MOViE MOViE Magazine#33 - BEAUTIFUL CHAOS

MOVIE-MOVIE-MAGAZINE #33 BEAUTIFUL CHAOS

DRIES

FOR MOVIE LOVERS

11 – 13.5.2018 Beneath the Pavement

路磚之下

11-13.5.2018

路磚之下

莫昭如 Mok Chiu-yu │ 菲臘加維爾 Philippe Garrel │ 黃華麒 Wong Wah-Kay 尚盧高達 Jean-Luc Godard │ 昔加維爾托夫小組 Groupe Dziga Vertov 基斯馬爾卡 Chris Marker │ 黃域 Huang Yu │ 吳佩蓉 Wu Peirong 沙治巴赫 Serge Bard │ 譚家明 Patrick Tam │ 曹愷 Cao Kai 威廉克萊因 William Klein │ 尚比亞哥連 Jean-Pierre Gorin │ 羅卡 Law Kar 趙德克 Chiu Tak-hak │ 嚴浩 Yim Ho │ 彼得獲健士 Peter Watkins 百老匯電影中心

Broadway Cinematheque

正價票 Standard Tickets

每張港幣 HK$85 per screening 設有優惠門票 Concessions are available

門票於 4 月 6 日起公開發售 Tickets available from 6 April onwards 詳情 Details: www.westkowloon.hk/mplusscreenings

Beneath the Pavemen

M+ 放映 M+ Screenings

FOREWORD 前言

PUBLISHER MOViE MOViE EDITORIAL DIRECTOR Joycelyn Choi

Text by Joycelyn Choi General Manager of MOViE MOViE

creative DIRECTOR Renatus Wu (EDITED.hk) Managing Editor Hazel Ho editor Elaine Sham chinese editor Rita Cheung English editor James Marsh Editorial Team Chiwing Chan Elaine Au Esther Lam Kelly Chen Lorenz Lo Lyris Miu Vivian Ziwei WEI Whimsy Ng Winson Cheng Graphic designers Tuen Sin Kuen (EDITED.hk) Ken Mak (EDITED.hk) contributors James Marsh 小萊

Beautiful Chaos

special thanks Tessa Lau Gary Mak Esther Yeung Grace Cheung Joe Wong Krystal Chow Phoebe Chiu Priscilla Chung Agnes b. ad-lib Hong Kong Arts Centre Broadway/PALACE/AMC Edko Films Limited Freshwave HK JCCAC Kapok Kubrick PMQ Storyteller West Kowloon Cultural District Authority

It’s said that every inch of Einstein’s desk was covered in papers, and Paul Smith’s office, which I saw in an exhibition, was also full of books, toys and miscellaneous items. The same goes for Steve Jobs and Mark Twain’s working environments.

Some argue that a messy desk equals a creative mind, while I think the state of the desk may say more about the owners’ nonlinear thinking. People whose desks are clean and tidy are usually scrupulous and methodical, determined to solve every problem as soon as possible. But sometimes you need to think outside the box, to change perspective and come up with more alternatives, instead of sticking to the most straightforward and efficient method. I understand the need and reason for some industries and positions to keep their desks clean, however if the nature of your job is creative, you might be able to get a creative boost from an array of paraphernalia on your desk. Even the sense of freedom is attractive. A humanised environment can counter the suppressed and cold atmosphere in most typical offices.

Of course, order should come out of chaos, but the most significant part never fades away. Similarly, in the cinematic world, movies, whose messages are explicitly expressed, usually won’t have a niche in the temple of fame. On the contrary, the harder it is to tease out the characters, relationships or to tell black from white, the more intriguing and thoughtprovoking the movie is. Great works require more time to appreciate them properly.

In this volume, most of the featured auteurs’ works cannot be easily perceived. We have the king of cult films, David Lynch, New Wave director Agnes Varda, famous Russian director Andrey Zvyagintsev, and the talented and good-looking Xavier Dolan. But beyond these seemingly chaotic stories, there remains an eternal beauty worth ruminating over.

(Translated by VW&KC)

“If a cluttered desk is a sign of an unattended mind, then what do we think of an empty desk?”

— Albert Einstein

傳聞愛因斯坦的桌子是一片混亂，坊間流傳 的照片裡，Steve Jobs 和馬克吐溫的也一樣 凌亂。我看過 Paul Smith 展覽裡的辦公室也 是放滿書本玩具跟物件。 有人說桌子混亂的人比較有創意，我倒 想那可能反映出一樣非線性的思考模式。辦 公桌整潔的人大抵較喜歡一板一眼處理事 情，並有種必須儘早解決一切的決心。但也 許，有時所謂 out of the Box 的 solution 又或 是創意就是要你多走一些路，換個方向去思 考其他可能性，而不是安於尋找最想當然又 或便捷的處理方法。我相信某些行業或某些 職責的人桌面一絲不紊是絕對有其原因及 需要，但假如屬於創作型的崗位的話，琳瑯 滿目的桌面或辦公室可能會為那主人帶來 一些靈感，一點衝擊。也許只不過就是那份 不拘小節的從容自在。以一個較人性化的環 境，去抗衡一般辦公室那冰冷壓抑的 clinical 感覺。 當然，亂中必須有序。但真正重要的東 西是永遠不會失去的。同樣地，在電影的世 界中，直白畫公仔畫出腸的電影不會令人念 念不忘。往往光影裡愈糾纏愈複雜的人物關 係、愈黑白難分的情景層次，才份外叫人回 味。有心人要花點心思才能真正體會的東西， 才是最美好的。 今期推介不少大師的作品都不是一眼 即明的易入口之作，如 Cult 片王大衛連治、 新浪潮導演 Agnes Varda、俄羅斯人氣導演

Andrey Zvyagintsev，又或又靚仔又有才華的 Xavier Dolan。但在那看似迂迴複雜的故事裡

面，都留下留芳萬世的 eternal beauty。 利申：我的辦公桌當然是亂的。:)

www.moviemovie.com.hk MOVIEMOVIE BY BC For advertising, please Contact: E: chiuphoebe@edkofilm.com.hk T: 2528-8079

Paul Smith's office as shown in his exhibition 攝於台北《Hello, My name is Paul Smith》展覽 Paul Smith 模擬辦公室

MMM #33: BEAUTIFUL CHAOS

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David Lynch 的世界從來也有自己一套，他

一直是影迷，但為 MMM 寫作，讓我更深

一向對電影的認識不深，因此參與 MMM 的編輯工作令我獲益良多。例如寫了有關

的電影詭異又迷幻，意想不到他對回憶的

刻地意識到電影是交流的藝術。將自己心

看 法 卻 極 有 詩 意：「Some things we forget.

愛的影片介紹給讀者，就像幫助一個有趣

焦點導演 Agnes Varda 的文章後，令我了解

But many things we remember on the mental

的靈魂接近另一個有趣的靈魂。而本期我

到導演的背景和她的創作理念。日後要寫

參與編寫的小說狂熱系列，也展現了暢銷

紀錄片相關的東西也更得心應手！ MMM

文字與影視圖像的互動與溝通。翻開這本

像 一 份 豐 富 的 三 文 治， 無 論 是 經 典 名 作、

MMM，和喜愛的電影來一場對話吧！

最新猛片、cult 片、還是滄海遺珠，都包羅

製作 MMM，是因為電影裏面那些美輪美

以前一直自詡電影狂熱者，直到自己真的

喜歡看電影的人，享受電影的脫離感、享受

奐的，那些驚天動地的，那些一去不返的。

開始讀電影、學電影、說電影，才知道世

電影的主觀性、享受電影帶來的深思。可是，

又 或 者 不 為 什 麼， 純 粹 because I wanted

要把對一部電影的萬千思緒拉回現實、組織

you to know。 就 如 這 期 MMM Director-in-

界有多大。對我來說，MMM 是打開這個世 界大門的新鑰匙，引領不同的電影融入生活。

後分享談可容易。看著 MMM 的編輯，每

focus 的 艾 麗 絲 華 妲 一 樣， 她 拍 紀 錄 片 從

或許你也有聽說過不少經典，但要下決心

期毫不吝嗇地分享自己對各部電影的熱愛，

來不為名譽、獎項、金錢。即使青絲成雪，

找出來看也需要勇氣，這個月，讓我們從

讓我對電影體驗有另一份喜愛。編寫 MMM

她也堅持要拍《沙灘上的華妲》及《Faces

大衛連治開始，一起走入他的詭秘之境。

推使我好好整理在我腦海裡支離破碎地漂

screen, which is the biggest screen of all.」

萬有，好吃得令人 “MMM” 聲。

Places》等作品，是因為她想你知道那些重

浮的想法，勇於把自己對電影、對生活的

要的事。

觀點分享出去，鼓勵更多的交流和反思。

第一次有自己的作品印在一本雜誌上，那

薩維杜蘭總是能輕易的撥弄我心跳，大概

本就是 MMM。對我來說，可以進入編輯的

因為我與 MOViE MOViE 的萬縷千絲，就由

過程，有份兒寫點點的從自己角度出發的

薩維杜蘭開始。

電影推介，已是工作中的禮物。還可以有

從 他 一 鳴 驚 人 的《 殺 死 我 阿 媽 》 到

繪畫的空間，真是一種奢侈。以前總不大

道 盡 人 生 其 實 不 過 it’s only the end of the

今 期 的 MMM， 最 喜 歡 的 就 是 五 月 Home

Premiere〈 習 慣 說 再 見 〉 和 母 親 節 專 題

〈Mother, Mother〉。喜歡〈五月：習慣說再

見〉，不是自戀，說喜歡自己寫的文字，而 是真的喜歡這幾套關於告別的電影，畢竟

，看著他從稚嫩 world 的《愛到世界盡頭》

在我們的一生，要放下的有太多太多。另

覺。但原來，畫出來就好像是從自己的眼睛，

走到最讓人垂涎的 medium rare 半生不熟 ，

外的〈Mother, Mother〉也是我的最愛，小

再重新看看這部戲的感覺。今期 WE LIVE

時間為杜蘭帶來的不只是韌度，也是溫熱

時候總以為母親甚麼也會做，做甚麼也是

MOVIES 林嘉欣的訪問是我最期待的。小時

溫熱的那歲月的離騷。

對的，到長大後才發現，原來她也只是一

敢畫與電影有關的東西，怕會破壞整個感

候就看她的舞台劇，直覺覺得她是個好堅

又，MMM 總編（也是我本人私相授受

強的女性。沒架子、爽直的回答，真的好

的編輯）要離開我了，雖然沒有我的未來

喜歡她。

應該不會有多美好，但我希望當妳踏進新 工作繼續無限 OT 的圈套，午夜夢迴時分會

WHAT DOES THE MMM TEAM SAY

偶爾想起我的聒噪。# 妳的離開也是愛

個人。

WHAT DOES THE MMM TEAM SAY

M 2

《渡邊人》

《無伴奏》

短片放題：以電影作為認知世界的方法 第十二屆鮮浪潮國際短片節

46 部片看勻全世界 「香港電影有著知其不可而為之的精神。」「它會鞭策你成為 一個很好的人，然後成就好的作品。」《樹大招風》導演許

學文（第一屆鮮浪潮得獎者）和《一念無明》導演黃進（第 六屆）分別在訪問中說。 電影不只是大眾娛樂，更是一種非常「貼地」的藝術 形式，深刻反映創作者的所思所想（甚至潛意識）以及社 會實況。第十二屆鮮浪潮國際短片節帶來共 46 部本地及國 際影片，當中必然找到你我身影——現實中和想像裡的。

3 大「睇頭」 1/ 青春新定義︰開幕電影《無伴奏》導演矢崎仁司為 80 年 代最備受推崇的日本獨立電影導演之一，作品重現 1969 年 日本學生革命時代下的青春芳華。開幕短片《吊吊揈》則 是上屆「鮮浪潮大獎」得主李駿碩的最新力作，可與他另 一部即將上映的長片《翠絲》（姜皓文、惠英紅主演）互相 參照。

2/ 香港情懷︰參與本地競賽的作品共 19 部，題材廣泛、形

《渡邊人》借古諷今、 《忙 式包羅萬有，如《下雨天》切入社運、

於一事無成》為本港「廢青」平反、《失眠俱樂部》說的正 是現代愛情故事。

3/ 國際猛片︰ 25 部國際短片來自五湖四海，連相對冷門的 厄瓜多爾、肯亞、亞美尼亞作品都有得睇！當中不少更屢 獲殊榮，讓我們一盡視聽之娛外，亦能 360 度透視各地文化。 學生奧斯卡「外語劇情片」金獎《傷信》、英國電影電視藝

術學院獎「最佳短片」《何處是吾家》及翠貝卡電影節「最 佳敘事短片」《PS 人生》皆不容錯過！

第十二屆鮮浪潮國際短片節 門票現正公開發售 節期： 2018 年 4 月 6-21 日 彩蛋： 2018 年 5 月 5-6 日 放映場地：百老匯電影中心、 MOViE MOViE Cityplaza 及

MY CINEMA YOHO MALL 詳情： www.freshwave.hk

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MOVIE MOVIE CITYPLAZA 盛大開幕！

GRAND OPENING

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MOViE MOViE Cityplaza 開幕祭圓滿結束！

回顧三月，MOViE MOViE Cityplaza 於開幕

祭選映一系列不同類型電影，如《燈亮時》、

《宣告黎明的人魚之歌》、《再見小熊心》及

《悍戰太平洋 2：起義時空》香港首映禮 暨 開 幕 派 對 等 展 示 MOViE MOViE Cityplaza 多元化的戲種。多位巨星如《悍戰太平洋 2：起義時空》演員張晉和黃愷傑、趙雅芝、

方 力 申、DJ Donald 及 朱 薰、 導 演 陸 劍 青、 黃真真、許學文、陳詠燊等等均有出席撐 場，場面盛大。經過簡單而隆重的祝酒及 亮燈儀式，MOViE MOViE Cityplaza 正式盛 大開幕！ 另外，MOViE MOViE Cityplaza 亦籌辦 了亦籌辦了一系列文化活動，如「藝 • 行者」 MACHO • WAR IS BLIND」 及 分 享 會， 亦

有新派室樂組合海島小輪的現場音樂表演。 贊助新戲院制服牛仔褲的 Levi’s 更特別創作

了與 MOViE MOViE cross-over 的 string bag，

從此劇終人不散，光影無界限，全情投入 # 電影式生活！

隆重開幕

GRAND OPENING

及林嘉欣 × 趙煥明攝影展「VITA HAVINA

It’s MOViE MOViE Cityplaza’s grand opening!

In March, MOViE MOViE has organised series of events, including the special presentation of LIGHT UP & LU OVER THE WALL, and the HK Gala Premieres of GOODBYE CHRISTOPHER ROBIN & PACIFIC RIM UPRISING together with our grand opening party.

Besides movie screenings, MOViE MOViE has coordinated an array of cultural events, MOViE MOViE ART WALK, Karena Lam × Kevin Chiu photo exhibition, “VITA HAVINA MACHO • WAR IS BLIND” & a music performance by neochamber ensemble Sea Island & Ferry!

