JungleDrums issue 82 - July 2010

Page 1

LWN[

LWPINGFTWOUQPNKPG EQO

;:HI>K6A 7G6O>A

I=: HDJI=76C@ 8:CIG: =DHIH ADC9DCÉH 7><<:HI :K:G 7G6H>A>6C 8:A:7G6I>DC

THE CINEMATIC MAN WHO SOUNDS: SAYS BARBICAN CELEBRATES LATIN AMERICA WILL MUSIC FILM RULETHROUGH THE WORLD

OUR FERNANDO DEFINITIVE MEIRELLES GUIDE ON WHERE TO WATCH TELLS JUNGLE ABOUT THE WORLD HIS SECOND UKCUP FILM

WIN MEET TICKETS AND TRAIN TO CÉU, WITH THEANTUNES CAST OF ARNALDO ‘BRAZIL! BRAZIL!’ AND FESTINHO

A5¢ A<= "

7B9

[daadl YOUR NOSE AND EXPLORE THE EATERIES AROUND

E>8IJG: 7N B>@D 8D;;:N $$ 7G>6C 8GDHH $$ 6AA6C I>IBJHH

the Southbank Centre throughout Taste of Brazil, as they spruce up their menus with Brasilian gastronomic delights, and quirky twists like the cucumber caipirinha! TGCF OQTG QP RCIG

ZhXVeZ THE BIG SMOKE TO THE ENCHANTING little Anglo-Brasilian world of Festinho on August 27th-29th. Check out their fundraising party at Favela Chic (page 16) and win tickets to the festival! UGG EQORGVKVKQPU QP RCIG

+H [QW XG QPN[ IQV Âż XG UJQVU VJKU OQPVJ VJKU KU KV TGCF[ CKO Âż TG

\ZiYdlc NOT JUST TO FESTIVAL BRAZIL AT THE SOUTHBANK CENTRE but to the thoughtful lyrics of the genre-defying Arnaldo Antunes as he performs with Porcas Borboletas on July 16th. Delve into our cover feature for more details. À KR VQ RCIG

hZi hV^a ON A MOST ADVENTUROUS

theatrical experience: afloat on the Thames with a performance, cabaret and party until dawn, ritualistic and set to a soundtrack by DJ Dolores... check out Hotel Medea from July 16th and loads more throughout the month. UGG CIGPFC QP RCIG

add` je AND ENJOY THE SUMMER sky, and when night falls don’t forget there are still reams of wonderful shows and concerts as part of the Barbican’s Blaze series in July, with CĂŠu (‘sky/ heaven’) at the Hackney Empire on July 15th‌ UGG OQTG QP RCIG

EQPVGPVU

7B;4Y¢ A¢¡:

>C C::9 D; 6 =DA>96N

COVER FEATURE

EJ7A>H=:G ?ja^Vcd OVee^V

8JAIJG6A :9>IDG B^ad HiZZaZ[dm he^XZh5_jc\aZYgjbh#dg\ 6GI 9>G:8IDG I]Zaa^jh OVbegd\cd YZh^\c5_jc\aZYgjbh#dg\

RCIG

8DAA67DG6IDGH 6cYg YZ Da^kZ^gV OV^gV 7g^a]VciZ IV^c{ ;^\jZgdV ?VbZh =jggZaa ?ja^V ;gViZ 7^V 7ZoZbVi 6cV 7gVh^a :g^`V IVbW`Z 6cV CVdb^ GjhhZa ?dcZh 6aWV 8VWgVa K^g\^c^V HVbeV^d

Well underway, we go inside the biggest event on 2010’s calendar: Festival Brazil

IG6CHA6IDGH GV[VZaaZ K^VcV 6WW^Z 8VgiZg A^o H]VgbV I^[[Vcn CV^gc 9:H><C:GH 8aVg^hhV HVc EZYgd CZc^ 6abZ^YV 9Vc^ZaV Hoid`bVc B6G@:I>C< I:6B ;Za^eZ Da^k^Zgd EVjad EjXX^ eVjad5_jc\aZYgjbh#dg\ 8DBB:G8>6A I:6B K^k^VcZ K^VcV ;VW^VcV HdVgZh 9>HIG>7JI>DC 7G?Zi VcY :bWaZb Y^hig^Wji^dc5_jc\aZYgjbh#dg\ ;DJC9:G <^VccV Idc^ 69K:GI>H>C< ^c[d5_jc\aZYgjbh#dg\ A>HI>C<H V\ZcYV5_jc\aZYgjbh#dg\ HJ7H8G>EI>DCH hjWhXg^WZ5_jc\aZYgjbh#dg\

INTERVIEW Jungle catches up with the man who, with his new book, asks What if Latin America Ruled the World?

SPICES

4THINKING MINDS

DESTINATION

A true mixed bag for July, from Basso & Brooke to Fernando Meirelles, art to architecture, festivals to funk carioca

Arriving at the Southbank Centre this summer, a model favela which became a community role model

Scuba diving deep into the idyllic haven and underwater world of Fernando de Noronha

?JC<A:9GJBHÉ 8DCI68I

%'% ,')' *&)%

AGENDA

JUNGLE GUIDE

INBOX

ARNALDO ANTUNES

^c[d5_jc\aZYgjbh#dg\

What’s going on in town, at-a-glance

For your every eating and drinking need

Your rants and raves

Connected through the floor

f$e$Xen */-') bedZed mY'n .mm

FK8B?I>;: 8O @KD=B; :HKCI BJ: &(& -(*( +'*& [#cW_b0 _d\e6`kd]b[Zhkci$eh] f$e$ 8en */-')" BedZed" M9'N .MM Cedj^bo fkXb_YWj_ed 9efoh_]^j @kd]b[:hkci BjZ (&'&

8DK:G >AAJHIG6I>DC 7N I=:AA>JH O6BEGD<CD $$ 8DK:G ;:6IJG: E>8IJG: 7N HI:K: L=>I: $$ >CI:GK>:L E>8IJG: 7N 7GJCD ;><J:>G:9D

?JA=D '%&% ,WPING&TWOU ,

URKEGU

>C ;D8JH

:N:H L>9: DE:C

DIRECTOR OF CITY OF GOD, FERNANDO MEIRELLES TALKS TO JUNGLE ABOUT HIS NEW PROJECT ON THESE SHORES YQTFU D[ <CKTC $TKNJCPVG RKEVWTG D[ $TWPQ (KIWGKTGFQ

&' ,WPING&TWOU ?JAN '%&%

*16 6+25 VQ URKEG WR [QWT NKHG &+%#5 37'06'5 RCTC CIKVCT UWC XKFC

GFKVGF D[ /KNQ 5VGGNGHQZ URKEGU"LWPINGFTWOU QTI

©<AA¡ 8;<D “In no rush”. That’s how one of Brasil's most famous directors said he goes about his projects. In London to participate in an event sponsored by HSBC, Fernando Meirelles made the most of his visit to meet local producers. “I’m finalising negotiations to direct 360˚, a film about sexual appetite, about people who strive the highest professionally, those who’d do anything to get to the top. It’s an adult theme, but that seems inherent to human beings”. This will be the director’s second work related to the UK (The Constant Gardner (2005), being the first). With a script by Peter Morgan, of the acclaimed The Queen (BAFTA Best Film 2006), the film will be a partnership between England, Austria and the USA. Meirelles thinks co-productions are the key to project Brasilian filmmakers and technicians. “Outside Brasil there’s no perception of Brasilian cinema”. For him, language is one of the biggest obstacles. That’s the very reason, so as not to limit the audience of his last film, Blindness, Meirelles opted to take his adaptation of the romance by Portuguese writer José Saramago to the screen in English. When the subject turns to digital technologies, the director's quick to endorse it. “It’s possible I’ll shoot the next film in digital. I think it’s something it doesn’t help to be for or against; soon enough no one will use film”. Then he adds: “I find this wave of 3D films interesting, and wouldn’t dismiss the idea of working on something in that format”. Despite all these ideas, Meirelles is taking it slow and intends to end his career soon. “I think about retiring shortly, but first I’d like to realise my dream of filming Grande Sertão Veredas, the classic novel by Guimarães Rosa. It'll be hard, but I imagine it happening in a kind of similar style to that of Goddard”. ,&

VGZVU KP 'PINKUJ VGZVQU GO 2QTVWIWqU

HZb egZhhV # w Vhh^b fjZ jb Ydh bV^h [Vbdhdh Y^gZidgZh WgVh^aZ^gdh Y^o idXVg hZjh egd_Zidh# :b AdcYgZh! eVgV eVgi^X^eVg YZ jb ZkZcid eVigdX^cVYd eZad WVcXd =H78! ;ZgcVcYd BZ^gZaaZh VegdkZ^idj V k^h^iV eVgV hZ ZcXdcigVg Xdb egdYjidgZh adXV^h# :hidj Ò cVa^oVcYd Vh cZ\dX^V Zh eVgV Y^g^\^g (+% ! jb Ò abZ hdWgZ d cdhhd VeZi^iZ hZmjVa! hdWgZ eZhhdVh fjZ VabZ_Vb d b{m^bd Zb hjVh egdÒ hh Zh! fjZ [VoZb YZ ijYd eVgV X]Z\Vg Vd ided# w jb iZbV VYjaid! bVh fjZ eVgZXZ ^cZgZciZ Vd hZg ]jbVcd # :hiZ hZg{ d hZ\jcYd igVWVa]d Yd Y^gZidg V iZg jbV gZaV d Xdb d GZ^cd Jc^Yd D ?VgY^cZ^gd ;^Za! '%%*! [d^ d eg^bZ^gd # 8db gdiZ^gd Vhh^cVYd edg EZiZg Bdg\Vc! Yd VXaVbVYd 6 GV^c]V 76;I6 YZ bZa]dg Ò abZ '%%+ ! d Ò abZ hZg{ jbV eVgXZg^V ZcigZ >c\aViZggV! Ûjhig^V Z :hiVYdh Jc^Ydh# BZ^gZaaZh VedhiV cVh Xd"egdYj Zh Xdbd V X]VkZ eVgV egd_ZiVg X^cZVhiVh Z i Xc^Xdh WgVh^aZ^gdh# ÆC d Zm^hiZ jbV eZgXZe d cd ZmiZg^dg Yd X^cZbV WgVh^aZ^gd # EVgV ZaZ! V a c\jV jb Ydh bV^dgZh ZbeZX^a]dh# ;d^ ZmViVbZciZ eZchVcYd Zb c d a^b^iVg d e Wa^Xd YZ hjV ai^bV egdYj d! :chV^d HdWgZ V 8Z\jZ^gV! fjZ BZ^gZaaZh YZX^Y^j aZkVg |h iZaVh Zb ^c\a h V VYVeiV d Yd gdbVcXZ Yd ZhXg^idg edgij\j h ?dh HVgVbV\d# FjVcYd V XdckZghV bjYV eVgV Vh iZXcdad\^Vh Y^\^iV^h! d Y^gZidg eVgZXZ egdcid V VWgV Vg V XVjhV# Edhh^kZabZciZ ^gZ^ Ò abVg d eg m^bd Ò abZ Zb Y^\^iVa# :j VX]d fjZ jbV Xd^hV fjZ c d VY^VciV kdX hZg XdcigV dj V [Vkdg! YVfj^ V jb iZbed c^c\j b kV^ jhVg Ò abZ # : V^cYV VXgZhXZciV/ 6X]d ZhhV dcYV YZ Ò abZ Zb (9 ^ciZgZhhVciZ! c d YZhXVgiVg^V V ^Y ^V YZ [VoZg Va\d cZhhZ [dgbVid # 6eZhVg YVh iVciVh ^Y ^Vh! BZ^gZaaZh XVb^c]V YZkV\Vg Z \VgVciZ fjZ egZiZcYZ ZcXZggVg V XVggZ^gV Zb WgZkZ# EZchd Zb bZ VedhZciVg ad\d! bVh VciZh \dhiVg^V YZ gZVa^oVg bZj hdc]d YZ Ò abVg <gVcYZ HZgi d KZgZYVh! Xa{hh^Xd YZ <j^bVg Zh GdhV# HZg{ Y^[ X^a! bVh ^bV\^cd ^hhd VXdciZXZcYd bZ^d fjZ cjb Zhi^ad eVgZX^Yd Xdb d Yd <dYYVgY # ,& ?JA=D '%&% ,WPING&TWOU &(

URKEGU

A5¢ A<=

67A6O:

=:6K:CAN HDJC9H

0<9<:/6¥; @5<D0¥@¢

THE BARBICAN UNFURLS ITS STRING OF SUMMER SHOWS WITH BLAZE

@5<D@ D; 7A6O: '%&%

8wJ 7DB76 :A:8IG>86

&*i] ?jan! -eb! =VX`cZn :be^gZ! —&%"&* Cdb^cViZY [dg V \gVbbn! i]^h 7gVh^a^Vc hdc\lg^iZg idd` djg WgZVi] VlVn Vi ]Zg AdcYdc YZWji ^c '%%.#

NDJHHDJ C 9DJG

&-i] ?jan! ,#(%eb 7VgW^XVc! —&*"(% EZg]Veh i]Z bdhi [Vbdjh 6[g^XVc h^c\Zg d[ i]Z bdbZci! i]Z h]dl egdb^hZh V bjh^XVa b^m d[ 6[g^XV VcY i]Z 8Vg^WWZVc#

B6NG6 6C9G69: ')i] ?jan! ,#(%eb 7VgW^XVc! —&'#*%"''#*% I]Z 8VeZ KZgY^Vc h^c\Zg h]^cZh VadcZ! Wji a^k^c\ aZ\ZcY 8Vanehd GdhZ h]djaY WZ Vc ZmX^i^c\ VYY^i^dc id i]Z ZkZc^c\# 6h i]Z ')i] ^h V HVijgYVn! i]Z c^\]i l^aa Xdci^cjZ l^i] i]Z ^c[Vbdjh H^aZci 9^hXd#

Now into its second year, the programme for the Barbican’s summer festival is as diverse as the event’s locations. Although the majority are based at the Barbican, some events are spread out across East London, from the classic Hackney Empire to the Royal Stratford East Theatre, not to mention the free reggae gig in Shoreditch Park. You’d be silly not to go and check something out... Everyone wants to escape to festivals outside London, but not everybody remembers what the city itself has to offer. In times of recession, options closer to home are always welcome. When it comes to diversity, Blaze festival means business. You can dance to Lee ‘Scratch’ Perry’s reggae or croon to the country blues of Bob Dylan’s son, Jakob Dylan. Or why not catch a showing of Dracula with its soundtrack composed by Philip Glass, and the legendary performance by Bela Lugosi? With so many shows on offer, it’s easy to lose yourself in the choice. For those enchanted with South America, there’s still time. Caetano’s wonderful show has passed, but two more Latin nights are set to heat up the festival. CĂŠu, the Brasilian singer and songwriter nominated for a Grammy, promises to put on a big return show on the 15th, sharing the spotlight with Bomba Electrica, the Colombian cumbia band. And speaking of which, Colombia have a night all to themselves on the June 25th (see right), with traditional music from Toto la Momposina, complimented by the anarchic Caribbean sounds of La Mojarra Electrica. Better get down to the box office on the double. ,& D[ 'TKMC 6CODMG

:b hZj hZ\jcYd Vcd YZ [Zhi^kVa! d 7VgW^XVc dg\Vc^oV hZj [Zhi^kVa YZ kZg d Xdb eajgVa^YVYZ iVcid cV egd\gVbV d Xdbd cV \Zd\gVĂ’ V Ydh ZkZcidh# 6eZhVg YV bV^dg^V hZ XdcXZcigVg cd 7VgW^XVc! Va\jch ZkZcidh hZ ZheVa]Vb edg :Vhi AdcYdc! ^cXaj^cYd YZhYZ d Xa{hh^Xd =VX`cZn :be^gZ Vi‚ d I]ZVigZ GdnVa HigVi[dgY :Vhi# HZb XdciVg d h]dl YZ gZ\\VZ! YZ \gV V! cd H]dgZY^iX] EVg`# IdYd bjcYd fjZg k^V_Vg eVgV dh [Zhi^kV^h [dgV YZ AdcYgZh! bVh cZb idYdh hZ aZbWgVb YV d[ZgiV fjZ hZ iZb cV X^YVYZ# AZbWgZbdh/ Zb ‚edXV YZ gZXZhh d! ^hhd ‚ hZbegZ WZck^cYd# Cd XVhd YZ 7aVoZ! [VaVg YZ Y^kZgh^YVYZ ‚ egV kVaZg# EdYZbdh YVc Vg Xdb d gZ\\VZ YZ AZZ HXgViX] EZggn dj k^V_Vg cd Zhi^ad Xdjcign WajZh Yd Ă’ a]d Yd 7dW 9naVc! d ?V`dW 9naVc# Dj! edg fjZ c d! Xdc[Zg^g jbV hZhh d Yd Ă’ abZ 9gVXjaV Xdb d aZcY{g^d Vidg 7‚aV Aj\dh^ Z ig^a]V hdcdgV XdbedhiV edg E]^a^e <aVhh4 6 d[ZgiV YZ h]dlh ‚ iVciV fjZ Ă’ XV [{X^a hZ eZgYZg# EgV fjZb hZ ^ciZgZhhV eZaV 6b‚g^XV Yd Hja! V^cYV Y{ iZbed# D h]dl Yd 8VZiVcd KZadhd ^c[Za^obZciZ [d^ cd Y^V (! bVh djigVh YjVh cd^iZh aVi^cVh edYZb ZhfjZciVg cZhiZ [Zhi^kVa# 8‚j! V XVcidgV Z Xdbedh^idgV WgVh^aZ^gV cdbZVYV Vd <gVbbn! egdbZiZ jbV \gVcYZ cd^iZ eVgV d Y^V &*! fjVcYd Y^k^Y^gV dh ]dad[diZh Xdb 7dbWV :aZXig^XV! V WVcYV XdadbW^VcV YZ XjbW^V# : edg [VaVg Zb 8daÂ?bW^V! ZaZh i„b V hjV cd^iZ ZmXajh^kV! '* YZ _ja]d! Xdb V bÂ?h^XV igVY^X^dcVa cV kdo YZ Idid aV Bdbedh^cV Z! egV XdbeaZbZciVg! d hdb Vc{gfj^Xd XVg^WZc]d YZ AV Bd_VggV :aZXig^XV# : V†! _{ XdggZj egV XdbegVg d hZj ^c\gZhhd4,&

>c ?jan! 8dadbW^V XdbbZbdgViZh '%% nZVgh d[ ^cYZeZcYZcXZ# I]ZgZ[dgZ! i]Z c^\]i Vi i]Z 7VgW^XVc l^aa WZ fj^iZ hdbZ eVgin/ [gdb i]Z igVY^i^dcVa VcY [da`adg^X XjbW^V hjc\ Wn Idid AV Bdbedh^cV! id AV Bd_VggV :aZXig^XVÉh g]ni]b^X bZYa^Zh# Idid ]Vh WZZc h^c\^c\ [dg bdgZ i]Vc *% nZVgh VcY lVh iVj\]i Wn i]Z egZk^djh \ZcZgVi^dch d[ ]Zg [Vb^an! \^k^c\ ]Zg bjh^X gZVa Vji]Zci^X^in# H]Z lVh VagZVYn kZgn lZaa `cdlc ^c &.-*! l]Zc <VWg^Za <VgX^V BVgfjZo idd` ]Zg Vh V \jZhi id XdaaZXi ]^h CdWZa Eg^oZ [dg A^iZgVijgZ# AV Bd_VggV :aZXig^XV ^h V ndjc\ WVcY [gdb 7d\diV! l]dhZ bZbWZgh VgZ igV^cZY ^c kVg^djh hinaZh [gdb _Voo id [da`# I]Z gZhjai ^h V bjX] bdgZ je id YViZ hdjcY! l^i] iVc\^WaZ ]^cih d[ i]Z 8Vg^WWZVc# '*i] ?jan! ,#(%eb 7VgW^XVc! —&%"'%

7A6O: ;:HI>K6A '%&% ?jcZ &.i] " ?jan (&hi 76G7>86C#DG<#J@ ™ %'% ,+(- --.&

@=¢0V¥9 =?<:<aV<;

&) ,WPING&TWOU ?JAN '%&%

A6 BD?6GG6 :A:IG>86 IDID A6 BDBEDH>C6

=>I DJG L:7H>I: ;DG NDJG 8=6C8: ID L>C 8wJ I>8@:IH CDL

B6NG6 6C9G69: H E>8IJG: 7N ? B AJ7G6CD

AGMP PROUDLY PRESENTS

Live Nation in association with CAA presents

BEBEL GILBERTO FRIDAY 6th AUGUST

LONDON KOKO C A M D E N H I G H S T R E E T. L O N D O N . N W 1

www.SEETICKETS com www.TICKETWEB.co.uk www.AGMP.co.uk !!! # !!! ! # !!! "

2ND, 3RD, 5TH, 6TH & 7TH NOVEMBER BOX OFFICE www.o2shepherdsbushempire.co.uk 08444 771000

www.livenation.co.uk

THE NEW ALBUM, OUT NOW

www.rodgab.com www.rubyworks.com

URKEGU

4B6A¡? 5¢?<¢@

I=: HIDGN 7:=>C9 I=: E>8IJG:

L]ViÉh i]^h! hdbZ aZ[iÒ ZaY kZgh^dc d[ GdX` 7VcY4 ;jcc^an Zcdj\] i]ViÉh cdi [Vg d[[ Ä i]^h eV^g VgZ \dccV gZaZVhZ Vc VaWjb d[ `^cYV egdiZhi$eZVXZ hdc\h i]^h bdci]# GZVaan4 L]d VgZ i]Zn4 LZaa ndj b^\]i gZXd\c^hZ LZah]bVc <gj[[ G]nh i]ZgZ d[ HjeZg ;jggn 6c^bVah VcY ]^h di]Zg egd_ZXi! CZdc CZdc! VcY i]Z di]Zg \jnÉh V 7gVh^a^Vc IK$K8G gZeV^g bVc ]Z iZVbZY je l^i] XVaaZY Idcn YV <VidggV# =dl Y^Y i]Vi XdbZ VWdji4 LZaa <gj[[ XVbZ VXgdhh IdcnÉh bjh^X WVX` ^c '%%+ l]Zc ]Z lVh gZXdgY^c\ ^c G^d! WZXVbZ V [Vc d[ ]^h bjh^X VcY i]gdj\] IgdXVWgV]bV > i]^c` ^i lVh ]Z \di id XdaaVWdgViZ l^i] Idcn# I]Zn gZ]ZVghZY IdcnÉh hdc\h [dg Ò kZ YVnh hda^Y VcY gZXdgYZY i]Z VaWjb ^c * ]djgh! XVaa^c\ ^i I]Z IZggdg d[ 8dhb^X Adca^cZhh! Zmeadg^c\ i]ZbZh d[ ^c_jhi^XZ! ^cZfjVa^in VcY Xdggjei^dc# 7dn# 6cY l]ViÉh ^c IdcnÉh ]VcYh4 >iÉh VXijVaan Vc ^chigjbZci ]Z ^ckZciZY! V \j^iVg"Xjb"Ygjb bVX]^cZ YjWWZY i]Z <Vi ggV 0 VeeVgZcian ]Z YgZVbi d[ ^i dcZ c^\]i! ld`Z je VcY YZh^\cZY ^i VcY l^i]^c i]gZZ bdci]h ]ZÉY bVYZ ^i# I]Vi YZÒ cZh i]Z VaWjbÉh hdjcY! Wji i]Z WZhi W^i ^h i]Vi i]Z 7gVo^a^Vc Bjh^X^Vch Jc^dc ^bedhZY V WVc dc ]^b [dg eaVn^c\ Vc jcgZXd\c^hZY ^chigjbZci# Dcan ^i Y^YcÉi hiVcY VcY h^bean ]ZaeZY Wddhi ]^h egdÒ aZ :e^X# 9d i]Zn \Zi id eaVn id\Zi]Zg4 NZV] lZ h]djaY XViX] i]Zb l]Zc i]Zn eaVn 8VgY^[[ i]^h bdci] VXijVaan! dg WZiiZg hi^aa Vi ;^ZaY 9Vn dc ?jan (&hi# 6cY i]Zn bVYZ V Ò ab VWdji i]Z gZXdgY^c\ idd XVaaZY HZeVgVYdh > hlZVg > gZVY hdbZl]ZgZ ^iÉh h]dl^c\ Vi i]Z 7;> i]Z YVn V[iZg# <VbZ4 <VbZ hidcZhi]gdl#Xdb

LDGA9 8JE =6C<DK:G

7G6H>A G:6A>IN A TWO YEAR ANNIVERSARY WITH MUSIC, FOOTBALL AND CHARITY It was promotion of Brasilian culture in London which brought Soho’s Cafe 16mm and producer Alicia Bastos together; they had the location, she the concept, and Braziliality was born. The project explores Brasilian cultural references, but not necessarily artists only from Brasil; they can be Brasilians abroad, in Brasil with an international career, or foreigners influenced by Brasil. “The name Braziliality comes from Brasilian reality, or ‘Brasilianess’ in a loose translation”, says Alicia. The partnership worked so well it's set to celebrate 2 years at Favela Chic with The World Fun Cup, a ‘humorous World Cup hangover’, with a keepy ups competition, table football, bands, a short film and a dance by Everaldo Pereira. In association with the ABC Trust, the fundraiser also promotes their festival, Festinho, with Heather McClell and Natema from 2010’s line up. No doubt plenty more partnerships and parties to come. ,& I=: LDGA9 ;JC 8JE 5 ;6K:A6 8=>8 ?jan &*i]! +eb"&Vb! ) BNHE68:#8DB$7G6O>A>6A>IN

6 ^YZ^V YZ egdbdkZg V XjaijgV WgVh^aZ^gV Zb AdcYgZh jc^j d XV[ &+bb cd Hd]d Z V egdYjidgV XjaijgVa 6a^X^V 7Vhidh# :aZh! d adXVa0 ZaV! d XdcXZ^id! Z Vhh^b cVhXZj d 7gVo^a^Va^in# ÆD egd_Zid [Vo gZ[Zg cX^Vh XjaijgV^h Vd 7gVh^a! bVh c d cZXZhhVg^VbZciZ bdhigV VgiZ h YZ WgVh^aZ^gdh# EdYZb hZg WgVh^aZ^gdh cd ZmiZg^dg! Xdb XVggZ^gV ^ciZgcVX^dcVa! dj ZhigVc\Z^gdh ^cÓ jZcX^VYdh eZad 7gVh^a# ?{ d cdbZ kZb YZ 7gVo^a^Vc gZVa^in ! fjZ h^\c^Ò XV iVbW b WgVh^a^YVYZ cjbV igVYj d bV^h hdaiVÇ! Y^o# 6 eVgXZg^V! ^c^X^VYV Zb '%%-! YZj i d XZgid fjZ V\dgV d egd_Zid XdbZbdgV Yd^h Vcdh Zb \gVcYZ Zhi^ad/ d ZkZcid I]Z LdgaY ;jc 8je! jbV ÆgZhhVXV WZb ]jbdgVYVÇ YV 8deV Yd BjcYd! aZkV Vd ;VkZaV 8]^X jb XVbeZdcVid YZ ZbWV^mVY^c]Vh! [jiZWda YZ bZhV! h]dlh! V Zm^W^ d YZ jb XjgiV Z jbV VegZhZciV d Yd WV^aVg^cd :kZgVaYd EZgZ^gV# GZVa^oVYV Zb eVgXZg^V Xdb V 678 Igjhi! V [ZhiV " fjZ VggZXVYVg{ [jcYdh eVgV V dg\Vc^oV d " egdbdkZ iVbW b d ;Zhi^c]d! [Zhi^kVa YV 678! Z iZg{ VegZhZciV Zh YZ Vgi^hiVh Yd a^cZ je YZhiZ Vcd! Xdbd =ZVi]Zg BX8aZaa Z CViZbV# : Ò fjZ YZ da]d! hZ\jcYd 6a^X^V! d 7gVo^a^Va^in ZcigV V\dgV Zb cdkV [VhZ Z bV^h [ZhiVh k^g d# ,& D[ #PC $TCUKN

S¢?;¡;Q< 4<;@¡Y¢@

When things fit.

