Schools Prom 1976 by Music for Youth

., ROYALALBERT HALL General Manager: Anthony J. Charlton

.7Vfonday 29 November Tuesday 30 November 1976

Sponsored by THE TIMES

Educational Supplement Official Programme 45fJ

11.R.J-{ PrincessA'lexandra, ']he 11on.:MrsAngus Ogilvy GUEST OF HONOUR AT THE SCHOOLS PROM ON 30 NOVEMBER

Contents Page Introduction 1 The Schools Prom 2 The Music of the Schools Prom 4 Programme Notes 6 Concert Programme 16 The Presenters 24 List of Performers 31 Friends of the Schools Prom Back Cover

Executive Producer Organiser Concert Director Concert Producer

Derek J ewell Humphrey Metzgen Larry Westland Geoffry Russell-Smith

The Schools Prom is organised in conjunction with Westland Associates.

Introduction Schools Prom was a signal success; this year we look forward to two outstanding concerts. To those taking part, the opportunity of performing in one of the world's greatest concert halls is an exciting and well-deserved bonus after distinguishing themselves in the National Festival of Music for Youth.* But the significance of the occasion goes further than that. The Schools Prom is unmistakable evidence of a new, higher level of musical aspiration for education in general. All credit is due to the teachers, students, parents and local authority supporters whose work and enthusiasm have contributed to this evening's achie\'ements. Their success is the more remarkable when considered against the background of present difficulties. :\Iusic is still officially unden'alued and yet, against the odds, it continues to thriye .

AST YEAR'S

The value that education attaches to music is one indication of our attachment as a community to truly civilised ideals , School is not just a training ground for industry and citizenship : it is also - or should be - a proving ground for those finer senses upon \\'hich the art of living ultimately depends,

In sponsoring the Schools Prom The Times Educational Supplement belieYes, along with all those whose efforts ha\'e led to this evening's concert, that the health of music at the local level is important for the "'ell-being of the country as a whole and that people who do anything \\'orth\\'hile, superlatively \\ ell. desen'e all the backing they can get. /1

( ;f-ko..路cJ'-.V..A

STUART MACLURE

Editor The Times Educational Supplement

*Presented by the

Association of

Musical Instrumellt Industries,

The Schools Prom by Humphrey Metzgen

1975 a capacity audience greeted the first Schools Prom and its 400 young performers, among them some of the youngest players ever to appear at the Royal Albert Hall, with rapturous applause in an evening of intense participation by audience and performers alike. From the outset of the concert, with the powerful and majestic fanfare of Gordon Jacob's 'Music for a Festival', through to the rousing massed finale by 150 musicians (an Albert Hall record), there was something to thrill and please everyone. It all began on a high note of anticipation and finished with tumultuous applause; and in between there were moments of sensitivity and sheer excellence that had the audience spellbound. The newspapers, too, were very pleasant about it all, and the result is our arrival now at the second Schools Prom and the presentation of two, mostly different, concerts in 1976. Some observers are already looking to the time when a whole season of Schools Proms takes place at this, the home of the Proms. As an event, the Schools Prom is unique, reflecting as it does all that is best in youth music, from many fields, with the musicians demonstrating an adventurous, almost swashbuckling, attitude to repertoire and presentation. Gone are all the 'safe' pieces of music so popular with the seasoned music competitor. Gone also are the traditional presentations of just one orchestra's work.

It is this freshness of approach to repertoire presentation and performance that makes the difference between the deeply-felt emotional experience of a Schools Prom and the more formal appreciation of professional skills. To listen to these young players is to hear music anew, as if one were sitting in on an original performance - a revelation, in fact, of the spontaneous transcending the skilful. The Schools Prom has its beginning early on in the year during the regional 'primaries' of the National Festival of Music for Youth. These 'primaries' consist of at least twenty or so events where a number of schools and music groups in neighbouring areas play before a national adjudication panel member, who in turn makes recommendations for 'inclusion' in the national event. I t is at the grand finale of the National Festival, however, that the scene is set for the selection of those groups who will appear at the Royal Albert Hall later in the year. For three days at Fairfield Halls in Croydon this year, a distinguished panel of musicians were listening to the works of some 2,000 young performers in order to select those groups they felt had played most outstandingly. It is from these groups that the Schools Prom participants tonight have been selected. The Prom is not simply a task of putting together all the best performances. An artistically

Humphrey Metzgen

satisfying (and stage-manageable) programme for the Royal Albert Hall needs to be built up from the resources available. The wrong combination either in music or numbers of performers could lead to chaos. All these considerations and more are eventually resolved, and invitations are sent out to the Schools Prom performers. Since the National Festival of Music for Youth was launched by its presenters, the Association of Musical Instrument Industries, who were joined by TES as sponsors three years ago, it has become a major event in Britain's concert calendar. In effect, it is a showcase for the most advanced thinking in British schools music, and is a credit to the teaching which is often carried out under difficult circumstances. Too often, music fills a relatively unimportant place in the school curriculum, and many young people never reach their full musical potential. The Gulbenkian Foundation has recently set up a committee under Lord Vaizey to find out how musical training has progressed in the past decade. There are, of course, many schools that foster the talents of young

musicians - but sadly not nearly enough. Hence our particular interest in fostering and encouraging the efforts of young musicians in their pursuit of musical excellence. This year we are particularly pleased also to discover that many of the country's leading organisations share this view and have joined us in their role as 'Friends of the Schools Prom'. Like ourselves, they believe that to stimulate excellence in musical education is one of the essentials in the wellbeing of our nation. Together with those of our many friends at the Department of Education and Science, Directors of

Education, headmasters, music teachers, parents and, of course, the young musicians themselves we look forward not only to tonight's concert, but also to many fruitful opportunities that might present themselves in the future. The scope for expansion of the event is enormous - perhaps widening even further the instrumental scope to allow performance of piano recitals, concertos and choral works. International involvement may also be possible in the future with visits of groups from abroad, and by arranging for Schools Prom participants to play in other countries.

All this, however, is perhaps to come. Tonight, we welcome you to an evening of music at the 1976 Schools Prom.

The Executive Producer and the Organiser wish to thank the following for their contribution towards this year's Schools Prom: Nlrs Naney Wolf-Papadopoullos, Alex Hackett, Jill Robinson and all the staff of the TES newspaper; Childs-Greene Advertising and Public Relations Ltd; the National Festival of Music for Youth adjudication committee and Westland Associates.

