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MARCH 2022 EDITION
LUMINOUS ZINE LUMINOUS EYE
‹£˛¯˘‰¯¨ flˆ˚‹´˛˛˚´ ‹˘—‰´‹—´˝‰ o m o n o l gue fi´´“´˛—¯‰¸¨
–´—–´¯¨
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LUMINOUS EYE ZINE
”´˛˘˝´˚¸‰¯˚¸´˚˝´´˛˘˚¸˛˛´´˝˛—˛˚¯˚—¸¨´—¯¨˝˚—˜—/—˜‰—.
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eK yl Anrd eadi Nevi a K in in a elK opatra o K urlap m a Maria Spanoudaik
a P o lv s a P ilv id s
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LUMINOUS EYE ZINE
Thecopyrightoftheimagesremainsthepropertyofthecreator/photographer.
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‹£˛¯˘‰¯¨ £˛˚—¨˝´) ( £—˚˘˚¸˛˘¯˘˛´´‰ˇ—˛—˛¸˝—. ‹´˛˛´¯‰˝´¯˘˛´´´˛´¨¸˘,—˘˚—˚¸˜˘˜—˛¿˘˚¨˝—˛˚¸˘˘˜˝´. –˚‰˛—˚˘˛´˚˝˘˚¸——´˜´´˜´ ( ˜—´¸˝´,—˘—˛)–˚ . ¸¨˛ ´˛.“˘¯˛ˇ˘˛‰˘.
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˝˚ˇ¸‰˚ , ˚˜˝´˛‰ˇ˚˘˜˚´´˛‰˝˛¨¨˘´˛—˚—˝——¨˛ , ˚— ˜—¨´˜‰¨,¨˛˚—˜¸˚‰—´´¨¨,˚˚—´˝´ˇ˘˚.
« ‹ £˛¯˘‰¯¨ ˜˘˛˛¿¨¸˘ — fi˘ —˜˜˚. §˛´˚ ˛—˝˚¸ ¸´˚ ˙˘˚ ¨˛ £¿ ˛´. £—˘´˚ ˝˘ ¨˛ —˜´´ ´ — 2015, ˘˚¸˘˛˛—˛´ — ˘˛¯˚´—˛ ¨ ¸˘˝´´¨¸´¨˝˘˚˛¨´. ’—˜´˘ ¨ —˛ ˘¸˘˘ — ´ ˚— ˛´˚˛ ˛ “Solo Donne” (ƒ˘¸˝
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ˆ˚— 2019, An Art Artistry, fi‰˚— 2019, Atheneum ‹˘‰˚), ˘˛ —˛ fl—˝ˆ˚— ˝´˙ 2019, ˝˘¨˛fi´´“´˛—¯‰¸¨,´ —´´˛¨˛¯˚´—˝˚¸¿¸˘¨—˜´ ´ ˝˘ — “Days like These” (Aumorfia Showroom). 4
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KellyAndreadi Antipoem) ( Theseimageswillnotchangetheworld. Theyimmortalizenodrama,historicalevent,orscientificachievement. ThepeoplearesomeofthoseIloveI( loveafewothers,whoarenothere)The . scenesjust happened.Ialmostforgetwhen. But this is how I know that some moments, unworthy of remembrance, had the most beautifullight,thesurestlove,yoursweetestcompliance,oursimplestwords.
Kelly Andreadi was born in Messolonghi.Artistry, May 2019, Atheneum Kelari), She studied and practices law in Athens, andinNovembertogether 2019, withMa whereshelives.Shehasbeendealingwith ria Spanoudaki, they presented the duo photographysince2015,focusingmainly exhibition "Days like These ”(Aumorfia oneverydayissues.HerphotoshavebeenShowroom). exhibited at the concerts of "Solo Donne" (December2019,AnArt 5
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flˆ˚‹´˛˛˚´ “˚—“—˚¸
‹´˚ - ˝˘‰; M˘‰ ˙¨´˛—˚¸´‰,¸˚˘˝˘¸´˘´. ¨˛ ”- ˇ´¿¨˛˚—´,˘˘—–—¨˝—. M——˝˘ ‰˛´,˛´´‰ˇ—˝˘——. §˛´ - —˝—˘˚—˘,˘˝´˚——´’—, ˜˚´´´˘‰˘˘´´. ‹´˚˛˚´˛˝˚—˘˝˘˛—— , ¨˘—¸—¯—˛˚ ¨‰ˇ¨˜˚´˛´˝˘˚.