Levi's, who sponsored the jeans for our new cinema uniforms, has also designed a special MOViE MOViE crossover string bag. In the sharing session of the Karena Lam × Kevin Chiu photo exhibition, “VITA HAVINA MACHO • WAR IS BLIND”, Karena Lam visited our cinema and shared her experience, perfectly put an end to our grand opening month, simultaneously flipping a brand new page for MOViE MOViE Cityplaza! From now on, We live MOViES!

IN CINEMAS

C RYUICHI SAKAMOTO: CODA

《坂本龍一： CODA 》

導演 Director Stephen Nomura Schible 演員 Cast 坂本龍一 Ryuichi Sakamoto

“My hope is that those who journey with this film may find

it to be like an opening of perception, allowing for a chance to imagine how Ryuichi Sakamoto hears the world, and to witness how he ultimately triumphs to find new musical expression in the end.”

Director Stephen Nomura Schible

日本最具影響力、當代最重要的藝術家「坂 本龍一」，思索四十多年的音樂之旅。他的音 樂與心路同行，由擔任專業音樂技師開始， 到憑經典電影《末代皇帝溥儀》榮獲「奧斯

Ryuichi Sakamoto: Coda

卡作曲家」、心繫 311 福島核災及從咽喉癌

中康復過來等種種經歷，讓坂本龍一開始思

考音樂與現今社會、大自然和人類起始的關 係…「CODA」解作樂曲尾聲的終句，坂本在

片中賦予新的釋義：一曲的終結，代表新樂 上映日期 IN CINEMAS

19/04

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曲的開始。本片入圍威尼斯影展非競賽單 元。

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man. Out of Competition - Non Fiction, Venice Film Festival.

IN CINEMAS

IN CINEMAS

C THE RINGSIDE STORY

“Youʼre an actor…

Show me the performance of a lifetime!”

The Ringside Story

《擂台物語》

導演 Director Take Masaharu 武正晴 演員 Cast Eriko SATO, Eita 佐藤江梨子、瑛太

繼《100 円 的 愛 》 後， 武 正 晴 再 次 執 導 一 個有血有淚拳擊故事。型男瑛太變身倒霉 演員村上，一直以踏上康城紅地氈為目標， 但苦無演出機會。女友為支持他追夢，半 推半就去拳擊社上班，可惜他爛泥扶唔上壁， 口口聲聲維護演員尊嚴，拒做兼職，終日 無所事事，女友心力交瘁下絕望離去。錐

The Ringside Story

心之痛引發爆炸力，村上為箍煲孤注一擲 踏上擂台，王者洛奇上身跟拳王決一死戰！ 上映日期 IN CINEMAS

26/04

IN CINEMAS

Kanako’s boyfriend of ten years, Hideo Murakami, is an unsuccessful actor who all but lives off of her. When they first met, she watched him shine, and when he appeared in a drama, she believed they would walk the red carpet at Cannes together. But now, he’s failed audition after audition, and is practically unemployed. One day, Kanako is fired from her job, and finds a job at a professional wrestling body at Hideo’s suggestion, but when Hideo thinks that she’s cheating on him with a wrestler, he causes an outrageous incident.

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IN CINEMAS

C LOVELESS

《雙親不相愛》

Director Andrey Zvyagintsev 演員 Cast 導演

安德烈薩金塞夫

瑪莉茵娜絲派娃、阿力士諾斯、麥維諾域哥 夫 Maryana Spivak, Alexey Rozin, Matvey Novikov

“I would like to be able to draw parallels between Loveless and Ingmar Bergmanʼs Scenes from a Marriage, transplanted to a

different era and acted out by different characters: urbanites devoid of any real self-awareness or doubt, an average middle-class couple today.”

Director Andrey Zvyagintsev

奧斯卡「最佳外語片」提名、康城影展「評 審團獎」作品，《荒謬啟示錄》金球獎大導

演薩金塞夫繼《爸不得愛你》、《母親的罪 愛》再次從破碎家庭中探索愛、失去及成長。 夫妻鬧離婚，自私無情只顧各尋幸福，直 到兒子無聲失蹤，被迫凝視舊情與怨恨… 意外懷孕曾是負擔，現在根本無人在意這 狠狠地寫實捕捉社會的冷峻淒清，透徹傳

上映日期 IN CINEMAS

12/04

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達人情冷暖，呈現愛消失殆盡的悲慘世界。

Loveless

個兒子的生死。擅用冷冽長鏡頭的薩金塞夫，

Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears…Winner of the Jury Prize at Cannes Film Festival and Oscar nominee for Best Foreign Language Film.

IN CINEMAS

MOViE MOViE 焦點導演

極受當代矚目的俄羅斯導演安德烈薩金塞 夫，有已故傳奇導演塔可夫斯基接班人美

安德烈薩金塞夫

譽，自從處女作《爸不得愛妳》勇奪威尼

DIRECTOR IN FOCUS: ANDREY ZVYAGINTSEV

斯影展金獅獎以來，一直是世界級影展常 客。薩金塞夫擅長運用冷冽長鏡頭，透徹 傳達主角徬徨，憤怒和無奈的心情。他的 作品探討政治，人性，婚姻，每一套都刻 劃人性，劇力萬鈞。MOViE MOViE (nowTV ch116) 帶來 3 部他的得獎作品，當中包括他

批評俄羅斯社會現況的最新力作《荒謬啟 示錄》，一探俄國導演的悲慘世界。 Andrey Zvyagintsev, the modern master of Russian cinema, is considered by many to be the successor of Andrei Tarkovsky.

Since winning the Golden Lion at Venice Film Festival with his directorial debut THE RETURN, his frequent presence at prestigious film festival has gained him worldwide attention. Each one of his films are eyeopening examinations of human nature and social injustice. MOViE MOViE (nowTV ch116) brings you three of Zvyagintsev's films, and offer you a chance to fall in love with works of this Russian auteur.

ON TV

O “There are things which are

without answers, and there is nobody who can explain them. Either we feel them and sense them, or not.

Sometimes we just give up and carry on.”

Andrey Zvyagintsev

《荒謬啟示錄》Leviathan

《婚姻休止符》 The Banishment

《爸不得愛你》The Return

《雙親不相愛》Loveless

Available on MOViE MOViE On Demand 觀眾可於自選服務點播

ON TV

9

IN CINEMAS

C IN THE FADE

“In the Fade became a very personal film for me. Although sheʼs a blond and blue-eyed German woman, the character of

Katja is my alter ego. This film is about that universal feeling of grief and its so many layers.”

Director Fatih Akin

《公義暗角》 導演

當法律未能彰顯公義，現實沒有道德可言，

法提艾金

人被迫拾起正義女神的長劍，自行制裁罪

Director Fatih Akin 演員 Cast 戴安古嘉、丹尼斯莫斯基多

人。卡蒂雅與改過自新的庫爾德族毒販結婚，

Diane Kruger, Denis Moschitto,

二人育有一子，生活美滿。誰料一次恐襲 奪去丈夫及兒子性命，警方在調查中多番 質疑他們的背景，家人亦冷言冷語，令她 陷入崩潰邊緣。最終兩名新納粹份子落網， 辯方律師在庭上不停耍手段及抨擊卡蒂雅， 令這場審判滿佈陰霾。《天堂邊緣》《靈慾

上映日期 IN CINEMAS

色香味》導演法堤艾金以一場炸彈襲擊揭

03/05

示社會潛藏的身份原罪及不公，電影勇奪 一舉摘下康城影后殊榮。

10

In the Fade

金球獎最佳外語片，戴安古嘉憑刮目的演出，

Out of nowhere, Katja’s life falls apart when her husband Nuri and little son Rocco are killed in a bomb attack. Her friends and family try to give her the support she needs, and Katja somehow manages to make it through the funeral. But the mind-numbing search for the perpetrators and reasons behind the senseless killing complicate Katja‘s painful mourning, opening wounds and doubts. Danilo, a lawyer and Nuri’s best friend, represents Katja in the eventual trial against the two suspects: a young couple from the neo-Nazi scene. The trial pushes Katja to the edge, but there’s simply no alternative for her: she wants justice. Winner of Golden Globe Best Motion Picture – Foreign Language and Cannes Film Festival Best Actress.

IN CINEMAS

《槍狂帝國》Miss Sloane

《追擊拉登行動》Zero Dark Thirty

《烽火動物園 》The Zookeeper's Wife

8/4 (SUN) 21:30

15/4 (SUN) 21:30

千面女郎：謝茜嘉謝西婷

謝茜嘉謝西婷可謂當今最具壓場感的女演

A CHAMELEONIC ACTRESS: JESSICA CHASTAIN

員之一，演出強勢政治說客、中情局人員、

Jessica Chastain is an actress with a captivating presence. Not only has she brilliantly interpreted strong female characters such as political lobbyist, CIA agent, and scientist, she has also mastered traditional roles with her unique intellectual charm.

In Miss Sloane, she gives a stunning performance as a DC lobbyist, who needs to persuade the politicians to pass a gun control policy. In Zero Dark Thirty, she worked with another excellent female filmmaker, Kathryn Bigelow, on the breath-taking war drama based on the true story of the hunt for Osama Bin Laden. Her impressive acting gained her a Golden Globe Award for Best Actress.

A chameleonic actress, her interpretation of the gentle yet determined character in The Zookeeper’s Wife is also remarkable.

Although Lawless focused mainly on its male characters, Chastain’s gangster’s moll steals your attention once she appears. In A Most Violent Year, she took the challenge of playing yet another complex character – on the one hand, a loving wife and mother; on the other, a mobster’s daughter with a hidden dark side.

1/4 (SUN) 21:30

BC SUNDAY

科學家絲絲入扣，演繹傳統女性角色同樣 富層次，充滿知性魅力。 《槍狂帝國》中她以精準演技震懾人心， 演出華府說客推銷反槍法案，獲金球影后

J

提名。《追擊拉登行動》裡她與導演嘉芙蓮 碧格露聯手，劇力迫人為她帶來金球影后 殊榮。除了女強人角色，她演出堅毅溫柔

放映地點 Screening venue:

的女性同樣出色。《烽火動物園》中演活二

百老匯電影中心 Broadway Cinematheque

戰時幫助猶太人逃離波蘭的動物園長夫人，

放映時間 Screening time:

細膩刻劃女主角的勇氣、掙扎、恐懼與憤怒。

四月逢星期日 晚上 9 時半

Every Sunday night at 9:30pm

在男人主導的黑幫片《無法無天》中， 她演出黑幫老大的女人，獨當一面令人印

立即購票 Ticketing

象深刻。《最暴烈的一年》則向難度挑戰， 演出性格複雜的妻子角色，既是深愛丈夫 和家庭的賢妻良母，又是有著黑暗面的黑 幫千金。就算被一眾實力演員包圍，謝茜 嘉謝西婷演出依舊亮眼。

Jessica Chastain BC SUNDAY

《無法無天》Lawless

22/4 (SUN) 21:30

《最暴烈的一年》A Most Violent Year

29/4 (SUN) 21:30

11

MOViE MOViE 首映星期天 MOViE MOViE HOME PREMIERES EVERY ● SUNDAY 10:00 PM Text by Elaine Au & Lorenz Lo Illustrated by Ken Mark (edited.hk)

*Also available on MOViE MOViE on Demand # 節目如有改動，請以 MOViE MOViE 電視頻道 (NowTV ch 116) 公佈為準。

四月： 平凡不平凡

在人人也追求知名和不凡的時代，我們總 愛在大人物的故事中尋找他們成功的原因， 往往認定成功一定要有超凡的機遇和能力。 然而很多時不平凡的成就，也只是緣於一 點 也 不 花 巧 的 堅 持。 而 在 這 個 浩 瀚 的 世 界，相比耀眼的大人物，小人物和小故事 通常輕易被忽略，一個人、一個家庭的故事， 又有甚麼意義呢？只是我們都忘了，個體 雖小，但每個生命、每個故事，都有它的 意義。 所有時代，都是由一個個個體拼湊出來。 不論故事大小，對我們這些平凡的芸芸眾

As pursuing popularity and uniqueness becomes the trend, we tend to look for the reasons behind the success of the great figures, and account the extraordinary luck and capability they had for their success. Yet great achievements may all start from mere perseverance. And among the vast universe, stories of small fry are always overlooked, against the backdrop of the great men. What is the significance of an individual and a family?

We might have forgotten that despite how small an individual is, each and every story of an average person means something.

In April, MOViE MOViE Home Premieres presents the stories of the great men and the small fry.

生而言，足以提醒我們生活與生命本身的 價值。 4 月的 MOViE MOViE 首映星期天，一

Dries

起靜看世界大大小小故事。

DRIES

《Dries Van Noten：花漾年華 》

Director Reiner Holzemer 演員 Cast Dries Van Noten 導演

在紛亂浮誇的世界，能夠平凡地堅持做自 己，不為所動，已然是種不平凡。比利時設 計師 Dries Van Noten 捨棄到巴黎、紐約等時 尚之都爭妍鬥麗，選擇留在比利時堅持自己 的理念：不追求短暫的流行，只專注對於工 藝的執著，連自己品牌的宣傳也不願做，堅 持自己的步調，靜靜做自己不會過時的「時 尚」。《Dries Van Noten：花漾年華》讓大家 跟著這個脫俗君子的步伐，一觀 Dries 由家 中到工作室，再走到舞台的絕密片段，再看 他的 15’ 春夏系列，如何不卑不亢，優雅地俘 虜時尚界的心。

四月獨家與戲院同步放映 Cinema Co-release in April

29/4/ (SUN) 22:00 | 30/4 (TUE) 0:00

FIRST & EXCLUSIVE

In such a nonsensical world, it is hard stay true to yourself, by not trying to stand out, you are standing out. Belgian designer Dries Van Noten refuses to join Paris, New York and other fashion capitals for a fight. Instead, he chooses to stay in Belgium to adhere his own philosophy: not to pursue short-term popularity, but focus on the dedication to craftsmanship. Not even publicising his brand, Dries sticks to his own pace, quietly doing his own “fashion” that will not be outdated. DRIES allows everyone to follow the footsteps of this refined gentleman, from home to studio, and to the top secret segments of the stage. We also get to look at his 15 ‘Spring and Summer series. Let us learn how can he remain humble and elegant, and captivate the hearts of the fashion community.

“The word fashion I donʼt like, because fashion means something which is over after six months. I would like to find a word which is more timeless.”

Dries Van Noten

13

Director 林權澤 Im Kwon-taek 演員 Cast 安聖基 Ahn Sung-ki 導演

Revivre

REVIVRE

《愛的化妝》

化妝、火葬……都是為了留住最美一刻，前 者塗脂抹粉企圖留住青春；後者把血肉之 軀剎那化作永恆，生與死說到底不過一線之 差，斷氣之後什麼都留不低。當摯愛快要離 開，自己亦經歷中年危機，理性比感性更容 易去面對？其實根本沒有選擇，感覺不會受 控制，或者吳先生也不想控制。他是化妝品 公司高層，默默依戀着愛妻彌留的日子，醫 院和繁忙業務之間雖然沒有舒一口氣的空

Cosmetics; Cremation both start with the letter C and both mean to preserve beauty.

