2016 Architectural portfolio

A R C H I T E CT U R E P O RT F O L I O

王 S E L E C T E D

W O R K S

2 0 1 5 - 2 0 1 6

2

THE POWER OF THE PEN TO THE PAGE

[ WORKS VOLUME ]

IN BETWEEN

05

VIBRANT

15

DUALITY

23

HENJI MALL

31

BIGGER THAN A BREAD BOX

35

SKETCHES

39

TRAVELING

43

4

> NAPKIN SKETCHES

IN BETWEEN WIT | FALL STUDIO 2014 ADVISOR : MICHAEL DELLEFAVE LOCATION : JAMAICA PLAIN | BOSTON

5

Directly off the orange line at stony brook station, the site is not only a link of green corridor, but also within a distinct socially-divided community. The approach of project is highly influenced by topography landscape of the site. Transparency of focal connection, construction, and form, was the strong force drove the design process.

6

> SITE PLAN

> 2ND FLOOR

>1ST FLOOR

> G FLOOR

7

> SECTIONAL DIAGRAM

ivity

or

8 > MODEL | FLOOR DETAIL

> INTERACTIVE ACTIVITIES THROUGH FLOORS

> GROUND FLOOR

Activity •2nd floor

> 2ND FLOOR

Activity •3rd floor

> 3RD FLOOR

9

> WATER COLOR PERSPECTIVE | VIEW TO STONY BROOK STATION

> GLAZING STRUCTURE

10

> MODEL | GLAZING (EAST FACADE)

11

> WATER COLOR PERSPECTIVE | VIEW TO SKY (EAST FACADE)

> SECTIONAL STRUCTURE MODELS (NORTH FACADE)

12

13

> WATER COLOR PERSPECTIVE | VIEW TO PROJECT (NORTH - WEST)

14

> WATER COLOR PERSPECTIVE

VIBRANT WIT | SUMMER STUDIO (URBANISM) 2015 ADVISOR : JAMES ALLEN LOCATION : SOUTH END | BOSTON

15

Unlike regular public conventional buildings that programs are allocated specific rooms, the design allows spaces flow into each other seamlessly on an undulating plane. Therefore, programs change through curves and ramps, which also created public spaces beneath. The experience of meandering through the building challenges traditional notions of movement as strictly vertical and horizontal.

16

> CONCEPT DRAWING

From

site

analysis,

understanding

this

particular city block in relationship with city boundary. The site anchored between highway and residential zone of the Southend, making it to be the unique connection.

> FORM GENERATION

17 > EXISTING BUILDING INFLUENCE

> URBAN OPENING

> SITE FORCE DIAGRAM

> NATURAL ELEMENTS

18

> FLOOR TOPOGRAPHY

> SECTION

19

> FLOOR PLASTER MODEL

20

> SECTION PERSPECTIVES

> MORNING LIGHTING

21

> NOON LIGHTING

> AFTERNOON LIGHTING

22

> REVIT RENDERING | SCARED SPACE UNDER THE REFLECTING POOL

DUALITY WIT | FALL STUDIO (URBANISM) 2016 ADVISOR : HERMAN ZINTER LOCATION : WIT CAMPUS | BOSTON

23

The church focuses on the duality of the spaces, the materials, and the structure. Project provides the user with dynamic entry sequences, interior/exterior gathering spaces and overall unique experiences.

Vertical and horizontal circulation allow user slowly ascend down to the sanctuary space. Public and private programs intertwined with each other yet organized in different elevation, creating their own existence in the project.

24

> PROPOSED LANDSCAPE ON SITE CONNECTS TO CITY

25

> PROPOSED VIEW THROUGH EXISTING HIGH-RISE BUILDING

> FOLLOWING THE EXISTING BUILDING GRID

26

> HIERARCHY OF VARIES PROGRAMS

> SLOPED ROOF FOR MAXIMUM NATURAL LIGHTING

1

2 DN

DN

3 DN

4

> 1ST FLOOR

> CONCRETE STRUCTURE WALLS

27

UP

UP

> G FLOOR

> REFLECTED CEILING PLAN

28

> SECTION (NORTH - EAST CUT)

29

30

> 3DS MAX RENDERING

HENJI MALL RESIDENTIAL COMPLEX SUMMER 2014 ARCHITECTURAL INTERN GUANGZHOU | CHINA 31

> Intern at firm specializing in large scale residential and shopping mall design > Worked with principle and managers during major design stage > Utilized SketchUP and AutoCAD during schematic design for circulation and massing of the mall > Proposed design for the bridging form of community garden between two residential towers