&+ ,WPING&TWOU ?JAN '%&%

- I'm on a diet! - I'm not!

LLL#C>FJ:A#8DB#7G

I'm on a diet!

I'm not!

URKEGU

;JC@ 8AJ7

;JAA 7A6HI! CDC"HIDE

B8 H]dlZg ! a^k^c\ je id ]^h cVbZ

THE HIT DOCUMENTARY ABOUT RIO’S BAILE FUNK SCENE GETS IT’S DVD RELEASE Since it’s release in 2008, Favela on Blast has toured more than 45 film festivals in 21 countries around the world. Directed by Leandro HBL and Wesley Pentz (a.k.a DJ/ producer Diplo), the film is a portrait of the funk carioca / baile funk subculture of the favelas of Rio de Janeiro. Baile funk music evolved from Miami bass in the 1980s, combining drum loops, samples and rapping. A commentary on violence and poverty and a celebration of sex, it’s fast, sensual and compelling, reflecting the favelas themselves. When the funk MC Tati Quebra Barraco sang “sou feia, mas tĂ´ na modaâ€? (“I’m ugly but people dig meâ€?) back in 2005, nobody knew how long the hype would last. But whilst baile funk caught the imagination of the international community, it’s divided opinion within Brasil itself. “In Brasil people have a lot of prejudice about funk, they think it’s pornographic and stupid. At the same time the police think funk attracts criminals. This is true but funk's the soundtrack for the lives of the whole community, not just the criminalsâ€?, Leandro explains. “Still, attitudes are changing, funk's maturing and becoming more accepted.â€? In much the same way that capoeira and samba were both once prohibited before becoming integral parts of Brasilian culture, baile funk’s now gaining acceptance amid society. In 2008 the federal government of Rio state passed a law that made it virtually impossible to organise funk parties, only to be repealed in 2009 and a new law introduced that defined funk as a "cultural and musical expression of popular character", giving it greater protection. “Baile funk is an important part of community life; it’s here to stay,â€? says Leandro. Favela on Blast is a colourful, vibrant journey through the favelas, introducing the movement’s main players and celebrated MCs, and those out there with an open mind will no doubt enjoy the ride. ,& D[ ,COGU *WTTGNN &- ,WPING&TWOU ?JAN '%&%

9ZhYZ d aVc VbZcid Zb '%%-! ;VkZaV dc 7aVhi ZhiZkZ egZhZciZ Zb )* [Zhi^kV^h YZ X^cZbV Zb '& eV†hZh# 9^g^\^Yd edg AZVcYgd =7A Z LZhaZn EZcio d 9?$egdYjidg 9^ead ! d Ă’ abZ ‚ jb gZigVid Yd [jc` XVg^dXV Z V hjWXjaijgV YZ WV^aZ [jc` YVh [VkZaVh# 6 bÂ?h^XV Ydh WV^aZh Zkdaj^j Yd B^Vb^ WVhh Ydh Vcdh -% Z b^hijgV addeh YZ WViZg^V! hVbeaZh Z gVe# 6 iZb{i^XV \^gV Zb idgcd YZ k^da„cX^V Z edWgZoV! Z Xdbd jbV XZaZWgV d Vd hZmd! ‚ g{e^YV! hZchjVa Z Zc\V_VciZ# FjVcYd V B8 IVi^ FjZWgV 7VggVXd XVcidj Æhdj [Z^V! bVh iÂ? cV bdYVÇ Zb '%%*! c^c\j‚b hVW^V fjVcid iZbed V dcYV YjgVg^V# BVh ZcfjVcid d [jc` X]VbVkV V ViZc d cd ZmiZg^dg! Y^k^Y^V de^c^Â?Zh cd 7gVh^a# ÆCd 7gVh^a! Vh eZhhdVh i„b bj^id egZXdcXZ^id XdcigV d [jc`! ZaZh d VX]Vb edgcd\g{Ă’ Xd Z ZhiÂ?e^Yd# 6d bZhbd iZbed! V eda†X^V VX]V fjZ d [jc` VigV^ Xg^b^cdhdh# >hhd ‚ Vi‚ kZgYVYZ! bVh d [jc` ‚ V ig^a]V hdcdgV eVgV Vh k^YVh YZ idYV V Xdbjc^YVYZ! c d VeZcVh Ydh Xg^b^cdhdhÇ! AZVcYgd Zmea^XV# Æ6^cYV Vhh^b! Vh Vi^ijYZh Zhi d bjYVcYd# : d [jc` Zhi{ VbVYjgZXZcYd Z hZcYd bV^h VXZ^idÇ# 9V bZhbV [dgbV fjZ V XVedZ^gV Z d hVbWV _{ [dgVb egd^W^Ydh! d WV^aZ [jc` iVbW‚b Zhi{ \Vc]VcYd VXZ^iV d# :b '%%-! d <dkZgcd Yd G^d Vegdkdj aZ^ fjZ fjVhZ ^bedhh^W^a^iVkV V dg\Vc^oV d Ydh WV^aZh! bVh ZaV [d^ gZkd\VYV Zb '%%. Z jbV cdkV aZ^ ^cigdYjo^YV Zb hZj aj\Vg! YZĂ’ c^cYd d [jc` Xdbd ÆZmegZhh d XjaijgVa Z bjh^XVa YZ XVg{iZg edejaVgÇ! YVcYd Vd g^ibd bV^h egdiZ d# ÆD WV^aZ [jc` ‚ jbV eVgiZ ^bedgiVciZ YV k^YV YV Xdbjc^YVYZ0 Zhi{ Vfj^ eVgV Ă’ XVgÇ! Y^o AZVcYgd# ;VkZaV dc 7aVhi ‚ jbV _dgcVYV k^WgVciZ Z Xdadg^YV VigVk‚h YVh [VkZaVh! ^cigdYjo^cYd dh eg^cX^eV^h eZghdcV\Zch Yd bdk^bZcid# FjZb i^kZg V bZciZ VWZgiV kV^ XZgiVbZciZ VegZX^Vg V k^V\Zb# ,& ;6K:A6 DC 7A6HI Dji dc 9K9 Y^\^iVa YdlcadVY [gdb ?jan '%i] B699:8:CI#8DB$7AD<$;6K:A6"DC"7A6HI

AD< 5¢?<¢@

D; ;JC@ 86G>D86

Bg 8VigV 6#@#6# I]Z ;V^i][ja ! LV\cZg 9db^c\jZh 8dhiV id ]^h bjb! Bg 8VigV ^h V XdcigdkZgh^Va ]Zgd d[ [jc`# H^c\^c\ VWdji Xg^b^cVa \Vc\ lVgh! eda^XZ! hZm VcY ]deZ [dg i]Z [jijgZ! Bg 8VigV h V Wjhn bVc### gZejiZY id ]VkZ bdgZ i]Vc &- X]^aYgZc 9Z^oZ I^\gdcV DcZ d[ i]Z bdhi egdb^cZci [ZbVaZ [jc` B8h! 9Z^oZ I^\gdcV WZadl lVh V XaZVcZg WZ[dgZ Ă’ cY^c\ [VbZ# =Zg WgZV`i]gdj\] igVX` >c_ZÂ d XdciV^ch ine^XVaan Zmea^X^i ang^Xh VcY idc\jZ"^c"X]ZZ` bZiVe]dg# I^\gdcV ]Vh idjgZY VcY ldg`ZY l^i] Vgi^hih hjX] Vh 9^ead VcY 7jgV`V Hdb H^hiZbV#

FREE DOWNLOAD OF THE SINGLE “LERO-LERO” AT WWW.CUMBANCHA.COM/LUISA

DEBUT ALBUM NOW AVAILABLE “A summer hit in the making”

— FLY Global Music

“Yes, folks I think here we have the 21st century incarnation of ‘The Girl From Ipanema’” — The List “Not self-conscious, not indulgent, raw. A return to basics never sounded so good.”

#(!,+ &!2- 2/!$ .7 %( YYY EQOQPQ EQ WM

— BoomBoomChik

.%7 !,"5- 3%5 */2'% !,-!: /54 /. ./7 !'!). 3%04 #522%.4 !,"5- !-%2)#! "2!3), !6!),!",% ./7

Ana Moura The new voice of Fado Thursday 4 November Union Chapel

Doors 7pm Compton Terrace N1 2UN 08444 771 000 www.comono.co.uk

www.luisamaita.com

SEUJOREGE_JD.indd 1

6/7/10 10:25:24

Ó dl^c\ eViiZgch

©<AA. 5¡C¢ 7DD@ HA6B

BRITISH-BRASILIAN DUO RIDE THE SILK ROAD TO THE EAST

E>8IJG: 7N AJ@: =6N:H

Bruno Basso and Christopher Brooke are the latest fashion designers to be honoured an exclusive space by the Design Museum: in a tank on the banks of the Thames, right in front of the venue. Part of the British Council’s New Silk Road project, spanning Iran, Kazakhstan, Pakistan and Bangladesh, the pair were invited on a ten-day trip to Uzbekistan, resulting in a colourful capsule textile design, the print of which was then incorporated into a simple dress from their Autumn/ Winter 2010 collection, and features in a ten-minute film. “We were looking for designers whose aesthetics reflect what we can find in these countries, a point of connection between them and the local people” says Carla Sorrell of the British Council, the exhibition’s curator. As part of the exchange, three Uzbek weavers came to England last spring to visit the designers’ atelier and absorb a bit of the English culture and craft. ”We hope it inspires a more contemporary understanding of the creativity and craft in these regions, that the culture is really inspiring“, says Carla. On until August, the duo's installation couldn’t have come at a more fitting time, as just upstream the Southbank Centre celebrates Basso’s home country with the summery events of Festival Brazil (see page 27). ,& D[ $KC $G\COCV

7gjcd 7Vhhd Z 8]g^hide]Zg 7gdd`Z h d dh jai^bdh YZh^\cZgh YZ bdYV V hZgZb ]dcgVYdh jb ZheV d ZmXajh^kd cd 9Zh^\c BjhZjb/ jb iVcfjZ |h bVg\Zch Yd g^d I}b^hV! Zb [gZciZ Vd bjhZj# 8dch^hi^cYd Zb jbV eVgiZ Yd egd_Zid CZl H^a` GdVY Yd 7g^i^h] 8djcX^a! VWgVc\ZcYd >g ! 8VoVfj^hi d! EVfj^hi d Z 7Vc\aVYZh]! V YjeaV [d^ Xdck^YVYV { jbV k^V\Zb YZ &% Y^Vh Vd JoWZfj^hi d! gZhjaiVcYd Zb jb YZh^\c YZ jbV XVehjaV Xdadg^YV YZ iZmijgVh! YV fjVa V ZhiVbeV [d^ ^cXdgedgVYV Zb jb h^beaZh kZhi^Yd YZ hjV XdaZ d Djidcd$>ckZgcd '%&%! Z iVbWZb VeVgZXZ cjb Ò abZ YZ &% b^cjidh# C h ZhiVkVbdh egdXjgVcYd edg YZh^\cZgh Xdb Zhi i^XVh fjZ gZÓ Zi^hhZb d fjZ hZ ZcXdcigV cZhhZh eV hZh! V edcid YZ ]VkZg jbV XdcZm d Ydh YZh^\ch Xdb d edkd adXVa Y^o 8VgaV HdggZaa Yd 7g^i^h] 8djcX^a! V XjgVYdgV YV Zm^W^ d# 8dbd eVgiZ Yd ^ciZgX}bW^d! cV ai^bV eg^bVkZgV! ig h iZXZa Zh JoWZfj^hiVcZhZh k^ZgVb | >c\aViZggV eVgV k^h^iVg d ViZa^ Ydh YZh^\cZgh Z VWhdgkZg jb edjXd YV XjaijgV Z VgiZ ^c\aZhVh# Cdh ZheZgVbdh Zhi^bjaVg jb ZciZcY^bZcid bV^h XdciZbedgVcZd YV Xg^Vi^k^YVYZ Z VgiZ cZhhVh gZ\^ Zh! Z YZ fj d ^che^gVYdgVh h d ZhhVh XjaijgVh ! Y^o 8VgaV# 6XdciZXZcYd Vi V\dhid! V ^chiVaV d c d edYZg^V iZg k^cYd cjbV edXV bZa]dg _V fjZ g^d VX^bV! d Hdji]WVc` 8ZcigZ XZaZWgV d eV h cViVa YZ 7Vhhd Xdb d ;Zhi^kVa 7gVo^a kZ_V eV\^cV ', # ,& C:L H>A@ GD69 5 9:H><C BJH:JB ?jcZ &+i] Ä 6j\jhi ')i]! ;G:: 9:H><CBJH:JB#DG< %'% ,)%( +.((

I]dhZ WZadkZY ajX]V a^WgZ ]ZgdZh d[ i]Z BZm^XVc g^c\h XVc cdl WZ hZZc ^c V Y^[[ZgZci a^\]i/ i]Vi i]gdj\] i]Z aZchZh d[ gZcdlcZY e]did\gVe]Zg @Vi^c`V =ZgWZgi! [VhX^cViZY Wn i]Z bZc ^c cZdc i^\]ih! bZh] aZ\\^c\h VcY ZmigVkV\Vci bVh`h# HeZc^c\ V eZg^dY d[ Z^\]i nZVgh ^c VcY dji d[ i]Z g^c\! @Vig^cV XVeijgZY i]Z bdhi kVg^ZY d[ ajX]VYdgZh ! [gdb YlVg[h id ldbZc! VcY d[ XdjghZ i]Z bdhi [Vbdjh :a =^_d 9Za HVcid VcY 7ajZ 9Zbdc ?g! YdXjbZci^c\ i]Z Y^[[ZgZci VheZXih d[ i]^h Xjg^djh egd[Zhh^dc# I]Z [gj^ih d[ ]Zg aVWdjg Wg^c\ V WVcY d[ XgVon XdcigVY^Xi^dch! WZ\^cc^c\ l^i] i]Z a^[ZhinaZ! dhiZciVi^djh nZi eZgb[dgbVi^kZ! [gdb i]Z hZXgZi^kZ id i]Z hZa["]Vgb# HaVb! GGE (% eVgi [jc! eVgi Vgi! ^h V eZg[ZXi XdbW^cVi^dc [dg i]dhZ l]d lVci id hZZ YZZeZg ^cid i]Z bnhiZg^djh ldgaY d[ i]Z hjeZg ]Zgd aZ\ZcYh# L=:G: ID ;>C9 >I/

HaVb/ AjX]V A^WgZ h HjeZg]ZgdZh d[ i]Z G^c\ id]Zaal^i]ejWa^h]^c\#Xdb

URKEGU

;>8I>DC 6C9 ;68IH

9D 7:A>:K: I=: =NE: A STRONG ECONOMY AND TWO HUGE EVENTS ARE TRULY REVOLUTIONISING BRASIL'S ARCHITECTURE - AND CITIES!

6gX]^iZXijgVa Ò Xi^dc I]Z Jai^bViZ H`nhXgVeZg '%%. ! ^c D 8dcYdb c^d 6Whdajid Wn 8Vgadh IZ^mZ^gV KVo^d H$6 # >aajhigVi^dc Wn KVhXd Bdjg d#

'' ,WPING&TWOU ?JAN '%&%

Who hasn’t heard that slogan saying “Brasil’s the country of the future”? Because it seems to be getting ever more serious. Brasil has already become, at least, the talk of the town. No, I’m not talking about the World Cup that we didn’t win. But speaking of which, Brasil now has got much bigger concerns than keeping its football as art status. Host of the World Cup in 2014 and the 2016 Olympics in Rio de Janeiro, the country is going through a period of great economic optimism and is readying itself for a future promising a real swathe of new investments, and it’s defining the country as a new world power. This is the panorama that's on show in the exhibition Swarming Futures, held by Gallery 32, the Brasilian Embassy’s cultural venue in London. Curated by architect Ricardo de Ostos, and part of the celebrated London Festival of Architecture – that makes the city breathe architecture – this edition of the event comes with the theme Welcoming Cities, a study about the creation of cities as a reflex of multiple actions across the urban fabric. “The intention is to discuss this speculative scenario and analyse new routes to be followed by Brasilian cities”, explain Ricardo, who in his curation brought together from potential projects to the most innovative, and the critical-conceptual. Four relevant groups in current architectural production were selected: MMBB, representing new architecture in São Paulo; the much-revered Triptyque, a FrancoBrasilian collective known for its ecologically engaging proposals and award-winning designs; Vazio S/A, instigating discussion about the future through visions such as The Ultimate Skyscraper (see image left); and BCMF, which put together projects from the 2007 Pan American Games and the proposal for the Rio 2016 bid. "The Pan American's legacy is the Olympics", says Bruno Campos, on the importance of designing big events also for the future. The exhibition also bears the installation ‘Yesterday’s Future’, a collaboration between the artist João Wilbert and the Studio Naja & De Ostos. “The work shows images of the future with eyes in the past”, comments Wilbert, who takes advantage of the aesthetic of machines and circuits, as demonstrated in this case by the radio antennas, one of the first devices to carry information to Brasília in the 50’s, a direct reference to the Modernist legacy. Recently one of three finalists amongst the 39 participants in the Silver Pigeon Award, honouring the best exhibition of the International Showcase, Swarming Futures runs until August. For more images and videos, check out Jungle’s website. ,& D[ 6JGNNKWU <CORTQIPQ

URKEGU FjZb cjcXV djk^j VfjZaZ had\Vc YZ fjZ Æd 7gVh^a d eV h Yd [jijgdÇ4 Ed^h eVgZXZ fjZ V\dgV V Xd^hV Zhi{ Ò XVcYd h g^V# D 7gVh^a _{ hZ idgcdj! eZad bZcdh! d Vhhjcid Yd bdbZcid " d ;Zhi^kVa 7gVo^a c d bZ YZ^mV bZci^g kZ_V V e{\^cV ', # C d! iVbW b c d Zhidj [VaVcYd YV 8deV fjZ c h c d \Vc]Vbdh# BVh [VaVcYd Zb 8deV Yd BjcYd! d 7gVh^a V\dgV iZb egZdXjeV Zh bj^id bV^dgZh Yd fjZ h bVciZg d hiVijh YZ hZj [jiZWda VgiZ# 6cÒ ig^ d Ydh _d\dh Yd BjcY^Va YZ '%&) Z YVh Da^be VYVh YZ '%&+ cd G^d YZ ?VcZ^gd! d eV h Yd [jiZWda eVhhV edg \gVcYZ di^b^hbd ZXdc b^Xd Z hZ egZeVgV eVgV d [jijgd fjZ kZb igVoZcYd jb kZgYVYZ^gd ZcmVbZ YZ cdkdh ^ckZhi^bZcidh Z Zhi{ YZÒ c^cYd d eV h Xdbd jbV cdkV ediZcX^V bjcY^Va# w ZhiZ eVcdgVbV fjZ Zhi{ Zb YZhiVfjZ cV Zmedh^ d HlVgb^c\ ;jijgZh! gZVa^oVYV eZaV <VaaZgn ('! ZheV d XjaijgVa YV :bWV^mVYV 7gVh^aZ^gV Zb AdcYgZh# 8jgVYV eZad Vgfj^iZid G^XVgYd YZ Dhidh! V Zmedh^ Vd eVgiZ Yd WVYVaVYd AdcYdc ;Zhi^kVa d[ 6gX]^iZXijgZ " fjZ [Vo V X^YVYZ gZhe^gVg Vgfj^iZijgV " Z fjZ ZhiZ Vcd igVo d iZbV LZaXdb^c\ 8^in! jb ZhijYd hdWgZ V Xg^V d YVh X^YVYZh Xdbd gZÓ Zmd YZ VijV Zh b ai^eaVh hdWgZ d iZX^Yd jgWVcd# Æ6 ^ciZc d YZWViZg ZhiZ XZc{g^d ZheZXjaVi^kd Z VcVa^hVg dh cdkdh gjbdh V hZgZb hZ\j^Ydh eZaVh X^YVYZh WgVh^aZ^gVhÇ! Zmea^XV G^XVgYd! fjZ Zb hjV XjgVYdg^V gZjc^j YZhYZ egd_Zidh edhh kZ^h Vi dh ^cdkVYdgZh Z dh Xg i^Xdh"XdcXZ^ijV^h# ;dgVb hZaZX^dcVYdh fjVigd \gjedh gZaZkVciZh cV egdYj d Vgfj^iZi c^XV VijVa/ d BB77! gZegZhZciVciZ YV cdkV Vgfj^iZijgV eVja^hiV0 d WVYVaVYd Ig^einfjZ! XdaZi^kd [gVcXd"WgVh^aZ^gd [Vbdhd edg hjVh egdedhiVh ZXdad\^XVbZciZ Zc\V_VYVh Z YZh^\c egZb^VYd0 d KVo^d H$6! ZhXg^i g^d fjZ ^chi^\V V Y^hXjhh d hdWgZ d [jijgd VigVk h YZ k^h Zh Xdbd d Jai^bViZ H`nhXgVeZg [did | ZhfjZgYV 0 Z d 78B;! fjZ igVo Zb hZj edgi[da^d dWgVh Yd aZ\VYd Yd EVc"VbZg^XVcd YZ '%%, Z V egdedhiV eVgV V XVcY^YVijgV Ydh ?d\dh Da be^Xdh YZ '%&+# D aZ\VYd Yd EVc h d Vh Da^be VYVh ! gZkZaV jb Ydh h X^dh! 7gjcd 8Vbedh! hdWgZ V ^bedgi}cX^V YZ egd_ZiVg \gVcYZ ZkZcidh iVbW b eVgV jhdh [jijgdh# 6 Zmedh^ d igVo iVbW b V ^chiVaV d NZhiZgYVnÉh ;jijgZ! XdaVWdgV d ZcigZ d Vgi^hiV ?d d L^aWZgi Z d HijY^d CV_V 9Z Dhidh# Æ6 dWgV bdhigV ^bV\Zch Yd [jijgd Xdb da]dh cd eVhhVYdÇ! XdbZciV L^aWZgi! fjZ i^gV eVgi^Yd Zhi i^Xd YVh b{fj^cVh Z X^gXj^idh! gZegZhZciVYVh cZhiZ XVhd VigVk h YVh VciZcVh YZ g{Y^d! jb Ydh eg^bZ^gdh Vgi^[ X^dh V aZkVg ^c[dgbV d cV Y XVYV YZ *% eVgV V X^YVYZ YZ 7gVh a^V! cjb a^c` Y^gZid Vd aZ\VYd BdYZgc^hiV# GZXZciZbZciZ jbV YVh ig h Ò cVa^hiVh ZcigZ dh (. eVgi^X^eVciZh Yd H^akZg E^\Zdc 6lVgY! fjZ egZb^V V bZa]dg Zmedh^ d Yd >ciZgcVi^dcVa H]dlXVhZ! V Zmedh^ d VXdciZXZ Vi Y^V && YZ V\dhid# EVgV bV^h ^bV\Zch Z k YZdh VXZhhZ d h^iZ YV ?jc\aZ# ,& HL6GB>C< ;JIJG:H Jci^a 6j\jhi &&i]! ;G::

