Editor’s Note
Top 10 NIGHTCLUBS TO EXPERIENCE IN LAGOS
Featured Column: Food & Literature Fusion
Spot of the Month: Zaza
Interview With Rapheal Efe Irenen
Recipe
Spot Review: Jazzhole
Interview With Adah Isaiah
Elvis Osifo Editor-in-Chief, Lost in Lagos Plus Magazine IG: @edo.wtf
Two things that were once regarded as low-budget entertainment for local audiences have now exploded, pulsing through the veins of the global entertainment industry. One was once a genre confined to smoky Nigerian clubs and the other was displayed as grainy clips, pixelated frames, and, quite frankly, overly dramatic expressions.
Afrobeat and Nollywood began as modest attempts to tell our stories when the world wasn’t listening and feed it when it wasn’t hungry. Today, they both stand tall as one of the world’s most consumed content—and now, the hunger for our culture is greater than ever before. But how did we get here?
In this issue, we explore these questions and more, looking at the journey of the entertainment industry; the history that has brought us here, and the current trends we see that are gradually defining the future.
Unsure of where to start? Check out our list of ‘Top 10 Nightclubs to Experience in Lagos’ and our ‘Top 5 Family-Friendly Entertainment Spots in Abuja.’ Find out how Y2K Nollywood internet memes have become the cultural currency, learn from Rapheal Irenen what the common intellectual property challenges that artists and producers face are, or see what Robert Solomon has to say to music journalists. Emmanuel Iduh and Kikelomo Hassan speak about talents and theatre, and Udile Joseph has questions for Nollywood’s new players.
Run through the pages and live it up!
#DiscoverNigeria
#ExperienceNigeria
#LostinLagosPlus
#LostinLagosPlusMagazine
LOST IN LAGOS 8.7 July 2024 Title: Artistic Expressions FOUNDER Tannaz Bahnam PUBLISHED BY Knock Knock Lifestyle Solutions Ltd PRINTER Mapleleaf Press Ltd EDITOR-IN-CHIEF Elvis Osifo EDITOR Pelumi Oyesanya DESIGN Ernest Igbes CONTRIBUTORS Elvis Osifo, Pelumi Oyesanya, Faith Nnamdi, Mona Zutshi Opubor, Glory Adekahunsi, Raphael Efe Irenen, Chef Jumoke Toyobo, Robert Solomon, Adah Isaiah, Amblessed Chidinma, Joseph Enomona Udile, Arthur Lambo, Emmanuel Iduh, Kikelomo Hassan.
Every month, three products are selected from businesses in Nigeria and shared with you to appeal to your senses. They range from cool, functional items that become indispensable, intimate items that make for thoughtful gifts, to artefacts you can splurge on and everything in between. This month, I made three picks that should maximise your entertainment and delight you.
The Bolt wireless earbuds are designed to deliver the ultimate audio experience for mobile gaming with ultra-low latency. Specifically made for gaming, they enhance your audio experience whether you’re in the middle of intense battles or quiet gaming sessions. With a 45ms ultralow latency, they are over 3 times faster than conventional Bluetooth headsets, ensuring zero lag so you never miss any sound effects.
“Something old, something local, something borrowed, something by Rema”
For true music enthusiasts, there’s nothing quite like the warmth and authenticity of vinyl. Each spin brings you closer to the roots of our iconic genre, offering an auditory journey that celebrates the vibrancy and soul of Afrobeat. It’s perfect for collectors and those who appreciate timeless grooves and celebrate the evolution of the genre.
“Your heart on your waist”
Crafted with love and togetherness, this Asoebi Trackpants by Waf and Alara marries traditional aesthetics with contemporary streetwear. It’s a cultural statement like no other; spanning the Nigerian entertainment, culture, fashion, and sports scene. Whether you’re lounging, skating, or stepping out for a listening party, these track pants add a unique touch of culture and flair to any outfit.
I’m a 20-something-year-old living in Nigeria. I probably spend way too much time obsessing over self-care, food, tech and anything that makes my life easier. Like most people, I find randomly shopping online at odd hours therapeutic. For example, the fact that you picked up a copy of this magazine makes me like you. *Proceeds to add reader to cart!*
Featured Columnist
Mona Zutshi Opubor
Several years ago, I took my children to see a film at The Palms called Power Rangers, with only a vague sense of what to expect. I knew we would encounter young people in tight, single-coloured outfits performing martial arts, but I was hazy on further details.
Power Rangers became a phenomenon when I was nearly an adult. I heard echoes of it from the youngsters I babysat, but it was a bit childish to capture my attention. These kids also talked about their other favourites like the Teenage Mutant Ninja Turtles and Super Mario Brothers. I nodded along when they discussed their interests, feigning comprehension, a strategy that has taken me far in life.
At the time Power Rangers was popular, I was obsessed with more mature, teenage-directed content. I loved 21 Jump Street because Johnny Depp was the most beautiful man in the world. I watched Buffy the Vampire Slayer, dreaming I, too, was a strong, empowered girl who battled demons and kept her community safe. I loved Beverly Hills 90210. I would have given anything to be a California teen with lots of dates. This seemed preferable to being what I was: a tiny, hairy, Indian teenager who was fascinated with–yet terrified of–boys.
My children and I ate popcorn and watched Power Rangers unfold. I can’t say who was more confused by the plot, them or me. They were young, so confusion was their normal. The rangers fought a lot of monsters and kicked a lot of butt. Then towards the end, the music rose to an anticipatory hum and something notable occurred. All of the power rangers merged together to form a tremendous battle machine. The soundtrack clued me into the fact that what I was watching was momentous, the payoff we had all been seeking. But I felt…nothing.
I was not in possession of the nostalgia button that the filmmakers wanted to press. If I had only been a few years younger, I presume
the music would have swept me into a state of ecstasy. The moment would tap into the warmth and safety I felt in childhood, and I would experience an emotional connection to the film. Instead, I left shaking my head, longing for a refund.
Music can take us on journeys through space and time. A few notes of a song, and you’re transported to a different era of your life. I adore 80s love songs because they make me feel like a hopeful, romantic girl, wondering what beautiful magic the future had in store for me. I enjoy the theme songs of the television shows I watched as a kid, and the soundtracks to movies from my youth. They remind me of the sweet anticipation of someone with only 13 precious channels on TV, about to lose herself in a program. I love 90s hip hop and dancehall because it reminds me of being in college in Manhattan, and feeling like I was at the epicentre of cool for a brief moment in time. On the other hand, I despise bouncy kid’s versions of popular music because of the endless years I listened to that drivel on repeat when my children were young.
I wonder what music other people store in their personal time machines, what music they hear that sends them careening into dark or light corners of their past. If you have a moment, drop me an email via my website. I would love to know what music moves you. I want to try and hear what you do and expand my musical horizons. Thank you in advance for the recommendations.
