ABOOK MAGAZINE Issue 14

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前衛時尚藝術影像誌

PLAYGROUND

樂 園

樂．愛．人．生 藍心湄 打破時尚與藝術攝影的成規 ― 新一代攝影師 Ina Jang | 時尚界的藝術家新寵 ― Anselm Reyle | My Little Putti | Urban Mermaid | Girl’s Night Out At the Carnival | Paradise Lost | Drsire Empire | Technicolor Dreamcoat | Blind Justice | Dream Girl |

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ABOOK 意團隊文化事業有限公司 104 台北市內湖區港墘路221巷39-1號 Tel : (02)2657-1666 Fax:(02)2657-1555 Email : hello@abook.cc Website : www.abook.cc

監製 Supervisor | 張艾嘉 執行 Executive | 林炳存 Joshua Lin 創意總監 Creative Director | 尹培袞 Sean Yin 發行人 Publisher | 賀錫敬 Leo Ho 總編輯 Editor in Chief | 林特 翻譯編輯 Translation Editor | 姜怡凡 Annie Chiang 英國特駐 Overseas Editor | Linda Cooper 採訪編輯 Assistant Editor | 李佾樺 Tim Lee 視覺主編 Design Director | Alex Chang 視覺編輯 Visual Editor | 王培華 Hingis | 陳宛均 kye 攝影總監 Photography Director | 林威呈 Wei Lin 攝影編輯 Photography Editors | 林特 | 張騰元 | Eddie Chau | Linda Cooper | Cecile 造型總監 Styling Director | 林夢薇 Monfi Lin 編輯策劃 Executive Director | 趙欣、桑科 廣告行銷統籌 Advertising Director 蔡詠綸 Diana Tsai Mobile : 0955-289-298 E-MAIL : dianatsai888@gmail.com 顧問團隊 | 陽帆 | 廖鎮漢 | 詹仁雄 | 林知佑 | 廖曉喬 色彩管理 王振昇 | 行政管理 張騰元 總務管理 李佾樺 | 執行公關 星予公關

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CONTENT 總編輯的話 EDITOR’S NOTE

封面故事 COVER STORY

攝影觀點 PERPECTIVE

樂．愛．人．生 藍心湄

溫哥華日記 Vancouver Diary _ 林炳存 Joshua Lin

新銳特急 ABOOK EXPRESS

本地創作人事物 TAIWAN TALENTS 越是沈靜力量越大 ― 塗鴉藝術家Colasa 愛攝影的女孩與她的The HF Colletion 一日搖滾音樂節 A Rockable Day

打破時尚與藝術攝影的成規 ― 新一代攝影師 Ina Jang 時尚界的藝術家新寵 ― Anselm Reyle

時尚攝影 ABOOK FASHION

影像視界 ABOOK GAZE A Walk in Heaven _ 林特 Kate Linter

My Little Putti _ 林特 Kate Linter Urban Mermaid _ Linda Cooper Girl’s Night Out At the Carnival _ Jackson Chiang

來稿登錄：樂園 READER’S CORNER:PLAYGROUND

Paradise Lost _ 林特 Kate Linter Drsire Empire _ A Yuan Chang

吳承唐

Technicolor Dreamcoat _ 林炳存 Joshua Lin

Kelly Jill

Blind Justice _ A Yuan Chang

蕭希如

Dream Girl _ Kuan Chang Chen

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Editor’s Note 總編輯的話

總是在攝影棚的開放式閣樓裡，隨著閃光

In our open studio, moving to the beat

燈觸發的節奏，在攝影師、模特兒與造

of camera flashes, the photographer,

型師工作的各種聲音與氣味裡，我們工作

model, and stylist unleash their magic

著。

and practice their craft.

Ideas and creativity spout and shine. We

我們想著各種有趣的事，並使它發生；我

use pictures, words, and computers to

們拍照，我們寫字，我們剪接，我們一整

make our inner thoughts come to life.

天對著電腦螢幕，眼睛忙碌著，要把腦海 裡的畫面挖出來，讓大家看。

Perhaps, this is our playground. We carry on our shoulders the weight of

或許，這裡是樂園，某種程度上是的，這 裡背負著許多人的理想與夢想，也把許多 人理想與夢想的成果分享出去，而這也正

one’s dreams and ideals; we hold the obligation of producing the best with the utmost vigor and consideration. It is the significance of our existence.

是我們存在的意義。 Our magazine was born and bred in 我們是在攝影棚裡出生、長大的雜誌，跌

studio; we’ve faltered but got up strong-

跌撞撞，回過神來已經過了兩個一年。

er. With a blink of an eye, two years has

七百多個日子，對一個像樣的媒體與平台 來說，一點也不算長，所以我們也會一邊 堅持一邊繼續下去，在時尚攝影這個命題

passed, over 700 days we’ve existed. It may not be long but we maintain our persistence. Fashion and photography is our motif and our story continues.

下，說更多更多的精彩故事。 We welcome you, to join our playground. 然後，歡迎你，加入我們的樂園。

- 林特 -

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VANCOUVER DIARY 溫哥華日記

工作並不是生活的全部，生活才該是份全職工作，當工作已經開始不像 是工作，更像是人生不可或缺的一部份時，或許工作與生活的樂趣也開 始分不開… 上次拜訪溫哥華至今已是三十年前，當我再度造訪，張開雙臂迎接我的 是…加拿大入境事務處。花了將近兩個小時惡名昭彰「加拿大式」的審 訊之後，我終於踏進美麗的BC省，重新被Japa-dogs熱狗的氣味，與夏 日的清爽空氣迎接。 接下來的十天，我穿梭在鐵道鎮，深灣，里士滿，史蒂夫斯頓，羅布森 街（Robson Street），斯坦利公園，煤氣鎮，維多利亞…這些美麗的名 勝之間，溫哥華真的是一個美麗的城市，也給了我一些讓我永遠也不會 忘記的東西–過敏！ 於是在此行的最後幾天，我待在家，並且持續地讓面紙在雙手可及之處 出現。我想，我並沒有「年輕」到足以得到過敏，畢竟那不是一個與年 紀有關的症狀，但積極來說，我因此而多出許多空閒時間來整理那些， 幾天下來帶著謙卑的心情拍攝的，多種風貌的溫哥華。 你可以說我相機從不離手，那是因為我在鏡頭背後能夠找到安全感與自 在，或者應該說，攝影是我的樂園，是我思想情緒的通道。日記，人們 用寫的，我用拍的。

