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MIP LONDON TAKES SHAPE EVENTS
Over 80 companies from 30 countries con rmed their participation in the rst edition of MIP London, to be held 23-27 February 2025 at the Savoy Hotel and IET London conference centre in London’s West-End.
MIP London announced last month that more than 80 companies representing distributors, buyers and producers from 30 countries have already con!rmed their presence for the inaugural content and networking market, to be held 23-27 February 2025 at the Savoy Hotel and IET London conference centre in London’s West-End.
Among the 80 plus companies con!rmed for the market are Armoza Formats, BETA Film, FilmRise, FOX Entertainment Global, Global Agency and PBS Distribution, including companies sending buyers from Al Jazeera, AMC Networks International – Central and Northern Europe, Canal Plus, CBC/Radio Canada, France Televisions, ITV, M6, MBC, National Geographic, Net ix, Nine Network Australia, NRK, ORF, RTL Hungary, Seven One Entertainment Group, Sky, Telefonica, TF1, Thai Public Broadcasting Service, The Walt Disney Company, TV3 Group Baltics and ZDF amongst others.
MIP London provides a central destination o ering versatile meeting spaces, high tech theatres and dedicated buyer and delegate lounges, alongside a !ve-day programme of
networking, screenings and genre-speci!c summits.
“More people coming to London means more business done in what has become the must-attend content week in February” said Lucy Smith, Director of MIP London and Mipcom Cannes. “Whether you are a company already hosting a screening event, planning to visit for the !rst time, or simply there to see more people, with this new MIP market our aim is to be complementary to existing events by providing additional opportunities to meet, showcase or discover content across the week.”
MIP London also announced further details of the programme line-up including MIP’s signature FAST & Global Summit and the !rst London Edition of the WIT’s Fresh TV presentation hosted by Virginia Mouseler.
As previously announced, MIPDoc and MIPFormats launch in London in 2025 with the leading international television business markets for the global documentary, factual and format communities set to deliver additional content and networking opportunities within Unscripted starting on Sunday 23 February.
BARBORA SUSTER,
HEAD OF LATIN AMERICA & IBERIA AT ECCHO RIGHTS
Eccho Rights is bringing high-quality productions to Cannes, with strong narratives and star-studded casts, including popular talents like Hazal Kaya (‘Sogur’), ‘Özge Özpirinçci’ (‘I am Mother’) and Alfie Allen (‘Safe Harbor’), among others
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
WHERE ALL THE STARS ALIGN
“I’m convinced that after the first country launches ‘I Am Mother’ in LatAm, we will receive more interest and close more sales before the end of the year”
Distributor of some of the biggest hits originating from Turkey, including the globally-known ‘Golden Boy’, Eccho Rights keeps adding powerful stories to its catalogue, both Turkish and non-Turkish, looking for those ingredients that entice international audiences.
An example is the upcoming crime drama ‘Safe Harbor’, a series from ‘Ozark’s creator, Mark Williams, and boasting an impressive cast: “The strength of the cast is really quite unique, and is, of course, a major consideration when we are entering these kinds of international co-productions,” shares Barbora Suster, Head of Latin America & Iberia at Eccho Rights.
The title is just one of the many promising titles from Eccho Rights’ catalogue, alongside their always strong o ering of Turkish dramas, with “dizis” like ‘I Am Mother’ and the new ‘The Cost of Lies’, alongside the mini-series ‘Sorgu’, starring the popular ‘A Girl Named Feriha’ actress, Hazel Kaya.
‘I Am Mother’, in particular, seems ready for a huge end of the year and beginning of 2025: its second season just started in Turkey and has added the talent of Engin Öztürk and Nesrin Cavadzade to a cast already led by Özge Özpirinçci.
What are the latest news regarding ‘I Am Mother’? What do you expect for the title in the next months? In Latam, ‘I Am Mother’ already has a few sales signed and therefore the episodes are being dubbed. I’m convinced that after the !rst country launches, shortly, we will receive more interest in the show and, hopefully, close more sales be -
fore the end of the year. The second season has just launched successfully in Turkey and there are some new faces for the series, but that will be very familiar to audiences, including Engin Öztürk and Nesrin Cavadzade.
‘Golden Boy’ is coming back this month for a third season. This series has been an absolute hit. Can you share some numbers to put into perspective what you have accomplished with this title? Yes, ‘Golden Boy’ is really the best seller. I believe we can count on !ngers of one hand the territories where the series hasn’t been sold so
“‘The Cost of Lies’ is a story of an honest man, with strong values, who loses everything overnight and decides to create a second criminal life for himself”
MY HOME MY DESTINY KEEPS ADDING TERRITORIES
Just a couple of months ago, Eccho Rights announced the signing of a series of deals to bring the Turkish drama ‘My Home My Destiny’ to new territories. The hit series will air with Pasiones in the US, Qazakstan TV in Kazakhstan, and Adom TV in Ghana, bringing the total number of countries that have acquired the series to more than 90 worldwide. Produced by GMO Pictures, ‘My Home
My Destiny’ broke ratings records on Turkey’s TV8 when it rst aired in 2020 and
quickly garnered a huge following in both the domestic and international
markets. “This title is a classic,” says Suster. “It’s a traditional love story seen from a di erent perspective, and I believe that makes it so interesting. The cast is hugely popular (Demet Özdemir and Ibrahim Çelikkol) and as soon as it launched in 2019 it captivated Turkish Drama fans around the world.” Born into a poor family with few opportunities, Zeynep’s fortunes
change when the family that employs her mother as a cleaning lady o ers to adopt her. Her parents accept in the hope of giving their daughter a better life. She will learn, be loved, and be surrounded by beautiful things, but this fairy tale will come to a shocking end when her biological mother appears, who intends to regain control of her daughter’s life and return her to the home where she was born.
The Cost of Lies Drama
far, and we can only con!rm that the clients are interested in acquiring all seasons, so we are delighted to be bringing more to them this Fall!
What series are you focusing during Mipcom 2024? We are mainly focusing on sales of ‘I Am Mother’, our daily series as ‘Redemption’, ‘Winds of Love’ and ‘Behind the Veil’, and we are pitching our new series ‘The Cost of Lies’ and ‘Sorgu’.
What details can you share about these new titles? ‘The Cost of Lies’ is a story of an honest man, father of a family with strong values, who loses everything overnight. To save his family, he decides to create a second criminal life for himself using the opportunity from his previous job and print out false money. But money always brings trouble… will his family and wife stay loyal to him when they !nd out? The series stars Timuçin Esen, Çağlar Ertuğrul, %ükran Ovalı, and Deniz Baysal.
‘Sorgu’, on the other hand, is a short series of ten episodes -with a second season commissioned- starring Hazal Kaya, known for her previous shows such as ‘The Girl Named Feriha’. This one is about a interrogation room
o&cer who is confronted with her childhood demons and a new love while investigating her father’s death. Çağlar Ertuğrul stars again here, opposite Kaya.
“The strength of the cast of ‘Safe Harbor’ is really quite unique, and is of course a major consideration when we are entering these kinds of international co-productions”
And what can you share about your non-Turkish content? We will be presenting ‘Safe Harbor’. Our new short series created by Mark Williams (known for ‘Ozark’) counts with an amazing cast as Al!e Allen (‘Game of Thrones’), Charlie Murphy (‘Peaking Blinders’), Jack Gleeson (‘Game of Thrones’) and Colm Meaney (‘Gangs of London’). It’s an amazing thriller about two friends who live and breath the tech world, who end up promising their services to hack the Rotterdam harbor in order to control the deliveries of drug shipments in cargo containers for the Irish Mob. The strength of the cast here is really quite unique, and is of course a major consideration when we are entering these kinds of international co-productions –the series is shot in Netherlands by Dutch company Submarine, in co-production with Night Train Media, with a mix of Irish, UK and Dutch talents, and an American showrunner– and makes this such an attractive proposition for international buyers.
I Am Mother Drama
Safe Harbor Series
MEANINGFUL AND ENTERTAINING STORIES
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
A moving story about survival, hope and love, ‘Six of Us’, leads OGM Universe’s catalogue at Mipcom 2024, while the distributor is already looking ahead to more upcoming premium dramas, like ‘Shahrzad’ and ‘Kral Kaybederse’.
Stories that dive into the “complexity of human relationships and destinies”, told in a “captivating way that enthralls the audience”, are the kind of titles that OGM Universe likes to bring to the international market.
“Our aim is to tell stories that are both entertaining and meaningful, with the potential to resonate on an international level,” explains Ekin Koyuncu Karaman, Global Distribution & Partnership Director at OGM Universe.
That is what the company is o ering with ‘Six of Us’, their newest premium title, a heart-wrenching tale of six siblings who are left without parents and have to navigate the harsh streets of Istanbul, facing threats from both the authorities and criminals while desperately seeking a safe haven.
“Their bond is their only source of strength as they struggle to !nd a new life, escaping from those who seek to tear them apart,” explains Koyuncu. “This series explores themes of survival, love, loss, and hope.”
Ekin Koyuncu Karaman, Global Distribution & Partnership Director at OGM Universe
“Our aim is to tell stories that are both entertaining and meaningful, with the potential to resonate on an international level”
Lost in Love Drama
‘Six of Us’ is directed by Cem Karcı, who is best known for ‘Karadayı’, ‘Hercai’, ‘Red Room’ and ‘The Tailor’; and stars Hazal Subaşı, Kaan Miraç Sezen and Reha Özcan, among others.
Alongside ‘Six of Us’, buyers can !nd the drama ‘Lost in Love’, a title already licensed to more than 15 countries, and even look ahead to some very promising upcoming dramas, like ‘Shahrzad’, a Turkish remake of the famous Iranian TV series; and ‘Kral Kaybederse’, a new project based on the work of successful psychiatrist and author Gülseren Budayıcıoğlu.
In ‘Shahrzad’, the story revolves around a young woman forced to marry the son of a powerful political leader while being in love with Farhad: “This complex narrative not only addresses themes of love and betrayal, but also highlights the political upheavals that signi!cantly impact the protagonist’s life and her surroundings,” details Koyuncu.
‘Kral Kaybederse’, meanwhile, is the latest collaboration between OGM Pictures and Dr. Budayıcıoğlu: The story is centered on Kenan, a man who seems to have it all— charm, wealth, and the admiration of women. However, beneath his con!dent exterior lies a deeply insecure individual shaped by unresolved childhood trauma. His life unravels when his ego-driven decisions lead to emotional turmoil and personal downfall.
“‘Kral Kaybederse’ addresses the inner struggles of a man who initially appears invin-
cible and o ers valuable lessons about self-awareness, emotional healing, and the complexity of human relationships,” shares Koyuncu. “The narrative will engage viewers and help them relate to the characters while simultaneously addressing important societal issues.”
MINISERIES ON THE RISE. For a number of years now, an interesting developments in Turkish TV has been the rise of the premium miniseries, a genre that retains all the qualities of the drama productions, but dares to try di erent themes and storytelling techniques.
As one of the most successful production companies in the country, OGM Pictures has already worked on many di erent genres, including over 20 Net ix originals, a Disney+ series, an Amazon series and a movie, also for Amazon, to be released in 2025. With such a solid track record, both locally and internationally, it doesn’t surprise that one of their Turkish mini-series, ‘Dilemma’, has ranked “among the best series on Amazon Prime in recent years.”
“‘Dilemma’ achieves a high level of success because of its complex storyline and depth of character development,” shares Koyuncu. ”The series tackles profound themes such as morality and personal con icts,
“‘Six of Us’ explores themes of survival, love, loss, and hope”
making it particularly appealing to viewers who appreciate deep, thought-provoking narratives.”
“Also, the outstanding performance by Bergüzar Korel in a previously unknown role adds to the series’ allure,” she points out.
As proof of what the genre can bring to the table, ‘Dilemma’ covers the investigation of a crime case, something uncommon in Turkish TV: “Anyone who enjoys mystery crime series where the murderer is only revealed at the end should not miss this compelling miniseries,” says the executive.
‘Dilemma’s success is just the beginning for OGM Universe, which hopes to add even more miniseries in the future: “They o er a unique storytelling format that resonates strongly with both viewers and buyers,” explains Koyuncu. “Moreover, diversity and inclusion are at the heart of our upcoming productions, as we aim to ensure that our casting choices and storytelling re ect the diverse perspectives of our local and global audiences.”
“‘Dilemma’ achieves a high level of success because of its complex storyline and depth of character development”
Dilemma Mini-series
Six
STORIES THAT MUST BE TOLD
By Carolina Mussio cmussio@todotv.tv
Women play a leading role in RTVE’s new stories, which include important dramas based on real events, such as ‘Asuntos internos’ and ‘Las abogadas’, as well as ‘Ena’, which will have its world premiere in Cannes.
RTVE animated the recent edition of Iberseries & Platino Industria, where it presented a preview of the latest productions from the corporation, which today -alongside titles like ‘Ena’- make up the catalogue for Mipcom 2024.
In a two-part session, the group showed a preview of two of RTVE’s latest !ction series, ‘Asuntos Internos’ (RTVE, Mediacrest) and ‘Las abogadas’ (RTVE, Mod Producciones).
In the !rst part of the session, the !rst images of ‘Asuntos Internos’ were screened, with
the participation of actress Silvia Abascal, producer Gustavo Ferrada and the director of the series, Samantha López Speranza. In the second part, ‘Las Abogadas’ took center stage, with actress Paula Usero, the director of the series, Juana Macías and the producer Guillem Vidal in attendance.
“These two series are really important, because they re ect a time in the recent history of Spain that has not been very much portrayed in !ction,” shared José Pastor, director of Film and Fiction at RTVE, in an interview with ttvnews. “We have some cases of !lms, such as ‘Siete días de enero’ or ‘El diputado’, both from the late seventies, but this era has not been seen much in series.”
The characteristic that unites both series is their “real historical context.” “‘Asuntos internos’ is a police thriller based on a protago-
Asuntos internos Series
José Pastor, Director of Film and Fiction at RTVE
“These two series are really important, because they reflect a time in the recent history of Spain which has not been portrayed very much in fiction”
nist who belongs to the !rst promotion of policewomen in Spain in 1979. It represents a milestone: she was the only woman in the entire police force; they didn’t even have bathrooms for her. We thought it was an interesting starting point for a police thriller,” he explained.
The heroine uncovers a plot of corruption within the police station, and the general context is also a key element: it is a time of very high criminality in Spain.
“‘Las abogadas’, on the other hand, is a legal drama that also takes a very strong historical context, which is told through ashbacks,” he explained. “It’s a drama based on four very strong characters that really existed, who were very important for the development of freedoms in the country.” commented Pastor. “And then it has a very interesting legal component, the kind that has always worked very well.”
“They are four women ahead of their time, who because of their gender have it more complicated. It’s a very interesting series because it shows us something that continues to happen to this day, which is the desire of young people and their energy to change the world,” added the director.
RTVE’s series about the life of Queen Victoria Eugenia de Battenberg, ‘Ena’, will be screened on October 21 in its world premiere on the !rst night of Mipcom Cannes. Co-produced by RTVE with Ena La Serie AIE, La Cometa TV and Zona App, the !ction has been selected among all the productions proposed from the Spanish audiovisual scene and the premiere will be part of the program of Spain as
Country of Honor in this edition of the International Market of Co-production and Entertainment Content. The world premiere will take place at 6:00 p.m. at the Grand Auditorium of the Palais des Festivals, presented by José Pastor, director of Film and Fiction of RTVE, with the presence of actors Kimberley Tell (Victoria Eugenia) and Joan Amargós (Alfonso XIII), as well as one of its executive producers, Luis Hernández.
@carolinamussio
THE CROWN JEWEL
Seriella continues to prove its dominance in the production and distribution of the biblical genre, presenting a catalogue of its greatest hits led by ‘Kings’, its most recent biblical telenovela, which lives up to its name through a story and production quality of epic proportions.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Portraits of stories that date back thousands of years, biblical telenovelas have garnered great popularity among modern audiences, with characters and plots that draw parallels to our current world, in addition to an audiovisual quality comparable to large !lm productions.
“The biblical drama genre has been particularly successful in Brazil and other Latin American markets due to a combination of cultural, historical and emotional factors that resonate deeply with audiences,” explained Edson Pfutzenreiter Mendes, Commercial Director of Seriella Productions, specialists in the creation and distribution of biblical telenovelas.
“In times of economic and social uncertainty, many people seek comfort and hope in content that o ers a refuge for the soul. Biblical dramas present visions of faith and hope that help face trials and tribulations, which is especially relevant in the current market,” added the executive, also highlighting the “high visual and narrative quality.”
“Seriella has raised the bar by using special e ects, impressive locations and period costumes, creating a cinematic experience that competes with large international productions,” he explained.
THE POWER OF THE KING. Without a doubt one of the biggest biblical productions in its catalogue, and one that ful!lls all of the above, ‘Kings ’ is presented as the great star of the Seriella’s catalogue.
“Seriella has raised the bar by using special effects, impressive locations and period costumes, creating a cinematic experience that competes with large international productions”
Kings Biblical telenovela
“The telenovela ‘Kings ’ is an exceptional biblical production from Seriella Productions that stands out for multiple reasons,” said the executive. “This plot is based on the !delity of the biblical stories, especially in the books of Samuel, Kings and Chronicles, offering a deep and human look at the biblical !gures. Through their victories and achievements, as well as their weaknesses and dilemmas, the story establishes a powerful emotional connection with the audience.”
Despite being a biblical narrative, ‘Kings ’ addresses universal themes such as leadership, faith, betrayal, power and redemption, which resonate with contemporary audiences, “making it relevant beyond a purely biblical context,” he highlighted.
‘Kings ’ presents a unique format, standing out by narrating the story in several phases and seasons, focusing on di erent kings and
“’Kings’ addresses universal themes such as leadership, faith, betrayal, power and redemption, which resonate with contemporary audiences, making it relevant beyond a purely biblical context”
time periods, “which creates a fascinating continuity and attracts the attention of various viewer pro!les.”
“In addition,” he continued, “the photography and direction are designed to create a striking visual aesthetic, highlighting the beauty and grandeur of the production. Added to this is a talented cast that manages to convey the emotions and complexities of the characters in an exceptional way,” he added, also mentioning other key elements such as the soundtrack, historical research, and a strong investment in scenery and costumes, “which faithfully recreate the era and immerse the viewer in the biblical world.”
“All of this makes ‘Kings ’ a unique masterpiece of our biblical productions, conquering not only the Christian public, but also lovers of good stories and excellent telenovelas,” the Commercial Director summarized.
A KINGDOM BEYOND BRAZIL. With this passport in hand, it would not be surprising if ‘Kings ’ were to reach multiple new territories and screens around the world in the near future.
“The story of ‘Kings ’ has a universal nature that resonates with audiences around the world, with themes such as power, ambition, faith, love, betrayal, leadership and justice, fundamental elements in any society,” listed the executive. “These timeless themes transcend cultures and borders, allowing people of diverse backgrounds to identify with the characters and situations presented.”
“The scenes are familiar and understandable to any international audience, re ecting the tensions faced by societies and individuals in all times and places. The values and dilemmas they present can be contextualized anywhere in the world, making it a story
that resonates both in the West and the East, in secular or religious countries,” he added.
In this sense, ‘Kings ’ has already been well received in Latin America and several other territories, and Seriella seeks to further expand its international footprint.
“With this mega production we follow the strategy of serving diverse international markets, taking advantage of the universality of its narrative and the visual appeal of the production. We have had great reception and success in Latin America, where biblical stories resonate strongly with their audiences.”
“Currently, we are premiering it in Europe, in countries such as Portugal and Spain, which also have a rich Christian heritage. Likewise, there is growing interest in Eastern European markets, such as Poland and Slovakia, where biblical content is very well received,” he revealed.
“In the US, demand for epic and biblical content is on the rise, as evidenced by the success of ‘Kings ’ on American television. In Africa, particularly in Sub-Saharan Africa and South Africa, biblical productions have a signi!cant following in the broader entertainment market. And !nally, in Asia and the Middle East, our productions have sparked interest despite cultural and religious di erences. Canada, the Caribbean and Oceania are other key locations that have shown receptivity to our content, due to their appreciation for biblical stories.”
A COMPLETE CATALOGUE. ‘Kings ’ is the star of Seriella’s catalogue for Mipcom, a market in which they will also be presenting other biblical productions, as well as new releases in other genres.
“Our entire catalogue will be available to the market, giving broadcasters and platforms a unique opportunity to access high-quality productions,” explained the executive, highlighting other biblical dramas such as ‘Jesus ’, ‘The Ten Commandments’ and ‘Genesis ’; as well as the new miniseries ‘Hasta donde ella llega’, “a moving narrative that touches on themes of faith, love and perseverance, ideal for captivating contemporary audiences.”
“Our commitment is to o er content that not only entertains, but also inspires and educates, highlighting universal values that transcend borders. We are ready to collaborate with players from around the world to bring these stories to a global audience,” he concluded.
“Our entire
catalogue
will be available
to the market, giving broadcasters and platforms a unique opportunity to access high-quality productions”
TRAITORS ALL OVER THE GLOBE
While the format phenomenon ‘The Traitors’ keeps adding local versions around the world, All3Media International presents new factual content alongside premium dramas like ‘Joan’, ‘The Gold’ and ‘Critical Incident’, among many others.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Yari Torres, VP of Sales for Latam and US Hispanic of All3Media International
“Launching earlier this month on ITV and on US co-producer The CW, ‘Joan’ has been pre-sold to six continents including BritBox, CBC and NBC Universal”
With over 30 versions commissioned around the world, the success of ‘The Traitors’, the Dutch format created and developed by Marc Pos and IDTV Creative Director Jasper Hoogendoorn, in cooperation
with the RTL Creative Unit, is one of the biggest hits coming from the All3Media International catalogue.
The format recently announced a local version in Africa, by Primedia Studios, right on the heels of deals for adaptations in Italy (Fremantle for Amazon MGM Studios) and Spain (Atresmedia). At the same time, its success has led to a pro!table merchandise line and the second season of Peacock’s US version winning two Emmys for Best Reality Series and Best Host.
“‘The Traitors’ is a psychological adventure series that continues to go from strength to strength,” says Yari Torres, VP of Sales for Latam and US Hispanic at All3Media International, who shared that the distributor has added ‘The Anonymous’, from Studio Lambert, responsible of BBC’s and Peacock’s versions of ‘The Traitors’. “‘The Anonymous’ lets audiences experience what happens when these our online and in person worlds collide, delivering an addictive gameshow !lled with scheming, deception and questions of identity.”
Also from the factual side, All3Media is presenting ‘Jesus: Crown of Thorns’: “From the genre leading team Nutopia, this is the de!nitive story of one of the most signi!cant !gures in history, combining action-packed, character-led drama with compelling insight from experts,” details Torres.
Perhaps at the forefront of this catalogue is ‘Parenthood ’, described as “a new landmark natural history series from the genre leading team at Silverback Films, about life’s greatest challenge: raising children.” Narrated by David Attenborough, it focuses on the incredible stories of devotion, ingenuity and sacri!ce of animals to ensure the survival of their young.
The company will look to keep building over the success of titles like ‘Shakespeare: Rise of a Genius’, licensed to AMC Networks on a pan-regional deal covering all of Latin America, and ‘Fashion House ’ -among many other celebrity and lifestyle series- acquired by Atresmedia’s ¡Hola! TV.
On the scripted side, the distributor has high hopes for ‘Joan’, Sophie Turner’s new !lm, which Torres shares is already in “great demand.” “Launching earlier this month on ITV and on US co-producer The CW, the series has pre-sold to six continents including BritBox, CBC and NBC Universal,” she details.
Other scripted content bound to make noise in the international market are the critically-acclaimed 12-episodes series ‘The Gold’; the six-part crime drama ‘Critical Incident’; the twist-!lled thriller ‘Dead and Buried’; and the second season of Travis Fimmel led detective series ‘Black Snow’.
A SUCCESSFUL PARTNERSHIP
Two new dramas from TIMS&B Productions, ‘Valley of Hearts’ and ‘Loveberry’, are ready to be taken around the world by Inter Medya, renewing a partnership that’s led to great results for titles like ‘Bitter Lands’, ‘The Trusted’ and ‘Deception’.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
In a moment for the industry in which smart collaborations are crucial, Inter Medya and TIMS&B Productions have become a very successful pairing, with a proven record of fantastic Turkish titles that have travelled all over the world.
After what was accomplished with ‘Bitter Lands’ and ‘The Trusted’, they are joining forces once again for the international distribution of two new series: ‘Valley of Hearts’ (‘Siyah Kalp’) and ‘Loveberry’ (‘Karadut’).
“We are proud to continue our successful partnership with TIMS&B Productions,” says Can Okan, founder and CEO of Inter Medya. “We believe these shows have immense potential for the global market. The rich narratives, brought to life by masterful actors, are crafted by some of Turkey’s most talented scriptwriters. These powerful stories are further elevated by TIMS&B Productions’ exper-
Can Okan, Founder and CEO of Inter Medya
tise in delivering world-class productions, ensuring they will continue to resonate with audiences around the globe.”
Currently airing on Turkey’s Show TV, ‘Valley of Hearts’ o ers a “compelling exploration of family ties, loyalty, and betrayal, with an intricate storyline that has already captivated Turkish audiences.”
“The drama delves deep into the dark secrets and intense power struggles within the in uential %ansalan family. Its emotional depth and complex characters have positioned it as one of the mostwatched series of the season,” shares Okan.
Directed by Uluç Bayraktar and written by Yıldız Tun, the series is led by Ece Uslu, one of the most sought-after actresses in Turkey.
On the other hand, ‘Loveberry’, airing on ATV, follows the story of Zuhal, a successful personal development expert whose seemingly perfect life is
“Having already gained significant traction in the domestic market, ‘Valley of Hearts’ and ‘Loveberry’ have sparked considerable interest from our international clients as well”
turned upside down when she falls in love with someone she shouldn’t. As her buried past begins to surface, Zuhal must navigate the di&cult choice between following her heart and remaining loyal to her family. “This emotional journey has resonated deeply with viewers, making it another standout of the season,” says Okan.