The Music of the Schools Prom by Derek Jewell

AST YEAR'S premiere was an experiment - to see if it were possible to create a satisfying and coherent evening's entertainment out of the dazzling variety of music now being created in schools of every kind up and down the country. It worked out somehow, or so the audience seemed to think, even though the evening was perhaps on the long side and presented nightmares for the stage crew. So this year the experiment is developed. Two evening concerts instead of one, to give all those who couldn't get in to listen last year their chance; and to give an opportunity of playing for even more musical groups than were at the Albert Hall in 1975. The sheer variety of the music has also been expanded. The 1975 Prom was already eclectic, with symphony and string orchestras,

a concert band and ensembles featuring recorders, accordions and steel drums. This year there are all of these again (except for the accordions) and to them have been added some magnificent brass and wind bands, percussion ensembles, and the most delicious sounds of medieval instruments. Even more interesting is the choice of composers. Debussy, Beethoven, Tchaikovsky, Mozart, Wagner, Elgar, Leonard Bernstein, Malcolm Arnold and John Dankworth were among those represented in 1975. In this year's concerts, you will find Elgar, Dvorak, Grieg, Bernstein, Arnold and other familiar names, but the moderns are even more strikingly represented. Stravinsky, Darius Milhaud and David Bedford are included in the composers these adventurous young musicians will interpret - with Bedford a particularly fascinating case, since he works in the field of 'avant-garde conservatoire' music, yet has also played with a rock band and has orchestrated the compositions of

Mike Oldfield (,Tubular Bells'), Roy Harper and others. This year, too, don't be surprised to hear the strains of Michel Legrand and the Beach Boys. Such an all-round approach to music is part, at least, of what the Schools Prom is about. The barriers between styles have been coming down for many years. There are fewer divisions than ever there were between so-called 'serious' and 'popular' music: there only, indeed, ought to be one di\路ision - between what's good and w hat's not good, whate\路er its stde. So the"e concerts are catholic, looking back\,路ards many centuries to some of the oldest of this nation's mu,ic, vi,iring rhe \路ast treasurehouse of the European classical heritage, sampling the popular sounds of the .\fro-American (and Caribbean I tradition, and taking a 1'0[\' ard glance with today's experiments. The intention is to show just how flourishing is the present musical environment of many schools: to encourage even more of those involved in education - both teachers and pupils - to contribute to that flowering; and, for you, our audience, to provide an entertainment you will recall with pleasure.

THE SUNDAY TIMES IltIW"",路,OOi -I

INSIGHT Noted robin latest 'Sparrow Power' victim

Nuts, says Spanish Princess on state visit THE daughter of the King of Spain is said to be 'delighted' after her recent viewing of a silver nutmeg and a golden pear. Sources close to the Spanish throne confirmed that the Princess, three times divorced and a keen horti- """ '- ......"'. culturist, had often displayed a fondness for nuts.

Clean platters likely in Sprat demarcation dispute MEAT prices stabilised today following the compromise agreement in the recent Jack Sprat controversy. Our Industrial and Agricultural Correspondents report that the satisfactory new division of fat and lean is likely to lead to fresh standards in clean platters.

Sightless rodents menace farmer's wife PSYCHOLOGICALLY aggress ive behaviour by rats in rural areas attributed to temporary blindness following stern amputations - last week led to the pursuit of a Mrs Farmer. Eye-witnesses described the assault as unbelievable. 'We have never seen such a thing in our lives,' it was stated .

Dumpty in wall plunge: Army called out SPECIAL mounted troops of the King's Regiment were summoned yesterday after a fatal accident involving Mr H. Dumpty, the noted ovoid.

I:"

Fl ers questioned following Court 'orgy' stories RECENT STORIES of 'wild parties' at the Court of Old King Cole, first revealed by The Sunday Times Insight team, have now led to the questioning by police of three Court musicians . The rumours first concerned alleged pot-smoking. It is believed that a pipe and a bowl have already been seized and will be used in evidence. The three musicians, all violinists, are said to be wellknown in orchestral circles for the fine quality of their instruments.

Glass slipper sensation at palace ball A GATECRASHER caused considerable comment at the palace ball last night. Her introduction of glass slippers, with contrasting rags for her going-away dress, has set fashion houses by the ears. The gatecrasher's identity remains a mystery; a major search has been instituted.

Welfare Authority rapped in Flinders case LOCAL a utho rit ies have been in the firi ng-line following the recent inq uiry allhe home of Po lly Fl inde rs. A spokesman admi tted that the chi ld had been wh ipped after an incident involving a n u nguarded fi replace. Pally's mother has issued a written statemen t through her so licitor in w hich s.l1e claims : ' T his is no t a "baltered baby" case, it was merely a demonstration of safety in the home.'

Broken crown breakthrough after well fall CHRISTMAS PIES

TH E mSI-<:ver use of a new treatment for broken crowns h ... proved successful , writes o ur Medica l Correspondent The treatmenl, consist ing of Ihe applicat ion of vineyr iI1Id brown paper, was pre'soribed for J ack after his a ~Id~t ""h1le engaged on a hill climb d uri ng the 'reCllnt drought_ Jack's paMner in Lhe tumble, named by the hospItal onl. :tS "J ill', was unaffected. -

THE brutal assassination of Cock Robin has led to expressions of grief from aviaries throughout the country. Responsibility for the crime has been claimed by the Sparrow Power revolutionary group.

Royal tarts theft-Knave is 'inside job' suspect PALACE spokesmen today denied rumours that the Senate Judiciary Committee investigation into recent confectionery thefts would lead to the indictment of the Knave of Hearts.

The Knave has claimed executive privilege and refuses to comment on t he charges. 'He will continue the business of government,' said his press secretary . There has been no cover-up.'

Cat-loving mystic bids for Lord Mayor post RICHARD WHITTlNGTON has expressed 'complete confidence' in the outcome of his candidacy for Lord Mayor. Whittington is known to have the powerful political support of Alderman Fitzwarren . The youth's ambitions are believed to stem from a mystical visionary experience at Highgate.

y~r Drama .. .$dente ... ~... Gy1nhastics ... Table T~.".Wcrich

on fhe environment.. , Mtheseare~

I?YBrita" sleading

SUnday~

PROGRAMME NOTES

1Mlliam Rhodes School Brass Band -

Chesterfield

Conductor,' David Windle W.R.B. Ernest Woodhouse Ceramic City Festival Stuart Johnson

Band was formed in 1968 under the direction of David Windle - two years ago the school accepted its first comprehensive co-educational intake, and as a result there are now nine girls playing regularly in the Band. The Band has performed on radio and television and in May this year was chosen to be one of four bands to play in the Central Hall, Westminster, at the National Schools' Brass Band Festival. In 1973 and 1975 the Band visited Chesterfield's twin-town of Darmstadt and performed several concerts in the German state of Hesse. Two LP records have been produced during the last three years, the second of which has already sold two thousand copies.

March: W .R.B. (E. Woodhouse) - This march was written in 1974 by the famous brass band adjudicator. I t has now become the very popular signature tune of the Band.

Ceramic City Festival (Stuart Johnson) - This was published in 1967. It is full of vi tali ty, and each section of the brass band is featured individually during the work.

Mid-Herts Chamber Orchestra Conductor,' Peter Haskins Serenade in E minor, Op. 20 Edward Elgar (1857-1934)

Hertfordshire County Music School, director John Westcombe, is under the auspices of the Herts County Council. There are eight regional branches, one of which is the Mid-Herts Music Centre. The Centre was formed eight years ago and caters mainly for students in the Welwyn Garden City and Hatfield area. Individual lessons are given on all orchestral instruments; co-operate activities include a wind band, brass band, full symphony orchestra, youth choir and five string chamber orchestras. The Mid-Herts Chamber Orchestra is the senior orchestra and meets

every Saturday morning for I t hours. They have been playing together for 2t years. The Serenade for Strings, Op. 20 by Elgar was composed in 1892 and was first performed in the Bechstein Hall, London, in 1905.

Cults Music Centre Percussion Ensemble Aberdeen Conductor: Ron Forbes Percussion Suite for a Festival

Ron Forbes

from the Percussion Ensemble are selected from secondary schools in the Aberdeen area and meet as a group at the Music Centre in Cults, Aberdeen, each Saturday morning of the school session. Their conductor, Ron Forbes, is one of three percussion instructors with Grampian Region, and he writes most of the material for the group to play. This group won their section at the National Festival of Music for Youth at Croydon in 1974 and were placed in the top three this year. Two of the group are progressing to University and Royal College of Music - Isobel Duncan to study percussion in London and Sonia Smith to study for a B.MUS. at Aberdeen University.