- 林炳存 -

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Work is part-time, life is full-time...but when work doesn’t feel like work, and when work becomes a crucial and imperative part of your life, perhaps then it is enjoyment of work and life combined...?

30 years since I last visited Vancouver and I was met with open arms...into Immigration. After spending two hours being infamously interrogated the ‘Canadian way’, I finally stepped foot into beautiful British Columbia and was greeted by the smell of Japa-dogs and a refreshing summer air.

My next ten days would be filled with travels to Metrotown, Deep Cove, Richmond, Steveston, Robson Street, Stanley Park, Gastown, Victoria...and the list goes on. Vancouver truly is a beautiful city and it gave me something I’ll never forget- allergies!

The last few days of my trip were spent at home with tissue paper constantly within hands reach. Euphemistically speaking, I didn’t think I was young enough to get allergies, but I’m told it’s not an age thing. On the positive side, I had time to organize all the photos I took, all of which were my humble attempts at capturing the amazing scenery and multi-faceted sides of Vancouver.

One can say that the camera never leaves my hand, as if I find security and comfort behind the lens. However, I see photography as being my playground- it is a portal for my thoughts and emotions. People write diaries, I just shoot mine.

-Joshua Lin-

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UNCONVENTIONAL FASHION AND ART PHOTOGRAPHY INA JANG

打破時尚與藝術攝影的成規 — 新一代攝影師 Ina Jang On the Paper 在。紙。上

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P HOTO G RAP HY Ash Fa n g TE XT Ka te L i n te r 林特

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關於 Ina Jang

巨大疏離感的作品

人如作品的 Ina，就像她作品表現出的簡

在創作的過程中，Ina 曾經非常掙扎於找

作 品 主 題 圍 繞 著 身 體 與 物 件， 因 此 Ina

單氣息一樣，是個話不多的女孩，從小流

尋適合的拍攝場景，她走遍了紐約布魯克

Jang 也曾受時尚雜誌之邀發表作品，也

連於世界各個文化大城，深深受到東京與

林的廢棄公寓、車庫、廢墟，但很快的她

參加了法國以時尚攝影為主題的 hyeres

紐約兩端巨大的文化衝擊，與大城市特有

發現該把注意力放在拍攝的主題本身，也

攝影節。

的疏離與冷漠，Ina 並不否認性格裡孤僻

發現紙是一項有趣的道具，於是開始利用

的自己，沾染了陌生環境的疲憊情緒，反

紙來實驗。 Ina 說，拍攝前他會有許多手

Ina 不去定義或分類自己的攝影作品，而

而在日常的物件裡，找到了創作所帶來的

繪草稿，並根據草稿去執行作品，她的創

把決定權交給觀者，讓觀者決定作品該放

自由。以時尚攝影為學習背景的她，自從

作過程和傳統的平面設計是很類似的，

在哪裡，「或許是藝術，或許是時尚的，

作品登上於當代攝影具有影響力的 foam

「那是一個實際與被攝物件建立關係的經

也或許什麼都不是。」曾經她視攝影為生

雜誌封面，Ina Jang 在紐約逐漸成為受到

驗。」

活的一部分，大量地拍攝，「現在我視拍 照為一項工作，常在拍攝之前有非常多的

矚目的新一代攝影師，轉而在藝術攝影中 踏出了穩穩的一步。

東方文化的印象

長期獨自生活的 Ina，靈感常來自於獨處

思考，每當抓起相機時，我會希望拍攝的

時生活中的小事，將作品畫面中一部份訊

內容該有些意義，或許是想太多了，我希

息覆蓋，進而轉移視覺重心，留下大量空

望以後會回到常常拍照的狀態。」

白。有一段時間她著迷於拍攝自己的妹 妹，但隻身前往紐約時只得重新尋找模特

喜愛時尚的 Ina 和許多女攝影師一樣，喜

兒，「我喜歡拍攝人物，獨自在紐約街頭

歡大量的黑色和極簡風格的剪裁。目前正

尋找的人物固然有趣，卻發現我無法完成

在 使 用 中 的 相 機 則 是 Mamiya 7，Nikon

夠好的作品，來填補這些人為了我而花費

Fm2， 和 Canon 5DII，「 我 曾 經 很 執 著

的時間，也發現對於他們，並不像我對妹

在底片相機上，但現在對作品的概念更為

妹一樣帶有特殊的感情，在照片裡陌生人

執著，所以數位的工具對我來說也是一樣

的臉，對我來說是無法聯結的，去除特徵

的。」

以後，讓我更輕易地能去想像並相信他們 是任何人。 」 大量的留白和空間感，被遮蔽的信息， Ina 的作品有著乾淨卻難以定義的疏離情 緒，但也留給觀者許多空間去猜想作品中 的故事。

On the Paper 在。紙。上 7/20-9/23 頡學空間 KUGALLERY 台北市大安區四維路 14 巷 9 號 WWW.KUGALLERY.COM

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About Ina Jang In person, Ina embodies a simplicity and elegance that is also beautifully translated into her work. Since a young age, Ina has travelled to many different cities around the world including New York City and Tokyo; though her innate and quiet demure is somewhat opposing to the hostile and uninviting aura of the big cities. Ina does not refute her somewhat anti-social personality and her exhaustion from living in unfamiliar environments. Thus, Ina finds freedom and release through her work. Having a strong background in fashion photography, Ina’s work was featured on the front page of Foam Magazine. Ever since, Ina’s career has catapulted and she has quickly become one of the most anticipated new photographers in New York City.

her own sister, but when she moved to New York she had to seek out new subjects for her camera. Ina says that she likes to photograph people, but somehow, the strangers she photographs on the streets lack a familiarity and relatable emotion that she finds in her own sister. Thus in Ina’s photos, human facial features are usually removed, which make it easier for her to believe that they are anybody she wishes them to be.