The former keeps the flesh young, while the latter turns it eternal. Life and death are not so different, after all. Mr. Oh, an executive at a major cosmetics company, struggles to juggle corporate life, while tirelessly caring for his ailing wife, whose health has steadily and painfully deteriorated due to brain cancer.

During this difficult time, Oh engages in an illicit sexual relationship with a much younger girl at work.

間，幻想卻乘虛闖入：一次又一次，他跟性 感的女下屬做愛。 獨家首播 EXCLUSIVE PREMIERE

1/4 (SUN) 22:00 | 2/4 (MON) 23:50 同時可於 MOVIE MOVIE 自選服務點播 ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

“I tried my best to focus on

the character. I wanted portray the type of emotions and experiences that anyone can feel on a daily basis, including somewhat embarrassing and shameful sexual desires.”

Director, Im Kwon-taek

ETHEL & ERNEST

《英倫戀曲》

名 作 品 為 藍 本，金 像 獎 得 主 Brenda Blethy 和 Jim Broadbent 細膩聲演，手繪動畫電影

《英倫戀曲》娓娓道出畫家本人父母的一生。 Briggs 的父母 Ethel 和 Ernest 是英國戰後歷

盡艱辛的一代人：活在二次世界大戰、戰後 經濟蕭條、經濟復甦等變遷的時代。生活在 大時代的夾縫，英倫的這對平凡的小兩口是 如何攜手共度一切高低起伏？

Based on the graphic memoir of the same name by English author and illustrator Raymond Briggs. Voiced by Brenda Blethyn and Jim Broadbent, Ethel & Ernest tells the story of Briggs’ parents, Ethel and Ernest, who lived through extraordinary events occurring from the 1920s to the 1970s. How did the couple cope with all the challenges they faced?

Ethel & Ernest

導演 Director Roger Mainwood 配音 Voice Actors 占伯班特 , 白蓮達比芙蓮 , 路克徹特維 Jim Broadbent, Brenda Blethyn, Luke Treadaway

以英國著名繪本大師 Raymond Briggs 的同

“Itʼs commonly thought that artists seldom make stories about happy, stable marriages because whereʼs the drama

獨家首播 EXCLUSIVE PREMIERE

8/4 (SUN) 22:00 | 9/4 (MON) 23:35 同時可於 MOVIE MOVIE 自選服務點播 ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

14

in that? Ethel & Ernest, a deeply affecting feature-length animated film, disproves that assumption by unfurling an emotionally rich story” Hollywood Reporter

MM HOME PREMIERES

GUIDANCE

《百厭教育》

惱可能算不上是煩惱，每每向成年人傾訴， 得到的回應不外乎是「遲早你就會懂了」、

Guidance

Director Pat Mills 演員 Cast Don Allison, Alexandria Benoit, Alastair Forbes 導演

誰的青春不迷茫？在大人眼中，青少年的煩

「總之就別這樣做，我也是為你好」等陳腔濫 調，青春的煩惱無處發洩，但如果他們遇到

的是離經叛道的人又會怎樣呢？曾經是童 星的大衛，成年後卻一事無成，為了找到工 作證明自己，不惜偽造履歷，當上一間高中

Teenagers are always in bewilderment. Often when they pour out their troubles to adults, they’d get feedbacks like “You’ll understand some day” or “This is for your own good”.

But what if they talked to a rebel? David Gold is a down on his luck former child star who fabricates his credentials to take a job as a high school guidance counsellor. Will his own problems be solved as he introduces his own unhealthy coping mechanisms to his students?

的輔導教師。毫無專業背景的他自然不跟傳 統一套，用上各種「不正確」的方法去教導

學生。這種百厭教育能否為學生，為他自己， 獨家首播 EXCLUSIVE PREMIERE

22/4 (SUN) 22:00 | 23/4 (MON) 23:55

帶來人生新契機？

ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

SLEEPING GIANT

《沉睡的巨人》

安德魯西米迪諾

所謂人不輕狂枉少年，長大成人的我們，終 歸要挑起生活的重擔，不能再任性，不能再 灑脫，不能再隨心過自己想過的生活。回想 那些年，你無悔嗎？循規蹈矩的少年 Adam 本來乏味無聊的生活，在一個夏天被打破 了—他遇上了與他大相逕庭的表兄 Riley 與 Nate。在二人的帶領下，Adam 也開始無所

畏懼，任性品嚐放縱自由的滋味。獲康城影 展金攝影機獎提名，宛如一齣青春的紀錄

They say “Youth is wasted on the young”, but who is to define waste? Grownups learn to become breadwinners who can no longer live their life as they once wished. Looking back to the old days, do you have any regrets? Adam is an observant teenager who lived a dull life, until one summer when he meets his cousins Riley and Nate who teach him to be fearless and adventurous. Nominated for The Golden Camera Award at The Cannes Film Festival, Sleeping Giant is as real as a documentary of a youthful adventure of three kids.

片，《沉睡的巨人》錄下了三個少年浪蕩的 青春。 獨家首播 EXCLUSIVE PREMIERE

15/4 (SUN) 22:00 | 16/4 (MON) 23:55 同時可於 MOVIE MOVIE 自選服務點播 ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

FIRST & EXCLUSIVE

Sleeping Giant

Director Andrew Cividino 演員 Cast Jackson Martin, Nick Serino, Erika Brodzky 導演

“The world is really shitty.

And if you fit into it, that makes you shitty too”

同時可於 MOVIE MOVIE 自選服務點播

“Sensual specificity elevates otherwise familiar coming-ofage material in Andrew Cividino's accomplished debut.”

Variety

15

五月： 習慣說再見

人生也許就是不斷地放下的過程。命運的 安排無人可以干涉，在悠長的一生，總會 愛上不想愛的人、遭受不想受的劫難。是 幸也是不幸，所有好的不好的，也總會有 完結的一天。我們唯一能控制的，也只有 如何向一切說再見。5 月的 MOViE MOViE

Life is about giving up on something repeatedly. In this life-long journey, we would fall for those we don’t intend to fall for, bump into the misfortune that we don’t intend to face. No matter what we encouter, there’s an end for everything. And all that we can control is when to say goodbye.

首映星期天，向命裡早註定的所有說再見。

GOODBYE TO LANGUAGE

《告別言語》

法國新浪潮大師電影巨匠尚盧．高達的首部 3D 長篇電影。

在人人也爭著發聲表達自己的年代，高 達偏偏主張告別言語。已婚女人愛上丈夫以 外的男人，相愛相爭。明明你我面對面，明 明你我說著話，偏偏你不懂我，我不懂你。 用來溝通的言語，卻不能讓我們了解對方： “ I will barely say a word, I am looking for poverty in language.”（我寧願沉默，我要的

是語言裏的平庸…）

獨家首播 EXCLUSIVE PREMIERE

06/5 (SUN) 22:00 同時可於 MOVIE MOVIE 自選服務點播 ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

16

Winning the Jury Prize in the Cannes Film Festival, Goodbye To Language is the first 3D film directed by the mastery director, Jean-Luc Godard, known as his “farewell letter”.

In the era that encourages you to express your opinion out loud, Godard farewells to language itself quietly. Married women fall in love with men who are not their husbands, struggling to get the love they desired. Though we’re talking to each other face to face, we can hardly understand each other. We communicate through language, but language is also the barrier between you and me, “I will barely say a word, I am looking for poverty in language.”

Goodbye to Language

Director 尚盧高達 Jean-Luc Godard 演員 Cast 愛絡斯戈笛 , 卡梅爾亞德利 Héloïse Godet, Kamel Abdeli 導演

榮獲康城影展評審團大獎，《告別言語》是

“So he made us… humiliated.”

“Who?” “God.”

MM HOME PREMIERES

Jupiter's Moon

JUPITER'S MOON

《 JUPITER'S MOON》

Director Kornél Mundruczó 演員 Cast Merab Ninidze, Zsombor Jéger, György Cserhalmi 導演

憑着《狗眼看人間》一鳴驚人的匈牙利導演 康奴門多佐與同片編劇再次合作，由歐洲的 非法移民問題開展，《JUPITER'S MOON》遊 走在多個宏大議題之中。 年輕的敘利亞難民乘船偷渡，上岸後卻 被警察圍捕，身中三槍。以為必死無疑的他， 竟然反獲漂浮空中的超能力。在難民營醫生 的幫助、濫權警長的追捕下，本已不凡的他 徹底告別平凡生活…

五月獨家與戲院同步放映 Cinema Co-release in May

The surprising Hungarian director, Kornél Mundruczó, collaborated with Viktória Petrányi and Kata Wéber once again, after bringing the success of White God. Jupiter’s Moon explores a range of controversial topics, setting off its journey with the topic of illegal migration. Young Syrian refugee is arrested by police with three shots when he makes his journey to the shore. Yet, he succeeds in keeping his life and gains the ability to float.

With the help of doctors from the refugee camp and the aggressive pursuance of the abusive sergeant, he continues his extraordinary journey with mounting excitement.

“People fear miracles.

They are afraid of it.”

27/05 (SUN) 22:00

FIRST & EXCLUSIVE

17

榮獲康城影展天主教人道精神獎，康城最佳

TAKLUB

《海燕》

導演布里楊文杜莎藉新作探討傷痛過後，小 城的災民怎樣重新上路。 2013 年的 11 月，颶風海燕肆虐菲律賓

沿海地區，多達 2000 多人死亡。無情的颱風 令塔克洛班成為一片頹垣敗瓦。劫後餘生的 三個小城居民，面對各自的悲傷和考驗，最 後能放下傷痛，翻開人生的新一頁嗎？

獨家首播 EXCLUSIVE PREMIERE

“A time to tear down… A time to build…

A time to mourn… A time to dance…”

13/05 (SUN) 22:00 同時可於 MOVIE MOVIE 自選服務點播

ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

Director 薩維杜蘭 Xavier Dolan 演員 Cast 導演

娜妲莉貝爾、雲遜卡素、瑪莉安歌迪娜、蕾雅絲端、

It's Only the End of The World

IT'S ONLY THE END OF THE WORLD

《愛到世界盡頭》

卡斯柏烏尼奧 Nathalie Baye, Vincent Cassel, Marion Cotillard, Lea Seydoux, Gaspard Ullie

榮獲康城影展評審團大獎，《慈母多惡兒》 天才新生代導演薩維杜蘭又一探討家的 故事。

人人都說，家是最溫暖的港灣，每當我

們傷心失意，就想回到這個避風港，依靠最

親愛的家人。但我們都知道，有時你最愛的

人也可以是傷你最深的人。離家十二年的

劇作家得知自己時日無多，終於逼不得已

回「家」告別。久別的陌生和疏離，令血濃

於水的一家人尷尬不已；強作的平靜自然，

也遮擋不了眾人壓抑多年的怨懟。與死期相

比，歸家的短短一個下午，更像是他的世界

獨家首播 EXCLUSIVE PREMIERE

20/05 (SUN) 22:00 同時可於 MOVIE MOVIE 自選服務點播 ALSO AVAILABLE ON MOVIE MOVIE ON-DEMAND

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Taklub

Director 布里楊文杜莎 Brillante Mendoza 演員 Cast Nora Aunor, Julio Diaz, Aaron Rivera 導演

Winner of Prize of the Ecumenical Jury Special Mention in the Cannes Film Festival.

One of the best director of Cannes, Brillante Mendoza, filmed the Filipino victims’ journey of recovery from the great disaster.

Five years ago, Supertyphoon Haiyan attacked coastal areas in the Philippines, resulted in over 2000 casualties. Tacloban was cruelly ruined into plain shabbiness. The typhoon left Filipinos from three small towns with sorrow and hardships. Are they capable of letting go their past, and confronting the future in a new, different light?

盡頭。

Won the Grand Prize of the Jury in Cannes, another a familial story directed by the talented director, Xavier Dolan.

Home is always our warmest refuge during hardships and disappointments, where we can have our tears dried in family’s embrace. But these dearest people around us can also be the people with the sharpest blade, who can create the most unbearable wound in our hearts. A playwright, who has run away from home for 12 years, is discovered with lifethreatening, terminal illness. His illness forces him to return “home” with embarrassment, experiencing the great psychological distance within the family. While everyone tries to stay calm, their stillness fails to veil their repressed feelings. Comparing his death with a short afternoon spends with his family, returning home seems more as the end of his world.

“A family I canʼt imagine sharing anything with, even blood.

And that I left, willingly twelve years.”

MM HOME PREMIERES

MOViE MOViE 焦點導演

薩維杜蘭

DIRECTOR IN FOCUS: XAVIER DOLAN

《愛到世界盡頭》

It's Only the End of the World

ON TV

O

《慈母多惡兒》Mommy

《基密農場》 Tom at the Farm

薩維杜蘭的電影，總在談情說愛。 只是，他眼中的愛，總是不平凡的—— 正如他與母親的愛，暴烈而一鳴驚人； 正如他和他和她的愛，讓你心猿又意馬；

《愈傷愈愛》Laurence Anyways

正如他成了她和她的愛，疑問著愛情的根本……

MOViE MOViE 讓你一口氣看盡

杜蘭眼中那不可能的愛， 就讓我們，隔著屏幕，跟杜蘭談戀愛。 Xavier Dolan's movies are always about love.

It’s just that love, to him, is always something extraordinary Just like the love between a mother and son, violent and outrageous; Just like the love between him and her, baffling and confusing; Just like the embodiment of love between her and her, questioning the truth of love……

MOViE MOViE lets you examine so-called impossible love through Dolan’s eyes Through the screen, we help you fall in love with Dolan.

《心跳》 Heartbeats

《殺死我阿媽》 I Killed My Mother

Available on MOViE MOViE On Demand 觀眾可於自選服務點播

ON TV

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WE LIVE MOVIES

W 採訪 Hazel Ho, Elaine Sham, Chiwing Chan 文字整理 Lee Ka Lui 客席編輯 Ivy Chan

愛電影的人，談的不止是愛，而是和電影依 附與共生的關係。 因此，隨著 MOViE MOViE Cityplaza 戲 院的開幕，我們不再高談論愛，我們過的， 是「電影式生活」。 為了讓你投入 # 電影式生活，我們特地

請來不同界別的 creative people，與你說電

影，說人生。由這一期 MMM 開始，我們會 為你送上他們引以為傲的電影人生。若你不 只滿足於文字，MOViE MOViE 頻道（Now TV Ch 116）也會播放足本影像版，讓你與這

群愛電影的人，對著看。 我們也希望你會跟我們一起，分享你的 電影人生 ——參與 MOViE MOViE「全城大

集戲」，這個情人節開始，給我們你的一分

鐘，讓我們為你結集成詩，更有機會在大銀 幕欣賞你的電影式 moments。 從此，我們活在電影裡。

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What we talk about when we talk about “Live”?