¥˘˛˛¿¨¸´¨˛£¿˛´,—¯´´´˜˜˚¸¿ ˚——˜´ — K´—¯˚˚´¸ ¸´˚ ˚˛˘˝‰ — UniversityofEastAnglia . ¥‰ ˝˚¸‰ ¸˘˝˘˛´ ˜˚´ ˝˘˜‰—, —¸´˚—˜´˙. £—˘˛´˚ , ˛´˝˘¸‰˘— ˚—˘.
£‰˙ — ˝—, ´˛‰—˜´ ˝˘ ¨˛ ˘´ ¨,˜˚´˛´ˆ˜‰,˚˘˛´˚˝´. ”—´˛—¸´´˛,˘˛´˚‰¨˚—´. –˚˘ ˝ ‰˛´ ¨ ´¿˜¨¨ ¨˛ ´¨˝´˜˘´.
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NeviKaninia ASchoolTale
And then? And thentheyalllivedhappilyeverafter. I- knowhowthisoneends,saidPolyphemus. We - canalwayschangetheending. I- likeyoubestofallbecauseyoutellmestories. That’swhyI’mgoingtosaveyouuntillast. Andtheycarriedonuntilthenextmorning,whenthebellrang forschooltobegin.
IwasborninAthensandstudiedEnglishI change the medium depending on the LiteratureattheUniversityofAthens subject, and thebettertoexpressmyself. Cinema at the University of East Anglia How well I manage to do this is another intheUK. story. I write poetry, prose and lyrics, and take ButIbelieveintheabsolutemagic-ofsto photographs. rytelling. What I want is to tell stories in any way possible. 17
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‹˘—‰´‹—´˝‰ monologue
ˆ,˛—˚,´—˛¸‰˚—˝˘¸‰˛˘˚˛´˛—˚ ˛—˚¸˚ ´˛ ˆ—˛ ¸˚ —˚ ‰—˚, ˛—˚—˛ ¸˚ ´— ˝˚´ ´¿˘˚´ ˜˚´ ¸‰˚ — . —´—‰ ˘˛´˚˛´´˚˛¯˚—¸‰˛˘˚˝˘—˛¸˝—¸´˚—˘˛¯˘˚˝˘¨˛—˚¸¿ —¯˚´¯—˝¿,˜˚´´˜˜˙˘˚´¯˘¯—˝˛´—,——˚¸—¸—ˆ´‰¸´˚˘˛´˚ . ˘¸˘¸´˚´˛´¯˘´˚ ¨´˛˚¸˘˚˝˘˛˚¸¨´˜˛˘´˚—¸˘˚˝˘˛˚¸¨´,´—¸¯˚¸——˚˘´˚¨¨——´ ¸´˚ —˜´˛˛˘´˚ ˘ ˛´ ¸´˚˛—˜˚—˛—— — ˘˛´˚ ‰˛´ — ¯˚— ˜˚´´˙˘˚ . ˝˛—˘¸˚˘´˛´´˝ˆ‰˛˘´˚ ˘˛´˚¸´˚˝˚´¸¨¨˘¯˚‰—˜—,˛´˝˚¿—˝˘˝˘´ˇ˝´,˛´˛¨—˝˘ ¨˛˚¯´˚¯˘˛˘˝´˘¨˝´˛˚¸—,—¸˝—˘˛´˚´‰ˇ˘˛—,˝´˜˚¸¸´˚¨ ˝´˛˚¸˚˘—˝˘˚—¸´˚ ˛˘˚´ ˝˘´ˆ‰˘´˚˛´ ´—˘´˚ ˝˘˘˝‰ .
