Women's Voices November Mini-Fest

Mad Cow Theatre presents

November 19-21, 2020

Mad Cow Theatre ONLINE

The Wood$tock Tontine by Steffi Rubin The Wood$tock Tontine by Steffi Rubin Thursday, November 19 | 7:00 p.m.

(EST)

F

ive women met at the Woodstock Music Festival in August, 1969. Now they are reunited 50 years later at the funeral of the group’s emotional pulse, Valerie. Finding their bond in danger, they decide to invest in their friendship—literally—by forming a tontine, each contributing a substantial amount of money to ensure that the last gal standing will be taken care of financially. It is a tantalizing and morbid proposition that will test the bonds of their friendship.

STEFFI RUBIN (Playwright) came to playwriting with the festival premiere of an early version of her work The Woodstock Tontine, (Women’s Theatre Festival, Raleigh, NC). A revised version was later selected for The Road Theatre’s Summer Playwrights Festival (North Hollywood, CA). Several of her short works have had staged readings and productions, including Coffee for Two (Grand Rapids, MI; Rockford, IL), Not My Ride (Lake Charles, LA), Familiar Enough (Wilmington, DE; Shawnee-on-Delaware, PA), Let’s Stay Together Al Green (Hollywood, CA), Upright and Blameless (Atlanta, GA; Baltimore, MD, Carrboro and Cary, NC), The Closet (Charles Town, WV; Cary, NC; Montrose, NY; Bonita Springs, FL; Silver Spring, MD); Christmas Unspectacular (Indianapolis, IN); Hudson’s Legacy (San Diego, CA; Los Angeles, CA), Terminal (Raleigh, NC. My Other Mother, Steffi’s full-length musical based on her life as an adoptee searching for her birth mom, in partnership with composer Miriam Kook, enjoyed staged readings with music in Columbia, MD (2018) and Cambridge, MD (2019). Her monologue The Red Dress is part of Debra Kaufman’s Illuminated Dresses Project (Raleigh, NC). She is also the lyricist for Marlo Bernier’s Beyond the Dressing Room, featuring Austin Pendleton which began workshops in Spring 2019. Originally from the Bronx, NY, Steffi lives in Chapel Hill, NC.

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The Wood$tock Tontine by Steffi Rubin Director............................................................Monica Long TamborelloO Dramaturg................................................................ Marj O’Neill-ButlerO Stage Manager..............................................................Emily DeNardoO Roberta.......................................................................Shami McCormick* B.J............................................................................. Avis Marie Barnes* Trudy................................................................................. Robin OlsonO Shelley.................................................................................Peg O’KeefO Veronika...............................................................................Kate Young* AVIS-MARIE BARNES (BJ) is originally from Montclair, New Jersey, and is an alumni of Howard University. On weekends, she works at Universal Studio’s Island of Adventure. Plays include: The Best of Enemies, Oedipus, The Last Days of Judas Iscariot and A Raisin in the Sun, as well as television roles — Lodge 49 on AMC (Anita Jones), Oprah Winfrey’s series on OWN, Greenleaf (Misty Williams), and has appeared as characters in tv shows Doom Patrol, Stranger Things, Atlanta,The Purge,The Quad and Bloodline. Movie releases have included the ever popular horror film Jeepers Creepers, starring Gina Philips and Justin Long, Netflix’s The Dirt and Before I Wake, HBO’s Confirmation starring Kerry Washington, and Waves starring Sterling K. Brown. http://avis-mariebarnes.biz/

MARJ O’NEILL-BUTLER (Dramaturg) a resident of Miami Beach, Florida, is the Regional Rep for the Dramatists Guild – Florida Region. She is also a member of the New Play Exchange and the International Center for Women Playwrights. Her work has been seen in 29 states, the District of Columbia, Canada, Great Britain, Scotland, Hong Kong and Seoul, S Korea. She has had 51 different plays produced in multiple theatres, numerous readings and of course, many rejections.

A published playwright and mother of two grown sons, Marj is a proud member of Actors Equity and SAG-AFTRA.

