Death of a Salesman Program

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MAD

COW

THEATRE

is founded on the belief that the Theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form. Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of Theatre to an ever-widening audience–promoting, enhancing and celebrating the human condition through art. Mad Cow Theatre is supported in part with public funds from the United Arts campaign and by State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture, The Florida Arts Council, The National Endowment for the Arts, The Downtown Development Board, and Orange County Government through the Arts & Cultural Affairs Program. A Great Nation Deserves Great Art! Mad Cow Theatre is a 501(c)3 organization and welcomes all donations including funds, materials, time and goodwill. We are especially delighted when audience members bring others to share the theatrical experience. 2

ACKNOWLEDGEMENTS Mad Cow Theatre has forged many alliances and made many friends. This endeavor would not be possible without the generous spirit, passion and goodwill of the following individuals and organizations.

A VERY SPECIAL THANKS 55 West The Arts and Cultural Alliance of Central Florida L2 Studios, Inc Church Street District DirectOne Eight O’Clock Theatre Holland & Knight Holland & Reilly Orlando Shakespeare Theater Tom Hurst Photography Voxeo The Walt Disney Company Amanda McInis Christian Middleton - AND Elizabeth Dean Robin Jensen Michael Marinaccio Peg O’Keef Thomas Ouellette Allen Overlander Janine Papin Katrina Ploof Mark Edward Smith Marty Stonerock All the Cows in the Pasture


Mad Cow Theatre Presents

DEATH OF A SALESMAN by Arthur Miller August 5 - 25, 2013 The Harriett Theatre

- FEATURING Daniel Cooksley Becky Eck Matt Horohoe* Tommy Keesling Thom Mesrobian Robin Olson*

Eric Zivot*

Carly Skubick Mark Edward Smith Monica Titus Peter Travis Victoria White Kevin Zepf

Scenic Design William Elliot

Lighting Design Joseph P. Oshry

Costume Design Emily Smith

Sound Design Kurt Wagner Stage Manager Tracy Lange Director Timothy Williams

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the U.S. DEATH OF A SALESMAN is presented by special arrangement with with Dramatists Play Service, Inc., New York

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CAST OF CHARACTERS In order of appearance:

Willy Loman.......................................Eric Zivot Linda Loman.......................................Robin Olson Happy Loman.....................................Daniel Cooksley Biff Loman..........................................Matt Horohoe Bernard..............................................Peter Travis The Woman........................................Becky Eck Charley..............................................Thom Mesrobian Ben....................................................Mark Edward Smith Howard Wagner.................................Tommy Keesling Jenny.................................................Victoria White Stanley...............................................Kevin Zepf Miss Forsythe......................................Monica Titus Letta...................................................Carly Skubick

PLACE AND TIME Brooklyn, NY 1940s

PRODUCTION TEAM Assistant Director................................Melissa Cooper Assistant Stage Manager.....................Amber Hance Assistant Lighting Designer...................Mary Hefernan Scenic Construction.............................Orlando Shakespeare Theater House Carpenter.................................Daniel Cooksley Master Electrician................................Allen Overlander Scenic Charge....................................Lisa Buck Props Master & Set DĂŠcor....................Frank Siano Stagehands........................................David Clenney, Colin Cook, Jolene Destefano, Kaleb Knoblauch, Elizabeth Leonhard, Peter Ruiz, Brad Snyder

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ABOUT THE PLAYWRIGHT Arthur Miller was born on October 17, 1915, in New York City, to his Jewish parents, Isidore and Augusta Miller. He has an older brother, Kermit and a younger sister, Joan. Arthur lived a comfortable middle class life until age fourteen when the Great Depression struck and his family’s business failed. Both Arthur and Kermit had to take jobs and the family lost their house and had to move to Brooklyn to be near relatives. In high school, quite like Biff Loman, Arthur was more actively involved in football and other sports than in his studies. After several rejected applications, Miller was finally admitted to the University of Michigan in 1934, where he studied journalism, economics, and history. It was in college that Miller began to study how society functioned and changed and impacted the lives of individuals. Miller was attracted to the ideals of socialism — especially its concern for the rights and the dignity of the common person. It was also in college that Miller discovered his love for playwriting and in his junior year, he won $250 in a college playwriting contest. Miller graduated from college in 1938 with a degree in English. In 1940 Miller married his college sweetheart, Mary Slattery. His plays include The Man Who Had All The Luck (1944), All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and many others. He was awarded the Avery Hopwood Award for Playwriting at University of Michigan in 1936. He twice won the New York Drama Critics Circle Award, received two Emmy awards and three Tony Awards for his plays, as well as a Tony Award for Lifetime Achievement. He received honorary degrees from Oxford University and Harvard University and was awarded the Prix Moliere of the French theatre, the Dorothy and Lillian Gish Lifetime Achievement Award, and the Pulitzer Prize. Nicotine free herbal cigarettes are used in this production. Death of a Salesman is performed with one intermission. Out of respect for the audience and the artists, patrons who leave the theatre during the performance and patrons who arrive late will be re-admitted at House Manager’s discretion. The photographing, video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