Ina’s work appears clean and fresh upon first glance, however it is deeper in meaning you will find its embodiment of indescribable colors and focal points create complexity and story.

About Photography and Fashion

Disconnection Can Produce Great Work

Ina has many times been invited to publish her work in fashion magazine, and has also attended the “Hyeres International Festival of Fashion and Photography” in France.

During her creative processes and photoshoots, Ina oftentimes find it difficult to find the right setting for a shoot. She used to walk around Brooklyn, peering into abandoned buildings, car parks, and ruins, but quickly realized that her photos somehow lost meaning; Ina realized that she should actually be placing more focus on the main theme or subject of her photo.

It is then that Ina started experimenting with the idea of using ‘paper’ as a prop.

Before each shoot she’d draw an outline or sketch, and then use that sketch as a reference point for her photo. Ina says that this way “it’s a practical method of creating a relationship with the actual object of the shoot”.

Ina does not try to categorize or give specific meaning to her photos; to her it may be artistic, it may be high fashion, it may be nothing. Rather, Ina likes to give the power to the audience and let them decide on what they feel. Ina used to view photography as part of her life, but now she recognizes it as more of her job. Before she picks up her camera, there’s so much thought and planning that precedes it, which sometimes makes her feel like she’s thinking too much about things. One of her wishes is to return to how she used to be and to just take photos without any premeditated thought or planning.

Having lived alone for a long time, Ina’s inspiration comes from times of isolation and from things around her. For a period of time, Ina was obsessed with shooting

As a fashion addict her-self, Ina enjoys black colors and simple designs. She currently uses Mamiya 7, Nikon Fm2, and Canon 5DII cameras.

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ANSELM REYLE FASHION INDUSTRY’S NEW IT-MAN! 時尚界的藝術家新寵 Anselm Reyle P HOTO G R A P H Y T E X T L in ter

K u an - C h a n g C h en

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時尚 X 藝術的文化跨界— 關於 Anselm Reyle

從日常的片段尋找現代藝術的線索

東方文化的印象

作品帶著現代藝術時尚色彩的 Anselm，對時尚二

Anselm 對亞洲並不陌生，在德國教學時有許多學

時尚總是走在最前端，為了能夠反應當下時代的社

字並沒有太多的概念，於生活周遭的事物卻有著驚

生是亞洲人，一周內有兩次吃的是中國料理，也去

會現狀，需要更多文化養分，而藝術則是最營養的

人的感知力，無論是汽車烤漆，或是城市裡的霓虹

過韓國和印度旅行，除了在孟買感受到些許文化衝

文化，兩者結合，一出一入，一拍即合。從 LV 開

燈管，他無意識地與這些物件邂逅，進而發現這些

擊以外，這次因為舉辦展覽的台灣之行也充分體驗

始與日本藝術家村上隆合作之後，世界時尚精品巨

素材在創作上的可能性。在 Anselm 作品中大量出

到夜市的豐富視覺感受，他說，夜晚的招牌燈、小

頭 LVMH 集團之一的 Dior，又傳出與藝術家合作的

現的鋁箔，壓克力，和鏡子等，都是生活手邊隨處

攤販，還有食物的顏色非常鮮豔，看板上看不懂的

可得之物；他深深受到這些物件反射光線的有趣特

中文對他來說也像是抽象的圖案，一切都像是進入

性吸引，開始以這些素材來創作，並且受到畫廊老

一個奇異的世界一般，刺激著他的感官。

消息。 Anselm Reyle 是德國當代藝術家，在全球各大城

闆的鼓勵，繼續在這個脈絡上進行作品。 藝術上，他喜愛著邀請他到台灣 Kaikaikiki Gallery

市柏林、西班牙、巴黎、紐約、丹麥、東京等地都 參與過並舉辦過大型展覽，於德國漢堡大學擔任

在創作的過程中，許多作品花費了時間和心血去思

辦展覽的日本藝術家村上隆的作品，Anselm 覺得

繪畫教授的他，對現代藝術有深刻的研究；在許

考和創作，但某些不夠滿意的未完成品就會被放置

村上的作品擁有自己的世界觀，而這個世界也是從

多重量級藏家之間，包括佳士得拍賣公司老闆皮

會丟棄在工作室的角落，Anselm 突發奇想地把這

日本文化中衍生出來的。

諾 (François Pinault)； 一 手 捧 紅 赫 斯 特 (Damien

景象拍下，加上一些霓虹燈管之後 , 反而變成一項

Hirst) 的薩奇 (Charles Saatchi) 等等，都大受好評，

新的作品，他說，有時候剩下不用的作品，常常反

且在去年受 Christian Dior 邀請，成為新一代與時

而比拿出去公開展覽的作品有趣，有時其實也分不

尚合作的藝術家，推出一系列融合 Anselm Reyle

太清楚哪些是創作品，哪些是廢棄不用的材料，比

創作元素的時尚商品，為時尚界注入了一抹鮮豔的

如說畫畫時候滴落地板的顏料，形成的圖案比畫布

色彩。

上的更有趣，更有感覺，而他的作品就是為了這樣 的概念而作。

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Cultural Mix of Fashion x Art The fashion industry always seems to be ahead of the pack; its success to reflect on current social norms, or rather to influence norms, comes from its ability to collect a plethora of information from all aspects of human culture and translate that into aesthetically pleasing garments for wearing. The traditional art genre is often the source of fashion inspiration and what started as an innovative collaboration between Louis Vuitton and contemporary Japanese artist Murakami Takashi, has now created a trend within the industry where international luxury brands are teaming up with the fine arts to push the boundaries of fashion creativity.

