THE WAY THINGS GO
Alejandro Almanza Pereda (Mexico)- Kader Attia (Francia) Dario Escobar (Guatemala) - Fernanda Fragateiro (Portugal) Sandra Gamarra (Peru) - Carlos Garaicoa (Cuba) Edgar Orlaineta (Mexico) - David Panos (Grecia) Santiago Sierra (Espa単a)
PROJECT ROOM: PATRICK HAMILTON / BLACK TOOLS
the 9. gallery
99
THE WAY THINGS GO
28 JAN - 14 MAY 2016.
Alejandro Almanza Pereda (Mexico) Kader Attia (Francia) Dario Escobar (Guatemala) Fernanda Fragateiro (Portugal) Sandra Gamarra (Peru) Carlos Garaicoa (Cuba) Edgar Orlaineta (Mexico) David Panos (Grecia) Santiago Sierra (España)
PROJECT ROOM: PATRICK HAMILTON / BLACK TOOLS
THE WAY THINGS GO 28 ENERO - 14 MAYO, 2016. La exhibición The Way Things Go (Así van las cosas), rinde un homenaje al video del mismo nombre, obra maestra de los artistas suizos Peter Fischli (1952) y David Weiss (1946 - 2012). Desde su estreno en 1987, el video no ha hecho más que más que concitar elogios en virtud de la explosiva combinación de rigor conceptual, ironía y absurdo, elementos que por lo demás, caracterizan el conjunto de su obra en escultura, fotografía o instalaciones. El video documenta una reacción en cadena realizada con diversos objetos cotidianos tales como sillas, escaleras, neumáticos, globos, petardos, mesas, etcétera, que se desarrolla en un continuo durante 30 minutos gracias a la utilización de la fuerza de gravedad, el agua y el fuego para provocar todo tipo de fenómenos físicos y diversas reacciones, incluso químicas, en cadena, movimiento, trayectos y equilibrios precarios. La puesta en escena de estos objetos supone un fino trabajo de “relojería” en el que los “acontecimientos” forzados se suceden uno tras otro como una perfecta coreografía. La obra hipnotiza inmediatamente la mirada, gracias a la tensión y el asombro que produce la secuencia. Pero más allá de la seducción que ocasiona el “ingenio” de los fenómenos visuales provocados, la obra conlleva una profunda reflexión en torno a los conceptos de inestabilidad y precariedad; sobre la crisis de la idea de progreso y de las relaciones entre causa y efecto, así como del curso arbitrario de los acontecimientos históricos, que son, a su vez, los hilos conductores de la propuesta curatorial de esta muestra. La mezcla de economía de medios, así como el trabajo con materiales pobres y desechos, para producir un video de efectos profundamente sofisticados, refuerza la idea subversiva de esta obra en la cual las jerarquías estéticas están en un cuestionamiento constante. Es una creación que juega con la idea de inutilidad, de la gratuidad, también donde existen tensiones, triunfos y derrotas, siempre con humor burlesco y paródico.
A través del dibujo, la pintura, la escultura y el video las obras de los artistas participantes en la exposición The Way Things Go interpelan las nociones antes mencionadas desde distintos puntos de vista: la precariedad y la fragilidad de la idea de utopía, entendida como un discurso histórico y de ficción reflejada en la arquitectura en el dibujo mural, parte de la serie “Por que toda ciudad tiene derecho a llamarse utopía” (2001), de Carlos Garaicoa. En este trabajo, Garaicoa dibuja el paisaje de una ciudad ideal, ligera, delineada por las líneas de un dibujo con hilo que traduce de las figuras etéreas de molinos, una tipología arquitectónica anclada en la literatura como símbolo de lo imposible, que persigue la idea de una energía renovable en los campos europeos con turbinas eólicas. Mientras que por otra parte los conflictos post coloniales reflejados en el elocuente video “Oil and sugar #2” (2007) de Kader Attia, en una relación entre un cubo de azúcar consumido por petróleo o el rotundo cuestionamiento hacia la noción de “futuro” como un porvenir que promete mejoras, desarrollo y bienestar en la obra “Palabra quemada” (2012) de Santiago Sierra son dos ejemplos de trabajos que utilizan directamente fenómenos físicos y reacciones químicas, para traducir las motivaciones y cuestionamientos que las originan que se trasladan de un lugar a otro, no solamente en el espacio sino en el tiempo, al hacer referencia directa con la destrucción de la palabra “Future”. Los discursos sobre la arquitectura moderna, traducidos en paradojas objetuales de libros que no se pueden leer cuyo contenido esta negado, pero evocado, son parte de las esculturas de Fernanda Fragateiro presentes en la muestra “Untitled_Architecture Words” (2015) y su aspecto abstracto en “Not Abstract_Orange and Mirror” (2015). Por otro lado, David Panos presenta el video parte del proyecto “Untitled. The Dark pool” en el que el artista superpone imágenes de siluetas de cuerpos y objetos para hablar del aspecto fantasmal y teatral de la mercancía. En una idea de la selección natural, “Found
Self-Portrait I” (2012) de Sandra Gamarra es una serie de doce pinturas en la que la artista se apropia de imágenes de obras de otros artistas, en las que el denominador común es el equilibrio, entendido como una metáfora de la dificultad de situarse como un ser definido y definitivo. Las obras originales pasan a ser objetos encontrados, que reutiliza para sus propios fines. Las complejas esculturas fabricadas con objetos encontrados de Alejandro Almanza Pereda, en su pieza “Sticks & Stones No. 4” (2014)” nos recuerdan la fragilidad del equilibrio con el que se presentan no sólo los objetos sino las ideas de las construcciones físicas
y mentales, envueltas en un halo de creación utópica. En la escultura “Untitled No.4”, Darío Escobar retoma a la estética minimalista para transformarla y regresar a los materiales más básicos como la madera, donde el balón de basquetbol da la impresión de flotar entre ambas piezas condesadas. Finalmente, en la pieza de Edgar Orlaineta “A Season in Hell (from the series: New Directions)” (2015) presenta el lento movimiento que el aire controla de una forma muy delicada, casi invisible tal, y como el lenguaje que crea a partir de los diseños de Alvin Lustig. Curaduría: Patrick Hamilton & The 9,99.
THE WAY THINGS GO 28 JANUARY - 14 MAY, 2016. The exhibition The Way Things Go (So are things) pays homage to the video of the same name, a masterpiece of Swiss artists Peter Fischli (1952) and David Weiss (1946-2012). Since its premiere in 1987, the video has done nothing but gather praise under the explosive combination of conceptual rigor, irony, and absurd elements that otherwise characterize their entire oeuvre in sculpture, photography, and installation. The video documents a chain reaction performed with various everyday objects such as chairs, ladders, tires, balloons, firecrackers, tables, etc., which develops in a continuum for 30 minutes by the use of gravity, water, and fire to cause all kinds of physical phenomena, motion paths, precarious balance, and various effects, including some chemical reactions. The staging of these objects is a fine example of exactitude in that the forced “happenings” occur one after another with the precision of clockwork. The work immediately hypnotizes, thanks to the tension and wonder produced by the sequences. But beyond the seduction that ensues, the work involves a profound reflection on the concepts of instability and insecurity, on the crisis of the idea of progress, and the relations between cause and effect, as well as the arbitrary course of historical events, which are, in turn, the underlying premises of this exhibition’s curatorial proposal. The mixture of economy of means and work with poor materials and waste to produce deeply sophisticated video effects reinforces the subversive idea of the work where the aesthetic hierarchies are in constant questioning. It is a work that plays with the idea of uselessness and gratuity, where there are tensions, triumphs and defeats, always with burlesque and parodic humor. Through drawing, painting, sculpture, and video the works of the artists participating in the exhibition The Way Things Go connect the ideas mentioned above from different points of view: the precariousness and fragility of the utopian idea, understood as historical
and fictional discourse reflected in architecture and mural drawing, part of the series “Because every city has the right to be called utopia “ ( 2001) by Carlos Garaicoa. In this work, Garaicoa draws the landscape of an ideal city, lightly sketched by the lines of a thread that translates the ethereal figures of mills, an architectural typology anchored in the literature as a symbol of the impossible, pursuing the idea of renewable energy through wind turbines in the fields. While on the other hand post-colonial conflicts, eloquently reflected in the video “Oil and Sugar # 2” (2007) by Kader Attia, in a relationship between a cube of sugar consumed by oil and a categorical challenge to the notion of the future, one that promises improvements, development, and well-being in the piece “Burnt Word” (2012) by Santiago Sierra, are two examples that use physical phenomena and chemical reactions to explain the motivations and the questions that arise, moving from one place to another, not only in space but in time, to make direct reference to the destruction of the word “Future”. The speeches on modern architecture, translated into object-oriented paradoxes of books that cannot be read, whose content is denied, yet evoked, are part of the sculptural works of Fernanda Fragateiro present in “Untitled_Architecture Words” (2015) and “Not Abstract_Orange and Mirror “(2015). On the other hand, David Panos presents a video part of the project “Untitled (The Dark Pool)” in which the artist superimposed images of silhouetted bodies and objects to talk about the ghostly and theatrical aspect of the goods. In an idea of natural selection, Sandra Gamarra’s “I Found Self-Portrait” (2012) is a series of twelve paintings in which the artist appropriates images of works by other artists, where the common denominator is the balance, understood as a metaphor for the difficulty of positioning onself as a definite and definitive being. Original works become found objects, which Gamarra reuses for her own purposes.
The intricate sculptures made from found objects by Alejandro Almanza Pereda, in his piece “Sticks & Stones No. 4” (2014) “, remind us of the fragility of the balance with which not only objects but ideas of physical and mental constructions are presented, wrapped in a halo of utopian creation. In the sculptural work “Untitled No.4”, Darío Escobar borrows the minimalist aesthetic to transform it and to return to basic materials such as wood, where the basketball ball seems to float between the two elements. Curated by Patrick Hamilton & The 9.99.
OBRAS / WORKS
SANDRA GAMARRA Autorretrato I (la obra de arte como objeto encontrado) 2012 oleo on paper Variable dimensions 14 3/8 x 10 3/16 in. (36.6 x 26 cm.) (maximum measurements) 12 individual modules TRS/SGAM 024
SANDRA GAMARRA Autorretrato I b (la obra de arte como objeto encontrado) 2012 oleo on paper Variable dimensions 12 1/2 x 9 5/8 in. (31.8 x 24.5 cm.) (maximum measurements) 12 individual modules TRS/SGAM 025
View of the exhibition “The way things go” the 9.99 gallery, Guatemala city, 2016.
(video stills)
DAVID PANOS Untitled (The Dark Pool) 2014 HD video 3:48 mins. (loop) Courtesy of the 9.99 gallery, Guatemala city and Hollybush Gardens, London TRS/DPAN 018
DARĂ?O ESCOBAR Untitled No. 3 2015 mahogany and rubber 9 13/16 x 98 7/16 x 13 in. (25 x 250 x 33 cm.) DESC 075
DARIO ESCOBAR Untitled No. 4 2015 wood, rubber and latex 15 5/16 x 85 13/16 x 11 3/8 in.(39 x 218 x 29 cm.) DESC 092
View of the exhibition “The way things go” the 9.99 gallery, Guatemala city, 2016.
FERNANDA FRAGATEIRO Not Abstract _ Orange and Mirror 2015 paper, fabric, and stainless steel 25 x 72 13/16 x 10 in. (63.5 x 185 x 25.5 cm.) Photography: António Jorge Silva Courtesy of the 9.99 gallery, Guatemala city and Galería Elba Benítez, Madrid. TRS/FFRA 019
FERNANDA FRAGATEIRO Untitled _ Architecture Words 2015 paper and steel (5 books: Eisenman, Peter - Koolhaas, Rem : “Supercritical” Scott Brown, Denise : “Having Words” Bill, Max : “Form, Function, Beauty= Gestalt” Cache, Bernard : “Projectiles” Mertins, Detlef : “Modernity Unbound: Other Histories of Architectural Modernity” From “Architecture Words”, published by AA School and AA Publications, London) variable dimensions, 5 modules of 7 1/6 x 9 7/8 x 3/4 in. (18 x 25 x 2 cm.) each Photography: António Jorge Silva Courtesy of the 9.99 gallery, Guatemala city and Galería Elba Benítez, Madrid. TRS/FFRA 020
Detail Untitled _ Architecture Words, 2015
View of the exhibition “The way things go” the 9.99 gallery, Guatemala city, 2016.
EDGAR ORLAINETA A Season In Hell (From The Series: New Directions) 2015 Wood, cloth, paint, brass-plaated, string and paper (1 book : Rimbaud, Arthur: “A season in Hell” From “The new classic series”, published by New Directions Publications, New York, cover jacket design by Alvin Lustig) 19 5/8 x 19 1/4 x 11 3/4 in. (50 x 49 x 30 cm.) EORL 001
CARLOS GARAICOA Porque toda ciudad tiene derecho a llamarse utopĂa 2001 thread and pins Dimensiones variables Allen Memorial Art Museum Collection, Oberlin College, Ohio Courtesy of the Artist TRS/CGAR 021
View of the exhibition “The way things go” the 9.99 gallery, Guatemala city, 2016.
ALEJANDRO ALMANZA PEREDA STICKS AND STONES No. 4 2014 wood, paint, fluorescent bulb, aluminum, iron, copper, ceramic, steel, plastic, resin and stone 114 1/8 x 31 7/16 x 33 7/16 in.(290 x 80 x 85 cm.) AALM 002
View of the exhibition “The way things go” the 9.99 gallery, Guatemala city, 2016.
(video stills)
KADER ATTIA Oil and sugar # 2 2007 Single channel video 4:30 min. color with sound Courtesy of the 9.99 gallery, Guatemala City and Galerie Nagel Draxler GbR, Berlin Exhibition copy TRS/KATT 022
(video stills)
SANTIAGO SIERRA Burned Word 2012 video 24:29 min. Exhibition copy TRS/SSIE 023
PROJECT ROOM: PATRICK HAMILTON / BLACK TOOLS
PROJECT ROOM: PATRICK HAMILTON BLACK TOOLS 28 ENERO - 14 MAYO, 2016. “El arte no debe ir hacia la reducción y simplificación, debe ir a hacia la complejidad” K. Malevich The 9.99 Galería se complace en presentar “Black Tools” la primera exposición individual en la galería del artista chileno, residente en Madrid, Patrick Hamilton. Fiel al carácter conceptual de su obra, Hamilton hace referencia a la historia política de su país a través un conjunto de collages y esculturas, que ha producido en el último año, en el que amplía y ahonda sus reflexiones estéticas en torno a grandes temas de la sociedades contemporáneas, particularmente sobre el trabajo y la desigualdad en el Chile de los últimos años. Dichas reflexiones analizan las consecuencias de la “revolución neoliberal” (Tomás Moulian) implantada en Chile por Pinochet - y los “Chicago boy´s”- durante los años ochenta y su proyección en el campo social y cultural en el Chile de la post-dictadura y que se traducen en obras que se pueden leer desde la noción de “formas sociales” (Viveros-Fauné) dada su economía de recursos expresivos y su profundo vínculo con el análisis de fenómenos sociales, políticos y económicos. Esta producción de Hamilton se podría definir como un “arte realista” en relación a la exaltación de las cualidades físicas de sus obras, así como a la reflexión sobre fenómenos concretos de nuestra realidad social. Valiéndose de la manipulación de herramientas utilizadas para el trabajo manual, el artista crea objetos que representan y metaforizan la cada vez más precaria economía del mundo obrero. El carácter formalista de las obras esta dado por otra de las grandes fuentes de inspiración de Hamilton: la Historia el Arte. Así, es la obra de los constructivistas, del Arte Concreto y del Suprematismo en especial -en este caso- el emblemático cuadrado negro de Malevich, la que sirve de nexo y conexión entre la economía de gestos y de medios, el uso del monocromo y el rigor formal con espátulas, chuzos y lijas, que dejan atrás la funcionalidad y se quedan quietas a merced de quien las quiera contemplar.
El montaje de las obras sobre el espacio se asemeja al de un teatro de sombras, con obras que disfrazan su materialidad y función para hablar, justamente, de la contradicción entre lo visible e invisible, lo transparente y lo opaco; opuestos que en las sociedades actuales contribuyen a ocultar los problemas de desocupación, de economías sumergidas y del trabajo en negro que se constituyen en una precaria solución para la vida de millones de individuos. En los collages de la serie “Pinturas abrasivas” (2015) elaboradas con acrílico y papel de lija de color negro, vemos la cita más directa a la pintura de Malevich. La retícula formada por las lijas, que asemejan un muro, además de su aspecto monocromo, habla de una superficie “pictórica” extensible que sugiere la idea de un continuo, de infinito, y manifiesta la voluntad de restringir los medios empleados al máximo, en una economía estética que es a la vez formal y conceptual.
Patrick Hamilton (1974, Lovaina, Bélgica). Vive y trabaja en Madrid. Es Licenciado en Artes por la Universidad de Chile. En 2007 recibió la Beca Guggenheim, otorgada por la John Simon Guggenheim Memorial Foundation, New York. En el año 2006 realizó una residencia en el International Studio & Curatorial Program (ISCP) de New York.
Su trabajo ha sido exhibido en numerosas exposiciones individuales y colectivas en Chile y en el extranjero. Su más reciente exposición individual Progreso, se exhibió el la Galería Marta Cervera en Madrid (2015). Sus exhibiciones incluyen: Beleza?, Centro Cultural Sao Paulo (2015); Beyond the supersquare, The Bronx Museum of the Arts, New York, USA (2014); Slow Future, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Polonia (2014); Proyecto Lanz, FLORA Ars+Natura, Bogotá, Colombia (2014). Progreso, Museo de Arte Contemporáneo (MAC), Santiago (2013); Pabellón de la Urgencia, Bienal de Venecia (2013), Ultramar
Sur, Paco das Artes, Sao Paulo (2012); Now: works from The Jumex collection, Centro Cultural Cabaña, Guadalajara, México (2011); Dublin Contemporary, Irlanda (2011), 10ª y 8ª Bienal de La Habana (2009 y 2003), 2ª Bienal de Praga (2005), 26ª Bienal de Sao Paulo (2004) entre otras. Su obra está presente decenas de colecciones públicas y privadas, entre ellas, La Colección Jumex de México DF, El Museo del Barrio de Nueva York, Museo Nacional de Bellas Artes, Santiago, Space Collection (Sayago & Pardon) Irvine, California y el Museo DKM de Duisburg en Alemania, entre otras.
PROJECT ROOM: PATRICK HAMILTON BLACK TOOLS 28 JANUARY - 14 MAY, 2016. “Art should not go toward reduction or simplification, it should go to toward complexity” K. Malevich The 9.99 Gallery is pleased to present “Black Tools,” the first solo exhibition in the gallery by the Madridbased, Chilean artist Patrick Hamilton. True to the conceptual nature of his work, Hamilton refers to the political history of his country through a series of collages and sculptures, which he has produced in the last year, and which broadens and deepens his aesthetic reflections on major issues affecting contemporary societies, particularly those that refer to labor and social inequality in Chile in recent years. These reflections analyze the consequences of the “neoliberal revolution” (Thomas Moulian) implemented in Chile by Pinochet — and the “Chicago School” — during the eighties and its projection in the social and cultural milieu in a post-dictatorship Chile; they result in works that can be read from the notion of “social forms” (Christian Viveros-Fauné), thanks to their economy of expressive resources and their deep bond with the analysis of social, political, and economic phenomena. Hamilton’s production could be described as realist art in relation to the exaltation of the physical qualities of his works, as well as a consideration of the concrete phenomena of our social reality. Through the manipulation of tools used for manual labor, the artist creates objects that represent and act as metaphors in the increasingly precarious world labor economy. The formal character of the work is provided by another of Hamilton’s great source of inspiration: the History of Art. So, is the work of the constructivists, concrete art, and Suprematism — in this case Kasimir Malevich’s emblematic black square — which serves as a link between the economy of gestures and means, the use of monochrome and the formal rigor with spatulas, pikes, and sandpaper, which leave behind their functionality and remain at the mercy of anyone who wants to contemplate them.
The placement of the works in the space resembles a shadow theater, with pieces that disguise their materiality and communication function, a contradiction between the visible and invisible, transparent and opaque, opposites that in contemporary societies contribute to the concealment of problems of unemployment, shadow economies, and illegal work that become a precarious solution to the lives of millions of individuals. In the collages of the “Abrasive Paintings” (2015) series made with acrylic and black sandpaper, we see the most direct quote to Malevich’s painting. The grid formed by the sandpaper, resembling a wall, in addition to its monochrome appearance, speaks of an extensible “pictorial” surface that suggests the idea of ??a continuum, of infinity, and expresses the will to restrict the means employed to a maximum, in an aesthetic economy that is both formal and conceptual.
Patrick Hamilton (1974, Leuven, Belgium). Lives
and works in Madrid. He graduated in Arts from the University of Chile. In 2007 he received a Guggenheim Fellowship, awarded by the John Simon Guggenheim Memorial Foundation, New York. In 2006 he completed a residency at the International Studio & Curatorial Program (ISCP) in New York. His work has been exhibited in numerous solo and group exhibitions in Chile and abroad. His most recent solo exhibition Progreso was at the Marta Cervera Gallery in Madrid (2015). Other exhibitions
include: Beleza? San Paulo Cultural Center (2015); Beyond the Supersquare, The Bronx Museum of the Arts, New York, (2014); Slow Future, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (2014); Project Lanz, FLORA Ars+Natura, Bogotá, Colombia (2014); Progreso, Museo de Arte Contemporáneo, Santiago, Chile (2013); Pabellón de la Urgencia, Venice Biennale (2013); Ultramar Sur, Paço das Artes, Sao Paulo (2012); Now: Works from The Jumex Collection, Centro Cultural Cabañas, Guadalajara, Mexico (2011); Dublin
Contemporary, Dublin, Ireland (2011), 8th and 10th Havana Biennial (2003 and 2009), 2nd Prague Biennale (2005), 26th Bienal de São Paulo (2004). His work is in public and private collections, including La Colección Jumex, Mexico City; El Museo, New York; Museo Nacional de Bellas Artes, Santiago, Chile; Space Collection (Sayago & Pardon), Irvine, California; and Museum DKM, Duisburg, Germany
Patrick Hamilton, Black Sun, 2015.
PATRICK HAMILTON Chuzos 2012 - 2016 Steel and enamel 63 3/8 x 15 11/16 x 1 1/8 in. (161 x 40 x 3 cm.) PHAM 029
View of the “Project room: Patrick Hamilton / Black tools”, the 9.99 gallery, Guatemala city, 2016.
PATRICK HAMILTON Pinturas abrasivas #21#A 2015 sandpaper and acrylic on canvas 13 3/4 x 10 5/8 x 1 3/4 in.(35 x 27 x 4.5cm.) PHAM 034
PATRICK HAMILTON Pinturas abrasivas #21#B 2015 sandpaper and acrylic on canvas 13 3/4 x 10 5/8 x 1 3/4 in.(35 x 27 x 4.5cm.) PHAM 035
PATRICK HAMILTON Pintura abrasiva #15 2015 sandpaper and acrylic on canvas 39 5/16 x 31 7/16 x 1 3/4 in.(100 x 80 x 4.5 cm.) PHAM 036
PATRICK HAMILTON Pintura abrasiva #16 2015 sandpaper and acrylic on canvas 39 5/16 x 31 7/16 x 1 3/4 in.(100 x 80 x 4.5 cm.) PHAM 037
PATRICK HAMILTON Pintura abrasiva #17 2015 sandpaper and acrylic on canvas 39 5/16 x 31 7/16 x 1 3/4 in.(100 x 80 x 4.5 cm.) PHAM 038
PATRICK HAMILTON Pintura abrasiva #18 2015 sandpaper and acrylic on canvas 39 5/16 x 31 7/16 x 1 3/4 in.(100 x 80 x 4.5 cm.) PHAM 039
View of the “Project room: Patrick Hamilton / Black tools”, the 9.99 gallery, Guatemala city, 2016.
PATRICK HAMILTON Escuadras 2016 steel, enamel and painr 12 3/8 x 16 9/16 in.(31.5 x 42 cm.) PHAM 041
PATRICK HAMILTON Black sun 2015 iron, wood and enamel 45 1/4 ø x 3 7/8 in.(115 ø x 10 cm.) PHAM 040
CV
SANDRA GAMARRA Lima, Peru, 1972. Lives and works in Madrid, Spain.
