2009-11

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SAYI / ISSUE 316 KASIM 2009 / NOVEMBER 2009

ALABİLİRSİNİZ / YOUR COMPLIMENTARY COPY

SARAY SAATLERİ PALACE CLOCKS

11/09

ANJELİKA AKBAR: “Yeniden Doğdum” ANJELIKA AKBAR: “Born Again” ETKİLEŞİM Devrimi The INTERACTION Revolution İstanbul’un Can Damarı DİVANYOLU Hallmark of Istanbul DİVANYOLU 19. Yüzyılın Hezarfeni OSMAN HAMDİ BEY A 19th Century Renaissance Man OSMAN HAMDİ BEY

GÖL YÜZLÜ, GÜL KOKULU

ISPARTA

CITY OF LAKES AND ROSES

İŞTCELL’LİLERE

YURTDIŞINDA DA

AVANTAJLI İNTERNET

İşTcell’li şirketler yurtdışında internete bağlandıklarında kullandıkça azalan fiyatlardan yararlanıyor, kârlı çıkıyor.

Avantajlı yurtdışı internet fiyatları: 0-10 Mb arası: 14 TL/Mb 10-20 Mb arası: 7 TL/Mb 20 Mb+: 3,5 TL/Mb 444 0 532 www.istcell.com.tr Yurtiçinde kullandığınız internet tarife/paket abonelikleriniz yurtdışı kullanımlarda geçerli değildir. Yurtdışında “Turkcell Dünya Tarifesi” üzerinden ücretlendirilirsiniz. Yurtdışındaki internet kullanımlarınız, kullandığınız Mb başına kademeli olarak ücretlendirilir. Bu kademe, ilk 10 Mb 14 TL, 10-20 Mb arası 7 TL ve 20 Mb üzeri 3,5 TL olarak ücretlendirilecektir. Ücretlere KDV ÖİV dahildir. Bu fiyatlandırma sisteminden hattı roaminge açık faturalı hat sahipleri yararlanabilir. Kullanılan kademeler fatura kesim tarihlerinde yenilenmektedir. Kullanım sırasında 1 Mb’lık kullanım hakkı alınacak ve bu kullanım kotası 1 KB’lık artırımlarla dolacaktır. 1 Mb dolduğu zaman kullanım devam ederse yeni bir 1 Mb kullanım hakkı tanımlanacaktır. Ayrıntılar için turkcell.com.tr adresini ziyaret edebilirsiniz.

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SAYI / SSUE 316 KASIM 2009 / NOVEMBER 2009

ALABİLİRSİNİZ / YOUR COM L MENTARY CO Y

SARAY SAATLERİ PALACE CLOCKS ANJELİKA AKBAR: “Yeniden Doğdum” ANJELIKA AKBAR: “Born Again” DOKUNMATİK Devrimi The TOUCHING Revolution İstanbul’un Can Damarı DİVANYOLU Hallmark of Istanbul DİVANYOLU 19. Yüzyılın Hezarfeni OSMAN HAMDİ BEY A 19th Century Renaissance Man OSMAN HAMDİ BEY

GÖL YÜZLÜ, GÜL KOKULU

ISPARTA

CITY OF LAKES AND ROSES

KASIM NOVEMBER

CITYSCOPE 17

PERDELER AÇILDI AND THE CURTAIN RISES

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CITY OF LAKES AND ROSES

A rose garden hidden behind the peaks of the Mediterranean-facing Taurus mountain range, Isparta awaits visitors with its cuisine, lakes, ski center, and nature sports. COVER PHOTO: YÜKSEL ALTINTOP, KOVADA LAKE, ISPARTA

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6 SKYLIFE | KASIM | NOVEMBER 2009

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'.Ê&$+#É-É9 WELCOME ABOARD 6D\à Q .RQXNODUà Pà ]

Dear Guests,

%LOLà LP WHNQRORMLOHULQLQ NXOODQà P YH JHOLà LPLQLQ |QF OHULQGHQ +DYD\ROX HQG VWULVLQGH RSHUDV\RQODUà Q oHà LWOLOLâL YH NDUPDà à NOà âà HQ  VW G ]H\GH %7 %LOJL 7HNQRORMLVL GHVWHâLQL ]RUXQOX Nà Oà \RU 7 UN +DYD <ROODUà J oO %7 DOW\DSà Và VD\HVLQGH \ROFX EDà à QD ELULP PDOL\HWOHULQL G Q\D KDYDFà Oà N RUWDODPDVà Qà Q oRN DOWà QGD WXWPD\à EDà DUDELOL\RU YH EX GD ILQDQVDO VRQXoODUà Pà ]D \DQVà \RU

The airline industry has been a great pioneer in the development and widespread use of countless information technologies. Running an airline is no easy task, as such, the complicated nature of the operation necessitates a highly sophisticated IT infrastructure. Thanks to this integrated approach, Turkish Airlines has been able to keep per-passenger costs well below the average global figures — a savings reflected in our financials.

7 UN +DYD <ROODUà RODUDN VRQ \à OGà U JHUoHNOHà WLULOHQ WLFDUL DWà Oà Pà NDOà Fà Nà OPDN YH RSHUDV\RQHO YHULPOLOLâL DUWà UPDN LoLQ %7 \DWà Uà PODUà QD E \ N |QHP YHUL\RUX] 0 à WHUL RGDNOà G|Q à  P RODUDN DGODQGà UDELOHFHâLQL] SURMHOHULPL] oHUoHYHVLQGH GH VL]OHUOH WHPDV QRNWDODUà QGDNL VLVWHPOHULPL] LoLQ \à Oà Qà \DWà Uà P \à Oà LODQ HWWLN 7 UNL\H YH KDWWD G Q\D |OoHâLQGH VD\à Oà E \ NO NWHNL (53 åà OHWPH .D\QDN 3ODQODPDVà SURMHVLQH EDà ODGà N 6 UHoOHULQ \HQLGHQ \DSà ODQGà Uà OPDVà QD \|QHOLN EX SURMH LOH RSHUDV\RQHO YHULPOLOLâLPL]L DUWà Uà S \ROFXODUà Pà ]D GDKD X\JXQ  U Q YH KL]PHWOHUL GDKD HWNLQ ELU ELoLPGH VXQDELOHFHâL] (53 SURMHVL\OH LQVDQ ND\QDNODUà VDWà Q DOPD YH GHSR \|QHWLPL PXKDVHEH YH ILQDQV DODQODUà QGD W P Là V UHoOHULPL]L GDKD GD L\LOHà WLUHFHâL] %X SURMH\L oRN LGGLDOà ELU WDNYLPOH LON PH\YHVLQL ELULQFL \à Oà Q VRQXQGD DODELOHFHN ELoLPGH \à OGD WDPDPODPD\à KHGHIOL\RUX]

Turkish Airlines has been growing very quickly over the past five or six years. Our IT investments are extremely important to our goal of preserving growth while continuing to boost productivity. Accordingly, we have declared 2010 to be the “year of investment� in our passenger facing systems.

<ROFXODUà Pà ]D \|QHOLN oDOà à PDODUà Pà ]à Q ELU GLâHUL RODQ 0RELO7+< SURMHPL] WDPDPODQGà YH (NLP LWLEDUL\OH SLORW RODUDN NXOODQà PD Doà OGà 0RELO7+< VD\HVLQGH \ROFXODUà Pà ] FHS WHOHIRQODUà QGDQ UH]HUYDV\RQ ELOHW VDWà Q DOPD XoXà D VDDW NDOD FKHFN LQ Là OHPL \DSPD JLEL KHPHQ KHU W UO \ROFX Là OHPOHULQL JHUoHNOHà WLUHELOHFHN YH JHOLà PHOHUL \LQH FHS WHOHIRQODUà QGDQ WDNLS HGHELOHFHNOHU &HS WHOHIRQXQX]D G à HFHN RODQ EDUNRG LOH Kà ]Oà ERDUGLQJ GH P PN Q RODFDN %XUDGDNL |QHPOL EHNOHQWLOHULPL]GHQ ELUL GH VL] GHâHUOL \ROFXODUà Pà ]à Q KHU ELUL LoLQ |]HOOHà WLULOPLà KL]PHWOHU VXQDELOPHNWLU hONHPL]GHNL * NXOODQà Pà LOH ELUOLNWH EX KL]PHW GDKD GD HWNLQOHà HFHNWLU :HE VLWHPL]L \HQLOL\RU YH \HQL IRQNVL\RQODU GD HNOH\HUHN KL]PHWH VXQDFDâà Pà ]  U Q SRUWI|\ Q JHOLà WLUL\RUX] +DYDOLPDQODUà QGDNL NLRVN PDNLQHOHULPL]LQ VD\à Và Qà DUWà Uà \RUX] %X VD\HGH ERDUGLQJ SDVV  UHWLPL LoLQ EDQNRODUD JLWPHGHQ NLRVNODUGDQ ID\GDODQDELOHFHNVLQL] <HQLOLNOHUOH LOJLOL oRN \DNà Q ]DPDQGD VL]OHUH EDà ND P MGHOHULPL] GH RODFDN &XPKXUL\HWLPL]LQ NXUXFXVX $WDW UNŠ |O P \à OG|Q P QGH ELU NH] GDKD DQà \RUX] .XUEDQ ED\UDPà Qà ]à LoWHQOLNOH NXWODU 7 UN +DYD <ROODUà ŠQD J|VWHUPLà ROGXâXQX] LOJL\H WHà HNN U HGHU YH L\L XoXà ODU GLOHULP

6HYJL YH VD\JĂ ODUĂ POD Doç. Dr. Temel Kotil, Genel MĂźdĂźr ve YĂśnetim Kurulu Ăœyesi

We have begun work on a highly sophisticated ERP (enterprise resource planning) project that will rival the largest such systems in the world. We aim to increase our operational efficiency by tailoring our products and services to the specific needs of passengers. We will also use ERP to review and streamline the functioning of human resources, procurement, inventory, accounting, and finance. The project is targeted for completion in three years and we confidently expect early results by the end of the first year. We are also working steadily on our customer facing systems and are proud to announce the completion of THY Mobile, which was made available for testing on October 20th. Passengers will be able to use THY Mobile to make reservations, buy tickets, check in to their fights, and access up-to-date travel information on their phones. THY Mobile users will also have the option of fast boarding using a two-dimensional barcode downloaded to their handsets. Our greatest priority is to increase the value and convenience of our services by providing personalized, friendly experience for each of our passengers. As 3G enters the mainstream, you can expect ever richer features and convenience from THY Mobile. Lastly, we are renovating our website and adding new functionality, broadening our portfolio of web services. Additionally, we are increasing the number of self-service kiosks which you may use to print your boarding passes in lieu of waiting at the front desk. We hope our investments will allow us to remain among the leaders of technological advancement in Turkey. This month we solemnly remember the passing of our nation’s founding father, Mustafa Kemal Ataturk. I hope you enjoy your holiday during the Festival of Sacrifice. Thank you for choosing Turkish Airlines and I wish you a pleasant flight.

Sincerely yours, Temel Kotil, Ph.D. CEO and Member of the Board

2009 NOVEMBER | KASIM | SKYLIFE 11

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10/27/09 5:19 PM

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12 SKYLIFE | KASIM | NOVEMBER 2009

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Gregorietti Associati - photo: Lapone/Bolzoni

GranitiFiandre spa via Radici Nord, 112 42014 Castellarano (RE) Italy www.granitifiandre.com

Iris Ceramica spa via Ghiarola Nuova, 119 41042 Fiorano Modenese (MO) Italy www.irisceramica.com

istanbul_hub_21.5x27.5 10/19/09 2:55 PM Page 1 C

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CITYSCOPE 22

3LQN 0DUWLQL LOH VRQ DOE POHUL  ]HULQHž Pink Martini on their latest Eylßl bitmeden album‌ \DSPDQ×] JHUHNHQOHU

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ĂĄVWDQEXO .LWDS )XDUĂ EDĂŁODGĂ The 28th Istanbul Book Fair has begun.

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PERDELER AÇILDI AND THE CURTAIN RISES #DUKDS UD Ă‹DGHQ SHX@SQNK@Q‹ HKD ˜YDK SHX@SQNK@Q The state and city theaters as well as the private FDzSHĂˆHLHY @X ODQCDKDQHMH ODĂ‹ ODĂ‹D @zS‹ theaters raised their curtains one by one last month RDYNMTMC@ RDXHQBHXH XDOXDMH NXTMK@Q ADJKHXNQ with spanking new plays awaiting spectators in the g„*Ă€,Âœ$%€+!2!(!.€ 2009-2010 season.

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10/24/09 8:34 PM

$3*ĂŠ-+ĂŠ* EVENT

8(+# 8$-É 8$1+É .84A PLAY FOR EVERY YEAR #DUKDS„3HX@SQNK@Q‹„ „X‹K‹M‹„ „XDMH„XDQKH„NXTMK@„JTSKTXNQ The State Theaters are celebrating their 60th anniversary this year with 60 new Turkish plays.

Opening their doors to young writers, the Turkish State Theaters this season are staging the world premieres of 60 new Turkish plays on the 60th anniversary of their founding. The Istanbul State Theater, which one by one has been losing its longstanding venues (like the Taksim Theater and Ataturk Culture Center) in recent years, is promising a very productive winter. The plays selected by the theater, which is opening the season at eight venues, are an important indicator of theater in Turkey since the founding of the Republic. Among the leading works to be staged are ‘Two Times Two’ by Behiç Ak, GĂźngĂśr Dilmen’s ‘Kuzguncuk TĂźrkĂźsß’ and Meltem <Ă OGĂ UĂ PŠV ¨)HVOHĂŁHQ dĂ NPD]à Š 3@MDQ !@QK@R ‹M X˜MDSSHĂˆH ?,@RJDKHKDQ CD 2DQC@Q .QzHM +DUDMS Â?Y›LB› UD ,DGLDS &›QG@M QNK @K‹XNQ Â?RSSD *@K@A@K‹J AHQ NXTMBT J@CQNRTM@ R@GHO NK@M ?!NYTJ #›YDM H !TQSDzHM 9NF@ X˜MDSHXNQ KSS@ 2DQC@Q .QzHM +DUDMS Â?Y›LB› @MC ,DGLDS &›QG@M OK@X HM (K@M '@SRNQ R ?,@RJDC CHQDBSDC AX 3@MDQ !@QK@R ANUD !TQSDzHM 9NF@ HR CHQDBSHMF ?!NYTJ #›YDM VHSG HSR HLLDMRD B@RS !DKNV

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FIERCE COMPETITION With established venues in 12 provinces and traveling troupes in five centers, the Turkish State Theaters nevertheless face fierce competition in the form of the City Theaters. The City Theaters of the Istanbul Metropolitan Municipality, for example, are opening the season with 14 new plays. Harking back to the good old days with the reopening RI WKH 0XKVLQ (UWXĂŁUXO Stage, the City Theaters will be staging plays about Istanbul starting from the new year. Some prominent

18 SKYLIFE | KASIM | NOVEMBER 2009

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10/26/09 7:33 PM

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examples include GĂźner SĂźmer’s ‘Bozuk DĂźzen’, Ephraim Kishon’s ‘The Lark’, Jean-Paul Sartre’s ‘No Exit’, 7XQFHU & FHQRĂŁOXŠV ¨&Ă NPD] 6RNDNŠ DQG 5DJĂ S <DYX]ŠV ‘Mecbur Adam’.

THE PRIVATE THEATERS There is good news as well on the private theater front. 7KH $OWĂ GDQ 6RQUD 7L\DWUR 7RSOXOXĂŁX $IWHU 6L[ 7KHDWHU Group) is opening a new venue 1st November at .XPEDUDFĂ <RNXĂ&#x;X 1R LQ the district known as TĂźnel at the lower end of Taksim’s ĂĄVWLNODO &DGGHVL $PRQJ the theater’s backers are prominent figures from Ă–zen Yula and Levent ĂœzĂźmcĂź

to Berkun Oya and Bennu <Ă OGĂ UĂ PODU The repertoires as usual are eminently diverse. The Semavar Company is opening with ‘The Lourcine Street Affair’, directed E\ )UHQFK UHJLVVHXU Daniel Soulier. Another new play for this theater is Shakespeare’s Titus Andronicus. The Kenter Theater’s new offering meanwhile is ‘Queen Lear’ IHDWXULQJ <Ă OGĂ ] .HQWHU LQ both the lead role and as director. Based on his own life story, Memet Ali Alabora’s ‘Muhabir’ (Reporter) continues at Garajistanbul in a performance aimed at refreshing memories and taking a look at recent history. The Duru Theater is staging the ever popular ‘When Harry Met Sally’, while Tiyatrokare is SXWWLQJ RQ ¨/H\ODŠQĂ Q (YLŠ and Tiyatro Kedi ‘Steel Magnolias’. ‘Terms of Endearment’ at Aysa Productions’, ‘7 Ă HNVSLUŠ DW 2\XQ $W|O\HVL ‘Uncle Vanya’ at Tiyatro 3HUD DQG ¨ho .XUXĂ&#x;OXN Mahalle Dersleri’ at Tiyatro Maan are just a few more of the offerings that will put paid to any dreams of a quiet evening at home. 2009 NOVEMBER | KASIM | SKYLIFE 19

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10/26/09 7:33 PM

$3*ĂŠ-+ĂŠ* EVENT

./$1 5$ ! +$ #$ ' 8#- +( ‡(+(ĂŠ OPERA AND BALLET OPEN WITH HAYDN ĂŠRS@MATK„#DUKDS„.ODQ@„UD„!@KDRH „ d „ RDYNMTMT„ „XDMH„DRDQKD„J@QĂŒÂ‹K‹XNQ

The Istanbul State Opera and Ballet is greeting the 2009-2010 season with six new works.

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cityscope.indd 20

7KH ,VWDQEXO 6WDWH 2SHUD DQG %DOOHW KDV RSHQHG DW $\D ĂĄULQL ZLWK PRYHPHQWV IURP )UDQ] -RVHSK +D\GQŠV RUDWRULR ¨7KH Seasons’, as ‘Haydn Year’ is being celebrated all over the world to honor the 200th anniversary of the great composer’s death. The opera and ballet team will continue the year with six works new to its repertoire. All performances by the troupe, which is currently unable to use the Ataturk Culture Center, are being VWDJHG WKLV \HDU DW WKH 6 UH\\D 2SHUD +RXVH LQ .DGĂ N|\ The first of the season’s new works is ‘La Bohème’, featuring the music of Giacomo Puccini under the direction of conductor Antonio Pirolli. Another classic awaits opera lovers in the new \HDU LQ WKH IRUP RI 0R]DUWŠV ¨7KH 0DUULDJH RI )LJDURŠ GLUHFWHG by Yekta Kara. Jacques Offenbach’s ‘Tales from Hoffmann’ is yet another of the season’s new offerings. Meanwhile a ‘Rossini Menu’, to be performed by Istanbul State Opera and Ballet soloists, will welcome audiences in late January.

241/1(2$ %1., !$+ 142œ The Belarus State Dance Ensemble is preparing to come to Istanbul. Coming to Turkey for SGD„EHQRS„SHLD „SGD„FQNTO„VHKK„RS@FD„ dances at the TIM Maslak Show "DMSDQ„NM„ „ „@MC„ „)@MT@QX „ Formed by a decision of the Soviet Socialist Republic’s cabinet in „SGD„DMRDLAKD„VHKK„OQDRDMS„ not only dances from Belarus but from the old Soviet Union as well.

10/24/09 8:34 PM

$3*ĂŠ-+ĂŠ* EVENT

8$-É +!Â?,Â?8+$ /É-* , 13É-É PINK MARTINI AND THEIR NEW ALBUM ‘Sympathique’ ve ‘Hang on Little Tomato’ ile kendilerini dĂźnyaya sevdiren Pink Martini’nin son albĂźmĂź CHMKDXHBHXKD„ATKTĂŒST „ g„)Â?+É#$ *

Winning hearts around the world with ‘Sympathique’ and ‘Hang on Little Tomato’, Pink Martini just released their new album.

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Pianist and composer Thomas M. Lauderdale told us about his group’s latest album, ‘Splendor in the Grass’, which he describes as being ¨RXW LQ WKH VWUHHW SDUWLFLSDWLQJ LQ WKH ZRUOG Š )RU PRUH GRQŠW PLVV WKH ¨3LQN 0DUWLQLŠ FRQFHUW DW ĂĄĂ&#x; 6DQDW RQ 1RYHPEHU

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From which dusty shelf did you take the songs for ‘Splendor in the Grass’? There are nine original songs and four covers on the album. One of the most special songs is one we recorded with the legendary Mexican singer Chavela Vargas and covered with an old Agustin Lara song, ‘Piensa En Mi’. It’s extraordinary. China sings Joe Raposo’s famous ‘Sing’ in a multi-lingual version. There’s also a song by Italian show star Rafaella Cara on the album. We want everybody to discover these old songs again.

åVWDQEXOŠGD ELU G ]LQH NRQVHU YHUGLQL] % W Q ãHKLUOHUL EX NDGDU Và N ]L\DUHW HGL\RU PXVXQX] \RNVD GXUXP åVWDQEXOŠD Pà |]J " åVWDQEXOŠD LON NH] &D] )HVWLYDOL LoLQ JHOPLà YH XQXWDPDGà âà Pà ] ELU NRQVHU YHUPLà WLN +HP à HKUL VHYL\RUX] KHP GLQOH\LFL à DUNà ODUà Pà ]à ELOL\RU KHP GH DUNDGDà ROGXâXPX] ELU HNLSOH oDOà à à \RUX]

You’ve given a dozen concerts in Istanbul. Do you visit all cities this often, or is Istanbul special? :H ILUVW FDPH WR ,VWDQEXO IRU WKH -D]] )HVWLYDO DQG JDYH D FRQFHUW we’ve never forgotten. We love this city, and the audience knows our music. We’re also good friends with the team we work with here

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8(+ 2.-1 8$-É#$- 8$++.6) "*$32 BACK AGAIN AFTER 20 YEARS: THE YELLOWJACKETS 1981’den beri bitmeyen enerjilerileriyle yine CĂ„MX@„STQMDRHMCDKDQ„UD„ „X‹K„RNMQ@„XDMHCDM„„ ĂŠRS@MATKKT„B@YRDUDQKDQKD„ATKTĂŒTXNQK@Q g„-$)

Touring the world since 1981 with indefatigable energy, the Yellowjackets are coming together with Istanbul I@YYÂ…KNUDQRÂ…SGHRÂ…LNMSGÂ…@ČśDQÂ…@Â…GH@STRÂ…NEÂ… Â…XD@QR

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The legendary jazz and fusion group Yellowjackets are back in Turkey for the first time since 1989 when they came to promote their album ‘The Spin’ and performed at the Open Air Theater as part of the ,VWDQEXO 0XVLF )HVWLYDO Now they are meeting Istanbul jazz lovers again on DQG 1RYHPEHU )RUPHG in 1977 under a different name, the group released their first album in 1981 and are still going strong today despite many changes in the team over the years. Winner of two Grammys, for R&B in 1986 and best jazz fusion in 1988, the Yellowjackets

released their most recent album, ‘Lifecycle’, in 2008. The album, with Mike Stern on guitar, is currently available at shops in Turkey. The concert, to take place at the Istanbul Jazz Center, will IHDWXUH 5XVVHOO )HUUDQWH RQ keyboards, Jimmy Haslip on lead guitar, and Bob Mintzer on saxophone. On drums is Marcus Baylor, a leading name in the new generation of jazz musicians. Not to be missed!