I n 2 0 1 1 , LV M H g r o u p a n n o u n c e d i t s collaboration with German contemporary artist Anselm Reyle to create a series of luxury designs for Christian Dior. Anselm Reyle studied at the Stuttgart State Academy of Art and Design and teaches drawing and painting at the University of Hamburg. Reyle’s work has been showcased in major cities and countries around the world, including Berlin, Spain, Paris, New York, Denmark, and Tokyo. Reyle is one of Germany’s most coveted abstract and formalist artists of today, Combined with his profound understanding of modern art genres, his work has become extremely favored by heavyweight art collectors such as Francois Pinault (Christie’s/PPR), Damien Hirst, and Charles Saatchi.

Artistic Clues Within the Everyday Life Reyle’s work is full of modern style and color, yet he is actually clueless about fashion.

Reyle’s ability, however, to visualize the artistic elements within every-day objects gives life and excitement to non-traditional art materials such as PVC-foils, acrylic, neon parts, and mirrors. It is his fascination with everyday materials that has allowed Reyle to establish a distinct artistic style of his own and gain popularity amongst gallery owners and art collectors.

Impression of Asian Culture Reyle is quite familiar with Asia as a lot of his students back in Germany are Asian. He eats Chinese food once or twice week, and has vacationed in Korea and India in the past.

Besides truly feeling a sense of culture shock in Mumbai, Reyle says that his first trip to Taiwan had been full of fascination and new discoveries. Taiwan’s night markets, neon lights, and letters that he didn’t understand, were actually abstract inspirations for him and explosively stimulated his senses.

Artistically, Reyle says that he is a fan of Japanese artist Murakami Takashi as there is this unique worldly-view present in Takashi’s work that is evidently drawn from Japanese culture and its influences.

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My Little Putti PHOTO G R AP H Y K ate Li n ter 林 特 PHOTO G R AP H Y A SS I S TA N T A s h Fa n g / Ku a n Ch a n g Ch e n FASHIO N DE S I G N C h el s e & C h oc ST Y L ING M on f i Li n MOD E L Sau le @ Fel i z

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有種形容叫做「眼睛吃冰淇淋」 意指看見很美好的事物 假設眼睛彷彿到遊樂園玩了一遭 就令人好奇 眼睛到底看見了什麼？

就像圓圓嫩嫩的愛神邱比特 眼睛要很用力地 愛著這世界 愛著這所有人共有的樂園

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ABOOK FASHION

ISSUE 14

SEPTEMBER 2012

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P HOTOG R AP HE R Li n d aC oop er CLOT HE S B R A N D N Y M P HA DE SIG N E R S A d ele Li u t ku te, K ai S u ed e, E r i ka Da r k M AK E U P N h u n g Tr i n h BO DY AR T K a i S u ed e H AIR A d o ma s A d on i s , J am es Wool ford M O D E L I ss y , E r i ka D ar k / A d om a s A d on i s / Ja me s Wo o lfo rd / Gu n te r Bu sta ma n te

URBAN MERMAID

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GIRL’S NIGHT OUTAT THE CARNIVAL PHOTO G R AP H Y J ac ks on " R ed f l as h " C h i a n g MAK E U P Tom m y C h i a n g & S a ra h Li n HAIR Su m m er C h en g & S y l i v i a Lu ST Y L ING V i v i a n C .

MOD E L Ta y lor E d w a rd s on / A l a n n a Wa rd / Nya le m Wa n / L i n n a Hu yn h / Ka n i ka S a sa n LO CAT IO N P N E ( Va n cou ver , B C , C a n ad a )

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真正時尚達人的本質，是隨時隨地都擁有魅力的姿態，無論是男性女性，透過個 人風格與身體上的自信，所有人都被賦予時尚的權力，這權力並不代表智力的背 叛。同時擁有外表，腦袋，和玩樂，或許才是現代人該有的生活態度。

駐於溫哥華的台灣攝影師Jackson Redflash，從小被許多不同的審美與文化 包圍著，多元文化讓溫哥華成為新創意與全球潮流的溫床，無關種族，無關膚 色，Jackson的作品總是呈現積極感，也是人類和諧相處的寫照。

溫哥華在他的眼裡，就如同一顆寶石。

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Looking Good Any-time, Any-where The essence of a true fashionista is a ready-to-go, glamorous attitude. Female empowerment through individual style and physical confidence should never be regarded as derogatory nor a betrayal of a woman’s intelligence. Looks, brains, and FUN! We can have it all.

Mosaic of Cultures? Or Partying It Up Canadian-style?

Vancouver-based, Taiwanese photographer Jackson Redflash grew up being surrounded by different ethnicities and cultures. The multiculturalism of Vancouver is what truly makes the city a breeding ground for fresh ideas and a convergence of global trends. Japanese, Chinese, Vietnamese, African-American, European‌ no matter the race, no matter the color, the perfect imagery is more than just aesthetic beauty but a portrayal of positive thought and human harmony.

Vancouver truly is a gem.

