A R C H I T E CT U R E P O RT F O L I O
王 S E L E C T E D
W O R K S
2 0 1 4 - 2 0 1 7
THE POWER OF THE PEN TO THE PAGE
[ VOLUME ]
INFINITE LOOP | MIT WEST CAMPUS STUDENT CENTER
05
BRIDGE | BU ART MUSEUM
19
DUALITY | WIT CAMPUS RELIGIOUS CENTER
31
VIBRANT | SOUTH END CULTURE CENTER
41
IN BETWEEN | JAMAICA PLAIN COMMUNITY CENTER
49
HENJI MALL
57
BIGGER THAN A BREAD BOX
61
COMPETITION
65
SKETCHES
69
TRAVELING
73
4
> SITE PLAN
INFINITE LOOP WIT | FALL STUDIO (EMERGING) 2016 ADVISOR : ALBERTO CABRE LOCATION : CAMBRIDGE | MASSACHUSETTS
5
The concept is inspired from the study of the MIT 2030 campus planning. The project attempt to blur the boundaries between live, work, and convention programs; through a new social infrastructure created through series of new connections around the existing buildings. It almost forms a perfect infinite loop which also inherent the presence of the infinite corridor. The loop includes a new religious center, a student services center and a community center for enhancing the living and learning environment in collaboration with the community.
COMMUNITY CENTER > > > > > > > > > >
Administration offices Student study rooms > Late night users Student services Retail stores Open air theatre > Varies public space in and out. Libraries > Automated book delivery system Student showcase galleries Multipurpose halls Sport facilities > Medical center > Therapist > Offices Food court
STUDENT CENTER
6
> + > > > > >
Administration office Student classrooms > Music & instrument study room Student services Retail stores Open air theatre Large gathering spaces “Big“ stage > Local band or student showcases.
RELIGIOUS STUDY CENTER > > > > >
Administration office Seminar rooms Student services Contemplating hall > Sunk down quite study rooms Religious services
TOURIST INFORMATION CENTER > > > > >
Office spaces New bus drop-off point > For the safety of the tourist and cars Tourists services hub > Information of touring around MIT Retail store Large gathering spaces
7
> AERIAL SITE PLAN
> SITE ANALYSIS
SITE PEDESTRIAN TRAJECTORY
MAIN CAMPUS CIRCULATION
UNDESIRED PROGRAMS AND BUILDING
MAIN CAMPUS PROGRAMS CONNECTION
SITE ACTIVITY LEVEL
OFF-BALANCED SENSE OF SCALE
8
> MEANS & METHODS
> EXPLODED AXON
SUGGESTED CIRCULATION
9
INTERACTING WITH THE EXISTING CORRIDORS
FORMING SPACES IN BETWEEN
10
> THE COMMUNITY CENTER
> THE STUDENT CENTER
> THE RELIGIOUS CENTER
L2
L4 > THE TOURIST INFO HUB L4
11 L3
LG L3
L2
L2
LG
L1
L2
12
> VIEW FROM THE HARVARD BRIDGE
13
> ACROSS THE MASS AVE
14
> IN FRONT OF THE NEW STUDENT CENTER
15
> IN FRONT OF THE RELIGIOUS CENTER
16
> INSIDE OF THE RELIGIOUS CONTEMPLATION HALL
17
> THE NEW STUDENT CENTER
18
> WEST GALLERY RENDERING
MOVEMENT WIT | SPRING STUDIO (EMERGING) 2016 ADVISOR : THOMAS LESKO LOCATION : BROOKLINE | BOSTON TEAM : WILLIAM TOOHEY III | M.ARCH 2018 JACOB SPRINGER | M.ARCH 2018 TYLER SOM-DUBREUIL | BINT 2016 GRACE SANTOS | BINT 2016
19
808 Commonwealth Avenue, Boston University Art Museum describes the project, being the renovation of the old Albert Kahn’s Peter Fuller building and addition of Art Museum branch. Observing and understanding of the surrounding site forces intrigued the concept Movement. Located at an intersection of the main traffic way where layers of activities and circulation pushed the conceptual phase further to the project. Linking the historical fact to the new addition creates a phenomenal spacial quality and experience.
