PORTFOLIO ARCHITECTURAL PROJECT BY CHUNG,YUNG-JU TKUA 2019
NAME STUDY CONTECT
CHUNG,YUNG-JU TAMKANG UNIVERSITY DEPARTMENT OF ARCHITECTURE EA3 STUDIO +886 928 719 810 SMILEHAPPYLULU@GMAIL.COM (ALL LETTERS ARE LOWER-CASE)
001
TABLE OF CONTENTS
002
ABOUT SITE
004 - 005
SITE ANALYSIS
006 - 009
CONCEPT
010 - 014
PROGRAM
014 - 015
DRAWING,MODEL,DIAGRAM
016 - 023
003
ABOUT SITE LOCATION INTERSECTION OF ZHONGZHENG RD.
& GONGMING ST. TAMSUI DIST.,NEW TAIPEI CITY 251 ,TAIWAN (R.O.C.)
AREA 2570 M2 INTRO. LOCATED AT THE NORTHERN TIP OF
TAIWAN, TAMSUI IS LOCATED ALONG THE NORTH COAST ABOUT 40 MINUTES FROM TAIPEI BY MRT AND VERY ACCESSIBLE AS A DAY TRIP, ESPECIALLY POPULAR WITH LOCALS DURING THE WEEKEND. HOME TO A VARIETY OF WESTERN COLONIAL, JAPANESE, SOUTHERN FUJIANESE, AND NATIVE TAIWANESE CULTURAL AND ARCHITECTURAL ATTRACTIONS, TAMSUI IS A MUST VISIT LOCATION FOR ALL VISITORS TO THE TAIPEI AREA.
004
SITE
TAMSUI RIVER
N
005
AD1932 TAMSUI CHURCH AD1796 FU-YO TEMPLE
AD1937 QINGSHUIYAN TEMPLE AD1991 FU DECI TEMPLE
AD1871 DOUGLAS LAPRAIK & CO.
SITE ANALYSIS ITEM
AD1879 HOBE MACKAY HOSPITAL
1 HISTORY & HUMANITIES TAMSUI HAS A LONG AND DIVERSE HISTORY. A PRELIMINARY UNDERSTANDING OF TAMSUI CULTURE THROUGH ANALYSIS.
1 HISTORY & HUMANITIES ZHENG'S
QING DYNASTY
JAPANESE OCCUPATION
R.O.C
1662-1683
1683-1895
1895-1945
1945-
1937 QINGSHUIYAN TEMPLE WAS ESTABLISHED 1901 TAMSUI GIRLS' SCHOOL 1901 TAMSUI BRANCH RAILWAY OPENED
1997 MRT TAMSUI LINE OPENED
1662 ZHEN'S ATTACKED THE DUTCH
1646 DUTCH REBUILDS SANTO DOMINGO CITY 1642 DUTCH ATTACK SPAIN
006
1628 ESTABLISHED SANTO DOMINGO CITY
TRAFFIC FLOW ANALYSIS TELLS US WHERE TO DESIGN ARVHITECTURE ENTRANCE THE BEST,ALSO FIGURE OUT WHERE THE MAIN CROWD DISTRIBUTED AROUND THE SITE.
NETHERLANDS
1628-1642 1642-1662 1626 SPANISH LANDING
3 TRAFFIC FLOW ANALYSIS
SPAIN
TAMSUI JAPENESE POLICE DORMITORY
1895 TAMSUI RED CASTLE COMPLETED 1887 LIU MINGCHUAN LAYING RAILWAY 1872 MACKAY ARRIVED TO ESTABLISH THE PRESBYTERIAN CHURCH 1868 BRITISH BUILT BRITISH CONSULATE 1860 TIANJIN TREATY TAMSUI PORT 1853 TAMSUI LONGSHAN TEMPLE WAS ESTABLISHED 1822 LUSHAN TEMPLE WAS ESTABLISHED 1796 FU-YO TEMPLE SET UP 1709 NORTH RECLAMATION 1683 SHI LANG ATTACKED ZHENG'S
2 USER ANALYSIS THROUGH USER ANALYSIS, WE CAN LEARN MORE ABOUT THE ACTUAL USE OF LOCAL-RESIDENTS AND TOURISTS AT THE SITE AND HELP DESIGN PROGRAM.
