September/October 2011
KENTUCKY HOMES
&
GARDENS
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Kentucky Homes & Gardens October/September 2011 Volume 8 Issue 5
On the cover: When Joker Phillips was named head football coach of the University of Kentucky Wildcats in January 2010, the couple needed a house big enough to hold the entire team. Turn to page 42 to see more.
contents
This minimal contemporary home is steeped in elegance and provides several areas that are perfect for outdoor living. Turn to page 24 to see more.
24 Modern Outdoor Living Today’s porches and patio spaces have become true extensions of the home’s interior spaces.
34 A National Trust Treasure Nestled among trees in a historic district in Lexington, lies a true national trust Italianate treasure.
42 Touchdown, Kentucky! Entertaining is the name of the game for the first couple of Kentucky football.
24 12 Antiques
50 Understated Elegance
The Story of Staffordshire
This Louisville-area home is at once both grand and welcoming.
14 Designer’s Corner Questions and Answers
15 Landscapes Rejuvenating Your Outdoor Space
17 Homescapes Natural Beauty
20 Gardens Simple Pleasures
30 Art 30 Presenting the Two-Year-Old is a 24” x 30” oil painting based on a photograph from a stud farm in England around 1900. Turn to page 30 to see more.
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34 The travel color of coral/salmon warms the interior of the formal Living Room. Turn to page 34 to see more.
Sporting Artist
64 Kentucky Footprints Eileen Jones – Making An Impact
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KENTUCKY HOMES
&GARDENS
Published by RHP Publishing, LLC PO Box 22754 Lexington, KY 40522 859.268.0217
Landscape Remodeling
Publisher: Rick Phillips rick@rhppublishingllc.com Associate Publisher: Carolyn Rasnick carolyn@rhppublishingllc.com Associate Publisher: David Bishop david@rhppublishingllc.com Circulation and Distribution: rick@rhppublishingllc.com Advertising Sales: Rick Phillips 859-268-0217 rick@rhppublishingllc.com Editors: Rick Phillips, Carolyn Rasnick Senior Associate Editor: Kirsten E. Silven Photography: Walt Roycraft Contributing Writers: Bill Henkel Mary Cynthia Knowles True Knowles Christina Noll Joe Rasnick Jerry Shroud Kirsten Silven Kathie Stamps Art Direction & Design: Tim Jones tim@timjonescreative.com Printing: Freeport Press 121 Main St. Freeport, Ohio 43973 Kentucky Homes and Gardens is published six times a year by RHP Publishing, LLC. 859.268.0217 www.kentuckyhomesandgardens.com All rights reserved. Reproduction in whole or part without written permission is prohibited. Subscription price: $24.95 for one year (six issues). Single copies: $8. Kentucky residents add 6% sales tax. Subscriptions and change-of-address should be sent to Kentucky Homes and Gardens, Subscriber Service Center, PO Box 22754, Lexington, KY 40522
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ANTIQUES
by Jerry Shrout
THE STORY OF
STAFFORDSHIRE FROM COTTAGE INDUSTRY TO CLASSIC COLLECTIONS
2 Photography: Walt Roycraft English Staffordshire, in its various forms, occupies a place of prominence in many traditional Kentucky homes. Staffordshire dogs and other figures grace mantles across the Commonwealth. Although Staffordshire has achieved a prominent status among collectors, its origin is modest; beginning during the Industrial Revolution in England following the ascension of Queen Victoria to the British throne. According to Frankfort antiques dealer Shirley Noel, Staffordshire figures were collected not by the rich, but rather by the “newly well to do middle class.” Because of the Industrial Revolution and the job creation that resulted from it, the English middle class had more disposable income than ever before. The Staffordshire region of England provided the perfect clays for making pottery and therefore became the birthplace for this cottage industry. Small factories began to spring up all over the region. Color is what attracted these collectors to Staffordshire. “Up until that time, porcelain in these homes was colorless and utilitarian. It became desirable because it was so colorful,” says Staffordshire expert Ruth Scully, of Louisville. “It gave the average person the opportunity to buy colorful items because up until then they did not have disposable income. It was typically only the landed gentry that could afford porcelain. The
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1. Mid 19th Century English Staffordshire figure of a Hunter and DogCirca 1860. 2. Pair of English 19th Century Red and White Staffordshire Spaniels- Circa 1860. 3. 19th Century English Staffordshire “Standing Spaniel” Spill Vase- Circa 1860. 4. Staffordshire figure depicting Queen Victoria and Victor Emmanuel, the King of Sardinia, produced to commemorat,e his visit to England. 5. Staffordshire figures were produced depicting everything from musicians (left), famous highwaymen/ thieves like Tom King (right), and for more practical purposes such as a watch holder (center).
3 people that collected this pottery at the time it was being made were the burgeoning middle class. The upper class was buying fine porcelains from France, Italy, England, and even China, so this became the porcelain of the middle class.” Production of Staffordshire in the small factories was primitive. According to Noel, “Modelers made molds then these molds were painted by the women and children. Most sought after at the time and even now are the ones with cobalt blue.” The fact that some Staffordshire pieces were painted by children explains the difference in paint quality among some pieces. Different forms of Staffordshire: Spaniels: By far the most popular of the Staffordshire forms, the King Charles spaniels were produced to satisfy the public’s fascination with Queen Victoria’s dogs, especially her dog “Dash.” According to Scully, “they loved Victoria’s dogs, and they loved her!” Today, the black and white spaniels command the highest price, as they are rarer than the red & white or solid white dogs which were produced during the same time but in greater quantities. One very rare form of dogs, the “Disrali Dogs” was produced to resemble Benjamin Disraeli, who served twice as Britain’s Prime Minister during Victoria’s reign. Disraeli’s unusual hairstyle was characterized by curls and the dogs were produced with similar “hair” being painted on the tops of their heads. Disraeli was not amused, so not many of these were produced. Figures: Other historical figures were also produced. From Shakespeare and other literary figures, to politicians, military heroes, royals, actors, and thieves; ”anything or anybody that became somewhat famous were immortalized or commemorated in Staffordshire” says Scully. Animals: Other animals are rare but the arrival of the Circus prompted production of circus animals. Many Staffordshire collectors of Victorian England had never before seen such animals. A famous elephant named Dumbo was produced, as were lions, tigers, and zebras. Perhaps the rarest of all animals, however, are Staffordshire cats. Spill Vases: Despite the name, these vases were not manufactured to accommodate flowers. A “spill” was a piece of tightly rolled paper that was used to light a pipe or even start a fire in the fireplace.
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5 Cottages: Although some cottages are purely decorative, others had more practical purposes, from banks for holding coins to pastille burners. Pastille was a substance similar to incense that was burned to provide a pleasing smell in the home. The pastille was placed in the cottage and as it burned its smoke rose from the chimney of the cottage. Staffordshire’s popularity in England started to decline in the 1890s. By 1900, most of the companies were out of business. Americans were introduced to Staffordshire after World War II, perhaps in part by soldiers returning home. However, it was not until the late 1950’s that it started being recognized and not until the 1980s that it reached the height of its popularity as a worthy collectible. Jerry Shroud is the proprietor of The Thoroughbred Antique Gallery, located at 637 East Main St. in Lexington.
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DESIGNER’S CORNNER
David Arnold President Gryphon Interiors Inc. 215 Breckenridge Lane, Suite 206 Louisville, Ky. 40207 502-893-7900
Q“
Diane J. from Owensboro, Ky.
