Vad\V Xdb ZhhV ^che^gV d# FjVa YZaZh [d^ bV^h igVWVa]dhd YZ XdgZd\gV[Vg4 8VYV kZo bV^h dh igVWVa]dh Ò XVb bV^h igVWVa]dhdh YZ XdgZd\gV[Vg Z eZchVg# Hdj bj^id Zm^\ZciZ Z c d fjZgd bZ gZeZi^g# 6XgZY^id fjZ Xdb d iZbed Ò XVbdh bV^h hdÒ hi^XVYdh Z iVbW b bV^h bVYjgdh# 8db ^hhd Vh gZhig^ Zh h d XVYV kZo bV^dgZh# : fjVa iZkZ gZidgcd bV^h edh^i^kd Yd e Wa^Xd4 IdYdh dh ZheZi{Xjadh i^kZgVb jb i^bd gZidgcd Yd e Wa^Xd! bVh c d edhhd cZ\Vg fjZ d KZadm [d^ jb Wddb# GdiV [d^ jb hjXZhhd bjcY^Va### 7Zb! Y^[ X^a Y^oZg# )EDG) VXVWdj YZ [VoZg jb \gVcYZ hjXZhhd Zb CdkV >dgfjZ# 8gjZa [d^ bVgVk^a]dhd cV 6aZbVc]V Z iVbW b cd 7gVh^a# IdYdh dh ZheZi{Xjadh i b hZ Xdbjc^XVYd WZb Xdb d e Wa^Xd#

ÆL]n Yd ndj lVci id iVa` VWdji XgjZain4 >hcÉi a^[Z XgjZa Zcdj\]! l^i] YZVi] VcY lVgh4Ç# 9jg^c\ i]Z bV`^c\ d[ 8gjZa! 9ZWdgV]Éh aViZhi egdYjXi^dc! cdl idjg^c\ i]Z J@! i]Z Vgi^hi \di jhZY id eZdeaZ Vh`^c\ hjX] fjZhi^dch# Æ7ji ^iÉh cdi VWdji i]^hÇ! h]Z gZea^Zh! Æ^iÉh cdi _djgcVa^hi^X# >iÉh cdi V YdXjbZciVgn# >iÉh cdi gZVa^hi^X# >iÉh VWdji i]Z XgjZain ^c jhÇ# H]Z hiVgiZY i]^c`^c\ VWdji XgjZain ^c i]Z bV`^c\ d[ C @cdi ! l]^X] gZkdakZY VgdjcY i]Z i]ZbZ d[ YZh^gZ! VcY YZkZadeZY i]Z ^YZV d[ i]Z XgjZa ZnZ edcYZg^c\ dkZg ]dl jc`^cY adkZ! YZh^gZ VcY eVhh^dc XVc WZ# 6cY V[iZg lZaXdb^c\ hidg^Zh [gdb i]Z YVcXZgh ^c i]Z XdbeVcn! h]Z gZVa^hZY i]Vi ZkZc i]Z i]ZbZ d[ [Vb^an h]djaY WZ ZmeadgZY# 6YYgZhh^c\ i]Z ild bV^c ZaZbZcih dc hiV\Z Yjg^c\ eZg[dgbVcXZh! h]Z ZmeaV^ch Æ> lVh WZ\^cc^c\ id XgZViZ i]Z X]dgZd\gVe]n VcY hjYYZcan > [Zai i]Z cZXZhh^in d[ V iVWaZ Vh i]Z hnci]Zh^h d[ i]Z [Vb^an# I]Zc > ]VY i]Z ^YZV VWdji i]Z b^ggdg# L]Vi ^h bdhi XgjZa ^c ndjg a^[Z4 Id WZ ^c [gdci d[ i]Z b^ggdg VcY id gZXd\c^hZ ndjghZa[# >iÉh Zbdi^dch! VcY hidg^Zh! VcY l]Vi ndj ]VkZ ^c ndjg ]ZVY VcY ndjg ]ZVgiÇ#

KdX _{ hZ VegZhZcidj Zb AdcYgZh VciZg^dgbZciZ XZgid4 D fjZ ZheZgV YZhiZ gZidgcd4 H^b! aZkZ^ idYdh dh ZheZi{Xjadh YV XdbeVc]^V | AdcYgZh# :hidj Xdb WdV ^cij^ d fjVcid V aZkVg V ijgc YZ 8gjZa Vd GZ^cd Jc^Yd# 8gjZa igVo V b^c]V Vhh^cVijgV Z iVbW b VedciV cdkdh XVb^c]dh# 6XgZY^id fjZ dh ZheZi{Xjadh hZ_Vb ZbdX^dcVciZh Z iZc]Vb jbV WdV Xdbjc^XV d Xdb d e Wa^Xd# KdX VX]V fjZ V YVc V WgVh^aZ^gV iZb jb Wdb gZXdc]ZX^bZcid cd ZmiZg^dg4 6XgZY^id fjZ h^b# IZbdh Wdch WV^aVg^cdh igVWVa]VcYd Zb XdbeVc]^Vh YZ [dgV Z iZbdh Y^[ZgZciZh eZgÒ h YZ XdbeVc]^Vh WgVh^aZ^gVh hZ VegZhZciVcYd cd ZmiZg^dg# D fjZ kdX Xdch^YZgV bV^h ^bedgiVciZ hdWgZ d hZj igVWVa]d4 6XgZY^id cV [dg V Yd bdk^bZcid Xdbd WZaZoV! ZhigVc]ZoV Z eZchVbZcid# BZj igVWVa]d [VhX^cVYd edg ZmeZg^bZciVg cdkdh ZheV dh Z Vhh^b YZhXdWg^g cdkdh bdk^bZcidh Z Xdchigj^g jb Xdged Xg^Vi^kd# BZj igVWVa]d XVggZ\VYd YZ hZci^bZcidh! ^ciZc Zh! ^YZ^Vh Z eg^cX^eVabZciZ V XZgiZoV YZ fjZ V YVc V XVeVo YZ hZ ZmegZhhVg Z ZbdX^dcVg# ,& 8DBE6C=>6 9: 96Cv6 9:7DG6= 8DA@:G 5 76G7>86C '.i] ?jcZ " (gY ?jan! &%" '+ 76G7>86C#DG<#J@ %'% ,)'- )%-%

B6>D '%&% ,WPING&TWOU )&

youth movement

DANCE SCHEME PROVIDES SCHOOLCHILDREN WITH A HEALTHY OUTLOOK AND CAREER PROSPECTS Promoting extra-curricular activities to get young people involved in dance seems a simple idea, but in London there’s something extra special happening. Aimed at the classroom, the Step Into Dance scheme seeks to get more than 400 young people aged 11-16, from 100 different schools across the city, participating in weekly dance lessons, with a range of styles from classical jazz and tap-dance, through to break-dance and hip hop. Recently the project also incorporated Latin styles and even fusions of contemporary dance and capoeira, taught by Norwegian dancer Annette Brandanger, who began practising the latter four years ago. Outlining her inspiration, she said “my background’s in contemporary dance; I heard about capoeira while working in a bar with some Brasilians. The physical strength gained from its practice, especially in the upper body, the intensive vascular workout and combination of dance and acrobatic movements to create strong, steady shapes really captivated me”.

Becoming a part of Step Into Dance over two years ago, Annette said that young people benefit not just on a physical level, but also because it demystifies various aspects of dance, which before they perhaps didn’t have access to. “When you’re 11 or 12 your impression of dance comes almost exclusively through big productions like musicals, most likely without taking part. During the lessons of the scheme they begin by learning that dance isn’t just about letting go to the music and doing what you want, but that there’s a lot of work behind the choreography”, she added. They also learn to deal not only with the responsibility of having to help each other in a group, but also to demonstrate dedication required to develop their abilities. Besides regular local shows throughout the year for friends and family, groups are selected between April and May for participation in Step LIVE!, the project’s annual celebration, which brings together pupils from different schools in a show held at a large London

the right

theatre, this year being Sadler’s Wells. The other side to the project is the discovery of a potential career, something perhaps not previously considered by the children. “Many of them are incredibly talented. Recently, I even had a pupil accepted onto a programme at The Place,” said Annette. Another instructor, David Lyons, explained how his own career started early, given that he began dancing at 11. “My aunt used to do Latin ballroom dancing and one day I went with her. I haven’t stopped dancing since; I had real flair and started to train and win competitions. Dance became my profession: I also studied ballet, jazz and tap-dancing, and even appeared in musicals”, says David, who besides the regular school projects is involved in Latin rhythms workshops provided in Step LIVE! (see box). The programme also has teachers specifically trained to work with children with special needs. Those interested in offering Step Into Dance’s scheme to their pupils can sign up at stepintodance.org. ,&