*Member of Actors’ Equity Association

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EMILY DENARDO (Stage Manager) Her credits include Island Song, Knights of the Sales Office (Adirondack Theater Festival) Elevada,

The Wood$tock Tontine by Steffi Rubin The Fairytale Lives of Russian Girls (Yale Repertory Theater); Uncommon Sense (Tectonic Theater Project) American Buffalo, Macbeth, Julius Caesar, Pericles, A Midsummer Night’s Dream (Elm Shakespeare Company); The Oath, The Marvelous Wonderettes, The Other Place (Weston Playhouse); I Am My Own Wife (Two Turns Theater); Bird Fire Fly, The Visit, Blueberry Toast, Cloud Nine, King Richard 2 (YSD); In the Heights, Hamlet, Gertrude & Claudius (Orlando Shakes) Emily holds an MFA from the Yale School of Drama.

SHAMI J. MCCORMICK (Roberta) Florida credits include: Lost in Yonkers (Grandma), 2019 Orlando Fringe Festival (Blackwood), The Big Meal (Woman #1), Pygmalion (Mrs. Higgins),Three Sisters (Anfisa), Rapture Blister Burn (Alice) and Bad Jews (Director) at Mad Cow Theatre; Halloween Horror Nights (Scareactor) and Wizarding World of Harry Potter (Wandkeeper) at Universal Orlando. Former Artistic Director, Arts Administrator and current proud member of Actors’ Equity Association.

PEG O’KEEF (Shelley) central faith is in the liberal arts ethos—the notion that a satisfying life can be best achieved through powerful curiosity and humble engagement in a multitude of disciplines. In other words, her world is big and complex and capable of providing a lifetime of delight. Peg’s vehicles of exploration are performance (many roles on film, television, and stage—including a bunch at Mad Cow), writing (interpretation of museum collections and historical sites), nonprofit management, and teaching. A native of Central Florida, she lives in the hills of North Georgia these days.

MONICA LONG TAMBORELLO (Director) is a director, actor, and teaching artist who has worked in the Orlando theatre community for over twenty years.

Directing credits include My Life As You and Eggs on Ice with the Women’s Voices Play Festival, Rapture Blister Burn, Grounded, and A Short History of Nearly Everything (Mad Cow Theatre); After Orlando (ATHE Conference 2019); Othello, Henry V, The Taming of the Shrew, The Winter’s Tale, As you Like It, Macbeth, and

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The Wood$tock Tontine by Steffi Rubin Hamlet (TYC/Orlando Shakes); and Number the Stars, A Little Princess (Young Actors Theatre, Tallahassee).

Acting credits include Lena/Leviticus (Orlando Fringe); Olga/You Can’t Take It With You (Mad Cow Theatre); M’Lynn/Steel Magnolias (CFCA); and Dickens by Candlelight (RSC Productions).

ROBIN PROETT OLSON’s (Trudy) recent performances include Eleanor in The Lion in Winter at CFCArts and Mrs. Bennet in Mad Cow Theatre’s production of Pride and Prejudice Her performances with MCT include On the Verge, Anton in Show Business, August Osage County, and Clyborne Park.

She has also appeared at Orlando Shakespeare Theatre (Pride and Prejucice and Sense and Sensibility) and Orlando REP (Holes, James and the Giant Peach, Little House on the Prairie) Currently she teaches at Valencia College and serves as a director for CFCArts.(Steel Magnolias, A Doll’s House and Twelve Angry Jurors).

KATE YOUNG (Veronika) is glad to return to Mad Cow (virtually) for the Mini-Fest. She last appeared as Fanny Cavendish in The Royal Family and before that as Fanny Church in Painting Churches Other engagements in the state in recent seasons include Urbanite (Niceties), Florida Repertory (The Mousetrap, Unexpected Guest and Lend Me a Tenor), Miami Theatre Center (Hedda Gabler), Gulfshore Playhouse (The Importance of Being Earnest, Best Comedy, 2013), American Stage, and freeFall Theatre (Bernarda Alba Theatre Tampa Bay Awards nominations, 2013). Recent ZOOM theatre credits include Sean Grennan’s new play Couples. Regionally Kate has been featured with ShawChicago, Chicago Shakespeare, Milwaukee Shakespeare, Pittsburgh Public Theatre, Human Race Theatre, Royal George, Drury Lane Oakbrook, Northlight, Light Opera Works, City Theatre, and Pittsburgh Irish and Classical Theatre. A native San Franciscan now living in Chicago, Kate trained in London at Lamada, Brown University, the University of Pittsburgh, and New England Conservatory. (www.kateyoung.biz)

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Radial Gradient by Jasmine Sharma Radial Gradient by Jasmine Sharma Friday, November 20 | 7:00 p.m.

