2009-11

SAYI / ISSUE 316 KASIM 2009 / NOVEMBER 2009

ALABİLİRSİNİZ / YOUR COMPLIMENTARY COPY

SARAY SAATLERİ PALACE CLOCKS

11/09

ANJELİKA AKBAR: “Yeniden Doğdum” ANJELIKA AKBAR: “Born Again” ETKİLEŞİM Devrimi The INTERACTION Revolution İstanbul’un Can Damarı DİVANYOLU Hallmark of Istanbul DİVANYOLU 19. Yüzyılın Hezarfeni OSMAN HAMDİ BEY A 19th Century Renaissance Man OSMAN HAMDİ BEY

GÖL YÜZLÜ, GÜL KOKULU

ISPARTA

CITY OF LAKES AND ROSES

İŞTCELL’LİLERE

YURTDIŞINDA DA

AVANTAJLI İNTERNET

İşTcell’li şirketler yurtdışında internete bağlandıklarında kullandıkça azalan fiyatlardan yararlanıyor, kârlı çıkıyor.

Avantajlı yurtdışı internet fiyatları: 0-10 Mb arası: 14 TL/Mb 10-20 Mb arası: 7 TL/Mb 20 Mb+: 3,5 TL/Mb 444 0 532 www.istcell.com.tr Yurtiçinde kullandığınız internet tarife/paket abonelikleriniz yurtdışı kullanımlarda geçerli değildir. Yurtdışında “Turkcell Dünya Tarifesi” üzerinden ücretlendirilirsiniz. Yurtdışındaki internet kullanımlarınız, kullandığınız Mb başına kademeli olarak ücretlendirilir. Bu kademe, ilk 10 Mb 14 TL, 10-20 Mb arası 7 TL ve 20 Mb üzeri 3,5 TL olarak ücretlendirilecektir. Ücretlere KDV ÖİV dahildir. Bu fiyatlandırma sisteminden hattı roaminge açık faturalı hat sahipleri yararlanabilir. Kullanılan kademeler fatura kesim tarihlerinde yenilenmektedir. Kullanım sırasında 1 Mb’lık kullanım hakkı alınacak ve bu kullanım kotası 1 KB’lık artırımlarla dolacaktır. 1 Mb dolduğu zaman kullanım devam ederse yeni bir 1 Mb kullanım hakkı tanımlanacaktır. Ayrıntılar için turkcell.com.tr adresini ziyaret edebilirsiniz.

Skylife (21,5x27,5 CSyf).indd 2

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SAYI / SSUE 316 KASIM 2009 / NOVEMBER 2009

ALABİLİRSİNİZ / YOUR COM L MENTARY CO Y

SARAY SAATLERİ PALACE CLOCKS ANJELİKA AKBAR: “Yeniden Doğdum” ANJELIKA AKBAR: “Born Again” DOKUNMATİK Devrimi The TOUCHING Revolution İstanbul’un Can Damarı DİVANYOLU Hallmark of Istanbul DİVANYOLU 19. Yüzyılın Hezarfeni OSMAN HAMDİ BEY A 19th Century Renaissance Man OSMAN HAMDİ BEY

GÖL YÜZLÜ, GÜL KOKULU

ISPARTA

CITY OF LAKES AND ROSES

KASIM NOVEMBER

CITYSCOPE 17

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CITY OF LAKES AND ROSES

A rose garden hidden behind the peaks of the Mediterranean-facing Taurus mountain range, Isparta awaits visitors with its cuisine, lakes, ski center, and nature sports.

COVER PHOTO: YÜKSEL ALTINTOP, KOVADA LAKE, ISPARTA

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6 SKYLIFE | KASIM | NOVEMBER 2009

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'.Ê&$+#É-É9 WELCOME ABOARD 6D\à Q .RQXNODUà Pà ]

Dear Guests,

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The airline industry has been a great pioneer in the development and widespread use of countless information technologies. Running an airline is no easy task, as such, the complicated nature of the operation necessitates a highly sophisticated IT infrastructure. Thanks to this integrated approach, Turkish Airlines has been able to keep per-passenger costs well below the average global figures â&#x20AC;&#x201D; a savings reflected in our financials.

7 UN +DYD <ROODUà RODUDN VRQ \à OGà U JHUoHNOHà WLULOHQ WLFDUL DWà Oà Pà NDOà Fà Nà OPDN YH RSHUDV\RQHO YHULPOLOLâL DUWà UPDN LoLQ %7 \DWà Uà PODUà QD E \ N |QHP YHUL\RUX] 0 à WHUL RGDNOà G|Q à  P RODUDN DGODQGà UDELOHFHâLQL] SURMHOHULPL] oHUoHYHVLQGH GH VL]OHUOH WHPDV QRNWDODUà QGDNL VLVWHPOHULPL] LoLQ \à Oà Qà \DWà Uà P \à Oà LODQ HWWLN

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Turkish Airlines has been growing very quickly over the past five or six years.

Our IT investments are extremely important to our goal of preserving growth while continuing to boost productivity. Accordingly, we have declared 2010 to be the â&#x20AC;&#x153;year of investmentâ&#x20AC;? in our passenger facing systems.

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6HYJL YH VD\JĂ ODUĂ POD Doç. Dr. Temel Kotil, Genel MĂźdĂźr ve YĂśnetim Kurulu Ă&#x153;yesi

We have begun work on a highly sophisticated ERP (enterprise resource planning) project that will rival the largest such systems in the world. We aim to increase our operational efficiency by tailoring our products and services to the specific needs of passengers. We will also use ERP to review and streamline the functioning of human resources, procurement, inventory, accounting, and finance. The project is targeted for completion in three years and we confidently expect early results by the end of the first year.

We are also working steadily on our customer facing systems and are proud to announce the completion of THY Mobile, which was made available for testing on October 20th. Passengers will be able to use THY Mobile to make reservations, buy tickets, check in to their fights, and access up-to-date travel information on their phones. THY Mobile users will also have the option of fast boarding using a two-dimensional barcode downloaded to their handsets.

Our greatest priority is to increase the value and convenience of our services by providing personalized, friendly experience for each of our passengers. As 3G enters the mainstream, you can expect ever richer features and convenience from THY Mobile.

Lastly, we are renovating our website and adding new functionality, broadening our portfolio of web services. Additionally, we are increasing the number of self-service kiosks which you may use to print your boarding passes in lieu of waiting at the front desk.

We hope our investments will allow us to remain among the leaders of technological advancement in Turkey.

This month we solemnly remember the passing of our nationâ&#x20AC;&#x2122;s founding father, Mustafa Kemal Ataturk.

I hope you enjoy your holiday during the Festival of Sacrifice.

Thank you for choosing Turkish Airlines and I wish you a pleasant flight.

Sincerely yours, Temel Kotil, Ph.D. CEO and Member of the Board

2009 NOVEMBER | KASIM | SKYLIFE 11

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10/27/09 5:19 PM

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12 SKYLIFE | KASIM | NOVEMBER 2009

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Gregorietti Associati - photo: Lapone/Bolzoni

GranitiFiandre spa via Radici Nord, 112 42014 Castellarano (RE) Italy www.granitifiandre.com

Iris Ceramica spa via Ghiarola Nuova, 119 41042 Fiorano Modenese (MO) Italy www.irisceramica.com

istanbul_hub_21.5x27.5 10/19/09 2:55 PM Page 1 C

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CITYSCOPE 22

3LQN 0DUWLQL LOH VRQ DOEÂ POHUL Â ]HULQHÂ&#x17E; Pink Martini on their latest EylĂźl bitmeden albumâ&#x20AC;Ś \DSPDQĂ&#x2014;] JHUHNHQOHU

25

ĂĄVWDQEXO .LWDS )XDUĂ EDĂŁODGĂ The 28th Istanbul Book Fair has begun.

54

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5 reasons to visit Seoulâ&#x20AC;Ś 6DQWUDOLWDQEXO¡GD < NVHO $UVODQ UHWURVSHNWLIL

PERDELER AĂ&#x2021;ILDI AND THE CURTAIN RISES #DUKDS UD Ă&#x2039;DGHQ SHX@SQNK@QÂ&#x2039; HKD Â&#x2DC;YDK SHX@SQNK@Q The state and city theaters as well as the private FDzSHĂ&#x2C6;HLHY @X ODQCDKDQHMH ODĂ&#x2039; ODĂ&#x2039;D @zSÂ&#x2039; theaters raised their curtains one by one last month RDYNMTMC@ RDXHQBHXH XDOXDMH NXTMK@Q ADJKHXNQ with spanking new plays awaiting spectators in the gÂ&#x201E;*Ă&#x20AC;,Â&#x153;$%Â&#x20AC;+!2!(!.Â&#x20AC; 2009-2010 season.

cityscope.indd 17

10/24/09 8:34 PM

$3*Ă&#x160;-+Ă&#x160;* EVENT

8(+# 8$-Ă&#x2030; 8$1+Ă&#x2030; .84A PLAY FOR EVERY YEAR #DUKDSÂ&#x201E;3HX@SQNK@QÂ&#x2039;Â&#x201E; Â&#x201E;XÂ&#x2039;KÂ&#x2039;MÂ&#x2039;Â&#x201E; Â&#x201E;XDMHÂ&#x201E;XDQKHÂ&#x201E;NXTMK@Â&#x201E;JTSKTXNQ The State Theaters are celebrating their 60th anniversary this year with 60 new Turkish plays.

Opening their doors to young writers, the Turkish State Theaters this season are staging the world premieres of 60 new Turkish plays on the 60th anniversary of their founding. The Istanbul State Theater, which one by one has been losing its longstanding venues (like the Taksim Theater and Ataturk Culture Center) in recent years, is promising a very productive winter. The plays selected by the theater, which is opening the season at eight venues, are an important indicator of theater in Turkey since the founding of the Republic. Among the leading works to be staged are â&#x20AC;&#x2DC;Two Times Twoâ&#x20AC;&#x2122; by Behiç Ak, GĂźngĂśr Dilmenâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Kuzguncuk TĂźrkĂźsĂźâ&#x20AC;&#x2122; and Meltem <Ă OGĂ UĂ PŠV ¨)HVOHĂŁHQ dĂ NPD]à Š 3@MDQ !@QK@R Â&#x2039;M XÂ&#x2DC;MDSSHĂ&#x2C6;H ?,@RJDKHKDQ CD 2DQC@Q .QzHM +DUDMS Â?YÂ&#x203A;LBÂ&#x203A; UD ,DGLDS &Â&#x203A;QG@M QNK @KÂ&#x2039;XNQ Â?RSSD *@K@A@KÂ&#x2039;J AHQ NXTMBT J@CQNRTM@ R@GHO NK@M ?!NYTJ #Â&#x203A;YDM H !TQSDzHM 9NF@ XÂ&#x2DC;MDSHXNQ KSS@ 2DQC@Q .QzHM +DUDMS Â?YÂ&#x203A;LBÂ&#x203A; @MC ,DGLDS &Â&#x203A;QG@M OK@X HM (K@M '@SRNQ R ?,@RJDC CHQDBSDC AX 3@MDQ !@QK@R ANUD !TQSDzHM 9NF@ HR CHQDBSHMF ?!NYTJ #Â&#x203A;YDM VHSG HSR HLLDMRD B@RS !DKNV

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FIERCE COMPETITION With established venues in 12 provinces and traveling troupes in five centers, the Turkish State Theaters nevertheless face fierce competition in the form of the City Theaters. The City Theaters of the Istanbul Metropolitan Municipality, for example, are opening the season with 14 new plays.

Harking back to the good old days with the reopening RI WKH 0XKVLQ (UWXĂŁUXO Stage, the City Theaters will be staging plays about Istanbul starting from the new year. Some prominent

18 SKYLIFE | KASIM | NOVEMBER 2009

cityscope.indd 18

10/26/09 7:33 PM

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examples include GĂźner SĂźmerâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Bozuk DĂźzenâ&#x20AC;&#x2122;, Ephraim Kishonâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;The Larkâ&#x20AC;&#x2122;, Jean-Paul Sartreâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;No Exitâ&#x20AC;&#x2122;, 7XQFHU & FHQRĂŁOXŠV ¨&Ă NPD] 6RNDNŠ DQG 5DJĂ S <DYX]ŠV â&#x20AC;&#x2DC;Mecbur Adamâ&#x20AC;&#x2122;.

THE PRIVATE THEATERS There is good news as well on the private theater front.

7KH $OWĂ GDQ 6RQUD 7L\DWUR 7RSOXOXĂŁX $IWHU 6L[ 7KHDWHU Group) is opening a new venue 1st November at .XPEDUDFĂ <RNXĂ&#x;X 1R LQ the district known as TĂźnel at the lower end of Taksimâ&#x20AC;&#x2122;s ĂĄVWLNODO &DGGHVL $PRQJ the theaterâ&#x20AC;&#x2122;s backers are prominent figures from Ă&#x2013;zen Yula and Levent Ă&#x153;zĂźmcĂź

to Berkun Oya and Bennu <Ă OGĂ UĂ PODU The repertoires as usual are eminently diverse.

The Semavar Company is opening with â&#x20AC;&#x2DC;The Lourcine Street Affairâ&#x20AC;&#x2122;, directed E\ )UHQFK UHJLVVHXU Daniel Soulier. Another new play for this theater is Shakespeareâ&#x20AC;&#x2122;s Titus Andronicus. The Kenter Theaterâ&#x20AC;&#x2122;s new offering meanwhile is â&#x20AC;&#x2DC;Queen Learâ&#x20AC;&#x2122; IHDWXULQJ <Ă OGĂ ] .HQWHU LQ both the lead role and as director.

Based on his own life story, Memet Ali Alaboraâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Muhabirâ&#x20AC;&#x2122; (Reporter) continues at Garajistanbul in a performance aimed at refreshing memories and taking a look at recent history. The Duru Theater is staging the ever popular â&#x20AC;&#x2DC;When Harry Met Sallyâ&#x20AC;&#x2122;, while Tiyatrokare is SXWWLQJ RQ ¨/H\ODŠQĂ Q (YLŠ and Tiyatro Kedi â&#x20AC;&#x2DC;Steel Magnoliasâ&#x20AC;&#x2122;. â&#x20AC;&#x2DC;Terms of Endearmentâ&#x20AC;&#x2122; at Aysa Productionsâ&#x20AC;&#x2122;, â&#x20AC;&#x2DC;7 Ă HNVSLUŠ DW 2\XQ $W|O\HVL â&#x20AC;&#x2DC;Uncle Vanyaâ&#x20AC;&#x2122; at Tiyatro 3HUD DQG ¨ho .XUXĂ&#x;OXN Mahalle Dersleriâ&#x20AC;&#x2122; at Tiyatro Maan are just a few more of the offerings that will put paid to any dreams of a quiet evening at home.

2009 NOVEMBER | KASIM | SKYLIFE 19

cityscope.indd 19

10/26/09 7:33 PM

$3*Ă&#x160;-+Ă&#x160;* EVENT

./$1 5$ ! +$ #$ ' 8#- +( Â&#x2021;(+(Ă&#x160; OPERA AND BALLET OPEN WITH HAYDN Ă&#x160;RS@MATKÂ&#x201E;#DUKDSÂ&#x201E;.ODQ@Â&#x201E;UDÂ&#x201E;!@KDRH Â&#x201E; d Â&#x201E; RDYNMTMTÂ&#x201E; Â&#x201E;XDMHÂ&#x201E;DRDQKDÂ&#x201E;J@QĂ&#x152;Â&#x2039;KÂ&#x2039;XNQ

The Istanbul State Opera and Ballet is greeting the 2009-2010 season with six new works.

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cityscope.indd 20

7KH ,VWDQEXO 6WDWH 2SHUD DQG %DOOHW KDV RSHQHG DW $\D ĂĄULQL ZLWK PRYHPHQWV IURP )UDQ] -RVHSK +D\GQŠV RUDWRULR ¨7KH Seasonsâ&#x20AC;&#x2122;, as â&#x20AC;&#x2DC;Haydn Yearâ&#x20AC;&#x2122; is being celebrated all over the world to honor the 200th anniversary of the great composerâ&#x20AC;&#x2122;s death.

The opera and ballet team will continue the year with six works new to its repertoire. All performances by the troupe, which is currently unable to use the Ataturk Culture Center, are being VWDJHG WKLV \HDU DW WKH 6 UH\\D 2SHUD +RXVH LQ .DGĂ N|\ The first of the seasonâ&#x20AC;&#x2122;s new works is â&#x20AC;&#x2DC;La Bohèmeâ&#x20AC;&#x2122;, featuring the music of Giacomo Puccini under the direction of conductor Antonio Pirolli. Another classic awaits opera lovers in the new \HDU LQ WKH IRUP RI 0R]DUWŠV ¨7KH 0DUULDJH RI )LJDURŠ GLUHFWHG

by Yekta Kara. Jacques Offenbachâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Tales from Hoffmannâ&#x20AC;&#x2122; is yet another of the seasonâ&#x20AC;&#x2122;s new offerings. Meanwhile a â&#x20AC;&#x2DC;Rossini Menuâ&#x20AC;&#x2122;, to be performed by Istanbul State Opera and Ballet soloists, will welcome audiences in late January.

241/1(2$ %1., !$+ 142Â&#x153; The Belarus State Dance Ensemble is preparing to come to Istanbul. Coming to Turkey for SGDÂ&#x201E;EHQRSÂ&#x201E;SHLD Â&#x201E;SGDÂ&#x201E;FQNTOÂ&#x201E;VHKKÂ&#x201E;RS@FDÂ&#x201E; dances at the TIM Maslak Show "DMSDQÂ&#x201E;NMÂ&#x201E; Â&#x201E; Â&#x201E;@MCÂ&#x201E; Â&#x201E;)@MT@QX Â&#x201E; Formed by a decision of the Soviet Socialist Republicâ&#x20AC;&#x2122;s cabinet in Â&#x201E;SGDÂ&#x201E;DMRDLAKDÂ&#x201E;VHKKÂ&#x201E;OQDRDMSÂ&#x201E; not only dances from Belarus but from the old Soviet Union as well.

10/24/09 8:34 PM

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8$-Ă&#x2030; +!Â?,Â?8+$ /Ă&#x2030;-* , 13Ă&#x2030;-Ă&#x2030; PINK MARTINI AND THEIR NEW ALBUM â&#x20AC;&#x2DC;Sympathiqueâ&#x20AC;&#x2122; ve â&#x20AC;&#x2DC;Hang on Little Tomatoâ&#x20AC;&#x2122; ile kendilerini dĂźnyaya sevdiren Pink Martiniâ&#x20AC;&#x2122;nin son albĂźmĂź CHMKDXHBHXKDÂ&#x201E;ATKTĂ&#x152;ST Â&#x201E; gÂ&#x201E;)Â?+Ă&#x2030;#$ *

Winning hearts around the world with â&#x20AC;&#x2DC;Sympathiqueâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;Hang on Little Tomatoâ&#x20AC;&#x2122;, Pink Martini just released their new album.

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Pianist and composer Thomas M. Lauderdale told us about his groupâ&#x20AC;&#x2122;s latest album, â&#x20AC;&#x2DC;Splendor in the Grassâ&#x20AC;&#x2122;, which he describes as being ¨RXW LQ WKH VWUHHW SDUWLFLSDWLQJ LQ WKH ZRUOG Š )RU PRUH GRQŠW PLVV WKH ¨3LQN 0DUWLQLŠ FRQFHUW DW ĂĄĂ&#x; 6DQDW RQ 1RYHPEHU

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From which dusty shelf did you take the songs for â&#x20AC;&#x2DC;Splendor in the Grassâ&#x20AC;&#x2122;?

There are nine original songs and four covers on the album. One of the most special songs is one we recorded with the legendary Mexican singer Chavela Vargas and covered with an old Agustin Lara song, â&#x20AC;&#x2DC;Piensa En Miâ&#x20AC;&#x2122;. Itâ&#x20AC;&#x2122;s extraordinary. China sings Joe Raposoâ&#x20AC;&#x2122;s famous â&#x20AC;&#x2DC;Singâ&#x20AC;&#x2122; in a multi-lingual version. Thereâ&#x20AC;&#x2122;s also a song by Italian show star Rafaella Cara on the album. We want everybody to discover these old songs again.

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Youâ&#x20AC;&#x2122;ve given a dozen concerts in Istanbul. Do you visit all cities this often, or is Istanbul special? :H ILUVW FDPH WR ,VWDQEXO IRU WKH -D]] )HVWLYDO DQG JDYH D FRQFHUW weâ&#x20AC;&#x2122;ve never forgotten. We love this city, and the audience knows our music. Weâ&#x20AC;&#x2122;re also good friends with the team we work with here

22 SKYLIFE | KASIM | NOVEMBER 2009

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8(+ 2.-1 8$-Ă&#x2030;#$- 8$++.6) "*$32 BACK AGAIN AFTER 20 YEARS: THE YELLOWJACKETS 1981â&#x20AC;&#x2122;den beri bitmeyen enerjilerileriyle yine CĂ&#x201E;MX@Â&#x201E;STQMDRHMCDKDQÂ&#x201E;UDÂ&#x201E; Â&#x201E;XÂ&#x2039;KÂ&#x201E;RNMQ@Â&#x201E;XDMHCDMÂ&#x201E;Â&#x201E; Ă&#x160;RS@MATKKTÂ&#x201E;B@YRDUDQKDQKDÂ&#x201E;ATKTĂ&#x152;TXNQK@Q gÂ&#x201E;-$)

Touring the world since 1981 with indefatigable energy, the Yellowjackets are coming together with Istanbul I@YYÂ&#x2026;KNUDQRÂ&#x2026;SGHRÂ&#x2026;LNMSGÂ&#x2026;@ČśDQÂ&#x2026;@Â&#x2026;GH@STRÂ&#x2026;NEÂ&#x2026; Â&#x2026;XD@QR

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The legendary jazz and fusion group Yellowjackets are back in Turkey for the first time since 1989 when they came to promote their album â&#x20AC;&#x2DC;The Spinâ&#x20AC;&#x2122; and performed at the Open Air Theater as part of the ,VWDQEXO 0XVLF )HVWLYDO Now they are meeting Istanbul jazz lovers again on DQG 1RYHPEHU )RUPHG in 1977 under a different name, the group released their first album in 1981 and are still going strong today despite many changes in the team over the years. Winner of two Grammys, for R&B in 1986 and best jazz fusion in 1988, the Yellowjackets

released their most recent album, â&#x20AC;&#x2DC;Lifecycleâ&#x20AC;&#x2122;, in 2008.

The album, with Mike Stern on guitar, is currently available at shops in Turkey.

The concert, to take place at the Istanbul Jazz Center, will IHDWXUH 5XVVHOO )HUUDQWH RQ keyboards, Jimmy Haslip on lead guitar, and Bob Mintzer on saxophone. On drums is Marcus Baylor, a leading name in the new generation of jazz musicians. Not to be missed!

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24 SKYLIFE | KASIM | NOVEMBER 2009

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Held this year for the 28th time, the Istanbul Book Fair is bringing bibliophiles a program chock full of 297 different events. â&#x20AC;&#x2DC;Translation in Inter-cultural Dialogueâ&#x20AC;&#x2122; is the principal theme of the fair, in which 550 publishers and organizations of civil society from Turkey and abroad will take part. Poet, translator and drama critic Cevat Ă&#x2021;apan is the honorary writer of this yearâ&#x20AC;&#x2122;s fair, which is being organized by TĂ&#x153;YAP TĂźm )XDUFĂ OĂ N <DSĂ P $ Ă DQG the Association of Turkish Publishers. Through 8 November at the BeylikdĂźzĂź TĂ&#x153;YAP Fair and Congress Center.

â&#x20AC;&#x2DC;Istanbulumâ&#x20AC;&#x2122;/My Istanbul, a monumental 40-book project in which 40 select writers describe their Istanbul neighborhoods, is one of the projects making its debut at the 28th Istanbul Book Fair, October 31 through November 8. Realized through a cooperation between the Literature Department of the Istanbul 2010 European Capital of Culture Agency DQG +H\DPROD <D\Ă QODUĂ WKH project promises an extended journey into the cityâ&#x20AC;&#x2122;s recent history.

SANAT FUARI Ă&#x2030;RS@MATK 2@M@S %T@QÂ&#x2039; 13Ă&#x2030;23 Ă&#x2030;RS@MATK *HS@O %T@QÂ&#x2039; XK@ DĂ&#x2039; Y@L@MKÂ&#x2039; NK@Q@J FDQzDJKDĂ&#x2039;HXNQ #Â&#x2DC;QS AÂ&#x203A;XÂ&#x203A;J R@KNMC@ Â&#x203A; @Ă&#x2039;JÂ&#x2039;M J@SÂ&#x2039;KÂ&#x2039;LBÂ&#x2039;XK@ R@M@SRDUDQH J@QĂ&#x2039;Â&#x2039;K@X@M 13Ă&#x2030;23 TM NMTQ R@M@SzÂ&#x2039;RÂ&#x2039; ,TGRHM *TS %T@QC@ R@M@SzÂ&#x2039;MÂ&#x2039;M J@OR@LKÂ&#x2039; AHQ RDQFHRH ATKTMTXNQ ART FAIR Taking place simultaneously with the Istanbul Book Fair is the 19th Istanbul Art Fair, ARTIST 2009. Muhsin Kut is the artist of honor at ARTIST 2009, which is welcoming over 100 participants as well as art lovers in its four large halls.

Kut will be represented with a comprehensive exhibition at the fair.

2009 NOVEMBER | KASIM | 2*8+(%$ 25

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Chagall was born in the Russian city of Vitebsk in 1887 and died in France in 1985. The exhibition, â&#x20AC;&#x2DC;Chagall: Life and Loveâ&#x20AC;&#x2122;, comprises 160 of the artistâ&#x20AC;&#x2122;s prints, drawings and paintings from the Israel Museum, Jerusalem. More than enough to draw you into the vibrant world of his imagination. In addition to autobiographical drawings chronicling the artistâ&#x20AC;&#x2122;s life and love for his first wife, Bella, the exhibition also includes Biblical illustrations, as well as illustrations for literary works such as the fables of La Fontaine and Gogolâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Dead Soulsâ&#x20AC;&#x2122;. Whatâ&#x20AC;&#x2122;s more, Chagallâ&#x20AC;&#x2122;s grandson Meret Meyer will come to Istanbul in December to give a lecture on his grandfatherâ&#x20AC;&#x2122;s life and works.

If you would like to see Chagallâ&#x20AC;&#x2122;s paintings, in which a happy man and happy woman fly into the sky hand in hand, as well as his goats, cows, fiddlers, roosters, grandfather clock, flying fish, Menorah, circus and trees, then head for the Pera Museum. Through January 24.

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A CENTENNIAL TALE 1DY@MÂ&#x201E;'@RÂ&#x201E;,Ă&#x201E;YDRH Â&#x201E;Ă&#x20AC;MĂ&#x201E;LĂ&#x201E;YCDJHÂ&#x201E;@KSÂ&#x2039;Â&#x201E;@XÂ&#x201E; RĂ&#x201E;QDRHMBDÂ&#x201E;YHX@QDSyHKDQHMDÂ&#x201E;?3Ă&#x201E;QJÂ&#x201E;1DRHLÂ&#x201E;2@M@SÂ&#x2039; MÂ&#x2039;MÂ&#x201E; !HQÂ&#x201E; RÂ&#x2039;QKÂ&#x2039;JÂ&#x201E;ÂśXJĂ&#x201E;RĂ&#x201E; MĂ&#x201E;Â&#x201E;@MK@S@B@J The Rezan Has Museum is going to tell visitors â&#x20AC;&#x2DC;The Centennial Tale of Turkish Paintingâ&#x20AC;&#x2122; over the next six months.

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â&#x20AC;&#x2DC;The Centennial Tale of Turkish Paintingâ&#x20AC;&#x2122; was actually told at Rezan Has Museum two years ago. It was a story made up RI ZRUNV IURP WKH FROOHFWLRQ RI +DOLO ĂĄEUDKLP ĂĄSHU $ VWRU\ WKDW OHIW D WDVWH RI SDLQWHUV IURP 2VPDQ +DPGL %H\ DQG Ă HNHU $KPHW 3DĂ&#x;D WR ĂĄEUDKLP dDOOĂ DQG )LNUHW 0XDOOD RQ WKH SDODWH And now, in a sequel, the museum is bringing art lovers â&#x20AC;&#x2DC;The Centennial Tale of Turkish Painting IIâ&#x20AC;?. The source this time is the eagerly awaited, not previously exhibited, Ahu-Can Has Collection.

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, 1(. +$5( -Ă&#x2030;- Ă&#x2030;23 -!4+ 4 MARIO LEVIâ&#x20AC;&#x2122;S ISTANBUL Ă&#x153;nlĂź yazar Mario Leviâ&#x20AC;&#x2122;ye, â&#x20AC;&#x153;onsuz olamamâ&#x20AC;?

CDCHĂ&#x160;HÂ&#x2026;Ă&#x2039;RS@MATK TÂ&#x2026;RNQCTJ Â&#x2026;

We asked writer Mario Levi about Istanbul, the city he says he canâ&#x20AC;&#x2122;t live without.

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You always say that you canâ&#x20AC;&#x2122;t live without Istanbul. Why? I believe with all my heart that the cultural climate into which he was born and in which he was formed shapes not only the themes that a writer chooses to treat, or is fated to share with others, but also his emotional world, even his style. Istanbul has given me a long story, a story I will perhaps never be able to finish.

The Istanbul of your childhood and present-day Istanbul... How are they different?

You could swim on its coasts, now you canâ&#x20AC;&#x2122;t, or if you do, itâ&#x20AC;&#x2122;s just not the same. There was no television, no internet, there were no cell phones. There were no bridges over the Bosphorus, but people were much closer to each other for exactly that reason. I think this is the fate of all big cities that grow the way Istanbul has.

What does autumn in Istanbul mean to you?