HE PUPILS

Always on the lookout for new ideas, the Ensemble are contemplating a venture with other

regional pupils in providing music for modern dance under the direction of staff from the Scottish Ballet.

Form Southanlpton Director !!f Music: Jonathan Palmer Round the Star and Back Jonathan Harvey

students are at 'A' level this year, and 25 are members of Youth Besides a full orchestra there are various chamber students have the

between notated

Elmwood Steel Band Croydon Conductor,' Brenda Davis ) Exodus oTlg Au.Jumn Leaves . . , S.r:路 arr. Russell HeTldersoTl Swzngm lban Sloop John B. LMWOOD Junior School is a large five-form entry school in West Croydon, which offers varied musical opportunities to its pupils whose ages range from 7 to 11 years. The first Steel Band was formed in 1971 under the tutorship of Russell Henderson, who still visits the school twice a week and does all musical arrangements. Each July the Band loses its II-year-old players and a new group is formed in September - the children playing this evening have therefore been playing as a group for only three months.

The Band has appeared on television several times, has been heard on radio and has performed at the Royal Albert Hall, Royal Festival Hall and Fairfield / " Halls. In both 1974 and 1975 they gained an award for outstanding performance at the ,. National Festival of Music for Youth.

Doncaster Schools Jazz Orchestra COTlductor,' John Ellis Morocco Bound Just for George

John Dankworth arr. Kenny Wheeler Barry Forgie

Doncaster Schools Jazz Orchestra was formed in September 1975, when it became apparent that many young musicians in the Doncaster area had a desire to experiment and become involved with modern and jazz orchestral music. It is partly due to the foresight and understanding of the teachers/conductors/advisers in the area that the Jazz Orchestra makes its Royal Albert Hall debut this evening. The aim is to encourage a broader musical outlook in the hope that the musical snobbery of 'yesterday' will disappear and make way for a capable generation of musicians with the facility to perform and enjoy a wider range of musical activity. They also feel that a professional attitude and self-discipline on and off stage are essential if they are to dispel the myth of Jazz being the 'dirty sister of music'.

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Morocco Bound (John Dankworth) - This is a bossa-nova trombone feature. The original version by John Dankworth was conceived with a smaller combination in mind (a 14-piece band). Kenny Wheeler has rearranged the piece to utilise the full instrumentation of the modern jazz orchestra, and introduced new lines of interest, particularly in the

..oil

brass section. The trombone soloist is 15-year-old Peter Beachill. Just for George (Barry Forgie) - This piece was originally composed for drummer George J effries for an international competition held in Vienna in May 1966. It features 16-year-old Phil WarreIl on drums and 14-year-old J onty Stockdale on tenor saxophone, who has been playing for only 18 months!

A brief history of theJaDles Galway Flute James Galway needs no introduction. Quite simply he is recognised as one ofthe world's outstanding flautists. He is best known as a virtuoso performer. But James Galway also has another career. He is a teacher. His summer schools for young musicians are renowned, and attract students from all over the world. His care and patience have won him a reputation for bringing out the best in those who have come to learn from him. It is James Galway's beliefthat before the latent talents in the young performer can be fully developed he has to have an instrument that completely reflects his true ability. It is for this reason that James Galway has collaborated with RoseMorris in a project to produce a new range of flutes. Collectively they will be known quite simply as the James Galway flutes. They are being created to serve the talented flautist for the whole of a full career. They are naturally designed to a very high standard. The first one available is the James Galway Artist Flute. If you would like more details ofthis fine instrument please write to:Rose-Morris & Co Ltd., 32 Gordon House Road, London NW5 INE.

Rose-Morris James Galway 9

Darlington YOuth Big Band Conductor.' Aif Hind Basie Straight Ahead Bangers, Mash and Peas

Sammy Nestico Ken Gibson

Youth Big Band was founded in 1970 to give young musicians the opportunity to play big band Jazz. They have been successful at the last three National Festivals of Music for Youth in Croydon and feel very honoured that the Band has been invited to play for the second time at the Royal Albert Hall for the Schools Prom. The Band has recently returned from a tour in America covering several states.

ARLINGTON

Basie Straight Ahead - Easygoing pace from the keyboard. Saxophones introduce the theme and the brass team swing the

release, a very muscular tenor solo finishing with a bright ensemble. Bangers, Mash and Peas Medium Jazz-Rock, rhythm intra,

then full ensemble leading to guitar solo, and ending with saxophones on close harmony.

Darius Milhaud. The title refers to a sunny, windless place in the town of Aix-en-Provence (the birthplace of the composer), where King Rene de Provence held sway in the 15th century at one of the most famous 'cours d'amour'.

The second of the pieces being played, 'La Maousinglade', is the name of a small village near Aix-enProvence where the composer lived; and 'La Valabre', in the fourth piece, is a little castle where King Rene held his hunting parties.

Bedales~nd

Quintet Petersfield, Hants La Chemint!e du Roi Rent! Darius Milhaud (1892-1974)

founded in 1893, was the first independent co-educational boarding school in the country and it has always treated Music and the Arts as fundamental in the school curriculum and as essential parts of the educational development of the young.

EDALES SCHOOL,

This Wind Quintet was formed five years ago though only two of the original members are still playing in it. The music they are playing is part of the suite 'La Cheminee du Roi Rene', by 10

VUJking County Grammar School }or Girls String Orchestra Symphony No. 1 in B flat William Boyce (1710-1779)

HE Woking County School for Girls is in its last year as a Grammar School. In July 1977 it will close and will reopen in September as a mixed comprehensive school. Although there are under 800 pupils, there is enough enthusiasm for the school to run a full orchestra, senior and junior string orchestras and a wind band. There are also two large choirs and a madrigal group. The String Orchestra performing this evening is coached by Miss Pamela Spofforth, who is one of the directors of Pro Corda, the National Association for Young String Players. The school holds regular concerts at the end of every

term, and has taken part in several festivals, including the Windsor Festival and the Llangollen International Eisteddfod. The English composer William Boyce lived in the years shortly after the death of Henry Purcell. " This was the period of the early development of the symphony, when composers like Carl Philip

Emmanuel Bach and his contemporaries in Italy, Germany and Austria were laying the foundations of the great classical form. The symphonies of Boyce are among the earliest examples of this form in England. His Symphony No. 1 in B flat has three movements - the 1st and 3rd are quick and lively, and are separated by a beautiful Adagio as the 2nd movement.

