Tim Gerhartz, Managing Director, Seven. One Studios International _24
INTERVIEWS
MOVING IN SYNC WITH THE INDUSTRY
Julie Beneteau, International Sales Director at The Kitchen _10
ARTICLES
INTER MEDYA READY TO PULL AUDIENCES’ HEARTSTRINGS _08
DORI MEDIA GROUP SOUL SUCKER TO PREMIERE IN LONDON _14
KANAL D INTERNATIONAL THE GOLD STANDARD OF TURKISH DRAMA _16
HACIYATMAZ GROUP & YEŞIL YAPIM WITH FAMILIES AT ITS CENTER _26
MIP LONDON 2025
DRIVING BUSINESS WITH A STRONG PROGRAM
MIP London has a program that includes networking spaces, fiction screenings, digital first sessions, conferences, workshops and a children’s content summit.
The MIP London program spans multiple genres and is designed to generate more business opportunities and connections, within a key week for the global television industry.
The event will include keynote sessions on the main stage, screenings, showcases, summits, presentations, workshops and networking events. It will run from 10:00 on Sunday 23rd until Thursday 27th February, at Mip London’s venues: the IET London and the Savoy Hotel.
Lucy Smith, director of Mip London and Mipcom Cannes, noted that the London market’s program is designed to help the industry stay at the forefront of the TV transformation. “We offer daily opportunities to discover content with must-see format showcases and fiction screenings from
around the world, as well as generating conversations, connections and partnerships that drive business throughout the week in London,” she said.
The program includes fictions screenings, digital first sessions, a focus on brander entertainment, the Children’s Content Summit, a live podcast episode, analysis and keynotes -including one with David Beckham and Bela Bajaria, Netflix’s CCO-, and different networking events.
According to the organization, nearly 1,600 delegates from more than 70 countries have confirmed their attendance at Mip London, including nearly 800 buyers, including companies with meeting space, content showcases or partnerships within the program, as well as registered professionals for the market.
PRESIDENT/CEO
Sebastian Lateulade - slateulade@todotv.tv
EDITOR AND DIRECTOR OF PUBLICATIONS
Luis Cabrera - lcabrera@todotv.tv
ONLINE EDITOR
Carolina Mussio - cmussio@todotv.tv
EDITORIAL TEAM
Rosa Fuentes - rfuentes@todotv.tv
Enrique de la Rosa - edelarosa@todotv.tv
AUDIOVISUAL CONTENT EDITOR
Manuel Bello - mbello@todotv.tv
SOCIAL MEDIA EDITOR
Karina Torres - ktorres@todotv.tv
SALES MANAGER INTERNATIONAL
Mónica Iriarte - miriarte@todotv.tv
SALES MANAGER – LATAM
Fernando Moreno - fmoreno@todotv.tv
SENIOR BUSINESS CONSULTANT
Ana Paula Carreira - acarreira@todotv.tv
WEBMASTERS
Nazario Pereira - npereira@todotv.tv
Bernardo Soulage - bsoulage@todotv.tv
CHIEF FINANCIAL OFFICER
Cr. Michel Schwartz - mschwartz@todotv.tv
ADMINISTRATION
Valeria Morena - morena@todotv.tv
ART AND DESIGN
UNIK Media Solutions - info@unikms.com www.unikms.com
TTV ia monthly publication owned by TTVMedia. Its distribution is free of charge. The articles reflect the opinions of the individual authors on the topics covered, without implying editorial control or endorsement of the content by the management and ownership of the magazine. For all purposes, the advertisements and their content are the sole responsibility of the advertiser. Reproduction in whole or in part, in electronic or print form, of the content of this publication, without express written permission of TTVMedia is strictly prohibited.
Paper Empire to premiere on Tuesday
READY TO PULL AUDIENCES’ HEARTSTRINGS
By Luis Cabrera lcabrera@todotv.tv @luis_cabreram
Earlier this year, Inter Medya unveiled its latest production, ’Heartstrings’, an upcoming daily drama that joins a stacked lineup of premium Turkish titles, including ‘Valley of Hearts’, ‘Deception’, ‘The Trusted’ and many others.
Crafted entirely by Inter Medya’s talented creative team, ’Heartstrings ’ is the newest title to join the company’s premium catalogue, one that combines feature films, formats, mini-series and the traditional powerful Turkish dramas.
‘Heartstrings’ (original title: ‘Can Bağı’ ) is a daily drama (125 x 45’, in production) that follows Mahinur Aydın, a devoted mother, who is faced with an unimaginable truth: Bade, the beloved daughter she has raised for years, is not her biological child. Meanwhile, her biological daughter, Derin, has been raised by her millionaire boss, Aras Yılmazer. When Bade’s illness forces these two families to unite, Mahinur and Aras must come together as a family, embarking on an emotional journey of healing and discovering an unexpected and profound love.
The drama stars Ergül Miray Şahin, Ali Yağız Durmuş, Buket Dereoğlu and Ufuk Kaplan, among others.
Heartrstrings Daily drama
The series stands out as a compelling Turkish drama designed for international audiences.
“We are thrilled to kick off the year by unveiling our newest production,” said Can Okan, Founder and CEO of Inter Medya, last January. “We are confident in its potential to resonate deeply with audiences worldwide. Beyond celebrating our newest production, we are proud to add a promising drama centered on love and family to our distribution catalog.”
Beatriz Cea Okan, VP and Head of Sales and Acquisitions at Inter Medya, described the title as a “heart-wrenching yet hopeful series, showcasing the power of love and family to heal all wounds”. “We are proud to introduce another successful production to our slate,” she added.
Of course, the distributor’s catalogue includes other premium dramas like ‘Valley of Hearts’, one of the newest titles from TIMS&B Productions. Premiering internationally at the last Mipcom, ‘Valley of Hearts’ boasts a stellar cast, including Ece Uslu, Aras Aydın, Hafsanur Sancaktutan, Leyla Tanlar, Burak Sergen and İlker Aksum. The series has rapidly become one of Turkey’s highest-rated dramas this season.
Since its debut, the series has generated significant interest from international buyers and fans, resulting in multiple sales across various regions, including Italy, where it was acquired by Mediaset.
In ‘Valley of Hearts’, Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the Şansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the Şansalans’ children, Sumru must face her past and decide whether love can overcome revenge.
Can Okan, Founder and CEO of Inter Medya
“We are confident in ‘Heartstrings’ potential to resonate deeply with audiences worldwide
Beatriz Cea Okan, VP and Head of Sales and Acquisitions at Inter Medya
“‘Heartstrings’ is a heartwrenching yet hopeful series, showcasing the power of love and family to heal all wounds”
BULGARIA BETS ON A TRIO OF POWERFUL DRAMAS
Earlier this month, Inter Medya announced its latest licensing deals in Bulgaria for ‘The Trusted’, ‘Deception’ and ‘Bitter Lands’. Recently licensed to Italy, ‘Deception’ is a story of intrigue, betrayal, and family conflicts that resonate with audiences around the world. Known for its gripping drama, ‘Deception’ continues
to attract interest from international buyers.
Inter Medya’s sales
for ‘Deception’ are accelerating, as Bulgaria joins the growing list of countries embracing the hit series.
