A R C H I T E CT U R E P O RT F O L I O
王 S E L E C T E D
W O R K S
2 0 1 5 - 2 0 1 6
2
THE POWER OF THE PEN TO THE PAGE
[ WORKS VOLUME ]
IN BETWEEN
05
VIBRANT
15
DUALITY
23
HENJI MALL
31
BIGGER THAN A BREAD BOX
35
SKETCHES
39
TRAVELING
43
4
> NAPKIN SKETCHES
IN BETWEEN WIT | FALL STUDIO 2014 ADVISOR : MICHAEL DELLEFAVE LOCATION : JAMAICA PLAIN | BOSTON
5
Directly off the orange line at stony brook station, the site is not only a link of green corridor, but also within a distinct socially-divided community. The approach of project is highly influenced by topography landscape of the site. Transparency of focal connection, construction, and form, was the strong force drove the design process.
6
> SITE PLAN
> 2ND FLOOR
>1ST FLOOR
> G FLOOR
7
> SECTIONAL DIAGRAM
ivity
or
8 > MODEL | FLOOR DETAIL
> INTERACTIVE ACTIVITIES THROUGH FLOORS
> GROUND FLOOR
Activity •2nd floor
> 2ND FLOOR
Activity •3rd floor
> 3RD FLOOR
9
> WATER COLOR PERSPECTIVE | VIEW TO STONY BROOK STATION
> GLAZING STRUCTURE
10
> MODEL | GLAZING (EAST FACADE)
11
> WATER COLOR PERSPECTIVE | VIEW TO SKY (EAST FACADE)
> SECTIONAL STRUCTURE MODELS (NORTH FACADE)
12
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> WATER COLOR PERSPECTIVE | VIEW TO PROJECT (NORTH - WEST)
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> WATER COLOR PERSPECTIVE
VIBRANT WIT | SUMMER STUDIO (URBANISM) 2015 ADVISOR : JAMES ALLEN LOCATION : SOUTH END | BOSTON
15
Unlike regular public conventional buildings that programs are allocated specific rooms, the design allows spaces flow into each other seamlessly on an undulating plane. Therefore, programs change through curves and ramps, which also created public spaces beneath. The experience of meandering through the building challenges traditional notions of movement as strictly vertical and horizontal.
16
> CONCEPT DRAWING
From
site
analysis,
understanding
this
particular city block in relationship with city boundary. The site anchored between highway and residential zone of the Southend, making it to be the unique connection.
> FORM GENERATION
17 > EXISTING BUILDING INFLUENCE
> URBAN OPENING
> SITE FORCE DIAGRAM
> NATURAL ELEMENTS
18
> FLOOR TOPOGRAPHY
> SECTION
19
> FLOOR PLASTER MODEL
20
> SECTION PERSPECTIVES
> MORNING LIGHTING
21
> NOON LIGHTING
> AFTERNOON LIGHTING
22
> REVIT RENDERING | SCARED SPACE UNDER THE REFLECTING POOL
DUALITY WIT | FALL STUDIO (URBANISM) 2016 ADVISOR : HERMAN ZINTER LOCATION : WIT CAMPUS | BOSTON
23
The church focuses on the duality of the spaces, the materials, and the structure. Project provides the user with dynamic entry sequences, interior/exterior gathering spaces and overall unique experiences. Vertical and horizontal circulation allow user slowly ascend down to the sanctuary space. Public and private programs intertwined with each other yet organized in different elevation, creating their own existence in the project.