By Elvis Osifo Editor-in-Chief, Lost
t’s 2024, and Lagos’ very own upscale restaurant and lounge is still redefining the standards of luxury with world-class dining and entertainment. Nestled in Victoria Island, you can find Zaza, the pioneers of live entertainment in Nigeria, hosting world-class performances daily from across the globe, and offering a menu that caters to the most discerning palates.
With a fusion of exceptional cuisine and top-tier entertainment, it keeps the city buzzing, creating the ultimate experience that leaves an indelible mark on anyone who walks through its doors. From the moment you arrive, you’re greeted by an air of exclusivity. After confirming your reservation and taking a short walk upstairs, you’re met by a team of stunning, courteous hostesses who guide you into a space that’s as vibrant as it is inviting. The interior is a visual feast—a lavish of colours and textures, with stylish and comfortable furniture and décor that’s meticulously curated to capture your attention. The patterned flooring is a work of art, the lighting fixtures are attention-beckoning, and the lounge’s setup is a masterclass in design. As your eyes settle on the centre stage, you can’t help but feel the anticipation build—this isn’t just a restaurant; it’s a stage where the night unfolds most spectacularly.
Known to be a home of world-class celebrities, this party central introduced live shows and interactive entertainment to Nigeria that rival the best in global nightlife, comparable to Europe’s Lío Mykonos and Bagatelle. Their operation is a blend of smooth sophistication, upholding international standards within its theatrical ambience. The experience is divided into two distinct settings: a diner from 7 pm to 10 pm, offering a sumptuous meal in an exciting atmosphere, and a club setting from 10 pm, where the vibe shifts into a high-energy party. This seamless transition often entices diners to stay for the after-hours revelry. The lounge features two sections—the First Floor and the Harem. While both are open to all, the Harem provides a more intimate, private experience, ideal for those seeking a quieter escape.
Zaza operates from Wednesday to Sunday, with Fridays through Sundays being peak days, ensuring a premium experience with tighter reservations. Thursdays are dedicated to the ‘House of Divas,’—a special
night Zaza pioneered in Lagos to celebrate women in style. Fridays and Saturdays are reserved for the unforgettable Zaza Experience, where international acts, from acrobats to dancers and musicians, take the stage, providing a spectacle that leaves guests in awe. Sundays, known as ‘Billionaire Sundays,’ wrap up the weekend with a luxurious, highenergy bash.
A magical party night, complete with a lineup of crowd-pleasing music that keeps the energy alive for those who have the stamina to dance until dawn is guaranteed at Zaza. It’s not just a hangout spot; it’s the pinnacle of the Lagiosian night-life experience, where every detail, from the performances to the playlist, is curated to deliver an unforgettable night out in Eko.
No upscale venue is complete without a menu and bar that dazzles, and Zaza’s bar does just that. The menu offers an international fusion of flavours, featuring Signature Dishes like the Special Native Pasta and Grilled Fish by Chef Hilda Baci. With Seafood, Beef, Dessert, and a “To Share” sections, it caters to diverse tastes, making it perfect for both solo indulgence and group dining. Their extensive selection of champagne, spirits, and wines reads like a connoisseur’s dream, with bottles sourced from South Africa, Italy, France, Australia, and Argentina.
Zaza is as much about entertainment as it is about dining. From the graceful movements of South African dancers and the sultry rhythms of belly dancers to the awe-inspiring performances of acrobats from Russia, each act is designed to captivate and thrill. The line-up changes regularly, featuring magicians, saxophonists, musicians, old-school dancers etc, ensuring that each night is unique. With infectious afro house beats spun by in-house DJs and the captivating energy of a Fela impersonator, the entertainment at Zaza adds an exhilarating layer to your evening. Whether you’re there for the food, the performances, or the vibrant atmosphere, Zaza delivers on every front, making it a must-visit destination for those seeking to indulge in life’s finer pleasures.
Zaza Lagos, 19 Agoro Odiyan St, Victoria Island, Lagos t: 0912 355 5555, IG: zazalagos
Interview With Rapheal Efe Irenen Entertainment Lawyer, Founder, TEMT Africa
Me et R aphael Efe Irenen, a Nigerian lawyer with expertise in entertainment, media, telecommunications, gaming, technology, and intellectual property laws. As the founder of TEMT Africa, he advises both local and international clients on intellectual property, entertainment, media, and technology laws.
How has the legal landscape for intellectual property in Nigeria’s entertainment industry evolved over the years, particularly with the rise of Nollywood and Afrobeat on the global stage?
In this regard, we’ve seen our laws specifically evolve to cater for recent needs in the entertainment space. For instance, one of the major factors contributing to the growth of Afrobeats and Nollywood is technological advancement. As a result, we’ve seen the rise of DSPs (Digital Service Providers) and SVOD (Streaming Video on Demand) platforms that have made it easy for people all over the world to access entertaining content, including movies and songs. Although this development is commendable, it has given rise to a new breed of criminals who carry
‘‘
In Nigeria, we currently do not have an adequate legal regime for AI. The National Assembly needs to start considering this
out digital piracy and other forms of intellectual property infringement. The Nigerian Copyright Act was recently re-enacted, which saw the new Copyright Act, of 2022, make provisions that adequately cater for the issue of digital piracy. For example, the Act prohibits the circumvention of technological protection measures placed on copyrighted works and authorises copyright owners to issue notices to ISPs for take-down or deactivation of links to infringing content. It also vests with the NCC site-blocking powers for websites that contain content that infringes on copyright.
What are the most common intellectual property challenges that
artists and producers face in the Nigerian entertainment industry, and how can they best protect their work?
Firstly, intellectual property theft. For example, according to the Nigerian Copyright Commission, in 2019, Nigeria lost about $3 billion to digital piracy alone. Although there was no further information given on the sectors that experienced this scourge, it is indubitable that the creative industry is a major target of the bad actors of copyright infringement, particularly given that access to entertainment is now almost digital. Songs and movies are now mainly accessible via DSPs and SVOD platforms.
Another intellectual property challenge is a lack of awareness and enlightenment. Most creatives do not understand the value of the intellectual property of their work(s). Hence, they find it difficult to adequately monetise the intellectual property in their works, unlike their foreign counterparts that are already taking advantage of theirs, for example, through the selling and licensing of their works (catalogues). Nigeria also has a frail intellectual property regime. While there have been steps to update our intellectual property regime in Nigeria to be in line with international standards and best practices—for example, through the enactment of the Copyright Act, 2022—
there are still a couple of issues that creatives still deal with in this regard. Inadequate enforcement measures are one of such issues. It is a primary limiter to the advancement of our intellectual property regime in Nigeria. A major contributor to this is our slow and weak judicial system, which implicates the prosecution of arrested bad actors, thereby frustrating judicial efforts to give effect to the law. Additionally, the punishments for intellectual property infringement in Nigeria are relatively low. For example, the fines payable for copyright infringement are comparatively meagre. For context, the fines payable are between N10,000, which is equivalent to USD9, and N2 million, which is equivalent to USD1800.