Starring Burak Deniz and Alina Boz, ‘The Trusted’ follows a bodyguard hired to protect the daughter of a powerful businessman, leading to an unexpected and forbidden love. The series has been
a hit in numerous countries, most recently making headlines in Brazil, where it was consistently ranked among the top 5 most-watched programs for several weeks on a major streaming platform. Another successful production by TIMS&B Productions, ‘Bitter Lands’ has become a global sensation. The
show tells a powerful tale of love, betrayal, and ambition, making it one of the most widely distributed Turkish dramas, now licensed in over 130 countries. The series boast large fan bases worldwide. With their recent sale to Bulgaria, they have added another achievement to their growing list of successes.
Valley of Hearts Drama
Deception Drama
MOVING IN SYNC WITH THE INDUSTRY
By Carolina Mussio cmussio@todotv.tv @carolinamussio
Even during a tough 2024, The Kitchen was able to add new partners across Europe, proving the value of having an office in the heart of London led by experienced executive, Julie Beneteau.
At the beginning of 2024, The Kitchen appointed Julie Beneteau as director of International Sales, making the strategic decision of creating a London office, led by the experienced executive, which allowed the company to growth its portfolio across Europe.
“Although it has been a tough year again for our industry in general, we have added a number of new European clients to our portfolio,” explains Beneteau. “I do believe that by my being in the heart of London, and close to our European clients, that we’ve positioned ourselves to move as the industry moves.”
With operation hubs in Miami and Madrid, plus the different offices like London included, The Kitchen is able to work 24/7 to meet both the demands of its clients as well as their own high standards.
As an example, The Kitchen is fully engaged in educating themselves in the latest trend of the business, AI: “We are working with AI companies in order to see how we can use it
best, whilst staying true to our core values: delivering the best quality to our clients at the best price,” says the executive. “We want to see how we can make the best use of AI whilst remaining ‘human’.”
After a difficult 2024, still affected by the strikes in Hollywood from the previous year, Beneteau is confident that 2025 might prove to be a busier year.
“With content that does travel the world today, we are seeing clients preparing way in advance for international sales,” she explains. “Many of our clients are now opting to prepare content prior to making a sale in an individual territory, giving them the ability to immediately provide ready to go programming in all languages, for all formats and for all venues”.
During MIP London, Beneteau will be joined by Deeny Kaplan, the company’s EVP: “We already have an extremely full schedule for the week, so while the attendance may not be as full as Miptv, we are already seeing interest in what The Kitchen has to offer.”
Julie Beneteau, Director of International Sales, The Kitchen
“Many of our clients are now opting to prepare content prior to making a sale in an individual territory, giving them the ability to immediately provide ready-to-go programming in all languages”
Beneteau will also be participating in the Council of Content Delivery & Security Association (CDSA) Day, on Thursday. The executive has been named Co-Chair of the Localization of the CDSA. “This is a nomination by my peers which shows that my dedication to the industry over the past 20 years has truly paid off,” she adds.
STORIES THAT INSPIRE AND TRANSFORM
With this motto as its guiding light, Seriella Productions has solidified its position as the leaders of the biblical genre, releasing mega-productions last year that transcended both territorial and platform borders, and they are set to continue leaving their mark with more stories and new destinations in 2025.
By Carolina Mussio cmussio@todotv.tv
Edson Pfutzenreiter Mendes, Commercial Director at Seriella Productions
“Seriella experiences this continued popularity of the biblical genre with a deep sense of responsibility and pride”
In the words of Edson Pfutzenreiter Mendes, Commercial Director of Seriella Productions, in 2024, the distributor brought its productions “to audiences in more countries than ever before, opening paths in emerging markets and consolidating our presence in key territories.”
This is how the executive sums up what was a very successful year for the Brazilian giant, when, with the help of its biblical productions, it managed not only to consolidate its position in the local market, but also to bring its biblical stamp to more international destinations. Along this same path, Seriella intends to grow even more in this new year, with the help of new stories and productions “that make a difference and respond to the true expectations of consumers.”
In the following interview with ttv, Pfutzenreiter Mendes shares details of what 2024 left in terms of growth and learning, new
productions, and how the group is preparing “ an even brighter path for 2025.”
How would you assess the past year in terms of business and growth?
2024 was a challenging year, marked by global economic uncertainties and profound transformations in the audiovisual industry. Seriella Productions managed to stand out with an extremely positive balance in the area of business and international growth.
This is the result of a carefully designed strategy that combines quality, relevance and a clear market vision. In the midst of a global crisis, our biblical content emerged as a beacon of hope and values, capturing the attention of not only local but also international audiences.
Beyond being stories, they have become tools for emotional and spiritual connection.
The Queen of Persia Biblical Series
Seriella’s content, faithful to authenticity and the Bible, not only occupied a relevant place on screens, but also strengthened catalogs of platforms and channels, standing out as proposals that transcend the temporal. This balance is not only a reflection of financial success, but also of the cultural and moral impact that our stories generate these days.
Thus, Seriella Productions closed the year with the conviction of marking a new era in the Christian content industry, preparing an even brighter path for 2025. Seriella not only produces, Seriella inspires and transforms.
Seriella has consolidated itself for another year as the undisputed kings of the biblical genre. How do you experience the continued popularity of the genre internationally?
With a deep sense of responsibility and pride. Consolidating ourselves as the undisputed leaders of the genre not only reaffirms the relevance of our stories, but also the power they have to connect with audiences around the world, transcending cultural, geographical and technological borders. This success has driven us to explore new frontiers, both in terms of territorial reach and innovation in media. In 2024 we are bringing our productions to audiences in more countries than ever, breaking new ground in emerging markets and consolidating our presence in key territories.
At the same time, we have adopted new technologies and platforms that are revolutionizing the industry, ensuring that our stories reach where modern audiences are consuming content. This includes everything from partnerships with streaming platforms to the integration of immersive formats that enrich the viewer experience.
The popularity of the biblical genre is not just a trend; it is a manifestation of the human desire for stories that inspire, teach and connect with universal values. For Seriella, this mission goes beyond entertainment: it is a way to transform the global audiovisual landscape and to continue leading with integrity, excellence and authenticity.
Which will be the stars of your catalogue for the first markets of the year?
Seriella Productions will be presenting a carefully curated selection of productions that reflect the quality and scope of our work. Among the great protagonists of our catalogue is the season finale of ‘Kings’, one of our most emblematic productions within the biblical genre. This work has conquered audiences in multiple regions and promises to close its narrative with an even greater impact, consolidating its position as one of the favorites of the international public.
Additionally, we will highlight the series ‘Hasta donde ella llega’, a national production of ten episodes that has generated a strong echo in Brazil. This secular drama, based on real events, has captured the attention of critics and audiences for its narrative depth and innovative approach. Its local success anticipates a great acceptance in international markets, making it a strategic bet for content buyers.
These productions are an example of the balance we seek between high-quality stories of faith and secular narratives, reaffirming Seriella’s commitment to offering diverse, relevant and universal content. We look forward to sharing these works with our partners and opening new doors in the global audiovisual landscape.
What are your goals and expectations for these events?
Expectations are huge, and with good reason. Seriella is arriving with a robust agenda of meetings already scheduled with new players in the industry, interested in exploring the potential of our productions. This is a direct reflection of the innovation we have applied to our licensing models, adapting to the demands of an audiovisual market in constant transformation.
Our main objective is to expand the boundaries of our commercial alliances, bringing Seriella’s stories to more screens and consolidating our position as leaders in the biblical genre and impactful narratives. We also seek to explore new opportunities, forge long-term relationships and discover syner-
gies with partners who share our vision of offering relevant, inspiring and high-quality content.