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8 9 1 2$,3 *É3 / 40 WRITERS, 40 NEIGHBORHOODS, 40 BOOKS SEMTLERDEN SEÇMELER SOME OF THE NEIGHBORHOODS C@K@Q S@NK !DGQ@LNĂˆKT S@J˜X $MUDQ XRDUDQ !@K@S .QG@M .J@X !DĂ‹HJS@Ă‹ XĂ‹D 2@Q‹R@X‹M !DX@Y‹S !DĂ‹HQ XU@YNĂˆKT !NĂˆ@YHzH '@KTJ #TQRTM "HG@MFHQ '@XC@Q $QF›KDM #NK@OCDQD ,HMD 2Â˜ĂˆÂ›S *@C‹J˜X 'TKJH JSTMz *NB@LTRS@E@O@Ă‹@ #NĂˆ@M '‹YK@M -HĂ‹@MS@ˋ '‹EY‹ 3NOTY Â?RJ›C@Q Â?LDQ $QCDL

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Held this year for the 28th time, the Istanbul Book Fair is bringing bibliophiles a program chock full of 297 different events. ‘Translation in Inter-cultural Dialogue’ is the principal theme of the fair, in which 550 publishers and organizations of civil society from Turkey and abroad will take part. Poet, translator and drama critic Cevat Çapan is the honorary writer of this year’s fair, which is being organized by TĂœYAP TĂźm )XDUFĂ OĂ N <DSĂ P $ Ă DQG the Association of Turkish Publishers. Through 8 November at the BeylikdĂźzĂź TĂœYAP Fair and Congress Center.

‘Istanbulum’/My Istanbul, a monumental 40-book project in which 40 select writers describe their Istanbul neighborhoods, is one of the projects making its debut at the 28th Istanbul Book Fair, October 31 through November 8. Realized through a cooperation between the Literature Department of the Istanbul 2010 European Capital of Culture Agency DQG +H\DPROD <D\Ă QODUĂ WKH project promises an extended journey into the city’s recent history.

SANAT FUARI ÉRS@MATK 2@M@S %T@Q‹ 13É23 ÉRS@MATK *HS@O %T@Q‹ XK@ DĂ‹ Y@L@MK‹ NK@Q@J FDQzDJKDĂ‹HXNQ #˜QS A›X›J R@KNMC@ › @Ă‹J‹M J@S‹K‹LB‹XK@ R@M@SRDUDQH J@QˋK@X@M 13É23 TM NMTQ R@M@Sz‹R‹ ,TGRHM *TS %T@QC@ R@M@Sz‹M‹M J@OR@LK‹ AHQ RDQFHRH ATKTMTXNQ ART FAIR Taking place simultaneously with the Istanbul Book Fair is the 19th Istanbul Art Fair, ARTIST 2009. Muhsin Kut is the artist of honor at ARTIST 2009, which is welcoming over 100 participants as well as art lovers in its four large halls. Kut will be represented with a comprehensive exhibition at the fair.

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Chagall was born in the Russian city of Vitebsk in 1887 and died in France in 1985. The exhibition, ‘Chagall: Life and Love’, comprises 160 of the artist’s prints, drawings and paintings from the Israel Museum, Jerusalem. More than enough to draw you into the vibrant world of his imagination. In addition to autobiographical drawings chronicling the artist’s life and love for his first wife, Bella, the exhibition also includes Biblical illustrations, as well as illustrations for literary works such as the fables of La Fontaine and Gogol’s ‘Dead Souls’. What’s more, Chagall’s grandson Meret Meyer will come to Istanbul in December to give a lecture on his grandfather’s life and works. If you would like to see Chagall’s paintings, in which a happy man and happy woman fly into the sky hand in hand, as well as his goats, cows, fiddlers, roosters, grandfather clock, flying fish, Menorah, circus and trees, then head for the Pera Museum. Through January 24.

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2(1+(* !É1 Â?8*Â? A CENTENNIAL TALE 1DY@M„'@R„,Ă„YDRH „ÀMĂ„LĂ„YCDJH„@KS‹„@X„ RĂ„QDRHMBD„YHX@QDSyHKDQHMD„?3Ă„QJ„1DRHL„2@M@S‹ M‹M„ !HQ„ R‹QK‹J„œXJĂ„RĂ„ MĄ@MK@S@B@J The Rezan Has Museum is going to tell visitors ‘The Centennial Tale of Turkish Painting’ over the next six months. 5H]DQ +DV 0 ]HVL LNL \Ă O |QFH ¨7 UN 5HVLP 6DQDWà ŠQĂ Q %LU $VĂ UOĂ N g\N V ŠQ DQODWPĂ Ă WĂ +DOLO ĂĄEUDKLP ĂĄSHU NROHNVL\RQXQGDQ GHUOHQHQ HVHUOLN ELU |\N \G R 2VPDQ +DPGL %H\ŠGHQ Ă&#x;HNHU $KPHW 3DĂ DŠ\D ĂĄEUDKLP dDOOà ŠGDQ )LNUHW 0XDOODŠ\D WDGĂ GDPDNWD NDODQ ELU |\N 9H GHYDPĂ JHOGL 0 ]H Ă LPGL GH ¨7 UN 5HVLP 6DQDWà ŠQĂ Q %LU $VĂ UOĂ N g\N V ,,Š LOH VDQDWVHYHULQ NDUĂ Ă VĂ QGD %X GHID ND\QDN GDKD |QFH KLo VHUJLOHQPHPLĂ RODQ YH PHUDNOD EHNOHQHQ $KX¤&DQ +DV .ROHNVL\RQX 0 ]HQLQ LNL VDORQXQD ELUGHQ \D\Ă ODQ VHUJLGH )DXVWR =RQDUR YH )DELXVW %UHVW JLEL 2U\DQWDOLVW UHVVDPODUGDQ 2VPDQ +DPGL %H\ Ă&#x;HNHU $KPHW 3DĂ D YH 0DKPXW &€GD JLEL 7 UN 5HVLP 6DQDWà ŠQĂ Q |QF OHULQH JHQLĂ ELU \HOSD]H PHYFXW dDâGDĂ 7 UN 5HVPLŠQLQ GH XQXWXOPDGà âà VHUJLGH $GQDQ dRNHU (URO $N\DYDĂ YH %XUKDQ 'RâDQoD\Šà Q |QHPOL \DSĂ WODUĂ \HU DOĂ \RU g]HQOH VHoLOHQ HVHUGHQ ROXĂ DQ VHUJL 7 UN 5HVLP 6DQDWà ŠQĂ Q J Q P ]H NDGDU KDQJL %DWĂ OĂ DNĂ PODUĂ Q HWNLVLQGH NDOGà âà QĂ PHUDN HGHQOHU LoLQ ELULQFL HOGHQ ELU ND\QDN .DVĂ P ¤ 1LVDQ DUDVĂ QGD ELU J Q Q ] PXWODND D\Ă UĂ Q

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‘The Centennial Tale of Turkish Painting’ was actually told at Rezan Has Museum two years ago. It was a story made up RI ZRUNV IURP WKH FROOHFWLRQ RI +DOLO ĂĄEUDKLP ĂĄSHU $ VWRU\ WKDW OHIW D WDVWH RI SDLQWHUV IURP 2VPDQ +DPGL %H\ DQG Ă HNHU $KPHW 3DĂ&#x;D WR ĂĄEUDKLP dDOOĂ DQG )LNUHW 0XDOOD RQ WKH SDODWH And now, in a sequel, the museum is bringing art lovers ‘The Centennial Tale of Turkish Painting IIâ€?. The source this time is the eagerly awaited, not previously exhibited, Ahu-Can Has Collection. Spread over the museum’s two halls, the exhibition includes D EURDG VSHFWUXP RI SDLQWHUV IURP 2ULHQWDOLVWV OLNH )DXVWR =RQDUR DQG )DELXV %UHVW WR SLRQHHUV RI 7XUNLVK SDLQWLQJ VXFK DV 2VPDQ +DPGL %H\ Ă HNHU $KPHW 3DĂ&#x;D DQG 0DKPXW &€GD as well as important works of Modern Turkish Painting by $GQDQ dRNHU (URO $N\DYDĂ&#x; DQG %XUKDQ 'RĂŁDQoD\ This exhibition of 100 carefully selected works constitutes a first-hand source for anyone who is curious about the influence on Turkish painting of Western movements in art up to our GD\ )URP 1RYHPEHU WKURXJK $SULO 'RQŠW PLVV LW

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We asked writer Mario Levi about Istanbul, the city he says he can’t live without.

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You always say that you can’t live without Istanbul. Why? I believe with all my heart that the cultural climate into which he was born and in which he was formed shapes not only the themes that a writer chooses to treat, or is fated to share with others, but also his emotional world, even his style. Istanbul has given me a long story, a story I will perhaps never be able to finish. The Istanbul of your childhood and present-day Istanbul... How are they different? You could swim on its coasts, now you can’t, or if you do, it’s just not the same. There was no television, no internet, there were no cell phones. There were no bridges over the Bosphorus, but people were much closer to each other for exactly that reason. I think this is the fate of all big cities that grow the way Istanbul has. What does autumn in Istanbul mean to you? The fish markets start to fill up with fish after the middle of September. The smell of fish in the markets is perhaps the city’s oldest smell, going all the way back to Byzantine times. You can’t find this smell in any other city, because the scent of the Bosphorus is also mingled with it. Bluefish, bonito, sea bass, red mullet, turbot... Autumn in Istanbul means the smell of fish. What do you regard as not to be missed in Istanbul? ,I , WRRN \RX DURXQG WKH FLW\ , ZRXOG WDNH \RX WR WKH .DGĂ N|\ 0DUNHW RQH GD\ )LUVW ZH ZRXOG KDYH D OXQFK RI DXWKHQWLF 2WWRPDQ 7XUNLVK dishes. Another day I would take you up the Anatolian shore of the %RVSKRUXV WR .X]JXQFXN %H\OHUEH\L dHQJHON|\ DQG .DQGLOOL ,I \RX ZHUH XS WR LW ,ŠG WDNH \RX DOO WKH ZD\ XS WR $QDGROX +LVDUĂ .DQOĂ FD DQG %H\NR] 2Q \HW DQRWKHU GD\ , ZRXOG WDNH \RX WR %H\RĂŁOX

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Turkuazoo is one of those rare venues where everyone in the family from seven to seventy can spend time together with never a dull moment. For it gives visitors a glimpse into a world with which very few people are familiar - the deep sea world of sharks, sea turtles, octopuses and the giant algae-eating creatures known ,É+8.- +É31$ as plecos. An 80-meter-long underwater tunnel made of acrylic JU@QXTLC@ S@L LHKXNM passes through the aquarium, giving visitors the impression they KHSQD CDMHY RTXT U@Q ,@QL@Q@ #DMHYH MCDM S@MJDQKDQKD are swimming with the fish. And in the observation hall with its S@ˋM@M RT CDUQHC@HL DCHKDQDJ 270-degree underwater angle, the fish are quite literally close JTKK@M‹K‹XNQ enough to touch. The sharks are the most fascinating by far of the creatures #48&42 + ! +(*+ 1 8TMTR FHAH A@K‹JK@Q @JU@QXTL@ you can see at Turkuazoo, which was built at a cost of 17 million FHQDLHXNQ ‡›MJ› LDLDKH CDMHY Euros. There are thirty of them in the aquarium, ten of them the B@MK‹K@Q‹M‹M CTXFTK@Q‹ NKCTĂˆTM@ large species. These sharks, the largest of which measures three HM@M‹K‹XNQ meters in length, were transported to Turkuazoo by airplane and 6'8 8.4 2* giant semi-trailer truck. 3GD„K@QFD„EHRG„KHUHMF„HM„SGD„ @PT@QHTL„CN„MNS„D@S„SGD„ RL@KKDQ„EHRG „ADB@TRD„SGD„ RSNL@BGR„NE„SGD„K@QFD„EHRG„@QD„ @KV@XR„ETKK

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34„„SKYLIFE | KASIM | NOVEMBER 2009

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36 SKYLIFE | KASIM | NOVEMBER 2009

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THE ‘POWER 100’ IN THE WORLD OF ART

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3 1ĂŠ' HISTORY 8(*(+(ĂŠ(-(- 8(+#Â?-Â?,Â?-#$ !$1+É- #45 1( ON THE 20TH ANNIVERSARY OF THE COLLAPSE OF THE BERLIN WALL *@R‹L„@X‹ „S@QHGD„S@M‹JK‹J„DCDM„ÀMDLKH„AHQ„ FDKHĂŒLDXH„A@Q‹MC‹Q‹XNQ „ „*@R‹L„ „-@YH„ KL@MX@ R‹M‹M„A@ĂŒJDMSH„!DQKHM H„HJHXD„@X‹Q@M„ CTU@Q‹M„X‹J‹KÂ‹ĂŒÂ‹M‹M„X‹KCĂ€MĂ„LĂ„ „„„

November marks an important event, the 20th anniversary of the historic collapse on 9 November 1989 of the wall that divided the former Nazi capital, Berlin.

g„MERT KAYA 1961: #TU@Q‹M„X@O‹L‹M@„ A@ĂŒK@ML@R‹ „ 1963: *DMMDCX MHM„!@S‹„!DQKHM H„ YHX@QDSH „„ 1989:„„ !DQKHM„#TU@Q‹ M‹M „ „8‹J‹KÂ‹ĂŒÂ‹ „ 1990:„„ #NÉT„ KL@MX@„ "TLGTQHXDSH MHM„%DCDQ@K„ KL@MX@„HKD„AHQKDĂŒLDRH 1961: Construction of the wall begins. Kennedy visits West Berlin. 1989: Collapse of the Berlin Wall. 1990: Reunification of the Republic of East Germany with the Federal Republic of German.

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The Berlin Wall was constructed starting on 13 August 1961 to protect Soviet satellite East Germany from the dangers of the capitalist West. Faced with a dizzying series of economic and cultural overtures by the western world starting in the 1980’s, the Soviet bloc’s iron curtains began to lift slightly. At the beginning of 1989 the East German government gave permission for its citizens to travel to other Iron Curtain countries like Czechoslovakia and Yugoslavia. When East Germans who traveled to these countries failed to return in large numbers, the wall gradually lost its function and its existence began to be questioned. As a result of gathering world public opinion, perhaps the hottest development in the world at the time occurred on a cold November day in 1989 when the Berlin Wall, which had divided in two a city and the lives of those in it was leveled by bulldozers and became history. Stones and rubble left from the Berlin Wall can be found today as souvenirs in Berlin’s stores.

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The ‘City and Art’ exhibition brings together five European cities at the Tophane-i Amire Culture Center through 15 November.

16

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Architect Aykut KĂśksal is guest of the day at the Istanbul 2010 European Capital of Culture Agency’s now traditional ‘Wednesday Meetings’ on 11 November. The agenda of the meeting, which begins at 5:30 p.m. at the Agency’s %H\RĂŁOX KHDGTXDUWHUV LV “Have We Preserved Anything by Protecting It?â€?

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Concert Following an extended stay abroad to record an album in English, (PUH $\GĂ Q ZLOO WDNH the Jolly Joker Balans stage on 20 November.

$Q H[KLELWLRQ HQWLWOHG ¨6DOĂ 3D]DUà Š E\ Ă DNLU *|NoHEDĂŁ a Turkish artist who lives in Germany, is at Galeri Apel throughout November. The exhibition features ‘marketplace installations’.

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Drummer and percussionist Okay Temiz is at the Nardis Jazz Club the evening of November 16 with ‘Oriental Wind Project’. Accompanying Temiz at the concert, which starts at S P DUH dDĂŁGDV 2UXo Ă–nder Focan, Kamil Erdem, Ahmet Ă–zden and Mahmut <LĂŁLWW UN 7HPL]ŠV Swedish-Turkish jazz group ‘Oriental Wind’, which he first formed in 1974, combines Turkish instruments with instruments of western origin

'HUL PRGDVĂ QĂ Q \HQLOLNOHULQL ¤ .DVĂ P WDULKOHULQGH 7h<$3 )XDU YH .RQJUH 0HUNH]LŠQGH JHUoHNOHĂ HFHN ĂĄVWDQEXO 'HUL 0RGD )XDUà ŠQGD WDNLS HGHELOLUVLQL] You can follow the latest in leather fashions at Istanbul’s 4th Leather Fashion Fair, to be held at the TĂœYAP Fair and Congress Center November 12-14.

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HERTA MĂœLLER’DEN SEÇMELER EXTRACTS FROM HERTA MĂœLLER 2009 Nobel Edebiyat Ă–dĂźlß’nĂź kazanan Herta ,Ă„KKDQ „ÀCĂ„KĂ„MĄ „ Q@K‹J S@„.RKN C@„CĂ„YDMKDMDBDJ„ AHQ„SĂ€QDMKD„@K@B@J

Winner of the 2009 Nobel Prize for Literature, Herta MĂźller will accept her prize at the award ceremony in Oslo on 10 December.

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REUTERS/FABRIZO BENSCH

FEAR AND OPPRESSION

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Herta MĂźller’s first book to be published in Turkey was ‘The Heart’s Animal’ (English title ‘The Land of Green Plums’). Translated into 7XUNLVK LQ E\ 7HORV <D\Ă QFĂ OĂ N LW WHOOV WKH story of friends whose lives are destroyed by dictatorship. Critics have said of the book, which does not merely describe what it’s like to live under fear and oppression but literally rehearses it, ‘Never before has literature described what a dictatorship is in this way.’

ANTS AND FLIES “... The ant has a head the size of a pinhead, so the sun can find no place to burn... The ant loses it way... It wanders erratically, but it does not live, and does not appear to be an animal... The fly lives and appears to be an animal because it is three times bigger and carried on the ant’s back...â€? You will understand how distinctive Herta MĂźller’s style is when you read her book, ‘Even Back Then, the Fox Was a Hunter’ .

Sweden’s Royal Academy of Science has awarded the 2009 Nobel Prize for Literature to the Romanian-born German writer Herta MĂźller, for being a writer ‘who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed.’ Born in Romania in 1953, MĂźller migrated to Germany in 1987, where she made her literary debut in 1982 with a book of short stories entitled, ‘The Plains’. ‘Atemschaukel’ (working title in English, ‘Everything I Have I Carry With Me’), the most recent work by this writer who writes well in both German and Romanian, is currently being prepared for publication in several languages. 44 SKYLIFE | KASIM | NOVEMBER 2009

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8(++(* !É1 343*4 A PASSIONATE COLLECTOR FOR 32 YEARS 2DLHMD„#TXFTM „HKJ„Ty@J„XNKBTKTÉTMT„FDQyDJKDĂŒSHQCHÉH„ „ X‹K‹MC@M„ATFĂ„MD„X@OS‹É‹„SĂ„L„TyTĂŒK@Q‹M„AHKDSKDQHMH„R@JK@X‹O„AHQ„ JNKDJRHXNM„NKTĂŒSTQLTĂŒ „ Semine Duygun has been saving all her plane tickets RHMBDÂ…RGDÂ…L@CDÂ…GDQÂ…ȲQRSÂ…ČłHFGSÂ…HMÂ… Â…2GDÂ…G@RÂ…@Â… collection today. g„,$13 *

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Each ticket harbors memories for Semine Duygun, who was determined to hold onto those memories and preserve them from oblivion in the fast pace of everyday life. Over time, collecting tickets went beyond being a pleasant hobby to become an overriding passion for her. Duygun, who regards her ticket-saving zeal as a way of protecting and preserving values, began by collecting dolls as a child. Eventually, she donated her collection to the Istanbul Toy Museum where it can be seen today. Her airplane ticket collection

has a special meaning for Duygun, who says she loves traveling by air. When she looks at the tickets, which remind her of flights that have taken her over the years to friends and loved ones as well as cities she loved and longed to see, a smile spreads over her face and her memories are rekindled.

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SEYAHAT TRAVEL

SONBAHAR 8�1�8�Ê+$1É AUTUMN STROLLS g„,$+É' 42+4

Marmara Denizi’ne tepeden bakan JĂ€X„XNKK@Q‹M‹ „ *@O@CNJX@ M‹M„ gizemli vadilerini UD„FĂ„MDĂŒKH„ JCDMHY„ R@GHKKDQHMH„ATKTĂŒSTQ@M„ ßç sonbahar Ăśnerisi.

Three suggestions for an autumn stroll: The country roads overlooking the Sea of Marmara, valleys of Cappadocia, and the sunny coasts of the Mediterranean.

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CAPPADOCIA MYSTERY TOUR

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With pigeons’ nests carved into a long, deep canyon, GĂźvercinlik Valley near Uçhisar is a virtual moonscape. Adorned with rock churches hollowed out by monks who took refuge here in the 9th century, the valley is laced with tunnels formed by its running waters. Safe to enter, they are perfect venue for an autumn stroll.

Mersin’e 90 kilometre TY@JK‹JS@JH„3@ĂŒTBT M@ „ ,DQRHM„2HKHEJD„@Q@R‹MC@„ HĂŒKDXDM„SNOKT„S@ĂŒÂ‹L@„ @Q@yK@Q‹XK@„TK@ĂŒÂ‹K@AHKHQ „ Public transportation ADSVDDMÂ…,DQRHMÂ…@MCÂ…2HKHEJDÂ… VHKKÂ…S@JDÂ…XNTÂ…SNÂ…3@Ă?TBT Â… Â… kilometers from Mersin.

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How about an extended hike through 7DĂŁXFX, a small Mediterranean village near Mersin? The boat landing, surrounded by fish restaurants, coastal cafes, farm houses and bed&breakfasts, is the point of departure for tour boats going to Cyprus $QG WKH 7DĂ&#x;XFX Amphora Museum, one of Turkey’s most impressive, awaits you on the esplanade.

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Nestled against the slopes of a narrow, 945-meter-long valley on Mt. Ganos south RI 7HNLUGDã 8oPDNGHUH village impresses with its trails overlooking the Sea of Marmara. Replete with red-roofed houses where tobacco leaves are spread out to dry, tiny country markets, congenial rustic coffeehouses and hospitable people, Uçmakdere will add vibrance to your autumn stroll.

