SPRING 2014

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vol.3/iss.3/spring

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www.enviedboutique.com

513 Sussex Dr. Ottawa | 613-241-0003



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info@withinessenceproductions.com

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Editor’s letter

L

photo: Lyndon Goveas

ustful Sins. What a theme, eh? For our regular readers, you know by now that we don’t think in such a straight line type of way. You may read “Lustful Sins” and think of sex, the other may think of that hand bag they’ve been walking past on their way to work for the past week, that they MUST have. To another, it could be as innocent as the glances of flirtation you catch from a co-worker. It really depends on you, your perspective, your imaginary line that you’ll “never cross”. Then we have those that draw a line simply to be able to step across it and see “are the pastures truly greener on the other side?”, simply for the sheer thrill. Some may see it as being bold or adventurous, but maybe it’s a symptom of never wanting to “settle”. I use the word settle because, how often do we hear somebody say “well, I would’ve preferred this, but I settled for this instead”. I always think “why?”. Why do you settle? Why don’t you just do it? or at the least, try? Something interesting occurs with me sometimes and each time it does happen, I am proven wrong. When trying something new or different, often times I will try and find a way to excuse not to do it based on my anxiousness of the new and different situation. Honestly, every time I push the anxiousness behind me, I find out I really liked this new experience. I think too many of us, want a guarantee. There is no guarantee with anything really and once you understand the beauty in that, things become a lot less stressful and more fun. Our cover this edition is extra close to my heart. Visual artist Amy Shackleton graciously allowed us to use one of her paintings for the background of the cover. The painting is from her latest series called “reflections”. Her pieces from that particular collection were heavily inspired by the landscapes of California. For part of that journey I was with her and I myself was finding my own inspirations in California. It was back then (September) after a couple years of dancing with the idea, we agreed we finally had to find a way to work together and I couldn’t be happier with the result. I’m not done though, Shackleton has always fascinated me, the way her mind can merge landscapes and then her paintings are dripped (yes, dripped) into reality. If I can credit one individual in my life for always giving me something to look at and say to myself “keep pushing”, it’s her work, her beautiful gravity defying work, that tells me a story in every painting and constantly pushes me to do more. I really hope you enjoy this edition, I would go on about what to expect but I think from the cover you have an idea we’ve had some fun this edition. I will allow the work to speak for itself. Keep an eye out for our 2014 model search winner on our next cover. Talk to you in the Summer! Christopher Massardo Editor-in-Chief christopher@pressthefashionmagazine.com

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editor-in-chief christopher massardo

editor

Amber Watkins

assistant Editor Alyssa Beltempo

copy editor M. francis

contributing editor shawna rizzo

contributing/digital editor leah harper

media inquiries grace mayele

gracepr@pressthefashionmagazine.com

contributors

colin gaudet, larissa lognay, patrick lacsina, ashley dawn, katia pershin, leslie-anne barrett, Marjorie Choinière, Anabelle Deschamps, Kahdy Tamadinda, Antoine Ryan, Kristopher kubesch, skye kelton. AMY SHACKLETON, samantha pickles

info@pressthefashionmagazine.com www.pressthefashionmagazine.com www.facebook.com/pressthefashion twitter @PRESSthefashion Instagram @PRESSthefashion PRESS The Fashion is an independently owned and operated magazine in Ottawa, Canada. PRESS The Fashion can in no way be duplicated or reproduced without written permission directly from the magazine’s editor-in-chief. Copyright ©2011 PRESS The Fashion ISSN 1925-9042

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The ‘PRESS-tigious’

A little bit more about some of our talented contributors.

Colin Gaudet Once Ottawa based, Gaudet has now made the move to Toronto. With a focus on his craft, Gaudet spent the past summer in Milano further developing his eye as a photographer. With his editiorial eye and mind growing we’re always looking forward to seeing this artist’s work change and evolve.

