Edvard Grieg
Anitra’s Dance
from Peer Gynt Suite No. 1
arranged for percussion ensemble by Brian Blume
Anitra’s Dance arranged by Brian Blume © 2013 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCE-77
Program Notes Written by Norwegian composer Edvard Grieg, Peer Gynt is the incidental music to Henrik Ibsen’s 1867 play of the same name. Grieg later extracted eight movements to create two four-movement suites. Anitra’s Dance is from the first of these two suites, followed by the better-known movement, In the Hall of the Mountain King. Anitra’s Dance was originally scored for strings and triangle, and much of the piece calls for pizzicato playing in the strings. The percussive nature of the pizzicato articulations transfers rather seamlessly to the idiom of percussion ensemble. In this arrangement the form, key, harmony, and style of the piece remain unchanged. However, I took some liberties in orchestration, texture, and timbre by adding several unpitched percussion instruments to expand the timbral palette and by enhancing segments of melodic material with arpeggiated harmonies and rapid scalar passages (primarily in the marimba voice). – Brian Blume
Performance Notes • • • •
• • •
The double bass part is optional. It is to be played pizzicato throughout. Suggested stick/mallet choices are indicated at the beginning of each player’s part in italics. The “swizzle stick” indicated in the Percussion 3 part should have felt or soft yarn on one end and a wood tip on the other end. Vibraphone pedaling is indicated by slur markings and staccato and tenuto articulations. All notes under a single slur will be played under one pedal. Staccato notes should be played with very little pedal, which is then lifted quickly after the note is struck. Tenuto notes should be played full value with pedal down for as long as the note value indicates. If no markings are present, assume pedal down for the full value of the note. With the exception of letter B, the vibraphone parts may be played with 2 mallets, but players may find it easier to perform the entire piece using 4 mallets. Percussion 2 and Percussion 3 will share the concert bass drum. Marimbas 1 and 2 require 4.3-octave marimbas, while Marimba 3 requires a 5.0-octave marimba.
Players and Instrumentation Anitra’s Dance requires 12-13 players with the following instrumentation: 1. 2. 3. 4. 5. 6. 7.
Glockenspiel Xylophone (plus bell tree) Chimes Vibraphone 1 Vibraphone 2 Marimba 1 - 4.3-octave (low A) Marimba 2 - 4.3-octave (low A)
Suggested Setup
8. Marimba 3 - 5.0-octave (low C) 9. Timpani - 4 drums 10. Double bass (optional) 11. Percussion 1 - triangle, suspended cymbal 12. Percussion 2 - windchimes, bass drum (shared), ride cymbal, finger cymbals 13. Percussion 3 - sus. cymbal, bass drum (shared)
Level: Med-Advanced Approx. playing time: 3’15”
Anitra’s Dance from Peer Gynt Suite No. 1
Tempo di Mazurka (qq = 160-180)
° 3 U ∑ Glockenspiel & 4
U Ó
3 U &4 ∑
U Ó
U 3 F™ &4
U F
U F™ #F ™ 3 æ &4 æ
U F F ææ
Xylophone
(& Bell Tree)
Chimes
p
Œ
∑
∑
(brass)
Πf f
A
Πf f
mp
∑
Œ
∑
∑
Edvard Grieg arr. Brian Blume
∑
™™
∑
∑
∑
fff f mp
pp (hard rubber) f f Œ Œ f f f ™™ f#f f f f f f f f f f f f f f f f f f
Œ
Œ
Œ
mp
Œ
∑
∑
∑
∑
ff ff
#f f F Œ
p
∑
™™ F™
∑
∑
nf f f f
# ff ff
∑
Œ
ff ff
∑
#f Œ
f
F
# ff
∑
ff ∑
p
(med. hard cord)
Vibraphone 1
p
U FF ™™ 3 & 4 ææ
(med. hard cord)
Vibraphone 2
p
Marimba 1
Marimba 2
Marimba 3
U FF æ
3 U &4 ∑
U Ó
?3 U 4 ∑
U Ó
?3 U ¢ 4 ∑
U Ó
°? 3 U 4 ∑
U Ó
Double Bass (Opt.)
?3 U ∑ ¢ 4
U Ó
° 3U !™ Percussion 1 / 4 ææ (Triangle, Sus. Cym.)
Œ
Œ
Œ Œ
ff ff.