A52 @5.=2 <3 A56;4@ A< 0<:2

EGD?:8IH I=6I L>AA 8=6C<: I=: 8>INH86E:

G^d '%&+ VWdkZ ! egdedhVa W^Y ^bV\Z VcY CVi^dcVa H]ddi^c\ 8ZcigZ ^chZi ! 9ZdYdgd Hedgih 8dbeaZm d[ i]Z '%%, EVc 6bZg^XVc <VbZh ^c G^d YZ ?VcZ^gd! Wdi] Wn 78B;#

=Vgbdc^V *,! Wn Ig^einfjZ# H d EVjad! '%%-# E^XijgZ Wn Ig^einfjZ#

6cidc^d 8gZZ`! GZ"jgWVc^hVi^dc k^Zl d[ i]Z eaV^c hfjVgZ ! Wn BB77! H d EVjad#

<6AA:GN"('#7AD<HEDI#8DB %'% ,(.. .'-'

?JA=D '%&% ,WPING&TWOU '(

URKEGU

WB;ŠY¢ ?¢CV¢D@

01 <S aU¢ :<;aU

I=: IDE G:A:6H:H D; I=: BDCI=

pra gente fazer mais um samba L>AHDC 96H C:K:H ;6G DJI G:8DG9>C<H

>c '%%&! ;Vg Dji gZjc^iZY i]Z 7gVh^a^Vc WVcY Dh >eVcZbVh [dg dcZ bdgZ gZXdgY^c\! VcY i]Vi lVh i]Z hiVgi d[ i]Z ^ciZgcVi^dcVa gZXd\c^i^dc [dg i]Z YgjbbZg! h^c\Zg VcY XdbedhZg L^ahdc YVh CZkZh# 6aa &( hdc\h i]Vi bV`Z je ]^h cZl VaWjb! EgV <ZciZ ;VoZg BV^h Jb HVbWV! VgZ XdbedhZY Wn YVh CZkZh ]^bhZa[ VcY Vh i]Zn hVn ^c 7gVh^a! i]Zn hiZb [gdb i]Z gddih d[ hVbWV# I]Z iZgb XZgiV^can ^h Ò ii^c\ [dg i]Z ineZ d[ bjh^X i]Vi L^ahdc WZa^ZkZh ^c XgZVi^c\0 ^c ]^h dlc ldgYh ÆCdWdYn lg^iZh hVbWV# >i XdbZh [gdb djg ]ZVgih! VcY ^c 7gVh^a ^iÉh a^`Z V eVgi d[ jh0 > _jhi `ZZe eaVn^c\ l^i]dji i]^c`^c\ idd bjX] VWdji ^iÇ# :VX] igVX` d[ i]Z VaWjb hdjcYh hdbZl]Vi bZaVcX]da^X! eVgian YjZ id i]Z ]jh`^cZhh d[ L^ahdcÉh kd^XZ! VcY eVgian dl^c\ id i]Z [VXi i]Vi i]Zn gZÓ ZXi i]Z \daYZc nZVgh d[ hVbWV# 7N 6C9G: 9: DA>K:>G6

palenque palenque HDJC9L6N G:8DG9H

8Vc HdjcYlVn Yd cd lgdc\4 NZi V\V^c

8JAIJG6 >BEJG6 " H6G6K6= HDJA

i]Zn XdbZ je igjbeh l^i] i]^h Xdbe^aVi^dc# 6c VbVo^c\ XdaaZXi^dc d[ X]VbeZiV! Xg^daaV VcY 6[gd"8dadbW^Vc ^che^gZY bjh^X [gdb i]Z cdgi]Zgc gZ\^dch d[ 8dadbW^V! i]Z bjh^X bVg`h i]Z [daadl je id i]Z XjbW^V VcY edgd h l]^X] ]VY Ydb^cViZY i]Z 8dadbW^Vc hXZcZ i]gdj\] i]Z +%h VcY ,%h# >che^gZY Wn i]Z 9?h VcY hdjcY hnhiZb d[ i]Z i^bZ l]d ]VY V eZccVci [dg hdj`djh! ]^\]a^[Z! 6[gd WZVi VcY g]jbWV! i]Z adXVa bjh^X^Vch gZVXiZY VcY i]Z gZhjaiVci ]nWg^Y d[ i]ZhZ 6[g^XVc hdjcYh! XjbW^V! kVaaZciV! XVg^WWZVc hinaZh VcY XdbeVh bVYZ [dg V kZgn g^X] djiXdbZ# :kZgn igVX`Éh V l^ccZg# ĂˆAV 7diZaa^iVÉ Wn <gjed EVabV 6[g^XVcV hiVcYh dji VcY gZVaan hjbh je i]Z hdjcY " 6[g^XVc g]ni]bh! Xdl WZaah VcY VXXdgY^dc! hVn cd bdgZ# Gdj\]! ZcZg\Zi^X! XVaa VcY gZhedchZ kdXVah VcY hjeZg ^c[ZXi^djh#

the world ends

7N GJHH ?DC:H

HDJC9L6N G:8DG9H

el existential <GJED ;6CI6HB6 C6I <:D BJH>8

I]^h WVcY ^h lZaa dkZg ^ih hZXdcY VaWjb XdbeaZm! cdl dcid i]Z^g Ă’ [i] cd aZhh! VcY l]Vi V Xdg`Zg ^i ^h# =V^a^c\ [gdb iZmVh i]ZgZÉh Vc dWk^djh iZm"bZm ^cĂ“ jZcXZ Wji l^i] bVcn AVi^c hinaZh iV`Zc dc WdVgY i]ZgZÉh hdbZi]^c\ [dg ZkZgnWdYn# I]Z deZc^c\ igVX`! ĂˆGZVa^oVcYdÉ! ^h V \gZVi AVi^c gdX` cjbWZg# 8jbW^V ^h XdkZgZY l^i] ĂˆAV 8dcdoXdÉ VcY Ăˆ=^_dÉ# I]ZgZÉh Vc ^che^gZY e^ZXZ d[ HVahV l^i] ĂˆHVXViZad 7V^aVcYdÉ VcY hdbZ

WdaZgd bV\^X l^i] i]Z hdc\ Ăˆ?jVc IZcdg^dÉ# I]Z XjggZci gZk^kVa d[ 8]^X]V ^h \^kZc V \gZVi dji^c\ l^i] ĂˆBdciVŠdodÉ VcY AVi^c [jc`Éh gZegZhZciZY Wn ĂˆIZaZgVŠVÉ ^c V b^\]in \ddY [Vh]^dc# 6aa i]Z di]Zg igVX`h VgZ XZgiV^can cdi Ă’ aaZgh VcY dkZgVaa ^iÉh V igjan lZaa egdYjXZY VaWjb# >iÉh cd ldcYZg i]ZhZ \jnh gZ\jaVgan hjeedgi VcY eZg[dgb l^i] Eg^cXZ VcY ]VkZ V a^kZ h]dl hZXdcY id cdcZ# >c AdcYdc hddc ',i] ?jan! &%% 8ajW ! hZZ` dji i]Z VaWjb VcY \Zi Ydlc id \Zi Ydlc Vi i]Z^g h]dl# 7N GJHH ?DC:H

I]^h YdjWaZ 89 ^h V Ă’ cZ hiVgi [dg i]dhZ l]d lVci \ddY bjh^X [dg i]Z ZVgh! VcY i]Z [ZZi# I]Z gZaZVhZ XdbZh [gZh] [gdb HdjcYlVn VcY WZVgh k^WgVci igVX`h! XVggn^c\ ^cĂ“ jZcXZh [gdb i]Z a^`Zh d[ ?^b^ =ZcYg^m! ?VbZh 7gdlc VcY HVciVcV# I]Z daY hX]dda 6[gd"gdX` VaWjb ]Vh higdc\ hinaZ VcY eZghdcVa^in! V[iZg Vaa ^iÉh i]Z hdjcY d[ V \ZcZgVi^dc ign^c\ id e^X` je i]Z e^ZXZh [daadl^c\ i]Z YZkVhiVi^dc d[ i]Z C^\Zg^Vc X^k^a lVg! VcY l^i]dji V YdjWi ^i XVeijgZh VcY gZegdYjXZY i]^h gZkdaji^dcVgn ZcZg\n d[ i]Vi ZgV# L^i] i]Z WVhh VcY kdXVah d[ Lg^c`Vgh :meZg^ZcXZ dc ĂˆHdjcYlVnÉ! dg i]Z \j^iVg VcY WgVhh dc ĂˆBg# 7jaa 9d\É VcY Ăˆ7VWVaVldÉ! ^iÉh egZiin idj\] cdi id bdkZ ndjg WdYn# 6cY WdVhi^c\ (' igVX`h d[ ZaZXig^[n^c\ [jc` [jaa d[ ^ggZkZgZci ndji]# 7N K>G<ĂžC>6 H6BE6>D

EVgin l^i] HVgVkV] Hdja dc i]Z^g 89 aVjcX] Vi EVhh^c\ 8adjYh! ?jan ')i] >C I=: B>M

V[gd"WgVh^a^Vc [jc` Saravah Soul launch their 2nd album this month (at Passing Clouds, July 24th), bringing with it part of Brasil’s history, through rich melodies and a percussive base. Lyrics about slavery in ‘Alforria, Funk de Umbigada’ and ‘DĂĄ ne mim’ sing of the utopia of liberty, questioning the sense of freedom in society. ‘Mestiço’ hails Brasil’s ethnic cross-cultural heritage and Cultura Impura, giving the album its name. ‘Janaina’ – CandomblĂŠ's goddess of the ocean - pays hommage to the YorubĂĄ language with vocals by Adesose Wallace. The album's choruses gather “o povoâ€?, symbolising Brasilian people in dialogue with the leadman Otto Nascarellas. Horns play a fundamental role in the harmony. It also bears Brasilian rhythms like Frevo, IjexĂĄ and Maracatu, and all this comes together without without losing the soul & funk that originally characterised the band. ,&

7B;49¢ @ a<= " <;96;2 36;1@ '$ X[Ya i[h]_e Z_Wi ei ckjWdj[i q >CMH ($ fehYWi XehXeb[jWi q CdbZ Eg‹eg^d bnheVXZ )$ bk_iW cW‡jW q AZgd AZgd bnheVXZ

HVgVkV] Hdja aVc V hZj hZ\jcYd {aWjb eVgV XdciVg eVgiZ YV ]^hi‹g^V WgVh^aZ^gV VigVk‚h YZ g^XVh bZadY^Vh hdWgZ jbV WVhZ WZb eZgXjhh^kV# 6h aZigVh [VaVb hdWgZ V ZhXgVk^Y d Zb Ăˆ6a[dgg^V! ;jc` YZ JbW^\VYVÉ Z Ăˆ9{ cZ b^bÉ XVciVcYd V jide^V hdWgZ V a^WZgYVYZ! fjZhi^dcVcYd d kZgYVYZ^gd hZci^Yd YZ hZg a^kgZ cV hdX^ZYVYZ# ĂˆBZhi^ dÉ VXaVbV V WZaZoV YV gV V WgVh^aZ^gV Z hjV 8jaijgV >bejgV fjZ! c d edg VXVhd! Y{ cdbZ Vd 89# :b Ăˆ?VcV^cVÉ " V YZjhV Ydh bVgZh cd 8VcYdbWa‚ igVo^Yd edg edkdh V[g^XVcdh " egZhiV"hZ ]dbZcV\Zb ĂˆV a†c\jV ndgjW{# Dh Xdgdh Zb fjVhZ idYVh Vh [V^mVh h^bWda^oVb d edkd fjZ Y^Vad\V Xdb d XVcidg Z Xdbedh^idg Diid CVhXVgZaaVh# Dh hdegdh h d [jcYVbZciV^h cV ]Vgbdc^V! YVcYd ^ciZc Â?Zh YZ VXdgYd Xdb d fjZ Zhi{ hZcYd XVciVYd! Xg^VcYd bdbZcidh YZ iZch d dj ejgV ZmVaiV d# HVgVkV] igVo V^cYV g^ibdh WgVh^aZ^gdh Xdbd ;gZkd! >_Zm{! BVgVXVij# IjYd ^hhd hZb eZgYZg d hdja [jc` fjZ dg^\^cVabZciZ XVgVXi^oV V WVcYV# ,& $[ #NDC %CDTCN

H6G6K6= HDJA 8JAIJG6 >BEJG6 Igj I]dj\]ih

*$ jkb_fW q EZY^c]d bnheVXZ +$ jedo ZW ]WjehhW % BZj cdbZ ‚ Idcn bnheVXZ

') ,WPING&TWOU ?JAN '%&%

E>8IJG: 7N ;D8JH

The only European company solely dedicated to selling high quality musical instruments and accessories manufactured in Brazil at excellent prices.

CHROMATIC HARMONICAS DIATONIC HARMONICAS PITCH PIPES AND MUCH MORE

Enter our World Cup Competition for your chance to win a harmonica of your choice.To be in with a chance to win just answer the following:

Name the man of Scottish descent who brought the game of football to Brazil? Go to www.santosmusic.eu for more details and to enter

WE SHIP WORLDWIDE

TEL: UK: +44(0)115 714 2290 Skype: Santosmusic

sales@santosmusic.eu :: www.santosmusic.eu

cover feature

YQTFU D[ 2JQGDG (GTTKU 4QVOCP

JD PICKS THE BEST OF THE HOTTEST EVENT THIS SUMMER: SOUTHBANK CENTRE’S FESTIVAL BRAZIL

6 ?JC<A: :H8DA=:J 6 9:9D D B:A=DG 9D ;:HI>K6A 7G6O>A FJ: ;6O D K:GĂ€D ADC9G>CD CD HDJI=76C@

It’s been a long time in the making and it wasn’t easy. Over 70 Brasilian events in the form of concerts, exhibitions, talks, films and performances are taking over the Southbank Centre. This summerlong festival is a combo of local Brasilian artists, classic names, and up-and-coming musical and literary voices. Mix this with a big dose of audience involvement and the line up might just transport you mentally a little bit closer to the shores of Brasil. Its stereotype as the land of ‘sun, samba and football’, which still prevails in many foreigners’ minds, isn’t helped by the fact that much of London’s Brasilian scene and small-scale festivals always focus on the country’s music. Festival Brazil stands out in this respect due to its emphasis on another great artistic export, national literature. This summer you can hear poetry, take part in debates, see Ernesto Neto’s awe-inspiring site-specific sculptures, or check out a free weekend of workshops and shows from cultural collective AfroReggae. Music legends and new artists hit the London stage and a series of documentary films highlighting the role and influence of historical music figures will end the festival. Jungle has prepared a low down of the HSBC-sponsored festival, with artist interviews and our best picks. Read on and enjoy!

9Zbdgdj V hZg XdcXZW^Yd Z c d [d^ iVgZ[V [{X^a# BV^h YZ ,% ZkZcidh WgVh^aZ^gdh Zb [dgbV YZ XdcXZgidh! YZWViZh! Zmedh^ Â?Zh! eVaZhigVh! [^abZh Z eZg[dgbVcXZh Zhi d VXdciZXZcYd cd Hdji]WVc` 8ZcigZ# :hhZ [Zhi^kVa YZ kZg d XdbW^cV Vgi^hiVh adXV^h! cdbZh gZcdbVYdh Z cdkVh gZkZaV Â?Zh YV bÂ?h^XV Z a^iZgVijgV WgVh^aZ^gV# B^hijgVcYd V eVgi^X^eV d Ydh Vgi^hiVh Xdb jb \gVcYZ Zckdak^bZcid Yd eÂ?Wa^Xd V V\ZcYV Yd ZkZcid kV^ iZ igVchedgiVg bZciVabZciZ eVgV d 7gVh^a# =d_Z Zb Y^V! d ZhiZgZdi^ed Yd 7gVh^a! Xdbd V iZggV Yd Æhda! hVbWV Z [jiZWdaÇ! V^cYV Zm^hiZ cV XVWZ V YZ bj^idh ZhigVc\Z^gdh0 Z dh eZfjZcdh [Zhi^kV^h WgVh^aZ^gdh fjZ VXdciZXZb Zb AdcYgZh c d V_jYVb Vh eZhhdVh V ZhfjZXZgZb ZhhV ^YZ^V! _{ fjZ V bV^dg^V YZaZh hZ [dXVb cd hVbWV# D ;Zhi^kVa 7gVo^a iZb d Y^[ZgZcX^Va YZ YVg „c[VhZ V djigVh Xg^V Â?Zh Vgi†hi^XVh cVX^dcV^h! Xdbd V a^iZgVijgV# ;^fjZ ViZcid Vd \gjed 6[gdGZ\\VZ Z Vdh h]dl YZ 6gcVaYd 6cijcZh Z BVg^V 7Zi]}c^V# EVgi^X^eZ YVh eVaZhigVh Yd W^‹\gV[d 7Zc_Vb^c BdhZg! fjZ [VaVg{ Ydh b^hi‚g^dh YZ 8aVg^XZ A^heZXidg! V bV^h [VbdhV ZhXg^idgV Yd 7gVh^a# Dj Zci d! YZhXjWgV Vh ]^hi‹g^Vh Z XgZc Vh Yd _d\VYdg H‹XgViZh! jbV YVh bV^dgZh aZcYVh Yd [jiZWda cVX^dcVa# JbV h‚g^Z YZ YdXjbZci{g^dh fjZ igViVb YV ]^hi‹g^V YV ^c[aj„cX^V YV bÂ?h^XV VeVgZXZ cd [^cVa Yd [Zhi^kVa# 6 ?jc\aZ hZaZX^dcdj dh bZa]dgZh ZkZcidh! Xdb Y^gZ^id V ZcigZk^hiVh Xdb Vgi^hiVh Z cdhhVh bZa]dgZh [didh# 6egdkZ^iZ

?JA=D '%&% ,WPING&TWOU ',

festival brazil

;gdb 7gVh^aÉh W^\\Zhi hiVgh id i]dhZ l]d bVYZ AdcYdc i]Z^g ]dbZ! ]ZgZÉh djg adlYdlc d[ V hjbbZg d[ hdjcYh

;G>96N &+I= ?JAN FjZZc :a^oVWZi] =Vaa! ,#(%eb! [gdb &*

SO, HOW DO YOU PICK AND CHOOSE FROM BRASIL’S VAST FAUNA TO MAKE SURE YOU do justice the music of one of the world most prolific cultural countries? First you get a legend, one that sells out anywhere in the world and represents the African heritage and rich musicality that only someone who’s been recording since the ‘60s can. That’s Gilberto Gil and he’ll perform on the very stage he debuted on in London when exiled by the military regime in 1969. Keeping the theme of “legends”, you invite a singer (the first Brasilian female platinum record), acclaimed in Brasil - that doesn’t visit London too often - in the form of Maria Bethânia. With poetic lyrics in her songs, her rich deep voice is a sheer pleasure to hear. Spicing things up with a true, urban Rio sound, get soon-to-be-star, Mart’nália, and to showcase what’s fresh from Brasil, Porcas Borboletas supporting Arnaldo Antunes. The latter, a former singer with big ‘80s band Titãs, is an independent star in his own right, having enjoyed a solid solo carer as musician and poet - he’s been Jungle’s columnist since our first edition (see p66). And there’s still room for Os Mutantes, Afroreggae, and a great selection of local musicians (see p33). Tasty indeed.

'- ,WPING&TWOU ?JAN '%&%

cover feature

H6IJG96N &%I= ?JAN

MART’Nà LIA 6 h]dl cdi id WZ b^hhZY Wn i]Z je VcY Xdb^c\ G^d hVbWV h^c\Zg XdbedhZg l]d ]Vh ldg`ZY l^i] >kVc A^ch 8VZiVcd KZadhd# FjZZc :a^oVWZi] =Vaa! ,#(%eb! —&,"—&,#*%

H6IJG96N &,I= ?JAN

MARIA BETHĂ‚NIA

:meadgZ i]Z a^c\j^hi^X aZ\VXn d[ 7gVh^a^Vc lg^iZgh Wdi] eVhi VcY bdYZgc! VcY bV`Z i]Z bdhi d[ i]Z [Zhi^kVaÉh g^X] VggVn d[ iVa`h! YZWViZh! ldg`h]deh! edZign VcY hidgniZaa^c\

H^hiZg d[ 8VZiVcd KZadhd! l^i] dkZg (% VaWjbh V YZZe bZhbZg^h^c\ kd^XZ! h]Z ^h igjan dcZ d[ 7gVh^aÉh aZ\ZcYh# :c_dn ]Zg gVgZ AdcYdc k^h^i# FjZZc :a^oVWZi] =Vaa! ,#(%eb! [gdb —&*

HJC96N &-I= ?JAN

OS MUTANTES I]Z Igde^X{a^V e^dcZZgh VgZ WVX` l^i] V cZl a^cZ je `ZnWdVgY^hi 6gcVaYd 7Vi^hiV ^h cdi Xdb^c\ VcY i]Z^g YZa^X^djh ehnX]ZYZa^X gdX` GdnVa ;Zhi^kVa =Vaa! ,#(%eb! —'%"—',#*%

L:9C:H96N '&HI ?JAN

GILBERTO GIL BVcn hVn ]^h kd^XZ ^h cdi i]Z hVbZ! Wji i]Z [dgbZg 8jaijgVa B^c^hiZgÉh X]Vg^hbV VcY iVaZci dc \j^iVg Xdci^cjZh id YgVl ]j\Z VjY^ZcXZh GdnVa ;Zhi^kVa =Vaa! ,#(%eb! —'%"—(*

E>8IJG: BJI6CI:H 7N C>CD 6C9G:H

CLARICE LISPECTOR HAS BEEN DESCRIBED BY EMINENT LITERARY figures as a “Jewish Brasilian born in the Ukraineâ€?, “better than Borgesâ€?, and by Caetano Veloso as one of the chief revelations of his adolescence along with sex, love and bossa nova. The mysterious 20th century writer, with movie-star looks and an indefinable foreign accent has yet to gain her deserved place in Brasil’s literary canon, as redressed by Author Benjamin Moser with his biography Why This World. Hear a talk by him on July 12th (RFH, 7pm, ÂŁ7). SĂŁo Paulo resident Milton Hatoum, a professor of Latin American literature, grew up in the Amazon surrounded by Arabic, and is considered one of Brasil’s greatest living writers. Having sold over 200 million copies (translated into eight languages), he will discuss his works, including his recent novel, Ashes of the Amazon, which criticises the Brasilian military regime, a story of a long rebellion and the struggle to understand it, on July 17th (1pm, ÂŁ7). And a must see is football legend SĂłcrates holding forth on the beautiful game. He’ll be in conversation with Alex Bellos, author of Futebol – The Brazilian Way of Life, on July 18th, Queen Elizabeth Hall (5pm, ÂŁ10).