“Having already gained signi!cant traction in the domestic market, both series have sparked considerable interest from our international clients as well,” shares the executive.
A COMPLETE OFFERING. ‘The Trusted’s fantastic run in Brazil -the show started streaming in July on Globoplay- has really opened up new possibilities in the territory.
“Another successful production by TIMS&B, ‘The Trusted’ quickly became one of the
most-watched titles on Brazil’s leading digital platform, Globoplay, within just its !rst week of release, and maintained its position for weeks,” says Okan. “We are con!dent that
“In a groundbreaking achievement for Turkey, we have sold the remake rights of a Turkish series to South Korea for the very first time”
Turkish productions will continue to achieve remarkable success in Brazil.”
Okan shared that the title, which has already been sold to over 35 territories around the world, has even more sales lined up for the upcoming months.
Together with the mentioned titles, Inter Medya is bringing to Cannes other premium Turkish dramas -like ‘Deception’ or ‘Poison Ivy’-, their international co-productions -like ‘Leylifer’ and ‘Love and Pride’-, alongside a brand new format that will debut in Mipcom 2024, ‘Crossover’, described as a “vibrant, entertaining, and captivating music competition format.”
“Our format catalogue has seen signi!cant growth in recent years, becoming a re!ned collection that o ers a wide variety of formats to meet the demands of international clients,” shares Okan. “In addition, our exclusive distribution agreement with GAIN has expanded our mini-series catalogue, now featuring a range of standout productions. We’re also proud to showcase many successful !lms from our feature !lm catalogue, which will accompany us to Cannes.”
“Our format catalogue has seen significant growth in recent years, becoming a refined collection that offers a wide variety of formats”
KOREA WILL ADAPT ITS FIRST TURKISH ORIGINAL
In August, Inter Medya announced that the series ’Love Undercover’, produced by O3 Medya, will have its !rst Korean adaptation. “In a groundbreaking achievement for Turkey, we have sold the remake rights of a Turkish series to South Korea for the very !rst time,” explains Okan. “Until now, numerous Korean shows have been successfully adapted in Turkey, all of which
became highly acclaimed productions.
At Inter Medya, we are proud to have made history by doing the reverse— licensing the remake rights of the successful romantic comedy series ’Love Undercover’ to one of South Korea’s leading production companies.”
The romantic comedy, starring %ükrü Özyıldız and Burcu Özberk, will be adapted into a South Korean version whose script is being developed by
some of Korea’s top screenwriters. “We are con!dent that the Korean audience will embrace ’Love Undercover’ just as much as its original fans have,” added Inter Medya’s CEO. “We hope this marks the beginning of many more collaborations between Turkish and Korean content, opening doors to exciting new opportunities in both markets.”
Love Undercover Drama
Valley of Hearts Drama
Loveberry Drama
PASSION FOR TELLING UNIQUE STORIES
With fiction content that connects with audiences on a personal level, along with successful international formats, TV Azteca Internacional has all the tools necessary to reach audiences’ hearts
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
Jesica
Stescobich, Director of Distribution and Strategic Alliances at TV Azteca Internacional
“Our content not only entertains, it also connects culturally, and we are ready to take it to new horizons”
In mid-August, TV Azteca Internacional announced the incorporation of Jesica Stescobich as new Director of Distribution and Strategic Alliances. The executive, with more than two decades of experience in content distribution, working for companies such as Telefe, Comarex and Paramount, assures that the Mexican giant’s distribution arm has “all the potential to conquer audiences” around the world: “Our content not only entertains, it also connects culturally, and we are ready to take it to new horizons”.
The medical drama ‘Dra. Lucia’, in its second season, is presented as one of the main attractions of TV Azteca Internacional’s catalogue, a show that, as Stescobich explains, “connects with audiences on a personal level”. In a similar vein stand !ctions such as ‘Lo que Callamos las Mujeres’, ‘Un Día para VivirS4’, ‘Lotería del Crimen- S3’ and the telenovela ‘Cautiva por Amor’, a title that will return to the screens in 2025.
‘Lo que Callamos las Mujeres’ is a series that explores intimate and powerful stories of women, while ‘Un Día para Vivir’ is an innovative suspenseful drama. In ‘Lotería del Crimen,’ meanwhile, crime and mystery have gripped viewers for multiple seasons.
“Each of these productions is designed to excite and connect with our audience, consolidating our commitment to creating quality content that makes an impact and leaves a mark,” shares Stescobich.
In the realm of non-scripted content, Stescobich highlighted ‘La Academia’, a show so successful that it has its own 24/7 FAST channel on the Pluto TV platform; and the reality show ‘Abandonados’, adapted from the ‘Pekin Express’ format.
The FAST experience is, in fact, something that TV Azteca Internacional has embraced as a strategy, considering that it allows its content to reach new audiences that were previously left out of the traditional o er.
“Each of our projects is loaded with quality, dedication and an enormous passion for telling unique stories,” comments the executive. “The emotion and commitment to our audiences is stronger than ever, and the result is re ected in every minute of our productions.”
“Our commitment is to continue producing quality content for broadcast television, digital platforms and our pay TV channels,” she adds. “We achieve a perfect mix between scripted and unscripted productions, always betting on innovation, cutting-edge technology and, of course, the talent that sets us apart.”
“Each project is an opportunity to surprise our audience with stories and formats that make a di erence,” says Stescobich.
Dra. Lucía Drama
Lotería del Crimen Format
Lo que Callamos las Mujeres Drama
A WOMAN’S WORLD
With titles like ‘Melek: A Mother’s Struggle’ and ‘Come What May’, among many others, Mistco’s catalogue is ready to answer the worldwide demand for women’s dramas, without neglecting the rest of the genres in its catalog, including renowned historical dramas.
By
Luis Cabrera lcabrera@todotv.tv @luis_cabreram
As the exclusive sales agent of Turkish Radio and Television (TRT), Mistco’s expertise as a distributor encompasses a variety of genres, which include well-known Turkish dramas, as well as other kinds of productions, like historical dramas or kids’ animations.
That knowledge makes the company quite capable of understanding the industry’s trends and the buyers’ needs, who can !nd in their catalog some of the best titles that are produced in Turkey every year.
Right now, according to Mistco’s managing director, Ayşegül Tüzün, the most demanded genre worldwide are women’s dramas, stories like ‘Melek: A Mother’s Struggle’, ‘Secrets of an Angel’, ‘Hold My Hand’, ‘Bahar ’ or ‘Come What May’, the “most successful summer drama of 2023”.
Recently sold to Romania, ‘Come What May’ is an NBM production that stars Hakan Yilmaz, Eylül Tumbar, Enes Koçak, Selen Soyder, Yonca %ahinbaş and Berat Yenilmez. In this romantic drama, Alize mother passed away the day she was bon and, although her father Nurettin tries to make her happy, Alize has turned into an aggressive, sel!sh, con icting character. When she crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late. For this reason, he pro -
poses to his girlfriend Sinem, whom he has loved for years, but could not step into marriage so that Alize would not be upset. Alize, who is not behind her father in terms of stubbornness, decides to marry the repairman to make up for her mistake.
Another very hot drama from Mistco’s catalogue is ‘The Town Doctor’, which follows the talented Omer (Deniz Can Aktaş), who decided to become a doctor after losing his father, and the legendary surgeon Hakan (Ozan Akbaba), who devoted himself to sav-
“Sales of historical titles is one of our expertises and our historical dramas are travelling around the world”
Melek: A Mother’s Struggle Drama
BAHAR MIGHT BE THE FIRST OF MANY
The rst co-production experience for Mistco, the title ‘Bahar’ (original name is ‘Kader Oyunlari’) produced alongside Üs Yapim, has kept adding new territories with deals in countries such as Spain, Vietnam, Lithuania and Georgia. In Latin America and US Hispanic, Mistco
is working alongside Somos Distribution, who has taken the title to four di erent territories. The 114-episode series tells the story of a young girl who is struggling to keep the goodness inside despite all the darkness around her. After witnessing the murder of her
father, she is trying to prove that Aysun (her stepmother) committed the murder. “‘Bahar’ is doing well in terms of international sales, so it encourages us to invest in more co-productions,” says Tuzun. “As you know, the production cycle in Turkey is very aggressive, so we are waiting for the right time.”
“‘The Town Doctor’ is one of our most popular series and has been launched by Sony Entertainment Latino America as the first Turkish series on the channel”
ing lives. They cross paths in a town hospital far from the city. In this town hospital, which brings together MD Hakan, Omer and the idealistic MD Leyla (Hazal Subaşı), the determined struggle of three doctors who do their best to help people will be revealed.
“‘The Town Doctor’ is one of our most popular series and has been launched by Sony Entertainment Latino America as the !rst Turkish series on the channel,” Tuzun explains.
THE ORIGINAL GENRE. Mistco’s catalog has evolved a lot since 2016, but the original hits, historical dramas, are still an integral part of what they o er. After ‘Resurrection Ertugrul’ spearheaded the genre’s world conquest, other titles followed suit, includ-
ing more recent titles like ‘The Great Seljuks: Alparslan’.
“Sales of historical titles is one of our expertises and our historical dramas are travelling around the world,” says Tuzun. “Even our 10-year-old star, ‘Resurrection Ertugrul’, has been launched in Kazakhstan recently.”
“Russia is quite interested in historical dramas and several titles are available in the country via major platforms,” she explains. “Malaysia, South Korea, Bangladesh, and Eastern Europe are other regions in which our historical dramas are on air.”
With new seasons of ‘Shadow Team’ and ‘An Anatolian Tale’, plus Kazakh titles that are part of Mistco’s goal of diversifying its catalog, the distributor has all the ingredients to satisfy any audience demand.
Ayşegül Tüzün, Managing Director of Mistco
“‘Bahar’ is doing well in terms of international sales, so it encourages us to invest in more co-productions.”
The Town Doctor Drama
TAKING THE WORLD BY STORM
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
The international success of ‘Power Couple’ spearheads Dori Media’s full slate of unscripted offerings, which includes titles like ‘Spy Date’ and ‘Smart Face’, and runs alongside top-quality dramas like ‘Indal’ and the highlyanticipated ‘AMIA’.
Nadav Palti, President and CEO of Dori Media Group
“As we progress towards the completion of ‘AMIA’s edits, we have started sharing the episodes with clients, and we are seeing very positive feedback”
Love, tension and a lot of humor are key ingredients in ‘Power Couple’, the reality format that has been a huge success around the world and is one of Dori Media’s most important unscripted titles.
“‘Power Couple’ continues to take the world by storm, with its original version available now in over 20 territories,” details Nadav Palti, president and CEO of Dori Media Group (DMG). “It launched [in August] on Videoland, in the Netherlands, and has quickly become a breakout hit in the market, ranking as the number 2 series on the platform.”
Palti shares that DMG is !nalizing deals with “several additional territories”: “‘Power Couple’s popularity also continues to grow in many of our existing territories, where many of our partners are moving forward with additional seasons,” adds the executive.
In the show, eight couples move to a villa for six weeks, facing extreme challenges that test how well they really know each other.
The format is just one of a growing catalogue of unscripted titles that include dating shows ‘Spy Date’ and ’Love at Third Sight’; trivia-based game show ’Smart Face’; talent competition ’Da Next’; street game Intuition; reality competition ’Stand-Up Warrior’; and the shiny oor game show ’The Best of All’, among others.
RELEVANT DRAMAS. On the scripted side, DMG has committed itself to producing and distributing relevant and powerful stories, like is the case of ‘Indal’ and the upcoming ‘AMIA’.
Based on the infamous 1994 terrorist attack in Argentina, ‘AMIA’ tells the story of a Mossad agent who joins forces with a local journalist to !nd those responsible. “We have reached the near-!nal stages of editing episodes one through six, and in about a month, we will complete episodes seven and eight,” shares Palti. “As we progress towards the comple -
tion of the edits, we have started sharing the episodes with clients, and we are seeing very positive feedback. We believe that we will soon be able to close agreements.”
‘Indal’, meanwhile, is a highly acclaimed show that shines the spotlight over Ethiopian Israeli people, in a story about a personal revenge that develops into a !ght for equality. “‘Indal’ is achieving tremendous success for several reasons: !rst, the issue of discrimination is an international topic relevant to audiences across the globe; second, its high-quality production with a top-tier production team and actors,” explains Palti. “The series is experiencing huge success on air, on HOT, on social media, and it has even been recommended for viewing by several Ethiopian Knesset members.”
Meanwhile, the company is giving the !nishing touches to two high-end series: ‘Soul Sucker’, a new horror comedy; and the third season of award-winning comedy ‘The New Black’. “Additionally, we are working on four more series that we will begin !lming in 2025,” adds Palti.
Power Couple Format
AMIA Mini-serie
TIME TO GET CRAZY ABOUT YOU
Globo’s new telenovela comes from the same creator of the mega-successful ‘Brazil Avenue’ and ‘All the Flowers’, and joins a catalogue that includes three new Globoplay Original releases: ‘The Game’, ‘The Others - S2’ and ‘Rio - Paris: The Tragedy of Flight 447’.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
Fabio Mauro, Content Distribution & Partnerships, Globo
“Europe is a region that shows interest in classic titles and formats, as was the case with ‘Leyla’ in Turkey”
While ‘Rebirth’ keeps adding territories -and fantastic rating numbers- all over the world, Globo has come to Cannes with the next big Brazilian telenovela: ‘Crazy About You’.
A creation of João Emanuel Carneiro (‘Brazil Avenue’ and ‘All the Flowers’), ‘Crazy About You’ centers on the friendship between two young women, Viola and Luma. Their journey is marked by complicity and rivalry, leading them into a romantic quartet with Mavi and Rudá, and is in uenced by a series of circumstances, twists, and surprises, including a secret surrounding a murder.
“‘Crazy About You’ explores universal themes such as love and power, helping to create a connection with international audiences,” details Fabio Mauro, Content Distribution & Partnerships, Globo. The series was partially !lmed in Portugal, with scenes in Porto, Lisbon, and Linhares da Beira.
The Brazilian giant also brings an important slate of Globoplay Originals, including three new releases: ‘The Game’, an action series that depicts the rise of drug tra&cking factions; the second season of ‘The Others’, an universal story about family and social relationships; and the documentary series ‘Rio - Paris: The Tragedy of Flight 447’, a production by Globo’s journalism team that reconstructs one of the accidents that signi!cantly changed global aviation safety.
“Additionally, we continue to invest in the sale of formats, both scripted and unscripted,” points out Mauro, who highlights telenovelas ‘The Life We Lead’, ‘The Other Side of Paradise’, and ‘Hidden Truths’; and unscripted formats like ‘Que Seja Doce’ (‘Let It Be Sweet’) and ‘What Is Your Story’.
‘LEYLA’IS JUST THE BEGINNING. The Turkish adaptation of ‘Brazil Avenue’, a deal closed in 2023 between Globo and Madd Entertainment’s Ay Yapim, is in production. “We are very happy to see this project becoming a reality and are optimistic that new adaptations of our stories will follow,” shared Mauro.
“Europe is a strategic territory for Globo, and we currently have a team of three executives
dedicated to the continent, in addition to Rodrigo Nascimento, who is Head of International Business - Europe, Middle East, and Africa, and who is based in Portugal,” details Mauro. “We are attentive to market trends, and it is a region that shows interest in classic titles and formats, as was the case with ‘Leyla’ in Turkey.”
To share its latest developments, the Latin American giant will have a showcase (starting at 17:30), followed by a cocktail event, in the Producer’s Hub, on October 21st.
JUSTICE: MISCONDUCT WINS THE GRAND PRIZE IN SEOUL
One of the most powerful narratives in Globo’s catalogue, the anthology series ‘Justice: Misconduct’, won the Grand Prize at the Seoul International Drama Awards, the highest category of the prestigious event. “We are very happy with this international recognition the series has received,” says Mauro. The Globoplay Original follows four characters who end up in prison and, seven years later, leave jail and need to resume their lives in search of justice that goes beyond logic and judicial processes. “We want to reinforce our presence in the region, and this award is an important step in that direction. Currently, Globo has a distribution agreement with Thema for the Asian market. “The ‘Justice’ franchise has a well-established anthology format, with nominations for the International Emmy in 2017 for Best Series and Best Actress, with Adriana Esteves,” says Mauro.
Crazy About You Telenovela
PREMIERE NETFLIX SETS PREMIERE DATE FOR ONE HUNDRED YEARS OF SOLITUDE SERIES
NETFLIX ANNOUNCED the premiere date for the anticipated series, ‘One Hundred Years of Solitude’, which will feature two eight-episode installments. The !rst will premiere on December 11, 2024. Based on Gabriel García Márquez’s masterpiece, ‘One Hundred Years of Solitude’ is an ambitious project, made with the care and passion that this iconic work deserves. Filmed entirely in Spanish and in Colombia, the project has the direct support of Garcia Marquez’s family, ensuring an authenticity and !delity that fans will surely appreciate. The Dynamo-produced series, directed by Laura Mora and Alex Garcia Lopez, promises to be a journey into the very essence of Macondo. With an all-star cast headed by Claudio Cataño, Jerónimo Barón, and Susana Morales, among other talents.
AWARDS
ANOTHER LOVE WINS BEST SERIES AWARD AT THE SEOUL INTERNATIONAL DRAMA AWARDS
GLOBAL AGENCY CELEBRATED THAT TIMS&B PRODUCTIONS’ captivating hit drama ’Another Love’ has won the prestigious Best Series award at the Seoul International Drama Awards. It is the only Turkish drama series to receive an award in Seoul this year. Produced by Timur Savcı and Burak Sağyaşar, ‘Another Love’ is distributed internationally by Global Agency and features standout performances by Hande Erçel and Burak Deniz. ‘Another Love’ tells the powerful story of an anchorman and a prosecutor, drawn into an a air !lled with tension and passion as they seek to reveal the dark truth about a mysterious serial killer.
PREMIERE PRIME VIDEO TO PREMIERE NEW DRAMA SERIES, THE ASSASSIN, IN UK AND IRELAND
PRIME VIDEO will launch writing duo Harry and Jack Williams’ brand new drama series ‘The Assassin’ in the UK & Ireland. The series is produced by awardwinning production company Two Brothers Pictures (The Tourist, Boat Story, Fleabag) in association with ZDF who is the German co-production partner, All3Media International, and Stan in Australia. ‘The Assassin’ (6x60) is a Two Brothers Pictures (an All3Media company) production for Prime Video, in association with All3Media International, ZDF and Stan, and stars Keeley Hawes and Freddie Highmore, who each serve as executive producers.
DISTRIBUTION GOQUEST MEDIA STRENGTHENS ITS PORTFOLIO WITH TELEKOM SRBIJA DRAMAS
GOQUEST MEDIA has acquired the distribution rights to three new dramas from Telekom Srbija, ‘The Absolute 100’, ‘South Wind: On The Edge’, and the ’Airbridge’ series. Jimmy George, GoQuest Media’s Vice President of Sales and Acquisitions, said, “The acquisition of these titles aligns with GoQuest Media’s strategic focus this year on building a library of premium content for our customers.” “We !rmly believe that these compelling and unique stories have the power to captivate audiences around the world,” said Aleksandra Martinovic, head of Telekom Srbija’s multimedia division. “We are delighted to continue this exciting journey with GoQuest Media, our trusted partner.”
PRODUCTION QUALITY AS A TOP PRIORITY
Record TV’s productions have found “very fertile ground” in the Iberian Peninsula, with telenovelas such as ‘Topíssima’ and ‘Amor sem igual’, and its renewed catalog of docuseries, with hits such as ‘DOC Investigación’ and ‘El hospital’.
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
Content is king at Record TV, which has built a brand based on the quality of its productions, both scripted and unscripted. In addition to its biblical series, today distributed under the Seriella brand, and its renowned telenovelas, the Brazilian giant has strived to leave its mark in the !eld of documentaries.
Delmar Andrade, International Sales Director at Record TV
“Our documentaries have proven to be an effective tool both locally and internationally, contributing to the construction of an identity and the dissemination of relevant stories”
“We excel in bringing viewers the most current and active news, both in the domestic and international market,” says Delmar Andrade, Record TV’s International Sales Director. “For the coming year, we are planning a profound expansion of our journalistic documentaries, which may well meet the needs and desires of the audiovisual market.”
How have the company’s documentaries performed in this renewed commitment to them locally and internationally? Record, throughout its 70-year history, has a deep commitment to the veracity of the facts we present in the media. Our documentaries have proven to be an e ective tool both locally and internationally, contributing to the construction of an identity and the dissemination of relevant stories.
In addition, Record prioritizes production quality, which results in well-crafted and reliable documentaries that attract the attention of the public and specialized critics, obtaining several international nominations and awards, such as ‘The Beast’, which won Spain’s highest journalism award, the King of Spain Journalism Award for Best Documentary.
What documentaries would you like to highlight for the rest of the year?
This year we are working hard with our documentary series ‘DOC Investigation’ and ‘The Hospital’. ‘DOC Investigation’ was a hit in Brazil and is ready to reach an international audience. The series brings audiences the best of the true crime genre, across 12 episodes that combine the modern lan-
guage of streaming platforms with Record’s already renowned investigative journalism.
‘The Hospital’ was the !rst original medical series in the form of a documentary produced in Brazilian television. The series that shows the exciting dilemmas behind the routine of doctors at a major hospital in terms of health and technology in the largest capital of Latin America. These are real cases that make your heart beat faster every minute.
What can you tell us about the company’s drama series, such as ‘Amor sin igual’ or ‘Topíssima’? Two of Record’s most recent telenovelas have been very successful in the international market. Both were screened in most of Latin America and proved to be a great option for the viewing public, and are now being screened in Portugal.
‘Topíssima’ was shown in Portugal last year and resumed Record’s partnership with RTP. It was one of the most watched programs in the afternoon. The telenovela was also nominated for the Rose D’Or Award, one of the most important awards in the television market, as best telenovela.
‘Amor sem igual’, on the other hand, is a classic love story, with many twists, drama and a lot of romance. In addition to the main core of the story, the telenovela also addresses an issue that is booming, which is the damage caused by social networks in people’s lives. A must-see and very current work. We are enthusiastic and careful to maintain quality at international levels, so that our consumers, in addition to enjoying the product, have something to comment positively on.
What is Record’s current situation in terms of international sales in markets such as Spain and Portugal? The Iberian Peninsula is a very fertile territory, where we can explore di erent opportunities, largely because of the language, in the case of Portugal, and also because our productions have already been tested in Latin America.
In Portugal, after a few years, we resumed our collaboration with RTP. Today they are broadcasting the afternoon telenovela ‘Amor sem Igual’. The plot has been standing out among the audience and is among the
most watched programs at the moment. We are also present in this market, actively participating in the main events in the region, such as Iberseries.
“‘Amor sem igual’ tackles a topic that is booming, which is the damage caused by social media in people’s lives”
Topíssima Telenovela
Amor sem igual Telenovela
El Hospital Docuseries
DOC Investigación Docuseries
DIVERSE AND HIGH-QUALITY CONTENT
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
With a commitment to content that resonates with global audiences, Calinos Entertainment’s catalogue keeps growing, with a mix of traditional Turkish content, like ‘Farah’ or the fresh drama ‘Hidden Garden’, alongside acclaimed international series.
Calinos Entertainment arrives in Cannes with a fresh title, ‘Hidden Garden’ (‘Gizli Bahçe’), powered by a star-studded cast, alongside a well-known success, ‘Farah’, a series that has already gathered interest across multiple markets.
“We believe that showcasing ‘Farah’ at such a prominent event will further enhance its visibility and open up new opportunities for distribution,” shares Asli Serim Guliyev, Head of International Sales at Calinos Entertainment. “We look forward to connecting with potential partners and sharing this remarkable title with a broader audience.”
The distributor also brings its growing non-Turkish catalogue, which includes the award-winning Canadian crime-drama ‘Alert Squad’.
What can you share about ‘Hidden Garden’? We are thrilled to announce the launch of our latest series, ‘Hidden Garden’ (‘Gizli Bahçe’), featuring the talented stars Ebru %ahin and Murat Yıldırım. This title is packed with compelling themes of love, loss, and family secrets, which we believe will resonate deeply with audiences. With its internationally recognized cast and engaging storyline, ‘Hidden Garden’ is well-positioned for success in the global market. We believe this series has all the elements needed for international success, and we can’t wait to share it with viewers in various markets.
‘Farah’ had a strong 2024. What would you say are the main international accomplishments of the drama? 2024 has indeed
been a remarkable year for ‘Farah’. One of the main international accomplishments is the successful sales to several diverse markets, including Panama, MENA, Italy, Spain, Romania, Albania, Israel, Bulgaria, Vietnam, Azerbaijan and Africa These sales demonstrate the global appeal of the series and its ability to connect with audiences across different cultures.
Additionally, ‘Farah’ has received positive feedback from viewers and critics alike, which has further established its reputation as a high-quality production. This recognition not only boosts its visibility but also opens doors for future distribution opportunities in other regions. Overall, the strong performance of Farah in these international markets underscores the growing demand for Turkish series and sets a solid foundation for continued success.
Overall, the strong international performance of ‘Farah’ in 2024 reinforces the growing demand for Turkish series and highlights our commitment to delivering compelling storytelling that transcends cultural boundaries.
What are the latest news regarding your non-Turkish titles, like ‘Indefensible’, among others? We’re thrilled to share the latest updates on our non-Turkish titles, particularly ‘Alert Squad’, which recently received four prestigious awards at the Gémeaux Awards Ceremony, celebrating excellence in French-language television. These accolades include Best Annual Drama Series, Best Lead Actor in an Annual Drama Series for Frédéric Pierre, Best Supporting Actor for Paul Amarhani, and Best
Asli Serim Guliyev, Head of International Sales at Calinos Entertainment
“In
Brazil, where Turkish series have yet to find their rightful place on free-to-air television, the success of ‘Woman’ will help us secure more deals with these broadcasters”
“‘Farah’ has received positive feedback from viewers and critics alike, which has further established its reputation as a high-quality production”
Supporting Actress for Marie-Chantal Perron. This recognition underscores the quality and impact of the series in the Canadian television landscape.