What can you tell us about the new releases in your catalogue for this year?
2025 promises to be an exciting and transformative year for Seriella Productions, marking a new chapter in our success story. Among the most notable new releases, we will be launching the mega production ‘The Queen of Persia’ in the international market. This project, which has already demonstrated an impressive performance with a 30% growth in ratings during its debut on open television in Brazil, is one of the most spectacular and ambitious titles we have produced at the level of ‘The Ten Commandments’. Its combination of immersive narrative, values and production quality positions it as a key piece in our global catalogue.
In addition, we are working intensively on new projects that are currently in production, designed to bring the best of audiovisual content to the world. These initiatives not only reinforce our commitment to excellence, but also highlight our ability to innovate and adapt to the changing needs of international audiences.
2025 will be a year in which Seriella will not only reaffirm its leadership in the biblical genre, but will also explore new creative and commercial horizons, bringing stories that inspire and excite to more screens around the world and also highlighting our ability to innovate and adapt to the changing needs of international audiences.
Até Onde Ela Vai Drama
SOUL SUCKER TO PREMIERE IN LONDON
The new eight-episode series, created by and starring Bat Hen Sabag (‘Dumb’), will have a premiere global screening on February 25, during the inaugural edition of MIP London 2025.
Nadav Palti, CEO & President of Dori Media Group
“‘Soul Sucker’ is unlike any other series we’ve taken out to the international marketplace: it’s a comedy, a detective mystery, a family drama and a horror series all wrapped together”
Dori Media Group (DMG), the studio behind such hits as ‘Losing Alice’, ‘Lalola’, ‘Rebelde’, ‘The New Black’, ‘Ciega a Citas’ and ‘Dumb ’, is bringing the unique new horror comedy series ‘Soul Sucker ’ out to the international TV marketplace, as announced by Nadav Palti, CEO & President of Dori Media Group.
‘Soul Sucker ’, which is set to launch on HOT (Israel) later this year, is created, written and stars Bat Hen Sabag, who was behind the award-winning Israeli series ’Dumb ’, which was recently remade in Germany as ‘Rampensau’ with other local adaptions expected to launch later this year. The series is co-created and directed by Daphna Levin, who
created, directed and served as Executive Producer on ‘Euphoria ’ and co-writer on ‘In Treatment ’.
Dori Media will be hosting a premiere global screening of ’Soul Sucker ’ (8 episodes) at MIP London on Tuesday, February 25, with Sabag and Levin on-hand for a moderated Q&A and meet & greet.
‘Soul Sucker’ is a family drama, a horror comedy and detective mystery all-in-one 8-episode series that has a pinch of gypsy folklore. It is a modern fairytale about witches and curses among mothers and daughters and is inspired by Sabag’s life and follows three generations of an oppressive matriarchal family (grandmother, mother and daughter). ‘Soul Sucker’ deals with the emotional scars passed down by mothers, all the while maintaining a sense of humor and a very quirky tone.
“‘Soul Sucker ’ is unlike any other series we’ve taken out to the international marketplace, it is a comedy, a detective mystery, a family drama and a horror series all wrapped together in a program that you simply cannot take your eyes off,” says Dori’s Palti. “‘Soul Sucker’ is created by and stars Bat Hen Sabag, whose unique vision made ‘Dumb ’ a breakout global hit and co-created by Daphna Levin, who created and produced ‘Euphoria ’. So, we’re very confident that this truly unique new series will be received in a similar fashion by audiences around the world, too.”
‘POWER COUPLE’ KEEPS TRAVELLING. Earlier this year, Dori Media announced its hit unscripted format ‘Power Couple ’ has been sold and renewed in numerous global territories, including Brazil, Germany and India.
‘Power Couple’, which was created by Abot Hameiri, continues to take the world by storm, with original versions of the unscripted relationship series now in more than 20 territories globally, with more than 60 seasons and over 900 episodes produced.
And recently at Mipcom, Dori Media unveiled a bounty of new unscripted offerings, including dating shows ‘Spy Date’ and ‘Love at Third Sight’, redefining romance by exploring love’s unexpected sparks in the later chapters of life; trivia-based game show ‘Smart Face’, talent competition ‘Da Next’, street game ‘Intuition ’, reality competition ‘Stand-Up Warrior’, and the shiny floor game show ‘The Best of All’.
Power Couple Format
Soul Sucker Series
THE GOLD STANDARD OF TURKISH DRAMA
By ttvnews @todotvnews
The evergreen hits of Kanal D International continue to find new audiences in the global TV market, both in their original format and as local adaptations.
As the demand for proven, high-quality content grows in the global TV market, long-lasting Turkish dramas continue to shine. Kanal D International’s timeless hits—’Fatmagül’, ‘Forbidden Love ’, ‘Kuzey Güney’, ‘For My Son’, and ‘Time Goes By’—remain in high demand, consistently delivering strong ratings and audience engagement across multiple regions, including the CIS and France.
What makes these titles stand out? Viewers are drawn to their compelling narratives filled with family drama, old secrets, betrayal, love triangles, impossible romances, class struggles, and the pursuit of justice—all elements that define the essence of classic Turkish storytelling.
In an industry where new productions emerge rapidly and competition is fierce, evergreen titles provide a sense of reliability. These kind of dramas have already proven their success, making them essential assets for broadcasters looking to secure stable ratings and maintain audience engagement.
With their glossy production, emotional depth, and universal themes, Kanal D International’s evergreen titles continue to be a top choice for buyers worldwide.
“Viewers are drawn to their compelling narratives filled with family drama, old secrets, love triangles, class struggles and the pursuit of justice—all elements that define the essence of classic Turkish storytelling”
A TRIBUTE TO EVERGREEN CLASSICS.
As the trend for timeless, high-quality storytelling grows, Kanal D International remains at the forefront, delivering drama that stands the test of time. Here are some of its most well-known titles.
‘Fatmagül’: a powerhouse drama that continues to prove its strength in ratings, often used by FTA channels to boost viewership
and support prime-time premieres. With a deeply emotional storyline and enduring relevance, ‘Fatmagül’ remains one of the most reliable titles in international markets.
‘Ruthless City’: a gripping family drama with a well-crafted narrative in the classic Turkish drama style. Its multigenerational conflicts and strong emotional core make it ideal for family viewership.
War of the Roses Drama
‘Price of Passion’: a true bestseller, offering a perfectly balanced male and female lead dynamic. The irresistible love-hate relationship and the theme of impossible love have made this drama a standout title, driven by the magnetic chemistry of its lead actors.
‘Matter of Respect’: a compelling family drama interwoven with a love triangle, starring a charismatic cast of leading male actors. With fewer than 100 episodes, it is a perfect mid-season slot filler for TV channels and an ideal choice for VOD platforms, supported by solid viewership numbers.
‘War of Roses’: a drama that has stood the test of time, featuring all the essential ingredients for success: a rich vs. poor family conflict, an intense love triangle, a Cinderella story, revenge, and unexpected twists. Its intricate characters and gripping plot continue to attract audiences.
‘Sweet Revenge’: the perfect summer series, blending romance and comedy with an international appeal. Its lighthearted yet engaging narrative, coupled with a stunning lead cast, makes it an excellent choice for both linear TV and VOD platforms.