Kincorth VUiits Early Music Group Aberdeen CondUClOr: Charles Foster La Mourisque Tielman Susato Pastime with good company Henry VIII Belle qui tiens ma vie Thoinot Arbeau Ungaresca Anon

September 1975, the Kincorth Waits have been playing music of the 16th century, on authentic instruments and in appropriate costume, and are now extending their repertoire to music of the Middle Ages. The members of the group are all pupils from Kincorth Academy, a recently established comprehensive school situated in one of .-\berdeen's large housing schemes_ :\1embers rehearse \"ery willingh in their ()\\"lj time. and obviously deri\"e much pleasure from [NeE

playing and singing together. In the past year they ha\"e gi\"en many concerts in Aberdeen. ha\-e been heard on Scottish Radio. and made two television appearances, one in

a film aptly entitled 'Kincorth Renaissance'. The founder and director of the group, Charles Foster, is an instructor of brass instruments at Kincorth Academy. 11

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NewELKHART

Dwr-y-Felin School Orchestra Neath, GlalTlorgan Conductor: Alan Good Last movement from Symphony No. 5 in E minor (New World) Antonin Dvotb.k

(1841-1904) Pomp and Circumstance March No. 1 'Land of Hope and Glory' Edward Elgar (1857-1934)

School Orchestra, formerly Nea~h Boys' Grammar School . Orchestra, was established in 1940. Since then it has maintained a successful record of concerts, including invited tours to Esslingen and the Vienna Festival, and has made several broadcasts on radio and television. Many of the orchestra's members belong also to the West Glamorgan Youth Orchestra and the National Youth Orchestra of vVales. Indeed, the present leader of Dwr-y-Felin is also leader of the National Youth Orchestra. Many former members are now full-time professional musicians.

WR-Y-FELIN

Dvobl.k's 5th Symphony in E minor ('from the New World') was completed in May 1893, during the composer's period of

residence in New York. In December of the same year, its first performance met with great success, and much popular interest was aroused by the suggestions that the work was a truly American one, notably in its use of Indian tunes. Dvor.ik himself, however, claimed that the symphony had been composed only 'in the spirit of American national m elodies', and that its tunes and its essentially Slavonic character made it 'genuine Bohemian music'. The 'Pomp and Circumstance' marches form a series of five military marches for orchestra.

They were composed during two widely separated periods, the first four between 190 I and 1907, and the last in 1930. The first, and most famous, was first performed by the Liverpool Orchestral Society in October 1901. A year later, Elgar was invited to compose a Coronation Ode to be sung at a Gala Performance at the Opera House, Covent Garden, to commemorate the Coronation of Edvvard VII. He allied the tune from the Pomp and Circumstance March :'\0. I to A. C. Benson's words, to produce the imposingly patriotic 'Land of Hope and Glory'.

Croydon Schools' Centre for Wt'nd Players 1st Orchestra Conductor : David K endall Overture: Candide Leonard Bernstein

(b. 1918) HE Croydon Schools' Centre for vVind Players was opened in 1969 by the Croydon Educa tion Committee as part of a comprehensive music development plan. At present 120 pupils from 26 Croydon schools attend weekly rehearsals to play in the two wind orchestras and various chamber groups, and to receive instruction in the general musicia n,hip cla sses. The 1st \\·ind O rc hestra has a wide repertoire (f):>i<rin g mainly of original \\"(Jrb !:j !. : );, : ~ ( : . , :;' )u 2h transcriptions of urcr:e <~.l: and

organ works are used if q: ita:):e :-or the medium . It ha- "ppc, :·,·: , : ~ many occasiOn> at the L':!::t'; ·.: Halls and has \\lJlj ,lh." ' :' .,: ,ill' last five :'\ation,,; FL"":,~i\ .\;, 0\· Music for Youth.

Bernstein's 'Candide' was first p m duced in 195 1). Its m·erture uses se\·cral melodies from the show, \,·ith a fine tune in seven time which pro\·ides brief contrast to the reckless abandon of the rest of thc piece. 13

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Smoking is not allowed in the auditorium.

Programme/1

Monday 29 November

1. William Rhodes School Brass Band Conductor: David Windle National Anthem W.R.B.

4. Itchen Sixth Form College Contemporary Music Group Director of Music: Jonathan Palmer Round the Star and Back Jonathan Harvey

Ernest Woodhouse

Ceramic City Festival Stuart Johnson

2. Mid-Herts Chamber Orchestra Conductor: Peter Haskins Serenade in E minor, Op. 20 Elgar

3. Cults Music Centre Percussion Ensemble Conductor: Ron Forbes Percussion Suite for a Festival Ron Forbcs

5. Elmwood Steel Band Conductor: Brenda Davis Exodus Song Autumn Leaves Swingin' Safari 6. Sloop John B. arranged Russell H enderson Doncaster Schools Jazz Orchestra Conductor: John Ellis Morocco Bound John Dankworth, arranged Kenny Wheeler

Just for George Barry Forgie

Interval

minutes

7. Darlington Youth Big Band Conductor: Alf Hind Basie Straight Ahead Sammy Nestico

Bangers, Mash and Peas Ken Gibson

8. Bedales Wind Quintet La Cheminee du Roi Rene Darius Milhaud

9. Woking County Grammar School for Girls String Orchestra Symphony No. 1 in B flat Boyce

10. Kincorth Waits Early Music Group Conductor: Charles Foster La Mourisque SI/solo Pastime with good company Henry VIII

Belle qui tiens ma \路ie A,beau Ungaresca Anon

11. Dwr-y-Felin School Orchestra Conductor: Al an Good Last mo\"ement from Symphony No. 5 in E minor (, From the New \\"orld' ) Dvoriik

Pomp and Circumstance March No. 1, 'Land of Hope and Glory' Elgar

Welmar Concert GJ manufacturers, Whelpc

The use of cameras and tape recorders is strictly forbidden.

Programme/2

Tuesday 30 November

1. Croydon Schools' Centre for Wind Players, 1st Orchestra Conductor: David KendalI National Anthem Overture: Candide

Bernstein

Halllpshire County Youth Orchestra Wind Enselllble Conductor: J effrey Brown 2nd and 3rd movements from Octet for Wind Instruments Stravinsky

2. Redlands Junior Recorder Band Conductor : Alwyn Thorpe Since first I saw your face Ford We the Spirits of the Air Purcell Menuetto B oyce La Rejouissance Handel

Kingsdale School Dance Band Leader: Barry Graham Domino Jacques Plante Summer of '42 Michel L egrand I Can't Get Started Ira Girshwin

3. Ellllwood Steel Band Conductor: Brenda Davis Exodus Song Autumn Leaves Swingin' Safari Sloop John B. arranged Russell HendeTson

Interval 6.

minutes

Bryn Celynnog COlllprehensive School Youth Brass Band Conductor: I euan Morgan March Paraphrase: Men of Harlech German

9. Kincorth Waits Early Music Group Conductor: Charle:, r os Ier La Mourisque S I/sal " Pastime \\'ilh good c"mpan \

Galop from Little Suite No. 2

Henry VIII

Arnold

Belle qui tiens ma \ ie Unga resca ,I,;';

7. Am.bleside First School Percussion Enselllble Conductor: Raymond AlIen Whitefield Music No. 1 Bedford

,IT ~ : " :'

10. Stoneleigh Youth Orchestra C o nd uct . , ~;

,\ cir;,, ;:

BrO)\q)

I1Y ,\e;,1C::I ;'r')111 ~\"I11phony

Laq

E :i1i::o ,r 'From Ihe \'路c.rld' /) ; .- ; ,; ;: p. ':llp ar:d Circumstance :\farch ~ I) , i, 'Land of Hope and Glo!):'

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) i::

~C\'.

8. Pillllico School String Orchestra Conductor: Jane Pamment I SI, 2nd and 5th movements from Holberg Suite indly supplied by the ixwell & Codd Limited.