In addition to ‘Alert Squad’, our Canadian title ‘Indefensible’ continues to attract interest globally. On the Romanian front, the adaptation of our Turkish series; ‘Adela’ and ‘No 309’ are also performing well, solidifying our presence in that market. Our Serbian titles, including ‘The Clan’ and ‘Tycoon’, are generating positive feedback as well. Overall, these accomplishments re ect our commitment to distributing high-quality content across various genres and markets.
How has Calinos Entertainment’s acquisition strategy evolved in recent years? International audiences have speci!c expectations when it comes to series, often looking for compelling themes such as love, loss, and family secrets. Strong female lead characters and engaging storylines involving children are also critical. Furthermore, a well-known cast signi!cantly enhances a series’ appeal. As we acquire distribution rights, we prioritize these elements to ensure that our selec-
tions resonate with viewers and maximize their potential for success across di erent markets.
What kind of titles are you looking to add to your catalog? In addition to our existing line-up, we are excited to expand our catalog by incorporating award-winning, high-rated non-Turkish series. This strategic move re ects our commitment to o ering diverse and high-quality content that resonates with global audiences. By including these acclaimed titles, we aim to enrich our o erings and further enhance our competitive edge in the international market.
How important is it to have closed deals for ‘Woman’ and ‘The Girl Named Feriha’ in Brazil? Securing deals for ‘Woman’ and ‘The Girl Named Feriha’ in Brazil is a signi!cant milestone for us. These series have resonated with audiences worldwide due to their strong storytelling, emotional depth, and relatable characters. In Brazil, where Turkish series have yet to !nd their rightful place on free-to-air television, the success of ‘Woman’ will help us secure more deals with these broadcasters.
What do you expect for Brazil as a destination of your titles moving forward? Moving forward, we expect Brazil to become a more prominent market for our titles. With growing interest and a shift in audience tastes, we believe there is great potential for other Turkish series to succeed there. We see this as the beginning of a long-term relationship with Brazilian broadcasters and platforms, aiming to bring more diverse content that appeals to their viewers.
Farah Drama
Hidden Garden Drama
Listings Dramas
DISTRIBUTION
Tel: +90 212 354 37 01
Instagram@atvdistribution
Twitter @atvdistribution
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EXECUTIVES
Gozde Dinc Ozcan, Sales Deputy Manager
Merve Tunc, Marketing Specialist
Sena Kul, Sales Assistant Specialist
Doruk Yenihayat, Sales Assistant Specialist
THE NIGHTFALL
TOP EXECUTIVE
Müge Akar, Head of Sales
(Drama, 45’, In Production)
Mahir, whose father was assassinated in the city of Denizli by Kürşat Kilimci, returns twenty years later as a police inspector, determined to avenge his father’s death. On his first day back, he has a fateful encounter with a mesmerizing girl named Canfeza, the daughter of Kürşat, and instantly falls in love. As Mahir searches for this mysterious woman, he also keeps a close watch on Kürşat, waiting for him to slip up.
SAFIR
(Drama, 89 x 45’)
Feraye, a textile design student and housekeeper at a wealthy Gülsoy family mansion in Cappadocia, has a flaw in her affection for Yaman, one of the family’s heirs. Her father, Muhsin, married Cemile, who was cruel to the family. Ateş, the eldest child, returns to his native Cappadocia where his grandfather has grander plans for him. Yaman plans to propose to Feraye, but she meets Bora, a shady character.
STREET BIRDS
(Drama, 173 x 45’)
Five friends living on the streets, they sell handkerchiefs. They find a baby in the trash bin, because of Mercan’s motherly instincts, they decide to take care of the baby; named ‘Gülayşe’. Çatal, the bad guy notices the baby, thus the chaos begins by accidentally hurting him on their way to escape.
In ‘Hidden Garden’, Nazlı is a young, single mother living with her son Memo. When Demir Akçınar, Memo’s wealthy uncle, discovers that his late brother had a child, he steps in to take care of Memo. Upon learning about Nazlı’s profession, Demir refuses to let Memo stay with her and wages a custody battle. However, Nazli is not who Demir thinks she is and she has a big secret.
FARAH
(Drama, S1: 47h - S2: 42h)
Adapted from the award-winning Argentinian series ‘La Chica Que Limpia’; ‘Farah’ is the story of an Iranian woman, who had to run away from her country and is struggling to live in Istanbul, working as a cleaning lady in order to maintain the treatment of her son. Farah was one of the brightest students at one of Iran’s leading medical schools, until months before she had to flee.
EGO
(Drama, 40h)
The Koraslan Family is one of the most wellknown families in tourism industry in Turkey. Sibel and Tuncay are both involved in their family business. On the the other hand, the Ozturks are a middle-class family, Burhan being the father, who lost his beloved wife two years ago, his daughter Elif and son Arda. Elif is engaged to Erhan, a frank and brave man who works in the finance department at the Koraslan Family’s firm.
Kungsgatan 48, 111 35 Stockholm, Sweden info@ecchorights.com
www.ecchorights.com
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I AM MOTHER (Drama, 115 x 45’)
TOP EXECUTIVE
Barbora Suster, Sales Director for Latin America and Iberia
Filiz marries Hasan but faces tension with his sister Gülnaz, who sees Filiz and her daughters as a disgrace to the family. Meanwhile, Karsu enters a marriage of convenience with Can Kardes and works for the cold, arrogant Bora Bozbeyli, hoping it will help her custody battle against Reha.
THE COST OF LIES (Drama, 115 x 45’)
Adem, a clerk at the Mint, creates a commemorative coin as a gift for his son. However, when his son shows the coin to his peers at school, Adem is fired from his job, plunging him into a downward spiral. Faced with the risk of losing his family and home, a desperate Adem partners with his swindler brother Kartal to counterfeit money. As the money is printed it changes their lives, but it also attracts trouble.
A JOURNEY TO BELONG (Drama, 150 x 45’)
When Yasemin leaves her little sister Mine at their estranged grandmother Münevver’s mansion, she sets off a chain of events that risks exposing buried family secrets. Münevver, living in a mansion amidst an increasingly poor neighbourhood, lost her husband years ago and her daughter left home without explanation. With Mine’s arrival, Münevver hopes for a chance to reconnect with her long-lost daughter and to reunite her family, but to regain their trust, she must confront painful events from the past.
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www.globo.com/screening
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TOP EXECUTIVE
Fabio Mauro, Content Distribution & Partnerships, Globo
CRAZY ABOUT YOU
‘Crazy About You’ is based on the friendship between two young women, Viola (Gabz from ‘Perfect Love’) and Luma (Agatha Moreira, from ‘Hidden Truths’), who seem predestined to enter each other’s lives. With a journey divided between complicity and rivalry, which includes them in a love quartet with Mavi (Chay Suede, from ‘A Mother’s Love’) and Rudá (Nicolas Prattes, from ‘All the Flowers’) and is impacted by a series of circumstances, twists and surprises, such as the secrecy surrounding a murder.
The Nightfall ATV
Hidden Garden
I Am Mother ECCHO RIGHTS
KANAL D INTERNATIONAL
+90 (212) 231 0102
info@intermedya.tv intermedya.tv Pavilion: C16.C
EXECUTIVES
Ahmet Ziyalar, COO
Hasret Özcan, President
Beatriz Cea Okan, VP and Head of Sales and Acquisitions
Pelin Koray, Senior Sales, Acquisition and Strategy Manager
Sinem Alı#kan, Senior Sales and Communication Manager
Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the !ansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the !ansalans’ children, Sumru must face her past and decide whether love can overcome revenge.
LOVEBERRY (Drama, TBA)
Zuhal Erdem, a renowned personal development expert, hides a secret life entirely centered around her family. Haunted by her mother’s death, she’s devoted to her sisters and a controlling father. As her family prepares for a wedding, Zuhal grapples with her own loneliness. A chance encounter with Tayfun ignites a forbidden love, forcing her to choose between her past and her heart.
kdisales@kanald.com.tr kanald.international
Stand: R8 D2
EXECUTIVES
Çağla Menderes, Sales Manager, CIS, Greece and Italy
Canan Koca, Sales Executive, CEE and The Baltics
Sibel Levendoğlu, Sales Manager, Latam&US, Iberia, Africa
Yasemin Keskin, Sales Manager, MENA, APAC & Global Inflight Entertainment Distribution
Selahattin Tosun, Digital and Linear Channel
Sales Manager
Bü#ra Saraçoğlu, Distribution Sales Manager
TOP EXECUTIVE
Elif Tatoğlu, Distribution Strategy Director
THE FAMILY BURDEN (Drama, 44’)
Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal. As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.
SECRET OF PEARLS (Drama, 44’)
Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll.
A FATHER’S PROMISE (Drama, 67 episodes)
In 1980’s political turmoil, Mustafa sacrifices to save his wife, leaving his daughter with the wealthy Ronas. A poignant tale unfolds as he reunites, facing dangers and love’s resilience.
After being abandoned by his father as a child, Devran grows up in a poor neighborhood with his mother, grandmother and four siblings. His life changes at an early age when it’s discovered that he’s a genius. İskender, who has abandoned his family to live his own life, has become one of the biggest cons of the country. Devran confronts his father with his intelligence and his imagination that has been enriched with legends since his childhood; his sole purpose is to defeat İskender and to bring justice.
BLOOMING LADY
(Drama, 75+ x 45’)
After 20 years of living for others, a housewife decides to complete her medical residency and put herself first. When stay-athome mother Bahar faces a life-threatening illness, she decides to make some changes in her life. She goes back to complete the medical residency she had to give up 20 years ago, even though that means working under her husband, the Chief Surgeon, and with her son, another first-year resident. Neither they nor her teenage daughter are happy about it, but Bahar finds satisfaction in her new life.
Maria Fernanda Espino Noguez, Sales Manager LatAm & Iberia
TOP EXECUTIVE
Aysegul Tuzun, Managing Director
COME WHAT MAY (Romantic drama, 89 x 45’)
On the day Alize was born, her mother passed away. Although her father Nurettin tries to make her happy, Alize has turned into an aggressive, selfish, conflicting character. When Alize crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late.
SECRETS OF AN ANGEL (Drama, 90 x 45’)
‘Secrets Of an Angel’ starring Alp Navruz and İrem Helvacıoğlu. The series is about a family whose members see their lives changed abruptly by a tragedy. Cennet, who was exposed to domestic violence for years by her husband, Yılmaz, gets sick and is hospitalized. While she is being treated, she sees a Lawyer Zeynep’s number on the window of the hospital and calls her for help.
BAHAR
(Drama, 114 x 45’)
‘Bahar’ is the story of a young girl who is struggling to keep the goodness inside despite all darkness around. After witnessing the murder of her father, she is trying to prove that Aysun (her stepmother) committed the murder. On the other hand, the love between Bahar and Demir who met just days before the murder grows day by day but becomes even more impossible since Aysun is obsessively attached to Demir and determined to win Demir at any cost.
The Family Burden
INTER MEDYA
Valley Of Hearts
The Good & The Bad MADD
Tomtom Mah. İstiklal Cad. Mısır Apt. No:163/17
Beyoğlu/ İstanbul www.ogmuniverse.com mustafakeyvan@ogmuniverse.com Nesrineyupoglu@ogmunivers.com Stand: P-1.K65
EXECUTIVES
Mustafa Keyvan, Sales Executive
Nesrin Eyüpoglu, Marketing & PR Manager
SIX OF US (Drama)
TOP EXECUTIVE
Ekin Koyuncu Karaman, Global Distribution & Partnership Director
240, Varzea St, Barra Funda São Paulo / SP - Brasil 01140-080 - São Paulo - SP, Brasil. +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com Stand: P-1.G67
EXECUTIVE
Thiago Castro, International Sales Executive
TOPÍSSIMA
(Telenovela, 145 x 45’)
TOP EXECUTIVE
Delmar Andrade, International Sales Director
Est dos Bandeirantes, N° 23505. Rio de Janeiro, Brazil. Postal Code: 22785-091. (+55) 11 97504 4022 edson.mendes@seriella.com
KINGS
(Biblical, 257 × 45’)
TOP EXECUTIVE
Edson Pfutzenreiter Mendes, Sales Manager
Periférico Sur 4121, Col. Fuentes del Pedregal, C.P. 14140, México, CDMX tvaztecainternacional.com
EXECUTIVES
Dulce Ávila, Director of International Content Distribution, Fast Channels & Advertising Sales
Melissa Pillow, Sales Rep: Europe, CIS, USA and Africa
Paola Salinas, Sales Manager & Fast Strategies Amanda Puente, Marketing TV Azteca Internacional
An emotional and gripping drama about six siblings who lose their parents in a tragic night and must rely on each other to survive. Fleeing from their past in a small village, they embark on a perilous journey to Istanbul, where the harsh realities of the city test their strength and unity. The story revolves around their parents’ epic, forbidden love, leading to their tragic fate. It’s a tale of resilience, family bonds, and the fight to stay together against all odds.
DILEMMA
(Mini-series, 8 x 45’)
A gripping drama about Neslihan Turhan, a renowned journalist known for her honesty, who faces the most difficult choice of her life when her son is accused of murder. Torn between her dedication to the truth and her instinct to protect her child, Neslihan’s values are tested as her world unravels. Will she risk everything, even her son’s freedom, to pursue justice? This emotionally charged series explores the limits of morality, truth, and motherhood in the face of unimaginable conflict.
Topissima is a telenovela that delves into the feminine universe and brings to light the conflicts of modern women: work versus love life, independence versus loneliness, motherhood versus career, aging versus aesthetics, illegality of abortion versus death, among others. In addition to the issues inherent to the female universe, we will have in parallel a police investigation full of twists and turns involving the protagonists.
ULTIMATE LOVE
(Telenovela, 148 x 45’)
Everyone would like to experience – or has imagined experiencing – a love story capable of overcoming any di&erence, prejudice or obstacle imaginable. This sentiment often arises in the most unexpected places and in even unlikely people. But when love proves to be true, nothing can stop it from uniting two lovers.
THE SLAVE ISAURA
(Telenovela, 167 x 45’)
A Brazilian telenovela, successful in over 80 countries worldwide. Based on the 1875 novel by Bernardo Guimarães. The telenovela shows a love story, amid the theme of slavery. Isaura is the daughter of the slave Juliana and the farm manager, Miguel. Juliana dies, and Isaura is raised and educated by the Commander’s family.
This narrative centers on King David, delving into the events that precede his reign and the early stages of political organization before Israel was established as a kingdom. It also highlights David’s passionate struggles and romances, spanning from his youth to his final days.
JESUS
(Biblical, 196 x 45’)
Sent by God, Jesus arrives in human form, driven by His love for humanity. He challenges the religious norms of His time, unveiling the true enemy of mankind. The narrative will also explore the lives of individuals He healed and the journeys of the men who became His apostles.
MOSES AND THE TEN COMMANDMENTS
(Biblical, 242 x 45’)
This telenovela narrates the life of Moses, chronicling his journey from birth to his divine encounter in the Sinai desert, where he is called to confront the mighty Pharaoh and fight for his people’s freedom. Breathtaking special e&ects illustrate the ten plagues that a(icted Egypt, culminating in the astonishing event of crossing the Red Sea on dry land.
DRA. LUCÍA
(Drama, 50 x 45’)
TOP EXECUTIVE
Jesica Stescobich, Director of Distribution and Strategic Alliances
Before the accident she was competing with Mariana for the position as head of the Emergency Department, but, after the accident, everything changed and Mariana was promoted instead of her. Mariana, with the help of her influences in the hospital, transfers her ex-boyfriend, Enrique Jimenez, but the plan goes wrong, as he immediately feels attracted to Lucia, who will have to deal with her personal situations, as well as saving the lives of those who arrive at the Central Hospital.
CRIME LOTTERY S3 (Drama, 24 x 45’)
Every day dozens of atypical crimes accumulate in Mexico City, of such a perverted and mysterious nature that they seem impossible for the police to solve. Rituals, torture, cannibalism and mutilations are some of the modus operandi that attract the attention of the only police department capable of solving them: the Criminal Intelligence Unit.
Kings
Topíssima
Dra. Lucía
SERIELLA PRODUCTIONS TV AZTECA INTERNACIONAL
Six Of Us
EXECUTIVES
Katie Buchanan, EVP Americas, Global Partnerships at ITV Studios
ITV STUDIOS EXPANDS INTERNATIONAL SALES TEAM
ITV STUDIOS HAS APPOINTED seasoned media executive, Katie Buchanan as EVP Americas, Global Partnerships. She joins from A+E Networks, having also held a variety of Programming Strategy and Acquisitions roles at NBCUniversal and Viacom, she will report to EVP Global Sales & Commercial Strategy, Tom Clark in London. Katie will be responsible for driving revenue growth and maximising the potential of ITV Studios’ finished content and formats across the US, Canadian and Latin American markets. She will lead the Los Angeles-based team of 11 supported by Rob Kaplan, who has expanded his existing US sales remit to include Latin America, Craig Bohland, VP Sales Canada and Laura Rhodarmer, Head of Brand Partnerships for USA, Canada and Latin America. Katie and the team will also work closely with Jemma Harvey, SVP Scripted Global Content and Co-Productions based in London. New to the team also are Maria Ines Rodriguez, who joins as VP Sales US and Latin America, having recently held the position of VP SVOD Acquisitions at TelevisaUnivision (ViX) and prior to this SVP Content & Sales at Disney, and Eisha Fremerman, Senior Sales Manager US and Latin America who joins from QVC where she was a Streaming Programming Consultant and prior to that an Acquisitions Manager at Britbox.
STREAMING
Tony Vinciquerra, CEO of Sony Pictures Entertainment
TONY VINCIQUERRA STEPS DOWN AS CEO OF SONY PICTURES ENTERTAINMENT
TONY VINCIQUERRA, CEO of Sony Pictures Entertainment, will step down from his role early next year. The executive will be replaced by COO Ravi Ahuja effective January 2, 2025. Vinciquerra, who joined SPE in 2017, will continue to serve in an advisory role to SPE as non-executive chairman until the end of December 2025. He was involved in decision-making including the divestiture of most of the company’s cable networks and the acquisition of Crunchyroll in 2021. Ahuja, meanwhile, joined SPE in 2021 to oversee the production business, which has produced several awardwinning series including The Crown, The Boys, Better Call Saul, Shark Tank, The Last of Us and many more.
DISTRIBUTION FIFTH SEASON EXPANDS DEAL WITH ROKU FOR LATAM AND CANADA
GLOBAL FILM AND TV STUDIO FIFTH SEASON has secured an extension to its existing partnership with Roku, which sees Latin American and Canadian rights plus new seasons and series added to the companies’ current agreement, under which Fifth Season serves as Roku’s international format and tape distribution partner for a slate of unscripted Roku Originals worldwide. Additionally, Fifth Season has secured a raft of international sales across Roku’s slate. Second seasons of existing agship titles, including ‘Jessica Alba’s Honest Renovations’, ‘Morimoto’s Sushi Master’, ‘UFO Cowboys’, ‘Reptile Royalty’, and ‘Meet Me in Rome’ have now been added to the overall agreement.
APPLE TV+ PREMIERES MIDNIGHT FAMILY, PRODUCED BY FREMANTLE AND FABULA
APPLE TV+ PREMIERED ‘Midnight Family’, the Spanish-language medical series, directed by Natalia Beristáin, and created for television by Julio Rojas and Gibrán Portela. The episodes will premiere weekly every Wednesday until November 20, 2024. ‘Midnight Family’ is produced for Apple TV+ by Fremantle and Fabula, with Juan de Dios Larraín and Pablo Larraín. The series follows Marigaby Tamayo (Renata Vaca), an
ambitious and talented medical student by day, who spends her nights saving lives across a sprawling, contrasting and fascinating Mexico City aboard her family’s private ambulance. Alongside her father Ramón (Joaquín Cosío) and brothers Marcus (Diego Calva) and Julito (Sergio Bautista), Marigaby serves a population of millions by attending to extreme medical emergencies to earn a living.
SUCCESSFUL MODELS WITH BALANCED FORMULAS
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
Glowstar Media is travelling to Mipcom to continue consolidating its work in international co-productions, while preparing for a year full of important announcements.
Silvana D’Angelo, CEO of Glowstar Media
“Our approach is always to find formulas that are balanced and convenient for everyone”
With announcements of important projects and strategic alliances under its belt, Glowstar Media is closing another very positive year, in which it has set out to extend the successful path it has been following in terms of international co-productions. The company arrives in Cannes after its recent stop in Madrid, where it participated in Iberseries & Platino Industria 2024, a key event to consolidate strategic alliances: “Co-production between Latin America and a Spanish-speaking European countries,
such as Spain, is almost natural and, whether through the incorporation of talent, shared production, maximization of bene!ts or incentives o ered by some countries and stories that connect equally to audiences on both sides of the Atlantic, very pro!table and successful models are generated, which we have already seen in recent times,” shared Silvana D’Angelo, CEO of Glowstar Media.
Within that scenario, Glowstar Media is open to multiple working formulas, either !nding Spanish projects that resonate with Latin American audiences or looking for local partners for its own productions. “Our approach is always to !nd formulas that are balanced and convenient for everyone,” D’Angelo stressed.
Glowstar Media has several !ction projects in its catalog, both feature !lms and series, that !t these goals, such as, for example, the dramedy ‘Todo lo que dices’ or the romantic drama ‘Qué somos cuando nadie ve’.
“We also have projects whose plots involve two territories, such as ‘El alma de las ores’, a series based on the literary IP and best seller by Viviana Rivero; or ‘Lupe’, a romantic comedy that connects Spain and Mexico with humor and romance, in co-authorship with the production company Cimarrón”, she explained.
In terms of productions, Glowstar enjoyed a fantastic 2023, with projects for Disney’s Nat Geo and Amazon Prime Video, some of which tegic alliances”, some of which have yet to be announced: “Some of these projects belong to the unscripted area, and we hope to reveal them soon,” said D’Angelo.
“One of these projects is an innovative and particularly entertaining talent format; another is a multicultural and humorous docu-follow; and !nally, we are co-developing a factual true story project about a fascinating character whose extraordinary life has given rise to one of the world’s most important events that draws crowds every year,” said D’Angelo. “We will share more details soon, and we are very excited to face 2025 with these powerful projects.”
THE ALLIANCE WITH WHO IS JUST THE BEGINNING
Silvana D’Angelo describes director Who, with whom Glowstar Media closed -together with Vaso Entertainment and Aleph Media- an important international representation alliance, as a talent “that we love and admire, both in his way of creating stories and his way of telling them”. This important alliance, which began with the film ‘Sin Salida’, is just one in Glowstar’s strategic plan, which includes others that its CEO assures will be announced in the next few days: “We are very excited about a macro agreement with an important Israeli production company, known for its productions for important international platforms”, she said.
Qué somos cuando nadie ve Romantic drama
A BLEND OF ROMANCE AND SURPRISES
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
Turkish TV audiences are glued to ATV’s screen following the debut of its newest drama, ‘The Nightfall’, a fresh title that mixes mysteries and love that is leading the company’s distribution catalogue during Mipcom 2024.
There might be mystery -and many twists- in the narrative of ‘The Nightfall’, ATV Distribution’s newest drama, but there is none regarding its success: powered by a compelling storyline and an impressive cast, led by Burak Deniz and Su Burcu Yazgı Coskun, the title has taken the Turkish TV ratings by storm.
Produced by NGM, the drama started airing early last month under the original title ‘Bir Gece Masalı’ and became an immediate success: by the second episode the show was leading the ratings in all categories during prime time, achieving 26.37% audience share in total viewers.
“What sets ‘The Nightfall’ apart is its meticulously crafted blend of mystery, romance, and unexpected narrative twists, which keeps viewers on the edge of their seats,” explains Müge Akar, Head of Sales at ATV Distribution. “The show’s fairy-tale-like storytelling is complemented by its stunning cinematography, with much of the action lmed in the picturesque locations of Den-
izli and Istanbul, enhancing the atmospheric tone of the series.”
With high production values and a fantastic ensemble cast, the show is one of the most sought-after titles of the new Turkish season. “Its unique visual style, combined with a gripping plot that unfolds layer by layer, ensures that ‘The Nightfall’ will continue to attract a broad audience,” a rms Akar. “With such a strong start, the series is poised to build on its early success and become a agship title in ATV’s lineup.”
In ‘The Nightfall’, Mahir, whose father was assassinated in the city of Denizli by Kürşat Kilimci, returns twenty years later as a police inspector, determined to avenge his father’s death. On his rst day back, he has a fateful encounter with a mesmerizing girl named Canfeza, the daughter of Kürşat, and instant-
Müge Akar, Head of Sales at ATV Distribution
“What
sets ‘The Nightfall’ apart is its meticulously crafted blend of mystery, romance, and unexpected narrative twists, which keeps viewers on the edge of their seats”
ly falls in love. As Mahir searches for this mysterious woman, he also keeps a close watch on Kürşat, waiting for him to slip up. Mahir realizes his chance will come at the wedding of Kürşat’s daughter. But what he doesn’t know is that this event will change his life forever, marking the beginning of a night lled with unexpected twists.
Of course, ‘The Nightfall’ isn’t the only hit that ATV is enjoying this season, with the second season of ‘Street Birds’ performing “exceptionally well in its domestic market.” The series has also travelled around the world, with a great volume of deals in Latin America, including territories like Panama and Ecuador. Also worth pointing out, the historical drama ‘The Ottoman’ is now on its sixth season: “This long-running series has continued to dominate both domestic and international markets, capturing the viewers with its epic portrayal of the rise of the Ottoman Empire,” says Akar.
“With such a diverse and compelling lineup, ATV is poised to make a signi cant impact at Mipcom 2024, catering to a broad spectrum of tastes with its mix of historical epics, contemporary dramas, and suspense- lled thrillers,” explains the executive.
SAFIR NOMINATED FOR AN INTERNATIONAL EMMY
Another big title from ATV’s catalogue, ‘Sa r’ arrives in Cannes with a lot of wind behinds its sails after its recent nomination for the Best Telenovela award at the 2024 International Emmy Awards.
“This nomination not only boosts the show’s prestige, but also serves as a testament to the growing appeal of Turkish dramas on the international stage, increasing demand for the series across multiple continents,” said Akar. “The series showcases the richness of Turkish storytelling and the incredible talent of our cast and crew.”