‘Time Goes By’: an emotional and thought-provoking drama that masterfully explores love, sacrifice, and the passage of time. With its rich storytelling and high production quality, it continues to resonate with audiences.
‘For My Son’: a heart-wrenching drama that showcases the power of a parent’s love. With a suspenseful storyline filled with emotional twists, it has cemented its place as one of the most gripping and unforgettable Turkish series.
“In an industry where new productions emerge rapidly and competition is fierce, evergreen titles provide a sense of reliability”
Price of Passion Drama
Fatmagul Drama
For My Son Drama
Time Goes By Drama
ADAPTATION
NETFLIX SPAIN STARTS FILMING ADAPTATION OF BRITISH NOVEL THAT NIGHT
NETFLIX ANNOUNCED the start of filming of ‘That Night’, its new series based on the Sunday Times bestselling British novel by Gillian McAllister. Filming will take place between the Dominican Republic and the provinces of Guipúzcoa and Navarra, in Spain. During a family vacation in the Dominican Republic, Elena (Clara Galle) runs over a man with her car. Desperate and scared, she calls her sisters, Paula (Claudia Salas) and Cris (Paula Usero), asking for help. Upon arrival, they must decide how to deal with the accident, because they cannot bear the idea of their younger sister going to jail, leaving their only nephew without his mother. How far will they be willing to go to help protect their family? That Night forces three sisters to confront the depth of love, the weight of loyalty and the limits that can be reached for the family. The series, produced by Txintxua Films S.L. for Netflix, has been created by Jason George.
ACQUISITIONS
DISTRIBUTION KESHET
INTERNATIONAL TO LAUNCH KESHET’S BIGGEST DRAMA, UNCONDITIONAL
KESHET INTERNATIONAL has confirmed that it will unveil and showcase Keshet Broadcasting’s most ambitious scripted production to buyers at this year’s London TV Screenings. Inspired by true events, ‘Unconditional’ is an eight-part international crime thriller produced by Spiro Films and created by Dana Idisis and Adam Bizanski for Israel’s most-watched TV channel, Keshet 12. In ‘Unconditional’, a motherdaughter vacation turns into a nightmare when 25-year-old Gali (Talia Linne Ronn) is arrested for drug smuggling in Moscow. Her mother, Orna (Liraz Chamami), refuses to accept the charges -but her fight for Gali’s freedom pulls her into a deadly web of crime and corruption. As Orna navigates ruthless traffickers and shadowy intelligence operatives, she uncovers a chilling truth- Gali isn’t just an innocent victim. From the halls of Israeli power to the underbelly of Moscow and the Far East’s criminal empires, Orna is forced to question everything she knows about her daughter, and herself.
DISTRIBUTION ONZA SELLS TV SERIES GOLDEN SWAN IN CANADA, THE UNITED STATES, AND POLAND
THE ACCLAIMED CZECH SERIES ‘Golden Swan’, a production by broadcaster NOVA TV and worldwide distributed by Onza Distribution, has been sold to Global Series Network for SVOD broadcast in Canada and the United States. Onza Distribution has also finalized a deal with Novelas+ TV, a Canal+ channel in Poland. The series unfolds across a total of 56 episodes divided into three seasons. The central setting of the story starts when the luxury department store Golden Swan opens its doors in Prague in 1939, on the very same day Nazi troops cross the Czechoslovak border. In the midst of this difficult historical backdrop, Bára, a young fugitive accused of theft, finds refuge in the department store. Her fate takes an unexpected turn when she becomes a fashion sales assistant. The romance between Bára and Petr, the owner of the Golden Swan, becomes a struggle between love and social barriers, all heightened by the challenges of a country at war.
SPHERE ABACUS ACQUIRES TRUE CRIME DOCUSERIES, MAKING MANSON
SPHERE ABACUS (SA) has acquired worldwide distribution rights to the true crime documentary series ‘Making Manson’, produced by award-winning Renowned Films. SA has already agreed a sale to Channel 5 / Paramount+ in the UK and Bell Media, Canada (French and English speaking) for the series which aired on Peacock in the US in November 2024. Executive produced by Max Welch, Kate Maddigan, Tim Withers and Duane Jones for Renowned, ‘Making Manson’ (3 x 1 hour) is a high-end, highbudget, explosive production offering exclusive, unfiltered insights into America’s most notorious killer, cult leader Charles Manson. Featuring never-before-heard audio of Manson culled from more than 100 hours of intimate conversations recorded over 20 years up until his death in 2017, the series offers new details about Manson’s past and surprising insights into his worldview. Nearly 20 contributors appear in the series, from those closest to his crimes in “The Family” to family members of victims, some speaking out on-camera for the first time.
FORMATS
ITV ANNOUNCES REALITY GAME SHOW THE NEIGHBOURHOOD
ITV ANNOUNCED a thrilling new entertainment format, ‘The Neighbourhood’, which sees families and households compete in a street-sized reality game, battling it out for the chance to take home a life-changing cash prize. Hosted by the brilliant BAFTA- award- winning broadcaster Graham Norton, and coming next year to ITV1 and ITVX, this brand new 12-part series offers a gameshow as you’ve never seen it before. It marries high-stakes competition, epic challenges and relatable domestic drama, to offer a different flavour of reality. The format was developed by Lifted Entertainment’s development team led by Kat Hebden and Development Exec Ed Daggett, alongside the Garden’s Director of Development Mike Philo. Lifted Entertainment and The Garden will coproduce. Both are part of ITV Studios. ‘The Neighbourhood’ will see real-life households from all walks of life move in side by side, finding themselves not only neighbours but also fierce competitors in the ultimate reality showdown.
PRODUCTION
FILMRISE AND BRIGHT NORTH STUDIOS TO CO-PRODUCE THE CHRISTMAS KILLINGS HOSTED BY NANCY GRACE
FILMRISE, the New York City-based film & television studio and streaming network, and Bright North Studios, an Emmywinning video production company, have announced a co-production partnership for an all-new true-crime series ‘The Christmas Killings Hosted by Nancy Grace’. The series will feature Nancy Grace, the iconic voice of true crime, former prosecutor, and victims’ rights advocate, whose signature expertise and compelling storytelling have captivated audiences for years. This marks the second collaboration between FilmRise and Grace, following the breakout success of ‘Bloodline Detectives,’ now in its fifth season. FilmRise will have all U.S. distribution rights for the new series.
EVENTS
PARIS UNSCRIPTED SHOWCASE PRESENTS INAUGURAL EDITION
THE PARIS UNSCRIPTED SHOWCASE will hold its first edition from April 28 to 30, 2025, bringing together the biggest names in the industry. It will gather key industry players -including producers, distributors, and creators from France, Europe, and worldwide- who will present their original creative formats designed for linear channels, platforms, and digital media. Driven by leading producers, creators, and distributors of unscripted formats in France, the Paris Unscripted Showcase responds to the growing international demand for increasingly creative and innovative programming. Participating companies include 2P2L, Banijay, Can’t Stop Media, Dori Media, Dreamspark, EZervescence, France tv distribution, Fremantle, Global Agency, Keshet International, M6 Formats, Media TV, Mediawan, Rabbit Films, Satisfaction Group, Sony Pictures Television, Webedia, WeMake Productions.