(EST)

A

hate crime has taken place at a liberal University in America. Three women enter a research study planning to create positive change, but instead, uncover their complicated shared history. Jasmine Sharma’s new play, Radial Gradient challenges what complicity looks like - what do we do if it looks like us?

JASMINE SHARMA (Playwright) is a South Asian-American playwright/actor/activist attending Northwestern University. Her work has been recognized

by The Athena Project, The American Blues Theater, The NJ Governor’s Awards, and The Scholastic Awards.

Her work has been workshopped by Mayo Performing Arts Center, The Valdez Last Frontier Theatre Conference, The Blank Theater Company, AstonRep, and Access Theater NYC. In addition to Mad Cow Theatre, Radial Gradient has been supported by Permafrost Theatre Collective, NextStage Theatre Company, Samuel-Lancaster Productions and Vertigo Productions.

She is currently under commission by AlterTheater Ensemble, San Rafael, California, and represented by CHI Talent Management.

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Radial Gradient by Jasmine Sharma Director..............................................................................Rantea ThompsonO Dramaturg............................................................................ Harley KirchhoffO Stage Manager........................................................................... Hope Griffin0 Stage Directions......................................................................... Liana RuncieO Anjani.....................................................................................Uma ParanjpeO Melanie............................................................................... MaRah WilliamsO Gigi............................................................................................Lilly Anayeh0 LILLY ANAYEH (Gigi) is a recent graduate of The University of Alabama at Birmingham (BFA Musical Theatre) and excited to be making her debut with Mad Cow Theatre Company! Past credits include The Secret Garden (Choreography), Working (Woman 1), and Hair (Swing/ Dance Caption/ Associate Choreographer). After being diagnosed with Type 1 Diabetes, she makes it her mission to help others see their biggest obstacle as their greatest source of power.

Special thanks to her family, friends, and mentors for believing in her! www.lillyanayeh.com HOPE GRIFFIN (Stage Manager) is excited to join Mad Cow Theatre as the Stage Manager for Radial Gradient.

Originally from Dallas, Hope’s love for theater began when she was a Super in The Dallas Opera’s production of

The Magic Flute. After graduating with her B.A. in English, Hope moved to Orlando to work for The Walt Disney Company. She has also worked for Opera Orlando as an Assistant Stage Manager for Amahl and the Night Visitors and as a Wardrobe Assistant for Pagliacci/ Pulcinella. She is earning her A.S. in Live Entertainment Design from Valencia College where she most recently stage managed Brighton Beach Memoirs.

HARLEY KIRCHHOFF (Dramaturg) is a dramaturg, director, and recent graduate of Northwestern University. While in college, Harley directed with The Agnes Nixon Festival, Lipstick Theatre, the Jewish Theatre Ensemble, and independently adapted and produced a toy-theatre based production of Carmen Machado’s “The Husband Stitch” as her senior directing thesis. She dramaturged on two separate occasions with Arts Alliance Theatre and served as

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Lil1a by Monet Hurst-Mendoza co-chair of Vertigo Productions. She has recently made a move to Los Angeles to pursue work in creative production. Most importantly, she is excited and honored to witness the process of this brilliant play and playwright!

UMA PARANJPE (Anjani) is an Indian-American actor and playwright from the San Francisco Bay Area. Favorite stage roles include Eman (Jhaanjar Di Paanwaan Chhankaar), Benvolio (Romeo and Juliet), and Sita (Ramaavan). Favorite projects include Orange is the New Black, King Lahiri (premiering February 2021), and The Letter. As a playwright, Uma’s work will be seen in 2021 at the New Perspectives Theater Company and at Moxie Arts. She also works as a teaching artist with the Atlantic Theatre Company and the non-profit Breaking Walls. Uma currently lives in Brooklyn with her cat. BFA University of Miami. @superumapuma | umaparanjpe.com LIANA RUNCIE (Stage Directions) is a senior theatre student at Northwestern University, specializing in acting and playwriting. Her produced written works include beautiful baby beautiful (Black Lives Black

Words), and Orgasms 4 Sale (Vertigo Productions). As an actress, Liana has been featured in select stage productions such as The Angry Brigade (Northwestern MFA Series), Afrocensored (Vertigo Productions), and Marisol (Sit N Spin Productions). On screen Liana has been featured in such films as Petite Fleurs (Tyler Leiby Productions) and Brick House (Northwestern University).