Ashley Dawn-Szabadi Makeup Artist to the stars, Szabadi has worked on more famous faces in the past few years then some get to in their entire career. From Jennifer Lawrence and Michael Keaton, to Adam Beach, Elisabeth Shue and so many more! With blending skills that make other artists stare, this girl is one to keep an eye on!

Leslie Anne Barrett The very talented L.A. Barrett is no stranger to the fashion world. Whether it’s a major television station, a campaign, lead make up for the Ottawa Fashion Week runways or a fabulous editorial spread, Barretts work is everywhere! (p.s. she’s got some gorgeous hair skills too!)

Katia Pershin Ottawa based and fresh on the editorial scene is the up and coming Katia Pershin. With a focus for the drama in fashion, Pershins work allows the viewer to jump into the world of fashion and get lost in the pages.

Sarah The young and beautiful Sarah is our cover model. Though a new face at Elite Models in Toronto, the young model is already appearing on covers, in ads and editorials! With a unique beauty, we look forward to seeing her career take off.

Amy Shackleton With the ability to fuse landscapes like no other, visual artist Amy Shackleton is the brilliant mind behind the painting on our cover. Based in Toronto, Shackleton is represented by The Elaine Fleck Gallery and sells to a variety of international clients. Her work has caught the attention of CTV, Huffington Post, FASHION Magazine, Canadian Brushstroke Magazine and many more!

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CONTENTS. The text 20 . designer feature - Q&A with Bernice & Barclay 29 . feature - Q&A with STUNNING! 44 . feature - petal pusher

The Images 12 . after hours by larissa lognay 22 . possessions by katia pershin 30 . let’s accessorize 34 . sweet nothing by patricK lacsina 46 . all dressed up, but i won’t go by colin gaudet

on the cover

Photographer Colin Gaudet Creative Director Christopher Massardo Fashion Styling Amber Watkins Makeup, Hair & Nails Ashley Dawn-Szabadi using MAC Cosmetics and Moroccan Oil hair products Model Sarah with Elite Model Management Painting is by Amy Shackleton

top EDIT by Jeanne Beker bangle EXPRESS painting details: Mirror Woods (Muir Woods + San Francisco) 2014, 45” x 60” Acrylic and Enamel on canvas

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After hours

Photographer Larissa Lognay fashion Stylist Kahdy Tamadinda Assistant Antoine Ryan Makeup & Hair Anabelle Deschamps for Mac cosmetics Retouching Marjorie Choinière Model is Annaïse with Specs model management

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bodysuit Antinéa Lise Charmel at stivell.ca belt stylist’s own glove stylist’s own bracelet ALDO ring Expression at The Bay

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bra Roseanne body Janira, at stivell.ca gloves stylist’s own bracelets Winners

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cap Call It Spring bra Na誰s bottom Janira at stivell.ca rings Aldo Accessoires bracelet Simons 15


bra Made By Niki pantie Janira at stivell.ca earrings stylist’s own bracelet (tiger) Aldo Accessories cuff Winners bracelet (spikes) stylist’s own

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bra Addiction at stivell.ca earrings & rings Expression at The Bay 17


bra & pantie Addiction at stivell.ca suspender Antinéa Lise Charmel at stivell.ca earrings & rings Expression at The Bay tights Voilà! shoes Aldo

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Fe atu re

Q&A with bernice & barclay

Ottawa based fashion brand ‘Bernice & Barclay’ is a ready to wear line making noise in stores and on the runways. Jamieson Barclay Nesbitt and Lorianne Hawdur are the masterminds behind the fresh, fun and unique brand. They’ve featured their collections at Ottawa Fashion Week, have an online shop and are selling in locations in both Ottawa and Toronto. We caught up with the design duo to see how it all got started, how they keep the brand going, and of course what’s next! When was the company launched?

L: Our first collection was Fall/Winter 2013

Why?

J: Timing is EVERYTHING! L: I had always wanted to start up a line, and I felt that with my experience working in small and large clothing labels, I felt that I had enough knowledge of the industry to do it.

What is your process for designing or getting inspired for a new collection?