STREAMING STREAMERS TO SURPASS COMMERCIAL BROADCASTERS ON CONTENT SPEND IN 2025
NEW FORECASTS from Ampere Analysis predict that global content spend will increase by just 0.4% year-on-year to reach US$ 248bn in 2025. This follows a 2% growth in content investment in 2024, in line with Ampere’s expectations, that was driven by increased ad spend on the US Presidential Election, the Summer Olympics, and the resolution of the 2023 Hollywood strikes. In 2025, spending by VoD services is set to increase by 6% to US$95bn, making these companies the leading contributors to the global content landscape, surpassing commercial broadcasters for the first time. Streamers’ successful subscriber growth in 2024, thanks to password-sharing restrictions and newly-acquired rights to key sporting events, has positioned them to invest heavily in content this year. Overall, ad-funded and subscription-based services will account for 39% of total global spend in 2025.
BIG-BRAND FORMATS AND PREMIUM SERIES
With highly sought-after titles like ‘Vienna Blood’ and ‘Married at First Sight’, plus fresh content such as ‘Departure’, ‘The Gone’ and realities ‘The Hunt’ and ‘The Restaurant That Makes Mistakes: Belgium’, Seven.One Studios International anticipates a very active week in London.
By Luis Cabrera
lcabrera@todotv.tv @luis_cabreram
With big news regarding their current and upcoming titles. Seven. One Studios International is present at The London Screenings and MIP London 2025, working from their suite in the Covent Garden Hotel and looking forward to advance in the current negotiations for their premium series and formats, while introducing exciting new content, like the reality ‘The Hunt’ (working title).
Recently commissioned by Channel 4 in the United Kingdom, and to be produced by CPL Productions and GroupM Motion Entertainment, the reality is based on an idea by Redseven Entertainment.
“The reality adventure format is a heart-pounding, high-stakes game of predator versus prey, in which contestants are dropped into the ultimate real-world game of hide and seek as they compete for a big cash prize,” describes Tim Gerhartz, Managing Director, Seven.One Studios International.
The company closed 2024 with some important sales for titles like the highly-rated ‘Vienna Blood’. What do you hope to achieve with this title in 2025? ‘Vienna Blood’ has already demonstrated its global appeal, with season four launching successfully at Mipcom 2024 and securing key sales across French-speaking Europe, Portugal, Spain, Sweden, and Central and Eastern Europe. We are thrilled by the continued demand for this crime drama: its gripping storytelling from Steve Thompson, the strong performances of Matthew Beard and Juergen Maurer. The show’s success on major networks like BBC (UK) and PBS (US) highlights its universal appeal, and we are confident that ‘Vienna Blood’ will continue to captivate audiences worldwide.
What territories have access to ‘Departure’ via Netflix? Netflix acquired high-octane conspiracy thriller ‘Departure’ – produced by Shaftesbury – for a variety of European territories as well as Latin America. It launched in January and in its first week (Dec 30 – Jan 5), season one landed the Nº 4 spot globally for a English-language series, with 3.6 million views; and made the top-10 across 40 countries. Season 2 also performed strongly, reaching Nº 10 globally with 1.6 million views
Tim Gerhartz, Managing Director, Seven.One Studios International
“‘Vienna Blood’ has already demonstrated its global appeal, with season four securing key sales across French-speaking Europe, Portugal, Spain, Sweden, and Central and Eastern Europe”
and appearing in the top-10 in 21 countries. It still remains a top show for the platform across Europe.
How important are those kinds of deals to spearhead the distribution of the series in other territories? These kinds of high-profile streaming deals definitely help to solidify
“Netflix acquired high-octane conspiracy thriller ‘Departure’ for a variety of European territories as well as Latin America”
the show’s status as a must-watch international thriller and serve to remind buyers of its broad appeal. Its strong performance on the platform across Europe, in particular, reinforce demand and opens doors for further sales in key markets.
What other titles would you highlight from your scripted catalogue? Heading into The London Screenings, we are excited to showcase a standout scripted lineup led by premium mystery drama ‘The Gone’ (6 x 60’) – the dark and intense mystery drama which returns for a gripping second season on TVNZ soon, having already launched on RTÉ. Produced by Kingfisher Films & Keeper Pictures in association with Southern Light Films, the celebrated series features a diverse cast led by Richard Flood and Acushla-Tara Kupe. Another highlight is high-concept psychological drama ‘Plan B’ (6 x 45’) which is also back for its sophomore season, produced by KOTV for CBC (Canada). The series delivers a mind-bending exploration of choices and consequences, resonating with viewers seeking intelligent, emotionally charged storytelling.
Formats are always in a strong position, no matter the industry’s woes. What are the latest news regarding your hit title ‘Married at First Sight’? With strong audience engagement, continued international success, and new digital expansion, ‘Married at First Sight’ continues its global dominance. The format’s momentum remains strong, with recommissions worldwide -often with multiple-season orders. One of the most exciting recent developments is its move to Peacock in the US for its upcoming season 19, produced by Kinetic Content, secured as part of a multi-year deal. This move reinforces the format’s enduring popularity and adaptability.
‘Married at First Sight’ is also expanding its digital footprint globally. In a landmark deal in late 2024, 9Network acquired every existing season of every English-language version of the show and launched a dedicated Married at First Sight FAST channel on 9Now, ensuring the brand continues to engage audiences in new and innovative ways.
What makes the title so successful? The show’s appeal lies in its compelling storytelling and universal themes, which resonate across different cultures and viewing habits. Big-brand formats like ‘Married at First Sight’ foster strong viewer loyalty making them a valuable asset for broadcasters.
‘The Restaurant That Makes Mistakes: Belgium’ won an International Emmy Award. This is a very unique title, with a powerful message. What is the potential that you see for the format? ‘The Restaurant That Makes Mistakes’ is a unique and innovative
format—that engages audiences and carries a powerful message. The show, which follows 14 people with dementia as they take on the challenge of running a professional restaurant, has already demonstrated its strong international appeal.
Originally produced by our sister company CPL Productions for Channel 4 in the UK, it has already been adapted in Belgium, the Netherlands, and New Zealand – and resonated powerfully with viewers. We were thrilled to see the format recognized by the Academy – a testament to the format’s impact and storytelling strength. This recognition further reinforces our belief in its potential. With growing awareness around dementia and the importance of social inclusion, ‘The Restaurant That Makes Mistakes’ is more relevant than ever, and we are excited about its future.
What other titles would you highlight from your format slate? Our dating format ‘Stranded on Honeymoon Island’ continues to attract substantial investment and global interest. The format has seen remarkable momentum, with three new commissions in late 2024 bringing the total number to nine. Looking ahead, 2025 is shaping up to be another blockbuster year with four new local versions set to launch including in the UK with BBC One, Australia with Seven Network, and Denmark and Sweden on Max.
‘Stranded on Honeymoon Island’ taps into audiences’ love for high-stakes romance, and adventure—elements that continue to drive demand for fresh and engaging reality formats. With its unique premise and growing global footprint, we’re excited to see how the format evolves and expands in the coming years.
The Restaurant That Makes Mistakes Reality format
Vienna Blood S4 Series
Stranded on Honeymoon Island Reality format
WITH FAMILIES AT ITS CENTER
By Luis Cabrera lcabrera@todotv.tv
Narratives centered on children and families have been a highly successful formula for Haciyatmaz Group and Yeşil Yapım, who are working on many projects at the moment, while looking for new partners to learn from, share their experience and create even better content.