The Guest, Rotwand, Zurich, Switzerland The Ilusion of Utility, Galeria Lucia de la Puente, Lima, Peru
2008
Miracles, Galeria Leme, São Paulo, Brazil
EDUCATION 2003
2007
De la A a la K, Colección César Cervantes, Aldaba Arte, Mexico City, Mexico
Doctorate, Facultad de Arte de Cuenca, Cuenca, Spain 2006 New Aquisitions, Galería Lucía de la Puente, Lima, 1990-1997 Peru BA in Fine Arts, Pontificia Universidad Católica del Cabinet, Juana de Aizpuru Gallery, Madrid, Spain Peru, Lima, Peru Brazilian Aquisitions, Galeria Leme, Sao Paulo, Brazil
SOLO EXHIBITIONS 2015
2004
Recent Works, Galería Juana de Aizpuru, Madrid, Spain
Paisaje entre comillas, Galeria Lucia de la Puente, Lima, 2003 Peru Visita Guiada, Casa de América, Madrid, Spain Class by Correspondance, Galería Wu Ediciones, 2014 Lima, Peru La Quadrature du Cercle, Studio Sandra Recio, Geneva, Switzerland 2002 Grey Flag Project (commission), Artium Museum, Souvenir, Galería Wu Ediciones, Lima, Peru Vitoria, Spain What Made us Modern / Crisp Images in a Humid 2001 Environment, Galeria Leme, São Paulo, Brazil Living Room, Sala Luis Miró Quesada Garland, Lima, Peru
2013
Blanca, Galería Juana de Aizpuru, Madrid, Spain; Palacio Molina, Cartagena, Spain
2012
Verónica, Carmen Araujo Arte, Caracas, Venezuela You are Here, ASA Factory, European Capital of Culture, Guimarães, Portugal Self-Portrait / Natural History, Galería Lucia de la Puente, Lima, Peru
2011
Mantles, Galeria Leme, São Paulo, Brazil At the Same Time, Bass Museum of Art, Miami, USA
2010
En Orden de Aparición, Galeria Juana de Aizpuru, Madrid, Spain They are to see you better, Black Pilar, Madrid, Spain
2009
Natural Selection, Galería OMR, Mexico D.F, Mexico
2000
Recent Works, Galería Wu Ediciones, Lima, Peru Kitchen (with Iván Esquivel), Centro Cultural Ricardo Palma, Lima, Peru
1999
La casa: Espacios Internos, with Rocío Gómez, Galería Obsidiana, Lima, Peru
1998
Inventario, Galeria Praxis, Lima, Peru
GROUP EXHIBITIONS 2015
Visita guiada: artista, museo, espectador, MUSAC, León, Spain Don´t Shoot the Painter / Paintings from UBS Art
Collection, Gallery of Modern Art, Milan, Italy Rio Setecentista, quando o Rio virou capital, MAR – Museu de Arte do Rio, Rio de Janeiro, Brazil unplace exhibition – networked art: places-betweenplaces, Calouste Gulbenkian Foundation, Lisbon, Portugal MAR – Museu de Arte do Rio, Rio de Janeiro, Brazil
2014
Taipa-Tapume, Galeria Leme, São Paulo, Brazil Contra/cto, Galeria 3+1, Lisbon, Portugal 30 años de arte contemporaneo, Sala Miro Quesada, Lima, Peru Horror Vacui, Espacio Liquido, Gijon, Spain Momento Contemporâneo (curated by Paulo Venâncio Filho), Figueiredo Ferraz Institute, Ribeirão Preto, Brazil La Historia La Escriben los Vencedores, OTR, espacio de arte, Madrid, Spain The Marvelous Real, Contemporary Spanish and Latin American Art from the MUSAC Collection, MOT, Tokyo, Japan
El fin de la historia…y el retorno de la pintura de historia, Domus Artium 2002, Salamanca, Spain; Musem voor Moderne Kunst ARnhem (MMKA), Arnhem, Netherlands Arte al paso, Colleción Contemporanea del Museo Arte de Lima, Estação Pinacoteca, São Paulo, Brazil Fiction and Reality, MMOMA, Moscow, Russia The Draughtsman´s Contract, Estudio Carlos Garaicoa, Madrid, Spain. 29th Bienal Internacional de São Paulo’s Touring Program, Fundação Joaquim Nabuco, Recife, Museu Oscar Niemeyer, Curitiba, Palácio das Artes, Belo Horizonte, Brazil Kunst und Institution, Künstlerhaus Wien, Vienna, Austria
2010
There is Always a Cup of Sea to Sail in, 29ª Bienal Internacional de São Paulo, Fundação Bienal, São Paulo, Brazil Modelos para Armar, Pensar Latinoamérica desde La Colección Del Muasc, Musac Museo de Arte Contemporâneo de Castilla y León, Spain 2013 Sinergia: Arte Latinoamericano Actual en España, Siluetas y retratos de mujer, Galeria Pepe Cobo, Museo de Arte Union Fenosa Gas Natural, Lima, Peru La Coruña, Museo Iberoamericano de Arte Suspicious Minds, Galeria Vermelho, São Paulo, Brazil Contemporaneo, Badajoz, Spain Identity, A Window in Berlin, Berlin, Germany Issued, Rendez View, Darsa Comfort, Zurich, Colección los Bragales, Biblioteca central y archivo Switzerland historico de Cantabria, Santander, Spain De Madonna a Madonna, Centro de Arte Domus 2009 Artium, Vigo, Spain Globalizados, Sala de Exposiciones de la On Painting, Centro Atlántico de Arte Moderno, Las Diputación de Huesca, Huesca, Spain Palmas, Spain Des-Habitable, Espacio OTR, Madrid, Spain 31st Panorama da Arte Brasileira, Museu de arte 2012 Moderna de São Paulo- MAM, São Paulo, Brazil Colección: El crimen fundacional, MUCA ROMA, Micromuseo: Lo impuro y lo contaminado III, Trienal Mexico D.F, Mexico de Chile, Santiago Setting the scene, Tate Modern, London, England Mundus Novus, IILA Pavillion, 53rd International Art ¿Y qué si la democracia ocurre?, Galería 80 m2, Lima, Exhibition, Venice Biennale, Venice, Italy Peru Die Tropics, National gallery, Cape Town, South Ensayos Autónomos, Espacio OTR, Madrid, Spain Africa Selección del archivo Restos Impresos, LiMAC, Lecturas transversals de la colección fundacion Madrid, Spain Marcelo Botín, Santander, Spain Transição, Galeria Leme, São Paulo, Brasil
2011
An Other Pace, Lelong Galerie, New York, USA O Colecionador de Sonhos, Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil Kreëmart, Haunch of Venison, New York, USA Proyecto Informe País, Centro Gabriela Mistral, Santiago de Chile, Chile XI Bienal de Cuenca, Cuenca, Ecuador
2008
Visiones del arte contemporaneo en el Peru, Galeria Lucía de la Puente, Lima, Peru Portrait 2, Galeria Leme, São Paulo, Brazil A Propósito del Espacio, OTR espacio de arte, Madrid, Spain Pipe, Glass, Bottle of Rum: The Art of Appropriation no MoMA, New York, EUA Die Tropics, Martin-Gropius-Bau, Berlin, Germany;
Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil Relíquias e Ruínas, SESC, São Paulo, Brazil Located Work Project, coordinated by Joseph Kosuth, La Casa Encendida, Madrid, Spain
2007
Relíquias e Ruínas, Goethe-Institut, Espaço Cultural Oi Futuro, Rio de Janeiro, Brazil Trópicos, Goethe-Institut, Centro Cultural Banco do Brasil, Brasília, Brazil Existências – Colección MUSAC, Museo de Arte Contemporáneo de Castilla y Leon, León, Spain 10°00 S / 76°00 W, Galeria Leme, São Paulo, Brazil Destino Futuro, Sala de Exposiciones del Jardin Botanico, Madrid, Spain
2006
TINTA, Galeria Leme, São Paulo, Brazil Homenaje, Galeria Juana de Aizpuru, Madrid, Spain Urbe y Arte, Museo de la Nación, Lima, Peru
2005
Brazil
2000
Winsor & Newton Worldwide Millennium Painting Exhibition, Mall Galleries, London, England, United Nations, New York, USA, World Trade Center, Stockholm, Sweden Noche de Arte, Residencia de la Embajada de EEUU, Lima, Peru C.C. Convenio Andrés Bello, Nexo: Jóvenes Artistas de América Latina y España, Bogota, Colômbia Dibujo sobre Tela, Galería Forum, Lima, Peru
1999
Realidad, Centro Cultural Ricardo Palma, Lima, Peru Laberinto de la Choledad: Lima Ciudad Abierta, Casona de San Marcos, Lima, Peru Dibujo sobre Tela, Galería Forum, Lima, Peru
1998
Arte Praxis 98, Galería Praxis, Lima, Peru
Exposição Andén 12: Heterónimos, Conde Duque, Madrid, Spain Emergencias, Museo de Arte Contemporáneo de Castilla y León, León, Spain Still Life, Museo de Arte de Lima, Lima, Peru Itinerários, Fundación Marcelino Botín, Santander, Spain
Los Nuevos Ángeles, Galería 2V´s, Lima, Peru Pintura Peruana Contemporánea, Sala de Arte Petro Perú, Lima, Peru Commissions
2004
AWARDS
NeoRetratos, Galería Juana de Aizpuru, Madrid, Spain Exposiciones Itinerantes Generación 2004, Caja Madrid, Spain Cubo Blanco, Sala Luis Miroquesada Garland, Lima, Peru
2003
Proyecto Boda, MEIAC, Baldajoz, Spain
2002
2014
Grey Flag Project, Museu Artium, Vitoria, Espanha
2006
VI Bienal Internacional de Artes Plásticas Ciudad de Alcorcón Prize, Madrid, Spain
2004
Marcelino Botín, Beca de Proyectos, Santander, Spain Concurso Generación 2004, Selección, Caja Madrid, Spain
Gracias por venir, La Fabrica de Pan, Madrid, Spain Arte Jóven Latinoamericano, Universidade Cândido Mendes, Rio de Janeiro, Brazil
2003
2001
2002
Unzip, Galería John Harriman, Lima, Peru Dibujo sobre Tela, Galería Forum, Lima, Peru Presencia de la Mujer en el Arte Peruano, Galería de Arte de la Embajada del Perú, Washington D.C., USA Co-razón, Centro Cultural de España, Lima, Peru Envío Peruano para la Bienal de Mercosul, Porto Alegre,
MUSAC, Beca de Creación Artística, Museo de Arte Contemporáneo de Castilla y León , Léon, Spain Fundación Carolina, Beca de Creación, Madrid, Spain
2001
V Concurso Artes Plásticas Patronato de Telefónica, Honor Mention, Madrid, Spain
2000
Concurso Pasaporte para un Artista, French Embassy, Honor Mention, Lima, Peru
1999
III Concurso Artes Plásticas Patronato de Telefónica, Finalist, Madrid, Spain Concurso Winsor & Newton Millenium Painting Competition, Finalist V Concurso de Pintura Johnie Walker, Second Prize
1998
II Concurso Artes Plásticas Patronato de Telefónica, Finalist
1997
Premio Galería 2V’s, Second Honor Mention IV Concurso Nuevos Artistas, Banco de Crédito del Perú, Double First Prize, Lima
1996
Premio Pontificia Universidad Católica de Peru, Honor Mention in Painting, Lima, Peru
COLLECTIONS Alcorcón city hall, Spain ARTIUM, Basque Museum Art Center, Vitoria, Spain Caja Madrid, Spain Deutsche Bank Art Collection LiMAC, Peru MALI (Museo de Arte de Lima) Peru Micromuseo, Lima, Peru MoMA, New York, U.S.A. MUSAC, León, Spain Inelcom Art Collection, Spain Patio Herreriano Museum, Valladolid, Spain Tate Modern, London, England UBS Art Collection Universidad Castilla La Mancha, Spain
DAVID PANOS David Panos musicians, filmmakers and artists. His collaboration with Benedict Seymour as The London Particular consists of critical artistic interventions in the process of urban innovations in east London. He co-founded the record labels Difficult Fun and music Kolektive “Anti Family” and “Withdrawn”. David Panos works with Anja Kirschner on various music and film projects.
EDUCATION 1991-1994 BA Philosophy, University of Sussex, Brighton London
PRIZES 2008
New Commission, Art Angel, London
2003
Arts Council England Grant for the Arts for “The London Particular”
The Projecting Stage, castillo/corrales, Paris The Empty Plan, Kunsthall Oslo, Oslo Offenes Depot/Open Stores: The Empty Plan, Staatsgalerie Stuttgart, Stuttgart
2010
The Empty Plan, Focal Point Gallery, Southend Curated by: The Last Days of Jack Sheppard, Galerie Krobath, Vienna
2009
The Last Days of Jack Sheppard, Badischer Kunstverein, Karlsruhe The Last Days of Jack Sheppard, Centre for Contemporary Arts, Glasgow The Last Days of Jack Sheppard, Chisenhale Gallery, London
2008
Trail of The Spider, Transmission Gallery, Glasgow Hoelle’s Halber Morgen, KoCA, Weimar Nought to Sixty: Trail of the Spider, ICA, London Art Premier: Trail of The Spider, Art Basel With Hollybush Gardens, Basel Polly II - Plan for a Revolution in Docklands, Broadcast Gallery, Dublin
2007
Polly II - Plan for a Revolution in Docklands, Transmission Gallery, Glasgow
SELECTED SOLO EXHIBITIONS 2013
Ultimate Substance, B3 - Biennale des bewegten Bildes 2013, Nassauischer Kunstverein Ultimate Substance, CentrePasquArt, Biel Ultimate Substance, Extra City, Antwerp
2006
Polly II - Plan for a Revolution in Docklands, Whitechapel Project Space, London
SELECTED GROUP EXHIBITIONS
2012
2014
2011
2013
Ultimate Substance, Neuer Berliner Kunstverein, Berlin Lights, Tears and Real Abstractions, Artist Space: Books & Talks, New York Liverpool Biennial, FACT, Liverpool Ultimate Substance, Secession, Vienna living truthfully under imaginary circumstances, Transmission, Glasgow living truthfully under imaginary circumstances, Hollybush Gardens, London
Acting Truthfully Under the Circumstances, Tenderpixel, London AV Festival 2014, Newcastle A Machine Needs Instructions As A Garden Needs Discipline, Museo de Arte Contemporanea de Vigo, Vigo Rekurze 1.618, Liberec LAZNE, Czech Republic 51 Zero Festival, Rochester STOP!, Art On the Underground/ICA, London Requiem for a Bank, HMKV, Dortmund
A Machine Needs Instructions as a Garden Needs Discipline, FRAC de Lorraine Momentous Times, CCA, Derry-Londonderry Supply and Demand, The Physics Room, Christchurch The Magic of the State, Lisson Gallery, London The Magic of the State, Beirut, Cairo HELL AS, Palais de Tokyo, Paris
2012
Liverpool Biennial, FACT, Liverpool Realismus ist kein Stil, S!GNAL, Malmö Lights, Camera, Action!, Temple Bar Gallery, Dublin Bachelor Party, Institute of Contemporary Art, Philadelphia LOOP, Barcelona
2011
Anfang Gut, Alles Gut, Basso, Berlin & Kunsthaus Bregenz, Bregenz British Art Show 7, Hayward Gallery, London & CCA, Glasgow & Plymouth Arts Centre, Plymouth Hydrachy, Museu Marítim, Barcelona
2010
British Art Show 7, Nottingham Castle Museum, Nottingham Hydrachy, Gasworks, London TINA, Konsthall C, Stockholm; Storey Gallery, Lancaster From One Thing to Another, Rumanian Cultural Institute, Stockholm
2009
Depression, Marres Institute, Maastricht Everything then passes between us, Kölnischer Kunstverein, Cologne 2nd Athens Biennale, Athens
2008
TINA, The Drawing Room, London Contrapolis; or, Creativity and Enclosures in the Cities, NAi, Rotterdam
2006
Was Wäre Wenn, Jet, Berlin
SELECTED SCREENINGS 2014
Tramway Artists’ Moving Image Festival 2014, Tramway, Glasgow Assembly, Tate Britain, London
Through A Glass Darkly BASCO, Bergamo Living Truthfully Under Imaginary Circumstances/ Uncanny Valley Cornerhouse, Manchester Living Truthfully Under Imaginary Circumstances/ Uncanny Valley Margate Contemporary
2013
Anja Kirschner & David Panos(screening series), Artists Film Club, Institute of Contemporary Art, London, Oct 2013 Ultimate Substance(screening), 4th Athens Biennial, Athens 60th International Short Film Festival, International Competition, Oberhausen A Theatre Cycle, Nomas Foundation and Teatro Valle Occupato
2012
Cinecity 10th Brighton Film Festival, Brighton Avantgarde ist keine Strömung, D21 Kunstraum & Filmgalerie Alpha60, Leipzig Signal:Noise II, The Showroom, London Ambassadors: Anja Kirschner & David Panos, Frown Tails, Athens
2011
Artissima, Auditorium, Turin LOOP, Arts Santa Mónica, Barcelona A Film Cycle: Duncan Campbell, Anja Kirschner and David Panos, Renzo Martens, Deimantas Narkevicius, Hito Steyerl, Nomas Foundation/ Cinema Farnese, Rome Video Art at Midnight: The Empty Plan, Babylon Cinema, Berlin Jarman Award Shortlist: The Empty Plan, Whitechapel Gallery, London
2010
Legal Disagreements, Villa Romana, Florence
2009
Trail of The Spider, East End Film Festival, London Images of the Lost, the Reforgotten & the Resistance, East End Film Festival, London Polly II, FACT, Liverpool Jarman Award Shortlist: Polly II, Centre for Contemporary Arts, Glasgow
2008
Struggles in the City, Market Gallery, Glasgow Trail of The Spider, Cinema Mon Ami, Weimar Trail of The Spider, Cinema Mosor, Zagreb Trail of The Spider, Container Project, Palmers
Cross, Jamaica (pirate tv broadcast) LUX presents: Trail of The Spider, Chat’s Palace, Hackney, London Trail of The Spider, Tate Modern, London
2007
Polly II, Tate Modern, London New Lands, BFI Southbank, London LUX Program, Oberhausen Film Festival, Oberhausen
PUBLICATIONS Ultimate Substance, Revolver Publishing for Secession, Vienna, 2012, ISBN 978-3-902592-58-3 Offenes Depot / Open Stores: The Empty Plan, Staatsgalerie Stuttgart, ISBN 978-3-9812986-4-2 The Last Days of Jack Sheppard, Chisenhale Gallery, London & Centre for Contempory Art, Glasgow, distributed by Cornerhouse, Manchester, 2009, ISBN 978-1-901066-11-1
SELECTED PRESS The Hunger, Katie Kitamura, Frieze, Issue 156, June 2013 The Magic of the State, Mia Jankowicz, Frieze, Issue 156, June 2013 Schmelzende Münzen, Johannes Paul Raether, Texte zur Kunst, December 2012 After Effects - The Art of Anja Kirschner and David Panos, Martin Herbert, Artforum, May 2012 More than a Feeling - A round-table discussion with artists Ed Atkins, Melanie Gilligan, Anja Kirschner and Ben Rivers, Dan Kidner, Frieze, Issue 142, October 2011 Looking the part — The Empty Plan by Anja Kirschner and David Panos, Maija Timonen, May, #7, October 2011 Review: Anja Kirschner & David Panos | The Empty Plan, John Douglas Millar, Art Monthly, February 2011 Interview: Anja Kirschner and David Panos talk to Saim Demircan, Tank Magazine, Autumn 2010 Jack’s Back! In the Movies at Last!, Peter Linebaugh and A Response to Peter Linebaugh, Anja Kirschner and David Panos, Mute, January 2010 The Artists’ Artists: Anja Kirschner & David Panos, Susanne M. Winterling, Artforum, December 2009 Interview: Kirschner and Panos talk to Neil Gray, Variant, Winter 2009 Notes on The Last Days of Jack Sheppard: Capital Crimes and Paper Claims, Ben Seymour, Mute, Vol.2
#13, Autumn 2009 Production, Steven Cairns in conversation with the artists, MAP, Issue 19, Autumn 2009 Review: Anja Kirschner & David Panos, Kate Forde, Frieze, Issue 125, September 2009 Review: Anja Kirschner & David Panos, Gabriel Coxhead, Time Out, 11-17 June 2009 The bubble economy, Brian Dillon, New Statesman, 21 May 2009 Don’t Turner your nose up at video art, Skye Sherwin, The Guardian, 18 May 2009 Credit crunch art at East End galleries, Waldemar Januszsak, The Sunday Times, 17 May 2009 Artist of the week 40: Anja Kirschner, Jessica Lange, The Guardian, 13
DARIO ESCOBAR
2007
Guatemala City, 1971 / Lives and works in Guatemala City, Guatemala.
“La Línea Interrumpida”, (CCM) Centro Cultural Metropolitano, Ciudad de Guatemala, Guatemala. “Dario Escobar/Project room”, Rotunda Gallery, Brooklyn, Nueva York.
SELECTED ONE-PERSON EXHIBITIONS
2006
2015
“En otro orden”, the 9.99 gallery, Guatemala City, Guatemala.
2014
“Unions & Intersections”, Nils Stærk Gallery, Copenhaguen, Denmark. “Broken circle”, CAFAM Museum, Los Angeles, California
2013
“Pintura abstracta No. 7 / Abstract Painting No. 7”, González & González, Santiago de Chile. “Untitled”, kamel mennour Galerie, Paris. “Dario Escobar / Blacksmith Paintings”, Josée Bienvenu Gallery, New York. “Dario Escobar / Línea & Espacio”, ArteCentro, Ciudad de Guatemala, Guatemala.
2012
“Dario Escobar / La experiencia del objeto” (MAC) Museo de Arte Contemporáneo de Santiago, Santiago de Chile, Chile. “Dario Escobar: Singular Plural” (SCAD) Museum of Art, Savannah, Georgia / (SCAD) Atlanta – Gallery 1600, Altanta, Georgia. “Dario Escobar / trabajo reciente” Baró Galería, Sao Paulo, Brasil.
2011
“Dario Escobar / Revisión” Museo Nacional de Arte Moderno Carlos Mérida, Ciudad de Guatemala, Guatemala.
2010
“Side and Back”, Kamel Mennour Galerie, Paris. “Anverso y Reverso”, González y González, Santiago de Chile, Chile.
2008
“Playoffs” Josee Bienvenu Gallery, Nueva York.
“Objetos en Transito”, Sala Gasco, Santiago de Chile, Chile.
2005
“Serpentario”, (CCEG) Centro Cultural de España Guatemala, Ciudad de Guatemala, Guatemala.
2004
“Out!” Galería Jacobo Karpio, Miami, Florida.
2003
“Espacios provisionales” (MADC) Museo de Arte y Diseño Contemporáneo, San José, Costa Rica. “Visual Entertainments”, Museo de Arte Moderno de Mérida, Mérida, México.
2001
“Dario Escobar, Trabajo reciente.” Galería Jocobo Karpio, San José, Costa Rica.
2000
“Dario Escobar: Selección”, II National Biennial of Lima, Perú.
SELECTED GROUP EXHIBITIONS 2015
“Trio Bienal” Rio de Janeiro, Brazil. “Gold”, Neuberger Museum of Art Purchase College, Purchase, New York. “Coleccion Daros Latinamerica”, Fundación PROA, Buenos Aires. “Líneas de la Mano”,Sicardi Gallery, Houston, TX “Beleza?”, Centro Cultural São Paulo, Brazil. “5 - RPM (Revoluciones por minuto)”, the 9.99 gallery, Guatemala city, Guatemala.
2014
“Largo x Ancho x Alto / Height x Width x Depth”, the 9.99 gallery, Guatemala city, Guatemala. “El día que nos hicimos contemporáneos” (MADC) Museo de arte y diseño, San José, Costa Rica. “Gold”, Bass Museum of Art, Miami, Florida “Fútbol: the beautiful game”, (LACMA) Los
Angeles County Museum of Art, Los Angeles, California. “Deslize”, Openning of (MAR) Museu de Arte do Rio, Rio de Janeiro.
for the arts/Mills Gallery, Boston, Massachusetts. “Four Views from the Permanent Collection exhibition” (MOLAA) Museum of Latin American Art, Long Beach, California.
2013
2009
“Confusion in the vault”, Museo Jumex, México D.F. “Inaugural Exhibition”, the Pizzuti Collection, Columbus, Ohio. “California-Pacific Triennial”, (OCMA) Orange County Museum of Art, Newport Beach, California / (CCC) Coastline Community College Art Gallery, Newport Beach, California. “y... ¿entonces? / and... so?”, the 9.99, Guatemala City, Guatemala. “The Collaborative: Question in the line” (MOLAA) Museum of Latin American Art, Long Beach, California.
2012
“Futbol. Arte y pasión”, (MARCO) Museo de Arte Contemporáneo de Monterrey, Monterrey, México. “The Island / A game of life”, Gallery One, Manarat al Saadiyat, Abu Dhabi. “Play with me”, (MOLAA) Museum of Latin American Art, Long Beach, California.
2011
“Now” (Selección de obras de La Colección Jumex) Instituto Cultural Cabañas, Guadalajara, México. “Video otra vez”, Museo de Arte Contemporáneo de Fortaleza, Fortaleza, Brasil. “Proyecto ideal”, Centro Cultural de Sao Paulo, Sao Paulo, Brasil. “From the Recent Past: New Acquisitions”, (MOCA) The Museum of Contemporary Art, Los Angeles, California.
2010
“Chapter II: Ruido”, 9.99/proyecto, Ciudad de Guatemala, Guatemala. “Proyecto Ideal”, (MAC) Museo de arte Contemporáneo de Santiago, Santiago de Chile, Chile. “Optimismo Radical”, Josee Bienvenu Gallery, Nueva York. “XVII Bienal de Guatemala”, (CCM) Centro Cultural Metropolitano, Ciudad de Guatemala, Guatemala. “Efecto Drácula”, Museo Universitario del CHOPO, Ciudad de México, México. “Social Affects: A selection from the permanent Collection of the David Rockefeller Center for Latin America Studies/ Hardvard University”. Boston Center
“Los impoliticos”, (PAN) Palazzo delle Arti Napoli, Nápoles, Italia. “10 Springs in the fall”, Kamel Mennour Gallery, Paris. “Périfériks”, (CAN) Centre d’art Neuchâtel, Nuchâtel, Suiza. “Mundus Novus: 53 Bienal Internacional de Venecia”, Artiglerie dell’Arsenale, Venecia, Italia. “0.3333333333333333…”, 9.99/proyecto, Ciudad de Guatemala, Guatemala. “La nada y el ser”, Septima interpretación de La Colección Jumex, La Colección Jumex, Ecatepec, Mexico D.F. “Video otra vez”, Metales Pesados, Santiago de Chile, Chile. “Performing Localities”, (INIVA) Institute of International Visual Arts, Londres. “Décima Bienal de La Habana”, Fortaleza de San Carlos de la Cabaña, La Habana, Cuba.