What a great opportunity to create a lovely and personal interior! The challenge is to incorporate your old, elegant friends while making them part of an environment that is approachable to your new husband. After assessing the architecture of your rooms and considering the direction it dictates, start with a floor plan. Avoid layouts that are static, with everything backed to the wall and placed at right angles. Instead, soften the placement of seating to facilitate conversation while keeping a surface within arm’s reach. And beware the pair! Many formal rooms include pairs of things - chairs, tables, lamps, accessories. While they can introduce a valuable sense of order and rhythm, more than a few pairs is somnolent, so break up pairs around the room to lower the “formality quotient”. Consider re-covering a traditional sofa in a more laid-back fabric – a chunky texture in linen or cotton in a solid color to show off its shape. Add a pair of over-sized throw cushions in a colorful pattern for interest and softness. Minimize shiny fabrics like damasks and silks and remember that slipcovers are an effective means of dressing down a formal item. Mix in appropriately scaled upholstered pieces with classic lines and comfort like English club chairs. Substitute an upholstered ottoman for a traditional tea table and, assuming the item is not a period antique, why not have a painted finish applied to a piece or two of your brown wood furniture? The result is a lighter, more relaxed look that retains the familiar, classic lines. Don’t forget the floor as well. Oriental rugs can be great but opt for lighter, open, tribal designs like Oushaks or Serapis rather than richly colored, tightly patterned rugs that can be heavy looking. Sisal or sisal-lookalikes also make great backgrounds for formal furnishings, taking off the edge while not competing with them. Finally, as you consider window coverings, keep in mind that they generally become the second level of architecture in a room and in most cases, simpler is better. If the architecture dictates some type of valance, or if you just need a fix of tradition, keep it tailored and clean-lined.
I MOVED INTO A NEW HOME EIGHT YEARS AGO. I HAVE NOT DONE ANYTHING TO MY GRANITE AND MARBLE COUNTERTOPS. WHEN SHOULD THEY BE SEALED AND WHAT SHOULD I USE ON THEM? CAN I DO IT MYSELF? Carol M., Lexington, KY
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Irv Trachtenberg Counter Culture Plus 944 National Ave., Lexington, KY 40502 Phone: 859-246-0007 Irv Cell: 859-608-8295
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A
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Q“
I GREW UP IN A FORMAL HOME, SO I’M USED TO THAT LOOK..I’VE JUST RECENTLY GOTTEN MARRIED AND MY HUSBAND FAVORS A MORE CASUAL LOOK. PLEASE HELP!
Your granite installer should explain care and upkeep as part of the sales process and before you sign a contract. Under normal use, granite should be resealed (it’s initially sealed before the distributor receives it after it is mined) each year. If you don’t use your kitchen three meals a day because you frequently eat out (do you have several restaurants on speed dial?) or travel quite a bit, resealing can wait for longer than that. Daily cleaning should consist of a wipe down with mild dish soap (go light on that) and water; there are also cleaners that are recommended for granite and marble. When it’s time to reseal, use a chemical cleaner available at numerous places, possibly from your installer. This prepares the stone to better accept the sealer. The next process is similar to waxing a car as you apply the sealer thoroughly over the whole surface, and, once dry, wipe off the residue. At Counter Culture Plus, we prefer SCI Stone products because they are water based versus petroleum based, and don’t have a strong smell. Resealing is an easy DIY project, or call us and we’ll be glad to assist.
by Bill Henkel
LANDSCAPES
AFTER
Rejuvenating Your Outdoor Space After the cold winter, the wet spring and the oppressive heat of summer, we are starting to feel fall weather just around the corner. As we start thinking of moving out of the air conditioning and back into the great outdoors, a.k.a. our backyard, we can see that the weather has taken a toll on our yards, our gardens and even our patios and decks. Before we can think of spending time outside or having friends and family over for drinks and food, many of us know that something needs to be done to add some flair to our outdoor space! The “flair� can be as obvious as some new patio furniture, a nice plant here and there, some flowers or some new shrubs and bushes around an otherwise boring space. Maybe a small fountain is something you have been longing for to add to the ambiance of your backyard. Or, if you are like the homeowner in these before and after pictures, a complete makeover may be what you desire. In the before picture, the owner of this home was unhappy with his patio. He recognized that his retreat at the back of the house needed some work. The layout of the patio made moving around a drawback
BEFORE when entertaining. There was no cover for the furniture or the grill and it made planning gatherings in less than perfect weather conditions chancy. With the steep slope of the land one step off the patio, it did little to encourage walking in the garden or the yard. In order to remedy the situation, the homeowner worked with www.kentuckyhomesandgardens.com
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AFTER professionals to come up with a plan that would increase his space and give him the room and the atmosphere he needed. The improvements, as seen in the after picture, gave him the solutions he had requested and then some!
ENJOYING THE BEAUTY OF OUTDOORS AGAIN WILL RECHARGE OUR MIND AND BODY. The new porch makes better sense of the interior space. It now connects the family room, kitchen and breakfast nook with a covered area perfect for lounging, enjoying a fire, cooking and entertaining, while providing an easy access to the backyard. The new landscaping adds to the relaxing atmosphere of the outdoor room while instilling color and beauty into the entire space. Regardless of your budget and whether you aim for a complete makeover, or just a little TLC to liven up your outdoor space, now is the time to start the process. Enjoying the beauty of outdoors again will recharge our mind and body by allowing us to soak in the sounds and scents of nature. Rejuvenating your outdoor space will allow you to relax and retreat from the pressures of day to day living!!
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BEFORE
Bill Henkel is a landscape designer and co-proprietor of Henkel-Denmark Landscaping located at 1116 Manchester Street in Lexington.
by Christina Noll
HOMESCAPES
Natural Beauty CAPTIVATING BACKSPLASHES ARE AT THE FOREFRONT OF KITCHEN AND BATH DESIGN Photography: Walt Roycraft
1 1. Two x two glass tiles are the perfect complement to this contemporary bathroom. Photo from The Tile Shop, Lexington.
Just as a fireplace is the focal point of a living room, an inspired backsplash can be the focal point of a beautifully designed kitchen or bath. Whether it’s a traditional, retro or contemporary style, a custom backsplash is a great way to personalize your kitchen or bath with your own individual sense of style. With hundreds of options and materials including tile, stainless steel, brick, glass, and more, you can design a backsplash to fit any taste. The natural shapes, textures and patterns available can be found in every color imaginable so you can easily match existing countertops, appliances and décor. Compare and contrast materials to find the one that best suits your needs for form and function. Glass mosaic tiles are a favorite and can range from eclectic to very elegant, depending on the color, shape and style of the tile. Mosaics mostly have a contemporary feel, but are a wonderful way to add a little drama and sparkle to a traditional kitchen or bath. Stone splashes offer a classic and elegant feel and marble and travertine are ageless in their appeal. Stone mixed with glass tiles is a great compromise for those who can’t make the leap to all glass. A mix of slick glass and softly honed marble creates a totally unique feel. For a luxurious and elegant look, handmade ceramic glazed tiles work wonderfully.
“When I encourage people to step out of their comfort zone and try something totally different than they originally envisioned, it is always successful” – Debra Hupman, Designer at Creative Kitchen & Bath in Lexington.
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2. A horizontal mix of glass and Carrera marble provide the perfect backdrop for a sleek, modern feel. Photo from Creative Kitchen & Bath, Lexington. 3. This stunning look was achieved using 6 x 12 Carrera Marble with a Carrera Mosaic insert. Photo from Creative Kitchen & Bath, Lexington. 4. A backsplash can encompass an entire wall for a dramatic effect. Photo from The Tile Shop, Lexington.