Πf f f. f-
∑
. Πff ff
Πff. #ff -
™™ Œ
mp
Œ f f. ff∑
ff .
p
Œ
mp
∑
ff # ff . -
Œ Œ
™™ Œ
ff .
p
ff ff-
Œ Œ
ff. ffff ff.
Œ Œ
ff. ffff ff . -
> ff ff fff f ff mp
p
> ff ff fff f ff mp
p
(med. hard yarn)
f f f
f f f
Œ
Œ
3 U Percussion 3 / 4 ∑ (Sus. Cym., BD) ¢
U Ó
f
f
f
ff f
f
#f
f
#f
nf
#f
f
f
F
mp
f f
f
f
f
f
f f f
f
f f f
f
f
ff f
&
f
f f
nf f f f f f f #f #f f f
f f f f f f f #f f f f f f nf f f f f f f #f mp
f f
p
f f f f f f f f f f f f f f f f ™™ f mp
f f f
f
f
ff f
f f f
f
F
F f # f #f f #f
F™
F™
Œ
Œ
Œ
Œ
p
F™
™™ F™
F™
mp
pizz. sempre
f Œ Œ
f Œ Œ
f Œ Œ
∑
F™
F™
F™
F™
F™
F™
p
f Œ Œ
™™ f
mp
∑
F™ Œ
Œ
f
Œ Œ
f
Œ Œ
f
Œ
Œ
f
Œ Œ
f
Œ
Œ
f
Œ Œ
f
p
∑
∑
∑
™™ ! ™
∑
!™
∑
!™
∑
!™
p
∑
∑
windchimes
™ ~~~~~~~~~~ & ™ & ~~~~ ~~~~~~~~~~~~~~~~~~~~~~ ™™
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
mp
Œ
∑
∑
∑
sus. cym. (swizzle stick)
Y™ ææ
p
™™ ¿
Œ
Œ
mp
© 2013 Tapspace Publications, LLC, Portland, OR. (ASCAP) International copyright secured. All rights reserved.
Y™ ææ
p
f f #f
f # f #f f f f f f
(med. felt)
p
U Ó
™™ f
nf f f f
(med. soft yarn)
p
Œ
f f f
mp
p
Œ
f f f
#f f F
f f f f f f f #f f f
Œ
f f ™ f f f f f f f f f f f f f f Fææ f f f ™ f #f f f
(med. yarn)
p
3 U /4 ∑
Percussion 2
(Windchimes, BD, Ride Cym., Finger Cyms.)
Πf f f. f-
p
Œ
p
ff ff.
p
U ! ææ
triangle
Œ
mp
tuning: A-B-E-F#
Timpani (4)
Œ
2
Anitra’s Dance – arr. Blume 15
G
° &
f F
F
p
& f f
X
Œ
f f
& F™
Ch
f
f f
F
Œ
f f
&
f
ff
Œ
f f
mf
F™ Œ
f f
#FF
bnff
f f
F™
F™
mf
mp
#FF
bnff
∑
f F
mf
p
V1
f
&
f
Œ
ff
#FF
bnff
#FF
bnff
M1
f #f f nf f #f
fp
f f
Œ
∑
& f #f #f f nf nf
M2
f #f f f nf #f
fp
M3
¢
? f #f #f f nf nf
f #f f nf f #f
∑
# ff
FF
# ff
FF
fp
T
F™
p
DB
P1
¢
? f
°
Œ
Œ
f
Œ
Œ
p
/
p
nf nf
mf
°? F™
!™
!™
F™
mf
mp
f
f
Œ
Œ
f
mf
mp
!™
!™
/ F™ ¢/
™™ F™
f
f
f >f
f >f
>f
>f-
f
Œ
Œ
™ f f f f ™ >f
Œ
Œ
mp
Œ
Œ
∑
™™
mp
f
mp
f. #f. f. #f. f. f.
. f. f f. f. f #f . .
mp
f
mp
mp
mp
f.
