Mad Cow Theatre Presents
The
ittle Foxes L
AUG 3-26, 2018 The classic story of a Southern family motivated by secrets, lies and greed. By Lillian Hellman Directed by Tony Simotes
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Mad Cow Theatre Mad Cow Theatre was founded on the belief that the theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form. Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of theatre to an ever-widening audience — promoting, enhancing, and celebrating the human condition through art. Mad Cow Theatre is supported in part with public funds from the State of
Florida, Department of State, Division of Cultural Affairs; the Florida Council on Arts and Culture; the Florida Arts Council; the National Endowment for the Arts, the Downtown Development Board; and Orange County through the Arts & Cultural Affairs Program. A great nation deserves great art! Mad Cow is a 501(c)(3) organization and welcomes all donations including funds, materials, time, and goodwill. We are especially delighted when audience members bring others to share the theatrical experience.
Mad Cow Theatre Staff Executive Director Mitzi Maxwell
Technical Director Waylon Lemasters
Manager of Operations & Community Engagement Audrey McGowen
Development Coordinator Ryan Rosa
Company Manager Jessica Kaschube
Administrator Coordinator Morgan Moots
Patron Experience Manager Erica Bush Patron Services Assistants Stefany Rodriguez Sales & Services Specialist Jennifer Thomas
Manager of Art & Design Lisa Buck
Photographer Tom Hurst Founding Members Rus Blackwell Trudy Bruner Alan Bruun Dennis Neal
Board Members William Boles Mitzi Maxwell Brian McDowell Jane Oatway Kerby Pickens Susi Rivera Mike Schneider Jean Siegfried Tony Simotes Bickley Wilson Wendy Zehngebot
Out of respect for the audience and the artists, patrons who leave the theatre during the performance and patrons who arrive late will be re-admitted at the house manager’s discretion. Video and photography are strictly prohibited.
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The Little Foxes By Lillian Hellman
August 3-26, 2018 THE HARRIETT - FEATURING Courtney Bahr Bob Brandenberg Roberta Emerson
Leroy Flemming Tommy Keesling Ame Livingston * Steven Lane*
Zachary Lane Anneliese Moon Mark Edward Smith
* Member of Actors’ Equity Association, the union of professional actors and stage managers in the U.S.
Scenic Designer Rob Wolin +
Stage Manager Katie Rinaldi
Costume Design Alison Reid
Properties Master Lisa Buck
Sound Designer Alex Mason
Lighting Design Eric Craft
Director Tony Simotes** +
** *
THE LITTLE FOXES is presented by arrangement with Graham Agency, New York (grahamacynyc@aol.com)
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The Little Foxes Cast IN ORDER OF APPEARENCE Addie...................................................................................Roberta Emerson Cal.........................................................................................Leroy Flemming Birdie Hubbard........................................................................ Courtney Bahr Oscar Hubbard................................................................ Mark Edward Smith Leo Hubbard..............................................................................Zachary Lane Regina Giddens...................................................................... Ame Livingston William Marshall................................................................... Tommy Keesling Benjamin Hubbard...............................................................Bob Brandenberg Alexandera Giddens..............................................................Anneliese Moon Horrace Giddens......................................................................... Steven Lane
The Little Foxes is performed with one 15-minute intermission.