What advice would you give to up-andcoming artists on what to look for in their first major contract, particularly regarding royalties and ownership rights?
I’ll advise them to look out for the clauses on the royalty and publishing split—I mean the percentage that goes to them in this regard. However, this is largely determined by the value of the advance that they receive. If the advance is meagre, then they should ensure that the percentage that the contract stipulates that they receive is fair enough—I mean, it should be huge, and it should be such that it covers the inadequate advance. Also, they should look out for the post-term commission provision of their
contracts. Post-term commission entitles the record label or management to a percentage of the revenue to be generated by the artist after the artist has left the label. However, it is also important to note that this is limited to the revenue sources created or facilitated by the label or management. For example, revenues from endorsement deals gotten by the artist during the duration of the recording or management deal, royalties from songs released during the pendency of the recording or management deal, etc. Most artists are unaware of this provision. Hence, it is my advice that they take note of it, particularly because it impacts their revenue after they exit the label or management.
In terms of ownership rights, I’d advise them to look out for clauses that assign or license their intellectual property rights to the labels. This is where an artist can tell if he has any right to the songs to be produced during the duration of the recording or management deal. Also, their names. Labels have this practice where they assign the ownership of the names of the artists to themselves through the recording deal. Some even take steps to trademark the said names, which is not a bad practice, but the artists should take note of this and ensure that this is being done in their best interest.
As the Nigerian entertainment industry continues to grow, what future trends do you anticipate in entertainment law, and how should industry professionals adapt to these changes?
The use of artificial intelligence (AI) tools in music and movie production is one of such trends. This raises certain legal concerns on intellectual property. For instance, we’ve seen AI tools being used to produce entirely new songs. We’ve also seen AI tools being used to make adaptations of certain songs and movies, and on most occasions, these are done without the consent of the author or producer of such songs or movies. This trend is already popular in some countries; however, it is still coming up in Nigeria. But in the coming years, I see it becoming a huge trend. If this becomes the case, then it must be adequately managed through our laws. In Nigeria, we currently do not have an adequate legal regime for AI. The National Assembly needs to start considering this.
In the coming years, as an entertainment lawyer, I also foresee multiple labour lawrelated disputes. This is because the Nigerian entertainment industry is fast becoming one of the biggest employers of labour in Nigeria. According to a report by the International Trade Administration of the United States of America’s Department of Commerce, the Nigerian music industry alone in 2021 employed about a million people. Though the statistics for the years 2022, 2023, and 2024 are not readily available, it is indubitable that the entertainment industry has gone on to employ millions of people since then and it will still employ more people. What this means is that there will be more labour disputes for lawyers, both entertainment and labour lawyers, to attend to in the coming years.
Experience LaseMD exclusively at Proskin, a cutting-edge non-ablative laser treatment for , renewed skin with minimal downtime.
Benefits: Reduces Pigmentation Stimulates Collagen Improves Texture Quick & Comfortable
By Emmanuel Ogechi Iduh Stage Actor and Producer IG: @officiali_itsmee
Imagine going from the rush of live performances, where every show is unique, to the world of film, where every take is permanent. For theatre actors eyeing Nollywood’s spotlight, this is a stressful reality. But what if this transition wasn’t just a leap of faith, but a chance to breathe new life into their craft? As Nollywood continues to race Hollywood for that number one spot fervently, I wanted to share my experience of the ups and downs of leaving the stage for the screen, and what it takes to stand out in both.
Making the leap from stage to screen isn’t without its constant loop of “I may have made a bad decision” thoughts. One of the biggest challenges you may experience would be adapting to the camera’s intimacy. On stage, actors can rely on projection and grand gestures to reach the back row, but on screen, subtlety is key. Every batted eyelid, face twitch, or dancing hair on the goosebumps of your skin, is magnified. Take, for instance, the boisterous humour and energetic performances that make stage plays like Wole Soyinka’s ‘The Lion and the Jewel’ or Femi Osofisan’s ‘Once Upon a Time’ so beloved. Those same qualities need to be reined in for the camera.
Also, theatre actors must adjust to the stopstart nature of film shoots, where scenes are shot out of sequence and rehearsals are quite limited. And then there’s the pressure of performing in front of a camera—which can get super intense—knowing that every take will be scrutinised and potentially seen by millions. For actors who’ve honed their craft on the stages of Lagos’ National Theatre or the Abuja National Assembly’s Conference Centre, this can be a daunting prospect.
While the challenges of transitioning from stage to screen are real, the opportunities offered when you’ve been able to hack it are undeniable. For one, the film industry reaches a vastly wider audience than live theatre ever could. Actors who’ve leapt from stage to screen, like Genevieve Nnaji or Ramsey Nouah, have become household names across Africa and beyond. Moreover, Nollywood’s diverse range of genres–from romantic comedies like ‘The Wedding Party’ to gritty dramas like ‘Lionheart’–offer actors the chance to explore new roles and showcase their versatility. And with the rise of streaming platforms, Nollywood films are now more accessible than ever, opening up new avenues for actors to build a global fanbase.
One of the most inspiring examples of an actor who’s made a successful transition
from stage to screen is Joke Silva. With a career spanning over four decades, Silva has effortlessly navigated both play and film, earning critical acclaim for her performances in films like ‘Funmilayo Ransome-Kuti’ and ‘Potato Potahto’, as well as stage productions like ‘The Lion and the Jewel’. Another notable example is Olu Jacobs, who seamlessly transitioned from starring in stage plays like ‘Othello’ to becoming a household name in Nollywood. Their stories butter-spread in the fact that, with dedication and hard work,
theatre actors can thrive in the film industry.
The transition from stage to screen is a journey worth taking for Nigerian theatre actors. While it presents its unique challenges, the opportunities offered by Nollywood are vast and exciting. By embracing this process, you can expand your creative circumference, reach a wider audience, and take your career to new heights. So, let the curtains draw open on this new chapter, and let the cameras roll!
Interview With Robert Solomon Music Journalist Founder, The RCJ Company
When Afrobeat artists team up with international musicians, it creates a unique blend of sounds that not only broadens the appeal of Afrobeat but also introduces new influences
Afrobeat has become a global phenomenon, but its roots run deep in Nigerian culture. How do you see the genre’s evolution from its origins to its current global status?
Afrobeat’s journey is truly remarkable. The genre, which was pioneered by legends like Fela Kuti, who used it as a vehicle for social and political commentary, has continued to evolve. We can now witness the incorporation of elements of hip-hop, dancehall, and pop, making it more accessible to global audiences while still retaining its African essence. The genre’s growth today has been fueled by the diaspora, digital platforms, and the rise of artists like Tiwa Savage, Burna Boy, Wizkid, and Davido, who continue to bridge the gap between traditional sounds and contemporary music trends. Today, Afrobeat is celebrated worldwide, not just as a music genre but as a cultural movement that represents the African people.
Collaborations between Afrobeat artists and international musicians are becoming increasingly common. How do you see these collaborations influencing the sound and direction of Afrobeat?