24
> PROPOSED LANDSCAPE ON SITE CONNECTS TO CITY
25
> PROPOSED VIEW THROUGH EXISTING HIGH-RISE BUILDING
> FOLLOWING THE EXISTING BUILDING GRID
26
> HIERARCHY OF VARIES PROGRAMS
> SLOPED ROOF FOR MAXIMUM NATURAL LIGHTING
1
2 DN
DN
3 DN
4
> 1ST FLOOR
> CONCRETE STRUCTURE WALLS
27
UP
UP
> G FLOOR
> REFLECTED CEILING PLAN
28
> SECTION (NORTH - EAST CUT)
29
30
> 3DS MAX RENDERING
HENJI MALL RESIDENTIAL COMPLEX SUMMER 2014 ARCHITECTURAL INTERN GUANGZHOU | CHINA 31
> Intern at firm specializing in large scale residential and shopping mall design > Worked with principle and managers during major design stage > Utilized SketchUP and AutoCAD during schematic design for circulation and massing of the mall > Proposed design for the bridging form of community garden between two residential towers
32
> SKETCHUP MODEL
> SOUTH ELEVATION
33
> NORTH ELEVATION
34
> MATTER DESIGN - INSTALLATION
BIGGER THAN A BREAD BOX SPRING 2015 ARCHITECTURAL INTERN BOSTON | USA 35
> Intern with Rob Trumbour, Associate Professor of Architecture at Wentworth Institute of Technology (Boston, MA), a founding partner in the design/research practice Kh么ra > Gathered data and precedents for graphic design > Utilized Rhino, AutoCAD and Adobe suits on spacial layout and graphic design
TITLE
GALAN
SUBTITLE
GALANO EX
BODY
2 Columns, 18” wide, 150 words max Font: Size: Leading:
Source Sans Pro Light 48 pt 60 pt (should be +/- 120
> TEXT FONT AND SIZE STUDIES
Bigger than a
Breadbox
Smaller than a
Building From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
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PRACTICE
a vehicle for inquiry or questioning for the purposes of shaping or defining one’s approach or identity.
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting. From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
Alibi Studio Second Story
PARTICIPATION
Interboro Partners Project’s Title
author and audience become active participants within the work of this category. Performance, theater and spectacle are all viable areas of emphasis.
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
1900s
10s
GEORGES BRAQUE STILL LIFE WITH HAROP AND VIOLIN
1911 PAUL CEZANNE STILL LIFE WITH APPLES AND PEACHES
F.T MARINETTI ZANG TUMB TUMB!
1912
1905
MARCEL DUCHAMP BICYCLE WHEEL
PABLO PICASSO STILL LIFE WITH CHAIR CANING & GUITAR, SHEET MUSIC, WINE GLASS
1913
1912
DAD
CUBISM/CUBIST COLLAGE
1905
1908
10s
1911
1912
1913
1908
1905
FIRST COMMERCIAL RADIO TRANSMISSION
1903
1903
1894
1912 SINKING OF THE RMS TITANIC
1900s
1892
1889
FIRST HEAVIER THAN AIR FLIGHT BY THE WRIGHT BROTHERS
HAVARD UNIVERSITY FOUNDED
WORLD POPULATION REACH 1 BILLION
THE AMERICAN CIVIL WAR BEGINS
1861
1804
EIFFEL TOWER OPENS IN PARIS
1503
CHIGACO HOST THE WORLD’S COLUMBIAN EXPOSITION
1636
FIRST COMMERCIAL FILM RELEASED
1450
MICHELANGELO RETURNS TO FLORENCE TO BEGIN STATUE DAVID
1310
1501
ALBERT EINSTEIN WRITE THE THEORY OF RELATIVITY
EARLY MODERN HISTORY
1439
LEONARDO DA VINCI BEGINS PAINTING MONA LISA
FIRST RECORDED OLYMPIC GAMES
FOUNDING OF ROME
753 BC
QUIN SHI HUANG UNIFIES CHINA, BEGINS CONSTRUCTION OF GREAT WALL
2400 BC
MIDDLE AGE
221 BC
LEON BATTISTA ALBERTI WRITES ON THE ART OF BUILDING
CLASSICAL ANTIQUITY
776 BC
JOHANNES GUTENBERG INVENTS THE PRINTING PRESS
LASCAUX CAVE PAINTINGS
GREAT PYRAMID OF GIZA
EARLIEST EXAMPLES OF ABSTRACT ART FROM SOUTH AFRICA
> GRAPHIC STYLE PRECEDENT STUDY FOR TIME LINE
2600 BC ESTIMATED TIME OF THE OLDEST SURVIVING LITERATURE
70000 BC
2500 BC
DANTE PUBLISHED THE DIVINE COMEDY
BRONZE AGE
15000 BC
ABACUS, FIRST CALCULATOR, INVENTED IN BABYLONIA
PREHISTORY
FUTURIST
> GRAPHIC MOCK-UP ON THE DISPLAY WALLS
NO BOLD 200 PT
BIGGER THAN A BREADBOX
XTRALIGHT 125 PT
SMALLER THAN A BUILDING learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used
0% of font size)
MATTER DESIGN Project’s Title Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
NADAAA Project’s Title Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting. From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
37
Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
CHRONOLOGY
CATEGORY
2000
MATERIAL WENDY
SUBWAVE
AFTERPARTY LAMINAR POCHE
PLAYA URBANA/URBAN BEACH
PRODUCTIONS TORQUEING SPHERES
CANOPY
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
2005
Justin Diles Laminar Poche
PULP PARABOLA
SUR
PROCESS
BEATFUSE!