Tayfur Sonkaya, Founder of Haciyatmaz Group
Ozkan Ipek, Founder of Yeşil Yapim
The experience that Haciyatmaz Group and its production arm, Yeşil Yapım, have gained from producing many of the most successful Turkish dramas in recent years gives them a unique understanding of industry trends and their future potential. Armed with this knowledge, they seek to create partnerships with like-minded companies to move forward and create even better content.
“We want to work with partners who share our experience, vision and outlook on the television industry,” says Tayfur Sonkaya, founder of Hacıyatmaz Group.
“Partners from whom we can also learn new things throughout the partnership, who push us to work harder and create something even better. And of course, financial support is always welcome.”
To understand what Haciyatmaz and Yeşil Yapım bring to the table, one need only look at their track record, which includes titles such as ‘The Girl from the Green Valley’, ‘Love and Pride’ and ‘Melissa’.
“We are currently working on stories focused on children and families, which we believe will be as successful as ‘Elif’ and ‘Melissa,’” explains Ozkan Ipek, founder of Yeşil Yapim. “We are also working on two adaptations of books that we have recently licensed: ‘Little Lord’ and ‘Little Princess,’ by Frances Hodgson Burnett.”
“In addition, we have reached an agreement with our world-famous writer and musician Zülfü Livaneli to adapt ‘The House of Leyla’ into a miniseries,” adds the producer.
All these titles are complemented by a feature-length project that “tells the tragic story of a mother and her daughter.” Yeşil Yapim is behind well-known actors, because its goal is to produce a “top-notch film.”
The company is also producing formats and delving into miniseries, a genre that it believes “will become more popular in the near future.”
“Turkish miniseries already have international potential, and we are focusing on this area as well. You will hear more from us very soon,” Sonkaya adds.
Meanwhile, their project ‘Narin’ continues to move forward – with its script in development at the time of writing this article – with the aim of starting filming in May of this year.
The new filming date is a result of the current economic situation in Turkey. “With this in mind, we made a change in our production method,” Ipek shared. “In our country, shooting usually starts only when the scripts for all 20 episodes of a daily series are ready. However, for the first time, we plan to write the scripts for all 120 episodes before starting production. This approach will minimize financial losses and ensure a more efficient and higher-quality result. We are confident that we will deliver an excellent production.”
“We want to work with partners who share our experience, vision and perspective of the television sector”
The Girl of the Green Valley Distributed by Inter Medya
CONTENT AMERICAS 2025
The event closed its 2025 edition by sharing that it was attended by 2,278 delegates, more than 1,000 registered buyers and 175 exhibiting companies. In 2026, it will return to Miami, January 2022, with its opening party on Monday, January 19.
1.
/
/
/
/
/
/
/
/
Dario Turovelzky (Paramount).
2. Alex Medeiros (Globoplay).
3. Rebeca Aguilar and Lorena Molloy (Movistar+ Plus).
4. Yari Torres (All3Media International).
5. Lilly Páez (The Kitchen).
6. Ric Acevedo, Janathan Grandoit and Brendan Acevedo (Triskelion Productions).
7. Carlota Vieira and André Santos Silva (SIC International).
8. Cristian Liarte (Mediacrest).
9. “Kuky” Pumar (El Reino Infantil). / 10. Tony Kelly (Cindie).
NATPE GLOBAL 2025
FEBRUARY 5-7,
The second edition of Natpe Global 2025, this time held simultaneously with Realscreen Summit 2025 (February 3-5), was a great step forward, with very good attendance and a focus on the U.S. market that left all participants very satisfied.
1. Michael MacMillan (Blue Ant Media). / 2. Viorel Chesaru (Creative Romanian Film Makers). / 3. Matteo Rolleri and Samantha Richardson (New Era Entertainment). / 4. Maggie Salas (Canela Kids). / 5. Travis Webb (Fifth Season). / 6. Patricia Motilla (Andersen Global). / 7. Sandra Smester (NBCU Telemundo Enterprises). / 8. WAWA’s team with Woman of the Year award recipient, Mónica Albuquerque. / 9. Alejandro Veciana (Filmrise). / 10. Silvana D’Angelo (Glowstar Media).
Mahir, whose father was assassinated in the city of Denizli by Kürşat Kilimci, returns twenty years later as a police inspector, determined to avenge his father’s death. On his first day back, he has a fateful encounter with a mesmerizing girl named Canfeza, the daughter of Kürşat, and instantly falls in love. As Mahir searches for this mysterious woman, he also keeps a close watch on Kürşat, waiting for him to slip up. Mahir realizes his chance will come at the wedding of Kürşat’s daughter. But what he doesn’t know is that this event will change his life forever, marking the beginning of a night filled with unexpected twists
SNOWDROPS
(Drama, 45’’, In Production)
Hicran and Arif have been married for 50 years, dedicating their lives to raising their five children. Despite their love and sacrifices, the family is torn apart by betrayal and tragedy. A reunion with their estranged son Onur ends in a car accident, claiming Onur and his wife’s lives and leaving Arif in a coma. Hicran is left in a nursing home, while her youngest son Çınar and her grandchildren struggle with poverty. Through hardship, Hicran and Arif’s love and strength become the foundation for reuniting their broken family.
Goryana Vasileva, Sales Manager (USA, Latam, Western Europe)
Cristina Duffy, Sales Manager (Latam)
TOP EXECUTIVE
Asli Serim, Head of Sales
(Drama, 89h)
Adapted from the award-winning Argentinian series ‘The Girl Who Cleans’, ‘Farah’ is the story of an Iranian woman who had to flee her country and struggles to make ends meet in Istanbul, working as a cleaner to support her son’s treatment. Farah was one of the brightest students at one of Iran’s top medical schools, until months before she had to flee.
LOVE WITH LAVENDER SCENT
(Drama, 166h)
I was very happy, and felt very happy when I was young. I was very happy and had a good time. I also had a very good mood and was very happy with my family. For Stefan, who was a good friend of family and had a good understanding of the family, he was in his house and also tried his best to travel to his hometown. As a friend, Stefan was in his house and was very happy.
EGO
(Drama, 40h)
The family is one of the most common people in the tourism industry in Turkey. Sibel and Tuncay were both introduced to the familiar. For this reason, the Turkish people also had a family of traditional media, like Burhan the father, and they were very happy. I have always loved these guys, too, because I was Elif and I was Arda. I was also a friend of Erhan, a great friend and a great friend in the financial services department of the Koraslan family.
2 Raul Wallenberg st. Tel Aviv 6971901 Israel +972 3 647 8185 info@dorimedia.com dorimedia.com
SOUL SUCKER (8 episodes)
TOP EXECUTIVE
Nadav Palti, CEO & President
A modern fairytale about witches and curses among mothers and daughters. The series follows three generations of an oppressive matriarchal family and deals with the emotional scars passed down by mothers, all the while maintaining a sense of humor and a very quirky tone.
AMIA (Political Drama, 8 x 45’)
A Mossad agent hooks up with a local Argentinean journalist to find those responsible for a terrorist attack. Their journey draws them into a world of espionage, intelligence agencies and arms dealers.
LOVE AT THIRD SIGHT (Format, Docu-reality)
In this heartwarming reality series, vibrant men and women in their golden years spend 14 days at a luxurious resort seeking love through tailored activities, romantic outings, and deep conversations.
POWER COUPLE (Reality Format)
An international and successful prime time reality format that puts love to the test like you’ve never seen before! 8 couples face extreme challenges that will test how well they really know each other.