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PARADISE LOST PHOTO G R AP H Y K ate Li n ter 林 特 PHOTO G R AP H Y A SS I S TA N T A Yu a n C ha n g MAK E U P & H A I R M on f i l i n FASHIO N S h u Hu a i C h a n g MOD E L R e el i ka @ Fel i z

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墮天使在背叛了神 誘惑了亞當與夏娃 之後 那晚的夢境 反而比以往更為真實 甚至更甚於自己所處的時空 那是一個日夜錯置的世界 失樂園裡 除了永無止境的墜落 連一片虛無 都留不下

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DESIRE EMPIRE

P H OTO G R A P H Y

A Yu a n C h a n g

ST Y LI N G M on f i Li n M O DE L 趙 曉 賢

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TECHNICOLOR DREAMCOAT

P HOTO G R APH Y J os h u a Li n ST Y L IN G M o n f i Li n M O D E L A l in a @ D ol l s E Y E WE AR K DX

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萬花筒一般的斑斕色彩，總是象徵著豐富的想法：希望，快樂，有趣，具有魅力與想像力的元素，或許 英國名劇作家安德魯韋伯的音樂劇「約瑟夫與神奇彩衣」，才能名正言順地，成為童年夢想家那令人驚 奇創意的寫照與縮影。

走出既有的框框，並且融合所有藝術的線索與所謂主流文化，是Abook一直以來的靈感來源與動機。 於是穿上屬於自己的神奇彩衣，如此便可以保有獨創，個性，與創造力。

Andrew Lloyd Webber’s musical “Joseph and the Amazing Technicolor Dreamcoat” is perhaps the perfect portrayal of the childhood dreamer and the epitome of creativity and wonder.

A kaleidoscope of colors have often come to symbolize a plethora of ideas and a representation of hope, fun, and a glamorously wild imagination.

Stepping out of the box and criss-crossing artistic elements with the so-called mainstream has always been the backbone and spirit of Abook. To put on your own dreamcoat each day and everyday, is perhaps the most persistent step you can take to safeguard your creativity, originality and individuality.

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BLINDJUSTICE

P H OTO G R A P H Y A Yu a n C h a n g M A K E U P & H A I R M on f i l i n M O DE L R eel i ka @ Fel i z

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PHOTO G R AP H Y K u a n ST Y L ING M on f i Li n MOD E L A n ya K . @ Fel i z

DREAM GIRL

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樂園 對男孩來說 有著心儀女孩的夢中就是原始又單純的樂園 她的舉手投足 一顰一笑都強烈的牽動著心房 就算只是望著她的背影 也覺得心滿意足 然而 一切畢竟都只是夢 也因為是在夢裡 可以隨心所欲的同時 卻又有著無法觸及的距離 若有似無 美好卻短暫容易幻滅

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LOVE FOR LIFEPAULINE LAN 樂 ˙ 愛 ˙人˙生 藍心湄 PHOTO G R AP H Y

