陳武鎮畫集消失的家人 by nhrm

消失的家人系列︱陳武鎮畫集 Vanishing Family

Series ︱ Chen Wu-jen

「消失的家人」系列濫捕無辜的平民百姓劫掠身上財物再虐殺、棄屍

Vanishing Family Collection

許許多多家庭許許多多無墓可掃的清明節

Innocent civilians are captured

許許多多不知何日的忌日

Looted for their personal belongs before they are abused, killed and their bodies are dumped

— 陳武鎮 —

Many families Many tomb-less Tomb Sweeping Festivals Many unknown death anniversaries — Chen Wu-jen —

目錄 Contents

陳武鎮畫集 Chen Wu-jen

自序 PREFACES

圖版 PLATES

腳踝上的勳章│陳武鎮 Medal on the Ankle │ Chen Wu-jen

消失的家人系列 Vanishing Family Series 消失的家人 Vanishing Family 01

消失的家人 Vanishing Family 02

消失的家人 Vanishing Family 03

消失的家人 Vanishing Family 04

消失的家人 Vanishing Family 05

消失的家人 Vanishing Family 06

消失的家人 Vanishing Family 07

消失的家人 Vanishing Family 08

消失的家人 Vanishing Family 09

消失的家人 Vanishing Family 10

消失的家人 Vanishing Family 11

消失的家人 Vanishing Family 12

消失的家人 Vanishing Family 13

消失的家人 Vanishing Family 14

附錄：睡蓮與荷花 Appendix: Water Lily and Lotus

簡歷 Biography

自序 PREFACE

腳踝上的勳章陳武鎮│藝術家一位老年政治受難者拉起褲管，露出腳踝上當年遭受刑求留下的醜陋疤痕，周圍觀看的人臉上出現很複雜的表情：恐懼、噁心、同情、難以置信。同為政治受難者的我，在一旁審視那些表情，好奇又傷感。因為我認為腳踝上的不是傷痕，而是為理想犠牲後得到的勳章，一道疤痕，一枚勳章，亮麗而且耀眼。看到路邊一隻瘸了腳的狗，正常人的內心都會興起不忍之情。看到遭受家暴的婦孺，正常人免不了感到難過，甚至一掬同情之淚。刑求是人類施加於人類之暴行的極至，刑求的目的，就是以心理或生理難以忍受的手段要你認罪、要你作供，出賣自己、出賣朋友、出賣同志、出賣至親。於是施刑者創造出種種匪夷所思的花招，施刑者當時已經不再是人，沒有人性﹔施刑者成了魔鬼，顯現了魔性。受刑者可以不屈，繼續受苦，也可以屈服認供，暫時得到解脫。有的受刑者想到以小換大，供出自以為無關緊要的人，於是就有不識字又膽小的農夫成為政治犯的怪事。第二次世界大戰後，曾對無辜平民百姓施暴的納粹黨人和公職人員並不能以「承受上級命令不得不服從」而免於追究刑責。台灣的白色恐怖時期，在人人自危的氛圍之下，有許多人，或有意或無意，成為統治者的爪牙和幫凶。為得到較好的生活條件而加害他人。爪牙和幫凶的身份有文的，也有武的﹔有白道，也有黑道。在那樣的時代，能甘於寒微、不賣友求榮，竟需要相當的勇氣。

台灣也曾有一段時期，人會在工作場所或住家被帶走，就此音訊全無。再出現時已成了野外棄屍，或水面浮屍，身上有受虐傷痕，隨身貴重財物甚至手錶、皮鞋都已失落，有的人到今天仍無處尋索，不知是生是死。近十年來，我發表大量以白色恐怖時期人權傷害為題材的作品。有一位我敬重的老師來電關心，我是否一直走不出昔日曾坐政治黑牢的陰影。其實正因為完全走出來了，所以我才能够坦然面對自己的過去，面對台灣這一頁不堪的歷史。我以人權為題材，就如同畢卡索畫馬戱團生活、梵谷畫吃馬鈴薯的家庭、竇加畫洗衣坊疲憊的洗衣女工和練舞的芭蕾舞女一樣，關注社會較悲苦的一面。解嚴前後幾年，是我藝術創作日漸甦醒的時期，那時我以學生為模特兒，畫了許多內心鬱悶的少年像。由於居住蓮鄉白河附近，也畫了許多花朵全被剪掉出售的無花睡蓮。作為一個藝術創作者，有坐政治黑牢的親身體驗來當畫作題材，就某種角度而言，是既痛苦又幸運的事，一路走來，我受到不少公家機關的支持和民間團體的鼓勵，也受到多位社會賢達或公開或隱名的贊助，無條件的推介我的作品，感謝在心。