?JA=D ?JA=D '%&% '%&% ,WPING&TWOU '.

festival brazil

JCI>A *I= H:EI:B7:G =VnlVgY <VaaZgn! &*

RIO RESIDENT ERNESTO NETO HAS OPENED THE HAYWARD GALLERY AFTER its year-long refurbishment with his show The Edges of the World. Honoured to be part of an experience he describes as wonderful but intense, Neto discusses his interactive exhibition and Brasil’s role on the world stage. What do you hope people take away with them after viewing your exhibition? I hope they leave with some freedom inside themselves and a sense of delicateness in my art. You can touch everything, but at the same time it’s very fragile – always a tension between strength and weakness. I hope people leave my exhibition wanting to smell, breath and explore the world more. Your work relies heavily on touch. Would you consider it sensual? Definitely as my art very much relates to

7N 8A>;;N I=: 7G>I>H= 9? ;GDB I=: E6GIN 76IB68JB76 L=DÉH 7::C LDG@>C< L>I= 7G6H>A ;DG '% N:6GH

(% ,WPING&TWOU ?JAN '%&%

the body. We are all bodies in space. Some people have more space for sensuality, some have less. The same goes with money, education, etc. All of this relates to your state of being, which is at the core of my work. My art is all about relationships – one piece is always touching, stretching or holding another piece in place. Just like human relationships - which can be kind, sexual, tense, loving and aggressive – my art reflects the same, and when the spectator interacts with it, they bring their psychological soul to the piece itself. Would you call your art ‘Brasilian’? My work is not about Brasil, it’s about art in a contemporary time in an urban space. As someone from Rio, I would love to take the beach to the Hayward, but it’s impossible because it would just be a representation of

the original. I want to bring concepts instead. How timely is the festival with Brasil’s advancement on the economic stage? It’s great Brasil is rising, but the country needs a huge investment in education, and without it, we can’t really move on. But Brasil the country of the future? I don’t think we care about that. We want to be respected and recognised. In the end, a big company in Brasil is the same as one in the UK or US. Companies have their own ideas, so I can’t see how expanding in that way adds anything to the Brasilian spirit. Brasilians have a strong rational orientation from Western culture, but at the same time we have a sensual, dense, relaxing mix between African and native Brasilian. Our step is slower, our flesh is softer, we are less objective and our time is not just money.

“The festival highlights how Brasilian arts are so exciting in a variety of diverse areas. A few years ago for many people Brasil meant either football or samba and it was a rarity to see a major artist from a field other than music in London. Now we have key players in literature, design, visual arts, architecture and music showing work at a really vibrant festival. Nowadays Brasil means so much more to so many people.”

cover feature

;G>96N &+I= ?JAN

FORMED IN 1993 BY JOSÉ JUNIOR IN RIO, AFROREGGAE IS A NON-PROFIT organisation that aims to take young favela residents off the streets and away from drugs through means of music. In the face of adversity, the AfroReggae movement offers hope and leadership to young Brasilians. Its founder talks to Jungle... Your weekend of activities and performance at Festival Brazil is very interactive, is that an important element of what AfroReggae does? We live and breathe interactivity daily in Rio. We have 74 projects on the go at all times which operate with an incontrollable tenacity. Our projects are driven by a great sense of urgency and this can be found in all of the work we carry out. We operate within different social classes, using actions that reflect diverse regions, that commonly would have all reasons to hate each other and band together in favour of a more egalitarian city. What is AfroReggae’s main aim and has the organisation expanded outside of Rio? To invest in the transformation of people who are linked to crime in society. We help take people out of that world, mediate conflicts in the favelas and create a new reality for favela residents across Rio. It’s all part of the group’s DNA, which continues to

multiply and reinvent itself. We want to take AfroReggae to every Brasilian state and around the world. We have no interest in maintaining a fixed base. As AfroReggae gains more fame, is there ever a danger that some young people who join are only seeking celebrity? Some young people come to AfroReggae in the same manner that some want to join a football team, with the dream of being rich and famous. But if members of the group are seeking fame to do good, I have no problem. We generate new entrepreneurs that have all sorts of sensibilities. Brasil is becoming a bigger player on the global economic stage – will there always be a need for NGOs like AfroReggae? Today many Brasilian NGOs receive financial support from the government at local, state and federal levels. It’s funny that when we started 17 years ago, NGOs didn’t want to align themselves with the government or businesses. In terms of our future – I would very much like to say working in conflict areas or helping rehabilitate narco-traffickers won’t be necessary. It’s one of our dreams. And if one day we aren’t needed anymore, you can find me at home playing with my kids and writing books.

E>8IJG:H " :GC:HID C:ID 7N 6C6 GD?6H $$ ?DHw ?JC>DG 7N GD<:G>D G:H:C9:

JCI>A &-I= ?JA

BRAZIL! BRAZIL! 6 cdc"hide g]ni]b"Ò aaZY ^c[ZXi^djh b^m d[ XVedZ^gV! X^gXjh eZg[dgbZgh! hVbWV [ddiWVaa [ZVih# :) JYYZgWZaan! —'% jcYZg

H6I '-I= 6J<

RIO CARNIVAL SAMBA SHOW 6c ZcZg\Zi^X VcY [Zhi^kZ h]dl d[ YVcX^c\ VcY Ygjbb^c\ l^i] hVbWV h^c\Zg LVcij^g IVkVgZh# I]Z 8adgZ 7Vaagddb! .Ă„&&eb! ;G::

?JA=D '%&% ,WPING&TWOU (&

festival brazil

It’s good to sit, watch and listen to the alluring and thought-provoking array of Brasilian artistic exports on offer at this year’s festival, but shedding your apprehensive British skin for a moment and getting involved is the best way to really dive in and get a true taste. The impressive line up of free workshops, dance jams and art adventures will leave you hungering for more. Or perhaps better yet, get you to join a regular samba class!

'(G9 " '*I= ?JA

AFROREGGAE WEEKENDER ;dg dkZg &* nZVgh! 6[gdGZ\\VZ ]Vh jhZY bjh^X! YVcXZ VcY ZYjXVi^dc id igVch[dgb i]Z a^kZh d[ ndjc\ `^Yh VcY VYjaih ^c G^dÉh [VkZaVh# ;ZVijgZY ^c i]Z '%%. VlVgY"l^cc^c\ YdXjbZciVgn ;VkZaV G^h^c\ VcY `cdlc VgdjcY i]Z ldgaY [dg i]Z^g Zmeadh^kZ VcY XgZVi^kZ ZcZg\n! i]Zn VgZ ^c AdcYdc [dg V lZZ`ZcY d[ ^begdbeij eZg[dgbVcXZh VcY VXi^dc"Ò aaZY ZkZcih i]Vi ZbWgVXZ Vaa V\Zh# BV`Z ndjg dlc Ygjb VcY aZVgc ]dl id eaVn ^i! ViiZcY V YVcXZ dg X^gXjh ldg`h]de! iV`Z eVgi ^c i]Z Hdji]WVc` 8ZcigZÉh W^\\Zhi djiYddg _Vb dg iVa` VcY h]VgZ ^YZVh l^i] i]Z \gdjeÉh [djcYZg! ?dh‚ ?jc^dg# I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa VcY hjggdjcY^c\ heVXZh! Vaa YVn#

H6I &,I= ?JA

&)I= " &*I= 6J<

H6I (&HI ?JA

CAPOEIRA EXTRAVAGANZA

RECYCLING BRAZIL

SAMBA DE GAFIEIRA CLASS

HiVgi 7gVo^a 7gVo^a [daadlZY Wn [gZZ 8VedZ^gV 6c\daV ldg`h]deh i]gdj\]dji i]Z YVn aZY Wn gZcdlcZY BZhigZ 8Vga d# 8aVhhZh [gdb WZ\^ccZgh id VYkVcXZY! X]^aYgZc id VYjaih# H6I '&HI 6J<

SAMBA CELEBRATION 6c Vaa"YVn ZkZci l^i] i]Z EVgV†hd HX]dda d[ HVbWV l^i] [gZZ YVcXZ VcY eZgXjhh^dc ldg`h]deh ^che^gZY Wn i]Z G^d 8Vgc^kVa [daadlZY Wn Vc djiYddg XVgc^kVa eZg[dgbVcXZ# I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa ;Zhi^kVa G^kZgh^YZ

(' ,WPING&TWOU ?JAN '%&%

<Zi XgZVi^kZ l^i] V iZVb d[ AdcYdc" WVhZY 7gVh^a^Vc Vgi^hih Wn ZmeZg^bZci^c\ l^i] [VWg^X VcY [djcY dW_ZXih# AZkZa ' <gZZc 7ajZ h^YZh GdnVa ;Zhi^kVa =Vaa! &%Vb "&eb

I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa! &&Vb"*eb

<Zi dc ndjg YVcX^c\ h]dZh id ign dji i]^h WVaagddb YVcXZ ddo^c\ l^i] hVbWV g]ni]b iVj\]i Wn i]Z X^inÉh daYZhi hVbWV hX]dda! i]Z '+"nZVg"daY AdcYdc HX]dda d[ HVbWV# I]Z XaVhh l^aa WZ [daadlZY Wn V a^kZ eZg[dgbVcXZ [gdb iZVX]Zgh VcY bZbWZgh d[ i]Z hX]dda# I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa! '#(%Ä+#(%eb

H6I &)I= 6J<

BABY LOVES SAMBA I]Z Hdji]WVc`Éh VccjVa eVgin [dg WVW^Zh \dZh 7gVh^aZ^gd# I^cn YVcXZgh VcY i]Z^g [Vb^a^Zh VgZ ^ck^iZY id YVcXZ je V hidgb# I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa! '#(%ebÄ*#(%eb

E>8IJG:H " 6;GDG:<<6: 7N G6IĂ€D 9>C>O $$ H6B76 7N L>AA 6C9 9:C> B8>CING:

CAMINO & JUNGLEDRUMS presents

The Southbank Centre in association with JungleDrums presents a series of free Friday afternoons concerts by local Brasilians playing sounds from their homeland, and London locals playing musical odes to the country’s heritage. Here are some of our favourites:

;G> ',I= 6J<

MARACATUDO MAFUÁ Bjh^X^Vch [gdb VgdjcY i]Z ldgaY eaVn BVgVXVij! i]Z igVY^i^dcVa g]ni]b d[ i]Z cdgi]ZVhiZgc hiViZ d[ EZgcVbWjXd lZVg^c\ Xdadjgh i]Vi gZegZhZci Y^[[ZgZci dg^m{h he^g^ih ^c i]Z 6[gd"7gVh^a^Vc gZa^\^dc 8VcYdbWa # 6j\jhi '%i]! I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa! *#(%eb

;G> &+I= ?JC

;G> +I= 6J<

ALDO BRIZZI & REIS

D.VYZOR

8dbedhZg VcY egdYjXZg 6aYd 7g^oo^! l]d ]Vh lg^iiZc [dg i]Z a^`Zh d[ <^aWZgid <^a VcY 8VZiVcd KZadhd! XdbZh id\Zi]Zg l^i] dcZ d[ 7gVh^aÉh ]diiZhi cZl kd^XZh ^c V XdcXZgi [ZVijg^c\ ]^h dg^\^cVah VcY WdhhV cdkV XaVhh^Xh#

6 AdcYdc gZh^YZci h^cXZ '%%+! i]^h H d EVjad cVi^kZ VcY ijgciVWa^hi l^aa Ó ddY i]Z g^kZgh^YZ iZggVXZ ^c WZVih l^i] ]^h k^cna h`^aah Vh ]Z eaVnh Vcni]^c\ [gdb 7gVh^a^Vc gVgZ \gddkZh id WdhhV cdkV VcY daY hX]dda hVbWV#

I]Z ;gdci Gddb FjZZc :a^oVWZi] =Vaa! *#(%eb

AZkZa ' G^kZgh^YZ IZggVXZ GdnVa ;Zhi^kVa =Vaa! *#(%Ä-#(%eb

;G> &(I= 6J<

;G> ',I= 6J<

SARAVAH SOUL

ADRIANO ADEWALE TRIO

;dgbZY Wn Diid CVhXVgZaaV! HVgVkV] Hdja lVh XgZViZY id h]dlXVhZ Vc VYY^Xi^kZ hinaZ d[ +%h 7gVh^a^Vc hdja" [jc` VcY hVbWV! i]^h ]Va["7gVh^a^Vc ]Va[" 7g^i^h] \gdje ]Vh iV`Zc i]Z aZVY dc AdcYdcÉh 6[gdWZVi hXZcZ# I]Z \gdjeÉh bjX] Vci^X^eViZY hZXdcY VaWjb! 8jaijgV >bejgV! XdbZh dji i]^h bdci]# I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa! *#(%eb

EZgXjhh^dc^hi 6Yg^Vcd 6YZlVaZ VXXdbeVc^ZY Wn Ó jiZ! hVm VcY \j^iVg ZmeadgZh i]Z ldg` d[ '%i] XZcijgn 6[gd" 7gVh^a^Vc XdbedhZg E^m^c\j^c]V! V e^dcZZg ^c X]dgd! V igVY^i^dcVa 8Vg^dXV hinaZ b^m^c\ 7gVh^a^Vc bZadY^Zh l^i] ^begdk^hVi^dc# I]Z 8adgZ 7Vaagddb GdnVa ;Zhi^kVa =Vaa! *#(%eb

Funky Afro-Brazilian beats, energetic drumming and old-school ska and bossa nova in Camino’s yard. 7pm ‘til late ¡ALWAYS FREE ENTRY! Amstel jugs £5.50 for Sunday Live Sessions only 3 Varnishers Yard, Regents Quarter, King’s Cross WWW.CAMINO.UK.COM

micro civilization

the

layers of

Xh_Yai

YQTFU D[ #PFTo FG 1NKXGKTC RKEVWTG 4CVlQ &KPK\

() ,WPING&TWOU ?JAN '%&%

4 thinking minds

THE PROJECT THAT STARTED OUT LIKE CHILD’S PLAY AND CHANGED THE LIFE OF A COMMUNITY “In 1997, when I was 14, there were two paths I could’ve taken in life, but the wealth and respect promised by the world of crime appeared much more immediate. I created an alternative for myself”, recalls Cilan Oliveira, one of the founders of the social project ‘Morrinho’, in Rio de Janeiro. It was child’s play that made the dream of a new life tangible for Cilan, and for the community of the Pereira da Silva favela, more commonly known as ‘Pereirão’. “During that period my brother, Maycon Oliveira, and I began building a model of Pereirão with my father’s leftover construction materials. It wasn’t anything more than a bit of fun, to keep ourselves occupied and forget about the problems of our day-to-day lives.” This bit of fun, which attracted the participation of dozens of youngsters, developed aesthetically and took on such impressive proportions that it eventually

drew the attention of journalists and filmmakers in Rio. It was around 2001 that the ‘Morrinho’ (or ‘little hill’), as the model became known, began to earn recognition as a work of art. And it was during the same period, with the arrival of filmmakers Fabio Gavião and Markão Oliveira, that the ‘make-believe’ town manifested itself as a social project. They began to train the boys in audiovisual media, and one thing led to another. Cilan reflects: “today one of the results of project ‘Morrinho’ is TV Morrinho, which produces films, carrying out the editing and filming for the companies involved, and aims to start teaching young people from the community”. The model currently measures an impressive 300m2 and is chiefly financed by Turismo no Morrinho, the company responsible for attracting tourists to the installation. “Unfortunately people tend to see Rio as divided; between slum and city. I don’t believe this, but I think ‘Morrinho’ has

THE FAVELA ON THE SOUTHBANK

been responsible for bringing the two worlds closer”, reveals Cilan. The project, currently involving more than 20 youths, has already participated in high-profile international events, such as the Venice Biennale, in 2007. “Be it in Brasil or in any part of the world, the public reaction is always the same: everyone is impressed by it.” More important than its social role, according to its founder, is the model’s symbolism. “It’s become a place where the people of Pereirão come to escape their problems, talk and relax”, he says. In a favela, where entertainment is scarce, the installation has become a town square or community centre of sorts. “My calm moments are there, it’s like a temple to me”. ‘Morrinho’s next stop is London, for Festival Brazil. The group will run workshops and create a replica, on show for the summer, raising awareness of Brasilian culture which, according to Cilan, has and always will emanate from the favelas. ,&

I]Z AdcYdc kZgh^dc d[ i]Z ^chiVaaVi^dc l^aa WZ ]dhiZY dc i]Z GdnVa ;Zhi^kVa =VaaÉh G^kZgh^YZ IZggVXZ [gdb ?jan &+i] " HZei *i]! V XdaaVWdgVi^dc l^i] adXVa ndji]h! [jh^c\ aVcYhXVeZh [gdb AVbWZi] id AVeV# 7Zh^YZh k^h^i^c\ i]Z ldg` ndj XVc Wjn i]Z YdXjbZciVgn Bdgg^c]d/ 9Zjh HVWZ IjYd! BVh C d M". Wn Ò abbV`Zgh ;VW^d <Vk^ d ^bV\Z aZ[i VcY BVg` d Da^kZ^gV! Vi bdgg^c]d#Xdb

O PROJETO QUE COMEÇOU COMO UMA BRINCADEIRA E MUDOU A VIDA DE UMA COMUNIDADE Æ:b &..,! fjVcYd Zj i^c]V &) Vcdh! Zj edY^V hZ\j^g Yd^h XVb^c]dh cV k^YV! hZcYd fjZ jb YZaZh! d Yd Xg^bZ! egdbZi^V [dgijcV Z gZheZ^id bj^id bV^h g{e^Yd fjZ d djigd# :j Xg^Z^ jbV VaiZgcVi^kV eVgV b^bÇ! XdciV 8^aVc Da^kZ^gV! jb Ydh [jcYVYdgZh Yd egd_Zid hdX^Va ÆBdgg^c]dÇ! cd G^d YZ ?VcZ^gd# ;d^ d Æ[Vo YZ XdciVÇ fjZ idgcdj edhh kZa V eZgheZXi^kV YZ jbV cdkV k^YV eVgV 8^aVc Z idYV V Xdbjc^YVYZ YV [VkZaV EZgZ^gV YV H^akV! bV^h Xdc]ZX^YV Xdbd ÆEZgZ^g dÇ# ÆCZhhV edXV Zj Z bZj ^gb d! BVnXdc Da^kZ^gV! XdbZ Vbdh V Xdchigj^g jbV bVfjZiZ YV cdhhV [VkZaV Xdb dh gZhidh Yd bViZg^Va YZ Xdchigj d Yd bZj eV^# IjYd c d eVhhVkV YZ jb Y^kZgi^bZcid! jb _Z^id YZ cdh bVciZgbdh dXjeVYdh Z adc\Z Ydh egdWaZbVh Yd cdhhd Y^V"V"Y^VÇ# 6 Wg^cXVYZ^gV! YV fjVa YZoZcVh YZ Xg^Vc Vh eVhhVgVb V eVgi^X^eVg! [d^ \Vc]VcYd hZchd Zhi i^Xd Z idbVcYd egdedg Zh ^begZhh^dcVciZh fjZ VXVWVgVb edg X]VbVg V ViZc d YZ _dgcVa^hiVh Z X^cZVhiVh Yd G^d YZ ?VcZ^gd# ;d^! bV^h dj bZcdh Zb '%%&! fjZ d ÆBdgg^c]dÇ! Xdbd [^Xdj Xdc]ZX^YV V bVfjZiZ! XdbZ dj V hZg gZXdc]ZX^Yd Xdbd jbV dWgV YZ VgiZ# ;d^ iVbW b cZhhV edXV fjZ V Vegdm^bV d Ydh X^cZVhiVh ;VW^d <Vk^ d Z BVg` d Da^kZ^gV! [Zo Xdb fjZ d Æ[Vo YZ XdciVÇ \Vc]VhhZ Xdged YZ egd_Zid hdX^Va# :aZh XdbZ VgVb V igZ^cVg dh bZc^cdh cdh bZ^dh VjY^dk^hjV^h Z jbV Xd^hV ejmdj V djigV# Æ=d_Z jbVh YVh kZgiZciZh Yd Egd_Zid Bdgg^c]d V IK Bdgg^c]d! fjZ egdYjo [^abZh! [Vo igVWVa]d YZ ZY^ d Z [^abV\Zb eVgV ZbegZhVh ^ciZgZhhVYVh Z egZiZcYZ XdbZ Vg V Zch^cVg _dkZch YV Xdbjc^YVYZÇ! XdciV 8^aVc#

6ijVabZciZ V bVfjZiZ bZYZ ^begZhh^dcVciZh (%%b Z d egd_Zid ! Zb \gVcYZ eVgiZ! bVci^Yd [^cVcXZ^gVbZciZ eZad Ijg^hbd cd Bdgg^c]d! gZhedch{kZa edg aZkVg k^h^iVciZh Vi V ^chiVaV d# Æ>c[Za^obZciZ Vh eZhhdVh ZcmZg\Vb d G^d YZ ?VcZ^gd Xdbd jbV X^YVYZ Y^k^Y^YV/ d bdggd Z d Vh[Vaid# :j c d VXgZY^id c^hhd! bVh VX]d fjZ d Bdgg^c]d iZb h^Yd gZhedch{kZa eZaV V Vegdm^bV d YZhhZh Yd^h bjcYdhÇ! gZkZaV 8^aVc# D egd_Zid! fjZ ]d_Z XdciV Xdb bV^h YZ '% _dkZch! _{ iZkZ eVgi^X^eV Zh Zb ZkZcidh ^ciZgcVX^dcV^h YZ \gVcYZ YZhiVfjZ! Xdbd V 7^ZcVa YZ KZcZoV! Zb '%%,# Æ6 gZV d YVh eZhhdVh! hZ_V cd 7gVh^a! dj Zb fjVafjZg eVgiZ Yd bjcYd! V bZhbV/ idYd bjcYd [^XV ^begZhh^dcVYdÇ# BV^h ^bedgiVciZ fjZ d XVg{iZg hdX^Va! cd ZciVcid! d [jcYVYdg Yd Bdgg^c]d VXgZY^iV cd h^bWda^hbd edg ig{h YV bVfjZiZ# Æ:aV hZ idgcdj jb ZheV d YZ aVoZg eVgV V Xdbjc^YVYZ Yd EZgZ^g d! jb aj\Vg dcYZ Vh eZhhdVh k b eVgV [j\^g Ydh egdWaZbVh! XdckZghVg Z gZaVmVgÇ! gZkZaV# :b jbV [VkZaV! dcYZ Vh de Zh YZ ZcigZiZc^bZcid h d fjVhZ ^cZm^hiZciZh! V bVfjZiZ hZ idgcdj jbV Zhe X^Z YZ egV V! jb XZcigd YZ Xdck^k cX^V# Æ6 b^c]V eVgiZ XVabV Zhi{ cd bdgg^c]d! ZaZ jbV Zhe X^Z YZ iZbead eVgV b^bÇ# 6 eg m^bV eVgVYV Yd Bdgg^c]d hZg{ Zb AdcYgZh! cd 7gVo^a ;Zhi^kVa# JbV eVgiZ Yd \gjed ^g{ b^c^higVg d[^X^cVh Z Zg\jZg jbV g ea^XV YV bVfjZiZ! fjZ [^XVg{ Zb Zmedh^ d Vi * YZ hZiZbWgd! Xdbd eVgiZ YV ^YZ^V YZ gZkZaVg eVgV d bjcYd V XjaijgV WgVh^aZ^gV fjZ! hZ\jcYd 8^gaVc! [d^ Z hZbegZ hZg{ dg^\^c{g^V YVh [VkZaVh# ,&

?JA=D '%&% ,WPING&TWOU (*

The UK’s most frequent flyer to 69 flights weekly to 9 destinations With more destinations, flights and superior baggage allowances, TAP Portugal is your first choice airline to Brazil. We have very attractive Business and Economy Class fares to all destinations. Our through check-in at Heathrow and Gatwick takes care of baggage and seat selection for your entire journey - allowing you to enjoy our seamless award winning service.