When we call ourselves movie lovers, we are not just talking about love, but the dependent and symbiotic life we share with movies.

Therefore, following the opening of MOViE MOViE Cityplaza, we don’t talk about how we love movies anymore, but rather how We Live MOVIEs. In order to immerse you in the #WeLiveMOVIEs lifestyle, we have invited different creative people from various industries to talk about movies and life. From here, we will share the cinematic life they take pride in. For those wanting more than just words, we will also showcase the full interviews on MOViE MOViE TV Channel (Now TV Ch 116). It will be a great way for movie lovers like you to engage with the conversations.

We also want you to share your cinematic life with us in our “Every Moment is A Movie" contest. Starting this Valentine’s Day, share one minute of your life with us, and we will share your cinematic moments with thousands of others on the big screen.

May we all live happily ever after in movies.

WE LIVE MOVIES

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我覺得電影可以 帶我去一個夢幻的世界， 它可以帶我離開 日常的世界。

為什麼喜歡電影？

你最喜歡的導演。

我覺得電影可以帶我去一個夢幻的世界，它

好喜歡成瀨巳喜男 (Mikio Naruse)。我很喜

演員

可以帶我離開日常的世界。這一刻我可以是

《樓上的女人》。我覺 歡成瀨，例如《浮雲》、

一個俠侶、下一刻我可以與角色同一陣線；

得他在戰後拍的……雖然他是一個男人，但

我可以是好感動地哭，而我亦可以跟著角色

我覺得他是一個女性導演。因為他常常關心

笑一頓。那個夢幻世界給我很多的不同的角

的題材都是和家庭、和女性有關係的。他的

度，讓我去思考不同的東西。

畫面很簡潔、乾淨，他只用一個演員的背面

Karena Lam Lives Movies

林嘉欣

去說出一個 view，就會有嘩一聲的感覺。畫 對你來說，電影是甚麼？ 讀 中 學 時 候，最 期 待 的 是 一 年 一 度 的 Vancouver film festival 的 學 生 pass。那 個

面愈 minimum，substance 就愈多。

當然，如果 Kieslowski 還在生的話，我 不 用 做 演 員，我 只 是 在 旁 偷 師 學 藝，已 令

pass 當時都差不多要 100 元加紙，對於一個

我 唾 涎 三 尺 的 了。還 有 很 多 導 演 的，例 如

學生來說，是要儲好幾個月的飯錢。於是，

小津安二郎。其實我很喜歡很多舊的電影。

我 就 不 買 午 飯，吃 同 學 的 飯，為 的 就 是 買

Classics 就永遠也是什麼時候回看，都會令

student pass。我就可以任看電影。這是我好

你明白多一點點。可能看電影時，我們都是

期待、好享受的事情。其實這基本上是我生

在裡面尋找自己。

活的一部分，它已經離不開我的了。 如果可以成為電影中的某個角色… 你最刻骨銘心的電影場景或對白。

你 知 不 知 道 Les Amants du Pont-Neuf《 新

Moment 有 很 多。例 如 我 看 Kieslowski ( 奇

橋戀人》啊？如果可以我想做茱麗葉庇洛仙

斯 洛 夫 斯 基 ) 的《 藍 》。我 記 得 Juliette

(Juliette Binoche)。電影裡，她所有畫和電影

Binoche 有一場戲，她很憤怒，因為她的丈

的海報都是她自己畫的，後來我長大後，買

夫出軌，而且那個情人懷孕了。當她接受了 這個事實的時候，她在古堡出來，旁邊有植 物和牆，她就整個拳頭刮過那堵牆，手上都

了一本叫 Portrait，是 Juliette Binoche 的畫

冊，把 她 和 米 高 漢 尼 卡 (Michael Haneke)、

Kieslowski、Leos Carax ( 里奧卡哈斯 ) 的合

是傷痕，那是角色心裡的一個投射。即使沒

作，用角色的視角繪畫導演、繪畫自己的角

有對白，但你還是完全明白她在說什麼。

色，或是繪畫出角色自己的心情、寫照。我 很想成為在《新橋戀人》裡即將失明的畫家。

WE LIVE MOVIES

我覺得好正。

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WE LIVE MOVIES

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大概由小時候第一次 走進戲院，發現彩色世界的 那一刻開始， 就是一條不歸路。

林奕華 劇場導演、《非常林奕華》藝術總監

Edward Lam Lives Movies 22

對你來說，電影是甚麼？

眼就會不期然想起。 就如梁山伯與祝英台

我覺得電影是我的朋友，是忘年之交，或者

第一次見面、草橋結拜、或者是樓台會久別

是不會長大的朋友。大多數人走入電影世界

重逢的一幕，你會有種悲劇發生的預感。

都是因為希望被了解，所以導演要很懂得人

在《亂世情天》的結尾，火車載着很多

的情感和心理。在香港，我們屬於有電影陪

疲憊的傷兵去到莫斯科，女主角戴安姬頓穿

伴的第一代人。大概由小時候第一次走進戲

得像個當地女人，希望等到愛人華倫比提的

院，發現彩色世界的那一刻開始，就是一條

歸來，但是她不知道他到底有沒有在火車

不歸路。

上。然後一個很長的蒙太奇——火車緩緩到 站，人們陸續下車，她盼望愛人會在這火車

請分享一件與電影有關的物件

上。直至華倫比提下了車，視線沒有焦點，

DVD。曾幾何時，DVD 代表著一種先進的、

因為他不知道會有人來接自己，所以我們也

可以和電影繼續發展關係的一種載體。但是

跟着戴安姬頓的身體、心情，看著悵惘的華

今時今日哪有人還會買 DVD 呢 ? 以前買碟

倫比提，直至他回頭望到她，二人走向彼此

是求方便，通常都是一些沒有到戲院看的戲。

的一幕，真的永遠都記得。

對我來說，DVD 更多的是象徵著一份情感， 未至於要放在枕頭底下面珍藏，卻又像是

最欣賞的導演

情信，放在一旁也總會記得它的存在。這

是枝裕和是我近年最期待的導演，你會覺

部阿爾柏仙奴的《特警猛男》，已經很難在

得現實中如果有這樣的朋友就好了。他通

市面上找到，當年也是很低調地發行 DVD。

（電影本身是對他演技的考驗，因為這是他

透又豁達，好像甚麼事情都明白；有種朋 友像洪尚秀，他不會直接吐露心事，而是

第一次扮演同性戀臥底到 Gay 吧找尋兇手。）

要慢慢陪在他身邊一起飲酒、追女仔，慢

所以我覺得這是很好的收藏品。

慢了解他。還有小津安二郎等等等等。如 果事必要選最欣賞的，就等於問我，你要

最深刻的一場戲與對白

去面對的是誰 ? 其實人可以因為不同的理由

太多了。就如《亂世佳人》一句「我從明天

而喜歡不同的導演。人們常問，一旦你流

開始，上帝做我證人，我不要再肚餓」，相信

落荒島，只能帶一本書或者一部電影，真

人人都記得。近一點的，是《情約一天》中

的很難選。我的性格有太多面向，有法斯

"I love you. I just don't like you anymore. "。

賓達的一面，也有伊力盧馬的一面，很難

另外，我很喜歡久別重逢的畫面，只要閉上

說得定。

WE LIVE MOVIES

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他們三個是超人， 後來我竟因為工作的關係， 有機會與他們認識，交到朋友。 我覺得這個美夢成真， 都是從前看了這套電影。

黃志淙 香港著名

DJ/ 音樂狂熱份子 / 音樂文化講師

最深刻的電影情節

套。他們三個是超人，後來我竟因為工作的

這問題超級難。《星光伴我心》裡面那個小

關係，有機會與他們認識，交到朋友。我覺

朋友，超喜歡看電影，常常走去放映室流連，

得這個美夢成真，都是從前看了這套電影。

跟那裡的阿伯很老友。後來火災，伯伯離開

Chi Chung Lives Movies

了人世。剛才那些情節，在電影中用一種像

由你做導演拍一場戲，最想在香港哪處地

鏡子般的效果，反射到廣場建築物的牆上。

方取景？

那幕令我很感動，這些流動光影，影響了所

圍村。它穿梭了很多香港人的歷史，比殖民

有人，甚至乎是他們的悲歡離合。

時期更早。心裡時常遺憾以前沒有拍下老人 家唱歌、說故事、和村子的變化，再有機會，

最鍾情的導演

我希望重回自己成長的圍村去做這件事。台

太 多 了 很 難 說 最 愛，因 為 看 得 太 多 就 會

灣、國內外的電影常常喜歡在小村落說故

博 愛。楊 德 昌 吧，他 講 人 性 和 家 庭 的 題 材

事，看的時候我們外人會覺得很感動，而遺

很 無 敵。公 路 電 影 的 話，雲 溫 達 斯 (Wim

忘了也可以在自己的土地裡作嘗試。

羅普；芬蘭的郭利斯馬基呢，講殺手，也講

為什麼會喜歡看電影？看電影對你來說是

火柴女工，有點怪雞、有點黑色，很有趣。每

甚麼一回事？

個導演也有他的強項。

電影對我來說是必須。因為自小經已很迷

Wenders) 。看細膩的人情，就數希臘的安哲

於進戲院看電影，記得媽媽帶我去 ( 戲院 ) 如果一生人只可看一套電影，你會選擇哪

是小學階段，去看差利的摩登時代。那時覺

套？

得，嘩！很好玩啊！而且那時常聽到這四個

《戰場上的快樂聖誕》，很多人都不肯定這

字：「笑中帶淚，淚中帶笑。」這八個字其實

部電影是否講同志，而那時我正值青春反叛

一直都被電影中的情緒所牽動，透過很多電

期。坂本龍一做配樂兼男主角，再加大衛寶

影中也會找得到。初中時，我在九龍塘上學，

兒 (David Bowie) 和 David Sylvian 唱主題曲，

放學三點半第一時間就趕去看五點半，我就

音樂與影像結合出一種曖昧不清的淒美，令

是這種狂迷。那時候生活很簡單，沒有很多

人忍不住傾家蕩產去收藏不同版本，又愛又

娛樂，我也不記得那時家裏開始有電視沒

恨！死了，屋企又無位！所以我索性選這

有，總之去看電影就是我們一家人很開心的 活動。

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看電影時，你彷佛進入了另一 個世界、節奏、時空，與你的日 常生活是完全不同。

皮亞 編劇 / 大學講師

對你來說，電影是甚麼？

你最喜歡的導演

看電影時，你彷佛進入了另一個世界、節奏、

基斯杜化路蘭 (Christopher Nolan)。他的創

時空，與你的日常生活是完全不同。全情投

意很澎湃，往往能夠將類型片，變成自己的

入的話，你會進入一種修行、一種禪，內心

藝術片，很厲害。在《星際啟示錄》中，男主

就會有一種平靜的感覺，我覺得這很有趣。

角飛到外太空，與地球的時空相差很多。平 時看戲我很少哭，看着他與老去的女兒對

Pierre Lam Lives Movies 24

分享一件與電影有關的物件

話，我哭了。

電話。在《觸不到的她》中，主角經常帶著一 部電話（人工智能）出外，帶它去認識朋友，

拍戲找一個香港街景

又會與她聊天，更與它談戀愛，很轟烈。我

蒲台島。那裡有個燈塔，叫南角咀燈塔，那

們經常將人工智能比喻作母體，而人類與這

裡是香港的最南端。我想在那裡拍愛情片：

彷似女性母體的關係，似近還遠，觸不到的

一 對 男 女 20 年 前 分 開 了，相 約 20 年 後 再

她。

會，然後女孩再問男的喜不喜歡她，男主角 就 說 那 句 對 白：I love you totally, tenderly,

你最刻骨銘心的電影對白

tragically，正。

高達某部電影中有一句：I love you totally, tenderly, tragically. ( 我 完 全 地、溫 柔 地、悲

劇地愛上你 )。愛情中，你愈愛一個人，彷佛 逐漸走向最悲劇的終結——因為每個人也 會死。愈愛對方，對方死時便愈傷心，很中。

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每個人都有陰暗面，透過電影， 這些陰暗面才得以消除

黃靖 音樂人

Jing Wong Lives Movies WE LIVE MOVIES

對你來說，電影是甚麼？

分享一件與電影有關的物件

我覺得電影反映著人類的慾望，或是內心最

一本關於黑澤明的書。裡面講他由助導，到

想得到的東西的一個媒介，是生活中不能缺

成為導演，到拍出紅出國際的代表作——

少的平衡。每個人都有陰暗面，透過電影，

《羅生門》為止的經歷，彷如個人傳記。當中

這些陰暗面才得以消除，因為電影能幫我

提到哪些作品他為甚麼差點拍不到、拍了又

們實現一些現實生活中「不該做的事情」。

差點不能面世的秘辛，這亦是很多電影人的

另外，電影也令人度過不少快樂的時光，是

辛酸。一部戲除了它的本身，也可以探討一

種很好的調劑，是平衡社會一股很重要的

個藝術家，到底是在哪種背景之下促使他拍

力量。

某套戲、這個故事又帶給他甚麼 ? 這些問題

令你最深刻的一場戲與對白

極力推薦。

同樣值得關注。作為一個黑澤明的 fans，我 來自阿爾柏仙奴 (Al Pacino) 主演的《女人

香》，他所飾演的失明軍人在酒店搭訕認識

最崇拜的電影 icon

了鄰桌的美女，並邀請她跳一隻探戈。直到

我本來不愛儲玩具，因為李小龍，忍不住買

跳完，那女孩仍不知道他是盲的。期間，女

了一個 figure。李小龍憑他的《唐山大兄》

孩說她不懂跳舞，怕會犯錯所以不敢跳。Al Pacino 說 了 一 句： “There are no mistakes

in a tango, unlike life. When you get tangled

與《精武門》，令亞洲男性的形象在國際間 提升。假如沒有他，中國人在電影裡永遠都 只是 Chinese takeaway，往往擔當唐人街中

up, just tango on.” 意指人生中會出現錯誤，

二打六、給人恥笑的角色。他一個人就令整

但在 tango 裡則沒有；當你生活不順的時候，

個民族與黃種人重拾自信。他的信念與哲學

不妨繼續跳下去，所有問題就會迎刃而解。

成了我的精神支柱。

這個情景啟發我寫下了《探戈》這首歌，其 中副歌更是建基於這句對白。

25

“I don't understand you.

But I love you.

I love you. No one will take that away from me.”