The fish markets start to fill up with fish after the middle of September. The smell of fish in the markets is perhaps the cityâ&#x20AC;&#x2122;s oldest smell, going all the way back to Byzantine times. You canâ&#x20AC;&#x2122;t find this smell in any other city, because the scent of the Bosphorus is also mingled with it. Bluefish, bonito, sea bass, red mullet, turbot...

Autumn in Istanbul means the smell of fish.

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Turkuazoo is one of those rare venues where everyone in the family from seven to seventy can spend time together with never a dull moment. For it gives visitors a glimpse into a world with which very few people are familiar - the deep sea world of sharks, sea turtles, octopuses and the giant algae-eating creatures known ,Ă&#x2030;+8.- +Ă&#x2030;31$ as plecos. An 80-meter-long underwater tunnel made of acrylic JU@QXTLC@ S@L LHKXNM passes through the aquarium, giving visitors the impression they KHSQD CDMHY RTXT U@Q ,@QL@Q@ #DMHYH MCDM S@MJDQKDQKD are swimming with the fish. And in the observation hall with its S@Ă&#x2039;Â&#x2039;M@M RT CDUQHC@HL DCHKDQDJ 270-degree underwater angle, the fish are quite literally close JTKK@MÂ&#x2039;KÂ&#x2039;XNQ enough to touch.

The sharks are the most fascinating by far of the creatures #48&42 + ! +(*+ 1 8TMTR FHAH A@KÂ&#x2039;JK@Q @JU@QXTL@ you can see at Turkuazoo, which was built at a cost of 17 million FHQDLHXNQ Â&#x2021;Â&#x203A;MJÂ&#x203A; LDLDKH CDMHY Euros. There are thirty of them in the aquarium, ten of them the B@MKÂ&#x2039;K@QÂ&#x2039;MÂ&#x2039;M CTXFTK@QÂ&#x2039; NKCTĂ&#x2C6;TM@ large species. These sharks, the largest of which measures three HM@MÂ&#x2039;KÂ&#x2039;XNQ meters in length, were transported to Turkuazoo by airplane and 6'8 8.4 2* giant semi-trailer truck.

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,(++(.- +(3$12 3GDQDÂ&#x201E;@QDÂ&#x201E;OQDBHRDKXÂ&#x201E; Â&#x201E;LHKKHNMÂ&#x201E; KHSDQRÂ&#x201E;NEÂ&#x201E;RD@Â&#x201E;V@SDQÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E; @PT@QHTL Â&#x201E;3Q@MRONQSDCÂ&#x201E;EQNLÂ&#x201E;SGDÂ&#x201E; 2D@Â&#x201E;NEÂ&#x201E;,@QL@Q@Â&#x201E;HMÂ&#x201E;S@MJDQR Â&#x201E;SGHRÂ&#x201E; V@SDQÂ&#x201E;HRÂ&#x201E;BNMRS@MSKXÂ&#x201E;BHQBTK@SDC %(2' 6(3' %$$+(-&2 %HRGÂ&#x201E;RTBGÂ&#x201E;@RÂ&#x201E;SGDÂ&#x201E;CNKOGHMÂ&#x201E;@QDÂ&#x201E; MNSÂ&#x201E;@KKNVDCÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;@PT@QHTL Â&#x201E; ADB@TRDÂ&#x201E;L@QHMDÂ&#x201E;L@LL@KRÂ&#x201E;@QDÂ&#x201E; ADKHDUDCÂ&#x201E;SNÂ&#x201E;G@UDÂ&#x201E;EDDKHMFR

34Â&#x201E;Â&#x201E;SKYLIFE | KASIM | NOVEMBER 2009

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3'1$$ "(3($2 3'1$$ %$23(5 +2 13th International Jazz Festival, Sarajevo, 3-8 November.

International Media Festival, Greater Manchester, 18-20 November.

Asia First Films Festival, Singapore, 28 November - 4 December.

36 SKYLIFE | KASIM | NOVEMBER 2009

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A ‘QUIET’ FAIR IN FRANKFURT

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THE ‘POWER 100’ IN THE WORLD OF ART

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3 1Ă&#x160;' HISTORY 8(*(+(Ă&#x160;(-(- 8(+#Â?-Â?,Â?-#$ !$1+Ă&#x2030;- #45 1( ON THE 20TH ANNIVERSARY OF THE COLLAPSE OF THE BERLIN WALL *@RÂ&#x2039;LÂ&#x201E;@XÂ&#x2039; Â&#x201E;S@QHGDÂ&#x201E;S@MÂ&#x2039;JKÂ&#x2039;JÂ&#x201E;DCDMÂ&#x201E;Ă&#x20AC;MDLKHÂ&#x201E;AHQÂ&#x201E; FDKHĂ&#x152;LDXHÂ&#x201E;A@QÂ&#x2039;MCÂ&#x2039;QÂ&#x2039;XNQ Â&#x201E; Â&#x201E;*@RÂ&#x2039;LÂ&#x201E; Â&#x201E;-@YHÂ&#x201E; KL@MX@ RÂ&#x2039;MÂ&#x2039;MÂ&#x201E;A@Ă&#x152;JDMSHÂ&#x201E;!DQKHM HÂ&#x201E;HJHXDÂ&#x201E;@XÂ&#x2039;Q@MÂ&#x201E; CTU@QÂ&#x2039;MÂ&#x201E;XÂ&#x2039;JÂ&#x2039;KÂ&#x2039;Ă&#x152;Â&#x2039;MÂ&#x2039;MÂ&#x201E;XÂ&#x2039;KCĂ&#x20AC;MĂ&#x201E;LĂ&#x201E; Â&#x201E;Â&#x201E;Â&#x201E;

November marks an important event, the 20th anniversary of the historic collapse on 9 November 1989 of the wall that divided the former Nazi capital, Berlin.

gÂ&#x201E;MERT KAYA 1961: #TU@QÂ&#x2039;MÂ&#x201E;X@OÂ&#x2039;LÂ&#x2039;M@Â&#x201E; A@Ă&#x152;K@ML@RÂ&#x2039; Â&#x201E; 1963: *DMMDCX MHMÂ&#x201E;!@SÂ&#x2039;Â&#x201E;!DQKHM HÂ&#x201E; YHX@QDSH Â&#x201E;Â&#x201E; 1989:Â&#x201E;Â&#x201E; !DQKHMÂ&#x201E;#TU@QÂ&#x2039; MÂ&#x2039;M Â&#x201E; Â&#x201E;8Â&#x2039;JÂ&#x2039;KÂ&#x2039;Ă&#x152;Â&#x2039; Â&#x201E; 1990:Â&#x201E;Â&#x201E; #NĂ&#x2030;TÂ&#x201E; KL@MX@Â&#x201E; "TLGTQHXDSH MHMÂ&#x201E;%DCDQ@KÂ&#x201E; KL@MX@Â&#x201E;HKDÂ&#x201E;AHQKDĂ&#x152;LDRH 1961: Construction of the wall begins.

Kennedy visits West Berlin.

1989: Collapse of the Berlin Wall.

1990: Reunification of the Republic of East Germany with the Federal Republic of German.

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The Berlin Wall was constructed starting on 13 August 1961 to protect Soviet satellite East Germany from the dangers of the capitalist West. Faced with a dizzying series of economic and cultural overtures by the western world starting in the 1980â&#x20AC;&#x2122;s, the Soviet blocâ&#x20AC;&#x2122;s iron curtains began to lift slightly. At the beginning of 1989 the East German government gave permission for its citizens to travel to other Iron Curtain countries like Czechoslovakia and Yugoslavia. When East Germans who traveled to these countries failed to return in large numbers, the wall gradually lost its function and its existence began to be questioned. As a result of gathering world public opinion, perhaps the hottest development in the world at the time occurred on a cold November day in 1989 when the Berlin Wall, which had divided in two a city and the lives of those in it was leveled by bulldozers and became history. Stones and rubble left from the Berlin Wall can be found today as souvenirs in Berlinâ&#x20AC;&#x2122;s stores.

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AJANDA KASIM / AGENDA NOVEMBER 09 7

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6H]RQXQ LON %H\D] 0 ]D\HGHVL .DVĂ PŠGD 6RID +RWHO 1LĂ DQWDà à ŠQGD \DSĂ OĂ \RU $]L] .DUDGHQL]ŠLQ \|QHWHFHâL P ]D\HGHGH ŠGHQ ID]OD HVHU YDU The first White Auction of the season is being held at WKH 6RID +RWHO LQ 1LĂ&#x;DQWDĂ&#x;Ă on 7 November. Over 300 items will be auctioned under auctioneer Aziz Karadeniz.

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The â&#x20AC;&#x2DC;City and Artâ&#x20AC;&#x2122; exhibition brings together five European cities at the Tophane-i Amire Culture Center through 15 November.

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Architect Aykut KĂśksal is guest of the day at the Istanbul 2010 European Capital of Culture Agencyâ&#x20AC;&#x2122;s now traditional â&#x20AC;&#x2DC;Wednesday Meetingsâ&#x20AC;&#x2122; on 11 November. The agenda of the meeting, which begins at 5:30 p.m. at the Agencyâ&#x20AC;&#x2122;s %H\RĂŁOX KHDGTXDUWHUV LV â&#x20AC;&#x153;Have We Preserved Anything

by Protecting It?â&#x20AC;?

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Concert Following an extended stay abroad to record an album in English, (PUH $\GĂ Q ZLOO WDNH the Jolly Joker Balans stage on 20 November.

$Q H[KLELWLRQ HQWLWOHG ¨6DOĂ 3D]DUà Š E\ Ă DNLU *|NoHEDĂŁ a Turkish artist who lives in Germany, is at Galeri Apel throughout November. The exhibition features â&#x20AC;&#x2DC;marketplace installationsâ&#x20AC;&#x2122;.

6DQDWoĂ )LNUHW $WD\Šà Q 7 UNL\HŠGHNL LON NLĂ LVHO VHUJLVL ¨%DWPDQ %DWPDQŠD .DUà à Š 2XWOHW ĂĄKUDo )D]ODVĂ 6DQDWŠWD DoĂ OGĂ $WD\Šà Q ¨%DWPDQ %DWPDQŠD .DUà à Š YH ¨*RRDDOO Š LVLPOL LNL \HQL YLGHRVXQXQ G Q\D SU|PL\HULQLQ \DSĂ OGà âà VHUJL LoLQ VRQ WDULK .DVĂ P Artist Fikret Atayâ&#x20AC;&#x2122;s first one-man show in Turkey, â&#x20AC;&#x2DC;Batman %DWPDQŠD .DUĂ&#x;à Š KDV opened at Outlet Sanat.

26 November is the last day for the exhibition where Atayâ&#x20AC;&#x2122;s two new videos, â&#x20AC;&#x2DC;Batman %DWPDQŠD .DUĂ&#x;à Š DQG â&#x20AC;&#x2DC;Gooaall!â&#x20AC;&#x2122;, will have their world premieres.

12 'DYXO YH SHUN V\RQ VDQDWoà Và 2ND\ 7HPL] ¨2ULHQWDO :LQG 3URMHVLŠ\OH .DVà P DNà DPà 1DUGLV -D]] &OXEŠWH ŠGD EDà OD\DFDN NRQVHUGH 7HPL]ŠH dDâGDà 2UXo gQGHU )RFDQ .DPLO (UGHP $KPHW g]GHQ YH 0DKPXW <LâLWW UN Hà OLN HGL\RU 7HPL]ŠLQ LON NH] \à Oà QGD NXUGXâX åVYHo 7 UN FD] JUXEX ¨2ULHQWDO :LQGŠ EDWà N|NHQOL HQVWU PDQODUOD 7 UN HQVWU PDQODUà Qà ELU DUD\D JHWLUL\RU

Drummer and percussionist Okay Temiz is at the Nardis Jazz Club the evening of November 16 with â&#x20AC;&#x2DC;Oriental Wind Projectâ&#x20AC;&#x2122;.

Accompanying Temiz at the concert, which starts at S P DUH dDĂŁGDV 2UXo Ă&#x2013;nder Focan, Kamil Erdem, Ahmet Ă&#x2013;zden and Mahmut <LĂŁLWW UN 7HPL]ŠV Swedish-Turkish jazz group â&#x20AC;&#x2DC;Oriental Windâ&#x20AC;&#x2122;, which he first formed in 1974, combines Turkish instruments with instruments of western origin

'HUL PRGDVĂ QĂ Q \HQLOLNOHULQL ¤ .DVĂ P WDULKOHULQGH 7h<$3 )XDU YH .RQJUH 0HUNH]LŠQGH JHUoHNOHĂ HFHN ĂĄVWDQEXO 'HUL 0RGD )XDUà ŠQGD WDNLS HGHELOLUVLQL] You can follow the latest in leather fashions at Istanbulâ&#x20AC;&#x2122;s 4th Leather Fashion Fair, to be held at the TĂ&#x153;YAP Fair and Congress Center November 12-14.

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HERTA MĂ&#x153;LLERâ&#x20AC;&#x2122;DEN SEĂ&#x2021;MELER EXTRACTS FROM HERTA MĂ&#x153;LLER 2009 Nobel Edebiyat Ă&#x2013;dĂźlĂźâ&#x20AC;&#x2122;nĂź kazanan Herta ,Ă&#x201E;KKDQ Â&#x201E;Ă&#x20AC;CĂ&#x201E;KĂ&#x201E;MĂ&#x201E;Â&#x201E; Â&#x201E; Q@KÂ&#x2039;J S@Â&#x201E;.RKN C@Â&#x201E;CĂ&#x201E;YDMKDMDBDJÂ&#x201E; AHQÂ&#x201E;SĂ&#x20AC;QDMKDÂ&#x201E;@K@B@J

Winner of the 2009 Nobel Prize for Literature, Herta MĂźller will accept her prize at the award ceremony in Oslo on 10 December.

KORKU VE BASKI

* 1(-" 5$ 2Ă&#x2030;-$*

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REUTERS/FABRIZO BENSCH

FEAR AND OPPRESSION

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Herta MĂźllerâ&#x20AC;&#x2122;s first book to be published in Turkey was â&#x20AC;&#x2DC;The Heartâ&#x20AC;&#x2122;s Animalâ&#x20AC;&#x2122; (English title â&#x20AC;&#x2DC;The Land of Green Plumsâ&#x20AC;&#x2122;). Translated into 7XUNLVK LQ E\ 7HORV <D\Ă QFĂ OĂ N LW WHOOV WKH story of friends whose lives are destroyed by dictatorship. Critics have said of the book, which does not merely describe what itâ&#x20AC;&#x2122;s like to live under fear and oppression but literally rehearses it, â&#x20AC;&#x2DC;Never before has literature described what a dictatorship is in this way.â&#x20AC;&#x2122;

ANTS AND FLIES â&#x20AC;&#x153;... The ant has a head the size of a pinhead, so the sun can find no place to burn... The ant loses it way... It wanders erratically, but it does not live, and does not appear to be an animal...

The fly lives and appears to be an animal because it is three times bigger and carried on the antâ&#x20AC;&#x2122;s back...â&#x20AC;? You will understand how distinctive Herta MĂźllerâ&#x20AC;&#x2122;s style is when you read her book, â&#x20AC;&#x2DC;Even Back Then, the Fox Was a Hunterâ&#x20AC;&#x2122; .

Swedenâ&#x20AC;&#x2122;s Royal Academy of Science has awarded the 2009 Nobel Prize for Literature to the Romanian-born German writer Herta MĂźller, for being a writer â&#x20AC;&#x2DC;who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed.â&#x20AC;&#x2122; Born in Romania in 1953, MĂźller migrated to Germany in 1987, where she made her literary debut in 1982 with a book of short stories entitled, â&#x20AC;&#x2DC;The Plainsâ&#x20AC;&#x2122;. â&#x20AC;&#x2DC;Atemschaukelâ&#x20AC;&#x2122; (working title in English, â&#x20AC;&#x2DC;Everything I Have I Carry With Meâ&#x20AC;&#x2122;), the most recent work by this writer who writes well in both German and Romanian, is currently being prepared for publication in several languages.

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HATIRA MEMOIR

8(++(* !Ă&#x2030;1 343*4 A PASSIONATE COLLECTOR FOR 32 YEARS 2DLHMDÂ&#x201E;#TXFTM Â&#x201E;HKJÂ&#x201E;Ty@JÂ&#x201E;XNKBTKTĂ&#x2030;TMTÂ&#x201E;FDQyDJKDĂ&#x152;SHQCHĂ&#x2030;HÂ&#x201E; Â&#x201E; XÂ&#x2039;KÂ&#x2039;MC@MÂ&#x201E;ATFĂ&#x201E;MDÂ&#x201E;X@OSÂ&#x2039;Ă&#x2030;Â&#x2039;Â&#x201E;SĂ&#x201E;LÂ&#x201E;TyTĂ&#x152;K@QÂ&#x2039;MÂ&#x201E;AHKDSKDQHMHÂ&#x201E;R@JK@XÂ&#x2039;OÂ&#x201E;AHQÂ&#x201E; JNKDJRHXNMÂ&#x201E;NKTĂ&#x152;STQLTĂ&#x152; Â&#x201E; Semine Duygun has been saving all her plane tickets RHMBDÂ&#x2026;RGDÂ&#x2026;L@CDÂ&#x2026;GDQÂ&#x2026;ȲQRSÂ&#x2026;ČłHFGSÂ&#x2026;HMÂ&#x2026; Â&#x2026;2GDÂ&#x2026;G@RÂ&#x2026;@Â&#x2026; collection today. gÂ&#x201E;,$13 *

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Each ticket harbors memories for Semine Duygun, who was determined to hold onto those memories and preserve them from oblivion in the fast pace of everyday life. Over time, collecting tickets went beyond being a pleasant hobby to become an overriding passion for her.

Duygun, who regards her ticket-saving zeal as a way of protecting and preserving values, began by collecting dolls as a child. Eventually, she donated her collection to the Istanbul Toy Museum where it can be seen today.

Her airplane ticket collection

has a special meaning for Duygun, who says she loves traveling by air. When she looks at the tickets, which remind her of flights that have taken her over the years to friends and loved ones as well as cities she loved and longed to see, a smile spreads over her face and her memories are rekindled.

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SEYAHAT TRAVEL

SONBAHAR 8Â?1Â?8Â?Ă&#x160;+$1Ă&#x2030; AUTUMN STROLLS gÂ&#x201E;,$+Ă&#x2030;' 42+4

Marmara Deniziâ&#x20AC;&#x2122;ne tepeden bakan JĂ&#x20AC;XÂ&#x201E;XNKK@QÂ&#x2039;MÂ&#x2039; Â&#x201E; *@O@CNJX@ MÂ&#x2039;MÂ&#x201E; gizemli vadilerini UDÂ&#x201E;FĂ&#x201E;MDĂ&#x152;KHÂ&#x201E; JCDMHYÂ&#x201E; R@GHKKDQHMHÂ&#x201E;ATKTĂ&#x152;STQ@MÂ&#x201E; ßç sonbahar Ăśnerisi.

Three suggestions for an autumn stroll: The country roads overlooking the Sea of Marmara, valleys of Cappadocia, and the sunny coasts of the Mediterranean.

- 2(+ &Ă&#x2030;#Ă&#x2030;+Ă&#x2030;1 HOW TO GET THERE

UĂ&#x2021;MAKDERE

3DJHQC@Ă&#x2030; Â&#x2039;MÂ&#x201E;Ă&#x2039;@QJĂ&#x20AC;XÂ&#x201E; ilçesine 36 kilometre TY@JKÂ&#x2039;JS@JHÂ&#x201E;JĂ&#x20AC;XD Â&#x201E;8DMHJĂ&#x20AC;XÂ&#x201E; X@Â&#x201E;C@Â&#x201E;Ă&#x2039;@QJĂ&#x20AC;XÂ&#x201E;Ă&#x201E;YDQHMCDM Â&#x201E; minibĂźslerle gidebilirsiniz.

Minibuses leave from 8DMHJĂ XÂ&#x2026;NQÂ&#x2026;Ă&#x152;@QJĂ XÂ&#x2026;ENQÂ&#x2026;SGHRÂ&#x2026; village, 36 kilometers from 3DJHQC@Ă&#x160; RÂ&#x2026;Ă&#x152;@QJĂ XÂ&#x2026;SNVMRGHO

&Â?5$1"Ă&#x2030;-+Ă&#x2030;* 5 #Ă&#x2030;2Ă&#x2030; -DUĂ&#x152;DGHQ DÂ&#x201E;A@Ă&#x2030;KÂ&#x2039;Â&#x201E;4yGHR@QÂ&#x201E; X@JÂ&#x2039;MC@K@QÂ&#x2039;MC@JHÂ&#x201E;U@CHXD Â&#x201E; Ă&#x153;rgĂźp ve Avanosâ&#x20AC;&#x2122;tan kalkan LHMHAĂ&#x201E;RKDQKDÂ&#x201E;TK@Ă&#x152;Â&#x2039;K@AHKHQ Minibuses depart from Ă&#x153;rgĂźp or Avanos for this valley near Uçhisar in -DUĂ?DGHQ

3 Ă&#x160;4"4

KAPADOKYAâ&#x20AC;&#x2122;NIN SIRRI

CAPPADOCIA MYSTERY TOUR

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With pigeonsâ&#x20AC;&#x2122; nests carved into a long, deep canyon, GĂźvercinlik Valley near Uçhisar is a virtual moonscape. Adorned with rock churches hollowed out by monks who took refuge here in the 9th century, the valley is laced with tunnels formed by its running waters. Safe to enter, they are perfect venue for an autumn stroll.

Mersinâ&#x20AC;&#x2122;e 90 kilometre TY@JKÂ&#x2039;JS@JHÂ&#x201E;3@Ă&#x152;TBT M@ Â&#x201E; ,DQRHMÂ&#x201E;2HKHEJDÂ&#x201E;@Q@RÂ&#x2039;MC@Â&#x201E; HĂ&#x152;KDXDMÂ&#x201E;SNOKTÂ&#x201E;S@Ă&#x152;Â&#x2039;L@Â&#x201E; @Q@yK@QÂ&#x2039;XK@Â&#x201E;TK@Ă&#x152;Â&#x2039;K@AHKHQ Â&#x201E; Public transportation ADSVDDMÂ&#x2026;,DQRHMÂ&#x2026;@MCÂ&#x2026;2HKHEJDÂ&#x2026; VHKKÂ&#x2026;S@JDÂ&#x2026;XNTÂ&#x2026;SNÂ&#x2026;3@Ă?TBT Â&#x2026; Â&#x2026; kilometers from Mersin.

*#$-Ă&#x2030;9 &Â?-$Ă&#x160;Ă&#x2030;

MEDITERRANEAN SUN

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How about an extended hike through 7DĂŁXFX, a small Mediterranean village near Mersin? The boat landing, surrounded by fish restaurants, coastal cafes, farm houses and bed&breakfasts, is the point of departure for tour boats going to Cyprus $QG WKH 7DĂ&#x;XFX Amphora Museum, one of Turkeyâ&#x20AC;&#x2122;s most impressive, awaits you on the esplanade.

*4Ă&#x160;! *(Ă&#x160;( MARMARA

!(1# 2Ě&#x2019;$8$ 5($6 .% THE MARMARA

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Nestled against the slopes of a narrow, 945-meter-long valley on Mt. Ganos south RI 7HNLUGDã 8oPDNGHUH village impresses with its trails overlooking the Sea of Marmara. Replete with red-roofed houses where tobacco leaves are spread out to dry, tiny country markets, congenial rustic coffeehouses and hospitable people, Uçmakdere will add vibrance to your autumn stroll.

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KĂ&#x153;LTĂ&#x153;R CULTURE

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Anatolia has been the cradle of civilization since the dawn of human history. As needs changed with the development of industry in Turkey, unfortunately some of the traditional handicrafts in its rich, rooted past have been lost and forgotten.

Turkey took its first step towards becoming a party to the 2003 UNESCO Convention for the â&#x20AC;&#x2DC;Safeguarding of the Intangible Cultural Heritageâ&#x20AC;&#x2122; in 2006. The aim is to preserve, promote and raise public awareness of our cultural heritage,also noted in the 9th Development Plan.

In line with this purpose, the institutes run by the Department of Advanced Technical Schools for Girls are conducting research into the traditional Turkish handicrafts and meticulously recording, preserving and promoting them and passing them down to future generations. The department, managed E\ 'LUHFWRU (PLQH .Ă UDo has contributed greatly to the economy through the placement of women in the workplace and the development of many projects to date.

The result of extensive

50 SKYLIFE | EYLĂ&#x153;L $*Ă&#x2030;, | OCTOBER | SEPTEMBER 20092009

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research, the â&#x20AC;&#x2DC;Elif Bebekâ&#x20AC;&#x2122; doll enterprise constitutes a fine example in terms of training and employing women and young girls on the production line to be set up as part of the â&#x20AC;&#x2DC;Producing Womanâ&#x20AC;&#x2122; project.

Reflecting Turkeyâ&#x20AC;&#x2122;s traditional costumes and culture, the Elif Bebek doll, which comes in twenty different models, will make a major contribution to the promotion of Turkeyâ&#x20AC;&#x2122;s decorative handicrafts.

The manufacturing process of Turkeyâ&#x20AC;&#x2122;s doll has started with the establishment of assembly lines at the institutes in Ankara, Istanbul, Trabzon and Antalya, operating under the Department of Advanced Technical Schools for Girls. The Trabzon Institute will be responsible for the production of the dollâ&#x20AC;&#x2122;s body, Antalya for the dollâ&#x20AC;&#x2122;s MHZHOU\ DQG WKH $QNDUD DQG ,VWDQEXO 6DEDQFĂ ,QVWLWXWHV will oversee the embroidery, sewing, quality control and final packaging for the franchise. This collaborative system will grow to include more institutes, enabling the expansion of the Elif Bebek production line.

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With its midnight shopping, monk’s cuisine, dynastic palaces and design-wonder skyscrapers, Seoul is just the ticket for an autumn trip. A giant fun fair where the modern goes hand in hand with the traditional. Here are 5 of the South Korean capital’s prime attractions.

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With its re-creation of a traditional Korean village, Namsan Park is a giant promenade with a library and hiking trails. Renewing your wedding vows Koreanstyle at one of the hotels in the vicinity is a new trend in 6HRXO. Inside this park, which takes its name from a majestic mountain that formed the southern border of the ancient Kingdom of Korea, are botanical gardens with exotic plants and colorful birds. Well worth seeing.

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The most popular restaurants in this capital where Buddhism is widespread take their inspiration from the nutritional habits of the monks. Based heavily on vegetable dishes, soups and noodles, the local cuisine uses waterlily roots, red beans, peanut paste and plant extracts for spicing.

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-(&'3 , 1*$32 Gaily colored paper lanterns, ceramics and porcelain vessels decorated with local motifs, jewelry boxes, silk garments, KDQGPDGH pottery, alternative gift items and what all else... The shopping centers at Itaewon, famous for its tailors and antique dealers, is open till the wee hours. Choose Insa-dong for handicrafts and traditional products, and Myeong-dong for fashion boutiques.

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!(1# 2Ě&#x2019;$8$Ě&#x2019;5($6 .% 2$.4+ Another spot definitely worth seeing in this city, which offers visitors convenient touring thanks to its advanced transportation network, is the 479-meter Seoul Tower. The worldâ&#x20AC;&#x2122;s third tallest, it is an ideal spot for viewing the city from on high. And on your way up you can get great shots of the city, do your souvenir shopping in one of the Tower shops or sample the local cuisine.

1(5$1 "14(2$ A cruise on one of the local ferries that ply the Hangang River which cuts the city in two is one of the most interesting touristic things you can do in Seoul. Livened up now by a traditional wedding ceremony, now by a performance of local musicians, the cruise makes four main stops: Yeouido, Jamsil, Nanji and Yanghwa.

Lasting close to an hour, the cruise enables you to see all the cityâ&#x20AC;&#x2122;s main touristic attractions.

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that there was a surprise lurking round every corner? Well, many of those little surprises are waiting in the cityâ&#x20AC;&#x2122;s parks.

SÂ&#x201E;2GDQA@JNU@Â&#x201E;/@QJ Â&#x201E;ENQÂ&#x201E;DW@LOKD Â&#x201E;XNTÂ&#x201E;VHKKÂ&#x201E;ÉąMCÂ&#x201E;@Â&#x201E;YNN Â&#x201E;(MÂ&#x201E; another park there is a metal sculpture at every turn, as if you G@UDÂ&#x201E;RSDOODCÂ&#x201E;HMSNÂ&#x201E;@MÂ&#x201E;NODMÂ&#x201E;@HQÂ&#x201E;RBTKOSTQDÂ&#x201E;F@KKDQX Â&#x201E;(MÂ&#x201E;NMDÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E; O@QJRÂ&#x201E;NMÂ&#x201E; QSXNL@Â&#x201E;2SQDDSÂ&#x201E;SGDÂ&#x201E;FH@MSÂ&#x201E;!NBGTLÂ&#x201E;!DKK Â&#x201E;@Â&#x201E;FHÉľÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E; German city of Bochum for which it is named, will suddenly loom before you. Meanwhile in another park whose modern stadium is not yet completed, you will literally lose yourself in the luxuriant landscape with its myriad shades of green.

MCÂ&#x201E;XNTÂ&#x201E;VHKKÂ&#x201E;QD@KHYDÂ&#x201E;SG@SÂ&#x201E;SGDÂ&#x201E;QHUDQÂ&#x201E;HRÂ&#x201E;MNSÂ&#x201E;NMKXÂ&#x201E;SGDÂ&#x201E;KHEDÂ&#x201E;AKNNCÂ&#x201E;NEÂ&#x201E; Donetsk industry but of life in general, for it is this park that has earned the city the epithet â&#x20AC;&#x2DC;City of a Million Rosesâ&#x20AC;&#x2122;.