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DEATH OF A SALESMAN DANIEL COOKSLEY (Happy Loman) is excited to be a part of Mad Cow’s first season in its new home. He was in Carol Churchill’s A Number many moons ago, in the old space. Some favorite productions around town include Cat on a Hot Tin Roof, Happy Birthday Wanda June, Long Day’s Journey Into Night, Take Me Out, The Seafarer, Psycho Beach Party and too many more to mention. In the daytime he can be found wandering around backstage looking for something to do. Thanks go out to everyone I know because I’m sure you have done something for me. And of course Mr. Arthur Miller for writing such an amazing piece. BECKY ECK (The Woman) is excited to be back on stage at Mad Cow, having most recently appeared as Costanza in Enchanted April. She graduated with a BA in Theatre from the University of Arkansas at Little Rock and, upon graduation, toured nationally with the Eckerd Theatre Company based out of Clearwater, FL, for four years. Some Orlando credits include Noises Off, Moonlight and Magnolias, Charlotte’s Web, A Christmas Story, The Giver, Anne Frank and Me, and Tomato Plant Girl.

Becky landed the role of a lifetime last September when she gave birth to her beautiful daughter, Lula, with whom she is obsessed. Just ask to see a picture and she will show you a gazillion. She sends love to her husband, Tim, for making her life wonderful! WILLIAM ELLIOT (Scenic Designer) has designed scenery and lighting for over 200 productions during his career and many of them in the Central Florida area. They include operas at Stetson University’s School of Music and plays and musicals at Stetson’s Theatre Arts program. He designed many productions for the Civic Theatres and Orlando Opera Company. Some of his credits with Mad Cow Theatre include Fool for Love, Blithe Spirit, Desdemona, Burn This, The Glass Menagerie, The Cherry Orchard, Crimes of the Heart, The Odd Couple, The Laramie Project, Ghosts (scenery and lighting), The Life of Galileo, Stop Kiss, The Butter and Egg Man, Legacy of Light, Next to Normal and The Understudy. He has designed not only for theatre and opera, but television, film, corporate productions and theme parks.

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DID YOU KNOW? Ticket sales account for about half of our income. Mad Cow Theatre depends on contributions from patrons like you for daily operations of the theatre. Over 300 individuals and families give as little as a few dollars each year to help sustain our operations.

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Help us keep the lights on and actors onstage by making a contribution at madcowtheatre.com or through the Mad Cow Box Office.


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the most painful part of our lives will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives the most painful part of our lives will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives

Indio Indio Other Desert Cities Other Desert Cities

by by Jon Jon Robin Robin Baitz Baitz

Other Desert Cities

will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the agazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives will be in the glossy pages of a magazine, and then a few months later, a book.I’m frightened. In two months, the most painful part of our lives will be

September Sep ember 27 27 — — October 27, 2013 Oc ober 27, 2013

7


DEATH OF A SALESMAN MATT HOROHOE (Biff Loman) performed George in Mad Cow’s Sunday in the Park with George, improvised at Disney’s Comedy Warehouse, and appeared on Burn Notice, The Glades, and Magic City. He studied acting at Montclair State University and has two wonderful children. Matt dedicates his performance to Frank Horohoe, who was a great father. TOMMY KEESLING (Howard Wagner) has appeared in several Mad Cow productions in recent seasons, including roles in Arcadia, Our Town, The Constant Wife, The Seagull, Pericles, I Have Before Me a Remarkable Document Given to Me by a Young Lady From Rwanda, Eurydice, Amadeus, She Stoops to Conquer, The Pitmen Painters, August: Osage County, Mrs. Warren’s Profession and most recently as Frederick in Enchanted April. He

