Hair - The American Tribal Love Rock-Musical

THE MUSICAL

The American Tribal Love-Rock Musical

Hair

lyrics by James Rado & Gerome Ragni music by Galt MacDermot June 6-July 6, 2014

Mad Cow Theatre Mad Cow Theatre was founded on the belief that the theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form.

Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of theatre to an ever-widening audience — promoting, enhancing and celebrating the human condition through art.

Mad Cow Theatre is supported in part with public funds from the United Arts campaign and by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture, the Florida Arts Council, the National Endowment for the Arts, the Downtown Development Board, and Orange County through the Arts & Cultural Affairs Program. A great nation deserves great art!

Mad Cow is a 501(c)(3) organization and welcomes all donations including funds, materials, time and good will.

We are especially delighted when audience members bring others to share the theatrical experience.

Acknowledgements Thank You Mad Cow Theatre has forged many alliances and made many friends.

This endeavor would not be possible without the generous spirit, passion and good will of the following individuals and organizations.

3cStudios 55 West L2 Studios, Inc. Church Street District DirectOne Douglas and Sarah-Lee Dobbs Dr. Phillips Center for the Performing Arts Flag World Inc. Holland & Knight Holland & Reilly Irby & Stutchman Vaccums Russian Ballet Orlando Tom Hurst Photography Valencia College Roy & Connie Brand Paul & Lisa Castaneda Terry Clark Georgie Delgado Don Hopkinson Dr. Alvin Wang & Lorrie Culbertson

THEATRE LOCATION: Mad Cow Theatre 54 West Church Street Second Floor Orlando, FL 32801 Mailing ADDRESS: Mad Cow Theatre P.O. Box 3109, Orlando, FL 32802-3109 BOX OFFICE: 407.297.8788 or madcowtheatre.com

Robert Kasper Bill & Claudia Lefkowitz Terry and Robin Olson Thomas Ouellette Allen Overlander Peg O’Keef Marty Stonerock Superior Printers All the Cows in the Pasture

Mad Cow Theatre Presents This show has strong language and brief nudity.

Hair

The American Tribal Love-Rock Musical

lyrics by James Rado & Gerome Ragni music by Galt MacDermot

- FEATURING Betsy Bauer Felichia Chivaughn Byron DeMent* Eric Desnoyers Luis Gabriel Diaz Sean Michael Flynn

Krystal Gillette Lindsey Gradwohl Clinton Harris* Heather Kopp* Katrina Johnson Jasmine Lattimore

Jaymeson Metz Jake Mullen Erick Perafan Kaylin Seckel* Jamaal K. Solomon Joanna Yeakel

Scenic Design William Elliott

Lighting Design Joseph P. Oshry

Costume Design Leslye Menshouse

Choreographer Ellie Potts Barrett**

Sound Design Will Carlson

Props Master Frank Siano

Stage Manager Gail Eve Malatesta*

Musical Director Philip King Director Elena Day HAIR is produced by arrangement with, and the music and dialogue material furnished

by TAMS-WITMARK MUSIC LIBRARY, INC., 560 Lexington Avenue, New York, NY 10022 Produced for the Broadway Stage by Michael Butler.

Originally Produced by the New York Shakespeare Festival Theatre. * Member of Actors’ Equity Association, the union of professional actors and stage managers in the U.S. **The Choreographer is a member of the STAGE AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.

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HAIR

The American Tribal Love-Rock Musical

The COMPANY

(in order of appearance)

Kaylin Seckel....................................................................................Ronny Byron DeMent................................................................................. Claude Jaymeson Metz............................................................................... Berger Heather Kopp...................................................................................Sheila Erick Perafan.....................................................................................Woof Clinton Harris......................................................................................Hud Felichia Chicaughn.......................................................................... Dionne Betsy Bauer...................................................................................... Jeanie Joanna Yeakel................................................................................... Crissy Jake Mullen........................................................................Margaret Mead Eric Desnoyers, Luis Gabriel Diaz, Sean Michael Flynn, Krystal Gillette, Lindsey Gradwohl, Katrina Johnson, Jasmine Lattimore, Jamaal K. Solomon... .........................................................................................................Tribe

The MUSCIANS Philip King.........................................................Musical Director/Keyboard D.J. Pipkin....................................................................................... Guitar Landon Baker.................................................................. Drums/Percussion

PLACE AND TIME America 1967

THE PRODUCTION TEAM Bambi Hance........................................................ Assistant Stage Manager Allan Overlander.............................................................Master Electrician Lisa Buck..............................................................................Scenic Charge Larry Rodriguez............................................................... Technical Director Chris Sutter................................................................................. Carpenter Casey L. Maher, Ellen Smittle, Ashley Pinnock..................................... Interns Jeannine Auxilla, David Clenney, Michelle Moran, Tracy Lang, Ryan Roberson, Peter Ruiez........................................................................................ Crew

HAIR is performed with one 15-minute intermission

HAIR

The American Tribal Love-Rock Musical

MUSICAL NUMBERS ACT I Aquarius............................ Ronny & Tribe

1930’s...........................................Berger

Donna............................... Berger & Tribe

Manchester II.....................Claude & Tribe

Hashish........................................... Tribe

I Got Life...........................Claude & Tribe

Sodomy............................... Woof & Tribe

Going Down...................... Berger & Tribe

Colored Spade ...................... Hud & Tribe

Freak Out................................. Orchestra

Manchester England...........Claude & Tribe

Hair...................... Claude, Berger & Tribe

Ain’t Got No....Woof, Hud, Dionne & Tribe

My Conviction.................. Margaret Mead

I’m Black.................... Hud, Woof, Berger,

Sheila Franklin................................. Tribe

........................................Claude & Tribe

Easy To Be Hard..............................Sheila

I Believe In Love................................ Tribe

Hung Up......................................... Tribe

Ain’t Got No Grass...............Sheila & Trio

Don’t Put It Down.... Woof, Berger, & Steve

Air.................Jeanie with Dionne & Crissy

Frank Mills......................................Crissy

Initials............................................. Tribe

Be-In Hare Krishna........................... Tribe

Kama Sutra.............................. Orchestra

Where Do I Go?................Claude & Tribe

INTERMISSION ACT II Electric Blues................................ Quartet

How Dare they Try........................... Tribe

Oh Great God of Power................... Tribe

Good Morning Starshine.........................

