Digital Design | Portfolio

M|Y|R|S MARIO YOHANES RINALDY SIHOMBING

DIGITAL DESIGN

PORTFOLIO

SEMESTER 1, 2018

917889 MICHAEL MACK + STUDIO 05

1

M A Y O H R I N SIHO

R I A N E A L D MBIN

O S Y G

mrinaldy@student.unimelb.edu.au excalibur561.wixsite.com/mrinaldy EDUCATION

REFLECTION

2017 - current University of Melbourne

The subject has motivated me to push the limits of contemporary design, an unknown land for traditional architects of the past. Exploring complex geometries combined with technology and various concept iterations has broaden my knowledge of the future in architecture.

The subject has introduced us to the world of parametric modelling with the Grasshopper software and Rhino, which was then further explored to architectural realtime rendering in Unreal Engine, which is usually used for game design and movie making. With this subject, I have revamped my goals for the future as a designer. First,

Bachelor of Design, Architecture major

Melbourne, Australia 2016 - 2017

Trinity College Foundation Studies

Melbourne, Australia 2013 - 2016

SMAK BPK PENABUR Gading Serpong

Tangerang, Indonesia WORK EXPERIENCE 2017 - 2018

PT. Ciputra Residence

Internship at Planning Department

ACCOMPLISHMENTS 2017

FOD:R Exhibition, ALKF Gallery

2018

Participated in World of Warships

knowing that parametric modelling is still a new element in architecture in Indonesia, I would like to introduce and create structures using the method. Second, contemporary architecture has dominated the country, often disregarding traditional local architecture elements, and with this case I would like to reintroduce and implement local architecture with modern architecture into the urban contex, which can be seen in my incorporation of the Batak house as a pavilion for Module 3. An area of improvement for this subject is to deepened my skills in parametric modelling software, as it is the impecable future, as well as, to improve my time management skills, so that I can accomodate more conceptualization in the design process and thinking.

USS Helena camouflage design competition SKILLS Rhino Grasshopper Unreal Photoshop Illustrator Indesign Fabrication Hand sketching

2

CONTENT

04

M1

DIAGRAMMING DESIGN PRECEDENT

06

M2 TASK 1

GENERATING DESIGN THROUGH DIGITAL PROCESSES

SURFACE AND WAFFLE

12

M2 TASK 2

GENERATING DESIGN THROUGH DIGITAL PROCESSES

BOOLEAN MODEL

18

M3

TOBATAK PAVILION AT QUEEN VICTORIA GARDENS

3

M1

DIAGRAMMING DESIGN PRECEDENT Toyo Ito - Serpentine Pavilion 2002 Mario Yohanes Rinaldy - 917889

Toyo Ito, Serpentine Gallery Pavilion, 2002

Toyo Ito’s 2002 Serpentine Gallery pavilion strikes the awe of many.

Although the design seems to be composed of random lines, shapes, and

Isometric 1:50 0

1000

3000mm

geometries, complex algorithms was in fact used to generate them. A cube was expanded and rotated served as the algorithm for the design, which creates triangular and trapezoid shapes which was then assigned with three types of “transparency”, solid, glass panes, and open holes.

EN

TR

CE

AN

TR

EN

AN

CE

Structure

Glass Glazing

The pavilion’s complex geometries combined with the occasional holes and glass panes creates a strong threshold between the outside enviroment and the inside creating two different atmospheres. The open holes and the thickness of the walls acts as another threshold which can be occupied by people, abstracting the realm of public and private enclosed space.