PRODUCTION TEAM Assistant Stage Manager............................................................... Jorge Mesa Technical Director................................................................ Waylon Lemasters Scenic Charge ................................................................................ Lisa Buck
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 *actors and stage managers in the United States. Equity seeks to advance, promote and foster
the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
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Announcing Season The Little 22 Foxes 2018-2019
The Harriett Theatre
The ZehngebotStonerock Theatre
THE ROYAL FAMILY by George S. Kaufman & Edna Ferber — A 1920’s classic comedy Sept. 21-Oct. 14, 2018
RAPTURE, BLISTER, BURN by Gina Gionfriddo — A contemporary comedy with a bite Oct. 26-Nov. 18, 2018
THE MYSTERY OF EDWIN DROOD by Rupert Holmes — A hilarious musical whodunit Nov. 30-Dec. 23, 2018
GLORIA by Branden Jacobs-Jenkins — A sharp-toothed, dark, comedic drama Feb. 15-March 10, 2019
HAND TO GOD by Robert Askins — A ruthless comedy about sex, sinners and sock puppets Jan. 18-Feb. 10, 2019
OUTSIDE MULLINGAR by John Patrick Shanley — Beautiful story about taking a chance on love June 21-July 14, 2019
TOP GIRLS by Caryl Churchill — The provocative story of women, success and relationships March 29-April 21, 2019
FADE by Tanya Saracho —The compelling story of a Latina television writer in LA Aug. 23-Sept. 15, 2019
ONCE Book by Enda Walsh, music by Glen Hansard and Markéta Irglová — The enchanting musical about love June 7-30, 2019
PHOTOS BY TOM HURST (2)
HEARTBREAK HOUSE by George Bernard Shaw — A rousing comedy of wit and romance Aug. 9-Sept. 1, 2019
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The Little Foxes readers into a union. It was through these political actions that she first met the writer Dashiell Hammett. By 1932 Hellman was already divorced, and her new relationship with Hammett was well under way. Their relationship remained close until Hammett’s death in 1961. Hellman took her first leap into professional writing with a play about two teachers accused of being lesbians by a privileged student. “The Children’s Hour,” was a gripping emotional tale about the abuse of power and its effects. The play was an enormous hit on Broadway (running for more than seven hundred performances). (1939). “The Little Foxes” was a story about three siblings struggling for LILLIAN HELLMAN (Playwright) control over a family business. Primarily Became a writer at a time when writers an indictment of capitalist motives, it was were celebrities and their recklessness also a telling story of three individuals, was admirable. Like Fitzgerald, and an investigation of their inner lives. Hemingway, Faulkner, and Hammett, This ability to blend strong politics with Lillian Hellman was a smoker, a humane (though not sentimental) stories drinker, a lover, and a fighter. Hellman of individual struggles was one of maintained a social and political life as Hellman’s great achievements. large and restless as her talent. Throughout the 1940s and 1950s Born in New Orleans, Louisiana in she continued to write plays and 1905, Hellman saw her young life increase her political activism. Her populated by eccentric and avaricious anti-fascist works “Watch the Rhine” relatives, who later appeared only (1941) and “The Searching Wind” thinly disguised in her plays. After (1944) directly criticized America’s graduating from high school, she failures to address and fight Hitler and attended both Columbia University and Mussolini in their early years. Blacklisted New York University. in the 1950s for her leftist activism, She married a young writer, Arthur Hellman continued to write and to speak Kober, and with him moved to Hollyout against the injustices around her. wood. On June 30, 1984 Lillian Hellman By the early 1930s, Hellman had died in Martha’s Vineyard, Massachufound a job as a reader for MGM. setts at the age of seventy-nine. Hellman Though she found the work dull, it will be remembered not only as an provided her the opportunity to meet a activist, playwright, and memoirist, but wider range of creative people and as a woman who could overcome the to become involved in the artistic and hurdles of her time and succeed on her political scene of the times. An ardent leftist, Hellman organized her fellow 6 own terms.
The Little Foxes
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The Little Foxes LISA BUCK (Properties Master) Set designs include The Road to Mecca, Mrs. Warren’s Profession, and Painting Churches (Mad Cow Theatre), Don Pasquale, Abduction from the Seraglio, and Carmina Burana (Orlando Opera), Madama Butterfly, II Barbieredi Siviglia, Tosca, and The Magic Flute (Orlando Philharmonic Orchestra). Lisa studied painting at Parsons School of Design, Pratt Institute, and Cobalt Studios. She has won numerous awards for her painting and has written howto-paint articles for North Light Publications.
Christmas Carol at Athens Theatre. ERIC CRAFT (Lighting Designer) previously designed lights for Fun Home, Grounded, Big River, Animal Crackers, Born Yesterday, and Three Sisters as well as the sets for The Brother’s Size and, A View from the Bridge with Mad Cow Theatre. He has worked with Pioneer Theatre Company, Sacramento Theater Company, Utah Shakespeare Festival, and numerous others. He would like to thank his family for all their support. ROBERTA EMERSON (Addie) received a BFA at the University of Minnesota and an MFA at New York University. She has worked in regional theaters around the country, done extensive voice-over and film work, and has been a teaching artist stateside and in Europe. She is theatre director at Montverde Academy and directs and produces in her spare time. Recent local credits include 1776 at Mad Cow, Antony and Cleopatra at Orlando Shakes, and Doubt at Thank you Five.