Manchester II................................... Tribe

......................................... Sheila & Tribe

Black Boys..............................................

The Bed........................................... Tribe

............... White Girl Trio & Black Boy Trio

Reprise: Ain’t Got No.........Claude & Tribe

White Boys.................. The Supremes Trio,

The Flesh Failures....................................

........................... White Girls Trio & Tribe

...................................................... Tribe

Walking in Space......................... Dionne,

Eyes, Look Your Last.......... Claude, Sheila,

..............................Jeanie, Sheila & Tribe

........................................Dionne & Tribe

Able, Baby............................ Hud & Tribe

Hippie Life ............ Claude, Berger & Tribe

The War......................................... Tribe

Exit Music................................. Orchestra

Three-Five-Zero-Zero........................ Tribe What a Piece of Work is Man.................. ...................................... Ronny & Walter 55

HAIR

The American Tribal Love-Rock Musical In the 60s and 70s the hippies began to reject accepted norms and regulations imposed on them by the government and conservative society as a whole.

They decided to undergo social customs by not cutting their hair and wearing their own distinctive clothing and often rags to protest against the clean-cut hypocritical tendencies of their age.

They resembled the Romantic movement in that they preferred to base their actions on spontaneous outbursts of feeling rather than on rational thought.

The fact that they used drugs was nothing new since the Romantics had already experimented with hallucinogenic drugs, mostly absinthe and opium.

“Never doubt that a small group of thoughtful committed citizens can change the world; indeed, it’s the only thing that ever has.”

— Margaret Mead, anthropologist, 1901-1978

The ideological beliefs of returning to nature and living in harmony with it had been mostly fueled by field studies of the anthropologist Margaret Mead, especially her work entitled Coming of Age in Samoa, in which she demonstrated that there were other

alternative lifestyles. The Samoans apparently lived in perfect harmony with nature and each other and felt sexually liberated not being imposed by the stigmas and prohibitions of stifling communities that the modern world experienced at the time.

Margaret Mead taught generations of Americans about the value of looking carefully and openly at other cultures to better understand the complexities of being human. A deeply committed activist, Mead often testified on social issues before the United States Congress and other government agencies. She hoped that through all of these efforts others would learn about themselves and work toward a more humane and socially responsible society. As she once said, “I have spent most of my life studying the lives of other peoples – faraway peoples – so that Americans might better understand themselves.”

Brian Luce. Margaret Mead and the Hippies.

Hair Dramaturgy. Web. http://hairdramaturgy. blogspot.com/2010/04/margaret-mead-andhippies.html

A ctors ’ E quity A ssociation

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Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

HAIR

The American Tribal Love-Rock Musical ELLIE POTTS BARRETT (Choreographer) Theatre, Don Pasquale , Abduction from graduated from Boston Conservatory the Seraglio and Carmina Burana and prefers being on the production side withCirque du Soleil dancers for of the stage after being on it. She loves Orlando Opera, and Madama Butterfly to create dances and has been doing so and II Barbiere di Siviglia for Orlando for many years for theme parks, cruise Philharmonic Orchestra. Scenic charge lines, theatre and dance companies, includes Cary Wong’s The Magic Flute and universities around the world. and Later Life with Martin Charnin, Her productions have included How Sunday in the Park With George, To Succeed … and La Traviata for Enchanted April, Death of a Salesman, Orlando Philharmonic; Once On This Collected Stories and Venus in Fur. She Island for Florida School of the Arts; earned her BFA from Massachusetts Spamalot for Trinity Preparatory College of Art in 1976 and was art Summer Intensive; Musical Theatre director for Danskin Dancewear in New Showcase for Douglas Anderson School York. Lisa studied painting at Parsons of the Arts; Urinetown, Rent, and Grease School of Design, Pratt Institute and for Seensee Musical Theatre Company Cobalt Studios in White Lake, NY. She in Seoul, South Korea. Film work has won numerous awards for her has included Lonely Hearts with painting and has written “how-to-paint” Jared Leto and Salma Hayek. Ellie is a articles for North Light Publications. proud member of Actor’s Equity Association and Stage Directors and WILL CARLSON (Sound Designer) Venus in Fur, The Choreographers Society. Thanks, Mad designed Cow, for the fabulous opportunity Mountaintop, and Cat on a Hot Tin Roof earlier this season. Hair makes his fourth to create dances for Hair! design credit at Mad Cow Theatre.

BETSY BAUER (Jeanie) is thrilled to be Recently from Illinois, Will has designed returning to the herd once again after sound for theatre, dance and opera. having been seen in Mad Cow Most recently he was sound designer for productions of She Loves Me, The Florencia en el Amazonas, as well as Matchmaker and Sweeney Todd at Bob Spring Awakening, Cabaret, and Studio Carr Performing Arts Centre. Born and Dance, the MFA thesis presentation at raised in New York, she is a graduate the University of Illinois. Will would like of the American Academy of Dramatic to thank the cast and crew for their Arts. She has performed on the road support on this production. in a touring comedy troupe for more CHIVAUGHN (Dionne) than a decade. She also casts spells FELICHIA alongside other wizards at Universal is excited to work with such an amazing Studios. Betsy would like to thank two cast and crew. She recently played very groovy people in her mystical life, Camae in The Mountaintop here at Mad Stephen and Kimberly, for their Cow Theatre. Other credits include The Piano Lesson (Berniece), A Christmas far-out love.

