Temple arles books, 2019, english

TEMPLE ARLES BOOKS

BOOK MARKET

EXHIBITIONS TALKS & EVENTS

3—6 JUILLET

ANDRÉ FRÈRE ÉDITIONS

ALEJANDRO CARTAGENA / LOS SUMERGIDOS

AKAAKA ART PUBLISHING

CASE PUBLISHING

CHOSE COMMUNE

ÉDITIONS DU CAÏD

ÉDITIONS MACULA

ÉDITIONS XAVIER BARRAL

FLORENCE LOEWY

HAVAIANA PAPERS / 643 COLLECTIVE

IKKI

INFRAMUNDO / HYDRA

KAPH BOOKS

LOOSE JOINTS

MALENKI

NORWEGIAN PHOTOBOOKS

OBJEKTIV PRESS

ONESTAR PRESS

ORIGINI EDIZIONI

PHOTOSYNTHÈSES

RED LEBANESE

RVB BOOKS

STANLEY/BARKER

SPECTOR BOOKS

SUN/SUN

STACK MAGAZINES

THE EYES PUBLISHING

TIPI PHOTO BOOKSHOP

WITTY KIWI

3—4 JUILLET

DEWI LEWIS PUBLISHING

DISKO BAY

ESSARTER ÉDITIONS

FOMU / TIFF MAGAZINE

INNOCENCES

KONTAAKT

MOMO GALERIE / VAGUE

POLISH PARADISE

POURSUITE

REFLEKTOR PHOTOBOOKS

AVARIE

CESURA PUBLISH

CLASSE MOYENNE ÉDITIONS

DALPINE

DÉPART POUR L’IMAGE

ÉDITIONS LE LAMPADAIRE

EDITION PATRICK FREY

EDITORIAL RM

L’ÉDITEUR DU DIMANCHE / CO-CURATE

META/BOOKS

PHREE

REVERS ÉDITIONS

RORHOF

SANDRINE ELBERG SELFPUBLISHED BOOK

SEPTEMBER BOOKS / RAYON VERT

THE (M) ÉDITIONS

ZOÈME

— Christian Houge, Residence of Impermanence. CHRISTIAN STRAND

— Anna Orłowska, Futerał. POLISH PARADISE

— Dinaya Waeyaert, Personal Collection. TIPI BOOKSHOP

— Nuno Andrade, Ginjal / Dominique Teufen, My travels through the world on my copy machine.

ÉDITIONS XAVIER BARRAL

— Laia Abril, On Abortion / David Denil, Let Us Not Fall Asleep While Walking / Iain McKell, Diary of a Teenage Boy. DEWI LEWIS PUBLISHING

— Rebecca Fertinel, Ubuntu - I Am because We Are.

TIPI BOOKSHOP

— Christian Lutz, Insert Coins. ANDRÉ FRÈRE ÉDITIONS

— Jules Spinatsch, Semiautomatic Photography.

ÉDITIONS CENTRE DE LA PHOTOGRAPHIE GENEVE / SPECTOR BOOKS

— Daphné Bengoa & Leo Fabrizio, text Kaouther Adimi, Fernand Pouillon et l’Algérie; Bâtir à hauteur d’hommes. ÉDITIONS MACULA

— Tina Bara, Kurt Buchwald, Christiane Eisler, Thomas Florschuetz, Ute Mahler, Eva Mahn, Sven Marquardt, Barbara Metselaar Berthold, Rudolf Schäfer, Gundula Schulze Eldowy; Les libertés intérieures : photographie est-allemande (19801989). ÉDITIONS XAVIER BARRAL

— Brice Krummenacker, Robert Maurice Debois.

ANDRÉ FRÈRE ÉDITIONS

— Valérie Belin & Eric Reinhardt, Painted Ladies.

ÉDITIONS XAVIER BARRAL

— Julie Hrnčířová, Coffee To Go / Jan Khur, Notes

01 / Jan Khur & Ragnild Bøhler, Interlogue 02.

CHRISTIAN STRAND

— Łukasz Rusznica, Subterranean River. POLISH PARADISE

— Signe Fuglesteg Luksengard, Leveld. CHRISTIAN STRAND

— M.H. Frøslev, Unsettled City. DISKO BAY

— Lilie Pinot, Ne me fais pas croire que tout va bien.