COMM 808 ONWEA LTH AVENU E
20
> SITE LOCUS PLAN
> FORM & SPACES
RAMP TO NEW ADDITION
FIRST FLOOR PUBLIC ZONE
21
EAST GALLERY
SOUTH GALLERY
RAMP GALLERY
DOUGHNUT GALLERY
22
> ATRIUM LOBBY Rendered by William Toohey III
23
> NEW ADDITION ENTRANCE Rendered by William Toohey III
> PERSPECTIVE RENDERING | Rendered by Team
> PRIVATE STUDENT LIBRARY
24
> BUILDING SECTIONS | Rendered by Jake Springer
> COMMONWEALTH AVE. ENTRY
> GALLERY VIEW
25
26
> LEVEL 1
> LEVEL G
> LEVEL 2
27
> LEVEL 3
> EXTERIOR PERSPECTIVES
> LEVEL 4
28
> STRUCTURE MODEL | EAST GALLERY
29
> AXONOMETRIC VIEW | CONNECTING FROM OLD TO NEW
30
> NAPKIN SKETCHES
IN BETWEEN WIT | FALL STUDIO 2014 ADVISOR : MICHAEL DELLEFAVE LOCATION : JAMAICA PLAIN | BOSTON
31
Directly off the orange line at stony brook station, the site is not only a link of green corridor, but also within a distinct socially-divided community. The approach of project is highly influenced by topography landscape of the site. Transparency of focal connection, construction, and form, was the strong force drove the design process.
32
> SITE PLAN
> 2ND FLOOR
> 1ST FLOOR
>
G FLOOR
33
> SECTIONAL DIAGRAM
ivity
or
34 > MODEL | FLOOR DETAIL
> INTERACTIVE ACTIVITIES THROUGH FLOORS
> GROUND FLOOR
Activity •2nd floor
> 2ND FLOOR
Activity •3rd floor
> 3RD FLOOR
35
> WATER COLOR PERSPECTIVE | VIEW TO STONY BROOK STATION
> GLAZING STRUCTURE
36
> MODEL | GLAZING (EAST FACADE)
37
> WATER COLOR PERSPECTIVE | VIEW TO SKY (EAST FACADE)
> SECTIONAL STRUCTURE MODELS (NORTH FACADE)
38
39
> WATER COLOR PERSPECTIVE | VIEW TO PROJECT (NORTH - WEST)
40
> WATER COLOR PERSPECTIVE
VIBRANT WIT | SUMMER STUDIO (URBANISM) 2015 ADVISOR : JAMES ALLEN LOCATION : SOUTH END | BOSTON
41
Unlike regular public conventional buildings that programs are allocated specific rooms, the design allows spaces flow into each other seamlessly on an undulating plane. Therefore, programs change through curves and ramps, which also created public spaces beneath. The experience of meandering through the building challenges traditional notions of movement as strictly vertical and horizontal.
42
> CONCEPT DRAWING
From
site
analysis,
understanding
this
particular city block in relationship with city boundary. The site anchored between highway and residential zone of the Southend, making it to be the unique connection.
> FORM GENERATION
43 > EXISTING BUILDING INFLUENCE
> URBAN OPENING
> SITE FORCE DIAGRAM
> NATURAL ELEMENTS
44
> FLOOR TOPOGRAPHY
> SECTION
45
> FLOOR PLASTER MODEL
46
> SECTION PERSPECTIVES
> MORNING LIGHTING
47
> NOON LIGHTING
> AFTERNOON LIGHTING
48
> REVIT RENDERING | SCARED SPACE UNDER THE REFLECTING POOL
DUALITY WIT | FALL STUDIO (URBANISM) 2015 ADVISOR : HERMAN ZINTER LOCATION : WIT CAMPUS | BOSTON
49
The religious center focuses on the duality of the spaces, the materials, and the structure. Project provides the user with dynamic entry sequences, interior/exterior gathering spaces and overall unique experiences. Vertical and horizontal circulation allow user slowly ascend down to the sanctuary space. Public and private programs intertwined with each other yet organized in different elevation, creating their own existence in the project.
