PhD thesis Malvina ISTREFAJ

Page 31

These components strees the idea of architecture beeing the main contributor in the tourism development of a country in many layes. It is just the place to think that it’s architecture obligation, to offer quality of space, functional and well-oriented space, as well as caring for security or hygenic factors to make to guests a very positive experience. Therefore, by enroaching in space, architecture and designers have the ability of either improving or destroying it, thus depriving space, as a primary provider of the tourism offering, of its original value8. The concept of Urry (1990), “the tourist gaze” emphasizes the dynamics related to the tourist experience, organization of social components and the physical context. “The contemporary tourist space is configured by four main groups representing the key elements for tourism blooming. Attractions, Accessibility, Accommodation and Amenities requires a national and local strategy for contributing to the growth of tourism” (Istrefaj, 2018)

2.2 Architecture and its contribution to Tourism Architecture is without a doubt, a powerful tool in the tourism industry. “It’s by making use of the composition, space, structure, functional and aesthetic aspects of architecture where most countries have initiated to establish a specific form of tourism” (Istrefaj, 2018). In this context we can define architecture role in “shaping” several divisions in types of tourism by reinforcing its role as driving-force on Tourism Configuration. One of the most complex architectural configuration and the nearest one to the public access are the accommodation structure. Their varieties in size and architecture, facilities offer and other recreational spaces complete a panorama which guests are usually searching to pass holidays or vacations. From small cabins to 5* hotels; from luxury resorts, to theme 8

Ivana Medica, Pavlo Ruzic, Tomislav Ruzic - Architecture as a tool for Branding in Rural Istrian Tourism Destination Page 29 of 206


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6.7.5 Hotel Turizmi Sarande (Butrinti), 1968

2min
pages 186-187

6.7.3 Arberia Hotel, Tirana, 1972

1min
pages 182-183

Appendix 1

1min
pages 208-209

Bibliography

7min
pages 202-207

7.3 Recommendations for future research

1min
page 197

7.2 Contribution to knowledge

1min
page 196

7.1 Conclusions

5min
pages 191-195

Chapter 7: Discussion and Results

3min
pages 188-190

6.7.4 Hotel Tirana, 1973 - 1979

2min
pages 184-185

6.7.2 Hotel Turizmi (Skampa) Elbasan, 1970

1min
pages 180-181

6.7.1 Hotel Turizmi (Rozafa), Shkoder, 1970

1min
pages 178-179

3.2 Evolution of the concept of Tourism in Albania, through the lenses of history

2hr
pages 55-162

Design for Communist Hotels

1min
pages 174-176

6.7 Case studies through past and present

0
page 177

6.3 Hotel “Turizmi” – a Typology “about Performance”

2min
pages 163-165

6.5 Articulation of Volume, Mass and Form in Hotel “Turizmi

2min
pages 170-173

2.8 Identity and locality as part of the design process

1min
page 52

6.4 Relation of the Hotel “Turizmi” with the urban Morpology

3min
pages 167-169

2.7 The typologies of hotels with social and architectural design impact

2min
pages 48-51

............................................................................................................................... 41 2.6 The concept of typology in architecture

3min
pages 45-47

2.1 Dimensions of Tourism and Indicators. The Concept of Urry

0
page 30

2.4 The evolution of the “Hotel”

8min
pages 36-44

Chapter 2: Theoretical framework

1min
page 29

2.3 The Definition of Hotel

1min
pages 34-35

1.7 Methodology

3min
pages 23-26

1.8 Expected results and stakeholders

2min
pages 27-28

2.2 Architecture and its contribution to Tourism

4min
pages 31-33

1.6 Limitations of the study

1min
page 22

1.2 Outcomes and Challenges of political shifts in terms of tourism

3min
pages 15-16

Abstract [English

1min
page 11

1.5 Purpose of the study

1min
page 21

Abstract [Italian

2min
pages 12-13

performance

2min
pages 18-20

capacities

1min
page 17

Acknowledgements

1min
page 7
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