Another big surprise awaits you under the ground: the salt LHMDR Â&#x201E;2@KSÂ&#x201E;V@RÂ&#x201E;ÉąQRSÂ&#x201E;CHRBNUDQDCÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;@QD@Â&#x201E;HMÂ&#x201E;SGDÂ&#x201E; SGÂ&#x201E; century. The salt in Donetskâ&#x20AC;&#x2122;s Artyemisk region, one of the worldâ&#x20AC;&#x2122;s biggest salt mines today, is said to be the highest quality salt in the world, and touristic excursions are even NQF@MHYDCÂ&#x201E;SNÂ&#x201E;SGDÂ&#x201E;PT@QQX Â&#x201E;3GDÂ&#x201E;SDLODQ@STQDÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;R@KSÂ&#x201E;LHMD Â&#x201E; which is reached following a descent of several minutes Â&#x201E;LDSDQRÂ&#x201E;TMCDQÂ&#x201E;SGDÂ&#x201E;FQNTMCÂ&#x201E;AXÂ&#x201E;DKDU@SNQ Â&#x201E;HRÂ&#x201E;@Â&#x201E;BNMRS@MSÂ&#x201E; Â&#x201E; CDFQDDR Â&#x201E;3GDÂ&#x201E;VNQKC RÂ&#x201E;ÉąQRSÂ&#x201E;TMCDQFQNTMCÂ&#x201E;R@M@SNQHTLÂ&#x201E;V@RÂ&#x201E; constructed here in this mine where saturation with salt

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produces an air composition in which dust and many harmful microorganisms cannot survive, and a large number of sick people are treated here in the mineâ&#x20AC;&#x2122;s pure air. The salt quarry also boasts one of the worldâ&#x20AC;&#x2122;s largest underground galleries, VGHBG Â&#x201E;VHSGÂ&#x201E;HSRÂ&#x201E;L@FMHÉąBDMSÂ&#x201E;@BNTRSHBR Â&#x201E;HRÂ&#x201E;RNLDSHLDRÂ&#x201E;TRDCÂ&#x201E;SNÂ&#x201E; host concerts.

2.""$1 , #-$22 Another source of pride for Donetsk is without a doubt the famous athlete Sergei Bubka. Bubka, who has inscribed his name in gold letters in the annals of pole vaulting with several records as well as countless championships, came GDQDÂ&#x201E;@SÂ&#x201E;SGDÂ&#x201E;@FDÂ&#x201E;NEÂ&#x201E;ɹɾDDMÂ&#x201E;VHSGÂ&#x201E;GHRÂ&#x201E;SQ@HMDQÂ&#x201E;@MCÂ&#x201E;KDÉľÂ&#x201E;@Â&#x201E;OQNENTMCÂ&#x201E; mark on the city. Bubkaâ&#x20AC;&#x2122;s statue rises in Donetsk today as if SNÂ&#x201E;HLLNQS@KHYDÂ&#x201E;SG@SÂ&#x201E;KDF@BX But beyond Bubkaâ&#x20AC;&#x2122;s popularity, it is soccer and its rising star, Shakthar Donetsk, that sets the sports agenda in Donetsk SNC@X Â&#x201E;#DED@SHMFÂ&#x201E;6DQCDQÂ&#x201E;!QDLDMÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;ÉąM@KRÂ&#x201E;OK@XDCÂ&#x201E;HMÂ&#x201E; (RS@MATK Â&#x201E;4$% Â&#x201E;BG@LOHNMÂ&#x201E;2G@JSG@QÂ&#x201E;G@RÂ&#x201E;STQMDCÂ&#x201E;#NMDSRJÂ&#x201E;HMSNÂ&#x201E;@Â&#x201E; household name around the world in recent years.

One thing is sure, namely, that Donetsk city is that anyone with a yen for exploring, a delight in surprises and a natural curiosity about the values little things can add to life and a town will not regret visiting.

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While in Donetsk, we highly recommend trying the Borscht soup, made with various vegetables. Potatoes also have an important place in Ukranian cuisine â&#x20AC;&#x201C; the ravioli-like vareniki is one of their most special dishes.

%KNVDQRÂ&#x201E;BNLDÂ&#x201E;SNÂ&#x201E;LHMCÂ&#x201E;VHSGÂ&#x201E; #NMDSRJ Â&#x201E;(S RÂ&#x201E;PTHSDÂ&#x201E;ONRRHAKDÂ&#x201E; SNÂ&#x201E;O@RRÂ&#x201E;ÉąUDÂ&#x201E;ɲNQHRSRÂ&#x201E;@KNMFÂ&#x201E;SGDÂ&#x201E; way even when buying a bottle of water. Donâ&#x20AC;&#x2122;t worry about SQ@MRONQSHMFÂ&#x201E;SGDÂ&#x201E;ɲNVDQÂ&#x201E;A@BJÂ&#x201E; home, they have ways to take care of it.

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Obis quis ipsaepe riostes aliberiam quamus, que omni dolorrume conectur? Qui soluptatem que si voluptatur autatem est, cones es doluptat.

Nis nis nobitatium inietur? Qui cus etur alibus, et iusci auditas sequatur modigendam

So if I asked you what you call yourself, your answer would be ‘composer’?

8DR ( @L @ BNLONRDQ ɱQRS NE @KK @MC SG@S HR GNV ( QDF@QC LXRDKE #NM S @RRTLD GNVDUDQ SG@S ( R@X SG@S SN AN@RS 0THSD SGD BNMSQ@QX ( @L @KRN @V@QD SG@S ( @L @ LD@MR ,TRHB HR MNS HMRHCD TR ATS HM SGD TMHUDQRD ( LDQDKX ODQBDHUD SGD LTRHB SG@S @KQD@CX DWHRSR SG@MJR SN S@KDMS RDMRHSHUHSX @MC FNNC SQ@HMHMF ( @L RHLOKX @ LDCHTL ( DWSQ@BS LTRHB EQNL RNLDVGDQD @MC BNMUDX HS SN SGD NSGDQ RHCD AX ?SQ@MRK@SHMF HS SGQNTFG LTRHB@K MNSDR What are you conveying in your album-concert-book project, ‘The Turkey Inside Me’?

(M SGHR OQNIDBS ( @L FNHMF SN BNMUDX VG@S ( KNUD VG@S G@R @RSNMHRGDC LD VG@S G@R L@CD LD R@C HM NSGDQ VNQCR DUDQXSGHMF SG@S G@R KDɵ @ L@QJ NM LD 3N CN SG@S @ɵDQ (RS@MATK ( KK AD SQ@UDKHMF SN $RJHÌDGHQ MJ@Q@ @MC (YLHQ MC @ɵDQ SG@S SN *@QR 5@M C@M@ '@S@X MS@KX@ @MC *@Ì +@SDQ ( L@X DUDM FN @AQN@C 3GHR HR @ KNMF Q@MFD OQNIDBS And the book must be the most long-range aspect of it...

8DR ADB@TRD HM E@BS SGD OQNIDBS ADF@M VHSG SGD ANNJ ( SNNJ SGQDD XD@QR SN VQHSD HS AHS AX AHS 3GDM ( QD@KHYDC SG@S ( V@R @KRN BNLONRHMF LTRHB HM O@Q@KKDK VHSG VG@S ( CDRBQHAD HM SGD ANNJ 2N ( SGNTFGS VGX MNS SQX CNHMF @ CT@K M@QQ@SHUD 3GD ANNJ HR BNLHMF SNFDSGDQ SGD @KATL HR TMCDQ V@X @MC SGD BNMBDQS C@SDR @QD ɱQLHMF TO ( @L G@OOX How did the writing process get started? How, for example, did the opening sentence of the book come to you? ( V@R S@JHMF MNSDR @KK SGD SHLD @ANTS SGD SGHMFR SG@S @RSNMHRGDC LD SG@S L@CD LD G@OOX NQ R@C 6GDM ( RS@QSDC S@JHMF MNSDR 3TQJDX EDKS KHJD @ ENQDHFM BNTMSQX ATS SGD LNQD ( VQNSD SGD LNQD ( ADF@M SN EDDK ( ADKNMFDC GDQD ( ɱKKDC MNSDANNJ @ɵDQ MNSDANNJ !TS SG@S ɱQRS RDMSDMBD SG@S VNTKC STQM LX MNSDR HMSN @ ANNJ ITRS CHCM S BNLD 2NLDSGHMF G@C SN G@OODM ɱQRS ( BNTKC RDMRD SG@S MC SGDM NMD C@X HS CHC What happened?

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ɱQRS RDMSDMBD SG@S ( C ADDM V@HSHMF ENQ So are you one of them, or one of us? Or, as we like to say, which do you feel closer to, the place where you were born or the place where you earn your bread and butter?

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7 UNL\H EHQLP LoLQ |\OH ' Q\DQÁQ HQ UDKDW HWWLâLP N|àHVL ' Q\DQÁQ EX N|ãHVLQH JHOGLàLQL] LON J QH G|QHUVHN 81(6&2 \HVL\NHQ HNRORMLN SUREOHPOHUL DQODWDQ XOXVODUDUDVÁ ELU EHOJHVHOLQ oHNLPOHUL LoLQ JHOGLP 7 UNL\H©\H *HOGLâLPGH VHNL] D\OÁN KDPLOH\GLP 'RâXP LoLQ PHFEXUHQ NDOGÁP YH W P KD\DWÁP GHâLàWL áNL o D\ VRQUD NDONDOÁP JLGHOLP GHGLN DPD R VÁUDGD LKWLODO ROGX 66&% GDâÁOGÁ $QQHPOHU ¨.HVLQOLNOH G|QPH EXUDVÁ oRN NDUÁàÁN © GHGLOHU 0DKVXU NDOGÁP L\L NL %LU V UH VRQUD GD NHQGLPL HYLPGH KLVVHWWLP YH G|QPHNWHQ WDPDPHQ YD]JHoWLP ©WH GH 7 UN YDWDQGDàOÁâÁQD JHoWLP 2 LON J Q $UDOÁN %HQLP LoLQ oRN |]HOGLU +kOk NXWODUÁP *HoWLàLPL] J QOHUGH áVWDQEXO©GD VHUJLVL DoÁODQ &KDJDOO ©OL \DãODUÁQGD 3DULV©H JLGHU YH ã|\OH GHU ¦7HNUDU GRàGXP § $UDOÁN VL]LQ LoLQ |\OH ELU WDULK PL" $\QHQ <HQL ELU \RO \HQL ELU KD\DW oL]JLVL +Lo DNOÁPD JHOPH]GL 7 UNL\H©\H \HUOHàHFHâLP 7 UNoH NRQXàDFDâÁP KDWWD 7 UNoH ELU NLWDS \D]DFDâÁP < NVHN OLVDQVÁPÁ 7 UNL\H©GH \DSÁS EXUDGD ELU QLYHUVLWHGH KRFD RODUDN oDOÁàDFDâÁP ' à QHELOL\RU PXVXQX]" 'HYOHW PHPXUX ELOH ROGXP

MIDKHJ@ JA@Q CTXCTÈT S L RDRKDQH MNS@X@ C M ËS QDAHKLD XDSDMDÈHMD R@GHO DMCDQ bestecilerden biri. Yani ‘mutlak kulak’ sahibi.

Anjelika Akbar is one of those rare composers with ‘absolute pitch’.

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- #.+4 -4- -$%$2É THE BREATH OF ANATOLIA

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8$ÊÉ+ 2(Ç(- * YABAN HAYATI VE BÊTKÊ ÇEËÊTLÊLÊÈÊYLE DÜNYA DOÈAYI KORUMA VAKFI (WWF) TARAFINDAN ACÊ+ KORUNMASI GEREKEN YÜZ SICAK NOKTADAN BÊRÊ SEÇÊLEN YENÊCE ORMANLARI’NI ADIMLIYORUZ.

GREEN REFUGE WE ARE TAKING A STROLL THROUGH THE YENI"E FORESTS, ONE OF A HUNDRED ‘HOT SPOTS’ URGENTLY DESIGNATED FOR PROTECTION BY THE WORLD WILDLIFE FUND (WWF) ON AC"OUNT OF THEIR RICH WILDLIFE AND PLANT DIVERSITY. 2009 NOVEMBER | KASIM | SKYLIFE 103

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rails, many of which welcome nature lovers by the thousands around the world, are catching on in Turkey as well. And the nature walking trails of the Yenice Forests at KarabĂźk on the Black Sea have now been added to the countryâ&#x20AC;&#x2122;s extensive, already existing, routes like the Lycian Way, St. Paulâ&#x20AC;&#x2122;s Way and Independence Trail.

TURKEYâ&#x20AC;&#x2122;S LARGEST EXPANSE OF VIRGIN FOREST It was months ago when I hit the road one spring morning to work on the KarabĂźk Yenice Forests Project. The KarabĂźkYenice highway passes through exactly sixteen tunnels along the railroad line and Filyos River before reaching the town.

The forested area is wrapped in a thick blanket of morning fog that lends our journey a fairytale air. The southern slopes of the valley are covered with pine and sandalwood trees, the north side with pale yellow linden - an impressive landscape indeed.

One spring day when fresh green shoots are just beginning to sprout, we embark on our task of identifying hiking and bicycle trails. This virgin landscape has been divided by SGDÂ&#x201E;#DO@QSLDMSÂ&#x201E;NEÂ&#x201E;%NQDRSRÂ&#x201E;HMSNÂ&#x201E;SGHQSDDMÂ&#x201E;CHÉ°DQDMSÂ&#x201E;YNMDR Â&#x201E;@KKÂ&#x201E; connected by wide forest roads. As we advance through the dense forest with a GPS in one hand and our paint can in the other, we are entering an enchanted world that literally compels us to preserve its endless riches. Short-lived rushing white waters dance amidst the trees, where the silence is broken only by the chirping of birds mingling with the rustle of leaves in the wind. The small ponds created to prevent

104 SKYLIFE | KASIM | NOVEMBER 2009

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ENQDRSÂ&#x201E;ÉąQDRÂ&#x201E;VHMJÂ&#x201E;SGDHQÂ&#x201E;AKTDÂ&#x201E;DXDRÂ&#x201E;@SÂ&#x201E;TR Â&#x201E;(MÂ&#x201E;@Â&#x201E;QHNSÂ&#x201E;NEÂ&#x201E;AKNRRNLÂ&#x201E; that leaves dreary winter far behind, the cherry, almond and pear trees vie for most beautiful. Every tree, every rock here, has a story to tell where the mysterious spirit and harmony NEÂ&#x201E;M@STQDÂ&#x201E;@QDÂ&#x201E;QDɲDBSDCÂ&#x201E;HMÂ&#x201E;@KKÂ&#x201E;SGDHQÂ&#x201E;CDS@HK Â&#x201E;(Â&#x201E;HLLDCH@SDKXÂ&#x201E;RDSÂ&#x201E;SNÂ&#x201E; exploring the green silence as the wind madly licks my face.

MONUMENTAL TREES Without a doubt, the most important section of the Yenice Forests with their unique microclimate is the Arboretum Area where the monumental trees stand. A product of the rich plant diversity created by water and humidity, these trees @QDÂ&#x201E;@LNMFÂ&#x201E;SGDÂ&#x201E;LNRSÂ&#x201E;OQHYDCÂ&#x201E;SQD@RTQDRÂ&#x201E;NEÂ&#x201E;SGHRÂ&#x201E;M@STQ@KÂ&#x201E;VNMCDQ Â&#x201E;Â&#x201E; Rare trees of extraordinary height and diameter compared with those of other species, they have been registered as a Natural Monument and taken under protection. Measuring 2-7 meters in diameter and standing 18-30 meters tall, the (RSQ@MB@Â&#x201E;N@J Â&#x201E;3TQJHRGÂ&#x201E;G@YDKMTS Â&#x201E;.KCÂ&#x201E;6NQKCÂ&#x201E;XDV Â&#x201E;"@TB@RH@MÂ&#x201E; linden, mountain elm and maple make the Yenice Forests a virtual open-air museum.

Every footprint we leave behind helps us uncover a few LNQDÂ&#x201E;CDS@HKR Â&#x201E;.TQÂ&#x201E;HMSDMRHUDÂ&#x201E;DÉ°NQSR Â&#x201E;BNNQCHM@SDCÂ&#x201E;AXÂ&#x201E;SGDÂ&#x201E;8DMHBDÂ&#x201E; .ÉłBDÂ&#x201E;NEÂ&#x201E;*@XL@J@L Â&#x201E;ÉąKKÂ&#x201E;@MÂ&#x201E;DMSHQDÂ&#x201E;LNMSG Â&#x201E;#TQHMFÂ&#x201E;SGHRÂ&#x201E;SHLDÂ&#x201E; VDÂ&#x201E;K@XÂ&#x201E;NTSÂ&#x201E;GHJHMFÂ&#x201E;@MCÂ&#x201E;AHJHMFÂ&#x201E;SQ@HKRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;*@U@JKÂ&#x2039; Â&#x201E;Ă&#x2039;HLĂ&#x152;HQCDQD Â&#x201E; Â&#x2C6;HSCDQD Â&#x201E;*Â&#x2039;YÂ&#x2039;KJ@X@ Â&#x201E;*@Q@J@X@Â&#x201E;@MCÂ&#x201E;&Ă&#x20AC;JSDODÂ&#x201E;YNMDRÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;ENQDRS Â&#x201E; GPS coordinates are taken along all the forest roads and paths. All the trails are marked to international standards with red and white lines and direction signs are erected at all intersections to facilitate hiking. A total of 21 trails totaling 396 kilometers, counting the alternative routes, are laid out,

#$5 2 -(3 Ă&#x2021; Â&#x2021;+ 1 .HQGLQH KDV ELU PLNUR NOLPD\D VDKLS RODQ <HQLFH 2UPDQODUà ŠQĂ Q HQ |QHPOL E|O P NXĂ NXVX] DQĂ W DâDoODUĂ Q EXOXQGXâX $UERUHWXP $ODQĂ 6X\XQ YH QHPLQ \DUDWWà âà ]HQJLQ ELWNL oHĂ LWOLOLâLQLQ  U Q RODQ DQĂ W DâDoODU EX GRâD KDULNDVĂ QĂ Q HQ GHâHUOL KD]LQHOHUL DUDVĂ QGD 7 UOHULQLQ GLâHU |UQHNOHULQH J|UH RODâDQ VW oDS YH ER\D XODĂ DQ EX QDGLU DâDoODU ¨7DELDW $QĂ Wà Š RODUDN WHVFLO HGLOPLĂ YH NRUXPD DOWĂ QD DOĂ QPĂ Ă dHYUHOHUL LNL LOD \HGL PHWUH ER\ODUĂ LVH LOD PHWUH DUDVĂ QGD GHâLĂ HQ ,VWĂ UDQFD PHĂ HVL 7 UN IĂ QGà âà SRUVXN .DINDV Ă KODPXUX GDâ NDUDDâDFĂ YH DNoDDâDoODUĂ \OD <HQLFH 2UPDQODUĂ ELU DoĂ N KDYD P ]HVL NRQXPXQGD *HULGH EĂ UDNWà âà PĂ ] KHU D\DN L]L D\UĂ QWĂ ODUĂ NHĂ IHWPHPL]H ELUD] GDKD \DUGĂ PFĂ ROXUNHQ <HQLFH .D\PDNDPOà âà ŠQĂ Q NRRUGLQDV\RQXQGD V UG U OHQ oDOĂ Ă PDODU ELU D\OĂ N V UH\L GROGXUX\RUGX %X ]DPDQ GLOLPLQGHNL \RâXQ XâUDĂ Ă ODU .DYDNOĂ Ă&#x;LPĂ LUGHUH dLWGHUH .Ă ]Ă OND\D .DUDND\D YH *|NWHSH E|OJHOHULQGH \ U \ à YH ELVLNOHW SDUNXUODUĂ QĂ Q RUWD\D oĂ NPDVĂ QĂ VDâODGĂ 2UPDQ \ROODUĂ YH SDWLNDODU ER\XQFD *36 NRRUGLQDWODUĂ DOĂ QGĂ < U \ à o OHULQ LĂ LQL NROD\ODĂ WĂ UPDN DGĂ QD XOXVODUDUDVĂ VWDQGDUWODUGD 8Â&#x2DC;QDXD Â&#x2DC;YFÂ&#x203A; HJKHL Ă&#x2039;@QSK@QÂ&#x2039; AHXNKNIHJ zDĂ&#x2039;HSKHKHĂ&#x2C6;HM DM Â&#x2DC;MDLKH MDCDMH NK@Q@J FÂ&#x2DC;RSDQHKHXNQ

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NĂ UPĂ ]Ă EH\D] oL]JLOHUOH LĂ DUHWOHQGL YH |]HOOLNOH NDYĂ DN QRNWDODUĂ QD \|Q WDEHODODUĂ \HUOHĂ WLULOGL 7 P EX oDOĂ Ă PDODU VRQXFX GRâDO ND\QDNODU YH HNRORMLN GHâHUOHU J|]HWLOHUHN DOWHUQDWLI J ]HUJkKODUOD ELUOLNWH NLORPHWUH\H XODĂ DQ WDP \ U \ à URWDVĂ EHOLUOHQGL 6RQ DĂ DPDGD SDUNXUODUĂ Q GHWD\OĂ KDULWDODUĂ \OD EH]HQHQ YH D\QĂ ]DPDQGD <HQLFH .D\PDNDPOà âà ŠQĂ Q LQWHUQHW VLWHVLQGH (www.yenice.gov. tr/yenice-kitap/) GH \HU DODQ ELU UHKEHU NLWDS KD]Ă UODQGĂ .Ă VD J Q ELUOLN YH X]XQ URWDODUĂ \OD KHU VHYL\HGHQ \ U \ à o \H KLWDS HGHQ <HQLFH SDUNXUODUĂ GRâD WXWNXQODUĂ QD IDUNOĂ VHoHQHNOHU VXQX\RU g]HOOLNOH .HQW 2UPDQĂ LOH $UERUHWXP VDKDVĂ DUDVĂ QGDNL DOWĂ J QO N HQ X]XQ SDUNXU NRQXNODUĂ QĂ EX HWNLOH\LFL GRâD SDUoDVĂ QĂ Q KHPHQ KHPHQ W P J ]HOOLNOHULQLQ VHUJLOHQGLâL P WKLĂ ELU PDFHUD\D GDYHW HGL\RU 8$-Ă&#x2030; !Ă&#x2030;1 $*.341Ă&#x2030;9, ,$1*$9Ă&#x2030; 7URSLN E|OJHOHU GĂ Ă Ă QGD G Q\DQĂ Q HQGHU FRâUDI\DODUĂ QGD UDVWODQDQ DQĂ WVDO DâDoODUĂ \HP\HĂ LO YDGLOHUL \ NVHNOLNOHUL LNL ELQ PHWUHOHUH XODĂ DQ GDâODUĂ GHULQ NDQ\RQODUĂ KHU GDLP oDâà OWĂ OĂ GHUHOHUL V USUL] Ă HODOHOHUL \DEDQ KD\DWĂ YH GHâLĂ LN ELWNL oHĂ LWOLOLâL\OH <HQLFH 2UPDQODUĂ IDUNOĂ RXWGRRU DNWLYLWHOHUL LoLQ JHUoHN ELU HNRWXUL]P PHUNH]L D\QĂ ]DPDQGD * Q ELUOLN YH\D NDPSOĂ \ U \ à J ]HUJkKODUĂ LOH

*Â&#x2039;QLÂ&#x2039;YÂ&#x2039; ADX@Y HĂ&#x2039;@QDSKDQH HYKDXDQDJ CNĂ&#x2C6;@MÂ&#x2039;M DM FÂ&#x203A;YDK JÂ&#x2DC;Ă&#x2039;DKDQHMH FÂ&#x2DC;QLDJ LÂ&#x203A;LJÂ&#x203A;M 8NT B@M RDD RNLD NE SGD LNRS AD@TSHETK RONSR HM M@STQD RHLOKX AX ENKKNVHMF SGD QDC @MC VGHSD RHFMR

taking into account natural resources and ecological values.

(MÂ&#x201E;SGDÂ&#x201E;ÉąM@KÂ&#x201E;RS@FD Â&#x201E;@Â&#x201E;FTHCDÂ&#x201E;ANNJÂ&#x201E;HRÂ&#x201E;BNLOHKDCÂ&#x201E;VHSGÂ&#x201E;CDS@HKDCÂ&#x201E; maps of the trails and put up on the website of the Yenice .ÉłBDÂ&#x201E;NEÂ&#x201E;*@XL@J@LÂ&#x201E; VVV XDMHBD FNU SQ XDMHBD JHS@O Â&#x201E;Â&#x201E; 3GDÂ&#x201E;8DMHBDÂ&#x201E;SQ@HKRÂ&#x201E;NÉ°DQÂ&#x201E;@Â&#x201E;Q@MFDÂ&#x201E;NEÂ&#x201E;@KSDQM@SHUDRÂ&#x201E;ENQÂ&#x201E;M@STQDÂ&#x201E; enthusiasts with everything from one-day to longer routes for hikers at every level. The longest trail, six days in the City Forest and Arboretum area, invites visitors to enjoy a spectacular adventure on which all the beauty of this impressive patch of nature are displayed.

A NEW CENTER OF ECOTOURISM With their monumental trees, found only in rare landscapes outside the tropics, verdant valleys, mountains up to 2000

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meters in altitude, deep canyons, gurgling streams, surprise waterfalls, wildlife and plant diversity, the Yenice Forests are @SÂ&#x201E;SGDÂ&#x201E;R@LDÂ&#x201E;SHLDÂ&#x201E;@Â&#x201E;SQTDÂ&#x201E;BDMSDQÂ&#x201E;NEÂ&#x201E;DBNSNTQHRLÂ&#x201E;NÉ°DQHMFÂ&#x201E;NTSCNNQÂ&#x201E; activities of all kinds. In addition to one-day and longer camping routes, other alternatives in this virgin environment include rock climbing, canyoning, bird watching, photo R@E@QHR Â&#x201E;ANS@MHB@KÂ&#x201E;V@KJR Â&#x201E;Q@ÉľHMFÂ&#x201E;@MCÂ&#x201E;O@Q@FKHCHMF Â&#x201E;3GDÂ&#x201E;FTDRSÂ&#x201E; facilities in the depths of the forest and the fountains youâ&#x20AC;&#x2122;ll encounter along the way are just some of the factors that L@JDÂ&#x201E;@CUDMSTQD ÉąKKDCÂ&#x201E;@BSHUHSHDRÂ&#x201E;D@RHDQÂ&#x201E;ENQÂ&#x201E;M@STQDÂ&#x201E;KNUDQR The starting point for all these activities is of course the town of Yenice, which gives its name to the area. The economy of green Yenice, at the intersection of the valleys in the heart of the dense forest, has revived in recent years thanks to forest products and the local mines. But ecotourism is the new hope of this town dotted with workshops producing souvenirs like model wooden houses, walking canes and wooden spoons. If youâ&#x20AC;&#x2122;ve come this far, be sure to pay a visit to Safranbolu, a town remarkable for its original Ottoman architecture, and to the famous ruins of Hadrianus @MCÂ&#x201E;SGDHQÂ&#x201E;LNR@HBRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;SNVMÂ&#x201E;NEÂ&#x201E;$RJHO@Y@Q If strolling freely along the red-and-white marked trails and discovering the surprises nature has in store for you, feeling historyâ&#x20AC;&#x2122;s mysterious breath in the ancient basin of KĂźre, used since antiquity for washing minerals, swimming in waterfalls and burbling streams, and picnicking next to sparkling ponds appeal to you, then pull on your hiking boots and head for Yenice. What better opportunity to feel youâ&#x20AC;&#x2122;ve been born again than in a forest like a vast tree museum where leaves turn from green to yellow, red and brown in a rainbow of color.

RUTRUM ACCUMSAN

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hen you stop to think that what a person is DWODQHDMBHMFÂ&#x201E;SNC@XÂ&#x201E;VHKKÂ&#x201E;ADÂ&#x201E;GHRSNQXÂ&#x201E;ÉąUDÂ&#x201E;XD@QRÂ&#x201E; from now, you soon realize that the harshest QD@KHSHDRÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;O@RSÂ&#x201E;@QDÂ&#x201E;NÉľDMÂ&#x201E;SQ@MRENQLDCÂ&#x201E;HMSNÂ&#x201E;SNC@X RÂ&#x201E; dreams, the most exuberant dreams into immediate reality, and that tragedy can morph into truth and happiness into sadness. And during this transition from the one state into the other, formidable and unattainable NAIDBSRÂ&#x201E;@MCÂ&#x201E;UDMTDRÂ&#x201E;VDÂ&#x201E;B@MMNSÂ&#x201E;DUDMÂ&#x201E;HL@FHMDÂ&#x201E;RDDHMFÂ&#x201E;@QDÂ&#x201E; sometimes transformed into museum artifacts. Palaces @QDÂ&#x201E;SGDÂ&#x201E;KHUHMFÂ&#x201E;DW@LOKDRÂ&#x201E;NEÂ&#x201E;SGHRÂ&#x201E;HMÂ&#x201E;NTQÂ&#x201E;C@X

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TIME AND THE PALACE Â&#x201E;O@K@BDÂ&#x201E;NQHFHM@KKXÂ&#x201E;ATHKSÂ&#x201E;ENQÂ&#x201E;HSRÂ&#x201E;O@MNQ@LHBÂ&#x201E;UHDVÂ&#x201E;NMDÂ&#x201E;C@XÂ&#x201E; becomes a museum lamented for its dampness, an HMUDMSNQXÂ&#x201E;NEÂ&#x201E;VGNRDÂ&#x201E;LXQH@CÂ&#x201E;OQNETRHNMÂ&#x201E;NEÂ&#x201E;@QSHE@BSRÂ&#x201E;HRÂ&#x201E;VDKKÂ&#x201E; nigh unimaginable. And the modern-day chronicler VGDMÂ&#x201E;GDÂ&#x201E;SQHDRÂ&#x201E;SNÂ&#x201E;CDRBQHADÂ&#x201E;SG@SÂ&#x201E;SHLDÂ&#x201E;ADBNLDRÂ&#x201E;@RÂ&#x201E;ÉąDQBDKXÂ&#x201E; unfair when decrying another as he is indulgent when speaking of himself. Which of his words is to be ADKHDUDC Â&#x201E;/DNOKDÂ&#x201E;ADKHDUDÂ&#x201E;VG@SDUDQÂ&#x201E;SGDXÂ&#x201E;V@MS Â&#x201E;NEÂ&#x201E;BNTQRD Â&#x201E; 3GDÂ&#x201E;VNQKCÂ&#x201E;@ÉľDQÂ&#x201E;@KKÂ&#x201E;HRÂ&#x201E;MNSÂ&#x201E;@Â&#x201E;OK@BDÂ&#x201E;VGDQDÂ&#x201E;SGDÂ&#x201E;SQTSGÂ&#x201E;HRÂ&#x201E; readily accessible but rather a place of concealment where things change their outward appearance with QDL@QJ@AKDÂ&#x201E;RODDC Â&#x201E;/DQG@ORÂ&#x201E;SGDQDENQDÂ&#x201E;VDÂ&#x201E;RGNTKCÂ&#x201E;G@UDÂ&#x201E; @RÂ&#x201E;LTBGÂ&#x201E;QDRODBSÂ&#x201E;ENQÂ&#x201E;DUDQXÂ&#x201E;RSNQXÂ&#x201E;SNÂ&#x201E;VGHBGÂ&#x201E;VDÂ&#x201E;B@MÂ&#x201E;QDK@SD Â&#x201E; DUDQXÂ&#x201E;RSNQXÂ&#x201E;SG@SÂ&#x201E;BNMRSHSTSDRÂ&#x201E;@Â&#x201E;DW@LOKD Â&#x201E;DUDQXÂ&#x201E;RSNQXÂ&#x201E;SG@SÂ&#x201E; L@JDRÂ&#x201E;KHEDÂ&#x201E;@Â&#x201E;KHSSKDÂ&#x201E;D@RHDQÂ&#x201E;@MCÂ&#x201E;LNQDÂ&#x201E;AD@Q@AKD Â&#x201E;@RÂ&#x201E;VDÂ&#x201E;G@UDÂ&#x201E; for the truth.