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With all the options, it’s sometimes hard to know what will work best in your own home. A professional designer can be an invaluable resource when designing a backsplash. “When I encourage people to step out of their comfort zone and try something totally different than they originally envisioned, it is always successful,” says Debra Hupman, Designer at Creative Kitchen & Bath in Lexington. She helps clients select their own blend of colors and tiles that can be customized for exactly the right look for their kitchen or bath. It can be overwhelming to choose from all the selections, because there is a limitless supply of design, style, color, and patterns available. “I like for clients to look to see what they are attracted to, and then I refine the
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Investing in the right backsplash will not only enhance the visual appeal of a kitchen, but also protect the walls behind the counter, sink, or stove.
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7 5. A traditional style kitchen is turned extraordinary with the addition of hand made glazed relief ceramic tile backsplash with a chair rail boarder. Photo from Creative Kitchen & Bath, Lexington. 6. A completely unique look is achieved when colorful horizontal slate is set against a neutral backdrop. Photo from The Tile Shop, Lexington. 7. Mixing materials and colors for a one of a kind design is an easy way to showcase your own sense of style. Photo from The Tile Shop, Lexington.
selection and design the layout to scale so that there is a visual reference,� explains Hupman. Investing in the right backsplash will not only enhance the visual appeal of a kitchen, but also protect the walls behind the counter, sink, or stove, from damage caused by materials used while cooking. In a bath, a backsplash protects walls from water and sets the stage for the overall feel of the room. Installing a custom backsplash might seem like a luxury, but can actually be very affordable. When choosing a backsplash, first set a budget, then focus on choosing colors and materials 6 that best complement your style. With the right blend of texture, color and pattern, a stunning new backsplash can transform your kitchen into a showcase in your home.
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GARDENS
by Kirsten E. Silven
This pathway and seating area leads into the back corner of the garden and is framed by stacked limestone from one of the other lots in the neighborhood, as well as a redbud tree, lilacs, bleeding hearts, vinca, variegated Japanese procumbens, and whimsical garden art that is fashioned from wind chimes cleverly crafted from old spoons. A daylily bed in the background is backed by tall grasses that are just visible along the garden’s border.
Simple Pleasures THIS FABULOUS LEXINGTON-AREA GARDEN DEMONSTRATES THE MANY THINGS THAT CAN BE DONE WITH AN AVERAGE-SIZED LOT AND IS A STUDY IN CAREFREE YET PURPOSEFUL DESIGN. Photography: Karen Thomas
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Definitely ready for its closeup, this bed is located in the center of this magnificent backyard garden and is home to blue catmint and petunias, as well as green sedum, daylilies and purple coneflowers – all sun loving plants.
Master Gardener Karen Thomas grew up playing under the lilacs and roses, watching her mother tend to a garden, so it is no surprise that she has inherited a deep love for flowers and foliage of all kinds. When she and husband Terry purchased this home more than 15 years ago, Thomas knew she wanted to create a magical garden space in the modestly sized, unassuming subdivision lot. Glad that she was starting with what was basically a blank canvas – the lot was home to one shrub and two overgrown Bradford Pears – and immediately set about creating a new plan for the space. Determined to do the work herself whenever possible, Thomas began by locating buried cables to determine the shape of the garden and then carefully created a plan that would allow her to maximize the space available for digging. She wanted to incorporate curved lines throughout the garden, so Thomas used limestone from one of the other lots in the neighborhood to create a number of meandering paths through the small space. In addition, a variety of colors and textures help to maximize visual interest, adding a strong sense of depth to the garden’s design. One of Thomas’ favorite tricks involves using broadleaf plants that are naturally low to the ground, such as hostas, in front of taller thinleaved plants. This creates the illusion of distance and adds to the overall structure of the space. In addition, Thomas uses a wide variety of
A birdbath and concrete squirrel statue are framed by Willis & Hattie and Karen Sue daylilies, along with ruffled deep purple sage, bright pink geraniums, variegated sedum, spirea, a burning bush and purple coneflowers.
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Daring Dilemma, Willis & Hattie and Karen Sue daylilies, along with purple coneflower, liatris and a burning bush, bring gorgeous color and texture to this garden bed, which is situated near the home’s rear deck.
Located in the front of the home, geraniums provide a gorgeous pop of bright pink color in this bed, while Green Luster holly bushes, purple Johnny JumpUps, sedum and liriope add elements of texture and structure.
soft, subdued colors to make the yard appear larger than it is, while pops of bright color attract the eye and encourage exploration. Another priority for the garden plan was to create a wide variety of colors, shapes and textures all year long. Even during the winter months, this can be accomplished simply by choosing to plant trees that have interesting bark or a unique shape. For example, Thomas chose to incorporate a contorted filbert, which appears nondescript during the summer, but assumes an outstanding silhouette in the winter that is reminiscent of a fine sculpture.
Another priority for the garden plan was to create a wide variety of colors, shapes and textures all year long.
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Two birds are poised in never-ending flight above purple coneflowers, while the vivid green Guacamole hosta and peonies in the background frame the space.
The many layers of differing and colorful plants found throughout the garden come together beautifully, while shade is provided by a redbud, birches and star magnolias. Thomas purposefully looks for shrubs and trees that bloom and is enamored with the tiny purplish-red blossoms that cover the redbud each spring. In addition, fanciful pieces of garden art are on display throughout the space, cleverly incorporated into the design and providing an element of surprise. Each year, Thomas chooses new annuals to create variety, provide pops of color and fill in sparse areas that naturally appear throughout the garden. She says much of the planning is done while enjoying a morning cup of coffee and gazing out the kitchen window, which overlooks her remarkable creation.
This view from the home’s rear deck gives a sense of scale and structure for this backyard wonderland.
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SPECIAL FEATURE
by Kirsten E. Silven
This minimal contemporary home is steeped in elegance and provides several areas that are perfect for outdoor living, thanks to professional landscaping and architectural lighting from Outdoor Lighting Perspectives.
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INSIDE OUT THE BEAUTY OF MODERN OUTDOOR LIVING Today’s porches and patio spaces have become true extensions of the home’s interior spaces, providing a place to dine, entertain and relax while enjoying everything the outdoors has to offer.
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1 It’s easy to imagine why outdoor rooms have become so popular in recent years; sitting by a fire with friends or family, catching a game while lounging by the pool, or enjoying a summer meal al fresco are just a few of the many reasons why more and more homeowners are opting to make the most of their outdoor areas. In addition, the sluggish economy has caused more of us to scale back the frequency and distance of our travels, adding to the appeal of creating a retreat right in your own home. “I have definitely seen a trend towards clients treating their home as though they will be living there forever,” said Todd Hart of Hartstone Tile. “Outdoor areas are a huge part of this trend. People want to make it feel as though it is a part of the home, not just an afterthought.” Cooking and Dining Many outdoor living areas are created specifically with cooking and dining in mind. The options for outdoor cooking are astounding, with a variety of components; including grills, warming drawers, power burners, woks, sinks, refrigerators, ice chests, bars and pizza ovens; all available to suit any design requirements. In addition, many
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2 1 & 2. Designed to be functional from early spring through late fall, this open-air pool house boasts a fully-equipped galley kitchen with appliances supplied by Denger’s Hearth & Home, along with a travertine floor and a striking bead-board ceiling with redwood stain. Greg Hill was the general contractor, while the architect was Sam Montgomery of Murphy+Graves Architects. Photography by Walt Roycraft.
outdoor living areas that do not have a cooking space are situated near the home’s indoor kitchen; this provides easy access when serving food and drinks outside. “The outdoor kitchen is gaining popularity as the home’s major cooking space and can be used virtually year round,” said Julie Lewis, a designer and outdoor custom specialist with Housewarmings in Lexington.