COURTNEY BAHR (Birdie Hubbard) was last seen at Mad Cow in The Water Engine during this season’s Science Play Festival. She has worked in NYC, regionally, and in indie film. Local credits include Don’t Dress for Dinner, Dial M for Murder, Rumors, various men and women in Women Playing Hamlet and Playfest at Orlando Shakes, where she was also not seen as the understudy in The Luckiest People. To Him the Glory. For Jackson, Christopher and Juliette, my very bright stars.
LEROY FLEMMING (Cal) grew up in Phenix City, Ala., graduated from Central High School, and received a B.S. in business management from Alabama State University in Montgomery. Leroy lives by a quote his mother gave him: “I may give out, but I will never give up.” He believes that acting explores all human emotions and gives clarity to our world.
BOB BRANDENBURG (Benjamin is making his Mad Cow acting debut in The Little Foxes, but he has produced two Cabaret Festivals and directed The Drowsy Chaperone for the herd. Bob’s favorite roles include FDR in Annie, Frank Hamer in Bonnie and Clyde, Nub in A Tennessee Walk (Garden Theatre); Teddy Roosevelt in Newsies the Musical at Orlando Rep; Mushnik in Little Shop of Horrors at Osceola Arts; and Scrooge in A
Hubbard)
STEVEN LANE (Horace Giddens) was last seen in the pasture in The Big Meal. Also at Mad Cow: Photograph 51, Hedda Gabler, Legacy of Light, The Heiress,
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The Little Foxes AME LIVINGSTON (Regina Giddens) Is grateful to return for her tenth production with the Cows. When she’s not pretending to live in the early 1900’s, Ame probably can be found singing for Disney, attempting improvisational comedy, on your screen in a goofy TV show or commercial, or as the voice of a VR video game. She is beyond thankful to her kindred spirits (especially her husband, mom, and dad) and to Tony and Mitzi and will forever be #kristinspired.
The Lion in Winter, and The Drowsy Chaperone. He has worked at numerous theaters in a wide range of roles, from Che in Evita to Mordred in Camelot, Cornelius in Hello, Dolly! to Newman Noggs in Nicholas Nickleby. Steven has a bachelor’s degree in vocal performance from Stetson University and is a grateful member of Actors’ Equity. ZACHARY LANE (Leo Hubbard) is in his second production at Mad Cow and is thrilled to be doing so with his family. Born and raised in Orlando, Zach is a proud student at Class Act Studios, where he continues to learn and grow in this wonderful craft. Favorite credits include Edward in Skylight, Padriac in The Lieutenant of Inishmore, Mathew Dolan in In Close Quarters, and all the characters he plays at Universal Studios Orlando. This one is for you, Grandma.
ALEX MASON (Sound Designer) is excited to design his fourth show at Mad Cow. He graduated from Furman University with a degree in vocal performance and was a stagehand there for five years. He designed Mad Cow’s A View from the Bridge, Silent Sky and The Tale of the Allergist’s Wife and such community-theater productions as Shenandoah (Easley Foothills Playhouse) and Into the Woods (Furman University). When not backstage, he loves to perform onstage.
TOMMY KEESLING (William Marshall) has appeared in more than 25 Mad Cow productions, including Arcadia, Our Town, The Seagull, I Have Before Me a Remarkable Document Given to Me by a Young Lady From Rwanda, She Stoops to Conquer, The Pitmen Painters, August: Osage County, Mrs. Warren’s Profession, Enchanted April, The History Boys, Art, Picasso at the Lapin Agile and most recently this season in A View From the Bridge. He has worked with many other companies in Central Florida, as well as at the Orlando International Fringe Festival. He also has appeared in staged readings with Orlando Shakes New Play Festival and Women Playwrights Initiative.
ANNELIESE MOON (Alexandra is thrilled to make her Mad Cow debut. Anneliese studies theatre at Rollins College. She performs in various roles at Universal Studios. She also has performed for Orlando Repertory Theatre, Beth Marshall Presents, and the Garden Theatre. Credits include Laura (Glass Menagerie), Maria (West Side Story), Natalie (Next to Normal), and Elinor (Sense and Sensibility). Many thanks to her family, especially Elina for being a superior being.
Giddens)
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The Little Foxes KATIE RINALDI (Stage Manager) is in her second season at Mad Cow, where she stage-managed The God Game, Constellations, It Was a Very Good Year, Skylight, Born Yesterday, The Tale of the Allergist’s Wife, and Fun Home and assistant stage managed and acted as fight captain for A View from the Bridge. Katie holds a BFA in stage management from UCF.