2008
“La invención de lo cotidiano”, (MUNAL) Museo Nacional de Arte, Ciudad de México, México. “Object of Value”, (MAC-MAM) Miami Art Central, Miami, Florida. “Playtime”, Bétonsalon/ Centre d’art et de recherche, Paris. “World Histories”, Des Moines Art Center, Des Moines, Iowa. “Visions From Abroad”, Flushing Town Hall, Nueva York. “Elefante negro”, Museo Diego Rivera, Ciudad México, México.
2007
“Fortunate Object”, (CIFO) Cisneros Fontanalls Art Foundations, Miami, Florida. “Silence & Echo”, Arena 1, Santa Monica, California. “The Hours: Visual Arts of Contemporary Latin America”, Museum of Contemporary Art, Sydney, Australia. “Poetics of the Handmade” The Museum of Contemporary Art (MOCA), Los Angeles, California.
2006
“El esquiador en el fondo del pozo”, Quinta
interpretación de La Colección Jumex, La Colección Jumex, Ecatepec, México D.F. “Stil Biuti”, Centro de Arte Contemporáneo Zamek Ujazdowski, Varsovia, Polonia. “The Beautiful Game: Contemporary Art and Fútbol”, (BAM) Brooklyn Academy of Music, Brooklyn, Nueva York. “Constant Disturbance”, The Spanish Cultural Center, Miami, Florida.
2005
“The Hours. Visual Arts of Contemporary Latin America”, Dublin Museum, Irlanda, Reino Unido. “Living for the city” Jack Shainman Gallery, Nueva York / (CIEL) Centre International d’Expositions de Larouche, Toronto, Canadá.
2004
“Newpapers”, Josee Bienvenu Gallery, Nueva York.
2003
“Intangible”, (MADC) Museo de Arte y Diseño Contemporáneo, San José, Costa Rica. “LA Freeways: Latin America”, (MOCA) The Museum of Contemporary Art, Los Angeles, California / America’s Society, Nueva York (2004). “RAIN Project”, Pabellón Cuba, La Habana, Cuba. “Stretch”, The Power Plant, Toronto, Canadá. “TransEAT”, Food Culture Museum, Miami, Florida. “VIII Bienal de la Habana”, Centro Wifredo Lam, La Habana, Cuba.
2002
“ARTitsmo”, (MADC) Museo de Arte y Diseño Contemporáneo, San José, Costa Rica. “Contaminados”, (MADC) Museo de Arte y Diseño Contemporáneo, San José, Costa Rica. “Del centro a la isla”, Casa de las Américas, La Habana, Cuba. “Intimate/Universal”, Ateneo de Caracas, Caracas, Venezuela. “Mesoamérica: Oscilaciones y Artificios”, (CAAM) Centro Atlántico de Arte Moderno, Islas Canarias, España. “Zones in Tension”, de GANG Gallery, Harlem, Países Bajos.
2001
“Continuous Connection”, Felissimo Project, Nueva York. “Short Stories”, La Fabbrica del Vapore, Milán, Italia. “Spaces/Bodies/Identities”, Centro Cultural de España, San José, Costa Rica. “13 Hours”, Sala Mendoza, Caracas, Venezuela.
“I Tirana Biennial”, National Gallery & Chinese Pavilion, Tirana, Albania. “IV Caribbean Biennial”, Museo de Arte Moderno, Santo Domingo, República Dominicana. “Barro de América” IV Biennial, Museo de Arte Contemporáneo Sofía Imber, Caracas, Venezuela.
2000
“2eme. Biennale du Design 2000”, Ecole des Beaux Arts de Saint-Etienne, Saint-Etienne, Francia. “L’ art dans le monde”, Pont Alexandre III, Paris.
1999
“Guatemalan Art”, Sala Oficial Juan Ismael del Cabildo de Fuerteventura, Islas Canarias, España. “II Iberoamerican Biennial of Lima”, Lima, Perú.
1998
“Fotojornada’98”, Museo Nacional de Arte Moderno Carlos Mérida, Ciudad de Guatemala, Guatemala. “Without Title”, Plaza G&T; Ciudad de Guatemala, Guatemala. “I Central American Biennale”, Centro Cultural Miguel Angel Asturias, Ciudad de Guatemala, Guatemala / (DUMA) Duke University Museum of Art, Carolina del Norte “VI International Art Biennale of Cuenca”, Cuenca, Ecuador.
1997
“La Joven Estampa”, Casa de las Américas, La Habana, Cuba.
COLECCIONES / COLLECTIONS Bass Museum of Art, Miami Beach, Florida. Blanton Museum of Art, Austin. Centre Pompidou, Paris. Cisneros Fontanals Art Foundation (CIFO), Miami. Daros Latinamerica Collection, Zurich. Harvard University Art Museums, Cambridge. La Fundación / Colección Jumex, Ecatepec, México. Museo de Arte Contemporáneo de Santiago de Chile (MAC). Museo de Arte y Diseño Contemporáneo (MADC), San José, Costa Rica. Museo del Barrio, New York. Museo Nacional de Arte Moderno Carlos Mérida, Guatemala. The Museum of Contemporary Art (MoCA), Los Angeles.
Museum of Fine Arts (MFA), Boston. Museum of Latin American Art (MoLAA), Long Beach, California. The Nasher Museum of Art at Duke University, Durham. The Pizzuti Collection, Columbus, Ohio. Sayago & Pardon, Inc., Tustin, California. Thyssen-Bornemisza Art Contemporary, Vienna.
SELECCIÓN BIBLIOGRÁFICA / SELECTED BIBLIOGRAPHY
“Darío Escobar, El becerro de oro”, Colloquia: Proyecto para el arte contemporáneo, n.d. Cisneros, Dayamick. “Dessicated and Reconstituted”, Arteamérica, (January 2004). Cummins, Thomas B.F. “At Play in the Arts of the Lord: The Early Work of Dario Escobar”, Book. A singular plurality: the works of Dario Escobar. Ed. Department of History of Art and Architecture, Harvard University. Cambridge, Massachusetts,(2012).
Astiasarán, Clara Elena Concepción. “Darío Escobar”, ArtNexus, No. 43, (January-March 2002): pp. 123-24.
Damian, Carol. “Art Miami 2001”, ArtNexus, No. 40, (April-June 2001): pp. 96-98.
Auerbach, Ruth. ARCOnoticias, No. 24, (Madrid 2002).
Díaz, Tamara. “Art in Central America: The Critical Glance”, Atlántica, No. 31, (February 2002): pp. 40-69.
Bondone, Tomás. “Problematic and feverish”. ARCOnoticias, No. 23, (Spring 2002). Brielmaier, Isolde. “Double Take: The art of Dario Escobar and Patrick Hamilton”, Exh. Cat. Objetos en Transito, Sala Gasco, Santiago de Chile, (2006): pp. 21–27. Buckley, Annie. “Full Metal Skatebord”, Craft: No. 6, (2008) p. 17. Burkhalter, Laura. “Turangawaewae”, Exh. Cat. “World Histories” pp. 42-45 Des Moines Art Center, Iowa, (2008). Calvo, Enesto. “Espacios Provisionales: Sentidos difusos, significaciones equivocas”. Exh. Cat. “Serpentario” Centro Cultural de España en Guatemala, (2005): pp. 20, 26. Cazali, Rosina. “Play offs”, Arte al Día International, No. 125, (November–December 2008): pp. 54-59. “Ready Made Ready”, Exh. Cat.“Serpentario” Centro Cultural de España en Guatemala, (2005): pp. 20, 26. “Darío Escobar: Fin’ amors for Objects”, ArtNexus, No. 38, (November 2000-January 2001): pp. 76-79. “Le Guatemala: En route.” In L’art Dans le Monde. Exh. Cat. Paris, France: Beaux Arts, (2000). “2nd Ibero-American Biennial of Lima”, ArtNexus, No. 35, (February-April 2000): pp. 92-95. “Contemporary Art in Guatemala”, ArtNexus, No. 32, (May-July 1999): pp. 68-71. “First Art Biennale of the Central American Isthmus,” ArtNexus, No. 31, (January-March 1999) p. 76.
de Santa Ana, Mariano. “Hybrids on the Side”, Lápiz, No. 186, (September-October 2002). Falconi, José Luis. (Editor) A singular plurality: the works of Dario Escobar. Edited by Department of History of Art and Architecture, Harvard University. Cambridge, Massachusetts, (2012). Fajardo Hill, Cecilia. “Fortunate Objects”, Exh. Cat. Cisneros Fontanalls Art Foundation (CIFO)., (2007): pp. 66, 67. Gallego P., Pablo. Dossier presented in Monografías, Galicia School of Architects, vol. 1: pp. 52-54. Gallegos, Carina. “Dario Escobar”, ArtNexus, No. 55, (January-March, 2005): pp. 153-55. Gomez Eduard M. “The Unmistakable Touch of the Hand”, Art & Antiques, (October 2007): pp. 157160. “Hip home for art in Mexico City”, International Herald Tribune, (April 27, 2005). González, Lorena. “The Object´s Evil Genious”, Arte al Día News, No. 5, (2004): pp. 3-4. Herrera, Adriana. “On Out!”, Miami Herald, (June 2004). López Anaya, Jorge. “La fluida geografía del arte
latinoamericano”, ARCOnoticias No. 23, (Spring 2002): pp. 52-54. López Ramos, Rafael. “Objetos de Valor”, ArtNexus, No. 72 (March-May 2009) p. 137. Loría, Vivianne. “Marginalidad y transculturación en el arte centroamericano”, Lápiz, No. 177, vol. 20, (November 2001): pp. 18-33. “Mesoamérica: Oscilaciones y Artificios.” In Mesoamérica: Oscilaciones y Artificios. Exh. Cat. Centro Atlántico de Arte Moderno (CAAM). Canary Islands, Spain, (2002). “Dario Escobar: Emblems of Modern Stubbornness.” In Visual Entertainments. Exh. Cat. Museo de Arte Moderno. Mérida, México, (2003). Navarro, Mario. “Objetos en suspención”, Sol del Río Gallery, Guatemala, Guatemala, (February 2000). Power, Kevin. “Dario Escobar: Simulacro local y glocal”, Book. A singular plurality: the works of Dario Escobar. Ed. Department of History of Art and Architecture, Harvard University. Cambridge, Massachusetts,(2012). Quirós, Luis. “En la Era de la Mitotécnia”, La Nación, San José, Costa Rica, (March 2000). Ribeaux, Ariel. “Darío Escobar: The Seductive Perversity of the Road to El Dorado (Step by Step)”, Galería Sol del Río, Guatemala, Guatemala. Ruiz, Alma. “Interview”, Book. A singular plurality: the works of Dario Escobar. Ed. Department of History of Art and Architecture, Harvard University. Cambridge, Massachusetts,(2012). “Donde la materia se une al mito” ArtNexus, No. 80, (March-May 2011): Cover. pp. 44-48. “La Linea Interrumpida”, ArtMedia, No. 14, (2007): pp. 46-54. “Poetics of the Handmade” Los Angeles, (2007): pp. 76-85. Sommer, Doris. “Choose to lose: Dario Escobar´s winning game”, Book. A singular plurality: the works of Dario Escobar. Ed. Department of History of Art and Architecture, Harvard University. Cambridge, Massachusetts,(2012). Spinger, José Manuel, “Dario Escobar, KBK Arte Contempoáneo”, ArtNexus, No. 61, (2006): pp. 132133. Valdés, Emiliano. “Striking objects”, Contemporary,
No. 66, (October 2004): p. 45. “In the Labyrith of Consumptions and Creation”, Artes en Santo Domingo, Dominican Republic, (November 2004). Valdés, Eugenio. “Stories of Alienatives (any similarities to real facts or persons are not purely coincidental).” In Short Stories: New Narrative Forms in Contemporary Art, Exh. Cat. La Fabbrica del Vapore. Milan, Italy: lalitotipo, (March 2001): pp. 41-49. Valdés Eugenio and Keith Wallace. “Introduction”, In Stretch. Exh Cat. The Power Plant. Toronto, Canadá: press, (2003). Viveros-Fauné, Christian. “The Sculpture of Everyday Life: Dario Escobar’s Readymade Sculptures”, Book. A singular plurality: the works of Dario Escobar. Ed. Department of History of Art and Architecture, Harvard University. Cambridge, Massachusetts,(2012). Zamudio-Taylor, Víctor. “La forma como estrategia”, Perspectivas de arquitectura y diseño, No. 3, (March-June 2008): pp. 82- 86. “Objetos Relacionales: Darío Escobar & Patrick Hamilton”, Revista 180, No. 18, (December 2006): pp. 6-7. “Objetos Relacionales: Darío Escobar & Patrick Hamilton.” Exh. Cat. Sala Gasco, (2006): pp. 10-13. Santiago de Chile, Chile. Zaya, Antonio. “Dario Escobar”, Atlántica, No. 31, (Winter 2002): pp. 25-27.
FERNANDA FRAGATEIRO Born in Montijo, Portugal, 1962 Lives and works in Lisbon, Portugal
EDUCATION 1983-87
Escola Superior de Belas Artes de Lisboa, Lisbon, Portugal
1981-82
ARCO—Centro de Arte e Comunicação, Lisbon, Portugal
1978-81
Escola de Artes Decorativas António Arroio, Lisbon, Portugal
SOLO EXHIBITIONS
Looking at seeing and not reading, East Central Gallery, London, England Toda a paisagem não está em parte nenhuma, 6 Projectos, Galeria Nova Ógiva, Junho das Artes, Óbidos, Portugal
2009
Bildraum, Arratia Beer Gallery, Berlin, Germany Invisibilidade, Galeria Leme, São Paulo, Brazil Unknown Content, Baginski Galeria/Projectos, Lisbon, Portugal Expectativa de uma paisagem de acontecimentos 3, Igreja da Misericórdia, Silves, Portugal Construir é destruir é construir, EDP Foundation, Electricity Museum, Lisbon, Portugal
2008
Air, earth, water, light, steel and time, Casa da Cerca, Almada, Portugal (Not) Seeing, Mosteiro de Alcobaça, Alcobaça, Portugal
2007
Stones Against Diamonds, NC-Arte, Bogotá, Colombia Um círculo que não é um Círculo, Laboratório de Curadoria, Colégio das Artes, Universidade de Coimbra, Coimbra, Portugal
(Not) Thinking, Casa da Música, Oporto, Portugal Box to keep the void, Centro Cultural de Belém, Lisbon, Portugal Expectativa de uma Paisagem de Acontecimentos, Galeria Lino António, Escola António Arroio, Lisbon, Portugal
2013
2006
2012
2005
2011
2003
2014
R9F6BRANCO, project in collaboration with Rui Mendes, Pavilhão Branco, Museu da Cidade, Lisbon, Portugal Pensar é Destruir, Ermida Nossa Sra. da Conceição de Belém, Lisbon, Portugal (Not) Connecting, Calouste Gulbenkian Foundation (UK Branch), London, England (Cut) Text Without Words, Galeria Baginski, Lisbon, Portugal Deep Space, Shallow Space, Galería Elba Benítez, Madrid, Spain Wrong Color Makes No Difference?, Arratia Beer Gallery, Berlin, Germany
2010
Bildraum, Art Positions - Arratia Beer Gallery, Miami Art Basel, Miami, USA
Expectativa de uma Paisagem de Acontecimentos, Galería Elba Benítez, Madrid, Spain Contínuo, construído e variável, Galeria Presença, Oporto, Portugal Box to keep the void, Centro Cultural de Vila-Flor, Guimarães, Portugal; Teatro Aveirense, Aveiro, Portugal Box to keep the void, Lar Santo António, Viseu, Portugal Das Histórias Nascem Histórias, Centro Cultural de Belém, Lisbon, Portugal Quarto a Céu Aberto, Culturgest, Lisbon, Portugal
2002
Existe um Substituto para a Experiência? 2 / Tu És Eu? 2, Projecto Capicua 2002, Rivoli Teatro Municipal - Foyer, Oporto, Portugal
2001
Shot, Galeria Presença, Oporto, Portugal
2000
Lugares Perfeitos 2, Galería Elba Benítez, Madrid, Spain Jardins da Água, Galeria Municipal, Montijo, Portugal
1999
Eu Espero, 5th International Sculpture Symposium Santo Tirso, Santo Tirso, Portugal
1998
Casa com Pátio, Galería Elba Benítez, Madrid, Spain Hay que Detenerse y Myrarlo, Encontros de Fotografia, Galeria Sta.Clara, Coimbra, Portugal
1997
Lugares Perfeitos 1, Livraria Assírio & Alvim, Lisbon, Portugal No Name Place, Galeria de Arte Contemporânea, Château de Servières, Marseille, France
1996
Pequenas Histórias, Palácio do Contador-Mor, Bedeteca, Lisbon, Portugal Ausência, Portugal Telecom, Lisbon, Portugal
1995
Pequenas Histórias, Biblioteca Municipal Calouste Gulbenkian, Ponte de Sor, Portugal
António Arroio, Lisbon, Portugal
GROUP EXHIBITIONS 2014
Uma Conversa Infinita. Livros de artista, ephemera e documento, curated by Luiza Teixeira de Freitas and Thom O’Nions, Museu Coleção Berardo, Lisbon, Portugal A Minha Casa é a Tua Casa: imagens do doméstico e do urbano na Coleção de Serralves, Galeria Municipal de Arte de Barcelos, Barcelos, Portugal Los Ojos del Tiempo. Cádiz, en diálogo con la colección Meana Larrucea, curated by Guillerme Paneque, Castillo de Santa Catalina, Cadiz, Spain All Inside, Sandra Recio Studio, Geneva, Switerzland Beyond the Supersquare, curated by María Ines Rodríguez, Bronx Museum, New York, USA La Biblioteca y el Saber. Archivos, mutaciones,configuraciones, curated by Piedad Solans, Koldo Mitxelena Kulturunea, San Sebastián. La persistencia de la geometría, Colecciones de arte de la Fundación ”la Caixa” y del Museu d’Art Contemporani de Barcelona (MACBA), MUAC, México.
2013
Instalação, Galeria Monumental, Lisbon, Portugal
Left page and Right page, Amy Yoes and Fernanda Fragateiro, Siena Art Institute, Siena, Italy Contemporary art for Hoxton Square: Part Three, curated by Gill Hedley, Calouste Gulbenkian Foundation, London Sincronías: Artistas Portugueses na Colecçao António Cachola, MEIAC – Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain Langages: entre le dire et le faire, curated by Filipa Oliveira, Centre Calouste Gulbenkian, Paris, France 100 Obras, 10 Anos: Uma Selecção da Colecção da Fundação PLMJ - Fundação Arpad Szenes – Vieira da Silva, Lisbon, Portugal
1985
2012
1993
A Sombra das Nuvens no Mar (with Amy Voes), Galeria Porta 33, Funchal; Museu de Arte Contemporânea do Funchal, Funchal, Madeira, Portugal Susn (cenário para peça de Teatro de Achternbush), Escola da Noite, Coimbra, Portugal
1990
Instalação na Sala Sul, Museu de História Natural, Lisbon, Portugal
1987
Pintura-Escultura (with Catarina Baleiras), Facultade de Letras, Lisbon, Portugal
1981
Panoramas (with António Campos Rosado), Escola
Yellow once again, Festival Berlinda, Studio Jorge Lopes, Berlin, Germany Infinite tasks - When art and book unbind each other, curated by Paulo Pires do Vale, Temporary exhibition Gallery - Calouste Gulbenkian Museum, Lisbon, Portugal
Between Spaces - CAM’s Collection 1968-2011, curated by Isabel Carlos, Patricia Rosas e Rita Fabiana, Modern Art Centre - Calouste Gulbenkian Foundation, Lisbon, Portugal Abitare Minimo, curated by Paolo Mestrinier e Massimiliano Spadoni, MAGA - Museo Arte Gallarate, Gallarate, Italy The Castle in 3 Acts: Assault, Destruction, Reconstruction, curated by Paulo Cunha e Silva, Ducal Palace, Guimarães Castle, Guimarães 2012 – European Capital of Culture, Guimarães, Portugal Construct, Deconstruct and Destroy, Carlos Garaicoa Open Studio 6.0, Madrid, Spain Génesis - Colecção António Cachola, Museu de Arte Contemporânea de Elvas, Elvas, Portugal Presenças: Colecção Fundação EDP, Museu Municipal Amadeo de Souza-Cardoso, Amarante, Portugal
Botín, Santander, Spain Piccola Europa Festival of Performative Arts, Rocca dei Bentivoglio, Bazzano, Bologna, Italy
2011
Armanda D Ângela F Ana V Fernanda F Maria L Susanne T, Centro Cultural de Lagos, Portugal 3D na Colecção Berardo, Assembleia da República, Lisbon, Portugal Jardim Aberto, curated by Filipa Oliveira, Jardim do Palácio de Belém, Lisbon, Portugal Por entre as linhas, curated by Isabel Carlos, Fundação Portuguesa de Comunicação, Lisbon, Portugal
Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary 2011, Dublin, Ireland Da discussão nasce a luz, Escultura na Colecção Fundação EDP, curated by Nuno Faria, Convento de Santo Antonio, Loulé, Portugal Zona Letal, Espaço Vital, Colecção Caixa Geral de Depósitos, curated by Sara Antónia Matos, Museu de Arte Contemporânea de Elvas, Portugal Stories of material Life, curated by Delfim Sardo, Helga de Alvear Foundation, Visual arts Center of Cáceres, Spain A Culpa Não É Minha - Obras da Colecção António Cachola, curated by Eric Corne, Museu Colecção Berardo, Centro Cultural de Belém, Lisbon, Portugal
2010
Linguagem e Experiência, Colecção Caixa Geral de Depósitos, curated by Pedro Lapa, Museu de Aveiro, Aveiro, Portugal; Museu Grão Vasco, Viseu, Portugal Let´s talk about houses: when art speaks architecture, curated by Delfim Sardo, Lisbon Architecture Triennale, Lisbon, Portugal Espelhos Duplos, Colecção António Cachola, Museu de Arte Contemporânea de Elvas-Colecção Antonio Cachola, Elvas, Portugal
2009
Lecturas Transversales de la Colección Fundación Marcelino Botín, Fundación Marcelino
2008
XI Bienal De Artes Plásticas de la Ciudad de Pamplona, Ayuntamiento de Pamplona, Pamplona, Spain Construir, habitar, pensar. Perspectivas del arte y la arquitectura contemporánea, curated by Fernando Castro Flórez, Institut Valencià d’Art Modern, Valencia, Spain Moradas, curated by Sara Matos, Foundation Carmona e Costa, Lisbon, Portugal Point of View. Colecção Fundación PLMJ, curated by Miguel Amado, Pavilhão Branco, Lisbon, Portugal
2007
2006
(Re)volver, curated by Filipa Oliveira, Plataforma Revolver, Lisbon, Portugal _Grandes formatos, Arte Contemporanea Carlos Carvalho, Lisbon, Portugal Contos dixitais, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Territorio Oeste, Peculiar aspects of Contemporary Portuguese Art, Museu de Arte Contemporáneo Union Fenosa, A Coruña, Spain Percursos na Paisagem, Fundação de Serralves Collection, Palácio de Vila Flor, Guimarães, Portugal
2005
Itinerarios 04-05, Fundación Marcelino Botín, Santander, Spain Outras arquitecturas, outros artistas, outras alternativas, Galeria de Arte Contemporânea Carlos Carvalho, Lisbon, Portugal O Contrato Social, curated by João Pinharanda, Museu Bordalo Pinheiro, Lisbon, Portugal Encuentro entre 2 Col-lecciones, Fundação de
Serralves, Oporto, Portugal – Fundación ‘La Caixa’Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain 20+1, Artistas Portugueses nas Coleccións do CGAC, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
2004
A Arañeira, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Mostra Unión Fenosa, Museo de Arte Contemporáneo Unión Fenosa, A Coruña, Spain Trobada entre 2 Col-leciones, Fundação de Serralves – Fundación ‘La Caixa’, Caixa Forum, Barcelona, Spain Meeting Point(s), Centro de Arte Moderna, Fundação Gulbenkian, Lisbon, Portugal
2003
Novos Urbanismos, Novas Paisagens, Museu do Vinho, Bairrada, Anadia, Portugal Juegos de Escala, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
2002
Na Paisagem, Fundação de Serralves Collection, Museu de Arte Contemporânea, Fundação de Serralves, Oporto, Portugal Arte Portugués Contemporáneo: Argumento de futuro, Colección MEIAC, Fundación ICO, Madrid, Spain Arte Contemporânea, Colecção Caixa Geral de Depósitos: new acquisitions, Culturgest, Lisbon, Portugal Fondos de la Colección del CGAC, Centro Torrente Ballester, Ferrol, A Coruña, Spain
2001
Arte Portugués Contemporáneo: Argumento de futuro, Colección MEIAC, Sevilla, Spain Mediterrâneo: Um novo Muro?, curated Fátima Ramos e Antonio Pinto Ribeiro, Culturgest, Lisbon, Portugal (Not) Connecting, in “Apresentação”, Museu da Electricidade, Lisbon, Portugal Encrucijada, Sala Plaza de Spain, Madrid, Spain
2000
Um Oceano Inteiro para Nadar, curated by by Ruth Rosengarten and Paulo Reis, Culturgest, Lisbon, Portugal Co-laborações: Arquitectos/Artistas, Galeria Jorge Vieira, Parque das Nações, Lisbon, Portugal;
Colegio de Arquitectos, Tenerife, Spain Ultimas Adquisicións - Fundación ARCO-CGAC, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
1999
Co-laboraciones: Arquitectos/Artistas, Galería Elba Benítez, Madrid, Spain Ida e Volta, Museu de Arte Moderna de Salvador da Bahía, Salvador da Bahía; Centro Cultural Raiano, Idanha-a-Nova, Brazil
1998
Paisagens do Quotidiano, Encontros de Fotografia de Coimbra, Coimbra, Portugal Observatorio, Contemporary Portuguese Photography, Canal de Isabel II, Madrid, Spain PhotoSpain 98, Galería Elba Benítez, Madrid, Spain
1997
Linha de Costa, zeitgenössische Kunst aus Portugal, Künstlerwerkstatt, Munich, Germany Interior/Exterior, Arte Portuguesa Contemporânea, Galeria Municipal do Convento do Espírito Santo, Loulé, Portugal Hors texte, 49ª Feira do Livro de Frankfurt, Frankfurt, Germany
1996
Ecos da Matéria, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz; Las Atarazanas, Valencia, Spain
1995
Peninsulares, Galería Elba Benítez, Madrid, Spain
1994
É Preciso Ter Asas, Centenário de Florbela Espanca, Évora, Portugal
1993
Encenar a Cidade: Projectos de Arte Urbana, Museu Nacional do Teatro, Lisbon, Portugal
1988
Prémio Jovem Escultura Unicer, Casa de Serralves, Oporto, Portugal Lisbonne Aujourd’hui, Musée de Toulon, Toulon, France
1987
Bienal 87, Barcelona, Spain
Instalação, Festival de Sagres, Sagres, Portugal
1986
Arte Portuguesa dos Anos 80, Bienal de Vila Nova de Cerveira, Vila Nova de Cerveira, Portugal
1984
Novos Novos, Sociedade Nacional de Belas Artes de Lisboa, Lisbon, Portugal
PUBLIC PROJECTS 2012
Cortinas, Arquitecture: Falcão de Campos, Igreja de São Julião, Museu do Banco de Portugal, Lisbon, Portugal Duplo chão, Circuito de Arte Pública, curated by Delfim Sardo, Largo da Feira, Paredes, Portugal Concrete poem, Almourol Sculpture Park, curated by João Pinharanda, Vila Nova da Barquinha, Portugal
Open garden, curated by Filipa Oliveira, Belém Palace, Presidência da Républica Portuguesa, Lisbon, Portugal
2003
Pandora Box, (temporary installation), in “Experimenta Design 2003”, Bienal de Lisboa, Lisbon, Portugal Pátios 1, 2, 3, 4, in “Novos Urbanismos, Novas Paisagens”, Museu do Vinho, Bairrada, Anadia, Portugal Parque D. Pedro Ramos, in collaboration with Arquitecto Marie Nieves Faibles, Tenerife, Spain
2001
Um Círculo Que Não é Um Círculo, Portões de São Pedro, Angra do Heroísmo, Portugal O Paraíso é um Lugar Onde Nunca Nada Acontece, in “Lisboa Capital do Nada” Project, Bairro da Pantera Cor-de- Rosa, Marvila, Lisbon, Portugal
2011
2000
2009
1999
2008
1998
Desenho suspenso, (temporary installation), Landart’11 Cascais, curated by Luisa Soares de Oliveira, Natural Parc Pisão, Alcabideche, Portugal Através da paisagem, Arquitecture: João Maria Trindade, Garducho Biological Station, Mourão, Portugal In the vocabulary of profit, there is no word for ‘pity’, (temporary installation), in “Hollidays in the Sun”, curated by João Fernandes, Old fish market of Portimão, Algarve, Portugal (Not) seeing, (temporary installation), Mosteiro de Alcobaça, Alcobaça, Portugal Um círculo que não é um círculo 2, Universitat Politècnica de Valencia, Spain Jardim nas Margens, Arquitecture: NPK, Parque Linear da Ribeira das Jardas, Cacém, Portugal Air, earth, water, light, steel and time, (temporary installation), Casa da Cerca, Contemporary Art Center, Almada, Portugal
2007
(Not) Thinking, (temporary installation), Casa da Música, Oporto, Portugal
Pele, Jardim Maria Lamas, Câmara Municipal da Moita, Moita, Portugal Alice, Parque D. Pedro, Tenerife, Spain Eu Espero, Parque D. Maria II, 5th International Sculpture Symposium at Santo Tirso, Santo Tirso, Portugal Cortina, Bancos, Espelhos, Penélope, Sombras e Jardim das Ondas, Urban Art Project in Jardins da Água for EXPO’98, Lisbon, Portugal
1994
Projecto das Sombras, (temporary installation), “Encenar a Cidade: Projectos de Arte Urbana”, Lisbon’94 - European Capital of Culture; Metropolitano de Lisboa, Rua Braancamp, Lisbon, Portugal
1987
Instalação, (temporary installation), Festival de Sagres, Sagres, Portugal Portfolio, Siena Art Institute, Siena, Italy
PUBLIC COLLECTIONS The Ella Fontanals Cisneros Collection, Miami, USA Colecção António Cachola, Elvas, Portugal Fundación Neme, Bogotá, Colombia Fundação Calouste Gulbenkian, Lisbon, Portugal Fundación Helga de Alvear, Cáceres, Spain Fundação EDP, Lisbon, Portugal Fundación Marcelino Botín, Santander, Spain La Caixa Foundation, Barcelona, Spain Fundação Centro Cultural de Belém, Lisbon, Portugal Portugal Telecom, Lisbon, Portugal Unión Fenosa, A Coruña, Spain Museu de Arte Contemporânea de Serralves, Oporto, Portugal MNCARS, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain ARTIUM, Centro-Museo Vasco de Arte Contemporáneo, Vitoria, Spain CGAC, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain MEIAC, Museo Extremeño e Ibero-americano de Arte Contemporáneo, Badajoz, Spain Museo de Arte Contemporáneo de Málaga, Spain Encontros de Fotografia de Coimbra, Coimbra, Portugal Bienal de Vila Nova de Cerveira, Vila Nova de Cerveira, Portugal Câmara Municipal de Santo Tirso, Santo Tirso, Portugal Museu de Arte Contemporânea do Funchal, Funchal, Portugal Berardo Collection, Lisbon, Portugal Caixa Geral de Depósitos Contemporary Art Collection, Lisbon, Portugal
EDGAR ORLAINETA México, D.F., 1972 Sistema Nacional de Creadores desde 2008.