3 3. Sleek and modern, the kitchen and seating areas in this nicely appointed pool house can provide an ideal outdoor entertaining area for Kentucky Derby parties and other gatherings, thanks to the custom-designed, fully retractable NanaWall folding doors that collapse neatly to provide virtually no obstruction between the indoors and out. Rushing Design Company handled the landscaping and site design, while Mid American Gunite Pools built the pool and Frieda Myers, AIA, LEED AP of Phabitat Design was the architect on the project. Photography by Walt Roycraft. 4. Created in an effort to expand the usable living space of this home, this outdoor dining area is complete with two grills – a traditional gas model and a Big Green Egg that can be used for smoking and baking, as well as for grilling at high temperatures. In addition, the fireplace provides warmth on cool evenings, while the retaining wall in the foreground provides added seating, lighting and a division of the outdoor space. Designed, manufactured and installed by Housewarmings, the area also features a built-in stereo and twin pergolas with double purlin tops that provide twice the shade coverage of a standard pergola.
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Outdoor Furniture When it comes to choosing the best items with which to decorate an outdoor living area, it is important to choose pieces that are made to withstand the elements. “Look for durable materials that will stand the test of time and be sure to read labels,” said Ben Palmer-Ball of Digs Home & Garden in Louisville. For example, if a label instructs you to place the item in a, “protected location,” this means a covered porch or patio area. Also, Palmer-Ball says he encourages customers to mix and match colors and materials to create a true sense of personal style. Consideration should also be given to carry over the look and feel of your indoor living areas into your outdoor room, according to Faye Schimke, store manager for Housewarmings. “This is easy to accomplish with the many new options in finishes and fabrics for outdoor furniture,” she shares. “Aluminum is a great option because it will not rust and can be made to resemble cast iron or even wood, while the offerings for outdoor cushion fabrics closely resemble indoor fabrics and are specially designed to allow for easy draining and cleaning.”
5. This charming outdoor space is part of an enclosed urban courtyard in the Louisville area and its protected position makes the area an ideal lunch spot. The dining set is by Brown Jordan and is crafted from mahogany, a hardy wood that was once popular for constructing boats. The all-weather outdoor rug is by Sawgrass Mills and works to define the space, while Sunbrella cushions complete the look. Styled by Digs Home & Garden.
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6. Carefully constructed around an existing pool, this inviting outdoor living space was designed by landscape architect Rick Rushing with entertaining large and small crowds in mind. Hartstone paving was used to enhance and enlarge the existing pool deck, while hiding the old aluminum coping. The fire pit and seat walls provide built-in seating, while the piers and columns are made of limestone to appear dry laid, matching the house. The pool deck, coping, sidewalk, step treads, wall and pier caps were made from Hartstone pavers in Louisville. The screened porch was opened up by removing three walls and raising the back one, providing shade and room for a large television set. The upper patio consolidated several smaller landings, providing plenty of deck space for large crowds. This backyard renovation was designed and constructed by Rushing Design, of Lexington. The dining table was created by Exceptional Outdoor Furnishings and features a 1,700 pound Hartstone top resting upon legs made from timber that was salvaged from a 140 year old barn. Other pieces were supplied by Norwalk Furniture and the landscaping and plantings were done by Lawnscapes of Lexington. Photography by Walt Roycraft..
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7. Situated 10 feet off the ground on the back of a Mt. Sterling, KY home that was built in 1878, this newly constructed porch and outdoor living area was positioned near the kitchen to allow for easy access when entertaining. The intricate woodwork perfectly matches that which can be found on the front of the home, while the stone used for the fireplace was found nearby in Elliott County. The rack holding firewood was made by the homeowner from an old railroad track in a silage barn, and Chad Bliffen helped the homeowner with much of the construction of this space. The chandelier and the wrought iron piece hanging over the fireplace were both found at Roberts Antiques. Photography by Walt Roycraft. 8. Richly appointed yet very inviting, this area is situated near a pool and is a favorite place for these Louisville homeowners to watch a sporting event or just relax. The mahogany ceiling brings a sense of warmth to the space, while the arched doorways are nicely complemented by the ceiling supports and all-weather draperies can be closed for added privacy and protection from sun and inclement weather. Photography by Walt Roycraft.
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Location, Location, Location “When choosing a location it is very important to consider how you want to use the space, as well as to take into account the prevailing winds and the angle of the sun at various times of the day,” said Steve Graves of Murphy+Graves Architects. The best way to determine the ideal location for your outdoor living space is to consult with an expert who can help you get it right the first time. Landscape architect Rick Rushing of Rushing Design Company, suggests checking references and taking the time to look at previous jobs completed by potential candidates. “There is no substitute for experience,” Rushing states. “Collaborating with my clients is a very rewarding experience, as you help them achieve their dreams. Identifying all of the pieces of the puzzle is the key to developing a custom tailored design that suits their specific needs.”
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Design Considerations Many outdoor living areas appear to be part of the original architecture of the residence to which they belong, blending seamlessly with the home’s existing style and materials. Carolyn Threlkeld of Hubbuch & Co. stressed the importance of this, stating, “Opting to carry over the trim colors from the main residence will make an add-on space feel like a continuation of what was already there.” Also, easy access is crucial, especially if the space will be used for entertaining larger groups. Make sure stairs and entrances are wide enough to accommodate at least two people, and take measures to provide plenty of seating for the number of people who will regularly be using the space.
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“When choosing a location it is very important to consider how you want to use the space, as well as to take into account the prevailing winds and the angle of the sun at various times of the day” – Steven Graves, Murphy+Graves Architects.
10 9 & 10. This beautifully constructed porch and terrace was entirely custom made and conceived in part to provide a shaded area from which the homeowner could enjoy the outdoors after losing several large trees. The roofline, center steps and charcoal-colored lattice give the area a distinct Charleston feel, while the skylight provides just the right amount of midday light. Clay Ingels supplied the brick for the terrace at the base of the stairs that follows a curved line and is ideal for entertaining in the evening. Jack Stewart of Stewart Architecture designed the space, while Russell DesCognets built the covered porch and Carolyn Threlkeld from Hubbuch & Co. designed the space. The dinnerware is the Cabbage pattern from L.V. Harkness & Company and the flower box on the table holds hydrangeas from the homeowner’s garden and is actually a repurposed wine gathering box from the Sandra Jordan Collection. Photography by Walt Roycraft.
11 11. This space is adjacent to the home’s family room and perfectly integrates the exterior and interior living spaces, while a nearby fountain and water feature (not pictured) creates a pleasing backdrop. The fireplace extends the area’s usable seasons while acting as a focal point and providing a sense of scale for the space. The transparent stain on the light-colored pine ceiling is an old southern trick to discourage insects from making a home in the bright corners. Designed by Steven R. Graves of Murphy+Graves Architects. Photography by Walt Roycraft.
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ART
by Kathie Stamps
Sporting Artist An equestrian who loves art, an artist who loves horses, Midway resident John Berry creates oil paintings and charcoal drawings of racing animals for patrons worldwide who appreciate the beauty of the horse.
1 1. Presenting the Two-Year-Old is a 24” x 30” oil painting based on a photograph from a stud farm in England around 1900. The original photo had a courtyard, which Berry changed to a landscape.
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2. Another oil painting inspired by period photographs from England is the 24” x 36” Three to the Finish. “Talk about a dangerous sport,” said Berry. “They didn’t wear body protecting gear; basically just silk hats and silks.” You can see these three horses giving it their all in a steeplechase race.
3. Cream Colored Ponies is a small oil on linen. He saw the ponies as he was driving along the Kentucky countryside. He stopped the car, took a photograph, and made his own charming composition.