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˛´¯—˝˘—˝´˜˝˛—˚˚¨¯˚´¯—˝¿˘˛´˚˛—˝¨,´˘˛´˚—.
¥˘˛˛¿¨¸˘¨˛ ‹´´˝‰´. “¨˛ £¿˛´ ˙˘˚ ´—fi˘ .0891 ¨˛—˜´´‰˚˘˛´ ´—˘´˚ ´ — 3102 — ´´¸—— ¨˘ ˝´¿˝´´ ˝˘ —˛ —˜‰— –´— –´¯¨ ¸´˚ ¨ ˛˘˚´ ¸´˛˘ ´ ˝´¿ ˝´´¸´˚˘˛˚¸¿—˜´´¸´˚´˘ ˝˚˛‰˚´˝˘—˛–‰˛´‡˚ˆ¨´˛˝—
— ’—˜´˚¸— ‹¸—. “˝˝˘˘˘ ˘ ´¸˘—˝´¯˚¸˘¸˘˚.«—˜‰˚¨ ˘˛´˚ ˛´ — ˛´ ˛¯˘˚ —˚¸ ˝˛¿˝˘, ˛´˚¿˝´´, ˝˘ ¸—˝˝‰˚´ — ´¸—¸˝—,˘˛´˚˝˚´¯˚´¯˚¸´´´ ‰¨¸˚´—˜¸˛¨.
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KleopatraKourlampa monologue
Isee,Ifeel,Icapturesomethingthatmakesmefeel
I feel a truth, and if other people see, they feel it too, about something tha concernsthem;
itisagameyouplaywiththeworldandthatconnectsyouwithyourpersonal journey,becauseittoucheswhat’srealtoyou,allthematerialyoucarrywit youthatisrightthereandisemerging;
objectivity becomes subjectivity, information is codified and organise newwholethatisalwaysthesamebecauseit’sonlyyouplayingandrepeating yourself;
it’salsoaninvitationtodialogue,totalktogether,togetusedtotheide areim-portant,theworldisstrange,magicalandimportantinitsdetailsan constantlychangingwithouthavinganyconcernforus; tosee,inourfrightenedway,thatthejourneyisshort,thatisall.
She was born in Kalamata and she had Cycle.Shehavetakenpartinanumberof livedinAthenssince1980.Shefirsttook group exhibitions. Photography is a way upphotographyinwhen 2013, shetooka forhertolinkherpersonalmemoriesand coursewiththephotographerPavlos - Pav emotionswithaspectsoftheactualworld; lidis.Shethenjoinedanartphotography it is a process of relaxation and medita classesledbyPlatonRivellisandattended tion. hislecturesasamemberofPhotographic 29
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fi´´“´˛—¯‰¸¨ fi˘˜´˛
My feet they finally took root in the earth But I got me a nice little place in the stars Bruce Springsteen - “Growin’ Up”