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A digital version of this program is available at madcowtheatre.com

has appeared at many other Central Florida stages in past years, including Bach at Leipzig for Empty Spaces, The Pillowman for Hubris Theatre, and Take Me Out at Theatre Downtown. He has performed at the Orlando International Fringe Festival and has also appeared in staged readings for Mad Cow, PlayFest and Women Playwrights’ Initiative. TRACY LANGE (Stage Manager) is excited to be working with Mad Cow once again. Earlier this season she enjoyed supporting the creative process of August Osage County and Laughter on the 23rd Floor as Assistant Stage Manager. A graduate of Barat College, where she received her BA in Theatre, she relocated to Orlando in 2004. Recently, you may have seen her on stage as Tina/Angel of Death/Mary in Strangely Attractive at the Orlando Fringe Festival. THOM MESROBIAN (Charley is celebrating his first production with Mad Cow Theatre but his third time under the direction of Tim Williams, having worked with him in productions of The 25th Annual Putnam County Spelling Bee as Panch at Lakeland Community Theatre and as Dan in Next to Normal at Theatre Winter Haven. Thom learned his craft at an early age as a lifelong student of his father, Broadway veteran Robert Mesrobian. Some of Thom’s favorite roles have included Max Bialystock in The Producers and Henry in The Real Thing. In addition to performing with various theatres in Florida, Thom has worked as an actor at Walt Disney World, Universal Orlando and The Holy Land Experience. Thom would like to thank his family for their love and support.


DEATH OF A SALESMAN ROBIN OLSON (Linda Loman) was last seen in August: Osage County at Mad Cow Theatre. In addition, she has performed in The Importance of Being Earnest, Pride and Prejudice, and The Little Red Riding Hood Show at Orlando Shakespeare Theater, James and the Giant Peach and Holes at the Orlando Repertory Theater and Barefoot in the Park at UCF. Robin is most happy to be back in the pasture where she has had the opportunity to perform in The Road to Mecca, Dancing at Lughnasa, Major Barbara, The Glass Menagerie, The Seagull, Bus Stop and On the Verge. JOSEPH P. OSHRY (Lighting Designer) A Florida resident since 1986, Joseph welcomes a return opportunity at Mad Cow to light Death of a Salesman. Previous designs were Jacques Brel and Don Perlimplin. He studied Design and Production at Illinois State University and has designed lighting for over five hundred productions with such organizations as Orlando Shakes, Asolo Rep, American Stage, the Interlochen Dance Ensemble, Carreno Dance Festival, Palm Beach Opera, New Orleans Opera and Opera Tampa. Joseph has received two Individual Artist Fellowships in 1997 and in 2007 from the Florida Division of Cultural Affairs. He has received two Jeff Norton Awards for Outstanding Lighting Design in the Tampa Bay Area. He is a company member at American Stage in St. Petersburg and also serves as an Advisory Board Member for Tampa Repertory Theatre.

CARLY SKUBICK (Letta) is graduate of the University of Tampa with a degree in Performing Arts & Dance. She has been seen previously in Mad Cow’s production of The Pitmen Painters. She has also performed at Disney World, Legoland, Universal Orlando, SeaWorld and the Nickelodeon Hotel. Previous prodctions also include Chasing George Washington & A Nutty Nutcracker Christmas (Orlando Rep), The Last 5 Years (Cathy), Godspell, Hairspray (Penny), The 25th Annual... Spelling Bee (Logaine), Fringe Festival’s The Boy Who Stole the Sun (Alexis), The Full Monty (Georgie), Urinetown (Hope) & Smile (Doria). She has also choreographed for the Orlando Rep’s summer camps, for St. Luke’s production of Hairspray and multiple dance shows in Tampa.

Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

9


DEATH OF A SALESMAN EMILY SMITH (Costume Designer) is relieved to finish her seventh show this season with Mad Cow - which is not to imply that she hasn’t had a lovely time. She has. Her costume, prop, and scenic work has been seen across Central Florida and New England theatres and theme parks, including our own dear Annie Russell. She fondly remembers designs for Cabaret (Annie Russell Theatre), Around the World in 80 Days (Hippodrome State Theatre), Is He Dead? (Theater at Monmouth), The Mad Pirate and the Mermaid (Shakespeare & Company), and of course most recently Enchanted April and Collected Stories, both here with Mad Cow. She hopes most fervently that you will be right back here next season, reading this program. MARK EDWARD SMITH (Ben) is happy to have been a part of Mad Cow for the last 16 years, beginning with our inaugural season production

of Bl Seagull, Our Town, The Constant Wife, Assassins, and 4 Quartets as well as the Mad Cow/Orlando Philharmonic productions of My Fair Lady and Porgy and Bess. He received his training at the University of Maryland, and has worked for the City of Orlando for the last 23 years. MONICA TITUS (Miss Forsythe) is excited to return to Mad Cow since her debut here as Yvonne / Harriet in their production of Sunday in the Park with George. A graduate of Mercer Univerity, where she received her BA in Theatre and Music, she had the pleasure of appearing as Desiree Armfeldt in their production of A Little Night Music and in another favorite, I Love You, You’re Perfect, Now Change. She has since been seen locally as the Club Secretary in Theatre Downtown’s Sherlock Holmes and the Adventure of the Suicide Club. Working offstage, she served