“‘Sa r’ has solidi ed its position as a global hit with the latest distribution agreements, expanding its reach to key markets including Romania, Hungary and the USA,” details the executive.
“These territories represent a strategic expansion into both Europe and Latin
American audiences, highlighting the show’s broad international appeal.”
Starring Ozge Yagiz, Ilhan Sen, and Burak Berkay Akgul, ‘Sa r’ has captured international attention with its captivating storyline, breathtaking Cappadocia setting, and outstanding performances. “The series’ success lies in its rich storytelling, characterized by universally relatable themes such as the complexities of family relationships, the emotional turmoil of love triangles, and the sting of betrayal,” adds Akar.
“As ‘Sa r’ continues to enter new markets, its ability to resonate with viewers from diverse backgrounds ensures its ongoing global success.”
The winners of the International Emmy Awards will be announced at the ceremony in New York City in November 2024.
“Its unique visual style, combined with a gripping plot that unfolds layer by layer, ensures that ‘The Nightfall’ will continue to attract a broad audience”
The Nightfall Drama
By Carolina Mussio cmussio@todotv.tv @caro_mussio
After making a big splash at Iberseries & Platino Industria 2024, with screenings for some of the biggest hit titles in its catalogue, Atresmedia is bringing even more fresh content to Mipcom 2024.
AN ONRUSH OF FRESH SPANISH CONTENT
Miguel García, Head of International Sales for Atresmedia Sales
“Like any thriller, ‘Sanctuary’ will include parts of mystery and thriller, and surprises that we can’t reveal, which will keep the viewer hooked.”
Atresmedia was one of the main protagonists of Iberseries & Platino Industria 2024, an event that took place from October 1 to 4 at Matadero, Madrid. The Spanish group took over the second day of the event with the “Atresmedia Day”, part of Iberseries’ Segunda Ventana program, during which it presented some of its most recent productions.
The group o ered previews of series such as ‘Beguines’, ‘Eva & Nicole’ and the successful ‘Dreams of Freedom’, as well as a special presentation of ‘The Big Jump’, atresplayer’s original series that narrates the life of Olympic champion Gervasio Deferr.
And, despite having so much fresh material, its distribution arm, Atresmedia Sales, arrives in Cannes for the new edition of Mipcom with even more novelties.
“Apart from the new productions we presented at Iberseries & Platinum Industry, especially ‘The Big Jump’, we travel to Mipcom 2024 with several new series and productions,” shared, in Madrid, Miguel García, head of International Sales for Atresmedia Sales.
First on the list, the executive highlighted ‘Sanctuary’, a dystopian thriller produced by Alex de la Iglesia (‘30 Coins’). “Together with his production company, Pokeepsie Films, we have produced this thriller that deals with something as complex as being a female motherhood in futuristic times, in which pollution, climate change and AI have dominated our lives,” the executive explained.
“Like any thriller, the series will include parts of mystery and thriller, and surprises that
we can’t reveal, that will keep the viewer hooked,” he added.
Another novelty is ‘Tor’, which has been the most watched true crime in Catalonia in recent years and the most watched non-!ction content on atresplayer in its !ve years of existence.
“‘Tor’ is special. It is the investigation of Carles Porta, a super well-known Spanish journalist, for 30 years, who analyses what happens in the town of Tor, where there have been several murders, how two families rival for control of the town and the mountain, which apparently is an inhospitable place, has tremendous potential to make a ski slope and is also a strategic pass between France and Spain for smuggling and di erent crimes,” García highlighted.
Together with these two productions, the executive highlighted ‘The Shadow of the Earth’, the adaptation of a literary work by Elvira Mínguez, who is also directing the project.
“It is a rural thriller, the !ght of two women in a town to be the chieftain who reigns within this scenario. In the end it’s a series that although it’s a four-episode miniseries, it’s full of action, suspense, violence and a di erent, rural atmosphere with female characters,” he shared.
And of course, the group arrives with its entire catalogue of hits. “We continue to equally carry the entire catalogue,” García stressed. “Atresmedia has a huge catalogue of all genres. And we are always open to see all our clients.”
Eva & Nicole Dramedy
Dreams of Freedom Telenovela
The Big Jump Biopic
A WEALTH OF PREMIUM CONTENT
New and returning dramas, together with very attractive unscripted content, allows Seven.One Studios International to engage audiences in all fronts.
By Luis Cabrera lcabrera@todotv.tv
@luis_cabreram
The latest seasons of ‘Vienna Blood’ and ‘The Gone’, alongside the new comedy drama ‘Player of Ibiza’, are among the “wealth of new and returning premium” titles that Seven.One Studios International -formerly Red Arrow- is bringing to Mipcom 2024.
The fourth-season of the thrilling crime drama ‘Vienna Blood’ is described by Zasha Robles, Sales Agent for Seven.One Studios International, as “an interesting proposition for broadcasters and platforms looking for high-volume series.”
The show, produced by Endor Productions and MR Film in collaboration with ZDF and ORF, is set in 1900s Vienna and captivates with its historical intrigue, written by acclaimed screenwriter Steve Thompson. ‘Vienna Blood’ -starring Matthew Beard, Jürgen Maurer, Charlene McKenna, Amelia Bullmore and Conleth Hill- has proved to be a hit for BBC Two in the UK and PBS in the US.
‘The Gone’, meanwhile, is a gripping mystery drama starring Richard Flood (‘Grey’s Anatomy’) and Acushla Tara-Kupe, while ‘Plan B’ is another high-concept psychological drama, returning for its second season for CBC.
‘Player of Ibiza’, on the other hand, is a raucous new comedy drama that had its world premiere at Series Mania in France. “The
“‘Vienna Blood’ is an interesting proposition for broadcasters and
platforms looking for high-volume series”
Zasha Robles, Sales Agent for Seven.One Studios International
show o ers a hilarious satirical exploration of reality TV and fragile male egos,” says Robles. “Produced by Germany’s Pyjama Pictures and Kleine Brüder, the series brings fresh comedic energy to the catalogue.”
In addition, CBS recently picked up a pilot of ‘Einstein’, the German drama series that was a smash hit for SAT.1. The series, which has been sold to over 100 territories, will make its debut in the US during the 202526 season.
“As the ‘Einstein’ commission shows, the market for international drama adaptations remains dynamic and full of opportunity,” says Robles. “Viewers around the world are increasingly drawn to stories that transcend borders, o ering compelling narratives with universal themes; and buyers are still attracted to established IP, with a proven track record.”
Looking at Latin America, Robles says that the South African drama ‘The Girl from St Agnes’ shows a lot of potential. The title, set in a prestigious boarding school, follows a teacher who suspects a popular student’s shocking death was no mere accident. “Its gritty, character-driven storytelling, with emotional depth; and attracted record-breaking numbers for original broadcaster Show-
Other titles of the unscripted slate are ‘Galileo X-Plorer’, the latest extension of the globally successful science-tainment show ‘Galileo’; the hit reality competition series ‘Claim to Fame’, hosted by Kevin and Frankie Jonas, which returned for a third season this summer; BAFTA-winning factual entertainment series ‘Rob & Romesh Vs’, and ‘A League of Their Own: Road Trip’, both produced by CPL Productions for Sky in the UK, which “o er the perfect balance of comedy and adventure,” according to the executive.
“We are hugely looking forward to catching up with all our Latin American clients at Seven.One Studios International’s annual drinks event on Monday, 21 October, starting at 5:00pm, located on our stand and terrace (P4.C14),” invites Robles. “We can’t wait to connect with everyone there!”
“As the ‘Einstein’ commission shows, the market for international drama adaptations remains dynamic and full of opportunity”
max,” details the executive. “Produced by the award-winning Quizzical Pictures, the series will appeal to both young adult audiences and crime lovers, and tackles universal themes like guilt, secrecy and the dark side of privilege.”
LOVE AND DECEPTION. When it comes to unscripted, Seven.One Studios International is betting high on ‘Love Costs’, an engaging new dating format where true love meets
strategic deception, produced by Minoria Absoluta and Televisió de Catalunya for 3Cat and TV3 in Spain.
“Additionally, the groundbreaking documentary ‘If Pigs Could Talk’ uses AI to decode the language of pigs, uncovering their emotions and exploring the ethics of pig farming, produced by Snowman Productions for multiple European broadcasters including ARD and SVT,” shares Robles.
“The groundbreaking documentary ‘If Pigs Could Talk’ uses AI to decode the language of pigs, uncovering their emotions and exploring the ethics of pig farming”
If Pigs Could Talk
Factual
The Girl from St Agnes Drama
Einstein Drama Series
Love Costs Format
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Narratives that focus on children and families have been a very successful formula for Haciyatmaz Group and Yeşil Yapım, who are working on many projects at the moment, while looking for new partners to learn, share their experience and create even better content.
WITH FAMILIES AT THE CENTER
The expertise that Haciyatmaz Group and Yeşil Yapım, its production arm, have acquired after producing many of the most successful Turkish dramas of the recent years, gives them a unique understanding of the industry trends and potential future. Armed with such knowledge, they are looking to create alliance with equally-minded companies to move forward and create even better content.
“We want to work with partners who share our experience, foresight, and perspective on the TV industry,” says Tayfur Sonkaya, founder of Hacıyatmaz Group. “Partners from whom we can also learn new things throughout the partnership drive us to work harder and create something even better. And, of course, nancial support is always welcome.”
When it comes to understanding what Haciyatmaz and Yeşil Yapım bring to the table, all one has to do is to take a look at their track-record, which includes titles like ‘The Girl from the Green Valley’, ‘Love and Pride’ or ‘Melissa’.
“Currently, we are working on stories centered around children and families, which we believe will be as successful as ’Elif’ and ’Melissa’,” shares Ozkan Ipek, founder of Yeşil Yapim. ”We are also working on two book adaptations which we have licensed recently: ’Little Lord’ and ’Little Princess’ by Frances Hodgson Burnett.
“Additionally, we have reached an agreement with our world-renowned writer and musician Zülfü Livaneli to adapt one of his books into a mini-series. The scriptwriting process will begin in October,” adds the producer.
All these titles are complemented by a feature lm project that “tells the tragic story of a mother and daughter.” Yeşil Yapim is looking at A-listers for the cast, because it aims to produce an “A-list lm.”
The company is also producing formats and looking even deeper at miniseries, a genre that believes “will become more popular in the near future”. “The consumer-driven society wants to experience something new every day; this is the new reality,” shares Sonkaya. “People don’t care if it’s good or
bad; they just need to consume. However, we always strive to produce the best because that’s what makes us happy and prepares us for the next production.”
“Turkish miniseries already have international potential, and we are focusing on this area as well. You’ll be hearing more from us very soon,” they added.
Meanwhile, their project ‘Narin’ keeps advancing -with its script being developed at the time of this article-, aiming to start shooting in May 2025.
The new lming date is product of the current economic situation in Turkey. “Taking this into account, we made a change in our production method,” shared Ipek. “In our country, lming typically begins only when just 20 episodes of a daily series have their scripts ready. However, for the rst time, we plan to write the scripts for all 120 episodes before starting production. This approach will minimize nancial losses and ensure a more e cient and higher-quality outcome. We are con dent that we will deliver an excellent production.”
“We want to work with partners who share our experience, foresight, and perspective on the TV industry”
The Girl of the Green Valley Distributed by Inter Medya
FROM STRENGTH TO STRENGTH
By Luis Cabrera
Kanal D International aims to extend its fantastic year, which has seen the success of ‘Secret of Pearls’ and the Portuguese adaptation of ‘Ruthless City’, by bringing even more fresh and powerful dramas to the market, like ‘The Family Burden’ and the upcoming ‘My Mother’s Tale’.
With hit series and international adaptations, 2024 has proven to be a spectacular year for Kanal D International, and the company is aiming to keep going strong well into 2025 thanks to new and upcoming titles.
Titles like ‘Secret of Pearls’ shone very brightly during its run, and Kanal D even swam against the current during the summer in Turkey, opting to produce a new title, ‘The Family Burden’, when most local channels bowed before the presence of the Euros and the Olympic Games.
The new season will bring another fresh title, ‘My Mother’s Tale’ (‘Annem Ankara’), a very powerful drama starring Bergüzar Korel as Zuhal, a mother of three who, after !nding out about her husband’s in!delity, seeks refuge in her childhood home, but !nds none.
“Zuhal’s journey is a story of strength and perseverance, o ering a poignant re ection on the complexities of holding a family together,” shares Elif Tatoğlu, Distribution Strategy and Sales Director.
Elif Tatoğlu, Distribution Strategy and Sales Director at Kanal D International
“We are confident
that the emotionally powerful story of ‘My Mother’s Tale’ will resonate deeply with audiences
and become a major success”
This year was dominated by ‘Secret of Pearls’. Can you share with us some numbers that illustrate the impact of the series locally? The show consistently held the top spot as the number one drama every Thursday during its run, gaining widespread attention on social media. It was also among
the few dramas in recent years to exceed a 10 rating with its premiere episode, marking an impressive milestone.
What can you share about ‘The Family Burden’ solid showing in such a unique TV summer season, dominated by the Euros and the Olympic Games? ‘The Family Burden’s (‘Yalan’) strong performance in a summer season dominated by major events like the Euros and the Olympic Games was impressive. What made the series stand out was its captivating storytelling, relatable characters, and unique drama that o ered viewers a compelling alternative to sports-heavy programming. Additionally, the timing worked in its favor, capturing viewers seeking scripted content during a period typically dominated by non-scripted or live events. This blend of timing, strong character development, and a gripping storyline made ‘Yalan’ particularly attractive to audiences.
How important do you think it was to produce this drama for this summer season? Producing ‘The Family Burden’ just before the start of the summer season allowed it to stand out with less competition, build momentum, and engage viewers early. Having fresh content for the upcoming months is valuable for keeping audiences engaged, retaining strong ratings, and maintaining a competitive edge as the fall season gets busier. Fresh episodes also provide marketing opportunities to sustain excitement and viewership.
What can you share about your newest titles? We are excited to introduce a brand new series set to premiere at the end of 2024, titled ‘My Mother’s Tale’ (‘Annem Ankara’). Featuring a stellar cast, including Bergüzar Korel and Mehmet Günsür, the series is directed by the acclaimed Faruk Teber, known for his work on popular projects such as ‘Bir Zamanlar Çukurova’, ‘Maria ile Mustafa’, ‘Kanunsuz Topraklar’, and ‘Hanımın Çiftliği’.
‘My Mother’s Tale’ centers on the life of Zuhal Soydaşlı (played by Korel), a mother of three sons and wife to Hasan (played by Günsür), a man who could never truly embrace the role of a son himself. Despite being surrounded by her family, Zuhal often felt isolated in her own home. In 1989, after discovering her husband’s in!delity, her !rst instinct was to return to her mother’s house. But for women of that generation, marriage was more than
KDI TAKES RUTHLESS CITY AND FAREWELL LETTER TO VIETNAM
Last month, Kanal D International announced the successful sale of two of its highly acclaimed drama series, ‘Ruthless City’ and ‘Farewell Letter’, to the Vietnamese market. This signi!cant deal marks a further expansion of Kanal D International’s presence in Asia, bringing compelling Turkish drama to a wider audience in Vietnam. ‘Ruthless City’ was set to premiere on September 25th, o ering viewers a gripping tale of power, betrayal, and ambition within a wealthy family. Following that, ‘Farewell Letter’ will debut in March 2025, delivering a poignant story of love, loss, and the enduring impact of the past on the present. Earlier this year, KDI had also closed deals in the CEE region, taking their beloved series ‘Three Sisters’ to Serbia and Montenegro, while ‘Love and Hope’ found a new home in Poland.
“‘The Family Burden’ stood out because of its captivating storytelling, relatable characters and unique drama, that offered viewers a compelling alternative to a summer of sports-heavy programming”
a change of name—it was a profound shift in identity and belonging. Her childhood home, once a place of comfort, no longer felt like a refuge. Even with her three children by her side, she found no solace in her mother’s embrace.
Zuhal’s journey is a story of strength and perseverance, o ering a poignant re ection on the complexities of holding a family together. We are con!dent that this emotionally powerful series will resonate deeply with audiences and become a major success
on television. We look forward to sharing it with all of our clients soon.
What can you share about the experience of ‘A Promessa’ in SIC? ’A Promessa’s experience on SIC in Portugal has been a success, demonstrating how well Turkish formats can be adapted to resonate with local audiences. It highlights the strength of Turkish storytelling, not just as !nished content but as adaptable formats that can thrive in di erent cultural contexts.
How big of a focus are format sales for KDI at the moment, and how do you see this area growing in the future? At Kanal D International, the home of Turkish evergreen titles with strong storytelling, format sales have become an increasingly important focus as the demand for localized versions of popular Turkish series grows globally. While Turkish dramas have long captivated international viewers, format sales allow us to tap into new markets and cultures by enabling local adaptations. This strategy not only opens up new revenue streams but also strengthens our relationships with global partners by providing more exibility and creative collaboration.
Secret of Pearls Drama
The Family Burden Drama
A Father’s Promise Drama
SPAIN, WHERE TALENT IGNITES
The Country of Honour recognition comes with Spain’s content sector having experienced significant growth in recent years as a major international production hub, and as a proven provider of quality content to global audiences that consistently ranks amongst the most viewed worldwide.
By todotvnews @todotvnews
Mipcom Cannes organized a comprehensive programme to mark Spain as the Country of Honour at the forthcoming 40th edition of the International Co-Production & Entertainment Content Market in Cannes, including a special creativity-focused keynote with one of Spain’s most accomplished and globally renowned !lmmakers, Juan Antonia Bayona.
The prominent series of events spans keynotes, premieres, panels and networking events to both celebrate Spain’s impact on television globally and promote further international collaboration.
The programme has a particular focus on the country’s creativity and talent from behind and in front of the camera, echoing the themes of Audiovisual from Spain’s recently launched campaign Spain, Where Talent Ignites.
“OUR GOAL IN POSITIONING THE SPANISH AUDIOVISUAL SECTOR ON THE INTERNATIONAL STAGE IS TO ELEVATE TALENT TO THE HIGHEST LEVEL”
Elisa Carbonell, CEO of ICEX Spain Trade and Investment
Country of Honour 2024
According to the 2024 Spain AVS Hub report, the sector surged by an impressive 408% between 2018 and 2022, with a projected growth of 31.6% from 2023 to 2027
vision sector, led by the Ministry for Digital Transformation and Civil Service. ICEX Spain Trade and Investment has played an active role in the internationalization of the Spanish audiovisual industry under the brand Audiovisual From Spain.
An increased presence is expected in Cannes next month from the Spanish creative sector with a rise of over 50% in Spanish companies accredited year on year to date.
Highlights from the programme include the Media Mastermind Keynote, a !reside
highly anticipated royal period drama chronicling the era-de!ning life of Victoria Eugenia of Battenberg. It will premiere on the market’s !rst night on Monday 21 October from 18.00. Staged in the world-famous Grand Auditorium, main actors Kimberley Tell and Joan Amargós and executive producer Luis Hernández will be present in Cannes. The ambitious all-female-directed piece (6x60’) is produced by RTVE in collaboration with Ena La Serie AIE, La Cometa TV and Zona App. It is set to air on RTVE’s channel LA1 in Spain with global distribution rights handled by the largest public audiovisual group in Spain, RTVE.
The Producers Hub Panel: Igniting Global Hits - The Ultimate Audiovisual Hub willl be special session on Tuesday 22 October at 09:45, in the gathering point at the market for producers and commissioners, and will focus on the breadth of location and co-production opportunities within the Spanish sector, told through the experience of !lmmakers and recent productions including Marc Dujardin (Le Collectif 64); Nina Hernández (Portocabo); and Susanne Frank (ZDF Studios).
In addition, two of MIP’s signature events will have a Spanish avour this year with a themed Opening Night Party encouraging further networking, and a dedicated separate Spanish edition of the Fresh TV content showcase curated and hosted by Virginia Mouseler, CEO of The WIT International Services (Tuesday, at 14.30).
Two of MIP’s signature events will have a Spanish flavour this year with a themed Opening Night Party and a dedicated separate Spanish edition of the Fresh TV content showcase
The Country of Honour recognition comes with Spain’s content sector having experienced signi!cant growth in recent years as a major international production hub, and as a proven provider of quality content to global audiences that consistently ranks amongst the most viewed worldwide. Spain currently sits second only to the UK in scripted TV commissions in Europe from global streaming platforms. Meanwhile, Spain’s entertainment sector, which includes OTT video services such as Net ix, Amazon, HBO, and Disney+, has been experiencing remarkable growth. According to the 2024 Spain AVS Hub report, the sector surged by an impressive 408% between 2018 and 2022, with a projected growth of 31.6% from 2023 to 2027.
The growth since 2021 has been driven by a major three-year public investment initiative of 1.6 billion euros for the !lm and tele -
conversation with multiple award-winning Spanish director and showrunner J.A Bayona, (‘Society of the Snow’) and creative producer Diego Betancor (‘Elite’). In addition to exploring trends and generational shifts in !lmmaking with the pair, the session will feature insights from the cornerstone of the new promotional campaign for the country’s creative sector ‘Spain, Where Talent Ignites’ –which includes an innovative fashion-led short !lm, ‘The Cause of the Accident That Set the Fire’. An unprecedented commission from a public institution, the ambitious high-end feature celebrates the creative process boasting cameos and contributions from multiple high-pro!le Spanish creatives including Bayona. The keynote session will be staged 16:00 to 16:30 on Tuesday 22 October.
It will also include the World Premiere Screening of ‘Ena, La Reina Victoria Eugenia’, RTVE’s
“Talent exists in every country, but not all value it equally. Our goal in positioning the Spanish audiovisual sector on the international stage is to elevate talent to the highest level, both through the activities we carry out at major festivals and markets worldwide and with our new campaign, Spain, Where Talent Ignites,” said Elisa Carbonell, CEO of ICEX Spain Trade and Investment.
“Everybody loves Spain and we’re planning a Gran Fiesta in celebration of Spanish content,” said Lucy Smith, Director of Mipcom Cannes and MipLondon. “A cultural powerhouse, and a major European audiovisual hub, the Spanish creative sector has never been so proli!c, or their output enjoyed by so many, globally. Its been an honour in itself for us to curate this special programme in celebration of one of the world’s most formidable production countries.”
J. A. Bayona, during the shooting of ‘Society of the Snow’
Claire Macdonald, Executive Director at Natpe Global
APPOINTMENTS
Vanessa Miranda, Head of Scripted Content Development for Latin America at WBD
WBD INTRODUCES NEW CONTENT TEAM FOR LATIN AMERICA
WARNER BROS. DISCOVERY announced the new structure of its Scripted Content Development and Talent Management team for Latin America. With more than 20 years of experience in the company, Vanessa Miranda will be the new leader of the Scripted Content Development team for Latin America, reporting directly to Mariano César, SVP General Entertainment Strategy & Content for Warner Bros. Discovery Latin America/US Hispanic. Moreover, the Talent Management area will also privilege the local perspective in the search, selection and management of talent: André Reis will report to Mónica Pimentel (Content VP Brazil), as responsible for talent management for Brazil; and Verónica Ruaro will have a double report to Fernando Sugueno (Content VP Mexico) and Martín Crespo (Content VP Southern Cone and Colombia) as responsible for talent in Spanish.
EVENTS
TOP INTERNATIONAL STUDIOS GEAR UP FOR NATPE GLOBAL 2025
NATPE GLOBAL ANNOUNCED a roster of international entertainment and television powerhouses con!rmed for the highly anticipated event, that will take place February 5-7, 2025 at the InterContinental Miami. Among the notable participants are Amazon MGM Studios Distribution, BBC Studios, FOX Entertainment Global, Lionsgate, NBCUniversal Global TV Distribution, Paramount Global Content Distribution, Sony Pictures Television and Warner Bros. Discovery Content Sales. In addition to these industry leaders, over 30 exhibitors have already con!rmed participation, including American Cinema Inspires, Caracol Television, Condista, FilmRise, Global Agency, Mediapro Studios, Multicom Entertainment Group and Vision Films. With over 300 buyers from 35 countries already registered, the event promises to be a key opportunity for networking, deal-making, and content showcasing.
EVENTS THE LONDON TV SCREENINGS UNVEILS INITIAL LINE-UP FOR EXPANDED 2025 EVENT
THE LONDON TV SCREENINGS HAS ANNOUNCED that 36 distributors will take part in the expanded 2025 schedule from Sunday 23 February to Friday 28 February, 2025. The number of contributing distributors is already signi!cantly up on London TV Screenings 2024 and follows recent news that next year’s edition of the UK’s premier annual distribution event will be extended by an extra day. The four founding distributors, All3Media International, Banijay Entertainment, Fremantle and ITV Studios, will all hold events in London throughout the week, and in 2025 will be joined by Amazon MGM Studios Distribution, Autentic GmbH, Mediawan Rights, PBS International and TGC Global Entertainment, who will all participate in the London TV Screenings for the !rst time. These new additions join a line-up comprising: About Premium Content, Beta Film, Blue Ant Media, BossaNova Media, Cine ix Rights, DCD Rights, Disney, Dogwoof, Eccho Rights, Federation Studios, Fifth Season, Fox Entertainment Global, Hat Trick International, Keshet International, Lionsgate, NBCUniversal Global TV Distribution, Newen Connect, O the Fence, Paramount Global Content Distribution, Passion Distribution, Seven.One Studios International, Sony Pictures Television, Sphere Abacus, Studiocanal, TVF International, Viaplay Content Distribution and Warner Bros. International Television Production.
THE CARACOL FORMATA HUB, leveraging the extensive experience and expertise of both companies, will seek to promote quality non-scripted products to the market and o er new content proposals to local and global audiences. With production solutions that will allow clients to signi!cantly reduce their costs, take advantage of excellent locations, and count on the proven track record of both companies to produce large formats at scale in Colombian territory. The Hub will take full advantage of the geography and !nancial bene!ts that Colombia o ers. The wide variety of settings, such
as imposing mountains, white sand beaches, vast deserts, and the mythical Amazon, are perfect places to develop formats that will excite viewers across the continent. In addition, Colombia’s
Gonzalo Córdoba Mallarino, President of Caracol TV
unmatched !nancial options, such as a tax rebate of up to 35% of the total expenditure for the production of audiovisual projects, will ensure the cost-e ectiveness of the alliance.