Carol (Belle), for colored girls who have LISA BUCK (Masks/Scenic Charge) Set considered suicide when the rainbow is designs include The Road to Mecca and enuf (Lady in Green), Aida (Nehebkah), Mrs. Warren’s Profession for Mad Cow Doubt: A Parable (Mrs. Muller), From

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The American Tribal Love-Rock Musical Sun to Sun (Ju’el), and Sacha on Broadway (Sacha). Chivaughn studied at the University of Central Florida Conservatory Theatre. She is creative arts director at Great Faith Church and a proud member of Delta Sigma Theta Sorority Inc., and she is thankful for the overwhelming support from family and friends. Chivaughn believes that no matter where you’re from, your dreams are valid.

ELENA DAY (Director) is a Washington, DC-based director, performer, and teacher. Her directorial credits include Everyman (Mad Cow Theatre, co-director), Moth (Studio Theater, movement director), on the nOse (Roundhouse Theater, Brick Theater and Orlando International Fringe Theatre Festival, director/producer), A Civil War Christmas (Center Stage, assistant director), and Cirque du Charme (Artscape, director/writer). Highlights of her performance career include La Nouba (Cirque du Soleil, Green Bird), Life Is a Dream (Mad Cow Theatre, Clarin), and Cirque Mechanics (national tour, lead clown). Elena performs at corporate events and galas worldwide with Cirque du Soleil’s special events department. She is a graduate of Oberlin College, L’Ecole Internationale du Theatre Jacques Lecoq, and the Studio Theater directing program under Joy Zinoman. www.elenaday.com

BYRON DEMENT (Claude) is thrilled to be making his Mad Cow Theatre debut. Past credits include Grey Gardens (Gould), Little Women (Professor Bhaer), My Fair Lady (Freddy), Grand Hotel (Otto Kringelein), Annie (Rooster), and the national tour of Forever Plaid (Jinx, u/s Frankie).

He can be seen currently as Crush in Finding Nemo - The Musical at Disney’s Animal Kingdom. He holds a BFA in musical theatre performance from the University of Wisconsin-Stevens Point and is a proud member of Actors’ Equity Association. He would like to thank Stephan Jones for his generous support, his family and friends for loving and believing in him, and of course Eric for making him smile on a daily basis.

ERIC DESNOYERS (Tribe) Mad Cow debut! Orlando credits include Bloody Bloody Andrew Jackson at Orlando International Fringe Theatre Festival, Grapes of Wrath at Theatre Downtown, Carousel with the Orlando Philharmonic and Grinchmas at Universal Studios.

He hails from the tiniest state, Rhode Island, and would do anything for the taste of a “Del’s” this summer.

Eric would like to send many thanks to his new tribe, his friends, the Florida Theatrical Association, and the spirit of his first Hair tribe, at Rhode Island College. “OH MY GOD your skin is soft, I love your face.”

Out of respect for the audience and the artists, patrons who leave the theatre during the performance and patrons who arrive late will be re-admitted at the house manager’s discretion.

The photographing, video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

HAIR

The American Tribal Love-Rock Musical LUIS GABRIEL DIAZ (Tribe) studied at the Beit-Zvi School of the Performing Arts.

He trained in classical ballet techniques with Maria Helena Trujillo in Medellin, Colombia, at the Academia de Ballet and with Russian Ballet Masters at the Jerusalem Academy Of Music and Dance, as well as Vertigo School of Dance. Luis was a principal with the Redding City Ballet in California under Cindy Michaels in 2012-2013. He trained in classical voice under Thomas Cavendish at Broward College and in New York studied belting-mixing with vocal coach Aaron Hagen. Ballet credits include Alice’s Adventures in Wonderland (Dormouse), Israel’s Hope and Once Upon a Time in America.

Theatre credits include Bernardo in West Side Story, Angel in Rent, John in HaMashiac, Paul in A Chorus Line, Enjorolas in Les Misérables, Only Fools Are Sad, and The Light in the Piazza at Mad Cow Theatre. Luis and his brother are in the process of forming a professional theatre company called Daystar Theatre Arts. Luis owes all of who and what he is to his supportive family and the lover of his soul, Jesus Christ, who gave him the gifts of song and dance (Psalms 105-2). www.daystartheatrics.com

SEAN MICHAEL FLYNN (Tribe) is making his Mad Cow Theatre debut with Hair. This is his first professional venture back onstage after a hiatus and he is grateful and glad to be home. A Florida native, Sean attended Valencia College, where he studied with Julia Gagne in productions of Little Shop of Horrors (Seymour), Anything Goes (Moonface) and Lucky Stiff (Luigi).

Recent credits: Spring Awakening (Otto)

2013|2014

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Discover music that speaks to you!

Colleen Blagov, Principal Flute

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WILLIAM ELLIOTT (Scenic Designer) has designed scenery and lighting for more than 200 productions, many of them in Central Florida, including operas at Stetson University’s School of Music and plays and musicals for Stetson’s theatre arts program. He designed many productions for Civic Theatre of Central Florida and Orlando Opera Company.

Some of his credits with Mad Cow Theatre include The Light in the Piazza, Other Desert Cities, Fool for Love, Blithe Spirit, Desdemona, Burn This, The Glass

Menagerie, The Cherry Orchard, Crimes of the Heart, The Odd Couple, The Laramie Project, Ghosts (scenery and lighting), The Life of Galileo, Stop Kiss, The Butter and Egg Man, Legacy of Light, Next to Normal and The Understudy. He has designed not only for theatre and opera but also for television, film, corporate productions and theme parks.

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The American Tribal Love-Rock Musical and Glory Days (Jack). Apart from acting he has written plays that have been recognized in festivals and competitions at Ithaca College, the Corner Cone Play Festival, and Playwrights’ Workshop. This one is for Julia, Deborah, Phillip and Marty.

To infinity and beyond!