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DEATH OF A SALESMAN as vocal director of Anything Goes as a part of the Henegar Center’s 2012 high school summer program, and has also worked collaboratively as both a director and dialect coach. PETER TRAVIS (Bernard) is excited to be making his debut on The Harriett. Recent Mad Cow credits include Mass Appeal and Mrs. Warren’s Profession in the Black Box. Peter is currently a senior at Rollins College where he has appeared in several shows, including Cabaret, How I Learned to Drive, I Hate Hamlet, Rabbit Hole, and Stage Fright. VICTORIA WHITE (Jenny) is proud to be back on the Mad Cow stage. You may recognize her from her role as a Sweetheart in Mad Cow’s recent production of Dreamgirls. She grew up in Cocoa, Fl and earned a B.A. in Theatre from Florida State University in 2009. She also studied

at Art’s Sake Acting Studio in Winter Park, and is currently studying improv at SAK Comedy Lab in Downtown Orlando. She’d like to send a big thanks to Director Tim Williams and Mad Cow for inviting her to be a part of this wonderful production. TIM WILLIAMS (Director) received a BA in Theater Arts from the University of Central Florida Conservatory Theatre. He has directed the staged reading of Next to Normal at Theatre Winter Haven, the workshop of David Lee’s Kafka’s Shorts at the Harriett Lake Festival of New Plays and four productions for Mad Cow Theatre: The Understudy, Private Lives, Next to Normal and Sunday in the Park with George. He’s also directed young adults in productions at Santa Fe High School and Lakeland Community Theater’s The 25th Annual Putnam County Spelling Bee and Anything Goes. An actor as well, Timothy is an

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DEATH OF A SALESMAN improvisational performer with the Walt Disney World Resort. He was a Resident Actor and Associate Artist at Orlando Shakespeare Theater for four years and has performed for The Cow in Rosencrantz and Guildenstern are Dead, Who’s Afraid of Virginia Woolf?, Billy Bishop Goes to War and Laughter on the 23rd Floor. KEVIN ZEPF (Stanley) is thrilled to return to Mad Cow Theatre in this iconic play after recently performing in the musical Dreamgirls. Other notable performances at Mad Cow include Private Lives, She Stoops to Conquer and Gone Missing. Kevin’s NYC credits include the Off-Broadway premiere of Green Gables (York Theatre). His favorite Central Florida shows include Assassins (Mad Cow), Evil Dead (Theatre Downtown) and Sweeney Todd (Bob Carr) with Mad Cow Theatre and the Orlando Philharmonic. Kevin received training from The Conservatory of Theatre Arts at Webster University in St. Louis. He would like to thank his family, co-workers and friends for all their love and support.

12

ERIC ZIVOT (Willy Loman) makes his Mad Cow acting debut with this production of Death of a Salesman. Eric has directed Mad Cow productions of Mrs. Warren’s Profession, Billy Bishop Goes to War, Hedda Gabler and Next Fall. Eric has been an Associate Artist at Orlando Shakespeare Theater since 2004 where he has directed and appeared in numerous productions. He is also an Associate Professor in the Department of Theater and Dance at Rollins College, where he

both acts and directs. Before joining the faculty at Rollins College, Eric was a training division head and member of the acting company at the American Conservatory Theater in San Francisco and had his own school, The Gymnasia Theatrica, in Los Angeles. Eric has appeared with and directed at the Stratford Festival of Canada, The Marin Theater Company, Colorado Shakespeare and the Manitoba Theatre Centre among many other national and regional theater companies. His film and television credits include JAG (Emmy Winner), The Alarmist, Two Voices, Looking for Lola, Babylon 5 and Sunset Beach. Eric’s work in this production is for his Grandfathers, Jimmy, Harry, and Jack; great salesmen all.