Elgar

Grieg

JANET BAKER EUGEN JOCHUM MICHAEL TIPPETT COLlN DAVIS STEPHEN BISHOP-KOVACEVICH SALVATORE ACCARDO CLAUDIO ARRAU BEAUX ARTS TRIO ELLY AMELlNG HEINZ HOLLlGER EDO DEWAART ALFRED BRENDEL SVIATOSLAV RICHTER BERNARD HAITINK JESSYE NORMAN NEVILLE MARRINER PAUL CROSSLEY RAYMOND LEPPARD JAMES KING HENRYK SZERYNG DANIEL CHORZEMPA

[ I

STATUS QUO 路10 CC DEMIS ROUSSOS THIN L1ZZY . TWIGGY GRAHAM PARKER 5,000 VOLTS路 RED HOT SYDNEY DEVINE HARRY SECOMBE NANA MOUSKOURI PETERS & LEE路 OHIO PLAYERS STYLlSTICS . SYLVIA FLAMIN' GROOVIES TOM T.HALL JERRY LEE LEWIS ETHNA CAMPBELL MIKE HARDING JOHN HANSON RAY McVAY & HIS ORCHESTRA THE CORRIES . DION BOBBY CRUSH VAN McCOY THE CHI-LITES

phonogram

Redlands Junior Recorder Band Worksop Conductor: Alwyn Thorpe Since first I saw your face We the Spirits of the Air Menuetto La Rijouissance

Ford Purcell Boyce Handel

HE Redlands County Primary School in VVorksop has approximately 350 pupils, including infants. Each child is given the opportunity to learn the recorder and when proficient, becomes a member of the Recorder Band. The Band, first formed in 1970 by Alwyn Thorpe, has given many concerts each year. It has performed with professional groups and choirs, broadcast on radio and recently played in a schools' concert for BBC Television. It also gained various awards in 1975 and 1976 at the National Festival of Music for Youth.

The typically English pieces have been chosen as characteristic of the Dance. The gay rhythmical qualities lend themselves ideally

to the recorder. The bouncing staccato bass is particularly effective in Handel's 'La Rejouissance'.

Hampshire CountyYouth Orchestra

vt1nd Ensemble Conductor: Je.ffrey Brown 2nd and 3rd movements from Octet for Wind Instruments Igor Stravinsky

(1882-1971)

AMPSHIRE County Youth Orchestra was formed in 1971 by the Hampshire Education Authority under its present conductor, Edgar Holmes, to provide and supplement the opportunities available to young mUSICIans. In order to improve the quality of performance, chamber groups were encouraged amongst all sections. This particular wind ensemble first played together in September 1975 under the woodwind coach, Jeffrey Brown. The members have been meeting after the fortnightly orchestral rehearsals.

J-f

Stravinsky composed the Octet for VVind Instruments in 1923. A three-movement work, the last two movements are to be heard this evening: a Theme and Variation followed without a break by a

Finale. The work belongs to Stravinsky's neo-classical period and represents a deliberately impersonal style requiring no subjective interpretation on the part of the performers.

Kingsdale School Dance Band London Band Leader: Barry Graham Domino Jacques Plante, arr. Glen Osser Summer of '42 Michel Legrand I Can't Get Started Ira Girshwin

School is a mixed comprehensive school of 1900 pupils situated in S.E. London. Music plays an important part in the life of the school, and many children take part in the various musical activities such as the Dance Band, the Military Band, the Steel Band, the Orchestra, the Choir and the newly-formed Majorettes. The Dance Band was formed in 1968 under the present Director of Music, Eric Matthes. It went on a Canadian tour with the Military Band in 1974 and gained Outstanding Awards at the National Festival of Music for Youth in 1973, 1975 and 1976. In August it took part in the International Festival of Youth Orchestras in Aberdeen under its present Band Leader, Barry Graham.

INGSDALE

Domino (Jacques Plante) - One of several excellent arrangements of Glen Osser. This fast-moving, vigorous number is excellent 'big band' music with all its variations in dynamics, splitsecond chords, and forte-pianos. Summer of '42 (Michel Legrand) - This beautiful melody forms an alto saxophone feature which is played by James Talbot.

The music is in marked contrast to the previous number. There are also some fine flute and trumpet phrases which make this a particularly satisfying arrangement. I Can't Get Started (Ira Girshwin) - This very popular number from the '30s Jazz era was made famous by Bunny Berigan as a trumpet feature.

Bryn Celynnog Comprehensive School l6uth Brass Band Pontypridd Conductor: Ieuan Morgan March Paraphrase: Men of Harlech Edward German (1862-1936) Galop from Little Suite No. 2 Malcolm Arnold (b. 1921) RYN CELYNNOG Youth Brass Band hails from Beddau near Pontypridd, Mid-Glamorgan. It has been in formation for approximately nine years and during that time has been most successful. The Band has won the British Youth Open Championship, sponsored by Liverpool Youth ~lusic Committee, in 1969, 1970 and 1972, and were placed second in 1973.

In addition to this, regular concerts are a prominent feature of the Band's activities, as well as ('.,路0 recent television appearances. Ieuan Morgan, a peripatetic brass tutor in ~lid-Glamo~an schools, with Anthom路 ~foore of Bryn Celynnog Comprehensive School, are responsible for the training and administration of the Band.

The late Dr Denis Wright arranged ~larch Paraphrase for Brass Band from Edward German's orchestral work 'Welsh Rhapsody'. The well-known Welsh melody is treated in various guises and has a thrilling climax. 'Galop' is the 3rd movement of Malcolm Arnold's Little Suite No. 2 and is, as the title portrays, a very fast and exciting ending. 21

Ambleside First School Percussion Ensemble Walton-on-ThaDles

avant-garde. Much of the music is specially arranged to suit the particular needs and abilities of the individual players. The present members of the group are aged between 7 and 9 years.

Conductor: Raymond Allen Whitefield Music No. 1 David Bedford (b. 1937)

First School, Walton-on-Thames, accepts children from 3 to 9 years of age. Any child who shows particular interest, whatever his/her particular abilities, may join the percussion ensemble which plays music specially arranged from periods ranging from early Elizabethan to contemporary

MBLESIDE

David Bedford's Whitefield Music No. 1 is scored for four groups of instruments comprising twelve tuned milk bottles, chime bars and four drums. Unlike much of his recent music it is fully notated, but allows considerable freedom for the individual players.

Pimlico School String Orchestra London

Conductor: Jane Pamment Holberg Suite, movements 1, 2 and 5 Edvard Grieg (1843-1907) IMLICO is the only London comprehensive school to run a course for talented musicians. Each year, 15 children are chosen at the age of 11 - they are g iven instrumental lessons and have wide opportunities for all kinds of ensemble and theoretical work . The String Orchestra consists of the most advanced string players who normally meet once a week, to study three major works a year. Works studied recently have included the Elgar Serenade for Strings, Britten's Simple Symphony and HoIst's St Paul's Suite. In the Holberg Suite, Grieg does not show that vein of

nationalism to be found in most of his other works. He writes in a formally archaic style, in homage to his country's leading 18th century

Stoneleigh lOuth Orchestra Conductor: Adrian Brown Last movement from Symphony No. 5 in E minor (New World) Antonin Dvorak (1841-1904) Pomp and Circumstance March No. 1 'Land of Hope and Glory' Edward Elgar (1857-1934) HE Stoneleigh Youth Orchestra was formed in 1944 as a junior orchestra for young players in the Stoneleigh district of Epsom. Its growth over the next 25 years was guided by its founder and conductor, H. Edward Gough, highlighted in 1951 by

T 22

poet , a nd \\-hile using ancient dance form s, :; till ma nages to \\Tite very idi oma tic 'trin~ music. \\-hich is dlOrou :!il i )" romantic in outlook.