自序 PREFACE

Medal on the Ankle Chen Wu-jen │ Artist

An elderly ex-political prisoner raised his trouser legs to reveal the horrible scar on his ankle from torturing at the time. Those around him showed a mixture of expressions: fear, disgust, sympathy, and disbelief. As a fellow ex-political prisoner, I quietly surveyed the bystanders’ expressions in curiosity and sadness. I believe those are not scars on his ankles, rather, I see them as medals received after sacrificing for his belief; to me, each scar is like a dazzling and resplendent medal. Normal people will feel a sense of sympathy when they see a crippled dog on the roadside or even shed tears when they witness women and children suffer from domestic violence. Torturing is the ultimate form of violence someone can inflict on other human beings; the purpose of torturing is to make you admit to your guilt or sell out yourself, friends, comrades, or even your close relatives via unbearable psychological or physiological means. Therefore, the torturers devised myriads of unthinkable tricks. They were no longer humans with flesh and blood; instead, they became demons with evil personalities. The tortured can either remain unyielding and continue his/her suffering, or admit to being guilty and receive temporary salvation. Some of the tortured believe they could get away by giving up someone whom he regard as less important, hence illiterate and cowardly peasants often became political prisoners. After WWII, Nazi party members and public servants who have exerted violence on innocent civilians were not pardoned by using “obeying a direct order from the superior” as an excuse. During the White Terror in Taiwan, everyone felt they were at risk and many people became the minions or accomplices of the ruler, knowingly or unknowingly. In order to obtain a better living condition, they often inflicted harm on others. The identity of minions and accomplices can be categorized as civil and military, or police and mafia. During that time, to remain humble, poor, and not to betray one’s friends for personal gain required a certain degree of courage.

At one point in Taiwan, people were taken away at work or from their homes and vanished without a trace. When they were eventually found, their bodies were either dumped in the wild or floating on water. With their bodies covered in scars, the victims’ valuable personal belongings such as watches or leather shoes were also often missing. For some people, they were never found and no one knew whether they were alive or not. For the past decade, I have created a lot of paintings on human right abuses during the White Terror era. One respectable teacher called me to express his concern about whether I can be liberated from my haunted memories of the political prison. Actually, I have, therefore I can face my past experience of being a political prisoner and the unspeakable history in Taiwan with an open mind. Inspired by the subject of human rights, I pay attention to this more miserable side of society, just like Picasso painting the life of a circus family, Van Goth’s painting “The Potato Eaters”, Degas’ tired “Laundry Maids” and “Ballet Dancers” practiced. The few years before and after the lifting of the martial law was the period of awakening for my artistic creation. At the awakening time, I used students as models to paint the portraits of many depressed youths. Since I lived near the lotus township of Baihe, I also pained lots of flowerless lotuses that have had their flowers removed for sale. As an artist, to have the personal experience of being locked up in a political prison is both a curse and a blessing. Along the path of my creation of paintings on human right abuse, I have received support from numerous government institutions and encouragement from civil organizations. I also have received some personal sponsorship, either publicly or anonymously, they have unconditionally recommended my work to the public. I am grateful for that.