OTHER DESERT CITIES BY JON ROBIN BAITZ | GUETTEL AND BOOK BY CRAIG LUCAS | TABL HOT TIN ROOF BY TENNESSEE WILLIAMS | HA HISTORY BOYS BY ALAN BENNETT | THE LETTE DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AYCKBOURN | THE MOUNTAINTOP BY KATORI AND GEROME RAGNI AND MUSIC BY GALT MA | OTHER DESERT CITIES BY JON ROBIN BAITZ | GUETTEL AND BOOK BY CRAIG LUCAS | TABL HOT TIN ROOF BY TENNESSEE WILLIAMS | HA HISTORY BOYS BY ALAN BENNETT | THE LETTE DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AYCKBOURN | THE MOUNTAINTOP BY KATORI AND GEROME RAGNI AND MUSIC BY GALT MA | OTHER DESERT CITIES BY JON ROBIN BAITZ | GUETTEL AND BOOK BY CRAIG LUCAS | TABL HOT TIN ROOF BY TENNESSEE WILLIAMS | HA HISTORY BOYS BY ALAN BENNETT | THE LETTE DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AYCKBOURN | THE MOUNTAINTOP BY KATORI AND GEROME RAGNI AND MUSIC BY GALT MA | OTHER DESERT CITIES BY JON ROBIN BAITZ | GUETTEL AND BOOK BY CRAIG LUCAS | TABL HOT TIN ROOF BY TENNESSEE WILLIAMS | HA HISTORY BOYS BY ALAN BENNETT | THE LETTE DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AYCKBOURN | THE MOUNTAINTOP BY KATORI AND GEROME RAGNI AND MUSIC BY GALT MA | OTHER DESERT CITIES BY JON ROBIN BAITZ | GUETTEL AND BOOK BY CRAIG LUCAS | TABL HOT TIN ROOF BY TENNESSEE WILLIAMS | HA HISTORY BOYS BY ALAN BENNETT | THE LETTE DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AYCKBOURN | THE MOUNTAINTOP BY KATORI AND GEROME RAGNI AND MUSIC BY GALT MA OTHER DESERT CITIES BY JON ROBIN BAITZ | GUETTEL AND BOOK BY CRAIG LUCAS | TABL HOT TIN ROOF BY TENNESSEE WILLIAMS | HA

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Special Thanks to:

The City of Orlando Mayor Buddy Dyer & City Council Downtown Development Board Community Redevelopment Agency

VENUS IN FUR BY DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AND LYRICS BY ADAM LE MANNERS BY ALAN AYCKBOURN | THE MOUNTAINTOP BY KATORI HALL | CAT ON A AIR LYRICS BY JAMES RADO AND GEROME RAGNI AND MUSIC BY GALT MACDERMOT | THE ERS BY JOHN W. LOWELL | OTHER DESERT CITIES BY JON ROBIN BAITZ | VENUS IN FUR BY C AND LYRICS BY ADAM GUETTEL AND BOOK BY CRAIG LUCAS | TABLE MANNERS BY ALAN I HALL | CAT ON A HOT TIN ROOF BY TENNESSEE WILLIAMS | HAIR LYRICS BY JAMES RADO ACDERMOT | THE HISTORY BOYS BY ALAN BENNETT | THE LETTERS BY JOHN W. LOWELL | VENUS IN FUR BY DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AND LYRICS BY ADAM LE MANNERS BY ALAN AYCKBOURN | THE MOUNTAINTOP BY KATORI HALL | CAT ON A AIR LYRICS BY JAMES RADO AND GEROME RAGNI AND MUSIC BY GALT MACDERMOT | THE ERS BY JOHN W. LOWELL | OTHER DESERT CITIES BY JON ROBIN BAITZ | VENUS IN FUR BY C AND LYRICS BY ADAM GUETTEL AND BOOK BY CRAIG LUCAS | TABLE MANNERS BY ALAN I HALL | CAT ON A HOT TIN ROOF BY TENNESSEE WILLIAMS | HAIR LYRICS BY JAMES RADO ACDERMOT | THE HISTORY BOYS BY ALAN BENNETT | THE LETTERS BY JOHN W. LOWELL | VENUS IN FUR BY DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AND LYRICS BY ADAM LE MANNERS BY ALAN AYCKBOURN | THE MOUNTAINTOP BY KATORI HALL | CAT ON A AIR LYRICS BY JAMES RADO AND GEROME RAGNI AND MUSIC BY GALT MACDERMOT | THE ERS BY JOHN W. LOWELL | OTHER DESERT CITIES BY JON ROBIN BAITZ | VENUS IN FUR BY C AND LYRICS BY ADAM GUETTEL AND BOOK BY CRAIG LUCAS | TABLE MANNERS BY ALAN I HALL | CAT ON A HOT TIN ROOF BY TENNESSEE WILLIAMS | HAIR LYRICS BY JAMES RADO ACDERMOT | THE HISTORY BOYS BY ALAN BENNETT | THE LETTERS BY JOHN W. LOWELL | VENUS IN FUR BY DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AND LYRICS BY ADAM LE MANNERS BY ALAN AYCKBOURN | THE MOUNTAINTOP BY KATORI HALL | CAT ON A AIR LYRICS BY JAMES RADO AND GEROME RAGNI AND MUSIC BY GALT MACDERMOT | THE ERS BY JOHN W. LOWELL | OTHER DESERT CITIES BY JON ROBIN BAITZ | VENUS IN FUR BY C AND LYRICS BY ADAM GUETTEL AND BOOK BY CRAIG LUCAS | TABLE MANNERS BY ALAN I HALL | CAT ON A HOT TIN ROOF BY TENNESSEE WILLIAMS | HAIR LYRICS BY JAMES RADO ACDERMOT | THE HISTORY BOYS BY ALAN BENNETT | THE LETTERS BY JOHN W. LOWELL | VENUS IN FUR BY DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AND LYRICS BY ADAM LE MANNERS BY ALAN AYCKBOURN | THE MOUNTAINTOP BY KATORI HALL | CAT ON A AIR LYRICS BY JAMES RADO AND GEROME RAGNI AND MUSIC BY GALT MACDERMOT | THE ERS BY JOHN W. LOWELL | OTHER DESERT CITIES BY JON ROBIN BAITZ | VENUS IN FUR BY C AND LYRICS BY ADAM GUETTEL AND BOOK BY CRAIG LUCAS | TABLE MANNERS BY ALAN I HALL | CAT ON A HOT TIN ROOF BY TENNESSEE WILLIAMS | HAIR LYRICS BY JAMES RADO ACDERMOT | THE HISTORY BOYS BY ALAN BENNETT | THE LETTERS BY JOHN W. LOWELL | VENUS IN FUR BY DAVID IVES | THE LIGHT IN THE PIAZZA MUSIC AND LYRICS BY ADAM LE MANNERS BY ALAN AYCKBOURN | THE MOUNTAINTOP BY KATORI HALL | CAT ON A AIR LYRICS BY JAMES RADO AND GEROME RAGNI AND MUSIC BY GALT MACDERMOT | THE