L: We usually get sparked by a little idea and it grows from there. It can be anything from a trip to just seeing an old picture from the 70’s (that’s where a “theme” sort of comes from) then from there we sort of assess the trends and what our customer feedback is as well. We do a lot of sketching and fabric hunting. The real designing doesn’t start until fabric is in hand and we can get to work on patterns. We both work through a bunch of mockups and samples until we get the looks we want.

Is this what you had always wanted to have for a career? J: ABSOLUTELY!

L: I have a pile of notebooks filled with fashion drawings from grade school on, so when it came time to make a decision on my career, I couldn’t think of anything else that I wanted to do. .

What inspires you?

J: People, travel, movies and music! L: It can come from anywhere. It can start with something like finding a colour combination that I get fixated on, movies or old photos, fashion history, street fashion in different cities and countries

Was it planned or did you fall into it?

J: As mentioned previously, timing is everything. I met Lori (my business partner) through her sister. After some time Lori and I became friends. Both of us were looking for something else to feed our creativity and we decided to launch Bernice & Barclay. L: I definitely planned to have a career in fashion so I just took every experience and opportunity I could get my hands on and it led me up to here.

The fashion business is a competitive business. How do you feel you stand out amongst so many other brands/designers?

L: I’m not a competitive person by nature so I guess I don’t look at other brands and designers as competition. I think we stand out because we don’t take ourselves, or fashion too seriously. We just want to put clothes on women’s backs and make them feel awesome when they are wearing it.

What materials/fabrics do you prefer to work with?

J: I love designing for the Fall so I tend to lean towards wools and blends. Sometimes you can’t beat a beautiful drapey jersey knit either! L: I like to work with fabrics that have a bit of weight to them.

What is the best compliment you’ve ever received about your product?

J: I think when famed Canadian opera singer Measha Brueggergosman tweeted that “she walked into her future closet,” after seeing out first show at Ottawa fashion week. Measha is a pretty awesome lady!!!! L: Yeah that was a good one.

Which do you prefer quality or quantity and why? If you had to pick one word that you want a client to associate with your product what would it be? J: Pretty!

L: I can’t think of just one word. One client calls our stuff dressycas(ual) because she can wear the same dress for such different events. 2 0 PR E S S Th e F ash ion

J: I would love to balance both ideally, but if I had pick one… I’d say quality. L: Quality for sure. I went through the phase of buying fast fashion and it really isn’t worth it to me. Fast fashion is good if you need a couple of t-shirts, but if I am going to buy something I love I want it to last more than a season.


D esigne r f eat u re

photo: Katia Pershin

Is there something you wish you could change about the fashion industry? J: Less offshore production of goods. I do not like hearing horror stories of poor working conditions where garment workers are concerned. I wish consumers would consider fashion as an investment rather than cheap and disposable that will end up in a future landfill after wearing it for one season.

L: I would like to see manufacturing and production come back to Canada. It was such a thriving industry before everyone went overseas. It is for people to turn a blind eye and support companies who have their clothing made under such horrible conditions. I think if people realized that, and what a benefit to the economy it would be in the long run, they wouldn’t mind paying a bit more for it.

What do you love most about what you do?

J: Starting out with a raw idea, and seeing it through to completion! L: I love being able to create for sure. It’s a process that involves so many parts. Drawing, drafting patterns, sewing - so it never gets boring.

What do you hate most (if anything)?

J: When that raw idea becomes a pain in the ass trying to see it through to completion! L: Not that I don’t like it - but it’s a challenge keeping a handle on business, production, marketing and designing all at the same time

If you could give us one piece of style advice what would it be?

J: Dress for your body type, and to heck with trends!!! I tried on a pair of skinny jeans one time and my legs looked like overstuffed linked sausages, I put them back on the rack and walked away… L: If it doesn’t make you happy and feel awesome when it’s on, get rid of it.

How would you like to see the brand grow from here?