& $%$' ) &)! $'

!$0 $& ,$#( & '.! $&( ! , ( ! $0 0 # &$ !* $& -$0 )!$0 0 ) &)! $' -$0 )!$0 0 & $%$'

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

Flights weekly

Return fares from

/ / /

/

/

/ / / /

## &0 0 $&! 1'0 # 0 &! # 0($0 $)( 0 " & 0

o Brazil

Executive class Choice of 3 entrées 180º Seat recline Video on demand Laptop powerpoint

Economy class Choice of entrées Video and audio Extendable footrests 2 x 23kg baggage allowance

!+( % $"

CIGPFC EJGEM QWV QWT EQORNGVG CPF WRFCVGF NKUVKPIU CV LWPINGFTWOUQPNKPG EQO

E6GIN

8DC8:GI

96C8:

9:H><C

;>AB

;:HI>K6A

:M=>7>I>DC

I=:6IG:

7B9F until 11th august A;6 '%&%/ HL6GB>C< ;JIJG:H EVgi d[ i]Z AdcYdc ;Zhi^kVa d[ 6gX]^iZXijgZ! h]dlXVhZ^c\ Xjii^c\"ZY\Z XdciZbedgVgn 7gVh^a^Vc VgX]^iZXijgZ! ^c eVgi add`^c\ idlVgYh i]Z '%&) LdgaY 8je VcY '%&+ Danbe^X <VbZh# ;G:: <VaaZgn ('! (' <gZZc HigZZi Ä L&@ ,6I <6AA:GN('#DG<#J@ ™ %'% ,(.. .''-

16th – 18th | july

25th |sunday

H=DG:9>I8= ;:HI>K6A

?9ÉH HJBB:G HJC96N H:HH>DCH

L^i] V Wjghi d[ bjh^X! YVcXZ! ldg`h]deh VcY a^iZgVijgZ! i]Z [Zhi^kVa WdVhih 7dbWV :hiZgZd! JgWVc G^ijVa 8VedZ^gV! VcY \Zih \d^c\ dc HVijgYVn l^i] Adh 8]^X]Zh VcY 8]dX Fj^W Idlc#

I]Z hZXdcY d[ [djg bdci]an ?9 bjh^X ZkZcih ^c 8Vb^cdÉh XdjginVgY! l^i] i]Z 6[gd"7gVh^a^Vc WVcY VcY igdde d[ YVcXZgh [gdb EZgcVbWjXd! BVgVXVijYd BV[j{! [daadlZY je l^i] ijcZh [gdb 9? 9#Knodg#

;g^ +eb".#(%eb0 HVi$Hjc &eb",eb! ;G:: H]dgZY^iX] EVg` Ă„ C& +I6

,eb! ;G:: 8Vb^cd! I]Z GZ\ZciZ FjVgiZg Ă„ C& .6;

H=DG:9>I8=;:HI>K6A#DG<#J@ ™ %'% ,%(( -*'%

86B>CD#J@#8DB ™ %'% ,-)& ,((&

16th july – 7th aug

28th |wednesday

=DI:A B:9:6

=:>9> KD<:A 5 KDGI:M

6 jc^fjZ ^ciZgVXi^kZ cdXijgcVa i]ZVig^XVa ZmeZg^ZcXZ! hZi dc V WdVi! l^i] V fjVh^"gZa^\^djh g^ijVa! V eVgi^X^eVidgn XVWVgZi h]dl! a^kZ k^YZd iZX]cdad\n! ]di X]dXdaViZ VcY V hdjcYigVX` Wn 9? 9dadgZh#

KdXVa^hi d[ i]Z 8^cZbVi^X DgX]ZhigV! =Z^Y^ Vadc\h^YZ >kd CZVbZ! H]VcZ ;dgWZh heZX^Va \jZhih l^aa WZ eaVn^c\ dg^\^cVa bViZg^Va VcY hdbZ WZVji^[ja 7gVh^a^Vc hdc\h VcY hiVcYVgYh#

;g^ HVi! &&eb Ä *#(%Vb! —&&"—'-#*% Ig^c^in 7jdn L]Vg[! D'! F:>> e^Zg 6G8DA6I=:6IG:#8DB ™ %'% ,*%( &+)+

30th | friday

HED@;G:KD DGFJ:HIG6

HJC 76>A6CI:/ B? HE:8>6A

I]Z ''"e^ZXZ W^\ WVcY [gdb GZX^[Z YVooaZ l^i] i]Z^g ^c[ZXi^djh [gZkd VggVc\ZbZcih V `^cY d[ hjeZg"X]Vg\ZY Eda`V ! [jaa d[ igjbeZih! e^XXdadh! XaVg^cZih! igdbWdcZh VcY hVmde]dcZh#

6 ig^WjiZ l^i] V igde^XVa il^hi! aZVgc hdbZ I]g^aaZg bdkZh VcY Zc_dn B^X]VZa ?VX`hdc igVX`h Vadc\h^YZ HVahV! BZgZc\jZ! GZ\\VZidc! GZ\\VZ 9VcXZ]Vaa! AVi^c =djhZ VcY 6[gd"hdjcYh

GDCC>:H8DIIH#8D#J@ ™ %'% ,)(. %,),

until 5 sept ;:HI>K6A 7G6O>A I]Z hjbbZg"adc\ XZaZWgVi^dc d[ 7gVh^a [ZVijgZh i]Z a^`Zh d[ <^aWZgid <^a! :gcZhid CZid! Idb O‚! Dh BjiVciZh! BVg^V 7Zi]}c^V VWdkZ VcY HdXgViZh! l^i] bjh^X! Vgih! YVcXZ! a^iZgVijgZ VcY igVY^i^dcVa Xj^h^cZ# KVg^djh YViZh! adXVi^dch eg^XZh Hdji]WVc` 8ZcigZ kZcjZh! 7ZakZYZgZ GdVY " H:& -MM HDJI=76C@8:CIG:#8D#J@ ™ %-)) -,* %%,(

15 | thursday th

I=: LDGA9 ;JC 8JE BVg`^c\ ild nZVgh d[ 7gVo^a^Va^in! i]^h [jcYgV^h^c\ eVgin l^i] i]Z 678 Igjhi ^h Vahd egdbdi^c\ ;Zhi^c]d! l^i] bjh^X [gdb =ZVi]Zg BX8aZaa VcY CViZbV! YVcXZ! Ă’ab VcY V `ZZen jeh XdbeZi^i^dc#

-eb id (Vb! —, VYk $ —. V[iZg &%eb >ha^c\idc BZiVa Ldg`h! , IdggZch HigZZi " :8&K HJC76>A6CI:#8DB

24th | saturday

31st | saturday

E>C< 7G6O>A

;>:A9 96N ;:HI>K6A

L^i] a^kZ bjh^X [gdb BVgVXVij BV[j{! XVedZ^gV ldg`h]deh! hVbWV XaVhhZh VcY 9?h! i]^h b^c^ [Zhi^kVa aVnh Ydlc i]Z X]VaaZc\Z d[ eaVn^c\ e^c\ edc\ l]^ahi VchlZg^c\ fjZhi^dch VWdji 7gVh^a

I]Z ldcYZg[ja YVn [Zhi^kVa ZkZci Wg^c\h id\Zi]Zg cd ZcY d[ bjh^XVa iVaZci! l^i] i]Z a^`Zh d[ <^aaZh EZiZghdc! 8Vg^Wdj VcY <gj[[ G]nh Kh 7gVh^a^Vc IK$K8G gZeV^g bVc Idcn YV <VidggV#

'eb jci^a aViZ! ;G:: <^aaZii HfjVgZ! 9Vahidc " C&+ -?C

&&#(%Vb Ä &%#(%eb! —((#(( W[ K^Xidg^V EVg`! <gdkZ GdVY Ä :(

<>AA:IIHFJ6G:#DG<#J@

;>:A996N;:HI>K6AH#8DB

24th | saturday

31st | saturday

+%M+% 96C8: ADC9DC

7G6O>A>6C 96N '%&%

6 dcZ"]djg eZg[dgbVcXZ l^i] YVcXZ VcY ZaZXigdc^X bjh^X0 ZkZgn b^cjiZ WZVg^c\ V cZl XdbedhZg X]dgZd\gVe]Zg! l^i] Xdcig^Wji^dc [gdb 7gVh^a^Vc YVcXZg :kZgVaYd EZgZ^gV#

I]Z 'cY ZY^i^dc d[ i]Z aVg\Zhi 7gVh^a^Vc [Zh^ikVa ^c :jgdeZ ^h hZi id hiV\Z i]Z a^`Zh d[ ;jcYd YZ Fj^ciVa! HZg\^c]d <gd^hbVc! 8‚hVg BZcdii^ ;VW^Vcd! K^kZcYd Yd âX^d VcY <gddkZ cÉ 7dhhV#

+eb " &Vb! —) ;VkZaV 8]^X! .&".( <gZVi :VhiZgc Hi " :8' (=O

(eb -eb! —iWX HigVi[dgY 8^gXjh! I]ZVigZ HfjVgZ Ä :&* &7M

;6K:A68=>8#8DB ™ %'% ,+&( *''-

HIG6I;DG9"8>G8JH#8DB ™ %-)) (*, '+'*

15th | thursday

24th | saturday

8wJ 7DB76 :HIwG:D

H6G6K6= HDJA 6A7JB A6JC8=

I]Z h^c\Zg l]d YZWjiZY Vi ?9Éh W^gi]YVn ^c CdkZbWZg É%. ^h WVX` [dg V c^\]i d[ hVbWV"[jc`! gZ\\VZ! WdhhV! XjbW^V VcY YVcXZ bjh^X! Vh eVgi d[ 7VgW^XVcÉh 7aVoZ hjbbZg hZg^Zh#

I]Z 7g^i"7gVh^a^Vc djiĂ’i XZaZWgViZ i]Z aVjcX] d[ i]Z^g hZXdcY VaWjb! 8jaijgV >bejgV dji dc Igj I]dj\]ih ! l^i] 6[gd"7gVh^a^Vc [jc` VcY hdja aZY Wn [gdcibVc Diid CVhXVgZaaV#

-eb! —&%"&* =VX`cZn :be^gZ! BVgZ Hi " :- &:?

.eb! —&% $ —&* l^i] 89 EVhh^c\ 8adjYh! & G^X]bdcY GdVY " :- )66

76G7>86C#DG<#J@ ™ %'% -.-* ')')

E6HH>C<8ADJ9H#DG< ™ %,.*& .-.-.,

(- ,WPING&TWOU ?JAN '%&%

KDGI:M?6OO#8D#J@ ™ %'% ,'*) )%.,

20th & 21st | july

+eb! —'% " —(,#*% Gdcc^Z HXdiiÉh ?Voo 8ajW! ), ;g^i] Hi " L&9 )=I

th

-#(%eb! —I]Z KdgiZm! && <^aaZii Hf " C&+ -6O

&%Vb Ä .eb! ;G:: I]Z D'! EZc^chjaVg HfjVgZ Ä H:&% %77 7G6O>A>6C96NADC9DC#8DB ™ %-)) -*+ %'%'

july 31st – aug 1st 8GDN9DC HJBB:G ;:HI>K6A 6 lZZ`ZcY d[ [gZZ bjh^X ZciZgiV^cbZci! l^i] i]Z AVi^c il^hih d[ EZndi^ [dg EgZh^YZci! Adh 8]^cX]Zh VcY 9? 8Va ?VYZg! eajh V <adWVa BVg`Zi! higZZi i]ZVigZ VcY V [jc [V^g# &eb"-#(%eb! ;G:: AadnY EVg`! 8ddbWZ GdVY! 8gdnYdc Ä 8G% *G9 8GDN9DCHJBB:G;:HI>K6A#DG<

E>8IJG: 7N :A>H6 G6BDH B6>DG

HEDCHDG:9 7N

D2289F

.B4B@A 1 | sunday

every monday

86GC6K6A 9:A EJ:7AD

;DGGรข 9D 8D8D

;jc! [ddY VcY bjh^X! l^i] BZm^XVc! 7da^k^Vc VcY 7gVo^a^Vc HiV\Zh! l^i] BVgVXVij :higZaV! OZj 6oZkZYd! Ig^Wd! 6Yg^Vcd Ig^cYVYZ VcY AZVcYgV KVgVcYV#

HiVgi i]Z lZZ` ^c \gZVi hinaZ VcY YVcX^c\ id i]Z ijcZh d[ i]^h ine^XVa 7gVh^a^Vc YVcXZ# 7ZZgh VgZ ย &#*% VcY 8V^e^g^c]Vh VgZ ย ( Vaa c^\]i#

st

&%Vb ร &%eb! ;G:: 7jg\Zhh EVg`! 8]jbaZ^\] HigZZi ร H:* 86GC6K6A9:AEJ:7AD#8D#J@ ย %'% ,.'- )',,

4 wednesday th

FJ>8@;A>8@ LDGA9/ ;:I>H= BV`Z V &-%hZX ร ab id i]Z i]ZbZ d[ ร ;Zi^h]ร Wn ?jan (%i] id h]VgZ Vi i]^h hXgZZc^c\ eVgin! l^i] eg^oZh dc d[[Zg VcY i]Z X]VcXZ d[ ^ciZgcVi^dcVa ZmedhjgZ# ,eb! ย iWX I]Z Gdmn 7Vg VcY HXgZZc! 7dgdj\] ร H:& &A7 FJ>8@";A>8@#IK

5 -8 | august th

th

7>< 8=>AA ;:HI>K6A DcZ d[ ?9ร h [Vkdjg^iZh! hZi ^c i]Z e^XijgZhfjZ \gdjcYh d[ :Vhicdg ^c =ZgZ[dgYh]^gZ! '%&%ร h ZY^i^dc WdVhih B#>#6#! 7ZWZa <^aWZgid! BVhh^kZ 6iiVX` I]db Ndg`Z# ย &** W[ :Vhicdg 8VhiaZ 9ZZg EVg`! =ZgZ[dgYh]^gZ LLL#7><8=>AA#C:I ย %-)) --- ))&&

+eb! ;G:: 8dXd 7VbWdd! )- 8]Va` ;Vgb GdVY " CL& -6? 8D8D76B7DD#8D#J@ ย %'% ,'+, ++&(

every 1st tuesday H6B76 9: <6;>:>G6 96C8: 8A6HH Dc i]Z ร ghi IjZhYVn d[ ZkZgn bdci] XdbZ Ydlc VcY X]ZX` dji i]Z a^kZ WViZg^V VcY _d^c ^c l^i] i]Z HVbWV YZ GdYV XaVhhZh# ,#(%eb! dcZ XaVhh ย +0 ild XaVhhZh ย .( ;ZZi :Vhi! &*% 7g^X` AVcZ " :& +FA .(;::I:6HI#8D#J@ ย %,.), )&% -*(

every tuesday >E6C:B6 H:HH>DCH ;ZVijg^c\ bjh^X [gdb 7gVh^a^Vc _Voo! BE7! WdhhV cdkV! X]dgd VcY ZkZc gddihn hVbWV"gdX`# Hde]^hi^XViZY! \ddY fjVa^in bjh^X# *eb! ;G:: <jVcVWVgV! EVg`Zg HigZZi " L8'7 *EL <J6C676G6#8D#J@ ย %'% ,')' -+%%

every tuesday A>K: BJH>8 8]ZX` dji i]Z WZhi VcY bdhi ^ccdkVi^kZ a^kZ VXih [gdb Vaa dkZg i]Z ldgaY# <jZhi 9? <adWVa b^m^c\ jci^a &Vb#

every thursday 76A696 L>I= 9? A>Bร D 5 <J6C676G6 9? YjZah Vh gZh^YZci A^b d YdZh WViiaZ l^i] Vcdi]Zg 9? ZVX] lZZ`! l^i] V a^kZ VXi! [gZZ hVbWV gdX` aZhhdch VcY XVedZ^gV [gdb <gjed 8dgY d YZ Djgd# ย * V[iZg .eb " -i]! &*i]! ''cY! '.i] 6eg^a <jVcVWVgV! EVg`Zg HigZZi ร L8'7 *EL <J6C676G6#8D#J@ ย %'% ,')' -+%%

every friday E:G8JHH>DC LDG@H=DEH ?6BB I>B: CZl kZcjZ ^c 8VbYZc [dg adkZgh d[ a^kZ bjh^X VcY eZg[dgbVcXZ! l^i] eZgXjhh^dc ldg`h]deh [dg Vaa aZkZah [daadlZY Wn ?6BB I>B: Vi -#(%eb# ,eb! ย * $ ย &% ldg`h]de I]Z G]ni]b 8V[ย ! Jc^i +*! HiVWaZh BVg`Zi " CL& I=:G=NI=B86;:#8DB ย %,,(. -), +.%

every saturday 7G6H>A>6C 77F 6C9 96C8: A^kZ hVbWV [gdb ร Hd @Zb :]ร [gdb +eb " b^Yc^\]i! VcY V 7gVh^a^Vc hinaZ 77F [gdb (eb Vi I]Z Cdgi] EdaZ (eb " &'Vb I]Z Cdgi] EdaZ! Cdgi] EdaZ GdVY " L&% I=:CDGI="EDA:#8D#J@ ย %'% ,+'- -.,

every sunday GDDIB6HI:G 5 =DDI6C6CCNร H NZi Vcdi]Zg gZVhdc id kZcijgZ Hdji] d[ i]Z g^kZg! 7g^midcร h XddaZhi XajW ]dhih V [gZZ lZZ`an hZhh^dc ZVX] HjcYVn l^i] hdbZ VlZhdbZ LdgaY! AVi^c VcY 6[gd WZVih VcY a^kZ bjh^X# +eb " &Vb! a^kZ VXih -eb! ;G:: .* :[[gV GdVY! 7g^midc " HL' =DDI6C6CCN7G>MIDC#8D#J@

-eb! ;G:: Bdbd @Zb^V 7Vg! '* =ZYYdc HigZZi " L&

0ยก=<ยขV?ยก

BNHE68:#8DB$A>K:6IBDBD

6 | friday th

7:7:A <>A7:GID 5 @D@D I]Z ndjc\ h^c\Zg! l]dhZ hinaZ [jhZh WdhhV cdkV! hVbWV VcY 7gVh^a^Vc _Voo! [daadlh ^c i]Z [ddihiZeh d[ ]Zg [Vi]Zg! ?d d <^aWZgid! VcY ^h WVX` ^c AdcYdc# Yddgh ,eb! ย ''#*% @d`d! &6 8VbYZc =^\] HigZZi ร CL& ,?: @D@D#J@#8DB ย %-)) -), ''*-

8th | sunday 6C6 86GDA>C6 A>K: I]^h! ]Zg YZWji ^c AdcYdc! 6cVร h \di V jc^fjZ kd^XZ! Y^hi^cXi^kZ hinaZ dc \j^iVg VcY Vc dg^\^cVa gZeZgid^gZ! Wg^c\^c\ ]Zg [Vch VcY gZXd\c^i^dc ldgaYl^YZ# 9ddgh ,eb0 hiV\Z .eb! ย '* W[ D' H]Ze]ZgYร h 7jh] :be^gZ " L&' -II D'H=:E=:G9H7JH=:BE>G:#8D#J@ ย %-)) ),, '%%%

every wednesday H6B76 8>IN 8Ve^iVa Yd HVbWV eaVn^c\ gddihn hVbWV VcY 8]^Xd 8]V\Vh <Vร Z^gV 7gVh^a eaVn^c\ YVcXZ]Vaa hVbWV# ย * V[iZg .eb <jVcVWVgV! EVg`Zg HigZZi ร L8'7 *EL <J6C676G6#8D#J@ ย %'% ,')' -+%%

every thursday HDGG>HD 7G6H>A >chigjbZciVa^hi VcY XdbedhZg @Vl GZ\^h aZVYh ]^h ig^d eaVn^c\ i]Z WZhi d[ BE7 7gVh^a^Vc ede Vi AdcYdcร h egZb^Zg _Voo kZcjZ# +eb! ;G:: WZ[dgZ .eb Gdcc^Zร h 7Vg! ), ;g^i] HigZZi " L&9 )=I GDCC>:H8DIIH#8D#J@ ย %'% ,)(. %,),

I]Z WZadkZY YVcXZ$hedgi Xdch^YZgZY Vc Vgi [dgb Wn bVcn! XgdhhZY i]Z dXZVc VcY idYVn ^h eZg[dgbZY ^c i]Z J@ Wn hdbZ d[ i]Z WZhi 7gVh^a^Vc ร bZhigZhร VgdjcY# 6hhdX^Vi^dc d[ 8VedZ^gV 6#8#:#G# " Egd[Zhhdg GdYg^\d %,%*% %,(,(, egd[#gdYg^\d5VXZg"j`#Xdb

8dgY d YZ Djgd 8Vhfj^c]V $ EdcX^Vc^c]d %,,+* %&-&.& XYda#Xd#j`

@VWjaV BZhigZ 8Vga d %,.&( ..()*( ย `VWjaV#dg\

<gjed 6mย 8VedZ^gV BVgXjh 8VWZย V %,.(& ,,%&*( VmZXVXVedZ^gVj`#Xdb

6WVYV 8VedZ^gV BVc_Zg^Xd ย %,.), +%-()) VWVYV"j`#Xdb :Vhi AdcYdc 8VedZ^gV H^bdc 6i`^chdc %,,,. %(&',( XVedZ^gV"Vc\daV#Xd#j`

05208 :<?2 <;96;2

8VedZ^gV BjoZcoV J@ BVYZ^gV ย %,-*% )%(''& bVYZ^gV#bjoZcoV5\bV^a#Xdb 8VedZ^gV 6c\daV AdcYdc IdXV ย %,.%) %,*(+( XVedZ^gVadcYdc5 ]dibV^a#Xd#j`

?JC<A:9GJBH#DG<

?JA=D '%&% ,WPING&TWOU (.

Oscar Guardiola-Rivera

banging

I=: A6I>C 9GJB

YQTFU D[ ,WNKCPQ <CRRKC RKEVWTGU D[ $TWPQ (KIWGKTGFQ

)% ,WPING&TWOU ?JAN '%&%

interview

OSCAR GUARDIOLA-RIVERA’S BOOK WHAT IF LATIN AMERICA RULED THE WORLD? DEPICTS A FASCINATING NEW ALTERNATIVE AWAY FROM THE PRAGMATISM OF THE EUROPEAN MODEL Oscar Guardiola-Rivera is a man with big ideas. According to him the geography of the Amazon is the direct result of mankind. If the subject turns to football, he likes to provoke by saying that the sport was not invented by the English. These and other thoughts are what comprise his new book, an epic read with almost 500 pages which has just been released in the UK, an exploration of the growth in the importance of Latin America on the international scene. Oscar met Jungle at the top of the Hayward Gallery, where the artist (and friend of Oscar) Ernesto Neto has new work on show as part of Festival Brazil, promoted by the Southbank Centre. “This exhibition is yet more proof of this Latin invasion which is taking shape”, he says. Were you supporting Brasil this world cup? (Laughs) Absolutely! Sócrates (the football player) says that the way a country plays football shows the spirit of the country, and I’ve always thought that makes sense - if you look at England, for example, it’s a lot of millionaires who are very difficult to manage; they’re very good individually but can’t play together. There’s also this doom and gloom which accompanies the entire country. Then there’s this story happening in the current world cup, where every country is playing with confidence, gusto, renewed strength and imagination - and it’s

expanding further than football, to politics, economics - and obviously Brasil is the best example. Is it just a coincidence that everything’s started happening recently? What is happening over there is no coincidence - this is the story I’m telling in my book. There is growing recognition of the importance of Latin America on the world stage.