SELECCIÓN DE EXPOSICIONES INDIVIDUALES / SELECTED ONE-PERSON EXHIBITIONS 2015
Edgar Orlaineta, KaBe Contemporary, Miami, FL, USA. Edgar Orlaineta. RHContemporary Art, N.Y., N.Y. USA
2014
With the eye in the hand/with the hand in the eye, after Alvin Lustig’s “Incantation” FLGallery, Milán, Italia MetaModern. Krannert Art Musuem, Champaign, Illinois.Itinerante Zona Maco Sur, Mexico City (curated by Juan Andrés Gaitán) Domestic Conspiracy, PIRWI, Mexico City Suspended, Miart, Milan
2013
Totem after Ettore Sottsass, Armani Antara, ZonaMACO, Mexico City (curated by Carlos Palacios) La Historia, Ella Misma y Yo, Museo Universitario del Chopo, Mexico City (curated by Daniel Garza Usabiaga) Katsina Horizon, Bloom Projects, Museum of Contemporary Art, Santa Barbara
2011
Solar Nothing, Steve Turner Contemporary, Los Angeles
2010
Monocrome Set, Casa Estudio Luis Barragan, Mexico City La Vida En Rosa, Azul y Amarillo, Casa Estudio Luis Barragan, Mexico City Chance Encounters, Galería de Arte Mexicano, Mexico City Chance Encounters, Artissima Art Fair. Torino, Italy, PRESENT FUTURE project (curated by Jimena Acosta)
2009
We Are Ugly But We Have The Music, Galería de Arte Mexicano, Mexico City De Todas Las Cosas Que Hemos Hecho, el Clauselito, Museo de la Ciudad de México, Mexico City (curated by Mauricio Marcin)
2008
Spirits, Sara Meltzer Gallery, New York City
2007
Ghosts, Galería de Arte Mexicano, Mexico City Introductions, Sara Meltzer Gallery, New York City
2006
Dandy in the Underworld, Jet Gallery, Berlin (curated by Tilman Wendland) Historia Parallela-La Silla De C.U., M.U.C.A. C.U. Mexico City (curated by Jimena Acosta) Cargo Cult, Cuchifritos Project Space, New York (curated by Paul Clay)
2005
The Idea of Work, Galería de Arte Mexicano, Mexico City Medios Masivos, La Celda Contemporaria, Universidad del Claustro de Sor Juana, Mexico City, (curated by Sol Henaro)
2002
La Belleza No Es Mia, Galería de Arte Mexicano, Mexico City
SELECCIÓN DE EXPOSICIONES COLECTIVAS / SELECTED GROUP EXHIBITIONS 2016
Una rosa tiene forma de una rosa. Oficios e Instintos, Casa del lago, UNAM, México City
2015
“La Desintegración de la forma,” The 9.99 Gallery, Ciudad de Guatemala, Guatemala. The composing room after Alvin Lustig. Museo de Arte Contemporáneo de Monterrey, MARCO,
Monterrey, N.L., México . Incantation, Alfabeto Ciego. Flora ars-natura, Bogotá, Colombia.
2014
New Territories: Laboratories for Design, Craft and Art in Latin America, Museum for Arts and Design, New York (upcoming) Copias: transformación y evolución de procesos creativos, Archivo de Diseño y Arquitectura, Mexico City
2013
TROPICALIA NEGRA, Museo Experimental el ECO, México, D.F. 9a BIENAL MERCOSUL, Porto Alegre, Brasil. SUSPENDED, Steve Turner Gallery, L.A., Miart, Feria de arte de Milán. Milán, Italia. La Historia, Ella Misma y Yo. Museo Universitario del Chopo, México, D.F. Proyecto Basurto, Steve Turner Contemporary, Mexico City Forecast, Portals, and Several Monotypes, Museu de Arte do Rio Grande do Sul, The 9th Bienal do Mercosul Porto Alegre, Brazil (curated by Daniela Pérez) Black Tropicália, Museo Experimental el Eco, Mexico City (curated by Willy Kautz) Un Mal Necesario, Bucareli 234, Planta Baja, Mexico City
2012
Solidarity: a memory of art and social change, Averill and Bernard Leviton A+D Gallery, Chicago, Ill. Neo Natural, Steve Turner Contemporary, Los Angeles Exhibitions: Santiago Borja, Edgar Orlaineta, Tilman Wendland, LA><ART, Los Angeles Factory Direct: Pittsburgh, The Andy Warhol Museum, Pittsburgh
2011
Multitude, Orebro Konsthall, Orebro, Sweden (curated by Christer Fallman, Gabriel Mestre and Mats Nilsson) Transurbaniac, MUAC, Mexico City
2010
Portugal Arte – Billboard project, Lisbon, Portugal
(curated by Lauri Firstenberg and Cesar Garcia) Transurbanic, U.C.S.D, San Diego (curated by Guillermo Santamarina) México – Chapultepec 1904, San Carlos Centro Cultrural, Mexico City, Mexico (curated by Bárbara Perea and Minory León) The Well, The Yossef Weissman Municipal Art Gallery, Tel-Aviv, Israel (curated by Orly Hafmann) Cafe Tcshichold, Cuchifritos, New York City (curated by Edgar Orlaineta) 23D, MH Gallery. Tel-Aviv, Israel (curated by Orly Hoffman) Quatet, Sara Meltzer Gallery, New York (curated by Rachel Gugleberger and Jeffrey Walkowiak) Creacion en Movimento (20 años de Jóvenes Creadores-FONCA), Biblioteca José Vasconcelos Hecho en Casa, Museo de Arte Moderno, Mexico City El Ahijado, Alterna y Corriente, Mexico City (cocurated by Alejandro Almanza, Anibal Catalán, Miguel Cordera, José Luis Cortés, Lucía Díaz y Helena FernándezCavada)
2008
Los Moviles. (II Trienal Poligráfica de San Juan de Puerto Rico), San Juan, Puerto Rico (co-curated by Jens Hoffman, Julieta González and Adriano Pedrosa) La Cooperativa De Arte En Video, Laboratorio de Arte Alameda. Mexico City (curated by Fernando Llanos) Recursos Incontrolables y Otros Desplazamientos Naturales. A selection from the permanent collection Museo Univesitario de Arte Contemporaneo, MUAC, Mexico City (curated by Oliver Debroise) Las Lineas de La Mano, Museo Univesitario de Arte Contemporaneo, MUAC, Mexico City (curated by Jimena Acosta) Works of Art With a Minimum of Steel, at Galería de Arte Mexicano, Mexico City LatinoLatino, Pallazzo della Vicaria in Trapani (curated by Raffaella Guidobono) Implant, The Horticultural Society of New York at USB
gallery, New York City, (curated by Jodie Vicenta Robinson) W.D.A.O.V.T.O.P.N.N.M.T.B.V., organized by Michalis Pichler, Presentation at Baso, Berlin. Distribution by Revolver, Frankfurt Transit Cases: Chairs from Mexico, Centro Cultural Univesitario Tlatelolco, Mexico City, (curated by Jimena Acosta)
2007
Elefante Negro, Museo Diego Rivera Anahuacalli, Mexico City (curated by Ximena Apisdorf and Edgar Orlaineta) Currents: Recent Acquisitions, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (curated by Anne Ellegood) Inventario, Museo de Arte Carillo Gil, Mexico City (curated by Victor Palacioas) Red Badge of Courage, The National Newark Building, Newark (curated by Omar López-Chahoud) Deambulante, Galería José María Velasco, Mexico City (curated by Alfredo Matus) Hecho en Mexico: VIDEO ARTE MEXICANO CONTEMPO-RANEO. LOOP ’07, organized by Fernando Llanos, Caixa Forum Barcelona, Barcelona Ceci N’est Pas…, Sara Meltzer Gallery, New York City (curated by Rachel Gugelberger and Jeffrey Walkowiak) Perdidos en el Despacio, Fundació espais d’art contemporani, Girona (curated by Ximena Labra and Artemio)
2006
Denial is a River, Sculpture Center, New York (curated by Anthony Huberman and Sarina Basta) Relativo, MUCA, Museo Univercitario de Ciencias y Arte, Campus Roma. Universidad Nacional, Mexico City (curated by Bárbara Perea)
2005
Critic’s Select, The Shore Institute of the Contemporary Art, New Jersey (curated by D.Dominick Lombardi and Raúl Zamudio) Breve Historia Contada a Mano, Centro de Arte de la Comunidad de Madrid (curated by Gonzalo Ortega) MÉXICO 70, Museo de la Casa del Lago, UNAM. Mexico City (curated by Erik Castillo) The Peekskill Project, Peekskill, New York (curated by Natalie Angles, Paul Clay, Erin Donnelly, Lance Fung, Dr. Kòan Jeff-Baysa, Alison Levy, Jessica Rogers, Sue Stoffel, and Joseph R. Wolin)
2003
Contemporary Mexican Video Art: A program of short works hosted by Ruben Gutierrez. Mexico Illuminated/ México Iluminado, Freedman Gallery, Pennsylvania The Vanishing City, Programa Art Center, México City, Museum of Installation, London (curated by Nicola Oxley, Nicolas de Oliveira and Jeremy Wood)
2000
Erogena, Museo de Arte Carillo Gil, Mexico City and S.M.A.K., Ghent (curated by Magalí Arriola) Pasaje Iturbide, Museo de la Ciudad de México, Mexico City (curated by Terence Gower) Cinco Continentes y Una Ciudad-Segundo, Salon Internacional de Pintura, Museo de la Ciudad de México, Mexico City (curated by Cuauhtémoc Medina)
1998
Instalaciones Para Sito Especifico, Galería de Arte Mexicano, Mexico City
1997
Cambio, Temporary space, New York, Museo Universitario del Chopo, Mexico City (curated by Kenny Schachter)No Soy Chino, Art & Idea, Mexico City (curated by Ruben Gallo) New Texts From Mexico, Art Deposit, New York City
1996
Environmex, Art Deposit, Mexico City (curated by Ulises)
PREMIOS/ AWARDS 2014
Premio Tequila 1800, Zona Maco Sur, Mexico City
2008
Sistema Nacional de Creadores, FONCA, Mexico Pollock-Krasner Foundation Grant, Pollock-Krasner Foundation, New York International Residency Program, Banff Center, Canada, FONCA, Mexico
2007
International Residency Program, Pilotprojekt Gropiusstandt, Berlin
2006
Young Creators Grant, New Forms, FONCA, Mexico International Residency Program, Triangle Art, New York
2005
International Residency Program, ArtOmi, New York International Residency Program, Braziers, London
2002
Study Aboard Grant, MFA at Pratt Institute, New York FONCA, Mexico
2001
Young Creators Grant, Painting, FONCA, Mexico
1997
Special Projects Grant, Art Deposit, FONCA, Mexico City
SELECCIÓN BIBLIOGRÁFICA / SELECTED BIBLIOGRAPHY Noreña, Aurora. “De todas las cosas que hemos hecho.”(2009)
Marcin, Mauricio, “Enanos encaramados en
hombros de gigantes.” (2009) Rosemberg, Karen. “Yes, the live music is lovely, but will the plants like it,” New York Times, August Palacios, Victor, “Binding Durations,” Flash Art, (2008) Zamudio, Raul. “Spirits,” Flash Art, (2008) Gopnik, Blake. “Function following form,” The Washington Post, (2008) Wolin, Joseph R. “Spirits,” Time Out New York, (2008) Dietsch, Deborah K.“Hirshhorn’s newest art,” Washington Times, (2008) Baker, R.C. “Spirits,” The Village Voice, (2008) Canning, Susan. “Denial is a River,” Sculpture, (2008) Conner, Jill. “Denial is a River,” The Brooklyn Rail, Dec/Jan (2008) Manley, Jennifer. “Denial is a River,” Queens Chronicles, (2008) McAdams, Shane. “Spirits,” Chelsea Now, (2008)
Peran, Martí. “Spatial Occupation Exercise to Try
to Say Quickly that Space is Constructed, (2008) Slowly,” Perdidos en el despacio, Fundació Espais d’Art Contem porani, Girona Wendland, Tilman. “Edgar Orlaineta-Dandy in the Underworld,” Jet gallery, Berlin (2006) Ortega, Gonzalo. “Breve historia contada a mano,” Centro de arte Jóven, Madrid Zamudio-Taylor, Victor, “Edgar Orlaineta,” Origina (2005) Gallo, Ruben. “New Tendencies in Mexican Art – The 1990s,” Palgrave Macmillan (2004) Arriola, Magalí. “Burbujas de jabón” for the exhibition catalogue of Erogena, Museo de Arte Carrillo Gil, Mexico City, Mexico/ SMAK, Ghent (2000) Medina, Cuauhtemoc. “Post Nacional y Post Pictórico.” Cinco continentes y una ciudad, Museo de la Ciudad de México, Mexico City (2000) Holland, Cotter. “Cambio,” The New York Times, (1997)
COLECCIONES PÚBLICAS / PUBLIC COLLECTIONS Hirshhorn Museum and Sculpture Garden. Washington, DC. MUAC, Museo Universitario Arte Contemporaneo, UNAM. Ciudad de México. Caixa Forum Barcelona. Barcelona, España. Hammer Museum, Los Angles, California, U.S.A. C.C.A. Wattis Institute of Cantemporary Art, San Francisco, C.A. KADIST, Paris/San Francisco. Museo Amparo. Puebla, Mexico. Museo Universitario del Chopo, Mexico City, Mexico. Colección Tequila 1800, México, D.F. Colección JUMEX, México, D.F.
DISTINCIONES / DISTINCTIONS Premio Tequila 1800, México. 2014. Grahan Foundation Grant. Chicago, US. 2010 Sistema Nacional de Creadores de Arte. FONCA. México. 2008-2011 y 2012-2015 Pollock-Krasner Foundation Grant. Pollock-Krasner Foundation. Nueva York, NY. 2008
International Residency Program en el Banff Center. Canada. FONCA. México. 2008 Jóvenes Creadores. Medios Alternativos. FONCA. México. 2006-2007 Beca de apoyo para estudios en el extranjero. Maestría en Pratt Institute en NY, NY. Fonca. México. 2002-2004 Jóvenes Creadores. Pintura. FONCA. México. 2001-2002
EDUCACIÓN / EDUCATION: Pratt Institute, Nueva York, NY. 2002-2004 Maestría con especialidad en Escultura Escuela Nacional de Pintura, Escultura y Grabado, La Esmeralda, Ciudad de México 1993-1998 Licenciatura en Pintura
RESIDENCIAS /RESIDENCIES Banff Center. Banff, Canada. 2008 Pilotprojekt Gropiusstandt. Berlin. 2007 Triangle Art. Nueva York, NY. 2006 ArtOmi. Nueva York, NY. 2005 Braziers. Londres. 2005
CARLOS GARAICOA Born in 1967, Havana, Cuba. Lives and work in Havana, Cuba.
INDIVIDUAL EXHIBITIONS 2015
Stories, as lines, drawn over me, Antiguo Arsenal de la Marina Española, San Juan, Puerto Rico. The Politics and Poetics of Space, The Museum of Contemporary Art, Oslo, Norway.
2012
Galeria Luisa Strina, São Paulo, Brazil. Le Optimist. Galleria Continua Le Moulin Boissy-leChâtel (Seine-et-Marne), France. A City view from the table of my house. KUNSTHAUS BASELLAND Muttenz/Basel. Switzerland. CARLOS GARAICOA: PHOTOGRAPHY AS INTERVENTION. OFFICIAL SELECTION PHOTOESPAÑA 12 (PHE 12) FROM HERE. CONTEXT AND INTERNATIONALIZATION. Museo Colecciones ICO (MUICO)Madrid, Spain. Without Solution. Galleria Continua, San Gimignano, Italy. A City of view from the table of my house. KUNSTVEREIN Braunschweig, Germany.
2011
Carlos Garaicoa: Making Amends, H.F. Johnson Museum of Art. Cornell University. Ithaca, New York, USA. End of silence. Centre d’Art la Panera, Lleida, Spain. Noticias recientes. Centro de Arte Caja de Burgos (CAB), Burgos, Spain. The Dark Room. Instituto Cervantes, Beijing, China. Party! Not tea party. Elba Benítez Gallery. Madrid, Spain. Photo-Topographies. National Museum of Contemporary (EMST). Athens, Greece.
2010
See Reason (with Patrizio Di Massimo), Stedelijk Museum Bureau Amsterdam (SMBA), Netherlands. Lands in Abeyance, Museo de Arte Moderno de Medellín(MAMM), Sede Ciudad del Río, Medellín, Colombia. Overlapping, Irish Museum of Modern Art (IMMA) Dublin, Ireland.
Project Fragile, MARZ Gallery, Lisbon, Portugal. Carlos Garaicoa: Making Amends, Contemporary Art Museum, Institute for Research in Art, Tampa, USA. The Old and the New, Barbara Gross Gallery, Munich, Germany. End of silence, Abierto x Obras, Matadero de Madrid, Spain.
2009
The Point, the Line and the Plan, East Central Galleries. London, England. La mala semilla, Château de Blandy-les-Tours, France. Triunfo, Duda y Celebración, (with Ilya & Emilia Kabakov) Galleria Continua, San Gimignano, Italy. How to become a millionaire through the Junk Mail, Galeria Luisa Strina, São Paulo, Brazil. Yo no quiero ver más a mis vecinos, Video exhibition, Salle Zero, Alianza Francesa, Havana, Cuba. La enmienda que hay en mí, Museo Nacional de Bellas Artes, Havana, Cuba. The Observatory, Bridge Arts, Castleford, England.
2008
Carlos Garaicoa, Caixa Cultural, Río de Janeiro; CCBB, Brasilia, (2009); Palacio das Artes, Belo Horizonte, Brazil (2009). Revolution or Rizhome?, Galleria Continua, Beijing, China.
2007
Capablanca’s Real Passion, Institute of Contemporary Art (ICA), University of Pennsylvania, Philadelphia, USA. Latin Kings Music Vol. I-V, Galería Elba Benítez, Madrid.
2006
Capablanca’s Real Passion, Royal Ontario Museum, Toronto, Canada. The Drawing, the Writing and the Abstraction (with Ezequiel Suárez), Lombard-Freid Projects, New York, USA. Yo no quiero ver más a mis vecinos, Castello di Ama, Gaiole in Chianti, Italy. Der Gast (videos 1996-2006), FriArt Kunsthalle Fribourg, Switzerland. Overlapping, IV Liverpool Biennial, Open Eye Gallery, Liverpool, England. Postcapital, Palau de la Virreina, Barcelona, Spain.
2005
Capablanca’s Real Passion, Museum of Contemporary Art (M.O.C.A) at Pacific Design Center, Los Angeles, USA. Things that Happen When Life Goes Very Wrong, Galleria Continua, San Gimignano, Italy. Because Every City Has the Right to be Called Utopia, Oriel Mostyn Gallery, Walles. Carlos Garaicoa, Yorkshire Sculpture Park, West Yorkshire, England. Carta a los censores, XXXIX Internacional Contemporary Art Prize, Quai Antoine I, Montecarlo, Mónaco. Vamos fazer barullo agora, porra! (with Ezequiel Suárez), Galería Habana, Havana, Cuba. El mapa del viajero, Galeria Luisa Strina, Sao Paulo, Brazil. Self-flagellation, Survival, Insubordination, Aspen Art Museum, Colorado, USA.