It’s Only the End of the World

I LIKE MAKING FILMS BECAUSE I LIKE TO GO INTO ANOTHER WORLD. I LIKE TO GET LOST IN ANOTHER WORLD. —DAVID LYNCH

28

DIRECTOR IN FOCUS: DAVID LYNCH

詭譎大師 有個電影人，風格詭秘迷離，帶有奇幻色 彩，被視為超現實主義的高手，是名副其 實的作者導演（auteur）。他的作品不甚主

流，甚至可能叫人「消化不良」，但他三次

入圍奧斯卡金像獎，拿過康城影展金棕櫚獎、 威尼斯影展終身成就金獅獎……他就是大衛

MOViE MOViE 焦點導演

大衛連治

連治（David Lynch），既是導演，亦是編劇、 監製、作曲家、攝影家…… 不但他的電影詭譎，他的生活其實也

DIRECTOR IN FOCUS: DAVID LYNCH

一任妻子奉子成婚。因為生活拮据，一家

Text by Lorenz Lo

車子被盜……每日都活在惶恐之中，呼吸

充滿奇幻色彩。連治自小生活不定，跟隨 父母多次搬家；21 歲，還是學生的他和第 三口搬到費城的危險地帶，那裡的街頭犯 罪率奇高，孩童在街頭被射殺。連治夫婦 搬入後三日已有人入屋盜竊、窗戶被射穿、

He is a filmmaker, surrealist and acclaimed auteur, with a reputation for bafflingly obtuse work. He is a three-time Oscar nominee and winner of the Palme d’Or, as well as a Golden Lion award for lifetime achievement. He is a director, screenwriter, producer, composer and photographer. He is David Lynch.

His films are incredibly strange, but so is his life. Back in 1968, the 21-year-old Lynch, still a student then, married his first wife, thanks to an unexpected pregnancy. The pennypinching couple then moved into the menacing Philadelphia neighbourhood of Fairmount, where their house was burgled, and their car stolen after only 3 days. It was precisely this fullof-fear experience that contributed to his world of incredibly twisted minds, and inspired his first feature film, Eraserhead.

MOViE MOViE has handpicked three films, opening the door to Lynch’s twisted wonderland.

著滿佈暴力塵埃的空氣。正正是這段經歷， 影響了連治及後的創作靈感。恐怖危險的 費城社區，構建了他詭譎怪誕的電影世界， 促使了他首部長片《擦紙膠頭》的誕生。

Eraserhead

今個月，MOViE MOViE 為大家精選三 套連治佳作，帶大家走入他的奇異世界。

《擦紙膠頭》ERASERHEAD

大衛連治首部長片，一手包辦導演、編劇、 美術、特效、配樂等多個崗位，連治堅稱 此片為他「最具靈性」的作品。歷時五年， 力排眾議，每日送報紙賺外快籌錢，才造 就這部經典之作。劇本原本只有 21 頁，按 照行規通常 1 頁會拍成 1 分鐘，偏偏連治拍 出 89 分鐘，嚇得眾人目瞪口呆。光做音效 剪輯就花了足足一年時間，但正正是其精 妙的音效設計成為電影的一大亮點。 男主角亨利被迫奉子成婚，妻子誕下

五月逢星期五夜上 10 時

畸胎不久後又拂袖而去，遇見鄰家美女亦

EVERY FRIDAY NIGHT FROM 10PM IN MAY

只能遠觀，無奈地在這漆黑一片的惡夢中

同時可於自選服務點播

掙扎求存。連治塑造出一個黑白的工業死城，

ALSO AVAILABLE ON MOVIE MOVIE ON DEMAND

隱含其初為人父的恐懼；片中的超現實意

13/4 (FRI) 22:00 David Lynch’s debut feature film. To realise the project, Lynch delivered newspapers to fund the production that spanned 5 years. Its screenplay only had 21 pages, which presumably translated to 21 minutes according to industry standard, but the film turned out to be 89 minutes long.

He spent almost a year alone on sound editing, which is one of the most surprising highlights of the film.

It tells of story of Henry, living in a dystopian industrial wasteland, whose girlfriend gives birth to a deformed infant whom she leaves in his care, echoing Lynch’s own fear of fatherhood. The surrealist imagery and sexual undercurrent catches the audience’s imagination, and helped the film gain notoriety on the midnight movie circuit, where it became a cult classic.

象和性暗喻異常出眾，令電影稱霸午夜場， 建立其 cult 片的經典地位。 ON TV

29

瘋 魔 全 球 的 經 典 電 視 劇《 迷 離 劫 》 前 傳， 提名康城影展最高榮譽金棕櫚獎。 故事以鄰鎮的離奇凶殺案開始，視點 隨即回到影迷熟悉的雙峰鎮，描繪高中少 女蘿拉被殺前七日的人事，揭開眾人黑暗 一面。電視劇原班人馬悉數回歸，重現懸 疑魔幻巧妙結合的一大經典。 《迷離劫》本來只是連治的瘋狂個人實 驗，結果震撼影視圈，成為美劇一大經典。 電視劇受制于電視台，因此當年連治對劇 情發展不能全權控制。經過多年，他對於 雙峰鎮久久不能忘懷，劇中角色蘿拉的矛

20/4 (FRI) 22:00

Prequel to the classic TV series Twin Peaks.

Nominee of the Palme d’Or at the Cannes Film Festival. The film covers the events that unfold over seven days before the murder of Laura Palmer, the series’ core mystery. The original cast reunited for this feature film spin-off of the television phenomenon.

Going beyond the boundaries of network television, Fire Walk With Me takes the story deep into horror territory, exposing the physical and psychological torment Laura went through before her tragic death. It may not bring closure to the show’s unanswered questions, but it’s a surreal Lynchian nightmare that brings the saga full circle.

Twin Peaks: Fire Walk With Me

《迷離劫：與火同行》TWIN PEAKS: FIRE WALK WITH ME

盾縈繞腦海，因此重新打造電影，不但延 續劇中超自然元素，更追根究底，探討凶 殺案背後的光怪陸離。邪惡與宿命貫穿每 個角色，隱含無盡的悲涼；潛意識與噩夢 交織，現實矛盾不斷，內心慾壑難填。

Lost Highway

《妖夜慌蹤》LOST HIGHWAY

堪稱連治最「燒腦」電影，混雜各類電影元素， 肆意殺戮和瘋狂性愛相互交織，迷離於瘋 狂虛幻間。劇情看似耐人尋味，又似乎有 跡可循，一旦找到關鍵，梳理劇情，就能 發現每個鏡頭，每句獨白都別出心裁：記憶、 幻覺、情慾、恐懼、邪念、不安，把你帶 到九霄雲外。 故事講述爵士樂手和妻子持續收到 錄影帶，偷拍下他們的日常生活，直到二 人 收 到 另 一 盒 錄 影 帶， 拍 到 樂 手 殺 死 妻 子。被控謀殺的樂手一夜之間變成維修技工， 亡妻變成和黑幫大佬的女人，二人身份撲

27/4 (FRI) 22:00 A 1940s noir filtered through Lynch’s twisted mind, Lost Highway is a demented mystery thriller that takes its viewers on an unpredictable ride fuelled by sex and violence.

Confusing as it may seem, the intention behind everything will surface, if you are attentive enough.

The film begins with Jazz saxophonist Fred, who suspects that his wife is cheating on him. After Fred is framed for her murder, the story suddenly shifts its focus to a young mechanic who is seduced by Alice, the mistress of a gangster whom he works for. Watch the film, follow the clues, and interpret the evidence to create your own theory.

朔迷離，，究竟孰真孰假？要梳理情節或要 花點心思，但動動腦筋發揮想象力正是看 連治電影的一大樂趣，他本人從來不解讀 自己的作品，鼓勵觀眾自行詮釋，十分值

30

得玩味。

DIRECTOR IN FOCUS: DAVID LYNCH

THE INERASABLE ERASERHEAD Remembering David Lynch s Unforgettable Debut

Text by James Marsh James is a film critic for RTHK Radio 3, South China Morning Post and Asian Editor of ScreenAnarchy.com. Also he is a programmer for Fantastic Fest.

FILM REVIEW

A number of neuroses and concerns have clearly played into Eraserhead, while a variety of films and cinematic styles have informed its grotesque aesthetic. Not least is the theme of parenthood, or rather, the blind panic and abject confusion that cripples the protagonists following the arrival of their baby. The film’s opening sequence, which sees Henry floating in space, while a pustulating man pulls levers that launch grotesque spermatozoa into a yawning void, is clearly a metaphor for sex.

Henry clearly loves Mary and enjoys their physical coupling, but doesn’t appear to adequately understand the consequences of their actions. As if, one might contend, their fate is being controlled by external forces or a third party. Once the baby arrives, it proves terrifying in every conceivable way. Henry’s home is suddenly invaded by a newly domesticated Mary, but also by a small mewling creature impossible to understand. It cries incessantly, it quickly becomes sick, it refuses food and doesn’t even appear to be human. These are all perfectly normal fears that manifest after the birth of a child. But through Lynch’s eyes, they become horrifying.

Soon after Henry is left alone to care for the baby by himself, the greatest fear of any parent is soon realised. His incompetence, and lack of understanding, accidentally cause the death of his child. But this is after Mary is driven to leave them both, and Henry seeks solace in the arms of his attractive neighbour.

Shot in stark black and white, Eraserhead’s visual style is strongly influenced by the German Expressionist movement of the 1930s.

The films of Fritz Lang in particular strongly inform the bold areas of light and shadow that dominate the frame, as well as the dilapidated interiors, where oversized industrial fittings are juxtaposed with mouldy wooden structures.

As the more surreal and monstrous elements of the film take over, Eraserhead expresses a distrust for modified foods - specifically the “man-made” chickens spewing black puss over the dinner plates.

The mysterious lady in the radiator, with her misshapen cheeks and haunting melodies, bridges the gap between the wartime musical halls and classic monster movies that proliferated across America during that same early period of the 20th century.

After completing the film, Lynch submitted Eraserhead to the Cannes Film Festival. This time he was successful, but in later years, four of his films would screen in the Main Competition. In 1990, Wild at Heart won the festival’s most prestigious award, the Palme D’Or, and he would be named Best Director in 2001 for Mullholland Dr.. New York Film Festival also rejected this perculiar oddity from the unknown filmmaker, but Eraserhead was finally accepted into the Filmex film festival in Los Angeles, where it premiered in March 1977 to a reported audience of 25 people.

This less than prestigious opening, however, was not the end of Eraserhead. The film found an unexpected audience on the midnight circuit. It played for a year at LA’s Cinema Village before enjoying an even longer unbroken run in New York and around the country. The film is now regarded as one of the quintessential midnight movies of the period, achieving cult classic status alongside the likes of El Topo, Pink Flamingos and The Rocky Horror Picture Show.

Impossible to explain but even harder to forget, Eraserhead was a triumphant calling card for one of America’s most unique filmmaking talents. “In heaven, everything is fine”, sings the Lady in the Radiator. The same seems less certain in the world of David Lynch, but we wouldn’t want it any other way.

David Lynch

Eraserhead, the first feature from American filmmaker David Lynch, is still considered by many to be one of his best. It recently celebrated its 40th Anniversary, but has lost none of its originality, or ability to shock. This is no mean feat considering the impact it has had on generations of artists and cinephiles alike, and the fact that Lynch has worked continuously since the film’s release. Nothing like Eraserhead existed before it, and - one suspects - nothing ever will again.

A film that defies simple categorisation, Eraserhead is most commonly referred to as a horror film, albeit that abides by few of the conventions of that particular genre. Set in an unidentifiable industrial hellscape, the film focuses on a troubled and neurotic young man named Henry Spencer. He lives alone in a small, rundown apartment filled with dirt and compost. The window offers a view only of a brick wall, and strange noises emanate from the plumbing.

Henry is not alone in this nightmarish, perhaps post-apocalyptic world. He has a girlfriend, Mary X, with whom he is expecting a baby. After one of the most uncomfortable family dinners in the history of cinema, Mary moves out of her parents’ house and in with Henry. She has had a baby, and it is fair to say there is something very wrong with it.

Misshapen, limbless and bound in bandages, their grotesque offspring wails endlessly, and eventually Mary leaves. Left literally holding the baby, Henry struggles to care for his infant child, but his real problems are just beginning.

Lynch created Eraserhead over a period of five years, from a script that ran just 21 pages. He has steadfastly refused to explain the meaning behind the film, leaving it open for audiences to interpret as they see fit. We know that Lynch divorced from his first wife, Peggy Lentz, during the film’s production, and would marry Mary Fisk, sister of production designer Jack Fisk, shortly after its release.

ERASERHEAD

31

MOViE MOViE 焦點導演

艾麗絲華妲

DIRECTOR IN FOCUS: AGNES VARDA Text by Kelly Chen & Whimsy Ng

32

DIRECTOR IN FOCUS: AGNES VARDA

IN MY FILMS I ALWAYS WANTED TO MAKE PEOPLE SEE DEEPLY. I DON'T WANT TO SHOW THINGS, BUT TO GIVE PEOPLE THE DESIRE TO SEE. Agnes Varda

第九十屆奧斯卡提名午餐會上，星光熠熠。 然而，再華麗的禮服，再婀娜的體態，也 不及八十九歲的艾麗絲華妲搶鏡——或者說， 她的紙版公仔。在人人皆對奧斯卡趨之若 鶩的年代，她卻不食人間煙火，反倒幽了 奧斯卡一默。 一塊紙板，清晰地表明她的立場：「得 到奧斯卡提名不是值得驕傲的事，但這讓 我快樂。快樂在於我們能拍出讓人喜愛的 電影。我們拍電影就正正是為了令你愛上 它…我愛我的作品，多年來我堅持拍自己 五月逢星期五夜上 10 時

EVERY FRIDAY NIGHT FROM 10PM IN MAY

喜愛的電影！也說明了我拍電影不是為了

Agnes Varda is a French film director, born in Belgium. She was the first female director to receive an honorary Oscar, and the only woman in the French New Wave movement. This has earned her the nickname "Grandmother of the French New Wave".

Her works focus on documentary realism, feminist issues and social commentary, mainly telling stories about the French working classes. She is recognised for being able to play whimsically between poetry and prose, fiction and non-fiction. Her works show passion and understanding for life, sometimes experimental, often gentle and chic, with a touch of boldness.

They are so powerful that they go transcend borders, ages and even the centuries.

名譽或金錢。我的電影，從來不賺錢。」

同時可於自選服務點播

ALL AVAILABLE ON MOVIE MOVIE ON DEMAND

TV HIGHLIGHTS

33

她頂著調皮的蓬蓬頭，棗紅的秀髮猶 如象徵春光明媚，頭頂卻又無可避免地沾 染了歲月的花白——青絲雖成雪，但她仍活 出一片姹紫嫣紅。身為法國電影新浪潮的 老祖母，她運用間離效果，令電影中的虛 與實變得交錯迷離。她的電影，明明呈現 紀錄片的寫實風格，卻又滿載著虛構的情 節。而在虛實之間，艾麗絲華妲依然秉持 她率直又不失幽默的風格，向觀眾帶出她 的主張：女性自主、女性墮胎權、種族解放、 性解放等——被社會邊緣化的，她統統擁抱。 《無法無家》、 舊作如《從五時到七時的琪奧》、

《一個唱，一個不唱》和《幸福》等，都透 現出艾麗絲華妲對社會霸權的反 。

Being 89 years old, Varda has gained close to a century of experience and wisdom, but her heart remains unwrinkled. Varda doesn’t care about fame and fortune. Her film FACES/ PLACES was nominated for Best Documentary Feature at this year's Academy Awards, but she skipped the Oscars luncheon, sending a cardboard cut-out of herself instead, which upstaged everyone at the event. Even though she is the oldest ever Oscar nominee, she is actually the most lively and adorable figure.