32

> SKETCHUP MODEL

> SOUTH ELEVATION

33

> NORTH ELEVATION

34

> MATTER DESIGN - INSTALLATION

BIGGER THAN A BREAD BOX SPRING 2015 ARCHITECTURAL INTERN BOSTON | USA 35

> Intern with Rob Trumbour, Associate Professor of Architecture at Wentworth Institute of Technology (Boston, MA), a founding partner in the design/research practice Kh么ra > Gathered data and precedents for graphic design > Utilized Rhino, AutoCAD and Adobe suits on spacial layout and graphic design

TITLE

GALAN

SUBTITLE

GALANO EX

BODY

2 Columns, 18” wide, 150 words max Font: Size: Leading:

Source Sans Pro Light 48 pt 60 pt (should be +/- 120

> TEXT FONT AND SIZE STUDIES

Bigger than a

Breadbox

Smaller than a

Building From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

36

PRACTICE

a vehicle for inquiry or questioning for the purposes of shaping or defining one’s approach or identity.

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

Alibi Studio Second Story

PARTICIPATION

Interboro Partners Project’s Title

author and audience become active participants within the work of this category.

Performance, theater and spectacle are all viable areas of emphasis.

Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

1900s

10s

GEORGES BRAQUE STILL LIFE WITH HAROP AND VIOLIN

1911 PAUL CEZANNE STILL LIFE WITH APPLES AND PEACHES

F.T MARINETTI ZANG TUMB TUMB!

1912

1905

MARCEL DUCHAMP BICYCLE WHEEL

PABLO PICASSO STILL LIFE WITH CHAIR CANING & GUITAR, SHEET MUSIC, WINE GLASS

1913

1912

DAD

CUBISM/CUBIST COLLAGE

1905

1908

10s

1911

1912

1913

1908

1905

FIRST COMMERCIAL RADIO TRANSMISSION

1903

1903

1894

1912 SINKING OF THE RMS TITANIC

1900s

1892

1889

FIRST HEAVIER THAN AIR FLIGHT BY THE WRIGHT BROTHERS

HAVARD UNIVERSITY FOUNDED

WORLD POPULATION REACH 1 BILLION

THE AMERICAN CIVIL WAR BEGINS

1861

1804

EIFFEL TOWER OPENS IN PARIS

1503

CHIGACO HOST THE WORLD’S COLUMBIAN EXPOSITION

1636

FIRST COMMERCIAL FILM RELEASED

1450

MICHELANGELO RETURNS TO FLORENCE TO BEGIN STATUE DAVID

1310

1501

ALBERT EINSTEIN WRITE THE THEORY OF RELATIVITY

EARLY MODERN HISTORY

1439

LEONARDO DA VINCI BEGINS PAINTING MONA LISA

FIRST RECORDED OLYMPIC GAMES

FOUNDING OF ROME

753 BC

QUIN SHI HUANG UNIFIES CHINA, BEGINS CONSTRUCTION OF GREAT WALL

2400 BC

MIDDLE AGE

221 BC

LEON BATTISTA ALBERTI WRITES ON THE ART OF BUILDING

CLASSICAL ANTIQUITY

776 BC

JOHANNES GUTENBERG INVENTS THE PRINTING PRESS

LASCAUX CAVE PAINTINGS

GREAT PYRAMID OF GIZA

EARLIEST EXAMPLES OF ABSTRACT ART FROM SOUTH AFRICA

> GRAPHIC STYLE PRECEDENT STUDY FOR TIME LINE

2600 BC ESTIMATED TIME OF THE OLDEST SURVIVING LITERATURE

70000 BC

2500 BC

DANTE PUBLISHED THE DIVINE COMEDY

BRONZE AGE

15000 BC

ABACUS, FIRST CALCULATOR, INVENTED IN BABYLONIA

PREHISTORY

FUTURIST

> GRAPHIC MOCK-UP ON THE DISPLAY WALLS

NO BOLD 200 PT

BIGGER THAN A BREADBOX

XTRALIGHT 125 PT

SMALLER THAN A BUILDING learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used

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MATTER DESIGN Project’s Title Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable

Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

NADAAA Project’s Title Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and

Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

37

Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

Dunescape SHoP Architects 2000

CHRONOLOGY

CATEGORY

2000

MATERIAL WENDY

SUBWAVE

AFTERPARTY LAMINAR POCHE

PLAYA URBANA/URBAN BEACH

PRODUCTIONS TORQUEING SPHERES

CANOPY

Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

2005

Justin Diles Laminar Poche

PULP PARABOLA

SUR

PROCESS

BEATFUSE!