TIPI BOOKSHOP

— Ayla Hibri, A Palm Tree Bows to the Moon. KAPH BOOKS

— Yan Morvan, Bobby Sands, Belfast mai 1981. ANDRÉ FRÈRE ÉDITIONS

— Christian André Strand, Traces of Tracking / Great American Eclipse. CHRISTIAN STRAND

— Elodie Grethen, Tokyo Stories / Georg Zinsler, The Sentinel Script / Reiner Riedler, Sweat. REFLEKTOR

— Pietro Paolini, Buscando a Bolivar. WITTY KIWI

— Alessandro Bo, Smail and Exotica. INFRAMUNDO

— Colette Pourroy, Rouge était sa couleur. ANDRÉ

FRÈRE ÉDITIONS

— Terri Weifenbach, Des oiseaux. ÉDITIONS XAVIER BARRAL

— David Denil, Let Us Not Fall Asleep While Walking.

TIPI BOOKSHOP

— Jacek Fota, Pkin. POLISH PARADISE

— Sarah van Marcke, Errors and Residuals ‘a plot’ and ‘a nest’. MALENKI

— Orlando de la Rosa, Vorágine and The reasons of hate. INFRAMUNDO

— Sandrine Elberg, Cosmic. SANDRINE ELBERG

— Luis Enrique Aguilar, Ofrenda. INFRAMUNDO

— Lorenzo Castore, Land. TIPI BOOKSHOP

— Émeric Lhuisset, Maydan et Last Water War.

ANDRÉ FRÈRE ÉDITIONS

— Sébastien Normand, Par delà la nuit. DÉPART POUR L’IMAGE

— Alba Zari, The Y. WITTY KIWI

— Marie L. Borgia, Rencontres en amnésie. ANDRÉ FRÈRE ÉDITIONS

— Sandrine Elberg. M.O.O.N. SANDRINE ELBERG

— Laura C. Vela, Como la casa mía / The Kids Are Right, Quimera. DALPINE

— George Selley, A study of Assassination. THE EYES

PUBLISHING

— Rogelio Séptimo, Somne. INFRAMUNDO

— Alain Willaume, Coordonnées 72/18. ÉDITIONS

XAVIER BARRAL

— Christina Dimitriadis, Island Hopping / Why Exhibit? Positions on Exhibiting Photographieseditors Anna-Kaisa Rastenberger and Iris Sikking (Fw:Books). META/BOOKS

— Ludovic Carème, Amazonie et São Paulo.

ÉDITIONS XAVIER BARRAL

— Laura Barron, Absentia. INFRAMUNDO

— Stephen Dock, Human Interest Stories. TIPI

BOOKSHOP

— Nick Hannes, Garden of delight. ANDRÉ FRÈRE ÉDITIONS

— Katrin Kamrau, Das Objekt. MALENKI

— Giulia Lacolutti, Casa Azul. THE (M) ÉDITIONS

— Paola Bragado, Siwah and The Mexicanas.

INFRAMUNDO

3 p.m. 4 p.m. 5 p.m. 6 p.m. 7 p.m.

— Alfredo Blasquez, Playa Cero et La playa de los juguetes perdidos. INFRAMUNDO

— Sandrine Elberg, M.O.O.N. SANDRINE ELBERG

— Eden Bernal, Exilios. INFRAMUNDO

— Kollektif2D et Nicola Lo Calzo, Kazal et Regla. ANDRÉ FRÈRE ÉDITIONS

— Massao Mascaro, Jardin. WITTY KIWI & L’ÉDITEUR DU DIMANCHE

— Luca Reffo, 444_Celestial Means of Locomotion. DÉPART POUR L’IMAGE

— Antoine d’Agata, Oscurana. INFRAMUNDO

— David Hornillos, Ustedes, los vivos / Michele Tagliaferri, A Swimming Pool. DALPINE

— Sandrine Elberg, Yuki-Onna. SANDRINE ELBERG

— Brice Krummenacker, Robert Maurice Debois.