2 A self-proclaimed night owl, John Berry tries to discipline himself to paint during the day, because natural light helps him see the subtlety of different colors. However, he’s been known to get a creative urge late at night and work into the wee hours. “When the mood strikes and you see something you know you can fix in that moment, don’t put it off to another time,” he said. A native Texan, John Berry spent much of his youth in Wisconsin. In his travels to Spain he fell in love with the Andalusian breed of Spanish horse and has painted quite a few of them over the years. “They’re magnificent, noble animals,” he said, “one of the most ancient breeds, as old or older than the Arabian.” He is also partial to Saddlebreds and Thoroughbreds. In addition to oil paintings, Berry enjoys working with charcoal. Some of the canine drawings he has made for galleries are more than twice the size of an actual dog. He never works on “cold, white paper,”
“If you don’t try, really try and see if you can become an artist you will become so disappointed when you get old.” because the medium of charcoal looks brittle against it. He chooses an ivory background for the soft black color of charcoal. “It is the height of elegance,” he said. Berry’s artistic talent was apparent as a young child, but he received no art education at the time. His family thought art was a hobby and didn’t give him a lot of encouragement. In his teen years, Berry took riding lessons with hunter jumpers and dressage instructors, and soon was
3 making a living training and showing horses. “I still ride at 63,” he said. By his mid-30s, Berry was set to embark on a career in real estate, when he reached a crossroads. He told himself, “If you don’t try, really try and see if you can become an artist you will become so disappointed when you get old.” While showing Arabian horses in Albuquerque, New Mexico, he took a 150-mile trip north to an artist colony in Taos. “l was totally taken by the landscape and architecture, and was surrounded by art,” he said. With an art gallery on almost every corner, Taos was the place he chose to receive formal, classical art instruction and hone his craft. “I decided to pack it up and move to New Mexico and naively thought within a year I’d be recognized and on my way,” he said. It took 10 years, but when he eventually moved from Taos to Southern California, he left with the reputation of being a sporting artist. After almost two decades on the west coast, a friend convinced him that Kentucky was the center of the universe for horses.
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4. Dare and Go was a stakes winner sired by Alydar and descended from Secretariat on his dam’s side. One of Berry’s finest equine portraits, the 24” x 24” painting is in a private collection. 5. The Black and the Gray is a 24” x 48” oil on linen depicting a Thoroughbred race. It sold at a silent auction during a Breeders’ Cup event at Churchill Downs one year. The runner-up bidder was so disappointed that Berry ended up creating a second painting, with the jockey wearing different silks. 6. During an artist’s residency in his mother’s homeland of Ireland, Berry watched horses race along the beach and fairgrounds. “There are no trappings of a race track,” he said. “You don’t see a guard rail.” Titled A Dark Horse, this 30” x 36” oil painting is now in a private collection.
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7. The Borzoi, also known as a Russian wolfhound, is an elegant breed of dog, according to Berry, who drew this 30” x 40” charcoal for borzoi breeders Greg and Prudence Hlatky in Ohio.
8. Córdoba is a city in Spain. A 30” x 36” charcoal drawing of an Andalusian horse on acid-free matte board was inspired by Berry’s trip to Spain, where he taught a class for the Taos Art School.
7 In 2004 Berry moved to Central Kentucky. “When I got to this little town of Midway, I truly felt a sense of home at last,” he said. “It’s a wonderful place to be.” Berry’s paintings and drawings are available in Midway at Damselfly Studio & Gallery and at May & Co., Artique in Lexington, the Sportsman’s Gallery in Atlanta, Paderewski Fine Art in Beaver Creek, Colorado, and Beresford Gallery in Unionville, Pennsylvania. He works primarily from photographs or videos, but prefers to see the horse in person first. “I always love to look at the horse in the eye to begin with,” he said. “I want to know who that soul is, that personality. A static photo doesn’t give you that information.” One of his works in progress is a dappled gray emerging from a shadow. After Berry adds layers of paint and glazes in gold, yellow and ocher, the horse will appear in a glowing light. For oil paintings, Berry works with canvas or Belgian linen (his preference is a good quality canvas with three coats of gesso). He likes to have a hand with the framing but relies on the input of expert framers when he has narrowed his choices to three or four. “It is almost as important as the piece of art,” he explained. “You can take a mediocre piece of art and a fabulous frame will take it up a level.” Conversely, a mediocre frame on a beautiful piece of art will lower its artistic value. The living room of his small house in Woodford County is his official art studio. “I can’t imagine having to dress up and drive somewhere,” he said. And with the hours he paints, the living room studio is always there. “I’m never in a hurry,” Berry said of his creative process. He typically produces 15 paintings per year. When the pieces are finished, he doesn’t part with them right away. “I love living with them,” he said. “Even after I’ve signed them, I still like living with them a while.”
“I always love to look at the horse in the eye to begin with,” he said. “I want to know who that soul is, that personality.”
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1 1 & 2 This house, commissioned to be built in the 1920’s, features many classical elements and materials of the Italianate style: a low-pitched roof, a symmetrical shape, overhanging eaves with brackets, double-paned windows with arches above. Ashland, the Henry Clay Estate, is a well-known example of the style.
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A NATIONAL TRUST TREASURE Nestled among trees in a historic district in Lexington, lies a true national trust Italianate treasure. By: Mary Cynthia & True Knowles Photography: Walt Roycraft
Even though the front porch and facade are impressive from a street side view, the house has many components of that period that invite further investigation. Sometimes, a home and its owners come together in a respectful, complimentary fashion, rather than through the triumph of acquisition. Such is the case with a home designed by James Frankel, a deaf-mute engineer (who also designed the Gratz Park Inn). Frankel’s fascination with marble, moldings and brass found expression in a classic example of Italianate Design that is more prominently featured in the Northern states. Popular in the antebellum period, access to and affordability of the needed building material was more prevalent in the North than the South after the Civil War, so the style never caught on in Kentucky in any big way. Rarity makes this home even more of a crown jewel for the Commonwealth. The owners hail from Central Kentucky and both graduated from the University of Kentucky. He even did a year of study in architecture before choosing another career path. Early in their marriage, professional opportunities took the couple to other areas before settling in Lexington. They brought their children up in a different home, but events brought the family around full circle. “As a child I played around the corner from this house, and I always admired it”, he said. They kept hoping the house would become available, and in 1989 they got the chance to make a bid. He loved the house already, and she loved the idea of the house. She said, “I fell in love with the old houses of Charleston, South Carolina, and I love the Southern tradition of friendliness. None of the antebellum houses had drapes on the front of the house. You could look in and see a family. And I loved to see the silver shining.” She has been able to create that Southern feel by holding dinners on the large expanse of front porch. Entering from the porch, the visitor first sees large leaded glass panels, exquisitely designed, then a sweeping vista into the front hallway, accented with Oriental rugs, antiques, and artwork. The couple’s
passion for art evolved into a love of antiques; many of their furnishings were purchased at auction. “Our collecting happens in the moment. It’s about what moves you”, he said. “I admire something that is beautiful and well done.” The homeowners travel the world, and combined with her personal passion for painting, have acquired pieces from all over the globe: Ireland, Africa, and Russia. Each room suggests a link on a charm bracelet; each room 2 whispers tales of family, or just the experience of circumstances around discovery and purchase. The two considered the home a great backdrop for their collections, and yet considered the downside of buying an older home with details such as antiquated plumbing and HVAC. Their patience paid off: even though their first bid on the home was rejected, the experience galvanized them to create a master plan for such a purchase later. “A year after our first bid, the house came on the market again. We knew that we could forgo air conditioning on the first floor, because the walls are fourteen inches thick. Street noise is almost non existent. We focused much of the early renovation on the upper floors. The kitchen had been re-done once by previous owners, so that left the bathrooms to be renovated, which we did. We did most of the work ourselves, and my son did some of the decorative painting.” The next part of the plan involved selecting a color scheme. While he renovated, she found someone to help weave her favorite design color, salmon, into a unified design effect. She selected J. Michael Franklin of J. Michael Designs; and together they created a palette of salmon, coral and peach, with a sophisticated use of interlocking and harmonious intensity. Used in every room of the first floor, these “travel colors” can be found in many of her chosen design elements, from wall paint, to Oriental rugs to upholstery fabric. For example, coral paint covers the spacious and gracious Living Room. The color supports the handsome Oriental rug, large enough for www.kentuckyhomesandgardens.com
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3 an expanded conversation area. Coral makes its way onto several more rugs in the hallway and on into the dining room, where a lighter shade in the same palette colors the large Oriental. A casual dining area, with glass cabinets ceiling to floor, offers passage to the Kitchen. The color coral is found in the floor tile, window treatments, and inside the backlit glass front cabinets. For this house, on a heavily wooded lot facing east, coral was the perfect color to weave a wave of warmth throughout the connected areas of the first floor. The dining room reflects the couples’ enthusiasm and appreciation of well crafted antiques, and always with meaningful connections to them. The Heritage Antiques table is surrounded by New Orleans chairs. A sideboard from Wakefield Scearce sits across from a chest that was one of their first acquisitions as newlyweds. An addition of windows along the back of the house provides light and architectural interest to the hallway leading to the cozy, classic den. Matt Carter, of Matthew Carter Interiors, started with the black and white tiled floor as a foundation, and converted the space into a toile-inspired television room. A custom-made white entertainment cabinet blends into the white brick, and doesn’t
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4 3. This sunlit Dining Room, painted in a soft buttercream found in the Oriental rug, glows with the patina of antiques, silverware and artwork procured on the couples’ travels and through estate auctions.