Primary Grouping Spaces

Primary Circulation Spaces

Solids

Main Circulation Paths and Grouping

Isometric model of the precedent study pavilion Site Area Circulation Paths

Circulation 1:300

4

Structure

Thresholds (Permeability) 1:200

Diagram 02

Circulation diagram

Permeability threshold diagram

5

M2 TASK 1

GENERATING DESIGN THROUGH DIGITAL PROCESS SURFACE AND WAFFLE 6

DESIGN MATRIX

Lofts

1.1

1.2

1.3

1.4

(0,150,150)

(0,150,150)

(150,150,150) (150,90,120)

(150,90,120) (0,0,90)

(150,30,150)

(150,0,150) (0,0,60)

(150,0,120)

(150,150,150)

(90,150,0)

(150,0,120)

(90,150,0) (90,0,0) (150,0,0)

Panelling Grids & Attractor Point

(Index Selection)

(Index Selection)

(Index Selection)

(Index Selection)

[1.2]2.1

[1.2]2.2.A

[1.2]2.3.B

[1.2]2.4.A(i).B(i) (-109,213,0)

(-97,210,0) (-127.2,91.5,0)

(-172,-13,0)

(-185,-10,0) (257.2,91.5,0)

Panelling

(No Attractor Point)

(Attractor Point Location)

(Attractor Curve Location)

(Attractor Point & Curve Location)

[1.2.R]3.1

[1.2.R]3.2

[1.2.R]3.3

[1.2.R]3.4

Task 1 Design Matrix

7

SURFACE AND WAFFLE Double pointed pyramids breaks the flatness and smoothness with a rugged face, and also trying to achieve shading

The creation of the waffle structure tries to convey a welcoming hand entry shape, opening up as if a the entry point is on the left side. The overhang cantilever of the structure’s “entrance” creates a monumental effect for a person occupying the space.

when a light source is present

The aim for the panels is the exploration on lighting and shadows. In all of the panels, a secondary unique shape was created due to the effect of the lights. The single pyramids shape are abstracted by the light and the presence of shadows, creating a 3D trapezium shape effect. The double pyramids, on the other hand, abstracted the original curved surface, as the original curved surface is now barely visible, as well as creating a secondary unique shape by the shadows. Only one side of the pyramids will have constant lighting from any angles.

The point

solid single

The waffle structure of the two surfaces portrayed a welcoming image, as one side of the structure is wider than the other

corner pyramid

panels will achieve a secondary shape created by the shadows when a light source is present

8

COMPUTATION WORKFLOW

After two surfaces has been

To create the joints between the

After all process is done, the waffle

decided, the surface was then contoured to determine the waffle structure beams

horizontal and vertical waffle structure, box booleans and conjoining beams between the two surface were created

structure was seperated, arranged, and labeled for laser cutting fabrication

9

LASER CUTTING PROCESS AND FABRICATION After the panels were applied to the surface, each pyramid panel were then unrolled in twos vertically per row to not overlap with the other panels. Each of the joined unrolled panels were then arranged in accordance to its placement on the surface. With clear placement of the panels corresponding to the real built panelled surface, labelling each part is unnecessary.

A general labelling per Row and facade side is still needed, however. For the laser cutting process, the panels were all flipped.

Additionally, there are two cutting patterns.

The first cutting pattern is a regular straight line for each shape’s outline. The second was dashed lines for the inner lines instead of etching. This allows for cleaner cuts

1. Taking off the laser cutted parts

and folds during the assembly process.

The fabrication process is straight forward, as shown on the right. Frist, taking the parts of the waffle and panels out. Next, the waffle structure was assembled before the panels. Finally, the panels were then attached to the waffle in rows of two for maximum sticking efficiency.

2. Waffle structure assembly

3. Panels attachment and assembly

10

TASK 1 FINAL MODEL

11

M2 TASK 2

GENERATING DESIGN THROUGH DIGITAL PROCESS BOOLEAN MODEL 12

SOLID AND VOID The iteration used is the final one with the combination of the box shape and the dodecahedron, both with the use of point and curve attractors at the same time. The aim for this shape is to explore abstract angularity and angles of the interior of the box, can be argued as the abstract liberation of the box. As the box is originally divided into sectional grids, it created individual spaces when booleaned with the combined shapes, highlighting the concept of private and public space. The interior sections have individual spaces which can be used privately for gathering of people, where in the next section is another gathering of people. Each of the openings have different shapes on each facade for light entry. Although from the outside it portrays flatness, the interior offers a unique geometrical shapes indulging the people to a whole new enviroment.