50
> PROPOSED LANDSCAPE ON SITE CONNECTS TO CITY
51
> PROPOSED VIEW THROUGH EXISTING HIGH-RISE BUILDING
> FOLLOWING THE EXISTING BUILDING GRID
52
> HIERARCHY OF VARIES PROGRAMS
> SLOPED ROOF FOR MAXIMUM NATURAL LIGHTING
1
2 DN
DN
3 DN
4
> 1ST FLOOR
> CONCRETE STRUCTURE WALLS
53
UP
UP
> G FLOOR
> REFLECTED CEILING PLAN
54
> SECTION (NORTH - EAST CUT)
55
56
> 3DS MAX RENDERING
HENJI MALL RESIDENTIAL COMPLEX SUMMER 2014 ARCHITECTURAL INTERNSHIP GUANGZHOU | CHINA 57
> Intern at firm specializing in large scale residential and shopping mall design > Worked with principle and managers during major design stage > Utilized SketchUp and AutoCAD during schematic design for circulation and massing of the mall > Proposed design for the bridging form of community garden between two residential towers
58
> 3D MODEL
> SOUTH ELEVATION
59
> NORTH ELEVATION
60
> MATTER DESIGN - INSTALLATION
BIGGER THAN A BREAD BOX SPRING 2015 ARCHITECTURAL INTERNSHIP BOSTON | USA 61
> Intern with Rob Trumbour, Associate Professor of Architecture at Wentworth Institute of Technology (Boston, MA), a founding partner in the design/research practice KhĂ´ra > Gathered data and precedents for graphic design > Utilized Rhino, AutoCAD and Adobe suits on spacial layout and graphic design
TITLE
GALAN
SUBTITLE
GALANO EX
BODY
2 Columns, 18” wide, 150 words max Font: Size: Leading:
Source Sans Pro Light 48 pt 60 pt (should be +/- 120
> TEXT FONT AND SIZE STUDIES
Bigger than a
Breadbox
Smaller than a
Building From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
62
PRACTICE
a vehicle for inquiry or questioning for the purposes of shaping or defining one’s approach or identity.
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting. From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
Alibi Studio Second Story
PARTICIPATION
Interboro Partners Project’s Title
author and audience become active participants within the work of this category. Performance, theater and spectacle are all viable areas of emphasis.
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
1900s
10s
GEORGES BRAQUE STILL LIFE WITH HAROP AND VIOLIN
1911 PAUL CEZANNE STILL LIFE WITH APPLES AND PEACHES
F.T MARINETTI ZANG TUMB TUMB!
1912
1905
MARCEL DUCHAMP BICYCLE WHEEL
PABLO PICASSO STILL LIFE WITH CHAIR CANING & GUITAR, SHEET MUSIC, WINE GLASS
1913
1912
DAD
CUBISM/CUBIST COLLAGE
1905
1908
10s
1911
1912
1913
1908
1905
FIRST COMMERCIAL RADIO TRANSMISSION
1903
1903
1894
1912 SINKING OF THE RMS TITANIC
1900s
1892
1889
FIRST HEAVIER THAN AIR FLIGHT BY THE WRIGHT BROTHERS
HAVARD UNIVERSITY FOUNDED
WORLD POPULATION REACH 1 BILLION
THE AMERICAN CIVIL WAR BEGINS
1861
1804
EIFFEL TOWER OPENS IN PARIS
1503
CHIGACO HOST THE WORLD’S COLUMBIAN EXPOSITION
1636
FIRST COMMERCIAL FILM RELEASED
1450
MICHELANGELO RETURNS TO FLORENCE TO BEGIN STATUE DAVID
1310
1501
ALBERT EINSTEIN WRITE THE THEORY OF RELATIVITY
EARLY MODERN HISTORY
1439
LEONARDO DA VINCI BEGINS PAINTING MONA LISA
FIRST RECORDED OLYMPIC GAMES
FOUNDING OF ROME
753 BC
QUIN SHI HUANG UNIFIES CHINA, BEGINS CONSTRUCTION OF GREAT WALL
2400 BC
MIDDLE AGE
221 BC
LEON BATTISTA ALBERTI WRITES ON THE ART OF BUILDING
CLASSICAL ANTIQUITY
776 BC
JOHANNES GUTENBERG INVENTS THE PRINTING PRESS
LASCAUX CAVE PAINTINGS
GREAT PYRAMID OF GIZA
EARLIEST EXAMPLES OF ABSTRACT ART FROM SOUTH AFRICA
> GRAPHIC STYLE PRECEDENT STUDY FOR TIME LINE
2600 BC ESTIMATED TIME OF THE OLDEST SURVIVING LITERATURE
70000 BC
2500 BC
DANTE PUBLISHED THE DIVINE COMEDY
BRONZE AGE
15000 BC
ABACUS, FIRST CALCULATOR, INVENTED IN BABYLONIA
PREHISTORY
FUTURIST
> GRAPHIC MOCK-UP ON THE DISPLAY WALLS
NO BOLD 200 PT
BIGGER THAN A BREADBOX