2 1 8 2 3+$1Ă&#x2030; %XJ Q VDUD\ODUĂ PĂ ]Ă Q HQYDQWHULQH ND\Ă WOĂ VDDWOHULPL]H GĂ Ă DUĂ GDQ EDNDQ J|]OHU KHS ELU KLNk\H DUDU VRUXS VRUXĂ WXUXU 6DGHOLâH YH VDGHFH

3GNRDÂ&#x201E;VGNÂ&#x201E;UHDVÂ&#x201E;SGDÂ&#x201E;BKNBJRÂ&#x201E;HMÂ&#x201E;NTQÂ&#x201E;3TQJHRGÂ&#x201E;O@K@BDÂ&#x201E; HMUDMSNQHDRÂ&#x201E;SNC@XÂ&#x201E;@QDÂ&#x201E;@KV@XRÂ&#x201E;@RJHMFÂ&#x201E;PTDRSHNMR Â&#x201E;ENQDUDQÂ&#x201E; RDDJHMFÂ&#x201E;@Â&#x201E;RSNQX Â&#x201E;/DNOKDÂ&#x201E;NÉľDMÂ&#x201E;RDDLÂ&#x201E;HMB@O@AKDÂ&#x201E;NEÂ&#x201E; tolerating simplicity, placing more importance on the

PALACE CLOCKS

114 SKYLIFE | KASIM | NOVEMBER 2009

saat.indd 114

10/26/09 7:59 PM

saat.indd 115

|\OH ROXYHUPLà ROPD\D NDWODQDPD\DQ LQVDQ KHGL\H HGHQL HWPH DPDFà Qà G|N OHQ SDUD\à \DUDWWà âà HWNL\L HVHULQ |Q QH JHoLUHUHN |QHPVHU +Lo ELU à H\L |âUHQHPHPHQLQ GH \ROXQX DoDU E|\OHOLNOH \D GD EDWà Oà WDELULQFH ¨DUDOà N NDSà \à RPX]ODU Š %L] LVH VDGHFH VDDWOHULQ \ ] QH Là OH\Là LQH EDNPD\à NkIL KHP GH KHU à H\H NkIL EXOX\RUX] +HPHQ KHU Uà ]D J|VWHULOHQ à H\ JLEL R ]DPDQ |Q P ]GH JHQLà ELU XIXN X]DQà \RU VRQUDVà QGD Là EX JHQLà OLâH WDKDPP OH YH LoLQGH ND\EROPD\D NDOà \RU 0LOOL 6DUD\ODUŠD EDâOà VDUD\ N|à N YH NDVà UODUà Pà ]GD 'ROPDEDKoH 6DUD\à %H\OHUEH\L 6DUD\à . o NVX .DVUà $\QDOà NDYDN .DVUà ,KODPXU .DVUà G|QHP LWLEDUà LOH \ ]\à O EDà à \D GD RUWDVà QD WDULKOHQHQ )UDQVà ] VDDWOHULQLQ oRâXQOXâXQX ROXà WXUGXâX ELU NROHNVL\RQ YDU \ ]\à O PHNDQLN ROJXQOXâD YH VHUL  UHWLPH JHoLOHQ ELU G|QHP ROGXâX LoLQ IHYNDODGH VDDWOHU NDGDU DOHODGH YH oRN VD\à GD  UHWLOPLà VDDWOHULQ GH J|U OG â ELU G|QHP 8VWDOà N LFDW YH P NHPPHO Là oLOLN DUWWà âà NDGDU YDVDWL  UHWLPLQ GH DUWPDVà EHOOL XVWDODUà Q DGà Qà |QH oà NDUPD\à VDDWL \DSDQ XVWDQà Q DGà LOH DQPD\à JHUHNOL Nà OPà à YH EX NDOLWHQLQ |Oo V ROPXà \ ]\à Oà QGD GkKLO ROGXâX G|QHPGH VDDWLQ NHQGLVL XVWDVà Qà Q DGà ROPDGDQ GD J oO YH |QHPOL ELU HVHU J|] LOH EDNà OPD\D NkIL =DWHQ GHYLU |\OH YH R J oWH ROPD\DQODUà Q ELU à H\OHUH JLULà HPH\HFHNOHUL ELU GHYLU +HU DUWà à YH oRNOXN G|QHPL QLWHOLâLQ VRQVX] GHâHUOHQGLUPHOHULQH Nà Oà Nà UN \DUDQ LUGHOHPHOHULQH UDâPHQ GHâHUOHQGLUHQOHUGH GH ELU oRNOXN ROGXâX LoLQ VDSà o|SH IHQD NDUà à Wà UDUDN HOGH DYXoWD RQ HVHU RODQ YH KHSVLQLQ HVHU ROGXâX G|QHPOHUH \DNà Fà ELU |]OHP GX\XUXU

ODQRNMÂ&#x201E;VGNÂ&#x201E;L@CDÂ&#x201E;SGDÂ&#x201E;FHÉľ Â&#x201E;GHRÂ&#x201E;OTQONRDÂ&#x201E;HMÂ&#x201E;L@JHMFÂ&#x201E;HS Â&#x201E;SGDÂ&#x201E;@LNTMSÂ&#x201E; NEÂ&#x201E;LNMDXÂ&#x201E;RODMSÂ&#x201E;@MCÂ&#x201E;SGDÂ&#x201E;DÉ°DBSÂ&#x201E;HSÂ&#x201E;BQD@SDC Â&#x201E;SGDQDAXÂ&#x201E;FKNRRHMFÂ&#x201E;NUDQÂ&#x201E; the work of art itself. This in turn constitutes an obstacle to real learning. I on the other hand am contented to look at the clock face @MCÂ&#x201E;GNVÂ&#x201E;SGDÂ&#x201E;BKNBJÂ&#x201E;VNQJR Â&#x201E; RÂ&#x201E;VHSGÂ&#x201E;@MXÂ&#x201E;KNUHMFKXÂ&#x201E;DMSDQDCÂ&#x201E;DMCD@UNQ Â&#x201E; NMDÂ&#x201E;ÉąQRSÂ&#x201E;DMBNTMSDQRÂ&#x201E;@Â&#x201E;VHCDÂ&#x201E;UHRS@Â&#x201E;NEÂ&#x201E;HMSDQDRSHMFÂ&#x201E;PTDRSHNMR Â&#x201E;SGDÂ&#x201E;MDWSÂ&#x201E; stage is to learn to endure the demands of this challenge and lose oneself in it. The collection discussed here is comprised of the mainly French clocks dating to the early or mid-19th century in SGDÂ&#x201E;.SSNL@MÂ&#x201E;O@K@BDRÂ&#x201E;@MCÂ&#x201E;O@UHKHNMRÂ&#x201E; #NKL@A@GyDÂ&#x201E;/@K@BD Â&#x201E;*Ă&#x201E;yĂ&#x201E;JRTÂ&#x201E; /@UHKHNM Â&#x201E; XM@KÂ&#x2039;J@U@JÂ&#x201E;/@UHKHNM Â&#x201E;@MCÂ&#x201E;(GK@LTQÂ&#x201E;/@UHKHNM Â&#x201E;@CLHMHRSDQDCÂ&#x201E; AXÂ&#x201E;SGDÂ&#x201E;#DO@QSLDMSÂ&#x201E;NEÂ&#x201E;-@SHNM@KÂ&#x201E;/@K@BDR Being an age of mechanical progress and the transition to mass production, the 19th century saw the production of large MTLADQRÂ&#x201E;NEÂ&#x201E;UDQXÂ&#x201E;NQCHM@QXÂ&#x201E;BKNBJRÂ&#x201E;@RÂ&#x201E;VDKKÂ&#x201E;@RÂ&#x201E;NEÂ&#x201E;DWSQ@NQCHM@QXÂ&#x201E; ones. But simultaneously with a rise in run-of-the mill OQNCTBSHNM Â&#x201E;@Â&#x201E;MDVÂ&#x201E;ATQRSÂ&#x201E;NEÂ&#x201E;BQD@SHUHSXÂ&#x201E;@MCÂ&#x201E;ɲ@VKDRRÂ&#x201E;VNQJL@MRGHOÂ&#x201E; @MCÂ&#x201E;@Â&#x201E;OQNETRHNMÂ&#x201E;NEÂ&#x201E;RJHKKDCÂ&#x201E;BQ@ÉľRLDMÂ&#x201E;SGQTRSÂ&#x201E;SGDÂ&#x201E;M@LDRÂ&#x201E;NEÂ&#x201E;BDQS@HMÂ&#x201E; masters into the foreground, making it obligatory that the clock L@JDQ RÂ&#x201E;M@LDÂ&#x201E;ADÂ&#x201E;QDLDLADQDC Â&#x201E; MCÂ&#x201E;SGHRÂ&#x201E;HMÂ&#x201E;STQMÂ&#x201E;ADB@LDÂ&#x201E;SGDÂ&#x201E; BQHSDQHNMÂ&#x201E;NEÂ&#x201E;PT@KHSX Â&#x201E;-DUDQSGDKDRR Â&#x201E;HMÂ&#x201E;@Â&#x201E;ODQHNCÂ&#x201E;SG@SÂ&#x201E;K@RSDCÂ&#x201E;SNÂ&#x201E;SGDÂ&#x201E; end of the 17th century the clock itself had been regarded as a ONVDQETKÂ&#x201E;@MCÂ&#x201E;HLONQS@MSÂ&#x201E;NAIDBSÂ&#x201E;DUDMÂ&#x201E;VHSGNTSÂ&#x201E;SGDÂ&#x201E;BKNBJÂ&#x201E;L@JDQ RÂ&#x201E; name. Such in any case was the time, a period when there were things to which those without consummate skill could not DUDMÂ&#x201E;@ROHQD Â&#x201E;2HMBDÂ&#x201E;DUDQXÂ&#x201E;ODQHNCÂ&#x201E;NEÂ&#x201E;FQNVSGÂ&#x201E;@MCÂ&#x201E;@ATMC@MBDÂ&#x201E;@KRNÂ&#x201E; AQHMFRÂ&#x201E;@MÂ&#x201E;HMBQD@RDÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;MTLADQRÂ&#x201E;NEÂ&#x201E;SGNRDÂ&#x201E;L@JHMFÂ&#x201E;NÉľDMÂ&#x201E;G@HQ

splitting appraisals, a burning nostalgia arises for times when there were only ten important artifacts in existence and all were works of art.

Ă&#x153;Ă&#x2021; YĂ&#x153;ZE YAKIN SAAT 0LOOL 6DUD\ODUŠGD ŠH \DNĂ Q VDDWLQ LoLQGH 'ROPDEDKoH 6DUD\Ă 6DDW 0 ]HVLŠQGH \HU DODQ DGHW 2VPDQOĂ VDDWLQL YH \LQH VDUD\ NROHNVL\RQXQD DLW ED]Ă RWRPDW ĂĄQJLOL]

If we exclude the six Ottoman clocks, as well as some English @TSNL@SNMR Â&#x201E;RNLDÂ&#x201E;UDQXÂ&#x201E;GHFG PT@KHSXÂ&#x201E;%QDMBGÂ&#x201E;BKNBJRÂ&#x201E;VHSGÂ&#x201E; RODBH@KÂ&#x201E;LDBG@MHRLRÂ&#x201E;@MCÂ&#x201E;SGDÂ&#x201E;BKNBJÂ&#x201E;B@RDRÂ&#x201E;L@CDÂ&#x201E;AXÂ&#x201E;SGDÂ&#x201E;ODQHNC RÂ&#x201E;

XÂ&#x203A;YXÂ&#x2039;K RNMTM@ @HS zNĂ&#x2C6;TMKTĂ&#x2C6;T LÂ&#x203A;YHJKH A@Ă&#x2C6;@ J@OK@L@KÂ&#x2039; NSNL@S Ă&#x2030;MFHKHY R@@SKDQHMH C@G@ RNMQ@ ONQRDKDM UTRSTQX@ R@@SKDQH XÂ&#x203A;YXÂ&#x2039;K A@Ă&#x2039;Â&#x2039; @GĂ&#x2039;@O LDQHJ@M CTU@Q R@@SKDQH KL@M JÂ&#x203A;SÂ&#x203A;OG@MD R@@SKDQH FHAH @JRDRT@Q MHXDSKH JTKK@MÂ&#x2039;K@M R@@SKDQ HYKDQ 3GD SNQSNHRD RGDKK HMK@HC NÉ&#x20AC;DM LTRHB@K $MFKHRG @TSNL@SNMR NE SGD K@SD SG BDMSTQX VDQD ENKKNVDC HM RTBBDRRHNM AX TRSQH@M BKNBJR L@CD NE ONQBDK@HM D@QKX SG BDMSTQX LDQHB@M FQ@MCE@SGDQ BKNBJR @MC &DQL@M KHAQ@QX BKNBJR

"+.2$ 3. "+."*2

10/26/09 7:59 PM

VDDWOHUL oRN NDOLWHOL YH |]HOOLNOL PHNDQL]PDOĂ ED]Ă )UDQVĂ ] VDDWOHUL LOH G|QHPLQ  QO G|N PF KH\NHOWĂ UDĂ YH UHVVDPODUĂ QĂ Q NDVDODUĂ QĂ ROXĂ WXUGXâX VDDWOHUL KDULo WXWDUVDN VDDWOHU G|QHPOHULQLQ YH DLW ROGXNODUĂ \HULQ QH HNVLâL QH ID]ODVĂ GĂ UODU <D ELU Ă |PLQH  VW QGH \D ELU NRQVRO \D GD EDK  ]HULQGH ER\XQODUĂ QGD WD\ODVDQ JLEL VDUNDQ NXUPD DQDKWDUODUĂ VDDW EDĂ Ă YH EXoXNODUGD oDODQ NDPSDQDODUĂ LOH NHQGL ]DPDQODUĂ QD ]HYN YH DQOD\Ă Ă ODUĂ QD WDEL GXUXUODU <LQH )UDQVĂ ] FRPWRLV GHGLâLPL] D\DNOĂ VDDWOHU GDKD ]L\DGH E \ N VDORQODUGD \D GD ELU NRULGRUXQ VRQXQGD JHOHQH JHoHQH VDELW Dâà UOà âà QĂ Q YHUGLâL Ă DĂ PD] J YHQOH oDOĂ Ă PDQĂ Q \DQĂ QGD ED]HQ J oO ELU oDQ VHVL KDWWD ED]HQ oH\UHN oDODUOĂ \D GD UHSHWLFLRQOX oDODUOD YDNWL GX\XUXU DOLMABAHĂ&#x2021;E SARAYIâ&#x20AC;&#x2122;NDA SAATLER . W SKDQH YH NDWLS RGDODUĂ RODUDN NXOODQĂ OPĂ Ă RGDODUGD GDKD oRN oDODUVĂ ] J QO N WDNYLPOL DKĂ DS $PHULNDQ GXYDU VDDWOHUL 9L\DQD UHJXODW|UOHUL $OPDQ YDSXU VDDWOHUL NHQGLOHULQH HĂ OLN HGHQ \LQH DKĂ DS EDURPHWUH WHUPRPHWUHOHUOH ELUOLNWH P WHYD]L VDGH DPD \HULQLQ IDUNĂ QGD GXUXĂ ODUĂ LOH NLWDSODUĂ Q \D]Ă KDQHOHULQ N W SKDQH YH VHNUHWHUOHULQ DUDVĂ QGD WDP RODUDN ND\EROXUODU <DWDN RGDODUĂ QGD ED]HQ oDODU WHUWLEDWVĂ ] ED]HQ DNVLQH DPD VDDWL GHQLOHQ NDUDQOĂ NWD LSLQL oHNWLâLQL] YDNLW VDDWL oH\UHâLQH NDGDU oDODUDN Ă Ă Ă N \DNPDGDQ YDNWL ELOGLUHQ VDDWOHU ED]HQ QDLI GHNRUOX Ă Ă N SRUVHOHQ VDDWOHU \ ]\Ă O EDĂ Ă QGDQ LWLEDUHQ N o OHQ YH X\DQGĂ UĂ FĂ IRQNVL\RQX GLNNDW oHNHQ GDKD ]L\DGH FHS VDDWL PDNLQHOHULQGH J|U OHQ ]DULI FUXYDVLHU PDNLQHOL ĂĄVYLoUH PDVD VDDWOHUL oRN N o N NXWXUGD )UDQVĂ ] VH\DKDW VDDWOHUL ILOGLĂ L \D GD VHGHI NDVDOĂ \XYDUODN IRUPOX PLQLN PDVD VDDWOHUL J|U O U

renowned painters, sculptors and workers in cast metal, SGDÂ&#x201E;BKNRDÂ&#x201E;SNÂ&#x201E; Â&#x201E;BKNBJRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;-@SHNM@KÂ&#x201E;/@K@BDÂ&#x201E;BNKKDBSHNMÂ&#x201E;@QDÂ&#x201E; PTHSDÂ&#x201E;SXOHB@KÂ&#x201E;NEÂ&#x201E;SGDHQÂ&#x201E;SHLDÂ&#x201E;@MCÂ&#x201E;OK@BD Â&#x201E;2S@MCHMFÂ&#x201E;NMÂ&#x201E;@Â&#x201E;BNMRNKDÂ&#x201E; NQÂ&#x201E;G@MFHMFÂ&#x201E;NUDQÂ&#x201E;@Â&#x201E;ÉąQDOK@BDÂ&#x201E;VHSGÂ&#x201E;SGDHQÂ&#x201E;JDXRÂ&#x201E;G@MFHMFÂ&#x201E;@QNTMCÂ&#x201E; SGDHQÂ&#x201E;MDBJRÂ&#x201E;KHJDÂ&#x201E;@Â&#x201E;?S@XK@R@M Â&#x201E;@MCÂ&#x201E;SGDHQÂ&#x201E;BGHLDRÂ&#x201E;RNTMCHMFÂ&#x201E;NMÂ&#x201E; the hour and half hour, they were in keeping with the taste @MCÂ&#x201E;BNMBDOSRÂ&#x201E;NEÂ&#x201E;SGDHQÂ&#x201E;SHLD Â&#x201E;3GDÂ&#x201E;%QDMBGÂ&#x201E;?BNLSNHRD Â&#x201E;BKNBJRÂ&#x201E; that stood either in large salons or at the ends of corridors ETMBSHNMDCÂ&#x201E;VHSGÂ&#x201E;HME@KKHAKDÂ&#x201E;@BBTQ@BX Â&#x201E;FHUHMFÂ&#x201E;SGNRDÂ&#x201E;VGNÂ&#x201E;B@LDÂ&#x201E; and went a sense of dignity and permanence with their loud chimes that announced the time, sometimes down to the PT@QSDQÂ&#x201E;GNTQ

THE CLOCKS IN DOLMABAHĂ&#x2021;E PALACE Modest yet as if cognizant of their surroundings, wooden American wall clocks, mainly non-chiming with 30-day calendars, Vienna regulator clocks, German steamship clocks and the, again, wooden barometer-thermometers that went VHSGÂ&#x201E;SGDLÂ&#x201E;GTMFÂ&#x201E;NQÂ&#x201E;RSNNCÂ&#x201E;HMÂ&#x201E;QNNLRÂ&#x201E;TRDCÂ&#x201E;@RÂ&#x201E;KHAQ@QHDRÂ&#x201E;NQÂ&#x201E;BKDQJ RÂ&#x201E; chambers where they blended right in with the books, desks, secretaires and escritoires. The clocks used in bedrooms, meanwhile, included some without chiming mechanisms, others with a string one could pull on in the dark without turning on the light that announced the time down to the PT@QSDQÂ&#x201E;GNTQÂ&#x201E;AXÂ&#x201E;BGHLHMF Â&#x201E;RSXKHRGÂ&#x201E;ONQBDK@HMÂ&#x201E;BKNBJRÂ&#x201E;VHSGÂ&#x201E;NÉľDMÂ&#x201E; M@HUDÂ&#x201E;CDBNQ@SHNMR Â&#x201E;SGDÂ&#x201E;DUDQÂ&#x201E;LNQDÂ&#x201E;CHLHMTSHUDÂ&#x201E;@K@QLÂ&#x201E;BKNBJRÂ&#x201E;SG@SÂ&#x201E; came into use from the beginning of the 20th century, elegant 2VHRRÂ&#x201E;BQTHRDQÂ&#x201E;BKNBJR Â&#x201E;SHMXÂ&#x201E;%QDMBGÂ&#x201E;SQ@UDKÂ&#x201E;BKNBJR Â&#x201E;@MCÂ&#x201E;LHMTRBTKDÂ&#x201E; QNTMCÂ&#x201E;S@AKDÂ&#x201E;BKNBJRÂ&#x201E;HMÂ&#x201E;HUNQXÂ&#x201E;NQÂ&#x201E;LNSGDQ NE OD@QKÂ&#x201E;B@RDR Â&#x201E;

THE TOPKAPI PALACE CLOCK COLLECTION Like their counterparts in the palaces and museums of $TQNOD Â&#x201E;SGDÂ&#x201E;1DM@HRR@MBDÂ&#x201E;@TSNL@SNMRÂ&#x201E;G@UDÂ&#x201E;TMENQSTM@SDKXÂ&#x201E; U@MHRGDC Â&#x201E;3GHRÂ&#x201E;HRÂ&#x201E;TMCNTASDCKXÂ&#x201E;@Â&#x201E;UDQXÂ&#x201E;RHFMHÉąB@MSÂ&#x201E;KNRRÂ&#x201E;DUDMÂ&#x201E;HEÂ&#x201E;

.RL@MKÂ&#x2039; R@Q@XK@QÂ&#x2039;MC@ NKCTĂ&#x2C6;T J@C@Q B@LHKDQHMCD CD zNJ RÂ&#x2039;J Q@RSK@M@M E@J@S RDQUH ANXKT A@KS@ L@Ă&#x2039;@ DĂ&#x2039;@OL@MKÂ&#x2039; NKCTĂ&#x2C6;TMC@M FÂ&#x203A;QÂ&#x203A;KSÂ&#x203A;KÂ&#x203A; UD NSTQL@ @K@MK@QÂ&#x2039;MC@ SDQBHG DCHKLDXDM AT Ă&#x2030;MFHKHY R@@SKDQHMHM L@JHMDKDQH XÂ&#x203A;YXÂ&#x2039;K HSHA@QHXKD zNJ CDĂ&#x2C6;HĂ&#x2039;LDLHĂ&#x2039;SHQ

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VDÂ&#x201E;@RRTLDÂ&#x201E;HSÂ&#x201E;G@CÂ&#x201E;RNLDSGHMFÂ&#x201E;SNÂ&#x201E;VHSGÂ&#x201E;SGDRDÂ&#x201E;BKNBJR Â&#x201E;UDQXÂ&#x201E;GD@UX Â&#x201E; complicated mechanisms and the fact that the people of the SHLDÂ&#x201E;ADKHDUDCÂ&#x201E;SGDHQÂ&#x201E;SDMTQDÂ&#x201E;HMÂ&#x201E;SGHRÂ&#x201E;VNQKCÂ&#x201E;NMKXÂ&#x201E;SQ@MRHSNQX Â&#x201E; When we compare them with the most rare examples of BKNBJRÂ&#x201E;L@CDÂ&#x201E;RHMBDÂ&#x201E;SGDÂ&#x201E;ADFHMMHMFÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E; R Â&#x201E;SGDÂ&#x201E;BKNBJRÂ&#x201E; made by eminent masters such as Breguet, Lange & Sohne, @MCÂ&#x201E;&K@RRĂ&#x201E;SSDÂ&#x201E;BNMRSHSTSDÂ&#x201E;SGDÂ&#x201E;FDLRÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;BNKKDBSHNM Â&#x201E;(MÂ&#x201E; addition to the clocks made by the imperial clock masters, giant automatons, a large and extremely rare collection of pocket watches, and the highly fanciful clocks of the prominent 17th and 18th century masters with their otherVNQKCKXÂ&#x201E;NQF@MÂ&#x201E;BGHLDR Â&#x201E;D@BGÂ&#x201E;NMDÂ&#x201E;QDOQDRDMSHMFÂ&#x201E;HSRÂ&#x201E;L@JDQ RÂ&#x201E; skill and inner world of feelings and exhibiting little outside HMɲTDMBD Â&#x201E;@KKÂ&#x201E;QDɲDBSÂ&#x201E;SGDÂ&#x201E;HMSQNUDQSDCÂ&#x201E;@SSHSTCDÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;HLODQH@KÂ&#x201E; palace at the time.