miss a moment.

2014 Subscriptions now available.

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WELCOME TO CHURCH STREET Steeped in History dating back to the 1800’s, the Church Street District offers a view of the past while enjoying all the excitement of today’s top Entertainment Venues. Come for the history and enjoy food, art, sports and entertainment, right in the heart of Orlando. Visit churchstreetdistrict.com for more information on our businesses, special events, and ways to save!

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MAD COW THEATRE Mad Cow Theatre celebrates its 16th season in its new home in Downtown Orlando. Mad Cow Theatre is one of Orlando’s most respected professional theatre companies, presenting compelling works of theatre for a wide range of audiences with a passion for both classic and contemporary plays representing the best of American and World literature. Mad Cow Theatre attracts the area’s most talented and gifted actors, designers and directors. A mainstay of the company is its dedication to the process of creating theatre, incorporating in-depth rehearsal and research periods along with a nurturing collaborative process. The company has received numerous awards, including Arts Innovator of the Year by United Arts of Central Florida, Best Place to See a Play (Orlando Sentinel), Best Live Theatre (Orlando Weekly), Best Local Theatre Company (Orlando Magazine), and Best Performance Theatre (Orlando Business Journal,) among many other awards and recognitions.

MAD COW THEATRE STAFF DIRECTORY Executive Director Mitzi Maxwell Director of Audience Development David B. Mink Production Manager Jeanine Lisa Development Coordinator Emily Dorff Box Office Supervisor Audrey Frank Box Office Assistant Leonidas Bratini Photographer Tom Hurst

Graphic Design Zac Alfson Lisa Buck Board Members Michael Gross Dan Dantin Elizabeth Maupin Mitzi Maxwell Brian McDowell Richard Russell Dr. Bob Stonerock Founding Members Rus Blackwell Trudy Bruner Alan Bruun Dennis Neal

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2012 - 2013 DONORS The new home for Mad Cow Theatre is the largest venture in Mad Cow’s fifteen-year history. The theatre has continually expanded at a pace that reflects the need of the city around it, and today is no exception. Mad Cow Theatre is making progress every day thanks to the visionary and generous support of the citizens of Central Florida and individual philanthropists, foundations and corporations who believe that Orlando’s success is tied directly to a dynamic cultural and artistic scene.