消失的家人 Vanishing Family 01 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 112 cm X 2

消失的家人 Vanishing Family 02 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 左 112 cm X 112 cm 右 112 cm X 140 cm

消失的家人 Vanishing Family 03 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 140 cm X 112 cm X 2

消失的家人 Vanishing Family 04 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 140 cm X 2

消失的家人 Vanishing Family 05 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 112 cm X 2

消失的家人 Vanishing Family 06 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 112 cm X 2

消失的家人 Vanishing Family 07 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 112 cm X 2

消失的家人 Vanishing Family 08 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 140 cm X 2

消失的家人 Vanishing Family 09 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 140 cm X 2

消失的家人 Vanishing Family 10 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 112 cm X 2

消失的家人 Vanishing Family 11 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 左 112 cm X 140 cm 右 112 cm X 112 cm

消失的家人 Vanishing Family 12 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 112 cm X 2

消失的家人 Vanishing Family 13 2010 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 140 cm X 2

消失的家人 Vanishing Family 14 2011 油彩畫布 Oil on Canvas 雙併幅 Double painting 112 cm X 140 cm X 2

睡蓮與荷花 Water Lily and Lotus

附錄 Appendix

荷蓮 Water Lily and Lotus 1 油彩畫布 Oil on Canvas 2000 25M

荷蓮 Water Lily and Lotus 3 油彩畫布 Oil on Canvas 2000 25M

荷蓮 Water Lily and Lotus 4 油彩畫布 Oil on Canvas 2000 25M

荷蓮 Water Lily and Lotus 2

荷蓮 Water Lily and Lotus 6

荷蓮 Water Lily and Lotus 7

油彩畫布 Oil on Canvas

1999 25M

荷蓮 Water Lily and Lotus 5 油彩畫布 Oil on Canvas 2000 25M

荷蓮 Water Lily and Lotus 8 油彩畫布 Oil on Canvas 2000 25 P

荷蓮 Water Lily and Lotus 9 油彩畫布 Oil on Canvas 2000 25P

荷蓮 Water Lily and Lotus 11

荷蓮 Water Lily and Lotus 12

荷蓮 Water Lily and Lotus 15

油彩畫布 Oil on Canvas

2000 25P

2000 6F

荷蓮 Water Lily and Lotus 16

荷蓮 Water Lily and Lotus 17

油彩畫布 Oil on Canvas

2000 80cm X 30 cm

2000 80cm X 25 cm

睡蓮 Water Lily 4

睡蓮 Water Lily 5

睡蓮 Water Lily 6

油彩畫布 Oil on Canvas

1997 25M

睡蓮 Water Lily 8 油彩畫布 Oil on Canvas 1997 25M

睡蓮 Water Lily 9 油彩畫布 Oil on Canvas 1998 25M

睡蓮 Water Lily 10 油彩畫布 Oil on Canvas 1998 25M

睡蓮 Water Lily 13 油彩畫布 Oil on Canvas 1998 25M

睡蓮 Water Lily 14 油彩畫布 Oil on Canvas 1998 25M

睡蓮 Water Lily 15 油彩畫布 Oil on Canvas 1998 25M

睡蓮 Water Lily 16 油彩畫布 Oil on Canvas 1998 25M

睡蓮 Water Lily 20 油彩畫布 Oil on Canvas 1998 25P

睡蓮 Water Lily 21 油彩畫布 Oil on Canvas 1998 25P

睡蓮 Water Lily 17

睡蓮 Water Lily 18

睡蓮 Water Lily 19

油彩畫布 Oil on Canvas

1998 25M

1998 25P

睡蓮 Water Lily 22 油彩畫布 Oil on Canvas 1998 25P

睡蓮 Water Lily 24 油彩畫布 Oil on Canvas 1998 25P

睡蓮 Water Lily 25 油彩畫布 Oil on Canvas 1998 25P

睡蓮 Water Lily 23

睡蓮 Water Lily 26

睡蓮 Water Lily 32

油彩畫布 Oil on Canvas

1999 25P

睡蓮 Water Lily 27 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 28 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 29 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 30 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 31 油彩畫布 Oil on Canvas 2000 25P