3(,$ 2 , 23$12 3GDÂ&#x201E;HLODQH@KÂ&#x201E;BKNBJÂ&#x201E;L@RSDQRÂ&#x201E;RSQNUDÂ&#x201E;SNÂ&#x201E;JDDOÂ&#x201E;@KKÂ&#x201E;SGDÂ&#x201E;O@K@BDÂ&#x201E; clocks accurate and in good repair. Chief Clock Masters VDQDÂ&#x201E;@KRNÂ&#x201E;DLOKNXDCÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;#NKL@A@GyDÂ&#x201E;/@K@BDÂ&#x201E;EQNLÂ&#x201E;SGDÂ&#x201E; late 19th century up to the founding of the Republic. We do MNSÂ&#x201E;JMNVÂ&#x201E;SNC@XÂ&#x201E;GNVDUDQÂ&#x201E;VGHBGÂ&#x201E;NEÂ&#x201E;SGDLÂ&#x201E;VDQDÂ&#x201E;@BST@KÂ&#x201E;BKNBJÂ&#x201E; makers and which merely repairmen. There is of course a VNQKCÂ&#x201E;NEÂ&#x201E;CHÉ°DQDMBDÂ&#x201E;ADSVDDMÂ&#x201E;L@JHMFÂ&#x201E;BKNBJRÂ&#x201E;@MCÂ&#x201E;QDO@HQHMFÂ&#x201E; SGDL Â&#x201E;@Â&#x201E;CHÉ°DQDMBDÂ&#x201E;NEÂ&#x201E;RJHKK Â&#x201E;HMSDKKDBSÂ&#x201E;@MCÂ&#x201E;LDBG@MHB@KÂ&#x201E;CDRHFM Â&#x201E; OOQN@BGHMFÂ&#x201E;SGDÂ&#x201E;PTDRSHNMÂ&#x201E;HMÂ&#x201E;SDQLRÂ&#x201E;NEÂ&#x201E;CDFQDD Â&#x201E;GNVDUDQ Â&#x201E;VDÂ&#x201E; BNLDÂ&#x201E;@BQNRRÂ&#x201E;SGDÂ&#x201E;M@LDRÂ&#x201E;NEÂ&#x201E;SDMÂ&#x201E;L@RSDQRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;3NOJ@OÂ&#x2039;Â&#x201E;/@K@BDÂ&#x201E;

118 SKYLIFE | KASIM | NOVEMBER 2009

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RQODUFD IDUN YDU HOEHW <DSÁODQ LàLQ HGLOJLQ WDUDIÁQÁQ HWNHQ RODQD GHUHFH \|Q QGHQ \DNODàDELOGLâL \ NVHN ELU VDQDW VHYL\HVLQH 7RSNDSÁ 6DUD\Á©QGD RQ NDGDU LVLPGH UDVWOD\DELOL\RUX] 6DQDWoÁODUÁQ JHQHOGH LVLPOHULQL \DàDWPDN EDàNDODUÁQÁQ J|] QGH \ NVHN GLOLQGH QDPD] VXUHOHUL NDGDU H]EHUGH NDOPDN \DSWÁâÁ RUWD\D NR\DELOGLâL LOH RODELOGLâLQFH \ FHOPHN WDYUÁ YDU %X WDYÁU RQGD \DGÁUJDQPÁ\RU ELQOHUFH LQVDQÁQ DUDVÁQGDQ E|\OH ELU GX\JX LOH oÁNDELOGLâLQH J|UH ELU ELOGLâL ROGXâXQX G à QG UW \RU $PD KHU QH ROXU ROVXQ \DSWÁâÁ LOH DGÁQÁ YH HVHULQL |QH DOÁ\RU \DSWÁâÁQÁ VDYXQX\RU EXQX RQXQ DGÁQD VDYXQDQODU GD oÁNÁ\RU <DàDUNHQ KHPHQ KHUNHVLQ LPUHQHFHâL ELU oÁNÁàÁ ELU KDOL |O UNHQ EDàND ELU KDYDVÁ ROX\RU gO LNHQ GH GLUL LNHQ GH RQX KHPHQ WDQÁ\DELOL\RUX] G Q\D\Á DàDQ ELU D]DPHWL YDU NL GLâHU LQVDQODU NHQGLOHULQL RQXQ \DQÁQGD XIDN NÁ\PHWVL] QHEDWL EXOX\RUODU hVWHOLN EX GHQOL G Q\HYLOLâLQ |WH WDUDID JLGLàL EX KDOLQ RUDGDNL NDUàÁODQÁàÁQÁ J QDKD VRNDFDN NDGDU PHUDN HWWLULS G à QG UW \RU =DQDDW LVH EXQXQ WDP ]ÁGGÁ *|U QPH] ROPDQÁQ PHVOHâL 6DQDWoÁQÁQ \DSWÁâÁQÁ WDPDPHQ RQD RQXQ \DàDGÁâÁ \ ]\ÁOD WHNQLâLQH àDUWODUÁQD PDO]HPHVLQH ELUH ELU X\GXUDUDN XâUDGÁâÁ ]DUDUGDQ ]DUDU J|UPHPLàoHVLQH oÁNDUPDN EDàND ELU HOLQ GHâGLâLQL EHOOL HWPHPHN (Q E \ N HJR\X HQ E \ N WHYD]X LOH HULWPHN %X GD ]DQDDWNkUOÁâÁ G Q\HYLOLNWHQ XKUHYLOLâH \DNODàWÁUÁ\RU gP U ER\XQFD \DSÁODQODUÁQ KLo L]LQLQ ROPDPDVÁ DGÁQÁQ ROPDPDVÁ \DSWÁâÁQÁ EHOOL HWPHPHN LàLQ QHWLFHVLQGH VDDWLQ \LQH LON XVWDVÁQÁ \ FHOWL\RU %X JL]OL YHULOHQ ELU VDGDND JLEL VDQNL EDàND ELU \HUOHUGH \LQH J|U QPHGHQ ELULNL\RU YH JL]OL ELU ]HQJLQOLN YHUL\RU =DQDDWNkU J|U Q àWH YDUL\HWVL] DPD KX]XUOX VDNLQ WHODàVÁ] YH ID]OD \HUOHàPHGHQ NDONÁYHUHFHN JLEL \DàÁ\RU

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VGN VDQD @AKD SN ODQENQL SGHR VNQJ @S SGD GHFGDRS KDUDK Artists in general desire to be held in high regard and for their names to be remembered and their work to be exalted to the highest degree. And we countenance this in them in the belief that if one person appears out of thousands with such aspirations he must know something. The Artist promotes his name and his work through what he makes. He defends his work as do others on his behalf. We recognize him HLLDCH@SDKX @KHUD NQ CD@C ADB@TRD GD G@R @ FQD@SMDRR SG@S ADXNMC SG@S NE SGD VNQKC @MC NSGDQR QDF@QC @R SGDLRDKUDR @R O@KSQX @MC HMRHFMHɱB@MS ADRHCD GHL (S @KLNRS SDLOSR NMD to think sinful thoughts about how such worldly pride will AD LDS HM SGD 'DQD@ɵDQ 3GD QSHR@M R INA NM SGD NSGDQ G@MC HR DW@BSKX SGD NOONRHSD SGD OQNEDRRHNM NE ADHMF HMUHRHAKD SGD S@RJ NE QDO@HQHMF SGD C@L@FD SGD QSHRS R VNQJ G@R RTɰDQDC AX @C@OSHMF BNLOKDSDKX SN GHL SN SGD BDMSTQX HM VGHBG GD KHUDC SN GHR SDBGMHPTDR @MC L@SDQH@KR @MC SGD BNMCHSHNMR TMCDQ VGHBG GD VNQJDC QDMCDQHMF SG@S C@L@FD HMUHRHAKD @MC MDUDQ KDSSHMF NM that the work has been touched by another hand. Resurrecting @ RTOQDLD DFN SGQNTFG TSSDQ RDKE Dɰ@BDLDMS MC SGHR HM STQM DKDU@SDR SGD GTLAKD QSHR@M R VNQKCKX @BGHDUDLDMS @KLNRS SN SGD NSGDQ VNQKCKX QD@KL %NQ SGD QSHR@M R BNMBD@KLDMS NE VG@S he has done, his anonymity, and the absence of any trace of his KHED R VNQJ Q@HRD GHL HM SGD DMC SN SGD KDUDK NE SGD BKNBJ R NQHFHM@K L@JDQ +HJD @KLR FHUDM HM RDBQDS HS HR @R HE SGHR @BBTLTK@SDR @F@HM HMUHRHAKX HM NSGDQ OK@BDR DMCNVHMF GHL VHSG @ RDBQDS VD@KSG 3GD QSHR@M G@R MN @OO@QDMS QHBGDR MDUDQSGDKDRR GD KD@CR @ PTHDS SQ@MPTHK DWHRSDMBD EQNL VGHBG GD HR OQDO@QDC @S any moment to depart without regret.

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VPDQOÁ GHYUL 7 UN HGHEL\DWÁQÁQ VRQ E \ N àDLUOHULQGHQ ßH\K *DOLE + VQ $àN DGOÁ HVHULQLQ VRQODUÁQGD àLLUGH WXWWXâX \ROXQ 'LYDQ\ROX JLEL UDKDW ELU FDGGH GHâLO WHKOLNHOHUOH GROX ELU YDGL ROGXâXQX V|\OHU 'HPHN NL $YUXSD àHKLUOHULQL J|U S JHQLà EXOYDUODUÁQD KD\UDQ RODQ -|Q 7 UNOHU©LQ oRN GDU YH NDVYHWOL EXOGXNODUÁ LoLQ NHVLS ELoWLNOHUL 'LYDQ\ROX ;9,,, \ ]\ÁO VRQODUÁQD NDGDU áVWDQEXO©XQ HQ JHQLà FDGGHVL RODUDN NDEXO HGLOL\RUGX áNL WDUDIÁ FDPLOHU PHGUHVHOHU KDQODU KDPDPODU oHàPHOHU VXOWDQ VDUD\ODUÁ HNkELU NRQDNODUÁ YH |QOHULQH KDVÁU LVNHPOHOHU DWÁOPÁà NDKYHOHUOH GRQDWÁOPÁà <HQLoHUL LV\DQODUÁQD oHàLW oHàLW W|UHQOHUH DOD\ G â QOHUH àHQOLNOHUH JHoLW UHVLPOHULQH NÁVDFDVÁ 2VPDQOÁ àHKLU KD\DWÁQÁQ ELQ ELU oHàLW WH]DK U QH àDKLW ROPXà UHQNOL FÁYÁO FÁYÁO ELU FDGGH

he last great poet of late Ottoman 3TQJHRG KHSDQ@STQD ÊDXG &@KHA @S SGD end of his verse narrative entitled ?' RM ËJ !D@TSX @MC +NUD R@XR SG@S the path he has adopted in his poem is, like SGD #HU@MXNKT MNS @ RLNNSG @UDMTD ATS @ U@KKDX EQ@TFGS VHSG C@MFDQ 6HCDMDC Q@SGDQ QTSGKDRRKX AX SGD 8NTMF 3TQJR VGN ENTMC HS M@QQNV @MC FKNNLX @ɀDQ RDDHMF SGD AQN@C RO@BHNTR ANTKDU@QCR NE SGD $TQNOD@M BHSHDR SGD #HU@MXNKT V@R MDUDQSGDKDRR BNLLNMKX @BJMNVKDCFDC SN AD (RS@MATK R VHCDRS @UDMTD TO SN SGD DMC NE SGD SG BDMSTQX +HMDC VHSG LNRPTDR L@CQ@R@R G@MR A@SGR ENTMS@HMR HLODQH@K O@K@BDR L@MRHNMR NE SGD FQD@S @MC BNȻDDGNTRDR VHSG QTRSHB RSNNKR SNRRDC NTS HM EQNMS HS is a colorful, humming thoroughfare that G@R VHSMDRRDC )@MHRR@QX TOQHRHMFR NȾBH@K BDQDLNMHDR NE DUDQX RSQHOD VDCCHMF @MC circumcision feasts, festivals, parades, in RGNQS SGD DMSHQD O@MNOKX NE .SSNL@M KHED

É23 -!4+ 4- " - # , 1( %L]DQV GHYULQGH 0HVH DGÁ YHULOHQ YH $\DVRI\D 0H\GDQÁ©QGDQ EDàOD\ÁS (GLUQHNDSÁ©\D NDGDU X]DQDQ LNL WDUDIÁ ]HUL |UW O V WXQODUOD oHYULOL DQD FDGGH\H 2VPDQOÁ GHYULQGH 'LYDQ\ROX GHQL\RUGX )kWLK GHYULQGHQ LWLEDUHQ 7RSNDSÁ 6DUD\Á©QGD VDOÁ J QOHUL VDEDK QDPD]ÁQGDQ VRQUD WRSODQDQ

3GD AQN@C @UDMTD JMNVM HM SGD !XY@MSHMD ODQHNC @R SGD ,DRD @MC KHMDC VHSG @QB@CDC columns that stretched from Hagia Sophia RPT@QD @KK SGD V@X SN $CHQMDJ@O V@R B@KKDC #HU@MXNKT -@LDC RN ADB@TRD HS V@R SGD QN@C TRDC AX LDLADQR NE SGD GHFG BNTQS #HU@M ' L@XTM VGHBG BNMUDMDC DUDQX 3TDRC@X @S SGD 3NOJ@O /@K@BD @ɀDQ LNQMHMF OQ@XDQ RHMBD SGD QDHFM NE %@SHG HS

#HU@MXNKT 75((( X YX K RNMK@Q M@ J@C@Q ÉRS@MATK TM DM FDMHË B@CCDRH NK@Q@J J@ATK DCHKHXNQCT 3GD #HU@MXNKT V@R BNLLNMKX @BJMNVKDCFDC SN AD (RS@MATK R VHCDRS @UDMTD up to the end of the 18th BDMSTQX

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120 SKYLIFE | KASIM | NOVEMBER 2009

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2009 NOVEMBER | KASIM | SKYLIFE 121

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Türkiye Hazýr Beton Birliði üyeleri ” kriterlerine göre üretim yapýyor.

Deprem kuþaðýnda bulunan ülkemizde güvenli yapýlarýn inþa edilmesi ttemel te em misyonumuz. Standartlara uygun hazýr beton üretimi ve tekniðine uygun, doðru bbeton be ttoo uygulamalarýnýn yaygýnlaþmasý için 20 yýlý aþkýn süredir kararlýlýkla çalýþýyoruz.

www.thbb.org

“Kaliteli Betonun Simgesi” ©

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128 SKYLIFE | KASIM | NOVEMBER 2009

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would live until 1918. Mustafa Kemal would stay here too whenever he came to the city. The Akaretler Row Houses, the ɱQRS L@RR GNTRHMF OQNIDBS HM SGD .SSNL@M $LOHQD G@C ADDM BNLLHRRHNMDC SN @QBGHSDBS 2@QJHR !@KX@M AX 2TKS@M ACÄK@YHY HM %HQRS TRDC @R KHUHMF PT@QSDQR ENQ SGD O@K@BD DTMTBGR the houses were later rented out. Recently restored, they RDQUD @R GNSDKR B@EDR NɳBDR @MC RGNOR SNC@X 3GD GNTRD QDMSDC AX S@SÄQJ LD@MVGHKD HR FNHMF SN AD STQMDC HMSN @ museum in the near future. It was here that Mustafa Kemal /@RG@ LDS SGD 2VHRR KHMFTHRS %DQCHM@MC CD 2@TRRTQD @MC SGDQDENQD HM @ RDMRD GDQD SG@S SGD NQHFHM@K ENTMC@SHNMR VDQD K@HC ENQ SGD 3TQJHRG +@MFT@FD 2NBHDSX SG@S GD VNTKC ENTMC later.

PERA PALAS 101

Akaretler’deki bu tarihi evde, S@S QJ M L@MDUH DUK@C Abdurrahim Tunçak özel bir itina ile büyütüldü.

Atatürk’s adopted son Abdurrahim Tunçak was brought up with special care in this historic house on Akaretler HM !DËHJS@Ë

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132 SKYLIFE | KASIM | NOVEMBER 2009

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134 SKYLIFE | CUSTRUM | % "Ë$#Ë2 2009

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Osman Hamdi Bey -DLQTS J@YÂ&#x2039;K@QÂ&#x2039;MC@ 2@XC@ *Q@K -DJQNONKÂ&#x203A; MCDM Ă&#x2030;RJDMCDQ +@GSH , Â? XÂ&#x203A;YXÂ&#x2039;K .RL@M '@LCH 2HCNM J@YÂ&#x2039;K@QÂ&#x2039; 1887.

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Osman Hamdi at Nemrut excavations KDW@MCDQ R@QBNOG@FTR 1NX@K -DBQNONKHR NE RHCNM SG BDMSTQX BC Osman Hamdi Sidon excavations. 1887.

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ent to Paris to study law in 1860, Osman Hamdiâ&#x20AC;&#x2122;s interest in painting soon took precedence and for a while he tried to learn both subjects. It wasnâ&#x20AC;&#x2122;t long however before he decided to devote himself entirely to painting and enrolled in the Paris Ă&#x2030;cole des Beaux Arts as well as frequenting the private studios, most notably of Jean LĂŠon GĂŠrĂ´me (1824-1904) and Gustave Boulanger, (1824-1888), both prominent artists of the period. In 1869 he returned to Istanbul and entered government service, RDQUHMFÂ&#x201E;@SÂ&#x201E;U@QHNTRÂ&#x201E;KDUDKRÂ&#x201E;TMSHKÂ&#x201E;GDÂ&#x201E;KDÉľÂ&#x201E;SG@SÂ&#x201E;ONRHSHNMÂ&#x201E;AXÂ&#x201E;BGNHBDÂ&#x201E; in 1878 with the idea of devoting more time to his painting. '@UHMFÂ&#x201E;D@QMDCÂ&#x201E;SGDÂ&#x201E;@OOQDBH@SHNMÂ&#x201E;NEÂ&#x201E;GHFGÂ&#x201E;Q@MJHMFÂ&#x201E;NÉłBH@KRÂ&#x201E;CTQHMFÂ&#x201E; the period that he was employed, Osman Hamdi succeeded in getting himself reinstated and in 1881 was appointed director of the Imperial Museum (the Istanbul Archaeological Museums) and in 1882 director of the School of Fine Arts (Mimar Sinan University of the Fine Arts), positions he held until his death in 1910.

Rather than limiting himself to museum management, .RL@MÂ&#x201E;'@LCHÂ&#x201E;OQDEDQQDCÂ&#x201E;SNÂ&#x201E;ADÂ&#x201E;@BSHUDKXÂ&#x201E;HMUNKUDCÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;ÉąDKC Â&#x201E; TMCDQS@JHMFÂ&#x201E;SGDÂ&#x201E;ÉąQRSÂ&#x201E;DWB@U@SHNMÂ&#x201E;DUDQÂ&#x201E;LNTMSDCÂ&#x201E;AXÂ&#x201E;3TQJR Â&#x201E;3GDÂ&#x201E; -DLQTSÂ&#x201E;#@Ă&#x2030;Â&#x2039; Â&#x201E;2HCNMÂ&#x201E; SNC@X RÂ&#x201E;+DA@MNM Â&#x201E;@MCÂ&#x201E;+@FHM@Â&#x201E;DWB@U@SHNMRÂ&#x201E; were all personally directed by him. Before being appointed director of the museum, he is known to have made historical and archaeological studies in the Baghdad region, where he V@RÂ&#x201E;RDMSÂ&#x201E;NMÂ&#x201E;GHRÂ&#x201E;ÉąQRSÂ&#x201E;NÉłBH@KÂ&#x201E;LHRRHNMÂ&#x201E;@MCÂ&#x201E;SNÂ&#x201E;G@UDÂ&#x201E;RDMSÂ&#x201E;RNLDÂ&#x201E; artifacts back to Istanbul.

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$7" 5 3(.-2 First discovered by Germans in 1881, the Nemrut Mound @KRNÂ&#x201E;@SSQ@BSDCÂ&#x201E;SGDÂ&#x201E;@SSDMSHNMÂ&#x201E;NEÂ&#x201E;GHFGÂ&#x201E;Q@MJHMFÂ&#x201E;.SSNL@MÂ&#x201E;NÉłBH@KR Â&#x201E; Osman Hamdi Bey and the sculptur Osgan Efendi, a faculty member at the School of Fine Arts, were appointed in 1883 to HMUDRSHF@SDÂ&#x201E;SGDÂ&#x201E;@QD@ Â&#x201E;3GDÂ&#x201E;ÉąMCRÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;O@QSH@KÂ&#x201E;DWB@U@SHNMÂ&#x201E;SGDXÂ&#x201E; carried out there were published in the form of a book in the light of the results of the earlier research. This publication HMÂ&#x201E;%QDMBG Â&#x201E;@Â&#x201E;UDQXÂ&#x201E;RHFMHÉąB@MSÂ&#x201E;ANNJÂ&#x201E;ENQÂ&#x201E; Â&#x201E;HMBKTCDCÂ&#x201E;MNSÂ&#x201E; only inscriptions but also scale drawings of reliefs and photographs taken that year.

Osman Hamdi Bey carried out the Sidon excavation in 1887, uncovering close to twenty extremely valuable sarcophagi in the process. The most famous ones, the Alexander, the Weeping Women, the Satrap and the Lycian Sarcophagi, are part of the Istanbul Archaeological Museums collection today. +DCÂ&#x201E;AXÂ&#x201E;/QNE Â&#x201E;#Q Â&#x201E; GLDSÂ&#x201E;3Â&#x2039;QO@MÂ&#x201E;NEÂ&#x201E;2DKyTJÂ&#x201E;4MHUDQRHSXÂ&#x201E;SNC@X Â&#x201E; the Lagina excavations were initially undertaken by Osman Hamdi Bey in 1891-92. Once again, he added the sculptures and reliefs he personally found there over the course of two years to the Istanbul Archaeological Museums collection.

When the number of artifacts brought to light in the excavations carried out by Osman Hamdi Bey and his @RRNBH@SDRÂ&#x201E;OQNKHEDQ@SDCÂ&#x201E;RHFMHÉąB@MSKX Â&#x201E;SGDÂ&#x201E;MDDCÂ&#x201E;@QNRDÂ&#x201E;ENQÂ&#x201E;@Â&#x201E; larger and more substantial museum building. Finding the QDPTHRHSDÂ&#x201E;A@BJHMF Â&#x201E;.RL@MÂ&#x201E;'@LCHÂ&#x201E;!DXÂ&#x201E;NODMDCÂ&#x201E;SGDÂ&#x201E;ÉąQRSÂ&#x201E;RDBSHNMÂ&#x201E; of the Istanbul Archaeological Museums to visitors in 1899, the second section in 1903 and the third section in 1907.

Beginning in 1840, foreigners were granted permission to engage in excavations on the Ottoman lands. However, in the absence of a clear regulation governing ancient artifacts, SGDÂ&#x201E;ÉąMCRÂ&#x201E;TMBNUDQDCÂ&#x201E;Q@OHCKXÂ&#x201E;CHR@OOD@QDCÂ&#x201E;NTSÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;BNTMSQX Â&#x201E; Osman Hamdi Beyâ&#x20AC;&#x2122;s most notable contribution therefore @ÉľDQÂ&#x201E;ADHMFÂ&#x201E;AQNTFGSÂ&#x201E;SNÂ&#x201E;SGDÂ&#x201E;LTRDTLÂ&#x201E;CHQDBSNQRGHOÂ&#x201E;V@RÂ&#x201E;SNÂ&#x201E;G@UDÂ&#x201E; new provisions added to the 1874 â&#x20AC;&#x2DC;Regulation Governing Ancient Artifactsâ&#x20AC;&#x2122; strictly prohibiting their removal outside the country. Â&#x201E;XD@QÂ&#x201E;@ÉľDQÂ&#x201E;.RL@MÂ&#x201E;'@LCHÂ&#x201E;!DXÂ&#x201E;V@RÂ&#x201E;@OONHMSDCÂ&#x201E;GD@CÂ&#x201E; of the Imperial Museum in 1881, he was also appointed Director of the School of Fine Arts in 1882. While dealing VHSGÂ&#x201E;DWB@U@SHNMRÂ&#x201E;@MCÂ&#x201E;LTRDTLÂ&#x201E;@É°@HQRÂ&#x201E;NMÂ&#x201E;SGDÂ&#x201E;NMDÂ&#x201E;G@MC Â&#x201E;NMÂ&#x201E; the other he set up the Imperial School of the Fine Arts and selected the teachers to give instruction there. Designing the building that serves today as the Istanbul Archaeological

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Museumâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Ancient Oriental Monuments Buildingâ&#x20AC;&#x2122; together with the architect Vallaury, another Fine Arts School teacher, he opened it for instruction in 1883.

/ (-3$1 .2, - ' ,#( Continuing to paint at every opportunity, Osman Hamdi Bey never neglected his painting, either while dealing with FNUDQMLDMSÂ&#x201E;@É°@HQRÂ&#x201E;NQÂ&#x201E;VGHKDÂ&#x201E;B@QQXHMFÂ&#x201E;NTSÂ&#x201E;GHRÂ&#x201E;@QBG@DNKNFHB@KÂ&#x201E; and museological studies. Regarded as one of the most successful painters, in view especially of the conditions of Turkish painting at the time, Osman Hamdi produced close to Â&#x201E;B@MU@RDRÂ&#x201E;SG@SÂ&#x201E;RSHKKÂ&#x201E;RTQUHUDÂ&#x201E;SNC@X Â&#x201E;@LNMFÂ&#x201E;SGDLÂ&#x201E;3GDÂ&#x201E;"NÉ°DDÂ&#x201E; Hearth, The Mausoleum of Sultan Selim II, Veiled Women at SGDÂ&#x201E;#NNQÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;,NRPTD Â&#x201E;/Q@XDQÂ&#x201E;@SÂ&#x201E;SGDÂ&#x201E;&QDDMÂ&#x201E;3NLA Â&#x201E; ÉľDQÂ&#x201E;SGDÂ&#x201E; Breaking the Fast, The Sultan Leaving the Mosque, Women on an Excursion, The Green Mosque at Bursa, The Prayer Niche, The Water of Life Fountain, In Front of the RĂźstem Pasha Mosque, The Tortoise Trainer, Woman with Mimosa.

3NFDSGDQÂ&#x201E;VHSGÂ&#x201E;Ă&#x2039;DJDQÂ&#x201E; GLDCÂ&#x201E;/@RG@Â&#x201E;@MCÂ&#x201E;2Ă&#x201E;KDXL@MÂ&#x201E;2DXXHC Â&#x201E; who were also trained with him in Paris during the same period, Osman Hamdi Bey is included in the group known as the â&#x20AC;&#x2DC;classicsâ&#x20AC;&#x2122; of the Art of Turkish Painting. But Osman '@LCH RÂ&#x201E;RSXKDÂ&#x201E;@MCÂ&#x201E;VNQJHMFÂ&#x201E;SDBGMHPTDÂ&#x201E;CHÉ°DQÂ&#x201E;EQNLÂ&#x201E;SG@SÂ&#x201E;NEÂ&#x201E;GHRÂ&#x201E; BNMSDLONQ@QHDR Â&#x201E;3GDÂ&#x201E;HMɲTDMBDÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E;SD@BGDQR Â&#x201E;NEÂ&#x201E;&zQžLDÂ&#x201E; in particular, who produced works in the Orientalist style is clearly evident in Osman Hamdiâ&#x20AC;&#x2122;s paintings, which stylistically have a lot in common with the Orientalists.

"NLONRHSHNMRÂ&#x201E;HMUNKUHMFÂ&#x201E;GTL@MÂ&#x201E;ÉąFTQDR Â&#x201E;DRODBH@KKXÂ&#x201E; K@QFD RB@KDÂ&#x201E;ÉąFTQDR Â&#x201E;@QDÂ&#x201E;NARDQUDCÂ&#x201E;HMÂ&#x201E;3TQJHRGÂ&#x201E;O@HMSHMFÂ&#x201E;ENQÂ&#x201E;SGDÂ&#x201E; ÉąQRSÂ&#x201E;SHLDÂ&#x201E;HMÂ&#x201E;.RL@MÂ&#x201E;'@LCHÂ&#x201E;!DX Â&#x201E;3GDQDÂ&#x201E;@QDÂ&#x201E;@KV@XRÂ&#x201E;NMDÂ&#x201E;NQÂ&#x201E; LNQDÂ&#x201E;ÉąFTQDRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;@QBGHSDBSTQ@KÂ&#x201E;RBDMDRÂ&#x201E;GDÂ&#x201E;CDOHBSR Â&#x201E;'@UHMFÂ&#x201E; acquired documentary value today for their successful depiction of the monuments of Turkish art, Osman Hamdiâ&#x20AC;&#x2122;s paintings, even though they are occasionally criticized for SGDHQÂ&#x201E;TRDÂ&#x201E;NEÂ&#x201E;ÉąFTQDR Â&#x201E;NBBTOXÂ&#x201E;@Â&#x201E;UDQXÂ&#x201E;HLONQS@MSÂ&#x201E;OK@BDÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E; history of Turkish painting.

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10/25/09 4:40 PM

Continental2009_MCR1_EN.pdf

1

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Continental Airlines has joined Star Alliance Giving you better access to New York and beyond I should know, we do business there.

Iâ&#x20AC;&#x2122;ve earned it.

Christine Reischl, Senior Vi ce President & General Manager, Industry Standard Servers, Hewlett Packard and Star Alliance Gold Status

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Ă&#x2030;MR@MNĂ&#x2C6;KT FDKHĂ&#x2039;SHQCHĂ&#x2C6;H HKJ LDJ@MHJ BHG@YK@QC@ DKKDQHMH UD @X@JK@QÂ&#x2039;MÂ&#x2039; JTKK@M@Q@J L@JHMDKDQD XÂ&#x2DC;M UDQCH 9@L@MK@ L@JHMDKDQ NSNL@SK@Q@ NSNL@SK@Q DKDJSQNLDJ@MHJKDQD UD MHG@XDSHMCD CHIHS@K BHG@YK@Q@ CÂ&#x2DC;MÂ&#x203A;Ă&#x2039;SÂ&#x203A; #Â&#x203A;Ă&#x2039;Â&#x203A;MBD FÂ&#x203A;BÂ&#x203A; HKD JNMSQNKÂ&#x203A;M HRD GDLDM JÂ&#x2039;XÂ&#x2039;RÂ&#x2039;MC@XÂ&#x2039;Yj The first machines were mechanical devices man developed and operated with his hands and feet.

Over time, machines were supplanted by automated devices, which in turn were superseded by electromagnetically operated devices, until the transition eventually to the digital world. We stand now on the brink of devices that can be controlled purely by thought.

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as the father of the typewriter, which ushered in a new era in manâ&#x20AC;&#x2122;s dance with paper, it was only in the 1870â&#x20AC;&#x2122;s that a writing machine in the true sense of the word entered our lives. But the mechanical clack of the typewriter, which was O@QSÂ&#x201E;@MCÂ&#x201E;O@QBDKÂ&#x201E;NEÂ&#x201E;NÉłBDÂ&#x201E;@MCÂ&#x201E;@B@CDLHBÂ&#x201E;KHEDÂ&#x201E;TOÂ&#x201E;SNÂ&#x201E;SGDÂ&#x201E;DMCÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E; 1980â&#x20AC;&#x2122;s, is no more than a dusty memory today.

HISTORY OF THE KEYBOARD The basic interface of human interaction via digital devices large and small today, the keyboard came into being in the 1930â&#x20AC;&#x2122;s with telegraph machines that could be hooked up to typewriter systems via electricity cables thereby making it possible for texts to be sent as electrical signals. But the L@BGHMDÂ&#x201E;SG@SÂ&#x201E;NÉ°DQDCÂ&#x201E;TRÂ&#x201E;C@S@Â&#x201E;NMÂ&#x201E;@Â&#x201E;RBQDDMÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;SQTDÂ&#x201E;RDMRDÂ&#x201E;NEÂ&#x201E; the word, data entered on a keyboard, was a system called Multics, a 1964 joint production by MIT, Bell Laboratories and General Electric.

Gathering momentum at the end of the seventies and continuing to develop with mind-boggling speed right up to our day, the human-computer interaction has undergone major changes due to innovative approaches in the last ten years especially. Thanks to â&#x20AC;&#x2DC;touchscreensâ&#x20AC;&#x2122;, data could be entered with a special pencil on devices known as PDAâ&#x20AC;&#x2122;s (Personal Digital Assistant) at a time when mobile phones VDQDÂ&#x201E;MNSÂ&#x201E;XDSÂ&#x201E;VHCDROQD@C Â&#x201E; MCÂ&#x201E;NMÂ&#x201E;CDUHBDRÂ&#x201E;OQNCTBDCÂ&#x201E;AXÂ&#x201E;ÉąQLRÂ&#x201E; KHJDÂ&#x201E;/@KL Â&#x201E;KDSSDQRÂ&#x201E;@MCÂ&#x201E;MTLADQRÂ&#x201E;VDQDÂ&#x201E;CDRHFM@SDCÂ&#x201E;AXÂ&#x201E;RHLOKHÉąDCÂ&#x201E; signs to facilitate writing. During the process of mobile phone CDUDKNOLDMS Â&#x201E;@RÂ&#x201E;/# RÂ&#x201E;ÉąQRSÂ&#x201E;ADF@MÂ&#x201E;S@JHMFÂ&#x201E;NMÂ&#x201E;SGDÂ&#x201E;ED@STQDRÂ&#x201E; of the telephone, changing trends eventually transformed mobile phones into PDAâ&#x20AC;&#x2122;s themselves.