move YQTFU D[ %COKNNC %QUVC RKEVWTGU D[ /CTM .GGU &CXKF 6GVV

)' ,WPING&TWOU B6N '%&%

4 thinking minds

PROJETO DE DANÇA CONTRIBUI PARA VIDA SAUDÁVEL E OFERECE CHANCE DE CARREIRA AOS JOVENS Ji^a^oVg V YVc V Xdbd Vi^k^YVYZ ZmigVXjgg^XjaVg eVgV VigV^g Z ZckdakZg VYdaZhXZciZh Xdb V YVc V eVgZXZ jbV ^YZ^V h^beaZh! Z Vi Xdgg^fjZ^gV! bVh fjZ Zb AdcYgZh XdciV Xdb jb idfjZ ZheZX^Va/ ^ciZgbZY^VYd VigVk h YZ ZhXdaVh! d HiZe >cid 9VcXZ XdchZ\jZ VaXVc Vg bV^h YZ )%% _dkZch! ZcigZ && Z &+ Vcdh! fjZ eVgi^X^eVb YZ VjaVh hZbVcV^h Zb &%% ZhXdaVh YV X^YVYZ# Dh Y^[ZgZciZh Zhi^adh kVg^Vb YZhYZ dh bV^h Xa{hh^Xdh! Xdbd _Voo Z hVeViZVYd! Vi WgZV` YVcXZ Z ]^e ]de# GZXZciZbZciZ d egd_Zid ^cXaj^j V^cYV YVc Vh aVi^cVh Z Vi jbV [jh d YZ YVc V XdciZbedg}cZV Xdb XVedZ^gV! ZhiV b^c^higVYV eZaV cdgjZ\jZhV 6ccZiiZ 7gVcYVc\Zg# 6 egd[ZhhdgV Zmea^XV YZ dcYZ kZ^d hjV ^che^gV d# ÆB^c]V [dgbV d YZ YVc V XdciZbedg}cZV0 Ve h igVWVa]Vg Xdb k{g^dh WgVh^aZ^gdh Zb jb WVg! Xdc]ZX^ V XVedZ^gV# 6 [dg V [ h^XV VYfj^g^YV cV eg{i^XV! eg^cX^eVabZciZ cV eVgiZ hjeZg^dg Yd Xdged! d igZ^cVbZcid kVhXjaVg ^ciZchd Z dh bdk^bZcidh b^hijgVcYd YVc V Z VXgdWVX^V fjZ eZgb^iZb hZ bVciZg XdchiVciZbZciZ [dgiZ Z Zb [dgbV bZ ZcXVciVgVbÇ! Y^o ZaV! fjZ XdbZ dj hZj igZ^cVbZcid YZ XVedZ^gV ]{ fjVigd Vcdh# >ciZ\gVciZ Yd HiZe >cid 9VcXZ ]{ Yd^h Vcdh Z bZ^d! 6ccZiiZ Y^o fjZ dh VYdaZhXZciZh hZ WZcZ[^X^Vb YV YVc V c d h Xdbd Vi^k^YVYZ [ h^XV! bVh iVbW b YZhb^hi^[^XVcYd k{g^dh VheZXidh Vdh fjV^h VciZh c d i^c]Vb VXZhhd# ÆFjVcYd hZ iZb &&! &' Vcdh! Vh cd Zh YZ YVc V h d egVi^XVbZciZ dWi^YVh VigVk h YZ \gVcYZh egdYj Zh Xdbd bjh^XV^h! dj YZ ZmeZg^ cX^Vh eg eg^Vh VciZg^dgZh! bVh VWhdajiVbZciZ hZb Xdbegdb^hhdh# 9jgVciZ Vh VjaVh Yd ZhfjZbV! ZaZh XdbZ Vb V VegZcYZg fjZ YVc V c d h hZ hdaiVg Xdb V b h^XV Z [VoZg d fjZ fj^hZg/ ]{ idYd jb igVWVa]d Zckdak^Yd cV Xg^V d YZ

jbV XdgZd\gV[^VÇ! XdbZciV# :aZh XdbZ Vb V a^YVg iVbW b Xdb V gZhedchVW^a^YVYZ YZ hZ ZhiVg cjb \gjed dcYZ dh bZbWgdh hZ V_jYVb! bVh iVbW b XdWgVb YZY^XV d eVgV fjZ ]VW^a^YVYZh hZ_Vb YZhZckdak^YVh# 6a b YZ h]dlh adXV^h eZg^ Y^Xdh eVgV dh Vb^\dh Z [Vb^a^VgZh YjgVciZ d Vcd! ZcigZ VWg^a Z bV^d dXdggZ V hZaZ d Ydh \gjedh fjZ eVgi^X^eVg d Yd HiZe A>K: ! V XZaZWgV d VcjVa Yd egd_Zid! fjZ _jciV Vajcdh YZ Y^[ZgZciZh ZhXdaVh Zb jbV VegZhZciV d Zb jb \gVcYZ iZVigd! cd XVhd YZhiZ Vcd! d HVYaZgÉh LZaah# DjigV kZgiZciZ Yd egd_Zid V YZhXdWZgiV YZ jbV XVggZ^gV Zb ediZcX^Va! c d Xdch^YZgVYV VciZh eZadh _dkZch# ÆBj^idh YZaZh h d ^cXg^kZabZciZ iVaZcidhdh# I^kZ ^cXajh^kZ jbV VajcV VXZ^iV eVgV jb egd\gVbV cV I]Z EaVXZ gZXZciZbZciZÇ! V[^gbV 6ccZiiZ# 9Vk^Y Andch! djigd egd[Zhhdg Yd egd_Zid! XdciV fjZ hjV eg eg^V XVggZ^gV XdbZ dj XZYd! Vdh && Vcdh# ÆB^c]V i^V [gZfjZciVkV VjaVh YZ YVc V YZ hVa d aVi^cVh Z jb Y^V [j^ Xdb ZaV# 9Zed^h Y^hhd c d eVgZ^0 edg aZkVg _Z^id! XdbZXZ^ V igZ^cVg Z kZcXZg XdbeZi^ Zh# 6 YVc V hZ idgcdj b^c]V egd[^hh d/ ZhijYZ^ iVbW b WVa ! _Voo Z hVeViZVYd! Z VijZ^ Zb bjh^XV^hÇ! XdciV ZaZ! fjZ Va b Yd egd_Zid gZ\jaVg cVh ZhXdaVh! Zhi{ Zckdak^Yd iVbW b Xdb d ldg`h]de YZ hVahV d[ZgZX^Yd cd HiZe A>K: kZ_V Wdm # >cXajh^kd! d egd\gVbV Y^he Z YZ egd[ZhhdgZh Veidh V a^YVg Xdb Vajcdh Xdb cZXZhh^YVYZh ZheZX^V^h# 6h ZhXdaVh ^ciZgZhhVYVh Zb VYdiVg d HiZe >cid 9VcXZ edYZb hZ ^chXgZkZg VigVk h Yd h^iZ Yd egd_Zid! hiZe^cidYVcXZ#dg\# ,& HI:E A>K: 5 H69A:GÉH L:AAH I=:6IG: &&i] ?jan! +eb! &% " &* H69A:GHL:AAH#8DB %-)) )&' )(%%

TAKING THINGS TO THE NEXT STEP

HiZe A>K: '%&% l^aa WZ i]Z \gZViZhi XZaZWgVi^dc d[ HiZe >cid 9VcXZ h^cXZ ^i WZ\Vc [djg nZVgh V\d# 6 XdaaVWdgVi^dc WZilZZc i]Z ?VX` EZiX]Zn ;djcYVi^dc VcY i]Z GdnVa 6XVYZbn d[ 9VcXZ! i]Z h]dlXVhZ! Vi HVYaZgÉh LZaah dc &&i] ?jan! ^h i]Z Xjab^cVi^dc d[ i]Z eVgi^X^eVi^c\ hX]ddahÉ ldg` dkZg i]Z aVhi nZVg# ÆI]Z h]dl ^h [VciVhi^X VcY ^cXajYZh V ]j\Z kVg^Zin d[ hinaZh! l^i] ediZci^Va id ViigVXi cdi dcan i]Z hijYZcihÉ [Vb^a^Zh VcY hX]ddahÉ Xdbbjc^i^Zh! Wji Vahd i]dhZ ^ciZgZhiZY ^c YVcXZ VcY cZl iVaZcihÇ! hVnh ^chigjXidg 6ccZiiZ 7gVcY^c\Zg# 6h^YZ [gdb bjh^X VcY eZg[dgbVcXZ i]ZgZÉaa WZ [gZZ ZkZcih [dg k^h^idgh! hjX] Vh V WVh^X hVahV ldg`h]de! hd i]Vi cdk^XZh l^aa Vahd ]VkZ V X]VcXZ id iV`Z i]Z^g Ò ghi hiZe idd#

B6>D '%&% ,WPING&TWOU )(

praia do forte

THE FORTRESS OF NATURE

YQTFU D[ #PC %CTQNKPC 0WPGU RKEVWTGU #PC $TCUKN

HISTORY, NATURAL BEAUTY AND ENVIRONMENTAL PRESERVATION COME TOGETHER IN PRAIA DO FORTE Picture perfect. This is the initial impression projected by the town of Praia do Forte, a district in the city of Mata do São João on Bahia's northern coast, about 35 miles from Salvador. The centre is made up of sweet multi-coloured houses found in mostly traffic-free lanes and clean and tidy courtyards. Where cars are allowed, they traverse the passageways' paved streets no faster than 18mph. In order to project this village feel, everything has been planned down to the smallest detail, from the flowers

to the signposts. Crossing the centre of town to get to the beach, the feeling of being on a set design is reinforced by the emerald-blue sea and the natural swimming pools lined with coconut trees. This rustic feel, however, ends with the landscape, because Praia do Forte’s infrastructure is tailored for visiting tourists, starting with the huge array of accommodation to suit any budget; from the well-known hotel chains and largescale resorts offering total luxury and

numerous leisure activities, to the cosy guest houses and hostels for those who want to enjoy the area without breaking the bank. There are also many culinary options on offer: as well as the typical Bahian fare there are also Italian, French, Spanish and Japanese restaurants to name just a few cuisines catered for. The town also provides currency exchange facilities, internet cafés, and even a medium-sized airport. If you can't get there by aeroplane you