J os h u a Li n

T E XT K a te Li n ter 林 特 ST Y L IST & M A KE U P 張 景 凱 HAIR ST Y L E 吳 依 霖

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電視台化妝室的藍心湄，靜靜吃著自備的午餐，邊

覺得是可以的，如果再晚一點的話，我都五十歲

化妝準備節目的錄影，親切的問好，沒有一點明星

了，可能也就懶了，體力也不行了。」

架子；MV拍攝現場的藍心湄，活力四射，發出的 是專業藝人的魅力光環。自1984年出道以來，幾乎

這次演唱會的海報，令人注目的看點是全身塗黑的

年年出一張音樂專輯，跨足綜藝與戲劇，至今仍對

特殊化妝，「其實塗黑的效果，早在22年前就作過

自己的工作充滿熱愛，過著精彩的人生。

了。」當時並沒有電腦後製技術，所以化妝時必須 土法煉鋼，花了很長時間，連胯下都要塗均勻，而

工作就是人生的樂園

也是當時的化妝師Roger鄭健國很堅持的事情。

「我非常享受工作的樂趣，一直都樂在其中，也不

以現在的技術來看，如果有一些小瑕疵，都能進電

覺得有任何好抱怨的事。唯一辛苦的可能是拍戲時

腦處理。但科技再進步，動畫與修片技術再先進，

的等待過程，有時候可能是道具還沒準備好，或是

有一件事是電腦無法克服的，也無法被取代，「那

種種原因而delay，其實現在台灣的電視戲劇環境有

就是人的味道，皮膚呼吸的味道，細紋，毛細孔，

些讓人不敢苟同，時常讓演員在現場等劇本，後來

態度等等，而這也是我們堅持所在」藍心湄認真地

我才放棄了八點檔的戲劇，其實我很少放棄，因為

說。「我們覺得只有真正土法煉鋼，一比一畫去

我真的很愛我的工作。」

塗黑，才能真的產生強烈的視覺效果，也才能去感 動人，比起用電腦動畫，我們還是會選擇原本的做

演藝圈並不是一條好走的路，保持活力的訣竅，

法。」

「是熱忱，」藍心湄說。「演藝圈是一個讓人充滿 憧憬的工作，許多年輕人趨之若鶩，光是看見光鮮

說到演唱會的看點之一，莫過於造型了，一向以大

外表，卻不瞭解整個環境與背後辛苦的一面，缺少

膽前衛的造型登場的藍心湄說：「

真誠和熱忱，以為要當明星當藝人很簡單。面臨挫

一個幾乎全裸的造型，因為全裸又要有高級感，布

折考驗的時候，要了解問題之後再來想解決的辦

料的選擇就變得很重要，手工的縫製又會不會影響

法。」無論如何，抱持樂觀正面的態度，並且認真

舞蹈動作，之類需要注意的事情有很多，最貼近皮

作自己，是她的生存訣竅。

膚的衣服是最難做的，其實誇大的造型相對來說反

我很期待其中

而是比較容易的。」 平順的人生，在藍心湄的眼裡看來，並不能算是精 彩。「親友們的生離死別，會讓人珍惜很多事情，

心目中的寵物樂園

與家人朋友相處的時間是最珍貴的寶物，人生最害 怕的是，所有事情都很平順，有些無聊，感覺還沒

從小就喜愛動物的藍心湄，心目中有一個寵物樂

用到力就結束了。」

園，「我希望那會是一個充滿寵物的家，有寵物餐 廳，全世界最大的動物醫院，SPA，健身房，讓寵 物和人能夠一起享受，美容，開心在一起。」

十年醞釀的演唱會始動 十年前，有人向藍心湄發出再開演唱會的邀請，「 但無論是心理上，身體，外表，當時都覺得還未準 備好，加上沒有一個推動的力量和使命感。」她 說，平常看別人的演唱會，多少會和自己能做到的 去比較，如果自己的演唱會不如人，會很丟臉。因 此，她想出了一個M.I.T. (Made in Taiwan) 的點子， 希望這個演唱會，從服裝造型，舞台，燈光，影 像，後製動畫，一切的設計都是出自台灣人之手， 「台灣的團隊，在十年前是不夠成熟的，但現在我

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93 As I walked in backstage, Pauline was sitting in

feel like I can do better than them, then why do it?”

the makeup room, quietly eating her self-prepared lunch. She said hello with the most friendly and

For her upcoming concert in November, Pauline

humble demeanour, which took me by surprise. If

has given her heart and soul into its concept and

you didn’t know her, you would never guess that

preparation. This concert, that has literally been

she is a mega star and famous show host in Asia.

ten years in the making, will be based around a M.I.T (Made in Taiwan) concept where everything,

In 1984 Pauline started her showbiz career as

ranging from wardrobe, lighting, visual effects, and

a singer and since then has put out countless

3D animation will be done by Taiwanese talent.

number one hits. In recent years she has crossed over to TV but her love and passion for her work

To Pauline, “ten years ago, Taiwan was probably

remains equally strong.

not as mature and technologically advanced as it is now. Now I’m confident in our team and I believe

Work is Life’s Playground

we can make it happen. If I wait another few years I’ll be 50 and I may be too lazy then to do anything.”

“I love my work and I am always having fun doing what I do. I really don’t see anything to complain

“The poster for my concert is a compelling and

about. The only difficult part may be acting and

eye-catching design where I’m smeared with black

when you have to wait around on set. In Taiwan,

paint from head to toe. I’ve actually done this be-

actors often have to wait around for a script that’s

fore 22 years ago, but back then we didn’t have

not yet finished. It’s really tiring and time consum-

any computers or post-editing tools, so it took my

ing so I gave up on that, or else I rarely give up on

makeup artist Roger countless hours smearing it

anything because I truly love my job.”

on by hand.”

The entertainment business is not an easy road

With technology now, any small flaw or imperfec-

to take. To survive you need passion for what you

tion can be erased away by the computer. However

do. To Pauline, show business is an industry full

one thing that computers can never replace is the

of hope and glamor. Many young people are eager

true essence of a human being. Doing things the

to get in without really understanding the hardship

‘traditional’ way ensures carefulness and thought.

and hard work needed to be successful. To be a ce-

Perhaps it’s what truly inspires and touches peo-

lebrity is not an easy thing. You really have to main-

ple. Compared to computer animation, doing

tain a positive attitude and be genuine to yourself

things the original way can be positive, according

and those around you.

to Pauline.

To Pauline, life without ups and downs is far from

Pauline says, “I’m really excited about the sexy

being wonderful. “Seeing your friends and family

outfits I have prepared for the show. It’s a thin line

pass away really makes you cherish the times you

between being sexy-elegant and being sexy-cheap.

spend with those you love. What I’m afraid of the

The materials you choose are crucial. The clothes

most is a smooth and static life; it’s a little bor-

have to be tight yet easy to move around in which

ing, as if life is over before I’ve fully exerted all my

makes it difficult to make. Exaggerated outfits are

energy.”

actually easier to design in comparison.”

A Concert Ten Years in the Making

Animal Paradise

Throughout Pauline’s career, there were plenty

Pauline’s extreme love for animals is well known

of opportunity and offers for her to hold her own

throughout the industry. Her biggest dream is to

concert. However timing is indeed everything. Ten

build a playground for animals. “One of my dreams

years ago, no matter it be physically or emotion-

is to build a home full of animals. There would be

ally, she felt that she wasn’t yet ready to face the

a pet restaurant, hospital, spa, gym, and salon for

challenges of holding her own live show.

pets. It’d be where animals and humans can exist in harmony and be happy.”

Pauline explains, “I’ve been to a lot of concerts and of course there is always a comparison. If I do not

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"DEEP AND TRANQUIL, YET SPEAKS LOUDLY." – COLASA 越是沈靜力量越大 塗鴉藝術家 Colasa