AD1853 TAMSUI LONGSHAN TEMPLE
2
USER ANALYSIS
RESTOCK
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
TOURIST RESIDENT
tourist - foreigner 00:00
BIKING
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
tourist - Taiwanese 00:00
MARKET
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
resident - student 00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
SHOP resident - couple STREET PERFORMING
00:00
02:00
04:00
06:00
08:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
resident - elderly 00:00
FISHING
02:00
04:00
06:00
08:00
10:00
12:00
per
BUDDHISM
MON. TUE. WED. THR. FRI. SAT. SUN.
14:00
16:00
18:00
20:00
22:00
per
per
TAOISM
MON. TUE. WED. THR. FRI. SAT. SUN.
CHRISTIAN
MON. TUE. WED. THR. FRI. SAT. SUN.
per
CATHOLIC
MON. TUE. WED. THR. FRI. SAT. SUN.
007
3
008
TRAFFIC FLOW ANALYSIS
SITE MRT STATION BUS STATION UBIKE STATION MAJOR TRAFFIC FLOW MINOR TRAFFIC FLOW WALKING PATH
IN ADDITION TO THE EAST SIDE OF THE BASE FOR THE QUIET LANES AND THE MASS, THE REST ARE FACING BUSY TRAFFIC FLOW, SO MY DESIGN HAS ENTRANCE ON ALL SIDES OF THE BUILDING, ELEVATED ARCHITECTURE VOLUME ON THE NORTH AND THE SOUTH SIDES, CONVENIENT FOR PEOPLE TO ENTER, EAST SIDE HAS A LARGE ENTRANCE TO MEET THE MAIN CROWDS FROM TAMSUI MRT STATION .
009
CONCEPT PROJECT INTRO.
010
CHAPEL / COMMUNITY CENTRE MY CONCEPT DERIVED FROM THE WORDS OF ST. AUGUSTINE:“ HE WHO SINGS PRAYS TWICE”. IT MEANS SINGING COULD BE DOUBLE PRAY.IT WAS ONCE TOUCHABLE EXPERIENCE AT THE CHURCH OF MINE. THE SINGERS PRAISED JESUS BY SINGING AND PRAY THAT THE MUSIC BROUGHT PEOPLE CLOSER TO GOD. THEREFORE,MY DESIGN STARTED WITH“MUSIC”AS THE MAIN AXIS.
ST.AUGUSTINE :
SINGS
“HE WHO SINGS PRAYS TWICE.”
011
DAY IN TAMSUI NIGHT IN TAMSUI
major E n i Nº1 e u q s e b a r D eb ussy / A TAMSUI IS LIKE TWO SONGS . “DAY IN TAMSUI” IS ARABESQUE NO.1 FROM DEBUSSY. “NIGHT IN TAMSUI” IS CHOPIN'S NOCTURNE OP.9 NO.2. THE ATMOSPHERE OF ARABESQUE IS LIKE SPARKLING WATER SURFACE WITH A CULTURAL CHARM, AND THE RHYTHM OF THE NOTES AND THE CONTINUATION OF THE SONG CORRESPOND TO THE FEELINGS IN (DAY) TAMSUI.AT NIGHT, THE RIDGELINE DISAPPEARED, THE WATER WAVE BECAME THE BACKGROUND MUSIC, JUST LIKE THE PURENESS OF THE NOCTURNE, THE NIGHT SKY REFLECTED ON THE WATER, THE FAINT YELLOW LIGHT OF THE FRESHWATER RIVER BANK, JUST LIKE THE SERENITY OF NOCTURNE.
012
Chopin / Nocturne in Eb major ,Op.9 No.2
FOREST
GARDEN LIGHT AND SHADOW
LAKE STRATIFIED
GLOOMY
CONCEPT MODEL - MUSIC ( DAY ) ARABESQUE NO.1 - HAZY / FLOW / CONTINUOUS ( NIGHT ) NOCTURNE OP.9 NO.2 - CRISP / SINGLE
IMAGES - MUSIC THE PROLOGUE OF THE MUSIC IS LIKE WALKING IN THE FOREST ,AND THE ATMOSPHERE IS FLICKERING SHADOWS OF TREES.IN THE SECOND PART,THAT COMES ACROSS THE BEAUTIFUL GARDEN IN THIS FOREST.FINALLY,THE IMAGESCOME INTO VIEW IS A LAKE，A GLOMMY LAKE DEEP INSIDE THE FOREST，WE CAN FEEL PEACE AND JOY THERE.
ARABESQUE Nº1
NOCTURNE OP.9 NO.2
013
CONCEPT
TAMSUI MUSIC ARABESQUE Nยบ1
HE WHO SINGS PRAYS TWICE.