=>HIâG>6! 8JAIJG6! 7:A:O6H C6IJG6>H : EGDI:vÀD 6B7>:CI6A H: :C8DCIG6B C6 EG6>6 9D ;DGI: Jb XZc{g^d# :hiV V eg^bZ^gV ^begZhh d fjZ hZ iZb YV K^aV YV EgV^V Yd ;dgiZ! Y^hig^id fjZ [Vo eVgiZ YV X^YVYZ YZ BViV Yd H d ?d d! a^idgVa cdgiZ YV 7V]^V! V ** `b YZ HVakVYdg# D XZcigd ijg hi^Xd adXVa [dgbVYd edg XVh^c]Vh Xdadg^YVh adXVa^oVYVh Zb k^ZaVh Z egV Vh [adg^YVh! a^beVh Z dg\Vc^oVYVh! Zb Xj_V WdV eVgiZ YVh fjV^h c d X^gXjaVb Vjidb kZ^h# CVh eVhhV\Zch Zb fjZ dh XVggdh h d eZgb^i^Ydh! ZaZh eZgXdggZb gjVh YZ eVgVaZaZe eZYd V jbV kZadX^YVYZ ^c[Zg^dg V (%`b$]# EVgV YVg ZhhZ Xa^bV YZ k^aVgZ_d! idYdh dh YZiVa]Zh [dgVb b^c^bVbZciZ eaVcZ_VYdh! YVh [adgZ^gVh |h eaVXVh YZ dg^ZciV d# 8gjoVcYd d XZcigd ijg hi^Xd eVgV X]Z\Vg Vi V egV^V! V hZchV d XZcd\g{[^XV hZ Xdc[^gbV eZaV {\jV Voja"ZhbZgVaYV Yd bVg Z eZaVh e^hX^cVh cVijgV^h XdcidgcVYVh edg [^aZ^gVh YZ XdfjZ^gdh# D WjXda^hbd! cd ZciVcid! [^XV a^b^iVYd | eV^hV\Zb! ed^h V EgV^V Yd ;dgiZ )) ,WPING&TWOU B6N '%&%

edhhj^ ^c[gVZhigjijgV XdbeaZiV eVgV d k^h^iVciZ# 8dbZ VcYd eZaVh bV^h kVg^VYVh [dgbVh YZ ]dheZYV\Zb! Y^hedc kZ^h eVgV idYdh dh Wdahdh! fjZ ^cXajZb YZhYZ [VbdhVh gZYZh ]diZaZ^gVh Z \gVcYZh gZhdgih! fjZ d[ZgZXZb idYd d ajmd Z Y^kZghVh de Zh YZ aVoZg Vd ] heZYZ! eVhhVcYd edg VXdcX]Z\VciZh edjhVYVh Vi V VXdbdYV d Zb VaWZg\jZh! eVgV fjZb YZhZ_V Xjgi^g d adXVa \VhiVcYd edjXd# ={ V^cYV bj^iVh VaiZgcVi^kVh \Vhigdc b^XVh! hZcYd edhh kZa ZcXdcigVg c d h V i e^XV Xja^c{g^V WV^VcV! Xdbd iVbW b gZhiVjgVciZh ^iVa^Vcdh! [gVcXZhZh! ZheVc] ^h Z _VedcZhZh! ZcigZ djigdh# 6a b Y^hhd! V k^aV XdciV Xdb [VX^a^YVYZh Xdbd XVhVh YZ X}bW^d! ^ciZgcZi XV[ h Z Vi bZhbd jb VZgdedgid YZ b Y^d edgiZ# HZ kdX c d edhhj^ jb Vk^ d! d VXZhhd Vd adXVa edYZ hZg [Z^id igVcfj^aVbZciZ YZ XVggd eZaV 76 %..! bV^h Xdc]ZX^YV Xdbd A^c]V

destination

9Zhe^iZ YgVl^c\ bVhhZh d[ idjg^hih! ^i h hi^aa edhh^WaZ id Ò cY V igVcfj^a hedi Ydlc dc i]Z h]dgZ

can easily reach the area via the BA-099 highway, known as the Linha Verde (Green Line) or Estrada do Coco (Coconut Highway), linking Salvador to Mangue Seco, on the border of Bahia with the neighbouring state of Sergipe. For those who prefer to take in the scenery you can catch a bus with Expresso Linha Verde, offering a regular service which takes around two hours from Salvador bus station or Luis Eduardo Magalhães airport, which serves the Bahian capital. It couldn't be easier!

The Castle | The Castelo Garcia D’Ávila, one of the town's key touristism attractions, is emblematic and a narrative for the local history. A site of historic heritage and Brasilian cultural importance, it’s considered the first Portuguese structure in Brasil and the only one in the Americas to display medieval characteristics. Construction commenced in 1551 by <VgX^V 9ÉÛk^aV! i]Zc igZVhjgZg [dg Tomé de Souza, Bahia's first Governor, but it was only completed in 1624 by his grandson,

KZgYZ dj :higVYV Yd 8dXd! fjZ a^\V HVakVYdg | BVc\jZ HZXd! cV Y^k^hV YV 7V]^V Xdb d ZhiVYd YZ HZg\^eZ# EVgV fjZb egZ[ZgZ ^g VegZX^VcYd V eV^hV\Zb! cjb eZgXjghd fjZ edYZ aZkVg Vi YjVh ]dgVh! V :megZhhd A^c]V KZgYZ edhhj^ a^c]Vh gZ\jaVgZh YZ c^Wjh hV^cYd YV gdYdk^{g^V YZ HVakVYdg dj Yd 6Zgdedgid Aj^h :YjVgYd BV\Va] Zh! fjZ hZgkZ | XVe^iVa WV^VcV# BV^h YZbdXg{i^Xd! ^bedhh kZa

D [dgiZ XVhiZad q

D 8VhiZad <VgX^V 9ÉÛk^aV! jb Ydh edcidh ijg hi^Xdh adXV^h! eZghdcV\Zb Z cVggVYdg YV ]^hi g^V adXVa# EVig^b c^d ]^hi g^Xd Z XjaijgVa WgVh^aZ^gd! ZaZ V eg^bZ^gV ZY^[^XV d edgij\jZhV cd 7gVh^a Z c^XV YVh 6b g^XVh V iZg XVgVXiZg hi^XVh bZY^ZkV^h# 8dbZ dj V hZg Xdchigj Yd Zb &**&! edg <VgX^V 9ÉÛk^aV! iZhdjgZ^gd Yd eg^bZ^gd

Francisco Dias D’Ávila. The castle was a military barracks as well as a fort, protecting the country against foreign coastal invasions, thus giving Praia do Forte its name, which translates literally as 'the beach of the fort'. It was part of the Morgado da Torre farm, the largest estate in the world at the time, covering 10% of Brasil and owned by the D’Ávila family. Among the farm's main activities was the raising of cattle and growing of coconuts. Upon reaching the castle, just under two

\dkZgcVYdg YV 7V]^V! Idb YZ HdjoV! bVh h [d^ [^cVa^oVYd Zb &+')! edg hZj cZid ;gVcX^hXd 9^Vh 9ÉÛk^aV# D 8VhiZad ZgV jbV bdgVYV b^a^iVg fjZ iVbW b Xjbeg^V V [jc d YZ [dgiZ! VWg^\VcYd V YZ[ZhV Yd eV h XdcigV ^ckVh Zh ZhigVc\Z^gVh eZaV XdhiV " YV V dg^\Zb Yd cdbZ YZ EgV^V Yd ;dgiZ# ;Vo^V eVgiZ YV [VoZcYV Bdg\VYd YV IdggZ! eZgiZcXZciZ | [Vb a^V 9ÉÛk^aV! Z X]Z\dj V hZg d bV^dg aVi^[ cY^d Yd bjcYd! dXjeVcYd &% Yd iZgg^i g^d WgVh^aZ^gd# :cigZ Vh eg^cX^eV^h Vi^k^YVYZh YV [VoZcYV ZhiVkV V Xg^V d YZ \VYd Z d Xjai^kd YZ XdXd# Cd VXZhhd Vd 8VhiZad! Y^hiVciZ XZgXV YZ ( `b Yd XZcigd YV k^aV Ä bVh fjZ kVaZ XVYV bZigd eZgXdgg^Yd " [^XV [{X^a eZgXZWZg fjZ V adXVa^oV d YV Xdchigj d YZ eZYgV [d^ ZhigViZ\^XVbZciZ eZchVYV! c d h eZaV [jc d b^a^iVg! bVh eZaV WZaV k^hiV YZ (+% YZ idYV V EgV^V Yd ;dgiZ! _{ fjZ Zhi{ V B6>D '%&% ,WPING&TWOU )*

praia do forte miles from the town centre – but well worth every inch – it’s easy to see the strategic thinking behind building the stone fort in that spot, not just because of its military function but because of the spectacular 360° panoramic views right across the whole of Praia do Forte, given its being 70m above sea level. Sure enough, the area in which the farm was located was subdivided into lots and turned into a fishing town; in 1900, the St. Francis chapel was built there and still stands today, and treating Praia do Porto as its boundary, it’s one of the town's main chapels, closest to the commercial district.

Bountiful nature | The region's natural beauty is the main reason that this sleepy fishing village has been transformed into a tourist destination which welcomes more than 1 million visitors a year from all corners of the world. Praia do Forte's 9 miles of coastline is divided into four beaches; a car is handy to get between them, but isn't essential, only a little more will power is required to make the journey on foot, and the resulting weariness and heat can always be refreshed with a quick dip in the sea. The natural swimming pools with their crystal-clear waters can be taken advantage of just a short distance from the town. At

both Praia do Papa-gente and Praia do Lord, plenty of sunscreen and snorkelling gear will afford you hours of enjoyment in the warm waters, teeming with colourful fish, the fine, white sand and lots of sunshine. And of course, like everywhere in northeast Brasil, you’ll find coconut trees in abundance. Between the months of May and June be prepared to share the waters with giant sea turtles, whilst from July to October you might just find yourself in the company of humpback whales. The sea turtles however can also be found all year round in Praia do Forte, since the town is host to the country's primary project for the protection of sea

IV`Z V bdbZci id ZbWgVXZ i]Z ^Ynaa^X VcY gjhi^X hZii^c\

,% bZigdh VX^bV Yd c kZa Yd bVg# BV^h iVgYZ V gZ\^ d dcYZ hZ ZcXdcigVkV V [VoZcYV [d^ adiZVYV Z igVch[dgbVYV Zb jbV k^aV YZ eZhXVYdgZh0 Zb &.%% [d^ Xdchigj YV cd adXVa V 8VeZaV YZ H d ;gVcX^hXd! fjZ Zm^hiZ Vi ]d_Z Z XdciV Xdb V EgV^V Yd Edgid Xdbd a^b^iZ! jbV YVh eg^cX^eV^h YV k^aV! bV^h eg m^bV YV {gZV XdbZgX^Va#

CVijgZoV \ZcZgdhV q

6h WZaZoVh cVijgV^h YV gZ\^ d h d d eg^cX^eVa bdi^kd YZ V Vci^\V VaYZ^V YZ eZhXVYdgZh iZg hZ igVch[dgbVYd )+ ,WPING&TWOU B6N '%&%