BUSINESS CIRCLE Mad Cow Theatre thanks the following businesses for their contributions to Mad Cow Theatre’s artistic and educational programs enriching the lives of the Central Florida Community.

CORPORATE ANGEL ($2500 and over) Florida Theatrical Association CORPORATE DIVA ($1000 - $2499) Enterprise Holdings Foundation W. Ed Langdon

Adirondack Studios WOW! Works International, Inc.

INDIVIDUALS & FAMILIES PLATINUM CIRCLE ($10000 and over) Michael & Jennifer Coleman Maureen & Gary Fries Jim & Freddi Goodrich Harriett Lake Mara & Harvey Levitt

Susan McKenna & Suzan Abramson Frank Santos & Dan Dantin Marty & Bob Stonerock

GOLD CIRCLE ($5000 to $9999) Bill & Jane Oatway Richard Russell & Thomas Ouellette Bryce L. West Foundation

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Philip & Sigrid Tiedtke The Ustler Family Foundation Joe & Sue Warren

PRODUCER’S CIRCLE ($2500 to $4999) Debbie & Ken Carpenter Jackson Lewis LLP Elizabeth Maupin & Jay Lenore S. & Howard Roland Yellen Jill Schwartz & Associates, P.A. Susan K. McKenna, Esq., Edward & Phyllis Zissman


DIRECTOR’S CIRCLE ($1000 - $2499) Anonymous (2) Peter Giacalone Siegmund I. & Marilyn Goldman in honor of Steve Goldman & Julie Goldman Klein Michael Gross & Rey Tabarrok The Hubbard Family Foundation, in honor of our friend Dr. Bob Stonerock Richard & Annette Manganel Ken & Trisha Margeson

ARTIST’S CIRCLE ($500 - $999) Anonymous (3) Drs. Luci Belnick & Jeff Cohen Jim Bowden Stasha Boyd & Mike Lutz Stewart Brown Tom and Kathy Cardwell Charitable Fund of the Schwab Charitable Fund Steven P. Clawson Bruce & Paula Collins Ann Cook Janet Denniston & Ray Alger Dana & Diana Eagles Susan Finnegan Katherine Ho & Joey Sacco Mike Houston

Joann & Doug Marks Barbara Maxwell Wendy & Brian McDowell Cindy & Frank Murray Neil & Kuei-mei Olcott Tom & Theresa Quinn Fund Molly Rose & Bob Fleming Deborah & Larry Simpson Sharon Siskie Leighton & Phyllis Yates

Carol & Walter Johnson Dean Johnson Mary F. Kelsh Dr. Mitch & Swantje Levin Susan Mair Doug McGinnis Rosemary O’Shea DW Phineas Perkins Maria M. Rubin Joseph & Norma Samuels Tom & Gerry Joan & Harry Travis Mr. & Mrs. Jerry Twedt The Walker Family Foundation Trudy Wild

HOLY COW ($250 - $499) Anonymous (2) Sherry Andrews Kurtis T. Bauerle Jeffrey P. Beale Susan Fox Beversluis Susan Bright Mary Anne Ciavatta Dr. & Mrs. Perry & Eileen Dworkin Margaret B. Garland Elinor & Robert Greenway Alex Halberstadt Susie & Jerry Haralson Wallace G. Harper Paul Hartmann Ron Hirsch & Betty Reid

Craig & Jody Maughan Old Fart Elinor Parker Phoebe & Eliot Rosewater Gerson L. Sacks John Simpson Barbara J. Smith Dennis Sobeck Jim & Ginny Stuart Zena Sulkes & Dan Freeman Ana T. t’Heft Susan Walsh Barbara Weinreich Gayle Wirtz

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2012 - 2013 DONORS THE HERD (UP TO $249)

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Anonymous (12) Anonymous in memory of Marjorie Hand (Mrs. Stanley I. Hand) 2B Bello Joe & Nancy Adams Herb & Elaine Adler Thelma Alexander Zac Alfson & Bryan Henley In honor of Marc Allaire John W. & Linda Cone Allen John & Lillian Armstrong Maria Elena Augustin in honor of Walter Horst Augustin Marianne & Anthony Bassile Alvin Benton on behalf of Brian A. McDowell Neal & Genie Blaher Dr. Rita Bornstein Ingrid & Bob Bornstein Maria Bors Midge Bowman Michael & Deborah Branton Randy Brown Bettina Brutsch Barbara Buchele Lois Burden Ted & Mary Wayne Bywater Charlotte & John Carter Pamela Chamberlin Gene Columbus Deborah Deland John Connon & Michael Dipert Mickey & Dick Cook