These collaborations have been a game changer for Afrobeats, helping to push the genre even further into the global spotlight. When Afrobeat artists team up with international musicians, it creates a unique blend of sounds that not only broadens the appeal of Afrobeat but also introduces new influences. For example, tracks like Wizkid’s “Essence” with Justin Bieber or Burna Boy’s “Location” with UK rapper Dave bring together elements of R&B, hip-hop, and electronic music, creating something fresh and exciting. I think these collaborations will keep pushing the boundaries of what Afrobeat can be, making it a dynamic and everevolving genre on the world stage.
The music industry is known for its
trends and cycles. What emerging trends in Afrobeat do you think will shape its future?
I think one trend that’s becoming increasingly prominent is how Afrobeat artists are evolving into global style icons. This isn’t a new phenomenon anyway; if we look back at Fela Kuti and even Lagbaja, they were not just known for their revolutionary music but also for their distinctive style. Fela’s bold and vibrant clothing choices were an extension of his personality and his message. Today, Afrobeat artists continue this legacy, blending music with fashion in powerful ways. This connection between music and fashion, as we know, is a key form of self-expression, and when these two creative forces combine, it creates a lasting cultural impact that resonates far beyond just music.
Finally, what advice would you give to upcoming music journalists who want to cover Afrobeat with depth and authenticity, considering the genre’s rich history and rapid evolution?
My advice is to start by immersing yourself in the roots and history of Afrobeat. Understanding the origins of the genre, and how it became a voice for social and political change in Nigeria is essential. But beyond that, it’s also crucial to stay current with how the genre is evolving. Afrobeat in the early 2000s isn’t the same as it is today, and recognising this evolution is key to covering the genre with depth and authenticity. It’s also important to embrace your voice as a journalist. I remember when I first started, I often doubted myself, comparing my work to others and feeling like I had to conform to a certain style or approach. But over time, I realised that there’s power in being authentic and embracing your unique perspective. Your creativity, your insights, and your voice are what will make your coverage stand out, so don’t be afraid to bring your own experiences and interpretations into your writing.
By: Amblessed Chidinma Event Producer amblessedchidinma@gmail.com
IG: @amblessed_nma
Different elements make a music event stand out, let’s explore a couple.
Curated Lineup:
Venue Selection:
Your lineup of performers has to be really solid. A thoughtfully curated lineup that balances popular acts with emerging talent can set the tone for an event. It’s important to create a flow that builds excitement, keeps the crowd engaged, and offers a variety of musical styles to cater to different tastes. Your lineup alone can generate buzz and anticipation for an event.
guests and create a great atmosphere for the event.
Quality:
I’ll tell you for free, there are venues in Lagos that can affect the turn-up for an event so the selection is important. Venues with plenty of restrictions are a turn-off, especially for people who want to party. You should be able to effectively accommodate your
Speaking of curating vibes, here are some current trends in the music event industry that people are embracing to produce events.
My boss always says, “You need to give people a show” and that’s one thing I’ve noticed with music events. It’s not just about the performances, it’s in the process. From how the musician is announced, to when he is coming on stage to the entire performance, it shouldn’t be basic. Watch Coldplay’s live performances and you’ll understand what I’m saying.
Crystal-clear sound is a non-negotiable. Invest in a top-notch sound system that can handle the dynamics of live performances and DJ sets. The right acoustics and sound engineering ensure that every beat and melody resonates with the audience, keeping
the energy high throughout the event.
Lighting and Visuals: When the lights and visuals are in sync during a musical event, it’s absolutely beautiful! There’s just something about them on LED screens moving in synchronisation with music and beats that give the music event a wow effect.
Look and Feel:
The aesthetics of the space need to give. Aside from the experience with musicians, your guests need to have immersive moments within the space. Interactive walls, really nice photo booths, glow sticks, live art installations and other elements should be considered to provide an interesting vibe.
Event producers are now designing grand, theatrical entrances that build anticipation and excitement. This could involve everything from light shows and pyrotechnics to the artist arriving on stage via a unique method, like emerging from beneath the stage, descending from above, or even arriving through the crowd.
Another thing is the element of surprise. To keep the audience on their toes, artists often incorporate surprises into their performances. This could be an unexpected guest appearance, an unreleased track, or a sudden change in stage design. These add a sense of unpredictability, making the performance more memorable.
Network relentlessly! The music industry is all about who you know. Attend industry events, concerts, and meetups to connect with other professionals in the field, from fellow event managers to artists, venue owners, and suppliers. Building a strong network can open doors to opportunities and collaborations that can help you advance your career.
Secondly, immerse yourself in watching and studying music events globally, from backstage happenings to live performances. Watch intently and take note of everything.
Thirdly, understanding the financial side of event production is crucial. This includes budgeting, negotiating contracts, managing costs, and maximising revenue streams like ticket sales, sponsorships, and merchandise. Financial acumen will ensure that your events are not only successful but also profitable.
Finally, you need to be creative and find that extra element to add, that can make your event stand out and keep people talking. It really doesn’t have to be over the top but something that can give people an experience.
By: Elvis Dante Osifo Editor in Chief, Lost in Lagos Plus Magazine
“I no know if you sabi the desperate chicks?” That was both a question and part lyrics to the viral ‘Desperate Chicks’ TikTok challenge. Raking almost a billion total views from all the creators that have used the sound, you probably must have seen or even participated in the challenge. In 2024, where memes are the lingua franca of the internet, few could have predicted that excerpts from old Nollywood movies would become some of the most recognisable exports of Nigerian culture. What was once regarded as low-budget entertainment for local audiences has now transformed into a rich reservoir of global cultural capital, influencing entertainment and its closest cousins, beauty and fashion, and fostering new communities online and offline.
It started with a few grainy clips, pixelated frames, and dramatic expressions that perfectly captured the absurdity, humour, and melodrama of daily Nigerian life. These iconic scenes, often accompanied by exaggerated gestures and memorably epic oneliners, were ripe for the picking by savvy internet users looking
to inject humour into their tweets, posts, and videos. What followed was an explosion of memes that took the internet by storm, with Nollywood stars like Patience Ozokwor, Kanayo O. Kanayo, Genevieve Nnaji, Rita Dominic, Eucharia Anunobi, Pete Edochie, Mercy Johnson, Chinedu Ikedieze and Osita Iheme unwittingly becoming global internet icons.
According to a report by We Are Social, Nollywood memes have been shared hundreds of millions of times across various social media platforms, from X formerly known as Twitter and Instagram to TikTok and beyond. The hashtags #NollywoodMemes and #NigerianMemes have garnered billions of views, proving that the world is more than ready to embrace this unique facet of Nigerian culture. These memes are more than just fleeting moments of internet humour; they have become a cultural capital, a way for people worldwide to connect with Nigerian culture in a manner that is accessible, entertaining, and relatable. The global appeal of these memes lies in their universality—the themes of love, betrayal, ambition, and family dynamics depicted in Nollywood, which are experiences that resonate with people across different cultures and continents.