Zb YZhi^cd eVgV bV^h YZ jb b^a] d YZ ijg^hiVh edg Vcd! dg^jcYdh YZ idYdh dh XVcidh Yd bjcYd# 6 EgV^V Yd ;dgiZ edhhj^ XZgXV YZ &* `b YZ a^idgVa! Y^k^Yd Zb fjVigd egV^Vh0 eVgV X^gXjaVg ZcigZ ZaVh jb XVggd V_jYV! bVh c d ZhhZcX^Va! VeZcVh jb edjXd bV^h YZ Y^hedh^ d eZgb^iZ XVb^c]VYVh Xj_dh ZkZcijV^h XVchV d Z XVadg edYZb hZbegZ hZg gZ[gZhXVYdh Xdb jb WVc]d YZ bVg# FjZg XdbWjhi kZa bZa]dg4 E^hX^cVh cVijgV^h Xdb {\jVh Xg^hiVa^cVh edYZb hZg YZh[gjiVYVh V edjXdh bZigdh YV k^aV# IVcid cV EgV^V Yd EVeV"\ZciZ Xdbd cV EgV^V Yd AdgY! bj^id egdiZidg hdaVg Z b{hXVgV YZ hcdg`Za egdedgX^dcVg d ]dgVh YZ Y^kZgh d Zb

E>8IJG:H 7N 6C9G:L =:8=I $$ 6C6 7G6H>A

praia do forte turtles, the Tamar, which opens its doors to visitors (see box), as well as the Humpback Whale Institute, an NGO established in 1987 which holds activities to promote the conservation and study of this great mammal.

Enjoyment from day to night | For those who don't just want to stop and admire the diversity of the local flora and fauna, Praia do Forte also offers plenty of water sports such as surfing, windsurfing, diving, deep-sea fishing and canoeing, as well as cycling, horse riding or quad-biking, and even parasailing, which is the ultimate thrill. For those not familar, this involves being towed by a boat, gliding

high behind it suspended from a parasail, a specially designed parachute. The nightlife might not match that of the big cities, but a number of bars offer the chance to liven up the evening, such as the Bahian-Brasilian repertoire which can be caught at the Bar do Souza, also famous for its traditional fishcakes. During the high season, Praia do Forte also hosts a number of summer festivals, from food to music, like the popular Trivela festival. To relax the morning after, pick one of the beautiful local beaches, keep hydrated with iced coconut water and make the most of the sea and sand. With all the natural beauty that Praia do Forte has to offer, this certainly won't be a challenge. ,&

HELPING TURTLES ALL YEAR ROUND Egd_Zid IVbVg lVh [djcYZY ^c &.-% id egdiZXi bVg^cZ ijgiaZh! l]^X]! Wn i]Z ZcY d[ i]Z ,%h! lZgZ VagZVYn dc V a^hi d[ ZcYVc\ZgZY heZX^Zh! dl^c\ id i]Z^g WZ^c\ VXX^YZciVaan XVj\]i ^c [^h]^c\ cZih! dg id i]Z b^cYaZhh iV`^c\ d[ i]Z Z\\h aV^Y dc i]Z WZVX] Wn i]Z [ZbVaZh# 9jg^c\ i]^h (% nZVg eZg^dY i]Z egd_ZXi ]Vh ZmeVcYZY VcY XVc idYVn WZ [djcY ^c c^cZ hiViZh ^c 7gVh^a# EgV^V Yd ;dgiZ ]djhZh i]Z cVi^dcVa ]ZVYfjVgiZgh d[ i]Z egd_ZXi VcY V K^h^idgh 8ZcigZ# 6c deZc V^g bjhZjb l^i] VfjVg^jbh VcY ^ciZgVXi^kZ iVc`h VgZ i]Z bV^c ViigVXi^dch d[ i]Z h^iZ! l]^X] YgVlh ^c VgdjcY +%%!%%% eZdeaZ V nZVg# 6XXdgY^c\ id IVbVg W^dad\^hi AjX^Vcd HdVgZh! idjg^hb Vi EgV^V Yd ;dgiZ ]Vh ]ZaeZY gV^hZ Wdi] i]Z edejaVg^in d[ Zck^gdcbZciVa VlVgZcZhh! VcY Vahd Vaa ^bedgiVci [jcYh# ÆIdjg^hb ]Vh id WZ Zck^gdcbZciVaan gZhedch^WaZ ^c dgYZg id Vaadl [dg ]Vgbdc^djh XdZm^hiZcXZÇ! AjX^Vcd ]^\]a^\]ih# 6cY l^i] i]^h! ]Z bV`Zh ^i XaZVg i]Vi Æi]Z jhZ d[ kZ]^XaZh dc cZhi^c\ WZVX]Zh ^h hig^Xian egd]^W^iZY0 lVgc^c\ h^\ch bjhi WZ dWZnZYÇ# I6B6G#DG<#7G

=jbeWVX` l]VaZh b^\gViZ [gdb 6ciVgXi^XV id EgV^V Yd ;dgiZ WZilZZc ?jan VcY DXidWZg

bZ^d Vd bVg YZ {\jVh bdgcVh Xdb eZ^m^c]dh Xdadg^Ydh! VgZ^V WgVcXV Z [^cV! Z bj^id hda# : XaVgd! Xdbd Zb idYd d cdgYZhiZ WgVh^aZ^gd! dh XdfjZ^gdh h d egZhZc V \VgVci^YV# :cigZ dh bZhZh YZ bV^d Z _jc]d egZeVgZ"hZ eVgV Y^k^Y^g d WVc]d YZ bVg Xdb iVgiVgj\Vh bVg^c]Vh \^\VciZh# ?{ ZcigZ _ja]d Z djijWgd! hjV XdbeVc]^V edYZ hZg jbV WVaZ^V _jWVgiZ# BVh Vd adc\d YZ idYd d Vcd Vh iVgiVgj\Vh bVg^c]Vh h d ZcXdcigVYVh cV EgV^V Yd ;dgiZ! _{ fjZ V k^aV VWg^\V d eg^cX^eVa egd_Zid Yd eV h eVgV V egdiZ d YZ iVgiVgj\Vh bVg^c]Vh! d IVbVg! fjZ bVci b hjVh edgiVh VWZgiVh Vdh k^h^iVciZh kZg Wdm ! Vhh^b Xdbd d >chi^ijid 7VaZ^V ?jWVgiZ! DC< fjZ YZhYZ &.-, gZVa^oV Vi^k^YVYZh fjZ egdbdkVb V egZhZgkV d Z d ZhijYd YZhhZ bVb [Zgd#

8jgi^cYd d Y^V Z V cd^iZ q EVgV VfjZaZh fjZ c d XdchZ\jZb [^XVg eVgVYdh eVgV VeZcVh XdciZbeaVg V W^dY^kZgh^YVYZ YV

)- ,WPING&TWOU B6N '%&%

cVijgZoV adXVa! V EgV^V Yd ;dgiZ V^cYV d[ZgZXZ de Zh eVgV V eg{i^XV YZ ZhedgiZh c{ji^Xdh Xdbd hjg[Z! l^cYZhjg[! bZg\ja]d! eZhXV dXZ}c^XV Z XVcdV\Zb dj eVhhZ^dh YZ W^X^XaZiV! XVkVad dj fjVYg^X^Xad Z Vi kdd eVgVhV^a# D ai^bd! eVgV fjZb c d hVWZ! jb eVgVfjZYVh fjZ aZkVciV kdd Vd hZg ejmVYd edg jb WVgXd# 6 k^YV cdijgcV edYZ c d hZg i d V\^iVYV Xdbd cVh \gVcYZh X^YVYZh! bVh Va\jch WVgZh XjbegZb WZb d eVeZa YZ Vc^bVg V cd^iZ adXVa! Xdbd d gZeZgi g^d WgVh^aZ^gd"WV^Vcd Yd 7Vg Yd HdjoV! [Vbdhd iVbW b edg hZj igVY^X^dcVa Wda^c]d YZ eZ^mZ# 9jgVciZ V VaiV iZbedgVYV V EgV^V Yd ;dgiZ V^cYV hZY^V Va\jch [Zhi^kV^h YZ kZg d! c d h YZ b h^XV! Xdbd d bV^h edejaVg Ig^kZaV! bVh iVbW b YZ \Vhigdcdb^V# EVgV gZaVmVg cd Y^V hZ\j^ciZ! ZhXda]V jbV YVh WZaVh egV^Vh Yd adXVa eVgV idbVg jbV {\jV YZ XdXd \ZaVYV Z YZh[gjiVg jb edjXd YV VgZ^V Z Yd bVg# 8db idYV V \ZcZgdh^YVYZ fjZ V cVijgZoV iZkZ Xdb V EgV^V Yd ;dgiZ! ZhiV XZgiVbZciZ c d hZg{ jbV b^hh d Y^[ X^a# ,&

E>8IJG: 7N 6GFJ>KD $ >7? $$ BJG>AD 86G9DHD

DOCUMEN TA RY FI LM MAKI NG I N T HE HEART O F BRAZ I L INTENSIVE 3 WEEK COURSE • 9TH - 30TH AUGUST 2010 • RIO DE JANEIRO - BRAZIL • UNIQUE FILMING EXPERIENCE SUPPORTED BY UNIVERSITY COLLEGE LONDON AND FERNANDO MEIRELLES (CITY OF GOD / THE CONSTANT GARDENER)

Taught elements: Pre-Production, Production and Post Production • Exclusive access to film in the ‘City of God’ • Full Technical and logistical support • International teachers from Brazil and the UK • Documentary film-making certificate upon course completion • Accommodation, local transport and daytime meals included ALL DOCUMENTARIES MADE WILL BE SCREENED AT THE FMI IN NOVEMBER 2010 PREVIOUSLY A ATTENDED BY KEN LOACH / ALFONSO CUARON AND VANESSA VANESSA REDGRAVE SOCIAL RESPONSIBILITY: THIS COURSE HELPS TO DIRECTLY FUND LOCAL NGO AND FILM SCHOOL CINEMA INEMA NOSSO WWW.CINEMANOSSO.ORG.BR • APPLICATIONS MUST BE MADE BY WEDNESDAY 31ST MAY 2010 • FOR APPLICATIONS AND INFORMATION VISIT OUR WEBSITE