Daniela Busoli, Founder and CEO of Formata
KEEPING THE WORLD FEELING GOOD
A clear mission to bring joy to the viewers makes Amuz Distribution’s catalogue one filled to the brim with high-quality comedies and dramedies, including awardwinning titles like ‘About Antoine’, ‘1995’, ‘Marco’, ‘Divorce in Peace’ and nonverbal shows like ‘Just For Laughs - Gags’.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
Alex Avon, VP of Global Distribution at Amuz Distribution
“We recently launched our own FAST and OTT strategy, increasing FAST channels showcasing our content directly to consumers in Englishspeaking territories
For many people and cultures, comedy has its own avor. However, after more than two decades in the industry, Amuz Distribution (formerly known as ComediHa!) has developed “a keen sense of what works” in di erent territories.
“Comedy and dramedy can sometimes be misunderstood from where it originated, however, there are familiar themes that we look for such as family issues that are quite universal,” explains Alex Avon, VP of Global Distribution at Amuz Distribution.
Avon points out that there are also easy solutions to the “lost in translation” conundrum: “Our latest acquisition of the ‘Just For Laughs - Gags’ programming is non-verbal and the physical humor translates very well.”
In ‘JFL-Gags’, produced by Just For Laughs, a crazy Quebec-based troupe uses the city as its stage and its inhabitants, or victims, as characters.
This new acquisition is just one of the high-quality comedies and dramedies that
make Amuz’s catalog so appealing and also award-winning, thanks to ‘About Antoine’, one of the standouts from Mipcom 2023. This multi-award-winning series -inspired by true events- is an uplifting story of love and family triumphing over limitations. With authenticity, sensitivity and humor, explores life with a poly-handicapped child. The series has been acquired by France Television and Net ix, among many others.
Another title that Amuz is presenting in Cannes is ‘Starmanía’, the 45th anniversary of the event, a spectacular show that includes the performances of over 30 Canadian artists, among musician and dancers, alongside French music superstars Patrick Bruel, Jenifer, and Santa. “This program is really amazing and entertaining and will travel internationally very well,” shares Avon.
Their catalogue includes other standouts like ‘1995’, a movie about a !lmmaker that, on the verge of quitting, joins a competition that reignites his passion; ‘Marco’, a dramedy about a man whose optimism leads him to reconnect with his dreams; ‘Divorce in Peace’, a charming Estonian dramedy about a couple deciding to end their 20-year marriage; and ‘Babyatrice’, an animated comedy about a precocious self-proclaimed queen of a castle whose imagination never cease to impress.
With a such a varied o ering, it makes a lot of sense that Amuz has been able to work with all kinds of platforms and windows in the ever-developing TV industry, including FAST channels, where the company is carving its own path: “We recently launched our own FAST and OTT strategy, increasing FAST channels showcasing our content directly to consumers in the English-speaking territories,” explains Avon.
“Also, our ‘JFL - Gags’ programs are now syndicated across 30+ di erent platforms/ markets, including Samsung TV Plus, Roku, Xumo Play, Google TV, Rakuten TV, Sling TV and others,” he adds. “These FAST channels make Amuz Distribution one of the largest independent Canadian media companies with this high a reach with FAST channels.”
About Antoine Series
A COMEBACK 20 YEARS IN THE MAKING
By Carolina Mussio cmussio@todotv.tv
After reuniting with the generation that made him famous and conquering a new audience through Caracol TV and Disney+, ‘Peter, the Great’ is now ready to begin his international journey and reach new screens in LatAm and the world.
Last July, Caracol Televisión and Disney+ premiered ‘Peter, the Great: Greater than Ever’, the highly anticipated sequel to the successful Colombian telenovela, which marked the beloved character’s return to television after more than 20 years.
Two decades ago, the original telenovela ‘Peter, the Great’ quickly became a global phenomenon reaching more than 105 countries in multiple languages. Its protagonist, as well as his iconic dance “El Pirulino”, crossed borders to conquer di erent generations around the world, becoming an emblematic character of Latin American pop-culture in the early 2000s.
And now in 2024, the series, which aired in Colombia through Caracol and across Latin America through the streaming platform, became an unprecedented success, earning the title of the most successful series in Colombia in the last two years, leading prime
Lisette Osorio, VP of International Business at Caracol Televisión
“There is a lot of potential because we already have pre-sales in almost the entire region”
time in its 23 episodes, reaching an average of 9.3 rating and 44.2% share.
With 23, 45-minute episodes, ‘Peter, the Great: Greater than Ever’ is written by Felipe Salamanca, and is executive produced by Juan
Carlos Villamizar and Dago García, the same team that was in charge of the original story. It is directed by Juan Carlos Vásquez, Andrés Marroquín and Juan Carlos Villamizar.
This new season stands out for its strong imprint of humor, as well as for the love stories experienced by the main character and the father-son relationship between Peter and Peter Junior, who meet again after many years.
Having conquered Colombian broadcast TV, Peter is already on its way to leaving its mark on all the screens in the region, and even crossing the pond to seek new audiences in other international markets. “We are beginning its international journey to other windows and we are sure that it will have the same impact,” explained Lisette Osorio, VP of International Business at Caracol Televisión, who spoke to ttv about the resounding success of the series and its great international potential.
What did the return of ‘Peter, the Great’ mean for Caracol? With Peter we couldn’t be happier with the success it had on Caracol and also on Disney+. It was a very good product, which returned with very high expectations. Because the returns of these franchises can go very well or very badly. And fortunately in this case it was a resounding success. And now we are beginning its international journey to other windows. We are sure that it will have the same impact.
What is the experience of working for platforms as large as Disney+? Well, working with a partner like Disney took us on a learning path. Disney is a great partner who adopted Peter as their own story. The character is not theirs, but they adopted him as if he were. From beginning to end, and even today, when we continue working with them on the path of content distribution, it has been spectacular. As I said before, it’s been a learning experience. And it is very nice to see how two large companies, with their own vision, can join together and bring
out a product like the one we brought to market.
What expectations do you have for the series in the international market? The potential is great because we already have pre-sales in almost the entire region. Now we will be going to Mipcom to see its relevance in markets outside of America. But really the product has already been placed in pre-sales throughout the region, so we are super pleased. Because it was an IP that was not made for several years and the expectation of its return generated so much anticipation, so it brought us very good business and good feedback. In fact, we achieved pre-sales before we even produced it. We still have a world out there, aside from America, to conquer. There are high expectations, even though comedy has its challenges and sometimes it doesn’t travel well. But Peter is a character that transcends beyond comedy. Peter is melodrama; he comes to refresh the screen. It is a family product that showed us, together with Disney+, that audiences do not cannibalize each other, because it aired on both platforms at the same time and it was super successful. We believe that there is a long way to go with ‘Peter, the Great’.
The nice thing about these types of well-known characters is that they are multi-generational, already known by a previous generation and now with a new one that discovers them... Yes, of course. In addition, when you analyse the audiences, you can see that there is a phenomenon of growth among young audiences who are discovering this character and who are falling in love with it like past generations did. And it also brings people together when they watch it, because adults are drawn to it by nostalgia and younger people are drawn to discovering the character. So it’s a totally multi-target product.
Speaking of other titles in your catalogue, how valuable is the format ‘La Isla, Desafío Extremo’ and its newest deal with Telemundo? ‘Desafío’ is an original format from Caracol TV that has been on air for more than 20 seasons on Colombian television. It is extremely successful. It is a title that attracts people, that people want to go and watch daily on broadcast TV. It is a format that is very much in the Colombian idiosyncrasy, a total reference for our audience. And the numbers show that.
On the international path, ‘Desafío’ has had many adaptations around the world, such as in Mexico with TV Azteca, Greece, Russia, Ro -
mania, we are currently in the sixth season in Bulgaria with great success. And the most recent adaptation is Telemundo’s in the Hispanic US market, which makes us very happy, because reaching that market is a very big step for a format. It is doing very well on its screen. We will continue there from the international side, promoting this format that yields very good results.
What are the titles that will be presented at Mipcom? At Mipcom we will of course be presenting ‘Peter, the Great’, as well as ‘La Descarga’, ‘Devuélveme la vida’, ‘Klass 95’ and ‘Desafío’. The main “new” title for this market would be ‘La Descarga’, this musical talent format, which we launched in Colombia
“Peter is a character that transcends beyond comedy. Peter is melodrama, he is a character that comes to refresh the screen”
and we are already working on the second season. It is an original format from Caracol TV and we already have advanced negotiations in territories that have already set their sights on the format.
Every day the market demands that you tell them what the next successful format will be and we believe that Caracol has been a pioneer at the Latin level in innovating and testing properties beyond the formats that are bought to adapt locally, these are inventions that come directly from our house.
“We are now beginning its international journey to other windows. We are sure that it will have the same impact”
Peter, the Great: Greater than Ever Drama
EXPERTISE IN DELIVERING HIGH-QUALITY CONTENT TO THE MARKET
Cutting-edge technology and a commitment to continuously innovate, positions Kadraj Group in a leading role in the media and entertainment sector in Europe and the rest of the world.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Hasan Köroğlu, Founder and CEO of Kadraj Group
“We plan to expand our presence in Western Europe by leveraging our cutting-edge file transfer technologies and fast content management processes”
As a key player in Turkish TV’s expansion around the globe, Kadraj Group is a globally-known company, which specializes in services like localization, dubbing and subtitling, on top of collection and archiving, among others.
“Our services are key to delivering high-quality content to the market,” explains Hasan Köroğlu, founder and CEO of Kadraj Group. “In the coming years, we plan to expand our presence in Western Europe by leveraging our cutting-edge !le transfer technologies and fast content management processes. Our unique archival and content preparation services will continue to set us apart in this region.”
Technology demands constant innovation, and Kadraj know this, that is why the group works so hard to monitor trends and keep up with the latest developments. “Our abil-
ity to o er 10 gigabit !le transfer speeds through FTP, Aspera, and Mediashuttle servers makes us the only company in Turkey and one of the top 10 in Europe in this !eld,” points out Köroğlu. “Additionally, we integrate global innovations into our archival processes, providing faster and more reliable solutions for our clients. Our commitment to innovation ensures that we remain at the forefront of content management and technology.”
“With our 10 gigabit !le transfer capacity and ability to utilize the latest archival technologies, we hold a strong advantage in this era of rapid digitalization,” adds the executive. “In the coming years, we anticipate growing demand for these services, not only in Europe but also in other regions.”
NEXT GENERATION CONTENT. In a similar vein, Kadraj is well-equipped to produce next-generation content in the !eld of transmedia storytelling, which refers to, among other things, interconnected stories
or characters that unfold across multiple medias with the aim to create an immersive experience and high engagement for the audiences.
“We specialize in bringing together content from various platforms –TV series, !lms, and digital media– and adapting these materials for global markets,” explains Köroğlu. “This goes beyond simply dubbing or subtitling content; it involves tailoring it to !t the cultural dynamics of each region.”
“Looking ahead, we plan to diversify our transmedia storytelling capabilities and invest further in this area to become a global leader in this !eld,” he shares.
Among all these innovations, one thing stays unchanged: the crucial role that local partnerships play in the company’s success. “Acting as a bridge between distributors and broadcasters, Kadraj works with local partners in regions like Western Europe to deliver faster and more localized solutions for our clients,” says the CEO. “These partnerships are invaluable in tailoring content to cultural dynamics and responding swiftly to the needs of local markets.”
Sleep of Crow Movie
AUSTRIAN CREATIVE INDUSTRY TAKES ON THE WORLD
By Rosa Fuentes rfuentes@todotv.tv
ORF-Enterprise is enjoying great impact of the ‘Kafka’ series while also bringing to the market fresh stories from their scripted catalogue, like ‘The Curious Cases of Gerti B.’, alongside their powerful unscripted content.
International markets like Mipcom are the natural home for companies like ORF-Enterprise, a powerful distributor of high-quality content. The company carries the ag of being the Austrian creative industry’s representative in the world, and its top-notch documentaries and ORF originals, with high-quality scripts, reach more territories and recognition around the world.
For this edition of Mipcom, ORF brings a series of interesting news regarding its !ction titles such as ‘Kafka,’ which has achieved notable international success; ’The Curious Cases of Gerti B.,’ ‘School of Champions,’ ‘Fast Forward,’ ‘Me and the Others’ and its catalogue of documentaries Universum History.
Armin Luttenberger, Head of Content Sales International at ORF, discusses the impact of the Kafka series in depth. “We are grateful for the trust that buyers around the world have placed in this series, and we want it to continue to travel,” she shares.
ORF-Enterprise has extended the reach of ‘Kafka’ through partnerships with Austrian Airlines (AUA), which includes the series in its in- ight entertainment program on longhaul ights, and Austrian Federal Railways (ÖBB), which includes it in its ÖBB railnet onboard portal.
What are the strongest points of the limited series? We are thrilled to share the latest updates on ‘Kafka,’ which has achieved remarkable international success. Since
its premiere in March, the event series has been licensed the series to a diverse range of markets, including the Czech Republic (Ceska Televize), Slovenia (RTV Slovenija), Switzerland (SRF), Sweden (SVT), Poland (TVP), the United Kingdom (Channel 4 and Walter Presents), and Finland (YLE). Additionally, ‘Kafka’ has reached audiences in Brazil (Arte 1) and Mexico (TV Unam), as well as the USA (Chai icks) and Australia (Jewish International Film Festival). In Germany, Polyband released a Limited Mediabook Edition DVD of the event series.
The series’ strongest points lie in its exceptional historical portrayal of Franz Kafka’s life and character, brilliantly directed by David Schalko. His outstanding work has been recognized with the prestigious Clio Award, and ‘Kafka’ has been named the Best Historical Film by the “Moving History – Festival of Historical Films.”
What other titles would you like to highlight from your scripted catalog? This season’s scripted catalogue shines with fresh stories and characters, along with returning fan favorites. ‘The Curious Cases of Gerti B.’ introduces seasoned police detective Gerti B., who is overlooked for a promotion, partnered with a younger colleague, and faces the challenge of solving a murder in her own neighbourhood.
‘School of Champions’ returns with a second season into the upcoming winter season, presenting new challenges for the students of a prestigious ski academy.
Armin Luttenberger, Head of Content Sales International at ORF-Enterprise
“The series’ strongest points lie in its exceptional historical portrayal of Franz Kafka’s life and character, brilliantly directed by David Schalko”
“We primarily focus on procedural series and TV movies for the LatAm and US Hispanic regions. TV movies include our broad catalog from the crime series ‘Tatort’ or ‘ Backwoods Crimes’”
In the eighth season of ‘Fast Forward’, detective Angelika Schnell faces both professional and personal challenges. She must ensure the continuation of her new business model and come to terms with the idea of becoming a grandmother.
Additionally, we are proud to include the ‘Sky Original series’ ‘Me and the Others’ in our sales portfolio. This mini-series delves into the relationship between the self and the environment, exploring how this dynamic shifts when one controls one’s destiny.
Among documentaries, what genres do you see in vogue right now? Relevant topics in uencing humanity’s presence and the near future continue to form the core of our catalogue. Global developments, including the drastic warming of our planet, show us daily that actions have consequences. The narrative of our “Universum Nature Highlights” must show the beauty of our nature in the context of tangible threats. “Universum History”, another pillar of our factual line-up, puts our presence into context by looking back into our past.
NEWS IN THE UNIVERSUM HISTORY CATALOGUE
The latest additions to the Universum History catalogue continues to o er captivating insights into various historical periods and !gures. The two documentaries ‘Pirates of the Mediterranean-A Game of Greed and Power’ and ‘Women PiratesRebels of the Seas’ explore the thrilling and challenging lives of notorious pirates. ‘Rebellion in the Brothel’ tells the story of prostitute Marie König, whose uprising against abuse and exploitation triggered a Europe-wide discourse. Lastly, ‘Mothers of the Minotaur - Reign and Ruin of the Minoans’ investigates the mysterious Minoan civilization of Bronze Age Crete, focusing on recent scienti!c discoveries and re-enactments to understand their society and downfall.
Can you share details about the latest projects ORF co-developed? We teamed up with the producers of the documentaries Canopy George and A Sloth Story to really bring the stories to life. By giving the animals distinct personalities and creating entire worlds around them, viewers are invited to connect with their habitats and species more deeply.
What titles are you focusing on for the Latam and US Hispanic regions? We primarily focus on procedural series and TV movies for the LatAm and US Hispanic regions. TV movies include our broad catalog from the crime series ‘Tatort’ or ‘Backwoods Crimes.’ Recently, the Vienna-based ‘Tatort’ released ‘Dead Candy,’ featuring detectives Bibi Fellner and Moritz Eisner as they investigate the death of a rapper found in his garage. This case draws them into a world unfamiliar to the investigators, creating signi!cant challenges for the duo.
‘Backwoods Crimes’ returns with ‘Shivering Souls’, in which policewoman Martina Schober and her superior tackle the mysterious deaths occurring around picturesque Lake Ossiach.
Fast Forward Series
Me and the Others Series
BOOMING WITH PREMIUM FICTIONS
Following the success of titles like ‘Entrevías’ and ‘Vivir sin permiso’, Mediterráneo has high expectations for ‘The Marquess’ and the upcoming ‘La Favorita 1922’, ‘Detective Romi’, ‘Ella Maldita Alma’ and ‘La Agencia’.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Ana
Bustamante,
General Director of Mediterráneo
“The inclusion of fresh content such as ‘La Favorita’ or ‘The Marquess’ allows us to keep diversifying our catalogue, appealing to a broader range of audiences worldwide”
The thriving audiovisual landscape in Spain will be a focus at Mipcom Cannes, with the European nation being chosen as the Country of Honour for the 2024 edition. A great example of the present success of Spain’s productions come from Mediterráneo, soaring high after the success of titles like ‘Entrevías’ and ‘Vivir sin permiso’.
The Mediaset España company is bringing a very attractive !ction lineup to France, with titles like ‘The Marquess’ and ‘La Favorita 1922’, while having even more premium !ction in its pipeline, showcasing the great present the company has built for itself.
“While content trends may be temporary and ever-changing, I believe that the key to long-term success lies in producing distinctive, high-quality titles,” says Ana Bustamante, general director of Mediterráneo. “Therefore, we focus on creating premium !ction that aligns with the global appetite for Spanish-language content.”
“Besides, the recent reduction in budgets from global companies contrasts with the thriving Spanish audiovisual landscape, making it even more essential for our productions to stand out through di erentiation and excellence,” she adds.
And Mediterráneo has proven it can do that with ‘The Marquess’, a title that has already travelled to 15 territories, while awaiting similar results for ‘La Favorita 1922’, a period drama described by Bustamante as “an ambitious endeavor to deliver high-quality fiction in prime time for the upcoming season.”
Set in the early 20th-century, ‘La Favorita 1922’, produced by Mediaset España and Bambú Producciones, focuses on themes of friendship, intrigue, love, and resilience, fol-
lowing !ve women who unite to open the !rst female-led restaurant in the city. “The series stands out for its high production values and attention to historical detail. The show has already sparked interest from international buyers, making it a strong candidate for success beyond Spain,” shares Bustamante.
“‘Entrevías’ and ‘Vivir sin permiso’ brought us signi!cant joy, and the inclusion of fresh content such as ‘La Favorita’ or ‘The Marquess’ allows us to keep diversifying our catalogue, appealing to a broader range of audiences worldwide,” explains the executive.
Furthermore, in the upcoming months Mediterráneo will add ‘Detective Romi’, a new procedural series that follows the story of a private detective with a hearing disability who has a special talent for solving cases. The title, a Joko TV production in collaboration with SCAC, will be released in 2025.
At the same time, Mediaset España announced the development of ‘Ella Maldita Alma’, a new !ction project in collaboration with Plano a Plano; and ‘La Agencia’, an adaptation of the acclaimed French series ‘Call My Agent’.
“We are very excited about these projects as they bring additional value to Mediterráneo’s catalogue, complementing the extensive content o ering we already have,” says Bustamante.
La Favorita 1922 Period Drama
Detectve Romi Series
The Marquess Series
ALWAYS ON TIME
From hit TV series to video games or children’s programming, The Kitchen has answered the market’s demand with new hubs and sales offices around Europe, an ongoing expansion that has gotten them closer to their clients.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
In just one year, The Kitchen Spain has tripled their team in Madrid, adding even more experienced professionals to a key market that works in coordination with the US hub, and sales o&ces like the one in the United Kingdom headed by Julie Beneteau, to provide a 24/7 service to their clients.
“With The Kitchen US and The Kitchen Spain, our “hubs” are available on our clients’ time,” explains Max Wynen, VP of Global Operations for The Kitchen, who works from The Kitchen Spain. “With regard to time zones, we can get a head start by uploading or downloading assets in Spain, hours before The Kitchen US opens its doors daily. Conversely, we know that The Kitchen US will continue working, hours after we’ve gone home for the day. It’s a win-win for us, for our clients, and with the services we can offer our clients globally.”
“The golden rule in this industry is ‘never’ miss a deadline,” says Wynen.
How has this rst stage of operation been for the Madrid hub? The Kitchen Spain is celebrating its one year anniversary this month. The more than 23-year-old, Emmy
Award-Winning language studio chose Spain as its !rst European language service “hub” for two reasons. First, Spain is the epicenter of the European continent and our goal was to provide a 24/7 service to our clients. With The Kitchen US and The Kitchen Spain, our “hubs” are available on our clients’ time. Second, Castilian is one of the most important international languages for our clients. Over the past year, we’ve serviced such clients as ITV, Mattel, Moonbug and Mediapro. We love the diversity of these type of clients, from live action hit TV series to animation and children’s programming. That is the fun of this business.
“Our investments in AI, working along with several AI providers, to see how it best benefits the services we offer, keeps us in the forefront of where the industry is headed”
How have the European objectives that were set after the opening of this Madrid hub evolved? What is the focus for these rst years? As has always been true of The Kitchen for all of our years as a leading language service provider, our focus has been on team building and expanding our services. Over the past year, we’ve tripled our team here in Spain, in all areas including: Operations, Translation, Languages, Graphics and Sales. It is important for The Kitchen Spain to have its own identity within the country. Our team of experienced professionals does know the territory, the players and who is good.
Supplementing our European “hub” here in Spain, has been the introduction earlier this year of our !rst UK-based sales e ort, with Julie Beneteau, a 25-year industry veteran, at the helm as International Sales Director. Our Board of Global In uencers too, a group of hand-picked industry leaders, have been a great asset in countries and territories where we may not be present.
With Julie in the UK, and with our team here in Spain, we’ve also made an e ort to expand our attendance at various European trade shows, symposiums and markets.
What is your vision of the entertainment industry in Spain and the local and international demands that The Kitchen is responding to with its teams around the world? You said it correctly, The Kitchen has responded with the on-going expansion of its global teams and services. Programming today is required in multiple languages, whether it is a Church service, video game, a new app, or airline passenger instructions… every language is typically required.
What does the idea of “working almost 24 hours a day” imply in practice, something that the company has the capacity to do today by taking advantage of the di erent time zones of its hubs? The demands of time, whether for broadcast, theatres or FAST channels, along with quality and service, is extremely important. The golden rule in this industry is “never” miss a deadline. In practice, we are able to expand our capabilities as needed. If we need to add additional shifts to get the job done and enhance our capacity, we do it. With regard to time zones, we can get a head start by uploading or downloading assets in Spain, hours before The Kitchen US opens its doors daily. Conversely, we know that The Kitchen US will continue working, hours after we’ve gone home for the day. It’s a win-win for us,
for our clients, and with the services we can o er our clients globally.
What technological developments do you highlight among those that The Kitchen has incorporated or is incorporating into its work dynamic? Our internal work ow systems are used in all of The Kitchen locations. Our security procedures are based on our TPN Gold status. Our investments in AI, working along with several AI providers, to see how it best bene!ts the services we offer, keeps us in the forefront of where the industry is headed. We do not adopt any
Max Wynen, VP of Global Operations for The Kitchen
“Over the past year, we’ve tripled our team here in Spain, in all areas including: Operations, Translation, Languages, Graphics and Sales”
procedures without a 100% investigation as to how new technology can help us and the services we are able to o er to our clients.
What trends -whether in terms of languages, territories, genres- can you share about the industry for these coming years? Children’s programming, whether it is live action series or animated cartoons, continues to grow. Anime, too, is now being dubbed in just about every language and we have specialized anime teams that are addicted to the genre. Of course, since the onset of The Kitchen 23 years ago, we’ve always been extremely proli!c in dubbing telenovelas, to and from every language. We’re doing a lot of reality program dubbing now, and assisting clients in resurrecting old catalogues to feed the lower budget FAST channels.
Graphic localization has become an art, and we’re delighted to say that our dedication to these demands has truly paid o
“Anime is now being dubbed in just about every language and we have specialized anime teams that are addicted to the genre”
GO BIG OR GO HOME
True to this motto, Endemol Shine Boomdog decided to face a challenging year for the industry by investing in some of its most ambitious productions to date, such as the series ‘Como agua para chocolate’ or new instalments of major formats such as ‘La casa de los famosos’, ‘Masterchef’ or ‘Deal or no Deal’.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Aconsensus that the entire entertainment industry has reached is that 2024 has been an atypical year, where large company mergers, experiments with old and new business models, and economic challenges for original production, have led to an environment of uncertainty for content creators and distributors.
However, those chameleon-like groups that have been able to keep up with the changes in the industry have managed to transform them into growth opportunities, such as Mexican giant Endemol Shine Boomdog, who this year saw the birth of some of its most ambitious production projects, both in terms of formats and !ction.
“It has been a year of many challenges and growth, in which we’ve had to transform and adapt to the moment that the industry is currently experiencing,” Clara Machado, executive director of Scripted Development for the group, explained to ttv. “But every innovation process is still exciting.”
“Many challenges, many achievements, so much growth,” summed up Frank Scheuermann, Chief Content O &cer of Unscripted at Endemol Shine Boomdog, along the same lines. “We produced more than 1,000 hours of TV, improving our e&ciency and performance, meeting our ambitious goals and delivering quality products with excellent results.”