»˛´˝˚´˚—´. ¥˚´—˛«¸˝—»˝—.—˛ˆ˜˝—,—˛¸´´´ˆ´˛¸˚ ˘˚˝˛˛´—˛´¸˝¨ ¸˚ ´˛ ˇ¸´‰¯˘˛ ˘˛´˚˚¿( ´¸˚ˆ ˜˚’´). ¥˚´˚¸—˝ˆ˚¸˚˜˝—ˇ˘¸‰´´´˚‰˛—˝´˚´˛———¸´˚´— ˛˚˘˝´˚˚´˜˝˛¨´´‰˚¸´˚—˝˘ˆ—¨—˛˛´´—¯—˝´˚˘ ˘¸˘˛˘˚˚˜˝—¯˘˛˚¯´˚˘˝´˚. ¥˚´˝˘˜´˛.‹´˚˝—˘˛´‰¨¸´¸´‰´¯˚´˝—´‰¨¸´¯˚‰˝— ´´´‰‰˛´˘¸˘˛——˝˚¸¸´´˜˚—´´˚´. »˛´˝˚´˚—´˝˘˘˚¸˛˘.£˛¸´˚´‰¸´‰˝˘˚ˇ˘˚,¯˘˛˝— ˛´˘˜ˇ¨˛˛´¿—:¸‰—˚˘—˛‰˙—˛—¯˛´‰,—¸´´‰, ——ˆ˚˝´—˛¨˝‰—. »˛´˝˚´˚—´.¯˘˛˜˛˘˚¸´´˛—¨¿.¸´˘´. §˜˝˛—˛´¨˛. ”¨ ´˘˚ ˛´ ´ˆ‰˘˚ —˜´˘ ˚ ˝˛— ˜˚´ ˛´ ˝‰´˚ ˚˜˝, — ¿ ˜˘ ˜—˛´ ´‰ ¸ ˛´˚¿˝´´ ¸˚ ´˚ ¿˘˚. –´´¸——˛´ — “˘˝˚˛‰˚— ’o˜´´ — –´— –´¯¨, ˜˛ ˚˘ ¨˛ ¸´˚˘˛˚¸¿ ¯˚‰´¨ ¨ — ˜´´. – — — Neil ¶oung ´˛˚¸´ —˙˘˚ ˘ˇ´˚˘˚¸‰ — —˜´˚¸— ¨ —: «‰—˛ ˘˚˘´ ¨˛ ˘˚¸˛´´´‰—‰˛—˛—˝‰˚». ¥˘˛˛¿¨¸˘ ¸´˚ ˙˘˚ ¨˛ £¿˛´. “—¯´˘ –˚¸—˛—˝˚¸¿ §˚¿˝¨ (–˚¸—˛—˝˚¸ –´˛˘ ˚¿˝˚—£¿˛´)¸´˚–˚‰˛—(§˛˚¸”¯˘— £¿˛´). ”¨˛ ¸¯˚˘ ¨ ˝—˚¸¿ — ˘ˇ´ ¸——˘ ˛´ ˘˛´˚ ¨ ¸˚´ ´´¨¿ ¨. §˛´˚ ˝¨´ ˚˛ ´˚¯˚˛, ˝—˚¸¿
˛˘˜‰˚ ¨˛ ¨˚´¸¿ ˘¨˝˘¯´ £¨ fl§£ ¸´˚ ˛‰¸˚´ — —˚˚˚¸ site deBp.
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Εκθέσεις 20-1:MOMus–fi—˘—’—˜´ ´»˘´—˛¸¨,o˝´¯˚¸¿¸˘¨ “Anthropause” 2019:AumorfiaShowroom,¯˚´—˝˚¸¿ ¸˘¨˝˘¨˛‹£˛¯˘‰¯¨
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Δημοσιεύσεις 20:§ˇ´¨¯˜¨—˚¨˚¸¿ —˜¿—¥˚˜—›—¨,“–˘— ¯˚´-Preludes”(NestStudioProduction) §ˇ : 5 1 0 2 ——cd/‰˝—˝— MihalisHatzissextet,“fi˚¸§‰¨” 40
MariaSpanoudaki Growin’up
My feet they finally took root in the earth But I got me a nice little place in the stars Bruce Springsteen - “Growin’ Up”
Iwanttotellastory. Aboutmyworld" " The . wayIseeitaroundme,thewayIunderstandit,theway IinsistonwantingiteventhoughIknowitisratherdifferentor ( perhaps pr ciselybecauseofthat). About the crucial moments that I clearly feel like a feather and about tho feelthatIammadeofsteel,thathelpmeembracealltheothermomentsthat havenoideaofwhatIam. BecauseI'mgrowingup.AndeventhoughIhavebothfeetfirmlyontheground, myheartwillalwayslongforthatlittleshelterinthestars. Iwanttotellastorywithpictures.AlthoughI'mgoodwithwords,Icannot - con troltheirintensity:sometimestheyshouttheirmeaningtooloudly,clear predictably. Iwanttotellastory.Itmaynotbeunderstood.Maybethat’sbetter. Ijustwanttosayit. She enjoys taking photographs not only Exhibitions torecollectmoments,placesorevents MOMus 20-1: butThessaloniki Muse rather emotions and sensations. Pavlos um of Photography, “Anthropause” team Pavlidis Photography Course has intro - exhibition duced her to the artistic aspect - of2019: pho Aumorfia