Surrey

winning the Festival of Britain competition for junior orchestras. Over the past four years the orchestra has expanded its repertoire of classical and modern symphonic music under the direction and inspiration of Adrian Brown, a young professional conductor who achieved the distinction a year ago of becoming the first British conductor to reach the final of the von Karajan Young Conductors' Competition with the Berlin Philharmonic Orchestra. Dvorak's 5th Symphony in E minor (,from the New World') was completed in May 1893, during the composer's period of residence in

New York. In December of the same year, its first performance met with great success, and much popular interest was aroused by the suggestions that the work was a truly American one, notably in its use of Indian tunes. Dvorak himself, however, claimed that the symphony had been composed only 'in the spirit of American national melodies', and that its tunes and its essentially Slavonic character made it 'genuine Bohemian music'. It is perhaps fitting that this work should come at the end of the Schools Prom as a tribute, albeit a European one, to the United States in their anniversary year. The 'Pomp and Circumstance'

marches form a series of five military marches for orchestra. They were composed during two widely separated periods, the first four between 1901 and 1907, and the last in 1930. The first, and most famous, was first performed by the Liverpool Orchestral Society in October 1901. A year later, Elgar was invited to compose a Coronation Ode to be sung at a Gala Performance at the Opera House, Covent Garden, to commemorate the Coronation of Edward VII. He allied the tune from the Pomp and Circumstance March No. I to A. C. Benson's words, to produce the imposingly patriotic 'Land of Hope and Glory'.

Friend of the Schools Prom

Interflora, Sleaford, Lincs.

~~------------------------------------------------------------------------------------------------------------

']he Presenters Sellout. His biography of Duke Ellington, Duke, will be published in Britain and America in Spring 1977. He was assistant editor, The Sunday Times, and was deputy editor of The Sunday Times Magazine from 1963 to 1967. Since 1968 he has been Publishing Director of Times Newspapers Limited responsible for The Times Supplements, including The Times Educational Supplement, and for other publishing and trading activities of the company. DEREK JEWELL

Presenter

has been a writer on popular music for many years, and jazz and popular music critic of The Sunday Times since 1963. He is also a radio and TV performer. His weekly Radio 3 prog!'amme on popular music, 'Sounds Interesting', has been running since 1972. Mr Jewell's books include two novels, Come In Number One rour Time Is Up and EREK JEWELL

LTHOUGH ROBIN RAY has worked on the varietv stage, in the theatre (as an actor and director) and in films, he is probably best known for his television and radio work. Besides documentaries and features for 'Omnibus' and 'Music Now' for BBC TV, Robin wrote 'Dead in Tune' (a musical 'who dunnit') as part of an ITV series which he subsequently narrated at the Royal Albert Hall with the London Philharmonic Orchestra and has

ROBIN RAY

Presenter

given numerous concert performances of Walton's 'Fa<;:ade'. He also introduced the first classical music programme on commercial radio (,The Robin Ray Collection' on Capital Radio). He can now be heard every Saturday at midday on Radios 3 and 4 playing his own selection of records and can be seen every Saturday night introducing 'The Lively Arts - in Performance' on BBC 2, to say nothing of his appearances in the e\'er popular 'Face the :-'lusic'.

ation with the Norwich Philharmonic Society has shown that he could readily make a name as an outstanding conductor. His opera, 'Dr Musikus', a work for adults to perform to children, has delighted audiences all over England, and has been translated into Swedish for performances in Scandinavia. was born on 23 May 1921 and educated at Eton College. He formed his first jazz band in 1948, after spending a year \\'ith George Webb's Dixielanders, a band specialising in New Orleans Jazz. The Humphrey Lyttelton Band soon became the leading traditional jazz band in Britain and signed a recording contract w ith KM.I. Records in 1949. In 1956.

J--{

ANTONY HOPKINS, CBE

Guest Conductor

interest in the young has been amply demonstrated in many of his compositions and his work. A further recent development in this versatile career is a growing interest in conducting, and his long associ-

NTONY HOPKINS'

UMPHREY LYTTELTON

Hl'~IPHREY

Special Guest

:li, composition 'Bad Penny Blues' 路..... as the first British jazz record to 2:('t into the top twenty. Today, he leads an all-star band playing music with the emphasis on swing, entertainment and versatility. He also broadcasts regularly on BBC jazz programmes.

Congratulations and best wishes to all

those taking part in The Times Educational

Supplement Schools Prom ••• from the Musicians' Union The Musicians' Union welcomes the upsurge of interest in music making of all kinds by young people. Professional musicians play a large part as teachers, in helping to develop the skills of young performers, and a large and well-informed body of amateur music makers is one of the surest guarantees of audiences for the work of the professional musician as a performer. The world of music today IS beset with many problems but we know from past experience that they will not deter many of tonight's participants from entering into a professional career. When they do so we are ready to welcome them into our ranks and to assure them that the Musicians' Union will continue to fight as hard as it has done in the past to maintain and expand the employment opportunities available, in order that their exceptional talents will not be wasted.

General Secretary, Musicians' Union President, International Federation of Musicians Chairman, Confederation of Entertainment Unions Deputy Chairman, National Music Council of Great Britain Member, Executive Committee of the International Music Council

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L ____________ -.l 30

List of Performers WILLIAM RHODES SCHOOL BRASS BAND

ELMWOOD STEEL BAND

Conductor: David Windle

Tutor: Russell Henderson Conductor: Brenda Davis

Cornets Paul Fenner Jane Reeves Paul Greaves David Lefley Martin Lunn Martin Swann Richard Parker Wayne Malkyn Jane Fawbert Dawn Jepson Pat Clayton Linda Ricken Carol Lowe Basses (E flat) Stephen Revell Tony Power David Revell Kevin Howitt Percussion Danny Payne Malcolm Fredrick

Tenor Horns lan Dakin Christopher Hare Lesley Moy TroDlbones Robert Fenner Simon Oxspring Michael Smith Rachel Buxton Margaret Moore Andrew Rice Euphoniwns Philip Smith Mark Wilcockson Baritones Christopher Slack Nigel Bottom Jonathan Hardwick Basses (B flat) Patrick Power Peter Smith

MID-HERTS CHAMBER ORCHESTRA Conductor: Peter Haskins

First Violins Clare Thompson (Leader) PaulOsbond Christopher de Villiers Christopher Haskins Michael Shaw Matthew Fairman Michael Russell Francesca Thompson Second Violins Carol Dodgson Sarah Ould David Tuch Helen Thewlis Claire Davies Kenneth Long Susan Muncey Catherine Henderson

Violas J ane Passmore Anthony Gower Ellen Lloyd Geoffrey de Villiers Cellos J ane Hopkinson Frances Mitchell Louise Ridley Nicholas Selo Double Bass Lynda Houghton Lucy Lloyd

CULTS MUSIC CENTRE PERCUSSION ENSEMBLE Conductor: Ron F orbes

lsobel Duncan Sonia Smith David lnnes Lynne Cadenhead

Director oJ Music: Jonathan Palmer

Trwnpet/Cornet/ FIugel Horn Peter Desmond Malcolm Gosden Stephen Brazier

Sarah Pinnock David Reid Dillroy Smith Yvonne Targowski

DONCASTER SCHOOLS JAZZ ORCHESTRA Project Leader: Keith Jowett Musical Director: John Ellis