“I’m impressed that I’m still alive, being so old and able to enjoy meeting people, enjoy working… I think I’m lucky because I didn’t lose the curiousity, the desire, the energy and the need to express myself.” Rather than saying she is living the life of Riley, she is living the life of Agnes Varda.

《天涯是我家》VAGABOND

4/5 (FRI) 22:00

《童年拾趣》JACQUOT

11/5 (FRI) 22:00

即 便 面 對 冷 峻 不 公 的 社 會， 即 便 看 透資本社會所粉飾的盛世太平，老祖母卻 不 曾 絕 望。 誠 如 教 母 自 言：「 即 使 是 一 個 很嚴肅的題材，永遠不要喪失拍電影的樂 趣，因為這，才是生活。」故此，在她的自 傳紀錄片《沙灘上的華妲》及新作《Faces

Places》中，艾麗絲華妲宛如溫婉的老祖母，

帶你去一趟說走就走的旅行。電影透過各 種人物、風景，帶你窺探她的靈魂，以及 過去，擁抱村莊風光。

34

Agnes Varda

向各個善良、純真的面孔招手，重新擁抱

《一百零一夜》ONE HUNDRED AND ONE NIGHT

18/5 (FRI) 22:00

《沙灘上的華妲》THE BEACHES OF AGNES

25/5 (FRI) 22:00

五月逢星期五夜上 10 時

EVERY FRIDAY NIGHT FROM 10PM IN MAY

TV HIGHLIGHTS

DIRECTOR IN FOCUS: AGNES VARDA

35

BEST OF CANNES

C Text by Vivian Wei

每年五月，世界電影愛好者都會將目光投 向位於法國南部蔚藍海岸的康城。在度過 自 己 的 70 歲 生 日 以 後， 康 城 影 展 將 在 今 年迎來第 71 屆。今次由金像影后姬蒂白蘭 芝擔任影展主席、金像級導演貝特朗波尼 洛擔任電影基金會和短片評審團主席，康 城影展旨在遴選國際年度最佳作品的同時， 發掘電影產業新生力量。 在五月的地盛會來臨之前，MMM 先行 帶你回顧 2013 至 2016 年四年間在康城奪取 最高榮譽金棕櫚獎的傑出作品！它們或生 動私人、光影炫目，或克制壓抑、充滿哲思， 又或關懷邊緣、直擊現實。給予你豐富多

《接近無限溫暖的藍》Blue is the Warmest Colour

4/5 (FRI) 24:00

獎項 AWARD

PALME D'OR IN THE 66TH CANNES FILM FESTIVAL 第 6 6 屆 康 城 影 展 金 棕 櫚 獎

藍 色 是 海 的 顏 色， 是 女 孩 Emma 的 髮 色， 也是年輕洶湧又脆弱的感情的底色。改編 自同名情慾漫畫，《接近無限溫暖的藍》講 述了 15 歲女孩 Adèle 與藍髮女孩 Emma 熾 烈的同性愛情故事。片長 3 小時，影片卻 長而不悶。情慾戲大膽挑逗，但細膩動人。 散漫隨性的節奏裡，影片串連起青春期的 吉光片羽，把最孤獨的顏色轉變成最溫暖 的藍。

Blue is the colour of the sea, the colour of Emma’s hair, and the colour of teenage love, which is genuine and yet vulnerable. Adapted from the French graphic novel by Julie Morach, the film narrates the romantic relationship between 15-year-old Adèle and Emma, with her stunning blue hair. Although 3 hours long, the film is never boring, with bold representations of sexuality that prove intimate and touching.

Linking scattered moments and delicate relations through adolescence, blue transforms from the loneliest to the warmest colour.

樣的觀影體驗！ Every May, the French seaside resort of Cannes becomes the focus of cinephiles the world over.

After celebrating its 70th anniversary in 2017, the festival will this year host Cate Blanchett as jury president and Bertrand Bonello chairing the Cinéfondation and short films jury. The festival aims to present the best arthouse cinema to a wide global audience, as well as encourage film productions by stimulating the creativity of the next generation of filmmakers.

Before the grand event in May, let’s review past winners of the Palme d'Or, the highest prize awarded at Cannes, from 2013 to 2016! Presenting films as personal and vivid as Blue is the Warmest Colour, as intellectual and reflexive as Winter Sleep, as realistic and restrained as Dheepan and I, Daniel, MOViE MOViE offers a colourful and diverse viewing experience!

《冬日甦醒》Winter Sleep 獎項 AWARD

PALME D'OR IN THE 67TH CANNES FILM FESTIVAL 第 6 7 屆 康 城 影 展 金 棕 櫚 獎

啟發自俄國文豪契訶夫短篇小說，《冬日 甦醒》冷靜而智慧地揭示人性的虛偽和複 雜。退休戲劇演員艾登以專欄作家身份開 啟新的人生，日日沈浸陶醉在自我營造的 看似深刻的思維世界裡，直到車窗被窮人 小孩打破。自視知識分子的艾登在與社會 底層的交往中漸漸暴露自己自私虛榮和社

五月逢星期五深夜

EVERY FRIDAY MIDNIGHT IN MAY 同時可於自選服務點播

ALL AVAILABLE ON MOVIE MOVIE ON DEMAND

會菁英階層的焦慮。陪伴主人公們的在宗教、 道德、階層、哲學層面的辯論和爭議，觀 眾不僅成為觀察者，更成為反思者，內省 自己遭遇的類似的道德困境。

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11/5 (FRI) 24:00

Inspired by the novel from Russian literary giant Anton Chekov, Winter Sleep delicately reveals the artificiality and complexity of human nature. After retiring as an actor, Aydın starts his new career as a columnist, immersing himself in profound theories and grand history, until his windows were broken by a poor kid. Perceiving himself as an intellectual and a member of the elite, Aydın exposes his vanity, prejudices and anxiety. Witnessing protagonists' debates and conflicts in terms of religion, morality, class and philosophy, audiences not only become observers, but more importantly, are encouraged to reflect on similar moral dilemmas they encounter in real life.

BEST OF CANNES

Best of Cannes

《流離者之歌 》Dheepan

18/5 (FRI) 24:00

獎項 AWARD

PALME D'OR IN THE 68TH CANNES FILM FESTIVAL 第 68 屆康城影展金棕櫚獎

為了申請政治避難，斯里蘭卡難民迪潘與 年 輕 女 人 耶 妮 莉 及 孤 兒 妮 亞 冒 充 一 家 人， 在巴黎近郊開啟新生活。本以為在這個文 明城市可以安穩生活，他們卻遇見新的棘 手問題：語言的隔閡、文化的衝擊。在相 依為命的過程中，這個由三個陌生人組成 的冒牌家庭漸漸產生了真實的親情……聚焦 當下最熱的歐洲難民問題，《流浪者之歌》 帶你傾聽危機的另一面。

To gain political asylum, a refugee from Sri Lanka, Dheepan, forms a fake family with a young woman, Yalini, and orphan Illayaal, who start their new life in the inner suburbs of Paris.

Hoping to lead a peaceful life in the multiethnic metropolis, they instead encounter new problems, from language barriers and cultural shock to escalating violence. Depending upon each other for survival, they gradually develop genuine affection for each other… Focusing on the hot topic of asylum seekers in Europe, Dheepan gives you a chance to listen to the other side of the story in the refugee crisis.

《我，不低頭》I, Daniel Blake

25/5 (FRI) 24:00

獎項 AWARD

PALME D'OR IN THE 69TH CANNES FILM FESTIVAL 第 69 屆康城影展金棕櫚獎

英國現實主義大師堅盧治導演，《我，不低 頭》再次關注英國底層階級生活：臨近退 休的貝丹尼突然心臟病發，生平第一次需 要申請救濟。但申請程序複雜繁瑣，政府 機構推諉扯皮，讓丹尼寸步難行。他偶然 結識亦深處絕境的單親媽媽琪蒂，兩人遂 決定互相幫助……極具現實關懷，影片用直 白的敘述方式直接點破社會的制度腐化和 人的生存困境，簡單克制但令人深思動容。

BEST OF CANNES

Directed by Ken Loach, the master of British realism, I, Daniel Blake again pays attention to the life of the working class in the UK. About to retire, Daniel gets a heart attack and, for the first time, seeks unemployment benefit. But the application procedures are complicated and tedious, while the government institutions keep shifting responsibility from one to another.

Stuck in the dilemma, Daniel encounters and befriends single mother Katie, who is also struggling to find work and secure financial support. They decide to help each other…

Produced in a realistic and restrained manner, the film vehemently attacks the contradictions of the system, pushing viewers to face the social ills in everyday life.

37

MOTHER, MOTHER

M Text by Vivian Wei

《母親愛的手扎》Chronicle of my mother

我們經常把一個又一個的期望和責任加載

看著一位強伉的女人逐漸失去記憶，從一

在母親這個身份上，儘管她們承載著無限

位 柔 而 不 弱 的 母 親 變 成 依 靠 別 人 的 嬰 兒，

的愛、力量和犧牲，我們卻容易忽略其實

不免令人苦澀無奈。令人更心碎的是媽媽

她們也只是普通人。

彌留之際，兒子對母親未了的恨。

她 們 會 犯 錯、 會 墜 入 愛 河、 會 失 敗、 會自私 – 正如我跟你一樣。

改 編 自 日 本 作 家 井 上 靖 的 自 傳 小 說， 電影敘述一個疾病如何化解母子多年的隔

為慶祝母親節的來臨，MOViE MOViE

膜，教導彼此諒解。從照顧罹患老人癡呆

將會為大家送上四個母親的故事，帶我們

症的媽媽，兒子慢慢學懂從母親的角度理

窺探這些讓人又愛又恨 , 平凡而又偉大的

解故事的另一面。

角色。 We slap on so many expectations and roles on the idea of Motherhood, we sometimes forget that Mothers, despite their incredible strength, power and sacrifice, are just humans like all of us.

They make mistakes, they fall in love, they can be selfish, they have breakdowns; just like all of us.

In celebration of Mother’s Day 2018, MOViE MOViE presents incredible stories about four perfectly imperfect Mothers, honouring the most complex and contradicting human character we all know to love or sometimes hate.

《媽有喜事》Lolo

母親與子女扼臂囓指，有著旁人無法破壞 的樞紐。然而物極必反，過度依賴雙方卻 會令彼此失去主宰。 這法國喜劇講述一位失婚母親維奧 妮遇上如意朗君桑荷尼，準備再次墜入愛 河的故事。正當電影代入典型浪漫喜劇方 程式之際，故事卻突然脫軌，原來維奧妮 五月逢星期六晚上 10 時

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38

的兒子路路過去一直都在破壞媽媽的愛情， 桑荷尼也不會是例外。

5/5 (SAT) 22:00 It is always heartbreaking to see a mother, a strong woman capable of love and caring for another person, slowly losing grip of her memories and ability to care for herself. What is more heartbreaking, is when the feelings of resentment and abandonment experienced by her son remain unresolved, as she approaches the end of the road.

Based on Japanese author Yasushi Inoue’s autobiographical novel, it is a story about the possible reconciliation between a mother and a son, from years of estrangement and acrimony caused by one painful decision made by the mother. Only through the mother’s worsening case of dementia, can the son truly learn to sit down and understand the story from his mother’s point of view.

12/5 (SAT) 22:00 The relationships between children and mothers are always a strong and beautiful bond, no one and nothing could ever go between them. Sometimes, however, if the bond becomes too codependent, the individual human behind the respective roles start to fade away.

In this French comedy, Violette, a divorced mother in her 40s, is ready to get back in the dating world when she meets the genial JeanRené. While this looks like the perfect formula for an easy romantic comedy, the film takes a turn down the dark lane, as Lulu, Violette’s son, is revealed to have been sabotaging his mother’s relationships for years, in order to keep his mother his own, Jean-René is no exception.

MOTHER, MOTHER

Mother, Mother

《由零開始的暗擁》Departure

每個人在成長的路途上都會感受到的不同 的情感，很多責任積壓在我們肩背上。我 們經常依賴母親的幫助，卻未曾關心母親 堅強的背後隱藏了多少心酸和傷悲。 在婚姻破裂之際，母親和兒子出走到 法國的渡假村，希望走出糾結的心情。帶 著難以啟齒的鬱結，兩人各自與內心的惡 魔搏鬥：兒子對成長的困惑和憤怒和母親 對婚姻盡頭的無奈。一名法國男子的出現， 把二人壓抑的情感釋放，形成複雜的三角 關係逼迫兩母子直視兩人之間的隔膜。

19/5 (SAT) 22:00 As we are growing up, we are constantly bombarded by emotions and responsibility that we cannot make sense of. While we often rely on our mothers for help, sometimes it is just hard to remember the same sense vulnerability and struggle behind the strong, caring superwoman facade that mothers put up.

In the midst of a tough divorce, Beatrice and her teenage son Elliot go to their holiday home in France, hoping to sort away their problems. Instead of dealing with them together, they wrestle with their own demons in separate pits of loneliness; as Elliot deals with his coming-of-age anger and exploration of his own sexuality, Beatrice confronts her divorce and alienation. Two paths intertwine as a French man appears, leading them an intergenerational love triangle, bringing the mother and son to confront their unspoken feelings and embark on their journey to reconciliation.

母親， 一位給予無限愛和支持的保護者； 一位鞭策你成為最佳的自己的嚴師； 一個阻擋你獨立自主的屏障； 一位指點你一切的獨裁者； 又或者，只是一個決定奉獻自己所有的時間、 金錢和愛的平凡人。 Mother, A guardian, who loves and gives the utmost support to you; A mentor, who knows what is best and not afraid to give you some tough love; A boulder that holds you back from being who you are; A commander who tears you down for doing what you want and not what they want; Or simply a human, who just so happens to decide that they are willing to give up all their time, money and love to someone they owe nothing to.

《導盡我阿媽》My Mother

儘管殘酷，喪親之痛是每個人的必經階段。 這些經歷的後遺症卻總會不請自來，伴隨 沮喪而來的，是更多的後悔和悲憤。 導演瑪格麗特正面臨一波波無助的浪 潮：不了了之的愛情、事業的瓶頸、還有， 母親的病重。這是一個女人瀕臨崩潰的心 酸電影，它用生動逗趣的對白娓娓道來讓 人動容的寫實故事。

TV HIGHLIGHTS

26/5 (SAT) 22:00 As morbid as it sounds, the loss of a parent is a pain that almost everyone has to go through some point in their lives. The impending arrival of grief often sneaks in in the most unexpected moments, leaving us in crippling desperation and more often than not, a feeling of regret and remorse for not doing enough.

Margherita, a director, confronted by waves of helplessness: the demise of her love life, a rough spot in her career, and most heartbreakingly, the hospitalisation of her mother. A story about a woman in a verge of an emotional collapse, that turns out to be as agonizing as it is funny and moving.