KRYSTAL GILLETTE (Tribe) is making her Mad Cow Theatre debut. She is a University of Central Florida graduate and has been performing for almost 20 years. Some of her favorite stage credits include: The Painter (Anne), The Last Five Years (Cathy), Children of Eden (Eve), Aida (Amneris), Jekyll & Hyde (Lucy) and Les Miserables (Eponine).

Krystal thanks her family, friends, and Manuel for their love and support.

Hair

The American Tribal Love-Rock Musical S p e cial

E v e nts

Talk Backs

Thursdays & Sundays after the show.

Special Monday Night Performances:

Tickets $15.00 online or at door.

March 31 & April 14 @ 7:30 p.m.

Groups of ten or more

Receive discounted tickets and flexible payment plans.

Discounts start at 15% off for adult groups of ten or more.

Student groups of 10 or more receive 50% off admissions to any regular performance.

Reservations

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groups@madcowhteatre.com

LINDSEY GRADWOHL (Tribe) is thrilled to be making her Mad Cow debut. Lindsey is a graduate of Baldwin Wallace University with a bachelor’s in theatre and music (opera concentration). Credits include Patience (Ohio Light Opera), The Sound of Music (TrueNorth Cultural Arts), Cats (Sandy Park Players), and West Side Story (Media Theatre). She has also appeared onstage with composer Eric Whitacre at Carnegie Hall and Avery Fisher Hall.

Lindsey would like to thank Mad Cow, Mum, and Jordan for their support.

CLINTON HARRIS (Hud) is delighted to be working with Mad Cow Theatre and this dynamic cast and crew. A native of Atlanta, Clinton is a graduate of Tri Cities High School’s VPA magnet program and an alumnus of the Freddie Hendricks Youth Ensemble of Atlanta, and he was a theatre major at Albany State University. Clinton has toured internationally as a background vocalist for several recording artists. Currently, he performs in Disney’s Finding Nemo: The Musical. Other credits include Standing On Ceremony; The Full Monty; Rent; Hair; I Love You, You’re Perfect, Now Change; Black Nativity; Soweto!

Soweto! Soweto! A Township is Calling; Suzan-Lori Parks’ 365 Days: 365 Plays series; Dreamgirls; Jackie and Me; Driving Miss Daisy; and recently at Mad Cow, The Mountaintop. Clinton is a proud member of Actors’ Equity Association.

KATRINA JOHNSON (Tribe) is glad to be making her debut at Mad Cow in the musical Hair. She has been singing and performing since the age of three. Katrina attended the University of Central Florida as a vocal performance major. She has worked in entertainment

HAIR

The American Tribal Love-Rock Musical for more than 10 years at Walt Disney World, Universal Studios, and Nickelodeon Hotel. Most recently she was seen as Reno Sweeney in Anything Goes at the Wayne Densch Performing Arts Center. Some of her other favorite roles include Gigi (Miss Saigon), Rizzo (Grease), Sister Hubert (Nunsense), and Joanne (Rent). She sends her love to family and friends for always supporting her dreams.

PHILIP KING (Musical Director) is an active bass-baritone, pianist, and composer. He studied voice and piano performance at Drake University in Des Moines, IA. Philip has appeared on stage and served as music director for numerous musical theatre productions. His most recent work includes the 12th Annual Orlando Cabaret Festival, Les Misérables (Theatre Winter Haven), Fiddler on the Roof (American Stage), A Marvelous Party: The Noël Coward Celebration; and, at Mad Cow Theatre, Dreamgirls, the 11th Annual Orlando Cabaret Festival, Billy Bishop Goes to War, and Next to Normal. In addition to theatrical work, Mr. King has appeared in concert with Gloria Musicae, Sarasota’s professional chorus; Encore! Cast Performing Arts; the Drake University Choirs; Drake University students, faculty, and guest artists; the Fort Dodge Choral Society; and the Des Moines Metro Opera.

HEATHER KOPP (Sheila) debuts at Mad Cow with Hair. She just finished Forbidden Broadway and Sisters of Swing at Winter Park Playhouse.

Credits include Bonnie & Clyde (Trish, Blanche u/s) and A Tale of Two Cities at Asolo Repertory Theatre; Spamalot at Florida Studio Theatre; Miss Saigon (Ellen) at Western Playhouse in Missouri; Godspell at Actors Playhouse in Miami; I Do! I Do!, Joseph and the Amazing Technicolor Dreamcoat (Narrator-Sarasota Magazine Award), Chicago, and The Marvelous Wonderettes at the Golden Apple; and the 2010 summer stock season at the Arundel Barn Playhouse in Maine.

Proud member of Actors’ Equity. Lots of love to Craig! www.heather-kopp.com JASMINE “MIMI” LATTIMORE (Tribe) is a native of Miami and a graduate of Alabama State University in Montgomery, AL, where she majored in theatre and minored in radio/ TV communications. During her college years Jasmine was nominated for the Irene Ryan (best actor in a play) and Barbizon (best costume design for a play) Awards as part of the Kennedy Center American College Theater Festival. Her theatre credits include The Color Purple (Celie), Richard III (Queen Margaret), Smokey Joes Café (Patty), Crowns (Mother Shaw), The Wiz (Dorothy), and Dreamgirls (Lorell).

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The American Tribal Love-Rock Musical GAIL EVE MALATESTA (Stage Manager) Mad Cow debut. Broadway: Dirty Rotten Scoundrels, A Class Act, Design for Living (Roundabout). Off-Broadway: Summer of ’42 (Variety Arts), Based on a Totally True Story (Manhattan Theatre Club), Ensemble Studio Theatre, New Victory Theatre, American Jewish Theatre, York Theatre and three Drama Desk Awards. Regional: Williamstown Theatre Festival, Goodspeed Opera House, North Shore Music Theatre, Cape Playhouse, Ogunquit Playhouse, Bay Street Theatre, Pasadena Playhouse, Two River Theater, Music Theatre North, Gateway Playhouse, Downtown Cabaret Theatre, New London Barn and Theatre-by-the-Sea. Locally: Orlando Shakespeare Theater, Walt Disney World and Universal Studios.