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KĂœLTĂœR CULTURE

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Anatolia has been the cradle of civilization since the dawn of human history. As needs changed with the development of industry in Turkey, unfortunately some of the traditional handicrafts in its rich, rooted past have been lost and forgotten. Turkey took its first step towards becoming a party to the 2003 UNESCO Convention for the ‘Safeguarding of the Intangible Cultural Heritage’ in 2006. The aim is to preserve, promote and raise public awareness of our cultural heritage,also noted in the 9th Development Plan. In line with this purpose, the institutes run by the Department of Advanced Technical Schools for Girls are conducting research into the traditional Turkish handicrafts and meticulously recording, preserving and promoting them and passing them down to future generations. The department, managed E\ 'LUHFWRU (PLQH .Ă UDo has contributed greatly to the economy through the placement of women in the workplace and the development of many projects to date. The result of extensive

50 SKYLIFE | EYLĂœL $*É, | OCTOBER | SEPTEMBER 20092009

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research, the ‘Elif Bebek’ doll enterprise constitutes a fine example in terms of training and employing women and young girls on the production line to be set up as part of the ‘Producing Woman’ project. Reflecting Turkey’s traditional costumes and culture, the Elif Bebek doll, which comes in twenty different models, will make a major contribution to the promotion of Turkey’s decorative handicrafts. The manufacturing process of Turkey’s doll has started with the establishment of assembly lines at the institutes in Ankara, Istanbul, Trabzon and Antalya, operating under the Department of Advanced Technical Schools for Girls. The Trabzon Institute will be responsible for the production of the doll’s body, Antalya for the doll’s MHZHOU\ DQG WKH $QNDUD DQG ,VWDQEXO 6DEDQFĂ ,QVWLWXWHV will oversee the embroidery, sewing, quality control and final packaging for the franchise. This collaborative system will grow to include more institutes, enabling the expansion of the Elif Bebek production line. 2009 NOVEMBER | * 2(, | SKYLIFE 51

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With its midnight shopping, monk’s cuisine, dynastic palaces and design-wonder skyscrapers, Seoul is just the ticket for an autumn trip. A giant fun fair where the modern goes hand in hand with the traditional. Here are 5 of the South Korean capital’s prime attractions.

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With its re-creation of a traditional Korean village, Namsan Park is a giant promenade with a library and hiking trails. Renewing your wedding vows Koreanstyle at one of the hotels in the vicinity is a new trend in 6HRXO. Inside this park, which takes its name from a majestic mountain that formed the southern border of the ancient Kingdom of Korea, are botanical gardens with exotic plants and colorful birds. Well worth seeing.

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The most popular restaurants in this capital where Buddhism is widespread take their inspiration from the nutritional habits of the monks. Based heavily on vegetable dishes, soups and noodles, the local cuisine uses waterlily roots, red beans, peanut paste and plant extracts for spicing.

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-(&'3 , 1*$32 Gaily colored paper lanterns, ceramics and porcelain vessels decorated with local motifs, jewelry boxes, silk garments, KDQGPDGH pottery, alternative gift items and what all else... The shopping centers at Itaewon, famous for its tailors and antique dealers, is open till the wee hours. Choose Insa-dong for handicrafts and traditional products, and Myeong-dong for fashion boutiques.

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!(1# 2̒$8$̒5($6 .% 2$.4+ Another spot definitely worth seeing in this city, which offers visitors convenient touring thanks to its advanced transportation network, is the 479-meter Seoul Tower. The world’s third tallest, it is an ideal spot for viewing the city from on high. And on your way up you can get great shots of the city, do your souvenir shopping in one of the Tower shops or sample the local cuisine.

1(5$1 "14(2$ A cruise on one of the local ferries that ply the Hangang River which cuts the city in two is one of the most interesting touristic things you can do in Seoul. Livened up now by a traditional wedding ceremony, now by a performance of local musicians, the cruise makes four main stops: Yeouido, Jamsil, Nanji and Yanghwa. Lasting close to an hour, the cruise enables you to see all the city’s main touristic attractions.

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&DzLHĂ‹SD &@K@S@R@Q@X UD !DĂ‹HJS@Ă‹ ‹ C@ z@K‹ËS‹Q@M ,HQBD@ +TBDRBT MTM @MSQDM˜QKÂ›ĂˆÂ›M› X@OSÂ‹ĂˆÂ‹ 2G@JSG@Q ETSANK S@J‹L‹ #NMDSRJ JDMSHMHM FTQTQT Â?XKD JH Ă‹DGHQCD ETSANK @Ă‹J‹M‹M R‹M‹Q S@M‹L@X@M GDXDB@M‹ LHKXNM CNK@Q@ L@K NK@M UD UQTO@ M‹M DM LNCDQM RS@CXTLK@Q‹MC@M AHQ NK@Q@J F˜RSDQHKDM #NMA@RR QDM@ M‹M FDzSHĂˆHLHY @XK@QC@ @z‹KL@R‹XK@ YHQUDXD S‹QL@MC‹ UQTO@ %TSANK ĂŠ@LOHXNM@R‹ M@ /NKNMX@ HKD AHQKHJSD DU R@GHOKHĂˆH X@OL@X@ G@Y‹QK@M@M 4JQ@XM@ HzHM AT RS@S A›X›J AHQ J@Y@M‹L Currently trained by Mircea Lucescu, former trainer of (RS@MATK R„&@K@S@R@Q@X„@MC„ !DĂŒHJS@ĂŒÂ„SD@LR „2G@JSG@Q„ Donetsk is the city’s pride and joy. So much so that love of soccer knows no bounds in this city where one of Europe’s most modern stadiums, the Donbass Arena, has gone up in recent months to the tune of 400 million dollars. The stadium is a big plus for Ukraine as soccer madness peaks during the city’s preparations to host SGD„ „$TQNOD@M„%NNSA@KK„ Championship together with Poland.

that there was a surprise lurking round every corner? Well, many of those little surprises are waiting in the city’s parks. S„2GDQA@JNU@„/@QJ „ENQ„DW@LOKD „XNT„VHKK„ɹMC„@„YNN „(M„ another park there is a metal sculpture at every turn, as if you G@UD„RSDOODC„HMSN„@M„NODM„@HQ„RBTKOSTQD„F@KKDQX „(M„NMD„NE„SGD„ O@QJR„NM„ QSXNL@„2SQDDS„SGD„FH@MS„!NBGTL„!DKK „@„FHɾ„NE„SGD„ German city of Bochum for which it is named, will suddenly loom before you. Meanwhile in another park whose modern stadium is not yet completed, you will literally lose yourself in the luxuriant landscape with its myriad shades of green. MC„XNT„VHKK„QD@KHYD„SG@S„SGD„QHUDQ„HR„MNS„NMKX„SGD„KHED„AKNNC„NE„ Donetsk industry but of life in general, for it is this park that has earned the city the epithet ‘City of a Million Roses’. Another big surprise awaits you under the ground: the salt LHMDR „2@KS„V@R„ɹQRS„CHRBNUDQDC„HM„SGD„@QD@„HM„SGD„ SG„ century. The salt in Donetsk’s Artyemisk region, one of the world’s biggest salt mines today, is said to be the highest quality salt in the world, and touristic excursions are even NQF@MHYDC„SN„SGD„PT@QQX „3GD„SDLODQ@STQD„HM„SGD„R@KS„LHMD „ which is reached following a descent of several minutes „LDSDQR„TMCDQ„SGD„FQNTMC„AX„DKDU@SNQ „HR„@„BNMRS@MS„ „ CDFQDDR „3GD„VNQKC R„ɹQRS„TMCDQFQNTMC„R@M@SNQHTL„V@R„ constructed here in this mine where saturation with salt

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produces an air composition in which dust and many harmful microorganisms cannot survive, and a large number of sick people are treated here in the mine’s pure air. The salt quarry also boasts one of the world’s largest underground galleries, VGHBG „VHSG„HSR„L@FMHɹBDMS„@BNTRSHBR „HR„RNLDSHLDR„TRDC„SN„ host concerts.

2.""$1 , #-$22 Another source of pride for Donetsk is without a doubt the famous athlete Sergei Bubka. Bubka, who has inscribed his name in gold letters in the annals of pole vaulting with several records as well as countless championships, came GDQD„@S„SGD„@FD„NE„ɹɾDDM„VHSG„GHR„SQ@HMDQ„@MC„KDɾ„@„OQNENTMC„ mark on the city. Bubka’s statue rises in Donetsk today as if SN„HLLNQS@KHYD„SG@S„KDF@BX But beyond Bubka’s popularity, it is soccer and its rising star, Shakthar Donetsk, that sets the sports agenda in Donetsk SNC@X „#DED@SHMF„6DQCDQ„!QDLDM„HM„SGD„ɹM@KR„OK@XDC„HM„ (RS@MATK „4$% „BG@LOHNM„2G@JSG@Q„G@R„STQMDC„#NMDSRJ„HMSN„@„ household name around the world in recent years. One thing is sure, namely, that Donetsk city is that anyone with a yen for exploring, a delight in surprises and a natural curiosity about the values little things can add to life and a town will not regret visiting.

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While in Donetsk, we highly recommend trying the Borscht soup, made with various vegetables. Potatoes also have an important place in Ukranian cuisine – the ravioli-like vareniki is one of their most special dishes.

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So if I asked you what you call yourself, your answer would be ‘composer’? 8DR ( @L @ BNLONRDQ ɱQRS NE @KK @MC SG@S HR GNV ( QDF@QC LXRDKE #NM S @RRTLD GNVDUDQ SG@S ( R@X SG@S SN AN@RS 0THSD SGD BNMSQ@QX ( @L @KRN @V@QD SG@S ( @L @ LD@MR ,TRHB HR MNS HMRHCD TR ATS HM SGD TMHUDQRD ( LDQDKX ODQBDHUD SGD LTRHB SG@S @KQD@CX DWHRSR SG@MJR SN S@KDMS RDMRHSHUHSX @MC FNNC SQ@HMHMF ( @L RHLOKX @ LDCHTL ( DWSQ@BS LTRHB EQNL RNLDVGDQD @MC BNMUDX HS SN SGD NSGDQ RHCD AX ?SQ@MRK@SHMF HS SGQNTFG LTRHB@K MNSDR What are you conveying in your album-concert-book project, ‘The Turkey Inside Me’? (M SGHR OQNIDBS ( @L FNHMF SN BNMUDX VG@S ( KNUD VG@S G@R @RSNMHRGDC LD VG@S G@R L@CD LD R@C HM NSGDQ VNQCR DUDQXSGHMF SG@S G@R KDɵ @ L@QJ NM LD 3N CN SG@S @ɵDQ (RS@MATK ( KK AD SQ@UDKHMF SN $RJHÌDGHQ MJ@Q@ @MC (YLHQ MC @ɵDQ SG@S SN *@QR 5@M C@M@ '@S@X MS@KX@ @MC *@Ì +@SDQ ( L@X DUDM FN @AQN@C 3GHR HR @ KNMF Q@MFD OQNIDBS And the book must be the most long-range aspect of it... 8DR ADB@TRD HM E@BS SGD OQNIDBS ADF@M VHSG SGD ANNJ ( SNNJ SGQDD XD@QR SN VQHSD HS AHS AX AHS 3GDM ( QD@KHYDC SG@S ( V@R @KRN BNLONRHMF LTRHB HM O@Q@KKDK VHSG VG@S ( CDRBQHAD HM SGD ANNJ 2N ( SGNTFGS VGX MNS SQX CNHMF @ CT@K M@QQ@SHUD 3GD ANNJ HR BNLHMF SNFDSGDQ SGD @KATL HR TMCDQ V@X @MC SGD BNMBDQS C@SDR @QD ɱQLHMF TO ( @L G@OOX How did the writing process get started? How, for example, did the opening sentence of the book come to you? ( V@R S@JHMF MNSDR @KK SGD SHLD @ANTS SGD SGHMFR SG@S @RSNMHRGDC LD SG@S L@CD LD G@OOX NQ R@C 6GDM ( RS@QSDC S@JHMF MNSDR 3TQJDX EDKS KHJD @ ENQDHFM BNTMSQX ATS SGD LNQD ( VQNSD SGD LNQD ( ADF@M SN EDDK ( ADKNMFDC GDQD ( ɱKKDC MNSDANNJ @ɵDQ MNSDANNJ !TS SG@S ɱQRS RDMSDMBD SG@S VNTKC STQM LX MNSDR HMSN @ ANNJ ITRS CHCM S BNLD 2NLDSGHMF G@C SN G@OODM ɱQRS ( BNTKC RDMRD SG@S MC SGDM NMD C@X HS CHC What happened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ɱQRS RDMSDMBD SG@S ( C ADDM V@HSHMF ENQ So are you one of them, or one of us? Or, as we like to say, which do you feel closer to, the place where you were born or the place where you earn your bread and butter?

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7 UNL\H EHQLP LoLQ |\OH ' Q\DQÁQ HQ UDKDW HWWLâLP N|àHVL ' Q\DQÁQ EX N|ãHVLQH JHOGLàLQL] LON J QH G|QHUVHN 81(6&2 \HVL\NHQ HNRORMLN SUREOHPOHUL DQODWDQ XOXVODUDUDVÁ ELU EHOJHVHOLQ oHNLPOHUL LoLQ JHOGLP 7 UNL\H©\H *HOGLâLPGH VHNL] D\OÁN KDPLOH\GLP 'RâXP LoLQ PHFEXUHQ NDOGÁP YH W P KD\DWÁP GHâLàWL áNL o D\ VRQUD NDONDOÁP JLGHOLP GHGLN DPD R VÁUDGD LKWLODO ROGX 66&% GDâÁOGÁ $QQHPOHU ¨.HVLQOLNOH G|QPH EXUDVÁ oRN NDUÁàÁN © GHGLOHU 0DKVXU NDOGÁP L\L NL %LU V UH VRQUD GD NHQGLPL HYLPGH KLVVHWWLP YH G|QPHNWHQ WDPDPHQ YD]JHoWLP ©WH GH 7 UN YDWDQGDàOÁâÁQD JHoWLP 2 LON J Q $UDOÁN %HQLP LoLQ oRN |]HOGLU +kOk NXWODUÁP *HoWLàLPL] J QOHUGH áVWDQEXO©GD VHUJLVL DoÁODQ &KDJDOO ©OL \DãODUÁQGD 3DULV©H JLGHU YH ã|\OH GHU ¦7HNUDU GRàGXP § $UDOÁN VL]LQ LoLQ |\OH ELU WDULK PL" $\QHQ <HQL ELU \RO \HQL ELU KD\DW oL]JLVL +Lo DNOÁPD JHOPH]GL 7 UNL\H©\H \HUOHàHFHâLP 7 UNoH NRQXàDFDâÁP KDWWD 7 UNoH ELU NLWDS \D]DFDâÁP < NVHN OLVDQVÁPÁ 7 UNL\H©GH \DSÁS EXUDGD ELU QLYHUVLWHGH KRFD RODUDN oDOÁàDFDâÁP ' à QHELOL\RU PXVXQX]" 'HYOHW PHPXUX ELOH ROGXP

MIDKHJ@ JA@Q CTXCTÈT S L RDRKDQH MNS@X@ C M ËS QDAHKLD XDSDMDÈHMD R@GHO DMCDQ bestecilerden biri. Yani ‘mutlak kulak’ sahibi. Anjelika Akbar is one of those rare composers with ‘absolute pitch’.

( @L SGD BGHKC NE @M HMSDQM@SHNM@K E@LHKX ( FQDV TO SGHMJHMF SGD VNQKC V@R LX NXRSDQ !TS DUDQXNMD G@R @ BHSX SGDX KNUD ADRS HM SGDHQ BNTMSQX ITRS KHJD @ E@UNQHSD BNQMDQ HM SGD GNTRD OK@BD VGDQD SGDX EDDK BNLOKDSDKX @S GNLD ( B@M R@X VHSGNTS GDRHS@SHNM SG@S ENQ LD SG@S OK@BD HR 3TQJDX 3GD BNQMDQ NE SGD VNQKC VGDM ( EDDK LNRS BNLENQS@AKD +DS R FN A@BJ SN SGD ȼQRS C@X SG@S XNT B@LD SN SGHR BNQMDQ of the world... ( B@LD SN 3TQJDX @R @ LDLADQ NE 4-$2". SN RGNNS @M HMSDQM@SHNM@K CNBTLDMS@QX @ANTS DBNKNFHB@K OQNAKDLR ( V@R DHFGS LNMSGR OQDFM@MS @S SGD SHLD ( G@C SN RS@X ENQ SGD CDKHUDQX @MC HS BG@MFDC LX VGNKD KHED 3VN NQ SGQDD LNMSGR K@SDQ VGDM ( V@R QD@CX SN KD@UD SGD 2NUHDS 4MHNM BNKK@ORDC ,X E@LHKX R@HC ?#NM S SGHMJ NE BNLHMF A@BJ SGHMFR @QD UDQX TMRDSSKDC GDQD ( V@R RSQ@MCDC @MC @ FNNC SGHMF SNN -NS KNMF @ɵDQ SG@S ( ADF@M SN EDDK @S GNLD GDQD @MC BNLOKDSDKX F@UD TO NM QDSTQMHMF (M ( ADB@LD @ 3TQJHRG BHSHYDM 3G@S ɱQRS C@X V@R #DBDLADQ @ UDQX RODBH@K C@X ENQ LD ( RSHKK BDKDAQ@SD HS A Chagall exhibition opened recently in Istanbul. When Chagall was 20 years old he had to leave his country and he went to Paris. Later he said of it, ‘I was reborn’. Is 4 December 1990 a date like that for you? $W@BSKX MDV O@SG @ MDV KHED (S G@C MDUDQ DMSDQDC LX LHMC SG@S ( VNTKC RDSSKD HM 3TQJDX ROD@J 3TQJHRG DUDM VQHSD @ ANNJ HM 3TQJHRG 3G@S ( VNTKC BNLOKDSD LX GHFGDQ

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ORMANLARI FORESTS

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8$ÊÉ+ 2(Ç(- * YABAN HAYATI VE BÊTKÊ ÇEËÊTLÊLÊÈÊYLE DÜNYA DOÈAYI KORUMA VAKFI (WWF) TARAFINDAN ACÊ+ KORUNMASI GEREKEN YÜZ SICAK NOKTADAN BÊRÊ SEÇÊLEN YENÊCE ORMANLARI’NI ADIMLIYORUZ.

GREEN REFUGE WE ARE TAKING A STROLL THROUGH THE YENI"E FORESTS, ONE OF A HUNDRED ‘HOT SPOTS’ URGENTLY DESIGNATED FOR PROTECTION BY THE WORLD WILDLIFE FUND (WWF) ON AC"OUNT OF THEIR RICH WILDLIFE AND PLANT DIVERSITY. 2009 NOVEMBER | KASIM | SKYLIFE 103

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rails, many of which welcome nature lovers by the thousands around the world, are catching on in Turkey as well. And the nature walking trails of the Yenice Forests at Karabßk on the Black Sea have now been added to the country’s extensive, already existing, routes like the Lycian Way, St. Paul’s Way and Independence Trail.

TURKEY’S LARGEST EXPANSE OF VIRGIN FOREST It was months ago when I hit the road one spring morning to work on the Karabßk Yenice Forests Project. The KarabßkYenice highway passes through exactly sixteen tunnels along the railroad line and Filyos River before reaching the town. The forested area is wrapped in a thick blanket of morning fog that lends our journey a fairytale air. The southern slopes of the valley are covered with pine and sandalwood trees, the north side with pale yellow linden - an impressive landscape indeed. One spring day when fresh green shoots are just beginning to sprout, we embark on our task of identifying hiking and bicycle trails. This virgin landscape has been divided by SGD„#DO@QSLDMS„NE„%NQDRSR„HMSN„SGHQSDDM„CHɰDQDMS„YNMDR „@KK„ connected by wide forest roads. As we advance through the dense forest with a GPS in one hand and our paint can in the other, we are entering an enchanted world that literally compels us to preserve its endless riches. Short-lived rushing white waters dance amidst the trees, where the silence is broken only by the chirping of birds mingling with the rustle of leaves in the wind. The small ponds created to prevent

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ENQDRS„ɹQDR„VHMJ„SGDHQ„AKTD„DXDR„@S„TR „(M„@„QHNS„NE„AKNRRNL„ that leaves dreary winter far behind, the cherry, almond and pear trees vie for most beautiful. Every tree, every rock here, has a story to tell where the mysterious spirit and harmony NE„M@STQD„@QD„QDɲDBSDC„HM„@KK„SGDHQ„CDS@HK „(„HLLDCH@SDKX„RDS„SN„ exploring the green silence as the wind madly licks my face.

MONUMENTAL TREES Without a doubt, the most important section of the Yenice Forests with their unique microclimate is the Arboretum Area where the monumental trees stand. A product of the rich plant diversity created by water and humidity, these trees @QD„@LNMF„SGD„LNRS„OQHYDC„SQD@RTQDR„NE„SGHR„M@STQ@K„VNMCDQ „„ Rare trees of extraordinary height and diameter compared with those of other species, they have been registered as a Natural Monument and taken under protection. Measuring 2-7 meters in diameter and standing 18-30 meters tall, the (RSQ@MB@„N@J „3TQJHRG„G@YDKMTS „.KC„6NQKC„XDV „"@TB@RH@M„ linden, mountain elm and maple make the Yenice Forests a virtual open-air museum. Every footprint we leave behind helps us uncover a few LNQD„CDS@HKR „.TQ„HMSDMRHUD„DÉ°NQSR „BNNQCHM@SDC„AX„SGD„8DMHBD„ .ÉłBD„NE„*@XL@J@L „ɹKK„@M„DMSHQD„LNMSG „#TQHMF„SGHR„SHLD„ VD„K@X„NTS„GHJHMF„@MC„AHJHMF„SQ@HKR„HM„SGD„*@U@JK‹ „ËHLĂŒHQCDQD „ ˆHSCDQD „*‹Y‹KJ@X@ „*@Q@J@X@„@MC„&Ă€JSDOD„YNMDR„NE„SGD„ENQDRS „ GPS coordinates are taken along all the forest roads and paths. All the trails are marked to international standards with red and white lines and direction signs are erected at all intersections to facilitate hiking. A total of 21 trails totaling 396 kilometers, counting the alternative routes, are laid out,

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NĂ UPĂ ]Ă EH\D] oL]JLOHUOH LĂ DUHWOHQGL YH |]HOOLNOH NDYĂ DN QRNWDODUĂ QD \|Q WDEHODODUĂ \HUOHĂ WLULOGL 7 P EX oDOĂ Ă PDODU VRQXFX GRâDO ND\QDNODU YH HNRORMLN GHâHUOHU J|]HWLOHUHN DOWHUQDWLI J ]HUJkKODUOD ELUOLNWH NLORPHWUH\H XODĂ DQ WDP \ U \ à URWDVĂ EHOLUOHQGL 6RQ DĂ DPDGD SDUNXUODUĂ Q GHWD\OĂ KDULWDODUĂ \OD EH]HQHQ YH D\QĂ ]DPDQGD <HQLFH .D\PDNDPOà âà ŠQĂ Q LQWHUQHW VLWHVLQGH (www.yenice.gov. tr/yenice-kitap/) GH \HU DODQ ELU UHKEHU NLWDS KD]Ă UODQGĂ .Ă VD J Q ELUOLN YH X]XQ URWDODUĂ \OD KHU VHYL\HGHQ \ U \ à o \H KLWDS HGHQ <HQLFH SDUNXUODUĂ GRâD WXWNXQODUĂ QD IDUNOĂ VHoHQHNOHU VXQX\RU g]HOOLNOH .HQW 2UPDQĂ LOH $UERUHWXP VDKDVĂ DUDVĂ QGDNL DOWĂ J QO N HQ X]XQ SDUNXU NRQXNODUĂ QĂ EX HWNLOH\LFL GRâD SDUoDVĂ QĂ Q KHPHQ KHPHQ W P J ]HOOLNOHULQLQ VHUJLOHQGLâL P WKLĂ ELU PDFHUD\D GDYHW HGL\RU 8$-É !É1 $*.341É9, ,$1*$9É 7URSLN E|OJHOHU GĂ Ă Ă QGD G Q\DQĂ Q HQGHU FRâUDI\DODUĂ QGD UDVWODQDQ DQĂ WVDO DâDoODUĂ \HP\HĂ LO YDGLOHUL \ NVHNOLNOHUL LNL ELQ PHWUHOHUH XODĂ DQ GDâODUĂ GHULQ NDQ\RQODUĂ KHU GDLP oDâà OWĂ OĂ GHUHOHUL V USUL] Ă HODOHOHUL \DEDQ KD\DWĂ YH GHâLĂ LN ELWNL oHĂ LWOLOLâL\OH <HQLFH 2UPDQODUĂ IDUNOĂ RXWGRRU DNWLYLWHOHUL LoLQ JHUoHN ELU HNRWXUL]P PHUNH]L D\QĂ ]DPDQGD * Q ELUOLN YH\D NDPSOĂ \ U \ à J ]HUJkKODUĂ LOH

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taking into account natural resources and ecological values. (M„SGD„ɹM@K„RS@FD „@„FTHCD„ANNJ„HR„BNLOHKDC„VHSG„CDS@HKDC„ maps of the trails and put up on the website of the Yenice .ɳBD„NE„*@XL@J@L„ VVV XDMHBD FNU SQ XDMHBD JHS@O „„ 3GD„8DMHBD„SQ@HKR„NɰDQ„@„Q@MFD„NE„@KSDQM@SHUDR„ENQ„M@STQD„ enthusiasts with everything from one-day to longer routes for hikers at every level. The longest trail, six days in the City Forest and Arboretum area, invites visitors to enjoy a spectacular adventure on which all the beauty of this impressive patch of nature are displayed.