J: I would like to see Bernice & Barclay coast to coast in Canada in the next two years. L: I would like to also maybe dabble into menswear. We have been getting a lot of requests! 21


possessions

photographer

alyssa beltempo

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Katia Pershin

creative director christopher massardo assisting creative director fashion stylist leah harper makeup & hair leslie-anne barrett using smashbox cosmetics model is delaney with models international management


clutch Biatchi at Shepherds top Akris Punto at Holt Renfrew pants Zarucci gold link necklace (used as bracelet) Jayu at Viens Avec Moi gold link/pearl bracelet Accent at Shepherds gold bangles Danielle Faith at Holt Renfrew watch Michael Kors at Holt Renfrew

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dress Aidan Mattox at Holt Renfrew bracelets & earrings Stunning! ring Swarovski at AMH Style

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top Judith & Charles ring Stunning! pants 7 For All Mankind earrings available at Poised Boutique purse Melie Bianco at Max’s Footwear Boutique shoes Poetic Licence at Max’s Footwear Boutique

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dress J.S. Collection at Shepherds necklace Stunning! purse Biatchi at Shepherds rings (inside purse) Stunning! necklaces (inside purse) available at Shepherds shoes Prada at Holt Renfrew

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dress Pink Stitch at Viens Avec Moi bangle and necklace Stunning!

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coat Akris Punto at Holt Renfrew dress DVF at Holt Renfrew necklace Stunning! shoes Vince Camuto at Max’s Footwear Boutique

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f eat u re

photo: Alyssa Beltempo

“It is not okay to wear a knapsack to go to work, a ski jacket over a dress and a large purse to go out at night.”

Q&A

with Stunning! We caught up with Mandy Gosewich, owner of ‘Stunning Fashion Accessories’ in Ottawa. Gosewich has a unique sense of style we can’t get enough of, so we had to sit down and find out how it all got started!

When did the shop open?

Timing is everything and May 25, 2013 was my time!

Why open your own shop?

I always took ownership of the job I had and it was just time to take that ownership and put my name and style on it! After living in the Byward Market since returning back to Ottawa in 2008 and being away for over 10 years and experiencing living in Toronto and Manhattan, I envisioned the market as my little big city that had opportunity. When you walk around the market, and in particular along Sussex, these retailers have made Sussex a fashion destination, I call it Soho on Sussex, and I am just a hop skip and a sashay around the corner on York!

Is this what you had always wanted to have for a career?

My brand image is of me when I was 2 which was a pretty clear indication I have always had a panache for accessories! Other than wanting to be an esthetician! I have put in stylin’ blood, sweat and tears for most of my life working, learning, listening, and understanding what it is to have a job and be responsible, committed and accountable.

Is there something you wish you could change about the fashion industry?

Yes. It is not okay to wear a knapsack to go to work, a ski jacket over a dress and a large purse to go out at night.

The fashion business is a competitive business. How do you feel you stand out amongst so many other boutiques?

I don’t care what you sell, it is all about service and product knowledge. That is why experience is so important to understand your commodity, the terminology, the development of the products. Customer service is key in any business. I cannot comprehend the culture of any business where you walk in and a feigned ‘heyyyyyy’ is chirped at you from behind the counter. Sometimes you are lucky to get a hey! I have always strived in cultivating business relationships with integrity. Yes, I will tell you it does not look good on you and if I dont have what you are looking for and I know where you can find it, I will tell you! I am grateful for that philosophy from my parents, who instilled the same in their own stores.

What inspires you?

The challenge of a client not knowing what they want. When a client walks away with her STUNNING! bag and feels STUNNING! That inspires me to do it again...and again...and again! I love sharing my knowledge and working with their boundaries, which I will admit I try and break!

If you could give us one piece of style advice what would it be? Invest in STUNNING! accessories.

