CLUX

flux r h y t h m &n a r r a t i v e f o r m &f r a c t u r e

F

L

U

X

INDEX Advanced Architectural Design Studio | Port Wine Museum, Porto / Portugal | Camilo Rebelo & Kiana Jalali & Paola Hagei Higac Group 6 | Negin Fazelbakhshesh Ghoochan - Sinem Gucuyeter - Laura Christen Mc Grath Basile Kazim Kaan Ozgubar - Salmaalsadat Sajadijahromi - Maria Luz Saldutti Politecnico di Milano

3

1

STATEMENT CHAPTER I Fracture as Form

27

CHAPTER II Rhythm as Narrative

Rocks of the Land

Time & Meter & Rhythm

Rock and Stone

Revealing the Masterplan

Cracks of the City

Narrative and Breaking the Narrative

Masterplan

Archive, Laboratory and Lounge

Fragments | Museum, Market, Hall

Entrance

Journey

Inside-Out

Man-made Landscape

Fissure

Fragments | Landscape Islands Fragments as one Detail | Landscape

FF

LL

UU

XX

The song still remains which names the land over which it sings Martin Heidegger | Poetry, Language, Thought | Why are poets for? p.95

What gives each bottle of wine it’s unique flavor The terroir The taste of the earth Of the landscape The light that falls The air that surrounds The soil In the Douro valley The vine must find its way Down deep through schist soils As it meets rock it must find another way To survive and thrive It finds its way through the cracks It gathers minerals along the way Its fruits are smaller Skins thicker But flavor strong, Concentrated

The landscape is in constant change and movement it defines the wine and it is simultaneously shaped by it

1

2

F

L

U

X

chapter I

fracture as form MORPHOLOGY landscape and the city

3

4

F

L

rocksOF THELAND

U

X

Douro Valley with its canyons and cracks is defined by the vineyard. Just like the taste of the vine that depends on rocks in its soil.

SCHIST intense and aromatic taste

GRANITE layered aromas and mineral notes.

5

6

F

L

U

X

rockand stone

The strong contrast between nature and man-made could persist like always but their duality can define an harmony

7

8

F

L

U

X

cracksOF THEcity

The city of Porto due to its topography can be read as a series of cracks, with its narrow streets and endless stairs that expand to the river

To the city, the museum brings the canyons and cracks of the land To fit in, it shakes and breaks

What was once a concrete block is now broken into fragments that define a man-made crack

9

10

F

L

U

X

0

60m

200m

master plan 11

12

F

L

U

X

frag men MUSEUM MARKET ts HALL

The journey through the crack offers an experience with two ends On one end, there is an urban-life in constant movement, generated by the hall, lounge and restaurant. While the marketplace on the other end offers a tranquil encounter with the river

13

14

F

L

U

X

Entering the crack

A

B

A

journey there are three entery points to the journey of the crack A is along the the auditorium B is in the middle, it acts as an extention to the public square of Largo de Artur Arcos C is through a landscape of ramps towards the marketplace

C

B

C

15

16

F

L

manmade landscape 17

U

X

Along the fissure there is a constant change in x,y and z. Volumes get higher and lower, opaque and transparent Proportions change, and from the in-betweens, the river glimpses

18

F

L

U

X

accesible

landscape frag islands

men ts

Some fragments of the crack are shaped to preserve existing trees along the riverside.

inaccesible

19

20

F

L

GRANITE | HIDING along the crack

21

INSET | INVITING

main entrance and along the river

U

X

frag men asone ts

The river facade hides the museum and the market behind a curtain of landscape, offering glimpses from the in-betweens of fragments.

22 22

F

L

land scape

de tail

U

X

Touriga Franca Festuca

Myrtus Communis

Lavandula

Quercus Suber

Arbutus Unedo

Coreopsis Rosea

Santolina rosmarinifolia

Green Roof & Raingarden L a y e r i n g Vegetation Growing medium soil Filter membrane Draining layer Waterproof membrane Support panel Thermal insulation Vapor control Concrete

Landscape Islands L a y e r i n g Arbutus Unedo

Vegetation Gabion Structure (Rocks+Mesh) Compressed Soil

Kalanchoe

23

24

F

25

L

U

X

26

F

L

U

X

chapter

iI

rhythm asnarrative

wine-making is translated into sensorial experiences of corridors and rooms with reference to the length and meaning of each process

an

27

human

experience

of

the

process

of

wine

28

F

L

U

X

rhy thm

Greek rhythmos, derived from rhein, “to flow” an ordered alternation of contrasting elements

alternation of contemplative | interactive atmospheres interactive modern fermentation in tanks

29

contemplative traditional fermentation in lagar

30

F

L

U

revealing THEMASTERPLAN

X

0

25m 100m

12 8 4 0 point 0 being the river and point 8&10 being the rooftops the rooms affect above and below popping out of their boundaries

31

32

F

L

U

X

RO LABORATORY

OT I

N

G FL OW

ER

IN

G

HA

RV ES TI

N

G