睡蓮 Water Lily 34 油彩畫布 Oil on Canvas 2000 25P

睡蓮 Water Lily 35

睡蓮 Water Lily 37

睡蓮 Water Lily 40

油彩畫布 Oil on Canvas

2000 25P

睡蓮 Water Lily 36 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 38 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 39 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 41 油彩畫布 Oil on Canvas 1999 25P

睡蓮 Water Lily 48 油彩畫布 Oil on Canvas 2000 6F

睡蓮 Water Lily 49 油彩畫布 Oil on Canvas 2000 6F

睡蓮 Water Lily 44

睡蓮 Water Lily 45

睡蓮 Water Lily 46

油彩畫布 Oil on Canvas

2000 6F

睡蓮 Water Lily 50 油彩畫布 Oil on Canvas 2001 50P

睡蓮 Water Lily 51 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 52 油彩畫布 Oil on Canvas 1998 25P

睡蓮 Water Lily 53 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 64 油彩畫布 Oil on Canvas 2002 180 cm X 90 cm

睡蓮 Water Lily 54 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 55 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 56 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 57 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 59 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 60 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 61 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 62 油彩畫布 Oil on Canvas 2000 50P

睡蓮 Water Lily 63 油彩畫布 Oil on Canvas 2001 100P

陳武鎮簡歷 Biography, Chen Wu-jen

1949

出生屏東縣萬巒鄉佳和村

1961

屏東縣萬巒鄉佳佐國小畢業

1964

省立潮州中學初中部畢業

1969

台南師專美勞組畢業，分發台北縣萬里鄉大坪國小教師

1969

九月，入伍左營海軍新兵訓練中心，在性向測驗卷上書寫反對國民黨字句，

被以「叛亂罪」移送軍法審判

1970

以懲治叛亂條例第七條判刑二年，放棄上訴，發監台東泰源感訓監獄

1971

出獄後，先在高雄當英文書店店員，後在板橋當升學補習班導師

1973

補服兵役期滿退伍

1973

台南社教館個展

1974

回任台北縣萬里鄉大坪國小教師

1975

調任台南縣東山鄉東原國小教師、台南縣新營國小教師

1980

成功大學夜間部電機系畢業

1986

台南縣立文化中心個展

1988

國立編譯館國小美勞教學指引編審委員

1989

台北市民生藝廊四人聯展

2001

中正大學圖書館陳武鎮陳玉珠夫妻聯展

2004

台南縣新營國小美勞教師退休，專事創作

2007

三月，油畫作品「虛擬巨惡」十幅在總統府一樓展出

四月，文建會出版《夢回泰源》陳武鎮油畫集

十月，文建會《悲怨火燒島》曹開詩集插畫

十一月，綠島人權園區駐村三星期，創作「火燒島狂想曲」系列作品 43 幅

十二月，油畫作品「政治犯系列」「虛擬巨惡系列」共二十四幅在景美人權園區展出

2008

一月，油畫作品「虛擬巨惡系列」在台灣民主紀念館展出

二月，台南縣政府出版《虛擬巨惡》陳武鎮油畫集

三月，台南縣文化中心「夢回泰源」陳武鎮油畫邀請展

2010

通藝國際有限公司出版《風中的名字》、《山》兩冊陳武鎮油畫集

五月至十月，綠島人權園區《風中的名字》特展

十月，《判決書》油畫集出版

十二月，油畫作品「判決書系列」四幅在景美人權園區展出

2011

二月，高雄市立歷史博物館「消失的家人」特展

屏東美術館「夢回泰源」油畫邀請展

九月，屏東巴比頌畫廊陳武鎮「關於孤獨」油畫邀請展

2012

三月，高雄市文化中心「虛擬巨惡」油畫個展

陳武鎮簡歷 Biography, Chen Wu-jen 1949 Born in Jiahe Village, Wanluan Township, Pingtung County 1961 Graduated from Jiazuo Elementary School in Wanluan Township, Pingtung County 1964 Graduated from Provincial Chaozhou Junior High School 1969 Graduated from Department of Arts, NUTN and became a teacher at Daping Elementary