2004
La misura de quasi tutte le cose, Palazzo delle Papesse, Siena, Italy.
2003
Carlos Garaicoa, Galería Elba Benítez, Madrid, Spain. Lecciones de Historia, Casa de América, Madrid, Spain. Nuevas Arquitecturas, Centro Wifredo Lam, Havana, Cuba. Autoflagelación, Supervivencia, Insubordinación, Sala Montcada, Fundació La Caixa, Barcelona, Spain. Carta a los censores, Piccollo Teatro dell´anarchia, Volume!, Rome, Italy. La habitación de mi negatividad, VII Havana Biennial, Galería La Casona, Havana, Cuba. Letter to the Censors, Artist Statements, Art Basel Miami Beach, Lombard Freid Projects, Miami, USA. El asesino de la baraja, Espacio C, Camargo, Spain.
2002
Now let’s play to disappear, Galleria Continua, San Gimignano, Italy. Ni Christ, ni Marx, ni Bakounine, Maison Européene de la Photographie, Paris, France.
2001
Carlos Garaicoa, Art & Public Cabinet PH, Geneva, Switzerland. The last 10 Days of the Market, Aarhus Festival, Gallery Image, Denmark. Because Every City Has the Right to be Called Utopia, Lombard-Freid Projects, New York, USA.
2000
Nouvelles Architectures, Farideh Cadot Gallery, Paris, France. Recuadros (with Federico Herrero), Jacobo Karpio Gallery, San José, Costa Rica. Carlos Garaicoa: La ruina; La utopía (obras 19902000), Biblioteca Luis Ángel Arango, Banco de La República, Bogotá; Bronx Museum of the Arts, New York, USA; Museo Alejandro Otero, Caracas. Venezuela.
1999
Mi primer y último homenaje a la arquitectura (y al Marqués de Sade), Galería Habana, Havana, Cuba. Paisaje, Ars TeorÉTICA, San José, Costa Rica. Survia, Primer Salón de Fotografía, Centro de Desarrollo de las Artes Visuales, Havana, Cuba.
1998
Principio y fin de las fascinación, Centro Wifredo Lam, Havana, Cuba.
1996
El voluble rostro de la realidad, Fundación Ludwig de Cuba, Centro de Desarrollo de las Artes Visuales, Havana, Cuba. Cuando el deseo se parece a nada, Art in General, New York, USA. Habana: A survey, Carla Stellweg Gallery, New York, USA. El paisaje, los límites, Fototeca de Cuba, Havana, Cuba.
1995
El espacio decapitado, Centre PasquArt, BielBienne, Switzerland. Inside Havana, Espacio Aglutinador de Arte, Havana, Cuba.
1994
El sueño de la razón (with Pedro Abascal), Centro Wifredo Lam, Havana, Cuba.
1992
Tu número de suerte, Galería Juan Francisco Elso, Asociación Hermanos Saíz, Havana, Cuba.
1989
Días de infancia, Galería del Centro de Investigaciones del Ministerio de Educación, Havana, Cuba.
COLLECTIVE EXHIBITIONS 2015
Artista X Artista, Havana, Cuba. Crónica(o), Fundación Casa Cortés, San Juan, Puerto Rico. 4th Poly/Graphic Triennial, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico. Another Part of the New World, Moscow Museum of Modern Art, Moscow, Russia. Quarta-feira de Cinzas, EAV Parque Lage, Rio de Janeiro, Brazil. Crack, Galería Habana, Havana, Cuba. XII Bienal de La Habana, Havana, Cuba. The Coming Museum, Fórum Eugénio de Almeida, Évora, Portugal. Ejercicios de Traslado: Colecciones 9915, Centro de Arte Alcobendas, Madrid, Spain. Beleza?, curated by Pamela Prado, CCSP Centro Cultural São Paulo, Brazil.
2014
Orden Inconcluso, CA2M Centro de Arte Dos de Mayo, Madrid, Spain. Orden Aparente, curated by Vicente Todoli. Fundación Botín, Santander, Spain. New Territories: Laboratories for Design. Museum of Art and Design, New York, USA.
2013
Jornadas contra Franco, C/ Encarnación González no 8, Vallecas, Madrid, Spain. Utopia starst small, 12 Triennale Kleinplastik Fellbach. Fellbach, Germany. Extreme carperts, From Timbuctù to Contemporary Art. Fondazione 107, Turin, Italy. La Palabra Transformada, Open Studio 8.0. Carlos Garaicoa Studio, Madrid, Spain.
2012
INHOTIM INSTITUTO DE ARTE CONTEMPORANEO, Inhotim, Brumadinho, MG, Brazil. Industrial Park. GALERIA LUISA STRINA, São Paulo, Brazil. Facing walls, opening windows. GALLERIA CONTINUA, Beijing, China. The Stumbling Present: Ruins in Contemporary Art. Art, Design & Architecture Museum UC Santa Barbara, CA. USA. Revolution not televised. The Bronx Museum of the Arts, Bronx, NY, USA. Roots, Memory, Identity and Change in Today´s Art.
Palazzo De Sanctis, Castelbasso. Fondazione Malvina Menegaz, Palazzo Clemente, Castelbasso (TE), Italy. Caribbean: Crossroads of the world. El Museo del Barrio, Queens Museum of Art y The Studio Museum in Harlem, New York, USA. INHOTIM INSTITUTO DE ARTE CONTEMPORANEO. Inhotim, Brumadinho, MG, Brazil. ECHIGO-TSUMARI ART TRIENNALE. EchigoTsumari Satoyama Museum of Contemporary Art, Kinare, Japan. ALL OUR RELATIONS. 18th Biennale of Sydney, Cockatoo Island, Australia. End of Silence. 11th HAVANA BIENNALE: ARTISTIC PRACTICES AND SOCIAL IMAGINARIES, Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba. New Artworks in the Collection. Centre Pompidou, Paris, France. The longest trip beggings with a simple line (Curatorial Proyect). Galleria Continua, San Gimignano, Italy. Open Studio 6.0. Construct, Deconstruct and Destroy. Carlos Garaicoa Studio, Madrid, Spain. Fifty Year of Latin American Art. Selection from The Neuberger Museum of Arts. Avenue of the Americas Art Gallery, New York, USA. Walk the line. Galería Max Estrella, Madrid, Spain. Lugares en pérdida. Centro de Arte Contemporáneo Huarte/Uharte, Spain. Invisible cities. MASS MoCA, North Adams, MA, USA.
2011
Regress Progress, Centre for Contemporary Art, Warsaw, Polonia__. Um Outro Lugar, MAM, São Paulo, Brazil. Coup d’éclat. Fort du Bruissin, Centre d’art contemporain, Francheville, France. Dublin Contemporary 2011: Terrible Beauty – Art, Crisis, Change & The Office of Non-Compliance, Dublin, Ireland. Penelope’s Labour, Fondazione Giorgio Cini, Island of San Giorgio Maggiore, Venice. Ya se leer. Imagen y texto en el Arte Latinoamericano. Centro de Arte Contemporáneo Wifredo Lam/Galería de la Biblioteca Rubén Martínez Villena. Havana, Cuba. Midnight in the City. ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Spain. The draughtman´s contract. Open Studio 5.0. Estudio Carlos Garaicoa, Madrid, Spain. Projeto Ideal, Centro Cultural São Paulo, São Paulo,
Brazil. Architecture and Power_, Tate Modern, London, United Kingdom. A Sense of Perspective, Tate Liverpool, Liverpool, England. En Obras (Under Construction), curated by Adriano Pedrosa, Tenerife Espaço de las Artes, Canary Islands, Spain. Art Basel Miami Beach, Stand K14, Galeria Luisa Strina, Miami, USA.
2010
Sinergias: Latin American Art in Spain Today, Contemporary Art Museum Gas Natural Fenosa (MACUF), A Coruña, Spain. The Earth is Blue Like an Orange, Montreal Museum of Fine Arts, Quebec, Canada. Midnight in The City, Centre d’Art la Panera, Madrid, Spain. Rehearsal, 8th Shanghai Biennale, Shanghai Art Museum, Shanghai, China. And Writers, First Nanjing Contemporary Art Biennal, Jiangsu Provincial Art Museum, Nanjing, China. Haunted, Solomon R. Guggenheim Museum, Bilbao, Portugal. Puntos de fuga, Museo de Arte Moderno de Medellín(MAMM), Sede Ciudad del Río, Medellín, Colombia. Viaggi in Italia, Palazzo Fabroni Arti Visive Contemporanee, Pistoia Italy. Let´s talk about Houses: When Art Speaks Architecture [Constructing, Deconstructing, Dwelling] , Lisbon. Transparency: Art for Energy, Museum of Contemporary Art Donna Regina (MADRE), Naples, Italy. Transparency: Art for Energy, Museum of Contemporary Art of Rome, Italy. Facing the Sun, Martin Janda Gallery, Vienna, Austria. First and Last, Notes on the Monument, Galeria Luisa Strina, São Paulo, Brazil. Stressisimo, Galería Habana, Havana, Cuba. There is Always a Cup of Sea to Sail in, 29th São Paulo Biennal, São Paulo, Brazil. Ideal Project, Museum of Contemporary Art, Santiago de Chile, Chile. Like tears in rain, Palácio das Artes, Fundação da Juventude, Porto, Portugal. Memoria Technica. Examining the Tension between Aesthetics and the Representation of the Self, East Central Galleries, London, England. Margins of Silence, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain.
Spazio. From the Body to the City, MAXXI National Museum of XXI Century Arts, Rome, Italy. Eröffnung in neuen räumen, Barbara Gross Galerie, München, Germany. Sobrestructuras, OTR. Espacio de arte, Madrid, Spain. Modelos para armar. Pensar Latinoamérica desde la Colección MUSAC, Museo de Arte Contemporáneo de Castilla y León, Castilla y León, Spain. Ut(r)ópicos: Central America and The Caribbean, 31st Pontevedra Biennial, Museo de Pontevedra, Pontevedra, Spain. Isole mai trovate/Islands Never Found, Palazzo Ducale, Appartamento del Doge, The State Museum of Contemporary Art, Génova, Italy; Tessaloniki, (2010.); Saint Etienne, Museum of Modern Art (2011). Sinergias. Arte latinoamericano actual en España, Museo Extremeño e Iberoamericano de Arte Contemporáneo, MEIAC, Badajoz, España; Museo de Arte Contemporáneo Gas Natural – Unión Fenosa, La Coruña, España (2010-2011). Ver para Creer, Bienal de Arte Paiz, Guatemala. It is it, Espacio 1414, Santurce, Puerto Rico. Changing the focus: the Art of Latin American Photography (1990-2005), Museum of Latin. American Art (MOLAA), Long Beach, California, USA. I Shot the sheriff (Héroes y Villanos), Carlos Garaicoa Open Studio 4.0, Madrid, Spain. Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection, FotoFest 2010. Museum of Fine Arts, Houston, USA. Contemplating the Void: Interventions at Guggenheim Museum, Guggenheim Museum, New York, USA. Atopía, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain. Malas Calles, Institut Valencià d’Art Modern (IVAM), Valencia, Spain. Pieza única, Delegación del Principado de Asturias en Madrid, Madrid, Spain. Guerra y arte ¡Grande hazaña! Con muertos, Sala Puertanueva, Córdoba, Spain.
2009
Art Kabinet, Art Basel Miami Beach, Galleria Continua, USA. Sphères 2009, Galleria Continua, Le Moulin, Paris, France. El patio de mi casa /The Sky Within my House, Universidad de Filosofía y Letras, Cordoba, Spain. Panorama de arte Brasileira, Museo de Arte Moderno, Sao Paulo, Brazil.
Confluencias Inside, National Hispanic Cultural Center Art Museum (NHCC), Alburquerque, USA. Irreversible (Doble cara de la colección Sánchez Ubiría), Pazo da Cultura de Pontevedra, Spain. ARTTLV_09, Tel Aviv-Yafo, Israel. Mundus Novus, Arte Contemporáneo Latinoamericano, 53 Venice Biennial, ILLA Pavillion. Artigliere dell’Arsenale, Italy. Fragile. Terres d’empathie, Musée Art Moderne SaintEtienne Metropole, France. Cartografías Disidentes, Biblioteca Nacional José Martí, Havana, Cuba; Oi Futuro, Rio de Janeiro, Brazil; Museo de Arte Contemporáneo, Caracas, Venezuela; Centro de Formación de la Cooperación Española, Cartagena de Indias, Colombia, Centro Cultural de Sao Paulo (2008) Brazil; SEACEX, Madrid, Spain (2008); Centro Cultural de São Paulo, Brazil (2008). Videos Abierto, Murcia, Spain.
2008
The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection, Fundación de. Arte Cisneros Fontanal (CIFO), USA. Farewell to Post-Colonialism, 3rd Guangzhou Triennial, Guangdong Museum of Art, China. Lança Cuba, Gentil Carioca (curator and artist), Rio de Janeiro, Brazil. Articulações, Faro, Algarve, Portugal. Construir, habitar, pensar. Perspectivas del arte y la arquitectura contemporánea, IVAM, Valencia. Spain. Blown Away, Exhibition Fact Sheet, Krannert Art Museum and Kinkead Pavilion, University of Illinois. at Urbana-Champaign, Illinois, USA. ¡Cuba! Art and History from 1868 to Today, Montreal Museum of Fine Arts, Montreal, Canada. Unbroken Ties: Dialogues in Cuban Art. The Museum of Art Fort Lauderdale, USA. Surrounded by Water: Expressions of Freedom and Isolation in Contemporary Cuban Art, Boston. University Art Gallery, USA. The Sneeze 80 artists x 80 seconds 106 minutes (first exhibition in 2004), Durban Art Gallery, South. Africa. Fate Presto, Chiesa dell’Addolorata, Naples, Italy.
2007
The Shapes of Space, Guggenheim Museum, New York, USA. Ouverture, Galleria Continua Le Moulin, Paris, France. One Colour, Galleria Continua, Beijing, China. Cuestion Xeracional, Centre Galego de Arte
Contemporànea, Santiago de Compostela, Spain. Turbulence, 3rd Auckland Triennial, New Zealand. Commitment, Mechelen, Belgium. Luz ao Sul, Encuentro entre dos Mares, IV Sao Paulo Biennal- Valencia, Spain. Not afraid of the Dark, Emergenze Hangar Biccoca, Milan, Italy. Killing Time: An exhibition of Cuban artists from the 1980s to the present, Exit Art, New York, USA. Utopian Mirage, The Frances Lehman Loeb Art Center, New York, USA. Art Unlimited, Art 38 Basel, Switzerland. LOOP 07, Barcelona, Spain. A Number of Worlds Resembling Our Own, SMART Project Space, Amsterdam, The Netherlands. Homing Devices, Contemporary Art Museum, University of South Florida, Tampa, USA. IKF. Latin American Art Auction. Cisneros Fontanals Art Foundation, Miami, Florida, USA. Il futuro del futurismo Dalla ‘rivoluzione italiana’ all’arte contemporanea. Da Boccioni a. Fontana a Damien Hirst, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy. New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, M.O.M.A, New York, USA. L’emprise du Lieu, Domaine Pommery, Reims, France.
2006
Metropolitanscapes, Palazzo Cavour, Turin, Italy. Estrecho Dudoso, San José, Costa Rica. De repente livros, A Gentil Carioca, Rio de Janeiro, Brazil. Habana Factory, A Chocolatería, Santiago de Compostela, Spain. Arte de Cuba, Rio de Janeiro, Sao Paulo and Curitiba, Brazil. C4, Centro de Cultura Contemporanea, Caldogno, Vicenza, Italy. Echigo-Tsumari Art Triennale, Nigata, Japan. Less. Strategie alternative dell’abitare, PAC, Milano, Italy. Other than Art, G Fine Art, Washington D.C, USA. Nuit Blanche, Paris, France. Ideal City-Invisible Cities, Zamonsc, Poland. Off the Shelf: New Forms in Contemporary Artist’s Books, The Frances Lehman Loeb Art Center, Vassar. College, Poughkeepsie, New York, USA. Museo Tomado, Museo Nacional de Bellas Artes, Havana, Cuba. Waiting List, Mestna Galerija, Ljubljana, Eslovenia.
2005
New Photography, Museum of Modern Art (M.O.M.A), New York, USA. Inverting the Map: Latin American Art from the Tate Collection, TATE Liverpool, UK. M City, Kunsthaus Graz, Vienna, Austria. III Tirana Biennial, Tirana, Albania. Farsite, Insite, Tijuana-San Diego, Mexico-USA. 51st Venice Biennale, Arsenale, Venice, Italy. Art Unlimited, Art Basel 36, Basel, Switzerland. Dialectics of Hope, I Moscow Biennale, Moscow, Russia. 7th Sharjah International Bienal, Sharjah, United Arabian Emirates.
2004
Transmigraciones, Trienal Poli/Gráfica de San Juan, Puerto Rico. Future Cities, Art Gallery of Hamilton, Canada. We come in peace… Histories of the Americas, Musée d’Art Contemporain of Montréal, Canada. Artitecture, Rena Bransten Gallery, San Francisco, USA. Image Smugglers, XXVI Sao Paulo Biennal, Parque Ibirapuera, Sao Paulo, Brazil. Sculpture, Gallerie Anne de Villepoix, Paris, France. A Taste of the Pain of Others, L.A Freewaves, California, USA.
2003
Time capsule. Art in General, New York, USA. Dream Space / Entre sueños. Deutsche Bank Lobby Gallery, New York, USA. Salon des Refusés, Fondazione Bevilacqua La Masa, Venice, Italy. Modern Islands, Public Project, Dresden, Germany. Cuba on the Verge. An island in transition, International Center of Photography, New York, USA. Dentro/Fuera: Arte Cubano contemporáneo, Charlotte and Philip Hanes Art Gallery, Wake Forest University, USA.
2002
Somebody’s architecture, Documenta 11, Platform 5, Kassel, Germany. Copyright, Centro Cultural de España, Havana, Cuba. Artists Imagine Architecture, Institute of Contemporary Art (ICA), Boston, USA. De ponta cabeça, I Fortaleza Biennal, Brazil. Reality’s Desire, The Generation of Images, Milan, Italy. Sincretismi, Fondazione Adriano Olivetti, Rome, Italy. On/Off (with Michelangelo Pistoletto), Vista Mare Associazione Culturale, Pescara, Italy.
2001
Demonstration Room (Casa ideal), Museo Alejandro Otero, Caracas, Venezuela; Apex Gallery, New York, USA; NICC, Amberes, Belgium. Shifting Tides, L.A County Museum, California, USA; Grey Art Gallery, New York, USA; Museum of. Contemporary Photography, Chicago, USA. Sonsbeek 9, Arnhem, The Netherlands. Mega Wave, I Yokohama Triennale, Japan.
2000
Mirror’s Edge, Vancouver Art Gallery, Vancouver, Canada; Castello Di Rivoli, Turin, Italy; Tranway. Glasgow, Scotland, UK. From the negative: Conceptual Photography from Cuba, Parts Gallery, Minneapolis, USA; North. Dakota Museum, USA. Más allá del Documento, Museo Centro de Arte Reina Sofia, Madrid, Spain. Waterfront project, Helsingør/ Helsingborg, Denmark/Sweden. Fotolatina, Museo Arte Contemporáneo, Guadalajara, Mexico. Window onto Venus, VII Havana Biennal, Havana, Cuba. Cream 2, 10 curators, 100 artists. Exhibition Catalog, Phaidon Press, London, UK. Espacios híbridos (with Tania Bruguera, Luis Gómez), Galería La Casona, ARCO ’00, Madrid, Spain.
1999
Los mapas del deseo, Kunsthalle Vienna, Kunstraum Innsbruk, Austria, Nicolaj Contemporary Art. Center, Copenhagen, Denmark. Venus’s Window, Civic Centre La Grancia, Zerynthia, Associacione per l’arte Contemporanea. Tuscany, Italy. Mirror Edge, BildMuseet, Umea, Sweden. I Bienal Internacional de México, Centro de la Imagen, D.F., Mexico. Cuatro artistas cubanos, Geunkens en De Vill Gallery, Knokke, Belgium. Diáspora. Encuentro Internacional de Arte Ciudad, Oviedo, Asturias, Spain.
1998
La ciudad vista desde la mesa de casa, Centro Wifredo Lam, Havana, Cuba. Fragmentos a su imán, Casa de las Américas, Havana, Cuba. Isla Oscura: New Photography from Cuba, Southeast Museum of Photography, Daytona Beach. Florida, USA. Comme peut on être cubain?, Maison de L’Amerique, Paris, France. De discretas autorías, Museo de Arte Contemporáneo de Maracay Mario Abreu, Maracay, Venezuela. Cuba-ON, Generous Miracles Gallery, New York, USA. La mirada y el laberinto, Cosello da Cultura Galega, Galicia, Spain. Memoria íntimas, marcas, Electricworkshop, Johannesbourg, South Africa; Window-Museum. Pretoria, South Africa; Pauilhao Branco, Museu da Cidade, Lisbon, Portugal. Caribe Insular, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain; Casa América de Madrid, Spain. XXIV Bienal de Sao Paulo, Parque Ibirapuera, Sao Paulo, Brazil. Art and Survival in the Utopian Island, Azu Museum, Tempe, Arizona, USA. La isla del futuro, Palacio de Jovellanos, Gijón, Spain. Segundo Salón de Arte Contemporáneo, Centro de Desarrollo de Artes Visuales, Havana, Cuba.
1997
Utopian territories: New Cuban Art, Morris and Helen Belkin Art Gallery and Contemporary Art. Gallery, Vancouver, Canada. El individuo y su memoria, VI Bienal de La Habana, Centro Wifredo Lam, Havana, Cuba. Space/Fire, 97 Kwangju Biennale, Kwangju, South Korea. Memorias íntimas, marcas, Cuito Cuanavale, Centro Cultural Portugués, Luanda, Angola; The Castle. of Good Hope, Cape Town, South Africa. Festival Internacional de la Ciudad de Medellín, Medellín, Colombia. Trienal Internacional del Arte Fotográfico, Romaniemi Art Museum, Helsinki, Finland.
1996
Las otras escri(p)turas, Centro de Artes Plásticas y Diseño, Havana, Cuba. Río Almendares, ni fresa ni chocolate, CENCREM, Havana, Cuba. Carne, Espacio Aglutinador de Arte, Havana, Cuba.
1995
Africus’95, 1st Johannesburg Biennale, South Africa. Una de cada clase, Centro Nacional de Conservación, Restauración y Museología (CENCREM). Fundación Ludwig de Cuba, Havana, Cuba. Cuba: la isla posible, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain. Trans (intro) post-diario, Galería La Fundición, Bilbao, Spain. The New Generation, FotoFest, The Menil Collection, Houston, Texas, USA. Utopía, Galería Casa del Joven Creador, Sede de la Asociación Hermanos Saíz, Havana, Cuba. Entornos y circunstancias, V Bienal de la Habana, Museo Nacional de Bellas Artes de Cuba, Havana. Cuba. La nueva generación: fotografía contemporánea de Cuba, Fototeca de Cuba, V Bienal de La Habana. Havana, Cuba. V Bienal de la Habana, Kunst Forum Ludwig, Germany.
1993
Las metáforas del templo, Centro de Desarrollo de Artes Visuales, Havana, Cuba.
1991
Si Tim tiene, Tim vale, IV Bienal de La Habana, Galería del ISA, Havana, Cuba.
PUBLIC COLLECTIONS Museo Nacional de Bellas Artes, Havana, Cuba. The Museum of Fine Arts, Houston, Texas, USA. Southeast Museum of Photography, Daytona Beach, Florida, USA. Los Angeles County Museum (LACMA), Los Angeles, USA. Centre PasquArt, Biel-Bienne, Switzerland. Musée Européen de la Photographie, Paris, France. Museo Nacional de Arte Centro de Arte Reina Sofía, Madrid, Spain. Tate Modern, London, England. Museum of Contemporary Art (MOCA), Los Angeles, USA. Museum of Modern Art (MoMA), New York, USA.
The Solomon R. Guggenheim Museum, New York, USA. Art Gallery of Ontario (AGO), Toronto, Canada. Dallas Museum of Art, Texas, USA. Museo de Arte Contemporáneo de Castilla y León (MUSAC), Spain. The Bronx Museum of Art, New York, USA. Museo del Barrio, New York, USA. La Collection Du Musée National d’art Moderne (Centre Pompidou), Paris, France. Museum of Latin American Art (MOLAA), California, USA. Musée de Beaux Arts de Montréal, Canada. Fundació La Caixa, Barcelona, Spain. Centro de Arte Caja de Burgos (CAB), Spain.
ALEJANDRO ALMANZA PEREDA
2008
México D.F. 1977 / Mexico D.F. 1977.
2007
Vive y trabaja en México, Distrito Federal / Lives and works in Mexico, D.F.
EDUCACIÓN / EDUCATION
“The Fan and The Shit. Magnan Projects”, Nueva York. “Andamio (temporary frameworks)”. Art in General, Nueva York.
2006
“Stand Clear”. Magnan Emrich, Nueva York.