XTRALIGHT 125 PT
SMALLER THAN A BUILDING learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used
0% of font size)
MATTER DESIGN Project’s Title Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
NADAAA Project’s Title Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting. From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
63
Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice. In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
Dunescape SHoP Architects 2000
CHRONOLOGY
CATEGORY
2000
MATERIAL WENDY
SUBWAVE
AFTERPARTY LAMINAR POCHE
PLAYA URBANA/URBAN BEACH
PRODUCTIONS TORQUEING SPHERES
CANOPY
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
Learns the campers’ names as quickly as possible and uses their names regularly counts or otherwise scans the group to make sure every camper is accounted for pays particular attention to which campers she or he sits with or walks with, and varies to build relationships with all campers pays extra attention to campers who require it smiles speaks in a pleasant voice to campers, even when telling them what to do; pleasant means reasonable volume, respectful, kind, a warm tone, and a manner that would be used when speaking with friends. sits with campers at large group events like lunch, morning gatherings, and special events makes transition time between activities interesting and fun (leads cheers, does songs, plays follow the leader, has group “sneak up” on another staff person) uses “unscheduled time” (waiting for lunch, etc) to lead games, have conversation, and other-wise engage campers
2005
Justin Diles Laminar Poche
PULP PARABOLA
SUR
PROCESS
BEATFUSE!
LIQUID SKY
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
POLE DANCE
PERISCOPE: FOAM TOWER
GEOMETRY
P.F.1 (PUBLIC FARM ONE)
CANOPY KISSING SPARROWS LIGHT-WING
PERISCOPE: FOAM TOWER
PLAYA URBANA/URBAN BEACH
HOLDING PATTERN
PROXY 10
SOFT ROCKERS
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and
CONRAD NEW YORK SUR
LANDWAVE
LANDWAVE
MYTHREAD PAVILION
CHANGE OF STATE
PROXY 10
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
PARTICIPATION
WENDY
COSMO
CONRAD NEW YORK
POLE DANCE
SECOND STORY
SUBWAVE
HY-FI
SYSTEMS
KISSING SPARROWS
MYTHREAD PAVILION
2015
SYSTEMS
COSMO
PRACTICE
LAMINAR POCHE
DUNESCAPE
SYSTEMS
LIQUID SKY
TORUEING SPHERES
P.F.1 (PUBLIC FARM ONE) SECOND STORY
PULP PARABOLA
ICD/ITKE RESEARCH PAVILION
FORTUNATO DEPERO PLAY FOR FOUR COLOURS: GREY, RED, WHITE AND BLACK
40s
50s
60s
70s
80s
90s
2000
KURT SCHWITTERS MERZBAU
PIERRE THIBAULT WINTER GARDENS
MARCEL DUCHAMP MILE OF STRING
1916 BRUNO TAUT GLASHAUS ARCHITECTURAL PAVILIONS
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
LUCIO FONTANA BLACK ENVIRONMENT
1923 FREDERICK KIESLER ENDLESS SPACES
MARCEL DUCHAMP FOUNTAIN
FILUM LTD., GESTURES
ANISH KAPPOR CLOUD GATE
JANET ECHELMAN AS IF IT WERE ALREADY HERE SHOP ARCHITECTS DUNESCAPE
1949
1949
JACKSON POLLOCK FULL FATHOM FIVE
1914
1917
1920S
CLAES OLDENBURG THE STORE
BALL-NOGUES GRAVITY’S LOOM
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting. From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and
MARC FORNES VAULTED WILLOW
METTE RAMSGARD THOMSEN VIVISECTION JESUS RAFAEL SOTO PENETRABLE
MICHAEL HEIZER DOUBLE NEGATIVE
Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
THOM FAULDERS MUTE ROOM
1947
In Bigger than a Breadbox, Smaller than a Building, BSA Space will explore the power of architectural installations by featuring works by architects and designers that use this medium to test new technologies and building techniques, while executing pieces that are both sculptural and visually arresting.