Education: BFA in stage management,

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Boston University. Twenty-three-year member of Actors’ Equity Association.

Dedicated to her parents’ memory.

LESLYE MENSHOUSE (Costume Designer) is excited to be back in Florida after a season in New England, where she designed Annie for the Prescott Park Arts Festival. Her work has been and can still be seen all over South Florida, including Old Times, Of Mice and Men, Exit the King, A Moon for the Misbegotten, and Benefactors at Palm Beach Dramaworks. She has also designed for Stage Door Theatre (Deathtrap), Maltz Jupiter Theatre (Through the Looking Glass), Summer Shorts 2012 and 2011, Naked Stage, Barry University, Mosaic Theatre, and Florida Stage. Leslye is a member of Mad Cat Theatre Company.

HAIR

The American Tribal Love-Rock Musical JAYMESON METZ (Berger) is proud to be making his Orlando theatre debut at Mad Cow Theatre. Since graduating from Millikin University, Jaymeson has performed at Forestburgh Playhouse, Alhambra Dinner Theatre and the Wick Theatre & Costume Museum. Thanks are deserved by way, way, WAY too many people than can fit here, but know that you are all loved.

JAKE MULLEN (Margaret Mead) is grateful to be making his debut at Mad Cow Theatre in this amazing production of Hair. A graduate of the Savannah College of Art and Design, Mullen attained a bachelor’s of fine arts in performing arts and music performance.

Regional credits: Much Ado About Nothing (Claudio), Titanic (Henry Etches), Rocky Horror (Dr. Frank-N-

Furter), How I Became A Pirate, The Wizard of Oz, and The Drowsy Chaperone. Educational credits: A New Brain (Gordon), Hair, Carousel, Art (Serge), Songs for a New World (Man 1). He is a member of the Orlando Gay Chorus, has performed in numerous cabarets at the Parliament House, and was a finalist in Georgia Campus Superstar. Jake would like to thank his Hair family and his real family.

JOSEPH P. OSHRY (Lighting Designer) A Florida resident since 1986, Joseph welcomes a return opportunity to light Hair at Mad Cow. His work was last seen here in Death of a Salesman.

He studied design and production at Illinois State University and has designed lighting for more than 500 productions with such organizations as

WELCOME TO CHURCH STREET Steeped in history dating back to the 1800’s, the Church Street District offers a view of the past while enjoying all the excitement of today’s top entertainment venues.

Come for the history & enjoy food, art, sports and entertainment, right in the heart of Orlando.

Visit churchstreetdistrict.com for more information on our businesses, special events, and ways to save!

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The American Tribal Love-Rock Musical Mad Cow Theatre Presents

$35.00

C

July 26 & 27 | 1:00-4:00 p.m.

lases deTeatro

Learn to combine theatre and the Spanish language in this exciting workshop. Participants should know intermediate Spanish — no theatre experience is required. July 26 & 27 • 1:00-4:00 p.m.

Register online or through the box office at: madcowtheatre.com or 407.297.8788

Orlando Shakespeare Theater, Asolo Repertory Theatre, American Stage, the Interlochen Dance Ensemble, Carreno Dance Festival, Palm Beach Opera, New Orleans Opera, and Opera Tampa.

Joseph received individual artist fellowships in 1997 and 2007 from the Florida Division of Cultural Affairs.

He received two Jeff Norton Awards for outstanding lighting design in the Tampa Bay area. Joseph also serves as an advisory board member for Tampa Repertory Theatre.

ERICK PERAFAN (Woof) is ecstatic to be debuting here at Mad Cow Theatre. You may have seen him most recently portraying Marius in Les Miserables at the Athens Theatre. Since graduating from the American Musical and Dramatic Academy, where he studied voice, acting and dance, he has

Special thanks to:

The City of Orlando Mayor Buddy Dyer & City Council Downtown Development Board Community Redevelopment Agency 14

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The American Tribal Love-Rock Musical performed all over the country, including Dreamland Drive-In at Dollywood in Pigeon Forge, TN; The Wizard of Oz at the Round Barn Theatre in Nappanee, IN, and many other shows with RWS and Associates in New York City. He would love to thank his mother for the immeasurable support she’s given throughout the years.

FRANK SIANO (Props/Set Décor) has worked professionally in the entertainment industry for more than 40 years as a performer, director, producer, artistic director, production manager and currently as props master for Mad Cow Theatre, Florida Opera Theatre and the Orlando Philharmonic Orchestra’s Opera/Musical Series. Hair marks Frank’s 12th production with Mad Cow, including Billy Bishop Goes to War, Twelve Angry Men, Enchanted April, Dreamgirls, Collected Stories, Death of a Salesman, Other Desert Cities, Venus in Fur, The Light in the Piazza, The Mountaintop, and Cat on a Hot Tin Roof. As a performer he’s appeared in more than 250 productions throughout the United States. Locally he has performed with Orlando Repertory Theatre, Winter Park Playhouse, the Orlando Cabaret Festival, Garden Theatre, the Orlando International Fringe Theatre Festival, Florida Opera Theatre, TheatreWorks Florida and the Orlando Philharmonic Orchestra.

JAMAAL K. SOLOMON (Tribe) is happy to be back on the brighter side of the stage after a long stint on the technical and production side. He has

worked in theatre for more than 15 years and has performed for almost 30.

Some of Jamaal’s favorite roles have included Coalhouse (Ragtime), Joseph (Joseph and the Amazing Technicolor Dreamcoat), Horse (The Full Monty), Simon Zealots (Jesus Christ Superstar), and Seaweed (Hairspray). He works for Orange County Public Schools as a teacher’s assistant. He would like to thank his fiancée Louisa, his family and his friends for putting up with his erratic schedules. Jamaal also thanks you for continuing to support the arts in Central Florida.