These great achievements came thanks to the group’s ability to face the challenges of developing and producing content in Mexico and Latin America, which both executives
Frank
Scheuermann, Chief Content Officer of Unscripted at Endemol
Shine
Boomdog
“We are very versatile in adapting and producing formats, and we have a very solid production team and a robust company that supports them”
Clara Machado, Executive Director of Scripted Development at Endemol Shine Boomdog
“It has been a very important year for us because the biggest series we have done so far will be released: ‘Como agua para chocolate’”
categorize into two themes: knowing the market and creating high-quality content.
“The big challenge is always !nding the balance between having the best content, within the best budget, with great quality, to reach the audience in the best way,” explained Scheuermann. “So easy!” he joked.
“I think that, precisely, the important thing is to adapt to the market and to the times that the platforms live in,” added Machado. “Knowing how to renew the properties and combine the adaptations with the original product, delivering stories that resonate in the region but also have the ability to travel and become global hits.”
In this attempt to achieve international success, both executives agreed that, while Mexico is their main market, Endemol Shine Boomdog has the ability to work with partners anywhere in the world.
“We want to focus on Mexico, which is our main market, and we feel that the most important thing is to make content local, so that it is also universal. Having said that, of course we want to have a global success that travels and joins the boom that Spanish-language content has had throughout the world,” said Machado.
“In addition, we are very versatile in adapting and producing formats, and we have a very solid production team and a robust company that supports them, which is why we see opportunities to collaborate with clients throughout the continent and, why not, even other continents as well,” added Scheuermann.
It is with this mentality of betting big that the Endemol Shine Boomdog production machine never stopped working in 2024, giving way to one of its most ambitious catalogues to date. On the !ction side, the
group is presenting, in Machado’s words, “the biggest series we have done so far”: ‘Como agua para chocolate’.
The series ‘Como agua para chocolate’, which will premiere on HBO and Max in November, is based on the 1989 novel by Laura Esquivel, published in more than 30 languages and adapted into one of the most successful Latin American !lms in the world. Filmed in Mexico, it is produced by Endemol Shine Boomdog, together with Ventanarosa Productions and Endemol Shine North America.
“It is undoubtedly the most important project we have,” said the executive. “Not only because of the base story, which is a global brand, but because of the quality we achieved when producing it. We are extremely proud of it and we want to continue making series of that caliber, not only in terms of size, but in terms of quality.”
“We are living in a very interesting time because the audience of streamers is looking for production value with stories that have a signi!cant melodrama component. This combination pushes us to mix between the
most traditional and the most innovative, always looking for stories that touch on relevant topics, that present moral dilemmas or concerns that society has, or rather are escapist and di erent. In the end, the most important thing is to tell stories that entertain and help the audience recognize themselves or see the world from a di erent angle”, the executive explained.
Among these potential future titles, Machado said she has “a slate of very interesting projects, with several large and prestigious IPs,” such as, for example, ‘Revolución’, by Arturo Pérez Reverte.
And on the entertainment formats side, Endemol Shine Boomdog continues to make a name for itself with hits such as ‘La casa de los famosos’, ‘Masterchef’ or ‘Los 50’, to name a few, currently making up “one of the largest and most powerful catalogs in the world,” Scheuermann summarized.
“The stars are those formats that at any moment can become perfect for satisfying the clients’ needs,” explained the COO, highlighting more examples such as ‘Vence a las Estrellas’ or “the next big success in my opinion, which is ‘Deal or No Deal Island’, which will be produced for Univision.”
“I also can’t help but mention ‘Me caigo de Risa’, which is a cannon and after 10 successful seasons and almost 400 episodes produced, it has just received a well-deserved nomination for an International Emmy Award; and of course ‘Cuál es el bueno’, which is an original format of ours together with TelevisaUnivision. It is already on air in Norway, Sweden and Peru, and the third season is being !lmed for TelevisaUnivision for Mexico and the US,” he added.
With these and other titles, Endemol Shine Boomdog is now heading to a new edition of Mipcom in Cannes, to further exploit the international potential of its catalogue.
“As always, our goal is to get closer to our clients, potential partners and partners of the Banijay group who gather at the market,” said Machado. “To present the slate of large projects that we have and to look for others so that in the future they help us to continue creating and adapting content for Mexico and the rest of Latin America.”
“At Mipcom we are going to take the temperature of the industry and meet up with old friends and colleagues, to get inspired and understand a little more about what there is and who it can be for. We are going to open our minds and strengthen relationships with our clients,” Scheuermann added. “As I said before, we have the largest catalog in the world and a very sharp mind to identify opportunities.”
Como agua para chocolate Series
La casa de los famosos Format
STREAMING THE LAST NIGHT AT TREMORE BEACH SETS PREMIERE DATE ON NETFLIX
NETFLIX PRESENTED ITS NEW ORIGINAL SPANISH SERIES, ‘The Last Night at Tremore Beach’, which will make its debut on October 25. The new psychological thriller is created and directed by Oriol Paulo (‘The Innocent’, ‘The Crooked Lines of God’). Inspired by the best-selling book of the same name by author Mikel Santiago, ‘The Last Night in Tremore Beach’ is composed of 8 episodes, produced by Acantilado Studio, in collaboration with Sospecha Films, Think Studio, Colosé Producciones and Juanita Films. Javier Rey and Ana Polvorosa lead the cast, along with Willy Toledo and Pilar Castro.
STREAMING DISNEY+ PREMIERES NEW SEASON OF BELLAS ARTES
DISNEY+ ANNOUNCES the premiere date for the second season of ‘Bellas Artes’, the black comedy by Gastón Duprat and Mariano Cohn, starring Oscar Martínez. Written by Andrés Duprat and produced by Gloriamundi and Historias Particulares, the new installment of ‘Bellas Artes’ continues the story of Antonio Dumas, the director of the Ibero-American Museum of Modern Art in Madrid who is not afraid to say what he thinks and the truths that many do not dare to say and who must face ridiculous challenges that test his professionalism and his limited patience. The new season will premiere on October 23 exclusively on Disney+ in Latin America and in Spain on Movistar+.
SERIES THE MEDIAPRO STUDIO PRESENTS EL MAL INVISIBLE, CO-PRODUCED WITH 3CAT
AT THE 57TH EDITION OF THE SITGES INTERNATIONAL FANTASTIC FILM FESTIVAL, The Mediapro Studio presented ‘El mal invisible’, an eightepisode thriller co-produced with 3Cat, which will premiere on TV3 and the 3Cat platform. The !ction, set in Barcelona during con!nement and based on a true story, narrates the police investigation carried out to !nd a serial killer who has chosen the weakest link in society as his victims: the homeless. Created by Lluis Arcarazo, the series stars David Verdaguer and Ángela Cervantes, along with Àlex Brendemühl, Melina Matthews, Roger Guitart and Victoria Kantch. Marta Pahissa is the director of all the episodes. The series is an original idea by Lluís Arcarzo, who is also the main scriptwriter of all the episodes, with the collaboration of Guillermo Cisneros and María Jaén.
SKYSHOWTIME ANNOUNCED the SkyShowtime original series, ‘Mamen Mayo’, will premiere exclusively on November 18 with all eight episodes available for streaming from launch. ‘Mamen Mayo’ is the service’s first original programming project in Spain, produced by Nostromo Pictures. Each episode will follow inheritance mediator Mamen Mayo (Silvia Abril) and her team as they attempt to resolve conflicts of interest within families embroiled in inheritance disputes. The series also stars Pablo Capuz, Mona Martínez, Clara Sans, Óscar de la Fuente, Francisco Reyes, Javier Pereira and Toni Acosta.
FRESH AND COMPELLING NARRATIVES
The continuos production of quality original series for the streaming platform Movistar Plus+ strengthens the company’s distribution catalogue with new content, like ‘The New Years’, ‘Querer’ or ‘Marbella’.
Apotent line-up of attractive titles, with renown directors at the helm and engaging themes, has Movistar Plus+ International in an ideal position to enjoy a fantastic stay at Cannes.
Titles like ‘The New Years’ and ‘Querer’ promise to be some of the most sough-after Spanish content in Mipcom 2024.
‘The New Years’ is a Movistar Plus+ original series in collaboration with Caballo Films.
Rodrigo Sorogoyen takes on the direction and executive production of this !ction, created by Sara Cano, Paula Fabra and Sorogoyen himself, who is accompanied in the direction by Sandra Romero and David Martín de los Santos. This is Rodrigo Sorogoyen’s third collaboration with Movistar Plus+ after the acclaimed ‘Antidisturbios ’ and ‘Apagón ’.
In the drama, Ana and Oscar are 30 years old and are in the midst of eeing. Oscar,
stuck with a crappy medical contract, is still hooked on his ex. Ana, without a partner or a job, feels lost and plans to move away. But on January 1, 2016, they meet and eeing loses its meaning. Over the next ten years, they will have to face the passage of time and the decisions they make.
After its world premiere at the Venice International Film Festival and its participation at the Seminci (Spain), ‘The New Years’ will become the !rst Spanish series to participate at the Tokyo International Film Festival. The !rst part -!ve episodes out of ten- will be screened at the festival, which runs from October 28 to November 6.
‘Querer ’, produced by Movistar Plus+ in collaboration with Kowalski Films and Feelgood Media, is the !rst TV series directed by Alauda Ruiz de Azúa.
Considered one of Spain’s most promising directors after winning the Goya for Best New Director for ‘Cinco Lobitos’ (a !lm that won three Goyas), Alauda Ruiz de Azúa, along with Eduard Sola and Júlia de Paz, wrote the screenplays for the four episodes that make up the series.
In the drama, Miren goes to the police station with her lawyer and reports her husband for continuous rape during the marriage, perfect for everyone who knows them, which has lasted more than 30 years. Her husband claims not to have done anything wrong and feels like a victim, outraged and wronged. Their eldest son decides to support his father because he himself is afraid of having crossed that line. Their youngest son decides to support his mother because he has also felt that invisible violence.
“The viewer will !nd the story of how a rape accusation blows up an apparently conventional family,” shared Ruiz de Azúa. “Miren reports her husband for rape after 30 years of marriage and this serious accusation forces her children to choose between their mother or their father.”
“We wanted to push questions about sexual consent to the limit, to question the viewer as if they were a member of the family. There are questions that are di&cult to answer and an intense emotional journey, as the judicial journey goes hand in hand with the family journey,” added the director.
Another highlight from Movistar Plus+ Internacional’s catalogue is ‘Marbella ’, a six-episode thriller during which a lawyer with a strong desire of power will guide the view-
ers through the process of legalizing the “illegal” ending up in a war between unscrupulous drug lords.
“‘Marbella ’ is a very commercial show of six, 50-minute episodes that takes place in the south of Spain, in Marbella, where more than 69 di erent ma!as live together,” explained Fabrizia Palazzo, Distribution Manager of Movistar Plus+ International. “Based on a real journalistic investigation. The protagonist is
an unscrupulous lawyer who will understand very well what is the limit between being an unscrupulous lawyer and a gangster.”
This titles are joined by others like the thriller ‘Second Death ’ and comedies ‘Death & Co.’ and ‘Fine Arts’, among many others, including the drama ‘Galgos ’, about a family who belongs in the elite, but are now facing an economic crisis that will test the loyalty of their members.
‘The New Years’ will become the first Spanish series to participate at the Tokyo International Film Festival
Querer Drama
Marbella Drama
Films&Series Telefilms Group
TIME TO MEET LOS COLORADO
Telefilms Group will offer an exclusive premiere of their newest animation, ‘Los Colorado’, based on the famous character El Chapulín Colorado, without forgetting their impressive line-up of Oscar-worthy feature films, with titles like ‘Conclave’ and ‘Babygirl’.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
The acquisition in 2019 of the rights to Roberto Gómez Bolaños’ gallery of famous characters, like El Chavo and El Chapulin Colorado, described as Tomás Darcyl, co-chairman of Tele!lms Group, as the “most important IP in Latin America”, has led the fans of “Chespirito” to wait in the edge of their seats for the upcoming productions that Tele!lms and THR3 Media Group have been working on over the past few years. The wait is over.
Next year, Max will premiere ‘Sin querer queriendo’, an eight-part biopic about the beloved Mexican comedian, while in Cannes, Tele!lms will be hosting the world premiere of ‘Los Colorado’, a high-quality animation that works as a continuation of El Chapulin Colorado’s story, now with a new family.
“‘Los Colorado’ is a very interesting and modern spin-o of El Chapulin Colorado,” Darcyl explains. “It mixes vintage and modern, and it’s written and directed by the most talented people in the Mexico animation market, with their giant hits from Huevocartoon Entertainment, the Riva Palacio brothers -Rodolfo and Gabriel-, who put their soul into this project.”
‘Los Colorado’ follows Chapulin’s family, which includes two kids, their mother and a grandmother, and also his famous rogue’s gallery. “The !rst season has 20 episodes, but we will divide it into two parts,” shares Darcyl. “We have the chance to see the !rst four and everything that has to do with the
script, the quality of the animation and the characters is fantastic. It tested excellent and not only among tweens, because it will also engage their parents.”
“It must be the most important product this IP has ever had after the original,” says the executive.
“This title, alongside the 8-episode biopic ‘Sin querer queriendo’, are the kick-o for the new upcoming productions under the ‘Chespirito ’ IP,” he reveals.
OSCAR-WORTHY TITLES. When it comes to winning Academy Awards, Tele!lms Group just knows what it takes. During the
“A movie that I see in the right track to get, at least, a nomination for Best Picture is ‘Conclave’, a film with a fantastic cast and an unique subject”
Los Colorado Animation series
TELEFILMS ACQUIRED 20 FILMS TO DISTRIBUTE IN AFRICA
While other movie distributors are folding under the pressure from the shifts in the industry, Telefilms continues to thrive and expand, both as a producer -the success of their Brazilian productions on Netflix and Amazon is worth mentioning-, and as a distributor, to the extent that the company has added a new continent: Africa. “We are always trying to grow: we have entered Spain, Portugal and now South Africa and English-speaking Africa,” explains Darcyl. “We already have offices there and we will release films at the end of the year. We bought more than 20 films for those territories.” The truth, Darcyl has no claims admitting it, is that the movie distribution business has shrunk, but when that happens, the companies that have a proven track-record of success, with a serious and responsible approach, are the ones that keep growing: “There are huge companies that trust us in a big way because they know how serious and proud we are about our business,” shares Telefilm’s co-chairman.
last 20 years, the distributor has acquired seven titles that went on to win Best Picture at the Oscars, and had many more nominated, without even talking about the statues collected in other categories. Therefore, when Darcyl starts talking about the strength of Tele!lms’ lineup and their Oscar-worthy titles, it behooves to listen.
“A movie that I see on the right track to get, at least, a nomination for Best Picture is ‘Conclave ’, a !lm with a fantastic cast and an unique subject,” says the executive. In ‘Conclave’, the unexpected death of the former Pope leads to the ritual of choosing a successor, but in the process many secrets come to light. The cast includes experienced and famous actors like Ralph Fiennes, Stanley Tucci, Isabella Rossellini and John Lithgow.
On a similar note, Darcyl expects great things from ‘Babygirl ’, Nicole Kidman’s latest
-and very sexy- !lm; and ‘Maria ’, a movie led by Angelina Jolie as María Callas, and directed by the Chilean !lmmaker Pablo Larraín. “I believe both actresses will get an Oscar nod,” he said.
A bit more of a curve-ball comes from ‘Better Man’, a very unique and creative !lm that tells the story of British popstar Robbie Williams with a lot of style, choosing to portray the titular role with a CGI chimpanzee. “I’ve always seen myself as a little less evolved,” explains Williams in a voice-over during the movie’s teaser.
In a di erent tone, Tele!lms acquired the rights to ‘The Apprentice’, a title that was about to premiere just before Mipcom and has gathered a lot of opinions even before hand, since it depicts part of the business trajectory of former US president Donald Trump (played by Sebastian Stan), and his
Tomás Darcyl, Co-chairman of Telefilms Group
“‘Los Colorado’ must be the most important product this IP has ever had after the original”
relationship with Roy Cohn (Jeremy Strong).
“It’s a very interesting !lm, which was described to us by its director, Ali Abbasi, as a portrait, without trying to be pro or against Trump,” shares Darcyl.
Tele!lms is also distributing titles like ‘Terri er 3’ and one of the biggest hits of 2024, ‘Longlegs ’; the thriller that surpassed 1,150 million of spectators in Mexico, over 550,000 in Brazil and more than 125,000 in Argentina. “Considering the current scenario, these numbers are fantastic,” shared Darcyl.
“In general, with ‘Longlegs’, ‘Civil War’ and ‘Late Night with the Devil ’ among other titles, 2024 has been an incredible year,” said the executive. “We had the !ve most important !lms in the independent market. I’m very proud of Tele!lms’ team, because behind all these accomplishments there is a lot of work, travelling, investment, focus and passion.”
Conclave Film
Longlegs Film
Terrifier 3 Film
A TALENT-FRIENDLY STUDIO
Secuoya Studios reinforced its team of executive producers with the aim of becoming a reference for talent, while the group opened a new production hub in Madrid.
Secuoya Studios announced its new international expansion strategy, in which it seeks to position itself as the most talent-friendly studio in the global market. At the last edition of Iberseries & Platino Industria, Brendan Fitzgerald, CEO of Secuoya Studios, presented the three executive producers who will lead this new strategy: Monica Aguirre and Sergio Canovas, who join the already announced Juan Carballo.
With the goal of increasing the reach of its !ction productions internationally, Fitzgerald explained how Secuoya Studios has organized its operation through a pod system, in which each executive producer leads a multidisciplinary team composed of executive producer, a head of development and a Fiction coordinator. “This allows us to have several production fronts running at the same time, which speeds up timelines without compromising quality.”
Fitzgerald highlighted the importance of this new team: “With the addition of Mónica Aguirre and Sergio Cánovas, along with Juan Carballo, we are strengthening our creative team to embrace di erent styles and approaches. Each one brings a unique perspective, which allows us to have a diverse and global vision of our projects”.
A NEW HUB IN MADRID. Last month, Secuoya Content Group also inaugurated its new production hub and corporate headquarters in Madrid Content City, a milestone that “reinforces its growth and consolidates its commitment to innovation, talent and collaboration in the audiovisual industry.”
This opening marks a before and after for the group, establishing a “cutting-edge ecosystem that aims to turn Spain into an international benchmark in content production.”
Raúl Berdonés, CEO of Secuoya Content Group
“This is a place where great stories are born, a space that drives our future and the future of the entire industry”
“This space is not only the result of years of e ort and dedication, but also a platform designed to foster talent, encourage creativity and promote collaboration. We are proud to close an important cycle with phases 1, 2 and 3 of Madrid Content City, an ecosystem that re ects our commitment to excellence and innovation, and positions us at the forefront of the audiovisual sector worldwide. This is a place where great stories are born, a space that drives our future and that of the entire industry,” said Raúl Berdonés, CEO of the company.
Berkshire House 168-173 High Holborn. London, WC1V 7AA. United Kingdom international@all3media.com
+44 (0) 20 7845 4350
TOP EXECUTIVE
Yari Torres, Vice President, Latin America & US Hispanic
DEAD AND BURIED
(Thriller, 4 x 1h)
An addictive, darkly comic psychological thriller from Three Rivers Fiction and Vico Films. The Split’s Annabel Scholey stars as Cathy, whose brief encounter with Michael (Colin Morgan), the man convicted of the brutal murder of her brother 20 years earlier, reignites her thirst for retribution and sends her on an obsessive journey of revenge. Featuring complex, fascinating, funny characters and compelling, twist filled script, this four-part thriller is available as tape and for local adaptation.
CRITICAL INCIDENT
(Crime drama, 6 x 1h)
Delving into the complex world of policing and the consequences on those most vulnerable, this contemporary crime drama from the award winning team at Matchbox Pictures, is inspired by creator Sarah Bassiuoni’s real-life experiences working as a lawyer in Western Sydney’s juvenile justice system. While on patrol for a teenage suspect, Senior Constable Zilficar ‘Zil’ Ahmed pursues Dalia, a teenager in foster care, and in the chaos and confusion of the pursuit, a bystander is critically injured. Zil’s world comes crashing down when he discovers Dalia was in fact not the perpetrator.
(+1) 514 208 5733
info@amuzdistribution.com
Stand: R8.E 1
1995 (Movie, 1 x 119’)
TOP EXECUTIVE
Alex Avon, Vice President, Global Distribution
Av. Isla Graciosa, 13, 28703
San Sebastián de los Reyes, Madrid sales@atresmediatv.com international-sales-atresmedia.com
Stand: R7.J11
EXECUTIVES
Jose Antonio Salso, Head of Acquisitions and Sales
Rebeca Fernández, Sales Director for Europe
TOP EXECUTIVE
Miguel García Sánchez, Sales Director
150 Alhambra Circle. Suite #1250. Miami, Fl, 33134 Usa / Bogotá, Colombia. Calle 103 # 69B -43 / Madrid, España. Ctra. Fuencarral-Alcobendas, Km 12.450 28049
Jesus Iriepar, Sales Executive for Asia, Europe and Middle East.
Paloma Garcia, International Sales Director, Europe and Africa.
Ricardo, on the verge of quitting filmmaking, joins a competition that reignites his passion and leads to self-discovery during his travels. Produced by Sphere Media.
MARCO
(Dramedy, S1-2: 12 x 30’)
Marco Lachance’s life may not resemble his former rockstar dreams, but his legendary optimism leads him to reconnect with his passion. Produced by ComediHa!.
BABYATRICE
(Animated comedy, S1-6: 25 x 30’)
‘Babyatrice’ is the precocious, self-proclaimed queen of the castle where she reigns supreme with her frank-speaking observations and never ceases to impress with her imagination. Produced by C’est même pas drôle.
LIKE FATHER, LIKE DAUGHTER
(Comedy, S1-2: 8 x 20’)
Follows the adventures of Daphnée and her vibrant father, Pierre, as they transform their everyday life into epic, humorous quests in Rosemont–Petite-Patrie. Produced by Passez Go.
ABROAD
(Variety, S1-3: 26 x 30’)
Unique sketch show blending humor, culture, unexpected adventures and unforgettable moments showcasing Filipino comedians in Canada. Produced by Longhope Media.
BEGUINES
(Drama, 10 x 50’)
Based on the story of women that has remained hidden throughout the centuries. Segovia, 1559. Lucia de Avellaneda celebrates her engagement party with the Marquess of Peñarrosa, a nobleman chosen by her brother who, with this marriage, will reinforce the financial and social status of the family. In the middle of the celebration, Lucia receives an unexpected letter from a woman who claims to be her mother on her deathbed.
EVA & NICOLE
(Dramedy, 8 x 50’)
Eva and Nicole are friends in Paris in 1972, when Nicole hired Eva as a waitress and taught her the world of nightlife. They became friends until the appearance of Manuel, an attractive man who changes everything. Eva begins a romantic relationship with him, making Nicole jealous who makes this love story ends. 13 years later, Eva returns as his enemy, to settle in Marbella and carry out her revenge. She is ready to do anything, including seducing Nicole’s son Oliver.
TOP EXECUTIVE
Lisette
Osorio, VP of International Sales
PETER THE GREAT, GREATER THAN EVER (Series, 23 x 1h)
After living abroad for twenty years, Pedro returns to his homeland to find a completely di&erent reality from the one he left when he was forced to seek new horizons. To his surprise, he discovers that his son has become a successful and prosperous professional, forcing him to invent a series of stories in order to hide what has been a life of sacrifice and deprivation and to gain Pedro Junior’s respect and admiration.
KLASS 95 (Series, 45 x 1h)
Shaio Domínguez, in the 1990s in Colombia, founded the first international modeling agency, through which she discovered the power of beauty. Edgar Trejos, a frontman for mobsters, sees in Shaio and her agency the opportunity to clean up his image and will do everything possible to infiltrate them. An impossible love, beautiful women, many dreams to fulfill, and a situation that spirals out of control.
Beguines
Peter The Great, Greater Than Ever
DORI MEDIA GROUP
2 Raul Wallenberg st. Tel Aviv 6971901 Israel +972 3 647 8185 info@dorimedia.com dorimedia.com Stand: P-1.F50
EXECUTIVES
Carolina Sabbag, VP Sales, Western Europe, USA, Canada & Australia
Maria Perez Campi, Director of Sales, LATAM, US Hispanic & Asia
Camila Premet, Sales Manager, CEE, CIS, Africa & MENA
Devdatta Potnis, Sales Manager, India
Joshua Mintz, Chief Content Office, Dori Media International
AMIA
TOP EXECUTIVE
Nadav Palti, CEO & President
(Political/Action drama, 8 x 45’)
Diego, a Mossad agent whose sister was killed in the terrorist attack in Buenos Aires, takes a leave of absence and hooks up with Gisela, a local journalist to find those responsible. Their journey to uncover the truth draws them into a world of espionage, intelligence agencies and arms dealers. A dubious world in which lies are truths, and justice and revenge become indistinguishable.
INDAL
(Action drama, 8 x 45’)
A group of Ethiopian Israeli youth decide to kidnap the police officer who peppered their adolescence with abuse and eventually murdered their closest friend. What starts o& as a personal revenge scheme quickly boils over into a massive national protest movement against police violence and for equality.
GLOWSTAR MEDIA
sales@glowstar-media.com www.glowstar-media.com
THE BOND
(Thriller, 94’)
TOP EXECUTIVE
Silvana D’Angelo,
CEO
After her daughter’s birthday, Ana receives Walter, a man who asks for her husband. She quickly discovers the real reason for this visit: to hold her and her daughter as bail while her husband negotiates with a dangerous organization.
SIN SALIDA (Suspense, 110’)
Ana, a young college student, wakes up in the trunk of a car, bound and gagged, remembering nothing more than having been kidnapped while exercising in the park. Upon arriving at her destination, she discovers that she has been kidnapped by a human trafficking gang and finds herself in a house of indoctrination, forced into prostitution. Determined to escape, Ana tries to gain the trust of someone to help her, learning from her mistakes and overcoming obstacles. Eventually, however, she realizes that she is trapped in a circle with no way out, where no one seems willing to help her.