Beatriz Cea Okan, VP and Head of Sales and Acquisitions
TOP EXECUTIVE
Can Okan, Founder & CEO
VALLEY OF HEARTS (Drama, TBA)
Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the Şansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the Şansalans’ children, Sumru must face her past and decide whether love can overcome revenge.
HEARTSTRINGS (Family Drama, 125 x 45’)
The lives of Mahinur Aydın and Aras Yılmazer become intertwined by a dramatic hospital error that occurred years ago, where their daughters were switched at birth. Mahinur, trapped in a difficult marriage with her controlling husband Kenan, is struggling to care for her sick daughter, Bade. As Bade’s condition worsens, Mahinur turns to Aras for help, and they discover the truth through DNA tests. This revelation sparks conflicts, especially with Kenan, who accuses Aras of stealing his child. Despite the tension, Mahinur and Aras join forces to find a way to save Bade, deepening their emotional journey as parents while confronting painful truths.
Soul Sucker
DORI MEDIA GROUP
The Nightfall
ATV DISTRIBUTION
Farah
FARAH
Valley of Hearts
KANAL D INTERNATIONAL
Elif Tatoğlu, Distribution Strategy Director kdisales@kanald.com.tr kanald.international
TOP EXECUTIVE
MADD ENTERTAINMENT
Esentepe, Kore Şehitleri Caddesi, No.5/3 Şişli/ Istanbul 34394, Turkey +90 212 273 24 34 info@madd.tv www.madd.tv
EXECUTIVE
Özlem Özsümbül, Head of Sales
THE FAMILY BURDEN (Drama, 95 x 44’)
Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal. As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.
SECRET OF PEARLS (Drama, 44’)
Azem’s life shatters when he takes the blame for his wife’s death to protect his daughter. After prison, he seeks his adopted children, navigating complex relationships, but time has taken its toll.
A FATHER’S PROMISE (Drama, 67 x 44’)
In 1980’s political turmoil, Mustafa sacrifices to save his wife, leaving his daughter with the wealthy Ronas. A poignant tale unfolds as he reunites, facing dangers and love’s resilience.
LEYLA (Drama)
TOP EXECUTIVE
Ateş Ince, Managing Director
Young Leyla’s life is thrown into disarray when her father, Hilmi, marries Nur, the beautiful young woman who once cared for Leyla’s late mother. Blinded by love, Hilmi fails to see the torment Leyla’s new stepmother inflicts on her, turning her home into a living nightmare. Tragically, Hilmi realizes too late that Nur is not who she seems, and pays for her mistake with her life. Homeless and alone, Leyla vows revenge on the woman who destroyed her family and stole her life.
PORTRAIT OF A SCANDALOUS FAMILY (Drama)
Based on the true story of the Şakir Paşa family, an Ottoman dynasty shattered by scandal only to give rise to some of the 20th century’s greatest artists. In 1911, Şakir Paşa was a retired Ottoman commander and history writer living on Büyükada, when his eldest son Cevat returned from Oxford with an Italian wife. They all lived together in the family villa, where the bohemian Cevat was increasingly at odds with his military father, who disapproved of Cevat’s wife and lifestyle. But Cevat’s wife became infatuated with the older man, and he was unable to resist. So began a chain of events that tore the Şakir Paşa family apart – which is just the beginning of their remarkable story.
(+90) 216 695 1300
Barbaros Mah. Fikret Mualla Sok. No:13 Fidem
Prestij Blokları B Blok D:21 34664 Uskudar, Istanbul, Turkey www.mistco.tv
EXECUTIVE
Maria Fernanda Espino, Sales Manager for Latam & Iberia
COME WHAT MAY
TOP EXECUTIVE
Aysegul Tuzun, Managing Director
(Romantic Drama, 89 x 45’)
On the day Alize was born, her mother passed away. Although her father Nurettin tries to make her happy, Alize has turned into an aggressive, selfish, conflicting character. When Alize crashes into a repairman’s car and runs away, Nurettin decides to teach her daughter things she couldn’t teach her when she was younger, before it’s too late. For this reason, he proposes to his girlfriend Sinem, whom he has loved for years, but could not step into marriage so that Alize would not be upset. Alize, who is not behind her father in terms of stubbornness, decides to marry the repairman to make up for her mistake.
BAHAR
(Drama, 114 x 45’)
‘Bahar ’ is the story of a young girl who is struggling to keep the goodness inside despite all darkness around. After witnessing the murder of her father, she is trying to prove that Aysun (her stepmother) committed the murder. On the other hand, the love between Bahar and Demir who met just days before the murder grows day by day but becomes even more impossible since Aysun is obsessively attached to Demir and determined to win Demir at any cost.
C/ Suero de Quiñones 38, 1o 28002, Madrid +34 91 562 0671 onza@onzadistribution.com www.onzadistribution.com
TOP EXECUTIVE
Carlos Garde, Managing Director
THE COLOR OF LOVE
(Telenovela, 120 x 60’)
When Gaspar, a Portuguese businessman based in Angola, dies of a sudden illness, he leaves all his assets to three Portuguese girls. Eva and her sisters, who had been struggling to make ends meet, find themselves, overnight, the owners of a fortune that includes one of the largest agricultural properties in Angola. Talu, a young Angolan engineer and Gaspar’s protégé, was cut out of the will in favour of Eva and her sisters. Although they are on opposite sides of the conflict, Eva and Talu cannot help the attraction they have felt since they met. And both find themselves at the centre of the dispute over the inheritance.
CACAO
(Telenovela, 220 x 50’)
Cacao is a young woman of Portuguese origin who makes chocolates on a cocoa farm in Itacaré, Brazil. Her dream is to go abroad and study pastry making, but she doesn’t have the money to pay for it. Everything changes when it is revealed that her real father is Justino, the wealthy owner of the farm. This revelation triggers a series of intrigues and conflicts that endanger the family’s assets. Cacao’s life is in danger but Tiago, an attractive young man with whom she falls in love, will do everything possible to protect Cacao from her enemies.
GOLDEN SWAN
(Fiction, 56 x 50’)
March 15, 1939. The luxurious Golden Swan Galleries open their doors in Prague on the same day that German troops invade the Czechoslovakian border. After going on the run for theft, Bára hides in the department store to escape the police. A series of incidents and misunderstandings lead her to become a saleswoman in the fashion section, and a new life opens up for her.
The Family Burden
Leyla
Listings
MipLondon
RECORD TV
240, Varzea St, Barra Funda São Paulo / SPBrasil 01140-080 - São Paulo - SP, Brazil +55 11 3300-4022 tbcastro@recordtv.com.br www.recordtvnetwork.com
EXECUTIVE
Thiago Castro, International Sales Executive
TOPÍSSIMA
(Telenovela, 145 x 45’)
TOP EXECUTIVE
Delmar Andrade, International Sales Director
A telenovela that delves into the feminine universe and brings to light the conflicts of modern women: work versus love life; independence versus loneliness; motherhood versus career; aging versus aesthetics; illegality of abortion versus death, among others. In addition to the issues inherent to the female universe, we will have in parallel a police investigation full of twists and turns involving the protagonists. The plot is built on four pillars: romance, police investigation, drama and humor.
ULTIMATE LOVE
(Telenovela, 148 x 45’)
We would all like to live – or have ever imagined living – a love story capable of overcoming any difference, prejudice or obstacle imaginable. This feeling often arises in the most unexpected places and from the most unlikely people. But when love turns out to be true, nothing can stop it from uniting two lovers.