JOANNA YEAKEL (Crissy) is thrilled to be making her Mad Cow debut in Hair. A native of Jacksonville, Joanna has performed in the Orlando area since earning her Bachelor of Arts in communications from Stetson University in 2010. Past credits include Suds (Cindy) at Winter Park Playhouse, Hair (Crissy) at Players by the Sea Theater, The Sound of Music (Brigitta) at Alhambra Dinner Theater and Something’s Afoot (Hope) at the Sands Theater Center. Theme-park credits include the Hogwarts Frog Choir, Grinchmas, and Voyage of the Little Mermaid. She would like to thank you for supporting live theater and joining our be-In and her friends and family for all the love.

KAYLIN SECKEL (Ronny) Mad Cow Theatre debut! She is a graduate of the music and theatre departments at Florida State University. She has performed for Walt Disney World in

Mad Cow Theatre is supported by United Arts of Central Florida, host of power2give.org/centralflorida and the collaborative Campaign for the Arts.

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The American Tribal Love-Rock Musical a number of shows which include the Festival of the Lion King, Finding Nemo the Musical and Disney Channel Rocks.

In addition to musical theatre, she has a passion for film acting and can be seen in the local independent film, Breaking Point. Kaylin thanks her family and friends for their love and support and the Hair family for a wonderful experience. Peace.

attracts the area’s most talented and gifted actors, designers and directors.

A mainstay of the company is its dedication to the process of creating theatre, incorporating in depth rehearsal and research periods along with a nurturing collaborative process. The company has received numerous awards, including Arts Innovator of the Year (United Arts of Central Florida), “Best Place to See a Play” (Orlando Sentinel). “Best Live Theatre” (Orlando Weekly), “Best Local Theatre” Company (Orlando Magazine), and “Best Performance Theatre” (Orlando Business Journal)

Mad Cow Theatre celebrates its17th season in its home in downtown Orlando. Mad Cow Theatre is one of Orlando’s most respected professional t h e a t r e companies, presenting compelling works of theatre for a wide range of audiences, with a passion for both classic and contemporary plays representing the best of American and world literature. Mad Cow Theatre Madcowtheatre.com MAD COW THEATRE PRESENTS

Viewpoints

& Creative Composition with Aradhana Tiwari

Viewpoints is a theatre technique that provides a vocabulary for thinking about and acting upon movement and gesture, first created by choreographer Mary Overlie in the 1970s.

Mad Cow Theatre offers a three-day intensive workshop open to anyone with a willing spirit to explore their creativity. Through a series of interactive group-based exercises, Mad Cow Theatre director Aradhana Tiwari will introduce participants to the Viewpoints theatre training technique and composition, which addresses essential performance concepts such as becoming present, active listening, spontaneity, trust, and spatial relationships. Participants will build confidence in a welcoming learning environment. Registration is limited. Prior knowledge of Viewpoints is not necessary.

Saturday

July 12, 9:00 a.m.-5:00 p.m.

Sunday

July 13, 9:00 a.m.-5:00 p.m.

Monday

July 14, 7:00-10:00 p.m.

Early Bird Registration: $150 (Before June 20, 2014) Regular Registration: $175 Enrollment is limited: For information please contact Crystal Edwards at:

crystale@madcowtheatre.com or 407-297-8788 x1006.

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HAIR

The American Tribal Love-Rock Musical

COMING SOON ...

Season!

HELP US REDUCE OUR

ENVIRONMENTAL FOOTPRINT

18 ’s The Who

OCT 3-NOV 2, 2014

When you’re finished with your program, please return it for re-use by a future audience.

SSeeee MMee FFeeeell MMeee M H e a lMe M e Heal Touch T o u c h Me

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2013 - 2014 Donors The new home for Mad Cow Theatre is the largest venture in Mad Cow’s 17-year history. The theatre has continually expanded at a pace that reflects the need of the city around it, and today is no exception. Mad Cow Theatre is making progress every day thanks to the visionary and generous support of the citizens of Central Florida and individual philanthropists, foundations and corporations who believe that Orlando’s success is tied directly to a dynamic cultural and artistic scene.

Business Circle Mad Cow Theatre thanks the following businesses for their contributions to Mad Cow Theatre’s artistic and educational programs enriching the lives of the Central Florida Community.

CORPORATE ANGEL

Eye Associates of Winter Park Effective Financial Services Inc.

Florida Theatrical Association Holland & Knight United Arts of Central Florida WOW! Works Individuals & Family

PLATINUM CIRCLE $25,000 and over Maureen & Gary Fries Harriett Lake Susan McKenna & Suzan Abramson

Frank Santos & Dan Dantin Bob & Marty Stonerock Lee & Wendy Zehngebot

GOLD CIRCLE $10,000-$24,999

Kay Ustler & Craig Ustler Family Foundation SILVER CIRCLE $5,000-$9,999 Jim Bowden Jim & Freddi Goodrich Michael Gross & Rey Tabarrok Rosemary Maher & Mendel Melzer

Elizabeth Maupin & Jay Yellen Mitzi Maxwell Brian McDowell Dr. Alvin Wang & Lorrie Culbertson

PRODUCER’S CIRCLE $2,500-$4,999 18

Ken & Debbie Carpenter Michael & Jennifer Coleman

George & Carol McKnight Joe & Sue Warren

2013 - 2014 Donors DIRECTOR’S CIRCLE $1,000-$2,499 The Bryce L. West Foundation David & Judy Albertson Lyn & David Berelsman Ms. Stewart H. Brown Ann Cook Robert W. Davis Jr. William Elliott Marilyn Goldman in memory of Siegmund Goldman Katherine Ho & Joey Sacco Nancy & Mike Houston The Hubbard Foundation in honor of our friend Bob Stonerock Dean Johnson Richard Manganel Ken & Trisha Margeson Cindy & Frank Murray