A NEW CENTER OF ECOTOURISM With their monumental trees, found only in rare landscapes outside the tropics, verdant valleys, mountains up to 2000

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meters in altitude, deep canyons, gurgling streams, surprise waterfalls, wildlife and plant diversity, the Yenice Forests are @S„SGD„R@LD„SHLD„@„SQTD„BDMSDQ„NE„DBNSNTQHRL„NɰDQHMF„NTSCNNQ„ activities of all kinds. In addition to one-day and longer camping routes, other alternatives in this virgin environment include rock climbing, canyoning, bird watching, photo R@E@QHR „ANS@MHB@K„V@KJR „Q@ɾHMF„@MC„O@Q@FKHCHMF „3GD„FTDRS„ facilities in the depths of the forest and the fountains you’ll encounter along the way are just some of the factors that L@JD„@CUDMSTQD ɹKKDC„@BSHUHSHDR„D@RHDQ„ENQ„M@STQD„KNUDQR The starting point for all these activities is of course the town of Yenice, which gives its name to the area. The economy of green Yenice, at the intersection of the valleys in the heart of the dense forest, has revived in recent years thanks to forest products and the local mines. But ecotourism is the new hope of this town dotted with workshops producing souvenirs like model wooden houses, walking canes and wooden spoons. If you’ve come this far, be sure to pay a visit to Safranbolu, a town remarkable for its original Ottoman architecture, and to the famous ruins of Hadrianus @MC„SGDHQ„LNR@HBR„HM„SGD„SNVM„NE„$RJHO@Y@Q If strolling freely along the red-and-white marked trails and discovering the surprises nature has in store for you, feeling history’s mysterious breath in the ancient basin of Kßre, used since antiquity for washing minerals, swimming in waterfalls and burbling streams, and picnicking next to sparkling ponds appeal to you, then pull on your hiking boots and head for Yenice. What better opportunity to feel you’ve been born again than in a forest like a vast tree museum where leaves turn from green to yellow, red and brown in a rainbow of color.

RUTRUM ACCUMSAN

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PALACE CLOCKS

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|\OH ROXYHUPLà ROPD\D NDWODQDPD\DQ LQVDQ KHGL\H HGHQL HWPH DPDFà Qà G|N OHQ SDUD\à \DUDWWà âà HWNL\L HVHULQ |Q QH JHoLUHUHN |QHPVHU +Lo ELU à H\L |âUHQHPHPHQLQ GH \ROXQX DoDU E|\OHOLNOH \D GD EDWà Oà WDELULQFH ¨DUDOà N NDSà \à RPX]ODU Š %L] LVH VDGHFH VDDWOHULQ \ ] QH Là OH\Là LQH EDNPD\à NkIL KHP GH KHU à H\H NkIL EXOX\RUX] +HPHQ KHU Uà ]D J|VWHULOHQ à H\ JLEL R ]DPDQ |Q P ]GH JHQLà ELU XIXN X]DQà \RU VRQUDVà QGD Là EX JHQLà OLâH WDKDPP OH YH LoLQGH ND\EROPD\D NDOà \RU 0LOOL 6DUD\ODUŠD EDâOà VDUD\ N|à N YH NDVà UODUà Pà ]GD 'ROPDEDKoH 6DUD\à %H\OHUEH\L 6DUD\à . o NVX .DVUà $\QDOà NDYDN .DVUà ,KODPXU .DVUà G|QHP LWLEDUà LOH \ ]\à O EDà à \D GD RUWDVà QD WDULKOHQHQ )UDQVà ] VDDWOHULQLQ oRâXQOXâXQX ROXà WXUGXâX ELU NROHNVL\RQ YDU \ ]\à O PHNDQLN ROJXQOXâD YH VHUL  UHWLPH JHoLOHQ ELU G|QHP ROGXâX LoLQ IHYNDODGH VDDWOHU NDGDU DOHODGH YH oRN VD\à GD  UHWLOPLà VDDWOHULQ GH J|U OG â ELU G|QHP 8VWDOà N LFDW YH P NHPPHO Là oLOLN DUWWà âà NDGDU YDVDWL  UHWLPLQ GH DUWPDVà EHOOL XVWDODUà Q DGà Qà |QH oà NDUPD\à VDDWL \DSDQ XVWDQà Q DGà LOH DQPD\à JHUHNOL Nà OPà à YH EX NDOLWHQLQ |Oo V ROPXà \ ]\à Oà QGD GkKLO ROGXâX G|QHPGH VDDWLQ NHQGLVL XVWDVà Qà Q DGà ROPDGDQ GD J oO YH |QHPOL ELU HVHU J|] LOH EDNà OPD\D NkIL =DWHQ GHYLU |\OH YH R J oWH ROPD\DQODUà Q ELU à H\OHUH JLULà HPH\HFHNOHUL ELU GHYLU +HU DUWà à YH oRNOXN G|QHPL QLWHOLâLQ VRQVX] GHâHUOHQGLUPHOHULQH Nà Oà Nà UN \DUDQ LUGHOHPHOHULQH UDâPHQ GHâHUOHQGLUHQOHUGH GH ELU oRNOXN ROGXâX LoLQ VDSà o|SH IHQD NDUà à Wà UDUDN HOGH DYXoWD RQ HVHU RODQ YH KHSVLQLQ HVHU ROGXâX G|QHPOHUH \DNà Fà ELU |]OHP GX\XUXU

ODQRNM„VGN„L@CD„SGD„FHÉľ „GHR„OTQONRD„HM„L@JHMF„HS „SGD„@LNTMS„ NE„LNMDX„RODMS„@MC„SGD„DÉ°DBS„HS„BQD@SDC „SGDQDAX„FKNRRHMF„NUDQ„ the work of art itself. This in turn constitutes an obstacle to real learning. I on the other hand am contented to look at the clock face @MC„GNV„SGD„BKNBJ„VNQJR „ R„VHSG„@MX„KNUHMFKX„DMSDQDC„DMCD@UNQ „ NMD„ɹQRS„DMBNTMSDQR„@„VHCD„UHRS@„NE„HMSDQDRSHMF„PTDRSHNMR „SGD„MDWS„ stage is to learn to endure the demands of this challenge and lose oneself in it. The collection discussed here is comprised of the mainly French clocks dating to the early or mid-19th century in SGD„.SSNL@M„O@K@BDR„@MC„O@UHKHNMR„ #NKL@A@GyD„/@K@BD „*Ă„yĂ„JRT„ /@UHKHNM „ XM@K‹J@U@J„/@UHKHNM „@MC„(GK@LTQ„/@UHKHNM „@CLHMHRSDQDC„ AX„SGD„#DO@QSLDMS„NE„-@SHNM@K„/@K@BDR Being an age of mechanical progress and the transition to mass production, the 19th century saw the production of large MTLADQR„NE„UDQX„NQCHM@QX„BKNBJR„@R„VDKK„@R„NE„DWSQ@NQCHM@QX„ ones. But simultaneously with a rise in run-of-the mill OQNCTBSHNM „@„MDV„ATQRS„NE„BQD@SHUHSX„@MC„ɲ@VKDRR„VNQJL@MRGHO„ @MC„@„OQNETRHNM„NE„RJHKKDC„BQ@ÉľRLDM„SGQTRS„SGD„M@LDR„NE„BDQS@HM„ masters into the foreground, making it obligatory that the clock L@JDQ R„M@LD„AD„QDLDLADQDC „ MC„SGHR„HM„STQM„ADB@LD„SGD„ BQHSDQHNM„NE„PT@KHSX „-DUDQSGDKDRR „HM„@„ODQHNC„SG@S„K@RSDC„SN„SGD„ end of the 17th century the clock itself had been regarded as a ONVDQETK„@MC„HLONQS@MS„NAIDBS„DUDM„VHSGNTS„SGD„BKNBJ„L@JDQ R„ name. Such in any case was the time, a period when there were things to which those without consummate skill could not DUDM„@ROHQD „2HMBD„DUDQX„ODQHNC„NE„FQNVSG„@MC„@ATMC@MBD„@KRN„ AQHMFR„@M„HMBQD@RD„HM„SGD„MTLADQR„NE„SGNRD„L@JHMF„NÉľDM„G@HQ

splitting appraisals, a burning nostalgia arises for times when there were only ten important artifacts in existence and all were works of art.

ĂœĂ‡ YĂœZE YAKIN SAAT 0LOOL 6DUD\ODUŠGD ŠH \DNĂ Q VDDWLQ LoLQGH 'ROPDEDKoH 6DUD\Ă 6DDW 0 ]HVLŠQGH \HU DODQ DGHW 2VPDQOĂ VDDWLQL YH \LQH VDUD\ NROHNVL\RQXQD DLW ED]Ă RWRPDW ĂĄQJLOL]

If we exclude the six Ottoman clocks, as well as some English @TSNL@SNMR „RNLD„UDQX„GHFG PT@KHSX„%QDMBG„BKNBJR„VHSG„ RODBH@K„LDBG@MHRLR„@MC„SGD„BKNBJ„B@RDR„L@CD„AX„SGD„ODQHNC R„

X›YX‹K RNMTM@ @HS zNĂˆTMKTĂˆT L›YHJKH A@Ăˆ@ J@OK@L@K‹ NSNL@S ÉMFHKHY R@@SKDQHMH C@G@ RNMQ@ ONQRDKDM UTRSTQX@ R@@SKDQH X›YX‹K A@ˋ @GĂ‹@O LDQHJ@M CTU@Q R@@SKDQH KL@M J›S›OG@MD R@@SKDQH FHAH @JRDRT@Q MHXDSKH JTKK@M‹K@M R@@SKDQ HYKDQ 3GD SNQSNHRD RGDKK HMK@HC NÉ€DM LTRHB@K $MFKHRG @TSNL@SNMR NE SGD K@SD SG BDMSTQX VDQD ENKKNVDC HM RTBBDRRHNM AX TRSQH@M BKNBJR L@CD NE ONQBDK@HM D@QKX SG BDMSTQX LDQHB@M FQ@MCE@SGDQ BKNBJR @MC &DQL@M KHAQ@QX BKNBJR

"+.2$ 3. "+."*2

10/26/09 7:59 PM

VDDWOHUL oRN NDOLWHOL YH |]HOOLNOL PHNDQL]PDOĂ ED]Ă )UDQVĂ ] VDDWOHUL LOH G|QHPLQ  QO G|N PF KH\NHOWĂ UDĂ YH UHVVDPODUĂ QĂ Q NDVDODUĂ QĂ ROXĂ WXUGXâX VDDWOHUL KDULo WXWDUVDN VDDWOHU G|QHPOHULQLQ YH DLW ROGXNODUĂ \HULQ QH HNVLâL QH ID]ODVĂ GĂ UODU <D ELU Ă |PLQH  VW QGH \D ELU NRQVRO \D GD EDK  ]HULQGH ER\XQODUĂ QGD WD\ODVDQ JLEL VDUNDQ NXUPD DQDKWDUODUĂ VDDW EDĂ Ă YH EXoXNODUGD oDODQ NDPSDQDODUĂ LOH NHQGL ]DPDQODUĂ QD ]HYN YH DQOD\Ă Ă ODUĂ QD WDEL GXUXUODU <LQH )UDQVĂ ] FRPWRLV GHGLâLPL] D\DNOĂ VDDWOHU GDKD ]L\DGH E \ N VDORQODUGD \D GD ELU NRULGRUXQ VRQXQGD JHOHQH JHoHQH VDELW Dâà UOà âà QĂ Q YHUGLâL Ă DĂ PD] J YHQOH oDOĂ Ă PDQĂ Q \DQĂ QGD ED]HQ J oO ELU oDQ VHVL KDWWD ED]HQ oH\UHN oDODUOĂ \D GD UHSHWLFLRQOX oDODUOD YDNWL GX\XUXU DOLMABAHÇE SARAYI’NDA SAATLER . W SKDQH YH NDWLS RGDODUĂ RODUDN NXOODQĂ OPĂ Ă RGDODUGD GDKD oRN oDODUVĂ ] J QO N WDNYLPOL DKĂ DS $PHULNDQ GXYDU VDDWOHUL 9L\DQD UHJXODW|UOHUL $OPDQ YDSXU VDDWOHUL NHQGLOHULQH HĂ OLN HGHQ \LQH DKĂ DS EDURPHWUH WHUPRPHWUHOHUOH ELUOLNWH P WHYD]L VDGH DPD \HULQLQ IDUNĂ QGD GXUXĂ ODUĂ LOH NLWDSODUĂ Q \D]Ă KDQHOHULQ N W SKDQH YH VHNUHWHUOHULQ DUDVĂ QGD WDP RODUDN ND\EROXUODU <DWDN RGDODUĂ QGD ED]HQ oDODU WHUWLEDWVĂ ] ED]HQ DNVLQH DPD VDDWL GHQLOHQ NDUDQOĂ NWD LSLQL oHNWLâLQL] YDNLW VDDWL oH\UHâLQH NDGDU oDODUDN Ă Ă Ă N \DNPDGDQ YDNWL ELOGLUHQ VDDWOHU ED]HQ QDLI GHNRUOX Ă Ă N SRUVHOHQ VDDWOHU \ ]\Ă O EDĂ Ă QGDQ LWLEDUHQ N o OHQ YH X\DQGĂ UĂ FĂ IRQNVL\RQX GLNNDW oHNHQ GDKD ]L\DGH FHS VDDWL PDNLQHOHULQGH J|U OHQ ]DULI FUXYDVLHU PDNLQHOL ĂĄVYLoUH PDVD VDDWOHUL oRN N o N NXWXUGD )UDQVĂ ] VH\DKDW VDDWOHUL ILOGLĂ L \D GD VHGHI NDVDOĂ \XYDUODN IRUPOX PLQLN PDVD VDDWOHUL J|U O U

renowned painters, sculptors and workers in cast metal, SGD„BKNRD„SN„ „BKNBJR„HM„SGD„-@SHNM@K„/@K@BD„BNKKDBSHNM„@QD„ PTHSD„SXOHB@K„NE„SGDHQ„SHLD„@MC„OK@BD „2S@MCHMF„NM„@„BNMRNKD„ NQ„G@MFHMF„NUDQ„@„ɹQDOK@BD„VHSG„SGDHQ„JDXR„G@MFHMF„@QNTMC„ SGDHQ„MDBJR„KHJD„@„?S@XK@R@M „@MC„SGDHQ„BGHLDR„RNTMCHMF„NM„ the hour and half hour, they were in keeping with the taste @MC„BNMBDOSR„NE„SGDHQ„SHLD „3GD„%QDMBG„?BNLSNHRD „BKNBJR„ that stood either in large salons or at the ends of corridors ETMBSHNMDC„VHSG„HME@KKHAKD„@BBTQ@BX „FHUHMF„SGNRD„VGN„B@LD„ and went a sense of dignity and permanence with their loud chimes that announced the time, sometimes down to the PT@QSDQ„GNTQ

THE CLOCKS IN DOLMABAHÇE PALACE Modest yet as if cognizant of their surroundings, wooden American wall clocks, mainly non-chiming with 30-day calendars, Vienna regulator clocks, German steamship clocks and the, again, wooden barometer-thermometers that went VHSG„SGDL„GTMF„NQ„RSNNC„HM„QNNLR„TRDC„@R„KHAQ@QHDR„NQ„BKDQJ R„ chambers where they blended right in with the books, desks, secretaires and escritoires. The clocks used in bedrooms, meanwhile, included some without chiming mechanisms, others with a string one could pull on in the dark without turning on the light that announced the time down to the PT@QSDQ„GNTQ„AX„BGHLHMF „RSXKHRG„ONQBDK@HM„BKNBJR„VHSG„NɾDM„ M@HUD„CDBNQ@SHNMR „SGD„DUDQ„LNQD„CHLHMTSHUD„@K@QL„BKNBJR„SG@S„ came into use from the beginning of the 20th century, elegant 2VHRR„BQTHRDQ„BKNBJR „SHMX„%QDMBG„SQ@UDK„BKNBJR „@MC„LHMTRBTKD„ QNTMC„S@AKD„BKNBJR„HM„HUNQX„NQ„LNSGDQ NE OD@QK„B@RDR „

THE TOPKAPI PALACE CLOCK COLLECTION Like their counterparts in the palaces and museums of $TQNOD „SGD„1DM@HRR@MBD„@TSNL@SNMR„G@UD„TMENQSTM@SDKX„ U@MHRGDC „3GHR„HR„TMCNTASDCKX„@„UDQX„RHFMHɹB@MS„KNRR„DUDM„HE„

.RL@MK‹ R@Q@XK@Q‹MC@ NKCTĂˆT J@C@Q B@LHKDQHMCD CD zNJ R‹J Q@RSK@M@M E@J@S RDQUH ANXKT A@KS@ L@Ă‹@ DĂ‹@OL@MK‹ NKCTĂˆTMC@M F›Q›KS›K› UD NSTQL@ @K@MK@Q‹MC@ SDQBHG DCHKLDXDM AT ÉMFHKHY R@@SKDQHMHM L@JHMDKDQH X›YX‹K HSHA@QHXKD zNJ CDĂˆHĂ‹LDLHĂ‹SHQ

$MBNTMSDQDC @R NÉ€DM HM .SSNL@M LNRPTDR @R HM O@K@BDR SGDRD S@KK FQ@MCE@SGDQ BKNBJR VGHBG VDQD MNS VDKBNLD HM RHSSHMF QNNLR ADB@TRD NE SGDHQ MNHRX DRB@ODLDMSR G@UD MNS BG@MFDC LTBG RHMBD SGD SG BDMSTQX

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3NOJ@O‹ S@Q@X‹ MC@ XDQKH 3NOJ@O‹ 2@Q@X‹ MC@ XDQKH UD X@A@MB‹ R@@S TRS@K@Q‹M@ Q@RSK@X@AHKHQRHMHY Q@RSK@X@AHKHQRHMHY 3TQJHRG @MC ENQDHFM BKNBJ L@RSDQR L@X AD DMBNTMSDQDC @S 3NOJ@O‹ /@K@BD

VD„@RRTLD„HS„G@C„RNLDSGHMF„SN„VHSG„SGDRD„BKNBJR „UDQX„GD@UX „ complicated mechanisms and the fact that the people of the SHLD„ADKHDUDC„SGDHQ„SDMTQD„HM„SGHR„VNQKC„NMKX„SQ@MRHSNQX „ When we compare them with the most rare examples of BKNBJR„L@CD„RHMBD„SGD„ADFHMMHMF„NE„SGD„ R „SGD„BKNBJR„ made by eminent masters such as Breguet, Lange & Sohne, @MC„&K@RRĂ„SSD„BNMRSHSTSD„SGD„FDLR„NE„SGD„BNKKDBSHNM „(M„ addition to the clocks made by the imperial clock masters, giant automatons, a large and extremely rare collection of pocket watches, and the highly fanciful clocks of the prominent 17th and 18th century masters with their otherVNQKCKX„NQF@M„BGHLDR „D@BG„NMD„QDOQDRDMSHMF„HSR„L@JDQ R„ skill and inner world of feelings and exhibiting little outside HMɲTDMBD „@KK„QDɲDBS„SGD„HMSQNUDQSDC„@SSHSTCD„NE„SGD„HLODQH@K„ palace at the time.