Maestría en Artes Visuales. Hunter College Nueva York. (Graduación en 2014) Licenciatura de Artes Visuales University of Texas at El Paso 2005
2005
SELECCIÓN DE EXPOSICIONES PERSONALES / SELECTED ONE-PERSON EXHIBITIONS
2003
2015
SELECCIÓN DE EXPOSICIONES GRUPALES / SELECTED GROUP EXHIBITIONS
2014
2015
“Everything but the kitchen sank”. The San Francisco Art Institute SFAI, San Francisco, USA. Abstinence makes the heart grow fonder”, Stanley Rubin Center, El Paso Texas.
2013
“Las Quince Letras”. Museo Experimental El Eco, México DF. “El Diente Dorado del Caballo Regalado”. Revolver Lima, Perú. “Fruto de una infinidad de circunstancias imposibles de determinar”. González y González, Santiago de Chile.
2011
“Within the Realm of Possibility”. College of Wooster Art Museum Wooster Ohio. Something for Nothing. Chert, Berlín. “Did it my way and I took the highway”. Fundación Magnolia / Rove Gallery, Londres.
2010
“The heaviest baggage for the traveler is the empty one”. Magnan Metz, Nueva York. “Ideational Architectures Los Angeles Municipal Gallery”, Los Angeles.
2009
“Those who live by the sword, die by the sword or by third hand smoke”. Chert, Berlín.
“Mix Series”. Dallas Center for Contemporary Art, Dallas TX “Verdevete”. Glass Gallery UTEP, El Paso TX. “Impermeable”. Union Gallery, El Paso TX.
“5 RPM”, Galeria the 9.99, Guatemala, Guatemala
2014
XVI Bienal de Fotografía. Centro de las Artes, Monterrey Nuevo León. Primera Bienal Nacional del Paisaje. Casa de la Cultura, Hermosillo Sonora. Foreshock. La Fabrica, Brooklyn, NY. Delirios de declive. Curro y Poncho, Guadalajara, Mexico. Largo x Ancho x Alto / Height x Width x Depth. The 9.99, Guatemala. Game changer. Boulder Museum of Contemporary Art, Colorado. About a Mountain. Aysa Geisberg, New York. What goes there? Y Gallery, New York. “Common ground: Earth. Borusan Contemporary”, Estanbul, Turquía. “The Invitational”, Kunsthalle Galapagos, Brooklyn. “Largo x Ancho x Alto / Height x Width x Depth”, the 9.99 gallery, Guatemala city, Guatemala.
2013
“Anti thesis” .Present Company/Active Space, Brooklyn. “Art at the Border. 516 Arts”. Albuquerque Nuevo México.
“Epic Fail”. Storefront, Brooklyn. “I forgot to forget”. Urban Arts Space, Columbus Ohio. “Turn Off the Sun”. Arizona State University. Museum of Art, Phoenix Arizona.
2012
“Caminar la línea”. Max Estrella, Madrid.
2011
“6ª VentoSul - Bienal de Curitiba”. Oscar Niemeyer Museum. Curitiba, Brasil. “Dublin Contemporary 2011”. Dublin, Irlanda. “Anonymous Presence”. Y Gallery, Nueva York.
2010
“2nd “Qui Vive?” Moscow International Biennale for Young Art. Moscú. “Drinnen und Draussen”. Chert, Berlín. “You are free”. Tape Club, Berlín.
2009
Centro Nacional de las Artes, México DF.
2006
“Queens International 2006”. Queens Museum of Art, Nueva York. “El equilibrio y sus derivados”. Casa del Lago, México DF. “Mix 2005 (redux)”. Landmark Arts Texas Tech, Lubbock Texas.
2005
“Intersections”. Waterstop Gallery, Marfa Texas. “Performágia 3”. Museo del Chopo, México DF.
2004
“Border Art Residency Site Project”, El Paso Texas. “Nine hundred Ten” Texas St. Warehouse, El Paso Texas. “2004 Young Latino Artist (YLA N.9)”. Mexic-Arte Museum, Austin Texas.
“20 Años del Fondo Nacional para la Cultura y las Artes”, Biblioteca Vasconcelos, Mexico City. “La Constelación del Perro”. Galería Jesus Gallardo, Guanajuato México. “One foot apart”. Galeria Leme, Sao Paulo, Brasil. “Hecho en Casa”. Museo de Arte Moderno, México DF. “ABC Drafts Establishing Future”, Berlín. “La Constelación del Perro”. Casino Metropolitano, México DF. “Andrew Palmer, Alejandro Almanza Pereda, Patty Chang”. Galerie Rüdiger Schöttle, Múnich Alemania. “Chelsea Visits Havana”. Museo de Bellas Artes, Habana, Cuba. “The Grand”. Amelie A. Wallace Gallery, Old Westbury Nueva York.
2003
2008
RESIDENCIAS Y RECONOCIMIENTOS / RESIDENCIES AND AWARDS
“Tension-Release”. Caren Golden, Nueva York. “My Little Membrane”. Nurture Art, Brooklyn. “Displacement”. Greenbelt, Brooklyn. “Squaring the Circle”. Alphazed Project, Brooklyn.
2007
“Making Good Luck”. Y Gallery, Nueva York. “Host”. Soap Factory, Minneapolis Minesota. “S-Files 007”. Museo del Barrio, Nueva York. “Media Asta Half-Mast”. Haydee Rovirosa Gallery, Nueva York. “Creación en Movimiento Jóvenes Creadores” 20052006.
“1220” Texas St. Warehouse, El Paso Texas. “2003 Outstanding Student Achievement in Contemporary Sculpture”. International Sculpture Center, Hamilton Nueva Jersey. “Rim Road Show”. Bridge Center for Contemporary Arts, El Paso Texas. “El Rey Del Camino”. Union Gallery, El Paso Texas. “Centro Municipal de las Artes (CEMA)”, Cd. Juárez México. “Guerrilla Art. Bridge Center for Contemporary Arts”, El Paso Texas.
2002
Juried Student Art Show (2002-2003-2004-2005). UTEP, El Paso Texas.
SFAI Artist in Residency 2015 Honorable Mention XVI Bienal de Fotografía Centro de la Imagen Mexico City 2014 Bemis Center for Contemporary Arts, Omaha Nebraska. Harpo Foundation Grant, Los Angeles. Cisneros Fontanals Art Foundation Grants Program, Miami Florida. Fondo Nacional para la Cultura y las Artes (FONCA), Programa Jóvenes Creadores
México DF 2005 y 2007. 2005, 2003, & 2002 Best of Show Arlene Mc Kinon Award, University of Texas at El Paso Juried Student Art Show. Best Photograph/Digital Image, University of Texas at El Paso 2005 Juried Student Art Show. The Skowhegan School of Painting and Sculpture, 2004 Summer Residency Program. Serie Print Project XI Coronado Studios Residency. Austin Texas 2004 Outstanding Student Achievement in Contemporary Sculpture Award 2003 International Sculpture Center. Best Sculpture Award University of Texas at El Paso 2003 Juried Student Art Show
SELECCIÓN BIBLIOGRÁFICA / SELECTED BIBLIOGRAPHY Sin Límites. Arte Contemporáneo en la Ciudad de México. 2000-2010 RM + Cubo Blanco + CONACULTA (2014) Curating at the Edge, Artists Respond to the US/Mexico Border. University of Texas Press. (2014) It’s Nice that Annual 2013 London (2013) Turn of the Sun, Selections from La Colección Jumex (2013) “Erratic. Visual Impact in Current Design”Gestalten, Berlin. (2012) The Younger than Jesus Artist Directory, Phaidon Press (2009) Alejandro Almanza Pereda: Andamio (Temporary Frameworks) Art in General New Commissions Program Book Series Vol. X. Alejandro Almanza Pereda: Works and Process (Paperback) Magnan Projects (2008.)
KADER ATTIA
2011
Born Seine Saint-Denis, Dugny, France, 1970 Lives Berlin, Germany and Algiers, Algeria
2010
EDUCATION 1998
Ecole Nationale Supérieure des Arts Décoratifs Paris, France
1994
Escola de Artes Applicades ‘La Massana’, Barcelona, Spain
1993
Ecole Supérieure des Arts Appliqués ‘Duperré’, Paris, France
SOLO EXHIBITIONS 2015
Complimentary Conversations, Galerie Krinzinger, Vienna, Austria Musee Cantonal des Beaux Arts, Lausanne, Switzerland Ghost, Stiftelsen 3,14, Bergen, Norway
2014
Lehmann Maupin, New York, NY Beginning of the World, Galleria Continua, Beijing, China; travelled to Galleria Continua, Boissy-le-Châtel, France Culture, natural recovery, Middelheim Museum, Antwerp, Belgium Contre Nature, Beirut Art Center, Beirut, Lebanon Continuum of the Repair: The Light of Jacob’s Ladder, Whitechapel Gallery, London, United Kingdom; travelled to BOZAR Centre for Fine Arts, Brussels, Belgium
2013
Repair, 5 Acts, KW Institute for Contemporary Art, Berlin, Germany
2012
Construire, Déconstruire, Reconstruire: Le Corps Utopique, Musée d’Art Moderne de la Ville de Paris, Paris, France Collages, Galerie Christian Nagel, Berlin, Germany Essential, Galleria Continua, San Gimignano, Italy
Ghost, Galerie Christian Nagel, Antwerp, Belgium Holy Land, Galleria Continua, San Gimignano, Italy
2009
Po(l)etical, Krinzinger gallery, Vienna, Austria As a fold, Horizon is not a space, Galerie Christian Nagel, Berlin, Germany Kasbah, Centre de Création Contemporaine de Tours, Tours, France Failures, Noga Gallery, Tel Aviv, Israel
2008
Signs of Reappropriation, The Savannah College of Art and Design, Atlanta, GA Black & white: signs of times, Centro de Arte Contemporaneo Huarte, Huarte, Spain Kader Attia – New Works, Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, WA
2007
Samsøn Projects, Boston, MA Momentum 9, ICA, Boston, MA Square Dreams, BALTIC Center for Contemporary Art, Newcastle, United Kingdom Do what you want but don’t tell anybody, Christian Nagel gallery, Berlin, Germany
2006
Tsunami, Magasin, CNAC, Grenoble, France Kader Attia, Musée d’Art Contemporain de Lyon, Lyon, France Sweet sweat, Andréhn-Schiptjenko gallery, Stockholm, Sweden
2005
The Gallery @ Sketch, London, United Kingdom
2004
HALLAL, Kamel Mennour Gallery, Paris, France
2002
Alter Ego, Kamel Mennour Gallery, Paris, France
2001
Photostories, Martine et Thibault de la Châtre, Paris, France
2000
La Piste d’Atterrissage, l’Atelier, Centre National de la Photographie, Paris, France
1997
Instants Urbains, Galerie L’œil du huit, Paris, France
1996
Humanistes au Congo, Centre culturel Français de Brazzaville, Brazzaville, Congo
GROUP EXHIBITIONS 2016
Marrakech Biennale 6, Marrakech, Morocco 3rd Edition of the Dhaka Art Summit, Dhaka, Bangladesh
2015
Nel Mezzo del Mezzo, The Palazzo Riso, Museo d’Arte Contemporanea della Sicilia, Palermo, Italy ICA Collection: Transcending Material, Institute of Contemporary Art, Boston, MA History Lesson, Centro Atlántico de Arte Moderno, Canary Islands, Spain La vie moderne, Biennale de Lyon, Lyon, France Theorem, Mana Contemporary, Jersey City, New Jersey Future Seasons Past, Lehmann Maupin, New York, NY Invisible Violence, Salzburger Kunstverein, Salzburg, Austria Streamlines, Deichtorhallen Hamburg, Hamburg, Germany Chercher le garcon- Exposition collective d’artistes homes, MAC/VAL, Vitry-sur-Seine, France Picasso in Contemporary Art, Deichtorhallen, Hamburg, Germany Centre Pompidou-Malaga, Malaga, Spain Catcontent, Stadtpalais Stadt Erlangen, Erlangen, Germany Concrete, Tophane-I Amire Culture and Arts Center, Mimar Sinan Guzel Sanatlar Universitesi, Istanbul, Turkey Michel Leiris & Co: Picasso, Miro, Giacometti, Bacon…, Centre Pompidou-Metz, Metz, France Le Corbusier dans l’Art Contemporain, Fondation Le Corbusier, Paris, France La vie moderne, Biennale de Lyon, Lyon, France The Divine Comedy: Heaven, Pugatory and Hell
Revisited, The Smithsonian Museum of African Art, Washington D.C.
2014
The Theory of Colour, Museo Universitario Arte Contemporáneo, Mexico City, Mexico Garden of Everyday Errors, Alternativa 2014, Wyspa Institute of Art, Gdansk, Poland Whorled Explorations, curated by Jitish Kallat, Kochi-Muziris Biennale, Kochi, India Rainbow in the Dark, SALT Galata, Istanbul, Turkey Notes on the Start of the Short 20th Century: Contemporary Art of the First World War, Motorenhalle, Projektzentrum für zeitgenössische Kunst, Dresden, Germany When Nowhere Becomes Here, Poznan Biennale, Poznan, Poland Il delitto quasi perfetto, Pac, Milan, Italy The Sensory War 1914-2014, Manchester Art Gallery, Manchester, United Kingdom Memory, Place, Desire: Contemporary Art of the Maghreb and Maghrebi Diaspora, Cantor Fitzgerald Gallery, Haverford College, Haverford, PA The Reluctant Narrator: A survey of narrative practices across media, Museu Coleção Berardo, Lisbon, Portugal The Divine Comedy: Heaven, Purgatory, and Hell Revisited, Savannah College of Art and Design Museum of Art, Savannah, GA Time Present- Contemporary Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore Cut, Paste, Repair: A Hundred Years of Collage, Sicardi Gallery, Houston, TX Invisible Violence, Artium, Basque Museum-Centre of Contemporary Art, Álava, Spain Here and Elsewhere, New Museum, New York, NY The Theory of Colour, Museo Universitario Arte Contemporáneo-UNAM, Mexico Universidad Nacional Autónoma de Mexico (UNAM), Mexico City, Mexico Artpace, San Antonio, TX Art Histories, MdM Salzburg, Salzburg, Austria Transfigurations, Curatorial and Artistic Research in an Age of Migrations, MACBA, Barcelona, Spain La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon, France Project Hlysnan: The Notion and Politics of
Listening, Casino Luxembourg - Forum d’Art Contemporain, Luxembourg, Luxembourg Invisible Violence, Artium, Basque Museum-Centre of Contemporary Art, Vitoria, Spain; Museum of Contemporary Art, Belgrade, Serbia Double Jeu, Les Turbulances – FRAC Centre, Orleans, France Dak’Art 2014, 11éme Biennale de l’Art Africain Contemporain, Dakar, Senegal Precarious Imaging, Raw Material Company, Dakar, Senegal Hajj, le pèlerinage à La Mecque, Institut du Monde Arabe, Paris, France The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists, Museum für Moderne Kunst, Frankfurt, Germany Where are we now?, 5th Marrakech Biennial, Marrakech, Morocco Tranka Episode #1 - Sextant et plus, La Friche La Belle de Mai, Marseille, France The Crime Was Almost Perfect, Witte de With Contemporary Art, Rotterdam, The Netherlands
2013
Unstable Territories: Borders and Identity in Contemporary Art, Centro di Cultura Conemporanea Strozzina Fondazione Palazzo Strozzi, Florence, Italy After year Zero, Haus der Kulturen der Welt, Berlin, Germany Salon der Angst, Kunsthalle Wien, Vienna, Austria 43 Salón (inter) Nacional de Artistas, Medellin, Colombia La Méditerranée n’est pas seulement une géographie – Collection Société Générale, Marseille, France Aqua Vitalis - Acte 2, Palais Ducal Impasse du Duc Rollon Artothèque de Caen, Cannes, France Aqua Vitalis - Acte 1, Hôtel d’Escoville - Artothèque de Caen, Cannes, France Kader Attia, Jorge Macchi, Jose Antonio Suarez Londono, 43 Salon (inter) Nacional de Artistas, Medellin, Colombia Museum Off Museum. Erster Teil, Kunstverein Bielefeld, Bielefeld, Germany Altérité, Je est un Autre, Espace Culturel Louis Vuitton, Paris, France Art Unlimited, Art Basel 44, Basel, Switzerland Le Pont, Musée d’Art Contemporain de Marseille,
Marseille, France Relaunch, KW Institute for Contemporary Art, Berlin, Germany Terms and Conditions, Singapore Art Museum, Singapore The World Turned Inside Out, Witte de With, Rotterdam, The Netherlands Every day matters, Farschou Foundation, Copenhagen, Denmark Le CAPC a 40 ans, CAPC, Bordeaux, France Modernity ? Perspective from France and Turkey, Istanbul Modern, Istanbul, Turkey Here, Elsewhere / Ici, ailleurs, La Friche La Belle de Mai, Marseille, France
2012
Documenta (13), Fridericianum Museum, Kassel, Germany Performing Histories, The Museum of Modern Art, New York, NY 10 ans du Projet pour l’Art Contemporain, Centre Pompidou, Paris, France Mirages d’Orient, grenades et figues de barbarie, Chassé-croisé en Méditerranée, Collection Lambert, Avignon, France The Far and the Near: St Ives and International Art, Tate St Ives, St Ives, United Kingdom Die Stadt, die es nicht gibt, Ludwig Forum für Internationale Kunst, Aachen, Germany Liverpool Biennial 2012, Tate Liverpool Collection Exhibition: Tresholds, Liverpool, United Kingdom Cartographies of Hope: Change Narratives, DOX – Centre for Contemporary Art, Prague, Czech Republic Newtopia: The State of Human Rights, exhibition for the City of Mechelen, Mechelen, Belgium The Rituals of Chaos, The Bronx Museum, New York, NY Glissement de terrain: impertience-ResistanceSurvivance, Le musée lanchelevici, La Louviére, Belgium Where is the time?, Foundation Izolyatsia, Donetsk, Ukraine Raüme der Erinnerung, Kunsthalle Düsseldorf, Düsseldorf / Germany Skyscraper: Art and Architecture Against Gravità, Museum of Contemporary Art Chicago, Chicago, IL The Best of Times, The Worst of Times, 1st Kiev International Biennale of Contemporary Art,
Kiev, Ukraine Chkoun Ahna, National Museum of Carthage, Carthage, Tunisia Unheimliche Reisen, Archiv trifft Gegenwart, Dienstgebäude, Zurich, Switzerland In Other Words, NGBK, Berlin, Germany Vivement demain, Mac/Val, Vitry-sur-Seine, France Hajj, Journey to the heart of Islam, the British Museum, London, United Kingdom
2011
Beijing Online Inlive - 10 Hands 100 Fingers, Galleria Continua, Beijing, China After the Rage, Beton7, Athens, Greece J’ai Deux Amours, Cité nationale de l’histoire de l’immigration, Paris, France Collector, Collection of the Fond National d’Art Contemporain, Le Tri Postal, Lille, France Drift – an exploration of urban and suburban landscapes, Sharjah Art Foundation, Sharjah, UAE The Walls That Divide Us, Apexart, New York, NY Magreb: Dos Orillas, Círculo de Bellas Artes de Madrid, Madrid, Spain SPHERES 2011, 7 énergies autour d’une nouvelle expérience d’exposition, Galleria Continua, Le Moulin, France 4th Moscow Biennale, Moscow, Russia Wunder. Kunst, Religion und Wissenschaft vom 4. Jahrhundert bis zur Gegenwart, Deichtorhallen Hamburg, Hamburg, Germany The Global Contemporary. Art World after 1989, ZKM, Karlsruhe, Germany Dublin Contemporary, Biennale of Dublin, Dublin, Ireland Contested Terrains, Tate Modern, London, United Kingdom French Art Today: Marcel Duchamp Prize, National Museum of Contemporary Art Korea, Gwacheon, South Korea The Future of a Promise - Collateral exhibition, Venice Biennale 2011, Magazzini del Sale, Venice Evergreen, Crédit Agricole de Montrouge, France Paris-Delhi-Bombay, the Centre Pompidou, Paris, France Entre-Temps, Minsheng Art Museum Shanghai, Shanghai, China PAX, Fondation Francès, Senlis, France French Window, Mori Museum, Tokyo, Japan Strike Oppose, Barjeel Art Foundation, Sharjah, UAE Living Room Exotica, Kunsthaus Glarus, Glarus, Switzerland
De leur Temps (3), FRAC d’Alsace – Sélestat, Grenoble, France, Musée d’Art Moderne et Contemporain, Strasbourg, France PROJECT EUROPA: Imagining the (Im)possible, The Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY
2010
Told/Untold/Retold, Arab Museum of Modern Art, Doha, Qatar Lo spazio del sacro, Galleria Civica di Modena, Modena, Italy SUD 2010, Salon Urbain de Douala, festival triennal d’art public, Espace doual’art centre d’art contemporain Place du Gouvernement Bonanjo, Douala, Camerun SPHERES 2010, 7 énergies autour d’une nouvelle expérience d’exposition, Galleria Continua, Le Moulin / France La Route de la Soie, New Chinese, Le Tri Postal, Lille, France PICHA festival, Lubumbashi Image Encounters, Lubumbashi, Democratic Republic of Congo Utopia and Monument II. On Virtuosity and the Public Sphere, Graz, Austria FotoGrafia IX Festival Internazionale di Roma, MACRO Testaccio, Rome / Italy Centenary of Museo Nacional de Bellas Artes, Santiago de Chile, Chile The Future of Tradition - The Tradition of Future, Haus der Kunst, Munich, Germany Make Yourself at Home, Kunsthal Charlottenborg, Copenhagen, Denmark Living in Evolution, Busan Biennale, Busan / Korea Street & Studio – >From Basquiat to Séripop, Kunsthalle Wien, Wien / Austria Geo-graphics, A Map of Art Practices in Africa, Past and Present, Bozar, Brussels, Belgium The Flower of May, Kunsthalle Gwangju and City Museum, Gwangju / Korea Unerwartet. Von der islamischen Kunst zur zeitgenössischen Kunst, Kunstmuseum Bochum, Bochum / Germany Art Unlimited, Art Basel 41, Basel / Switzerland Entre Temps, LoftProject ETAGI, Saint Petersburg / Russia THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age, Biennale of Sydney, Sydney, Australia Dreamlands, Beaubourg - Centre Georges Pompidou, Paris, France
PROJECT EUROPA: Imagining the (Im)possible, The Samuel P. Harn Museum of Art University of Florida, Gainesville, FL
2009
Mehr als ein T-Shirt, Bielefelder Kunstverein, Bielefeld, Germany Gagarin the Artists in their Own Words – The first Decade, SMAK, Ghent, Belgium Disorientation II, Abu Dhabi, UAE Los de arriba y los de abajo, Sala de Arte Público Siqueiros, Mexico DF, Mexico FIAC, Musée national d’art moderne et contemporain, Algiers, Algeria Frontières, 8th African Biennale of Photography, Bamako, Mali Sphères, Galleria Continua / Le Moulin, Boissy-leChâtel, France Dispositifs optiques, Centro Andaluz de Arte Contemporáneo, Seville, Spain Cargo, Autocenter, Berlin, Germany Pulisoni Performative Nell’Arte Contemporanea, Torrione Passari, Molfetta, Italy Entre-Temps, Espaço Cultural Oi Futuro, Rio de Janeiro, Brazil Louis Vuitton: A Passion for Creation, Hong Kong Museum of Art, Hong Kong, SAR Time out of Joint: Recall and Evocation in Recent Art, The Kitchen, New York, NY Praxis, Art in Times of Uncertainty, Thessaloniki Biennale, Thessaloniki, Greece Collection 10, IAC - Institut d´art contemporain - Frac Rhône-Alpes, Villeurbanne / France La Force de l’Art, Paris Triennial, Grand Palais, Paris, France Tuileries Gardens, FIAC 2009, Paris / France Entre-Temps, MIS - Museu da Imagem E Do Som, Sao Paulo, Brazil Integration and resistance in the global era,10th Havana Biennale, Havana, Cuba Nation State, Goodman Gallery Cape, Cape Town, South Africa Looking Inside-out, Kunstnernes, Oslo, Norway Unveiled: New Art from the middle east, Saatchi Gallery, London, United Kingdom
2008
The Other, Cairo Biennale, Cairo, Egypt Crossings Traversees, Darb 1718 Contemporary Art and Culture Center, Cairo, Egypt
Travesia, Centro Atlántico de Arte Moderno, las Palmas de Gran Canaria, Canary Islands, Spain Réfléchir le Monde, La Centrale Electrique, Brussels, Belgium In the Desert of Modernity, Haus der Kulturen der Welt, Berlin, Germany Defense, Skeppsholmen, Stockholm, Sweden Pontevedra Biennale, Pontevedra, Spain Representations of the artist as an intellectual, D21 Kunstraum, Leipzig, Germany Traversée, Art Paris, Paris, France Elefante Negro, Diego Rivera Museum, Mexico DF, Mexico