LIMITED SPACES AVAILABLE WWW.RIOFILMSCHOOL.COM INDIVIDUAL GRANTS AV AVAILABLE VAILABLE OF UP TO £500

SUPPORTED BY:

praia do forte explorer

THE INSIDER

LOCATION

12.55° SOUTH 38.00° WEST

1

EG6>6 9D ;DGI: " 76=>6

fWfW#][dj[ dWjkhWb feebi AV\dV Yd I^bZVcijWZ

,7.+#0# /14#.'5 H:C>DG BDC>IDG! I>KDA> :8DG:HDGI

ÆEgV^V Yd ;dgiZ ^h gjhi^X Wji hde]^hi^XViZY! cVijgVa Wji bdYZgc# >iÉh V [^h]ZgbZc h k^aaV\Z [jaa d[ lZaXdb^c\ adXVah! V gVgZ cVijgVa WZVjin VcY eaZcin d[ X]VcXZh id iV`Z ^c i]Z XjaijgZ d[ i]dhZ l]d a^kZ ]ZgZ l]d d[iZc bV`Z V a^k^c\ d[[ i]Z idjg^hb igVYZ # >i h ZVhn id [Vaa ^c adkZ l^i] i]^h bV\^XVa eaVXZ! l^i] aZ^hjgZ dei^dch VcY XdciVXi l^i] cVijgZ VlV`Zc^c\ ldcYZg[ja [ZZa^c\h ^ch^YZ i]dhZ l]d XdbZ ]ZgZ#Ç

TOP 6

2 3

iWf_hWd]W h[i[hl[ >chi^ijid 7VaZ^V ?jWVgiZ

EgVÂ V Ydh 6gi^hiVh

fhe`[je jWcWh

>\gZ_V H d ;gVcX^hXd Ă“i^[hcWd l_bbW][

m^Wb[ mWjY^_d]

G^d I^bZVcijWZ YWij[be ]WhY_W Z |l_bW

4 5 6

G^d Ed_jXV

HVakVYdg

;^h]ZgbZc h k^aaV\Z/ HiVgi^c\ ed^ci id Vaa i]Z ViigVXi^dch d[ EgV^V Yd ;dgiZ EVeV"\ZciZ cVijgVa eddah/ EZg[ZXi [dg hcdg`Zaa^c\ VcY Zmeadg^c\ Egd_Zid IVbVg/ 8ZcigZ [dg gZhZVgX] VcY egdiZXi^dc d[ i]Z hZV ijgiaZh [djcY dc i]Z 7gVh^a^Vc XdVhi HVe^gVc\V GZhZgkZ/ CVijgVa ]VW^iVi d[[Zg^c\ V lZVai] d[ cVi^kZ ÓdgV VcY [VjcV# 8VhiZad <VgX†V 9É{k^aV/ Gj^ch d[ V cVi^dcVa ]Zg^iV\Z bZY^ZkVa"hinaZ XVhiaZ# L]VaZ lViX]^c\/ [gdb ?jan id DXidWZg! ]jbeWVX` l]VaZh b^\gViZ ]ZgZ [gdb 6ciVgXi^XV! Xdch^YZgZY i]Z W^\\Zhi cVijgVa heZXiVXaZ dc i]Z 7V]^Vc XdVhi#

HOW TO GET THERE

WHEN TO GO

GETTING AROUND

WHERE TO STAY

EAT, DRINK & FUN

MORE INFO

I]Z WZhi lVn ^h id Ă“n id HVakVYdg! **`b VlVn [gdb EgV^V Yd ;dgiZ! VcY [gdb i]ZgZ iV`Z Z^i]Zg V iVm^ dg Wjh :megZhhd A^c]V KZgYZ ! dg VggVc\Z V igVch[Zg l^i] ndjg igVkZa V\Zci# I6E Edgij\Va d[[Zgh * lZZ`an Ă“^\]ih id HVakVYdg! XdccZXi^c\ ^c A^hWdc! l]^ahi I6B 6^ga^cZh! 6^g ;gVcXZ VcY 7B> Vahd Ă“n k^V H d EVjad#

EgV^V Yd ;dgiZ ^h V nZVg"gdjcY YZhi^cVi^dc! l^i] VkZgV\Z VccjVa iZbeZgVijgZh gVc\^c\ WZilZZc '*"(*°8# 7ji ndj ldjaY Yd lZaa id iV`Z ^cid Xdch^YZgVi^dc i]Vi BVn id ?jan VgZ i]Z XddaZhi VcY lZiiZhi bdci]h! VcY [gdb DXidWZg i]gdj\] jci^a ;ZWgjVgn ^i ^h Yg^Zg VcY ]diiZg#

8Vgh VgZ VkV^aVWaZ id ]^gZ Wji i]Z ZVh^Zhi lVn id \Zi VgdjcY ^h id ]^gZ W^XnXaZh dg XViX] V g^YZ l^i] ijX"ijXh >cY^Vc"hinaZ bdidg^hZY ("l]ZZa W^`Zh ! dg VaiZgcVi^kZan \Zi V g^X`h]Vl [dg je id ) eZdeaZ dg V iVm^#

8adhZ id i]Z ;^h]ZgbZcÉh k^aaV\Z ^h i]Z I^kda^ :XdgZhdgi " dcZ d[ i]Z bdhi ajmjg^djh ^c 7gVh^a# 6Wdji * b^aZh VlVn! >WZgdhiVg ^h Vc Vaa"^cXajh^kZ * hiVg ]diZa# BdgZ b^Y"gVc\Z ^c eg^XZ! i]ZgZ h i]Z hZV"[VX^c\ ;Vgda YVh IVgiVgj\Vh! Edgid YV AjV VcY 6ad]V! VcY Vahd i]Z \jZhi ]djhZh GZ[j\^d YV K^aV! D\jb BVg^c]d! HdWgVYd YV K^aV VcY i]Z ]diZah :Xd 6ia}ci^Xd VcY Edgid OVgeV# ;dg igVkZaaZgh dc V WjY\Zi i]ZgZ h 6aWZg\jZ EgV^V Yd ;dgiZ VcY i]Z \jZhi]djhZh 6bVc]ZXZg! I^V =ZaZcV! Hda CVhXZciZ VcY EdjhVYV 7gVh^a# 6cY i]ZgZ h Vahd XVbe^c\ Zc gdjiZ id i]Z 8VhiZad <VgX†V 9É{k^aV VcY ^c i]Z HVe^gVc\V GZhZgkZ#

Dc i]Z bV^c higZZi! 7Vg Yd HdjoV d[[Zgh i]Z^g [Vbdjh ÆWda^c]dh YZ eZ^mZÇ Òh]XV`Zh ! l^i] a^kZ bjh^X ^c i]Z ZkZc^c\h# HVWdg YV K^aV ^h Vc ZmXZaaZci X]d^XZ [dg igVY^i^dcVa Vji]Zci^X 7V]^Vc Xj^h^cZ# >c i]Z EgV V YV 6aZ\g^V i]ZgZÉh 8VhV YZ ;Vg^c]V! l]ZgZ Vgi^hVc XVhhVkV Ódjg ^h jhZY id bV`Z V kVg^Zin d[ Y^h]Zh# ?jhi VXgdhh i]Z higZZi ^h IVc\d 8V[‚! VcY Vadc\ i]Z WZVX] cjbZgdjh `^dh`h d[[Zg hZV[ddY eaViiZgh# Ndj XVc Vahd ÒcY WdVih idjgh! ]dghZ g^Y^c\! Y^k^c\! VcY [dg i]g^aa hZZ`Zgh! ZkZc b^Xgda^\]i Ó^\]ih#

EgV^V Yd ;dgiZ

:megZhhd A^c]V KZgYZ ZmegZhhda^c]VkZgYZ#Xdb#Wg

*% ,WPING&TWOU B6N '%&%

EG6>69D;DGI:#DG<#7G

<VgX^V 9 Ûk^aV ;djcYVi^dc ;<9#DG<#7G

7VaZ^V ?jWVgiZ >chi^ijiZ 76A:>6?J76GI:#DG<#7G

I^kda^ :XdgZhdgi :8DG:HDGI#8DB#7G

jungle guide bars & restaurants

56

SANTA MARIA DEL SUR A new Barrio comes to town, and we sample the best of the Southern plains

latin fiesta in cruz del rey

camino's cumpleaños

TIPS, SIPS & NIBBLES

THIS MONTH, THE JD TEAM RECOMMEND

The lively tapas restaurant-bar marks its 3rd anniversary Both in its name and reality, with Camino being a rendez vous ‘on the way’, the Kings Cross hub of Latin music and fine Tapas has proved that it's no mere passing trend, as on 19th May the restaurant is set to mark its 3rd anniversary. The venue's thrived hugely with a diverse array of live music, DJs and parties, but those aren’t Camino’s only virtues, as founder Richard Bigg explains its intrinsic connection with Spain: “every 6 months I take about 15 staff to visit great cities and wineries and try the local food. This helps the staff learn more, bond and feel appreciated”. For the party Richard’s anticipating “a crazy atmosphere that will seep up everyone, even those not aware of what they've stumbled upon”. And Jungle’s been helping plan the event, with the ubiquitous DJ Lime followed by the lively old Molotov Jukebox. Also, much as we did last year, starting on June 20th we’ll be throwing four months of Summer Sunday Sessions on every 3rd Sunday of the month, with live bands and DJs playing. For the 19th, hop to Camino’s website for a drinks voucher while they last! JD KEY:

Brasilian

Latin

highlight

Apesar de seu nome significar 'caminho' e representar, de fato, uma forma de passar o tempo, o bar de Kings Cross que reune música latina e bons petiscos espanhóis provou que não é uma moda passageira com a comemoração de seu terceiro aniversário no dia 19 de maio. O local se desenvolveu imensamente com a grande variedade de DJs e festas com música ao vivo, mas estes não são as únicas virtudes do Camino; o fundador da casa Richard Bigg explica a ligação intrínseca com a Espanha: "a cada seis meses eu levo cerca de 15 membros da equipe à cidades espanholas, visitamos vinhedos e provamos a comida local. Isso ajuda o staff a aprender mais e se sentir valorizado". Para a festa, Richard prevê "uma louca atmosfera que vai contagiar a todos". A Jungle também está ajudando a planejar o evento, que terá DJ Limão e a banda Molotov Jukebox. E novamente este ano levamos à casa o Summer Sunday Sessions, a cada terceiro domingo do mês começando em 20 de junho, com bandas e DJs. Para a celebração do dia 19, veja os vouchers de drinks disponíveis no site do Camino. JD Camino’s 3rd Birthday! 19th May, 6pm–late, FREE camino.uk.com • 020 7841 7331

tube

up to £10* £10 - £20* £20+* *Price based on a meal with drink per person

Fishfinger Food

Dry and ever so carefully seasoned, the bolinhos de bacalhau (codfish cake) at Guanabara – quintessentially luso-Brasilian finger food – are irresistible with an ice-cold late afternoon beer. Guanabara, Parker Street, WC2B guanabara.co.uk

A Sweet Pitstop

Fogo Vivo’s heavenly truffle will distract your commute via Manor House every day. Why? Strawberry, wrapped in ‘doce de leite’, covered with chocolate. That’s why. Fogo Vivo, Haringey Train Station, N4 07877 074062

Lunchtime Delight

Got a craving for a succulent picanha sandwich in the heart of EC1? Loosen your tie and enjoy a Brasilian bite at this stall amid the buzzing weekday market on Whitecross Street. Brazil Flavour, Whitecross St, EC1 (10am-4pm) whitecrossstreet.co.uk

MAIO 2010 JungleDrums 53

bars & restaurants CAMINO L Effervescent tapas bar in the heart of King’s Cross

Covent Garden 020 7240 9742 doubleshotcoffee.co.uk

CENTRAL LONDON A LA CRUZ Argentinean steak house serving varied grilled meats. Main meal and a drink - £20 42 Northampton Rd, EC1R 0HU Angel

Barrio Central A cocktail lounge and basement club with Latin flavour.

barriocentral.com

BARRIO CENTRAL

barrio’s sista Soho just got a brand new Latino neighbour: inaugurated in April, Barrio Central is the younger sister bar of buzzing Barrio North in Islington. It's the same friendly concept, with a novel twist or two - vision of founder Ferdie Ahmed, the bar, menu and ambient blends influences from innumerous countries and Latin corners of the world. Adorned with fabrics and reused objects, Barrio Central’s décor is something special, and revellers are invited to play their part: “under the glass tables we have drawers and people can help us decorate by bringing objects that go well with the place. The idea is that everybody can leave their mark in here”, explains Ferdie. You can enjoy your drinks at the scenic porch at the back downstairs, with artificial grass, deckchairs and a rubix cube table, or have a cosy chat in the cabana. On the drink’s menu (a work of art in itself), exotic cocktails don’t make for an easy choice. If you like it sweet, go for the 'Brazilian Lady': a soft and tasty mix of cachaça, lemon and passion fruit. 'Breakfast at Barrio' is a great citrus choice: rum sour with added spice, and it literally comes aflame! The 'No Brainer', a mix of tequilas, guava, grapefruit and pineapple, is served in a lucha libre mask. The bar snacks are rather attractive as well. The tender Creole Marinated Shrimps are definitely our favourite, but the soft Carne Asada and delicious Calamari rings are also top. With friendly staff, great decoration and drinks filled with character, Barrio Central’s definitely a top choice for a cool night out. barrio central 6 Poland street, Soho - W1F 8PS Oxford Street 020 3230 1002

54 JungleDrums MAY 2010

020 7287 9506 FREGGO.CO.Uk

Gaucho Serves steaks, chicken and fish dishes. Argentinean Beef Bbq £20

020 7837 1999 ALACRUZ.COM

6 Poland Street, W1F 8PS Oxford Circus

FREGGO L Argentine ice cream bar offering a mouth watering range of flavours. Two-flavour cone £3.95 27-29 Swallow St., W1B 4QR Piccadilly

125 Chancery Lane, WC2A 1PU Chancery Lane 0207 242 7727 GAUCHORESTAURANTS.CO.UK

SEE p.54

BRAZILIAN GOURMET Cafe/Restaurant serving Brasilian and Portuguese specialities. Rump Steak (Picanha no prato) £6.50 Whitfield St 112, W1T 5EE Warren Street 07983 633 440

BENITO’S HAT Mexican Burritos, tacos, salads, beer and cocktails. Main meal and drink £7.00 L

Guanabara Food, live music and even dance classes. Fish Moqueca Stew £12.50

0207 242 8600 GUANABARA.CO.UK

SEE p.04

BEM BRASIL Typical food in buffet style, pay by weight. Snacks and frozen açaí. Open everyday. Buffet £1,20/100gr 35 Oxford Street, W1D2DT Oxford Circus 020 7437 0400

0207 637 3722 BENITOS-HAT.COM

Las Iguanas Fresh, tasty and authentic Latin American cuisine. Pescado con Coco £11.50

55–57 Charing Cross Road Leicester Square

36 -38 Dean Street, W1D 4PS Leicester Square 0207 494 4716 IGUANAS.CO.UK

07833229369

Café Rio Feijoada and steaks prepared the Brasilian way. Prato Rio £9.80 6 Grafton Way, W1T 5DS Warren Street 0207 387 2285

WAHACA Freshly made, authentic Mexican dishes. Fish a la Veracruzana £9.95 66 Chandos Place, WC2N 4HG Covent Garden 0207 240 1883 WAHACA.CO.UK

Canela Brasilian and Portuguese dishes. Feijoada £9.50 33 Earlham Street, WC2H 9LS Convent Garden 0207 240 6926 CANELACAFE.COM

Comida South American rodízio with music, dancing and late bar. Lunch £16.90 Dinner £19.90 46 South Molton St, W1K 5RX Bond Street 020 7495 1177 comidabar.co.uk

DOUBLE SHOT COFFEE Homemade sandwiches and cakes. English cream teas and nata cakes. Excellent coffees and teas. Two-flavour cone £3.95 38 Tavistock Street, WC2E 7PB

020 7841 7331 CAMINO.UK.COM

SEE p.25

CASA BRASIL TimeOut - recommended. Authentic home-made food. Fish Moqueca £8.90 289 Regents Park Rd, N3 3JY Finchley Central 020 8371 1999

COCO BAMBOO Recently opened Brasilian restaurant with a dance floor starting from 10pm. Char-Grilled “Picanha” £8.90 48 Chalk farm Road, NW1 8AJ Camden Town 020 7627 6613

Parker Street, WC2B 5PW Holborn

56 Goodge Street, W1T 4NB Goodge Street

BELLO CAFE B Brasilian and Italian specialties.

3 Varnishers Yard, N1 9DF Kings Cross

PASTEL BRAZIL Typical Brasilian crispy pastry with assorted fillings. The perfect snack 22 Seven Sisters Road, N7 6AG Holloway Road 07943 633699

SEE p.08

bar PEPITO L London’s only Spanish Sherry bar.

CUBA LIBRE & HAVANA Original restaurant with tapas, meals and cocktails. El Plato Cubano £12.95

3 Varnishers Yard, N1 9DF King’s Cross

72 Upper St, N1 ONY Angel 020 7354 9998 CUBALIBRELONDON.CO.UK

Rodízio Rico Eat-till-you-drop buffet, grilled meats brought to your table Buffet £22.50, veg £15.50

Desperados Mexican Mexican food, cocktails and a great atmosphere. Beef Chimichangas £10.95

020 7354 1076 rodiziorico.com

127 Upper Street, N1 1QP Angel 0207 226 3222 DESPERADOS-ISLINGTON.CO.UK

El-Vaquero Argentinean Meats served off the skewer. The London Equestrian, N12 7BP Mill Hill East 0208 343 4161 ELVAQUERO .CO.UK

FOGO VIVO REST Home-cooked food with family atmosphere

020 7841 7331 CAMINO.UK.COM/PEPITO

77-78 Upper Street, N1 Angel

SABOR Latin American Food and cocktails with a fusion touch. Brasilian Moqueca £13.50 108 Essex Rd London, N1 8LX Angel 020 7226 5551 sabor.co.uk

SPIRITUAL CAIPIRINHA BAR Brasilian cocktail bar serving traditional and fusion dishes. Caipirinha & caipiroska £3 during happy hour 4 Ferdinand St, NW1 8ER Chalk Farm SPIRITUALBAR.CO.UK

Haringey Train Station, Green Lanes N4 1BS Manor House

north LONDON Barrio North Latino-style ‘street food’ served, DJs and events. Brasilian Wax Cocktail £6.75 45 Essex Road, N1 2SF Angel 0207 485 4738 BARRIONORTH.COM

Canecão Pool tables and Brasilian football on TV. Fish Moqueca £7.90

07877 074062

GARUFA Premium selection of meat and wines carefully sourced from Argentina.

SEE p.09

SEE p.55

Tortilla Fresh, affordable CalifornianMexican cuisine. Burritos £4.50 - £5.50 13 Islington High St, N1 9LQ Angel 020 7833 3103 tortilla.co.uk

104 Highbury Park, N5 2XE Arsenal 020 7226 0070 GARUFA.CO.UK

MERCADO BAR & CANT Exciting cocktails and a great mix of Mexican home cooking and traditional favourites. Fish Taco £6.00

17 York Way, N7 9QG Caledonian Road

26 - 30 Stoke N Church St, N16 Stoke Newington rail

0207 485 4738 canecaolondon.com

020 7923 0555 MERCADO-CANTINA.CO.UK

east LONDON Bankete Brasilian cuisine dishes, picanha and feijoada. Chicken Stroganoff £6.50 3 Bell Lane, E1 Liverpool Street/ Aldgate 020 7247 5479

picture by júlia f. bolliger

latin bites

55

bars & restaurants Buen Ayre Argentinean steak house Main meal and a drink £20 50 Broadway Market, E8 4QJ Cambridge Heath 020 7275 9900 buenayre.co.uk

SEE p.59

Horner Square, E1 6AA Liverpool Street PINCHITO TAPAS L Vintage Chic restaurant with an authentic and Tapas menu.

