£5.4 MILLION EXTENSION £5.4m museum extension housing iconic WW2 plane celebrated THOUSANDS of visitors have now visited the £5.4 million extension to the Potteries Museum and Art Gallery in Stoke-on-Trent, which now houses an original Spitfire aircraft thanks to specialist project management from national property, construction, and infrastructure consultancy Pick Everard. The project comprised the design and construction of a new 3,800 square foot, double height exhibition space with mezzanine and the alteration and refurbishment of the existing café space within the art gallery and museum, alongside extensive external landscaping. Utilising a steel frame and rainscreen cladding, the new exhibition space has been designed with specialist structural glazing to allow the main attraction, the city’s iconic RW388 Spitfire Aircraft, 46 - www.refurbandrestore.co.uk
to be exhibited. The area also houses a flight simulator, model Hurricane aircraft and other exhibitions. Seeking an expedited project process to ensure scheduled delivery, Pick Everard – operating under Perfect Circle’s unique collaboration – was appointed as Stoke-on-Trent City Council’s multi-disciplinary construction consultant through SCAPE’s Built Environment Consultancy Services (BECS) framework. Matt Jones, associate project manager at Pick Everard, said: “Stoke-on-Trent City Council’s aspiration for a statement project that provides meeting and social space for the general public captured our imagination and we worked collaboratively with the wider project team to develop and deliver a scheme that achieves this. In the process we
overcame several challenges presented by the sloping brownfield site, in addition to the adapted structure and services of the existing building that the new exhibition space needed to be adjoined to. “Since this scheme created an extension to an existing museum, the project demanded early engagement and smart collaboration with a variety of stakeholders. This included the city council’s cabinet members, planning officers, and museum curator, along with the special interest group responsible for restoring the Spitfire and the logistics company responsible for moving the refurbished plane into the completed exhibition space. “The project began on site as the first wave of the Covid-19 pandemic took hold. This meant that stakeholders