4. Faux painting adorns the downstairs and upstairs of the Hallway, and was painted by one of the couple’s sons. Botanical prints line the stairwell, and oils purchased from trips to Russia and the Cotswold in England hang on the adjoining walls. The brass sconces are original to the house.
5. The travel color of coral/ salmon warms the interior of the formal Living Room, which faces east and is used primarily in the evenings. Antique chairs from his mother’s estate fill the corner. The 200 year old Russian Chandelier took twenty years to find, and came from a local horse farm. The rug came from a family he knew in Richmond.
6. The couple’s favorite painting hangs over the fireplace: a portrait of Calumet Farm’s sire “Raise the Cup”, the farm’s leading sire before Alydar. The woodwork is original to the house; the marble fireplace originated in Italy.
7. With its long entrance of floor to ceiling built-ins, this bedroom once served as a maid’s quarters. It now serves as a dressing room. The painting of the woman in the field was painted by the homeowner.
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8. The kitchen serves as a great example of bringing the outside, in. Different shades of green fill the walls and ceiling. Antique Victorian streetstyle lamps provide light for the sink area. A combination of stainless steel, CorianŠ and butcher block counters provide ample work space.
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“As a child I played around the corner from this house, and I always admired it.�
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10 9. After doing research in shops and museums, the couple decided to purchase a suite of Biedermeyer furniture because they liked the patina of the wood and the fit and finish of the construction. The coral/salmon colors shift into the bedroom in the English floral design in the chairs and in the paisley draperies.
10. The couple completely gutted and renovated the master bath. Tile and marble are used in the floors, shower casement and built-in unit. A pineapple wallpaper motif is highlighted by an architectural niche to add interest. Because actual marble was not feasible for the arch, one of their children faux-painted the upper part of the shower entrance.
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“There was woodwork original to the house on the first floor, but there wasn’t upstairs, so my sons and I added it.” compete with the patterns in the floor, the lead glass windows or a stone fountain within the room, all original to the house. The backyard of this home doesn’t take a backseat to the formal front facade or interesting interiors. Here, too, the couple had a plan to follow as their garden grew. The patio area and yard are almost completely private to neighbors, and exhibit a classic selection of plantings complementary to the architecture. While she thoroughly enjoys gardening, he adds with a wink, “I’m lucky I like working in the yard.” Their house reflects a balance between formal and relaxed, style and meaning, home and away. Over the years, the plan took form. While she finalized her master plan inside and out, he started work on the upper floors. “There was woodwork original to the house on the first floor, but there wasn’t upstairs, so my sons and I added it,” he recalls. The second floor plays host to two guest room suites and a master suite, while the third floor functions as an office/ getaway, featuring a pool table, plenty of space for her art supplies, and his collection of decoys hinting at his love of hunting and fishing. If a room can reflect a partnership, this room seems to evoke a sense of fun and togetherness; it’s a room, and a home, where everyone can relax and feel at ease. In this stressful age, perhaps that’s the real treasure in this home.
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HOUSE CREDITS INTERIOR DESIGN:
J. Michael Design, Matthew Carter Interiors LANDSCAPING:
Morgan C. McIlwain of M2D Design Group REMODELER:
G. D. Perkins, Designer Builders RUGS:
Dana Kelly
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11. What’s old is made new and functional again in the couple’s den. A built-in cabinet was added, designed to match the molding. The texture and pattern of the brick, leaded glass and tile called for softness in the upholstery, with a splash of coral in the rug.
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TOUCHDOWN,
KENTUCKY! Entertaining is the name of the game for the first couple of Kentucky football. UK head coach Joker Phillips and his wife, Leslie, host gatherings for the players and coaching staff at their Lexington home. By: Kathie Stamps Photography: Walt Roycraft
1. Located close to campus, the home of Joker and Leslie Phillips is in a quiet community with friendly neighbors. Built in 1964, the house was originally red brick. After a renovation in 2007 by Parker Inc. for the previous homeowners, which included the addition of a front porch, the exterior is now painted a cream color.
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For two busy university professionals, finding a move-in-ready house scored extra points on their wish list. When Joker Phillips was named head football coach of the University of Kentucky Wildcats in January 2010, the couple needed a house big enough to hold the entire team. They moved into their new home two months later, which was midsemester for Dr. Leslie Phillips, a professor in the department of Kinesiology and Health Studies at Georgetown College. Located two miles from the University of Kentucky campus, the house is just under 6,000 square feet, with two levels: the main floor and a basement that doesn’t look or feel basement-y at all. A complete renovation had been done by the previous homeowners three years prior to the purchase. “We kept most of the paint and window treatments,” said Leslie. She and Joker particularly liked the soft yellow in the living room. “We painted some in the kitchen and Joe’s office.” She is the only person who calls him by his given name, Joe. The nickname “Joker” was given to him when he was two years old by his grandfather. Leslie Phillips has worked with interior designer Mary Lou Yeary for years. “I don’t want to make expensive mistakes,” said Leslie,
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2 2. ‘This painting makes me happy,” said Leslie Phillips. The contemporary equine artwork is the first thing she sees when entering the foyer. She commissioned it from Lexington artist Monica Pipia.
3. In the living room, the homeowners kept the soft yellow walls and window treatments that came with the house. “It really lets the pieces of new living room furniture stand out,” said interior designer Mary Lou Yeary.
4. Leslie Phillips replaced a sage green color with white in the kitchen, where almost every appliance is disguised to look like furniture. The large chest of drawers at the end of the island is a freezer and the white cabinet behind it is the refrigerator. The marble-topped center island doubles as a breakfast bar. “It doesn’t happen often but Joker can cook up a good traditional breakfast of bacon and eggs!” said Leslie.