RANTEA THOMPSON (Director) was born and raised in Akron, Ohio. She graduated from The American Musical and Dramatic Academy and has been seen in various productions and cabarets including Hairspray and Ragtime all around NYC and Ohio. TV Credits: The Deuce on HBO, Bull and Quantico on CBS. She is a producer, writer, stage manager, and director. She directed and produced her first play Independence: A Play in Two Acts

by Lee Blessing. EMIR Productions was made out of her need to find a community that challenges the way people of color are perceived in theatre as well as help people who grew up humble, like her, to not give up on their dreams.

Instagram @ranteat and @emirproductions.

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Lil1a by Monet Hurst-Mendoza MARAH WILLIAMS (Melanie) is pleased to work again with Mad Cow Theatre! BA from Norfolk State University, where she held the title Miss Norfolk State University 2016-17.

She received her MFA from the University of Florida. Williams is just

as passionate about education as she is performing. She currently sits as the Director or Education and Outreach for Black Theatre Girl Magic. She also is the co-host of the podcast GhostLight: Illuminating Black Artist where she and her co-host analyze plays written by black playwrights.@marah.williams

• Family Fun & Activities • Evening Entertainment • Tree Lighting Ceremony Every Night • Photo Ops with Santa • Holiday Cocktails • Live Music

Thursdays-Sundays | December 10-25, 2020 Visit our website: madcowtheatre.com for info

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Lil1a by Monet Hurst-Mendoza Lilia by Monet Hurst-Mendoza

Saturday, November 21 | 7:00 p.m.

(EST)

I

n a small Yucatecan town circa 1960’s Mexico, 14 year-old religiously devout Lilia is forced to turn to prostitution as a means of making a living.

When young Lilia develops an unconventional friendship with a compassionate new priest in town, everyone’s faith is tested. Caught between the secrets and lies that force us to question the morality of human nature, Lilia presents a passionate allegory about choosing between duty and desire.

MONET HURST-MENDOZA (Playwright) (she/her) is an NYC-based playwright from Los Angeles, CA. Her plays have been developed with Rising Circle Theater Collective, Astoria Performing Arts Center, The Flea, NYSAF, WP Theater, The Public Theater, and the ICA Boston, among others. Alum: Emerging Writers Group at The Public Theater, R&D Group at The Civilians, WP Theater Playwrights Lab, Fresh Ground Pepper’s Playground Playgroup, Van Lier Fellowship at New Dramatists. Residencies: The MITTEN Lab, SPACE on Ryder Farm. She is currently a Story Editor on “Law and Order: SVU.” Proud member of The Kilroys, The Dramatist Guild, and WGAE. BA: Marymount Manhattan College. .

Contribute Mad Cow Theatre creates entertaining,

intimate, high-quality theatre experiences in downtown Orlando. We are dedicated to promoting, enhancing, and celebrating the human condition through art. But we couldn’t do it without the generosity of our patrons. Ticket sales make up only a portion of the revenue we need to produce 10 shows, two festivals, and a variety of community programs and educational workshops each year.

Call: 407.297.8788 | Website: madcowtheatre.com

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Lil1a by Monet Hurst-Mendoza Director.................................................................. Katherine M. CarterO Dramaturg....................................................................... Mario GomezO Stage Manager.............................................................. Emily DeNardo* Padre Juan Gabriel................................................................ Fredy Ruiz* Padre Alejandro Salvador................................................ Mike AcevedoO Lilia Carreno....................................................................Fabiola RiveraO Marujenia Carreno................................................. Vicky CampadonicoO Alex Gomez....................................................................Oscar Cabrera* MIKE ACEVEDO (Padre Alejandro Salvador), born and raised in the Bronx, NY, was an Army Broadcast Journalist and Vocalist for 8 years in Japan and Germany.