3(,$ 2 , 23$12 3GD„HLODQH@K„BKNBJ„L@RSDQR„RSQNUD„SN„JDDO„@KK„SGD„O@K@BD„ clocks accurate and in good repair. Chief Clock Masters VDQD„@KRN„DLOKNXDC„HM„SGD„#NKL@A@GyD„/@K@BD„EQNL„SGD„ late 19th century up to the founding of the Republic. We do MNS„JMNV„SNC@X„GNVDUDQ„VGHBG„NE„SGDL„VDQD„@BST@K„BKNBJ„ makers and which merely repairmen. There is of course a VNQKC„NE„CHɰDQDMBD„ADSVDDM„L@JHMF„BKNBJR„@MC„QDO@HQHMF„ SGDL „@„CHɰDQDMBD„NE„RJHKK „HMSDKKDBS„@MC„LDBG@MHB@K„CDRHFM „ OOQN@BGHMF„SGD„PTDRSHNM„HM„SDQLR„NE„CDFQDD „GNVDUDQ „VD„ BNLD„@BQNRR„SGD„M@LDR„NE„SDM„L@RSDQR„HM„SGD„3NOJ@O‹„/@K@BD„

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RQODUFD IDUN YDU HOEHW <DSÁODQ LàLQ HGLOJLQ WDUDIÁQÁQ HWNHQ RODQD GHUHFH \|Q QGHQ \DNODàDELOGLâL \ NVHN ELU VDQDW VHYL\HVLQH 7RSNDSÁ 6DUD\Á©QGD RQ NDGDU LVLPGH UDVWOD\DELOL\RUX] 6DQDWoÁODUÁQ JHQHOGH LVLPOHULQL \DàDWPDN EDàNDODUÁQÁQ J|] QGH \ NVHN GLOLQGH QDPD] VXUHOHUL NDGDU H]EHUGH NDOPDN \DSWÁâÁ RUWD\D NR\DELOGLâL LOH RODELOGLâLQFH \ FHOPHN WDYUÁ YDU %X WDYÁU RQGD \DGÁUJDQPÁ\RU ELQOHUFH LQVDQÁQ DUDVÁQGDQ E|\OH ELU GX\JX LOH oÁNDELOGLâLQH J|UH ELU ELOGLâL ROGXâXQX G à QG UW \RU $PD KHU QH ROXU ROVXQ \DSWÁâÁ LOH DGÁQÁ YH HVHULQL |QH DOÁ\RU \DSWÁâÁQÁ VDYXQX\RU EXQX RQXQ DGÁQD VDYXQDQODU GD oÁNÁ\RU <DàDUNHQ KHPHQ KHUNHVLQ LPUHQHFHâL ELU oÁNÁàÁ ELU KDOL |O UNHQ EDàND ELU KDYDVÁ ROX\RU gO LNHQ GH GLUL LNHQ GH RQX KHPHQ WDQÁ\DELOL\RUX] G Q\D\Á DàDQ ELU D]DPHWL YDU NL GLâHU LQVDQODU NHQGLOHULQL RQXQ \DQÁQGD XIDN NÁ\PHWVL] QHEDWL EXOX\RUODU hVWHOLN EX GHQOL G Q\HYLOLâLQ |WH WDUDID JLGLàL EX KDOLQ RUDGDNL NDUàÁODQÁàÁQÁ J QDKD VRNDFDN NDGDU PHUDN HWWLULS G à QG UW \RU =DQDDW LVH EXQXQ WDP ]ÁGGÁ *|U QPH] ROPDQÁQ PHVOHâL 6DQDWoÁQÁQ \DSWÁâÁQÁ WDPDPHQ RQD RQXQ \DàDGÁâÁ \ ]\ÁOD WHNQLâLQH àDUWODUÁQD PDO]HPHVLQH ELUH ELU X\GXUDUDN XâUDGÁâÁ ]DUDUGDQ ]DUDU J|UPHPLàoHVLQH oÁNDUPDN EDàND ELU HOLQ GHâGLâLQL EHOOL HWPHPHN (Q E \ N HJR\X HQ E \ N WHYD]X LOH HULWPHN %X GD ]DQDDWNkUOÁâÁ G Q\HYLOLNWHQ XKUHYLOLâH \DNODàWÁUÁ\RU gP U ER\XQFD \DSÁODQODUÁQ KLo L]LQLQ ROPDPDVÁ DGÁQÁQ ROPDPDVÁ \DSWÁâÁQÁ EHOOL HWPHPHN LàLQ QHWLFHVLQGH VDDWLQ \LQH LON XVWDVÁQÁ \ FHOWL\RU %X JL]OL YHULOHQ ELU VDGDND JLEL VDQNL EDàND ELU \HUOHUGH \LQH J|U QPHGHQ ELULNL\RU YH JL]OL ELU ]HQJLQOLN YHUL\RU =DQDDWNkU J|U Q àWH YDUL\HWVL] DPD KX]XUOX VDNLQ WHODàVÁ] YH ID]OD \HUOHàPHGHQ NDONÁYHUHFHN JLEL \DàÁ\RU

ÉLO@Q@SNQKTÈTLTYTM TYTM C MDL FDzHQCHÈH 3NOJ@O 2@Q@X MC@ C MX@M M DM J XLDSKH LDJ@MHJ R@@S JNKDJRHXNMK@Q MC@ HKJ zD FHQDBDJ AHQ G@YHMD ATKTMTQ +NMF SGD RD@S NE SGD $LOHQD 3NOJ@O /@K@BD GNTRDR NMD NE SGD VNQKC R SGQDD LNRS U@KT@AKD BNKKDBSHNMR NE LDBG@MHB@K BKNBJR

VGN VDQD @AKD SN ODQENQL SGHR VNQJ @S SGD GHFGDRS KDUDK Artists in general desire to be held in high regard and for their names to be remembered and their work to be exalted to the highest degree. And we countenance this in them in the belief that if one person appears out of thousands with such aspirations he must know something. The Artist promotes his name and his work through what he makes. He defends his work as do others on his behalf. We recognize him HLLDCH@SDKX @KHUD NQ CD@C ADB@TRD GD G@R @ FQD@SMDRR SG@S ADXNMC SG@S NE SGD VNQKC @MC NSGDQR QDF@QC @R SGDLRDKUDR @R O@KSQX @MC HMRHFMHɱB@MS ADRHCD GHL (S @KLNRS SDLOSR NMD to think sinful thoughts about how such worldly pride will AD LDS HM SGD 'DQD@ɵDQ 3GD QSHR@M R INA NM SGD NSGDQ G@MC HR DW@BSKX SGD NOONRHSD SGD OQNEDRRHNM NE ADHMF HMUHRHAKD SGD S@RJ NE QDO@HQHMF SGD C@L@FD SGD QSHRS R VNQJ G@R RTɰDQDC AX @C@OSHMF BNLOKDSDKX SN GHL SN SGD BDMSTQX HM VGHBG GD KHUDC SN GHR SDBGMHPTDR @MC L@SDQH@KR @MC SGD BNMCHSHNMR TMCDQ VGHBG GD VNQJDC QDMCDQHMF SG@S C@L@FD HMUHRHAKD @MC MDUDQ KDSSHMF NM that the work has been touched by another hand. Resurrecting @ RTOQDLD DFN SGQNTFG TSSDQ RDKE Dɰ@BDLDMS MC SGHR HM STQM DKDU@SDR SGD GTLAKD QSHR@M R VNQKCKX @BGHDUDLDMS @KLNRS SN SGD NSGDQ VNQKCKX QD@KL %NQ SGD QSHR@M R BNMBD@KLDMS NE VG@S he has done, his anonymity, and the absence of any trace of his KHED R VNQJ Q@HRD GHL HM SGD DMC SN SGD KDUDK NE SGD BKNBJ R NQHFHM@K L@JDQ +HJD @KLR FHUDM HM RDBQDS HS HR @R HE SGHR @BBTLTK@SDR @F@HM HMUHRHAKX HM NSGDQ OK@BDR DMCNVHMF GHL VHSG @ RDBQDS VD@KSG 3GD QSHR@M G@R MN @OO@QDMS QHBGDR MDUDQSGDKDRR GD KD@CR @ PTHDS SQ@MPTHK DWHRSDMBD EQNL VGHBG GD HR OQDO@QDC @S any moment to depart without regret. 2009 NOVEMBER | KASIM | SKYLIFE 119

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!HY@MR C MDLHMCD @C ,DRD NK@M #HU@MXNKT X YKDQBD X KC Q ÉRS@MATK TM M@AY M M STSTK@AHKCHÈH YDK AHQ B@CCD $RJHRH FHAH $CHQMDJ@O X@ J@C@Q TY@ML@R@ C@ #HU@MXNKT GwKw AT YDKKHÈHMH JNQTXNQ Known in the Byzantine period as the Mese, the Divanyolu (literally, Court Road) is a special avenue where the pulse of Istanbul has beat ENQ BDMSTQHDR 6GHKD HS L@X MN KNMFDQ RSQDSBG @KK SGD V@X SN $CHQMDJ@O it nevertheless preserves its character even today. VPDQOÁ GHYUL 7 UN HGHEL\DWÁQÁQ VRQ E \ N àDLUOHULQGHQ ßH\K *DOLE + VQ $àN DGOÁ HVHULQLQ VRQODUÁQGD àLLUGH WXWWXâX \ROXQ 'LYDQ\ROX JLEL UDKDW ELU FDGGH GHâLO WHKOLNHOHUOH GROX ELU YDGL ROGXâXQX V|\OHU 'HPHN NL $YUXSD àHKLUOHULQL J|U S JHQLà EXOYDUODUÁQD KD\UDQ RODQ -|Q 7 UNOHU©LQ oRN GDU YH NDVYHWOL EXOGXNODUÁ LoLQ NHVLS ELoWLNOHUL 'LYDQ\ROX ;9,,, \ ]\ÁO VRQODUÁQD NDGDU áVWDQEXO©XQ HQ JHQLà FDGGHVL RODUDN NDEXO HGLOL\RUGX áNL WDUDIÁ FDPLOHU PHGUHVHOHU KDQODU KDPDPODU oHàPHOHU VXOWDQ VDUD\ODUÁ HNkELU NRQDNODUÁ YH |QOHULQH KDVÁU LVNHPOHOHU DWÁOPÁà NDKYHOHUOH GRQDWÁOPÁà <HQLoHUL LV\DQODUÁQD oHàLW oHàLW W|UHQOHUH DOD\ G â QOHUH àHQOLNOHUH JHoLW UHVLPOHULQH NÁVDFDVÁ 2VPDQOÁ àHKLU KD\DWÁQÁQ ELQ ELU oHàLW WH]DK U QH àDKLW ROPXà UHQNOL FÁYÁO FÁYÁO ELU FDGGH

he last great poet of late Ottoman 3TQJHRG KHSDQ@STQD ÊDXG &@KHA @S SGD end of his verse narrative entitled ?' RM ËJ !D@TSX @MC +NUD R@XR SG@S the path he has adopted in his poem is, like SGD #HU@MXNKT MNS @ RLNNSG @UDMTD ATS @ U@KKDX EQ@TFGS VHSG C@MFDQ 6HCDMDC Q@SGDQ QTSGKDRRKX AX SGD 8NTMF 3TQJR VGN ENTMC HS M@QQNV @MC FKNNLX @ɀDQ RDDHMF SGD AQN@C RO@BHNTR ANTKDU@QCR NE SGD $TQNOD@M BHSHDR SGD #HU@MXNKT V@R MDUDQSGDKDRR BNLLNMKX @BJMNVKDCFDC SN AD (RS@MATK R VHCDRS @UDMTD TO SN SGD DMC NE SGD SG BDMSTQX +HMDC VHSG LNRPTDR L@CQ@R@R G@MR A@SGR ENTMS@HMR HLODQH@K O@K@BDR L@MRHNMR NE SGD FQD@S @MC BNȻDDGNTRDR VHSG QTRSHB RSNNKR SNRRDC NTS HM EQNMS HS is a colorful, humming thoroughfare that G@R VHSMDRRDC )@MHRR@QX TOQHRHMFR NȾBH@K BDQDLNMHDR NE DUDQX RSQHOD VDCCHMF @MC circumcision feasts, festivals, parades, in RGNQS SGD DMSHQD O@MNOKX NE .SSNL@M KHED

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3GD AQN@C @UDMTD JMNVM HM SGD !XY@MSHMD ODQHNC @R SGD ,DRD @MC KHMDC VHSG @QB@CDC columns that stretched from Hagia Sophia RPT@QD @KK SGD V@X SN $CHQMDJ@O V@R B@KKDC #HU@MXNKT -@LDC RN ADB@TRD HS V@R SGD QN@C TRDC AX LDLADQR NE SGD GHFG BNTQS #HU@M ' L@XTM VGHBG BNMUDMDC DUDQX 3TDRC@X @S SGD 3NOJ@O /@K@BD @ɀDQ LNQMHMF OQ@XDQ RHMBD SGD QDHFM NE %@SHG HS

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Ýyi yolculuklar

gözünüz arkada kalmasýn... Kaliteli Beton’la inþa edilmiþ binalarda, sevdikleriniz her zaman güvende.

©

“

Türkiye Hazýr Beton Birliði üyeleri ” kriterlerine göre üretim yapýyor.

Deprem kuþaðýnda bulunan ülkemizde güvenli yapýlarýn inþa edilmesi ttemel te em misyonumuz. Standartlara uygun hazýr beton üretimi ve tekniðine uygun, doðru bbeton be ttoo uygulamalarýnýn yaygýnlaþmasý için 20 yýlý aþkýn süredir kararlýlýkla çalýþýyoruz.

www.thbb.org

“Kaliteli Betonun Simgesi” ©

É23 -!4+ #

3 3y1* IN ISTANBUL

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would live until 1918. Mustafa Kemal would stay here too whenever he came to the city. The Akaretler Row Houses, the ɱQRS L@RR GNTRHMF OQNIDBS HM SGD .SSNL@M $LOHQD G@C ADDM BNLLHRRHNMDC SN @QBGHSDBS 2@QJHR !@KX@M AX 2TKS@M ACÄK@YHY HM %HQRS TRDC @R KHUHMF PT@QSDQR ENQ SGD O@K@BD DTMTBGR the houses were later rented out. Recently restored, they RDQUD @R GNSDKR B@EDR NɳBDR @MC RGNOR SNC@X 3GD GNTRD QDMSDC AX S@SÄQJ LD@MVGHKD HR FNHMF SN AD STQMDC HMSN @ museum in the near future. It was here that Mustafa Kemal /@RG@ LDS SGD 2VHRR KHMFTHRS %DQCHM@MC CD 2@TRRTQD @MC SGDQDENQD HM @ RDMRD GDQD SG@S SGD NQHFHM@K ENTMC@SHNMR VDQD K@HC ENQ SGD 3TQJHRG +@MFT@FD 2NBHDSX SG@S GD VNTKC ENTMC later.

PERA PALAS 101

Akaretler’deki bu tarihi evde, S@S QJ M L@MDUH DUK@C Abdurrahim Tunçak özel bir itina ile büyütüldü. Atatürk’s adopted son Abdurrahim Tunçak was brought up with special care in this historic house on Akaretler HM !DËHJS@Ë

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134 SKYLIFE | CUSTRUM | % "Ë$#Ë2 2009

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Osman Hamdi Bey -DLQTS J@Y‹K@Q‹MC@ 2@XC@ *Q@K -DJQNONK› MCDM ÉRJDMCDQ +@GSH , � X›YX‹K .RL@M '@LCH 2HCNM J@Y‹K@Q‹ 1887.

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Osman Hamdi at Nemrut excavations KDW@MCDQ R@QBNOG@FTR 1NX@K -DBQNONKHR NE RHCNM SG BDMSTQX BC Osman Hamdi Sidon excavations. 1887.

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ent to Paris to study law in 1860, Osman Hamdi’s interest in painting soon took precedence and for a while he tried to learn both subjects. It wasn’t long however before he decided to devote himself entirely to painting and enrolled in the Paris École des Beaux Arts as well as frequenting the private studios, most notably of Jean LÊon GÊrôme (1824-1904) and Gustave Boulanger, (1824-1888), both prominent artists of the period. In 1869 he returned to Istanbul and entered government service, RDQUHMF„@S„U@QHNTR„KDUDKR„TMSHK„GD„KDɾ„SG@S„ONRHSHNM„AX„BGNHBD„ in 1878 with the idea of devoting more time to his painting. '@UHMF„D@QMDC„SGD„@OOQDBH@SHNM„NE„GHFG„Q@MJHMF„NɳBH@KR„CTQHMF„ the period that he was employed, Osman Hamdi succeeded in getting himself reinstated and in 1881 was appointed director of the Imperial Museum (the Istanbul Archaeological Museums) and in 1882 director of the School of Fine Arts (Mimar Sinan University of the Fine Arts), positions he held until his death in 1910. Rather than limiting himself to museum management, .RL@M„'@LCH„OQDEDQQDC„SN„AD„@BSHUDKX„HMUNKUDC„HM„SGD„ɹDKC „ TMCDQS@JHMF„SGD„ɹQRS„DWB@U@SHNM„DUDQ„LNTMSDC„AX„3TQJR „3GD„ -DLQTS„#@ɋ „2HCNM„ SNC@X R„+DA@MNM „@MC„+@FHM@„DWB@U@SHNMR„ were all personally directed by him. Before being appointed director of the museum, he is known to have made historical and archaeological studies in the Baghdad region, where he V@R„RDMS„NM„GHR„ɹQRS„NɳBH@K„LHRRHNM„@MC„SN„G@UD„RDMS„RNLD„ artifacts back to Istanbul.

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$7" 5 3(.-2 First discovered by Germans in 1881, the Nemrut Mound @KRN„@SSQ@BSDC„SGD„@SSDMSHNM„NE„GHFG„Q@MJHMF„.SSNL@M„NÉłBH@KR „ Osman Hamdi Bey and the sculptur Osgan Efendi, a faculty member at the School of Fine Arts, were appointed in 1883 to HMUDRSHF@SD„SGD„@QD@ „3GD„ɹMCR„NE„SGD„O@QSH@K„DWB@U@SHNM„SGDX„ carried out there were published in the form of a book in the light of the results of the earlier research. This publication HM„%QDMBG „@„UDQX„RHFMHÉąB@MS„ANNJ„ENQ„ „HMBKTCDC„MNS„ only inscriptions but also scale drawings of reliefs and photographs taken that year. Osman Hamdi Bey carried out the Sidon excavation in 1887, uncovering close to twenty extremely valuable sarcophagi in the process. The most famous ones, the Alexander, the Weeping Women, the Satrap and the Lycian Sarcophagi, are part of the Istanbul Archaeological Museums collection today. +DC„AX„/QNE „#Q „ GLDS„3‹QO@M„NE„2DKyTJ„4MHUDQRHSX„SNC@X „ the Lagina excavations were initially undertaken by Osman Hamdi Bey in 1891-92. Once again, he added the sculptures and reliefs he personally found there over the course of two years to the Istanbul Archaeological Museums collection. When the number of artifacts brought to light in the excavations carried out by Osman Hamdi Bey and his @RRNBH@SDR„OQNKHEDQ@SDC„RHFMHÉąB@MSKX „SGD„MDDC„@QNRD„ENQ„@„ larger and more substantial museum building. Finding the QDPTHRHSD„A@BJHMF „.RL@M„'@LCH„!DX„NODMDC„SGD„ɹQRS„RDBSHNM„ of the Istanbul Archaeological Museums to visitors in 1899, the second section in 1903 and the third section in 1907. Beginning in 1840, foreigners were granted permission to engage in excavations on the Ottoman lands. However, in the absence of a clear regulation governing ancient artifacts, SGD„ɹMCR„TMBNUDQDC„Q@OHCKX„CHR@OOD@QDC„NTS„NE„SGD„BNTMSQX „ Osman Hamdi Bey’s most notable contribution therefore @ÉľDQ„ADHMF„AQNTFGS„SN„SGD„LTRDTL„CHQDBSNQRGHO„V@R„SN„G@UD„ new provisions added to the 1874 ‘Regulation Governing Ancient Artifacts’ strictly prohibiting their removal outside the country. „XD@Q„@ÉľDQ„.RL@M„'@LCH„!DX„V@R„@OONHMSDC„GD@C„ of the Imperial Museum in 1881, he was also appointed Director of the School of Fine Arts in 1882. While dealing VHSG„DWB@U@SHNMR„@MC„LTRDTL„@É°@HQR„NM„SGD„NMD„G@MC „NM„ the other he set up the Imperial School of the Fine Arts and selected the teachers to give instruction there. Designing the building that serves today as the Istanbul Archaeological

138 SKYLIFE | KASIM | -.5$,!$1 2009

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/ (-3$1 .2, - ' ,#( Continuing to paint at every opportunity, Osman Hamdi Bey never neglected his painting, either while dealing with FNUDQMLDMS„@É°@HQR„NQ„VGHKD„B@QQXHMF„NTS„GHR„@QBG@DNKNFHB@K„ and museological studies. Regarded as one of the most successful painters, in view especially of the conditions of Turkish painting at the time, Osman Hamdi produced close to „B@MU@RDR„SG@S„RSHKK„RTQUHUD„SNC@X „@LNMF„SGDL„3GD„"NÉ°DD„ Hearth, The Mausoleum of Sultan Selim II, Veiled Women at SGD„#NNQ„NE„SGD„,NRPTD „/Q@XDQ„@S„SGD„&QDDM„3NLA „ ÉľDQ„SGD„ Breaking the Fast, The Sultan Leaving the Mosque, Women on an Excursion, The Green Mosque at Bursa, The Prayer Niche, The Water of Life Fountain, In Front of the RĂźstem Pasha Mosque, The Tortoise Trainer, Woman with Mimosa. 3NFDSGDQ„VHSG„ËDJDQ„ GLDC„/@RG@„@MC„2Ă„KDXL@M„2DXXHC „ who were also trained with him in Paris during the same period, Osman Hamdi Bey is included in the group known as the ‘classics’ of the Art of Turkish Painting. But Osman '@LCH R„RSXKD„@MC„VNQJHMF„SDBGMHPTD„CHÉ°DQ„EQNL„SG@S„NE„GHR„ BNMSDLONQ@QHDR „3GD„HMɲTDMBD„NE„SGD„SD@BGDQR „NE„&zQžLD„ in particular, who produced works in the Orientalist style is clearly evident in Osman Hamdi’s paintings, which stylistically have a lot in common with the Orientalists. "NLONRHSHNMR„HMUNKUHMF„GTL@M„ɹFTQDR „DRODBH@KKX„ K@QFD RB@KD„ɹFTQDR „@QD„NARDQUDC„HM„3TQJHRG„O@HMSHMF„ENQ„SGD„ ÉąQRS„SHLD„HM„.RL@M„'@LCH„!DX „3GDQD„@QD„@KV@XR„NMD„NQ„ LNQD„ɹFTQDR„HM„SGD„@QBGHSDBSTQ@K„RBDMDR„GD„CDOHBSR „'@UHMF„ acquired documentary value today for their successful depiction of the monuments of Turkish art, Osman Hamdi’s paintings, even though they are occasionally criticized for SGDHQ„TRD„NE„ɹFTQDR „NBBTOX„@„UDQX„HLONQS@MS„OK@BD„HM„SGD„ history of Turkish painting. 2009 NOVEMBER | * 2(, | 2*8+(%$ 139

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Continental2009_MCR1_EN.pdf

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Continental Airlines has joined Star Alliance Giving you better access to New York and beyond I should know, we do business there. I’ve earned it.

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ÉMR@MNĂˆKT FDKHĂ‹SHQCHĂˆH HKJ LDJ@MHJ BHG@YK@QC@ DKKDQHMH UD @X@JK@Q‹M‹ JTKK@M@Q@J L@JHMDKDQD X˜M UDQCH 9@L@MK@ L@JHMDKDQ NSNL@SK@Q@ NSNL@SK@Q DKDJSQNLDJ@MHJKDQD UD MHG@XDSHMCD CHIHS@K BHG@YK@Q@ C˜M›ËS› #›Ë›MBD F›B› HKD JNMSQNK›M HRD GDLDM J‹X‹R‹MC@X‹Yj The first machines were mechanical devices man developed and operated with his hands and feet. Over time, machines were supplanted by automated devices, which in turn were superseded by electromagnetically operated devices, until the transition eventually to the digital world. We stand now on the brink of devices that can be controlled purely by thought.

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GD„ɹQRS„LDBG@MHB@K„RXRSDL„OQNFQ@LL@AKD„AX„@„RDQHDR„ of commands was actually a textile loom used in 1728. The logic was very simple: a card with holes punched in it would tell the machine in what order to perform its operations. Morphing frequently over time, systems programmed by punched cards continued to be used in electronics up to the mid-1970s. KSGNTFG„SGD„ɹQRS„O@SDMSR„VDQD„HRRTDC„@S„SGD„ADFHMMHMF„ of the 1820’s for the writing machines that can be regarded 2009 NOVEMBER | KASIM | SKYLIFE 149

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as the father of the typewriter, which ushered in a new era in man’s dance with paper, it was only in the 1870’s that a writing machine in the true sense of the word entered our lives. But the mechanical clack of the typewriter, which was O@QS„@MC„O@QBDK„NE„NɳBD„@MC„@B@CDLHB„KHED„TO„SN„SGD„DMC„NE„SGD„ 1980’s, is no more than a dusty memory today.