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who trusts Yeary’s advice. “She likes color,” said Yeary of her longtime client. ‘We tried to soften her color this time. She had strong color on her walls before.” Now the bold colors are seen in accents. One example is the red drapes, in an ikat pattern, in the kitchen. “She’s not any definite style,” said Yeary. “It’s just Leslie style.” The house has four bedrooms, three full baths and two half baths. One of the guest rooms on the lower level doubles as Leslie’s yoga room. Aside from a few area rugs, there’s no carpet covering up the beautiful hardwood floors. The downstairs is a perfect area for entertaining, as French doors lead from the bar and a wide open dining area to the patio and back yard. One of the entertaining functions the Phillips’ provide for the football players is a summer cornhole tournament, complete with a big bracket board and 20 stations around the property. The student-athletes love to compete anyway, so the cornhole games have been a big hit. “We
warn the neighbors and invite them over,” said Leslie. Another event is a mid-summer gathering for the incoming freshmen, to ward off homesickness and help them socialize with one another. During recruiting season in December and January, the coach and his wife host a weekly Sunday brunch for recruits and their parents. “DaRae (of DaRae & Friends Catering) sets up in the kitchen and makes French toast croissants, eggs, potatoes and fruit,” said Leslie. Last football season, a couple of Kentucky Wildcats spent their Thursday nights fishing for bass and carp at the coach’s house. A large pond is at the end of the back yard, spanning several properties. The view of the water was a selling point for Joker and Leslie. “Whether sitting on the screened porch off the kitchen, looking out our bedroom window or from the downstairs area, there is something relaxing about seeing the water,” said Leslie, whose mother used to ice skate on that very pond in the wintertime. Leslie grew up in Lexington; Joker is from Franklin, about 20 www.kentuckyhomesandgardens.com
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5. Sculptures and artwork from galleries and art festivals are arranged throughout the house, including the formal dining room. The red lacquered sideboard is one of their newest furniture acquisitions, brought in to add color to the contemporary décor. 6. Off the family room, the breakfast room is one of four designated eating areas in the house. Splashes of color in accessories and wall hangings convey the eclectic and contemporary style of the homeowners.
miles south of Bowling Green. They met their freshman year at UK, where she was studying physical education and he was an advertising major. After dating for more than a decade, they married in January 1998. Joker Phillips started his coaching career as a graduate assistant coach at UK in 1988. He was an assistant coach at Cincinnati, Minnesota, Notre Dame and South Carolina before returning to his alma mater, where he has been since 2003. When buying this home, “Joker and I both recognized that the areas for entertaining would work great for our needs, inside and outside,” said Leslie. “That was the most important factor.” On the main floor is a screened-in porch off the kitchen. An exterior brick staircase leads to the patio below, which sports new aluminum and mesh outdoor furniture. It seemed the black aluminum was quite attractive for birds, however, making it difficult to keep the furniture clean. Interior designer Yeary recommended fake snakes to keep them away. Leslie bought two large yellow and black rubber snakes and a small green one, and scattered them on the seats of the lounge chairs. They have done the trick and kept the birds away. With an eclectic and contemporary décor, and plenty of space to move about, this house is the perfect retreat for two people with demanding jobs. “He’s not a machine,” said Leslie Phillips of her husband. “He has to recharge, and this house is very helpful for that.”
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“Joker and I both recognized that the areas for entertaining would work great for our needs, inside and outside.”
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7. The family room speaks to Leslie’s love of color and simplicity, with its bright walls and tasteful furniture. 8 & 9. Coach Phillips chose a room on the main floor of the house for his home office. Although he doesn’t spend much time here, the display cases and wall space showcase his sports memorabilia. “It’s main function is for meeting with recruits, individually and with their families, when we have them in for Sunday brunches during the recruiting season,” said Leslie Phillips.
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10. Leslie’s office is in an area of the basement that was once an in-ground swimming pool. When Parker Inc. remodeled it in 2007 for the previous homeowners, they used reclaimed lumber for the paneling. Leslie Phillips assumed this would be her husband’s office during their first walk-through, but he called an audible and chose a room upstairs instead. The built-ins in this room work well for all of Leslie’s textbooks. She added color splashes and plenty of lighting, as she spends many hours here on the computer, preparing to teach her classes at Georgetown College.
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13. “I like my man cave,” said Coach Phillips. He doesn’t have much time to spend at home, but when he does he is most likely to be found in this area of the lower level, often multi-tasking by making phone calls while watching a game on TV. “We did not own a flat screen,” said Leslie Phillips. “We purchased a new TV right before flat screens came out and now we have seven flat screens in this house.”
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HOUSE CREDITS INTERIOR DESIGN:
Mary Lou Yeary
BUILT-IN TVS AND SOUND SYSTEM:
Gregory Davis Audio Video Interior Design
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11. “I like simple and functional,” said Leslie. The master bedroom is in a quiet area of the main floor. It is a place for the couple to escape life in the public eye; to sleep, perchance to dream of another winning football season.
12. Keeping walls, tile and fixtures in a neutral palette allows the homeowners’ artistic pieces to be a focal point of the master bath. The colorful accessories help make sure each morning starts off with a smile.
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Elegance UNDERSTATED
This Louisville-area home is at once both grand and welcoming, with extraordinary details and colorful original pieces of artwork just waiting to be discovered around every turn. By: Kirsten E. Silven Photography: Walt Roycraft
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1. Reminiscent of an Italian-style villa, this home is a modified Jack Arnold design that was carefully planned to make the most out of the available space in this one acre, pie-shaped lot. Lush green is interspersed with pops of bright color framing its inviting synthetic-stucco facade.
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With 13,000 square feet of living space, a home could tend to exude a cold or distant vibe, but not so with this warm, inviting family residence. Conveniently located in Louisville’s east end close to a wide variety of popular shopping and dining destinations, this Italianstyle dwelling sits on a one-acre, pie-shaped lot that provides a large amount of privacy and spectacular curb appeal. With its synthetic stucco exterior and stone fireplaces, this home has a timeless look and feel that is reminiscent of a tuscan villa and was derived from a Jack Arnold design. In fact, much of the home’s interior spaces are hidden from the street view and extend back in a modified U-shape to partially wrap around the pool area and frame the very private back yard, lending a sort of courtyard ambience to the space. Immediately upon entering the residence, one is struck by the 12-foot ceilings and stunning woodwork, which takes the form of finely rubbed antique glaze molding that spans the entire first level, and inlaid mahogany floors. “We treated the trim work as a design element,” said Gayle Ciliberti of Ciliberti Interior Design. “It really embellishes the architecture, which is a very important element in this home.” Yet despite having a sense of grandeur, there is also evidence that a close-knit family lives here, with beautiful portraits and pictures of happy, smiling faces to be found throughout the home’s main living areas. The arched interior and exterior doorways lend a sense of artistry to the design and work to reveal the keen sense of style and knowledge of scale that is possessed by the homeowner, who designed the look and feel of the entire residence. Ideal for entertaining, the home’s interior spaces allow for ample natural light and a nice flow from the kitchen, family room and gallery out into the nicely appointed exterior spaces beyond. This is where the family spends most of their time together at home, lounging by the pool, enjoying the fully-equipped outdoor kitchen, or catching a game on one of the flat screen TVs. During the cooler months, the fireplace on the covered patio extends the usability of the exterior areas, allowing the
3. Flooded with natural light from the row of arched French doors leading outside to the covered patio and pool area, the home’s gallery is both warm and grandiose. It boasts inlaid mahogany floors and connects the various rooms of the home’s first floor.
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2. Inviting yet steeped in elegance, the foyer boasts magnificent inlaid mahogany floors and a staircase with cast iron rail spindles. One of the home’s two offices is just visible through the arched entryway in the hall, while antique glazing on the woodwork creates a cohesive look and feel.