NOCTURNE OP.9 NO.2
IMAGE SPACE ARABESQUE Nยบ1
014
PROGRAM
NOCTURNE OP.9 NO.2
RELIGION
MUSIC IMAGE
SPACE TONALITY
COMMUNITY
LE B B U B T EP NC O C
PROGRAM
ACTIVITY (200M2) CLASSROOM*2 (120M2) GALLERY (100M2) LIBRARY (100M2)
ENTRANCE(40M2) CHAPEL(400M2) PRAYER ROOM*3 (60M2) GATHERING
(200M2)
SPACE ATMOSPHERE
MUSIC CLASSROOM *2
W.C
PRAYER ROOM
MUSIC LIBRARY
CHAPEL MUSIC GALLERY
SUNKEN PLAZA
LOBBY GATHERING W.C
LOBBY
COMMUNITY ACTIVITY
ACCOMM
GARDEN
STORAGE
W.C OFFICE
KITCHEN
PROGRAMME 015
DRAWING,MODEL,DIAGRAM FINAL ITEM
016
PLAN / ELEVATION / SECTION / MODEL / PERSPECTIVE / RENDERING / DIAGRAM
DIAGRAM
N
SITE PLAN 0
2
6
12(M)
BUILDING ABOVE THE GROUND DERIVED FROM CONCEPT - DAY SPACE， IN CONTRAST TO IT，NIGHT-SPACE IS LOCATED UNDERGROUND .
017
PERSPECTIVE PLAN DIAGRAM OF PRAYER ROOM (CONCEPT FROM NOCTURNE)
1 2
3 UP
-7
UP
1.PRAYER ROOM A 2.PRAYER ROOM B 3.PRAYER ROOM C
018
N B2 FLOOR PLAN 01 3
6
9
12 (M)
2 3
6
UP UP
+0
1 DN
4
1
UP
-4
5
8 DN
UP
+0
2
-5.5 DN
5
9 DN
UP
-1.2
4
UP
+0 DN
7
DN
+0.4 +0.8 +1.2
+2
DN
DN
DN
+1.6
3
1.LOBBY 2.CHAPEL 3.PARKING SPACE 4.GATHERING SPACE 5.WC 6.BAPTISM SPACE
-4UP
DN
N B1 FLOOR PLAN 01 3
6
12 (M)
9
1.COURTYARD 2.LIBRARY 3.MUSIC CLASSROOM A 4.MUSIC CLASSROOM B 5.CHAPEL ENTRANCE 6.OUTDOOR PICNIC AREA 7.PLAZA 8.OUTDOOR READING AREA 9.PERFORMANCE STAGE
6
GROUND FLOOR PLAN N 01 3
6
12 (M)
9
10
9
1 +4
DN
+3
DN
DN
DN
+4
2
DN
+6
4 8
+6`
7
UP
DN DN
AACOM. UNIT PLAN
6
5
1.GALLERY 2.LADDER CLASSROOM 3.AACOM.A AACOM. 4.AACOM.B UNIT PLAN 5.AACOM.C 6.AACOM.D 7.STORAGE 8.OFFICE 9.BALCONY 10.WC
+10
3
DN
UP
2
4
3
1
2ND FLOOR PLAN N 01 3
6
9
12 (M)
1.AACOM. FOR CLERGYA 2.SHARING SPACE 3.AACOM. FOR CLERGYB 4.GARDEN
3RD FLOOR PLAN N 01 3
6
9
12 (M)
019
ELEVATION SKIN NORTHWEST ELEVATION 0
1
3
6
9
12 (M)
SOUTHEAST ELEVATION
020
0
1
3
6
9
12 (M)
LINEAR COLUMNS CREATE RHYTHMIC SHADOWS.
NORTHEAST ELEVATION 0
1
3
6
9
12 (M)
BENT GLASS CREATES CURVED SHADOW.AND PRODUCE STREAMLINED ON THE ROOF AND ELEVATION.
SOUTHWEST ELEVATION 0
1
3
6
9
12 (M)
021
SECTION SUNKEN PLAZA X PERFORMANCE
A’
DIAGRAM OF CHAPEL (CONCEPT FROM NOCTURNE)
A
A
A’
SECTION A-A’
022
0 1
3
6
9
12 (M)
DIAGRAM OF B1 LOBBY (CONCEPT FROM RESONANCE)
C’
B C
B’
B’ C
B
SECTION B-B’
0 1
3
6
9
12 (M)
C’
SECTION C-C’
0 1
3
6
9
12 (M)
023
2019.NOV.