But the influence of these memes extends far beyond the ‘banger boys’ and girlies. The rise of the Y2K Nollywood fashion community is a testament to how deeply these memes have permeated global consciousness. Young fashion enthusiasts and designers, inspired by the vibrant and often flamboyant styles of early 2000s Nollywood, have embraced this aesthetic, reviving and
modernising it
for today’s audience. We see designated Instagram and TikTok pages now brimming with accounts dedicated to curating these nostalgic looks, blending them with contemporary trends to create something entirely new yet radiating the Nigerian Y2K cultural energies. We can also see the era’s influences on subcultures like Alté. A few of the torchbearers
The influence of Nollywood’s aesthetic is now seen on international runways, in music videos, and even in Hollywood productions. Designers and creatives from all over the world are tapping into the rich visual language of Nollywood, using it as inspiration for everything from fashion collections to film sets. It’s a clear indication that Nollywood, once dismissed as a niche local industry, is now a powerful force in shaping global culture.
of the popular subculture blend the raw, unpolished energy of old Nollywood with the rebellious spirit of alternative fashion—giving birth to Grunge Alte aesthetics. Some of them include Ashley Okoli, who is defining the subculture in Lagos and was also recently picked for Victoria’s Secret World Tour, and Eloghosa Osunde, the author of the critically acclaimed ‘VAGABONDS’—a New York Times Editors Choice—and winner of the MoAD’s African Literary Award, Plimpton Prize for Fiction, and ASME Award for Fiction. Their style, amongst other things, speaks to a generation of young Nigerians who are proud of their roots and are unafraid to push the boundaries of cultural expression.
Beyond fashion and aesthetics, Nollywood memes have fostered a sense of community among diaspora Nigerians and African culture enthusiasts worldwide. Online communities have sprung up, where members share and discuss their favourite nostalgic Nollywood moments, swap fashion tips inspired by old films, and even organise Y2K-themed parties in the spirit of the era’s music and movies. These communities provide a space for cultural exchange and celebration, helping to keep the spirit of old Nollywood and Afrobeat alive and relevant in our rapidly changing world. Moreover, the viral nature of these memes has introduced Nollywood to audiences who may have never encountered Nigerian cinema otherwise. As people engage with these memes, they become curious about their origins, leading them to explore Nollywood films, actors, and stories more deeply. This curiosity has sparked a renewed interest in classic Nollywood films, with streaming platforms like Netflix now featuring a growing selection of these movies, bringing them to a global audience.
The impact of Nollywood memes on global culture is undeniable, and the numbers back it up. According to Statista, the global demand for Nollywood content has increased by 300% over the past five years, with much of this growth attributed to the viral spread of Nollywood memes. In 2023 alone, Nigerian films accounted for over 50% of the African content consumed on global streaming platforms, a clear sign that Nollywood is no longer just a local phenomenon but a global cultural powerhouse
What started as light-hearted internet fun has grown into a fullfledged cultural movement, one that is reshaping how the world sees and engages with Nigerian culture. So when someone finds themselves chuckling at an ‘Aki and Pawpaw’ meme, they are not just sharing a funny reel—they are practically exporting the Nigerian culture to the world. And this is an action that should be done by every Nigerian; because in the words of Don Jazzy, “Na Collabo.”
By: Faith Ejenavi Social Media Manager, Lost In a City
Lagos, known for its vibrant nightlife and pulsating energy, offers an array of nightclubs that cater to diverse tastes and styles. From swanky spots with international DJs to intimate venues with a unique vibe, the city’s nightlife scene is nothing short of exhilarating.
Here are the top 10 nightclubs you must experience in Lagos
W Bar Lounge is a stylish restaurant and bar nestled along the waterfront in the vibrant heart of Lagos Island. It offers the perfect escape from the hustle and bustle of the city, blending urban sophistication with a lively nightlife vibe. This hotspot is the ultimate destination for those looking to indulge in a glamorous evening out, surrounded by the city’s most fashionable partygoers.
1
CCRG+VVP Cowries Terminal, LASWA Yard, 5 Falomo Bridge, Ikoyi t: 09080066666, IG: @wbarlounge
Vertigo is a rooftop bar and lounge that has quickly become one of the trendiest spots in Lagos. Perched high above the city, this chic venue offers stunning panoramic views of the Lagos skyline, with an exhilarating ambience, making it the perfect setting for an insane nightlife experience.
23b2, Idejo Street, Victoria Island t: 09131115555, IG: @vertigolagos
3
Ballr, the pinnacle of luxury nightlife, offers an unparalleled blend of sophistication, style and excitement. Situated in the heart of the city, this upscale lounge and nightclub offers an exclusive atmosphere perfect for an unforgettable night. Ballr Lagos boasts a modern and opulent interior, setting the stage for an unforgettable night. With top DJs, expertly mixed cocktails, and a lively crowd, it always delivers an exceptional experience.
131B, Ahmadu Bello Way, Victoria Island t: 09165659000, IG: ballrlagos
2
Vault Resto-Lounge is a hidden gem in Lagos, expertly blending fine dining with a chic lounge experience. The ambience at Vault is a harmonious mix of modern elegance and cosy sophistication. Whether you’re relishing a romantic dinner, hosting a private event, or simply unwinding with friends, this spot offers the perfect setting.
9, Sasegbon Street, GRA, Ikeja t: 09120007058, IG: @vaultrestolounge
4
245 Lagos is one of the hottest dance and nightclubs in Lagos, offering an electrifying experience. The club’s sleek, modern design sets the stage for a night of dancing and socialising. With a state-of-the-art sound system and top DJs spinning the latest hits, the dance floor is always packed.
11b Akin Adesola Street, Victoria Island t: 08184500453, IG: 245lagos
Lavella is a beacon of sophistication and allure in the city’s nightlife scene. This ultra-lounge offers an exclusive late-night experience that goes beyond the ordinary, merging elegance with high-octane energy. It prides itself on exceptional service and a curated menu offering a selection of gourmet dishes. With outstanding entertainment and a luxurious setting, it remains a top choice for anyone looking to bask in Lagos’s vibrant nightlife.
65 Adeola Odeku Street, Victoria Island t: 09138111999, IG: @lavella_lagos
Vaniti Lagos is known for its lively atmosphere. With its modern design and high-quality sound system, the club provides an immersive experience that keeps the energy levels up and the crowd entertained. Its exclusive ambience guarantees an unforgettable night out, making it a go-to spot for nightlife aficionados.
17 Adeola Odeku, Victoria Island t: 09164909000, IG: @vanitilagos
As one of the city’s most stylish spots, Boho Lagos stands out for seamlessly blending fashion and nightlife. Known for its chic, fashion-forward atmosphere, it offers a vibrant mix of exclusive parties and dynamic events. More than just a bar, Boho Lagos is a top destination in Lagos where style and entertainment merge for an exciting experience.
Quilox offers a dynamic and upscale environment that promises an unforgettable night out.