HISTORY OF THE KEYBOARD The basic interface of human interaction via digital devices large and small today, the keyboard came into being in the 1930’s with telegraph machines that could be hooked up to typewriter systems via electricity cables thereby making it possible for texts to be sent as electrical signals. But the L@BGHMD„SG@S„NÉ°DQDC„TR„C@S@„NM„@„RBQDDM„HM„SGD„SQTD„RDMRD„NE„ the word, data entered on a keyboard, was a system called Multics, a 1964 joint production by MIT, Bell Laboratories and General Electric. Gathering momentum at the end of the seventies and continuing to develop with mind-boggling speed right up to our day, the human-computer interaction has undergone major changes due to innovative approaches in the last ten years especially. Thanks to ‘touchscreens’, data could be entered with a special pencil on devices known as PDA’s (Personal Digital Assistant) at a time when mobile phones VDQD„MNS„XDS„VHCDROQD@C „ MC„NM„CDUHBDR„OQNCTBDC„AX„ɹQLR„ KHJD„/@KL „KDSSDQR„@MC„MTLADQR„VDQD„CDRHFM@SDC„AX„RHLOKHÉąDC„ signs to facilitate writing. During the process of mobile phone CDUDKNOLDMS „@R„/# R„ɹQRS„ADF@M„S@JHMF„NM„SGD„ED@STQDR„ of the telephone, changing trends eventually transformed mobile phones into PDA’s themselves.

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TOUCHSCREEN MONITORS HIT THE SCENE #NJTML@SHJ BHG@YK@Q‹M JTKK@M‹L The ever more diminutive dimensions of mobile devices JNK@XKÂ‹ĂˆÂ‹ R@ĂˆK@X@M @Q@X›YKDQH coupled with consumer demand for ever wider screens GDQ FDzDM F›M AHQ@Y C@G@ led producers to eliminate physical keyboards altogether FDKHĂ‹HXNQ 3GD HMSDQE@BDR SG@S D@RD SGD TRD NE SNTBGRBQDDM F@CFDSR @QD CDUDKNOHMF @ KHSSKD LNQD D@BG C@X

EQNL„SGD„KHLHSDC„VNQJ„@QD@„@MC„NɰDQ„SNTBGRBQDDM„OQNCTBSR„ HMRSD@C „ OOKD„RNKC„RNLD„ „CDUHBDR„HM„SGD„ɹQRS„VDDJ„ of June 2007 when they introduced their iPhone to the market. And the underlying secret of the successful products marketed by manufacturers like Nokia, Samsung and BlackBerry lies without a doubt in the way they combine the digital environment with the human pleasure in touching. What the process of technological development has shown us is that just as the once popular typewriters were abandoned for keyboards, so are keyboards going to give way to touchscreens in the not-so-distant future.

INTO THE FUTURE Mobile phones today can read our touch, and not only our touch, they can also identify the speed and orientation of our hand and arm movements and produce reactions. While game consoles like Nintendo Wii bring excitement and new experience to the world of entertainment with a RHLOKD„INXRSHBJ „SGD„BNMBDOS„OQNCTBSR„OQNLNSDC„AX„ɹQLR„KHJD„ ,HBQNRNɾ„@MC„2NMX„B@M„ODQBDHUD„GTL@M„LNUDLDMSR„VHSGNTS„ using any control device whatsoever and convert them into commands. Research done in the universities is enabling man to takes steps towards eventually transforming human thought power itself into commands. There is no doubt that man is a unique creature who sets himself goals, works to achieve those goals and succeeds. The speed with which we can transform our dreams into reality is increasing a little more each day. To give physical shape to our thoughts and dreams and be able to touch SGDL„HR„RNLDSGHMF„NTQ„BGHKCQDM„CDɹMHSDKX „@MC„ODQG@OR„ „VGN„ knows? - even we ourselves, will experience. Who’s to say whether our next goal will not be to turn what we touch into thoughts and send them out beyond the stars?

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Winter cuisine occupies a special place in Turkey, a country that experiences all four seasons. As we prepare for winter, an appetizing job awaits us preparing this rich cuisine, which brings together the vegetables that grow in winter.

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utritional habits and ways of life inevitably vary from season to season in lands that experience BKD@Q„RD@RNM@K„CHÉ°DQDMBDR „3TQJDX„HR„ one of those countries in which all the seasons are experienced to the full. Following autumn, nature embarks on a period of self-renewal that lasts all winter. But winter is never as exciting as summer. For while parties are thrown in the urban setting to welcome and bid farewell to summer, no such RNBH@K„QDɲDW„G@R„CDUDKNODC„SN„L@QJ„SGD„ RS@QS„@MC„ɹMHRG„NE„VHMSDQ „/QDO@Q@SHNMR„ for winter are limited to getting our clothes, houses and cars ready for the onslaught of cold weather. Thanks to advances in technology and the industrial production of food, nutritional needs are now met monotonously by the same foods throughout the year. Because urban CVDKKDQR„NÉľDM„E@HK„SN„@C@OS„SGDHQ„ nutritional models to the season, they may face ‘tiredness syndrome’ during transitions from season to season. Not only that but uniform nutritional systems are unfortunately causing the loss of the traditional recipes that developed over thousands of years.

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‘Spring tiredness syndrome’ was never mentioned by our ancestors who lived well-integrated with nature decades ago, which only goes to show SGD„ADMDÉąSR„NE„SGD„ M@SNKH@M„KHEDRSXKD „ For Anatolia over the millennia has developed its living habits in the light of nature. The people of Anatolia,

who begin their preparations for VHMSDQ„@KQD@CX„HM„,@X„@MC„)TMD „ continue right through the end of .BSNADQ„VHSG„SGD„BNKKDBSHNM„ɹQRS„NE„ ÉąQDVNNC„@MC„SGDM„SGD„OQDO@Q@SHNM„ of food. The matchless products FQNVM„EQNL„,@X„SN„.BSNADQ„@QD„ preserved naturally and without additives by methods such as drying, salting, smoking, pickling, and canning and used all winter KNMF „$UDM„SGD„BNMS@HMDQR„ENQ„ these foods which grace the table through the long winter months QDPTHQD„RODBH@K„B@QD„ADENQD„ɹMCHMF„ their place in the cellar, which is opened and closed each time with the invocation of Allah’s blessing. The rich popular culture and dialogues that have grown up around these preparations, known as ‘the winter provisions’, are of DMBXBKNODCHB„OQNONQSHNMR „/QDO@QDC„ by the people of Anatolia, who are closely acquainted with the spirit of nature, these foods combine the fruits and vegetables unique to winter, transforming its cold, dark C@XR„HMSN„UHAQ@MS „V@QL „KHFGS ÉąKKDC„ environments. ‘Spring tiredness syndrome’ has no place in the vocabulary of people whose lives center around nature.

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CRANBERRY TARHANA SOUP Ingredients: BTO BQ@MADQQX S@QG@M@ @ANUD SRO ATSSDQ BTOR V@SDQ NQ LD@S RSNBJ SRO R@KS SRO AK@BJ ODOODQ SRO FQNTMC QDC ODOODQ "@XDMMD NMHNM BGNOODC ɱMD BKNUDR F@QKHB BQTRGDC

154 SKYLIFE | CUSTRUM | % "Ë$#Ë2 2009

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MEAT-FILLED LEEK AND CARROT ‘MUSKA’ Ingredients: K@QFD KDDJR K@QFD B@QQNSR FQ LHMBDC K@LA FQ LHMBDC UD@K NMHNM BGNOODC ɱMD SNL@SNDR BGNOODC ɱMD SARO QHBD ATMBG EQDRG LHMS KD@UDR BGNOODC ɱMD ATMBG ɲ@S KD@E O@QRKDX BGNOODC ɱMD SRO AK@BJ ODOODQ SRO R@KS SARO ATSSDQ Preparation: /HBJ NUDQ @MC BKD@M SGD KDDJR @MC BTS HMSN BL KDMFSGR VHSG @ JMHED /KTMFD HMSN ANHKHMF V@SDQ ENQ LHMTSDR SGDM RSQ@HM "TS NODM KDMFSGVHRD ɱKK VHSG SGD RSTɳMF @MC QNKK TO HM SQH@MFKDR 6GDM @KK SGD ɱKKHMF G@R ADDM VQ@OODC @QQ@MFD SGD ?LTRJ@ NM @ A@JHMF RGDDS "TS SGD B@QQNSR HM G@KE KDMFSGVHRD /KTMFD HMSN GNS V@SDQ QDLNUD HLLDCH@SDKX @MC RSQ@HM %HKK D@BG B@QQNS VHSG RSTɳMF @MC QNKK TO HMSN @ SQH@MFKD 6GDM @KK SGD B@QQNSR @QD QNKKDC TO @QQ@MFD SGDL NM SNO NE SGD KDDJR #NS VHSG SVN SARO ATSSDQ ROQHMJKD VHSG R@KS @MC ODOODQ @MC BNUDQ VHSG SGD BGNOODC SNL@SNDR %HM@KKX ONTQ SGD V@SDQ NQ LD@S RSNBJ NUDQ SGD ?LTRJ@ @MC KDS BNNJ ENQ @ANTS LHMTSDR

% "Ë$#Ë2 [ CUSTRUM | SKYLIFE 155

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156 SKYLIFE | KASIM | -.5$,!$1 2009

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PUMPKIN DESSERT WITH TAHINA Ingredients: ย OTLOJHM ย ย FQย FQ@MTK@SDCย RTF@Q ย ย BKNUDR ย ย SAROย S@GHM@ ย ย SAROย V@KMTSย LD@SR ย ย SAROย BKNSSDCย BQD@Lย 3TQJHRGย ?J@XL@J Preparation: %HQRSย ODDKย SGDย OTLOJHM ย "TSย @Rย CDRHQDCย @MCย OK@BDย HMย @ย ONS ย 2OQHMJKDย VHSGย SGDย RTF@Qย @MCย SGDย BKNUDRย @MCย BNNJย RKNVKXย NUDQย KNVย GD@S ย 3GHRย VHKKย S@JDย @OOQNWHL@SDKXย ย LHMTSDR ย 6GDMย SGDย OTLOJHMย HRย CNMD ย QDLNUDย HSย SNย @ย A@JHMFย RGDDS ย /NTQย HSRย NVMย ITHBDย NUDQย HSย @MCย KDSย HSย RS@MCย HMย @ย s"ย NUDMย ENQย ย LHMTSDRย TMSHKย SGDย ITHBDRย @QDย @ARNQADC ย +DSย BNNK ย 2DQUDย VHSGย SGDย V@KMTSR ย BKNSSDCย BQD@Lย @MCย S@GHM@

ย -.5$,!$1ย [ย KASIM | SKYLIFE 157

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THY HABER TURKISH AIRLINES NEWS THY ASIANA HAVA TURKISH AIRLINES 9/,,!2)€œ,%€/24!+€ OFFERING JOINT 9/,#5€4!�)9!#!+ FLIGHTS WITH ASIANA AIRLINES

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Turkish Airlines has signed a Code Share agreement with Asiana Airlines. Under the agreement, which went into effect on 25 October, Turkish Airlines will be able to offer connecting flights to 119 international destinations in Turkey, Europe, North America, South America, Russia, Central Asia and the Middle East. Passengers departing from Istanbul will also have access to 82 of Asiana’s popular international destinations, among them South Korea, Japan, China and Southeast Asia.

TURKISH AIRLINES IN ISPARTA

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Turkish Airlines started flying to Isparta on 28 October. The Istanbul-Isparta-Istanbul flights are three days a week, departing from Istanbul at 10:45 p.m. and from Isparta at 6:10 a.m. One-way fares on the Isparta flights originating from Istanbul start from TL 79, everything included.

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To meet rising passenger demand, Turkish Airlines has introduced daily round-trip Ankara-IzmirAnkara flights in addition to its already existing Ankara-IzmirAnkara flights on AnadoluJet. Our passengers can now fly Ankara-Izmir every day departing at 8:30 PM. and Izmir-Ankara departing at 8 AM.

158 SKYLIFE | KASIM | NOVEMBER 2009

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10/26/09 8:12 PM

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An existing regulation at Antalya International Airport, liquid restrictions on hand luggage will be effective EQNLย ย .BSNADQย ย @Sย ร RS@MATKย S@Sร QJย HQONQS

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START OF TURKISH AIRLINESโ ฬ 6(-3$1 3(,$3 !+$

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Implementing its winter timetable on 25 October, Turkish Airlines has included international flights originating from Istanbulโ s Sabiha Gรถkรงen Airport. With flights to London, Moscow, Amsterdam, Cologne, Berlin, Stuttgart and Hannover, Turkish Airlines this winter has also added two flights a day from Sabiha Gรถkรงen to Adana to its regular domestic flights to Ankara, Izmir and Antalya. Parallel with the expansion of its long-haul fleet, Turkish Airlines is planning to continue on its winter timetable the flights to Chicago, Seoul, Singapore, Jakarta, Johannesburg-Capetown, and Lagos that were already added to its 2009 summer timetable. In addition to the flights made by its subsidiary AnadoluJet, Turkish Airlines is also going to offer Ankara-Izmir flights under its own brand name.

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Trophies and monetary awards found their recipients at the Archery World Cup Final, held in Copenhagen on 26 September. A scene of fierce competition, the finals also drew attention to Nyhaven in the city center where they took place. The worldโ s top archers competed and broke records under the logo of the sportโ s global sponsor, Turkish Airlines, in the finals, which were broadcast on world television and followed by the press and visual media as well as the Danish royal family and all high-ranking officials including the mayor and government ministers.

2009 NOVEMBER | * 2(, | SKYLIFE 159

thy_haber.indd 3

10/24/09 10:54 PM

THY HABER TURKISH AIRLINES NEWS

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BUY FROM OPET AND EARN MILES

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Turkish Airlines recently came together in Istanbul with CEO’s of large and medium-sized German companies to discuss corporate travel trends at its ‘Next in Corporate Travel 2009’ Conferences, the first of which was held 9-11 October, the second 23-25 October. Turkish Airlines’ invited guest at the Istanbul conference, European Aviation Club President Prof. Dr. Rigas Doganis gave a presentation on the solutions companies are producing for the current rise in travel costs. The event is slated to continue in the years ahead to brief different target groups on the trends.

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TURKISH AIRLINES REMEMBERS FERID ALNAR

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TRT’s Tourism and Documentary Channel, which will be the definitive answer for Turkish documentary enthusiasts as well foreigners with four different language broadcasts, officially opened with a ceremony that took place on October 17 at the Izmir Adnan Saygun Center for the Arts. Attended by Turkish State and #DOTSX„/QHLD„,HMHRSDQ„!ÄKDMS„ Q‹My„@MC„AX„$QSTÉQTK„&ÄM@X „,HMHRSDQ„ of Culture and Tourism, the event was colorfully hosted by uniquely costumed presenters of the new channel’s upcoming French, German, English, Russian and Turkish morning programs.

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INFO 167

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Star Parade Schedule page 165

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PUZZLES: FIND THEM TO SOLVE THEM If you couldn’t spot our puzzle suplement in your seat pocket, please request our puzzle booklet from cabin crew. The supplement has reached eight pages in lenght and is renewed twice a month

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Imagine your current self constantly visiting your future self, or receiving news from what lies ahead while you are still in the ‘now’‌ Adapted from Audrey Niffenegger’s science fiction novel of the same name, ‘The Time Traveler’s Wife’ is all about visitation across boundaries. Our main character Henry, played by Eric Bana, is able to travel between the past and the future. His wife Clare is portrayed by Rachel McAdams of ‘The Notebook’ fame. Directed by Robert Schwentke, ‘The Time Traveler’s Wife’ will be on Turkish Airlines screens at the same time as its cinema release.

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3(/ #.- 3 +$3 8.41 +4&& &$ 6$(&' .- 8.4j Have you heard that the free luggage allowance differs according to your flight and ticket? How about the dimensions and weight of your cabin baggage? Did you know that you can follow your baggage in case of loss or damage? For full details on your luggage please refer to page 168.

R@@S F›M VVV SJB@QFN BNL @CQDRHMCDM J@QFNK@Q‹M‹Y‹ S@JHO DCDAHKHQRHMHY You may track your cargo any time 24/7 via www.tkcargo.com.

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6$ ' 5$ 2$+$"3$# %.1 8.4 STAR PARADE Another service we offer our passengers, for them to enjoy their time to the fullest during their journey, are the music channels. With them you have access to almost any popular singer or track of any kind of music. In order to be able to give you an idea about our well-stocked music channels, we have prepared a selection for you.

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GET THE LATEST NEWS You can reach all the flight information details from the AVOD system. World news are updated hourly.

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We also didn’t forget about our vegetarian guests among our rich menus. Vegetarian meals, not including any food of animal byproducts, are being prepared with daily products and all plant derived foods. Additionally, Hindu meals based on Jain customs are offered in our menu.

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For more details about the special courses please refer to page 158.

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2009 NOVEMBER | KASIM | SKYLIFE 165

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The digital AVOD (Audio Video On Demand) in-cabin entertainment system is in use on long haul routes served by our extended range aircrafts. Programs of the AVOD system fall into three categories:

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INFORMATION Fleet~g~Cargo~g~Turkish Airlines’ Frequent Flyer Program v Destinations Guide~g~Informative Guide to Turkey g~Map~g~Flight Map~g~Advanced Ixplore: World Map can be followed in Globe, Satellite, Day|Night, Night, Fllow Plane, Pilot’s view, Time Zone, Flight Info view alternatives. All maps can be zoomed.~g~Flight Camera: All passengers can watch take off and landing on two cameras mounted in the front and back of the plane. g~Connecting to Gate: Passengers can follow their connecting flights’ time, gate number, delay info etc. from this channel, at the moment just from Istanbul Airport.

ENTERTAINMENT Film channel~g~Short films channel (series, documentaries and cartoons)~g~Music (a 250CD album + radio stations)~g~Game Channel (for single or multiple players)~g~Children’s Channel g~Audio Books.

COMMUNICATION Send and receive SMS|email ~g~Each SMS and|or E-mail fee is 1.60 USD ~g~All our passengers are able to send and receive SMS and E-mail by swiping a valid credit card to the system and approve charging amount of 1.60 USD both for to send and receive. ~g~You will not be charged for unsent messages. ~g~ We cannot guarantee delivery of email and sms messages. ~g~+HUD„3DWS„-DVR„g„6NQKC„ news such as Economy, Financial, Magazine, Weather etc. are presented in Live Text News Channel ~g~Weather news are renewed in every 4 hours, the other news are renewed every hour.

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In a dystopian future, the sole survivor of a car accident is fitted with an experimental brain implant. Although the chip keeps him alive, it comes with a price: his memory is gone and he sees embedded advertising in real life.

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.XTMBTK@Q | Cast ,NQF@M %QDDL@M MSNMHN !@MCDQ@R 1@CG@ ,HSBGDKK 1NADQS %NQRSDQ 8 MDSLDM [ Director: Mimi Leder -DV 8NQJ C@ FDzDM AT EHKLCD RNM AHQ HË X@O O 1TR L@EX@R M@ ANQBTMT CDLDJ HRSDXDM TRS@ AHQ G QR Y GHz JHLRDMHM FHQDLDXDBDÈH AHQ XDQCD JNQTM@M HJH LDËGTQ %@ADQF XTLTQS@R M z@KL@J HzHM MK AHQ G QR Y M X@QC L M HRSDQ Set in New York City, a master thief recruits a notorious crook to help him steal two famous Fabergé eggs from an impenetrable vault, in an effort to pull off one final job and repay his debt to the Russian mob.

Surinder Sahni, a kind-hearted, honest man, meets his total opposite and finds love in the flamboyant, vivacious Taani. What follows is a journey filled with laughter, tears and a lot of love.