School in

Wanli Township, Taipei County 1969 September – Drafted into the Zuoying Navy Recruit Training Center; he underwent military trial for rebellion because he wrote down anti-MKT expressions on the aptitude test paper. 1970 Sentenced to two years imprisonment in accordance with Article Seven of the Act for the Control and Punishment of Rebellion. He abandoned his appeal and was incarcerated in Taitung’s Taiyuan Correctional Facility 1971 After he was discharged from prison, he worked as a clerk in a English bookstore in Kaohsiung and later became a tutor of a cram school in Banqiao 1973 He was discharged after completing his military service 1973 Solo exhibition at the National Tainan Social Education Hall 1974 Reinstated as a teacher at Daping Elementary School in Wanli Township, Taipei County 1975 Transferred to Dongyuan Elementary School in Dongshan Township, Taitung County and then to Xinying Elementary School in Tainan County 1980 Graduated from the Department of Electrical Engineering of the Night School of NCKU 1986 Solo exhibition at the Tainan Municipal Tainan Cultural Center 1988 Compilation and Review Committee member for the teaching guidance of elementary school art, NICT (National Institute for Compilation and Translation) 1989 Four-Artist Joint Exhibition at the Minsheng Gallery in Taipei City 2001 Chen Wu-jen and Chen Yu-zhu couple joint exhibition in the library of CCU

2004 Retired as the art teacher of Xinying Elementary School in Tainan County and became devoted to creation 2007 March – The “Virtual Monster” collection, consisting of ten oil paintings, was exhibited on the first floor of the Office of the President

April – “The memory of the white prison – Tai Yuan” oil painting album was published by the CCA (Council for Cultural Affairs)

October – “Sorrow and Hatred on the Island of Fire” Cao Cai poetry illustrations

November – Stayed at the Green Island Human Rights Cultural Park for three weeks to create the “Island of Fire Rhapsody” collection, totaling 43 paintings

December – 24 oil paintings from the “Political Prisoner” and “Virtual Monster” collections were exhibited at the Jing-Mei Human Rights Memorial and Cultural Park

2008 January – Oil paintings from the “Virtual Monster” collection were exhibited at the National Taiwan Democracy Memorial Hall

February – Tainan County Government published the “Virtual Monster” Chen Wu-jen oil painting album

March - Tainan Municipal Tainan Cultural Center hosted “The memory of the white prison – Tai Yuan” Chen Wu-jen oil painting invitational exhibition

2010 Tongyi International Ltd. published “Name in the Wind” and “Mountain” oil painting albums by Chen Wu-jen

May ~ October – “Name in the Wind” exhibition at the Green Island Human Rights Cultural Park

October – “Court Verdict” oil painting album was published

December – Four paintings from the “Court Verdict” collection were exhibited at the Jing-Mei Human Rights Memorial and Cultural Park

2011 February – “Vanishing Family” exhibition at the Kaohsiung Museum of History

“The memory of the white prison – Tai Yuan” oil painting invitational exhibition at the Pingtung Art Gallery

September – Pingtung Ba Bi Song Gallery hosted the Chen Wu-jen “About Loneliness” oil painting invitational exhibition

2012 March – Kaohsiung Cultural Center hosted the “Virtual Monster” solo exhibition

國家圖書館出版品預行編目資料

陳武鎮畫集 / 陳武鎮作 . -- 初版 . -- 新北市 : 國家人權博物館籌備處 , 2012.12 冊 ; 公分 ISBN 978-986-03-5286-3( 全套 : 精裝 ) 1. 油畫 2. 畫冊 948.5

101025806

作者：陳武鎮出版者：國家人權博物館籌備處發行者：王逸群總策畫：沈長在執行編輯：黃龍興、林靜雯校訂：陳玉珠地址：新北市新店區復興路 131 號電話：02-2218-2438 傳真：02-2218-2436 網址：http://www.nhrm.gov.tw 美術設計：酷樂子設計工作室出版日期：2012 年 12 月初版定價：新臺幣 600 元整 ISBN：978-986-03-5286-3 GPN：1010103645

陳武鎮畫集 消失的家人

陳武鎮畫集消失的家人