With its blend of glamour, world-class entertainment, and exceptional service, it is a beacon of high-end nightlife in Lagos, making it a top destination for both locals and visitors alike. The club regularly features performances by renowned DJs, live acts, and special guest appearances that keep the energy high and the dance floor packed.
873, Ozumba Mbadiwe Avenue, Victoria Island t: 08140090009, IG: @clubquilox
Zaza, an upscale restaurant and lounge, has set a new benchmark in Nigeria’s hospitality industry by blending exceptional cuisine with world-class entertainment to create an unparalleled dining experience. Zaza isn’t just a restaurant, it is a show. Each night, diners are treated to spectacular performances featuring acts from across the globe, all within a theatrical setting that elevates every meal into a fulfilling experience.
14b, Akin Adesola Street, Victoria Island t: 07016411488, IG: @boholagos 10
19, Agoro Odiyan Street, Victoria Island t: 08179459734, IG: @zazalagos
By Jumoke Toyobo Chef TYB IG: @cheftyb
Ingredients
500g Ritz salted crackers
200g Fois Gras
3 tablespoons Lump roe
3 tablespoons Cream cheese
1 teaspoon Salt
1 teaspoon Black pepper
10g Dill
2 pieces Radish
Instructions
In a bowl, combine foie gras, cream cheese, sea salt, and black pepper until smooth and well blended.
Thinly slice radishes for garnish and set aside.
Transfer the foie gras mixture to a piping bag.
Arrange crackers on a serving board and pipe a dollop of the mixture onto each cracker. Top with a small amount of lump roe, then garnish with radish slices and fresh dill leaves.
Serve and enjoy as a sophisticated appetiser.
Chef TYB is a Michelin-star-trained chef, restaurant consultant, and private chef with over seven years of experience. She has worked in restaurants overseas and Nigeria, collaborating with brands like Balvenie, Dússe, and Glenfiddich. Passionate about showcasing Nigerian flavours, Chef TYB creates culinary experiences through innovative techniques and groundbreaking ingredient pairings to leave her guests excited and mesmerised.
By Jumoke Toyobo Chef TYB IG: @cheftyb
Ingredients
150g Mash potatoes
350g Lamb mince
3 Garlic cloves
1 teaspoon Parsley
1 teaspoon Mint
1 large Avocado
2 pcs Eggs
2 teaspoons Parmigiano reggiano
1 cup Breadcrumbs
1 1/2 cup Neutral oil
1 teaspoon Cumin
2 teaspoons Salt
1 tablespoon Oregano
2 teaspoons Smoked paprika
1 teaspoon Coriander
1 teaspoon Black pepper
1 teaspoon Allspice
1 teaspoon Rosemary
1 teaspoon Thyme
Instructions
Preheat the oven to 180°C and prepare two baking sheets or use a slip mat, setting them aside.
In a large bowl, mix the lamb, mashed potatoes, Parmigiano Reggiano, garlic, parsley, salt, cumin, and other spices until well combined. Divide the mixture into 30g sections, rolling each piece into an even-sized round shape.
Place the egg in a shallow bowl and the breadcrumbs in another. Roll each lamb round in the egg mixture, then coat with breadcrumbs, and place on the prepared baking sheet.
Heat a large pan over medium heat and add neutral oil. Cook the lamb rounds in the pan for 5 minutes on each side. Remove and transfer them to the other baking sheet.
Bake the lamb croquettes in the oven for 10 minutes. Remove and serve with roast pepper emulsion and avocado créma. Garnish as desired.
By Pelumi Oyesanya Editor, Lost in Lagos Plus Magazine
Stepping into Jazzhole felt like entering a time capsule of Nigeria’s vibrant music and literature from the 70s and 80s. It’s a hidden gem in Lagos that showcases the legends and icons who have shaped and continue to influence our culture through powerful sounds and words.
As a young Lagosian, one of my favourite aspects of the city is how its history is embedded in its architecture, conversations with veterans, and iconic spaces. So, when I heard about Jazzhole in the heart of Ikoyi, I was eager to explore and satisfy my Gen Z curiosity with firsthand experience.
The moment I walked into the cosy space, I was greeted by the unmistakable scent of old books, reminiscent of a library filled with authentic artefacts. My eyes were immediately drawn to the vibrant stacks of vinyl records from legendary African music pioneers like Onyeka Onwenu, Fela Anikulapo Kuti, King Sunny Ade, and Ebenezer Obey. I also spotted classics from Black American favourites like Michael Jackson, Whitney Houston and Lauryn Hill.
As I wandered through the space with my brother, an artist and music enthusiast, we discovered stunning literary works, including Chimamanda Ngozi Adichie’s Purple Hibiscus, Chinua Achebe’s Arrow of God, and Wole Soyinka’s Death and the King’s Horseman. I was thrilled to find books from modern voices like Bolu Babalola and Onyi Nwabineli, whose novel Someday, Maybe captivated me so much that I couldn’t resist buying it.
In terms of customer service, there’s room for improvement. The
warmth that could have enhanced the experience was lacking from the staff. For content creators, it’s important to note that there are strict restrictions on filming and taking pictures inside. The venue also features a bar/coffee area and a section for live performances, which I found intriguing. It’s clearly a haven for those who appreciate historical pop culture, particularly in Africa, whether you’re seeking inspiration for music, writing, or simply enriching your artistic sensibilities.
It’s safe to say that the essence of entertainment is wellpreserved in places like Jazzhole. I’ll definitely return, but next time with some company again, as the overall experience is much richer when shared.
Jazzhole
168 Awolowo Road, Ikoyi
t: 0803 332 0398
IG: @jazzholelagos
Average Price For Books ₦: ₦10,000
Value for Money:4/5
Comfort: 3/5: Cool ambience but stuffy
Service: 3/5: Staff could be more friendly
Overall Rating: ����
Good for:
Buying Books
Buying Vinyls
Open mic nights
By Udile Joseph Enemona Udilejoseph00@gmail.com IG: enemona_udile
For a lot of us, movies were the way we saw the world. It shaped our minds on how the world would work, what we could do better, where we are now and where we can hope to be in the future. As a teenager, Genevieve Nnaji would help me understand that I could be refined, that I could want the best things in life and still be pretty and talented. She helped me understand the distinctions between beauty and brains as she had both and wielded them artfully. Omotola Jolade in desperate sisters showed that one could be in touch with the heartbreaking realities of life but still rise like a phoenix. These classical acts practically groomed the spirit of willfulness in me. They were my superpower, the heroes of my childhood.
Now I’m grown and have come to terms with the narrative of Nollywood presently. As beautiful and refined as it is, they’ve helped us realise that novelty doesn’t have to be stagnant. They’ve evolved and grown to become a high-end streaming platform, the world’s second-largest movie industry according to PWC, with movies on many international televisions. I can be in the United States and watch Nollywood. The possibilities are endless.