Dicky & Deal Newberry William Newkirk Margaret Nolan Bill & Jane Oatway Jeffrey O’Hara Richard Russell & Thomas Ouellette Tom & Teresa Quinn Fund Lenore S. & Howard Roland Molly Rose & Bob Fleming Sharon Siskie Mark Edward Smith Judith Thompson Bickley Wilson Leighton & Phyllis Yates Timothy & Stephanie Young Gary Young Edward & Phyllis Zissman

ARTIST’S CIRCLE $500-$999 Susan Fox Beversluis Matt & Alana Brenner Bettina Buckley and Tylor Wymer Tom and Kathy Cardwell Charitable Fund of the Schwab Charitable Fund Dr. Perry M. Dworkin & Mrs. Eileen H. Dworkin Susan Finnegan Stephen & Gloria Garret Nancy Hartman Jack & Charlene Kennedy Sharon D. Kosack Dr. Mitch & Swantje Levin, Summit Wealth Partners Jody & Craig Maughan Frank Meyer

Dr. Rudi Moerck & Brenda Dalman Jim & Mari Moye Neil & Kuei-mei Olcott Wendy Mia Pardew DW Phineas Perkins John & Virginia Rigsby Maria M. Rubin Jean E. Siegfried Deborah Simpson Dennis Sobeck Joel Strickland Joan & Harry Travis Phoebe & Eliot Rosewater Valensa International Trudy Wild Gayle Wirtz Austin Zakari

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2013 - 2014 Donors HOLY COW $250-$499 Anonymous Zac Alfson & Bryan Henley Kay W. Allen Sherry Andrews Kurtis T. Bauerle Mary Anne Ciavatta Bill & Yvonne Dunbar Mrs. Buell G. Duncan, Jr. in memory of Buell G. Duncan Jr. Rosemary DuRocher Dana & Diana Eagles Dr. and Mrs. Jefferson S. Flowers Joe Folger Dan & Zena Sulkes Freeman

Stuart Fullerton Mr. & Mrs. Richard Fulton Margaret B. Garland Roger & JoAnn Gatlin Pamela Gillet Kenneth & Marcia Goodwin Alan & Barbara Greber Susie & Jerry Haralson Ron Hirsch & Betty Reid David Horgan Roger & Lucille Jeffery Roy Kobert Christine Kroetsch & Jeremiah Hayes

BJ Maxwell Sandy Neubarth Dr. Mary Palmer John Parker & Deede Sharpe David Piatt Ana T. t’Heft Traies Roe & Brigid Noonan Emery Rosenbluth John Daniel Ruffier Vince & Kelly Santo Barbara J. Smith Jerry & Barbara Twedt Woody & Vivian Whitchurch

Boggs Ruth Bolton Rita Bornstein Maria Bors Louise Borsoi in honor of Barbara Martin Valli & David Boungard in honor of Robert R. Green Midge Bowman Michael & Deborah Branton Randy Brown Ted & Mary Wayne Bywater Tania Calderon Lucy & Mike Carney Pamela Chamberlin Valerie Chuck Concept Software, Inc. Mr. & Mrs. Dennis Coffey Bruce & Paula Collins Gene Columbus Paul & Sharon Conway

Mickey & Dick Cook Louise Cook Larry & Adrienne Cooperman Julie Copeland & Robert Beller Claire Crabtree Caroline Crawford Mr. & Mrs. Dan R. Croom Margaret Cross Michael Daspin Marsha DeBroske Deland, Reed Family Lynn Derrick Steve Diedrich Frank J. Doherty Judy Doyle & Bob Shaw in memory of Katie Doyle Dr. Clifford & Ann Dubbin Duck Michael P. Dwulit Whitney Evers

THE HERD UP TO $249

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Anonymous (7) Anonymous in honor of Mr. & Mrs. Norman L. Hull Anne & Frank Adasczik Thelma Alexander John W. & Linda Cone Allen in honor of Maestro Christopher Wilkins Russell P. Allen Phil & Jennifer Anderson Jacqueline Apetz John & Lillian Armstrong Debbie Austin Anthony & Marianne Bassile Adrienne & Ross Bell in memory of Jennie Zecca Thomas Bengston Neal & Genie Blaher Ed & BJ Boeckel Richard & Elizabeth

2013 - 2014 Donors THE HERD UP TO $249 (continued) JoAnn Farb George S. Fender in honor of American Military Forces William & Maureen Fitzpatrick Gordon & Julie Foster Mitchell Frank Dianne Gander Susan & Lenny Gardberg Liz Gargano Tom & Gerry Garman Dr. and Mrs. Thomas Gillman Biff and Kathy Godfrey James & Fredel Goodrich Mr. & Mrs. Richard Grabowski Gary Graham Adam Graham Kathryn & Leslie Grammer Rene Granley Elinor & Robert Greenway Adriana Grezda Carol C. Griffin Michael & Margaret Haddad In memory of Sue B. Monroe Barbara B. Hartley in memory of Robert H. Hartley Nancy & Dave Harvey David T. Harvey Jim Helsinger & Suzanne O’Donnell Ashley S. Hickman Russel Hiett Lynda Hinckley Rod & Ronnie Hitt Lynne Hogg David Holland Jan Huebner & Rich Harmon

George & Angelyn Indest Ralph & Susan Ioder Harold & Alison Issen Tom Janzer John & Wendy Jennings Erica Johnson Pamela Johnson Betty Jones Dr. Al Jordan Bette Jore Marc & Henrietta Katzen Rachel Kaufman Brian Kelley Mary F. Kelsh Barbara Kennedy Richard & Martha Kessler Joanne King Design Philip & Lynn Kopala Col. & Mrs. Robert & Jerilyn Kreps Victoria & Michael Landon Mark Leavitt Francis Lepow Mara & Harvey Levitt Rosalind J. Levitt Nancy P. Lewis Emily Lindahl Dawn Loges Rosalyn Lowenstein Amy S. Luek Shannon Lynch Barbara Martin & Randall Engar Paul and Janet May Lisa McAlpine Nancy B. McClure Andi McNally John & Rebekah McReynolds Barry & Denny Meneghelli Thom Mesrobian Bob & Jan Miller Erin Miner

David Mink & Matthew Stutsman Rich & Jane Mueller Kevin & Tammy Muhs James Mullen Lisa Musante Bruce & Donna Mylrea Rajesh Nair Richard & Mary Nathan Edith & Bill Nault Steve Neilson Cole NeSmith Jennafer Newberry Philip Nolen Anne Norris Thomas Brendon Nowicki Odd-o-Ts’ Entertainment i n honor of all those who keep us performing!