ANDRÉ FRÈRE EDITIONS

— Dan de Carvalho, Reboot / Talita Virginia, My favorite color is pink but I like black very much ; Felipe Abreu, Aprox. 50.300.000 et Folie à Deux. HAVAIANA PAPERS

— Miho Kajioka, So it goes. THE (M) ÉDITIONS

— Diego Moreno, In my mind is never silence and Huésped. INFRAMUNDO

— Jean-Pierre Bibring, La Comète, le voyage de Rosetta. ÉDITIONS XAVIER BARRAL

— Nelson Morales, Musas Muxe and Fantastic Woman. INFRAMUNDO

THIS IS NOT MY BOOK

In the last ten years, the Dutch photographer Erik van der Weijde has been responsible for over fifty publications, including not only slim photo zines and simply produced brochures but also voluminous cloth-bound books — many of them distributed via his own publishing house, 4478ZINE. This Is Not My Book provides for the first time an overview of his work, which constitutes a very important artistic position at the interface of photography and independent publishing. It indicates a full stop, an act of punctuation set down on his published work by the author. This Is Not My Book was published by Spector Books. For Temple Arles Books, Erik van der Weijde will run a production space, revisiting his many publications and mixing them together into fanzines. July 3-4 / Noon – 2 pm and 4 pm – 6 pm.

TECHNICAL DOCUMENTATION OF THE PRESENT

ARCHIVIO magazine is an innovative publishing project that focuses exclusively on the archive culture and reality. It is the first time that a publishing venture is born out of the need to enhance this huge heritage. Every issue is constructed around a theme, but in a loose way, browsing from art to fashion, culture, sport, design, cinema, science, photography.

ARCHIVIO uses its ability to watch everything from a contemporary point of view, because what archives can teach us is how memory becomes future. For Temple Arles Books, editors Achille Filipponi and Matteo Milaneschi, build an archive structured as a “chinese box”, souvenirs and documentation of the project, proof of a living archive.

3 JULY 4 JULY

THE EMOTIONAL COLLECTOR

“IT WAS NOT ALWAYS THE CATCH, BUT THE HUNT”

“The Emotional Collector” is a participative installation that explores the mechanisms associated with collecting (photo) books. A clue referring to photographic culture will help visitors find the first piece of the puzzle and leave them free to complete it according to their own relationship with the books presented. Each visit will thus create a different cosmology of books in the space. Meanwhile, “librarians” performing repetitive gestures in a playful manner will activate the room.

CHRISTOPHE DAVIET-THERRY

VIS-À-VIS 7

‘Vis-a-vis, masculine noun, person or thing facing another.’

“It is quite tempting to reduce the way vis-a-vis is presented to this simple definition.

The very form of the vis-à-vis—which in fact stems from a way of reflecting upon the form of the exhibition and reducing a thought to the mere confrontation of two works—, is minimal and silent. It thus reinforces the notion of the space, or even the void that separates the two works, a space occupied by the visitor who then becomes the pivot, the hyphen in the confrontation.

Initiated in the context of a bookshop, these vis-a-vis are, by their content, comparable to a library, a place where all fields of knowledge convene, confront and dialogue with each other, expressing transversality in the possibility to be gathered in various media, be it a book, a film, a sound, or even an ordinary object.

They are also so many imaginary shelves on which an invisible hand places two books, side by side. How did this encounter occur?

And why? Was it a desire to bring them together by theme, out of provocation, negligence, or sentimentality, haphazardly, in relation

to the context of appearance? Probably all the above, but perhaps primarily to see what happens.

In the context of Temple Arles Books, a confrontation focused on the assigned function of the image and its power between Proof by Francois Havegeer and Sacha Leopold and A Second History by Zhang Dali. The need for the proof by the image becomes truly necessary in these times of conspiracy theory and of virtual reality that can be augmented, thus possibly manipulated or even biased.” CDT

ELINE MUGAAS & ELISE STORSVEEN ALBUM

Created entirely from found images, ALBUM is a zine initiated by Eline Mugaas and Elise Storsveen in 2008. Comprised of full-page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading, organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature. While seemingly whimsical, ALBUM provides a sophisticated meta-narrative on the human body, sexuality, and the social lives of images that places the reader in an uncanny arena that showcases how our media likely reads us.

3—6.07

ADAM BROOMBERG IN CONVERSATION WITH HANNAH DARABI

Moderated by Donald Weber

The museum of photography in Antwerp (FOMU) and the Master program Photography & Society at the Royal Academy of Art in The Hague (KABK) are happy to announce a conversation between Adam Broomberg and Hannah Darabi. Broomberg and Darabi share an interest in the politics of photography – through material and photobooks. In the context of Temple Arles Books, these guest photographers with impact will talk about their politically responsive practices.