2007
Suite Française, Krinzinger Projekte, Vienna, Austria The Big Easy, ACC Galerie Weimar, Weimar, Germany The Big Easy: Relocating the Myth of the “West”, Stiftung Federkiel - Halle 14, Leipzig, Germany Les Rencontres Internationales Paris/Berlin/Madrid, Galerie nationale du Jeu de Paume, Paris, France Temporally, The Israeli Center of Digital Art, Holon, Israel De leur Temps (2), Musée de Grenoble, Grenoble, France Sculpture Park, Frieze Art Fair, London, United Kingdom Equatorial Rhythms, Sternersen Museum, Oslo, Norway Theater of Cruelty, White Box, New York, USA Signes d’Existence, MAC Museo de Arte Contemporáneo, Universidad de Chile, Santiago, Chile New Economy, The Artists Space, New York, NY Dialogues méditerranéens, St Tropez, France Accélération, Centre d’Art Neuchâtel, Neuchâtel, Switzerland L ‘Emprise du Lieu #4, Domaine Pommery, Reims, France Politics of Fear, Albion, London, United Kingdom
2006
1st Art, Landscape & Architecture Biennial, Canary Islands, Spain BLACK PARIS. Kunst und Geschichte einer schwarzen Diaspora, Iwalewa-Haus, Bayreuth, Germany Nuit Blanche, Paris, France
Arabic views, Kunstforeningen GL Strand, Copenhagen, Denmark Infinities, Art Unlimited, Art Basel 37, Basel, Switzerland Take a walk on the wild side, de Pury & Luxembourg gallery, Zurich, Switzerland Notre Histoire, Palais de Tokyo, Paris, France 2005 Meeting Point, Sternersen Museum, Oslo, Norway In between times, Tramway, Glasgow, United Kingdom Regards des photographes arabes contemporains, Institute of the Arab World, Paris, France Big Bang, Jewish Art and History Museum, Paris, France Expérience de la durée, 8th Lyon Biennale, Lyon, France Living for the City, Jack Shainman Gallery, New York, NY The Loop, Art Unlimited, Art Basel 36, Basel, Switzerland Singuliers, Guangdong Museum of Art, Canton, China
2004
The Sweatshop, Art Position, Art Basel Miami, Miami, FL Videozone, Video Art Biennale, Herzliya Museum, Tel Aviv, Israel Near East Project, Schirn Kunsthalle, Frankfort, Germany Continental Breakfast, Belgrade, Czech Republic Shake, OK Centrum für Gegenwartskunst, Linz, Austria; Villa Arson, Nice, France
2003
Correspondance, Statement Area, Art Basel 34, Basel, Switzerland Fault Lines, 50th Venice Biennale, Venice, Italy Voyages d’Artistes, Foundation Electra, Paris, France Ouvertures Algériennes: créations vivantes, La Criée, Rennes, France
2002
Les vertus sont des titres, les souffrances sont des droits, FRAC Poitou-Charentes, Angoulême, France
2001
L’Alchimie de la rencontre, FRAC ChampagneArdenne, Reims, France L’état des choses part.1, Kunst-werke, Institut d’Art Contemporain, Berlin, Germany
PUBLIC COLLECTIONS Barjeel Art Foundation, UAE Collection Centre Georges Pompidou, Paris, France La Collection Uhoda, Belgium Deutsche Bank Collection, Germany Fondation Francès, France Fondation Louis Vuitton pour la Création, Paris, France Fond National d’Art Contemporain, France Fond Régional d’Art Contemporain Centre – Orléans, France Fond Régional d’Art Contemporain Lorraine, France Fond Régional d’Art Contemporain des Pays de la Loire, France Fond Régional d’Art Contemporain PoitouCharente, France Géotec Collection, France Institut d’Art Contemporain, Villeurbanne, France Institute of Contemporary Art, Boston, MA Irene Panagopoulos Collection, Athens, Greece Jumex Collection, Mexico Mac/Val, Vitry-sur-Seine, France MAHTAF: Arab Museum of Modern Art, Doha, Qatar Marguliès Collection, Miami, FL Musée d’Art Contemporain de Lyon, France Musée d’Art Moderne de la Ville de Paris, France Museum für Moderne Kunst, Frankfurt, Germany Museum of Modern Art, New York, NY Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Germany Sharjah Art Foundation, UAE Société Générale, Paris, France Tate Gallery, London, United Kingdom UniCredit Art Collection, Austria Vanmoerkerke Collection, Belgiumvvvvv
SANTIAGO SIERRA b.1966, Madrid
EDUCATION
‘Devouring Peninsulas Trilogy, The Hellenic, Italic and Iberic Peninsulas’ Prometeo Gallery, Milan, Italy, Pigs
2012
BA in Fine Arts, Universidad Complutense, Madrid Círculo de Bellas Artes, (JGDokoupil), Madrid
‘Global Tour’, Team Gallery, New York, NY ‘Los encargados’, Helga de Alvear, Madrid, Spain ‘Dedicated to the Workers and Unemployed’, Lisson Gallery, London, UK ‘Santiago Sierra’, Reykjavik Art Museum, Reykjavik, Iceland
1989/1991
2011
1989
University of Fine Arts (FE Walter, BJ Flower and S. Brown), Hamburg
1995/1997
Escuela de San Carlos, Universidad Autónoma de México, Mexico City
SOLO EXHIBITIONS 2015
‘Santiago Sierra: La Lona’, Laboratory, Mexico City
2013
Santiago Sierra, Sculpture, photography, film, Falckenberg Collection, Hamburg Germany ‘Veterans’ Team Gallery, New York, USA ‘Los encargados’, Helga de Alvear, Madrid, Spain “Pigs devouring the Hellenic, Italic and Iberic Peninsula”, di Ida Pisani prometeogallery, Milan, Italy ‘Santiago Sierra. Sculpture, Photographer, Video ‘, Kunsthalle Tübingen, Germany ‘Santiago Sierra’, solo show, Greenaway Gallery, Kent Town, Australia, SA ‘Germany 1990-2012’, Kunsteverein Arnsberg, Arnsberg, Germany ‘Void’, Derry, Ireland (curated by Sara Greavu andJonathan Cummins, forthcoming November) ‘Museum De Pont’, Tilburg, Netherlands, Destroyed Word, ‘KOW Berlin’, Berlin, Germany, 40m3 of Earth from the Iberian ‘Santiago Sierra. Sculpture, photography, film ‘, Kunsthalle Tübing en, Tübingen, Germany ‘Destroyed Word’ Te Tuhi Centre for the Arts, Auckland, New Zeland
‘Santiago Sierra: CMX 04’, Galeria Helga de Alvear, Madrid, Spain ‘No -Global Tour’, ARTIUM Centro-Museo de Art Contemporaneo Basco, Vitoria, Spain. This exhibition travels to RURART, Poitiers, France
2010
‘Santiago Sierra: 7 Forms measuring 600 x 60 x 60 cm, Constructed to be held horizontally to a wall’, Queensland Art Gallery - Gallery of Modern Art, Brisbane, Australia ‘No - Global Tour’, American University Museum, Washington, USA ‘Enterramiento de diez trabajadores’, Chiesa del Luogo Pio, Livorno, Italy
2009
‘NO, Global Tour’, Various Locations, ongoing project ‘Santiago Sierra: The Penetrated’ Galera Helga de Alvear, Madrid, Spain ‘Death Counter’, commissioned by ELECTRA as part of ‘Offer & Exchange: Sites of Negotiation in Contemporary Art’, Hiscox Headquarters, London, UK ‘Santiago Sierra’, Magasin 3 Stockholm Konsthall, Stockholm, Sweden ‘Santiago Sierra’, MARCO, Vigo, Spain ‘Ponticelli’, Museu Madre, Naples, Italy Santiago Sierra’. Prometeo Gallery di Ida Pisano, Milano, Italy
2007
‘Santiago Sierra’, Prometeogallery, Milano, Italy ‘Proyecto Caracas’, Sala Mendoza and Centro Cultural Chacao, Caracas, Venezuela ‘Submission’, Proyecto Juárez, Ciudad Juarez, Mexico
‘Santiago Sierra - New Works’, Lisson Gallery, London, UK ‘The Trap’ and ‘The Adults’, Centro Cultural Matucana, Santiago de Chile, Chile ‘Himnos “Cabildo de Montevideo, Montevideo, Uruguay
2006
‘Santiago Sierra’, CAC Malaga, Spain ‘Diamond Traffic Kills / Gold Traffic Kills’, Chus Bures Space, Madrid ‘245 m3’, Stommeln Synagogue, Pulheim, Germany ‘Santiago Sierra’, Galerie Peter Kilchmann, Zurich, Switzerland
Mexico City, Mexico ‘Person saying a phrase’, New Street, Birmingham, UK Ikon Gallery, Birmingham, UK Galería Foksal, Warshaw, Poland Carlier / Gebauer, Berlin, Germany Claudio Poleschi Arte Contemporanea, Lucca, Italy Galería Peter Kilchmann, Zurich, Switzerland Deitch Projects, New York, USA 3,000 Holes of 180 x 50 x 50 cm each ‘, Montenmedio Arte Contemporáneo, Cádiz, Spain
2001
‘Santiago Sierra. House in the mud ‘, Kestner Gesellschaft, Hannover, Germany ‘Una persona’, Galleria Civica di Arte Contemporanea, Trento, Italy ‘Santiago Sierra Under Construction 2: Casa Poporului’, National Museum of Contemporary Art, Bucharest, Romania
‘20 Workers in a ship’s storage room ‘, Port of Barcelona, Spain ‘33 Persons paid to have Their hair dyed blond ‘, Arsenale, Venice, Italy Galería Pancho Fierro, Lima, Peru. Art Unlimited Basel, Switzerland Galerie Peter Kilchmann, Zurich, Switzerland Miami Art Fair, Project Room, Miami, USA ‘11 People paid to learn a phrase ‘, Casa de la Cultura de Zincatan, Mexico
2004
2000
2005
‘Santiago Sierra’, Museum Dhondt-Dhaenens, Belgium ‘Santiago Sierra’, Lisson Gallery, London, UK Santiago Sierra - class struggle’, Poleschi Arte Contemporanea, Lucca, Italy ‘Santiago Sierra’, Galerie Peter Kilchmann Gallery, Zurich, Switzerland ‘Santiago Sierra’, Kunsthaus Bregenz, Bregenz, Austria ‘Santiago Sierra’, Centre d’art contemporain de Brétigny, France Bretigny ‘Santiago Sierra’, Galeria Helga De Alvear, Madrid, Spain
2003
‘Santiago Sierra’, Galeria Enrique Guerrero, Mexico City, Mexica ‘Hooded Woman Seated Facing The Wall’, Spanish Pavilion, 50th Venice Biennial.Venice, Italy
2002
‘Hiring and Arrangement of 30 Workers in Relation to Their Skin Color’ Project Space, Kunsthalle Wien, Vienna, Austria ‘The Displacement of a Cacerolada’, Kunsthalle Wien, Project Space Karlsplatz, Vienna, Austria ‘Group of persons facing the wall and into a person facing corner’, Lisson Gallery, London, UK ‘Two Maraca Players’, Galería Enrique Guerrero,
Art Berlin, Berlin, Germany. ‘Person Renumerated for a period of 360 consecutive hours’, PS1., New York, USA Proyecto Zapopan, Jalisco, México. ‘The wall of a gallery pulled out, inclined 60 degrees from the ground and sustained by 5 people ‘, Acceso A, Mexico City, Mexico ACE Gallery, New York, USA Belia De Vico Arte Contemporaneo, Guatemala City, Guatemala
1999
Espacio Aglutinador, Havana, Cuba Rufino Tamayo Museum, Mexico City, Mexico ACE Gallery, Los Angeles and New York, USA ‘Elimination of the wooden platform of the double floor’, Ex-Teresa Space, Mexico City, Mexico ‘8 people paid to remain inside cardboard boxes’, G & T Building, Guatemala City, Guatemala
1998
‘La Torre de los Vientos’, Mexico City, Mexico ‘Obstruction of a freeway with a truck’s trailer’, Mexico City, Mexico
1997
Galeria BF15, Monterrey, Mexico
Galeria Art & Idea, Mexico City, Mexico
1996
Museo Carrillo Gil, Mexico City, Mexico
1994
Galeria Angel Romero, curated by Angel Romero, Madrid, Spain
SELECTED GROUP EXHIBITIONS 2015
‘Beleza?’, Centro Cultural Sao Paulo, Brazil ‘Say What?’, Galeri Zilberman, Istanbul ‘Progress and Hygiene’, Zacheta - National Gallery of Art, Warsaw, Poland
2014
‘And the Trees Went Forth to Seek a King’, MOTS Museum on the Seam, Jerulsalen, Isreal ‘Smart New World’, Kunsthalle Dusseldorf, Germany ‘I’m Still Here’, Magasin 3 Stockholm Konsthall, Stockholm ‘Booster: Art Sound Machine’, Marta Herford, Germany ‘Black Box: Santiago Sierra and Jorge Galindo. Los Encargodos’, Smithsonian’s Hirshhorn Museum, Washington DC ‘The end of 20’, century. It gets better ‘, Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Germany
2013
‘Jorge Galindo & Santiago Sierra: Los encargados’, Galeria Helga de Alvear, Madrid, Spain ‘Together / Apart’, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland ‘Emergency Pavilion: Rebuilding Utopia’, curated by Jota Castro, Collateral Event, 55 ° Biennale di Venezia, Venice, Italy ‘The Immigrants’, Experiment 2, Giudecca, Venice, Italy ‘Economics in kind’, curated by Monika Koziol, Delfina Piekarska, Maria Anna Potocka, MOCAK Museum of Contemporary Art, Krakow, Poland
2012
‘Kochi-Muziris Biennale 2012’ curated by Bose Krishnamachari, Fort Kochi PO, Kerala, India ‘Make IT Easy make it porn’, curated by Fani Zguro, Isola Art Center, Milan, Italy
‘Reversibility. A theater of de-creation ‘, Chapter III, Peep hole and CAC Brétigny, Milan ‘Roma - Sinti - Kale - Manush’, curated by Gabi Scardi, Mark Sealy, Christine Eyene, Autograph ABP, Rinvington Place, London ‘Radici. Memoria, identità e cambiamenti nell’arte di oggi ‘, curated by Eugenio Viola, Fondazione Menegaz, Castelbasso, Teramo, Italy
2011
‘Cady Noland and Santiago Sierra’, KOW Gallery, Berlin, Germany ‘11 Rooms’, Manchester International Festival, Manchester, UK ‘Strategies of Knowledge and Power’, Open Space, Vienna, Austria ‘The Workers’, MASS MoCA, North Adams, MA, United States ‘Dirt’, The Wellcome Trust, London, UK ‘De-Building’, Christchurch Art Gallery Puna O Waiwhetu, Christchurch, New Zealand ‘NO, Global Tour’, Forum Expanded, 61 ° Berlinale, Berlin, Germany ‘Nobody’s Property: Art, Land, Space, 2000-2010’, Princeton University Art Museum, Princeton, United States ‘Investigation of a dog’, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
2010
‘No Ifs, No Buts’, DEPO, Istanbul, Turkey ‘Gallery, Gallery, Galleria’, Norma Mangione Gallery curated by Adam Carr, Turin, Italy ‘XIV Biennale Internazionale di Scultura di Carrara’, Biennale di Sculture di Carrara, Carrara, Italy ‘Fetiches Críticos. Residuos de la Economía general ‘, CA2M - Centro de Arte Dos de Mayo, Mostoles, Spain ‘Investigations of a dog’, Ellipse Foundation, Alcoitão, Spain ‘Arte y politica: Conflictos y Disyuntivas,’ Museo de Arte de Culiacan, Culiacan, Mexico ‘Nuevas Producciones: Proyecto Juárez’, Carrillo Gil Museo de Arte, Mexico City, Mexico ‘El Ángel Exterminador - A Room for Spanish Contemporary Art’, BOZAR - Palais des Beaux-Arts / Centre for Fine Arts, Brussels, Belgium ‘Thrice upon a time’, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
2009
‘Repeat All’, MIS, Sao Paulo, Brazil ‘L (..) king at others’, Art Pavilion in Zagreb, Croatia ‘ARTE VIDA ≠’ - Carrillo Gil Museo de Arte, Mexico City, Mexico ‘Lisson Presents 4’, Lisson Gallery, London, UK ‘Persona. Presencias Humana en la fotografía Contemporánea ‘, Galeria Maior, Palma de Mallorca, Spain ‘Cargo’ curated by Anna-Catharina Gebbers, Auto Center, Berlin, Germany ‘Performa’, different sites in Manhattan, New York, USA ‘Political / Minimal’ Muzeum Sztuki w Lodz, Lodz, Poland ‘The First Stop on the Super Highway’, Nam June Paik Art Center, Yongin-si, Korea ‘Offer & Exchange: Sites of negotiation in Contemporary Art’, London, UK
2008
‘The Living Currency’, Tate Modern, London, UK ‘All-Inclusive: A Tourist World’, Schirn Kunsthalle, Frankfurt, Germany ‘Arte no es Vida: Actions by Artists of the Americas, 1960-2000’, El Museo del Barrio, New York, USA ‘Greenwashing - Environment: Perils, Promises and perplexities’, Sandretto Re Rebaudengo Foundation, Torino, Italy ‘Art in the Life World’, Breaking Ground, Axis Arts Centre, Ballymun, Dublin, Ireland ‘Typical! Clichés of Jews and Others’, The Jewish Museum Berlin, Germany ‘Terms of Use’, Montehermoso Cultural Centre, VicoriaGasteiz, Spain ‘James Casabere, Elmgreen & Dragset, Alicia Framis, Santiago Sierra: Extraordinary Rendition’, Galeria Helga de Alvear, Madrid, Spain.
2007
‘Perplexed in Public’, Lisson Gallery (Various Locations), London, UK ‘Active Constellation’, Brno home of Art, Brno, Czech Republic ‘Stable - The Balance of Power’, Para / Site Art Space, Hong Kong, China ‘Paranoia’, The Freud Museum, London, UK ‘ROOM. Places of Art ‘, Akademie der Künste, Berlin, Germany ‘We are your future’, Special program during the 2nd Moscow Biennial, Moscow, Russia ‘Listening Awry’, McMaster Museum of Art, Hamilton, United States
‘Concept: Photography - Dialogues & Attitudes’, Ludwig Museum, Budapest, Hungary ‘Into Me / Out of Me’, MACRO, Rome, Italy ‘Entre Fronteiras’, Museo de Arte Contemporanea de Vigo, Spain ‘The Art of Failure’, Kunsthaus Baselland, Muttenz / Basel 4th Gothenburg Biennial of Contemporary Art, Gothenburg, Sweden ‘BOUND’, Open Eye Gallery, Liverpool, UK ‘The Invisible Show’, by Delfim Sardo and Sergio Edelsztein, The Center for Contemporary Art, Tel Aviv, Isreal ‘Objeto de Replica’, Artium Centro-Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain ‘Iviva la Muerta!’, Kunsthalle wine, Vienna, Austria ‘Existencias’, MUSAC, Leon, Spain ‘Un Fair / Trade - The Art of justice’, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria ‘Physical Education - From doing and let in art’, Kunsthalle Göppingen, Gernany Is Athens Biennial 2007, Athens, Greece FOTO.KUNST - ‘Contemporary Photography from the Essl Collection’, Sammlung Essl, Kunsthaus, Klosterneuburg, Austria ‘Generation Issue, Cuestión Xeracional’ CGAC Centro Galego de Arte Contemporanea, Santiago di Compostela, Spain Göteborg International Biennial for Contemporary Art 2007, Gothenburg, Sweden ‘Identity / Indentitäskonstruktion / home’, 7th International Photo Triennial, Esslingen, Germany ‘The Hours: Visual Art of Contemporary Latin American Art’, Museum of Contemporary Art of Sydney, Australia ‘New Economy’, Artists Space, New York, USA ‘Puntos di Vista. Contemporary art from the DarosLatinamerica Collection ‘, Kunstmuseum Bochum, Germany ‘Into Me, Out of Me’, MACRO Future, Rome, Italy E-flux video rental’, Centre culturel Suisse, Paris, France ‘Linde Ludena Sierra / Space and Violence’, The Nunnery Gallery, London, UK ‘Not Afraid of the Dark’, Hangar Bicocca - Spazio d’Arte Contemporanea, Milan, Italy ‘La era de la discrepancia’, Museo Universitario de Ciencias y Arte - MUCA, Mexico City, Mexico Repeat All’, M100 - Centro Culturtal Matucana 100, Santiago, Spain 2 Moscow Biennale of Contemporary Art, Russia ‘Space - Places of Art’, AdK - Akademie der Künste, Berlin, Germany ‘Entre Fronteras’, MARCO de Vigo Museo de Arte
Contemporanea, Vigo, Spain ‘E-flux video rental’, Carpenter Center for the Visual Arts, Cambridge, MA, USA
2006
‘Art and photography, photography and art’, Galerie Bernd Klüser, Munich, Germany ‘Surprise Surprise’, ICA, London, UK ‘Paranoia’, Leeds City Art Gallery, Leeds, UK ‘Out of Place’, The New Art Gallery Walsall, Walsall, UK ‘Paranoia - Second Coming’, Focal Point Gallery, Southend-on-Sea, UK ‘Into Me / Out of Me’, KW Institute for Contemporary Art, Berlin, Germany ‘AUTO-NOM-MOBILE’, Kunstverein Kassel, Kassel, Germany ‘TRANSIT’, ArtFrankfurt, Frankfurt am Main, Germany ‘The View from Here: Acquisitions since 2000’, Tate Modern, London, UK ‘Adquisiciones recientes’, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain ‘E-Flux Video Rental’, Arthouse at the Jones Center Contemporary Art for Texas, Austin, TX, USA ‘I Bienal del Fuego’, Museo de Bellas Artes de Caracas, Caracas, Venezuela ‘And Less Equal Equal’, Museum on the Seam, Jerusalem, Israel ‘The Grand Promenade’, recommended National Museum of Contemporary Art - EMST, Athens, Greece ‘Franz West Franz West sin + The fucker’, Centro Atlántico de Arte Moderno (CAAM), Las Palmas, Spain ‘Into Me / Out of Me’, PS1 Contemporary Art Center, Long Iceland, USA ‘Enlaces + Dos - Últimas adquisiciones’, Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid, Spain ‘En las Fronteras / In borderlines’, Museo Extremeño e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz, Spain ‘Mex 1995 - 2005’, Sammlung Essl - Kunsthaus, Klosterneuburg, Austria ‘Thesis Exhibitions 2006 Series Two’, The Center for Curatorial Studies at Bard College, Annandale-onHudson, NY, USA ‘Certain Encounters - Daros-Latinamerica Collection’, The Morris and Helen Belkin Art Gallery, Vancouver, BC, Canada ‘En las Fronteras’, Villa Croce Museo d’Arte Contemporanea, Genoa, Switzerland
2005
‘Power Plays - Artists Challenge Authorities’, Para / Site Art Space, Hong Kong, China ‘Minimalism and After IV’, DaimlerChrysler Collection, Berlin, Germany ‘This Peaceful War, The Jumex Collection’, Tramway, Glasgow, UK DMZ 2005 Korea, 25/06/05 ‘Always a Little Further’, Venice Biennale, Italy Moscow Biennale of Contemporary Art, Lenin Museum, Moscow, Russia ‘The Body. The Ruin ‘, The Ian Potter Museum of Art, Melbourne, VIC, Australia ‘War is over - 1945 - 2005 la Libertá dellarte as a Picasso Warhol a Cattelan’ GAMeC - Galleria d’Arte Contemporanea di Bergamo e Moderna, Bergamo, Italy ‘The Hours - Visual Arts of Contemporary Latin America’, Irish Museum of Modern Art - IMMA, Dublin, Ireland ‘Centre of Gravity’, Istanbul Museum of Modern Art, Istanbul, Turkey ‘General Ideas - Rethinking Conceptual Art 19872005’, the CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA ‘Expérience de la durée - Experiencing Duration’, 8e Biennale de Lyon, La Biennale d’Art Contemporain de Lyon, France ‘A Lucky Strike - art finds city’, Gesellschaft für Aktuelle Kunst eV Bremen, Germany ‘Power Plays’, Para / Site Art Space, Hong Kong, SAR, China ‘E-flux video rental’, Portikus, Frankfurt / Main, Germany ‘En attente’, Casino Luxembourg - Forum dart contemporain, Luxembourg ‘Police’, Landesgalerie at the Upper Austrian Landesmuseum, Linz, Autria ‘Always a Little Further’, 51st International Art Exhibition Venice Biennale / Biennale di Venezia, Italy Prague Biennale 2, Cezch Republic ‘Aural Cultures’, The Banff Centre - Walter Phillips Gallery, Banff, AB, Canada ‘Mexico Attacks!’, MADC Museo de Arte y Diseño Contemporáneo, San Jose, USA ‘Monument to the United States’, the CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA Sharjah International Art Biennial 7, United Arab
Emigrants ‘Interessi Zero’, Galleria Civica di Arte Contemporanea, Trento, Italy ‘Short Stories - Contemporary Selections’, Henry Art Gallery, Seattle, WA, USA ‘Nothingness’, Galerija Gregor Podnar, Ljubljana, Slovenia ‘Eco - Arte Contemporaneo Mexicano’, Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid, Spain
2004