LIQUID SKY

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

POLE DANCE

PERISCOPE: FOAM TOWER

GEOMETRY

P.F.1 (PUBLIC FARM ONE)

CANOPY KISSING SPARROWS LIGHT-WING

PERISCOPE: FOAM TOWER

PLAYA URBANA/URBAN BEACH

HOLDING PATTERN

PROXY 10

SOFT ROCKERS

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and

CONRAD NEW YORK SUR

LANDWAVE

LANDWAVE

MYTHREAD PAVILION

CHANGE OF STATE

PROXY 10

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

PARTICIPATION

WENDY

COSMO

CONRAD NEW YORK

POLE DANCE

SECOND STORY

SUBWAVE

HY-FI

SYSTEMS

KISSING SPARROWS

MYTHREAD PAVILION

2015

SYSTEMS

COSMO

PRACTICE

LAMINAR POCHE

DUNESCAPE

SYSTEMS

LIQUID SKY

TORUEING SPHERES

P.F.1 (PUBLIC FARM ONE) SECOND STORY

PULP PARABOLA

ICD/ITKE RESEARCH PAVILION

FORTUNATO DEPERO PLAY FOR FOUR COLOURS: GREY, RED, WHITE AND BLACK

40s

50s

60s

70s

80s

90s

2000

KURT SCHWITTERS MERZBAU

PIERRE THIBAULT WINTER GARDENS

MARCEL DUCHAMP MILE OF STRING

1916 BRUNO TAUT GLASHAUS ARCHITECTURAL PAVILIONS

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

LUCIO FONTANA BLACK ENVIRONMENT

1923 FREDERICK KIESLER ENDLESS SPACES

MARCEL DUCHAMP FOUNTAIN

FILUM LTD., GESTURES

ANISH KAPPOR CLOUD GATE

JANET ECHELMAN AS IF IT WERE ALREADY HERE SHOP ARCHITECTS DUNESCAPE

1949

1949

JACKSON POLLOCK FULL FATHOM FIVE

1914

1917

1920S

CLAES OLDENBURG THE STORE

BALL-NOGUES GRAVITY’S LOOM

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and

MARC FORNES VAULTED WILLOW

METTE RAMSGARD THOMSEN VIVISECTION JESUS RAFAEL SOTO PENETRABLE

MICHAEL HEIZER DOUBLE NEGATIVE

Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

THOM FAULDERS MUTE ROOM

1947

In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.

EVAN DOUGLAS AUTO BRAIDS / AUTO BREEDING

1961 ALLAN KAPROW 18 HAPPENINGS IN 6 PARTS

BAUHAUS

MARJETICA POTRC RAMOT POLIN UNIT WITH SUKKAH

1969 - 1971

1967

1973

1975

LAND ART 1959

CONCEPTUAL ART WALTER PICHLER TRAGBARES WOHNENZIMMER (THE WEARABLE LIVING ROOM)

ABSTRACT EXPRESSIONISM

GORDON MATTA-CLARK CONICAL INTERSECT

1967

1972

1968

WALTER PICHLER TRAGBARES WOHNENZIMMER (THE WEARABLE LIVING ROOM)