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自幼學習美術出身，不甘於純藝術的正規系統，

高中剛畢業接觸到了滑板，便瘋狂愛上此運動，後

感觀或許還帶些啟發，其中東方水墨風格是不可

轉以反叛手法表現其藝術特質。注重無拘的技巧

來藉由滑板認識有關街頭的文化，接著就學習了

缺少的要素。我喜歡特別有張力的感覺，但我無

並嘗試混合不同媒材的表現技法，不斷推陳出新

塗鴉。那時候台灣街頭文化並不普及，也很少人在

法去確定別人看到我的作品會有何想法，當然看

的創意總是令人驚艷。憑藉獨樹一格的視覺表現

玩塗鴉，所以只能在網路上搜尋國外相關影片和

到我作品有各種感覺也是好的。在我的作品裡不

並融合東方水墨風格在國際上已建立高人氣知名

作品並由此觀摩練習。尤其對模板藝術 (STENCIL

會有誇張的情緒或是喜怒哀樂，但在安靜的氛圍

度！

GRAFFITI) 著迷。大學生活除了學校課業，就是滑

中，總會傳達某些說不出來很大的力量，我會盡

板和塗鴉。畢業後在刺青店工作了一年多，接著便

量持續作到這點。

富有多年的創作資歷更參與許多國際藝術展覽與

以專職藝術創作者的身分持續到現在。

商 業 合 作，如：2012 澳 洲 Espionage Gallery 模 板塗鴉藝術展、2012 中國深圳獨立藝術家聯展、

當我開始模板塗鴉的時候，其實不限顏色的創作，

2012 YOUNG ART TAIPEI x Eslite

誠 品 Live

之後轉變成只有黑跟白兩種顏色的運用。那時候

Painting、2011 NIXON [ Melting Memories ] 藝

並沒有想太多，也許是增加作品識別度的一種方

術 創 作 展、2011 ADIDAS [ adidas is all in ] 亞

式，或是可以讓人印象深刻，久而久之便成為了

洲區代 表 塗 鴉 藝 術家、2010 國際 線 上藝廊 CbN

我大多數創作的風格。但這並不意味著我永遠將

首 展 藝 術 家、2010 NEW MANCHESTER’ Poster

會只用黑色跟白色，當我認為可以真正傳達作品

Exhibition/ TBA Magazine 英國倫敦 藝術海報聯

本身的意思就足夠，什麼顏色或幾種顏色對我來

展、2010 Evolution Holdings presents "Hats Off"

說並不是很重要。有時候大多數觀眾看到我作品

with Quintin - 日本東京 藝術聯展、2009 法國品牌

總是認為黑暗或暴力的感覺，其實我真正想表達

agnes’b -sport b (MESSAGE ) 計畫 合作藝術家。

的重點在於黑暗之後。

出生於台灣，從小開始學習畫畫，小學到大學畢業，

以往作品大多是著重在技巧或是具體寫實的表現。

讀的都是美術相關的班級或是科系 ( 大學時期還讀

現在對我而言，在創作中的過程還有自我本身的

了一年的服裝設計系 )。

感情，才是足夠我滿足精神的重點所在。這一兩 年我盡量讓我的作品能多點意思，除了視覺上的

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Mail vgcolasa@gmail.com Website http://www.prettycranny.com Blog http://vampire-colasa.blogspot.com Flickr http://www.flickr.com/c01asa Facebook Fans Page http://www.facebook.com/COLASAMY

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Having studied art since childhood, Colasa insists on the defiance of traditional art forms and adopts a rather unconventional creative method- graffiti. With his very own unique style and Chinese ink inspired techniques, Colasa is making a name for himself in the international arena.

Colasa’s impressive resume includes collaborations and exhibitions with the Espionage Gallery in Australia, Eslite Bookstore, TBA Magazine, Agnes B, and Adidas.

2012 Espionage Gallery (Australia) : A Cut Above II International Stencil Art Exhibition 2012 Independent Artists Exhibition (Shenzhen, China) 2012 YOUNG ART TAIPEI x Eslite Bookstore Live Painting 2011 NIXON [ Melting Memories ] Exhibit 2011 ADIDAS [ adidas is all in ] Asia graffiti representative 2010 International Online Gallery CbN artist 2010 NEW MANCHESTER’ Poster Exhibition/ TBA Magazine 2010 Evolution Holdings presents "Hats Off" with Quintin Exhibit (Tokyo, Japan) 2009 agnes’b -sport b (MESSAGE)Project collaborating artist

Colasa was born in Taiwan and majored in art related fields throughout his academic career. After graduating from highschool, Colasa fell in love with skateboarding and graffiti. At the time, street culture or subculture was still very new to Taiwan, and so he had to look towards the internet to find anything related to graffiti art. After university, Colasa found a job working in a tattoo parlour and has continued to master his craft as a professional artist ever since.

“When I started doing stencil graffiti, I was experimenting with a variety of different colors. However I’ve naturally gravitated towards using just black and white. I guess it’s sort of my way to showcase my own unique style. Audiences tend to think that my work is very dark and full of violence, but what I truly want to express is actually the lightness after dark.”

In the past, Colasa’s work tend to focus on technique and objective meaning. However, he now tries to bring excitement to his work and sees his pieces as coming truly from the heart.

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LOVIN’ PHOTOGRAPHYKAREN’S HF COLLECTION 愛攝影的女孩 與她的The HF Collection P H OTO G R A P H Y & TE X T K a te L i n te r 林特