IN 2040 THE USA WILL BECOME THE ‘LATINO STATES OF AMERICA’... The most important thing here in England is the growing Latino community. Last year there was a demographic map published of London that showed huge Latino populations, mainly Brasilians and Colombians. It’s difficult to tell how many of us are here but the estimate is 150,000200,000. There is a parallel with the USA, where last year’s census said that 10-15 states now have a Latin majority, with an estimate that by 2040 (when Brasil is set to become the 4th largest economy in the world), the USA will become the ‘Latino States of America’. While everybody is

looking at China, I believe the real story is happening in the Americas – this is just the tip of the iceberg. With immigration difficulties here and growing opportunities in Latin America, a lot of immigrants are now beginning to head back to their native Latin countries. London received Latinos for around ten years, and it seems like this friendship is ending… Absolutely. The Latinos who came here over the last few generations were escaping political dangers, as well as those searching for economical opportunities. The more recent waves of immigration are people from different sectors of Latin Societies – because people in Latin America are acquiring more means to consume and are spending more and paying for better educations. There is a professional class migrating to Britain not necessarily because they want a better economic future but because they’d like a different way of life - a wider, cosmopolitan experience. Europe is the best place to be if you are a writer, an engineer, a designer, an artist; all kinds of work emerge out of diversity. And there is a second factor: our common history. It’s sad to see a regression to such strict terms on immigration here in Europe – it’s regressive in terms of economics and culture and also completely unrealistic. It cannot respond to the economic reality and needs or to the age problem Europe faces. As the

CD A>KGD L=6I >; A6I>C 6B:G>86 GJAA:9 I=: LDGA94! DH86G <J6G9>DA6"G>K:G6 IG6I6 9: JB ;6H8>C6CI: ;JIJGD :B FJ: DH E6ÞH:H A6I>CDH! EG>C8>E6AB:CI: D 7G6H>A! A>9:G6B D 86B>C=D DhXVg <jVgY^daV"G^kZgV jb ]dbZb YZ \gVcYZh ^YZ^Vh# HZ\jcYd ZaZ! V \Zd\gVÒ V YV 6bVodc^V d gZhjaiVYd YV V d Y^gZiV Yd ]dbZb# HZ d Vhhjcid [dg [jiZWda! \dhiV YZ egdkdXVg Y^oZcYd fjZ d ZhedgiZ c d [d^ ^ckZciVYd eZadh ^c\aZhZh# :hhZh Z djigdh eZchVbZcidh Xdbe Zb hZj cdkd a^kgd! jb idbd YZ fjVhZ *%% e{\^cVh fjZ VXVWV YZ hZg aVc VYd cd GZ^cd Jc^Yd Z igViV Yd VjbZcid YV ^bedgi}cX^V YV 6b g^XV AVi^cV cd XZc{g^d ^ciZgcVX^dcVa# DhXVg ZcXdcigdj V ?jc\aZ cd ided YV =VnlVgY <VaaZgn! dcYZ d Vgi^hiV Z Vb^\d YZ DhXVg :gcZhid CZid Zme Z cdkdh igVWVa]dh! eVgiZ Yd ;Zhi^kVa 7gVo^a! egdbdk^Yd eZad Hdji]WVc`# Æ:hhV Zm^W^ d bV^h jbV egdkV YZhhV ^ckVh d aVi^cV fjZ Zhi{ idbVcYd [dgbVÇ! Y^o# KdX idgXZj eVgV d 7gVh^a cZhhV 8deV4 G^hdh 6WhdajiVbZciZ d _d\VYdg H XgViZh [VaV fjZ V bVcZ^gV YZ _d\Vg WdaV bdhigV d Zhe g^id YZ jb eV h! Z Zj hZbegZ VX]Z^ fjZ [Vo^V hZci^Yd

" kZ_V V >c\aViZggV edg ZmZbead! h d b^a^dc{g^dh bj^id Y^[ XZ^h YZ VYb^c^higVg! h d bj^id Wdch ^cY^k^YjVabZciZ bVh c d XdchZ\jZb _d\Vg _jcidh# IVbW b iZb ZhhZ eZhh^b^hbd fjZ VXdbeVc]V d eV h ^ciZ^gd# :ci d Zm^hiZ ZhhV ]^hi g^V VXdciZXZcYd cV XdeV VijVa! dcYZ XVYV eV h ZhiV _d\VcYd Xdb XdcÒ Vc V! \dhid! [dg V gZcdkVYV Z ^bV\^cV d " Z Zhi{ ZmeVcY^cYd Va b Yd [jiZWda! eVgV V eda i^XV! ZXdcdb^V " Z dWk^VbZciZ d 7gVh^a d bZa]dg ZmZbead# w VeZcVh Xd^cX^Y cX^V fjZ ijYd ^hhd XdbZ dj V VXdciZXZg gZXZciZbZciZ4 D fjZ Zhi{ VXdciZXZcYd a{ cd 7gVh^a c d cZc]jbV Xd^cX^Y cX^V " ZhhV V ]^hi g^V fjZ Zhidj XdciVcYd Zb bZj a^kgd# :m^hiZ jb gZXdc]ZX^bZcid XgZhXZciZ YV ^bedgi}cX^V YV 6b g^XV AVi^cV cd eVaXd bjcY^Va# 6 Xd^hV bV^h ^bedgiVciZ Vfj^ cV >c\aViZggV d XgZhX^bZcid YV Xdbjc^YVYZ aVi^cV# 6cd eVhhVYd [d^ ejWa^XVYd jb bVeV YZbd\g{Ò Xd YZ AdcYgZh fjZ ?JA=D '%&% ,WPING&TWOU )&

Oscar Guardiola-Rivera world globalises there needs to be a greater sense of empathy with other areas, for future generations to help deal with larger global issues such as climate change or the financial crisis. You mention a lot the indigenous spirit of Latin America. Brasil is not so much an indigenous country and the positivity towards the native people isn’t strong... Any Brasilian who’s grown up in an urban centre would have heard negativity towards indigenous people. As my generation is reaching its late 30’s, we remember thinking these things, maybe saying them, in the past - but now we see the value of this

inheritance to larger issues where there doesn’t seem to be a modern solution climate change for example, where our heritage and indigenous lifestyles can be a positive thing. What was the impact of Brasil’s involvement in the Tehran Declaration? The week before the 2009 Copenhagen summit, Lula managed to get away saying that the causes of the climate crisis came from somebody with blonde hair and blue eyes, and the media over here actually responded to that by saying ‘well… I guess you’re right actually’. The point is that Brasil’s soft power is being recognised -

bdhigdj edejaV Zh aVi^cVh ZcdgbZh! 7gVh^aZ^gdh Z 8dadbW^Vcdh Zb hjV bV^dg^V# w Y^[ X^a Y^oZg fjVcidh YZ c h Zhi d Vfj^ bVh Zhi^bV"hZ ZcigZ &*%!%%%"'%%!%%%# :m^hiZ jb eVgVaZad Xdb dh :J60 dcYZ! hZ\jcYd d XZchd Yd Vcd eVhhVYd! YZ &% V &* ZhiVYdh VbZg^XVcdh iZb jbV bV^dg^V aVi^cV# 6a b Y^hhd! d XZchd VedciV fjZ Vi '%)% fjVcYd d 7gVh^a hZ idgcVg{ V fjVgiV bV^dg ZXdcdb^V cd bjcYd dh :J6 hZg{ dh Æ:hiVYdh AVi^cdh YV 6b g^XVÇ# :cfjVcid idYd bjcYd Zhi{ YZ da]d cV 8]^cV! Zj VXgZY^id fjZ V ]^hi g^V gZVa Zhi{ VXdciZXZcYd cVh 6b g^XVh " ^hhd VeZcVh V edciV Yd ^XZWZg\# 8db Vh Y^Ò XjaYVYZh YZ ^b^\gV d Vfj^ Z d XgZhX^bZcid YZ dedgijc^YVYZh cV 6b g^XV AVi^cV! bj^idh ^b^\gVciZh Zhi d XdbZ VcYd V kdaiVg eVgV hZjh eV hZh aVi^cdh cVi^kdh# AdcYgZh gZXZWZj aVi^cdh edg Zb idgcd YZ &% Vcdh! Z eVgZXZ fjZ ZhhV Vb^oVYZ Zhi{ VXVWVcYd### 6WhdajiVbZciZ# Dh aVi^cdh fjZ k^ZgVb eVgV X{ YjgVciZ Vh ai^bVh \ZgV Zh ZhiVkVb ZhXVeVcYd YZ eZg^\dh eda i^Xdh! dj ZhiVkVb | egdXjgV YZ dedgijc^YVYZh ZXdc b^XVh# 6h dcYVh bV^h gZXZciZh YZ ^b^\gV d h d eZhhdVh YZ hZidgZh Y^[ZgZciZh cVh hdX^ZYVYZh aVi^cVh " EdgfjZ d edkd aVi^cd VbZg^XVcd Zhi{ VYfj^g^cYd bVcZ^gVh YZ Xdchjbd! Zhi{ \VhiVcYd bV^h Z eV\VcYd edg jbV ZYjXV d bZa]dg# :m^hiZ jbV XaVhhZ egdÒ hh^dcVa )' ,WPING&TWOU ?JAN '%&%

the Tehran declaration [on nuclear weapons] brokered by Brasil and Turkey is historical. It proves that the seemingly large powers were unable to get Iran to sit at the table. Certainly, it shows a level of maturity to assert yourself and start to lead rather than follow. Now people are saying something completely different - ‘we are no longer accepting losing, we are winning…’ And this is the reason Latin America will rule the world; it has a better proposal to make to others and it is ready to meet those others to discuss that proposal, it will not force that on anybody. Our soft power is not as soft as it seems, it comes backed with

b^\gVcYd eVgV d GZ^cd Jc^Yd " c d cZXZhhVg^VbZciZ edgfjZ ZaZh fjZgZb jb [jijgd ZXdc b^Xd bZa]dg! bVh edgfjZ ZaZh fjZgZb jb Zhi^ad YZ k^YV Y^[ZgZciZ " jbV ZmeZg^ cX^V bV^h VbeaV Z Xdhbdeda^iV# 6 :jgdeV d bZa]dg aj\Vg hZ kdX jb ZhXg^idg! Zc\Zc]Z^gd! YZh^\cZg! jb Vgi^hiV0 idYdh dh i^edh YZ igVWVa]d ZbZg\Zb YV Y^kZgh^YVYZ# : iZb djigd [Vidg/ cdhhV ]^hi g^V Xdbjb# w ig^hiZ kZg V ^b^\gV d Vfj^ cV :jgdeV gZ\gZY^g V iZgbdh i d gZhig^idh " Z gZ\gZhh^kd Zb iZgbdh ZXdc b^Xdh Z XjaijgV^h " Z iVbW b XdbeaZiVbZciZ ^ggZVa^hiV# C d gZhedcYZ | gZVa^YVYZ Z cZXZhh^YVYZ ZXdc b^XV dj d egdWaZbV YZ ^YVYZ fjZ V :jgdeV ZcXVgV# :cfjVcid d bjcYd hZ \adWVa^oV! egZX^hV"hZ YZ jb hZchd YZ ZbeVi^V bV^dg eVgV Xdb djigVh {gZVh! eVgV fjZ \ZgV Zh [jijgVh edhhVb a^YVg Xdb fjZhi Zh \adWV^h bV^dgZh Xdbd d VfjZX^bZcid \adWVa dj Xg^hZh Ò cVcXZ^gVh# KdX bZcX^dcV WVhiVciZ d Zhe g^id ^cY \ZcV YV 6b g^XV AVi^cV# D 7gVh^a c d iVcid jb eV h ^cY \ZcV Z V edh^i^k^YVYZ eVgV Xdb d edkd cVi^kd c d i d [dgiZ! bZhbd Xdb AjaV# KdX k d 7gVh^a hZ idgcVcYd bV^h :jgdeZj edg XVjhV Y^hhd4 FjVafjZg WgVh^aZ^gd XgZhX^Yd Zb jb XZcigd jgWVcd djk^g^V cZ\Vi^k^hbd eVgV Xdb d edkd ^cY \ZcV# B^c]V \ZgV d! fjZ Zhi{ X]Z\VcYd Vd Ò b Ydh (%! iZb ZhhZh eZchVbZcidh! jbV Xd^hV fjZ ZgV Zk^YZciZ cd eVhhVYd# BVh

interview

good results and will move us towards a better life - in the end that’s what we all want, irrespective of our nationalities, ethnic origins or cultural differences. You use Lula as an example, but at the same time Brasilian politics can be so corrupt and people don’t seem to rise up. Can you see a direct relationship in the way the country works? I don’t want to romanticise about Brasil; politics is not the space of pure ideals - it is dirty and it is corrupt. But politics is also about building a public space for people to come and defend their views. If you throw a party there will always be gatecrashers, but

I do not believe corruption is more widespread in Latin America than in the rest of the world. We know so little about our history and when we find out about it we start to feel good about being Latin American; this is what is taking place amongst so many Latin Americans. And the geography is huge! How many Europe’s could you put inside Brasil alone? Six? People are more adaptable, more creative. No matter whether you’re talking to an Argentinean from Patagonia, a Gaúcho from the South of Brasil, a Carioca, an Afro Caribbean from Cuba, this is what makes us all who we are. We are creatures of light, I

guess that’s why there is yellow everywhere, on all our flags! And I realised this so much later in life. I thought I was part this and part that, now I know I am Latin American - I don’t need to look up to Europe or the USA. The book is an end product of selfdiscovery. Our richness is in our diversity, and that is our political richness too. They tried doing things another way and it didn’t work. It’s time to do it our way. ,& L=6I >; A6I>C 6B:G>86 GJA:9 I=: LDGA94 Wn DhXVg <jVgY^daV"G^kZgV! )-% eV\Zh! GGE '% 7ADDBH7JGN#8DB

I]Vc`h id i]Z =VnlVgY <VaaZgn VcY i]Z Hdji]WVc` 8ZcigZ [dg Vaadl^c\ jh id h]ddi i]Z e]didh Vi :gcZhid CZidÉh Zm]^W^i^dc! eVgi d[ ;Zhi^kVa 7gVo^a#

LATIN AMERICA HAS A BETTER PROPOSAL TO MAKE AND IS READY TO MEET OTHERS AND DISCUSS THAT PROPOSAL. WE WILL NOT FORCE IT ON ANYBODY.

V\dgV c h kZbdh d kVadg YZhhV ]ZgVc V eVgV fjZhi Zh bV^dgZh dcYZ eVgZXZb c d ]VkZg hdaj Zh bdYZgcVh " bjYVc Vh Xa^b{i^XVh edg ZmZbead! cd fjZ cdhhV ]ZgVc V Z Zhi^ad YZ k^YV ^cY \ZcV edYZb hZg jbV Xd^hV edh^i^kV# FjVa [d^ d ^beVXid Yd Zckdak^bZcid WgVh^aZ^gd cV 9ZXaVgV d YZ IZ]gVc ZcigZ d >g ! 7gVh^a Z Ijgfj^V 4 CV hZbVcV VciZg^dg V Xdc[Zg cX^V YZ 8deZc]V\Zc! AjaV XdchZ\j^j hZ hV[Vg Vd Y^oZg fjZ Vh XVjhVh YV Xg^hZ ZXdc b^XV kZ^d YZ Va\j b Xdb XVWZadh ad^gdh Z da]dh Voj^h# D cZ\ X^d fjZ d edYZg hjVkZ WgVh^aZ^gd Zhi{ hZcYd gZXdc]ZX^Yd " V YZXaVgV d YZ IZ]gVc hdWgZ VgbVh cjXaZVgZh ]^hi g^Xd# >hhd egdkV fjZ Vh ÆVeVgZciZbZciZÇ \gVcYZ edi cX^Vh [dgVb ^cXVeVoZh YZ hZciVg Xdb d >g | bZhV# 8ZgiVbZciZ! bdhigV"hZ jb c kZa YZ bVijg^YVYZ Vd hZ VÒ gbVg Z XdbZ Vg V a^YZgVg Zb kZo YZ hZ\j^g# >hhd d fjZ d 7gVh^a Z iVbW b V KZcZojZaV Zhi d [VoZcYd# C d jb Æedg [Vkdg! cdh ZhXjiZbÇ0 jb ÆC h ZhiVbdh [VaVcYd! c h ZhiVbdh Vfj^ eVgV Ò XVg! hZ_V a{ d fjZ [dgÇ# : ZhhV V gVo d eZaV fjVa V 6b g^XV AVi^cV kV^ Ydb^cVg d bjcYd0 ZaV iZb jbV egdedhiV bZa]dg V [VoZg Vdh djigdh Z Zhi{ egdciV eVgV Y^Vad\Vg Xdb dh djigdh# KdX X^iV AjaV Xdbd ZmZbead! bVh V eda i^XV WgVh^aZ^gV V^cYV ZmigZbVbZciZ XdggjeiV# D fjVcid d edkd XdbeaVXZciZ Z

d fjVcid ZaZ fjZg gZVabZciZ bjYVg Vh Xd^hVh4 :j c d fjZgd gdbVci^oVg d 7gVh^a0 V eda i^XV c d ZheV d eVgV ^YZV^h ejgdh " hj_d Z Xdggjeid# Edg b! eda i^XV iVbW b ZckdakZ Xdchigj^g jb ZheV d hZ\jgd eVgV fjZ Vh eZhhdVh kZc]Vb Z YZ[ZcYVb hjVh de^c^ Zh# BVh Zj c d VXgZY^id fjZ V Xdggje d bV^h ZheVa]VYV cV 6b g^XV AVi^cV Yd fjZ cd gZhid Yd bjcYd# C h! AVi^cd 6bZg^XVcdh! hVWZbdh i d edjXd YZ cdhhV ]^hi g^V Z fjVcYd V YZhXdWg^bdh! cdh hZci^bdh WZb edg hZgbdh AVi^cdh0 ^hhd d fjZ ZhiV VXdciZXZcYd ZcigZ bj^idh YZ c h# : V \Zd\gVÒ V ZcdgbZ FjVciVh :jgdeVh edYZg Vbdh XdadXVg YZcigd h Yd 7gVh^a4 HZ^h4 6h eZhhdVh h d bV^h VYVei{kZ^h! edeja^hiVh! bV^h Xg^Vi^kVh# C d ^bedgiV hZ kdX ZhiV [VaVcYd Xdb jb Vg\Zci^cd YV EViV\ c^V! jb <V X]d Yd hja Yd 7gVh^a! jb XVg^dXV! jb 6[gd"8Vg^WZc]d YZ 8jWV! ^hhd d fjZ cdh [Vo fjZb hdbdh# Hdbdh Xg^VijgVh YZ ajo! VX]d fjZ edg ^hhd fjZ iZb VbVgZad Zb idYVh Vh cdhhVh WVcYZ^gVh : Zj eZgXZW^ ^hhd i d iVgYZ cV k^YV# :j eZchVkV fjZ Zj ZgV jbV eVgiZ ^hhd! eVgiZ Vfj^ad! V\dgV Zj hdj AVi^cd 6bZg^XVcd " :j c d egZX^hd da]Vg eVgV V :jgdeV dj :J6# D a^kgd d egdYjid Ò cVa YZ jbV Vjid YZhXdWZgiV# CdhhV g^fjZoV V cdhhV Y^kZgh^YVYZ Z ZhhV V cdhhV g^fjZoV eda i^XV iVbW b# IZciVgVb [VoZg Vh Xd^hVh YZ djigV bVcZ^gV Z c d [jcX^dcdj# 8]Z\dj V ]dgV YZ [VoZg Yd cdhhd _Z^id# ,& ?JA=D '%&% ,WPING&TWOU )(

fernando de noronha

)) ,WPING&TWOU ?JAN '%&%

destination

NATURAL WONDERS, EMPTY BEACHES AND UNDERWATER ADVENTURES IN FERNANDO DE NORONHA Ask any Brasilian which would be Brasil's natural paradise, and nine out of ten would say Fernando de Noronha. Even though the majority have never been there, the island has become a symbol of national unanimity, a cause for pride and even inspiration for the campaign: "Noronha, one of the seven wonders of the world". Who would've thought that an island that receives biologists, surfers and holidaying couples alike - where the Lambada, as performed by the childlike dance couple, Chico and Roberta, was born - could be the most fantastic of places in a tropical paradise like Brasil? Perhaps it's due to the huge array of activities for nature-lovers, like swimming

with turtles in Sueste, seeing schools of dolphins, experiencing one of the island's unforgettable sunsets over the Dois Irmãos hill, or spotting the countless land and sea birds that populate its blue skies. Or maybe it's because the island limits the number of visiting tourists to just 420 at any one time, so that even during high-season you can enjoy breathtaking deserted beaches.

So much to see |

In 1988, 70% of the archipelago was declared a National Marine Sanctuary. The aim being to protect the island's habitats, study bird migration and reproductive trends in dolphins and crustaceans, study shark behaviour and implement Project Tamar, for the protection

of sea turtles. The sanctuary is run by IBAMA, the Brasilian Institute for the Environment, which has instilled a strong sense of environmental awareness in the almost two-thousand strong population. In 2009, the cable TV channel National Geographic made a documentary about sustainable tourism on the island. Upon arrival, your first activity should be a trip around the island, known as the Ilha Tour, which lasts a whole afternoon. Those who dread the traditional tourist bus excursion, as found in European capital cities, complete with cameras and photoflashes, should leave their prejudices behind, since this excursion will provide you with useful information for your entire stay.

^cid i]Z

deep YQTFU D[ 6JKCIQ #TC}LQ RKEVWTGU D[ <CKTC /CVJGWU

7:A:O6H C6IJG6>H! EG6>6H 9:H:GI6H : 6K:CIJG6 HJ7B6G>C6 :B ;:GC6C9D 9: CDGDC=6 EZg\jciZ V jb WgVh^aZ^gd fjVa hZg^V d eVgV hd cVijgVa Yd 7gVh^a! Z cdkZ ZcigZ YZo Y^g d ;ZgcVcYd YZ Cdgdc]V# BZhbd fjZ V bV^dg^V cjcXV iZc]V ZhiVYd a{! V ^a]V idgcdj"hZ jcVc^b^YVYZ cVX^dcVa! bdi^kd YZ dg\ja]d Z Vi YZ ^che^gV d eVgV V XVbeVc]V Cdgdc]V! jbV YVh hZiZ bVgVk^a]Vh Yd bjcYd # 8dbd ^bV\^cVg fjZ jbV ^a]V! YZhi^cd YZ W^ ad\dh! hjg[^hiVh Z XVhV^h Ä dcYZ cVhXZj V YVc V aVbWVYV! gZegZhZciVYV eZad hZb^"cj XVhVa ^c[Vci^a 8]^Xd Z GdWZgiV Ä edYZg^V hZg d aj\Vg bV^h [Vci{hi^Xd YZ jb eV h igde^XVa4 IVakZo edg hjV a^hiV ZcdgbZ YZ Vi^k^YVYZh eVgV dh VbVciZh YV cVijgZoV! Xdbd cVYVg Xdb iVgiVgj\Vh cd HjZhiZ! kZg XZciZcVh YZ \da[^c]dh! dWhZgkVg jb ^cZhfjZX kZa e g Yd hda Vd aVYd Yd bdggd 9d^h >gb dh dj VYb^gVg hjV ^c[^c^YVYZ YZ e{hhVgdh bVg^c]dh Z iZggZhigZh fjZ edkdVb d X j Voja YV ^a]V# Dj Zci d edg hjV XVeVX^YVYZ a^b^iVYV V )'% ijg^hiVh Vd bZhbd iZbed! d fjZ bZhbd Zb VaiV iZbedgVYV eZgb^iZ d YZh[gjiZ YZ bVgVk^a]dhVh egV^Vh VWhdajiVbZciZ YZhZgiVh#

Bj^id eVgV hZ kZg q

:b &.--! ,% Yd Vgfj^e aV\d [d^ egdXaVbVYd EVgfjZ CVX^dcVa BVg^c]d! eVgV egdiZ d VbW^ZciVa! ZhijYd b^\gVi g^d YZ e{hhVgdh! gZegdYj d YZ \da[^c]dh Z Xgjhi{XZdh! VXdbeVc]VbZcid YZ ijWVg Zh Z V gZVa^oV d Yd Egd_Zid IVbVg! YZ egZhZgkV d YVh iVgiVgj\Vh bVg^c]Vh# 6 VYb^c^higV d [Z^iV eZad >WVbV! d >chi^ijid 7gVh^aZ^gd YZ BZ^d 6bW^ZciZ! fjZ ^beaVcidj [dgiZ XdchX^ cX^V VbW^ZciVa cdh fjVhZ Yd^h b^a ]VW^iVciZh Yd aj\Vg# : Zb '%%.! d XVcVa YZ IK V XVWd CVi^dcVa <Zd\gVe]^X gZVa^odj jb YdXjbZci{g^d hdWgZ ijg^hbd hjhiZci{kZa cV ^a]V# 6d X]Z\Vg! d eg^bZ^gd eVhhd jb eVhhZ^d YZ gZXdc]ZX^bZcid X]VbVYd >a]V Idjg! YjgVciZ idYV jbV iVgYZ# EVgV VfjZaZh fjZ i b eVkdg Yd igVY^X^dcVa c^Wjh ijg hi^Xdh YVh XVe^iV^h Zjgde ^Vh! X]Z^dh YZ X}bZgVh Z [aVh]Zh! bZa]dg YZ^mVg d egZXdcXZ^id YZ aVYd! ed^h ZhhZ eVhhZ^d hZgk^g{ YZ gZ[Zg cX^V eVgV idYV V ZhiVYV# CV a^hiV YZ dcYZ k^h^iVg! V 7V V Yd HVcX]d! V EgV^V Yd AZ d Z V 7V V Ydh ?JA=D '%&% ,WPING&TWOU )*

fernando de noronha Of all the places to visit, Baía do Sancho, Praia do Leão and Baía dos Porcos are the finest of the island's eighteen stunning beaches. Sueste and Praia do Atalaia are where the best natural swimming pools are found, but the most impressive location is underwater, and it's not without reason that this is the number one dive site in all of Brasil.

Beneath the water too | Underwater visibility can exceed 40 metres, with an average temperature of 28°C. Add to this the incredible rock formations, the 230 different species of fish, the 15 varieties of coral, five species of shark and the rich and unique marine life, and it's no wonder that let alone Brasil, Noronha is considered one

of the world's best dive sites. A spectacle of colours and fish, themselves quite accustomed to divers, make the experience one of perfect interaction with nature. You don't need a huge amount of luck to come across friendly sharks resting in small caves or underneath rocks, as well as lobsters, eels, giant turtles and octopus.