MARK EDWARD SMITH (Oscar Mad Cow: Tribes, The Light in The Piazza, Death of a Salesman, The Pitmen Painters, Rashomon, Circle Mirror Transformation, The Heiress, An Inspector Calls, Assassins, The Rainmaker, Pericles, The Seagull, The Constant Wife, Our Town, The Four Quartets, and Blithe Spirit. Highlights elsewhere: Angels in America, Parts I and II; Love! Valor! Compassion!; The Weir; The Grapes of Wrath; Dancing at Lughnasa; and Rosencrantz and Guildenstern Are Dead. Directed for Mad Cow: Fun Home, Silent Sky, Big River, The Amish Project, Three Sisters, 1776, The Big Meal, Long Day’s Journey Into Night, Art, My Name Is Asher Lev, James Joyce’s The Dead, and The History Boys.
Hubbard) For
ALISON REID (Costume Designer) has created costumes for Orlando Shakes, Sarasota Opera, Florida Studio Theatre, Zach Theatre and other regional companies in Florida and Texas. Last year she earned a master of fine arts in costume technology from the University of Texas at Austin. When she’s not creating costumes, Alison is working on her passion project, designing and fabricating puppets. This is Alison’s first production with Mad Cow Theatre. (alisonjoreid.com)
ROB WOLIN (Scenic Designer) Previously at Mad Cow: Fun Home, Tale of the Allergist’s Wife, Born Yesterday, Fences,Three Sisters, Pygmalion, 1776, Avenue Q, My Name is Asher Lev. Off Broadway: An Evening with Quentin Crisp, Queen of Hearts, and many productions for The Glines; Assistant Designer on Broadway: Young Frankenstein, The Producers, Flower Drum Song, Never Gonna Dance with Robin Wagner and Liza’s at the Palace with Ray Klausen; Regional theatre designs for Alabama Shakespeare Festival, Zoetic Stage, Bristol Riverside Theatre, Porthouse Theatre Company, Florida Repertory Theatre, and Gulfshore Playhouse among many, many others. www.RFWolin.com
TONY SIMOTES (Director) is former artistic director of Shakespeare & Company, which he helped found in 1978. Recent credits: A View from the Bridge, The Tale of the Allergist’s Wife, Born Yesterday, Fences, Painting Churches, The God Game, and Constellations (all at Mad Cow), The Three Musketeers (Connecticut Repertory Theatre), The Cradle Will Rock (Rollins College) and The Nerd (Madison Repertory Theatre). He is happy to be a part of Valencia College. MFA, New York University; BA, University of Illinois, Chicago. Lucy makes it all possible.
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The Little Foxes Mad Cow Theatre is celebrating its 21st season as one of Orlando’s most respected professional theatre companies, committed to presenting compelling works of theatre for a wide range of audiences, with a passion for both classic and contemporary plays representing the best of American and world literature. Mad Cow Theatre attracts the area’s most talented actors, designers, and directors. A mainstay of the company is its dedication
to the process of creating theatre, incorporating in-depth rehearsal and research periods along with a nurturing collaborative process. The company’s awards include Arts Innovator of the Year (United Arts of Central Florida), “Best Place to See a Play” (Orlando Sentinel), “Best Live Theatre” (Orlando Weekly), “Best Local Theatre Company” (Orlando Magazine), and “Best Performance Theatre” (Orlando Business Journal).
Meet the Cast
Courtney Bahr
Bob Brandenberg
Roberta Emerson
Leroy Flemming
Tommy Keesling
Ame Livingston
Zachary Lane
Steven Lane
Anneliese Moon
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Mark Edward Smith
Donors List 2017-2018 Mad Cow Theatre has continually expanded at a pace that reflects the need of the city around it, and today is no exception. Mad Cow Theatre is making progress every day thanks to the visionary and generous support of the citizens of Central Florida and individual philanthropists, foundations, and corporations who believe that Orlando’s success is tied directly to a dynamic cultural and artistic scene.
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Florida Theatrical Association Holland & Knight LLP Joanne King Design Kres Chophouse Majors Motors / M Bar MBI Direct Mail Miller’s Hardware Network For Good Odd-o-Ts’ Entertainment in honor of all those that keep us performing! Orange County Arts & Cultural Affairs REMIXED Sleuths Mystery Dinner Theatre Sleuths Mystery Dinner Theatre, Inc.