KABK and FOMU are currently collaborating for the publication of a printed magazine on the issue of IMPACT: the position of photography as both a practical and political medium. How does IMPACT strive to understand the position of photography in a mutable world? Is it possible to engage in global debate whether it is technological, political, environmental or social? This printed magazine will be launched during Paris Photo in November 2019.

THE NONANTE-NEUF TALKS PANEL #1

4—5.30 p.m.

FEMINIST FUTURES, IDENTITY POLITICS – OR: TO HELL WITH ALL THIS POLITICAL CORRECTNESS?

Panel discussion with Doris Gassert

Participants: Mario del Curto, Mathias Depardon, Randa Mirza, Anna-Kaisa Rastenberger

Following last year’s open letter in which renowned artists and leading cultural figures urged for more female representation at the Rencontres d’Arles, the panel will debate issues of structural disparity and discrimination that shape the traditionally maledominated landscape of photography. Between feminist and gender concerns, identity politics and a growing tendency to critic political correctness, how can traditional structures be challenged and sustainably transformed?

BELGIAN NIGHT

6—10 p.m.

Ducks, goodies, and most of all, photographs: such is the cocktail offered at this playful and offbeat booth. Fifty talents from the Belgium photography scene will be brought to the fore via the performative and participative event. Photography lovers, relentless and curious photo, or fairground, amateurs will be amazed and might even get a chance to win one of the lots prepared by the photographers themselves. There might very well be a trove to be found at the tip of the fishing pole, so why not give it a chance?

Conceived and initiated by Vincen Beeckman and Marie Papazoglou, with support from Kunstenpunt; Wallonie-Bruxelles International (WBI); la Direction des Arts plastiques contemporains de la Fédération Wallonie-Bruxelles as well as from the Biennale de l’Image Possible (BIP); Fotomuseum Provincie Antwerpen (FOMU); and Recyclart.

For the first time in Arles, The Rencontres and the Ministry of Culture are launching a special professional gathering with independent curators, collectives, art centers and institutions. Ten original projects will be presented during the morning, followed by a lunch.

PRIOR REGISTRATION REQUIRED

DUE TO LIMITED SPACE: CURATORSMEETING@RENCONTRES-ARLES.COM

APERTURE’S PHOTOBOOK REVIEW ISSUE 016

Edited by The Photocaptionist Federica Cioccetti, Lesley Martin & guests

Aperture’s PhotoBook Review, published by Lesley A. Martin, Creative Director of Aperture, welcomes Federica Chiocchetti, author, curator and founder of the photo-literary platform, photocaptionist.com, as Guest Editor for the Spring 2019 / issue 016. Chiocchetti invites contributors to evaluate the possibilities of images in relationship to text as a means of giving shape and meaning to a book. As Victor Burgin states, “Even the uncaptioned photograph, framed and isolated on a gallery wall, is invaded by language when it is looked at: in memory, in association, snatches of words and images continually intermingle and exchange one for the other.” What happens, then, when language and text are given equal weight in an artist’s work — in the book form, in particular? This issue explores both history and contemporary practice related to “Image-Text” or “Photo-Text” books and offers in-depth reviews of recent publications and other photobook-related content.

PHOTO-TEXT BOOKS 3—4 p.m.

THE NONANTE-NEUF TALKS

4—5.30 p.m.

PANEL #2

CHALLENGING VISUALITY: WHO HAS THE RIGHT TO LOOK (AWAY)?

Panel discussion with Doris Gassert Participants: Tina Campt, Anna-Alix Koffi, Christian Lutz, Georg Gatsas

The “right to look” is always a question of power tied to the politics of representation: who gets to filter what we see and how we see it, who claims the right to interpret? Who can speak for others and who gets silenced in the process? The panel will address the ambivalence of the gaze in the photographic encounter, debate photography’s white western gaze and its complicity with racist social realities and discuss possible strategies of counter-narratives.

For its 4th edition, The Eyes Talks in Arles teams up with Temple Arles

Books between July 4 – 7, at 6 pm. Publishers, artists and curators take part in a series of short talks exploring the diversity of photobook publishing. Every day, three guests will share a photo or editorial project in the framework of a 10-minute discussion followed by a Q/A session. This event is part of the year-round program on photobook publishing initiated by The Eyes.