#f.
f.
f.
f f >-
Œ
Œ
™™ f f >-
Œ
Œ
f f >-
f f >-
Œ
Œ
™™ f f >-
Œ
Œ
Œ
f f ™™ f f
Œ
Œ
Œ
Œ
f
#f.
f.
f.
mp
f f f f f #f
f f >-
f
#f f #f f f f f f # f f f f f
f
mp
f f f f f #f
f f f f #f f #f f f #f f f f
f
mp
f
Œ
f f
Œ
Œ
f ™™ f
Œ
Œ
>f
Œ
Œ
™™ >f
Œ
Œ
>f
Œ
Œ
™™ >f
Œ
Œ
f f f f f #f
f
Œ
f f
f
Œ
∑
Œ
Œ
f
™™
f
?
f
f
∑
Œ
Œ
f >
f
Œ
mp
∑
Œ
Œ
f >
f
∑
!™
∑
∑
∑
™™
mf
F™
p
P3
#f
Œ
f.
∑
BD (warm beater)
P2
∑ . f. f f. f. f #f . .
#f f #f f #f f #f f f p
F™
f
f. #f. f. #f. f. f.
f f f nf f #f f #f f #f f #f f f nf
p
f
2.
F™
f
f f f #f f #f nf #f f #f f #f #f nf
f
mp
f f f nf f #f f #f f #f f #f f f nf
mf
∑
p
f f f #f f #f nf #f
mf
1.
Œ
f
mf
& f #f #f f nf nf
Œ
p
mf
V2
∑
¿ mf
¿
(w/ tip of stick)
p
Œ
Œ
¿
Œ
F™
F™
mf
mp
Œ
¿ mf
Œ
Œ
∑
∑
Œ
. f
Œ
. f
Œ
Œ
. ™™ f
Œ
Œ
mf
¿ p
Œ
∑
∑
∑
(w/ felt)
Y™ æ p
™™ æY™ p
TSPCE-77
3
Anitra’s Dance – arr. Blume 24
G
B
° ™ & ™ f™ & ™™
X
j f f f f™
j f f f F™
∑
∑
> . ‰ fJ f f. f.
Ó
∑
f. . ‰ J f f. f. (no pedal)
F™
mf
& ™™#F
F™
F™
j ff ff ff ff ™™ f #F
n ff ™™
V1
∑
∑
j F™ ff ff ff FF ™™ f #f F ™ f f f #f f f Ó f #f Œ
ffj ff ff ff ™™ f #F
nf ™™ & ™™#fF
ffj ff ff FF ™™ F™ f #f f f f f #Ff ™ f f f f Ó
M2
Œ
f+ f+ f+ f+
Œ Œ
(dead stroke)
? ™ M3 ¢ ™
f
Œ
f
T
Œ Œ
mf
mf
ff f
Œ
ff f
Œ
ff f
Œ
ff f
> ‰ fJ f. f. #f .
. ‰ fJ f. f. #f .
‰ fj > f. f. f.
(dead stroke) + f Œ f Œ f f ff ff f #f ‰ fJ f+ f+ f+ f f f ™ Œ f f f & ™ f #f # f # f # f f ff ff f mf (dead stroke) loco “‘ f+ f+ f+ f+ f f f f # f f # f f # f f ? ™™ Œ #fff ff f f f f f f Œ f Œ f Œ f ‰ J
∑ Œ
j f f f
bf ™
ffff
f
Œ
j f f bf bF ™
f™
Œ
F™
∑
∑
∑
f
mf
f
M1
Œ
>f . ‰ J f f. f.
f
V2
∑
mf
& ™™ F ™
Ch
∑
F™
Œ
‰ f. #f f f J . . .
Œ
> ‰ fJ f. f. #f . ‰ j f > f. f. # f.
+ + + + ‰ fJ f f #f f+ f+ f+ #f+ ‰ J f+ f+ + + ‰ J f #f
Œ
Œ
F™
F™
F™
f bf ™ f f f f nf n #fF ™
ffj ff ff ff ™™ f #F
ffj ff b ff b FF ™™ f #f
ffj ff ff ff ™™ f #F
F™ ffj ff b ff b FF ™™ f #f bf f f f #Ff ™
f bf ™ f f f f nf n #fF ™
FF ™™ Œ
#f f f f f bf f f
f
p
b f nf f f f f f f f f f f f f f f f b f f f f f f f f f f f f f f f f f f f f f f
f
f ‰ J #f f f f f f
f f
f ‰ J #f f f f f f
Œ
f f f f
f
p
‰ f #f f f J fff
Œ
F™
mf
# ff f
n ff f
f
mf
f
mf
f
#f Πff
ff f
#f Πff
ff f
f Œ
f f
f Œ
f f
Œ
# ff f
f
Œ
f f
Œ
Œ
1
1
Œ
¿
ff f
mf
f Œ
f f
f mf
°? ™ F™ ™
F™
F™
F™
f.