He toured the world, with performances in the NFL Europe World Bowl half time show, and for the King of Norway. In the 90s, he was a lead singer of Latin boyband, Mi Mayor. Locally, he’s performed as LT Schrank in Valencia College’s production of West Side Story, as Kevin Rosario at the Orlando Shakes and Osceola Theatre’s production of In The Heights, as a featured vocalist in Prince Harry’s Invictus Games, and in 2019, on America’s Got Talent with Voices of Service.

OSCAR A. L. CABRERA (Alex) is a New York based Actor/playwright born and bred in the panhandle of Texas.

Some acting credits include: Wolf at the Door by Marisela Trevino Orta (NJRep); Marfa Lights by Octavio Solis (INTAR); St. Vincent (Rattlestick). He was an EWG playwright at The Public Theater, SWR residency at the Flea Theater, company member of INTAR’s Unit52, and Co-Artistic Director of the NYC Latinx Playwright Circle.

VICKY CAMPADONICO (Marujenia Carreno) is so excited to be a part of the virtual Women’s Voices November Mini-Fest.

Vicky is a Cuban American actress from Miami and a Boston Conservatory graduate. Previous credits include Evita (Orlando Shakes), In the Heights (Orlando Shakes), Evita (Actors’ Playhouse), Into the Woods, Bonnie and Clyde, Singin’ in the Rain, and SchoolHouse Rock Live! Vicky would like to thank her family and friends for their constant love and support and to YOU for tuning in and supporting

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Lil1a by Monet Hurst-Mendoza the arts. Para Jacko, siempre.

Que sigue!

KATHERINE M. CARTER (Director) is a NYC based director of opera and theatre, and the co-founding Artistic Director of the MITTEN Lab. Previous: On Site Opera, Carnegie Mellon University, Santa Fe Opera, Parallel 45 Theatre, Canadian Opera Company, Houston Grand Opera.

New School for Drama, Joe’s Pub, Westport Country Playhouse, Wellfleet Harbor Actors Theatre, NYMF, 3LD, NYU, and Wolf Trap.

Fellowships: New Georges, The Drama League, and Playwrights Horizons. 2019 Honored Finalist for Women in the Arts & Media Coalition with playwright Jacqueline Goldfinger. With thanks to her longtime friend and collaborator, Monet. www.KatherineMCarter.com EMILY DENARDO (Stage Manager) Her credits include Island Song, Knights of the Sales Office (Adirondack Theater Festival) Elevada, The Fairytale Lives of Russian Girls (Yale Repertory Theater); Uncommon Sense (Tectonic Theater Project) American Buffalo, Macbeth, Julius Caesar,

Pericles, A Midsummer Night’s Dream (Elm Shakespeare Company); The Oath, The Marvelous Wonderettes, The Other Place (Weston Playhouse); I Am My Own Wife (Two Turns Theater); Bird Fire Fly, The Visit, Blueberry Toast, Cloud Nine, King Richard 2 (YSD); In the Heights, Hamlet, Gertrude & Claudius (Orlando Shakes) Emily holds an MFA from the Yale School of Drama.

MARIO GOMEZ (Dramaturg) (he/him) is a New England based Dramaturg and Director. He has worked in over 258 theatrical productions nationally and internationally.

Mario’s credits include People of the Book with ACT Theatre, A View from the Bridge with the Brown University / Trinity Rep MFA Program, the Neurodiversity New Play Festival with Spectrum Theatre Ensemble, and the ACTONE Festival organized by ACT Theatre and OCC featuring Pulitzer Prize winner Martyna Majok. Mario’s dramaturgical work also encompasses Virtual Reality and Technology. More about Mario at www.onlinedramaturg.com and marioagomez.com.

*Member of Actors’ Equity Association

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Lil1a by Monet Hurst-Mendoza 4/9/19, 10(24 PM Page 1 of 1

FABIOLA RIVERA (Lilia Carreno) is super excited to be working with Mad Cow once again! She has worked for both Universal Studios Orlando and Walt Disney World in the shows Sing It! and Awesome Mix Live! Some of her favorite theatre roles include: Adela in La casa de Bernarda Alba (Mad Cow Theatre); Carla in In the Heights; Jill in Equus; and Juliet in Romeo and Juliet. Fabiola would like to thank her friends for supporting and loving her unconditionally and her roommates for not getting sick of her just yet.