HAUS-RUCKER-CO PASIS NO. 7

JEAN AUBERT, JEAN-PAUL JUNGMANN, ANTOINE STINCO STRUCTURES GONFLABLES

1977 - 1995

1977

RICHARD SERRA TILTED ARC

CHRISTO &JEANNE-CLAUDE WRAPPED REICHSTAG

1977

1984 - 1991

1991

CHRISTO &JEANNE-CLAUDE THE UMBRELLA

DILLER SCOFIDIO + RENFRO TRAFFIC

KENNEDY & VIOLICH ARCHITECTS DRAWING ON SITE

1993

1998

DAN HOFFMAN RECORDING WALL

OFFICE DA MOMA FABRICATIONS

1984 - 1991

SURREALISM

1963

1962

1969

70s

1971

1969

1968

1972

1973

1974

1973

1971

1975

1976

1977

80s

1981

1983

1976

1974

1984

1986

1987

1986

1983

1989

90s

1991

1993

1995

1989

1987

1996

1996

1995

DOLLY THE SHEEP BECOMES FIRST SUCCESSFULLY CLONED MAMMAL

1968

ESTABLISHMENT OF THE WORLD TRADE ORGANIZATION

1967

FALL OF THE BERLIN WALL

1961

1959

1963

CHALLENGER DISASTER

1962

WORLD POPULATION REACHES 5 BILLION

1961

GPS BECOMES AVAILABLE FOR CIVILIAN USE

1958

1951

60s

STEVE WOZNIAK AND STEVE JOBS START APPLE COMPUTER

1959

SKYLAB, FIRST SPACE STATION, LAUNCHED

1946

1945

1958

WORLD POPULATION REACHES 4 BILLION

1951

CREATION OF ARPANET, EARLIEST INCARNATION OF INTERNET

50s

RAY TOMLINSON INVENTS E-MAIL

1949

RALPH H BAER INVENTS VIDEO GAME CONSOLE

1947

MARTIN LUTHER KING JR. DELIVERS I HAVE A DREAM SPEECH

1944

1941

1946

THE BEATLES RELEASE THEIR FIRST RECORD

1945

FIRST INTEGRATED CIRCUIT PRODUCED

1937

1934

1944

URI GAGARIN IS THE FIRST MAN IN SPACE

1941

WORLD POPULATION REACHES 3 BILLION

40s

WALTER ZINN INVENTS NUCLEAR POWER REACTOR

1931

1929

1937

FIRST IMAGES OF THE EARTH TAKEN FROM SPACE

1934

END OF WORLD WAR II

1931

COLOSSUS, THE FIRST OPERATIONAL ELECTRONIC COMPUTER, COMES ONLINE

MICKEY MOUSE IS CREATED AT WALT DISNEY STUDIO

1928

1927

30s

ATTACK ON PEARL HARBOR LEADS TO US JOINING WORLD WAR II

1929

JAPANESE INVADE CHINA, MARKING START OF WORLD WAR II

1923

1922

1928

ADOLF HITLER DECLARES HIMSELF FUHRER OF GERMANY

1927

CONSTRUCTION OF THE EMPIRE STATE BUILDING

1923

FIRST ACADEMY AWARD PRESENTED

1922

WORLD POPULATION REACHES 2 BILLION

20s

1918

1917 FIRST PULITZER PRIZES AWARDED

START OF WORLD WAR I

1914

1918

PHILO FARNSWORTH INVENTS ELECTRONIC TELEVISION

1917

END OF WORLD WAR I

1916

JAMES JOYCE PUBLISHES ULYSSES

1914

1998

2000

2001

2002

2003

2004

2005

2006

2007

2008

fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!

SOFT ROCKERS

PRODUCTIONS ICD/ITKE RESEARCH PAVILION

30s

author and audience become active participants within the work of this category. Performance, theater and spectacle are all viable areas of emphasis.

HOLDING PATTERN

PARTY WALL

20s

proportion, shape, scale, interrelationships and dimension become the primary areas of investigation and inquiry.

BEATFUSE!

AFTERPARTY

Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

prioritizes method or means of making as the main focus or attention. It is an act or action as much as it is an object or artifact. Methods, means and ways of making become important aspects of study.

PARTY WALL

CHANGE OF STATE

From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.

2010

properties, performance, effects and behaviors become the subject of inquiry in this area of focus. Similar to “Process” the act or perhaps the response of the material becomes paramount.

Clay Odom Productions

properties, performance, effects and behaviors become the subject of inquiry in this area of focus. Similar to “Process” the act or perhaps the response of the material becomes paramount.

HY-FI

DUNESCAPE

LIGHT-WING

MATERIAL

DA

S

when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers

2009

2010

2011

2012

2013

2014

2015

a vehicle for inquiry or questioning for the purposes of shaping or defining one’s approach or identity.

38

SKETCHES 2015 -2016

39

When one travels and works with visual things architecture, painting or sculpture – one uses one’s eyes and draws, so as to fix deep down in one’s experience what is seen. Once the impression has been recorded by the pencil, it stays for good, entered, registered, inscribed.

- Le Corbusier

40

> PRECEDENT STUDY SAINTE MARIE DE LA TOURETTE The sketches attempts and highlights the richness of the spatial sequence that one experiences while moving from outside to inside as well as from the dark to light spaces.

41 > VIEW IN THE CLOISTER

> VIEW INTO THE COURTYARD

42

> SHANGHAI | S KY L INE IN T HE M ORNING

TR AVELING

2014 - 2016

43

44

> LONDON | T HE S HARD

45

> WASHINGTON | CAP ITAL IN ACT ION

謝

强