Showroom, ”Days Like tography.NeilYoung’sversebrilliantly - These” re duoexhibitionwithKellyAndreadi flects her photographic pursuits: “there's PublishedWork moretothepicturethanmeetstheeye”. |20 Frontandbackcoverphotographs ShewasbornandlivesinAthens,Greece. forGiorgioLuccetibilingualpoetry-collec ShestudiedEconomics(AthensUniversi tion “–˘—¯˚´-Preludes” (Nest Studio tyofEconomicsandBusiness)andPiano Production) (National Conservatory of Athens). fiusic |2015 CoverphotographforMihalisHat suitsherbest.Sheismotherofthree, - pi zissextetalbum“fi˚¸§‰¨” ano tutor, music contributor at £¨fl§£ digital newspaper and co-editor at deBp culturalsite. 41
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—˜´´ ˝— ¸´¨, ´˛´¯˘˚¸˛˘˚ ¨˛ —¯˚‰´¨ ¨ ¨, —˛´ ˛— — ´˛‰˜˛¨—¸˝——˝´˘˚ ˆ‰˘˚ … « ¸´˚˘˛˚¸¿—˜˜˚¨ ´˛´¯˘˚¸˛˘˚˝˘˚¸´˚˚¯˚¨˘ ¨ —´¿ ¨ ¨ ¸´˚ ˜ ˛ ˜˛˘´˚ — ˚¯´˛˚¸ ˘˜´˘— ¸´¨ ¸´˚ ˘˚¸—˚˛˛´, ˘˜¸´˚ ˛´ ˝˚´ ˛´ ˜´ ˝˘ — ¯˚ ¸—¨¸¯˚¸˘.
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« Luminous Eye, —˛´ ˘˜˛ ¨ ¨ ˛´ ˘—¿, ˜˛˘´˚ — — ´ ¨ ´¿ ¨ ´˛´˙¿¨¨ ˛ ˛˛¯˘¯—˝˛˛¸´˚´¸´˘—/ ˘˛´˝˝˘‰˘˘, ˝˘—˛ ¯˚¸´ ˇ˘˚ —, ¨˛ ¯¨˝˚—˜´ — Luminous Eye Zine. « ¸¯—¨ — ´ ˜˛˘´˚ ¸‰˘ 2 ˝¿˛˘ ´ ¨ Luminous Eye, ¨ ——´ ´˛´´˝ˆ‰ ˛˘˚ ¨˛ ¯˚´˘˚¨ ¸´˚ ¨˛ ´— ´¨´——˛——˚¸—˘ˇ˚¸—.
A T H E N S
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hotography,asameansofex pression, highlights its multi dimensional nature, setting new waysofreadingtheworldaround us… The artistic approach highlights some of the properties of its multiple nature and becomes atthesametimetheidealtoolfor expression and communication, installinganewlanguagewithits owncodes.
Luminous Eye,awareofthenew era,becomesthemessengerofall this search for new data and - in vitesyoualltoparticipate,inyour own special way, in the creation of Luminous Eye Zine.Itsedition will be presented every 2 months by Luminous Eye, which undertakes the management and pres entation of this new visual - dic tionary.
P H O T O G R A P H Y
P R O J E C T S
Mitseon2A,1742Athens,Greece ”.+30216,info@luminouseye.net www.luminouseye.net
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