Instagram: @holafabiola

FREDY RUIZ (Padre Juan Gabriel) Theatre: Once On This Island (Daniel), The Rocky Horror Show (Frank-N-Furter), Hair (Berger), Native Gardens (Pablo), In The Heights (Usnavi), Evita (Che), The Drowsy Chaperone (Aldolpho). Fredy is a proud member of the Actors Equity Association whose performing career has traveled him around the world, but when he is home in Orlando, Fredy is a regular performer at Walt Disney World Resort and Universal Orlando.

Fredy thanks his friends and family for their support.

Insta: @thefredyruiz

Mad Cow Theatre Staff Executive Director Mitzi Maxwell Director of Operations Audrey McGowen Producer Alyssa Zegers Manager of Art and Design Lisa Buck

Development and Marketing Coordinator Alletta Gentry Director of Special Projects Jessica Kaschube Production Coordinator Kat Henwood

Patron Experience Manager Maddie Stroud Patron Services Assistant Brent Lane Max Pinsky Charis Walter Resource Development Manager Laurel Hatfield

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Project Manager Ashley Ahr Audio Coordinator Anthony Narcisco Photographer Tom Hurst

Founding Members Rus Blackwell Trudy Bruner Alan Bruun Dennis Neal Board Members Bill Boles Meredith Egan Kathy Godfrey Mitzi Maxwell Susi Rivera Karenna Senors

1st Annual Women’s Voices Mini-Festival MAD COW THEATRE now in our 23rd season, is downtown Orlando’s destination for professional theatre. MCT was founded on the belief that the theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form.Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of theatre to an ever-widening audience — promoting, enhancing, and celebrating the human condition through art. With a passion for both classic and contemporary plays

representing the best of American and world literature, MCT is committed to story-telling with no boundaries, to a wide range of audiences. MCT attracts the area’s most talented performers, designers, and directors. A mainstay of the company is its dedication to the process of creating theatre, incorporating in-depth rehearsaland research periods along with a nurturing collaborative process.

Awards include Arts Innovator of the Year (United Arts of Central Florida), Best Place to See a Play Orlando Sentinel Best Live Theatre Orlando Weekly, Best Local Theatre Company Orlando Magazine, and Best Performance Theatre (Orlando Business Journal).

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1st Annual Women’s Voices Mini-Festival DONORS LIST

Business Circle CORPORATE ANGEL Adirondack Scenery Alternative Dispute Resolution Center of Central Florida Amazon Hose & Rubber Company ArtReach Orlando Baker, Hyatt, Homrich & Lokvic, P.A. in memory of Bob Stonerock Bywater Management Co. Carousel Workshop ClassAct Studios Clear Channel CNL Financial Group Creative Zing Promotion Group Direct One Effective Financial Services Inc.

Florida Theatrical Association Holland & Knight LLP Joanne King Design Kres Chophouse Majors Motors/M Bar MBI Direct Mail Miller’s Hardware Network For Good Odd-o-Ts’ Entertainment in honor of all those who keep us performing!

Orange County Arts & Cultural Affairs Remixed Sleuths Mystery Dinner Theatre, Inc.

State of Florida Department of State, Division of Cultural Affairs Ten Thousand Villages of Winter Park Terracon The Burnett Honors College at UCF The Hinsdale Group The Walt Disney Company Foundation The Walt Disney Foundation Walt Disney World Resort Watermark Publishing Group White Wolf Cafe Wow! Works International

Black & White Bash BLACK & WHITE BASH 2020 CORPORATE SPONSORS Godfrey Legal J. Meyers Insurance Agency Mid-Florida Credit Union

ODEIA Theatre Management System The Walt Disney Company WUCF

BLACK & WHITE BASH 2020 DONORS Anonymous Maria Elena Augustin Lara Baker Wendy Blair Christine Bowen Annalise Carty Laurie Clark Aurora DeMarco Mary Dunleavy Eileen Dworkin Meredith Egan Anna Eskamani Gloria Gladieux