6 eaVXZ d[ djihiVcY^c\ cVijgVa WZVjin! i]Z ^haVcY h bdhi heZXiVXjaVg hXZcZgn a^Zh WZcZVi] i]Z lViZg

EdgXdh hZ YZhiVXVb ZcigZ Vh YZod^id hjgegZZcYZciZh egV^Vh# : d HjZhiZ Z V EgV^V Yd 6iVaV^V h d Vh eg^cX^eV^h e^hX^cVh cVijgV^h# BVh d bV^h ^begZhh^dcVciZ Zhi{ bZhbd hjWbZghd! Z c d | idV fjZ ZhhZ d edcid eg^cX^eVa YZ bZg\ja]d Xdb X^a^cYgd cd 7gVh^a#

: iVbW b YZWV^md Y {\jV q

6 k^h^W^a^YVYZ YZWV^md Y {\jV edYZ jaigVeVhhVg dh )% bZigdh! Z V hjV iZbeZgVijgV b Y^V YZ '- 8# HdbZ"hZ V ^hhd Vh ZmjWZgVciZh [dgbV Zh gdX]dhVh! Vh '(% Zhe X^bZh YZ eZ^mZh! Vh &* kVg^ZYVYZh YZ XdgV^h! Vh X^cXd YZ ijWVg d Z V k^YV bVg^c]V )+ ,WPING&TWOU ?JAN '%&%

VWjcYVciZ Z c^XV Z c d jbV hjgegZhV fjZ Cdgdc]V ZhiZ_V ^cXaj YV cV hZaZiV a^hiV Ydh bZa]dgZh aj\VgZh eVgV bZg\ja]d Yd bjcYd# Jb ZheZi{Xjad YZ XdgZh Z eZ^mZh _{ ]VW^ijVYdh Xdb V egZhZc V Ydh bZg\ja]VYdgZh idgcVb V ZbegZ^iVYV jbV eZg[Z^iV ^ciZgV d Xdb d VbW^ZciZ# C d egZX^hV iZg bj^iV hdgiZ eVgV ZcXdcigVg dh Vb^\{kZ^h ijWVg Zh! fjZ gZedjhVb Zb eZfjZcVh XVkZgcVh dj ZbWV^md YZ gdX]Vh! Vhh^b Xdbd aV\dhiVh! bdg ^Vh! ^bZchVh iVgiVgj\Vh Z edakdh# Jb fjZh^id dWg^\Vi g^d eVgV fjZb egZiZcYZ k^h^iVg ;ZgcVcYd YZ Cdgdc]V jb Xjghd WVh^Xd YZ bZg\ja]d# :begZhVh Y^kZghVh d[ZgZXZb Xjghdh cd adXVa!

fernando de noronha A necessary prerequisite for anyone who wants to visit Fernando de Noronha is a basic diving course. Several companies offer courses locally, but you're a better off doing one before you travel so you can head straight to the water upon arrival. Have a look at the London School of Diving, at Scuba Zone and the Big Squid shop for an idea of courses, products and prices in the UK. Give it a try and then prepare yourself for a unique and unforgettable adventure in one of the greatest paradises on earth. ,&

bVh d bV^h gZXdbZcYVYd [Vo "ad VciZh YZ ZbWVgXVg! Z YZed^h ^g Y^gZid Vd bVg# 9 jbV da]VYV Zb ZhXdaVh Xdbd V AdcYdc HX]dda d[ 9^k^c\! V HXjWV OdcZ Z V 7^\ Hfj^Y# :hXda]V d hjV Z egZeVgZ"hZ eVgV jbV VkZcijgV c^XV Z ^cZhfjZX kZa Zb jb Ydh bV^dgZh eVgV hdh iZggZhigZh# ,&

I]^h Vgi^XaZ ]Vh egZk^djhan WZZc ejWa^h]ZY ^c 7gVojXV BV\Vo^cZ! ?jc\aZ h h^hiZg ejWa^XVi^dc WVhZY ^c EVg^h# 8=:8@ DJI BDG: DC 7G6OJ86DCA>C:#DG<

9^k^c\ l^i] ijgiaZh VcY \Zii^c\ je XadhZ VcY eZghdcVa l^i] i]Z &* kVg^Zi^Zh d[ XdgVa

HT FLIGW ON!

TO BE

TRAVEL TO BRAZIL

- THE BRAZIL TRAVEL SPECIALIST 5,> 796.9(44,: -30./;: ;6<9: ;(0369 4(+, Visit our website to enter our launch competition for a chance to win a free flight to Brazil on TAP Portugal

1;) <2 3[K I ^^^ [YH]LS IYHaPS JV \R

LWPING IWKFG

FENG SUSHI Sake Sangria, Strawberry Caipirinha and a novel summer picnic hamper

;ZVhi ndjg ZnZh dc i]Z 7gVh^a"^c[jhZY WVcfjZi

XV^e^g^c]V l^i] V il^hi

E>8IJG: 7N 6C6 7G6H>A

DCTU TGUVCWTCPVU

A6=@ @6=@ ;6//92@ I=: I6HI: D; 7G6O>A IDE (

BRASILIAN FLAVOURS COME TO THE FOREFRONT IN FESTIVAL BRAZIL Even only a few years ago, a caipirinha made with sake, vodka or any other fruit except lime was simply unthinkable. But times have changed and Brasil's national drink has gone international and it's not without reason that, as part of the celebrations for Festival Brazil, you'll come across cucumber caipirinhas, tailored to suit English taste buds. This small part of the festival is called ‘Taste of Brazil’, and thirteen restaurants on London's Southbank will be offering special Brasilian menus for the duration of the festival. Some restaurants will only be offering a soupçon of Brasilian flavours, such as the Italian restaurant Strada and its SĂŁo Paulo-style wrapped chicken. Others, like Las Iguanas and Skylon, will be delving a little deeper into the world of Brasilian cuisine, offering Brasilian beers and more sophisticated dishes such as fish moqueca (fish simmered in coconut cream and oil) and Warm banana torte, “açaĂ­â€? sorbet and Amazonian honey (as seen above). Check out to the right Jungle's picks of what not to miss throughout Taste of Brazil. ,& KEY:

6a\jch Vcdh Vig{h ZgV ^c^bV\^c{kZa jb XV^e^g^c]V Xdb hVfj„! kdY`V dj fjVafjZg djigV [gjiV fjZ c d [dhhZ a^b d# Ed^h ‚! dh iZbedh bjYVgVb Z d Yg^c` cVX^dcVa hZ igVch[dgbdj Zb ^ciZgcVX^dcVa# C d ‚ V idV fjZ! Xdbd eVgiZ YVh XdbZbdgV �Zh Yd ;Zhi^kVa 7gVo^a! ‚ edhh†kZa ZcXdcigVg Vi‚ XV^e^g^c]V YZ eZe^cd! WZb Vd \dhid Ydh ^c\aZhZh# :hhV eZfjZcV eVgiZ Yd [Zhi^kVa hZg{ d IVhiZ d[ 7gVo^a! Zb fjZ igZoZ gZhiVjgVciZh! adXVa^oVYdh cd Hdji]WVc`! ^g d egZeVgVg jb XVgY{e^d ZheZX^Va eVgV dh bZhZh fjZ Yd ZkZcid# 6 XV^e^g^c]V YZ eZe^cd ‚ h‹ jb Ydh ZmZbeadh Yd fjZ kdX„ kV^ VX]Vg edg a{# 6a\jch YZaZh k d d[ZgZXZg VeZcVh jbV Æe^iVY^c]VÇ Yd iZbeZgd WgVh^aZ^gd! Xdbd edg ZmZbead d ^iVa^Vcd HigVYV! fjZ egZeVgVg{ jb [gVc\d ZbeVcVYd | bdYV eVja^hiV# Djigdh k d hZ Vegd[jcYVg cV \Vhigdcdb^V Yd 7gVh^a Z iZg d YZhYZ XZgkZ_Vh cVX^dcV^h Vi‚ egVidh ZaVWdgVYdh Xdbd V bdfjZXV YZ eZ^mZ Z V [Z^_dVYV! ZmZbeadh h d d AVh >\jVcVh Z d H`nadc# 6 ?jc\aZ hZaZX^dcdj! Vd aVYd! ig„h Y^XVh ^beZgY†kZ^h Yd fjZ VXdciZXZg{ cd IVhiZ d[ 7gVo^a# ,& I6HI: D; 7G6O>A Jci^a HZeiZbWZg *i]! kVg^djh eg^XZh YViZh HDJI=76C@8:CIG:#8D#J@$7G6O>A ™ %-)) -,* %%,(

$TCUKNKCP .CVKP JKIJNKIJV VWDG WR VQ „ „ „ „

2TKEG DCUGF QP C OGCN YKVJ FTKPM RGT RGTUQP

SKYLON

I]Z gZhiVjgVci h heZX^Va bZcj l^i] V 7gVh^a^Vc il^hi l^aa WZ VkV^aVWaZ [dg dcZ lZZ`ZcY dcan " Wji ^i h ldgi] ^i! d[[Zg^c\ V b^m d[ igVY^i^dcVa 7gVh^a^Vc Y^h]Zh VcY \Vhigdcdb^X ^ccdkVi^dch Wn 7gVh^a^Vc X]Z[ ?dhZ 7VgVii^cd VWdkZ #

&+i] " &,i] ?JAN ™ H@NADCG:HI6JG6CI#8D#J@

RIVERSIDE TERRACE CAFÉ & CENTRAL BAR TERRACE

>[ ndj a^`Z id ^ccdkViZ VcY ign cZl i]^c\h i]Zc l]n cdi hVbeaZ i]Z :c\a^h] XV^e^g^c]V bVYZ l^i] XjXjbWZg4 >[ ndjÉgZ V igVY^i^dcVa^hi dc i]Z di]Zg ]VcY! ndj aa hi^aa Ò cY i]Z XdckZci^dcVa kZgh^dc! Vh lZaa Vh hcVX`h a^`Z e d YZ fjZ^_d X]ZZhZ WgZVY ! XVhhVkV VcY bVc^dX Ó djg W^hXj^ih#

PARTY ON THE TERRACE

EVgin dc i]Z IZggVXZ l^aa iV`Z eaVXZ VXgdhh [djg lZZ`ZcYh ^c ?jan VcY 6j\jhi# 6h lZaa Vh eZg[dgbVcXZh [gdb \gdjeh a^`Z 6[gd"GZ\\VZ! gZhiVjgVcih l^aa WZ hZaa^c\ 7gVh^a^Vc"hinaZ hcVX`h [gdb heZX^Vaan"ZgZXiZY hiVcYh# &,i] " &-i] ')i] " '*i] ?JAN! ,i] " -i] '-i] " (%i] 6J<JHI

?JA=D '%&% ,WPING&TWOU *&

DCTU TGUVCWTCPVU

CENTRAL LONDON 6 A6 8GJO 6g\Zci^cZVc hiZV` ]djhZ hZgk^c\ kVg^ZY \g^aaZY bZVih# BV^c bZVa VcY V Yg^c` " —'% )' Cdgi]Vbeidc GY! :8&G %=J 6c\Za

7:B 7G6H>A Ine^XVa [ddY ^c Wj[[Zi hinaZ! eVn Wn lZ^\]i# HcVX`h VcY [gdoZc V V†# DeZc ZkZgnYVn# 7j[[Zi —&!'%$&%%\g

I]Z AdcYdc :fjZhig^Vc! C&' ,7E B^aa =^aa :Vhi

(* Dm[dgY HigZZi! L&9'9I Dm[dgY 8^gXjh

A6I>C 8DGC:G ;VciVhi^X Vji]Zci^X 8dadbW^Vc VcY 7gVh^a^Vc [ddY! hZgkZY ^c V [g^ZcYan Vibdhe]ZgZ#

%'% ,)(, %)%%

A6H ><J6C6H ;gZh]! iVhin VcY Vji]Zci^X AVi^c 6bZg^XVc Xj^h^cZ# EZhXVYd Xdc 8dXd —&&#*%

7J:C 6NG: 6g\Zci^cZVc hiZV` ]djhZ BV^c bZVa VcY V Yg^c` —'%

%'%- ()( )&+& :AK6FJ:GD #8D#J@

*% 7gdVYlVn BVg`Zi! :- )F? 8VbWg^Y\Z =ZVi]

'-( 8VbYZc GdVY! C, %?C 8VaZYdc^Vc GdVY HiVi^dc %'% ,+-' (-+,

%'% ,-(, &... ™ 6A68GJO#8DB

(+ "(- 9ZVc HigZZi! L&9 )EH AZ^XZhiZg HfjVgZ

76GG>D 8:CIG6A 6 XdX`iV^a adjc\Z VcY WVhZbZci XajW l^i] AVi^c Ă“ Vkdjg#

%'%, ).) ),&+ ><J6C6H#8D#J@

+ EdaVcY HigZZi! L&; -EH Dm[dgY 8^gXjh

L6=686 ;gZh]an bVYZ! Vji]Zci^X BZm^XVc Y^h]Zh# ;^h] V aV KZgVXgjoVcV —.#.*

76GG>D8:CIG6A#8DB

AD8D B:M>86CD

lZhih^YZ aVi^cd In busy old Westbourne Grove, where you find the most varied types of food, there’s a brand new Mexican & Cuban venue that you shouldn’t miss. Loco Mexicano opened four months ago and has just the right atmosphere to put you in the caliente Latin mood; with special cocktails and great typical dishes, it’s a good call for lunch, dinner or a happy hour. The walls of the two floors are covered with Mexican and Cuban paintings, and every chair comes with a sombrero, if you really feel like getting in the mood. As for the menu, the highlights are the fajitas (about £11) and burritos (£9.95), both really – I mean really – well served, and accompanied by guacamole and dips. The well-knowncocktails are also there, such as Mojitos (£4.95, or £5.95 for Pineapple, Green Apple and Raspberry ones and £6.95 for Passion Fruit), Margaritas and Pina Colada. Try the Strawberry Margarita (£4.95), made from fresh fruit, tequila and crushed ice, or the Caipirinha (£5.95) is a safe bet - the staff really know how to give it an authentic Brasilian taste! Finally, for all those sweet tooths amongst you, the Banana Chimichanga served with ice cream and whipped cream (£4.50) is a must. Before you book, check out the special promotion days and pick the one that suits you the most, like the Senorita Cocktails Night, when cocktails are £2.95, or the happy hour, when beers are just £1.75. Arriba! AD8D B:M>86CD &%, LZhiWdjgcZ <gdkZ Ä L' )JL 7VnhlViZg %'% ,')( &).. AD8DB:M>86CD#8D#J@

*' ,WPING&TWOU ?JAN '%&%

7G6O>A>6C <DJGB:I 8V[Z$GZhiVjgVci hZgk^c\ 7gVh^a^Vc VcY Edgij\jZhZ heZX^Va^i^Zh# Gjbe HiZV` E^XVc]V cd egVid —+#*%

++ 8]VcYdh EaVXZ! L8'C )=< 8dkZci <VgYZc %'%, ')% &--( L6=686#8D#J@

L]^iĂ’ ZaY Hi &&'! L&I *:: LVggZc HigZZi %,.-( +(( ))%

NORTH LONDON

7:AAD 86;: B 7gVh^a^Vc VcY >iVa^Vc heZX^Vai^Zh#

86C:8ÀD Edda iVWaZh VcY 7gVh^a^Vc [ddiWVaa dc IK# ;^h] BdfjZXV —,#.%

**Ä*, 8]Vg^c\ 8gdhh GdVY AZ^XZhiZg HfjVgZ 86;w G>D ;Z^_dVYV VcY hiZV`h egZeVgZY i]Z 7gVh^a^Vc lVn# EgVid G^d —.#-% + <gV[idc LVn! L&I *9H LVggZc HigZZi

%'% ,.'( %*** B:G869D"86CI>C6#8D#J@

86B>CD L :[[ZgkZhXZci iVeVh WVg ^c i]Z ]ZVgi d[ @^c\Éh 8gdhh

&, LZhiZgc <ViZlVn! :&+ &6F 9AG Ă„ GdnVa K^Xidg^V %'% ,*&& '%'(

8=>A6C<D 6 Wjghi d[ BZm^XVc Ó Vkdjg# 8]^X`Zc 7jgg^id —*#)% ', JeeZg HigZZi! C& DEC 6c\Za %'% ,%) '&'(

( KVgc^h]Zgh NVgY! C& .9; @^c\Éh 8gdhh

%'% ,(*( +,+&

%'% ,-)& ,((& 86B>CD#J@#8DB$E:E>ID

8=>A6C<D#8D#J@

&)' ;aZZi HigZZi! :8)6 '7E 8^in I]VbZha^c`

GD9ÞO>D G>8D :Vi"i^aa"ndj"Ygde Wj[[Zi! \g^aaZY bZVih Wgdj\]i id ndjg iVWaZ 7j[[Zi —''#*%! kZ\ —&*#*%

8D;;:: 86;w HZgkZh hcVX`h VcY ajcX] ;Z^_dVYV <jVgVc{ Yg^c` —* +- 8dbeidc HigZZi! :8&K ;Vgg^c\Ydc %'% ,'*( &').

SEE p.67

H67DG AVi^c 6bZg^XVc ;ddY VcY XdX`iV^ah l^i] V [jh^dc idjX]# 7gVh^a^Vc BdfjZXV —&(#*%

:A E6HD 8dX`iV^a WVg VcY gZhiVjgVci hZgk^c\ BZm^XVc! IZm"BZm VcY kZ\ZiVg^Vc Y^h]Zh# (*%"(*) DaY Hi! :8&K .CF DaY Hi# SEE %'%, ,(. )'%'

86C:A6 7gVh^a^Vc VcY Edgij\jZhZ Y^h]Zh# ;Z^_dVYV —.#*%

SEE p.33

&%- :hhZm GY AdcYdc! C& -AM 6c\Za %'% ,''+ ***& ™ H67DG#8D#J@

%'% ,-)& ,((& ™ 86B>CD#J@#8DB

(( :Vga]Vb HigZZi! L8'= .AH 8dckZci <VgYZc %'%, ')% +.'+ ™ 86C:A686;:#8DB

9DJ7A: H=DI 8D;;:: =dbZbVYZ hVcYl^X]Zh VcY XV`Zh# :c\a^h] XgZVb iZVh VcY cViV XV`Zh# :mXZaaZci Xd[[ZZh VcY iZVh# Ild"Ó Vkdjg XdcZ —(#.* (- IVk^hidX` HigZZi! L8': ,E7 8dkZci <VgYZc %'% ,')% .,)' 9DJ7A:H=DI8D;;::#8D#J@

;G:<<D L

6g\Zci^cZ ^XZ XgZVb WVg d[[Zg^c\ V bdji] lViZg^c\ gVc\Z d[ Ó Vkdjgh# Ild"Ó Vkdjg XdcZ —(#.* ',"'. HlVaadl Hi#! L&7 )FG E^XXVY^aan %'% ,'-, .*%+ ™ ;G:<<D#8D#J@

<J6C676G6 ;ddY! a^kZ bjh^X VcY ZkZc YVcXZ XaVhhZh# ;^h] BdfjZXV HiZl —&'#*% EVg`Zg HigZZi! L8'7 *EL =daWdgc SEE

p.04

8D8D 76B7DD GZXZcian deZcZY 7gVh^a^Vc gZhiVjgVci l^i] V YVcXZ Ó ddg hiVgi^c\ [gdb &%eb# 8]Vg"<g^aaZY ÆE^XVc]VÇ —-#.% )- 8]Va` [Vgb GdVY! CL& -6? 8VbYZc Idlc

HE>G>IJ6A 86>E>G>C=6 76G 7gVh^a^Vc XdX`iV^a WVg hZgk^c\ igVY^i^dcVa VcY [jh^dc Y^h]Zh# 8V^e^g^c]V XV^e^gdh`V —( Yjg^c\ ]Veen ]djg ) ;ZgY^cVcY Hi! CL& -:G 8]Va` ;Vgb HE>G>IJ6A76G#8D#J@

SEE p.55

%'% ,+', ++&(

8J76 A>7G: =6K6C6 Dg^\^cVa gZhiVjgVci l^i] iVeVh! bZVah VcY XdX`iV^ah# :a EaVid 8jWVcd —&'#.* ,' JeeZg Hi! C& DCN 6c\Za %'% ,(*) ...8J76A>7G:ADC9DC#8D#J@

9:HE:G69DH B:M>86C BZm^XVc [ddY! XdX`iV^ah VcY V \gZVi Vibdhe]ZgZ# 7ZZ[ 8]^b^X]Vc\Vh —&%#.* &', JeeZg HigZZi! C& &FE 6c\Za

SEE p.53

86G>77:6C H8:C: 6lVgY l^cc^c\ 8Vg^WWZVc gZhiVjgVci d[[Zg^c\ Vc ^begZhh^kZ gVc\Z d[ igVY^i^dcVa Y^h]Zh VcY XdX`iV^ah# 6X`ZZ HVaiÒ h] —&)#.*

76G E:E>ID L AdcYdcÉh dcan HeVc^h] H]Zggn WVg#

%'% ,(*) &%,+ GD9>O>DG>8D#8DB

%'%, )-* ),(86C:86DADC9DC#8DB

( KVgc^h]Zgh NVgY! C& .9; @^c\h 8gdhh

%'%, (-, ''-*

%'%, ')' -+%% <J6C676G6#8D#J@

'+ " (% Hid`Z C 8]jgX] Hi! C&+ Hid`Z CZl^c\idc gV^a

,,",- JeeZg HigZZi! C& 6c\Za

&, Ndg` LVn! C, .F< 8VaZYdc^Vc GdVY

%,-((''.(+.