一個從小愛好攝影的女孩，對藝術有著無限的想

由Karen創立的飾品品牌The HF Collection，源自

像，對設計有著自信的堅持，對生活則充滿正面的

於爺爺60年前創立的海福攝影公司(Hai Foo Photo

態度...這些特質融合成The HF Collection飾品的創立

Studio)，曾為許多藝人明星及政治名流掌鏡，當時

人，她是Karen Turng童自慧。

是為享譽台灣的攝影公司。The HF Collection的 成立，則是Karen在多年前給予爺爺的一個承諾，希

美感渾然天成

望藉由自己喜愛的飾品設計來表達對爺爺的尊崇與 思念，將爺爺對藝術的執著延續下去，並結合攝影

美國長大的Karen，大學主修藝術設計、副修西洋藝

與飾品激盪出日常生活中的時尚美感。

術史，從小受到從事攝影的爺爺影響，深深愛著攝

「小時候愛翻玩媽媽的飾品，長大後不知不覺的對

影與繪畫，也因為學習過設計相關專業知識，對於

飾品也產生一種像我對攝影的那種熱愛感，於是就

美感這回事，Karen有一套自己的堅持。

想結合兩者來成就自己和爺爺的夢。」

「我在大學時期修了Typography（字型）課，對於 字體、字型與排列的敏銳度增加不少。之後也養成

熱愛攝影的Karen，從高中到現在，平時書包裡都

了對所有的字型都會很講究，因為它代表了不同感

會帶著相機，拍所有每天在周遭發生的人事物，尤

覺及風格，如果字型用錯了，原本專業的東西會變

其最喜歡拍狗...常常相機裡照片最多的就是動物。她

的有點調皮。」

最喜歡的相機是Leica D-Lux，因為方便攜帶，該有

Karen說，學生時期，藝術系老師會要求學生互相

的也都不缺。「不過現在有iPhone和Instagram，

給予正負面評價，所以現在看到設計相關的事物

讓我整著瘋狂著迷…簡直太方便。」

會不吝嗇的給予評價，也希望能討論出不同角度的 看法。

對Karen來說，攝影是除了文字以外，可以用來表達 及感受到更內心層面的一個很唯美的介質。

因此對於生活周遭環境的好看與否，Karen也有自己 的見解：「我一直都很希望台灣的招牌可以不要這

個性開朗，喜歡用快樂感染周遭的Karen，今後的夢

麼的隨性，希望可以是服貼在店家門口牆上的，或

想是生活的安穩快樂，把自己的品牌營運好，同時

是大小相同的旗幟掛在店外也很美...這樣放眼望去不

當一個好的家庭主婦和好女兒、好孫女。

會很凌亂，心情也不會太煩躁…。」 「攝影是除了文字以外可以用來表達及感受到更內 心層面的一個很唯美的介質。」

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Photography, art, and design has always been the love and interest of “The HF Collection” creator Karen Turng.

Natural Sense of Beauty With a major in Art and Design and a minor in Western Art History, American-Taiwanese designer Karen Turng has been deeply influenced by her lategrandfather who was a photographer. From design to having a keen eye for beauty, Karen remains committed to her own thoughts and ideas.

Karen says, “in university I took a class on Typography. It has allowed me to develop an awareness on font and spacing, and how it really affects style and perception. If you use the wrong font, something formal can look too playful.”

In her student years, Karen’s art professors would ask students to critique each others’ work and in doing so different angles and viewpoints can be brought out on the table.

Even now Karen is honest and blunt about what she sees as beautiful and what she sees as ugly.

Karen says, “I always wonder why store signages in Taiwan are so irregular and casual. There should be an uniformity or aesthetic consideration involved.

Looking at different store signs each with varying fonts and sizes can be really distressing.”

“Photography is the only other medium besides written word that can truly express the beauty which exudes from an inner level” The HF Collection was inspired by Karen’s grandfather who was the founder of Hai Foo Photo Studios 60 years ago. Hai Foo was renowned for being the

go-to studio of famous celebrities and politicians.

Karen once promised her late-grandfather that she would create her own jewellery brand so that they can collaborate and truly showcase the art of beauty.

“When I was young, I used to flip through my mom’s jewellery boxes and naturally developed this love for accessories. My grandfather was the one to introduce me to photography and so I really wanted to combine the two to fulfill me and my grandfather’s dream.”

Ever since highschool, Karen wouldn’t go anywhere without her camera. She loves documenting the everyday things and people around her...especially dogs. Her favorite camera is Leica D-Lux because it’s easy to carry. However, “now I’ve really fallen in love with Instagram and can’t go anywhere without my iPhone”.To Karen, photography is the only other medium besides written word that can truly express the beauty which exudes from an inner level.

To Karen, the most important things to her now are her brand and to live life to the fullest while being a wonderful wife, daughter, and granddaughter.

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A ROCKA

一日搖滾

PH OTOGRA PH Y & TE

ABLE DAY

滾音樂節

E X T Kate Linte r 林 特

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一切就像是個風和日麗的校外教學，場景在宮崎駿動畫裡，伴著搖 滾版的主題曲和夏日蟬聲。在文山農場裡，所有因為搖滾音樂而 熱血起來的人們，被滿滿綠色的大自然包圍著，盡情流汗，盡情青 春，盡情地渡過時光。 除了拿著樂器製造音樂的人，除了準備好耳朵聽音樂的人，還有許 多拿著相機的人。無論是工作或是紀錄回憶，每個人的神情都是愉 快的，好像視覺和聽覺都被餵得飽飽，白天到黑夜。

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It was ike a sunny field trip set within a Hayao Miyazaki animation, accompanied by rock music and a summer induced theme song. At Wenshan Farm we were fully surrounded by rock n’ roll jams and the green vastness that blanketed us.

Simply enjoying the sweat, the weather, and our youth.

Aside from people with instruments and those with headphones, there were also many with cameras, ready to document the liveliness and motion all-around.

From dusk ‘til dawn. The music went on.

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A WALK IN HEAVEN

P H OTO G RAP HY Ka te L i n te r 林特

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來稿登錄

READER’S

PLAYGR

錄：樂園

SCORNER

ROUND

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吳承唐

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Kelly Jill 靈感源於來自瑞士的包浩斯名藝術家Paul Klee， 融合超現實主義、立體主義和表現主義，視覺上以紙 板構築起立體線條，意涵上則帶有回收再利用的環保 意味，提醒觀者我們所處的地球，就是一座樂園。

CREATIVE DIRECTION Angela Chen, Alex Lu PHOTOGRAPHY Kelly Jill CUSTUME Kailin Chu , Sally Guo MAKE UP Tommy Chiang

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www. oran g en yc. com

www. kellyjill. com

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蕭希如 食色性，野 傳統女性的保守思維逐漸剝落， 現代女性夢想中的樂園已不再依賴男性的懷抱底下， 獨立生活可以過的更加豐盛美好。 本創作團隊θproject以台灣最具特色的夜市文化為隱喻， 運用情色詼諧的方式帶出現代女性自主強烈的意識形態。

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2012/9/17~2012/10/22

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