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TOUCHSCREEN MONITORS HIT THE SCENE #NJTML@SHJ BHG@YK@QÂ&#x2039;M JTKK@MÂ&#x2039;L The ever more diminutive dimensions of mobile devices JNK@XKÂ&#x2039;Ă&#x2C6;Â&#x2039; R@Ă&#x2C6;K@X@M @Q@XÂ&#x203A;YKDQH coupled with consumer demand for ever wider screens GDQ FDzDM FÂ&#x203A;M AHQ@Y C@G@ led producers to eliminate physical keyboards altogether FDKHĂ&#x2039;HXNQ 3GD HMSDQE@BDR SG@S D@RD SGD TRD NE SNTBGRBQDDM F@CFDSR @QD CDUDKNOHMF @ KHSSKD LNQD D@BG C@X

EQNLÂ&#x201E;SGDÂ&#x201E;KHLHSDCÂ&#x201E;VNQJÂ&#x201E;@QD@Â&#x201E;@MCÂ&#x201E;NÉ°DQÂ&#x201E;SNTBGRBQDDMÂ&#x201E;OQNCTBSRÂ&#x201E; HMRSD@C Â&#x201E; OOKDÂ&#x201E;RNKCÂ&#x201E;RNLDÂ&#x201E; Â&#x201E;CDUHBDRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;ÉąQRSÂ&#x201E;VDDJÂ&#x201E; of June 2007 when they introduced their iPhone to the market. And the underlying secret of the successful products marketed by manufacturers like Nokia, Samsung and BlackBerry lies without a doubt in the way they combine the digital environment with the human pleasure in touching.

What the process of technological development has shown us is that just as the once popular typewriters were abandoned for keyboards, so are keyboards going to give way to touchscreens in the not-so-distant future.

INTO THE FUTURE Mobile phones today can read our touch, and not only our touch, they can also identify the speed and orientation of our hand and arm movements and produce reactions.

While game consoles like Nintendo Wii bring excitement and new experience to the world of entertainment with a RHLOKDÂ&#x201E;INXRSHBJ Â&#x201E;SGDÂ&#x201E;BNMBDOSÂ&#x201E;OQNCTBSRÂ&#x201E;OQNLNSDCÂ&#x201E;AXÂ&#x201E;ÉąQLRÂ&#x201E;KHJDÂ&#x201E; ,HBQNRNÉľÂ&#x201E;@MCÂ&#x201E;2NMXÂ&#x201E;B@MÂ&#x201E;ODQBDHUDÂ&#x201E;GTL@MÂ&#x201E;LNUDLDMSRÂ&#x201E;VHSGNTSÂ&#x201E; using any control device whatsoever and convert them into commands. Research done in the universities is enabling man to takes steps towards eventually transforming human thought power itself into commands.

There is no doubt that man is a unique creature who sets himself goals, works to achieve those goals and succeeds.

The speed with which we can transform our dreams into reality is increasing a little more each day. To give physical shape to our thoughts and dreams and be able to touch SGDLÂ&#x201E;HRÂ&#x201E;RNLDSGHMFÂ&#x201E;NTQÂ&#x201E;BGHKCQDMÂ&#x201E;CDÉąMHSDKX Â&#x201E;@MCÂ&#x201E;ODQG@ORÂ&#x201E; Â&#x201E;VGNÂ&#x201E; knows? - even we ourselves, will experience. Whoâ&#x20AC;&#x2122;s to say whether our next goal will not be to turn what we touch into thoughts and send them out beyond the stars?

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Winter cuisine occupies a special place in Turkey, a country that experiences all four seasons. As we prepare for winter, an appetizing job awaits us preparing this rich cuisine, which brings together the vegetables that grow in winter.

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utritional habits and ways of life inevitably vary from season to season in lands that experience BKD@QÂ&#x201E;RD@RNM@KÂ&#x201E;CHÉ°DQDMBDR Â&#x201E;3TQJDXÂ&#x201E;HRÂ&#x201E; one of those countries in which all the seasons are experienced to the full.

Following autumn, nature embarks on a period of self-renewal that lasts all winter. But winter is never as exciting as summer. For while parties are thrown in the urban setting to welcome and bid farewell to summer, no such RNBH@KÂ&#x201E;QDɲDWÂ&#x201E;G@RÂ&#x201E;CDUDKNODCÂ&#x201E;SNÂ&#x201E;L@QJÂ&#x201E;SGDÂ&#x201E; RS@QSÂ&#x201E;@MCÂ&#x201E;ÉąMHRGÂ&#x201E;NEÂ&#x201E;VHMSDQ Â&#x201E;/QDO@Q@SHNMRÂ&#x201E; for winter are limited to getting our clothes, houses and cars ready for the onslaught of cold weather.

Thanks to advances in technology and the industrial production of food, nutritional needs are now met monotonously by the same foods throughout the year. Because urban CVDKKDQRÂ&#x201E;NÉľDMÂ&#x201E;E@HKÂ&#x201E;SNÂ&#x201E;@C@OSÂ&#x201E;SGDHQÂ&#x201E; nutritional models to the season, they may face â&#x20AC;&#x2DC;tiredness syndromeâ&#x20AC;&#x2122; during transitions from season to season.

Not only that but uniform nutritional systems are unfortunately causing the loss of the traditional recipes that developed over thousands of years.

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â&#x20AC;&#x2DC;Spring tiredness syndromeâ&#x20AC;&#x2122; was never mentioned by our ancestors who lived well-integrated with nature decades ago, which only goes to show SGDÂ&#x201E;ADMDÉąSRÂ&#x201E;NEÂ&#x201E;SGDÂ&#x201E; M@SNKH@MÂ&#x201E;KHEDRSXKD Â&#x201E; For Anatolia over the millennia has developed its living habits in the light of nature. The people of Anatolia,

who begin their preparations for VHMSDQÂ&#x201E;@KQD@CXÂ&#x201E;HMÂ&#x201E;,@XÂ&#x201E;@MCÂ&#x201E;)TMD Â&#x201E; continue right through the end of .BSNADQÂ&#x201E;VHSGÂ&#x201E;SGDÂ&#x201E;BNKKDBSHNMÂ&#x201E;ÉąQRSÂ&#x201E;NEÂ&#x201E; ÉąQDVNNCÂ&#x201E;@MCÂ&#x201E;SGDMÂ&#x201E;SGDÂ&#x201E;OQDO@Q@SHNMÂ&#x201E; of food. The matchless products FQNVMÂ&#x201E;EQNLÂ&#x201E;,@XÂ&#x201E;SNÂ&#x201E;.BSNADQÂ&#x201E;@QDÂ&#x201E; preserved naturally and without additives by methods such as drying, salting, smoking, pickling, and canning and used all winter KNMF Â&#x201E;$UDMÂ&#x201E;SGDÂ&#x201E;BNMS@HMDQRÂ&#x201E;ENQÂ&#x201E; these foods which grace the table through the long winter months QDPTHQDÂ&#x201E;RODBH@KÂ&#x201E;B@QDÂ&#x201E;ADENQDÂ&#x201E;ÉąMCHMFÂ&#x201E; their place in the cellar, which is opened and closed each time with the invocation of Allahâ&#x20AC;&#x2122;s blessing. The rich popular culture and dialogues that have grown up around these preparations, known as â&#x20AC;&#x2DC;the winter provisionsâ&#x20AC;&#x2122;, are of DMBXBKNODCHBÂ&#x201E;OQNONQSHNMR Â&#x201E;/QDO@QDCÂ&#x201E; by the people of Anatolia, who are closely acquainted with the spirit of nature, these foods combine the fruits and vegetables unique to winter, transforming its cold, dark C@XRÂ&#x201E;HMSNÂ&#x201E;UHAQ@MS Â&#x201E;V@QL Â&#x201E;KHFGS ÉąKKDCÂ&#x201E; environments. â&#x20AC;&#x2DC;Spring tiredness syndromeâ&#x20AC;&#x2122; has no place in the vocabulary of people whose lives center around nature.

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KIZILCIK TARHANA ÇORBASI Malzemeler: Ϳ RT A@QC@É J Y KB J S@QG@M@R XDLDJ J@Ì É SDQDX@É RT A@QC@É RT UDX@ DS RTXT XDLDJ J@Ì É STY y@X J@Ì É J@Q@AHADQ Ϳ y@X J@Ì É SNY J QL Y AHADQ @CDS HMBD CNÉQ@ML Ì JTQT RNÉ@M CHÌ DYHKLHÌ R@Q LR@J

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CRANBERRY TARHANA SOUP Ingredients: BTO BQ@MADQQX S@QG@M@ @ANUD SRO ATSSDQ BTOR V@SDQ NQ LD@S RSNBJ SRO R@KS SRO AK@BJ ODOODQ SRO FQNTMC QDC ODOODQ "@XDMMD NMHNM BGNOODC ɱMD BKNUDR F@QKHB BQTRGDC

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156 SKYLIFE | KASIM | -.5$,!$1 2009

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THY HABER TURKISH AIRLINES NEWS THY ASIANA HAVA TURKISH AIRLINES 9/,,!2)Â&#x20AC;Â&#x153;,%Â&#x20AC;/24!+Â&#x20AC; OFFERING JOINT 9/,#5Â&#x20AC;4!Â?)9!#!+ FLIGHTS WITH ASIANA AIRLINES

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Turkish Airlines has signed a Code Share agreement with Asiana Airlines. Under the agreement, which went into effect on 25 October, Turkish Airlines will be able to offer connecting flights to 119 international destinations in Turkey, Europe, North America, South America, Russia, Central Asia and the Middle East.

Passengers departing from Istanbul will also have access to 82 of Asianaâ&#x20AC;&#x2122;s popular international destinations, among them South Korea, Japan, China and Southeast Asia.

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Turkish Airlines started flying to Isparta on 28 October. The Istanbul-Isparta-Istanbul flights are three days a week, departing from Istanbul at 10:45 p.m. and from Isparta at 6:10 a.m.

One-way fares on the Isparta flights originating from Istanbul start from TL 79, everything included.

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To meet rising passenger demand, Turkish Airlines has introduced daily round-trip Ankara-IzmirAnkara flights in addition to its already existing Ankara-IzmirAnkara flights on AnadoluJet. Our passengers can now fly Ankara-Izmir every day departing at 8:30 PM. and Izmir-Ankara departing at 8 AM.

158 SKYLIFE | KASIM | NOVEMBER 2009

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Implementing its winter timetable on 25 October, Turkish Airlines has included international flights originating from Istanbulโ s Sabiha Gรถkรงen Airport. With flights to London, Moscow, Amsterdam, Cologne, Berlin, Stuttgart and Hannover, Turkish Airlines this winter has also added two flights a day from Sabiha Gรถkรงen to Adana to its regular domestic flights to Ankara, Izmir and Antalya. Parallel with the expansion of its long-haul fleet, Turkish Airlines is planning to continue on its winter timetable the flights to Chicago, Seoul, Singapore, Jakarta, Johannesburg-Capetown, and Lagos that were already added to its 2009 summer timetable.

In addition to the flights made by its subsidiary AnadoluJet, Turkish Airlines is also going to offer Ankara-Izmir flights under its own brand name.

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Trophies and monetary awards found their recipients at the Archery World Cup Final, held in Copenhagen on 26 September. A scene of fierce competition, the finals also drew attention to Nyhaven in the city center where they took place. The worldโ s top archers competed and broke records under the logo of the sportโ s global sponsor, Turkish Airlines, in the finals, which were broadcast on world television and followed by the press and visual media as well as the Danish royal family and all high-ranking officials including the mayor and government ministers.

2009 NOVEMBER | * 2(, | SKYLIFE 159

thy_haber.indd 3

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Turkish Airlines recently came together in Istanbul with CEOâ&#x20AC;&#x2122;s of large and medium-sized German companies to discuss corporate travel trends at its â&#x20AC;&#x2DC;Next in Corporate Travel 2009â&#x20AC;&#x2122; Conferences, the first of which was held 9-11 October, the second 23-25 October. Turkish Airlinesâ&#x20AC;&#x2122; invited guest at the Istanbul conference, European Aviation Club President Prof. Dr. Rigas Doganis gave a presentation on the solutions companies are producing for the current rise in travel costs. The event is slated to continue in the years ahead to brief different target groups on the trends.

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TURKISH AIRLINES REMEMBERS FERID ALNAR

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Turkish Airlines has produced an album in memory of composer Hasan Ferid Alnar, a great master of innovation and modernism, and crowned the project with a concert.

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TRTâ&#x20AC;&#x2122;s Tourism and Documentary Channel, which will be the definitive answer for Turkish documentary enthusiasts as well foreigners with four different language broadcasts, officially opened with a ceremony that took place on October 17 at the Izmir Adnan Saygun Center for the Arts. Attended by Turkish State and #DOTSXÂ&#x201E;/QHLDÂ&#x201E;,HMHRSDQÂ&#x201E;!Ă&#x201E;KDMSÂ&#x201E; QÂ&#x2039;MyÂ&#x201E;@MCÂ&#x201E;AXÂ&#x201E;$QSTĂ&#x2030;QTKÂ&#x201E;&Ă&#x201E;M@X Â&#x201E;,HMHRSDQÂ&#x201E; of Culture and Tourism, the event was colorfully hosted by uniquely costumed presenters of the new channelâ&#x20AC;&#x2122;s upcoming French, German, English, Russian and Turkish morning programs.

2009 NOVEMBER | KASIM | SKYLIFE 161

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INFO 167

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169

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185

Halit Ergenç accompanies Haluk Bilginer in #DUQHL Q@A@K@Q

7+<·QLQ N×ú WDULIHVLQGHNL W P GHVWLQDV\RQODU YH XoXú GHWD\ODU׫ All the destination and ɲHFGS CDS@HKR ENQ Turkish Airlines’ winter schedule…

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Star Parade Schedule page 165

ÖNCE BULMACAYI BULUN, SONRA BULMACALARI !TKL@B@ DJHLHYH JNKSTJ F Y MCD ATK@L@C XR@M Y @XC@ HJH JDY XDMHKDMDM UD RDJHY R@XE@X@ z J@M DJHLHYH J@AHM F QDUKHRHMCDM HRSDXHMHY

PUZZLES: FIND THEM TO SOLVE THEM If you couldn’t spot our puzzle suplement in your seat pocket, please request our puzzle booklet from cabin crew. The supplement has reached eight pages in lenght and is renewed twice a month

2009 NOVEMBER | KASIM | SKYLIFE 163

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Ă&#x2013;NE Ă&#x2021;IKANLAR UP FRONT

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STOP THE CLOCK

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Imagine your current self constantly visiting your future self, or receiving news from what lies ahead while you are still in the â&#x20AC;&#x2DC;nowâ&#x20AC;&#x2122;â&#x20AC;Ś Adapted from Audrey Niffeneggerâ&#x20AC;&#x2122;s science fiction novel of the same name, â&#x20AC;&#x2DC;The Time Travelerâ&#x20AC;&#x2122;s Wifeâ&#x20AC;&#x2122; is all about visitation across boundaries. Our main character Henry, played by Eric Bana, is able to travel between the past and the future. His wife Clare is portrayed by Rachel McAdams of â&#x20AC;&#x2DC;The Notebookâ&#x20AC;&#x2122; fame. Directed by Robert Schwentke, â&#x20AC;&#x2DC;The Time Travelerâ&#x20AC;&#x2122;s Wifeâ&#x20AC;&#x2122; will be on Turkish Airlines screens at the same time as its cinema release.

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3(/ #.- 3 +$3 8.41 +4&& &$ 6$(&' .- 8.4j Have you heard that the free luggage allowance differs according to your flight and ticket? How about the dimensions and weight of your cabin baggage?

Did you know that you can follow your baggage in case of loss or damage? For full details on your luggage please refer to page 168.

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164 SKYLIFE | KASIM | NOVEMBER 2009

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6$ ' 5$ 2$+$"3$# %.1 8.4 STAR PARADE Another service we offer our passengers, for them to enjoy their time to the fullest during their journey, are the music channels. With them you have access to almost any popular singer or track of any kind of music. In order to be able to give you an idea about our well-stocked music channels, we have prepared a selection for you.

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)NG@MM /@BGDKADK Canon In D

*HC "TCH Day â&#x20AC;&#x2DC;Nâ&#x20AC;&#x2122; Nite

!

3QHAD Sensual

/HMJ Please Donâ&#x20AC;&#x2122;t Leave Me

5@QFN The Moment

5@TFG@M 6HKKH@LR Greensleeves

!DXNMBD Halo

9DQN Destiny

#DS@XKÂ&#x2039; AHKFH R@XE@ More info: page 156

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GET THE LATEST NEWS You can reach all the flight information details from the AVOD system. World news are updated hourly.

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We also didnâ&#x20AC;&#x2122;t forget about our vegetarian guests among our rich menus. Vegetarian meals, not including any food of animal byproducts, are being prepared with daily products and all plant derived foods.

Additionally, Hindu meals based on Jain customs are offered in our menu.

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For more details about the special courses please refer to page 158.

!KTD 2SNMD Dreamcatcher

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2009 NOVEMBER | KASIM | SKYLIFE 165

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WHAT IS AVOD?

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The digital AVOD (Audio Video On Demand) in-cabin entertainment system is in use on long haul routes served by our extended range aircrafts. Programs of the AVOD system fall into three categories:

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Q@CXN J@M@KK@QÂ&#x2039; g .XTM *@M@KÂ&#x2039; !HQDXRDK X@ C@ zNJKT NXTMBTKT g Â&#x2021;NBTJ *@M@KÂ&#x2039; g 2DRKH *HS@O *@M@KÂ&#x2039;

Â&#x20AC;Â&#x20AC;Â&#x153;,%4Â&#x153;Â?Â&#x153;*Â&#x2039;R@ LDR@I[DKDJSQNMHJ ONRS@ FÂ&#x2DC;MCDQLD[@KL@ g 'DQ AHQ JÂ&#x2039;R@ LDR@I UD[UDX@ DKDJSQNMHJ ONRS@ 42# HKD Â&#x203A;BQDSKDMCHQHKHQ g &DzDQKH NK@M AHQ JQDCH J@QSÂ&#x2039;MÂ&#x2039;YÂ&#x2039; SDKDENMTM X@M XÂ&#x203A;YÂ&#x203A;MCDM FDzHQHO NJTS@Q@J JÂ&#x2039;R@ LDR@I[DKDJSQNMHJ ONRS@ FÂ&#x2DC;MCDQDAHKHQ X@ C@ @K@AHKHQRHMHY g Ă&#x2030;MHĂ&#x2039; DRM@RÂ&#x2039;MC@ SDJMHJ RDADOKDQ MDCDMHXKD FÂ&#x2DC;MCDQHKDLDXDM LDR@I HzHM Â&#x203A;BQDS @KÂ&#x2039;ML@X@B@JSÂ&#x2039;Q g *Â&#x2039;R@ LDR@IÂ&#x2039;MÂ&#x2039;YÂ&#x2039; UDX@ $KDJSQNMHJ ONRS@MÂ&#x2039;YÂ&#x2039; FÂ&#x2DC;MCDQHKDM @CQDRD TK@Ă&#x2039;SÂ&#x2039;QL@ F@Q@MSHRH UDQHKDLDLDJSDCHQ g .M +HMD '@ADQ 8@XÂ&#x2039;MÂ&#x2039; g $JNMNLH ,@F@YHM EHM@MR G@U@ CTQTLT UR HzDQHJKH CÂ&#x203A;MX@ G@ADQKDQH SDWS G@KHMCD XNKBTK@QÂ&#x2039;LÂ&#x2039;Y@ RTMTKTQ g '@U@ CTQTLT G@ADQKDQH R@@SSD AHQ CHĂ&#x2C6;DQ G@ADQKDQ R@@S A@Ă&#x2039;Â&#x2039; XDMHKDMHQ

INFORMATION Fleet~g~Cargo~g~Turkish Airlinesâ&#x20AC;&#x2122; Frequent Flyer Program v Destinations Guide~g~Informative Guide to Turkey g~Map~g~Flight Map~g~Advanced Ixplore: World Map can be followed in Globe, Satellite, Day|Night, Night, Fllow Plane, Pilotâ&#x20AC;&#x2122;s view, Time Zone, Flight Info view alternatives. All maps can be zoomed.~g~Flight Camera: All passengers can watch take off and landing on two cameras mounted in the front and back of the plane. g~Connecting to Gate: Passengers can follow their connecting flightsâ&#x20AC;&#x2122; time, gate number, delay info etc. from this channel, at the moment just from Istanbul Airport.

ENTERTAINMENT Film channel~g~Short films channel (series, documentaries and cartoons)~g~Music (a 250CD album + radio stations)~g~Game Channel (for single or multiple players)~g~Childrenâ&#x20AC;&#x2122;s Channel g~Audio Books.

COMMUNICATION Send and receive SMS|email ~g~Each SMS and|or E-mail fee is 1.60 USD ~g~All our passengers are able to send and receive SMS and E-mail by swiping a valid credit card to the system and approve charging amount of 1.60 USD both for to send and receive. ~g~You will not be charged for unsent messages. ~g~ We cannot guarantee delivery of email and sms messages. ~g~+HUDÂ&#x201E;3DWSÂ&#x201E;-DVRÂ&#x201E;gÂ&#x201E;6NQKCÂ&#x201E; news such as Economy, Financial, Magazine, Weather etc. are presented in Live Text News Channel ~g~Weather news are renewed in every 4 hours, the other news are renewed every hour.

166 SKYLIFE | KASIM | NOVEMBER 2009

163_192skyinfo_SL1109.indd 166

10/26/09 9:33 PM

%É+, MOVIE (!2$7)2%$

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In a dystopian future, the sole survivor of a car accident is fitted with an experimental brain implant. Although the chip keeps him alive, it comes with a price: his memory is gone and he sees embedded advertising in real life.

QKDM %@ADQ AHQ MDRKHM L@MDUH X@Ë@MS R M DSJHKDXDM b!DM UD 3@MQ h JHS@A M M X@Y@Q C Q QKDM HM X@Ë@L X@KM Y AHQ @MMD NK@M $KHY@ADSG UD G@X@S M @MK@L M @Q@X@M FDMz *QHR HKD JDRHËHQ HJHRH CD X@M SK@Q QKDM CDM ÈQDMLDJ HRSDQ Arlen Faber is the author of “Me and God”, a book that has redefined spirituality for a whole generation. Arlen’s life collides with Elizabeth, a single mum, and Kris, a young man searching for meaning, who both hope that Arlen has the answers.

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.XTMBTK@Q | Cast 2G@GQTJG *G@M MTRGJ@ 2G@QL@ 5HM@X /@SG@J 2GNM@KH -@FQ@MH 8 MDSLDM [ Director: CHSX@ "GNOQ@ ÉXH J@KOKH C Q RS AHQ @C@L NK@M 2TQHMCDQ 2@GMH S@L Y CC NK@M AHQ J@C MK@ F RSDQHËKH UD G@X@S CNKT 3@@MH HKD J@QË K@Ë Q !TMTM @QC MC@M J@GJ@G@ F YX@ËK@Q UD ANKB@ @ËJK@ CNKT AHQ XNKBTKTJ A@ËK@Q

.XTMBTK@Q | Cast ,NQF@M %QDDL@M MSNMHN !@MCDQ@R 1@CG@ ,HSBGDKK 1NADQS %NQRSDQ 8 MDSLDM [ Director: Mimi Leder -DV 8NQJ C@ FDzDM AT EHKLCD RNM AHQ HË X@O O 1TR L@EX@R M@ ANQBTMT CDLDJ HRSDXDM TRS@ AHQ G QR Y GHz JHLRDMHM FHQDLDXDBDÈH AHQ XDQCD JNQTM@M HJH LDËGTQ %@ADQF XTLTQS@R M z@KL@J HzHM MK AHQ G QR Y M X@QC L M HRSDQ Set in New York City, a master thief recruits a notorious crook to help him steal two famous Fabergé eggs from an impenetrable vault, in an effort to pull off one final job and repay his debt to the Russian mob.

Surinder Sahni, a kind-hearted, honest man, meets his total opposite and finds love in the flamboyant, vivacious Taani.

What follows is a journey filled with laughter, tears and a lot of love.

163_192skyinfo_SL1109.indd 167

10/26/09 9:33 PM

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.XTMBTK@Q | Cast Sandra Bullock, Ryan Reynolds, Malin Akerman 8 MDSLDM | #HQDBSNQ Anne Fletcher -DV 8NQJ C@ DCHS QK J X@O@M ,@QF@QDS *@M@C@ X@ R M Q C Ë DCHKLD SDGKHJDRHXKD J@QË K@Ë Q ,@QF@QDS GDLDM @RHRS@M MCQDV HKD MHË@MK NKCTÈTMT @z JK@Q MB@J DKHMCD E@YK@ HË NK@M @RHRS@M ATMT J@ATK DSLDJ HzHM AHQ JNËTK HKDQH R QDQ ,@QF@QDS HR @M DCHSNQ HM -DV 8NQJ VGN E@BDR CDONQS@SHNM SN "@M@C@ 2GD PTHBJKX CDBK@QDR SG@S RGD R DMF@FDC SN GDQ NUDQ ATQCDMDC @RRHRS@MS MCQDV VGN @FQDDR SN FN @KNMF VHSG SGHR TMCDQ NMD BNMCHSHNM

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.XTMBTK@Q | "@RS Turan Ozdemir 8 MDSLDM | #HQDBSNQ Yüksel Aksu

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.XTMBTK@Q | Cast Cameron Diaz, Alex Baldwin, Jason Patric 8 MDSLDM [ #HQDBSNQ Nick Cassavetes 2@Q@ HKD !QH@M M J Y *@SD K RDLH NKTMB@ NMT JTQS@QL@J HzHM AHQ zNBTJ C@G@ X@O@QK@Q L@ MM@ A X X O X@Ë M@ FDKHMBD U BTCTXK@ HKFHKH J@Q@QK@QC@ R Y R@GHAH NKL@J HzHM @MMD A@A@R M@ C@U@ @z@Q UD *@SD HM X@Ë@L SDGKHJDXD FHQDQ 6GDM 2@Q@ @MC !QH@M %HSYFDQ@KC KD@QM SG@S SGDHQ C@TFGSDQ *@SD G@R KDTJDLH@ SGDX BNMBDHUD MM@ SN GDKO R@UD GDQ !TS VGDM MM@ MNV RTDR GDQ O@QDMSR ENQ LDCHB@K DL@MBHO@SHNM *@SD R RTQUHU@K HR KDES SN E@SD

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SKYLIFE | KASIM | NOVEMBER 2009

163_192skyinfo_SL1109.indd 168

10/24/09 9:31 PM

The video programs available to passengers on NTQ $TQNOD@M @MC SQ@MR SK@MSHB ɲHFGSR U@QX VHSG SGD SXOD NE @HQBQ@ɵ @MC KDMFSG NE SGD ɲHFGS

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.XTMBTK@Q | "@RS Rachel Mc Adams, Eric Bana, Arliss Howard 8 MDSLDM | #HQDBSNQ Robert Schwentke

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Clare believes she and Henry @QD CDRSHMDC SN AD SNFDSGDQ !TS she never knows when they will be separated as Henry is cursed with a genetic anomaly SG@S B@TRDR GHL SN KHUD KHED NM @ RGHESHMF SHLDKHMD RJHOOHMF A@BJ @MC ENQSG

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2009 NOVEMBER | KASIM | SKYLIFE

163_192skyinfo_SL1109.indd 169

10/24/09 9:31 PM

Bach ailesinin nesiller boyunca J@C@Q S@MÂ&#x2039;MLÂ&#x2039;Ă&#x2039; LÂ&#x203A;YHRXDM XDSHĂ&#x2039;SHQCHĂ&#x2C6;HMH AHKHXNQ LTXCTMTY

,Â?9Ă&#x2030;* MUSIC POP HITLINE

+,!3Â&#x153;+Â&#x20AC;-Ă&#x20AC;:Â&#x153;+ CLASSICAL MUSIC Craig Armstrong Weather 2SNQL g Tchaikovsky Piano Concerto No1 In B Flat Minor g Elgar Nimrod g Tschaikovsky Dance of The 1DDC %KTSDR g Alexander Borodin Sring Quartet No2 In D Major Notturno Andante g Ludwig Van Beethoven Piano Sonata No8 in C minor g Gabriel Faure Pavane QQ "Q@HF +DNM g Samuel Barber Adagio For Strings g Johann Pachelbel Canon (M # g Giuseppe Verdi La Donna E Mobile (Rigoletto) g Antonio Vivaldi Concerto â&#x20AC;&#x2DC;Lâ&#x20AC;&#x2122;estateâ&#x20AC;&#x2122;, RV 315 - III- Presto g FrĂŠdĂŠric Chopin Piano Concerto No1 In E Minor g Michael Nyman The Heart Asks Pleasure First g Johann Sebastian Bach Air â&#x20AC;&#x2DC;On The G Stringâ&#x20AC;&#x2122; g Johannes Brahms Waltz -N (M %K@S g Gustav Mahler Symphony No. 5 In C Sharp Minor - IV. Adagietto g Sergei Rachmaninow Piano Concerto No. 2 In C ,HMNQ .ODMHMF g Wolfgang Amadeus Mozart Lacrimosa (Requiem In D Minor K626) g Johann Strauss On The Beautiful Blue Danube g Stanley Myers Cavatina g Craig Armstrong Balcony 2BDMD g Wolfgang Amadeus Mozart Piano Concerto No21 HM " g Vaughan Williams &QDDMRKDDUDR g Johann Sebastian Bach Goldberg Variations

CAZ JAZZ Earl Klugh Sleepyhead g Herbie Hancock Solitude g Diana Krall Lets Fall In +NUD g Ramsey Lewis 2TM &NCCDRR g Weather Report A Remark You ,@CD g Stanley Clarke 0THDS ESDQMNNM g The Sax Pack Fallin %NQ 8NT g Rick Braun 2GHMHMF 2S@Q g Peter White Dreamwalk (with Phil Kenzie on Alto Sax) g Mindi Abair True Blue g Marion Meadows Suede g Byron Woods Fly Away g Brian Simpson Itâ&#x20AC;&#x2122;s All &NNC g Dave Koz Faces NE 3GD 'D@QS g Chuck Loeb 3QNOHB@K g Jaheim ,X /K@BD g Kenny G 2HKGNTDSSD g Stan Getz

& JoĂŁo Gilberto Ft. A. Carlos Jobim Desafinado g Luis Armstrong What A Wonderful World

Black Eyed Peas Boom !NNL /NV g Beyonce Halo g Jamie Foxx Blame It (On The Alcohol) ft. T-Pain g Jordin Sparks Battlefield g Kid Cudi Day â&#x20AC;&#x2DC;Nâ&#x20AC;&#x2122; Nite g Shinedown Second "G@MBD g Sean Kingston %HQD !TQMHMF g Adam Lambert ,@C 6NQKC g Keri Hilson Knock You Down g Keith Urban Kiss A Girl g Black Eyed Peas I Gotta %DDKHMF g Kris Allen No !NTMC@QHDR g Lady Gaga +NUD &@LD g Souljah Boy Kiss Me Thru The Phone g Kelly Clarkson I Do Not 'NNJ 4O g T.I ft Justin Timberlake Dead and &NMD g Kristina Debarge &NNCAXD g David Cook /DQL@MDMS g Pink Please #NM S +D@UD ,D g Charice -NSD SN &NC g Nickelback If Today Was Your Last Day g Lady Antebellum I Run 3N 8NT g Taylor Swift You Belong With Me

#H@M@ *Q@KK *@RÂ&#x2039;L ANXTMB@ UQTO@ C@ 2@M@SzÂ&#x2039; *@RÂ&#x2039;L Â&#x2039;M UD Â&#x203A;MCD LRSDQC@L Â&#x203A;MCD MSVDQO RÂ&#x2039;MC@ 5@QĂ&#x2039;NU@ RHMCD 9@AQYD TMC@ ,Â&#x203A;MHG HMCD !@RDK RHMCD !Q@SHRK@U@ Â&#x203A;MCD 9@FQDA HMCD 1NL@ RÂ&#x2039;MC@ Milanoâ&#x20AC;&#x2122;da.