‘Produciendo Realidad’, Chisea di Matteo, Italy ‘The Nude Form’, Baden-Baden, Germany ‘111 Constructions with 10 Modules and 10 Workers’, Peter Kilchmann Gallery, Zurich, Switzerland ‘Nothingness’, Galerie Eugen Lendl, Graz, Austria ‘De Leur Temps, Collections Privées Francaises’, Musee des Beaux Arts Tourcoing, Tourcoing, France 1 Bienal de Arte Contemporaneo de Internacionál Sevilla, Fundación Bienal Internacional de Arte Contemporáneo de Sevilla - BIACS, Sevilla, Spain 26 ° Bienal de São Paulo, Fundação Bienal de São Paulo, Brazil ‘System failure’, Edith Russ Site for Media Art, Oldenburg, Germany Liverpool Biennial 2004, Liverpool Biennial of Contemporary Art, UK ‘Seven Sins’, MUSEION - Museo d’Arte Modern and Contemporary Art, Bolzano, Italy ‘Against the Grain - New forms of drawing’, Staatliche Kunsthalle Baden-Baden, Germany ‘’ I need you ‘’, Kunsthaus CentrePasquArt - Centre Darts, Biel / Bienne, Switzerland ‘Social Capital - Forms of Interaction’, Whitney Museum of American Art, New York City, USA ‘The Big Nothing’, ICA Institute of Contemporary Art, Philadelphia, Philadelphia, PA, USA ‘SOCIAL CREATURES - How Body Becomes Art’, recommended the Sprengel Museum Hannover, Hannover, Germany ‘The Real Royal Trip / El Retorno’, Patio Herreriano Museo de Arte Contemporáneo Español, Valladolid, Spain ‘Material Witness’, MOCA - Museum of Contemporary Art Cleveland, Cleveland ‘Made in Mexico’, ICA Boston, Boston, USA ‘Made in Mexico’, The Institute of Contemporary Art, Boston, MA, USA ‘Laocoonte devorado - Arte y violencia política’, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain
2003
‘Gli Altri’, Gas Art Gallery, Torino, Italy ‘Stretch’, The Power Plant, Contemporary Art Gallery, Toronto, Canada ‘Independence’, South London Gallery, London, UK ‘Guided by Heroes’, Limburg, Belgium ‘Hardcore, Towards a New Activism’, Palais de Tokyo, Paris, France ‘M_ARS. Art and War ‘, Neue Galerie Graz, Graz, Austria ‘Witness’, Barbican Art, London, UK ‘Mouvements de fonds - Acquisitions 2002 du Fonds national dart contemporain’, MAC Musées d’Art Contemporain, Marseille, France ‘Phalanstère’, CAC - Centre d’art contemporain de Brétigny, Brétigny s / Orge, France ‘El Real Viaje Real / The Real Royal Trip’, PS1 Contemporary Art Center, Long Iceland, USA Fast Forward’, ZKM | Museum of Contemporary Art & Media Museum, Karlsruhe, Germany ‘Cámara - Videos Mala Onda’, Carrillo Gil Museo de Arte, Mexico City, Mexico ‘Auto-nom’, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany ‘Terror Chic’, Monika Sprüth Magers Philomene, Munich, Germany ‘COSTA Vece’, Galerie Peter Kilchmann, Zurich, Switzerland ‘In faccia al mondo. Il Ritratto nel contemporaneo medium fotografico ‘, Villa Croce Museo d’Arte Contemporanea, Genoa, Switzerland ‘Money for nothing’, Wellington City Gallery, Wellington, Australia ‘Money for Nothing’, Artspace, Auckland, Australia ‘20 Million Mexicans Cant Be Wrong ‘, John Hansard Gallery, Southampton, UK
2002
‘O Como Como No’, CASA, Centro de Arte de Salamanca, Spain ‘No Return. Monchengladbach ‘, Enero, curador, Monchengladbach, Germany ‘Spanish Contemporary Art’, Borusan Art Gallery, Istanbul, Turkey Feria ARCO, Project Room. Galería Enrique Guerrero / gallery Peter Kilchmann, Madrid, Spain Festival de performance de Cali. Museo de la Tertulia, Cali, Colombia, USA ‘Loop. Back to the Beginning ‘, The Contemporary
Arts Center, Fifth Street Space, Cincinnati, Ohio, USA ‘Hello there!’, Galerie Peter Kilchmann, Zurich, Switzerland ‘Otredad y Mismidad’, Galeria de Arte Contemporaneo y Diseño, Puebla, Mexico ‘20 Million Mexicans Can ‘, SLG South London Gallery, London, UK
Centre d’Art Santa Monica, Barcelona Bienal de Valencia, Valencia, Spain ‘Edicion 49’ Bienal de Venecia, Venice, Spain ‘New World’, Frankfurter Kunstverein, Frankfurt, Germany ‘Photography from the Collection of the DZ Bank’, DZ Bank, Frankfurt, Germany
The 8th Baltic Triennial of International Art - ‘Centre of Attraction’, The Baltic Triennial of International Art, Vilnius, Lituania ‘Cut, Pulled, Colored & Burnt’, Hyde Park Art Center, Chicago, USA ‘Mexico City: An Exhibition about the Exchange Rates of Bodies and Values’, PS1 Contemporary Art Center, Long Iceland, USA ‘Protest! Respect! ‘, New Kunsthalle St. Gallen, St. Gallen, Switzerland ‘Coartadas / alibis’, Witte de With, Rotterdam, The Netherlands ‘Art & Economy - joint project with the Siemens Arts Program, Deichtorhallen, Hamburg, Germany ‘The Hall of Lost Steps’, Borusan Sanat Galerisi, Istanbul, Turkey ‘no return. Remove items from the Haubrok ‘, Municipal Museum Abteiberg, Mönchengladbach, Germany Collection ‘Transsexual Express’, M ű csarnok Kunsthalle, Budapest, Hungery Alibis / coartadas’ Institut du Mexique à Paris, Paris, France
‘Alemania’, Salle du Musée du Botanique, Brussels, Belgium Museo de Hara, Tokyo, Japan PS 1, New York, USA Kestner-Gesellschaft, Hanover, Germany ‘Alemania’. Academia de Arte de Berin, Germany Centre National de la Photografia de Paris, France
2001
‘Purgatori’, curated by Domingo Sanches and Santiago Sierra, Valencia, Spain Shelf Life’, Gasworks Gallery, London, UK ‘Marking the Territory’, curated by Marina Abramovic, Irish Museum of Modern Art, Dublin, Ireland Galeria Zonca & Zonca, Milan, Italy ‘ARS 01 - Unfolding Perspectives’, curated by Maaretta jaukkuri, Kiasma, Helsinki ‘Loop’, Hypo Kunsthalle, Munich, Germany PS1 New York, USA Fear ‘, Essen, Germany ‘Aftersun’, Torrelavega, Spain ‘Politicas de la diferencia. Arte de fin de siglo lberoamreicano Valencia ‘, Centro de Convenciones de Pernambuco, Brasil ‘Pay Attention’, Sardegna, Italy ‘3 Intervenciones Urbanas’, Barcelona Art Report 2001, Barcelona ‘Transsexual Express: A Classic for the Third Millenium’,
2000
‘Pervirtiendo el minimalismo’, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain ‘Extramuros’, Cuba ‘Novena de Muestra Internacinal Performance’, X Teresa Arte Actual, Mexico City, Mexico ‘PR00.’, San Juan of Puerto Rico ‘Leaving the Islands’, Pusan International Contemporary Art Fair, Pusan, Korea ‘Documentos’, ACE Gallery, Los Angeles, USA ‘A shot in the head’, Lisson Gallery, London, UK ‘EV.A. 2000 - Friends and Neighbours’, The 4th Biennial invited ev.a. Limerik, Ireland
1999
Stand de la Galeria BF15, FIAC, Paris, France Plaza G & T, curated by Anibal Lopez, Guatemala City, Guatemala ‘Representar / Intevenir’, X Teresa Arte Actual, Mexico City, Mexico Centre d’Arts Plastiques de Villefranche-sur-Saone, Musee de la Valle de Barcelonnette curated by Claire Peillod, France ‘Paradas Continua’, Museo Carrillo Gil, Mexico City, Mexico
1998
‘Made in Mexico - Made in Venezuela’, Art Gallery Metropolitan, Toronto, Canada ‘Expo Arte Guadalajara VI’, Galeria BF15, Jalisco, Mexico ‘Expo Arte Guadalajara VI’, Regina 51, Jalisco, Mexico ‘Cambio II’, Chopo University Museum, sponsored by the Rockefeller Foundation and the Mexican National Fund for Culture, Mexico City, Mexico
‘Despues del Cuerpo’, Galeria 127, Mexico City, Mexico ‘I Cambio’, Sandra Gehring Gallery, New York, USA
1997
‘Shopping’, Galeria Art & Idea, Mexico City, Mexico ‘Opening’, Galeria Art Deposit, Mexico City, Mexico ‘Documentos’, Expo Guadalajara Arte V, Art Gallery Deposit, Mexico ‘New Text from Mexico’, Galeria Art Deposit, New York, USA
1996
‘A otro lugar muy lejos de aquí’, IV Expo Arte Guadalajara, Jalisco, México,
1995
Joan Miro Foundation, Barcelona, Spain
1993
El ojo Atómico’, Madrid, Spain ‘Trabajos de los 80’, Galería Angel Romero, Madrid, Spain
1992
Atelier del Sur, Canary Islands, Spain ‘Dibujos Laborales’, Angel Romero Gallery, Madrid, Spain
1991
Sala de K3 Kampnagel, K3 Kampnagel, Hamburg, Germany ‘VII Muestra de Arte Joven’, Museo Espanol de Arte Contemporaneo, Madrid, Spain St. Petri zu Lubeck, Lubeck, Germany
PATRICK HAMILTON LOVAINA , BÉLGICA, 1974 VIVE Y TRABAJA EN SANTIAGO, CHILE
SELECCIÓN DE EXPOSICIONES INDIVIDUALES 2016
Black Marquet, Galería Marta Cervera, Madrid, España. Progreso, Centro de Arte Wilfredo Lam, La Habana, Cuba. Black Tools, The 9.99 gallery, Ciudad de Guatemala, Guatemala.
2015
Progreso, Galería Marta Cervera, Madrid, España.
2014
Proyecto Lanz, Flora Ars+Natura, Bogotá, Colombia.
2013
“Progreso”, Museo de Arte Contemporáneo de Santiago MAC, Santiago, Chile.
2012
2006
“Objetos en Transito”, Sala Gasco Arte Contemporáneo, Santiago, Chile. PH#1, Galería Animal, Santiago, Chile.
2005
“Paradise Alley”, White Project Arte Contemporanea, Pescara, Italia. “Perfect & Imperfect Tools”, Galería Nina Menocal, México D.F., México
2004
“Magic Cover Paintings,” Galería DPM, Guayaquil, Ecuador. “Cosmetic Landscapes”, Galería Bellas Artes, Metro de Santiago, Santiago, Chile.
2003
“Queer tools”, Museo de Arte Moderno, Chiloé, Chile.
2002
“Magic Cover Paintings”, Galería Animal, Santiago, Chile. Patrick Hamilton, Museo de Arte Contemporáneo, Valdivia, Chile.
“Postdictadura, Bienal de fotografía de Lima”, Centro de la Imagen, Lima, Perú. Ultramar Sur, Paco das Artes, Sao Paulo, Brasil.
1999
2011
SELECCIÓN DE EXPOSICIONES COLECTIVAS
“Máxima tensión”, Galería Baró, Sao Paulo, Brasil.
2009
“The Sanhattan Project”, VOLTA NY, New York.
2008
“Patrick Hamilton”, Museu de Arte Contemporanea, Fortaleza, Brasil. “Proyecto de Arquitecturas Revestidas”, Centro Cultural Metropolitano, Guatemala City, Guatemala. “Santiago dérive”, KBK Arte Contemporáneo, México D.F., México. “Santiago dérive”, Stiftung DKM, Duisburg, Alemania.
2007
“The Sanhattan Project”, Galleria Prometeo, Milan, Italia. Patrick Hamilton, KBK Arte Contemporáneo, México D.F.
“Tools,” Galería Posada del Corregidor, Santiago, Chile.
2016
Overlap / Traslape, The 9.99 gallery, Ciudad de Guatemala, Guatemala. Social Forms, Mana Contemporary, New Jersey, USA. Space to Dream: Recent Art from South America, Auckland Art Gallery, Auckland, New Zeland.
2015
Colección MAC, Museo de Arte Contemporáneo (MAC), Santiago, Chile. Otros relatos: el despertar de la Historia y el final del storytelling, Centro de Arte La Conservera, Murcia, España. Diálogos, The 9.99, Ciudad de Guatemala, Guatemala. Beleza?, Centro Cultural Sao Paulo (CCSP), Sao Paulo, Brasil.
Grado cero: 10 años de arte contemporáneo chileno, Fundación CorpArtes, Santiago, Chile.
2014
Beyond the Supersquare, The Bronx Museum of the Arts, New York, USA. New York Stories: Twenty Years of ISCP, International Studio & Curatorial Program, New York, USA. Territorios fronterizos: La fotografía más allá de la imagen, Centro Cultural Matucana 100, Santiago, Chile. Dear Mr. Thanatos, Cristin Tierney Gallery, New York, USA. Slow Future, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Length x Width x Heigth, The 9.99, Ciudad de Guatemala, Guatemala. 30 años Bienal de la Habana, Centro de Arte Wilfredo Lam, La Habana, Cuba.
2013
“Here we are, from here we go”, Arroniz Arte Contemporáneo, Mexico D.F, Mexico. “Emergency Pavilion: Rebuilding Utopia”, 55th International Art Exhibition la Biennale di Venezia, Venecia, Italia. “Personal Structures”, Palazzo Bembo, Venecia, Italia. “Dirupted Nature”, Museum of Latin American Art (MOLAA), Long Beach, California.
2012
“Coletiva”, Baró Galeria, Sao Paulo, Brasil. “Violent Frames”, Gonzalez y Gonzalez, Santiago, Chile. “Ni pena ni miedo”, Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, España.
2011
“Now” (Selección de obras de La Colección Jumex) Instituto Cultural Cabañas, Guadalajara, México. “Hacia un meridiano inquietante”, XI Bienal de Cuenca, Cuenca, Ecuador. “Album: coletiva de fotografia contemporânea,” Galería Baró, Sao Paulo, Brasil. “Dublin Contemporary 2011”, Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance, Dublin, Irlanda. “6 Bienal de Curitiba”, Museo Oscar Niemayer, Curitiba, Brasil.
“La operación verdad”, Museo Salvador Allende, Santiago, Chile. “Proyecto Ideal”, Centro Cultural Sao Paulo (CCSP), Sao Paulo, Brasil. “Paisaje y residuo”, González y González, Santiago, Chile
2010
“Dirty Kunst”, Seventeen Gallery, Londres. “Planet of Slums”, Third Streaming Gallery, New York. “Planet of Slums”, Mason Gross Galleries, Rutgers University, New Jersey. “Proyecto Ideal”, Museo de Arte Contemporáneo, Santiago, Chile. “El efecto drácula”, Museo Universitario del Chopo (UNAM), México D.F., México. “Optimismo radical”, Josee Bienvenu Gallery, New York. “Arsenal”, Galería Baró, Sao Paulo, Brasil. “Ni pena ni miedo”, Galería Blanca Soto, Madrid, España. “Spasticus Artisticus”, Ceri Hand Gallery, Liverpool, Reino Unido.
2009
“I Trienal de Chile”, Museo de Arte Contemporáneo (MAC), Santiago, Chile. “A pari passo”, Novalis Contemporary Art, Torino, Italia. “The Man Who Fell to Earth”, T Art Center, Beijing Biennale, China. “Núcleos. Cuarenta años de producción artística en las colecciones del MAC”, Museo de Arte Contemporáneo (MAC), Santiago, Chile. “Lines of silent beauty”, Museum DKM, Duisburg, Alemania. “X Bienal de la Habana”, Havana, Cuba. “II Bienal de Arte y Arquitectura de Canarias”, Tenerife, España.
2007
“Art Nova, Art Basel Miami Beach”, Miami, Florida. “IV Bienal VentoSul”, Memorial de Curitiba, Curitiba, Brasil. “I Bienal del Fin del Mundo,” Ushuaia, Argentina. “Daniel López Show”, Roebling Hall Gallery, New York. “Contemporary artist from Santiago to Brooklyn” The Rotunda Gallery, New York.
2006
“Light / Art: Mystic Crystal Revelation,” Santa Barbara Contemporary Art Forum (CAF), Santa Barbara, California. “Wearproof, Galleria Antonio Colombo,” Milan, Italia. “III Biennale Adriatica”, San Benedetto del Tronto, Italia. “From the other site/side”, Museo de Arte Contemporáneo (MAC), Santiago, Chile. “Present / Perfect”, Volitant Gallery, Austin, Texas. “Apropiaciones”, KBK Arte Contemporáneo, México D.F., México. “Picnic 3”, Isola Art Center, Milan, Italia.
“L’ Art dans le monde”, Les Musées de la Ville de Paris.
2005
2014 / 2010
“From the other site/side”, National Museum of Contemporary Art, Seoul, Korea. “Living for the city”, Jack Shainman Gallery, New York; Centre Internacional d’Expositions de Larouche (CIEL), Toronto, Canada. “II Prague Biennale”, Republica Checa. “Points of View, Photography in El Museo del Barrio’s Permanent Collection”, El Museo del Barrio, New York. “Contrabandistas de Imágenes: Selección 26 Bienal de Sao Paulo”, Museo de Arte Contemporáneo (MAC), Santiago, Chile.
2004
“XXVI Bienal de Sao Paulo”, Sao Paulo, Brasil. “Produciendo Realidad”, Prometeo Arte Contemporanea, Lucca. Italia. “Postcards from Cuba”, Henie-Onstad Kunstsenter, Oslo, Noruega. “IV Bienal MNBA”, Museo Nacional de Bellas Artes, Santiago, Chile.
2003
“VIII Bienal de la Habana”, HaVana, Cuba. “Italia & Chile”, Instituto Italo-Latinoamericano, Roma, Italia.
2002
“Fantasmatic, 9 Chilean Artists”, National Art Gallery, Kuala-lumpur, Malaysia; “Explanade”, Singapur, Republica de Singapur (2003) / Millenium Museum, Beijing, China (2004) / Museo de Artes Visuales, Santiago, Chile (2005).
2001
“VII Bienal de Cuenca”, Museo de Arte Moderno, Cuenca, Ecuador.
2000
1999
“II Bienal do Mercosur”, Porto Alegre, Brasil. “Magnética”, Sala Fundación Telefónica, Santiago, Chile.
GRANTS, RESIDENCIES AND SPECIAL PROJECTS / BECAS, RESIDENCIAS Y PROYECTOS
Founder member of project space González y González, Santiago, Chile / Fundador del espacio de proyectos González y González, Santiago, Chile.
2010
Co-author of the book “Video otra vez” Metales Pesados publisher, Santiago, Chile / Co-autor del libro “Video otra vez”, editorial Metales Pesados, Santiago, Chile.
2009
Cuadernos de Movilización, book editor in collaboration with Metales Pesados, 2 Polygraphic Triennial of San Juan, Puerto Rico / Cuadernos de Movilización, editor de libro en colaboración con Metales Pesados, 2 Trienal Poligráfica de San Juan, Puerto Rico.
2007
Guggenheim Fellowship / Beca Guggenheim, John Simon Guggenheim Memorial Foundation, New York, USA.
2006
Artist in Residence / Artista en residencia, International Studio & Curatorial Program (ISCP), New York, USA.
SELECCIÓN DE COLECCIONES / SELECTION OF COLLECTIONS Fundación / Colección Jumex, México D.F. El Museo del Barrio, New York. Museo DKM, Duisburg, Alemania. Izolyatsia Foundation, Donetsk, Ucrania. Museum of Latin American Art (MOLAA), Long Beach, California.
Museu de Arte Contemporanea, Fortaleza, Brasil. Museo Nacional de Bellas Artes (MNBA), Santiago, Chile. Museo de Arte Contemporáneo de Santiago (MAC), Santiago, Chile. Museo de Arte Contemporáneo de Valdivia, Valdivia, Chile.
Santiago”, Ediciones Universidad Diego Portales, Santiago, Chile. Guillermo Machuca, “Jungla piramidal: Arte y espacio público en el nuevo siglo”, Libro “Proyecto de arquitecturas revestidas para la ciudad de Santiago”, Ediciones Universidad Diego Portales, Santiago, Chile.
BIBLIOGRAPHY (BOOKS) / BIBLIOGRAFÍA (LIBROS)
2008
2015
Gabi Scardi, “Ultramar Sur y Otras Historias Anfibias”, libro Patrick Hamilton: obras 1996-2015, Editorial TURNER, Madrid, España. Christian Viveros-Fauné, “La Estética del Subdesarrollo de Patrick Hamilton”, libro Patrick Hamilton: obras 1996-2015, Editorial TURNER, Madrid, España. Alma Ruiz, “Conversación con Patrick Hamilton”, libro Patrick Hamilton: obras 1996-2015, Editorial TURNER, Madrid, España.
2014
Katia Krupennikova (Ed), “Slow Future”, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland.
2013
Nathalie Goffard, libro “Imagen Criolla: Prácticas fotográficas en las artes visuales de Chile”, Editorial Metales Pesados, Santiago, Chile.
2012
Ignacio Szmulewicz, “Fuera del cubo blanco: lecturas sobre arte público contemporáneo”. Editorial Metales Pesados, Santiago, Chile.
2011
Patricia Sloane (Ed), “Lingua franca: arte contemporáneo: un continente llamado América Latina”, Editorial Landucci, México DF. Federico Galende, “Filtraciones III: Conversaciones sobre arte en Chile de los 90 al 2000”, Editorial Cuarto Propio, Santiago, Chile. Victor Zamudio Taylor, “Now: Obras de la Colección Jumex”. Publicado por Fundación Jumex, México. Fernando Castro Flórez, “Hacia un meridiano inquietante”, libro 11ª Bienal de Cuenca, Ecuador.
2009
Marco Scotini, “La imagen domesticada”, libro “Proyecto de arquitecturas revestidas para la ciudad de
Christian Viveros – Fauné, “Sanhattan transfer”, “Patrick Hamilton: Santiago dérive”, DKM Foundation, Duisburg, Germany. Guillermo Machuca, “Violencia gélida”, libro “Alas de plomo” Editorial Metales Pesados, Santiago, Chile.
2006
Rodrigo Zuñiga, “Las operaciones cosméticas de Patrick Hamilton”, Revista de Teoría del Arte 14-15, Facultad de Artes, Universidad de Chile. Gerardo Mosquera (Ed), “Copiar el edén: Arte reciente en Chile”, Editorial Puro Chile, Santiago, Chile. Isolde Brielmaier, “ Doble Mirada”, libro exposición “Objetos en tránsito”, Sala Gasco Editor, Santiago, Chile. Victor Zamudio Taylor, “ Objetos Relacionales”, libro exposición “Objetos en tránsito”, Sala Gasco Editor, Santiago, Chile.
2005
Marco Scotini, Acción Directa, libro 2a Bienal de Praga, Giancarlo Politi Editor, Milan, Italia.
2004
Sergio Rojas, “Hay manifestación si nada en ella se manifiesta”, libro “Las obras y sus relatos”, Editorial ARCIS, Santiago, Chile. Guillermo Machuca, “El contexto de la producción”, catálogo general, 26ª Bienal de Sao Paulo, Brasil.
2002
Justo Pastor Mellado, “Políticas de recomposición”, libro “Patrick Hamilton”, Edición independiente, Santiago, Chile.
1998
Machuca, Guillermo: “Entre la forma y la fórmula” catálogo exposición Fob, Galería Gabriela Mistral, Santiago, Chile.
DIRECTOR: Jose López joselopez@the9.99.gt / +(502) 5719-4083
GENERAL INQUIRIES / TEXTS: Ximena Apisdorf ximena@the9.99.gt
GRAPHIC DESIGN: Jennifer de León jennifer@the9.99.gt info@the9.99.gt
ACCOUNTING: Manuel Herrera manuel@the9.99.gt
ART HANDLER: Roberto Escobar roberto@the9.99.gt Carlos Estrada Peña
MAINTENANCE: Sonia de Paz
AGRADECIMIENTOS ESPECIALES / SPECIAL ACKNOWLEDGMENTS TO : Alejandro Almanza Pereda, Darío Escobar, Kader Attia, Fernanda Fragateiro, Sandra Gamarra, Carlos Garaicoa, David Panos, Santiago Sierra, Patrick Hamilton; Denise and Isabelle - Galerie Nagel Draxler GbR, Berlin; Gustavo Sapón, Edgar Tepeu, Juan Carlos Santiago - Studio Darío Escobar, Guatemala City; Elba Benitez, Cynthia González - Galería Elba Benítez, Madrid; Carolina - Studio Fernanda Fragateiro, Portugal; Allen Memorial Art Museum Collection, Oberlin College, Ohio; Suset Sánchez, Maya Guerrero - Estudio Carlos Garaicoa-Madrid; Lisa - Hollybush Gardens, London; José López, Ximena Apisdorf, Jennifer De León, Diego Sagastume, Manuel Herrera, Roberto Escobar, Carlos Estrada Peña, Sonia de Paz - the 9.99 gallery, Guatemala City;
the 9. gallery
99
THE WAY THINGS GO 28 JAN - 14 MAY 2016.
Alejandro Almanza Pereda (Mexico) Kader Attia (Francia) Dario Escobar (Guatemala) Fernanda Fragateiro (Portugal) Sandra Gamarra (Peru) Carlos Garaicoa (Cuba) Edgar Orlaineta (Mexico) David Panos (Grecia) Santiago Sierra (España)
PROJECT ROOM: PATRICK HAMILTON / BLACK TOOLS
Abierto / Open: Miércoles, Jueves, Viernes / Wednesday, Thursday, Friday 9:00 - 17:00 hrs. Sábado / Saturday 9:00 - 17:00 hrs. Citas por la mañana desde las 10 a.m. de Martes a Sabádo 5a ave. 11-16, zona 1, Edificio Passarelli, 2do nivel Centro Histórico Ciudad de Guatemala Guatemala, Guatemala. 01001 Teléfono / Phone: +(502) 2238-3975
www.the9.99.gt Facebook: the 9.99 gallery Instagram: @ the9.99