As the inside of the solid has unique shapes and geometries, the overal solid cube form has been distorted, although still visible, creating an

Regarding lighting, light can still enter via the horizontal openings as well as roof shape openings.Additionally, each facade of the solid boolean have different shapes in each one, such as a rectangle on one side and triangle on the other

The boolean operation created spaces inside the cubes which may be intrepreted as private spaces. As the cube is divided into a 3x3x3 sections, in which each sections have a unique booleaned shape and joined to each other, created an enclosure for a group of people using it.

13

DESIGN MATRIX Grid Manipulation

1.1

1.2.A

1.3.B

1.4.A.B

(131.6,325,124.5)

(131.6,325,124.5)

(-144.5,120,124.5)

(-144.5,120,124.5)

(-61,-89,0)

(-61,-89,0)

Geometric Shapes Geometric Shapes Combination

(No Attractor)

(Point Attractor)

(Curve Attractor)

(Point & Curve Attractor)

[1.2]2.1

[1.2]2.2.1.A

[1.2]2.3

[1.1]2.4

(Sphere)

(Sphere)

(Dodecahedron)

(Box)

[1.2](2.2.1.A + 2.4)3.1

[1.2](2.2.1.A + 2.3)3.2

[1.2](2.3 + 2.4)3.3

[1.4.A.B].[1.2](2.3 + 2.4)3.4

(Sphere+Box)

(Sphere+Dodecahedron)

(Dodecahedron+Box)

(Dodecahedron+Box)

Task 2 Design Matrix

14

COMPUTATIONAL PROCESS

The general box shape and its

The adjusting area for the

Implentation and creative area to

panelling grid was defined first

grid. Various attractors can be implemented and put here to create the desired grid

insert various shapes as the module panels.

15

M2 TASK 2 3D PRINTING

One side of the boolean model showing the individual ‘private’ spaces created by the dominant dodecahedron shape

The 3d printing process was delayed for a quite a time due to the complexity of the model’s geometry. After some tweaking in the print settings, the model can be printed although some printing errors and mishaps can be observed in the result.

The other side of the same ‘private’ spaces are box shaped dominant. The spaces created by both shapes being booleaned together created a unique space within. Notice the faulty 3D pring on the left pillar due to the geometry being too complex

16

TASK 2 FINAL MODEL

17

TOBATAK PAVILION @ QUEEN VICTORIA GARDENS

The Tobatak Pavilion was designed as an exploration in vernacular architecture, light shading, and monumentality, being inspired by local North Sumateran houses in Indonesia. The pavilion’s monumental appearance breaks the flatness of the surrounding flat landscape. The interior is designed to maximize space efficiency, suitable to host a 15 person seminar in which the audience surround the speaker in the center space. Evening concerts are also suitable as the pavilion can act as a stage where the band performs under the white northern facade, which can be used as a projection banner while the audience watches from the outside. Concrete and wood were used to create a striking contrast of white and darkness and as a combination between modern and traditional materials.

18

M3 - Tobatak Pavilion

ISOMETRIC

The waffle structure role of a structural support was slightly diminished as the cladding of the pavilion acts as a load bearing wall that supports the waffle instead

The waffle structure was created in correspondence with the overall cladding shape using sectioning technique diagonally of a square shape.

Mario Yohanes Rinaldy - 917889

The footings distributes the loads from the waffle and the cladding into the ground, making the structure stand up. Three waffles and the cladding are joined in the footing

The white concrete cladding contrasted the dark coloured oakwood of the waffle, creating two contrast imagery. The stark white colour stands out in the landscape and can be use as a projector screen banner when a band plays underneath facing the north.