Œ
Œ
∑
∑
f.
Œ
Œ
∑
∑
∑
F™
F™
F™
F™
f
DB
P1
¢
? ™™ f Œ
°
1 / ™™ Œ
Π1
f Œ
Œ
f Œ
Œ
f
Π1
1
Π1
1
Œ
>¿ Œ
¿
>¿ Œ
¿
>¿
Œ
Œ
Œ
ffff
f Œ
mf
f
Œ
f Œ
Œ
f Œ
Œ
f
1
1
∑
∑
∑
∑
Π1
1
Π1
1
Π1
1
Œ
Œ
¿
∑
∑
∑
∑
>¿ Œ
¿
>¿ Œ
¿
>¿ Œ
¿
>¿
∑
∑
¿ Œ
Œ
f
ride cym. (w/ tip of stick)
P2
>¿ / ™™ Œ
¿
™¿ Œ ¢/ ™
Œ
mf
P3
f
TSPCE-77
∑
∑
Y™ æ p
¿. ‰ Œ J
f
Œ
Y™ æ
p
f
∑
∑
Y™ æ p
&
4
Anitra’s Dance – arr. Blume C
36
G
∑
° &
b >f f f f Œ ‰J
& Ó
X
∑
Œ
mf
&
+ f b f f+ f+ f+
Œ
>f ‰ J f f #f
++++ ? b f M3 ¢ f& fff
Œ
mf
DB
P1
P2
P3
°?
¢
?
f. f.
Œ
∑
∑
∑
Πf ff f
Œ
Œ
∑
∑
f+ + + + ‰ J f f #f Œ
Œ
∑
∑
F™
∑
∑
∑
Πff f f
bell tree (scrape w/ tri beater)
∑
/
- Œ Œ
Œ
ff # ff
Πnf f f f
∑
∑
∑
∑
Π#ff ff . -
nf #f f f f fbf
Œ
p
f
∑
∑
f. f-
‰ fJ #f bf f f f f f Œ Œ
Π#f f. # ff-
Π#f ff f. -
Π#ff ff . -
Œ
Œ
Œ
Œ
mp
f. f-
f. f-
mp
f-
mp
+ ++ + Œ ‰ fj f f #f
?f f f f f Œ f f f Œ f f f Œ f f f ‰ j f #f bf f f f
∑
∑
F™
∑
∑
∑
∑
&
f. f-
f. f-
f
Œ
f Œ Œ
Πnf ff f. -
Πff bff . -
Πff f . f-
Œ
Œ? f Œ Œ
f Œ Œ
f Œ Œ
f Œ Œ
f Œ Œ
f. f-
∑
f. f-
pp
f. f-
f.
p
ff # ff . -
Πnf f f. f-
f
f f
f f f
f
Œ
Œ
f Œ
Œ
f Πff f Πff f Πff f f f f f
Œ
Œ
f Πf
Œ
pp
pp
Œ? f Œ Œ pp
f Œ Œ
pp
mp
F™
f . . . f. f. f fJ f f f f ‰ f f f f#f. f f
Œ
f f f f f f f #f f f f f f f F æ
f Œ Œ
Œ
Œ
mp
Œ
Œ
Π#ff ff . -
f f f f f f f f f #f f f f f f F Œ Œ f f f f #f f f #f æ
f
∑
f.
#f f ΠΠf f f f #f f f
∑
?f f f f f Œ Œ ‰ j f #f bf
∑
∑
Π#ff ff . -
+ ++ + Œ ‰ fj f f #f
∑
∑
p
f f f fbfnf#f #ff ff. p f
Œ
∑
∑
Œ
ffff f ΠΠmf
/
∑
∑
∑
∑
∑
∑
F™
/
∑
¿. ¢/ J
‰Œ
∑
∑
f Œ Œ
f Œ Œ
f
∑
f
Œ
Œ
f Œ Œ
f Œ Œ
f Œ Œ
∑
∑
F™
mp
∑
∑
∑
f Œ Œ
∑
∑
∑
>Y ™
Y™
!™
!™
!™
sus cym (strike w/ tri beater)
Œ ¿ Œ
!™
∑
∑
∑
pp
Œ
∑
∑
Y™ æ p
¿ Œ Œ f
∑
f Œ Œ
Œ ¿ Œ
Œ ¿ Œ pp
mp
∑
Y™
f Œ Œ
f
Œ
Œ
f Œ
Œ
pp
mf
f
Πff bff
pp
∑
°
∑
pp
f
Œ
T
‰ fj f > . f. # f.
mf
++++ & ‰ bJf f f f
M2
∑
. ‰ fJ #f. bf. f.