EVAN DOUGLAS AUTO BRAIDS / AUTO BREEDING
1961 ALLAN KAPROW 18 HAPPENINGS IN 6 PARTS
BAUHAUS
MARJETICA POTRC RAMOT POLIN UNIT WITH SUKKAH
1969 - 1971
1967
1973
1975
LAND ART
DA 1959
CONCEPTUAL ART WALTER PICHLER TRAGBARES WOHNENZIMMER (THE WEARABLE LIVING ROOM)
ABSTRACT EXPRESSIONISM
GORDON MATTA-CLARK CONICAL INTERSECT
1967
1972
1968
WALTER PICHLER TRAGBARES WOHNENZIMMER (THE WEARABLE LIVING ROOM)
HAUS-RUCKER-CO PASIS NO. 7
JEAN AUBERT, JEAN-PAUL JUNGMANN, ANTOINE STINCO STRUCTURES GONFLABLES
1977 - 1995
1977
RICHARD SERRA TILTED ARC
CHRISTO &JEANNE-CLAUDE WRAPPED REICHSTAG
1977
1984 - 1991
1991
CHRISTO &JEANNE-CLAUDE THE UMBRELLA
DILLER SCOFIDIO + RENFRO TRAFFIC
KENNEDY & VIOLICH ARCHITECTS DRAWING ON SITE
1993
1998
DAN HOFFMAN RECORDING WALL
OFFICE DA MOMA FABRICATIONS
1984 - 1991
SURREALISM
S
1963
1962
1969
70s
1971
1969
1968
1972
1973
1974
1973
1971
1975
1976
1977
80s
1981
1983
1976
1974
1984
1986
1987
1986
1983
1989
90s
1991
1993
1995
1989
1987
1996
1996
1995
DOLLY THE SHEEP BECOMES FIRST SUCCESSFULLY CLONED MAMMAL
1968
ESTABLISHMENT OF THE WORLD TRADE ORGANIZATION
1967
FALL OF THE BERLIN WALL
1961
1959
1963
CHALLENGER DISASTER
1962
WORLD POPULATION REACHES 5 BILLION
1961
GPS BECOMES AVAILABLE FOR CIVILIAN USE
1958
1951
60s
STEVE WOZNIAK AND STEVE JOBS START APPLE COMPUTER
1959
SKYLAB, FIRST SPACE STATION, LAUNCHED
1946
1945
1958
WORLD POPULATION REACHES 4 BILLION
1951
CREATION OF ARPANET, EARLIEST INCARNATION OF INTERNET
50s
RAY TOMLINSON INVENTS E-MAIL
1949
RALPH H BAER INVENTS VIDEO GAME CONSOLE
1947
MARTIN LUTHER KING JR. DELIVERS I HAVE A DREAM SPEECH
1944
1941
1946
THE BEATLES RELEASE THEIR FIRST RECORD
1945
FIRST INTEGRATED CIRCUIT PRODUCED
1937
1934
1944
URI GAGARIN IS THE FIRST MAN IN SPACE
1941
WORLD POPULATION REACHES 3 BILLION
40s
WALTER ZINN INVENTS NUCLEAR POWER REACTOR
1931
1929
1937
FIRST IMAGES OF THE EARTH TAKEN FROM SPACE
1934
END OF WORLD WAR II
1931
COLOSSUS, THE FIRST OPERATIONAL ELECTRONIC COMPUTER, COMES ONLINE
MICKEY MOUSE IS CREATED AT WALT DISNEY STUDIO
1928
1927
30s
ATTACK ON PEARL HARBOR LEADS TO US JOINING WORLD WAR II
1929
JAPANESE INVADE CHINA, MARKING START OF WORLD WAR II
1923
1922
1928
ADOLF HITLER DECLARES HIMSELF FUHRER OF GERMANY
1927
CONSTRUCTION OF THE EMPIRE STATE BUILDING
1923
FIRST ACADEMY AWARD PRESENTED
1922
WORLD POPULATION REACHES 2 BILLION
20s
1918
1917 FIRST PULITZER PRIZES AWARDED
START OF WORLD WAR I
1914
1918
PHILO FARNSWORTH INVENTS ELECTRONIC TELEVISION
1917
END OF WORLD WAR I
1916
JAMES JOYCE PUBLISHES ULYSSES
1914
1998
2000
2001
2002
2003
2004
2005
2006
2007
2008
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SOFT ROCKERS
PRODUCTIONS ICD/ITKE RESEARCH PAVILION
30s
author and audience become active participants within the work of this category. Performance, theater and spectacle are all viable areas of emphasis.