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.XTMBTK@Q | Cast Sandra Bullock, Ryan Reynolds, Malin Akerman 8 MDSLDM | #HQDBSNQ Anne Fletcher -DV 8NQJ C@ DCHS QK J X@O@M ,@QF@QDS *@M@C@ X@ R M Q C Ë DCHKLD SDGKHJDRHXKD J@QË K@Ë Q ,@QF@QDS GDLDM @RHRS@M MCQDV HKD MHË@MK NKCTÈTMT @z JK@Q MB@J DKHMCD E@YK@ HË NK@M @RHRS@M ATMT J@ATK DSLDJ HzHM AHQ JNËTK HKDQH R QDQ ,@QF@QDS HR @M DCHSNQ HM -DV 8NQJ VGN E@BDR CDONQS@SHNM SN "@M@C@ 2GD PTHBJKX CDBK@QDR SG@S RGD R DMF@FDC SN GDQ NUDQ ATQCDMDC @RRHRS@MS MCQDV VGN @FQDDR SN FN @KNMF VHSG SGHR TMCDQ NMD BNMCHSHNM

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SKYLIFE | KASIM | NOVEMBER 2009

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2009 NOVEMBER | KASIM | SKYLIFE

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+,!3Âœ+€-Ă€:Âœ+ CLASSICAL MUSIC Craig Armstrong Weather 2SNQL g Tchaikovsky Piano Concerto No1 In B Flat Minor g Elgar Nimrod g Tschaikovsky Dance of The 1DDC %KTSDR g Alexander Borodin Sring Quartet No2 In D Major Notturno Andante g Ludwig Van Beethoven Piano Sonata No8 in C minor g Gabriel Faure Pavane QQ "Q@HF +DNM g Samuel Barber Adagio For Strings g Johann Pachelbel Canon (M # g Giuseppe Verdi La Donna E Mobile (Rigoletto) g Antonio Vivaldi Concerto ‘L’estate’, RV 315 - III- Presto g FrĂŠdĂŠric Chopin Piano Concerto No1 In E Minor g Michael Nyman The Heart Asks Pleasure First g Johann Sebastian Bach Air ‘On The G String’ g Johannes Brahms Waltz -N (M %K@S g Gustav Mahler Symphony No. 5 In C Sharp Minor - IV. Adagietto g Sergei Rachmaninow Piano Concerto No. 2 In C ,HMNQ .ODMHMF g Wolfgang Amadeus Mozart Lacrimosa (Requiem In D Minor K626) g Johann Strauss On The Beautiful Blue Danube g Stanley Myers Cavatina g Craig Armstrong Balcony 2BDMD g Wolfgang Amadeus Mozart Piano Concerto No21 HM " g Vaughan Williams &QDDMRKDDUDR g Johann Sebastian Bach Goldberg Variations

CAZ JAZZ Earl Klugh Sleepyhead g Herbie Hancock Solitude g Diana Krall Lets Fall In +NUD g Ramsey Lewis 2TM &NCCDRR g Weather Report A Remark You ,@CD g Stanley Clarke 0THDS ESDQMNNM g The Sax Pack Fallin %NQ 8NT g Rick Braun 2GHMHMF 2S@Q g Peter White Dreamwalk (with Phil Kenzie on Alto Sax) g Mindi Abair True Blue g Marion Meadows Suede g Byron Woods Fly Away g Brian Simpson It’s All &NNC g Dave Koz Faces NE 3GD 'D@QS g Chuck Loeb 3QNOHB@K g Jaheim ,X /K@BD g Kenny G 2HKGNTDSSD g Stan Getz

& JoĂŁo Gilberto Ft. A. Carlos Jobim Desafinado g Luis Armstrong What A Wonderful World

Black Eyed Peas Boom !NNL /NV g Beyonce Halo g Jamie Foxx Blame It (On The Alcohol) ft. T-Pain g Jordin Sparks Battlefield g Kid Cudi Day ‘N’ Nite g Shinedown Second "G@MBD g Sean Kingston %HQD !TQMHMF g Adam Lambert ,@C 6NQKC g Keri Hilson Knock You Down g Keith Urban Kiss A Girl g Black Eyed Peas I Gotta %DDKHMF g Kris Allen No !NTMC@QHDR g Lady Gaga +NUD &@LD g Souljah Boy Kiss Me Thru The Phone g Kelly Clarkson I Do Not 'NNJ 4O g T.I ft Justin Timberlake Dead and &NMD g Kristina Debarge &NNCAXD g David Cook /DQL@MDMS g Pink Please #NM S +D@UD ,D g Charice -NSD SN &NC g Nickelback If Today Was Your Last Day g Lady Antebellum I Run 3N 8NT g Taylor Swift You Belong With Me

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NEW AGE Amethystium QBTR g Emiliana Torrini Unemployed In Summertime g Paul Schwarz Veni Redemptor Gentium g Trincha Live From Heart g Achillea Amor (Parte I) g 3rd Force Echoes of a #QD@L g B-Tribe Sensual g Poe '@TMSDC g Jens Gad -@U@IN g Blue Stone #QD@LB@SBGDQ g Cantoma $RR@Q@H g Agron Love My 2NTK g Diane Arkenstone 4MCDQ 3GD !KTD 2JX g Kevin Wood Honoring Tradition g Vargo The Moment g Narsilion Faraway g Medwyn Goodall The 6HKKNV g Zero 7 Destiny

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170 SKYLIFE | KASIM | NOVEMBER 2009

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163_192skyinfo_SL1109.indd 171

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8 KK@QB@ MJ@Q@ M M zDËHSKH FQTOK@Q MC@ z@KC K@Q *DMCH Ë@QJ K@Q M X@OL@ HRSDÈHXKD AHQ @Q@X@ FDKCHJKDQHMCD ?L@-F@ CDCHKDQ JDMCHKDQHMD %DQL@M JF K UNJ@K 8@ÈLTQ 2@Q F K FHS@Q "DL !@GSHX@Q A@RFHS@Q YF Q "@M MDX C@UTK UD $ED 8 KL@Y STQMS@AKD AT MHXDSKD RS CXNX@ HKJ CDE@ J Ë MC@ FHQCH J@M HKJ Ë@QJ ?*@K 8@M LC@ HCH ?2HMF 8NTQ 2NMF @CK AHQ L YHJ X@Q ËL@R MC@M G@ADQC@Q NKL@K@Q Ë@QJ X NQ@X@ XNKK@L@K@Q UD X KK@QB@ X@Ë@C JK@Q MJ@Q@ C@M z J O ÉRS@MATK @ FDKLDKDQHXKD HËKDQ BHCCHKDËSH L@ HKJ @KA LKDQH HzHM AHQ@Y C@G@ ADJKDLDKDQH FDQDJSH ÉKJ @KA L Q@K J SD RDR UDQCH ?!HQ *@C M HYDBDJRHM HM X JRDKHËH CTQL@J AHKLDXDM Q ONQS@I UD SDKDUHYXNM OQNFQ@LK@Q j #@G@ Ë@ËJ MK È YDQKDQHMCDM @S@L@C@M STQMD XNKTMC@ ATKCTK@Q JDMCHKDQHMH 'wKw XNKK@QC@K@Qj

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10/24/09 9:31 PM

8$,$* FOOD ¼:%, 9%-%+ 3%26 3

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TzTË QDYDQU@RXNMTMTY R Q@R MC@ UDX@ TzTËS@M DM @Y R@@S MBDRHMCD X@O KL@K C Q g & C@K@Q@ J@QË GDQG@MFH AHQ @KDQIHJ CTQTLTMTY U@QR@ K SEDM CNJSNQ Q@ONQTMTY HKD AHQKHJSD AT JNMTXT HKDSHMHY g Éz G@S RDEDQKDQHLHYCD YDK XDLDJ RDQUHRHLHY XNJSTQ g 3 QJ '@U@ 8NKK@Q M M TzTËK@Q MC@ RTMTK@M S L XDLDJ zDËHSKDQH ,.,+ , RK L@M 8DLDÈH JTQ@KK@Q J@OR@L MC@C Q

g YDK XDLDJ S@KDOKDQH

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#(-, ̐"'(+# ,$ +̑

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SPECIAL MEAL SERVICE

DON’T FORGET!

Recent polls carried out, have shown that meeting special meal requirements is of utmost importance for customer satisfaction. By presenting special meals with the highest degree of quality and consistency, Turkish Airlines aims not only to make you feel like you are a special guest on our airplanes, but also wishes to make your travelling experience with us a memorable one.

g Special meal requests have

g g

CHML ̐"'(+# ,$ +̑

to be done during your reservation to a flight or at least 24 hours in advance of your flight. Please advise if you have any allergies, like nut allergy etc., with a doctor report. Special meal requests can not be taken in domestic flights.

AVML ̐5$&$3 1( - '(-#4 ,$ +̑

These meals use only a limited amount of Dairy Products. BBML ̐! !8 ,$ +̑ Tinned baby food will be available on request. Parents are advised to bring their usual powdered milk which can be prepared and heated in the aircraft by our cabin crew. BLML ̐!+ -# ,$ +̑ For those with digestive tract, gut disorders or chewing problems. CHML ̐"'(+# ,$ +̑

Contains a combination of familiar fun foods. For children aged 2-12 years. DBML ̐#( !$3(" ,$ +̑ For those who need to manage their blood sugar levels. GFML ̐&+43$- (-3.+$1 -3 ,$ +̑ Does not contain wheat or wheat flour, barley oats and

rye bread cakes (unless wheat free) pastry, sausages or any flour based products. HNML ̐'(-#4 ,$ +̑ Hindu meal - vegetarian food prepared in an Indian style which contains no beef, veal or pork, but with lamb, domestic fowl, other meats, fish and milk products. KSML ̐*.2'$1 ,$ +̑ These meals are prepared to comply with Jewish dietary laws. LCML ̐+.6 " +.1($ ,$ +̑ A low calorie diet should not contain excessive protein portions and should be low in fat and sugar.

RVML 5$&$3 1( - 1 6 ,$ +

Contains only raw vegetables or fruits. SFML 2$ %..# ,$ +

Contains a selection of seafood for those restricted to eating seafood only. SPML 2/$"( + ."" 2(.- " *$

Cake for your birthday, anniversary etc. VJML ̐5$&$3 1( - ) (- ,$ +̑ Hindu Meal Vegetarian food prepared in Indian style, based on Jain customs. VLML 5$&$3 1( - + "3. .5. ,$ +

LFML ̐+.6 % 3 ,$ +̑ High fibre meal with reduced amounts of fat. Does not contain egg, fried products in fat.

Does not contains meat, fish or seafood. May contain dairy products such as milk, butter, cheese etc.

LSML ̐+.6 2 +3 [ 2.#(4, ,$ +̑

Contains dairy products and all plant derived foods but no eggs, meat, poultry, fish or shellfish or products derived from them.

Low sodium meal; prepared with ingredients that are low in salt and sodium content. MOML ,42+(, ,$ +

Does not contain pork, byproducts of pork or foodstuffs containing alcohol. NLML +.6 ,$ + Does not contain cheese dairy products and their derivatives and lactose or milk products.

VGML 5$&$3 1( - ,$ +

VOML ̐5$&$3 1( - .1($-3 + ,$ +̑ Vegetarian Oriental Meal Vegetarian food along with fruits and vegetables.

3GD BNMSDMSR NE SGD LD@KR HM SGD OGNSNFQ@OGR L@X AD CHȻDQDMS @BBNQCHMF SN SGD RD@RNM CDRSHM@SHNM ONHMSR @MC CDO@QSTQD SHLD

SFML 2$ %..# ,$ +

VGML 5$&$3 1( - ,$ +

HNML&JNML ̐'(-#4 ,$ +̒ ) (- ,$ +̑

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4%2- .!, TERMINAL ATATÜRK HAVAALANI / ATATÜRK AIRPORT

&HCHË *@S Departure

İç Hatlar Terminali

&DKHË *@S Arrival

Otopark Parking

Yiyecek & içecek Food & Beverage

Pasaport Kontrol Passport Control

!@F@I K L Baggage Claim

#@M ËL@ Info

Duty Free

Metro

'@U@KHL@M .SDKH

CIP SALONU CIP LOUNGE

Self Check-in

Servis Shuttle

Cafe

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THY COM DILDE YAY NDA SGX BNL HR NMKHMD HM K@MFT@FDR

/., .% /24!-$! 3%9!(!4 . : 0,!.,!9). &HCDBDÈHMHY CDRSHM@RXNMC@JH NSDK QDYDQU@RXNMK@Q M X@O@AHKHQRHMHY

PLAN YOUR TRIP ONLINE You may book the GNSDK QDRDQU@SHNMR ENQ XNTQ CDRSHM@SHNMR

$51É,É É ONLINE /.,).% ,%-,%2 ,% :!-!. +!:!.).

SAVE TIME WITH THE .-+(-$ 2$15("$2

Online biletten BGDBJ HM D AHQzNJ HËKDLH SGX BNL C@M X@O@AHKHQRHMHY

You may buy your online SHBJDS BGDBJ HM UH@ SGX BNL

" ,' %$ . . 3 QJ '@U@ 8NKK@Q HKD HKFHKH LDQ@J DSSHÈHMHY GDQ ËDX ATQ@C@

GET INFO Everything you want to know about Turkish HQKHMDR HR GDQD

3+9,)&% $%2' 3 . /+595. 2JXKHED CDQFHRHMHM S L HzDQHÈHMD NMKHMD TK@Ë@AHKHQRHMHY

READ SKYLIFE MAGAZINE You can access the VGNKD BNMSDMS NE 2JXKHED L@F@YHMD

- ,,%2 . : 9¼.%4 .

MANAGE YOUR MILES

,HKDR 2LHKDR XDKDQH LHKKDQHXKD HKFHKH GDQ S QK HËKDLH NMKHMD X@O@AHKHQ

,HKDR 2LHKDR LDLADQR can easily manage their @BBNTMSR NMKHMD

2009 NOVEMBER | KASIM | SKYLIFE

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„

ONLINE CHECK-IN

.MKHMD "GDBJ HM HĂ‹KDLKDQHMHYH TzTĂ‹TMTYTM J@KJ‹Ë R@@SHMCDM R@@S ˜MBDRHMCDM A@Ă‹K@X‹O TzTĂ‹TMTY@ C@JHJ@ J@K‹MB@X@ CDJ FDQzDJKDĂ‹SHQDAHKHQRHMHY .MKHMD„BGDBJ HM„HR„@U@HK@AKD„EQNL„ 24 hours to „LHMTSDR„ADENQD„SGD„ CDO@QSTQD„SHLD„NE„XNTQ„ɲHFGS „

.!3),€9!0),)2 €'.6„3.„"'$"* (-„.-+(-$

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g You can also use the seat change facility.

in your reservation.

g VVV SGX BNL @CQDRHMCD ATKTM@M ?.MKHMD ÉËKDLKDQ A˜K›L›MCD HĂ‹KDLHMHYH HRHL UD RNX@C‹ AHKFHKDQHMHYHM X@M‹ R‹Q@ DKDJSQNMHJ AHKDS MTL@Q@M‹Y‹ X@ C@ QDYDQU@RXNM MTL@Q@M‹Y‹ /-1 X@Y@Q@J A@Ă‹K@S@AHKHQRHMHY g !X„TRHMF„SGD„?.MKHMD„2DQUHBDR „KHMJ„EQNL„ VVV SGX BNL„XNT„B@M„HMHSH@SD„XNTQ„BGDBJ HM„ NMKHMD „!DRHCDR„XNTQ„M@LD „XNT„MDDC„SN„DMSDQ„ your Electronic Ticket number or Reservation "NCD„ /-1 g1DYDQU@RXNM J@XC‹M‹YC@M BGDBJ HM X@OL@J HRSDCHĂˆHMHY XNKBTK@Q‹ RDzDQDJ NSTQL@J HRSDCHĂˆHMHY JNKSTJK@Q‹ ADKHQKDXDAHKHQRHMHY !T @Ă‹@L@C@ A@ĂˆK@MS‹K‹ S›L TzTĂ‹K@Q@ BGDBJ HM X@O@AHKHQRHMHY g You can select the passengers that you want to check-in online from your reservation record and then you can select your seats. You can also check in online for BNMMDBSDC Č˝HFGSR

g$ ONRS@ UDX@ BDO SDKDENMT AHKFHMHYH FHQDQDJ BGDBJ HM HËKDLHMHYHM RNM CTQTLT G@JJ‹MC@ AHKFH S@KDO DCDAHKHQRHMHY gYou can ask for information about the status of your check-in by entering your e-mail address or mobile phone number.

g 4XFTK@L@M‹M FDzDQKH NKCTĂˆT HRS@RXNMK@QC@M A@Ă‹K@X@M TzTĂ‹K@Q‹M‹Y HzHM AHMHĂ‹ J@QS‹ A@RS‹JS@M RNMQ@ CNĂˆQTC@M AHMHĂ‹ J@O‹R‹M@ FHCDAHKHQRHMHY !T HĂ‹KDL DKDJSQNMHJ AHKDSKH XNKBTK@Q‹L‹Y HzHM FDzDQKHCHQ g At the airport, get your boarding cards printed out at Departures where this application is in use and then you can proceed directly to the boarding gate.(Only for the passengers with e-tickets)

g $ĂˆDQ A@F@I‹M‹Y XNJ HRD TzTĂ‹ J@QS‹M‹Y‹ A@RS‹Q‹O CNĂˆQTC@M TzTĂ‹ J@O‹R‹M@ FHCDAHKHQRHMHY !@F@I‹M‹Y U@Q HRD RHYD ˜YDK .MKHMD "GDBJ HM JNMST@Q‹MC@M A@F@I HĂ‹KDLKDQHMHYH X@OS‹Q@AHKHQRHMHY g If you do not have any baggage you can OQNBDDC CHQDBSKX SN SGD AN@QCHMF F@SD @É€DQ printing out your boarding card. If you have baggage you can complete your baggage operation from online check-in desks at the airport.

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#@G@ E@YK@ AHKFH @KL@J HzHM

VVV SGX BNL T YHX@QDS DCDAHKHQRHMHY

%NQ„ETQSGDQ„HMENQL@SHNM„ please visit VVV SGX BNL

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& ,$- 8 -$3,$+ÉÇÉ IMMIGRATION REGULATIONS !# XD Tz@JK@ FHCDM A S M XNKBTK@Q M X@ C@ GDQ @HKDXH SDLRHKDM X@KM YB@ AHQ JHËHMHM & LQ J #DJK@QD %NQLT CNKCTQL@R FDQDJLDJSDCHQ !# U@S@MC@ËK@Q XDËHK J@QS R@GHOKDQH *@M@C@ U@S@MC@ËK@Q X@ C@ XDMH F zLDMKDQHM C Ë MC@ FDzDQKH AHQ !# UHYDRHMD R@GHO UD RNM U@Q Ë MNJS@R !# X@ C@ !# MHM C Ë MC@JH AHQ KJDXD SQ@MRHS NK@M XNKBTK@Q M ADX@Y QDMJKH ( ENQLTMT CNKCTQL@R YNQTMKTCTQ Ë@È C@ @C FDzDM KJDKDQCDM AHQHMD @HS AHQ O@R@ONQSK@ FHQHË X@O XNQR@M Y X@ C@ !# UHYDRH NKL@C@M UHYD LT@EHXDS OQNFQ@L @KS MC@ SQ@MRHS XNKBT FHAH JNM@JK XNQR@M Y XDËHK QDMJKH ( 6 ENQLTMT CNKCTQTKL@M Y FDQDJLDJSDCHQ KJDKDQ MCNQQ@ UTRSQ@KX@ UTRSTQX@ !DKzHJ@ #@MHL@QJ@ %HMK@MCHX@ KL@MX@ ! X J !QHS@MX@ ÉYK@MC@ ÉS@KX@ )@ONMX@ +HDBGSDMRSDHM + JRDLATQF ,NM@JN 'NKK@MC@ 8DMH 9DK@MC@ -NQUDz 2@M ,@QHMN ÉRO@MX@ ÉRUDz UD ÉRUHzQD

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! $1 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 4 !ZAMI KALK A RL ,@WHLTL~S@JD~Nə VDHFGS 351.534 kg +ANAT A KL g 6HMF~RO@M L 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 8ATAY U U S×RATI: g "QTHRD~RODDC JL[G

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[ 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS JF JF +ANAT A KL g 6HMF~RO@M 60.30 m 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g "QTHRD~RODDC JL[G

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A 330-203 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS 233.000 kg +ANAT A KL g 6HMF~RO@M 60.30 m 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g Cruise speed: JL[G

[ [ 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 21 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS [ JF +ANAT A KL g 6HMF~RO@M L 'ÓVDE UZUNLU U g +DMFSG 44.51 m 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g Cruise speed: [ JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX 250 +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX [ [ [ [ +OLTUK ARAL g 2D@S~OHSBG~ HMBG !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD [ ɀ 3" ),& !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD [ JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L

! 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS JF +ANAT A KL g 6HMF~RO@M L[ L 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS 12.55 m 9ATAY U U S×RATI: g Cruise speed: JL[G

[ 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ : 22 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə VDHFGS [ [ JF +ANAT A KL g 6HMF~RO@M L[ L 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g Cruise speed: JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX 165 +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L 9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX [ [ [ [ +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD [ ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD [ JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF[ L

! 5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 5 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə weight [ [ JF +ANAT A KL g 6HMF~RO@M L 'ÓVDE UZUNLU U g +DMFSG ~36.40 m 9ERDEN Y×KSEKLI I g 'DHFGS 11.13 m 9ATAY U U S×RATI: g "QTHRD~RODDC JL[G

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5 AK ADEDI g -TLADQ~NE~@HQBQ@ɞ 4 !ZAMI KALK A RL g ,@WHLTL~S@JD~Nə weight JF +ANAT A KL g 6HMF~RO@M 34.10 m 'ÓVDE UZUNLU U g +DMFSG L 9ERDEN Y×KSEKLI I g 'DHFGS L 9ATAY U U S×RATI: g "QTHRD~RODDC JL[G

9OLCU KAPASITESI g /@RRDMFDQ~B@O@BHSX 126 +OLTUK ARAL g 2D@S~OHSBG~ HMBG $" !" !ZAMI YATAY U U Y×KSEKLI I g ,@WHLTL~BQTHRHMF~@KSHSTCD ɀ !ZAMI MENZIL g ,@WHLTL~O@RRDMFDQ~Q@MFD JL !ZAMI KARGO KAPASITESI g Maximum cargo capacity: JF

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+M 3246 3935 4145 1528 2356 3902 2636 580 1890 2787 1845 7819 2278 1963 1122 893 1858 1046 2750 1395 4047 2228 1189 576 9816 9185 1952 2471 2584 5480 1009 3122 1150 3274 3033 3587 2182 3035 1909 2389 993 2180 2061 2963 2292 9078 7920 1293 4210 3469 2252 2109 724 1109 2146 2632 4852 837 3484 2580 1337 1149 2174 2821 2785

. €-ILES 1753 2125 2238 825 1272 2107 1423 313 1021 1505 996 4222 1230 1060 606 482 1003 565 1485 753 2185 1203 642 311 5300 4959 1054 1334 1395 2959 545 1686 621 1768 1638 1937 1178 1639 1031 1290 536 1177 1113 1600 1238 4902 4276 698 2273 1873 1216 1139 391 599 1159 1421 2620 452 1881 1393 722 620 1174 152 1504

The distance in kilometres and nautical miles in the table on this page is the projected distance on the ground for the route flown by the aircraft.

ÂœSTANBUL DAN€\€&ROM€)STANBUL€€€€€€€€€ ,$#É-$ [ ,$#(- MED ,$ĂŠ'$# [ , 2' # -($ ,É+ -. [ ,(+ - ,7/ -), MINSK MSQ ,.2*.5 [ ,.2".6 25. -/7 MUMBAI BOM ,42* 3 [ ,42" 3 -#4 ,Â?-É' [ ,4-("' MUC -$6 8.1* )%* .9# NAIROBI NBO -("$ NCE -Â?1-!$1& [ -41$,!$1& NUE ODESSA ODS OSAKA +)8 OSLO OSL PARIS #$' /$*É- [ !$()(-& "*3 /1 & [ /1 &4$ 02' /1ÉÊ3É- [ /1(23(- 02. 1(& 2)8 1(8 # [ 1(8 #' 25( 1., [ 1.,$ %(4,("(-. &#/ ROSTOV 2/6 2 - 3!( SAO-PAULO SAO 2 1 8!.2- [ 2 1 )$5. 3** 2$4+ [ 2$.4+ )#.€ 3%, SIMFEROPOL 3)0 2É-& /41 [ 2(-& /.1$ SIN 2.%8 [ 2.%( 3/& 23 /$3$12!41& LED 23."*'.+, !2.€ 34/ 23433& 13 342 ĂŠ , [ # , 2"42 DAM ĂŠ -& 8 [ 2' -&' ( 06' ÊÉ* &. [ "'(" &. /2$€ #() 3 '1 - [ 3$'1 - )+! 3 ĂŠ*$-3 [ 3 2'*$-3 4!3 3$!1É9 [ 3 !1(9 4": TEL AVIV 4,6 3É%+É2 [ 3!(+(2( 4"3 3É1 - [ 3(1 - 4)! 3.*8. .24€ 49/ TORONTO YYZ 31 !+42 [ 31(/.+( 4)0 34-42 [ 34-(2 45. UFA 5&! Â?2*Â?/ [ 2*./)$ 3+0 5 1ĂŠ.5 [ 6 12 6 WAW 5$-$#É* [ 5$-("$ 6#% 5É8 - [ 5($-- 6)% 8$-É #$+'É [ -$6 #$+'( DEL 9 &1$! :!' 9Â?1É' [ 941("' :2(

+M 2399 2806 1735 1561 1932 5014 3531 1637 8575 4884 1983 1733 663 10536 2734 2358 7690 1613 860 1866 2602 1489 1379 3550 10905 1461 8708 659 9172 574 2253 2408 1830 1193 8566 9204 2165 3517 1552 1261 1439 872 10149 8597 1941 1796 2619 704 1446 1510 1356 4841 1198 1830

. €-ILES 1295 1515 937 843 1043 2707 1907 884 4630 2637 1071 936 358 5689 1476 1273 4152 871 464 1008 1405 804 745 1917 5888 789 4702 356 4953 310 1217 1300 988 644 4625 4970 1169 1899 838 681 777 471 5480 4642 1048 970 1414 380 781 815 732 2614 647 988

ÂœSTANBUL DAN€\€&ROM€)STANBUL€€€€€€€€€€€€€€€€€€€€€€€+M€€€€€€€€€€€€€€€. €-ILES 3ABIHA€'Ă“K‡EN€!IRPORT AMSTERDAM AMS 2403 1297 !$1+É- 38& 1939 1047 HANNOVER (!* 2215 1196 *Â?+- [ ".+.&-$ #'. 2225 1201 ,.2*.5 [ ,.2".6 DME 1995 1077 +.-#1 [ +.-#.- ,/.€ 34. 2667 1440 23433& 13 342 1938 1046

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The figure shown on the cabin monitors give the actual distance flown by the aircraft through the air, including adjustments of direction to compensate for wind, and other weather conditions.