Rhonda Oehlrich Margaret O’Keef Therese Osborne Andrea Ostrodka Elinor Parker Carrie & Ron Patterson Karl & Mary Jo Pecht David & Joyce Pfeil Robby Pigott Jean-Paul Pinelli Susan Pins & Allan Stevenson George Poelker Adrienne & Ivan Polon Roger & Tetyana Portman Jessica L. Randolph Tom & Leslie Reilly Alice Reinhardt David Reinke Katie & Bill Reischmann Meredith Renard Carl & Sandra Rendek Natasha Rene Melinda Rigney Joan E. Robertson

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2013 - 2014 Donors THE HERD UP TO $249 (continued) Randy & Pat Robertson Peter Rocchio & William Baxter Andy Rosemurgy Gerson L. Sacks Diane L. Sandquist Jill Schwartz & Associates, P.A. Ira & Rhoda Schwartzberg Cynthia Segreto Mrs. Aline J. Shipreck Fran & Gordon Shogren Catherine Siefcak Leonard Simard John Simpson Ann & Charles Simpson Michael Singer Mr. & Mrs. Tim Sisley

Cindy Smalls Joe L. & Beth Smith Ian & Helgi Soutar Bill & Leslie Stern Irwin & Ruby Suberman Ron & Robin Taylor Judy H. Thompson Dr. Janet Tinoco TJM Communications, Inc. | Treva J. Marshall Garritt & Deb Toohey Carmen M. Torres Dr. & Mrs. Melvin Tresser Cecilia Tyne Gerald Van Buren Terry Velez Stacia L. Wake George Wallace Susan Walsh

Paul Walther Joseph Waple Carol & Neil Wasserman Janet Weller Marilyn & Shane Williams Dr. James & Martha Williamson M. Lee Wilson Stephen & Angela Withers Julie Woods-Robinson Ann Worrall Sherry Wright Mr. & Mrs. Samuel J. Zusmann Jr. Jerome Zygmunt

Listings reflect donation totals from April 1, 2013 through May 16, 2014. We apologize for any errors or omissions.

Mad Cow Theatre is a 501(c)(3) nonprofit organization. Your donation to Mad Cow Theatre is tax-deductable. To make a donation, make check payable to Mad Cow Theatre and mail to: Mad Cow Theatre| P.O. Box 3109 | Orlando, FL 32802 or visit our website: madcowtheatre.com

Mad Cow Theatre Staff Directory Executive Director Mitzi Maxwell Director of Audience Development David B. Mink Manager of Art & Design Lisa Buck

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Manager of Community Engagement Crystal Edwards

Box Office Manager Audrey McGowen Marketing Manager Kelli CumminsBranson Development Coordinator Emily Dorff Production Stage Manager Jay Levy

Props Master Frank Siano Marketing Intern Josh McKee Technical Director Larry Rodriguez Photographer Tom Hurst

Box Office Assistants Leonidas Bratini Laura DuBose Evan Valle Vicky Jane VanWinkle Founding Members Rus Blackwell Trudy Bruner Alan Bruun Dennis Neal

Board Members Michael Gross Martha Haynie Elizabeth Maupin Mitzi Maxwell Brian McDowell Joe Saunders Dr. Robert Stonerock Jean Siegfried Dr. Alvin Wang

Mad Cow Theatre Donation Form THE HERD UP TO $249 Amount

HOLY COW $250-$499 Amount

ARTIST’S CIRCLE $500-$999 Amount

DIRECTOR’S CIRCLE $1,000-$2,499 Amount

PRODUCER’s CIRCLE $2,500-$4,999 Amount

GOLD CIRCLE $5,000-$9,999 Amount

Platinum CIRCLE $10,000 & above HAIR

Amount

Name

Address City

State

Zip

Phone E-mail n I would like to be listed in the program as:

n I would like to remain anonymous. n I would like my recognition in honor of or in memory of:

n I n support of Mad Cow Theatre’s ongoing efforts to create the highest quality theatre, I would like to pledge an annual gift of $ for the next years.

Method of Payment n Check

n Visa

n Discover

n Monthly CC Billing

n Mastercard

n American Express

Credit Card # Expiration Date

Signature Please make check payable to Mad Cow Theatre.

Mail to: Mad Cow Theatre, P.O. Box 3109, Orlando, FL 32802-3109 or visit our website: madcowtheatre.com

Mad Cow Theatre is a 501 c 3 not-for-profit organization. Your donation, less goods and services received, is tax-deductible to the fullest extent allowed by law. A copy of the official registration and financial information may be obtained from the Division of Consumer Services by calling toll free 1-800-435-7352 within the state, or by going to the Department of Agriculture, Division of Consumer Services website at www.800helpfla.com. Registration does not imply endorsement, approval, or recommendation by the state. We do not employ a professional fundraiser. 100% of each contribution is utilized by Mad Cow Theatre.

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Celebrate Your Style at Aloft Orlando Downtown, a hip new hotel where you’re just a short walk or drive from Mad Cow Theatre. Free wireless and high speed internet. Aloft also features ultra-comfortable signature pillowtop bed, walk-in shower, custom amenities by Bliss® Spa, and more.

Before or after the show make sure to check out the WXYZ Bar and Remix Lounge in Aloft’s lobby!

Visit orlandocabaret.com for the special link to book online or call (407) 380-3500 to book your room today!