A Christmas Carol - Dec 2018

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A CHRISTMAS CAROL

NOV. 30 – DEC. 16,

w w w. t h e l i t t l e t h e a t r e . c o m © Bill Mayer 2018 Used with permission of the artist All rights reserved presents
2018
adapted from a novella by
Charles Dickens
script adapted by Donna Ferragut produced by Rachel Alberts, Maria Ciarrocchi and Robert S. Kraus directed by Shelagh Roberts music direction by Linda Wells

book and lyrics by Tom Jones music by Har vey Schmidt produced by Sharon Field and Rance Willis directed by Eleanore Tapscott

Try to remember a time when your greatest adventure was the first romance of your life This funny and sentimental musical is the deceptively simple tale of a boy, a girl, and their meddlesome fathers who nudge them toward marriage by pretending to keep

Shakespeare’s Romeo and Juliet, has been enchanting audiences with its universal themes and memora ble songs, including the beautiful “Soon It’s Gonna Rain” and “Tr y to Remember.”

t h e m a p a r t T h i s l o n g - r u n n i n g m u s i c a l , w i t h a n o d t o w a r d
JAN.
FEB.
2019 703-683-0496 w w w. t h e l i t t l e t h e a t r e . c o m BOX OFFICE C o m i n g i n J a n u a r y
12–
2,

A CHRISTMAS CAROL

adapted from a novella by Charles Dickens presents

directed by Shelagh Roberts produced by Rachel Alberts, Maria Ciarrocchi and Robert S. Kraus script adapted by Donna Ferragut music direction by Linda Wells

PRESIDENT Russell Wyland

BOARD OF GOVERNORS

ARTISTIC SUPPORT Susan Boyd

BOX OFFICE David B Hale

BUILDING Frank D Shutts II

DEVELOPMENT .............................................................................................................................................. Sarah Holt

EDUCATION .................................................................................................................................... Michael J. Baker Jr.

FRONT OF HOUSE ............................................................................................................ Diedre Nicholson-Lamb

MEMBERSHIP ...................................................................................................................................... Maria Ciarrocchi

PRODUCTION Alan Wray

PUBLIC RELATIONS Rachel Alberts

SEASONAL PLANNING Ashley Amidon

TECHNICAL SUPPORT Robert S Kraus

Treasurer David B Hale

Secretary to t he Board Carolyn Winters

Executive Secretary Jamie Blake

Archivist Barbara Helsing

Business Manager Tina McCrea

Box O ffice Manager .................................................................................................................................. Crissy Wilke

Legal Counsel .................................................................................................................. Brian T. Goldstein, Esquire

The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314 Public Performances: Wed – Sat at 8:00 p m and Sunday at 3:00 p m

For your own safety, look for your nearest EXIT In case of emergency, WALK, DO NOT run, to the exit We regret that no sound recording or photographic equipment may be operated during the per formance

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Dir ector ’s Notes

Welcome to t he Little Theatre of Alexandria’s production of A Christmas Carol 2018. We are pleased to present Donna Ferragut’s adaptation of Dickens’ beloved tale—a version I had t he privilege of viewing as an audience member in 2006 I had my two young daughters wit h me at t he time and remember being struck by its quick pace, smoot h scene transitions, traditional English carols, outstanding visual production elements and special effects. I marveled at t he show’s balance of rich detail and original text in t he framework of a family-friendly production t hat held t he interest of t he inevitably mixed-age crowd

Unforgettable images and characters fill t he stage in t he story of t he embittered a n t i h e ro , Eb e n ez e r S cro o g e . Al o ng wi t h S cro o g e , t h e

e admittance into t he kitchens, drawing rooms and streets of Victorian England. We follow Scrooge’s journey of discovery in which t he Spirits reveal to him scenes t hat we humans are not normally privileged to witness or repeat: viewing one ’ s past, being a fly on t he wall at a nephew’s Christmas party, visiting lost loves or watching one ’ s neighbors respond to one ’ s own deat h Because of t he unique plot structure of a worst-case scenario followed by a shot at redemption, Dickens l e av e s u s n o t wi t h d e sp a ir b u t wi t h a l e ss

transformation. Dickens pulls out all t he literary and t hematic stops in his novella of lasting consequence. Inevitably, audience members examine t heir own hearts to ask if we are, indeed, living t he correct sort of life, or if we have perhaps lost our direction somewhere along t he way.