Diana Krall will be making appearances in Europe through November. Find her in Amsterdam on the 2nd and 3rd, in Warsaw on the 6th, Zabrze on the 7th, Basel on the 11th, Bratislava on the 12th, Zabreg on the 13th, Rome on the 15th, Milano on the 16th.

(!&Â&#x153;&Â&#x20AC;-Ă&#x20AC;:Â&#x153;+ EASY LISTENING Berlin Take My Breath V@X g Roxette Listen To 8NTQ 'D@QS g Brian Ferry & Roxy Music Jealous Guy g Fleetwood Mac Seven 6NMCDQR g Crowded House Donâ&#x20AC;&#x2122;t Dream Itâ&#x20AC;&#x2122;s Over g Duran Duran Ordinary 6NQKC g Frankie Goes To Hollywood The Power Of +NUD g George Michael with Aretha Franklin I Knew You Were Waiting (For ,D g Phil Collins Separate +HUDR g Hall and Oates 2GD R &NMD g Whitesnake (R 3GHR +NUD g Carly Simon & Michael McDonald You !DKNMF 3N ,D g Foreigner I Want To Know What Love (R g The Corrs What Can ( #N g George Michael #HEEDQDMS "NQMDQ g Nazareth Love Hurts g Extreme More than Words g Joe Cocker & Jennifer Warnes Up Where We !DKNMF g Sinead Oâ&#x20AC;&#x2122;Connor Nothing Compares To You g Firehouse Love Of A Lifetime

NEW AGE Amethystium QBTR g Emiliana Torrini Unemployed In Summertime g Paul Schwarz Veni Redemptor Gentium g Trincha Live From Heart g Achillea Amor (Parte I) g 3rd Force Echoes of a #QD@L g B-Tribe Sensual g Poe '@TMSDC g Jens Gad -@U@IN g Blue Stone #QD@LB@SBGDQ g Cantoma $RR@Q@H g Agron Love My 2NTK g Diane Arkenstone 4MCDQ 3GD !KTD 2JX g Kevin Wood Honoring Tradition g Vargo The Moment g Narsilion Faraway g Medwyn Goodall The 6HKKNV g Zero 7 Destiny

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170 SKYLIFE | KASIM | NOVEMBER 2009

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SPECIAL MEAL SERVICE

DON’T FORGET!

Recent polls carried out, have shown that meeting special meal requirements is of utmost importance for customer satisfaction. By presenting special meals with the highest degree of quality and consistency, Turkish Airlines aims not only to make you feel like you are a special guest on our airplanes, but also wishes to make your travelling experience with us a memorable one.

g Special meal requests have

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CHML ̐"'(+# ,$ +̑

to be done during your reservation to a flight or at least 24 hours in advance of your flight.

Please advise if you have any allergies, like nut allergy etc., with a doctor report.

Special meal requests can not be taken in domestic flights.

AVML ̐5$&$3 1( - '(-#4 ,$ +̑

These meals use only a limited amount of Dairy Products.

BBML ̐! !8 ,$ +̑ Tinned baby food will be available on request. Parents are advised to bring their usual powdered milk which can be prepared and heated in the aircraft by our cabin crew.

BLML ̐!+ -# ,$ +̑ For those with digestive tract, gut disorders or chewing problems.

CHML ̐"'(+# ,$ +̑

Contains a combination of familiar fun foods. For children aged 2-12 years.

DBML ̐#( !$3(" ,$ +̑ For those who need to manage their blood sugar levels.

GFML ̐&+43$- (-3.+$1 -3 ,$ +̑ Does not contain wheat or wheat flour, barley oats and

rye bread cakes (unless wheat free) pastry, sausages or any flour based products.

HNML ̐'(-#4 ,$ +̑ Hindu meal - vegetarian food prepared in an Indian style which contains no beef, veal or pork, but with lamb, domestic fowl, other meats, fish and milk products.

KSML ̐*.2'$1 ,$ +̑ These meals are prepared to comply with Jewish dietary laws.

LCML ̐+.6 " +.1($ ,$ +̑ A low calorie diet should not contain excessive protein portions and should be low in fat and sugar.

RVML 5$&$3 1( - 1 6 ,$ +

Contains only raw vegetables or fruits.

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Contains a selection of seafood for those restricted to eating seafood only.

SPML 2/$"( + ."" 2(.- " *$

Cake for your birthday, anniversary etc.

VJML ̐5$&$3 1( - ) (- ,$ +̑ Hindu Meal Vegetarian food prepared in Indian style, based on Jain customs.

VLML 5$&$3 1( - + "3. .5. ,$ +

LFML ̐+.6 % 3 ,$ +̑ High fibre meal with reduced amounts of fat. Does not contain egg, fried products in fat.

Does not contains meat, fish or seafood. May contain dairy products such as milk, butter, cheese etc.

LSML ̐+.6 2 +3 [ 2.#(4, ,$ +̑

Contains dairy products and all plant derived foods but no eggs, meat, poultry, fish or shellfish or products derived from them.

Low sodium meal; prepared with ingredients that are low in salt and sodium content.

MOML ,42+(, ,$ +

Does not contain pork, byproducts of pork or foodstuffs containing alcohol.

NLML +.6 ,$ + Does not contain cheese dairy products and their derivatives and lactose or milk products.

VGML 5$&$3 1( - ,$ +

VOML ̐5$&$3 1( - .1($-3 + ,$ +̑ Vegetarian Oriental Meal Vegetarian food along with fruits and vegetables.

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SFML 2$ %..# ,$ +

VGML 5$&$3 1( - ,$ +

HNML&JNML ̐'(-#4 ,$ +̒ ) (- ,$ +̑

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2009 NOVEMBER | KASIM | SKYLIFE 177

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4%2- .!, TERMINAL ATATÜRK HAVAALANI / ATATÜRK AIRPORT

&HCHË *@S Departure

İç Hatlar Terminali

&DKHË *@S Arrival

Otopark Parking

Yiyecek & içecek Food & Beverage

Pasaport Kontrol Passport Control

!@F@I K L Baggage Claim

#@M ËL@ Info

Duty Free

Metro

'@U@KHL@M .SDKH

CIP SALONU CIP LOUNGE

Self Check-in

Servis Shuttle

Cafe

178 SKYLIFE | KASIM | NOVEMBER 2009

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THY COM DILDE YAY NDA SGX BNL HR NMKHMD HM K@MFT@FDR

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PLAN YOUR TRIP ONLINE You may book the GNSDK QDRDQU@SHNMR ENQ XNTQ CDRSHM@SHNMR

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SAVE TIME WITH THE .-+(-$ 2$15("$2

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MANAGE YOUR MILES

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,HKDR 2LHKDR LDLADQR can easily manage their @BBNTMSR NMKHMD

2009 NOVEMBER | KASIM | SKYLIFE

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Â&#x201E;

ONLINE CHECK-IN

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g You can also use the seat change facility.

in your reservation.

g VVV SGX BNL @CQDRHMCD ATKTM@M ?.MKHMD Ă&#x2030;Ă&#x2039;KDLKDQ AÂ&#x2DC;KÂ&#x203A;LÂ&#x203A;MCD HĂ&#x2039;KDLHMHYH HRHL UD RNX@CÂ&#x2039; AHKFHKDQHMHYHM X@MÂ&#x2039; RÂ&#x2039;Q@ DKDJSQNMHJ AHKDS MTL@Q@MÂ&#x2039;YÂ&#x2039; X@ C@ QDYDQU@RXNM MTL@Q@MÂ&#x2039;YÂ&#x2039; /-1 X@Y@Q@J A@Ă&#x2039;K@S@AHKHQRHMHY g !XÂ&#x201E;TRHMFÂ&#x201E;SGDÂ&#x201E;?.MKHMDÂ&#x201E;2DQUHBDR Â&#x201E;KHMJÂ&#x201E;EQNLÂ&#x201E; VVV SGX BNLÂ&#x201E;XNTÂ&#x201E;B@MÂ&#x201E;HMHSH@SDÂ&#x201E;XNTQÂ&#x201E;BGDBJ HMÂ&#x201E; NMKHMD Â&#x201E;!DRHCDRÂ&#x201E;XNTQÂ&#x201E;M@LD Â&#x201E;XNTÂ&#x201E;MDDCÂ&#x201E;SNÂ&#x201E;DMSDQÂ&#x201E; your Electronic Ticket number or Reservation "NCDÂ&#x201E; /-1 g1DYDQU@RXNM J@XCÂ&#x2039;MÂ&#x2039;YC@M BGDBJ HM X@OL@J HRSDCHĂ&#x2C6;HMHY XNKBTK@QÂ&#x2039; RDzDQDJ NSTQL@J HRSDCHĂ&#x2C6;HMHY JNKSTJK@QÂ&#x2039; ADKHQKDXDAHKHQRHMHY !T @Ă&#x2039;@L@C@ A@Ă&#x2C6;K@MSÂ&#x2039;KÂ&#x2039; SÂ&#x203A;L TzTĂ&#x2039;K@Q@ BGDBJ HM X@O@AHKHQRHMHY g You can select the passengers that you want to check-in online from your reservation record and then you can select your seats. You can also check in online for BNMMDBSDC Č˝HFGSR

g$ ONRS@ UDX@ BDO SDKDENMT AHKFHMHYH FHQDQDJ BGDBJ HM HĂ&#x2039;KDLHMHYHM RNM CTQTLT G@JJÂ&#x2039;MC@ AHKFH S@KDO DCDAHKHQRHMHY gYou can ask for information about the status of your check-in by entering your e-mail address or mobile phone number.

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g $Ă&#x2C6;DQ A@F@IÂ&#x2039;MÂ&#x2039;Y XNJ HRD TzTĂ&#x2039; J@QSÂ&#x2039;MÂ&#x2039;YÂ&#x2039; A@RSÂ&#x2039;QÂ&#x2039;O CNĂ&#x2C6;QTC@M TzTĂ&#x2039; J@OÂ&#x2039;RÂ&#x2039;M@ FHCDAHKHQRHMHY !@F@IÂ&#x2039;MÂ&#x2039;Y U@Q HRD RHYD Â&#x2DC;YDK .MKHMD "GDBJ HM JNMST@QÂ&#x2039;MC@M A@F@I HĂ&#x2039;KDLKDQHMHYH X@OSÂ&#x2039;Q@AHKHQRHMHY g If you do not have any baggage you can OQNBDDC CHQDBSKX SN SGD AN@QCHMF F@SD @É&#x20AC;DQ printing out your boarding card. If you have baggage you can complete your baggage operation from online check-in desks at the airport.

SKYLIFE | KASIM | NOVEMBER 2009

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163_192skyinfo_SL1109.indd 181

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SKYLIFE | KASIM | NOVEMBER 2009

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& ,$- 8 -$3,$+ÉÇÉ IMMIGRATION REGULATIONS !# XD Tz@JK@ FHCDM A S M XNKBTK@Q M X@ C@ GDQ @HKDXH SDLRHKDM X@KM YB@ AHQ JHËHMHM & LQ J #DJK@QD %NQLT CNKCTQL@R FDQDJLDJSDCHQ !# U@S@MC@ËK@Q XDËHK J@QS R@GHOKDQH *@M@C@ U@S@MC@ËK@Q X@ C@ XDMH F zLDMKDQHM C Ë MC@ FDzDQKH AHQ !# UHYDRHMD R@GHO UD RNM U@Q Ë MNJS@R !# X@ C@ !# MHM C Ë MC@JH AHQ KJDXD SQ@MRHS NK@M XNKBTK@Q M ADX@Y QDMJKH ( ENQLTMT CNKCTQL@R YNQTMKTCTQ Ë@È C@ @C FDzDM KJDKDQCDM AHQHMD @HS AHQ O@R@ONQSK@ FHQHË X@O XNQR@M Y X@ C@ !# UHYDRH NKL@C@M UHYD LT@EHXDS OQNFQ@L @KS MC@ SQ@MRHS XNKBT FHAH JNM@JK XNQR@M Y XDËHK QDMJKH ( 6 ENQLTMT CNKCTQTKL@M Y FDQDJLDJSDCHQ KJDKDQ MCNQQ@ UTRSQ@KX@ UTRSTQX@ !DKzHJ@ #@MHL@QJ@ %HMK@MCHX@ KL@MX@ ! X J !QHS@MX@ ÉYK@MC@ ÉS@KX@ )@ONMX@ +HDBGSDMRSDHM + JRDLATQF ,NM@JN 'NKK@MC@ 8DMH 9DK@MC@ -NQUDz 2@M ,@QHMN ÉRO@MX@ ÉRUDz UD ÉRUHzQD

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! $1 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 4 !ZAMI KALK A RL ,@WHLTL~S@JD~Nə VDHFGS 351.534 kg +ANAT A KL g 6HMF~RO@M L 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 8ATAY U U S×RATI: g "QTHRD~RODDC JL[G

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A 330-203 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS 233.000 kg +ANAT A KL g 6HMF~RO@M 60.30 m 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g Cruise speed: JL[G

[ [ 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 21 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS [ JF +ANAT A KL g 6HMF~RO@M L 'ÓVDE UZUNLU U g +DMFSG 44.51 m 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g Cruise speed: [ JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX 250 +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX [ [ [ [ +OLTUK ARAL g 2D@S~OHSBG~ HMBG !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD [ ɀ 3" ),& !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD [ JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity:

JF[ L

!

5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS JF +ANAT A KL g 6HMF~RO@M L[ L 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS 12.55 m 9ATAY U U S×RATI: g Cruise speed: JL[G

[ 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ : 22 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS [ [ JF +ANAT A KL g 6HMF~RO@M L[ L 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g Cruise speed: JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX 165 +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L 9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX [ [ [ [ +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD [ ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD [ JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L

!

5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 5 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə weight [ [ JF +ANAT A KL g 6HMF~RO@M L 'ÓVDE UZUNLU U g +DMFSG ~36.40 m 9ERDEN Y×KSEKLI I g 'DHFGS 11.13 m 9ATAY U U S×RATI: g "QTHRD~RODDC JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX [ [ +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ~ ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD ~3.350 km !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L

5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 4 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə weight JF +ANAT A KL g 6HMF~RO@M 34.10 m 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g "QTHRD~RODDC JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX 126 +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF

SKYLIFE | KASIM | NOVEMBER 2009

163_192skyinfo_SL1109.indd 184

10/24/09 9:33 PM

5Â&#x192;5Â?Â&#x20AC;"Â&#x153;,'Â&#x153;,%2Â&#x153;Â&#x20AC;%+(&'3Â&#x201E;(-%. Â&#x153;STANBUL DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;)STANBULÂ&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC; !4 # !( [ !4 #' !( !5( ADDIS ABABA ADD +, 38 ALA AMMAN AMM AMSTERDAM AMS ASTANA 43% Ă&#x160;* ! # [ 2'& ! # ASB 3Ă&#x2030;- [ 3'$-2 !4( ! Ă&#x2021;# 3 [ ! &'# #Â&#x20AC; "'7 BAHRAIN "!( ! *Â? [ ! *4 '9$Â&#x20AC; "!+ ! -&*.* "++ ! 1"$+.- BCN BASEL BSL BATUM BUS !$+&1 # [ !$+&1 #$ "%' BERLIN 48, !$8143 [ !$(143 BEY !(1,(-&' , "(8 !Ă&#x2030;-& 9Ă&#x2030; BEN !Ă&#x2030;Ă&#x160;*$* [ !(2'*$* &25 !1Â?*2$+ [ !1422$+2 BRU !4# /$Ă&#x160;3$ [ !4# /$23 BUD !Â?*1$Ă&#x160; [ !4"' 1$23 /40Â&#x20AC; "5( " * 13 [ ) * 13 #'+ " /$ 3.6-Â&#x20AC;#04 "$-$51$ [ &$-$5 '6! "$9 8Ă&#x2030;1 [ +&($12 !,' "(##$ [ )$## ' *%$ # * 1 [ # ** 1 $+2 #Ă&#x2030;-8$/$1 [ #-$/1./$31.52* $.+ DOHA $/( DONETSK $/+ DUBAI $8" DUBLIN DUB #4Ă&#x160; -!$ [ #42' -!$ DYU DĂ&#x153;SSELDORF DUS $* 3$1(-!41& 368 FRANKFURT &2! &.3$!.1& '/4 ' +$/[ +$//. !,0 ' ,!41& 'AM HANNOVER (!* ' 134, [ *' 13.4, +24 HELSINKI (%, '.-& *.-& (+' ).' --$2!41& *." * 'Ă&#x2030;1$ [ " (1. CAI * 1 Â&#x2021;Ă&#x2030; [ * 1 "'( +() * 9 !+ -* [" 2 !+ -" #-.Â&#x20AC; #!3 KAZANÂ&#x20AC;+:. *./$-' & [ "./$-' &$-Â&#x20AC;#0( *Ă&#x2030;Ă&#x160;Ă&#x2030;-$5 [ "'(2(- 4 +)6 *Ă&#x2030;$5 +"0Â&#x20AC; )%6 *Â?+- [ ".+.&-$ #'. *45$83 +7) + &.2 LOS +$%*.Ă&#x160; ECN +Ă&#x2030;9!.- [ +(2!.- LIS +.-#1 [ +.-#.- ,/.Â&#x20AC; ,(2 LJUBLJANA ,*5 LVIV LWO +8.- LYS MADRID MAD , -"'$23$1 MAN

#DQFHLHYHM AT R@XE@RÂ&#x2039;MC@ X@XÂ&#x2039;LK@M@M JL UD LHK CDMHY LHKH CDĂ&#x2C6;DQKDQH Tz@Ă&#x2C6;Â&#x2039;M TzSTĂ&#x2C6;T HQSHE@C@ S@JHO DSSHĂ&#x2C6;H QNS@MÂ&#x2039;M XDQ Â&#x203A;YDQHMCDJH HY CÂ&#x203A;Ă&#x2039;Â&#x203A;LÂ&#x203A;MÂ&#x203A;M Â&#x2DC;KzÂ&#x203A;KDM LDR@EDRHCHQ

+M 3246 3935 4145 1528 2356 3902 2636 580 1890 2787 1845 7819 2278 1963 1122 893 1858 1046 2750 1395 4047 2228 1189 576 9816 9185 1952 2471 2584 5480 1009 3122 1150 3274 3033 3587 2182 3035 1909 2389 993 2180 2061 2963 2292 9078 7920 1293 4210 3469 2252 2109 724 1109 2146 2632 4852 837 3484 2580 1337 1149 2174 2821 2785

. Â&#x20AC;-ILES 1753 2125 2238 825 1272 2107 1423 313 1021 1505 996 4222 1230 1060 606 482 1003 565 1485 753 2185 1203 642 311 5300 4959 1054 1334 1395 2959 545 1686 621 1768 1638 1937 1178 1639 1031 1290 536 1177 1113 1600 1238 4902 4276 698 2273 1873 1216 1139 391 599 1159 1421 2620 452 1881 1393 722 620 1174 152 1504

The distance in kilometres and nautical miles in the table on this page is the projected distance on the ground for the route flown by the aircraft.

Â&#x153;STANBUL DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;)STANBULÂ&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC; ,$#Ă&#x2030;-$ [ ,$#(- MED ,$Ă&#x160;'$# [ , 2' # -($ ,Ă&#x2030;+ -. [ ,(+ - ,7/ -), MINSK MSQ ,.2*.5 [ ,.2".6 25. -/7 MUMBAI BOM ,42* 3 [ ,42" 3 -#4 ,Â?-Ă&#x2030;' [ ,4-("' MUC -$6 8.1* )%* .9# NAIROBI NBO -("$ NCE -Â?1-!$1& [ -41$,!$1& NUE ODESSA ODS OSAKA +)8 OSLO OSL PARIS #$' /$*Ă&#x2030;- [ !$()(-& "*3 /1 & [ /1 &4$ 02' /1Ă&#x2030;Ă&#x160;3Ă&#x2030;- [ /1(23(- 02.

1(& 2)8 1(8 # [ 1(8 #' 25( 1., [ 1.,$ %(4,("(-. &#/ ROSTOV 2/6 2 - 3!( SAO-PAULO SAO 2 1 8!.2- [ 2 1 )$5. 3** 2$4+ [ 2$.4+ )#.Â&#x20AC; 3%, SIMFEROPOL 3)0 2Ă&#x2030;-& /41 [ 2(-& /.1$ SIN 2.%8 [ 2.%( 3/& 23 /$3$12!41& LED 23."*'.+, !2.Â&#x20AC; 34/ 23433& 13 342 Ă&#x160; , [ # , 2"42 DAM Ă&#x160; -& 8 [ 2' -&' ( 06' Ă&#x160;Ă&#x2030;* &. [ "'(" &. /2$Â&#x20AC; #() 3 '1 - [ 3$'1 - )+!

3 Ă&#x160;*$-3 [ 3 2'*$-3 4!3 3$!1Ă&#x2030;9 [ 3 !1(9 4": TEL AVIV 4,6 3Ă&#x2030;%+Ă&#x2030;2 [ 3!(+(2( 4"3 3Ă&#x2030;1 - [ 3(1 - 4)!

3.*8. .24Â&#x20AC; 49/ TORONTO YYZ 31 !+42 [ 31(/.+( 4)0 34-42 [ 34-(2 45.

UFA 5&! Â?2*Â?/ [ 2*./)$ 3+0 5 1Ă&#x160;.5 [ 6 12 6 WAW 5$-$#Ă&#x2030;* [ 5$-("$ 6#% 5Ă&#x2030;8 - [ 5($-- 6)% 8$-Ă&#x2030; #$+'Ă&#x2030; [ -$6 #$+'( DEL 9 &1$! :!'

9Â?1Ă&#x2030;' [ 941("' :2(

+M 2399 2806 1735 1561 1932 5014 3531 1637 8575 4884 1983 1733 663 10536 2734 2358 7690 1613 860 1866 2602 1489 1379 3550 10905 1461 8708 659 9172 574 2253 2408 1830 1193 8566 9204 2165 3517 1552 1261 1439 872 10149 8597 1941 1796 2619 704 1446 1510 1356 4841 1198 1830

. Â&#x20AC;-ILES 1295 1515 937 843 1043 2707 1907 884 4630 2637 1071 936 358 5689 1476 1273 4152 871 464 1008 1405 804 745 1917 5888 789 4702 356 4953 310 1217 1300 988 644 4625 4970 1169 1899 838 681 777 471 5480 4642 1048 970 1414 380 781 815 732 2614 647 988

Â&#x153;STANBUL DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;)STANBULÂ&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;+MÂ&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;. Â&#x20AC;-ILES 3ABIHAÂ&#x20AC;'Ă&#x201C;KÂ&#x2021;ENÂ&#x20AC;!IRPORT AMSTERDAM AMS 2403 1297 !$1+Ă&#x2030;- 38& 1939 1047 HANNOVER (!* 2215 1196 *Â?+- [ ".+.&-$ #'.

2225 1201 ,.2*.5 [ ,.2".6 DME 1995 1077 +.-#1 [ +.-#.- ,/.Â&#x20AC; 34.

2667 1440 23433& 13 342 1938 1046

4z@JK@QÂ&#x2039;LÂ&#x2039;YÂ&#x2039;M HzHMCDJH LNMHSÂ&#x2DC;QKDQCD FÂ&#x2DC;QÂ&#x203A;KDM Q@J@L HRD Tz@Ă&#x2C6;Â&#x2039;M G@U@C@ J@SDSSHĂ&#x2C6;H LDR@EDCHQ

The figure shown on the cabin monitors give the actual distance flown by the aircraft through the air, including adjustments of direction to compensate for wind, and other weather conditions.

!NKARA DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;!NKARAÂ&#x20AC; %SENBOÂ&#x203A;AÂ&#x20AC;!IRPORT Â&#x20AC;Â&#x20AC;Â&#x20AC; AMSTERDAM AMS !1Â?*2$+ [ !1422$+2 BRU DĂ&#x153;SSELDORF DUS FRANKFURT &2!

3 '1 - [ 3$'1 - )+!

5Ă&#x2030;8 - [ 5($--$ 6)% Â&#x153;ZMIR DENÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;)ZMIRÂ&#x20AC; !DNANÂ&#x20AC;-ENDERESÂ&#x20AC;!IRPORT Â&#x20AC;Â&#x20AC; 3Ă&#x2030;- [ 3'$-2 !4(Â&#x20AC;

+M . Â&#x20AC;-ILES

1241

+M . Â&#x20AC;-ILES 337

Â&#x153;STANBUL DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;)STANBULÂ&#x20AC; !TATĂ&#x2014;RKÂ&#x20AC;!IRPORT Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;

182

+M

ADANA 824 ADIYAMAN ADF 955 ANKARA ESB 459 ANTALYA AYT 535 BATMAN BAL 1144 !.#14, [ ,Ă&#x2030;+ 2 !)5 526 Ă&#x2021;ANAKKALE CKZ 267 DALAMAN DLM 648 #$-Ă&#x2030;9+Ă&#x2030; #-9 461 #Ă&#x2030;8 1! *(1 #(8 1087 $+ 9(Ă&#x2021; $92 961 $19Ă&#x2030;-" - $1" 987 ERZURUM ERZ 1091 $2*Ă&#x2030;Ă&#x160;$'Ă&#x2030;1 .$ 305 & 9Ă&#x2030; -3$/ &93 983 HATAY HTY 959 ISPARTA ISE 463 Ă&#x2030;9,Ă&#x2030;1 #!

419 * '1 , -, 1 Ă&#x160; *", 874 KARS KSY 1265 * 82$1Ă&#x2030; 21 696 KONYA KYA 530 MALATYA MLX 861 , 1#Ă&#x2030;- ,0, 1140 ,$19Ă&#x2030;%.- ,9' 610 ,4Ă&#x160; ,21 1168 -$5Ă&#x160;$'Ă&#x2030;1 - 5 635 SAMSUN SZF 698 2Ă&#x2030;-./ 2(" 543 2Ă&#x2030;5 2 5 2 734 Ă&#x160; -+(41% &-8 1072 TRABZON TZX 974 VAN VAN 1304 !NKARA DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;!NKARAÂ&#x20AC; %SENBOÂ&#x203A;AÂ&#x20AC;!IRPORT Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;+M Ă&#x2030;23 -!4+ Ă&#x2030;23 467 Ă&#x2030;9,Ă&#x2030;1 #!

645 2 !Ă&#x2030;' &Â?*Â&#x2021;$- 2 6 402 Â&#x153;STANBUL DANÂ&#x20AC;\Â&#x20AC;&ROMÂ&#x20AC;)STANBULÂ&#x20AC; 3ABIHAÂ&#x20AC;'Ă&#x201C;KÂ&#x2021;ENÂ&#x20AC;!IRPORT Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;Â&#x20AC;+M ADANA ADA 780 ANKARA ESB 402 ANTALYA AYT 489 Ă&#x2030;9,Ă&#x2030;1 #!

431

3Â&#x203A;QJ '@U@ 8NKK@QÂ&#x2039; Â?YDK 8NKBT /QNFQ@LÂ&#x2039; Miles&Smilesâ&#x20AC;&#x2122;da uygulanan LHK CDĂ&#x2C6;DQKDQH HRD 4KTRK@Q@Q@RÂ&#x2039; 2HUHK '@U@BÂ&#x2039;KÂ&#x2039;J 3DĂ&#x2039;JHK@SÂ&#x2039; MÂ&#x2039;M ( 3 X@XÂ&#x2039;LK@LÂ&#x2039;Ă&#x2039; NKCTĂ&#x2C6;T Q@J@LK@Q NKTO XTJ@QÂ&#x2039;C@ X@YÂ&#x2039;K@M LHK CDĂ&#x2C6;DQKDQHMCDM E@QJKÂ&#x2039;CÂ&#x2039;Q

The miles used by Turkish Airlineâ&#x20AC;&#x2122;s Frequent Flyer Programme Miles&Smiles are those published by the International Air Transport Association (IATA) and therefore they are different from the distances in miles noted above.