Circulation area

The footings distributes the loads from the waffle and the cladding into the ground, making the structure stand up. Three waffles and the cladding are joined in the footing

The seatings not only allows for people to rest and admire the internal structure, but also as Footing/ Foundation Structure Detail 1:30 a method to divide the axial circulation inside the pavilion, The main threshold of the pavilion is the slight of the podium from the relatively flat likewise a stone in a raise flowing river. landscape, creating a sudden shift from the

The main threshold of the pavilion is the slight raise of the podium from the relatively flat landscape, creating a sudden shift from the flat ground distinguishing the pavilion from the surrounding

flat ground distinguishing the pavilion from the surrounding

Exploded Isometric 1:30 0

19

600

1800mm

North-South orientation prevents excess heat gain in the tropics.

Northwest - Southeast orientation corresponding to the side and to limit heat gain in the temperate climate

Shaded activity spaces created by the saddle roof shape

Traditional Batak house (Ruma Bolon) shading analysis

Pavilion shading analysis corresponding to the site

Traditional Batak house (Ruma Bolon) shading analysis

Pavilion shading analysis corresponding to the site 12:00 PM

9:00 AM

3:00 PM

Traditional Batak house (Ruma Bolon) in real life

Constant interior shading

One of the most common traditional house of the Batak People, One of the most common traditional house of the Batak People, Ruma Bolon, originated from North Sumatera, Indonesia. The Ruma is specifically bigger and larger than other Ruma Bolon, originated fromBolon North Sumatera, Indonesia.

The houses in the village, as it is considered the showcase of a particular village against others.

Ruma Bolon specifically bigger larger than other houses Each village usuallyishave one to two Ruma Bolon and to showcase. in as however, it is considered theParbalebalean, showcasewhich of a particular Thethe most village, common type, is the smaller Jabu function as a common family residence and is cheaper to build. village against others. Each village usually have one to two Ruma Bolon to showcase.

N

Sun shadow diagram for three different times of day of the pavilion for summer Sun shadow diagram for three different times of day of the pavilion for summer 1 January 2018.

1 January 2018.

20

DESIGN ITERATION

ITERATION 1

ITERATION 2

ITERATION 3

AURORA’S HAT (PAVILION MKP2)

BLOCKS (PAVILION TBT)

CLOUD CEILING (PAVILION KMS)

Being inspired by the Russian Ushanka hat being used in the personification of the Aurora protected cruiser from the game Azur Lane. The shape was abstracted with geodesic intersecting tubes similar to that of Beijing’s Bird Nest stadium. The design was not used as it is too complex for fabrication and problematic for people circulation and interaction.

Initially inspired by the MahaNakhon Tower in Bangkok, Thailand with its pixelated fading effect. Implemented to abstract and play around with the conventional box shape, the concept was lost in translation as interior space was needed, abstracting the inital shape into a cave-looking Brutalist structure. The design was scrapped as it does not correspond to the initial idea.

The concept of this design is two portray the image of a hand from the clouds reaching to the ground, as if the imagery of the hands of God reaching to help us humans.

The design was scrapped as it is boring and common.

21

22

MODULE 3 FINAL MODEL 23

MODULE 3 FINAL MODEL 24

MODULE 3 FINAL MODEL 25

COMPUTATIONAL PROCESS

After the general triangular shape

The structure needs to have an interior space with

Each waffle piece is seperated and arranged in

was created, the inner spaces was waffled diagonally, contrary to traditional waffle structures.

head clearance. An arch shape in the waffle was created by joining 4 points for the shape, for each half of the structure. Below shown is one half of the structure’s waffle

this area for laser cut fabrication.

26

FABRICATION PROCESS

The 3D print process started out by slicing the model into half. The 3D printed parts are the facades and podiums. These parts were 3D printed as the facade have “rails” engraved for ease of waffle fabrication

The laser cut process started with the arrangement of the waffles from the Rhino model. Shown above are all applicable waffles to build a full model. A part roof was printed just in case.

There are several attempts at 3D printing due to the thin nature of the facades. The photo shown is from a previous attempt. Later, the facades were printed seperately with the hlp of Helper discs

The final lasercut FabLab submission. Shown are labelled waffle parts and a roof to be laser cutted. The roof was eventually not used as it made the structure’s interior spaces too dark.

27

360 IMAGE OUTPUT

DIGITAL DESIGN SEMESTER 1, 2018 28