But, one question that worries me is “Are the new actors and actresses that seem to have replaced our beloved classics still true to the virtue
of authenticity and reality like that of old Nollywood? Would I still laugh at an ingenious joke by Ostia Iheme and Chinedu Ikedieze that has re-emerged as “meme culture “ reiterating their originality and still learning a thing or two about the realities of my environment?
‘‘
Today, Nollywood movies are consumed by many worldwide, and on the biggest platforms in the world like Netflix and many more, contributing over N239B to the GDP as of 2016
Nigeria’s movie industry, Nollywood, is constantly evolving. Like any evolving species, certain traits persist and inform us about the journey of the industry. What is the trait that speaks to the talent we once had, the beauty of our drama, and the growth we have
achieved? From a box office gross of over 30 million for The Figurine movie in 2009, we have seen revenue increase to over 1.4 billion for the ‘A Tribe Called Judah’ movie in 2023.
Today, Nollywood movies are consumed by many worldwide, and on the biggest platforms in the world like Netflix and many more, contributing over 239 billion naira to the GDP as of 2016 according to Spotlight by PWC in 2017. If these finances and technology were available before now, would our movie industry still be the second largest, or would we stand a competitive chance on the world’s movie scene?
There’s so much more to give from our experiences and narrative that can place Nollywood in an original scene than the stories we put out there. Movies like Half of a Yellow Sun and Lionheart led a charge that screamed innovation, reality and storytelling, elements we scarcely see in today’s scripts and directions which tend to copy existing Hollywood trends.
Every day, Nigeria and Nigerians live and write a new story, there’s no shortage of it, these stories are relatable, original and authentic. These trends motivated us to take action; we should strive to innovate and move beyond imitation.
Lost in Nigeria? No worries, as we’ve got you covered. Explore the diverse and captivating points of interest scattered across the country, curated just for you. Whether you’re seeking cultural immersion, outdoor escapades or culinary delights, we handpick a selection of upcoming experiences for you to discover and indulge in every month.
Lagos Fashion Fair brings together Nigeria’s brightest designers and fashion entrepreneurs, showcasing their innovative and creative work on an international stage. With masterclasses taught by leading industry experts, business-to-business matchmaking, and a cocktail party for networking, this is one of the best opportunities for anyone interested in fashion. Whether you’re a designer, entrepreneur, or fashion enthusiast, this event promises inspiration, connections, and opportunities to take your fashion dreams to the next level!
3rd - 5th September - Eko Convention Centre
The Digital Africa Conference and Exhibition 2024 is the premier event for technology enthusiasts in Africa. With the theme “AI and Africa - Building Sustainability,” this edition is your gateway to the latest consumer technology. It’s a unique opportunity to network with strategic partners, investors, and potential buyers while enhancing your brand’s reputation. If you’re passionate about technology and innovation, this conference offers access to the cutting-edge trends shaping Africa’s digital future.
3rd - 4th September - Reiz Continental Hotel, Abuja
Propak West Africa is the largest packaging, food processing, plastics, labelling, and print exhibition in the region, making it the go-to event for food processing and packaging professionals. This exhibition offers a dynamic platform for connecting with potential buyers, traders, and industry leaders. From packaging materials to food processing equipment, the event showcases a wide array of products and services that cater to the diverse needs of West Africa’s booming markets. Key into this opportunity to explore, network, and form lasting business relationships across the industry
10th - 12th September - Landmark Centre, Lagos
Get ready to experience the vibrant world of travel and tourism at the Akwaaba African Travel Market 2024. This is the leading international event for travel, tourism, and hospitality in Africa. Held annually, this event attracts businesses, investors, government decision-makers, and industry buyers from across the globe. Akwaaba is your ticket to discovering new business opportunities, staying updated on industry news, and exploring products that span the continent and beyond.
22nd - 24th September - Eko Hotels & Suites, Lagos
Africa International Conference on Clean Energy and Energy Storage 2024
Be at the forefront of Africa’s clean energy revolution at the Africa International Conference on Clean Energy and Energy Storage (AICCEES) 2024. With groundbreaking research presentations, networking opportunities with global experts, and discussions on shaping clean energy policies in Africa, AICCEES 2024 is the perfect event for you if you are passionate about sustainable energy practices and technologies.
26th - 27th September - Institute of Petroleum and Energy Studies, Port Harcourt
I captured a masked magician twisting reality in a dim lounge with a simple newspaper. As he unfolded the impossible, the crowd held their breath. In that brief moment, I froze the magic through my lens, preserving the mystery in a single frame.
Arthur Lambo is a talented photographer who specialises in creating unique and captivating images and videos across various industries, including food, restaurants, hotels, real estate, fashion, and events. He has a keen eye for capturing the distinct expression in each dish and the emotion within every space, understanding that every business has a unique style that sets it apart. Arthur’s goal is to become a creative partner, helping clients tell their stories through his exceptional photography.
IG: @wildonecreatives
By Kikelomo Hassan Writer and Actor IG: @kikelomohassan01
Growing up, African representation in film, TV and theatre was something I barely saw. Outside of beloved Nollywood films, I couldn’t think of a single prominent African actor in the international sector. This frightened me a lot as a young, aspiring African actress growing up in Ireland. I attended three youth theatre and acting classes and I was always the only black African actor there. From my point of view, if there were hardly any African actors here, how would I ever find success?
At one point, I thought the issue was my name. Kikelomo Hassan. Maybe it was too hard to pronounce? Not as palatable as other names. So, for a bit, I decided to use my middle name as a stage name. Rachel Hassan. However, that didn’t feel right.
Eventually, I had to wise up and realise that the issue wasn’t that my name wasn’t easy to pronounce.
The problem was that mainstream media wasn’t focused on the wonderful talent coming out of Africa.
I believe that nowadays, things are a lot better. Not perfect but certainly better than when I was a child. Representation is so much better. I’ve personally gotten the opportunity to star in stage plays and short films, not only through my university course but outside of it too. I performed at the world-famous Edinburgh Fringe Festival this year and have been cast in a sci-fi play set to be put on in 2025.
Additionally, within the UK, I’ve witnessed more and more amazing opportunities popping up for other African actors. I recently spoke to the Artistic Director of Utopia Theatre, a theatre company centred around the African community and they’re about to perform “Death and the King’s Horseman” by Wole Soyinka.
I see more African actors in the mainstream. Idris Elba, Michaela Coel, Damson Idris, John Boyega and fortunately so many more. It’s so much better. Not perfect but I think we’ve come a long way. It makes me optimistic about the future.
By Glory Adekahunsi
Abuja offers a wealth of family-friendly entertainment options, from thrilling amusement parks to tranquil gardens and educational zoos. Whether you’re seeking adventure, relaxation, or a bit of both, the city’s top spots provide diverse experiences that cater to all ages. These destinations ensure that every family outing in Abuja is filled with fun, learning, and memorable moments.
