Palus Lotorum

75

bibliografiA.SITOGRAF IA

[1] Roberto Marchesini, Il Tramonto dell’uomo: la prospettiva post-umanista, Bari, edizioni Dedalo. [2] Roberto Marchesini, Post-human, Torino, Bollati Boringhieri, 2002. [4] https://www.camilliani.org/wp-content/uploads/2018/10/Bioetica-umanesimo-e-post-umanesimo-nel-XXI-secolo.pdf [5] Eugenio Viola, Post Human: esperienze e questioni di critica d’arte. [6] Dispense del corso di Storia dell’Arte Contemporanea, docente Ada Lombardi, Accademia di Belle Arti di Roma A.A. 2017/2018 [7] Crimp, The Photographic Activity Of Postmodernism. [8] Robert Storr, Félix González-Torres: Etre un Espion, in ArtPress, gennaio 1995 [9] Stefano Chiodi, Mike Kelley: l’arte della disobbedienza, su Doppiozero, 6 febbraio 2012. [10] Eric Troncy, Sylvie Fleury, Réunion des musées nationaux, 2001. [11] Berland, Rosa JH. “Kiki Smith: A Gathering, 1980-2005.” C Magazine: International Contemporary Art, 2007. [12] Konstantin Alexiou: Lappas, Giorgos (George; Georgios). In: Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker (AKL). Band 83, de Gruyter, Berlin 2014 [18] Janine Antoni: Jinkner-Lloyd, Amy (1996). Chewing the Fat with Janine Antoni. Art Papers

[3] transumanisti.it [13] https://felioscollection.gr/en/artists/lappas-giorgos/ [14] https://www.davidzwirner.com/artists/barbara-kruger/biography [15] https://www.thebroad.org/art/barbara-kruger [16] https://www.palazzograssi.it/it/artisti/barbara-kruger/ [17] https://iperarte.net/ledonnedellarte/jenny-holzer/ [19] https://artslife.com/history/2015/09/antoni-janine-1964-2/ [20] https://www.travelonart.com/arte-contemporanea/marina-abramovic-biografia-performance-famose/ [21] https://www.dcnr.pa.gov/StateParks/FindAPark/OilCreekStatePark/Pages/History. aspx [22] http://www.lifesci.sussex.ac.uk/home/George_Mather/Linked%20Pages/Physiol/Cortex.html [23] https://web.archive.org/web/20041229070957/http://webvision.med.utah.edu/VisualCortex.html [24] http://www.isideacademy.it/modello-olografico-e-fisica-quantistica-relazioni-possibili/ [25] https://www.britannica.com/technology/weapon-of-mass-destruction

Testo nel retro della copertina © Marina Abramovič - An Artist’s Life Manifesto. Tutti i diritti sono riservati.

AN ARTIST SHOULD NOT LIE TO HIMSELF OR OTHERS AN ARTIST SHOULD NOT MAKE HIMSELF INTO AN IDOL AN ARTIST SHOULD DEVELOP AN EROTIC POINT OF VIEW ON THE WORLD AN ARTIST SHOULD SUFFER SUFFERING BRINGS TRANSFORMATION AN ARTIST SHOULD NOT BE DEPRESSED DEPRESSION IS A DISEASE AND SHOULD BE CURED SUICIDE IS A CRIME AGAINST LIFE AN ARTIST SHOULD NOT COMMIT SUICIDE THE DEEPER THEY LOOK INSIDE THEMSELVES THE MORE UNIVERSAL THEY BECOME THE ARTIST IS UNIVERSE THE ARTIST SHOULD GIVE AND RECEIVE AT THE SAME TIME TRANSPARENCY MEANS RECEPTIVE TRANSPARENCY MEANS TO GIVE TRANSPARENCY MEANS TO RECEIVE SYMBOLS ARE AN ARTIST’S LANGUAGE SOMETIMES IT IS DIFFICULT TO FIND THE KEY AN ARTIST HAS TO UNDERSTAND SILENCE AN ARTIST HAS TO CREATE A SPACE FOR SILENCE TO ENTER HIS WORK SILENCE IS LIKE AN ISLAND IN THE MIDDLE OF A TURBULENT OCEAN AN ARTIST MUST MAKE TIME FOR THE LONG PERIODS OF SOLITUDE SHOULD STAY FOR LONG PERIODS AT WATERFALL EXPLODING VOLCANOES AT THE FAST RUNNING RIVERS AT THE HORIZON LOOKING AT THE STARS IN THE NIGHT SKY BUDDHIST MONKS ADVISE IT IS BEST TO HAVE NINE POSSESSIONS IN THEIR LIFE: 1 ROBE FOR THE SUMMER 1 ROBE FOR THE WINTER 1 PAIR OF SHOES 1 BEGGING BOWL FOR FOOD 1 MOSQUITO NET 1 UMBRELLA 1 MAT TO SLEEP ON 1 PAIR OF GLASSES IF NEEDED 1 PRAYER BOOK AN ARTIST SHOULD HAVE MORE AND MORE OF LESS AND LESS AN ARTIST SHOULD HAVE FRIENDS THAT LIFT THEIR SPIRITS AN ARTIST HAS TO LEARN TO FORGIVE AN ARTIST SHOULD DIE CONSCIOUSLY WITHOUT FEAR THE FUNERAL IS THE ARTIST’S LAST ART PIECE BEFORE LEAVING