Œ ‰ fj f . . f. # f.
> ‰ bf f f f Œ J . . .
& Ó
M1
∑
f
>f ‰ J f f #f
mf
V2
∑
F™ F™
mp
b >f f f f Œ ‰J
& Ó
V1
∑
mf
. & ‰ bJf f. f. f .
Ch
∑
¿ Œ Œ
finger cymbals
∑
(triangle)
1
¿ Œ
!™
p
ppp
p
¿ Œ Œ
¿ Œ
∑
Œ
p
∑
∑
∑
∑
∑
> gŒ ¿ Œ ¿ f f >BD (share w/ Perc. 2) mp
(scrape w/ tri. beater) (strike w/ tri. beater)
f
Πf
Œ
¿
∑
pp
TSPCE-77
5
Anitra’s Dance – arr. Blume D
52
G
° Œ &
ff bff ∑
/
X
Πff f f
∑
∑
∑
∑
ffF
∑
∑
f ff
p
∑
∑
∑
∑
mf
∑
&
Œ
xylo 3
Œ
‰ f f f #f f f f f f
∑
& &
V1
∑
∑
bF ™
∑
∑
#F ™
f f f ‰ ffff F™ J
∑
Œ
Œ
‰ f
Œ
3
mp
& Œ
V2
ff. bff-
Πff ff . -
Πf f f. f-
Œ
Πf f f f
Œ
p
? f f f
M1
f f f
&
ff ff . -
ff ff
ff -
mp
Œ Œ
Œ
ff ff . -
Œ
? f Œ
Œ
? M3 ¢ ff Œ
T
°?
Œ
f ΠΠf ΠΠf
∑
∑
bf ff ff bf
P1
P2
P3
¢
? f Œ
°
Œ
f Œ Œ
bf ff ff bf
Œ ‰ fbf b f & f f f fnf f f
ffF ææ
bF ™ æ
F™ æ
F™ æ
bf Œ Œ
bf Œ
3
mp
p
DB
bf ff ff bf
Œ
ff ff #f #f f f f f
#f #f f f f f
bf ff ff #f #f bf ∑
?
pp
Œ
/
!™
3
#f
F™
F™
#f f f f f
æ #Fæ™
#f
ff .
ff -
#F ™
f ff
f f
F >F
f f
F >F
f f
F f f f f f >F #f
f f
F >F
f f
F >F
f f
f
f
æ F™æ
p
#f
#f f f f f
æ F™æ
#f
∑
∑
!™
f
#f f f f f
mf
>f f f f
f f
æ F™æ
Œ
mf
#f f
F
#f f #f #f f f f f f #f f f f f 3
mf
Œ
ff
#>f ff f
>f f f f
f >
Œ
#f f
F
Œ
Œ
#>f fff
>f f f f f >
Œ
#f f
F
f
Œ
Œ
#f
Œ
Œ
#f
Œ
Œ
#f
Œ
Œ
mp
!™
F™
F #f #f f F >
mf
#f f f f f
p
f
mp
b f ΠΠ#f
F™
#f #f f f f f f f f #f f f f f f f Œ #f f f f f f mf f f fF f f f f f f #f æ Œ &‰ f Œ Œ Œ #>f ff f 3
#f #f
>f > f#æF æ
f Œ
Œ
f
Œ
Œ
f
Œ
Œ
Œ
¿
Œ
Œ
¿
Œ
Œ
¿
f
∑
!™
∑
!™
sus. cym. (w/ tri beater)
ΠŒ
f
/
∑
¢/
∑
TSPCE-77
ff
mp
p
!™
ff
mp
F™ æ
bf Œ
Œ
ff -
#F ™
p
M2
ff .
ff ff . - #F ™ mp
ff ff
Œ
f
ff
mf
ff .