CARIBBeaN SCENE Award winning Caribbean restaurant offering an impressive range of traditional dishes and cocktails. Ackee & Saltfish £14.95

Raízes Grilled steaks and torresmo on the menu. Grilled rib £7

17 Western Gateway, E16 1AQ DLR – Royal Victoria

460 Hackney Road, E2 9EG Bethnal Green

020 7511 2023

020 7739 2009

south east LONDON Bandidos Mexican cuisine at affordable prices.

020 7353 6761

21-23 Norwood Road, SE24 9AA Herne Hill

Chilango.co.uk

Coffee Café Serves snacks and lunch Feijoada + Guaraná drink £5 68 Compton Street, EC1V Farringdon

020 8671 3772

Buenos Aires Café Argentinean beef, fresh pasta and Argentinean style pizzas. Grilled Bbq £14.50 – £24

020 7253 1249

17 Royal Parade, SE3 0TL Blackheath

El Paso Cocktail bar and restaurant serving Mexican, Tex-Mex and vegetarian dishes.

0208 318 5333 BUENOSAIRESLTD.COM

350-354 Old St, EC1V 9NQ Old St. SEE 0207 739 4202

p.59

Favela Chic Seductive Latin flavours with French touches. Hand of God £15 91-93 Great Eastern St, EC2A Old Street 0207 613 5228 FAVELACHIC.COM

GAUCHO Argentinean Beef Bbq £20 5 Finsbury Avenue, EC2M 2PG 020 7256 6877

29 Westferry Circus, E14 8RR

CASTELO Bar & restaurant with a substantial Brasilian and Italian menu. Live music 171 Coldharbour Lane, SE5 0207 5019504

CONSTANCIA – ARGENTINE GRILL Argentine Steak House recently inaugurated. Ojo de Bife Argentino (310gr) 11oz.Prime Argentine Rib-Eye £17.00 52 Tanner Street, SE1 3PH Borough 020 7234 0676 CONSTANCIA.CO.UK

SEE p.59

020 7987 9494

1 Bell Inn Yard, EC3V 0BL 020 7626 5180 GUACHORESTAURANTS.CO.UK

Green and Red, Bar and Cantina Authentic Jaliscan food and the biggest selection of tequila in the UK. Late-night DJ bar. 51 Bethnal Green Rd, E1 6LA 020 7749 9670 greenred.co.uk

CUBANA – BAR & RESTAURANT Home-cooked Cuban and Latin food prepared from quality ingredients at a reasonable price. Happy Hour Mojitos - 2 for £6.95 48 Lower Marsh SE1 7RG Waterloo 0207 928 8778 CUBANA.CO.UK

Elephant & Castle Shopping Centre, SE1 6TE Elephant & Castle 0207 701 9166 LABODEGUITA.CO.UK

sins of the flesh Although it has been around since 2006, it was last year's featuring on Gordon Ramsay's 'The F-Word' that made Santa Maria del Sur famous. However, the place remains committed much more to food than fame - especially the carefully selected meat from the best sources in the Argentinean Pampas, hung for 28 days. Best of all, the TV fame had no impact on the price list the average meal costing £35 per head. Despite being a place which is always busy, Santa Maria's atmosphere remains relaxed and unpretentious, and the staff are friendly, attentive and dynamic. Manager Gerardo (a forty-something year old) represents it really well with his cool and laid back attitude, and he'll personally dim the lights and move tables around to accommodate the guests. The steaks are the stars of the show, but Santa Maria offers a full range of starters, such as the empanadas - £5 will get you two pasties with assorted fillings - beef, chicken, sweetcorn, spinach and cheese. And for those real cheese-lovers out there there's the grilled provolone slabs. For the main course, we recommend a PARRILLADA DELUXE, a mixed grill to share containing the finest cuts the restaurant has to offer, at £25. Although Santa Maria has an extensive selection of South American wines, it's handy to note that they also allow you to bring your own bottle, with a corkage fee of £5.

8 Lant St. SE1 1QR Borough

Old Spitalfields Market - 1

020 7357 0057 elvergel.co.uk

santa maria del sur 129 Queenstown Road - SW8 3RH 020 7622 2088 santamariadelsur.co.uk

0871 3328774 elgaucho.co.uk

Fiesta Havana Cocktail lounge bar with tapas, live music and dance. 490 Fulham Road SW6 5NH Fulham Broadway 020 7381 5891 Havanafulham.co.uk

Las Iguanas Fresh, tasty and authentic Latin American cuisine

GAUCHO Argentinean Beef Bbq £20

Royal Festival Hall - SE1 8XX The O2 - SE10 0DS

020 8948 4030

89 Sloane Avenue, SW3 3DX

0207 494 4716 I GUANAS.CO.UK

Towpath, Richmond TW10 6UJ

LITTLE BRAZIL Bossa with a hint of jazz. Home made meals.

GAUCHORESTAURANTS.CO.UK

020 7584 9901

Goya Authentic Spanish tapas and friendly staff make a visit to this hidden gem in Pimlico a must.

30-A Catford Hill, SE6 4PX Catford Rail Station 0208 690 2770

Rodízio Rico Eat-til-you-drop buffet, grilled meats brought to your table. Buffet £22.50, Veg £15.50 Tito's Peruvian Seafood, soups and risottos. Ceviche £7.50 4-6 London Bridge St, SE1 9SG London Bridge

34 Lupus Street, SW1V 3EB Pimlico 020 7976 5309 goyarestaurant.co.uk

Loco Mexicano Huge portions at decent prices. With a variety of cocktails on offer and sombreros to make the experience more authentic. 65 Wilton Road, SW1V 1 Victoria

0207 407 7787 TITOSEATERIES.COM

020 7931 7325

Margarita Loca Latin Music, Mexican food and Cuban cocktails.

south west LONDON Azteca Latin Lounge Mexican cuisine, mouth watering cocktails and beers. Latin bands and top DJs.

527 Battersea Park Rd, SW11 Clapham Junction Rail 0207 924 2772 margaritaloca.co.uk

Preto Traditional Brasilian “rodízio”. Live music on the weekends.

356 Kings Road, SW3 5ES South Kensington

72 Wilton Road, SW1V 1DE Victoria

0207 352 4087 AZTECALATINLOUNGE.COM

020 7233 8668

BRAZAS Restaurant and delicatessen serving home-made food with Portuguese, Brasilian and English influences. Sticky date pudding £3.45 45 Tulse Hill SW2 2TJ 020 8678 0697 BRAZASRESTAURANTE.COM

30 Brixton Water Lane, SW2 Brixton CRAVOECANELA.CO.UK

Tacuba Cocktail bar and Mexican street food. 10 Bedford Hill SW12 9RG Balham 0208 6735394 Tacubabar.com

CRAVO & CANELA A choice of Brasilian cakes and pastries that are to die for! Try also the feijoada

El Vergel Uniting aromatic and spicy Latin America with delicate Mediterranean flavours.

Las Iguanas Fresh, tasty and authentic Latin American cuisine.

56 JungleDrums MAY 2010

Chelsea Farmers Market, 125 Sydney Street SW3 6NR South Kensington

La Bodeguita Tapas, fish and home-made Colombian food. £8 - 13

SANTA MARIA DEL SUR

020 704 2123

142 Fleet Street, EC4A 2BP City Thameslink

2 More London Riverside, SE1 Tower Bridge 020 7407 5222 GAUCHORESTAURANTS.CO.UK

0207 4900121 PINCHITO.CO.UK

27 Upper Street, N1 OPN Angel

El Gaucho Grill Steak House £13.90

IGUANAS.CO.UK

32 Featherstone Street, EC1Y Old Street

Chilango A burst of Mexican flavour. Chicken Burrito £5.40

GAUCHO Argentinean Beef Bbq £20

SEE p.59

TU CHICAS Tasty food and flamboyant cocktails. Mexican dish £20 12 –14 Leopold Road, Wimbledon, SW19 7BD Wimbledon 0208 946 4300 TUCHICAS.CO.UK

picture by PAULO PUCCI

RODIZIO BRAZIL Brasilian style barbeque with unlimited portions of meat. 505 Garratt Lane, SW18 4SW Earlsfield Rail St. 020 8871 3875 RODIZIOBRAZIL.COM

0207 622 2088 SANTAMARIADELSUR.CO.UK

wines, frozen + fresh food. Portuguese Nata Tart 70p 40 Delancey Street, NW1 Camden Town

020 7636 8650 ibericalondon.com

020 7485 2351

Café Estrela do Norte Portuguese cuisine in a relaxed atmosphere. Spicy Francesinha £9.50 294 Kingshill Av, UB4 8BX 0208 841 3488 GO.TO/ESTRELA

SEE p.56

Sushinho Brasilian chic with Japanese efficiency. Sushinho roll £9 312-314 King's Rd, SW3 5UH South Kensington sushinho.com

Floridita Restaurant Cosmopolitan Cuban and Latin American cuisine and authentic Daiquiris. Expect swanky decor and a vibrant atmosphere

GAUCHO Argentinean Beef Bbq £20

IPANEMA CAFÉ Special dishes everyday, feijoada, puddings and cakes. Buffet £1.20/100g

64, Heath Street, NW3 1DN 0702 431 8222 GAUCHORESTAURANTS.CO.UK

7-9 Queensway, W2 Queensway 020 7792 9050 IPANEMACAFE.CO.UK

RODÍZIO RICO Eat-til-you-drop buffet, grilled Meats brought to your table. Buffet £22.50, veg $15.50 Royal Oak - 111 Westbourne Grove, W2

Amber Grill Rodizio Cuts of meat from skewers. Prime Rodízio £19.50

Guanabana Famous Jerk chicken served with mango+papaya chutney. £7.85 - £12.75.