Magicland Amusement Park, formerly known as Wonderland Park, is the quintessential funfair destination for families. It offers a wide range of rides suitable for all age groups, from gentle carousels and bumper cars for the little ones to exhilarating roller coasters for thrill-seekers. The park also features arcade games, go-karting tracks, and picnic areas, making it a full day of fun. Special events like magic shows, clown performances, and festive celebrations add to the park’s appeal, ensuring there’s something for everyone.
No. 1, Kukwaba Hills, Constitution Ave, Wuye, Kunkwaba t: 0805 555 3512, IG: @magicland_abuja
As Abuja’s largest park, Millennium Park provides a tranquil escape from the city’s hustle and bustle. The park is perfect for strolls, picnics, and outdoor games. Its vast open spaces are ideal for kite flying, biking, and picnics. Sometimes, the park hosts open-air concerts and film screenings, making it a multifaceted recreational spot suitable for the whole family.
5, Usuma Street, Three Arms Zone
Open 8 am - 6 pm daily
Boat Club
Jabi Boat Club, located by the tranquil Jabi Lake, offers a day of aquatic adventures. The club provides boating, jet skiing, pedal boats, horse rides, and an open park, making it an ideal spot for families. The well-maintained playground keeps younger children entertained, while the on-site restaurant serves child-friendly meals. Additionally, occasional family-friendly events add to the club’s charm, making it a favoured destination for relaxation and fun.
3C97+VVV, Alex Ekwueme Way, Jabi t: 0808 089 9289, IG: @jabiboatclub
The National Children’s Park and Zoo offers families an educational outing where kids can learn about wildlife conservation and see animals like lions, zebras, and giraffes up close. The park also includes a playground equipped with swings, slides, and jungle gyms, providing a balanced mix of fun and learning. Regular workshops educate children on environmental conservation, making this park a must-visit for families interested in nature and wildlife.
Wuse, Abuja 900108, Federal Capital Territory
Open 8 am - 9 pm
Introducing children to the sport of golf is easy at the IBB International Golf and Country Club. The club features a sprawling 18-hole course, where families can enjoy a round of golf or take lessons from professional instructors. Besides golf, the club offers a variety of other recreational facilities, including a swimming pool and tennis courts. The well-manicured grounds and serene atmosphere provide the perfect backdrop for a day of outdoor activities and relaxation.
41, Udi Hill Street, Off Aso Drive t: +234 (9) 780-9488, Open 6 am - 8 pm
By Glory Adekahunsi
onoliza in Abuja offers a perfect blend of relaxation and excitement, making it an ideal spot for a leisurely day out. From the moment you step in, you’re welcomed by a breezy and serene ambience that immediately puts you at ease. The entrance provides a charming view of the amusement park, which, though quiet on a weekday, promises fun and thrills with its rollercoaster and other attractions, especially on busier days and weekends.
A short walk will take you to the horse pen, which, although modest with just two horses, adds a quaint and rustic charm to the place. The sports arena caters to a wide range of activities, with pitches for football, basketball, volleyball, and lawn tennis. Additionally, there is a swimming pool, a dance studio, a lounge, and more, ensuring there’s something for everyone. Keep in mind that some activities need to be booked ahead of time. The lounge panels, with their perforated design, create a captivating light effect, especially at night, adding to the overall appeal. It offers a comfortable and cosy interior, providing a welcoming environment to unwind.
When it came to dining, I had an enjoyable experience. Although my first choice, the Coco Pine drink, was unavailable, the Oreo Choco I ordered was a good alternative. The grilled chicken with mashed potatoes that I ordered was excellent! The chicken was juicy and perfectly grilled, and the mashed potatoes were rich and flavorful. While the sauce wasn’t
quite to my liking, the complimentary fruit bowl made up for it, showing thoughtful service. I also enjoyed some Arabian tea, which was a lovely addition to my meal and fitting for the cold weather.
Overall, Monoliza delivers a wonderful experience with its inviting ambience, varied activities, and delicious food. It’s a place that leaves you feeling satisfied and relaxed, making it a must-visit for anyone looking to enjoy a peaceful day out in Abuja.
R.B Dikko Road, Garki 11 info@monolizaabuja.com t: 0817 777 3757
IG: @monolizaabuja
Average Price: ₦ ₦ ₦ - Less than 20,000
Average Price For Meal ₦: ₦10,000
Average Price for Activities ₦ : Less than ₦10,000
Value for Money:4/5
Comfort: 5/5: Cool ambience
Service: 4/5: Great service, warm and friendly staff
Overall Rating: ����
Good for: Hangouts (Group) Unwinding Fitness Hangouts.
Interview With Adah Isaiah Singer, Producer, and Director IG: @Icebluemusic @Icebluefilm
Storytelling in music and visuals is intertwined. Music is stale without a good story”
MYour journey as a singer, producer, and director is unique. How did you navigate these interconnected creative fields, and what inspired you to explore each of them? I was born in Zaria and my musical journey started as early as Primary 3. When I gained admission into Ahmadu Bello University in 2008, my musical and artistic talents became more pronounced, leading to performances at campus events where I shared the stage with huge Nigerian/International acts like Praiz, Kcee, Ice Prince, etc.
Lagos is the backbone of hub Nigerian and the African entertainment industry. So after uni, it was a no-brainer to relocate there to hone my skills in the entertainment space. After discovering my interest in storytelling through my music, I often visualise ideas and visuals to convey the story, taking into account mood, writing, and backstories. Lastly, huge influences who deserve credit for my entire creative journey up until this point are Boys II Men, Joe, 2pac, Craig David, Michael Jackson and my brothers for the good music I listened to growing up. All of them played a role in my affinity for good sounds when I fully went into music production.
Can you share a defining moment where your skills as a singer, producer, and director came together to create something truly memorable?
A memorable experience for me was when I was at film school learning the art of directing. I realised that everything was coming together because even in movies, you cannot do without mood, theme, etc. My knowledge of music came in handy to convey moods in movies. i.e. sad, happy, and confused which could be laudable via the type of sounds used in storytelling not deviating from the theme and essence of every piece.
How do you see the evolution of Afrobeats, and what role do you think multidisciplinary artists like yourself play in shaping its future?
Over the years Afrobeats has revolutionised the industry. What has stood out to me is our essence and the originality of our sound, which has been widely accepted in the diaspora. My role as a producer, songwriter, and director is to tell our African stories and culture through our undiluted sound and create good results that will level up to the international music market and emphasise originality.
In your opinion, what is the importance of storytelling in music and visuals, and how do you ensure that your work resonates with your audiences?
Storytelling in music and visuals is intertwined. Music is stale without a good story. In my opinion, good music should convey a captivating narrative in form, and visuals with the use of mood, colour, sound, and theme.
Looking ahead, what are your aspirations for the future of your career and the Nigerian entertainment industry?
I aspire to bring the world to Africa, Nigeria precisely because there are a lot of undiscovered talents in the country. I am already on the route to making this possible because I own a music label aimed at connecting creatives to a broader audience. We provide music support, and education, and introduce more channels to make music sustainable, especially in this part of the world.