We h o p e t h a

wonderful cast of A Christmas Carol, and t hat t his production haunts your house most pleasantly during t his holiday season

Best wishes to you and yours,

PERFORMANCE PARTNERS IN ART

December 4 • Gadsby’s Tavern Museum Society December 11 • Del Ray Artisans

ACKNOWLEDGMENTS

A Christmas Carol cast parents, Tina McCrea, One Brick, Crissy Wilke

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The Cast (in alphabetical order)

Turkey Boy/Belle Child Harry Barnes

Young Scrooge/Topper/Businessman #1 ......................................................................Nic Barta

Want/Belle Child/Urchin ......................................................................................Natalie Cavender

Ghost of Christmas Past Taegan Chirinos

Dickens/Ghost of Christmas Present ..........................................................................Colin Davies

Bob Cratchit ..........................................................................................................................Joel Durgavich

Boy Scrooge/Belle Child Alex Eskew

James Cratchit ........................................................................................................Avery Clifford Evans

Ghost of Christmas Future/Gentleman #2, Poulterer Tim Foley

Old Joe/Gentleman #1 ........................................................................................................Robert Ford

Tiny Tim ....................................................................................................................................Josh Gordon

Marley’s Ghost/Mr. Fezziwig Larry Grey

Mrs. Fezziwig/Mary/Mrs. Pipchin ......................................................................Brittany Huffman

Belinda Cratchit/Miss Lucy Fezziwig ....................................................................Molly Johnson

Peter Cratchit James Kennedy

Martha Cratchit/Belle Child ................................................................................................Sarah King

Belle/Ruth ..........................................................................................................Raeanna Nicole Larson

Mrs. Dilber Donna Lovelace

Ebenezer Scrooge ......................................................................................................Brian Lyons-Burke

Fred/Dick Wilkins/Businessman #2/Caroline’s Husband Cameron McBride

Caroline/Miss Marjorie Fezziwig/Skater ..............................................................Jillian McLeod

Mrs. Cratchit ........................................................................................Christine Tankersley

Fan/Belle Child Miranda Tonsetic

Ignorance/Katherine Cratchit ............................................................................Cat herine Watters

SHOW SYNOPSIS

On Christmas Eve, t he old miser Ebenezer Scrooge is given a chance at reclamation as he’s visited by four ghosts his old business partner, Jacob Marley, and t he Ghosts of Christmas Past, Present and Future who teach him t hat it is never too late to change

Setting: London, England - 1843

A Christmas Carol is performed in one act

There is no intermission.

Greeting: Charles Dickens - London, England

Prologue: A London street on Christmas Eve

Scene 1: Scrooge and Marley’s office

Scenes 2,3: Scrooge’s bedchamber

Scene 4: Scrooge’s past: A schoolhouse

Scene 5: Scrooge’s past: Fezziwig’s warehouse

Scene 6: Scrooge’s past: A park

Scene 7: Scrooge’s past: Belle’s family home

Scene 8: The present: Cratchit family home

Scene 9: The present: Fred’s home

Scene 10: The present: Scrooge’s bedchamber

Scene 11: Scrooge’s future: A street corner

Scene 12: Scrooge’s future: Pawnbroker Joe’s lair

Scene 13: Scrooge’s future: Caroline’s house

Scene 14: Scrooge’s future: Cratchit family home

Scene 15: Scrooge’s future: A graveyard

Scene 16: Scrooge’s house

Scene 17: The street in front of Scrooge’s house

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Producers ..........................................................Rachel Alberts, Maria Ciarrocchi, Robert S. Kraus

Assistant Producer Bobbie Herbst

Director Shelagh Roberts

Music Director ..........................................................................................................................Linda Wells