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Feature

all pieces on page EXPRESS

accessorize

let’s

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Florals, pastels, denim and gold! What doesn’t this fashion season hold?


feature

Chobhi www.chobhi.com

Brave www.braveleather.com

Joe Fresh www.joefresh.com

Joe Fresh www.joefresh.com

Ted Baker www.tedbaker.com

Originals by Andrea www.originalsbyandrea.com

SKAGEN www.watchit.ca

Palladium www.palladiumboots.com

Michael Kors www.watchit.ca

Hillberg & Berk www.hillbergandberk.com

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Feature

vest William Rast all other pieces EXPRESS

let’s accessorize

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feature

Brave www.braveleather.com

Dr.Martens www.drmartenscanada.ca

MINKPINK www.minkpink.com

Chobhi www.chobhi.com

GUESS? www.guess.ca

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ret

Sec

om

.c ret

to ec Vic oriass ict w.v

ww

Originals by Andrea www.originalsbyandrea.com

RainDrops www.raindropsto.com

Ted Baker www.tedbaker.com

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sweet nothing Models are

(on him) shirt & jacket Sandro (on her) dress Zara necklace & earrings Rebekah Price

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Nathalie

Photographer patrick lacsina fashion Stylist skye kelton with plutino group Assistant Kristopher kubesch Makeup & Hair samantha pickles with Judy Inc. with next models canada & Daniel with Elite Model

Management


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(on him) underwear Emporio Armani (on her) this page and next dress BCBGMAXAZRIA ring Rebekah Price

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(on him) trench coat, shirt & jeans Sandro (on her) dress & earrings BCBGMAXAZRIA ring Rebekah Price

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blouse Club Monaco shorts Maje ring BCBGMAXAZRIA

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coat Malene Birger bracelet Zara

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dress Marc Jacobs earrings & necklace Rebekah Price 41


(on him) underwear Emporio Armani (on her) bra Gestuz trousers Maje jacket Religion harness, necklace & cuff BCBGMAXAZRIA bracelet & rings Rebekah Price

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Feature

petal petal pusher pusher

“F

words by Alyssa Beltempo

lorals? For Spring? Groundbreaking.” Snidely remarked by Meryl Streep’s characterization of a fashion editor in The Devil Wears Prada, this comment may be appropriate in theory, but she was evidently not addressing the floral story unfolding for Spring 2014. This season, the naturalism with which designers broached the trend was innovative to say the least. Take for example the possessive vines that wrapped around feet and draped across collarbones of models at Dior, or the appliquéd petals that literally bloomed from dresses on the Dolce and Gabbana runway. While some designers took a very literal and natural approach to the spring classic, others adopted a more artistic execution with large botanical prints that seemed to jump from a canvas onto both pants and shirts alike at Dries Van Noten and Versace.

But how to apply these masterpieces to our daily lives without feeling like grandma’s chintz couch? And with the multitude of floral prints available to us, which is the best option? Even classic pieces such as the pencil skirt, denim, distressed shorts, and even Doc Martens are getting a floral facelift, so where to start? As with most trends, it’s easy to get carried away. The most conservative approach to incorporate is by way of accessories. If you’re wary about splashing tulips and gardenias all over yourself, then introduce a pair of shoes, a statement bag or fun pair of sunnies with a floral print to easily brighten up wardrobe staples. Alternatively, look for pieces that feature florals as highlights such as the trim on a delicate hem or embellishment on a neckline. Or take a cue from designers like Nina Ricci and Giambattista Valli and opt for the print in a more classic colour palette. These more understated versions of the trend are a perfect way to punch up your workwear wardrobe and can most often be translated into weekend wear. A lightweight blouse in a soft floral print pairs beautifully with a solid or neutral pencil skirt but can look equally chic when worn with your favourite boyfriend jeans and of-the-moment pumps. If you think you will be swapping out your springtime florals for something else next season, think again. Because of their perennial nature (no pun intended), these botanical-inspired pieces will soon become a springtime staple that you will look forward to pulling out of the closet every April.