F
f
f f f f ‰ f #f #f #f f
Œ Œ
∑
#F ™
F™
F
f
p
mp
f . . f f f. f. f. f. f b f f F
F f
f fF æ
mp
Ch
#f #f f
¿ Œ Œ
∑
¿
Œ
Œ
∑
¿
¿
∑
Œ Œ
Œ
Œ
∑
∑
BD
F™
F™
F™
f
Y™ æ p
¿ Œ Œ mp
∑
∑
∑
> g Œ
(scrape w/ tri. beater)
mf
Œ
∑
∑
Y™ æ p
¿ Œ f
¿
(w/ tip of stick)
mf
Œ
Œ
¿
Œ
6
Anitra’s Dance – arr. Blume
G
F
f
f
Œ
∑
&
X
ff ff
F
Œ
mf
& F™
Ch
V1
V2
F™
& F >F
f f
& FF >
f f
&
M1
M3
T
DB
P1
P2
P3
¢
? f >
Œ
? f
°
/ Œ / F™
Y™ ¢/ æ p
Œ
f
f
f f f -# f
n ff ff
#f f ΠŒ Œ
ff ff
F™
>F
F
Œ
∑
f >f p f ff >f
p
Œ
ff
f #f f f f
f #f f f f f
f
F™
F™
f Œ
Œ
f f f
triangle
!
Œ
Œ
Œ
F
f
Œ Œ
f >f
>F
p
p
ff
f Œ
!
f
F™
p
Œ
f f fff f f f. # f. f. f. f. f.
ff. ff-
Πbf f
ff
Œ
ff n ff
Œ
p
∑ fff f
ffF
∑
f
Œ
ff ff.
Œ
f #f F
f nf f f
ff
ff
∑
ff ff . -
fff f
#f f F
p
Œ
f f f f f f f f f f f f f f Fææ
mf
f f f f f f f #f f f
#f f f
f ff
f
f f f
f
f f f
f
f ff
!™
p
mp
™ ~~~~~~~~~~~ & ™ & ~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
f #f F
Πbff ff . -
f #f F
nf f f f f f f b f f f
p
f f nf f f f f f #f f p
f f f f f f f #f f f f f f f f f f f f f #f f f #f f nf f bf f f f f f
p
mf
p
loco
f
f f
f
#f
f
f
f f
f #f
f
mf
F™
F™
F™
F™
F™
Œ
f
Œ
Œ
f Œ Œ
f Œ Œ
f Œ Œ
f Œ
Œ
p
f Œ Œ
f Œ
Œ
mf
∑
∑
!™
∑
!™
¿
f
mf
Œ
Œ
¿
Œ
Œ
¿
Œ
Œ
¿ pp
f f
F™
F™
F™ mf
Œ
f p
f
Œ Œ
p
∑
!™
!™ p
∑
∑
∑
∑
∑
∑
∑
∑
mp
¿ Œ
f
nf f f f
mf
p
!
p
p
nf f f f
p
f
nf f f f f f f bF
∑
mf
p
Œ
f
p
# ff
∑
p
f Œ f f f f f f f f f f f f æF f f f #f f æ mp ‘ “
F™
windchimes
∑
mf
bF
f #f F
mp
f #f f f f f Œ
F™ f f
ff ff
f nf f f
p
F™ Œ
Œ
∑
mp
f
Œ
!
∑
F™
p
f #f f ff f f f
f
Œ
f f f f f f f f f f f f f f Fæ
f #f F
p
f ff- fff f f f # f f f
f f
fff f
p
F™
‰ f f f #f f f f f f f F f ææ
f #f f f
∑
mp
3
ff
∑
mp
>F
f
∑
p
F™
>f > fF
fff f f #f
mf
f
°? F
¢
#>f fff Œ
ff ff
3 . . ‰ ff f. #f. f. f. f f f
>F nf-
>f f f f
Œ
f
mf
>f > f#æF
& Œ
F
f
F™
F
p mf M2
E A tempo
rit.
65
° F &
¿
finger cymbals
Œ Œ
p
∑
∑
∑
∑
∑
∑
∑
∑
g ΠΠmf
TSPCE-77
7
Anitra’s Dance – arr. Blume 79
G
° & #F ™
F
f
mf
∑
F™
f
bf f f f
#f f f
nf f f
mp
& Π#f. f f-f Πbff. ff-
&
M2
P2
P3
F™
f f
Œ
f f
f f
Œ
f f p
F™
Π#f f.
f.