&Â&#x203A;LQÂ&#x203A;J TXFTK@L@RÂ&#x2039; NK@M HRS@RXNMK@QÂ&#x2039;LÂ&#x2039;Y Ă&#x2030;RS@MATK (23 MJ@Q@ $2! Ă&#x2030;YLHQ #! MS@KX@ 83 C@M@ # 3Q@AYNM 397 &@YH@MSDO &93 #@K@L@M #+, !NCQTL !)5 2@LRTM 29% *NMX@ *8 *@XRDQH 21 #DMHYKH #-9 -DUĂ&#x2039;DGHQ - 5 ,@K@SX@ ,+7 ?CÂ&#x2039;Q "TRSNLR (RS@MATK (23 MJ@Q@ $2! (YLHQ #! MS@KX@ 83 C@M@ # 3Q@AYNM 397 &@YH@MSDO &93 #@K@L@M #+, !NCQTL !)5 2@LRTM 29% *NMX@ *8 *@XRDQH 21 #DMHYKH #-9 -DUĂ&#x2039;DGHQ - 5 ,@K@SX@ ,+7

163_192skyinfo_SL1109.indd 185

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! & ) LUGGAGE g 2DX@G@S DSSHÈHMHY G@U@XNKT ËHQJDSHMCDM A@F@I M Y MDQDXD J@C@Q DSHJDSKDXDBDÈHMH UD J@z JHKNX@ J@C@Q S@Ë L@ G@JJ M Y NKCTÈTMT ÈQDMHO biletinizden kontrol ediniz.

g /KD@RD BGDBJ CDRSHM@SHNM SN which your baggage should be labelled and the weight KHLHS L@QJDC NM XNTQ SHBJDS

g 3'8 MC@ J@AHMD @K@AHKDBDÈHMHY DK A@F@IK@Q RS@MC@QS ANXTS UD @È QK È W W BL UD JF C Q

g Turkish Airlines allows one OHDBD NE B@AHM A@FF@FD LD@RTQHMF W W BL and weighting a maximum NE JF

g !@F@I M Y@ JHËHRDK AHKFHKDQHMHYH HzDQDM HRHL @CQDR DSHJDSHMH LTSK@J@ S@J M Y $SHJDSKDQH A@MJNK@Q L YC@M SDLHM DCDAHKHQRHMHY

g $UDQX OHDBD NE XNTQ A@FF@FD

should be labelled with your M@LD SDKDOGNMD MTLADQ @MC CDRSHM@SHNM @CQDRR 3@FR @QD @U@HK@AKD EQNL NTQ BGDBJ HM CDRJR

g !@F@IK@Q M Y M SDRKHL HËKDLHMH @C M Y@ X@OS Q M Y UD DSHJDSKDQHMHYH JNMSQNK DCHMHY !@F@I M Y A@ËJ@ XNKBT @C M@ J@XCDSSHQHQRDMHY J@X O UDX@ G@R@QC@ S@Q@E M Y@ S@YLHM@S CDMLDRH L LJ M NKL@Y

g /QDRDMS XNTQ A@FF@FD HM XNTQ NVM M@LD @MC BGDBJ SGD HMENQL@SHNM NM SGD A@FF@FD QDBDHOSR FHUDM SN XNT (E XNTQ baggage is registered in the M@LD NE @MNSGDQ O@RRDMFDQ you will not be able to claim ENQ KNRS NQ C@L@FDC A@FF@FD

g 4z@È@ AHMLDCDM A@F@I F RSDQLD TXFTK@L@R U@QR@ A@F@I M Y F QDUKHKDQD

F RSDQHMHY

g You may be required to HCDMSHEX XNTQ A@FF@FD ADENQD AN@QCHMF /KD@RD ONHMS NTS D@BG OHDBD NE XNTQ A@FF@FD SN SGD RS@ɰ LDLADQ NM CTSX

g 2DQADRS A@F@I S@Ë L@ G@JJ TzTË UD AHKDSD F QD CDÈHËLDJSD NKTO S@Ë L@ G@JJ M Y @ËS È M Y S@JCHQCD E@YK@ A@F@I BQDSH CDLDMHY FDQDJSHÈHMH TMTSL@X M Y

g Free Baggage Allowance CHɰDQR @BBNQCHMF SN ɲHFGS @MC SHBJDS (E XNTQ A@FF@FD exceeds the weight @KKNV@MBD QDLDLADQ SG@S you will be liable to pay @CCHSHNM@K BG@QFDR

JF $BNMNLX "K@RR %NQ 42 @MC "@M@C@ ɲHFGSR SVN OHDBDR L@W $@BG OHDBD JF %NQ !TRHMDRR "K@RR RTL NE SGD SGQDD CHLDMRHNMR NE D@BG OHDBD HR L@WHLTL BL %NQ $BNMNLX "K@RR RTL NE SGD SGQDD CHLDMRHNMR NE SVN OHDBDR HR L@WHLTL BL !@FF@FD DWBDDCHMF JF VHKK MNS AD @BBDOSDC

g *MHUDR ODM JMHUDR M@HK RBHRRNQR BHF@QDSSD KHFGSDQR @MC NSGDQ BTSSHMF OHDQBHMF and explosive items are MNS @KKNVDC HM SGD B@AHM ENQ RDBTQHSX QD@RNMR

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!@F@I M Y J@XANKTQR@ [ G@R@Q F Q QRDj If your baggage is lost | damaged… g 5@Q Ë M YC@ SDRKHL @K@L@C È M Y A@F@I M Y UD @M MC@ E@QJ DCDAHKDBDÈHMHY S QCDM G@R@QK@Q M Y HzHM G@U@KHL@M M SDQJ DSLDCDM MBD *@X O UD !TKTM@M $ËX@ .ȼRHMD X@O@B@È M Y A@ËUTQTC@ AHKDSHMHYH A@F@I DSHJDSHMHYH JHLKHÈHMHYH HAQ@Y ediniz.

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SKYLIFE | KASIM | NOVEMBER 2009

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2@AHG@ &Â&#x2DC;JzDM '@U@KHL@MÂ&#x2039; MC@M Hz G@S MNJS@K@QÂ&#x2039;M@ G@É&#x20AC;@MÂ&#x2039;M GDQ FÂ&#x203A;MÂ&#x203A; LHMHLTL J@QFN S@Ă&#x2039;Â&#x2039;L@K@QÂ&#x2039; FDQzDJKDĂ&#x2039;SHQHKLDJSDCHQ Minimum cargo transport service is given daily to domestic destinations from Istanbul Sabiha GĂśkçen Airport.

* 1&. CARGO 4(9Â&#x20AC;+!2'/Â&#x20AC;.%Â&#x20AC; 4!Â?)2

4(9Â&#x20AC;+!2'/9!Â&#x20AC; .!3),Â&#x20AC;5,!Â?),)2

Tekstil ĂźrĂźnleri, yedek parça, L@JHMD @JR@LÂ&#x2039; GH SDBG Â&#x203A;QÂ&#x203A;MKDQ zHzDJ B@MKÂ&#x2039; G@XU@M CDQH X@Ă&#x2039; RDAYD LDXUD UDX@ CDĂ&#x2C6;DQKH DĂ&#x2039;X@K@QÂ&#x2039;MÂ&#x2039;Y

24 saat | 7 gĂźn internet Ăźzerinden, www.TKCargo.

BNL @CQDRHMCDM J@QFNK@QÂ&#x2039;MÂ&#x2039;YÂ&#x2039; sĂźrekli takip edebilir, iç hat kargo Ăźcret ve tarife AHKFHKDQHLHYD TK@Ă&#x2039;@AHKHQRHMHY

4(9Â&#x20AC;+!2'/Â&#x20AC; .%2%9%Â&#x20AC;4!Â?)2 4Y@JCNĂ&#x2C6;T C@M LDQHJ@ X@ UQTO@ C@M .QS@CNĂ&#x2C6;T UD EQHJ@ X@ J@QFN S@Ă&#x2039;Â&#x2039;CÂ&#x2039;Ă&#x2C6;Â&#x2039;LÂ&#x2039;YÂ&#x2039; AHKHXNQ LTRTMTY

Alo Kargo Servisimiz U@RÂ&#x2039;S@RÂ&#x2039;XK@ R@@S SDKDENMTMTYTM STĂ&#x2039;K@QÂ&#x2039;MÂ&#x2039; JTKK@M@Q@J JNMĂ&#x2039;HLDMSN MTL@Q@MÂ&#x2039;Y HKD J@QFNMTY G@JJÂ&#x2039;MC@ GDQ SÂ&#x203A;QKÂ&#x203A; AHKFHXH Â&#x2DC;Ă&#x2C6;QDMDAHKHQRHMHY

8NKBT Tz@JK@QÂ&#x2039;MÂ&#x2039;M J@QFN JNLO@QSÂ&#x2039;L@MK@QÂ&#x2039;MÂ&#x2039;M X@MÂ&#x2039; RÂ&#x2039;Q@ 36 ton kapasiteli A310-304 J@QFN Tz@JK@QÂ&#x2039; HKD CD J@QFN hizmeti sunan THY Kargo, tarifeli kargo seferleri CÂ&#x203A;YDMKDCHĂ&#x2C6;H %Q@MJETQS ,@@RSQHBGS +NMCQ@ 3DK UHU Ă&#x160;@L Almaata, Delhi, Paris, ZĂźrih, *Â&#x2DC;KM 3HČ˝HR #TA@H "DY@XHQ Milano, Amman, Casablanca, ,@CQHC /QHĂ&#x2039;SHMD *@GHQD UD !DXQTS MNJS@K@QÂ&#x2039;M@ RHYKDQCDM FDKDM S@KDOKDQ CNĂ&#x2C6;QTKSTRTMC@ yenilerini ekleyecektir.

3Â&#x203A;QJHXD CDM XTQSCÂ&#x2039;Ă&#x2039;Â&#x2039;M@ kargo gĂśndermek HRSDCHĂ&#x2C6;HMHYCD size gĂźmrĂźk HĂ&#x2039;KDLKDQH JNMĂ&#x2039;HLDMSN kesimi, Ăźcretlendirme, O@JDSKDLD UR JNMTK@QÂ&#x2039;MC@ X@QCÂ&#x2039;LBÂ&#x2039; NK@B@J ( 3 4KTRK@Q@Q@RÂ&#x2039; '@U@ 3@Ă&#x2039;Â&#x2039;L@BÂ&#x2039;K@QÂ&#x2039; !HQKHĂ&#x2C6;H Â&#x203A;XDRH kargo acentelerimize A@Ă&#x2039;UTQL@KÂ&#x2039;RÂ&#x2039;MÂ&#x2039;Y ( 3 Â&#x203A;XDRH J@QFN @BDMSDKDQHLHYHM DQHĂ&#x2039;HL bilgilerine, (+90) 212 463 63 63 | 5815-5841 noâ&#x20AC;&#x2122;lu SDKDENMK@QC@M TK@Ă&#x2039;@AHKHQRHMHY

"Â&#x153;,Â&#x153;9/2Â&#x20AC;-535.5:Â&#x20AC; DID YOU KNOW? *@QFNMTYT S@QHEDKH XNKBT UD J@QFN Tz@J RDEDQKDQHLHYHM X@MÂ&#x2039; RÂ&#x2039;Q@ Â&#x2DC;YDK JHQ@ BG@QSDQ RDEDQKDQHLHY HKD HRSDCHĂ&#x2C6;HMHY FÂ&#x203A;M UD R@@SSD HRSDCHĂ&#x2C6;HMHY XDQD S@Ă&#x2039;Â&#x2039;L@LÂ&#x2039;Y mĂźmkĂźn.

(EÂ&#x201E;XNTÂ&#x201E;V@MSÂ&#x201E;SNÂ&#x201E;RDMCÂ&#x201E;XNTQÂ&#x201E;B@QFNÂ&#x201E; MNSÂ&#x201E;NMÂ&#x201E;NMDÂ&#x201E;NEÂ&#x201E;NTQÂ&#x201E;RBGDCTKDCÂ&#x201E; O@RRDMFDQÂ&#x201E;NQÂ&#x201E;B@QFNÂ&#x201E;ɲHFGSRÂ&#x201E;ATSÂ&#x201E; NMÂ&#x201E;@Â&#x201E;RODBH@KÂ&#x201E;BG@QSDQÂ&#x201E;ɲHFGS Â&#x201E;VDÂ&#x201E; can transport it any time to any OK@BDÂ&#x201E;XNTÂ&#x201E;VHRG Â&#x201E;

*@QFN $QHĂ&#x2039;HL Cargo Service Access

(+90) 212 465 25 25 7 hat [ KHMDR

2@AHG@ &Â&#x2DC;JzDM '@U@@K@MÂ&#x2039; HQONQS

(+90) 216 588 02 09 (+90) 216 585 59 34 (+90) 216 585 59 35

8TQSCÂ&#x2039;Ă&#x2039;Â&#x2039;MC@M 3Â&#x203A;QJHXD XD kargo gĂśndermek HRSDCHĂ&#x2C6;HMHYCD ilgili Ăźlkedeki R@SÂ&#x2039;Ă&#x2039; NEHRHLHYKD A@Ă&#x2C6;K@MSÂ&#x2039; JTQL@MÂ&#x2039;Y FDQDJDBDJSHQ (EÂ&#x201E;XNTÂ&#x201E;V@MSÂ&#x201E;SNÂ&#x201E;RDMCÂ&#x201E;B@QFNÂ&#x201E;SNÂ&#x201E; 3TQJDXÂ&#x201E;EQNLÂ&#x201E;@AQN@C Â&#x201E;XNTÂ&#x201E;VHKKÂ&#x201E; need to contact our sales NÉłBDRÂ&#x201E;HMÂ&#x201E;SGDÂ&#x201E;BNTMSQXÂ&#x201E;EQNLÂ&#x201E; VGHBGÂ&#x201E;XNTÂ&#x201E;@QDÂ&#x201E;RDMCHMF

WHAT DOES THY CARGO TRANSPORT? 3DWSHKDÂ&#x201E;OQNCTBSR Â&#x201E;@TSNLNAHKDÂ&#x201E; @MCÂ&#x201E;L@BGHMDQXÂ&#x201E;RO@QDÂ&#x201E;O@QSR Â&#x201E; GH SDBGÂ&#x201E;OQNCTBSR Â&#x201E;EQDRGÂ&#x201E; ɲNVDQR Â&#x201E;KHUDÂ&#x201E;@MHL@KR Â&#x201E;KD@SGDQ Â&#x201E; EQDRGÂ&#x201E;EQTHSRÂ&#x201E;@MCÂ&#x201E;UDFDS@AKDRÂ&#x201E; and your valuable goodsâ&#x20AC;Ś

WHERE DOES THY CARGO TRANSPORT TO? Did you know that we are SQ@MRONQSHMFÂ&#x201E;B@QFNÂ&#x201E;EQNLÂ&#x201E;SGDÂ&#x201E; %@QÂ&#x201E;$@RS Â&#x201E;SGDÂ&#x201E;,HCCKDÂ&#x201E;$@RSÂ&#x201E;@MCÂ&#x201E; $TQNODÂ&#x201E;SNÂ&#x201E; LDQHB@Â&#x201E;@MCÂ&#x201E; EQHB@Â&#x201E; NMÂ&#x201E;SGDÂ&#x201E;R@LDÂ&#x201E;OK@MDÂ&#x201E;@RÂ&#x201E;XNT In addition to the cargo comO@QSLDMSRÂ&#x201E;NEÂ&#x201E;HSRÂ&#x201E;O@RRDMFDQÂ&#x201E; @HQBQ@ÉľR Â&#x201E;3TQJHRGÂ&#x201E; HQKHMDRÂ&#x201E; "@QFNÂ&#x201E;@KRNÂ&#x201E;NÉ°DQRÂ&#x201E;B@QFNÂ&#x201E; RDQUHBDRÂ&#x201E;VHSGÂ&#x201E;HSRÂ&#x201E; Â&#x201E;SNMRÂ&#x201E; B@O@BHSXÂ&#x201E; Â&#x201E;B@QFNÂ&#x201E; @HQBQ@ÉľRÂ&#x201E;VGHBGÂ&#x201E;@QDÂ&#x201E;RBGDCTKDCÂ&#x201E; SNÂ&#x201E;ɲXÂ&#x201E;EQNLÂ&#x201E;(RS@MATKÂ&#x201E;SNÂ&#x201E;%Q@MJETQS Â&#x201E;,@@RSQHBGS Â&#x201E;+NMCNM Â&#x201E;3DKÂ&#x201E; UHU Â&#x201E;#@L@RBTR Â&#x201E; KL@SX Â&#x201E; #DKGH Â&#x201E;/@QHR Â&#x201E;9TQHBG Â&#x201E;"NKNFMD Â&#x201E; 3AHKHRH Â&#x201E;#TA@H Â&#x201E; KFHDQR Â&#x201E;,HK@M Â&#x201E; LL@M Â&#x201E;"@R@AK@MB@ Â&#x201E;,@CQHC Â&#x201E; /QHRSHM@ Â&#x201E;"@HQNÂ&#x201E;@MCÂ&#x201E;!DHQTS Â&#x201E;(MÂ&#x201E; line with demands coming EQNLÂ&#x201E;XNT Â&#x201E;HSRÂ&#x201E;BTRSNLDQR Â&#x201E; it is now going to add new CDRSHM@SHNMRÂ&#x201E;SNÂ&#x201E;SGDRD

HOW TO REACH THY CARGO You may track your cargo once you have sent it over the (MSDQMDSÂ&#x201E;@MXÂ&#x201E;SHLDÂ&#x201E; [ Â&#x201E;VVV 3*"@QFN BNL You may also call our Alo "@QFNÂ&#x201E;2DQUHBDÂ&#x201E; Â&#x201E;GNTQRÂ&#x201E;@Â&#x201E;C@XÂ&#x201E; ENQÂ&#x201E;HMENQL@SHNMÂ&#x201E;AXÂ&#x201E;OTMBGHMFÂ&#x201E; in your airwaybill number on XNTQÂ&#x201E;SNTBG SNMDÂ&#x201E;OGNMD (EÂ&#x201E;XNTÂ&#x201E;V@MSÂ&#x201E;SNÂ&#x201E;RDMCÂ&#x201E;B@QFNÂ&#x201E; @AQN@CÂ&#x201E;EQNLÂ&#x201E;3TQJDX Â&#x201E; you may consult our cargo @FDMSR Â&#x201E; RÂ&#x201E;LDLADQRÂ&#x201E;NEÂ&#x201E;( 3 Â&#x201E; (MSDQM@SHNM@KÂ&#x201E; HQÂ&#x201E;3Q@MRONQSDQRÂ&#x201E; RRNBH@SHNM Â&#x201E;SGDXÂ&#x201E;VHKKÂ&#x201E; @RRHRSÂ&#x201E;XNTÂ&#x201E;VHSGÂ&#x201E;BTRSNLRÂ&#x201E;ENQL@KHSHDR Â&#x201E;@HQV@XAHKKÂ&#x201E;HRRT@MBD Â&#x201E; Q@SDR Â&#x201E;O@BJ@FHMFÂ&#x201E;@MCÂ&#x201E;NSGDQÂ&#x201E; PTDRSHNMR Â&#x201E;8NTÂ&#x201E;L@XÂ&#x201E;QD@BGÂ&#x201E;NTQÂ&#x201E; IATA-member cargo agents AXÂ&#x201E;OGNMHMFÂ&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E;[Â&#x201E; Â&#x201E;

4(9Â&#x20AC;+ARGOÂ&#x20AC;ÂźZELÂ&#x20AC;+IRAÂ&#x20AC;3EFERLERINEÂ&#x20AC;.ASÂ&#x2026;LÂ&#x20AC;5LAÂ&#x17E;Â&#x2026;LÂ&#x2026;R (+90) 212 465 24 67 (+90) 212 463 63 63 | 5311 | 5807 MN KT SDKDENMK@QÂ&#x2039; @Q@X@Q@J (+90) 212 465 24 74â&#x20AC;&#x2122;e faks çekerek, B@QFNBG@QSDQ SGX BNL @CQDRHMD L@HK FÂ&#x2DC;MCDQDQDJ TK@Ă&#x2039;@AHKHQRHMHY

How Can You Reach Special Charter Service?

For your special charter requests by call Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E;[Â&#x201E; Â&#x201E;[Â&#x201E; Â&#x201E; Â&#x201E; AXÂ&#x201E;RDMCHMFÂ&#x201E;@Â&#x201E;E@WÂ&#x201E;SNÂ&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; Â&#x201E; AXÂ&#x201E;RDMCHMFÂ&#x201E;D L@HKÂ&#x201E;SNÂ&#x201E;B@QFNBG@QSDQ SGX BNL

2009 NOVEMBER | KASIM | SKYLIFE

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OPET_THY_SKYLIFE.FH11 10/9/09 5:27 PM Page 1 C

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&Â?5$-+Ă&#x2030;* SECURITY LĂ&#x153;TFEN KAPALI TUTUNUZ!

Ă&#x20AC;:%2Â&#x153;.Â&#x153;:$%Â&#x20AC;6%9!Â&#x20AC;%,Â&#x20AC; "!'!*).$!Â&#x20AC;4!Â?)-!9).): Â&#x20AC;

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Â&#x2021;@JÂ&#x2039; AÂ&#x2039;z@J SNQM@UHC@ HĂ&#x2C6;MD IHKDS FHAH SÂ&#x203A;L JDRHBH UD CDKHBH @KDSKDQ X@R@JSÂ&#x2039;Q

PLEASE TURN OFF!

DONâ&#x20AC;&#x2122;T CARRY IN YOUR CABIN BAGGAGE

Equipment which it is forbidden to TRDÂ&#x201E;NQÂ&#x201E;STQMÂ&#x201E;NMÂ&#x201E;CTQHMFÂ&#x201E;S@JDÂ&#x201E;NÉ°Â&#x201E;NQÂ&#x201E; K@MCHMF Â&#x201E;@MCÂ&#x201E;SGQNTFGNTSÂ&#x201E;SGDÂ&#x201E;ɲHFGt.

All kinds of cutting equipments such as jack-knife, knife, screwdriver, MDDCKDÂ&#x201E;@MCÂ&#x201E;Q@YNQÂ&#x201E;@QDÂ&#x201E;ENQAHCCDM

BAVULUNUZDA | EL "!'!*).):$!Â&#x20AC;2Â&#x153;3+Â&#x20AC; 4!Â?)-!9). Â&#x20AC;

!"$Â&#x20AC;3%&%2,%2Â&#x153;.$% Â&#x2021;@JL@J JHAQHS UA STSTĂ&#x2039;STQTBTK@QÂ&#x2039; Â&#x203A;YDQHMHYCD DK A@F@IÂ&#x2039;MÂ&#x2039;YC@ UD A@UTKTMTYC@ S@Ă&#x2039;Â&#x2039;L@MÂ&#x2039;Y JDRHMKHJKD X@R@JSÂ&#x2039;Q

/@QEÂ&#x203A;L FHAH @KJNKKT RÂ&#x2039;UÂ&#x2039;K@Q ANX@ UD SHMDQ FHAH X@MÂ&#x2039;BÂ&#x2039; GDQ SÂ&#x203A;QKÂ&#x203A; L@CCDXH X@MÂ&#x2039;MÂ&#x2039;Y@ @KL@XÂ&#x2039;MÂ&#x2039;Y

FOR U.S. FLIGHTS

DONâ&#x20AC;&#x2122;T TAKE ANY RISK WITH YOU

Itâ&#x20AC;&#x2122;s forbidden to carry lighters and matches on your person, in your B@AHMÂ&#x201E;@MCÂ&#x201E;BGDBJDCÂ&#x201E;A@FF@FD Â&#x201E;

#NM SÂ&#x201E;S@JDÂ&#x201E;@MXÂ&#x201E;JHMCÂ&#x201E;NÉ°Â&#x201E;ɲ@LL@AKDRÂ&#x201E; materials such as parfumes, paint and thinner

g 3Â&#x203A;L TzTĂ&#x2039; ANXTMB@

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items is forbidden during SGDÂ&#x201E;DMSHQDÂ&#x201E;ɲHFGS Â&#x201E;Â&#x201E;1@CHNÂ&#x201E; and TV transmitter, walky talkies, remote controlled toys and any other electronic equipment transmitting electromagnetic waves.

g 4zTĂ&#x2039; DLMHXDSH HzHM

gUsing the following items

HMHĂ&#x2039;SD J@KJÂ&#x2039;Ă&#x2039;S@ UD JDLDQ HJ@Y Â&#x2039;Ă&#x2039;Â&#x2039;JK@QÂ&#x2039; X@M@QJDM JTKK@MÂ&#x2039;KL@RÂ&#x2039; R@JÂ&#x2039;MB@KÂ&#x2039; UD X@R@J NK@M BHG@YK@Q ,O z@K@Q DKDJSQNMHJ NXTMK@Q S@Ă&#x2039;Â&#x2039;M@AHKHQ AHKFHR@X@Q CHRJ z@K@Q Q@CXN UD SDKDUHYXNM @KÂ&#x2039;BÂ&#x2039;K@QÂ&#x2039; S@Ă&#x2039;Â&#x2039;M@AHKHQ UHCDN @KDSKDQH #5# 5"# UD ADMYDQH A@S@QX@ HKD z@KÂ&#x2039;Ă&#x2039;@M DKDJSQNMHJ UD DKDJSQHJKH @KDSKDQ

HRÂ&#x201E;ENQAHCCDMÂ&#x201E;CTQHMFÂ&#x201E;S@JDÂ&#x201E;NÉ° Â&#x201E; landing and when the seat ADKSÂ&#x201E;RHFMÂ&#x201E;HRÂ&#x201E;NM Â&#x201E; Mp3 players, electronic games, portable computers, compact disc players, radio and TV receivers, portable video equipment, DVD, VCD or similar battery powered electrical and electronic equipment.

g 4zTĂ&#x2039; @KDSKDQHMH NKTLRTY XÂ&#x2DC;MCD DSJHKDCHĂ&#x2C6;H UD TzTĂ&#x2039; DLMHXDSHMH SDGCHS DSSHĂ&#x2C6;H HzHM KÂ&#x203A;SEDM BDO SDKDENMK@QÂ&#x2039;MÂ&#x2039;YÂ&#x2039; TzTĂ&#x2039; ANXTMB@ J@O@KÂ&#x2039; STSSTĂ&#x2C6;TMTY@ DLHM NKTMTY.

gSince Mobile phones

interfere with the ɲHFGSÂ&#x201E;HMRSQTLDMSRÂ&#x201E;@MCÂ&#x201E; BNLOQNLHRDÂ&#x201E;ɲHFGSÂ&#x201E;R@EDSX Â&#x201E; pease make sure that XNTQRÂ&#x201E;HRÂ&#x201E;RVHSBGDCÂ&#x201E;NÉ°Â&#x201E;CTQHMFÂ&#x201E; XNTQÂ&#x201E;ɲHFGS

g#TSX EQDD L@Ă&#x2C6;@Y@K@QÂ&#x2039;MC@M gAll tax-free liquid items

UDX@ TzTĂ&#x2039; DRM@RÂ&#x2039;MC@ R@SÂ&#x2039;M @KÂ&#x2039;M@M RÂ&#x2039;UÂ&#x2039; L@CCDKDQHM J@O@KÂ&#x2039; Â&#x2DC;YDK ONĂ&#x2039;DSKDQHM HzDQHRHMCD E@STQ@RÂ&#x2039; HKD AHQKHJSD S@Ă&#x2039;Â&#x2039;ML@RÂ&#x2039; FDQDJLDJSDCHQ +Â&#x203A;SEDM RDX@G@SHMHYHM RNM MNJS@RÂ&#x2039;M@ J@C@Q J@O@KÂ&#x2039; ONĂ&#x2039;DSKDQH @zL@XÂ&#x2039;MÂ&#x2039;Y JRH S@JCHQCD FÂ&#x203A;UDMKHJ JNMSQNK MNJS@K@QÂ&#x2039;MC@ ONĂ&#x2039;DSHM HzDQHĂ&#x2C6;HMD DK JNMTK@AHKHQ

purchased at the airport Duty-Free Shops or on board must be in sealed, special plastic bag with the QDBDHOS Please do not open the RD@KDCÂ&#x201E;A@FÂ&#x201E;TMSHKÂ&#x201E;SGDÂ&#x201E;ÉąM@KÂ&#x201E; CDRSHM@SHNM Â&#x201E;.SGDQVHRDÂ&#x201E; the content of bag maybe seized at security check ONHMS

$Ă&#x2C6;DQ ! Â&#x203A;KJDKDQHMCD X@ C@ !# @JS@QL@KÂ&#x2039; AHQ TzTĂ&#x2039;TMTY U@Q HRD Â&#x2DC;MBDCDM R@SÂ&#x2039;M @KÂ&#x2039;MLÂ&#x2039;Ă&#x2039; NK@M CTSX

EQDD Â&#x203A;QÂ&#x203A;MKDQHMHM LK XH @Ă&#x2039;@M JHKHSKH ONĂ&#x2039;DSKDQHM HzDQHRHMCD C@GH NKR@ DK A@F@IÂ&#x2039; NK@Q@J S@Ă&#x2039;Â&#x2039;ML@RÂ&#x2039;M@ HYHM UDQHKLDLDJSDCHQ (EÂ&#x201E;XNTÂ&#x201E;G@UDÂ&#x201E;@MXÂ&#x201E;ɲHFGSÂ&#x201E; transfer in EU countries or in United States, all dutyfree liquid items (over 100 ml) which have already purchased in sealed bags are not allowed to carry as G@MCÂ&#x201E;KTFF@FD

3Â&#x203A;L TzTĂ&#x2039; ANXTMB@ KÂ&#x203A;SEDM RHF@Q@ OHON OTQN UA SÂ&#x203A;SÂ&#x203A;M L@LTKKDQHMH HzLDXHMHY /KD@RDÂ&#x201E;QDEQ@HMÂ&#x201E;EQNLÂ&#x201E;RLNJHMFÂ&#x201E;BHF@QDSSDR Â&#x201E;OHODRÂ&#x201E;@MCÂ&#x201E;BHF@QRÂ&#x201E;CTQHMFÂ&#x201E;SGDÂ&#x201E;ɲHFGS

192 SKYLIFE | KASIM | NOVEMBER 2009

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