Rocío Cachero Bermúdez, International Sales Manager
TOP EXECUTIVE
Silvia Cotino Estornell, Sales and Business Development Deputy Director
LA FAVORITA 1922
(Period drama, 2 seasons, 16 x 70’)
Set in 1922, Elena de Valmonte, a progressive marquise trapped in an oppressive marriage, finds solace in cooking. After a life-altering incident, she and her maid Cecilia are forced to escape to Madrid and take refuge in an abandoned restaurant. Seeing it as a chance to start over, Elena dreams of turning it into Madrid’s finest establishment and she contacts Julio, the handsome owner of the place, who rents it to her -despite their rocky start- and Elena gathers top chefs to revive it as “La Favorita Bistro.” Together, they form an unconventional family, but soon realize that talent alone may not be enough to overcome their past and future struggles.
DETECTIVE ROMI
(Series, 8 x 70’)
The series follows Romina Goitia (Romi), a deaf private detective with an exceptional ability to interpret non-verbal communication and detect lies. Romi often skirts the law to achieve her goals, contrasting with her disciplined intern, Nere. Her impulsive nature frustrates her mother, Alaia, the head of criminal investigation in Bilbao. Their professional lives collide when they investigate the mysterious death of Romi’s father, who died in an explosion 20 years ago that caused her hearing loss. As they uncover hidden truths, they question whether his death was truly an accident.
Nicolás Lecocq, Head of Operations M+ Int. Lorena Molloy, Head of International Marketing & Comms
THE NEW YEARS
(Drama,10 x 50’)
TOP EXECUTIVE
Rebeca Aguilar, Distribution Manager
A TV series by Rodrigo Sorogoyen. Ana and Oscar are 30 years old and are in the midst of fleeing. Oscar, stuck with a crappy medical contract, is still hooked on his ex. Ana, without a partner or a job, feels lost and plans to move away. But on 1 January 2016, they meet and fleeing loses its meaning. Over the next ten years, they will have to face the passage of time and the decisions they make.
QUERER
(Drama, 4 x 50’)
The first TV series directed by Alauda Ruiz de Azúa (‘Lullaby’). Isabel (53) goes to the police station with her lawyer and accuses her husband of ongoing sexual assault throughout a seemingly perfect marriage that has lasted for over 30 years.
MARBELLA
(Thriller, 6 x 50’)
A lawyer with a strong desire of power will guide the viewers through the process of legalizing the “illegal” ending up in a war between unscrupulous drug lords.
Amia
The Bond
La Favorita 1922
The New Years
MOVISTAR
Listings Films&Series
ORF-ENTERPRISE RTVE
+43(0)1/87878-13030
contentsales@orf.at
contentsales.ORF.at
Stand: P-1.L 1
EXECUTIVES
Marion Camus, Oberdorfer, Sales Director GST
Monika Kossits, Sales Manager TV
Rebecca Goss, Sales Manager TV
Mario Leonhardsberger, Digital Content
Distribution Manager
Valerie Schmitt Sales, Manager VOD
Franka Giesemann, Sales Manager VOD & Home Entertainment
Armin Luttenberger, Head of Content Sales International
THE CURIOUS CASES OF GERTI B. (Crime/Comedy, 6 x 45’)
Gerti Bruckner, a seasoned detective, is passed over for a promotion and forced to work with a younger colleague to solve a murder in her own neighborhood.
FAST FORWARD (Crime, 78 x 45’/4 x 90’)
In season 8, Angelika Schnell faces both professional and personal challenges, as she must ensure the continuation of her new profession and come to terms with the idea of becoming a grandmother.
ME AND THE OTHERS (Comedy, 6 x 40’)
‘Me and the Others’ explores ego, environment, and how these dynamic changes when one takes control of their own destiny. Each episode presents the protagonist Tristan waking up in a di&erent surreal scenario that drastically alters his interactions with those around him.
‘Ena’ tells the story of a young Englishwoman who becomes the Queen of Spain, renouncing everything to live in a foreign land where she faces an attempt on her wedding day. Never fully accepted, she perseveres as queen, witnessing two world wars, a civil war, and the deadly Spanish flu.
LAS ABOGADAS
(6 x 50’)
Series based on real events that tells the story of the lawyers Lola González, Cristina Almeida, Paca Sauquillo and Manuela Carmena. Friends and labor lawyers since 1969, during the last stage of Franco’s regime until the massacre of the Atocha lawyers in 1977 during the government of Adolfo Suárez.
ASUNTOS INTERNOS (6 x 60’)
Drama thriller set in a neighborhood police station in Madrid in the 1970s and starring one of the first policewomen in Spain, Clara, who infiltrates a plot to uncover a network of corruption linked to heroin trafficking in the city. New times, wild times.
VIENNA BLOOD S4
(Crime Drama, 2 x 90’ or 4 x 45’)
The thrilling crime drama set in 1900s Vienna, from acclaimed screenwriter Steve Thompson, returns for season four. Directed by Umut Dağ. Written by Steve Thompson.
THE GONE S2
(Crime Drama, 6 x 60’)
Detectives Theo Richter and Diana Huia are back, racing to stop a deadly killer while unearthing buried secrets and hidden traumas. Written by Anna McPartlin & Michael Bennett. Directed by Dathai Keane & Peter Burger.
PLAN B S2
(Drama, 6 x 45’)
The high-concept psychological drama returns for a second season; idealistic cop Mia Mia journeys into the past with unexpected consequences. Created by Jean-François Asselin.
(+54) 11 5032 6000
telefilms@telefilms.com.ar telefilmsgroup.com
Hall: Palais -1 | Stand: P-1.K 3
EXECUTIVES
Ricardo Costianovsky, Co-Chairman
Alejandro Carballo, Sales Manager
Humberto Delmás: Sales Manager
Marcelo Bombau, Board Member
Bruce Boren, CEO Thr3 Media Group
Gonzalo Claiman-Versini, Diamond Films Spain Director
Tomas Darcyl, Co-Chairman
LONGLEGS
(Thriller, 1h41)
Set in 1974, the film focuses on Lee Harker, a new FBI agent, who has been assigned to an unsolved case of a serial killer. As the investigation becomes more complicated with occult evidence uncovered, Harker realizes a personal link to the killer and must act quickly to prevent another family murder.
THE APPRENTICE (Biopic, 2h)
Starring Sebastian Stan as Donald Trump, the film examines Trump’s career as a real estate businessman in New York in the 1970s and 80s. The film also stars Jeremy Strong, Maria Bakalova, and Martin Donovan.
CONCLAVE (Drama, 2h
After the unexpected death of the former Pope, Cardinal Lawrence (Ralph Fiennes) is appointed to lead one of the most secret and antiquated rituals worldwide: the new Pope selection. When all the powerful leaders of the Catholic Church get reunited in the Vatican salons, Lawrence ends up implicated in a complex conspiracy. At the same time, he discovers a secret that could impact the foundations of the church.
Ena
Vienna Blood S4
Longlegs
The Curious Cases Of Gerti B.
ENA
By Rosa Fuentes rfuentes@todotv.tv
The Argentine company, creator of ‘El canal del payaso Plim Plim’, is developing a theater tour in LatAm and the US, a licensing program and a couple of educational platforms to be launched in 2025.
PLIM PLIM AIMS TO CONQUER EUROPE
One year after the launch of ‘El canal del payaso Plim Plim’ on pay TV services in Latin America, the children’s program has established itself as a favorite, reaching more than 15 million homes in 15 countries in the region. ‘El payaso Plim Plim’, which was already breaking all kinds of records on YouTube, is now ready to take its next steps.
Argentine company Smilehood, in addition to its TV channel, is developing a tour with its theater company throughout LatAm and the US, a licensing program and a couple of educational platforms that will launch in 2025. ‘El canal del payaso Plim Plim’ continues to expand its educational proposal based on values and positive habits for children.
Guillermo Pino, president of Smilehood and creator of Plim Plim, shared that the channel is reaching 15 million households in Latin America, with a very large penetration and a giant acceptance: “I think the cable industry is very robust. A lot of children’s o erings have come out of cable, as a result of the OTTs that have been launched, the FAST channels and so on. So we thought there was an opportunity there and we weren’t wrong. We feel it’s still an industry that has
a lot of vigor and will continue to surf the waves of modernity.”
“We are becoming a global phenomenon. In Spanish, we are number one in Latin America and in Portuguese we are number two, behind ‘Gallina Pintadita’,” said Pino.
Smilehood is working on the possibility of being on some satellite TVs and has started negotiations with some markets where they have not yet managed to enter, or are present with smaller distributors. “The content is what helps us position ourselves, with ‘Plim Plim’ parents feel that their children are cared for. We transmit values and positive habits, in addition to entertaining the kids and making them have a good time,” said Pino.
Among other developments of the Plim Plim brand is the theater company that is touring Latin America and will soon be making its debut in the United States. “We are also developing a licensing program for Latin America and Europe; we are about to disembark on Spanish-language broadcast television channels in Europe,” the executive commented.
Pino pointed out that by 2025 two educational platforms for children will be
Guillermo Pino, President of Smilehood
“We are developing a licensing program for Latin America and Europe, and we are about to launch on Spanish-language broadcast TV channels in Europe.”
launched. “In March 2025 we will be launching an educational platform to measure attention de!cit. And also an educational platform so that children can review what they learn in school, or learn to read and write, among other things. The feeling that we are making a great contribution to education makes us happy,” he concluded.
A NEW TWIST ON STREAMING
The independent production company is working towards the launch of Cycle TV, a new AVOD platform aimed at providing something different for audiences and content producers who want to stand out in the OTT market.
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Adding to its growing production business, Triskelion Productions is ready to explore a new side of the entertainment business as it ventures into the world of streaming with the launch of Cycle TV.
With a launch date slated for next year, Cycle TV is an AVOD platform aimed at offering something unique to an industry overcrowded with streaming options and content.
“It never hurts to have an option with a bit of a di erent twist”, summarized Ric Acevedo, executive producer at Triskelion Productions. “We see a lot of platforms with a lot of the same content out there. We are trying to
Ric Acevedo, Executive Producer
do something that’s not new, but that isn’t also complicated”.
Part of this simple approach to streaming is the platform’s content o er, which is composed of 3000 hours of titles spanning multiple genres, from kids to docs, !lm and series.
“It’s 3000 hours so that people don’t get lost looking for something to watch. There’s so much out there that people sometimes get lost trying to !nd something. Chances are good that one can miss a good show when there’s 20 million others to watch”, the executive explained.
“We are trying to keep everything clear and allow the viewer the opportunity to have speci!c categories with not a million things to sift through”, he added.
Cycle TV will initially launch in the US and Canada, but aims to expand to other regions in the future. “It will start in the US and Cana-
Alessandra Corrao, Writer and Producer
da. As far as other markets go, we eventually look forward to expanding to EU, Turkey, Latin America and others, but that’s all part of a longer-term plan”, Acevedo said.
Yet, while limited to the US and Canada, content will potentially come from multiple territories. “New content from markets like Turkey is, absolutely, epic. It would be cool to provide that as an option”, he explained, adding that when it comes to local content acquisitions, “it’s all going to depend on what’s out there and the needs of the producers in so far as their content goes.”
“We are not trying to re-invent the wheel or change anything. We want to be a viable option that not only takes the viewer into consideration but also considers the needs of the producers looking to take their shows in a di erent direction. As far as advertisers, they are looking at being part of a platform where their ads also won’t get lost. There is room for everyone”, he concluded.
Janathan Grandoit, Creative Development
Mike Shear, Post-Production Specialist
“We want to be a viable option that not only takes the viewer into consideration but also considers the needs of the producers looking to take their shows in a different direction.”
A VERY POSITIVE PROCESS
Condista is reaching the final quarter of the year with important announcements, while continuing to work on the launch of new products such as RCN Total and RAI+.
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
After taking on the role in February of this year, Pablo Mancuso, Condista’s Director of International Distribution, has poured all of his experience and talent into growing the company’s portfolio and business units, an exercise that lies in continuing to serve Condista’s current business, but with an eye on the new opportunities on the horizon.
“It’s been an intense few months; challenging, but very rewarding,” Mancuso said of his new position, noting the opportunity to reconnect with great friends and industry partners. “The intense part is because we are working on many new initiatives, while still attending to the day-to-day running of the business.”
“That requires being adept at not losing focus on what’s important, while also creating new business and not missing out on the very big changes in the industry,” he added. “It’s a skill that we at Condista develop very well: taking care of our business partners, guiding them through new models and also constantly continuing to look for new partners, products and content. It’s really a very positive process.”
You talked about expanding Condista’s o ering to provide “additional products to the existing ones”. Can you share an example? We are now focused on new products for our main clients, strongly launching the new RCN app: RCN Total, which is already available in the app stores of all Latin American markets (except USA and Colombia). It is RCN’s best o ering for the market and we are driving it as both a B2C and B2B business together with the operators. The app has all of RCN Internacional’s content; the three successful linear channels -Nuestra Tele, RCN Telenovelas and the news channel, NTN24-, plus the basic WinSports service. It also includes two FAST channels, RCN+ and
Pablo Mancuso, International Distribution Director at Condista
“We are now focused on the new
products
from our
main clients, such as the new RCN app: RCN Total”.
RCN Extra, and more than 2,000 hours of VOD content. We are already working in the region to integrate the app into the commercial TV o erings of the main operators, and many open conversations are well underway.
RAI is also developing a premium content package that will be o ered in SVOD format, along with VOD content that we can o er to our a&liates at no additional cost. The project contemplates the best of RAI’s library. This is in addition to the linear o er of RAI Italy, RAI World Premium and RAI News24. We have already had conversations with operators and the reception has been positive. Several operators will be adding to their VOD catalogues the show ‘Italiana TV Magazine’, a RAI COM premiere. It is six, 25-minute episodes about the best of undiscovered Italy. The program will be available on Colsecor in Argentina, TCC and Nuevo Siglo in Uruguay, Cardinal TV channel and other platforms.
Which will be the main additions to Condista’s portfolio for the last months of the year? We expect to announce in October the incorporation of a unique product in Latin America that has an OTT B2C format plus a FAST version for AVOD platforms. Condista has a broad portfolio, but it di ers according to regions in Latin America. For example, we work for Azteca Internacional and Antena 3 only in the Caribbean. In that line we added some products to market in Mexico after the alliance we made with Frida Media, where they will distribute our main channels in the strongest regions and Condista will do the same with a focus on Mexico for some star products such as ‘Plim Plim’ and ‘Love Nature’.
How has the process of bringing RAI+ to Latin America been? We are still presenting the product to the main operators in Latin America, with a good reception, but we have detected a lot of pressure in the integration of di erent o ers in the operators’ platforms. Our product is exible in terms of technical integration and we hope to accelerate some negotiations that will allow the product to be launched in an important commercial partner.
“My vision of FAST is that, with a good product strategy, you can totally coexist in all distribution windows”
What is the latest news about the brand’s FAST channels? Condista already o ers seven FAST channels. These channels are already distributed on the most important platforms in the US and we are in talks to include them in some Latin American platforms as well.
What is your general view on the present and future of the FAST phenomenon in the region? We constantly talk about and discuss FAST with all our clients because it is a very active topic today and everyone wants to know if they should enter this business or not. My vision is that, with a good product strategy, it is perfectly possible to coexist in all distribution windows. In Latin America, in particular, the business is still not very attractive for some content, as CPMs in the region are very low. We need to be patient and smart to keep up with the very slow growth of FAST revenues in Latam.
What do you understand is the impact of the current streaming moment, after years of expansion and investment, on the pay TV industry? Streaming is in a period of readjustment. The main platforms have come to the conclusion that they can no longer operate at a loss in their B2C products, which has led to a change in their strategies. The priority now is to control user acquisition costs, improve retention and launch new advertising-based business models, as pure SVOD subscriber growth has begun to stagnate. Adding to this scenario is the growing competition for user attention. In the US, for example, YouTube already accounts for more than 10% of total TV viewing time, displacing other players. Platforms such as TikTok and
other non-traditional media are rapidly gaining ground, which leads us to ask ourselves: What will we do if users stop devoting time and attention to our content, which is also expensive to produce? In this context, distribution alliances and bundles with operators become more relevant. It has been proven that “bundling” is still a business model with bene!ts for all parties involved. Pay TV will not disappear, but it is undeniable that its value proposition has diminished in recent years. 2025 will be crucial to rede!ne the role of pay TV in this new ecosystem. We will surely see a consolidation of players in the market, and many content providers will face signi!cant challenges. For pay TV operators, the key will be to take care more than ever of their active customers, those who still value and pay for the services o ered, since they !nd a di erential in the o er they receive.
“We want to expand our client base at Condista Labs, because we have detected many opportunities in the market”
THE RELAUNCH OF CONDISTA LABS
One of the company’s projects is the relaunch of one of its business units, Condista Labs, which offers VOD catalog processing for distribution in multiple formats and business models, including in some cases licensing content from major studios for TVOD models. “We want to expand our customer base this year because we have detected many opportunities in the market,” Mancuso explained. “Both from operators who don’t know how to do that processing work or others who want to outsource those services because of the complexity and cost of the process.” At the same time, Condista is managing another project born from the Condista Ads unit, which involves the monetization of content libraries in Condista’s own channels for Youtube/AVOD. “We have a specialized team with a very large know-how in that business model,” commented Mancuso. “YouTube is already part of the new TV and this window can provide very good results for content from many of our partners.
IBERSERIES & PLATINO INDUSTRIA 2024
The event gathered more than 2,600 accredited participants from more than 50 countries, with more than 1,000 participating companies, and 220 speakers at conferences and panels. Its organizers already confirmed that the fifth edition will also be held in Madrid next year.
1. The opening ceremony. / 2. Raúl Berdonés (Secuoya Studios). / 3. Jerry Rodríguez (Endemol Shine Boomdog). / 4. Barbora Suster (Eccho Rights). / 5. The Mediapro Studios’ team. / 6. Chalo Bonifacino (LaLiga Studios). / 7. Miguel Ángel Burgos and Max Wynen (The Kitchen. / 8. Marcelo Tamburri (Zeta Studios Mexico). / 9. Pilar Blasco (Banijay Iberia). / 10. Francisco Villanueva and Luis Villanueva (Somos Group).
11. ‘Uzal’ cast and production team. / 12. Dago García (Caracol TV). / 13. Miguel García and Laura Aguado (Atresmedia Sales). / 14. David Gallart (Satisfaction Iberia). / 15. ‘Feat’ talent show presentation. / 16. Ana María Barreto and Clara María Ochoa (CMO Producciones). / 17. Leonardo Aranguibel and Mariana Pérez (The Walt Disney Company). / 18. Beatriz Cea Okan and Can Okan (Inter Medya).
FORMER ARMOZA EXECS LAUNCH THE RIPPLE EFFECT
The new international production and distribution company will be present at Mipcom and upcoming international markets to expand its footprint in the industry.
Adva
Avichzer, CEO
Viviana Hadid, VP Sales for LATAM, Brazil, US Hispanic and Iberia
Elizaveta Makarova, Head of Development and Acquisitions
“We are not a typical distributor; our mission is to find financial support, assist in development or push projects towards production”
The Ripple E ect, a new international agency for the audiovisual industry, announced its market launch this month. Comprised of the former International Sales and Distribution team from Armoza Formats, The Ripple Effect was founded by Adva Avichzer as director, together with Elizaveta Makarova and Viviana Hadid.
With over 18 years of experience in companies such as Armoza, Gil Formats and Endemol Shine, Avichzer has launched this boutique agency to connect talented local creators and production companies with global opportunities in production, !nancing and distribution.
“The Ripple E ect began thanks to the vision and experience of Adva Avichzer, our CEO, who understood the changes the television industry has undergone and recognized the need to bridge the gap between local creators and global audiences. From the beginning, she set out to do something di erent,
something out of the ordinary, where, with a unique vision, we could connect local stories with global opportunities,” explained Viviana Hadid, VP of Sales for LATAM, Brazil, US Hispanic and Iberia.
“We are not a typical distributor; our mission is to !nd !nancial support, help in development or push projects towards production, whatever it takes to make those stories a reality and bring them to the world,” she added. “We are a creative team that knows how to look at each project in a unique and personalized way, with the sole goal of making things happen. We think outside the box, break the rules, explore and create new proposals. This is where this vision, coupled with contacts and experience, work their magic.”
The agency works in collaboration with partners such as Zoa Films, Eight Productions, Beyond Creative and HSCC; as well as acclaimed creators such as Noah Stollman, Izhar Harlev, Ariana Saiegh and Uzi Weil, among others.
“We have established very interesting synergies with outstanding Latin American writers, such as Ariana Saiegh. Not only did she entrust us with the distribution of the series ‘Familia de Diván’, winner of the Martín Fierro Award and nominated for 8 Produ Awards, but she also joined us in the exciting adventure of writing the Spanish-language script for the series ‘Exceptional ’, winner of the Mipcom Diversify TV Award (2022). This Eight Productions production has been a resounding success in Israel and Turkey, and we look forward to seeing it soon in the Hispanic market,” shared the executive.
The distributor is now targeting upcoming industry events and tradeshows, with the goal of generating partnerships and expanding its presence in the international market. “The Ripple E ect thinks outside the box, and yes, we are doing co-development and co-production, as well as distribution. Our goal is to make projects a reality, and for that we are open to listen, collaborate and discover new ways to make it happen,” she concluded.
Listings Mipcom
Berkshire House 168-173 High Holborn. London, WC1V 7AA. United Kingdom international@all3media.com +44 (0) 20 7845 4350
TOP EXECUTIVE
Yari Torres, Vice President, Latin America & US Hispanic
JESUS: CROWN OF THORNS
(Docudrama, 4 x 1h)
A brand-new series from Nutopia, world leaders in premium docudrama. Produced in association with Fox Nation, this four part series will reimagine Jesus Christ’s story as a gripping political thriller, set against the backdrop of the turbulent times in which he emerged as a revolutionary figure. Combining action-packed, character-led drama with a rigorous historical underpinning, the series vividly brings to life the real people caught up in the extraordinary story.
DEAD AND BURIED
(Thriller, 4 x 1h)
An addictive, darkly comic psychological thriller from Three Rivers Fiction and Vico Films. The Split’s Annabel Scholey stars as Cathy, whose brief encounter with Michael (Colin Morgan), the man convicted of the brutal murder of her brother 20 years earlier, reignites her thirst for retribution and sends her on an obsessive journey of revenge. Featuring complex, fascinating, funny characters and compelling, twist filled script, this four-part thriller is available as tape and for local adaptation.
(+1) 514 208 5733
info@amuzdistribution.com
Stand: R8.E 1
1995 (Movie, 1 x 119’)
TOP EXECUTIVE
Alex Avon, Vice President, Global Distribution
Ricardo, on the verge of quitting filmmaking, joins a competition that reignites his passion and leads to self-discovery during his travels. Produced by Sphere Media.
MARCO
(Dramedy, S1-2: 12 x 30’)
Marco Lachance’s life may not resemble his former rockstar dreams, but his legendary optimism leads him to reconnect with his passion. Produced by ComediHa!.
BABYATRICE
(Animated comedy, S1-6: 25 x 30’)
‘Babyatrice’ is the precocious, self-proclaimed queen of the castle where she reigns supreme with her frank-speaking observations and never ceases to impress with her imagination. Produced by C’est même pas drôle.
LIKE FATHER, LIKE DAUGHTER
(Comedy, S1-2: 8 x 20’)
Follows the adventures of Daphnée and her vibrant father, Pierre, as they transform their everyday life into epic, humorous quests in Rosemont–Petite-Patrie. Produced by Passez Go.
ABROAD
(Variety, S1-3: 26 x 30’)
Unique sketch show blending humor, culture, unexpected adventures and unforgettable moments showcasing Filipino comedians in Canada. Produced by Longhope Media.
Av. Isla Graciosa, 13, 28703 San Sebastián de los Reyes, Madrid sales@atresmediatv.com international-sales-atresmedia.com Stand: R7.J11
EXECUTIVES
Jose Antonio Salso, Head of Acquisitions and Sales
Rebeca Fernández, Sales Director for Europe
TOP EXECUTIVE
Miguel García Sánchez, Sales Director
DREAMS OF FREEDOM (Soap Opera, Daily x 50’)
A story of love, betrayal and rivalry inside the family. Adaptation of the successful Turkish series Lifeline. Begoña Montes is the new wife of Jesús de la Reina, son of the owner of a major beauty products company. The series begins with her, a young mother, running through the forest with her stepdaughter Julia while her husband chases them with a rifle in hand. What could have happened?
BEGUINES
(Drama, 10 x 50’)
Based on the story of women that has remained hidden throughout the centuries. Segovia, 1559. Lucia de Avellaneda celebrates her engagement party with the Marquess of Peñarrosa, a nobleman chosen by her brother who, with this marriage, will reinforce the financial and social status of the family. In the middle of the celebration, Lucia receives an unexpected letter from a woman who claims to be her mother on her deathbed.
Tel: +90 212 354 37 01
Instagram@atvdistribution
Twitter @atvdistribution Stand: P-1.J2
EXECUTIVES
Gozde Dinc Ozcan, Sales Deputy Manager
Merve Tunc, Marketing Specialist
Sena Kul, Sales Assistant Specialist
Doruk Yenihayat, Sales Assistant Specialist
THE
TOP EXECUTIVE
Müge Akar, Head of Sales
NIGHTFALL (Drama, 45’, In Production)
Mahir, whose father was assassinated in the city of Denizli by Kür!at Kilimci, returns twenty years later as a police inspector, determined to avenge his father’s death. On his first day back, he has a fateful encounter with a mesmerizing girl named Canfeza, the daughter of Kür!at, and instantly falls in love. As Mahir searches for this mysterious woman, he also keeps a close watch on Kür!at, waiting for him to slip up.
SAFIR
(Drama, 89 x 45’)
Feraye, a textile design student and housekeeper at a wealthy Gülsoy family mansion in Cappadocia, has a flaw in her affection for Yaman, one of the family’s heirs. Her father, Muhsin, married Cemile, who was cruel to the family. Ate!, the eldest child, returns to his native Cappadocia where his grandfather has grander plans for him. Yaman plans to propose to Feraye, but she meets Bora, a shady character.