Choreographer Michele Koros

Stage Managers ......................................................................................Melissa Dunlap, Sam Jensen

Assistant Stage Managers ..........................................................................Eli Alexander, Mia Pavot

Set Design John Downing

Set Construction ......................................................................................................................Julie Fischer

Set Painting ..............................................................................................................................Mona Wargo

Assisted by Jill Crispino, Janet Kennelly, Wendy Sneff

Set Decoration ....................................................................................................................Eileen Doherty

Assisted by Pam Leonowich, Kerry Stinson, Eli Taylor

Lighting Design Nick Friedlander, Michael Page

Assisted by Eli Alexander, Jay Bartol, Lloyd Bittinger, Kimberly Crago, Pam Leonowich, Marg Soroos, Leslie Teitel

Sound Design David Correia

Assisted by Donna Hauprich, Gene Warner

Costume Design ........................................................................................ Jean Schlichting, Kit Sibley

Assisted by Michelle Harris

Wardrobe ..............................................................................................................................Margaret Snow

Hair/Makeup Design ..............................................................................................Robin Wort hington

Assisted by Alex Geoghagan

Properties Design ............................................................................................................Carol Jean Clark

Assisted by Phyllis L Johnson, Carlie Smit h

Dialect Coach ..........................................................................................................................Colin Davies

Special Effects ................................................................................................................................Art Snow

Rigging Russell Wyland

Photographer ............................................................................................................................Rich Farella

Opening Night Party ......................................................................................................Russell Wyland

Auditions Sherry Clarke, Margaret Evans-Joyce

Assisted by Kimberly Clark, Roberta Masters Cullen, Bobbie Herbst, Sherry Singer, Lloyd Thompson-Taylor

Our special thanks to all those people whose names were not available when this program went to press.

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The

Take a Seat.

Here’s a gift idea you can wrap your arms around! For the person who has everything, memorialize their love of theatre by purchasing a seat in our lovely theatre An engraved plate, with up to three lines of engraving, will be placed on the arm rail. To purchase a seat, contact Tina McCrea in the LTA Business Office at 703-683-5778 x2 By request, a Seat Purchase Certificate can be obtained for your presentation to the recipient of your gift.

In case of an emergency, LTA has three AEDs (automated external defibrillators)

They are located as follows:

1 in t he lobby, near t he Council Green Room

2 in t he cast entrance hallway, near backstage door

3. in t he Alexandria Academy, on t he first floor

Your complete DC area theater coverage

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You are Our Best PR! ENJOY THE SHOW? Spread the word…tell a friend!

Come Play With Us!

Ther e ar e many ways to be involved with The Little Theatr e of Alexandria!

Volunteers are an important aspect of LTA There are many opportunities to be a part of LTA with a variety of events and times! All are welcome to participate regardless of experience

LTA is one of t he oldest community t heatres in t he Washington D C area t hanks to t he hard work and dedication of our volunteers. A successful stage production requires many volunteers working behind t he scenes before and during t he run of t he show. Everyone performing in and nearly everyone you see working on an LTA show is a volunteer

As a volunteer community t heatre group, LTA welcomes anyone interested in becoming involved. There are lots of opportunities at LTA, for all experience levels! So, come play with us.

For more information visit our website www t helittlet heatre com and click on “Volunteer”, or call t he business office at 703- 683-5778

Drama, Music, & Improv Classes

LTA offers s omething for everyone Whether you ’ re a beginner or you ’ ve been at it a while, now is the time to perfect your talent in acting , comedy, singing and/or dancing

✪ ADULT CLASSES ✪ YOUTH CLASSES ✪ SUMMER CAMPS

A full schedule of classes are offered in September and January, in addition to an abbreviated summer schedule for adults and summer c amps for youth

1. Visit www the littletheatre com

2. Call the business office at 703-683-5778, ext 2 to register by phone

★★★★★★★★★★★The Little Theat re ofAlexandria ★★★★★★★★★★★ g
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