39

好戲童盟 KID RULES

K

Text & Illustrated by Esther Lam

《南方的童話》Beast of the Southern Wild

7/4 (SAT) 22:00

我們多久沒試過專心追著

導演賓施連（Benh Zeitlin）首部長片，獲

一個肥皂泡泡，然後輕輕

得 康 城 影 展 多 個 獎 項， 包 括 金 攝 影 機 獎、

的把它截破？孩子的世界

費比西獎等。在「浴缸村」這裡，沒有人

就是這麼簡單：一個目標，

需要太多的憐憫。當大人在煩惱怎樣拯救

一個夢想，就可以不顧一

孩子時，孩子已經在揮動看似軟弱無力的

切地闖出一片天。現在的

雙臂，摔碎面前的不可能，毅然自立。面

你我，或許就是在成長的

對屹立的水壩喻表的天災和現代發展，小

路 上 遺 留 了 這 份 小 衝 動。

女孩不甘就此低頭，反是以堅強的內心擊

讓我們重新拾起稚氣，重

倒世界推崇的邏輯，把人與自然一體化——

返 KID RULES， 繞 過 大 人

那最美麗的圖畫，呈現出來。

The first feature from director Benh Zeitlin, which won numerous awards, including the Camera D’Or and FIPRESCI Prize at Cannes.

In the “Bathtub”, no one lacks sympathy.

Children are raised with great strength in their hearts and overcome many challenges that adults struggle to overcome. One little girl, Hushpuppy, has not given in to the dam, which symbolises disaster and modern development.

Instead, she goes against this “logical” world with her great imagination, and creates a most beautiful dream world that unifies nature and humanity.

的規矩，向他們說的不可 能進發。

《白汽球》White Balloon

14/4 (SAT) 22:00

伊朗名導演約化巴納希（Jafar Panahi）首 部作品，榮獲康城影展金攝影機獎及紐約 影評人協會最佳外語電影獎，從小孩子的 角度看伊朗 。小女孩為了買一條金魚度 過新年而理直氣壯，從媽媽那裡討到金錢 再小心翼翼的攥緊紙幣走到市場，卻在途 中不慎把鈔票掉進坑渠去了。但小孩子總 四月逢星期六晚上 10 時起

EVERY SATURDAY NIGHT 10PM IN APRIL 同時可於自選服務點播

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有小孩子的方法！一枝長桿、一個白汽球、 一塊咬過的香口膠，就成了他們的轉機！ 還是不相信？那你已經不是孩子了。

Jafar Panahi’s debut feature won the Camera D’Or at Cannes and Best Foreign Language Film at the New York Film Critics Circle Awards.

Panahi takes us to Iran, and into the shoes of a little girl. For the sake of an eye-catching goldfish, she squabbles with her mother on New Year’s Eve. She finally wins the battle and, clutching her money, carefully walks through the streets towards the market. But there are always accidents around the corner. The banknote falls into a ditch where she can’t reach it. What should we do? Ah-ha! Children have such great skills! With a stick, a white balloon and some chewing gum, they devise a plan to retrieve the money. Can you believe it? Well, if you don’t, clearly you’re no longer a child.

KID RULES

《小小超人夢》Bekas

21/4 (SAT) 22:00

Kid Rules

你相信有超人嗎？這對庫爾德小兄弟深深 相信超人就在美國，如在電影裡般，幫助 他們解決一切問題！他們相信超人可以打 敗壞人「薩達姆」，更可以令他們的爸媽復 活！覺得他們傻得離譜？其實真正的超人 就在他們心裡。兩兄弟的不離不棄，決心 要走到美國就快快起行，正是孩子才有的 一種單純。他們這一份單純已是「超人」 一等吧。

Do you believe in Superman? This pair of homeless brothers firmly believe in Superman, and that he lives in America. They think Superman can help solve all their problems, including beating the great villain, Saddam Hussein, and bringing their parents back to life!

Maybe they are naïve for believing this, but they are the real supermen with big hearts. They never tried to abandon each other, and set off to America, determined to succeed. It is their pure hearts that made them more super than they ever imagined!

《沙漠野孩子》Theeb

28/4 (SAT) 22:00

約旦首部入圍奧斯卡外語片，贏得威尼斯 影展地平線最佳導演。無論孩子有多大的 夢想，終有一天也躲不過長大的命運。名 字叫「狼」的孩子，雖然與哥哥活在沙漠， 但他和大多的孩子一樣，對不同的人和事 心生好奇。英軍指揮官的藍眼睛和金黃的 髮色，好像蘊含著一鼓神秘的力量，和狼 以往所見的沙漠旅人完全不同。孩子的好奇， 卻不由自主的，把他領到成長的階梯。那 一種突然的成長，是轉過頭來，才發現世 界再不是那個樣子。

TV HIGHLIGHTS

The first Jordanian film nominated at the Oscars for Best Foreign Language Film, and winner of the Venice Horizons Award for Best Director at the Venice Film Festival. Theeb (which means wolf), is an ordinary boy who lives with his brother in the desert. He is curious about things and people that are different from himself.

When he first encounters a blond-haired, blueeyed Englishman, Theeb falls for the mystery of this “other”, who is totally different from anyone he normally meets. Yet, his curiosity sparks unconsciously sets him on a rite of passage. Growing up often goes unnoticed, but when we realise that the world seems different from the one we usually know, we realise that we have grown up a little.

41

小說狂熱系列 FROM BESTSELLER TO BLOCKBUSTER

B Text by Vivian Wei

《老而嚟癲》

The 100 Year-Old Man Who Climbed

當你老了，要如何過完自己的人生？瑞典作

性格刻板的 59 歲男子歐弗在妻子去世後愈

家喬拿斯．喬納森的《老而嚟癲》提供了一

加刻薄，對不守規矩造成混亂的鄰居大呼小

種另類答案：百歲本該是安享晚年的時候，

叫、冷眼以對。同時他決擬自殺，卻屢屢遭

但主人公亞倫卻在壽宴當天翻牆出走，開啟

遇阻止自殺的意外：準備上吊，卻有鄰居撞

自己的世界歷險，同時也回憶起自己不可思

壞他的郵筒；預備吞槍，偏有離家出走的年

議的人生：他曾與邱吉爾一同散步、與史達

輕人向他借宿。種種意外之後，他與周圍的

林一起跳舞、與江青一起泛舟。整本書可謂

人建立了奇妙的聯繫……

謬，夠好玩！

化身為影像的樣子？近年來，越來越多的暢 銷書被改編為電影。走上大熒幕，這些引人 入勝的文字擁有了全新的魅力。這一次，跟 隨 MOViE MOViE 欣賞以下四部，文字和影 像同樣精彩的作品吧！

A Man Called Ove

Out Of The Window And Disappeared

道盡了一個橫跨一百年的瘋狂故事，夠荒

在閱讀的時候，你是否也幻想過喜愛的文字

《想死冇咁易》

瑞典暢銷小說改編，《想死冇咁易》平 緩、瑣碎、缺乏戲劇高潮，但動人、暖心，因

本書暢銷全球，被改編為同名電影，由

此成為當年的流行大片，亦廣受觀眾好評。

時年 73 歲的羅拔古斯塔夫桑飾演，極端還

隨著影片的逕行，在歐弗一次次死亡瞬間，

原原著，用漫不經心的方式遊歷世界、改變

觀眾慢慢走近這個外表冷酷古怪的男人，發

歷史。瑞典人的幽默感在大熒幕上放大，脫

現他其實是內心柔軟且充滿愛意。同時也讓

線式的笑料、卡通色彩的人物、種種奇妙的

人感慨，人和人之間的羈絆多麼奇妙，可以

際遇，既調皮搞笑，又惹人深思。你，或許會

治癒一顆冷卻封閉的心，可以挽回一個決意

平淡地度過這輩子；又或者，懷有自由之心

赴死的人。只要有羈絆，想死真的冇咁易。

的你，可以轟轟烈烈，甚至在 100 歲時活出 自己的第二人生。

When reading a story, have you also imagined how these written words can be turned into visual spectacles? In recent years, more and more bestsellers have been adapted into blockbusters. On the cinema screen, these stories possess different charms and attract larger audiences. Now, MOViE MOViE selects and introduces four stories, popular in both literary and visual form!

When you are old, how will you finish the rest of life? Swedish writer Jonas Johansson’s The 100-Year-Old Man Who Climbed Out The Window And Disappeared provides an alternative answer: 100-year old Allan Karlsson flees his birthday feast to start a new investigation.

Meanwhile, he also recollects his incredible personal history, in which he took a stroll with Churchill, danced with Stalin, and went boating with Jiang Qing. Absurd and hilarious, this novel covers a crazy story over 100 years.

An international bestseller, the book has been adapted into a film starring Robert Gustafsson, who recreates Allen vividly. The Swedish sense of humour is magnified on screen, with ridiculous plots and cartoonish characters, leading you to ponder whether you want to lead a peaceful and simple life or seize your second chance, even when turning 100. 四月逢星期六晚上十時起

EVERY SATURDAY NIGHT AT 10PM IN APRIL 可於自選服務點播

ALL AVAILABLE ON MOVIE MOVIE ON DEMAND

42

Ove is stubborn, grumpy, and mean to everybody who breaks his arbitrary rules.

When he determines to commit suicide, he didn’t expect an accident, which would prevent him from taking his life. Preparing to hang himself, he is interrupted by his new neighbours, who hit his mailbox; In another attempt, a young man, who runs away from home, asks him for a place to sleep over.

Through all kinds of unexpected events, Ove establishes new and interesting relationships with the people around him.

Adapted from the Swedish bestseller, A Man Called Ove is mild in tone, trivial in content, and lacking in a conventional climax.

However, it is extremely affectionate, touching, and thus, has won acclaim from audiences around the world. Witnessing one suicide attempt after another and flashbacks of Ove’s personal history, we gradually understand what is hidden behind his cold words and mean actions. His relationships with the people around him prove so fantastic that they can melt a heart already frozen, and resurrect a man determined to die.

MOVIE MOVIE HIGHLIGHTS

《情人 》

From Bestseller to Blockbuster FROM BESTSELLER TO BLOCKBUSTER

《畫意私情》

The Lover

Girl with a Pearl Earring

即使沒讀過這本書，你也一定讀過這段經典

即使對藝術一竅不通，你也很難沒見過這幅

的世紀表白：『我已經老了，有一天，在一處

維梅爾的《戴珍珠耳環的少女》。畫中少女

公共場所的大廳裡，有一個男人向我走來。

戴著圓潤的珍珠耳環，眼睛卻比耳環更明

他對我說：「那時候，妳還很年輕，人人都

亮。她側耳回首，欲說還休，懾人心魄。這名

說妳美，現在，我特地來告訴你……與你那

女子是誰？暢銷歷史小說家崔西雪佛蘭帶

時的面貌相比，我更愛你現在備受摧殘的容

你走進畫家維梅爾的生活，並揭秘他與女僕

顏。」』瑪格麗特莒哈絲的半自傳體小說《情

葛麗葉的隱密情事。改編自小說《畫意私情》

人》，講述了發生在法屬印度支那中國少爺 和法國少女之間纏綿悱惻的浪漫故事。

經 法 國導 演 尚 積 葵 亞 諾 影 像 化 以 後， 《情人》更成為了許多人心中的白月光。影片

以電影的形式，更形象地展現了維梅爾的視 覺世界。全片油畫式的質感，處處像極荷蘭 黃金時代的靜物畫。史嘉麗祖安遜飾演的女 主角，戴上頭巾、戴上珍珠，更與畫中的少

將莒哈絲筆下難以捉摸的意識流具象化到

女形象驚人相似。她與維梅爾，有主僕之別，

水氣朦朧的湄公河畔。彼時年僅 16 歲的珍

又有男女之分，因此她一舉一動都拘謹含

瑪琪與梁家輝出演禁忌情侶，更上演大尺度

蓄，但一顰一笑又暗含洶湧的情緒。最後的

戲碼。然而情慾卻不讓人感到低級，而在樂

畫像上，她剛打過耳洞的耳朵，既疼痛又美

聲中上升為羈絆與詩情。同小說相比，梁家

麗。正如他們秘而不宣的愛情。

輝飾演的中國少爺也更鮮活飽滿，超脫出原 著瘦削懦弱的形象，魅力而深情，更顯東方 文明與韻味。

Even if you never finished this book, you must have read the classic opening: “One day, I was already old, in the entrance of a public place a man came up to me. He introduced himself and said: ‘… Everyone says you were beautiful when you were young, but I want to tell you I think you’re more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.’” Marguerite Duras’ semiautobiographical novella, The Lover, addresses a romantic relationship in Indochina between a Chinese man and a French teenage girl.

Adapted by Jean-Jacques Annaud into a film, The Lover wins over even more hearts from the screen. The film visualises this stream-ofconsciousness novel alongside the exotic Mekong River. Jane March, who was just 16 years old, together with Tony Leung, act as star-crossed lovers, whose relationship violates the taboos of their communities. The explicit sex scenes led to criticism, but the film’s sexuality is not coarse or cheaply handled. On the contrary, accompanied by music, the eroticism is distilled into a poetic charm. Compared to the novel, Tony Leung transcends the original image as weak and thin and further presents a Chinese man with attractive manners, deep affection, and complex characteristics.

Even complete philistines of art history cannot be completely ignorant of Johannes Vermeer’s masterpiece, Girl with a Pearl Earring. In the painting, a young girl looks back with mouth half-open, as if she tends to utter something.

Who is she? What’s her relationship with the painter? Tracy Chevalier, a best-selling author, reveals Vermeer’s life and secret affair with his 16-year-old maid, Griet.

Adapted from the novel, the film visualises Vermeer’s world by imbuing the tableau with the quality of an oil painting.

Acting as Griet, Scarlett Johansson, wearing headscarf and pearl earrings, looks exactly like the girl in the painting. But being from different classes and genders, Griet always behaves in a reserved manner in front of Vermeer and never explicitly reveals her true feelings. Only the painting records her halfopen mouth, from which the audience can imagine their obscure relationship.

43

MOVIE MOVIE CITYPLAZA： 「 # 電影式生活 之 # 全城大集戲」 10 秒短片徵集

EVERY MOMENT IS A MOVIE 10S VIDEO CONTEST

在平凡的生活中，你也有耀眼如星辰的一分 鐘。一片樹葉落在你的肩頭，一束光影穿過 迴廊徘徊在你的辦公桌，路上遇見的中學生 和上班族……透過鏡頭記錄，這就是你的電 影式生活。 今次 MOViE MOViE「全城大集戲」向全

民收集 10 秒至 1 分鐘的電影式 moments。 並將收集得來的短片剪輯結集，於即將正 式 開 幕 的 MOViE MOViE Cityplaza 戲 院 播 映。其 他 豐 富 獎 品 更 包 括 MOViE MOViE

M 立即交片！ Join Us Now!