Πbff
#nff
#FF
fp
ff-
p
f #f f f f f mp
¢
? f f f
? f Œ
°
/ /
Œ
!™
##ff
nFF
nnFF
#ff
mf
bff
F
#FF
#nff
¢/
TSPCE-77
f
mp
Œ
∑
##ff
nFF
nnFF
#ff
f
p
f f
f
fp
f
f
Œ
f.
p
fp
F™
F™
F™
mf
mp
fp
f Œ Œ
f Œ
mf
mp
fp
!™
!™
!™
Œ
Œ
Œ
¿
f
F™ Œ
f
F™ Œ
Œ
Œ Œ
¿
Œ
Œ
Œ
f
Y™ æ p
¿ f
f
Œ
Œ
f
Œ
Œ
>f >f f Œ Œ ™™ f Œ Œ
∑
f. Œ Œ ™™ f. Œ Œ
∑
>f>ff Œ Œ ™™ f Œ Œ
∑
Œ
f f f f #f >f
Œ
Œ
Œ
f
ff f ff
mp
Œ
Œ
Œ
ff f f f f f #f >f
∑
Œ
Œ
∑
f.
Œ
∑
f f f f #f >f
mf
p
Œ
Œ
Œ
f
pp
∑
Œ Œ ™™
f
Œ
Œ
¿
Œ
Œ
Œ
¿
p
Œ
Œ
¿ mp
Œ
U ∑ U ∑
Œ ?f f Œ Œ
f
pp
>f
f
U ∑
pp
U ∑
∑
Œ Œ ™™ f Œ Œ >f >
U ∑
Œ Œ ™™ f Œ f f Œ Œ >f > p
∑
∑
∑
™™
∑
U !™ æ
p
¿
Œ
Œ
¿
Œ
∑
∑
Œ
Œ
mf (w/ tip of stick)
U FF ™™
pp
mf
¿
U F™ F™
Œ ?f f Œ Œ
f
f
>f
Œ
∑
U F™
f ? #f f Œ Œ ™™ Œ f f Œ Œ ff f ff
f
!™
Œ Œ ™™
f
f
Œ
U ∑
p
f f f f fnf #f f
mp
&
pp
>f>ff Œ Œ ™™ f Œ Œ
f
mf
U F™
p
f f #f f fnf #f f f f
p
!™
∑
f
p
!™
p
∑
Œ
mf
f.
F™
mf
!™
Œ
mp
mp
mf
Œ
f
p mp
mf
p
mf
∑
mf
mp
f. f. # f. f. f. f. f. f. f. f. f. f. f. f. f. f. >f-
p mp
f # f f f n f bf f # f f n f f f f f f #f nf nf #f #f nf nf #ff
mf
f
mp
mf
2.
™™ f Œ Œ .
F™
f
. . f. . . . f. #f f. f. f. f f f f f. f. f. f. f. f ff . >-
mp
mf
fp
mf
¿
f
f
f f f f f f ffff #f #f f f f f f f #f f nf f f f f f f f n f # f n f f f bf f #f f f f f #f nf nf #f #f nf nf #f f f f
°? ™ F
¢
1.
Œ
f fff f f f f f f f f >
∑
F™
f
mf
P1
f f
p
mf
DB
Œ
Œ
f
f f f f f f f nf f f f f #f f #f f f nf b f f #f f f nf f f f b f f f f n f f f f # f n f & #f f #f f #f nf f #f nf #f f f f ff
M1
T
f f
∑
p
mf
F™
mf
M3
f f
fp
F™
mf
V2
Œ
∑
#f
mf
f & f F
V1
nf f f #f f
mp
>F
& #F ™
nF
mf
mf
Ch
#f
F
mp
f f f & f f f f b f f f f f f #f f f
X
∑
Œ
. f
BD
. . . ™ f Œ Œ ™ f Œ Œ f Œ Œ
f
¿
Œ
Œ
¿ p
∑
∑
p
(2nd time only)
Y™ æ
p
U ∑
Y™ æ
p
. ™™ ¿J ‰ Œ Œ f
∑
U ∑