TruDlpets David Lee Simon Taylor David Sturdy Russell Cooke Tony Corish Paul Edwards TroDlbones Peter Beachill Graham Foweather (Bass) Paul Foweather Brian Morrell Christopher Fidler Karen Morris (French Horn) Keith Alderson (French Horn)

Reeds David Hopkins (Alto/Clarinet) Kay Hartley (Alto/Clarinet) Jonty Slockdalc (Tenor/Clarinet) Pbilip FentoD (Tenor/Clarinet) MichaeJ Divers (Bari/Clarinet) Karcn Huntingdon (Flute) Rbytlun Section Andrew Vmter (Piano) Glcnn Muscroft (Bass Guitar) Philip Woad] (Drums) Andrew BarroD (Drums) Cbristopher Calder (Effects/ Percussion) Mark Hearne (Guitar)

DARLINGTON YOUTH BIG BAND Conductor: Alf Hind

TruDlpets lan Robinson Andrew Fox David Connelly Stephen Reed Mark McCabe Martin Wright TroDlbones John Tobin Philip Evans Terence O'Hern Francis Macura Shaung Johnson Tuba Anthony Taylor

Saxes Venetia RObertSOD } Philip Taylar (Alto) G lenda MODumen t Kay Carnall Gea.ffre y Shutt ) (T ) John Duggan enor Philip Burton (Baritone) Rbytlun

Stephen Hewitt (Drums) Alan Smith (Bass) John Shaw (Guitar) Michael Prior (Piano)

BEDALES WIND QUINTET Director oJ A/usic: William _-\gnew

Jennifer McKay EIspeth Rose Carol Coutts

ITCHEN SIXTH FORM COLLEGE CONTEMPORARY MUSIC GROUP Flutes Clare Mace Loraine Pack Clarinet Julie Ann Wilson Bassoon Suzanne Chappell

Patricia David Anne-Marie Dickens Maxine Freeman Tracey Learner Sandy Lukats

Violin Sandra Jones Viola Michael Williams Bass Adrian Osman Piano Brian Budden Percussion Elizabeth Kitchen Shena Grant

Flute Robert Stephenson Oboe Julia Shaw Clarinet Damaris Wollen

French Horn Rachel Hudson Bassoon Lyon Pearcy

WOKlNG COUNTY GRAMMAR SCHOOL FOR GIRLS STRING ORCHESTRA Head oJ .Ifusic : Joan Parr.' Coaches : Pamda Spotfurth_ Ruth Lock

First Violins Frances Dall" uadc ro Julie R.-:;ton Sarah \\ hdan Claire J oli'. et Helen DurhSecond Violins Bridget H ,,,,j ing Sara-h :-;am_'OIl Joanna Orsman Linda Durrell Heather -I a,-Ior

Violas Helen Dodd Janet Kerry Belinda Webb Violon Cellos Katharine Spath Elizabeth Halt Helen Elliott Denise Dodd Double Bass Vicky Lay ton

Continued over

KINCORTH WAITS EARLY MUSIC GROUP Conductor: Charles Foster Coach: Winifred Reid

Susan Mathieson (Soprano, tabor) Susan Mair (Alto, tambourine) Ann Murray (Soprano recorder, tenor crumhorn) Elaine Dalgarno (Alto recorder, alto crumhorn) Rachel lnnes (Tenor recorder, soprano crumhorn) Jacqueline Burns (Bass recorder, bass crumhorn) Debbie Black (Sopranino rauschpfeife)

Margaret Reid (Treble shawm, tenor flute) Caroline Reid (Alto shawm, alto cornamuse) William Milne (Tenor sackbut) Keith Oldroyd (Bass cur tal) Patrick Cheyne (Jews harp, natural trumpet, tambourine) Peter Taylor (Tabor) Kevin McCrae (Cello) Stephen Mair (Double bass)

DWR-Y-FELIN SCHOOL ORCHESTRA Conductor: Alan Good Tutors: Susan Jenkins, Wendy Jenkins, Peter Watts,

Hugh Phillips, ldris Rees, Dudley Owen First Violins David Emanuel (Leader) Paul Lewis Christopher Harry Alison Williams Peter Griffiths Julian Worth Susan Wilband Kathie Snow Karin Nicholas Peter Harris Andrew Hopkins Sharon Griffiths Gareth Ashmead Alison Couch Susan Butt Simon Cartlidge Second Violins Caroline Reynolds Huw Davies Derek Flitter Wynneford Potter Christopher Rees leuanJones Helen Morgan Neville Davies K aren Billington Debbie Powell Mark Whitelock Susan Orwin Sian Davies Lynn Butt Heather Bray Catherine Leaker Gillian Thornton Janet Lewis Richard Watts Violas Timothy Davies Jeremy Jones Nigel Perks Gareth Widlake Si an Davies lan Davies Jonathon Ormrod Lynne Evans Cellos Christopher Jones Mary Williams Christopher Pontin Pamela Robinson David WilJiams Wendy Sullivan Ann WilIiams Gareth Evans John Ashill Paul Harris Double Basses Robert Ferris Martyn Owen Michael Bell Susan Francis Nesta Devereux Lynne Rosser

Flutes Kenyon Bowden Ruth Wins tone PhiIJip Whitton Debra Lewis Jill Nalder Denise Headon Angela Williams Christopher Knight Melanie Evans J anet J enkins Oboes Simon Grattan Michael Phillips Nicole Gibb Clarinets Mark Ormrod David Whiting Neil Webb Karen Osmond J anice Col man Elaine Harris Patricia Morgan Lynne Orwin Sian Lewis Helen Jones Ceri Owen Phillip Col man Rhian Williams Julie Wood Bassoons Martyn Locke KimJenkins Lawrence Headon Horns David Lewis Huw Davies Nigel Bowden Trumpets AlynJames Andrew Pike Paul Lopez Scott Pickrell Andrew Cox David Stanbury Kevin AxtelI Trombones Nigel Hopkins Roger Argente Andrew Gibson Tuba Andrew Cresci Percussion Nicholas Ormrod Rhian Evans Robert Ross Organ Eric Phillips

CROYDON SCHOOLS' CENTRE FOR WIND PLAYERS, 1st ORCHESTRA Director of Music: David Kendall Tutors: Helen Staple ton, Tony Walthew, Edward Pillinger

David Pugh, Peter Thorpe, Colin Craft, Jeremy French, Ronald Bryans, Frances Bird Piccolo Elizabeth May Flutes Ceris Humphreys Julian Hughes Stacey Thomson Nicholas Waters Erica Scott Oboes Clare J ohnson Jane Alien Michael Huckerby Solo Clarinet David Seymour First Clarinets Susan Hall Jill Farley Christopher Cartwright Second Clarinets Jacqueline Adams Mary Morrison David May Sally Manders Third Clarinets Glen Walton Penny Compton Sharon Gibbs Lindsay Dodsworth Penny Brown Hazel Anderson Bass Clarinet Graham EJliolt Bassoons Robin O'Neill Mark Humphreys Robert Turner Alto Sax Roger Davison