7, Station Road, NW10 4UP Willesden Junction

85 Kentish Town Rd, NW1 Camden Town

020 89631588 ambergrill.co.uk

SEE p.58

0207 4851166 guanabanarestaurant.com

100 Wardour Street, W1F 0TN Tottenham Court Road

020 7792 4035 RODIZIORICO.COM

Barraco The atmosphere of a Brasilian bar with live music Friday to Sunday. Chicken Hearts £6

Made in Brasil Classic Brasilian fare, from seafood to meat and feijoada. Picanha Na Chapa £13.50

020 7314 4000 floridita.co.uk

TAQUERIA Mexican cafe serving a great variety of Tacos, Mexican dishes and cocktails.

10 Kingsgate Place, NW6 Kilburn

12 Inverness Street, NW1 Camden Town

SEE p.57

Tia Maria Restaurant & Tapioca House Tia Maria offers delicious tapioca stuffed chicken drumsticks w / catupiry, in addition to traditional dishes of Brazilian cuisine and feijoada on Saturdays and Sundays.

FOGO Exciting new churrasco in London.

0203 195 3777 fogo.uk.com

202 High Street Harlesden, NW 10 4SY Wilesden Juction

10 - 12 Kentish Town Rd, NW1 Camden Town

9a, Victoria House South Lambeth Road, SW8 1QT Vauixhall

iberica food & cult. Traditional Spanish restaurant with a innovative twist.

0208 965 4723 corcovadobar.com

020 74825065 MANGOROOM.CO.UK

Ferreira Delicatessen Sandwiches, meats, cheeses,

MERCEARIA BRASIL Brasilian traditional snacks

020 7793 9700

and products in-store. Coxinha £1.50 773 Harrow Road, NW10 5PA Kensal Green 02089620252

SEE p.60

Santa Maria del Sur Argentinean grill house with live music on Mondays. Argentinean Steak £12 129 Queenstown Road, SW8 Battersea

west LONDON

195 Great Portland Street, W1W Great Portland Street

bars & restaurants

45 The Mall, W5 3TJ Ealing Broadway

139-143 Westbourne Grove, W11 2RS Notting Hill 0207 229 4734 TAQUERIA.CO.UK

North west LONDON

020 7604 4664 barracocafe.co.uk

Corcovado Typical Brazilian food with live music at weekends.

020 7482 0777 made-in-brasil.co.uk

MANGO ROOM Fish, Meat and vegetarian Food: a taste of the Caribbean. Goat Curry £12

Mestizo Restaurant-bar offering a fine and authentic Mexican cuisine Enchiladas £12 103 Hampstead Rd, NW1 3EL Warren Street 020 7387 4064 mestizomx.com

SABOR BRASILEIRO Brasilian fish and beef, game room, internet, bar/lounge. Buffet £7.50 10% weekend discount 639 Harrow Road, NW10 5NU Kensal Green 02089691149

SABOR MINEIRO Typical dishes from Minas Gerais (but no alcoholic drinks). Buffet £6.50 63 Station Road, NW10 4UX Willesden Junction 020 8965 2050

THE CUBAN L Long bar upstairs or dinner in the fiesta Room. Lamb Cubano £10.95 Stables Market, Chalk Farm Rd Camden Town 0870 850 8975 THECUBAN.CO.UK

57

latin bites

58

latin bites

59

jungle guide

60

jungle guide

Is your English good

but still not fluent and natural? Do you still have problems in understanding everyday English conversation, even though your grammar is good and you’ve been learning English for years? Study twenty minutes a day with the

Practical Everyday English book and audio CD and take your spoken English to a higher level. Popular with intermediate/advanced level Brazilians for over twelve years. Available in the UK at all branches of Waterstones, Foyles and Blackwell, and online at www.amazon.co.uk

www.learnenglishadvanced.com 61

jungle guide

62

jungle guide

CORRA ATRÁS DO SEU DIREITO HOJE! MUDE O SEU FUTURO PARA SEMPRE

Cidadania Italiana Residência completa e segura ‘Permesso di Soggiorno’ l Acompanhamento do processo do início ao fim até a obtençao do passaporte. l l

00 39 3394097658 veravig2@hotmail.com

Vera Guizzardi

HERBALIFE Lose weight, stay healthy and feel good! HOM

E DEL AVAIL IVERY A B LE

Attentive service / English-Português

Maria 07875074015 cidanogueirab@hotmail.com

63

jungle guide

64

KPDQZ + ,WPING WPING at our party 'Baby Bitch' at Bloomsbury Bowling Lanes on June 4th - Spread the word and invite your friends! JD

Don't hesitate to send us your raves and rants! JungleDrums p.o. box 49713 london wc1x 8ww inbox@jungledrums.org PRAISE FROM OVERSEAS Hi JD. I'm reading the magazine and really enjoying it. Your logo is just beautiful, very professional. I'm glad a Brasilian publication like yours exists - it's an incentive for us to continue and improve every day. It's a mirror for all of us. Congratulations! Josivaldo, Nos Por Exemplo Blog, via email

DREAMS DO COME TRUE Hi JD. You got in contact with me in October regarding a competition I won and I quizzed you about some film stuff in Brasil. Anyway, just want to say thanks, due to the info you sent me I am now moving to Rio to work with Cinema Nosso and I’ll be independently running film workshops with young people in both Rio and Salvador. Obrigada! Olivia, via email That’s fantastic news! We wish you every success with the project. JD A WORD OF ADVICE JD. I realise the magazine keeps the Brasilian community in London informed, but there's one thing they might not know: every Brasilian residing abroad can apply for credit to buy a property in Brasil without having to prove income. I thought It would be important to spread the word. Maria Emilia, via email

Hi Josivaldo. Thank you for your kind words. We're very flattered by your comments and happy we're able to inspire others out there. It just makes all the hard work worthwhile. JD LONGING FOR FUNK Hi JD.. I was just wondering, and possibly even suggesting, I think it would be a good idea to throw a Baile funk party in London. A lot of my friends here are from Brasil and we all think it'd be a great idea if someone could organise that. Even my nonBrasilian friends love Baile funk! Denise, via mail

B::I I=: G:69:G

9:C>H6 9:A>8

A SERBIAN-DANISH STUDENT WITH SAUDADES FOR ‘JAGUAR MILK’ AND AN EYE FOR LONDON'S AUTHENTIC BRASILIAN EDGES What do you do? A Masters in Global Politics and I intern at the UK Parliament. How did you find out about Jungle? I often go to Brasilian bars so inevitably I found Jungle. What's your favourite part of the magazine and why? The agenda and events ads, for Brasilian and other Latin events, the interview articles, food and travel! Do you have a connection to Brasil? I went to São Paulo & Rio for the first time last year and I fell in love – the people, culture, music, landscapes, language! It’s magical. What's your favourite Brasilian food/drink/ product?

I’d say the street stall coconut juice, caipirinhas and “Jaguar Milk” (Leite de Onça - cold milk and cachaça)! As for food, the classic Feijoada dish with grilled fish (amazing), Pão de Queijo and of course the Churrascarias... a must if you love meat! What's the best Brasilian place in London? I always try to look for the most ‘authentic’ places, or relatively unknown music acts for the more Brasilian crowd and atmosphere – the latest one I came across was a cosy bar called Canecão, between Camden and Islington – chilled out vibes and delicious Caipibeer – beer with lemon and salt! You can’t go wrong with a place like that. ,&

B@23B9 @6A2@ .;1 ;B:/2?@ :B76HHN D; 7G6O>A WgVo^a#dg\#j` (' <gZZc Hi " L&@ ,6I &(& -)// /&&&

We adore postcards and new contacts, like this quirky one from Marcelo - we got in touch straight away and he designed the Arnaldo illustration on the next page! JD

A JD FORMAL APOLOGY We would to bring our readers' Hey Denise, it’s good to hear from attention to an error in our list of you. Whilst we don’t yet have a airlines which fly to Brasilia in the Baile funk party in our plans for this Insider feature of our Destination year, we do have Marina Gasolina article in JD #79, and point out + DJ João Brasil and others mashing that one can also journey to the up a little storm of Brasilian beats Brasilian capital with TAP Portugal.

7G6O>A>6C 8DCHJA6I: XdchWgVhadcYgZh#Xdb (! KZgZ HigZZi " L&< &(& -/)& /&++ &-/+. *&* &'( dji d[ ]djgh cjbWZg! id WZ jhZY dcan ^c XVhZh d[ VggZhih! YZVi] dg di]Zg ZbZg\ZcX^Zh =DB: D;;>8: &.-& ,&, --,, ^cY#]dbZd[Ò XZ#\dk#j` 76C8D 9D 7G6H>A &(& -,&, -'&'

8>I>O:CH 69K>8: 7JG:6J X^i^oZcVYk^XZ#dg\#j` ')"=DJG IG6K:A >C;DGB6I>DC &(& -((( '()* iÓ #\dk#j` 6HHD8>6vÀD 9: 7G6H>A:>GDH CD J@ &(& ./,' ))-VWgVh#dg\#j` :B7G6I:A &.&& ./& &++ " Id bV`Z XdaaZXi XVaah id 7gVh^a C6O K>96H &(& ..)* &()( cVo#dg\#j`

>BB><G6I>DC 69K>HDGN H:GK>8: >6H ^Vhj`#dg\ &(& -/,- '(&& C=H <EH! 9:CI>HIH 6C9 =DHE>I6AH c]hY^gZXi#c]h#j` A6I>C 6B:G>86C 9>H67A:9 E:DEA:ÉH EGD?:8I &(& --/) .)// aVYee#dg\#j` IG6CHEDGI ;DG ADC9DC &(& -((( '()* iÓ #\dk#j`

B6>D '%&% ,WPING&TWOU +*

YQTFU D[ #TPCNFQ #PVWPGU KNNWUVTCVKQP D[ /CTEGNQ $CFCTK

VcY VcY VcY d Zb [gZci Z Z Z cig VcY d Zb Zm ^i

BVgXZad 7VYVg^ ^h V 7gVh^a^Vc [gZZaVcXZ ^aajhigVidg l]d XjggZcian a^kZh ^c 9jWa^c# IV`Z V bdbZci id X]ZX` dji ]^h edgi[da^d! ^YZVh VcY bjh^X Vi WVYVg^#cZi

++ ,WPING&TWOU B6N '%&%

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.