Kong Kee 江記 漫畫家及動畫導演 。沒有分辦喜劇和悲劇的能力 , 令人哭

Cityplaza 全年通行證！

以下是「全城大集戲」名人示範作，看 看他們電影式 moments，是否給你觀察生活 的新鮮靈感和角度？

Pierre Lam

In ordinary life, you may also own one minute that is magical, when a leaf falls onto your shoulders, a beam of light lingers on your desk, or you encounter someone on the street, whose faces refresh your memory… Capturing them through the camera, you will get your “movie moments”.

“Every Moment is a Movie” aims at gathering unique movie moments from 10 seconds to a minute from as many people as possible, and edit them into a film, which will premiere when MOViE MOViE Cityplaza opens.

Other prizes also include a free annual pass to MOViE MOViE Cityplaza!

We have gathered samples from celebrities as follows. Look at their movie moments, you may get fresh inspirations and new angles of perceiving your daily life!

Chichung 黃志淙

影評人、浸大電影學院講師。創作橫跨文字與影像，劇本、

香港大學通識教育助理總監 /903

笑不得。在香港創作動漫畫。最新作品為與李國威及崔嘉

小說、兒童繪本、音樂劇、電影等作品超過二十部。著有

熱愛音樂、電影、文藝、旅行

DJ

曦合作的《離騷幻覺》。

影評書《有本事就看電影》。

電影模糊了虛實，顛倒了時間，本應只存在

電影源於生活，生活模仿電影，我在想，假

於銀幕裡。但我們生活的城市卻越來越超現

如生活每刻也有二十四格，便能夠微觀生活

hour 晚霞，難得的夏日美景，天堂一樣。鏡

實，歷史被粗暴的消失，不曾存在過的地貌，

的溫度。我想用一分鐘時間，觸摸生活的微

頭記下的此時此刻，此情此景，剎那天地。

也好像確有其事。

溫，呼吸愛的小確幸。我想所有人看完這一

在 奧 地 利 Lake Attersee 山 頂 上 的 magic

分鐘，都會微笑。

Loong man hong

Michael Lai 黎曉陽

Paola Sinisterra

編劇。遊走在電視、電影、舞台創作之間，繼續把所想的

唱作人

M e r c h a n d i s e m a n a g e r at Ta i K w u n .

Colombian-born Textile designer based in Hong Kong.

Knowledge is the currency of the universe

Hong Kong, one of the world’s most modern city still relies on the humble trolley to navigate its impossible geography and keep the city moving.

Imagine if they stopped working...would the city come to a halt ?

故事說下去。

二零一七年九月一日，深感上學很開心，但 學生放學顯得更開心。

46

EVERY MOMENT IS A MOVIE

Wingki Kwok 郭詠嘉

Eddy Hui

本地插畫師，以優雅時尚風格的水彩人像和時裝插畫為標

跨媒體創作人 Transmedia

記，曾與眾多國際時裝、美容、生活品味品牌合作。

社交媒體廣告公司創意總監及設計教育工作者

Gloria Tam Artist

General Manager ， Hong Kong Movie App 的負責人，實情是大打雜一個。喜歡聽音樂，看舞台劇和 電影，所以非常喜愛現在的工作

顏色的拼搭和物件排叠起來的構圖讓平凡 的風景充滿電影感，引發你灌注各種意義於

If you know storytelling, you understand climax takes time to build but decline too fast.

當中。

:D

因為電影就是在日常生活中得到靈感，所以 細心留意身邊發生的事情，可能會令你成為 下一個大導演。

Lai Yat Nam 賴憶南

John Ho

Keo Chow

繪本畫家及平面設計師，致力於「大人之繪本」創作，最

喜歡繪畫電影同樣是電影愛好者。

廣告導演及攝影指導，「現在攝影」創辦人， 2002 年畢 業於香港演藝學院電影電視學院，從事電影、電視及廣告

新作品《香港散步日常》。

製作，近年專注舉辦攝影展及出版攝影集。

是我的散步日常記錄，有些隱藏在都市角

如果你覺得創作過程永遠比成品來得更美，

捕捉幻變的城市光影，構圖在剎那間浮燥定

落，一瞬即逝的快閃風景，沒人發現，原來

那你便開始真正享受這份孤獨。

格，作品呈現出的，作者之眼，還是真實的 紀錄？何謂「影像」的初衷？

很美。

Rocky Fong

Suzanne Lai 樹聲

Motion Graphics Designer

freelance director

Tim Cheng 鄭建榮

從事視像設計的香港人

界跑跳十多年，很害怕每天重覆裡渡過。

導 演． 自 由 工 作 者。在 電 視

Director/ Photographer/ Curator 。 從 2000 年開始於廣告公司從事創作，及至 2014 年開始成 立「現在攝影」，開始投身製作行列，除擔任廣告導演外，

貓是一種很特別的生物，保留了少少獸性但

我覺得每個人難忘的小故事都可以成為 '

住在小巧軀體，與牠們共生是非常有驚又有

電影式 moments'，電影就是說故事吧～於

喜。日常裡，餵食牠們，有時如臨大敵。貓奴

是 找 來 朋 友，將 她 們 的 經 歷 拍 下，她 們 的

日常。

moments 和大家的愛情都一樣，不需要驚天

亦兼任策展人一職。

看電影是一種代入的過程，當看到一些有共 嗚的片段時，會設身處地完全代入，是一種 戲

戲外不由自主的代人。

動地，簡單但感動。留意下身邊人所發生的 故事，隨時都找到電影式 moments。 EVERY MOMENT IS A MOVIE

47

MOVIE MOVIE CITYPLAZA

全新商戶優惠登場！

開幕祭入會優惠

MOVIE MOVIE GRAND OPENING MMM OFFER

M # 你 今 日 做 咗 MMM 未 啊！ MMM 延 續 MOViE MOViE Cityplaza 開幕祭入會優惠至 4 月 30 日，等你繼續以 $180 年費，即可盡享

Habitu Table

Mango Tree

4 - 5 月季節優惠：兩點後堂食主菜買一送一

凡於晚餐時段惠顧任何食品或飲品，即可獲

Seasonal offer: Buy 1 main, get 1 free after 2 pm dine in only

贈自選甜品（價值港幣 $38-$58） Complimentary dessert (worth HK$38-58) at dinner with any food or drink order

Promotional Period 1 Apr 2018 - 31 May 2018

優惠期

Hokkaidon

Eiffel Bistro

凡於晚餐時段惠顧任何丼飯，即可獲贈自選

主菜餐牌堂食即享 8 折優惠

優惠期

全年 MOViE MOViE Cityplaza 戲院、百老匯

Promotional Period 1 Mar 2018 - 28 Feb 2019

電影中心正價戲票 8 折；其他百老匯院線 正價戲票 85 折、其他商戶優惠及免費獲贈 百老匯院線 2D 贈券兩張，更加送百老匯院 線正價 2D 戲票買一送一優惠券乙張！ * Great news MOViE lovers! Our “grand opening offer” continues til Apr 30! Apply for MM membership to enjoy a year-round 20% discount on regular-priced movie tickets at MOViE MOViE Cityplaza & Broadway Cinematheque; a 15% discount at all other Broadway cinemas and lifestyle privileges from our favourite brands at Cityplaza, and Receive two Broadway Circuit 2D complimentary tickets for just $180/year, and get an additional buy-1-get-1-free Broadway Circuit 2D ticket coupon! *

飲品一杯（價值港幣 $38 或以下） Complimentary drink (worth HK$38 or below) at dinner with any donburi order.

Promotional Period 1 Mar 2018 - 28 Feb 2019

優惠期

20% off a-la-carte menu (dine in only)

Promotional Period 1 Mar 2018 - 28 Feb 2019

優惠期

Grand Opening Offer

五月獨享季節優惠 MAY exclusive seasonal offer

Links of London 購買任何正價貨品可享 8 折優惠 Enjoy a 20% off on all regular-priced items

Promotional Period 1 May 2018 - 31 May 2018

優惠期

Cooperative Partners 合作伙伴

*受條款及細則約束。詳情請參加 MOViE MOViE by bc Facebook 專頁。 以上優惠詳情以本宣傳資料出版時作準，如商戶有任何修改、暫停或取消以上優惠及其條款及細則，均毋須事先通知。如有任何爭議，MOViE MOViE Cityplaza 及各商戶將保留最終決定權。 T&Cs apply. Please visit MOViE MOViE by bc Facebook fan page for details. Offers are correct at the time of publication. Merchants may amend, suspend or terminate these offers or their terms and conditions, at any time at their discretion and without prior notice. In case of dispute, the decision of MOViE MOViE Cityplaza and the merchants will be final.

48

MOVIE MOVIE GRAND OPENING MMM OFFER

MOViE MOViE 特別推出 3 款以電影為題的

聯乘產品，MMM 會員更可以優惠價購買 或獨家換領心水限量產品！影迷們不要錯 過喔！ MOViE MOViE has launched 3 crossover premiums inspired by movies, MMM can enjoy membership discounts when purchasing or redeeming these limited edition items exclusively!

Exclusive Limited Premiums

MM exclusive items

MOViE MOViE × DOUGHNUT 限量版背包 MOVIE MOVIE × DOUGHNUT backpacks (Limited Edition) MMM 會員尊享 8 折優惠！ MMM enjoy a special 20% off discount!

Macaroon Mini $304 ($380) Nevada $336 ($420) Christopher $384 ($480)

WATCH MOVIE MOVIE ANYTIME, ANYWHERE AND FOR FREE!

9 看電影，豈只一個途徑 —— MOViE MOViE 除了每月與戲院同步放映、讓你安在家中都 可欣賞到戲院上映中的新戲外，現在你更加 透過「Now 隨身睇」app 隨時隨地免費欣賞 MOViE MOViE，讓你好戲隨身！

「now 隨身睇」是隨身流動電視工具，

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10

即 可 隨 時 隨 地 免 費 收 睇 MOViE MOViE

MOViE MOViE × Vivian Ho 限量版 Moleskine 筆記本 MOViE MOViE × Vivian Ho Moleskine Notebook (limited edition) 送中爆谷換領劵（價值 $46） Free Popcorn Exchange Coupon (Medium, valued at $46)

正價 Original Price $338 會員價 Membership Discounted Price $ 180 + 10 會員積分 membership bonus points

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MOViE MOViE × Rex Koo × PERKS production enamel pins (Limited Edition) 將於 Facebook 遊戲送出，MMM 會員可參

On Demand*。

Ok, we know you are busy and might not have time to go to the movies, but that shouldn’t stop you from watching the latest movies from around the globe in the comfort of your home or, really, anywhere, anytime and for free!

Not only can subscribers enjoy the MOViE MOViE channel and MOViE MOViE On Demand on their TV, but they can also watch MOViE MOViE on their mobile devices with no extra cost.

The “Now Player” app enables viewers to watch the best of Now TV on the go. Download the “Now Player”app on an iOS or Android smartphone / tablet, or go to nowplayer.now. com on a PC or Mac. Enjoy selected movies from MOViE MOViE On Demand*, plus our three major live channel for free! Users can also watch subscribed content with “Now Player” service anytime, anywhere!

加！詳情請留意 MOViE MOViE by bc 專頁。 MMM members could win an enamel pin

* 客戶如使用「 Now 隨身睇」觀賞 MOViE MOViE On Demand

by participating an upcoming giveaway on

影 片，必 須 (1) 申 請 MOViE MOViE 頻 道 或 頻 道 組 合，及 (2) 已 登記及連結 Now ID 。須受有關條款及條件約束。

MOViE MOViE by bc Facebook page!

* To watch selected movies from MOViE MOViE On Demand, customers must (1) subscribe to MOViE MOViE or a related pack and (2) complete registration of their Now ID. Terms and conditions apply.

MOVIE MOVIE GRAND OPENING MMM OFFER

49

HBO, Cinemax, Westworld, C.B. Strike and Home Box Office and its related marks are service marks of HBO Inc. Copyright in and to the programmes used and referred to herein vest in the following respective owners HBO Pacific Partners, v.o.f & HJ Holdings, Inc., Warner Bros. Entertainment, Inc., Universal Studios Inc. and Universal City Studios Productions, LLLP. © 2018 HBO Asia. All rights reserved.

SATURDAY NIGHT PREMIERE 7 apr, 9pm @HBO

HBO Asia Original 27 apr, 9am @HBO

SATURDAY NIGHT PREMIERE 19 May, 9pm @HBO

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MAX ORIGINAL SERIES 12 May, 10pm @CINEMAX

now TV 全 新 電 影 組 合 1 為 將 精 彩 高 質 素 電 影 娛 樂 帶 給 觀 眾，

HBO Original 23 apr, 9am @HBO

SATURDAY NIGHT PREMIERE 12 May, 9pm @HBO

HOLLYWOOD BLOCKBUSTERS & WORLD CINEMA HBO 為 安 坐 家 中 的 觀 眾 帶 來 荷 里 活 猛 片 以 及 HBO 得 獎 原 創

結合 MOViE MOViE 與多條 HBO 頻道，播放不同類別的荷里活

劇 集。每 日 24 小 時 不 停 熱 播，絕 無 廣 告，最 適 合 電 影 愛 好 者。

猛 片 及 橫 掃 國 際 影 展 電 影； 各 位 更 可 同 時 獨 家 收 看 獲 獎 無 數

HBO 亞洲區觀眾亦可獨家欣賞在電視上首播的精彩荷里活猛

的 HBO 原創劇集和節目。

片及 HBO 得獎原創劇集和節目的頻道，如《權力遊戲》等。

MOViE MOViE 為香港觀眾度身訂造，致力提供最多元化的

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* 首次申請以上頻道組合客戶，須選購至少 2 個頻道組合並可同時額外選購特選頻道， 並須簽訂 18/24 個月合約。須受有關條款及細則約束。 * New customers signing up the above mentioned packs must subscriber to at least 2 packs, and may subscribe to Premium Channel(s) at the same time for an 18 or 24 month commitment period. Terms and Conditions apply.

Please call sales hotline 2888 0008, then press 2 or visit HKT shop 請即致電申請專線 2888 1888 然後按 2 或親臨 HKT 專門店申請

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HBO is Home to the hottest Hollywood Blockbusters and award-

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HBO, Home Box Office and related service marks are the property of Home Box Office, Inc. Copyright in and to the programs used and referred to herein vest in the following respective owners Warner Bros. Entertainment, Inc., Oscar Statuette ©A.M.P.A.S®, Universal Studios Inc. ©2016 HBO Asia. All rights reserved. www.hboasia.com

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MOVIE-MOVIE-MAGAZINE #33 BEAUTIFUL CHAOS

MOViE MOViE Cityplaza Grand Opening 開幕祭 Highlights ! / MM Home Premieres 與戲院同步《Dries Van Noten: 花漾年華》Dries; Jupiter s Moon & many more/ Director in Focus：大衛連治、艾麗絲華妲 David Lynch, Agnes Varda/ Contributors: James Marsh，小萊 焦點導演

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FOR MOVIE LOVERS