THE SLAVE ISAURA
(Period Telenovela, 167 x 45’)
A Brazilian telenovela, successful in over 80 countries worldwide. Based on the 1875 novel by Bernardo Guimarães. The telenovela shows a love story, amid the theme of slavery. Isaura is the daughter of the slave Juliana and the farm manager, Miguel. Juliana dies, and Isaura is raised and educated by the Commander’s family. Despite having an excellent education and having fair skin, Isaura is a slave of the Comendador, for being born the daughter of his slave, in the midst of suffering for her freedom, she lives a beautiful love story.
Est dos Bandeirantes, N° 23505. Rio de Janeiro, Brazil. Postal Code: 22785-091. (+55) 11 97504 4022 edson.mendes@seriella.com
KINGS
(Biblical, 257 × 45’)
EJECUTIVO TOP
Edson Pfutzenreiter Mendes, Commercial Director
This narrative centers on King David, delving into the events that precede his reign and the early stages of political organization before Israel was established as a kingdom. It also highlights David’s passionate struggles and romances, spanning from his youth to his final days.
ATE ONDE ELA VAI
(Drama, 10 x 45’)
This mini-series tells the story of Barbara, who had a happy childhood in a loving home, until she began to experience paranormal phenomena. As the years go by, Barbara becomes a stunning and independent woman, but she keeps an important secret that haunts her and affects her choices. The series explores how these experiences have left a mark on her life over time.
MOSES AND THE TEN COMMANDMENTS
(Biblical, 242 x 45’)
This telenovela narrates the life of Moses, chronicling his journey from birth to his divine encounter in the Sinai desert, where he is called to confront the mighty Pharaoh and fight for his people’s freedom. Breathtaking special effects illustrate the ten plagues that afflicted Egypt, culminating in the astonishing event of crossing the Red Sea on dry land.
The thrilling crime drama set in 1900s Vienna, from acclaimed screenwriter Steve Thompson, returns for season four. Directed by Umut Dağ. Written by Steve Thompson.
THE GONE S2
(Crime Drama, 6 x 60’)
Detectives Theo Richter and Diana Huia are back, racing to stop a deadly killer while unearthing buried secrets and hidden traumas. Written by Anna McPartlin & Michael Bennett. Directed by Dathai Keane & Peter Burger.
PLAN B S2
(Drama, 6 x 45’)
The high-concept psychological drama returns for a second season; idealistic cop Mia Mia journeys into the past with unexpected consequences. Created by Jean-François Asselin.
LOVE COSTS (Format/Dating)
The dating show where true love and cunning deceit collide. Each episode, one hopeful seeks love among four suitors. But while two genuinely seek romance, the others are after a cash prize.
IF PIGS COULD TALK
(Factual, 1 x 60’ or 1 x 75’)
Unlocking the language of pigs using AI, this documentary reveals the hidden emotions and ethics of pig farming. Directed by Miki Mistrati.
sales@sic.pt internationaldistribution.sic.pt
EXECUTIVE
André Santos Silva, Sales Executive
Carlota Vieira, Manager
BROKEN PROMISE
Telenovela, 140 x 45’)
Based on a Turkish script from Kanal D, the story focuses on the relationship between two families who end up involved in a secret deal, giving rise to conflicts, but also forbidden passions tangled up in a complicated plot. Two sisters in conflict, two cousins with a score to settle and a lot of feelings running high. Betrayals and conspiracies will unfold around it and bring to light the best-kept family dirty secrets.
LUCIA OF FATIMA
(3 x 45’ o 1 x 108’)
During her childhood, the Fatima prophet was taken away from her family and denied the right to her own identity. Lucia resisted it all to keep her story alive. She was the guardian of the secret. The journey of a girl behind the religious figure, awarded with a Bronze Medal in Streaming Drama Category at 2024 New York Festivals - International TV & Film Award.
TIMELESS LOVE
(Telenovela, 110 x 45’)
Catarina is a humble girl desperately searching for her missing mother. Seeking the truth, she infiltrates into the mansion of the powerful Torres family, but what she finds is a family trapped in a complicated succession crisis... and a man she will fall in love with. A story about love, justice, and fight for power awarded with Gold in Entertainment -Telenovelas category at the 25º World Media Festivals. TOP EXECUTIVE
Topíssima
IN NUMBERS
74%
of UK CTV users now stream live sports, according to a study by LG Ad Solutions
24.7 billion dollars is how much The Walt Disney Company reported in revenue for Q1, 2025
37.1 million
US households watched the 2025 Super Bowl, according to Samba TV
100+ is how many markets in the US now have access to Fubo Sports
17.3 billion dollars is how much Amazon reported in ad sales in its last quarter report.
73% of all viewing time on YouTube was for long-form content by the end of October 2024
ANIMATION TFOU AND DANDELOO ANNOUNCE NEW ANIMATED SERIES HOLD ON GASTON!
TF1’S CHILDREN’S PROGRAMMING block TFOU together with award winning production company and long-time partners of the TFOU d’Animation Screenplay Contest, Dandelooo, announced the development of the animated series ‘Hold on Gaston!’.
Adapted from the bestselling book series ‘Little Unicorn’, by writer and illustrator Aurélie Chien Chow Chine and published by Hachette Enfants, this whimsical and unicorn-filled 2D adventure aimed at children aged 4 to 7 will be available in 52 x 11-minute episodes. Since its debut in 2018 the ‘Little Unicorn’ book series, have become a phenomenal success and has continued to capture the hearts of readers in France and across the world. With 55 titles published and over 1.7 million copies sold in France alone, the phenomenon has spread worldwide, with translations now available in 28 languages.
OFFICES
DISTRIBUTION LIQUID ROCK ENTERTAINMENT
SECURES EUROPEAN BROADCASTERS FOR SUPERTHINGS: RIVALS OF KABOOM
LIQUID ROCK ENTERTAINMENT has secured a powerful lineup of European broadcast partners for ‘SuperThings: Rivals of Kaboom’, solidifying the brand’s foothold in the region as a key first step in its global rollout. Following the success of ‘SuperThings’ in Spain with TVE, TV3, and À Punt, the animated series is now set to reach millions of new viewers through strategic partnerships with leading European networks such as Gulli (France), Cartoonito (GAS, Eastern Europe, Benelux), ITVX (UK) and Panda (Portugal). This expansion paves the way for the worldwide growth of the SuperThings franchise, and reinforcing its position, not only as a Toy hit, but as a must-watch kids’ entertainment property.
GIANT ANIMATION OPENS FIRST INTERNATIONAL OFFICE IN BARCELONA
DUBLIN-BASED INDEPENDENT ANIMATION STUDIO, Giant Animation, announced the opening of its first international office in Barcelona. The international expansion will look to strengthen and leverage Giant’s partnerships with international production companies. With offices in Spain and Ireland, Giant will continue to offer its work for hire services and will further develop its original and international coproductions across TV and film. With the Barcelona studio, Giant is committing to its investment into the Spanish industry. It plans to split production of its upcoming projects across Ireland and Spain, and recruit from the country’s large talent pool of highly skilled artists for its high-end CG productions. The company will also make use of the Spanish Tax Rebate for international production work carried out in the country. The launch of Giant’s international office aligns with its wider initiative to expand its work for hire services, production footprint within Europe and develop its global coproduction model, building coproduction relationships in Spain and across the rest of the world.