B:G869D 76G 86CI :mX^i^c\ XdX`iV^ah VcY V \gZVi b^m d[ BZm^XVc ]dbZ Xdd`^c\ VcY igVY^i^dcVa [Vkdjg^iZh# ;^h] IVXd —+#%%

%'% ,',* ..%% 7J:C6NG:#8D#J@

IDGI>AA6 ;gZh]! V[[dgYVWaZ 8Va^[dgc^Vc" BZm^XVc Xj^h^cZ# 7jgg^idh —)#*% " —*#*% &( >ha^c\idc =^\] Hi! C& .AF 6c\Za %'% ,-(( (&%( IDGI>AA6#8D#J@

EAST LONDON

%'%, ''+ (''' 9:HE:G69DH">HA>C<IDC#8D#J@

76C@:I: 7gVh^a^Vc Xj^h^cZ Y^h]Zh! e^XVc]V VcY [Z^_dVYV# 8]^X`Zc Higd\Vcd[[ —+#*%

:A"K6FJ:GD 6g\Zci^cZVc BZVih hZgkZY d[[ i]Z h`ZlZg#

( 7Zaa AVcZ! :& A^kZgedda HigZZi$ 6aY\ViZ %'% ,'), *),.

p.57

;6K:A6 8=>8 HZYjXi^kZ AVi^c Ó Vkdjgh l^i] ;gZcX] idjX]Zh# =VcY d[ <dY —&* .&".( <gZVi :VhiZgc Hi! :8'6 DaY HigZZi %'%, +&( *''- ;6K:A68=>8#8DB

<G::C 6C9 G:9! 76G 6C9 86CI>C6 6ji]Zci^X ?Va^hXVc [ddY VcY i]Z W^\\Zhi hZaZXi^dc d[ iZfj^aV ^c i]Z J@# AViZ"c^\]i 9? WVg# *& 7Zi]cVa <gZZc GY! :& +A6 %'% ,,). .+,% <G::CG:9#8D#J@

A6H ><J6C6H ;gZh]! iVhin VcY Vji]Zci^X AVi^c 6bZg^XVc Xj^h^cZ# DaY He^iVaĂ’ ZaYh BVg`Zi " & =dgcZg HfjVgZ! :& +66 A^kZgedda HigZZi ><J6C6H#8D#J@

E>C8=>ID I6E6H L K^ciV\Z 8]^X gZhiVjgVci l^i] Vc Vji]Zci^X VcY IVeVh bZcj# (' ;ZVi]ZghidcZ HigZZi! :8&N DaY HigZZi %'%, ).%%&'& E>C8=>ID#8D#J@

E>8IJG: 7N K>K>6C: K>6C6

NCVKP DKVGU

G U A N A B A N A L A T I N

&

C A R I B B E A N

”GLOBTROTINGLY GOOD FOOD” HHHH

C U I S I N E

2 COURSES £10 (MON-THU 5PM - 7PM)

FREE CORKAGE (APPLIES TO PARTIES OF 10 OR MORE SET MENU REQUIRED)

BRING YOUR OWN ALCOHOL

Haw

ley

CAM

DEN

HIG

H ST

GUANABANA

SHISHA GARDEN

KE

Rd NT

IS

O HT

WN

RD

85 KENTISH TOWN RD LONDON NW1 8NY

WWW.GUANABANARESTAURANT.COM

CAMDEN TOWN

0207 485 1166 / 2008 *(

DCTU TGUVCWTCPVU &'. FjZZchidlc GdVY! HL- 7ViiZghZV %'%, +'' '%-H6CI6B6G>69:AHJG#8D#J@

SOUTH EAST LONDON

SOUTH WEST LONDON

7J:CDH 6>G:H 86;w 6g\Zci^cZVc WZZ[! [gZh] eVhiV VcY 6g\Zci^cZVc hinaZ e^ooVh# <g^aaZY 7Wf —&)#*% Ä —')

6OI:86 A6I>C ADJC<: BZm^XVc Xj^h^cZ! bdji] lViZg^c\ XdX`iV^ah VcY WZZgh# AVi^c WVcYh VcY ide 9?h# (*+ @^c\h GdVY! HL( *:H Hdji] @Zch^c\idc

&, GdnVa EVgVYZ! H:( %IA 7aVX`]ZVi] %'%- (&- *(((

I>6 B6G>6 G:HI6JG6CI I6E>D86 =DJH: I^V BVg^V d[[Zgh YZa^X^djh iVe^dXV hij[[ZY X]^X`Zc Ygjbhi^X`h l $ XVije^gn! ^c VYY^i^dc id igVY^i^dcVa Y^h]Zh d[ 7gVh^a^Vc Xj^h^cZ VcY [Z^_dVYV dc HVijgYVnh VcY HjcYVnh#

%'%, (*' )%-, 6OI:86A6I>CADJC<:#8DB

.V! K^Xidg^V =djhZ Hdji] AVbWZi] GdVY! HL- &FI KVj^m]Vaa

7J:CDH6>G:HAI9#8DB

8DCHI6C8>6 Ä 6G<:CI>C: <G>AA 6g\Zci^cZ HiZV` =djhZ gZXZcian ^cVj\jgViZY# D_d YZ 7^[Z 6g\Zci^cd (&%\g &&do#Eg^bZ 6g\Zci^cZ G^W":nZ —&,#%%

7G6O6H GZhiVjgVci VcY YZa^XViZhhZc hZgk^c\ ]dbZ"bVYZ [ddY l^i] Edgij\jZhZ! 7gVh^a^Vc VcY :c\a^h] ^cÓ jZcXZh# Hi^X`n YViZ ejYY^c\ —(#)* )* IjahZ =^aa! HL' 'I? %'% -+,- %+., 7G6O6HG:HI6JG6CI:#8DB

%'% ,'() %+,+ 8DCHI6C8>6#8D#J@

8G6KD 86C:A6 6 X]d^XZ d[ 7gVh^a^Vc XV`Zh VcY eVhig^Zh i]Vi VgZ id Y^Z [dg Ign Vahd i]Z [Z^_dVYV

)- AdlZg BVgh] H:& ,G< LViZgadd %'%, .'- -,,- 8J76C6#8D#J@

:A K:G<:A Jc^i^c\ VgdbVi^X VcY he^Xn AVi^c 6bZg^XV l^i] YZa^XViZ BZY^iZggVcZVc Ă“ Vkdjgh# - AVci Hi# H:& &FG 7dgdj\]

(% 7g^midc LViZg AVcZ! HL' 7g^midc SEE 8G6KD:86C:A6#8D#J@

p.57

:A <6J8=D <g^aa HiZV` =djhZ —&(#.% 8]ZahZV ;VgbZgh BVg`Zi! &'* HnYcZn HigZZi HL( +CG Hdji] @Zch^c\idc %-,& (('-,,) :A<6J8=D#8D#J@

;>:HI6 =6K6C6 8dX`iV^a adjc\Z WVg l^i] iVeVh! a^kZ bjh^X VcY YVcXZ# ).% ;ja]Vb GdVY HL+ *C= ;ja]Vb 7gdVYlVn

%'% ,(*, %%*, :AK:G<:A#8D#J@

%'% ,(-& *-.& =6K6C6;JA=6B#8D#J@

A6 7D9:<J>I6 IVeVh! Ò h] VcY ]dbZ"bVYZ 8dadbW^Vc [ddY# —- " &( :aZe]Vci 8VhiaZ H]dee^c\ 8ZcigZ! H:& +I: :aZe]Vci 8VhiaZ %'%, ,%& .&++ A67D9:<J>I6#8D#J@

I68J76 8dX`iV^a WVg VcY BZm^XVc higZZi [ddY# &% 7ZY[dgY =^aa HL&' .G< 7Va]Vb %'%- +,(*(.) I68J7676G#8DB

A6H ><J6C6H ;gZh]! iVhin VcY Vji]Zci^X AVi^c 6bZg^XVc Xj^h^cZ GdnVa ;Zhi^kVa =Vaa! H:& -MM I]Z D' " H:&% %9H

IJ 8=>86H IVhin [ddY VcY Ó VbWdnVci XdX`iV^ah# BZm^XVc Y^h] —'% &' Ä&) AZdedaY GdVY! L^bWaZYdc! HL&. ,79 L^bWaZYdc

%'%, ).) ),&+ ><J6C6H#8D#J@

A>IIA: 7G6O>A 7dhhV l^i] V ]^ci d[ _Voo# =dbZ bVYZ bZVah#

(%"6 8Vi[dgY =^aa! H:+ )EM 8Vi[dgY GV^a HiVi^dc %'%- +.% ',,%

GD9ĂžO>D G>8D :Vi"i^a"ndj"Ygde Wj[[Zi! \g^aaZY bZVih Wgdj\]i id ndjg iVWaZ#

7j[[Zi —''#*%! KZ\ —&*#*%

*) ,WPING&TWOU ?JAN '%&%

%'%- .)+ )(%% IJ8=>86H#8D#J@

GD9>O>D 7G6O>A 7gVh^a^Vc hinaZ WVgWZfjZ l^i] jca^b^iZY edgi^dch d[ bZVi# *%* <VggVii AVcZ! HL&- )HL :VgahĂ’ ZaY GV^a Hi# %'% --,& (-,* GD9>O>D7G6O>A#8DB

H6CI6 B6G>6 9:A HJG 6g\Zci^cZVc \g^aa ]djhZ l^i] a^kZ bjh^X dc BdcYVnh# 6g\Zci^cZVc HiZV` —&'

6B7:G <G>AA GD9>O>D 8jih d[ bZVi [gdb h`ZlZgh# Eg^bZ GdY†o^d —&.#*% ,! HiVi^dc GdVY! CL&% )JE L^aaZhYZc ?jcXi^dc %'% -.+(&*-- 6B7:G<G>AA#8D#J@

76GG68D I]Z Vibdhe]ZgZ d[ V 7gVh^a^Vc WVg l^i] a^kZ bjh^X ;g^YVn id HjcYVn# 8]^X`Zc =ZVgih —+ &% @^c\h\ViZ EaVXZ! CL+ @^aWjgc

;:C< HJH=>

*' IVccZg HigZZi! H:& (E= 7dgdj\]

8J76C6 Ä 76G G:HI6JG6CI =dbZ"Xdd`ZY 8jWVc VcY AVi^c [ddY egZeVgZY [gdb fjVa^in ^c\gZY^Zcih Vi V gZVhdcVWaZ eg^XZ# =Veen =djg Bd_^idh " ' [dg —+#.*

%'% ,,.( .,%%

NORTH WEST LONDON

WgVh^a^Vc hjh]^ As you probably already know from posters all over town (and the pages of Jungle), Festival Brazil is painting the Southbank Centre yellow and green this summer, and luckily for us it also goes for the restaurants and bars right across the site. One such eatery, Feng Sushi has got their own Brasilian chef, Clebson Vasconcellos, on the team, and invited him to create a special 'tropical’ menu especially for the festival. Clebson’s been in London since 2004, but has been working as a chef for 13 years now, all along with Japanese cuisine. To produce the ‘Brazil Menu’ he added mangoes to the sushi and salad, as traditionally prepared in Brasil (usually with avocados here), and created four treats: the Mango & Papaya Salad, with Brasil nuts, coriander and lime juice (ÂŁ5.50); a plate of paperthin salmon and seabass; and our favourites, the SĂŁo Paulo Ceviche, with cucumber, tomatoes, salmon and hamachi (ÂŁ8.50); and the Sushi Samba Selection, serving two varieties of sushi plus the hot roll. To die for. What’s more, three summer cocktails were created (ÂŁ5.50 each). We tried the Sake Sangria, made with cucumbers, and the Strawberry Caipirinha – delicious. All very refreshing and perfect for the summer currently upon the city. There’s an outside seating area as well and if that’s not enough, the restaurant also launched ‘The Feng Sushi Brazil Picnic Box’ (ÂŁ44 or ÂŁ56 with drinks), though not including the special menu dishes.

%'% ,+%) )++) 76GG68D86;:#8D#J@

WEST LONDON 86;w :HIG:A6 9D CDGI: Edgij\jZhZ Xj^h^cZ ^c V gZaVmZY Vibdhe]ZgZ# He^Xn ;gVcXZh^c]V —.#*% '.) @^c\h]^aa 6k! J7) -7M

%'%- -)& ()-- <D#ID$:HIG:A6

SEE p.56

<J6C676C6 ;Vbdjh ?Zg` X]^X`Zc hZgkZY l^i] bVc\d eVeVnV X]jicZn# —,#-* " —&'#,*# -* @Zci^h] Idlc GY! CL& SEE 8VbYZc Idlc

p.53

%'%, )-*&&++ <J6C676C6G:HI6JG6CI#8DB

B69: >C 7G6H>A 8aVhh^X 7gVh^a^Vc [VgZ! [gdb hZV[ddY id bZVi VcY [Z^_dVYV# E^XVc]V CV 8]VeV —&(#*%

>7:G>86 ;DD9 8JAI# IgVY^i^dcVa HeVc^h] gZhiVjgVci l^i] V ^ccdkVi^kZ il^hi#

&' >ckZgcZhh HigZZi! CL& 8VbYZc Idlc

&.* <gZVi EdgiaVcY HigZZi! L&L <gZVi EdgiaVcY HigZZi %'% ,+(+ -+*% >7:G>86ADC9DC#8DB

>E6C:B6 86;w HeZX^Va Y^h]Zh ZkZgnYVn! [Z^_dVYV! ejYY^c\h VcY XV`Zh# 7j[[Zi —&#'%$&%%\ ,". FjZZchlVn! L' FjZZchlVn

%'% ,)-' %,,, B69:">C"7G6H>A#8D#J@

B:G8:6G>6 7G6H>A 7gVh^a^Vc igVY^i^dcVa hcVX`h VcY egdYjXih ^c"hidgZ# 8dm^c]V —&#*% ,,( =Vggdl GdVY! CL&% *E6 @ZchVa <gZZc %'%-.+'%'*'

%'% ,,.' .%*% >E6C:B686;:#8D#J@

B:HI>OD GZhiVjgVci"WVg d[[Zg^c\ V Ò cZ VcY Vji]Zci^X BZm^XVc Xj^h^cZ :cX]^aVYVh —&'

AD8D B:M>86CD BZm^XVc 8jWVc XVci^cV XdX`iV^a WVg VcY XjWVcV hVahV XajW#

&%( =VbehiZVY GY! CL& (:A LVggZc HigZZi %'% ,(-, )%+) ™ B:HI>ODBM#8DB

&%, LZhiWdgcZ <gdkZ! L' )JL FjZZchlVn VcY 7VnhlViZg HiVi^dch %'% ,')( &).. AD8DB:M>86CD#8D#J@

SEE p.53

GD9ÞO>D G>8D :Vi"i^a"ndj"Ygde Wj[[Zi! \g^aaZY BZVih Wgdj\]i id ndjg iVWaZ# 7j[[Zi —''#*%! kZ\ &*#*% GdnVa DV` " &&& LZhiWdjgcZ <gdkZ! L' %'% ,,.' )%(* GD9>O>DG>8D#8DB

I6FJ:G>6 BZm^XVc XV[Z hZgk^c\ V \gZVi kVg^Zin d[ IVXdh! BZm^XVc Y^h]Zh VcY XdX`iV^ah#

;:C< HJH=> Jc^i . GdnVa ;Zhi^kVa =Vaa " H:& -MM LViZgadd

&(."&)( LZhiWdjgcZ <gdkZ! L&& 'GH Cdii^c\ =^aa

%'% ,'+& %%%& ;:C<HJH=>#8D#J@

%'%, ''. ),() I6FJ:G>6#8D#J@

H67DG 7G6H>A:>GD 7gVh^a^Vc Ò h] VcY WZZ[! \VbZ gddb! ^ciZgcZi! WVg$adjc\Z# 7j[[Zi —,#*% &% lZZ`ZcY Y^hXdjci +(. =Vggdl GdVY! CL&% *CJ @ZchVa <gZZc %'%-.+.&&).

H67DG B>C:>GD Ine^XVa Y^h]Zh [gdb B^cVh <ZgV^h Wji cd VaXd]da^X Yg^c`h # 7j[[Zi —+#*% +( HiVi^dc GdVY! CL&% )JM L^aaZhYZc ?jcXi^dc %'% -.+* '%*%

I=: 8J76C L Adc\ WVg jehiV^gh dg Y^ccZg ^c i]Z Ò ZhiV Gddb# AVbW 8jWVcd —&%#.* HiVWaZh BVg`Zi! 8]Va` ;Vgb GY 8VbYZc Idlc %-,% -*% -.,* ™ I=:8J76C#8D#J@

E>8IJG: 7N 6C6 7G6H>A

NCVKP DKVGU

**

NCVKP DKVGU

*+

NCVKP DKVGU

*, *,

LWPING IWKFG XXX HPUSBOTGFS DP VL

1FMB QSJNFJSB WF[

BQSFTFOUBN

FN -0/%3&4

%0.*/(0

*OGP

-*7& 5PDBOEP P NFMIPS EB NÔTJDB CSBTJMFJSB

"(0450

-PDBM 1SJWJMFHJBEP

"#&3563"

*/(3&4404 "/5&$*1"%04

}

0 4IFQIFSET #VTI &NQJSF

%04 1035¯&4

4IFQIFSET #VTI (SFFO -POEPO 8 55

4)08

I

5FMFGPOF IPSBT QBSB JOHSFTTPT JO &OHMJTI

I

104504 %& 7&/%" */'0 -6"/" ] +$

#"33"$0 ,JOHTHBUF 1MBDF /8 5"

(0 53"/4'&3

1SPEVÁ½P

$"/&$ 0 16# :PSL 8BZ / 2(

0YGPSE 4U BOEBS 2VFFOTXBZ

0 4)&1)&3%4 #64) 8&#4*5& P TIFQIFSETCVTIFNQJSF DP VL

#"/,&5& #FMM -BOF -POEPO & -"

4"#03 .*/&*30 4UBUJPO 3PBE /8 69

XXX KDFOUFSQSJTFMUE DPN

"QPJP

FEHJK=K;I; B;IIEDI Eg^kViZ ij^i^dc KVg^Zin d[ iZVX]^c\ bZi]dYh

%'%- ,,-*)%+ GDH:

template_1_32.indd 1

*-

28/1/08 19:51:24

LWPING IWKFG 1st Floor, 239 High Holborn London WC1V 7EW Holborn Station

Full Leg + Brazilian Bikini= Free upper lip when showing this advertisement

HERBALIFE Lose weight, stay healthy and feel good! HOM

E DEL AVAIL IVERY A B LE

Attentive service / English-PortuguĂŞs

Maria 07875074015 cidanogueirab@hotmail.com

*.

LWPING IWKFG

EASIER THAN YOU THINK. Our expertise is to provide excellent accommodation in comfortable, worry-free shared homes. Rent includes use of all facilities, cleaning of communal areas once a week, all bills and free wireless internet! All properties are situated in residential streets - so you can enjoy peace of mind - but close to public transport and amenities - thus you won’t feel isolated! When you decide it’s time to move on from shared houses we can help you re-locate, from finding the perfect property to all the required paperwork.

WE SERVE NORTH LONDON, MANOR HOUSE, GREEN LANES, STAMFORD HILL AND SEVEN SISTERS (N4, N15, N16 AND N17).

Contact us and tell us what you need: 07526 396217 :: 07878 060467 www.londondirect.com.br :: london_direct@hotmail.co.uk

london direct lettings_jul_1_8.indd 1

Ateliê do Tuxa

5/7/10 15:19:0

EMBASSY OF BRAZIL Sous-chef for the Ambassador’s residence (£1,700 pcm)

Details & requirements:

http://www.brazil.org.uk Applications must be submitted in person only, 9.30AM - 12.30PM or 2.30 - 5.30PM, 19th July to 2nd August (Mon-Fri).

32 Green Street, London W1K 7AT.

Unique hand-carved wooden ornaments and furniture, specialising in themes of nature. Works made to commission with certified native Amazonian wood.

www.ateliedotuxa.com - ateliedotuxa@hotmail.com UK: + 44 (0)7901055441 - Aline BR: + 55 73 99928535/ 73 32982760 - Tuxa +%

jul_embaixada_1_8.indd 1

6/7/10 10:53:2

LWPING IWKFG

People transporting people. • AIRPORT PICK UP • EQUIPMENT TRANSPORT

CONTACT US +44 0785 5530254 +44 0798 4109337

info@windtransport.com www.windtransport.com

an_wind_89_117_5mm.indd 1

5/7/10 20:17:11

+&

LWPING IWKFG

+'

LWPING IWKFG

+(

LWPING IWKFG

+)

KPDQZ + ,WPING WPING B::I I=: G:69:G

Hey Natalia, super to know you enjoyed the event, weren't the two live acts fun! And you'll be glad to hear that Maracatu Mafuá are playing another JD event: our Summer Sunday Session at Camino on July 25th - round up your friends and come! JD

Don't hesitate to send us your raves and rants! JungleDrums p.o. box 49713 london wc1x 8ww inbox@jungledrums.org FOOTBALL FEEDBACK Hi Jungle, [Copa Jungle at Camino] was great. Such delicious bar nibbles and the first Brasilian band, Zeep (I think), took the celebrations to the next level. The lead vocalist had such a beautiful voice and I still can't believe she sang one entire song about bananas and it flipping ROCKED! It almost felt as if I was on a fantastic holiday and a cheap one at that as I only paid the cost of a tube ticket :-) Thanks again! Jewel Minchella, via email Thanks Jewel, you know what, after we put them on supporting Céu last November, the gig at Camino last month was one of the best shows we've seen Zeep play, they really rose to the occasion and boosted the celebratory spirit! JD SAMBA & SAUDADES Hi Jungle, [Copa Jungle at Dingwalls] was lovely! I managed to bring 7 friends along with me, we booked a table and everything! I loved the samba school and the Maracatu band. The lady from the latter is great by the way! Ohhh it made me miss my great state Pernambuco! Natalia Revi, via email

FOUND IN TRANSLATION Hi there, I just wanted to email you all at JungleDrums to offer you free translation work. I'm Scottish, living in London and fluent in Portuguese after studying Portuguese & Brazilian Studies at Kings College London and living in different parts of Brasil for over 2 years. I've also lived in Mozambique and Portugal, and I’m also a campaigner, film maker and photographer. I've seen the impact JungleDrums has made for new Brasilian arrivals into London and also for people who have a passion for Brasilian culture. It would be a pleasure to contribute to this publication in any way I can. Let me know what I can do! Um abraço, Katy Woods, via email Hi Katy, you heard of the Iron Bru 'Bruzil' campaign!? Really fantastic to hear from you and of Jungle's influence - we'll be in touch - be great to have you contributing! JD A HAPPY WINNER Hi Jungle, I just wanted to say a quick thank you for the tickets to Brazil! Brazil! We had a great evening, loved the performance and it has made me want to go to Brasil even more. A few of my office went to see it the following day and loved it too. Thanks once again, Genevieve Scott, via email Hey Genevieve, well done for winning the competition and that's great you enjoyed the show so, and even better that you spread the word at work! Hope you make it to Brasil soon JD

I:99N B89DC6A9

THE COTSWOLDS ARTIST WITH A PASSION FOR BRASIL, COLOUR, HIS HOME REGION, AND A CUSHION WE RAN AS A PRIOR 'GOTTA HAVE'! What do you do? I'm an artist (teddym.com). How did you find JD? I've picked up copies at Guanabara and I once designed some artwork for a charity which featured in JD. What's your favourite part of the magazine? The magazine offers a great overview of Brasilian culture – it encompasses all that's great about the Latin spirit. The writing is informative and the layout captures the depth of colour that represents the fabulous country of Brasil. Do you have a connection to Brasil? I helped my friend Cristina Carneiro de Mendonca to establish EphemeralBrazil. com, a charity with an aim of helping provide long term

enterprise for vulnerable residents of Rio's favelas. I also love Brasilian street art. What is your favourite place in Brasil? Rio has the edgy lifestyle but, I think for sheer beauty, it would have to be the beaches of Ilha Grande. Favourite Brasilian food/ drink/product? Feijoada - I had a Brasilian girlfriend who used to cook this using her mother's recipe and it was fantastic! Also, when I'm painting in my studio in the Cotswolds I live in my Havaianas. Best Brasilian place in London (or Cotswolds!)? The Cotswolds is rather lacking Latin spirit, no surprise there, so I head to Guanabara for fantastic music and party spirit. ,&

B@23B9 @6A2@ .;1 ;B:/2?@ :B76HHN D; 7G6O>A WgVo^a#dg\#j` (' <gZZc Hi " L&@ ,6I &(& -)// /&&& 7G6O>A>6C 8DCHJA6I: XdchWgVhadcYgZh#Xdb (! KZgZ HigZZi " L&< &(& -/)& /&++ &-/+. *&*&'( dji d[ ]djgh cjbWZg! id WZ jhZY dcan ^c XVhZh d[ VggZhih! YZVi] dg di]Zg ZbZg\ZcX^Zh =DB: D;;>8: &.-& ,&, --,, ^cY#]dbZd[Ò XZ#\dk#j` 76C8D 9D 7G6H>A &(& -,&, -'&'

8>I>O:CH 69K>8: 7JG:6J X^i^oZcVYk^XZ#dg\#j` ')"=DJG IG6K:A >C;DGB6I>DC &(& -((( '()* iÓ #\dk#j` 6HHD8>6vÀD 9: 7G6H>A:>GDH CD J@ &(& ./,' ))-VWgVh#dg\#j` :B7G6I:A &.&& ./& &++ " Id bV`Z XdaaZXi XVaah id 7gVh^a C6O K>96H &(& ..)* &()( cVo#dg\#j`

>BB><G6I>DC 69K>HDGN H:GK>8: >6H ^Vhj`#dg\ &(& -/,- '(&& C=H <EH! 9:CI>HIH 6C9 =DHE>I6AH c]hY^gZXi#c]h#j` A6I>C 6B:G>86C 9>H67A:9 E:DEA:ÉH EGD?:8I &(& --/) .)// aVYee#dg\#j` IG6CHEDGI ;DG ADC9DC &(& -((( '()* iÓ #\dk#j`

?JA=D '%&% ,WPING&TWOU +*

YQTFU D[ #TPCNFQ #PVWPGU KNNWUVTCVKQP D[ &CPKGNC 5\VQMOCP

Zj Zhidj a^\VYd V kdX eZad X] d

^ Vb XdccZXiZY id ndj Wn i]Z \gdjcY

9Vc^ZaV Hoid`bVc ^h V \gVe]^X Vgi^hi l]d h eVhh^dcViZ VWdji XVaa^\gVe]n VcY Vgih# 8]ZX` dji bdgZ d[ ]Zg ldg` Vi/ ]iie/$$lZW#bZ#Xdb$YVc^(&%*

++ ,WPING&TWOU ?JAN '%&%

Minimum monthly top up ÂŁ15. Pay & Go on O2 customers only. Extra calls to international mobiles and landlines only. Excludes calls to Tunisia, Republic of Congo, Democratic Republic of Congo, Solomon Islands, Sao Tome and Principe, Sudan, Norfolk Island, Cuba, Papua New Guinea, Vanuatu, Somalia, East Timor and Syria, which are charged at the International Caller Bolt On rates, also excludes calls made by or to satellite phones (i.e. Thuraya). Video, premium rate numbers, Inmarasat and mobile Internet calls are excluded. Extra minutes do not rollover to the next month. Subject to network coverage. Terms apply. See o2.co.uk

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.