James & Kay Cooksey Larry & Adrienne Cooperman Andrea Cox Ralph & Carol Curry Michael Daspin Susie Day GM Davis Robert W. Davis Jr. Lynn Derrick Jim & Beth DeSimone Steve Diedrich Dave & Brenda Diggs David & Mary Durham Michael P. Dwulit R. Engar & B. Martin Judith & Norman Falkin Nancy & RJ Farris Edward M. Fitzgerald David & Becky Fleischmann Dr. & Mrs. Jefferson Flowers Carol Foglesong Robert Galano Tom Garman JoAnn & Roger Gatlin Eric Gershman Pamela & Lloyd Gillet Dr. & Mrs. Thomas Gillman Marcia Hope Goodwin Christopher Grant Barbara & Alan Greber Carol Griffin Michael Galletta & Betsy Gwinn Larry Haber Michael & Margaret Haddad

Ed & Barbara Hampden George Hanzman & Irene Clark Nancy Hartman Joseph & Sharon Hegedus William & Patricia Heineken James & Nancy Hennessey Ashley S. Hickman Russel Hiett Richard & Ann Higbie Dan & Marie Hitt Veronica & Rod Hitt Holland & Knight LLP Dave Holland David & Susan Holland Brooke, Jessica, & Eric Hondel David Horgan John & Shirley Horn Desta Horner & Stephen McKenney Steck Ellen Hurwitz George F. Indest III In Honor of Barbara Martin In Memory of Sue B. Monroe Pamela Johnson Robin Katz Brian Kelley Constance Kenna John & Charline Kennedy Wayne Kline Roy Kobert David Kramer


WE APOLOGIZE FOR ANY ERRORS OR OMISSIONS. TOTALS REFLECT GIFTS THROUGH 7/19/13

THE HERD (UP TO $249) Continued Christine Kroetsch & Jeremiah Hayes Victoria & Michael Landon Seymour & Anne Leibowitz Francis Lepow Rita Lewis Stacey Jane Lewis Warren Lindsey Dawn Loges Rosalyn Lowenstein Jane Lowitz Shannon Lynch Rosemary Maher & Mendel Melzer Raven McElman John & Rebekah McReynolds Barry & Denny Meneghelli Thom Mesrobian J. Michael Messer Frank Meyer Robert & Janice Miller Mr. & Mrs. Andrew Minear Brian Mitchell Laura Moehlenkamp Jim & Mari Moye Rich & Jane Mueller Kevin Muhs Edith & Bill Nault Steven Neilson Sandy Neubarth Jennafer Newberry Allen Niles Philip Nolen Anne Norris William & Jane Oatway Odd-o-T’s

Entertainment Rhonda Oehlrich Terry & Robin Olson Andrea Ostrodka John Painter John E. Palmer John Parker & Deede Sharpe Carrie & Ron Patterson David Piatt T. Robby Pigott Jean-Paul Pinelli George Poelker Adrienne & Ivan Polon Ginnifer Powell Martin & Ellen Prague Gary Redmond Tom & Leslie Reilly Alice & Allen Reinhardt Carl & Sandra Rendek Larry Robinette Traies Roe & Brigid Noonan-Klima Patrick Rushin Claire Sandler Diane L. Sandquist Vince & Kelly Santo Ira & Rhoda Schwartzberg Cindy Segreto Mimi & Stan Shader Gordon & Fran Shogren Jean E. Siegfried David Sigalow & Family Sharon Simmons Joel Slater Cindy Smalls Celnah Smith Joe L. & Beth Smith Mark Edward Smith

Renee Smith Denise & Douglas Sprung Dale Stafford John & Joan Starkovich Cheryl Starks Karen Stephenson Allen Stevenson & Susan Pins Arnold & Nira Stein Mary Stine Irwin & Ruby Suberman Margie Tappe, in honor of Brian McDowell’s 50th birthday Lisa Ambrette Tellechea & Albert Tellechea Theresa K. Thomas TJM Communications, Inc. | Treva J. Marshall Norma Tolmach Carmen Torres Timothy Tracey Cecilia Tyne Gerald Van Buren Margie Varney Stacia L. Wake Joseph Waple Marilyn Waters Doug & Lisa Wentz Janet & Norbert Weller Marilyn Williams & Shane Williams Dr. James & Martha Williamson Richard Wilson Lori & Daniel Wise Ann Worrall Sharon Wright Dr. & Mrs. Lee Zehngebot 19


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