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“We treated the trim work as a design element, it really embellishes the architecture, which is a very important element in this home.” – Gayle Ciliberti, Ciliberti Interior Design.
4. The home’s cozy family room features a coffered ceiling, antique glazing on the woodwork and plenty of natural light. Situated adjacent to the kitchen and overlooking the pool area, this is where the family typically spends time together and is one of the home’s most lived-in spaces.
5. Alive with deep colors and textures, the home’s formal living room is a study in grace and sophistication. The gold-leaf coffered ceiling works with the unique finish of the wall covering and plush décor to create a space that is both regal and welcoming. The curtain rod was custom made by Gianni Zanata to follow the curve of the window frame, nicely complementing the arched doorways that are found throughout the home.
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“We treated all surfaces as equally important components of the design and really enjoyed working with fabrics, wall coverings and window treatments to create a palette that enhances the unique architectural aspects of the home.” 7 6. Designed by Mike’s Woodworking, the kitchen cabinetry features the same rubbed antique glaze finish that is present throughout the entire first floor, which brings out added definition and texture in the wood. The teardrop print on the custom, floor-to-ceiling draperies, which were crafted by Sandra Davidson of Davidson’s Custom Drapery, beautifully complements the stunning granite countertop and tumbled travertine marble floor.
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7. Big enough to host extended family but intimate enough for smaller gatherings, this traditional dining room has a distinct eclectic flair, with a gold-leaf coffered ceiling, a richly textured wall covering and a crackled, black and gold molding framing the finely arched doorways.
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10 8. With heated marble floors and a deep, clawfoot soaking tub, the master bath is designed with relaxation in mind. The colorful, whimsical painting above the tub was done by the artist Mira and found at Effusion, one of the homeowner’s favorite galleries in South Beach, Florida.
9. This fun, funky dressing room hints at the homeowner’s fun side. The love seat was a gift from her husband on Valentine’s Day, while the painting above is a Twiggy Original by local artist Carla Terwilleger and pictures the homeowner with her daughter and a dear friend.
10. A deep chocolate wall color and plush bed linens help to make the master bedroom a calming and luxurious retreat. The vibrant, gold-framed painting is by Tom Pfannerstill, and the double doors lead into one of the home’s two office spaces beyond.
www.kentuckyhomesandgardens.com
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The porch (above 11) pool area (pg.58 14) is a private playground for the homeowners that is perfect for entertaining, or just relaxing to watch a game, featuring a fully-functional outdoor kitchen, a sun deck and a covered patio that is complete with flat screen TVs.
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12. Located on the first floor, the billiard room and lounge exudes masculine style and a southwestern flair in its robust design. The wainscoting on the walls blends nicely with the embossed alligator print leather wall covering, while the antler chandelier adds a rustic touch.
13. This office space is situated just beyond the master bedroom, featuring a gently curved outer wall that boasts custom draperies by Sandra Davidson of Davidson’s Custom Drapery and a painting by artist Todd White graces the wall behind the desk.
www.kentuckyhomesandgardens.com
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14 family to gather in comfort regardless of dwindling temperatures. In addition, the nearby lounge and billiards room provides the ideal place to relax over a game of pool. Here, wainscoting and embossed leather add another layer of design and texture on the walls, and work with the antler chandelier to create a hint of southwestern style. Perhaps one of the most striking aspects of the home’s interior design can be found in the impressive, eclectic collection of art that is found in virtually every room, with many three-dimensional pieces that are a sheer delight to behold. Many of the pieces have come from local artists as well as galleries in Miami’s South Beach area, which is a favorite vacation destination for the homeowners. Many of the pieces bring a feeling of lighthearted whimsy with them to the spaces they adorn, providing bright pops of color that are simply stunning to behold. “Color was very important in this home’s design,” shared Ciliberti. “We treated all surfaces as equally important components of the design and really enjoyed working with fabrics, wall coverings and window treatments to create a palette that enhances the unique architectural aspects of the home.”
HOUSE CREDITS INTERIOR DESIGN:
Gayle Ciliberti, Ciliberti Interior Design WINDOW COVERINGS:
Davidson’s Custom Drapery KITCHEN CABINETS:
Mike’s Woodworking
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KENTUCKY FOOTPRINTS
by Joe Rasnick
Eileen Jones – MAKING AN IMPACT Eileen Jones is the principal and global design leader of the “Branded Environments” discipline of Perkins+Will and for more than 25 years has been taking the program to new heights. A graduate of the University of Kentucky School of Interior Design, Eileen remains active in the UK community as a member of the Editorial Advisory Board for Contract Magazine at the School of Interior Design and participant in the Dean’s Visiting Committee Chair at the College of Design. She has also stepped into the role of educator at notable institutions such as UK, UNC and the Art Institute of Chicago, among others. Beyond her talents in design, Eileen is an avid outdoorswoman. To escape the stresses of her career, Eileen spends her time hiking, trekking, camping, canoeing and most anything else associated with nature. “I get as far away from [work] as I can,” she says. “I can test my limits in completely different ways.”
Tell us more about “Branded Environments”.
Branded Environments is about communicating a client’s brand in several mediums – web Darden Restaurants Corporate Headquarters design, print, physical environments; it covers Orlando, Florida At the corporate headquarters of Darden Restaurants a wide gamut of service in Orlando, FL, Eileen and her team developed types. It should help the environmental graphics and other components people feel comfortable reflecting the company’s history, current events and employee recognition. This photo shows the “Culinary in their decision to Stair”, featuring artwork in support of the brand. either engage with or become a member of an organization. My involvement in Branded Environments is not only leading the practice, but also engaging clients while crafting an overall vision for the practice.
What part of your job do you most enjoy?
Understanding the positive impact that design can have on people’s lives. With our range of work– corporate, museums, healthcare, education – what we do impacts the people that engage with those spaces.
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Haworth’s corporate headquarters in Holland, Michigan Eileen Jones led the effort to develop a comprehensive brand image for Haworth, a global office furniture manufacturer. This photo is of the front desk and reception area at the corporate headquarters in Holland, MI.
What keeps me going is knowing there is something worth while in what you’re doing that touches people personally or professionally. When you get feedback from patients in healthcare situations that have been positively impacted by what you have delivered in an environment, those are truly rewarding moments. Design CAN make a difference. That’s the most rewarding thing about our work.
Do you prefer to practice or teach?
Both are equally rewarding. Through teaching, it’s rewarding to see the potential of future designers and guide them in discovering their own capabilities and skills, but also to help them develop their own voice. You share the experiences you have as a professional and that makes learning real for them. In my work it’s also about seeing the number of lives you touch. Knowing that inside an organization you could be impacting thousands of people in the way they live, work and feel also carries reward.
What’s next on your Bucket List?
I want to spend significant time on all seven continents. To date I’ve experienced five—Australia and Antarctica are next on the list.
What do you love most about Kentucky?
There’s comfort in the landscape. Driving the back roads and experiencing the farmlands creates a wonderful sense of peace for me. I still have many friends there and stay engaged with the University and that provides me the opportunity to keep coming back.
See the Light
Come to the Source!
Brecher’s has been the source for lighting since 1866. Visit one of our showrooms for the latest in lighting. For selection, service , and style come to the source.
Celebrating 145 years in lighting!
LOUISVILLE 105 S. Hurstbourne Pkwy. at Shelbyville Road 502.426.1520 Mon.-Sat. 9-5 Thurs. til 8
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Est. 1866
LEXINGTON 104 W. Tiverton Way at Nicholasville Road South of Fayette Mall 859.273.3124 www.kentuckyhomesandgardens.com 3
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