The beauty about this trend is it’s versatility. Could this also be the reason for it’s continued popularity and why designers keep coming back to this garden of inspiration? Where else can the ideals of punk princesses and bourgeois beauties converge if not on the charm of a delightfully floral frock?-

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photo: MINKPINK

For the more adventurous or fashion forward the options are endless. Whether it’s made feminine with soft hues and flirty shapes or brooding with petals strewn over a black background, the choice of floral prints for this spring season are as diverse as they are copious. Fashion is taking a “no rules” approach to dressing, and this trend is no exception. Investing in high street floral-print separates, such as the colourful pieces found at MINKPINK, provides you with the perfect opportunity to mix and match like a street style pro. Or dive right in and sport their luxurious looking floral tracksuit, sure to kick your daily routine up a notch.


f eat u re

“If you’re wary about

splashing tulips and gardenias all over yourself, then introduce a pair of shoes, a statement bag, or..”

The way in which each would style the outfit would be a process well worth watching, and such is the attraction to something so simple and yet equally enchanting. Florals seem to transcend all types of personal style genres. A young socialite can rock a fit and flare dress embroidered with tulips and roses just as coolly as a student can stomp around campus in their floral print Doc Martens. Equally, those of the yacht-owning variety need only look to Michael Kors for the most elegant Hawaiian print the French Riviera has ever seen. Either way, the result is the same: a statement of eternal optimism by way of daisies on their pants. Or dresses, as it were. We need look no further than those of the above-mentioned yacht-owning variety to validate our current love-affair with florals. Indeed, celebrities the world over can be seen wearing a variety of petals and floral prints, both on the red carpet and off. Proof that a blossoming ensemble is as versatile as the little black dress still hanging in your closet. (Maybe it’s time to get an updated version featuring - you guessed it - a floral print?) If more evidence is required to convince non-believers that florals are as ingrained in fashion as the interlocking C’s on a Chanel 2.55, we need only turn to the pages of fashion history.

photo: MINKPINK

Audrey Hepburn famously accepts an academy award for Roman Holiday in a floral-embossed ivory dress in 1953, the colourful 1960’s brought us psychedelic versions of the trend on the likes of Brigitte Bardot and Twiggy, and the 1980’s involved plenty of bright, bold flowers seen on none other than Princess Diana. It seems as though nobody is immune to the consistent lure of florals in fashion. As a new fashion season begins, it is the opportune time to experiment with new trends and looks. Some of us might already have a detailed list of “must-purchase” items while others will take a more relaxed approach and see what inspires them. No matter which camp you’re in, this season would be an ideal time to give florals a test run. There is something rejuvenating and inspiring about wearing florals during the springtime. It is distinctly feminine yet is able to exude attitude with the addition of a leather jacket. And while floral prints may not be “ground-breaking” for this time of year, they are certainly more provocative than the timid petals of seasons past.

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All dressed up, but I won’t go. photographer colin gaudet fashion stylist/editor amber watkins makeup & hair ashley dawn-szabadi for MAC Cosmetics model is Maya with Plutino group

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dress Pink Tartan belt EXPRESS bracelet Town Shoes ring Thomas Sabo clutch Co-lab at Town Shoes 47


top Mink Pink pants EXPRESS ring Hillberg and Berk necklace vintage watch Thomas Sabo bracelet Town Shoes shoes Dr. Martens

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top EXPRESS body suit Mink Pink skirt Pink Tartan necklace EXPRESS ring Thomas Sabo clutch EXPRESS 49


shirt dress Tristan head piece Headmistress necklace Hillberg and Berk ring EXPRESS earrings model’s own

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dress Ted Baker necklace Save Our Soles belt (worn as cuff) EXPRESS 51


jacket Ted Baker crop top Pink Tartan skirt EXPRESS bracelet and ear cuff Hillberg and Berk

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top Pink Tartan shorts Mink Pink rain coat Greenstone clutch Ted Baker necklace Tristan

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rain coat Ted Baker shirt Ted Baker shorts EXPRESS necklace Hillberg and Berk ring EXPRESS purse Modalu at Town Shoes

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www.amyshackleton.com www.elainefleckgallery.com


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