!NKARA DAN€\€&ROM€!NKARA€ %SENBO›A€!IRPORT €€€ AMSTERDAM AMS !1Â?*2$+ [ !1422$+2 BRU DĂœSSELDORF DUS FRANKFURT &2! 3 '1 - [ 3$'1 - )+! 5É8 - [ 5($--$ 6)% ÂœZMIR DEN€\€&ROM€)ZMIR€ !DNAN€-ENDERES€!IRPORT €€ 3É- [ 3'$-2 !4(€

+M . €-ILES 1241 +M . €-ILES 337

ÂœSTANBUL DAN€\€&ROM€)STANBUL€ !TATĂ—RK€!IRPORT €€€€€€€€€

182

+M

ADANA 824 ADIYAMAN ADF 955 ANKARA ESB 459 ANTALYA AYT 535 BATMAN BAL 1144 !.#14, [ ,É+ 2 !)5 526 ÇANAKKALE CKZ 267 DALAMAN DLM 648 #$-É9+É #-9 461 #É8 1! *(1 #(8 1087 $+ 9(Ç $92 961 $19É-" - $1" 987 ERZURUM ERZ 1091 $2*ÉÊ$'É1 .$ 305 & 9É -3$/ &93 983 HATAY HTY 959 ISPARTA ISE 463 É9,É1 #! 419 * '1 , -, 1 ĂŠ *", 874 KARS KSY 1265 * 82$1É 21 696 KONYA KYA 530 MALATYA MLX 861 , 1#É- ,0, 1140 ,$19É%.- ,9' 610 ,4ĂŠ ,21 1168 -$5ĂŠ$'É1 - 5 635 SAMSUN SZF 698 2É-./ 2(" 543 2É5 2 5 2 734 ĂŠ -+(41% &-8 1072 TRABZON TZX 974 VAN VAN 1304 !NKARA DAN€\€&ROM€!NKARA€ %SENBO›A€!IRPORT €€€€€€€€€€€€€€€€€€€€€€€+M É23 -!4+ É23 467 É9,É1 #! 645 2 !É' &Â?*‡$- 2 6 402 ÂœSTANBUL DAN€\€&ROM€)STANBUL€ 3ABIHA€'Ă“K‡EN€!IRPORT €€€€€€€€€€€€+M ADANA ADA 780 ANKARA ESB 402 ANTALYA AYT 489 É9,É1 #! 431

3›QJ '@U@ 8NKK@Q‹ Â?YDK 8NKBT /QNFQ@L‹ Miles&Smiles’da uygulanan LHK CDĂˆDQKDQH HRD 4KTRK@Q@Q@R‹ 2HUHK '@U@B‹K‹J 3DĂ‹JHK@S‹ M‹M ( 3 X@X‹LK@L‹Ë NKCTĂˆT Q@J@LK@Q NKTO XTJ@Q‹C@ X@Y‹K@M LHK CDĂˆDQKDQHMCDM E@QJK‹C‹Q

The miles used by Turkish Airline’s Frequent Flyer Programme Miles&Smiles are those published by the International Air Transport Association (IATA) and therefore they are different from the distances in miles noted above.

&›LQ›J TXFTK@L@R‹ NK@M HRS@RXNMK@Q‹L‹Y ÉRS@MATK (23 MJ@Q@ $2! ÉYLHQ #! MS@KX@ 83 C@M@ # 3Q@AYNM 397 &@YH@MSDO &93 #@K@L@M #+, !NCQTL !)5 2@LRTM 29% *NMX@ *8 *@XRDQH 21 #DMHYKH #-9 -DUËDGHQ - 5 ,@K@SX@ ,+7 ?C‹Q "TRSNLR (RS@MATK (23 MJ@Q@ $2! (YLHQ #! MS@KX@ 83 C@M@ # 3Q@AYNM 397 &@YH@MSDO &93 #@K@L@M #+, !NCQTL !)5 2@LRTM 29% *NMX@ *8 *@XRDQH 21 #DMHYKH #-9 -DUËDGHQ - 5 ,@K@SX@ ,+7

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g /KD@RD BGDBJ CDRSHM@SHNM SN which your baggage should be labelled and the weight KHLHS L@QJDC NM XNTQ SHBJDS

g 3'8 MC@ J@AHMD @K@AHKDBDÈHMHY DK A@F@IK@Q RS@MC@QS ANXTS UD @È QK È W W BL UD JF C Q

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g $UDQX OHDBD NE XNTQ A@FF@FD

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g /QDRDMS XNTQ A@FF@FD HM XNTQ NVM M@LD @MC BGDBJ SGD HMENQL@SHNM NM SGD A@FF@FD QDBDHOSR FHUDM SN XNT (E XNTQ baggage is registered in the M@LD NE @MNSGDQ O@RRDMFDQ you will not be able to claim ENQ KNRS NQ C@L@FDC A@FF@FD

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!@F@I M Y J@XANKTQR@ [ G@R@Q F Q QRDj If your baggage is lost | damaged… g 5@Q Ë M YC@ SDRKHL @K@L@C È M Y A@F@I M Y UD @M MC@ E@QJ DCDAHKDBDÈHMHY S QCDM G@R@QK@Q M Y HzHM G@U@KHL@M M SDQJ DSLDCDM MBD *@X O UD !TKTM@M $ËX@ .ȼRHMD X@O@B@È M Y A@ËUTQTC@ AHKDSHMHYH A@F@I DSHJDSHMHYH JHLKHÈHMHYH HAQ@Y ediniz.

g %HQRS "K@RR JF !TRHMDRR "K@RR JF $BNMNLX "K@RR JF !TRHMDRR "K@RR LDQHJ@ UD *@M@C@ TzTËK@Q MC@ ,@JRHLTL HJH @CDS AHQ @CDS JF $BNMNLX "K@RR LDQHJ@ UD *@M@C@ TzTËK@Q MC@ ,@JRHLTL HJH @CDS AHQ @CDS JF !TRHMDRR "K@RR HzHM GDQ AHQ O@Qz@M M z ANXTST SNOK@L M M L@JRHLTL BL $BNMNLX "K@RR HzHM HJH O@Qz@M M z ANXTST SNOK@L M M L@JRHLTL BL XH FDzLDLDRH gerekmektedir. 32 JF @Ë@M A@F@IK@Q GHz AHQ ËDJHKCD BGDBJ HM HËKDLH DRM@R MC@ J@ATK DCHKLDLDJSDCHQ !@F@I A@F@IK@Q M Y M S@Ë L@ DRM@R MC@ E@YK@ CNKTKTJS@M CNK@X Y@Q@Q F QLDLDRH HzHM FDMHËKHJ R M QK@Q M UD @È QK J S@Ë L@ J@O@RHSDRHMH YNQK@L@X M Y

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SKYLIFE | KASIM | NOVEMBER 2009

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2@AHG@ &˜JzDM '@U@KHL@M‹ MC@M Hz G@S MNJS@K@Q‹M@ G@É€@M‹M GDQ F›M› LHMHLTL J@QFN S@ˋL@K@Q‹ FDQzDJKDĂ‹SHQHKLDJSDCHQ Minimum cargo transport service is given daily to domestic destinations from Istanbul Sabiha GĂśkçen Airport.

* 1&. CARGO 4(9€+!2'/€.%€ 4!�)2

4(9€+!2'/9!€ .!3),€5,!�),)2

Tekstil ĂźrĂźnleri, yedek parça, L@JHMD @JR@L‹ GH SDBG ›Q›MKDQ zHzDJ B@MK‹ G@XU@M CDQH X@Ă‹ RDAYD LDXUD UDX@ CDĂˆDQKH DĂ‹X@K@Q‹M‹Y

24 saat | 7 gĂźn internet Ăźzerinden, www.TKCargo. BNL @CQDRHMCDM J@QFNK@Q‹M‹Y‹ sĂźrekli takip edebilir, iç hat kargo Ăźcret ve tarife AHKFHKDQHLHYD TK@Ă‹@AHKHQRHMHY

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Alo Kargo Servisimiz U@R‹S@R‹XK@ R@@S SDKDENMTMTYTM STĂ‹K@Q‹M‹ JTKK@M@Q@J JNMĂ‹HLDMSN MTL@Q@M‹Y HKD J@QFNMTY G@JJ‹MC@ GDQ S›QK› AHKFHXH Â˜ĂˆQDMDAHKHQRHMHY

8NKBT Tz@JK@Q‹M‹M J@QFN JNLO@QS‹L@MK@Q‹M‹M X@M‹ R‹Q@ 36 ton kapasiteli A310-304 J@QFN Tz@JK@Q‹ HKD CD J@QFN hizmeti sunan THY Kargo, tarifeli kargo seferleri C›YDMKDCHĂˆH %Q@MJETQS ,@@RSQHBGS +NMCQ@ 3DK UHU ĂŠ@L Almaata, Delhi, Paris, ZĂźrih, *˜KM 3HČ˝HR #TA@H "DY@XHQ Milano, Amman, Casablanca, ,@CQHC /QHĂ‹SHMD *@GHQD UD !DXQTS MNJS@K@Q‹M@ RHYKDQCDM FDKDM S@KDOKDQ CNĂˆQTKSTRTMC@ yenilerini ekleyecektir.

3›QJHXD CDM XTQSC‹Ë‹M@ kargo gĂśndermek HRSDCHĂˆHMHYCD size gĂźmrĂźk HĂ‹KDLKDQH JNMĂ‹HLDMSN kesimi, Ăźcretlendirme, O@JDSKDLD UR JNMTK@Q‹MC@ X@QC‹LB‹ NK@B@J ( 3 4KTRK@Q@Q@R‹ '@U@ 3@ˋL@B‹K@Q‹ !HQKHĂˆH ›XDRH kargo acentelerimize A@Ă‹UTQL@K‹R‹M‹Y ( 3 ›XDRH J@QFN @BDMSDKDQHLHYHM DQHĂ‹HL bilgilerine, (+90) 212 463 63 63 | 5815-5841 no’lu SDKDENMK@QC@M TK@Ă‹@AHKHQRHMHY

"Âœ,Âœ9/2€-535.5:€ DID YOU KNOW? *@QFNMTYT S@QHEDKH XNKBT UD J@QFN Tz@J RDEDQKDQHLHYHM X@M‹ R‹Q@ ˜YDK JHQ@ BG@QSDQ RDEDQKDQHLHY HKD HRSDCHĂˆHMHY F›M UD R@@SSD HRSDCHĂˆHMHY XDQD S@ˋL@L‹Y mĂźmkĂźn.

(E„XNT„V@MS„SN„RDMC„XNTQ„B@QFN„ MNS„NM„NMD„NE„NTQ„RBGDCTKDC„ O@RRDMFDQ„NQ„B@QFN„ɲHFGSR„ATS„ NM„@„RODBH@K„BG@QSDQ„ɲHFGS „VD„ can transport it any time to any OK@BD„XNT„VHRG „

*@QFN $QHĂ‹HL Cargo Service Access

(+90) 212 465 25 25 7 hat [ KHMDR

2@AHG@ &˜JzDM '@U@@K@M‹ HQONQS

(+90) 216 588 02 09 (+90) 216 585 59 34 (+90) 216 585 59 35

8TQSC‹Ë‹MC@M 3›QJHXD XD kargo gĂśndermek HRSDCHĂˆHMHYCD ilgili Ăźlkedeki R@S‹Ë NEHRHLHYKD A@ĂˆK@MS‹ JTQL@M‹Y FDQDJDBDJSHQ (E„XNT„V@MS„SN„RDMC„B@QFN„SN„ 3TQJDX„EQNL„@AQN@C „XNT„VHKK„ need to contact our sales NÉłBDR„HM„SGD„BNTMSQX„EQNL„ VGHBG„XNT„@QD„RDMCHMF

WHAT DOES THY CARGO TRANSPORT? 3DWSHKD„OQNCTBSR „@TSNLNAHKD„ @MC„L@BGHMDQX„RO@QD„O@QSR „ GH SDBG„OQNCTBSR „EQDRG„ ɲNVDQR „KHUD„@MHL@KR „KD@SGDQ „ EQDRG„EQTHSR„@MC„UDFDS@AKDR„ and your valuable goods‌

WHERE DOES THY CARGO TRANSPORT TO? Did you know that we are SQ@MRONQSHMF„B@QFN„EQNL„SGD„ %@Q„$@RS „SGD„,HCCKD„$@RS„@MC„ $TQNOD„SN„ LDQHB@„@MC„ EQHB@„ NM„SGD„R@LD„OK@MD„@R„XNT In addition to the cargo comO@QSLDMSR„NE„HSR„O@RRDMFDQ„ @HQBQ@ÉľR „3TQJHRG„ HQKHMDR„ "@QFN„@KRN„NÉ°DQR„B@QFN„ RDQUHBDR„VHSG„HSR„ „SNMR„ B@O@BHSX„ „B@QFN„ @HQBQ@ÉľR„VGHBG„@QD„RBGDCTKDC„ SN„ɲX„EQNL„(RS@MATK„SN„%Q@MJETQS „,@@RSQHBGS „+NMCNM „3DK„ UHU „#@L@RBTR „ KL@SX „ #DKGH „/@QHR „9TQHBG „"NKNFMD „ 3AHKHRH „#TA@H „ KFHDQR „,HK@M „ LL@M „"@R@AK@MB@ „,@CQHC „ /QHRSHM@ „"@HQN„@MC„!DHQTS „(M„ line with demands coming EQNL„XNT „HSR„BTRSNLDQR „ it is now going to add new CDRSHM@SHNMR„SN„SGDRD

HOW TO REACH THY CARGO You may track your cargo once you have sent it over the (MSDQMDS„@MX„SHLD„ [ „VVV 3*"@QFN BNL You may also call our Alo "@QFN„2DQUHBD„ „GNTQR„@„C@X„ ENQ„HMENQL@SHNM„AX„OTMBGHMF„ in your airwaybill number on XNTQ„SNTBG SNMD„OGNMD (E„XNT„V@MS„SN„RDMC„B@QFN„ @AQN@C„EQNL„3TQJDX „ you may consult our cargo @FDMSR „ R„LDLADQR„NE„( 3 „ (MSDQM@SHNM@K„ HQ„3Q@MRONQSDQR„ RRNBH@SHNM „SGDX„VHKK„ @RRHRS„XNT„VHSG„BTRSNLR„ENQL@KHSHDR „@HQV@XAHKK„HRRT@MBD „ Q@SDR „O@BJ@FHMF„@MC„NSGDQ„ PTDRSHNMR „8NT„L@X„QD@BG„NTQ„ IATA-member cargo agents AX„OGNMHMF„ „ „ „ „ „[„ „

4(9€+ARGO€ŸZEL€+IRA€3EFERLERINE€.ASÂ…L€5LAž…LÂ…R (+90) 212 465 24 67 (+90) 212 463 63 63 | 5311 | 5807 MN KT SDKDENMK@Q‹ @Q@X@Q@J (+90) 212 465 24 74’e faks çekerek, B@QFNBG@QSDQ SGX BNL @CQDRHMD L@HK F˜MCDQDQDJ TK@Ă‹@AHKHQRHMHY

How Can You Reach Special Charter Service? For your special charter requests by call „ „ „ „ „ „ „ „ „ „ „[„ „[„ „ „ AX„RDMCHMF„@„E@W„SN„ „ „ „ „ „ AX„RDMCHMF„D L@HK„SN„B@QFNBG@QSDQ SGX BNL

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&Â?5$-+É* SECURITY LĂœTFEN KAPALI TUTUNUZ!

Ă€:%2Âœ.Âœ:$%€6%9!€%,€ "!'!*).$!€4!Â?)-!9).): €

4z@J HzDQHRHMCD HMHËSD J@KJ‹ËS@ UD S›L TzTË ANXTMB@ JTKK@M‹KL@R‹ @XQ‹B@ @z‹J A‹Q@J‹KL@R‹ X@R@J BHG@YK@Q

‡@J‹ A‹z@J SNQM@UHC@ HĂˆMD IHKDS FHAH S›L JDRHBH UD CDKHBH @KDSKDQ X@R@JS‹Q

PLEASE TURN OFF!

DON’T CARRY IN YOUR CABIN BAGGAGE

Equipment which it is forbidden to TRD„NQ„STQM„NM„CTQHMF„S@JD„Nɰ„NQ„ K@MCHMF „@MC„SGQNTFGNTS„SGD„ɲHFGt.

All kinds of cutting equipments such as jack-knife, knife, screwdriver, MDDCKD„@MC„Q@YNQ„@QD„ENQAHCCDM

BAVULUNUZDA | EL "!'!*).):$!€2œ3+€ 4!�)-!9). €

!"$€3%&%2,%2Âœ.$% ‡@JL@J JHAQHS UA STSTĂ‹STQTBTK@Q‹ ›YDQHMHYCD DK A@F@I‹M‹YC@ UD A@UTKTMTYC@ S@ˋL@M‹Y JDRHMKHJKD X@R@JS‹Q

/@QE›L FHAH @KJNKKT R‹U‹K@Q ANX@ UD SHMDQ FHAH X@M‹B‹ GDQ S›QK› L@CCDXH X@M‹M‹Y@ @KL@X‹M‹Y

FOR U.S. FLIGHTS

DON’T TAKE ANY RISK WITH YOU

It’s forbidden to carry lighters and matches on your person, in your B@AHM„@MC„BGDBJDC„A@FF@FD „

#NM S„S@JD„@MX„JHMC„Nɰ„ɲ@LL@AKDR„ materials such as parfumes, paint and thinner

g 3›L TzTË ANXTMB@

g The operation of the following

JTKK@M‹KL@R‹ R@J‹MB@K‹ UD X@R@J NK@M BHG@YK@Q 1@CXN UD SDKRHY UDQHBHKDQH TY@JS@M JTL@MC@K‹ NXTMB@JK@Q UD DKDJSQNL@MXDSHJ C@KF@ X@X@M S›L @KDSKDQ

items is forbidden during SGD„DMSHQD„ɲHFGS „„1@CHN„ and TV transmitter, walky talkies, remote controlled toys and any other electronic equipment transmitting electromagnetic waves.

g 4zTĂ‹ DLMHXDSH HzHM

gUsing the following items

HMHËSD J@KJ‹ËS@ UD JDLDQ HJ@Y ‹Ë‹JK@Q‹ X@M@QJDM JTKK@M‹KL@R‹ R@J‹MB@K‹ UD X@R@J NK@M BHG@YK@Q ,O z@K@Q DKDJSQNMHJ NXTMK@Q S@ˋM@AHKHQ AHKFHR@X@Q CHRJ z@K@Q Q@CXN UD SDKDUHYXNM @K‹B‹K@Q‹ S@ˋM@AHKHQ UHCDN @KDSKDQH #5# 5"# UD ADMYDQH A@S@QX@ HKD z@K‹Ë@M DKDJSQNMHJ UD DKDJSQHJKH @KDSKDQ

HR„ENQAHCCDM„CTQHMF„S@JD„Nɰ „ landing and when the seat ADKS„RHFM„HR„NM „ Mp3 players, electronic games, portable computers, compact disc players, radio and TV receivers, portable video equipment, DVD, VCD or similar battery powered electrical and electronic equipment.

g 4zTĂ‹ @KDSKDQHMH NKTLRTY X˜MCD DSJHKDCHĂˆH UD TzTĂ‹ DLMHXDSHMH SDGCHS DSSHĂˆH HzHM K›SEDM BDO SDKDENMK@Q‹M‹Y‹ TzTĂ‹ ANXTMB@ J@O@K‹ STSSTĂˆTMTY@ DLHM NKTMTY.

gSince Mobile phones

interfere with the ɲHFGS„HMRSQTLDMSR„@MC„ BNLOQNLHRD„ɲHFGS„R@EDSX „ pease make sure that XNTQR„HR„RVHSBGDC„Nɰ„CTQHMF„ XNTQ„ɲHFGS

g#TSX EQDD L@Ăˆ@Y@K@Q‹MC@M gAll tax-free liquid items

UDX@ TzTĂ‹ DRM@R‹MC@ R@S‹M @K‹M@M R‹U‹ L@CCDKDQHM J@O@K‹ ˜YDK ONĂ‹DSKDQHM HzDQHRHMCD E@STQ@R‹ HKD AHQKHJSD S@ˋML@R‹ FDQDJLDJSDCHQ +›SEDM RDX@G@SHMHYHM RNM MNJS@R‹M@ J@C@Q J@O@K‹ ONĂ‹DSKDQH @zL@X‹M‹Y JRH S@JCHQCD F›UDMKHJ JNMSQNK MNJS@K@Q‹MC@ ONĂ‹DSHM HzDQHĂˆHMD DK JNMTK@AHKHQ

purchased at the airport Duty-Free Shops or on board must be in sealed, special plastic bag with the QDBDHOS Please do not open the RD@KDC„A@F„TMSHK„SGD„ɹM@K„ CDRSHM@SHNM „.SGDQVHRD„ the content of bag maybe seized at security check ONHMS

$ĂˆDQ ! ›KJDKDQHMCD X@ C@ !# @JS@QL@K‹ AHQ TzTĂ‹TMTY U@Q HRD ˜MBDCDM R@S‹M @K‹ML‹Ë NK@M CTSX

EQDD ›Q›MKDQHMHM LK XH @Ă‹@M JHKHSKH ONĂ‹DSKDQHM HzDQHRHMCD C@GH NKR@ DK A@F@I‹ NK@Q@J S@ˋML@R‹M@ HYHM UDQHKLDLDJSDCHQ (E„XNT„G@UD„@MX„ɲHFGS„ transfer in EU countries or in United States, all dutyfree liquid items (over 100 ml) which have already purchased in sealed bags are not allowed to carry as G@MC„KTFF@FD

3›L TzTĂ‹ ANXTMB@ K›SEDM RHF@Q@ OHON OTQN UA S›S›M L@LTKKDQHMH HzLDXHMHY /KD@RD„QDEQ@HM„EQNL„RLNJHMF„BHF@QDSSDR „OHODR„@MC„BHF@QR„CTQHMF„SGD„ɲHFGS

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