STREET BIRDS
(Drama, 173 x 45’)
Five friends living on the streets, they sell handkerchiefs. They find a baby in the trash bin, because of Mercan’s motherly instincts, they decide to take care of the baby; named ‘Gülay!e’. Çatal, the bad guy notices the baby, thus the chaos begins by accidentally hurting him on their way to escape.
Jesus Iriepar, Sales Executive for Asia, Europe and Middle East
Paloma Garcia, International Sales Director, Europe and Africa
2 Raul Wallenberg st. Tel Aviv 6971901 Israel +972 3 647 8185 info@dorimedia.com dorimedia.com Stand: P-1.F50
EXECUTIVES
Carolina Sabbag, VP Sales, Western Europe, USA, Canada & Australia
Maria Perez Campi, Director of Sales, LATAM, US Hispanic & Asia
Camila Premet, Sales Manager, CEE, CIS, Africa & MENA
Devdatta Potnis, Sales Manager, India
Joshua Mintz, Chief Content Office, Dori Media International
Kungsgatan 48, 111 35 Stockholm, Sweden
info@ecchorights.com www.ecchorights.com
Stand: P3.B1
Barbora Suster, Sales Director for Latin America and Iberia
HIDDEN GARDEN
(Drama - On air)
In ‘Hidden Garden’, Nazlı is a young, single mother living with her son Memo. When Demir Akçınar, Memo’s wealthy uncle, discovers that his late brother had a child, he steps in to take care of Memo. Upon learning about Nazlı’s profession, Demir refuses to let Memo stay with her and wages a custody battle. However, Nazli is not who Demir thinks she is and she has a big secret.
FARAH
(Drama, S1: 47h - S2: 42h)
Adapted from the award-winning Argentinian series ‘La Chica Que Limpia’; ‘Farah’ is the story of an Iranian woman, who had to run away from her country and is struggling to live in Istanbul, working as a cleaning lady in order to maintain the treatment of her son. Farah was one of the brightest students at one of Iran’s leading medical schools, until months before she had to flee.
EGO (Drama, 40h)
The Koraslan Family is one of the most wellknown families in tourism industry in Turkey. Sibel and Tuncay are both involved in their family business. On the the other hand, the Ozturks are a middle-class family, Burhan being the father, who lost his beloved wife two years ago, his daughter Elif and son Arda. Elif is engaged to Erhan, a frank and brave man who works in the finance department at the Koraslan Family’s firm.
EXECUTIVE
Lisette Osorio, VP of International Sales
PETER THE GREAT, GREATER THAN EVER
(Series, 23 x 1h)
After living abroad for twenty years, Pedro returns to his homeland to find a completely di&erent reality from the one he left when he was forced to seek new horizons. To his surprise, he discovers that his son has become a successful and prosperous professional, forcing him to invent a series of stories in order to hide what has been a life of sacrifice and deprivation and to gain Pedro Junior’s respect and admiration.
KLASS 95
(Series, 45 x 1h)
Shaio Domínguez, in the 1990s in Colombia, founded the first international modeling agency, through which she discovered the power of beauty. Edgar Trejos, a frontman for mobsters, sees in Shaio and her agency the opportunity to clean up his image and will do everything possible to infiltrate them. An impossible love, beautiful women, many dreams to fulfill, and a situation that spirals out of control.
AMIA
Nadav Palti, CEO & President
(Political/Action drama, 8 x 45’)
Diego, a Mossad agent whose sister was killed in the terrorist attack in Buenos Aires, takes a leave of absence and hooks up with Gisela, a local journalist to find those responsible. Their journey to uncover the truth draws them into a world of espionage, intelligence agencies and arms dealers. A dubious world in which lies are truths, and justice and revenge become indistinguishable.
INDAL
(Action drama, 8 x 45’)
A group of Ethiopian Israeli youth decide to kidnap the police officer who peppered their adolescence with abuse and eventually murdered their closest friend. What starts o& as a personal revenge scheme quickly boils over into a massive national protest movement against police violence and for equality.
SAFE HARBOR (Drama, 8 x 50’)
Marco and Tobias, inseparable since college, have been struggling to break into the tech billionaires club. When Marco crosses paths with Sloane, the sharp-as-nails heiress of the Irish mob in Rotterdam and her violent brother Farrell, he o&ers to help them hack into the Rotterdam port to save his own skin but needs Tobias’s help. Soon, they’re drawn into a brutal turf war between the Irish mob and the European Cartel, all while juggling their romantic relationships and friendship. Their only hope of survival lies in using their tech expertise to outsmart and outmanoeuvre dangerous criminals with large weapons and bad attitudes.
THE COST OF LIES (Drama, 115 x 45’)
Adem, a clerk at the Mint, creates a commemorative coin as a gift for his son. However, when his son shows the coin to his peers at school, Adem is fired from his job, plunging him into a downward spiral. Faced with the risk of losing his family and home, a desperate Adem partners with his swindler brother Kartal to counterfeit money. As the money is printed it changes their lives, but it also attracts trouble.
Hidden Garden
Peter The Great, Greater Than Ever
Safe Harbor
Amia
Rua Evandro Carlos de Andrade 160 / 7º andar. Vila Cordeiro 04583-115, San Pablo, Brasil +55 11 5112-4559 www.globo.com/screening Stand: P3.B9
TOP EXECUTIVE
Fabio Mauro, Content Distribution & Partnerships, Globo
CRAZY ABOUT YOU
‘Crazy About You’ is based on the friendship between two young women, Viola (Gabz from ‘Perfect Love’) and Luma (Agatha Moreira, from ‘Hidden Truths’), who seem predestined to enter each other’s lives. With a journey divided between complicity and rivalry, which includes them in a love quartet with Mavi (Chay Suede, from ‘A Mother’s Love’) and Rudá (Nicolas Prattes, from ‘All the Flowers’) and is impacted by a series of circumstances, twists and surprises, such as the secrecy surrounding a murder.
THE GAME
(Series, 10 x 45’)
Created by José Junior (from ‘Anti-Kidnapping Unit’ and ‘Dissident Archangel’) and AfroReggae Audiovisual, ‘The Game’ depicts the rise of drug trafficking factions, based on events that have occurred in Rio de Janeiro over the past 40 years. Directed by Heitor Dhalia, the Globoplay Original series features a cast including Rômulo Braga (‘Rota 66: The Killer Unit’), Jonathan Azevedo (‘Edge of Desire’), Babu Santana (‘Perfect Love’), Ravel Andrade (‘Aruanas’) , Pedro Wagner, and Bukassa Kabengele, among others.
sales@glowstar-media.com www.glowstar-media.com
THE BOND
(Thriller, 94’)
TOP EXECUTIVE
Silvana D’Angelo, CEO
After her daughter’s birthday, Ana receives Walter, a man who asks for her husband. She quickly discovers the real reason for this visit: to hold her and her daughter as bail while her husband negotiates with a dangerous organization.
SIN SALIDA (Suspense, 110’)
Ana, a young college student, wakes up in the trunk of a car, bound and gagged, remembering nothing more than having been kidnapped while exercising in the park. Upon arriving at her destination, she discovers that she has been kidnapped by a human trafficking gang and finds herself in a house of indoctrination, forced into prostitution. Determined to escape, Ana tries to gain the trust of someone to help her, learning from her mistakes and overcoming obstacles. Eventually, however, she realizes that she is trapped in a circle with no way out, where no one seems willing to help her.
+90 (212) 231 0102
info@intermedya.tv intermedya.tv Pavilion. C16.C
EXECUTIVES
Ahmet Ziyalar, COO
Hasret Özcan, President
Beatriz Cea Okan, VP and Head of Sales and Acquisitions
Pelin Koray, Senior Sales, Acquisition and Strategy Manager
Sinem Alı#kan, Senior Sales and Communication Manager
Melissa !im#ek, Sales Executive
Ne#et Ersoy, Sales Executive
TOP EXECUTIVE
Can Okan, Founder & CEO
VALLEY OF HEARTS
(Drama, TBA)
Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the !ansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the !ansalans’ children, Sumru must face her past and decide whether love can overcome revenge.
LOVEBERRY
(Drama, TBA)
Zuhal Erdem, a renowned personal development expert, hides a secret life entirely centered around her family. Haunted by her mother’s death, she’s devoted to her sisters and a controlling father. As her family prepares for a wedding, Zuhal grapples with her own loneliness. A chance encounter with Tayfun ignites a forbidden love, forcing her to choose between her past and her heart.
kdisales@kanald.com.tr kanald.international
Stand: R8 D2
EXECUTIVES
Çağla Menderes, Sales Manager, CIS, Greece and Italy
Canan Koca, Sales Executive, CEE and The Baltics
Sibel Levendoğlu, Sales Manager, Latam&US, Iberia, Africa
Yasemin Keskin, Sales Manager, MENA, APAC & Global Inflight Entertainment Distribution
Selahattin Tosun, Digital and Linear Channel
Sales Manager
Bü#ra Saraçoğlu, Distribution Sales Manager
THE FAMILY BURDEN (Drama, 44’)
Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal. As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.
SECRET OF PEARLS (Drama, 44’)
Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll.
A FATHER’S PROMISE (Drama, 67 episodes)
In 1980’s political turmoil, Mustafa sacrifices to save his wife, leaving his daughter with the wealthy Ronas. A poignant tale unfolds as he reunites, facing dangers and love’s resilience.
After being abandoned by his father as a child, Devran grows up in a poor neighborhood with his mother, grandmother and four siblings. His life changes at an early age when it’s discovered that he’s a genius. İskender, who has abandoned his family to live his own life, has become one of the biggest cons of the country. Devran confronts his father with his intelligence and his imagination that has been enriched with legends since his childhood; his sole purpose is to defeat İskender and to bring justice.
BLOOMING
LADY
(Drama, 75+ x 45’)
After 20 years of living for others, a housewife decides to complete her medical residency and put herself first. When stay-athome mother Bahar faces a life-threatening illness, she decides to make some changes in her life. She goes back to complete the medical residency she had to give up 20 years ago, even though that means working under her husband, the Chief Surgeon, and with her son, another first-year resident. Neither they nor her teenage daughter are happy about it, but Bahar finds satisfaction in her new life.
Rocío Cachero Bermúdez, International Sales Manager
Silvia Cotino Estornell, Sales and Business Development Deputy Director
LA FAVORITA 1922
(Period drama, 2 seasons, 16 x 70’)
Set in 1922, Elena de Valmonte, a progressive marquise trapped in an oppressive marriage, finds solace in cooking. After a life-altering incident, she and her maid Cecilia are forced to escape to Madrid and take refuge in an abandoned restaurant. Seeing it as a chance to start over, Elena dreams of turning it into Madrid’s finest establishment and she contacts Julio, the handsome owner of the place, who rents it to her -despite their rocky start- and Elena gathers top chefs to revive it as “La Favorita Bistro.” Together, they form an unconventional family, but soon realize that talent alone may not be enough to overcome their past and future struggles.
DETECTIVE ROMI
(Series, 8 x 70’)
The series follows Romina Goitia (Romi), a deaf private detective with an exceptional ability to interpret non-verbal communication and detect lies. Romi often skirts the law to achieve her goals, contrasting with her disciplined intern, Nere. Her impulsive nature frustrates her mother, Alaia, the head of criminal investigation in Bilbao. Their professional lives collide when they investigate the mysterious death of Romi’s father, who died in an explosion 20 years ago that caused her hearing loss. As they uncover hidden truths, they question whether his death was truly an accident.
Maria Fernanda Espino Noguez, Sales Manager LatAm & Iberia
Aysegul Tuzun, Managing Director
COME WHAT MAY
(Romantic drama, 89 x 45’)
On the day Alize was born, her mother passed away. Although her father Nurettin tries to make her happy, Alize has turned into an aggressive, selfish, conflicting character. When Alize crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late.
SECRETS OF AN ANGEL
(Drama, 90 x 45’)
‘Secrets Of an Angel’ starring Alp Navruz and İrem Helvacıoğlu. The series is about a family whose members see their lives changed abruptly by a tragedy. Cennet, who was exposed to domestic violence for years by her husband, Yılmaz, gets sick and is hospitalized. While she is being treated, she sees a Lawyer Zeynep’s number on the window of the hospital and calls her for help.
BAHAR
(Drama, 114 x 45’)
‘Bahar’ is the story of a young girl who is struggling to keep the goodness inside despite all darkness around. After witnessing the murder of her father, she is trying to prove that Aysun (her stepmother) committed the murder. On the other hand, the love between Bahar and Demir who met just days before the murder grows day by day but becomes even more impossible since Aysun is obsessively attached to Demir and determined to win Demir at any cost.
Lorena Molloy, Head of International Marketing & Comms
Rebeca Aguilar, Distribution Manager
THE NEW YEARS (Drama,10 x 50’)
A TV series by Rodrigo Sorogoyen. Ana and Oscar are 30 years old and are in the midst of fleeing. Oscar, stuck with a crappy medical contract, is still hooked on his ex. Ana, without a partner or a job, feels lost and plans to move away. But on 1 January 2016, they meet and fleeing loses its meaning. Over the next ten years, they will have to face the passage of time and the decisions they make.
QUERER
(Drama, 4 x 50’)
The first TV series directed by Alauda Ruiz de Azúa (‘Lullaby’). Isabel (53) goes to the police station with her lawyer and accuses her husband of ongoing sexual assault throughout a seemingly perfect marriage that has lasted for over 30 years.
MARBELLA
(Thriller, 6 x 50’)
A lawyer with a strong desire of power will guide the viewers through the process of legalizing the “illegal” ending up in a war between unscrupulous drug lords.
The Good & The Bad
Come What May
La Favorita 1922
The New Years
Listings Mipcom
Tomtom Mah. İstiklal Cad. Mısır Apt. No:163/17
Beyoğlu/ İstanbul www.ogmuniverse.com mustafakeyvan@ogmuniverse.com Nesrineyupoglu@ogmunivers.com Stand: P-1.K65
EXECUTIVES
Mustafa Keyvan, Sales Executive
Nesrin Eyüpoglu, Marketing & PR Manager
SIX OF US (Drama)
TOP EXECUTIVE
Ekin Koyuncu Karaman, Global Distribution & Partnership Director
Franka Giesemann, Sales Manager VOD & Home Entertainment
An emotional and gripping drama about six siblings who lose their parents in a tragic night and must rely on each other to survive. Fleeing from their past in a small village, they embark on a perilous journey to Istanbul, where the harsh realities of the city test their strength and unity. The story revolves around their parents’ epic, forbidden love, leading to their tragic fate. It’s a tale of resilience, family bonds, and the fight to stay together against all odds.
DILEMMA (Mini-series, 8 x 45’)
A gripping drama about Neslihan Turhan, a renowned journalist known for her honesty, who faces the most difficult choice of her life when her son is accused of murder. Torn between her dedication to the truth and her instinct to protect her child, Neslihan’s values are tested as her world unravels. Will she risk everything, even her son’s freedom, to pursue justice? This emotionally charged series explores the limits of morality, truth, and motherhood in the face of unimaginable conflict.
TOP EXECUTIVE
Armin Luttenberger, Head of Content Sales International
THE CURIOUS CASES OF GERTI B. (Crime/Comedy, 6 x 45’)
Gerti Bruckner, a seasoned detective, is passed over for a promotion and forced to work with a younger colleague to solve a murder in her own neighborhood.
FAST FORWARD
(Crime, 78 x 45’/4 x 90’)
In season 8, Angelika Schnell faces both professional and personal challenges, as she must ensure the continuation of her new profession and come to terms with the idea of becoming a grandmother.
ME AND THE OTHERS (Comedy, 6 x 40’)
‘Me and the Others’ explores ego, environment, and how these dynamic changes when one takes control of their own destiny. Each episode presents the protagonist Tristan waking up in a di&erent surreal scenario that drastically alters his interactions with those around him.
240, Varzea St, Barra Funda São Paulo / SP - Brasil 01140-080 - São Paulo - SP, Brasil. +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com Stand: P-1.G67
EXECUTIVE
Thiago Castro, International Sales Executive
TOPÍSSIMA
(Telenovela, 145 x 45’)
TOP EXECUTIVE
Delmar Andrade, International Sales Director
Topissima is a telenovela that delves into the feminine universe and brings to light the conflicts of modern women: work versus love life, independence versus loneliness, motherhood versus career, aging versus aesthetics, illegality of abortion versus death, among others. In addition to the issues inherent to the female universe, we will have in parallel a police investigation full of twists and turns involving the protagonists.
ULTIMATE LOVE
(Telenovela, 148 x 45’)
Everyone would like to experience – or has imagined experiencing – a love story capable of overcoming any di&erence, prejudice or obstacle imaginable. This sentiment often arises in the most unexpected places and in even unlikely people. But when love proves to be true, nothing can stop it from uniting two lovers.
THE SLAVE ISAURA (Telenovela, 167 x 45’)
A Brazilian telenovela, successful in over 80 countries worldwide. Based on the 1875 novel by Bernardo Guimarães. The telenovela shows a love story, amid the theme of slavery. Isaura is the daughter of the slave Juliana and the farm manager, Miguel. Juliana dies, and Isaura is raised and educated by the Commander’s family.
Avenida de Radio Televisión, 4 28223 Pozuelo de Alarcón, Madrid www.rtve.es/comercial
ENA (6 x 60’)
TOP EXECUTIVE
José Pastor, Director of Film and Fiction
‘Ena’ tells the story of a young Englishwoman who becomes the Queen of Spain, renouncing everything to live in a foreign land where she faces an attempt on her wedding day. Never fully accepted, she perseveres as queen, witnessing two world wars, a civil war, and the deadly Spanish flu.
LAS ABOGADAS (6 x 50’)
Series based on real events that tells the story of the lawyers Lola González, Cristina Almeida, Paca Sauquillo and Manuela Carmena. Friends and labor lawyers since 1969, during the last stage of Franco’s regime until the massacre of the Atocha lawyers in 1977 during the government of Adolfo Suárez.
ASUNTOS INTERNOS (6 x 60’)
Drama thriller set in a neighborhood police station in Madrid in the 1970s and starring one of the first policewomen in Spain, Clara, who infiltrates a plot to uncover a network of corruption linked to heroin trafficking in the city. New times, wild times.
Ena
Topíssima
The Curious Cases Of Gerti B.
Six Of Us
SERIELLA PRODUCTIONS
Est dos Bandeirantes, N° 23505. Rio de Janeiro, Brazil. Postal Code: 22785-091. (+55) 11 97504 4022 edson.mendes@seriella.com
Edson Pfutzenreiter Mendes, Sales Manager
KINGS
(Biblical, 257 × 45’)
This narrative centers on King David, delving into the events that precede his reign and the early stages of political organization before Israel was established as a kingdom. It also highlights David’s passionate struggles and romances, spanning from his youth to his final days.
JESUS
(Biblical, 196 x 45’)
Sent by God, Jesus arrives in human form, driven by His love for humanity. He challenges the religious norms of His time, unveiling the true enemy of mankind. The narrative will also explore the lives of individuals He healed and the journeys of the men who became His apostles.
MOSES AND THE TEN COMMANDMENTS
(Biblical, 242 x 45’)
This telenovela narrates the life of Moses, chronicling his journey from birth to his divine encounter in the Sinai desert, where he is called to confront the mighty Pharaoh and fight for his people’s freedom. Breathtaking special e&ects illustrate the ten plagues that a(icted Egypt, culminating in the astonishing event of crossing the Red Sea on dry land.
The thrilling crime drama set in 1900s Vienna, from acclaimed screenwriter Steve Thompson, returns for season four. Directed by Umut Dağ. Written by Steve Thompson.
THE GONE S2
(Crime Drama, 6 x 60’)
Detectives Theo Richter and Diana Huia are back, racing to stop a deadly killer while unearthing buried secrets and hidden traumas. Written by Anna McPartlin & Michael Bennett. Directed by Dathai Keane & Peter Burger.
PLAN B S2
(Drama, 6 x 45’)
The high-concept psychological drama returns for a second season; idealistic cop Mia Mia journeys into the past with unexpected consequences. Created by Jean-François Asselin.
LOVE COSTS (Format/Dating)
The dating show where true love and cunning deceit collide. Each episode, one hopeful seeks love among four suitors. But while two genuinely seek romance, the others are after a cash prize.
(+54) 11 5032 6000
telefilms@telefilms.com.ar telefilmsgroup.com
Hall: Palais -1 | Stand: P-1.K 3
EXECUTIVES
Ricardo Costianovsky, Co-Chairman
Alejandro Carballo, Sales Manager
Humberto Delmás: Sales Manager
Marcelo Bombau, Board Member
Bruce Boren, CEO Thr3 Media Group
Gonzalo Claiman-Versini, Diamond Films Spain Director
Tomas Darcyl, Co-Chairman
Periférico Sur 4121, Col. Fuentes del Pedregal, C.P. 14140, México, CDMX tvaztecainternacional.com
EXECUTIVES
Dulce Ávila, Director of International Content
Distribution, Fast Channels & Advertising Sales
Melissa Pillow, Sales Rep: Europe, CIS, USA and Africa
Paola Salinas, Sales Manager & Fast Strategies
Amanda Puente, Marketing TV Azteca Internacional
Jesica Stescobich, Director of Distribution and Strategic Alliances
LONGLEGS (Thriller, 1h41)
Set in 1974, the film focuses on Lee Harker, a new FBI agent, who has been assigned to an unsolved case of a serial killer. As the investigation becomes more complicated with occult evidence uncovered, Harker realizes a personal link to the killer and must act quickly to prevent another family murder.
THE APPRENTICE (Biopic, 2h)
Starring Sebastian Stan as Donald Trump, the film examines Trump’s career as a real estate businessman in New York in the 1970s and 80s. The film also stars Jeremy Strong, Maria Bakalova, and Martin Donovan.
CONCLAVE
(Drama, 2h
After the unexpected death of the former Pope, Cardinal Lawrence (Ralph Fiennes) is appointed to lead one of the most secret and antiquated rituals worldwide: the new Pope selection. When all the powerful leaders of the Catholic Church get reunited in the Vatican salons, Lawrence ends up implicated in a complex conspiracy. At the same time, he discovers a secret that could impact the foundations of the church.
DRA. LUCÍA (Drama, 50 x 45’)
Before the accident she was competing with Mariana for the position as head of the Emergency Department, but, after the accident, everything changed and Mariana was promoted instead of her. Mariana, with the help of her influences in the hospital, transfers her ex-boyfriend, Enrique Jimenez, but the plan goes wrong, as he immediately feels attracted to Lucia, who will have to deal with her personal situations, as well as saving the lives of those who arrive at the Central Hospital.
CRIME LOTTERY S3 (Drama, 24 x 45’)
Every day dozens of atypical crimes accumulate in Mexico City, of such a perverted and mysterious nature that they seem impossible for the police to solve. Rituals, torture, cannibalism and mutilations are some of the modus operandi that attract the attention of the only police department capable of solving them: the Criminal Intelligence Unit.
Kings
Vienna Blood S4
Dra. Lucía
Longlegs
IN NUMBERS
20 million subscribers in the US will belong to the new pay TV distributor resulting from the merge between DirecTV and Dish.
13.6 million viewers watched Spain win the Euro 2024 final on La 1, achieving a 78.7% share.
33% of Netflix viewing belongs to Spanish-language titles, according to the Engagement Report, which covers the platform’s data from January to June 2024.
90 minutes was how long it took Cristiano Ronaldo’s YouTube channel to reach one million subscribers. It already has more than 62 million.
66% of US content viewers use FAST platforms each month, with Tubi, Pluto TV, Freevee, YouTube and Roku at the top of the list.
6,000 titles are available to LG TV users in Spain, UK, Germany and Italy, following the agreement with Rakuten TV.
RATINGS PARROT ANALYTICS LAUNCHES
GLOBAL STREAMING METRICS
PARROT ANALYTICS announced the launch of Streaming Metrics, providing an unparalleled understanding of the key metrics that drive !nancial performance across streaming services. Streaming Metrics empowers strategy, !nance and competitive analysis teams with access to historical and forecasted economic performance metrics – subscribers, revenue, ARPU, churn – combined with catalog insights (including exclusivity and windowing), on a market-by-market basis globally. Streaming Metrics also provides region and country-level metric breakdowns, representing the industry’s most comprehensive and granular insights. The service’s model is based on every touch point in the audience journey, including demand for content, competitive catalog o erings and willingness to pay. Parrot Analytics is rolling out Streaming Metrics to streaming services globally as well as analyst !rms to help with market analysis and competitive benchmarking as well as positioning and growth strategies.
EVENTS SERIES MANIA FORUM LAUNCHES SERIES MANIA BUYERS UPFRONT
CELEBRATING over a decade of unparalleled contributions to the global content development landscape, Laurence Herszberg, Founder and General Director of Series Mania (Festival: March 21-28, 2025), announced that the Series Mania Forum (Forum: March 25-27, 2025) is launching a brand-new initiative, the Series Mania Buyers Upfront, a prelude to the Forum designed to provide buyers with exclusive access to highly-anticipated series and facilitate networking opportunities with the leading distributors behind these series. This exclusive event will debut on March 24, 2025, at the Chamber of Commerce (CCI), the Festival headquarters, in Lille’s historic city center, marking a new chapter in the Forum’s evolution.
Laurence Herszberg, Founder and General Director of Series Manias
Francesco Capurro, Director of Series Mania Forum
ARGENTINE SOCCER PLAYER AND INTER MIAMI star
Lionel Messi announced the launch of 525 Rosario, a new global content production company that seeks to become a benchmark in the entertainment industry. The company has a close relationship with Lio Messi, in collaboration with Smuggler Entertainment, producers of Messi’s ‘World Cup: The Rise of a Legend’ and ‘Messi Meets America’. The new company will focus on a variety of productions, including television, !lm, commercials, live events and immersive experiences. 525 Rosario will have o&ces in Miami and Los Angeles. The company will be represented by William Morris Endeavor (WME). It will be overseen by the Messi family and Tim Pastore, of Smuggler Entertainment, who will assume the role of CEO.