Biff Godfrey Kathy Godfrey Tom Hurst Arlene Hutton Florian Jentsch Kathy Koons Leland Krause Susan Ledlow David W Lowe Alison Lunsford James Lussier Barbara Maxwell Mitzi Maxwell

Charlotte McCormick Audrey McGowen Denise Meneghelli Whitney Morse James Mullen Donna Mylrea Lauren Nelson Linnea Nelson Jennafer Newberry Terry Olson Lenore Roland Catherine Roth Nicole Sargent

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Mike Schneider Alan Sheppard Judith Stern Ronald T Hirsch Michael Tedesco Alan Wilson Angela Withers Karel Wright Ariel Zambrano

Family and Individual THE HOLSTEIN HERITAGE SOCIETY

Sandy Neubarth PLATINUM $25,000 AND UP

Anonymous

Holland & Knight

GOLD CIRCLE $10,000 – $24,999

Anonymous Frank Doherty Godfrey Legal

Shelby Norwich Michael Schneider Dr. Joseph & Susan Warren

SILVER CIRCLE $9,999 – $5,999

Pamela Aniello Margaret Jane Brownlee Michael & Jennifer Coleman

Mary Kelsh Judith Thompson Lee & Wendy Zehngebot

PRODUCER’S CIRCLE $2,500 – $4,999 Anonymous Leslie Boles Universal Orlando

Kerby Pickens John Rigsby

Steve Rivers Rafael Torres

DIRECTOR’S CIRCLE $1,000 – $2,499 Anonymous Sheryl Batchelder Minter Byrd Steven Clawson Jeffrey Cohen Austin Commercial Ann H. Cook Addition Financial Thomas & Kathleen Gillman

Kathy & Biff Godfrey Jim & Freddi Goodrich Michael Haddad Dan Hitt Dean Johnson Charline Kennedy Susan McKenna Janet Mechlin William Newkirk

Jane Oatway John O’Brien Deede Sharpe & John Parker Deborah Randall Kimberly Sterling Joan & Joel Strickland L. Karenna Senors Nancy Hutson & Pat Williams

ARTIST’S CIRCLE $500 – $999 Norman & Donna Abramson Kay Allen Sheila Arnold Maria-Elena Augustin Marc & Jill Craddock Brenda Dalman & Rudi Moerck

The Walt Disney Company Foundation James Lussier Benevity Community Impact Fund Deena Breed Jan Bowman Jerry Burnley

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Karen Castelloes Brian Chambers Robert Dipboye Rosemary DuRocher Rosemary Gates The Hance Family David & Nancy Harvey

ARTIST’S CIRCLE $500 – $999 (continued) Georgiana Havill John Horn Libby Jackson Bette Jore Robert & Judith Kemp Susan Ledlow David Lowe Joann Marks Barbara Maxwell Thomas Ouellette

George Poelker & Judy Black David Piatt Lenore Roland Alison Royle Maria Rubin Kristina Kise Rygwalski Melanie Sylvan Sachs Lindsay Siebert Kathleen & John Simpson Barbara J. Smith

Dennis Sobeck Kimberly Sutton Sigrid Tiedtke Trudy Wild Daniel Wise Leighton Yates Edward Zissman

HOLY COW $250 – $499 Robin Baab Hohman Dr. Cori Baill Barbara Blake Louise Cook Earl Crittenden Judy Doyle & Bob Shaw in Memory of Katie Doyle Robert Galano Edward Gilbert

Patrick Hanna Stephen & Ruth Ann Heller Margaret Hickson Ron Hirsch & Betty Reid Erica Johnson Jeffrey & Rebecca Junod Penilope Krain Gordon Lange K.H. Loo

James Lussier Ken & Trisha Margeson James Mullen Christy Mullins & Polly Purgason Robert & Marianne Murphy Jimmie Leonard Raughton Russ Reader

Nancy Sabetini John Simpson Annemmarie Smith Cynthia Schleier Stacia Wake Robert Zollinger

Listing in the program for $250+ donations Listing reflects donations through July 25, 2020.

We apologize for any errors or omissions.

We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA Special thanks to AEA Theatre Authority, for their cooperation in permitting the Artists to appear on this program.

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