HOLDING PATTERN
PARTY WALL
20s
proportion, shape, scale, interrelationships and dimension become the primary areas of investigation and inquiry.
BEATFUSE!
AFTERPARTY
Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
prioritizes method or means of making as the main focus or attention. It is an act or action as much as it is an object or artifact. Methods, means and ways of making become important aspects of study.
PARTY WALL
CHANGE OF STATE
From the earliest forays of Italian Futurists to the more recent provocations of Gordon Matta-Clark and Christo and Jeanne-Claude, installation has been a powerful tool to push the boundaries of architectural practice.
2010
properties, performance, effects and behaviors become the subject of inquiry in this area of focus. Similar to “Process” the act or perhaps the response of the material becomes paramount.
Clay Odom Productions
properties, performance, effects and behaviors become the subject of inquiry in this area of focus. Similar to “Process” the act or perhaps the response of the material becomes paramount.
HY-FI
DUNESCAPE
LIGHT-WING
MATERIAL
2009
2010
2011
2012
2013
2014
2015
a vehicle for inquiry or questioning for the purposes of shaping or defining one’s approach or identity.
64
> FRONT ENTRY | Rendered by Paul Arduini
LIBERTY MUSEUM COMPETITION | 4TH YEAR 2016 ADVISOR : CAROL BURNS | MICHAEL MACPHAIL LOCATION : LIBERTY ISLAND | NEW YORK TEAM : WILLIAM TOOHEY III | M.ARCH 2018 PAUL ARDUINI | M.ARCH 2018
65
The monolithic volume that rests on the site represents the people of the cause for social justice and civil rights; constantly surrounded by external pressure from society. A subterranean element organized with a procession of depiction galleries is seen rising, wrapping, cutting and fracturing the form, creating a powerful contrast between the two major programs of depiction and activism. The overall composition represents a holistic group of people bruised and fractured by violence and injustice but through strength and perseverance can remain standing through devastating hardship.
66
> GALLERY VIEW TOWARDS LOWER MANHATTAN | Rendered by Paul Arduini
67
68
SKETCHES 2015 -2016
69
When one travels and works with visual things architecture, painting or sculpture – one uses one’s eyes and draws, so as to fix deep down in one’s experience what is seen. Once the impression has been recorded by the pencil, it stays for good, entered, registered, inscribed. - Le Corbusier
70
> PRECEDENT STUDY SAINTE MARIE DE LA TOURETTE The sketches attempts and highlights the richness of the spatial sequence that one experiences while moving from outside to inside as well as from the dark to light spaces.
71 > VIEW IN THE CLOISTER
> VIEW INTO THE COURTYARD
72
>
SHANGHA I | S KY L INE IN T HE M ORNING
TR AVELING
2014 - 2016
73
In photography, the smallest thing can be a great subject. The little, human detail can become a Leitmotiv. - Henri Cartier-Bresson
74
>
LONDON | T HE S HARD
75
>
N EW YORK | THE ONE W ORL D T R ADE CENT E R
謝
强