LIQUID SKY
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
POLE DANCE
PERISCOPE: FOAM TOWER
GEOMETRY
P.F.1 (PUBLIC FARM ONE)
CANOPY KISSING SPARROWS LIGHT-WING
PERISCOPE: FOAM TOWER
PLAYA URBANA/URBAN BEACH
HOLDING PATTERN
PROXY 10
SOFT ROCKERS
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and
CONRAD NEW YORK SUR
LANDWAVE
LANDWAVE
MYTHREAD PAVILION
CHANGE OF STATE
PROXY 10
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
PARTICIPATION
WENDY
COSMO
CONRAD NEW YORK
POLE DANCE
SECOND STORY
SUBWAVE
HY-FI
SYSTEMS
KISSING SPARROWS
MYTHREAD PAVILION
2015
SYSTEMS
COSMO
PRACTICE
LAMINAR POCHE
DUNESCAPE
SYSTEMS
LIQUID SKY
TORUEING SPHERES
P.F.1 (PUBLIC FARM ONE) SECOND STORY
PULP PARABOLA
ICD/ITKE RESEARCH PAVILION
FORTUNATO DEPERO PLAY FOR FOUR COLOURS: GREY, RED, WHITE AND BLACK
40s
50s
60s
70s
80s
90s
2000
KURT SCHWITTERS MERZBAU
PIERRE THIBAULT WINTER GARDENS
MARCEL DUCHAMP MILE OF STRING
1916 BRUNO TAUT GLASHAUS ARCHITECTURAL PAVILIONS
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
LUCIO FONTANA BLACK ENVIRONMENT
1923 FREDERICK KIESLER ENDLESS SPACES
MARCEL DUCHAMP FOUNTAIN
FILUM LTD., GESTURES
ANISH KAPPOR CLOUD GATE
JANET ECHELMAN AS IF IT WERE ALREADY HERE SHOP ARCHITECTS DUNESCAPE
1949
1949
JACKSON POLLOCK FULL FATHOM FIVE
1914
1917
1920S
CLAES OLDENBURG THE STORE
BALL-NOGUES GRAVITY’S LOOM
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting. From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and
MARC FORNES VAULTED WILLOW
METTE RAMSGARD THOMSEN VIVISECTION JESUS RAFAEL SOTO PENETRABLE
MICHAEL HEIZER DOUBLE NEGATIVE
Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
THOM FAULDERS MUTE ROOM
1947
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
EVAN DOUGLAS AUTO BRAIDS / AUTO BREEDING
1961 ALLAN KAPROW 18 HAPPENINGS IN 6 PARTS
BAUHAUS
MARJETICA POTRC RAMOT POLIN UNIT WITH SUKKAH
1969 - 1971
1967
1973
1975
LAND ART 1959
CONCEPTUAL ART WALTER PICHLER TRAGBARES WOHNENZIMMER (THE WEARABLE LIVING ROOM)
ABSTRACT EXPRESSIONISM
GORDON MATTA-CLARK CONICAL INTERSECT
1967
1972
1968
WALTER PICHLER TRAGBARES WOHNENZIMMER (THE WEARABLE LIVING ROOM)
HAUS-RUCKER-CO PASIS NO. 7
JEAN AUBERT, JEAN-PAUL JUNGMANN, ANTOINE STINCO STRUCTURES GONFLABLES
1977 - 1995
1977
RICHARD SERRA TILTED ARC
CHRISTO &JEANNE-CLAUDE WRAPPED REICHSTAG
1977
1984 - 1991
1991
CHRISTO &JEANNE-CLAUDE THE UMBRELLA
DILLER SCOFIDIO + RENFRO TRAFFIC
KENNEDY & VIOLICH ARCHITECTS DRAWING ON SITE
1993
1998
DAN HOFFMAN RECORDING WALL
OFFICE DA MOMA FABRICATIONS
1984 - 1991
SURREALISM
1963
1962
1969
70s
1971
1969
1968
1972
1973
1974
1973
1971
1975
1976
1977
80s
1981
1983
1976
1974
1984
1986
1987
1986
1983
1989
90s
1991
1993
1995
1989
1987
1996
1996
1995
DOLLY THE SHEEP BECOMES FIRST SUCCESSFULLY CLONED MAMMAL
1968
ESTABLISHMENT OF THE WORLD TRADE ORGANIZATION
1967
FALL OF THE BERLIN WALL
1961
1959
1963
CHALLENGER DISASTER
1962
WORLD POPULATION REACHES 5 BILLION
1961
GPS BECOMES AVAILABLE FOR CIVILIAN USE
1958
1951
60s
STEVE WOZNIAK AND STEVE JOBS START APPLE COMPUTER
1959
SKYLAB, FIRST SPACE STATION, LAUNCHED
1946
1945
1958
WORLD POPULATION REACHES 4 BILLION
1951
CREATION OF ARPANET, EARLIEST INCARNATION OF INTERNET
50s
RAY TOMLINSON INVENTS E-MAIL
1949