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THE HERD UP TO $249 Anne & Frank Adasczik Jonathan Albert Jake Alexander Zac Alfson & Bryan Henley Kay Allen Anonymous in honor of Edward “Zip” Zimmerman Anonymous (17) Frank Aquino Cori & Daniel Baill Elaine Barritt Marianne & Anthony Bassile Curt & Sheryl Batchelder Jill B Bello Esther Beltran Alejandro Benedetti Pablo Bermejo Medina Michael & Grey Binford Neal Blaher Barbara Blake William Boles Federico Borghesi Ed & Louise Borsoi Mildred Bowman Pam & Steve Brandon Sherry Bremer
THE HERD UP TO $249 (continued) George S. Fender Aileen Fenton Mark Ferrera Kathleen Fincham-Eastman Janice Fisher Maureen & Bill Fitzpatrick An Flamand June & Jeff Flowers Jennifer Fountaine Elise Free Terri Fumero Victoria Gailey Robert Galano Ronald Gamble Elaine Gamson Denise Ganson Bro Garland Ruth Gasper Roger & JoAnn Gatlin Steve & Fran Gawlinski Thomas & Kathleen Gillman Emily & Martin Glickstein Susan A. Goldberg Robert Gonzalez Diane Goodpaster Adam & Kristina Graham AurĂŠlie Grand Alan & Barbara Greber Beverly Gribbin Carol Griffin Donna Gropper Barbara Grossman Lawrence Haber Kenneth Harwood Margie Hatfield Pat Hawley Greta Hayward Dr. Stephen & Ruth Ann Heller Ann Hellmuth Blaine Henry Margaret Herod Catherine Hinman
Rod & Ronnie Hitt Donna Hoffman Susan Hoke Stephen Holloway Amanda Horning The Huffman Family James & Patricia Hughes Rebecca Hull & Jeremy Udell Susanne Hupp in honor of Betsey Maupin Jose Ibarra Nancy Jacobson & James Lussier John & Wendy Larson-Jennings Roy Johnson Al Jordan Frank & Carol Julian Cathy Karunaratne Rachel Kaufman Judy & Bob Kemp Jill Kimball Joanne King Design Patrick & Kathy Kittell Wayne Kline Ted & Irene Knupp in honor of Tony Simotes Richard & Sharon Kolor Lynn Kopala Fredel & Jim Goodrich Christine Kroetsch & Jeremiah Hayes Roger LaBonte Mark & Jeannie Leavitt Gordon & Lisa Levin Michele & Joe Levy Michael Lewis Nancy Licato Bobbie Bell Larry & Dianna Lokey Nancy & Craig Ludin Amy S. Luek Machelle Lusk Susie & Nelson15 MacNicol
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THE HERD UP TO $249 (continued) Nathan & Kathryn Polley Patrick & Sandra Powers Marian Price Rolando & Ana Puente George & Jeanne Querido Robert Quinn Harvey Rappaport Alice & Al Reinhardt Meredith Renard Jonathan Reynolds Edwin Rivadeneira Susi Rivera Kathleen Roat Martin Rosario Molly Rose & Bob Fleming Andy Rosemurgy & Randy Mizelle Mardi Rosenfeld Alison Royle Holly Rubich MBR Dolly Hall on behalf of Shami J.McCormick Gerald Rutberg Elinor Parker/Gerson Sacks Richard & Irene Sandler Liseth Santos Ken & Nicole Sargent Mr & Mrs. Peter S. Schalow Jeff & Anne Scheetz Benjamin Schilling Carousel Workshop Kathryn Schmitz
Leanne Schneider David Scoma Roy Scutro Patricia Semler Thomas Shapiro Gordon & Fran Shogren Vanessa Siefcak Jean Siegfried Simoneau Family Sleuths Mystery Dinner Theatre, Inc. Holly Small Will Smith Oliver Snavely Helgi Soutar Wedja Souza Landon St. Gordon Shannon St John Michael & Peggy Stewart Sigrid Stockhammer Dan & Zena Sulkes Freeman Neil & Barbara Marianne & Lawerence Taepke Robin Taylor Warren & Susan Tedder Alec Then Kathrine Thompson Alissa Torres Maria Torres Kathy Traexler Jay & Cecilia Tyne Judy Uchida Kathleen Ulrich
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Listing reflects donations from July 1, 2017 to July 1, 2018. We apologize for any errors or omissions.
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