THE EYES TALKS

Inspired by the slideshows from his youth, Erik van der Weijde will present Edelweiss, a richly illustrated and personal story on what photography means to him.

THE NONANTE-NEUF TALKS

4—5.30 p.m.

PANEL #3

ARE WE (POST-)DIGITAL YET? (OR HOW I LEARNED TO STOP WORRYING AND LOVE THE INTERNET)

Panel discussion with Doris Gassert

Participants: Daphné Bengoa, Estelle Blaschke, Leo Fabrizio, Jon Uriarte

Digital technologies and networked infrastructures are significantly reshaping and expanding photographic media and with it the practices of making and thinking about photography. Yet current transformations are not always easy to reconcile with the medium’s analogue history and legacy. Drawing on the tension between backward-looking nostalgia and the future unknown, the panel will discuss the challenges and opportunities of our (post-)digital networked culture in transforming the field of contemporary photography.

THE EYES TALKS

6—7 p.m.

4 guests share a photo or editorial project in the framework of a 10-minute discussion followed by a Q/A session.

Pixy Liao — Experimental Relationship vol.1 2007/2017 — Jiazazhi Press

George selley — A study of Assassination — The Eyes Publishing

Paulien Oltheten — NON — Roma Publications

Jules Spinatsch — Semiautomatic Photography — Spector books & Centre de la Photographie Genève

THE COMET, ROSETTA’S JOURNEY

On occasion of the release of the book, La Comète, le voyage de Rosetta (Éditions Xavier Barral), one of the authors, Jean-Pierre Bibring (astrophysicist at IAS in Orsay, FR, in charge of the probe Rosetta’s lander), brings the reader into an interstellar journey in virtual reality. Made from the photographs displayed in the book, taken by Rosetta’s powerful sensors, the film shows the very last instances in the life of the probe in the stellar void of the cosmos until its landing on Philae, a form of miniature scientific laboratory on comet Tchoury. Viewers find themselves on the ground of the fivekilometer-long comet which is made of organic matter and ice.

5—6 p.m.

Presented by Kitty Drake / Stack Magazines

Today’s digitally-led visual culture can seem unattainably perfect. We know that fashion models are air-brushed and Instagram feeds are painstakingly curated, but we are still seduced by this version of reality that exists tantalizingly close to our own, just slightly out of reach. Independent magazine makers are responding to this unreality with characteristic playfulness, moving away from photography as we have traditionally understood it, to insert CGI distortion and alien-like models into their work. From the elaborate artifice of analogue photography to the magazines that deliberately leave traces of their digital tools on the printed page, to the emergence of a new post-human aesthetic, populated by avatars running wild, we present an overview of independent publishing’s love of the imperfect, and the uncanny.

THE EYES TALKS

6—7 p.m.

3 guests share a photo or editorial project in the framework of a 10-minute discussion followed by a Q/A session.

David De Beyter — Damaged Inc. — Rvb Books

Sonia Berger & David Hornillos – Ustedes, Los Vivos — Dalpine

Jean Pierre Bibring — La Comète, Le Voyage de Rosetta — Éd. Xavier Barral

7—8 p.m.

INÈS DI FOLCO & MAD REY

Inès Di Folco is a plastic artist and multi-instrumentalist musician (Rose Mercie, Pira Pora, La Ligne Claire, Tg Gondard, Régis Turner...). She will perform a series of her songs written since 2012, in collaboration with producer and DJ Mad Rey, who will join her on stage.

TEMPLE ARLES BOOKS

MISTRAL

2 bis Rue Condorcet

13200 ARLES

3—6 July 2019

Les Rencontres d’Arles

Main partners

Fondation Jan Michalski pour l’écriture et la littérature

Confédération Suisse

Curated by Anna Planas

Pierre Hourquet

This program is published on the occasion of Temple Arles Books

Designed by TEMPLE

Translated by Frédérique Destribats

With the support of Fondation suisse pour la culture

Pro Helvetia

The nonante-neuf Talks are organized by Pro Helvetia, the Swiss Arts Council. Pro Helvetia has commissioned Doris Gassert with the conception and presentation of this series of panel discussions.

Picto Foundation

Le ministère de la Culture

Fedrigoni

WWW . TEMPLE ARLES BOOKS . COM