RALPH H BAER INVENTS VIDEO GAME CONSOLE
1947
MARTIN LUTHER KING JR. DELIVERS I HAVE A DREAM SPEECH
1944
1941
1946
THE BEATLES RELEASE THEIR FIRST RECORD
1945
FIRST INTEGRATED CIRCUIT PRODUCED
1937
1934
1944
URI GAGARIN IS THE FIRST MAN IN SPACE
1941
WORLD POPULATION REACHES 3 BILLION
40s
WALTER ZINN INVENTS NUCLEAR POWER REACTOR
1931
1929
1937
FIRST IMAGES OF THE EARTH TAKEN FROM SPACE
1934
END OF WORLD WAR II
1931
COLOSSUS, THE FIRST OPERATIONAL ELECTRONIC COMPUTER, COMES ONLINE
MICKEY MOUSE IS CREATED AT WALT DISNEY STUDIO
1928
1927
30s
ATTACK ON PEARL HARBOR LEADS TO US JOINING WORLD WAR II
1929
JAPANESE INVADE CHINA, MARKING START OF WORLD WAR II
1923
1922
1928
ADOLF HITLER DECLARES HIMSELF FUHRER OF GERMANY
1927
CONSTRUCTION OF THE EMPIRE STATE BUILDING
1923
FIRST ACADEMY AWARD PRESENTED
1922
WORLD POPULATION REACHES 2 BILLION
20s
1918
1917 FIRST PULITZER PRIZES AWARDED
START OF WORLD WAR I
1914
1918
PHILO FARNSWORTH INVENTS ELECTRONIC TELEVISION
1917
END OF WORLD WAR I
1916
JAMES JOYCE PUBLISHES ULYSSES
1914
1998
2000
2001
2002
2003
2004
2005
2006
2007
2008
fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!fill in text here!!!!!
SOFT ROCKERS
PRODUCTIONS ICD/ITKE RESEARCH PAVILION
30s
author and audience become active participants within the work of this category. Performance, theater and spectacle are all viable areas of emphasis.
HOLDING PATTERN
PARTY WALL
20s
proportion, shape, scale, interrelationships and dimension become the primary areas of investigation and inquiry.
BEATFUSE!
AFTERPARTY
Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
prioritizes method or means of making as the main focus or attention. It is an act or action as much as it is an object or artifact. Methods, means and ways of making become important aspects of study.
PARTY WALL
CHANGE OF STATE
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
2010
properties, performance, effects and behaviors become the subject of inquiry in this area of focus. Similar to “Process” the act or perhaps the response of the material becomes paramount.
Clay Odom Productions
properties, performance, effects and behaviors become the subject of inquiry in this area of focus. Similar to “Process” the act or perhaps the response of the material becomes paramount.
HY-FI
DUNESCAPE
LIGHT-WING
MATERIAL
DA
S
when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
2009
2010
2011
2012
2013
2014
2015
a vehicle for inquiry or questioning for the purposes of shaping or defining one’s approach or identity.
38
SKETCHES 2015 -2016
39
When one travels and works with visual things architecture, painting or sculpture – one uses one’s eyes and draws, so as to fix deep down in one’s experience what is seen. Once the impression has been recorded by the pencil, it stays for good, entered, registered, inscribed. - Le Corbusier
40
> PRECEDENT STUDY SAINTE MARIE DE LA TOURETTE The sketches attempts and highlights the richness of the spatial sequence that one experiences while moving from outside to inside as well as from the dark to light spaces.
41 > VIEW IN THE CLOISTER
> VIEW INTO THE COURTYARD
42
> SHANGHAI | S KY L INE IN T HE M ORNING
TR AVELING
2014 - 2016
43
44
> LONDON | T HE S HARD
45
> WASHINGTON | CAP ITAL IN ACT ION
謝
强