Tenor Sax David Johnson Trumpets Richard Elliott Tom Royall Robert Love Peter Bond David Mowll Simon Beckett Horns Raymond Lee Nicholas King Brian Tarrant Andrew Pearce Simon Taylor Philip Gunstone Trombones Hilary East Richard Pywell Peter Biddlecombe Paul Power Colin Perryman N asser Pervez Euphoniums David Medcalf lan Brown Tubas Nicholas Hackett Miles Stanyard Timpani Dominic Hackett Percussion Michael Turtle Mallhew Hackett Tre\ or Miller Andrew Green

REDLANDS JUNIOR RECORDER BAND Conductor: Alwyn Thorpe

Descants Christopher Thorpe Jane Bramall Julie Coney Angela Kirb)' Helen Stocks Rosemary Hall Diane Mc:\laholl Louise Hard" Timothy Robert5 Janine Codrrc,Lorna Chester., Joanne :\iglllilll!ak Karen Shipstone Tracev Fullard Kathl~cn Jubb Peter J acksoll Janice Blake Lana Garside Bass Lisa Garside Claire \\-ani JacquelilHo ~;)r;~-. Carol,," \\ ;"Y " Ruth 路O\\<"rl Jacquelint lb~:,",::: Delia Bearcer

Trebles Angcla Dadley Andrea Wells Sally-Anne Travis Patricia Lynch Anne Taylor Louise Bennett Madeleine Phi pps Julie McDonald Vicky Cutts Laura Garside Tenors :\brion Foley He/en Foie,路 Paula :\!cr;ills Lorna Kno\\ les Colleen To\\ nson

J a(-queline HO\, ard C:lruh-n Button _\ L:",)n

Hro\\~n

Jane Dixon -,jail- Bird K:lrcll Travis :\lichelle de Torre

HAMPSHIRE COUNTY YOUTH ORCHESTRA WIND ENSEMBLE Conductor: J effrey Brown TruU1.pets David Andrews Martin Chapman

Flute Susan Farn Clarinet Linda South

TroU1.bones Andrew Justice James Schmidt

Bassoons Julian Pettit Christopher Hewitt

KINGSDALE SCHOOL DANCE BAND Director if Music: Eric Matthes Band Leader: Barry Graham TruU1.pets Michael O'Gorman Susan Adams David Chap man Paul Cooper

Saxophones James Talbot (Alto) Angela Clare (Alto) Gail Thompson (Tenor) Josephine Cummings (Tenor) Neville Carnegie (Baritone) DruU1. Kit lan Green Percussion Michael Garrett Michael Bradley Piano Susan Hartridge

TroU1.bones Graham Winter Fayyaz Virji Alan Garrett David Hervey Tuba Andrew Mannas

BRYN CELYNNOG COMPREHENSIVE SCHOOL YOUTH BRASS BAND Conductor: leuan Morgan Assistant Conductor: Anthony Moore Soprano Cornet Lynne Davies Solo Cornet Alan Williams Susan Maclean Gary Jones Denise Williams Jacqueline Bevan David Barnett

Second Horn Tommy Keogh Ceri Davies First Baritone Robert Price Ann Keogh Second Baritone Lynda Richards Mark Richards

Flugel Horn Andrea Bressinglon

EuphoniuU1. Kevin Morgan Karen Bressington Christopher Eveson

Repiano Cornet Steven Morgan Paul Fear

Solo TroU1.bone Peter Hcndy Eric Lloyd

Second Cornet Thomas Eveson Gary Jones David Bevan Nigel Vincent Andrew Cann Third Cornet David Singleton Donna Bressington Sian Bevan Howard Rogers Suzanne Parry

Second TroU1.bone Gary Eveson Bass TroU1.bone Mark Thompson Bass (E flat) Marsden Harman Stephen Davies Bass (B flat) Michael Chappell Mark Richards

Solo Horn Robert Jones Kathy Burrell

Percussion Peter Lewis Jonathan Miller Aelwen Jenkins

First Horn Gary \\'illiams

AMBLE SIDE FIRST SCHOOL PERCUSSION ENSEMBLE Conductor: Ra } IllUIl(i Timothy ~laH" Simon Hicksoll Catherine White Sharon J ackson Michaela Cherrv Melanie Griggs " Nancy Lovelock Sally Goodwin

. \l!t'11

Catherine Mortimore Svh"ia Ponting Julie Penn Karen Stevens Kathryn Stead ,-\lison Wyborn Eleri Williams

PIMLICO SCHOOL STRING ORCHESTRA Director of Music: Roderick Spencer String Coach: J ane Pamment First Violins Christopher Tombling Caroline Phillips J oanna Walden John Wailer Sarah Bealby-Wright Sally Fenton Second Violins David Castro Elise Langenberg William Slater Daniel Hallgarten Ben Buckton Abigail Brown

Violas Marina Ascherson Anthony Castro Rebecca Mallinson Sara Mallinson Cellos Natasha Holmes Jane Fenton Philippa Josephs Simon Hallgarten Bass Catriona Clark

STONELEIGH YOUTH ORCHESTRA Conductor: Adrian Brown Violins Jacques Foulger (Leader) Nigel Atkinson J ane Burroughs Julian Butler Caroline Chambers Deborah Cooper Frances Dawes Helen Dearnley Jacqueline Foulks Emily Gardner Sally Haggard Michael Higgins Karen Hodges Alastair J akeman Carole London Belinda Mackie Carol Marleyn Denise Marleyn Alison McIntyre Christopher Melchior Michael Reason Josephine Roadknight David Rodker Philippa Smith Ruth Swanson Josephine Szrajbman Jane Wall ace Violas Matthc\\ Kell ," Lois Drak,' Nicola Foulks Andrc\\' Garrood Philip Kirb,' Mark :\lcBride Roger :\Iurpll\' ..\.Iison Tadur Robcrt \\,;lsull

Oboes Jonathan Higgins Douglas Boyd Susan Ford Elizabeth London Hilary Storer Clarinets Joanna Estall Clare Brown Simon Brown Julie Butler Karcn Dalv Elizabeth Gates lan Peters Bassoons ,-\ndre\\" J acob LialH: Brisle\' Ruiand Da,:is Horns lall Killc Barn" I),n'er Shor{a Ge llv ,\li'UIl Pink' Paul Rcdpath TruU1.pets

Cellos Cathcrine R()<:

Carolillc lkarnl,,' :\Iclanie lIaf!~"'(: Denic'(' Hn .. in, Richard HiÂŁ!~::l'" Deboral: :\Ia( ,i,' Paul :\larll'nl Clare Ricin ~ichub. ;;

Basses Daniel Manners Geoffrey Smart Flutes J ane Hancock Louise Alderman Laura Dixon Sue Harrison Elena Henson Martin Lawes Carol Page Lynn Peters

R:l:r r

Kennet:: \\ :lsoa

.\ngu:, Snlith

Luc, ' Gal'dner TroU1.bones I)a"id PO\,'cll Slephen Ball Jerc'lll" KClIlplen TiUJ.pani and Percussion Kalhleen Bull Diana \\'hitelegg

Priends of the Schools From American Expre,Ss :. p.'

Barclays Bank BBC Radio 3 BBC TV Conoco Limited CPC (UK) Limited Interflora Kodak Milk Marketing Board The Musicians Union National Committee for Audio Visual Aids in Education Sanyo Marubeni (UK) Limited Thomson Holidays

On behalf of the young musicians, the Schools Prum IArMb ,.. above companies and associations for their generoru . . . ., and guidance in helping to make possible this year's ~â&#x20AC;˘.

HINOSON PRINT GROUP LTO NewcntIe _

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